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He Stole Her Memoir - She Apologized for Not Seeing It · Dark Psychology Manipulation

• 0:03
  Speaker 1: The third Tuesday of March twenty nineteen, Karen Yorke was
• 0:08
  Speaker 1: reshelving donated books in the hallway of Harwick Community Church
• 0:12
  Speaker 1: when a cream's spine stopped her cold. The title read
• 0:16
  Speaker 1: A Life in Margins, One Woman's Path through Publishing. The
• 0:21
  Speaker 1: face on the back flap was Crystal Underwood's. The name
• 0:25
  Speaker 1: on the copyright page was not. That name was Patricia
• 0:29
  Speaker 1: wend Cristel had never heard of her. What Karen did
• 0:33
  Speaker 1: next before Cristel knew any of this existed, would unravel
• 0:37
  Speaker 1: three years of careful patient theft. And the most unsettling
• 0:42
  Speaker 1: part of that theft was not what Ronald Hoffman had taken.
• 0:46
  Speaker 1: It was how completely he had used Cristel's own expertise
• 0:50
  Speaker 1: against her. Cristel Underwood had spent twenty two years as
• 0:54
  Speaker 1: a senior acquisition's editor. She knew publishing contracts the way
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  Speaker 1: a carpenter nose grain. She knew the language agents used,
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  Speaker 1: the rhythms of submission, the small tells of a dishonest deal.
• 1:08
  Speaker 1: And she had still missed it. Every time something flickered
• 1:11
  Speaker 1: at the edge of her attention. She had done the
• 1:14
  Speaker 1: same thing. She had apologized for noticing that pattern not
• 1:18
  Speaker 1: the fraud itself is where this story lives. By the
• 1:22
  Speaker 1: fall of twenty fifteen, Crystal Underwood was fifty years old
• 1:26
  Speaker 1: and starting over. The imprint she had worked for since
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  Speaker 1: her late twenties had dissolved in a round of industry consolidation,
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  Speaker 1: and twenty two years of institutional knowledge walked out the
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  Speaker 1: door with her severance packet. She settled back into Harwick,
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  Speaker 1: a mid sized city in the Upper Midwest, and the
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  Speaker 1: house she had lived in long enough to know which
• 1:46
  Speaker 1: floorboards creaked. She had three cats. She had a diabetic
• 1:51
  Speaker 1: miniature Schnauzer named Biscuit, whose insulin injections ran on a
• 1:55
  Speaker 1: schedule as precise as any editorial deadline seven fifteen every year,
• 2:00
  Speaker 1: in morning, six forty five every evening, no exceptions. She
• 2:04
  Speaker 1: also had a manuscript. For years, Crystal had been writing
• 2:08
  Speaker 1: a memoir of the publishing industry from the inside, the
• 2:12
  Speaker 1: acquisitions lunches, the acquisitions lunches, and the quiet rejections, the
• 2:18
  Speaker 1: books that almost were, and the authors who never recovered
• 2:21
  Speaker 1: from almost The working title was a Life in Margins.
• 2:25
  Speaker 1: It was the kind of book she had always known
• 2:27
  Speaker 1: how to see in other people's work, recognizing it in
• 2:31
  Speaker 1: her own was harder and lonelier, and she wanted to
• 2:34
  Speaker 1: get it right. She began querying agents in early twenty sixteen.
• 2:39
  Speaker 1: The process was familiar and also newly humbling. She had
• 2:43
  Speaker 1: been on the other side of that equation for two decades,
• 2:47
  Speaker 1: and the reversal had wait. Then, in the spring of
• 2:50
  Speaker 1: twenty sixteen, a response came from Ronald Hoffman of HRM Representation, LLC,
• 2:57
  Speaker 1: a boutique agency specializing in narrative nonae. Hoffman was sixty one,
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  Speaker 1: recently widowed by his own account, with a warm and
• 3:05
  Speaker 1: unhurried way of corresponding that felt immediately different from the
• 3:10
  Speaker 1: form rejections she had been collected.
• 3:13
  Speaker 2: He had read her.
• 3:13
  Speaker 1: Pages carefully, He believed in the project.
• 3:16
  Speaker 2: He wanted to talk.
• 3:18
  Speaker 1: What followed looked from the outside like a professional relationship
• 3:23
  Speaker 1: taking hold. Hoffman made daily contact in the first weeks, emails,
• 3:28
  Speaker 1: handwritten notes tucked inside gifted books, small attentions that felt
• 3:34
  Speaker 1: like a mentor's investment. He remembered Biscuit's name from a
• 3:38
  Speaker 1: single passing mention He asked after the dog by name
• 3:41
  Speaker 1: and subsequent letters. Cristel noticed that, and it moved her.
• 3:46
  Speaker 1: She had spent twenty two years nurturing other people's work.
• 3:49
  Speaker 1: Here was someone who seemed to understand what it cost
• 3:52
  Speaker 1: to finally offer your own. The representation agreement she signed
• 3:57
  Speaker 1: gave Hoffman authority over what the contract called author presentation decisions.
• 4:02
  Speaker 1: The phrase had no standard industry meaning Cristel, who had
• 4:07
  Speaker 1: reviewed hundreds of publishing contracts, read it and moved on.
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  Speaker 1: Later investigators would describe that clause as the operational hinge
• 4:16
  Speaker 1: of everything that followed. At the time, it looked like
• 4:19
  Speaker 1: boiler plate someone had worded carelessly. It was not careless.
• 4:24
  Speaker 1: Hoffmann would later tell investigators from the first interrogation session,
• 4:28
  Speaker 1: and without apparent discomfort, that he selected clients whose professional
• 4:32
  Speaker 1: expertise would cause them to blame themselves when something seemed wrong,
• 4:37
  Speaker 1: and whose daily schedules were predictable enough to work around.
• 4:41
  Speaker 1: Cristel underwould fit both criteria precisely. She had the credentials
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  Speaker 1: to second guess her own instincts, and every evening at
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  Speaker 1: six forty five, she was in the kitchen with biscuit,
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  Speaker 1: occupied and reliable for exactly fifteen minutes. He had learned
• 4:59
  Speaker 1: that from her letters he had built a window out
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  Speaker 1: of it. What Kristel did not know What she would
• 5:05
  Speaker 1: not know for nearly three years was that, by the
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  Speaker 1: time she was signing for Biscuit's insulin supplies and writing
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  Speaker 1: Hoffmann grateful updates about her manuscript's progress, the manuscript had
• 5:17
  Speaker 1: already begun its journey toward publication under someone else's name,
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  Speaker 1: with someone else collecting the advance and with an acknowledgments
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  Speaker 1: page that thanked by name a small diabetic dog in
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  Speaker 1: Harwick whose owner had no idea any of it was happening.
• 5:34
  Speaker 1: No way, how could this happen? The first anomaly arrived quietly,
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  Speaker 1: the way the most important things often do. It was
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  Speaker 1: the summer of twenty eighteen. Cristel's friend Patrise Odom was
• 5:47
  Speaker 1: working through a trade database at her own regional press
• 5:51
  Speaker 1: routine subsidiary rights research. A Tuesday afternoon task, she typed
• 5:56
  Speaker 1: in HRM, Representation LLC and scroll. One title stopped her.
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  Speaker 1: Listed under Hoffman's agency was a forthcoming narrative nonfiction memoir
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  Speaker 1: by an author named Patricia wend The subject description matched
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  Speaker 1: Cristel's manuscript so closely that Patrice took a screenshot before
• 6:16
  Speaker 1: she said anything. She called Cristel that evening. Cristel brought
• 6:20
  Speaker 1: it to Hoffmann. The next morning, his reply came in
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  Speaker 1: under ten minutes. Different project, he said, an older client
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  Speaker 1: he had worked with years before publication. He sounded mildly
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  Speaker 1: amused that she would ask. Cristel, who had spent two
• 6:35
  Speaker 1: decades as an acquisition's editor and understood precisely how Queery
• 6:40
  Speaker 1: databases worked, heard his explanation and did something that would
• 6:44
  Speaker 1: become the pattern. She apologized for the misunderstanding. Patrice told
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  Speaker 1: her it was probably a coincidence. Cristel agreed. She filed
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  Speaker 1: the feeling away and moved on. But the image of
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  Speaker 1: that listing Patricia wend a m representation narrative nonfiction, did
• 7:03
  Speaker 1: not go away entirely. It sat at the edge of
• 7:06
  Speaker 1: her attention, like a word she could not quite recall.
• 7:10
  Speaker 1: Three months later, in October of twenty eighteen, a second
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  Speaker 1: image appeared. Cristel tried to log in to the shared
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  Speaker 1: document folder where her manuscript drafts lived. The login failed.
• 7:22
  Speaker 1: She tried again, same result. She emailed Hoffmann, and once more,
• 7:27
  Speaker 1: his response came with unusual speed, a new login, a
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  Speaker 1: brief note saying the platform had updated its security protocols.
• 7:36
  Speaker 1: She was back inside within the hour. What she did
• 7:39
  Speaker 1: not do was check whether the documents she found were
• 7:43
  Speaker 1: the same documents she had left. Vernon Snyder, the investigator
• 7:47
  Speaker 1: who would later lead the case, described that moment in
• 7:50
  Speaker 1: his notes as the completion of what he called manufactured dependence.
• 7:55
  Speaker 1: Hoffmann controlled the digital infrastructure. Cristel had surrendered her independent
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  Speaker 1: record of the manuscript gradually and without realizing it, across
• 8:04
  Speaker 1: months of small conveniences. By October twenty eighteen, if the
• 8:09
  Speaker 1: folder said her manuscript was in submission, she had no
• 8:12
  Speaker 1: independent way to verify it. She trusted the folder because
• 8:16
  Speaker 1: Hoffman had built it. She trusted Hoffmann because he had
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  Speaker 1: remembered Biscuit's name. Here is the thing about manufactured dependence.
• 8:25
  Speaker 1: It does not require force. It requires patience and a
• 8:30
  Speaker 1: series of offers that feel like help. Four months after
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  Speaker 1: the login was reset, in late November of twenty eighteen,
• 8:37
  Speaker 1: a small New York imprint quietly released a hardcover memoir,
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  Speaker 1: cream Spine elegant Sarah Fott. The title read A Life
• 8:47
  Speaker 1: in Margins, One Woman's Path through Publishing. The copyright page
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  Speaker 1: listed the author as Patricia Whan. The acknowledgments page thanked,
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  Speaker 1: among others, a miniature Schnauzer named biscuit. On the evening
• 9:02
  Speaker 1: the book went on sale, she was in her kitchen
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  Speaker 1: in Harwick at six forty five, measuring insulin into a
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  Speaker 1: syringe for a small dog who had just eaten dinner.
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  Speaker 2: The book moved quietly through its first weeks, a handful
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  Speaker 2: of warm reviews in regional literary outlets, a mention in
• 9:20
  Speaker 2: a publishing trade newsletter nothing spectacular but solid.
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  Speaker 1: Hoffman collected a forty percent commission, double the industry standard,
• 9:29
  Speaker 1: under the terms of a publisher contract that routed all
• 9:32
  Speaker 1: author correspondence through the agency. No letter, no royalty statement,
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  Speaker 1: no editorial note ever reached a woman named Cristel Underwood.
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  Speaker 1: They were addressed to Patricia wend Care of h R
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  Speaker 1: M Representation LLC. Cristel was still writing hoffman cheerful progress updates.
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  Speaker 1: In February of twenty nineteen, three weeks before everything changed,
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  Speaker 1: a woman Crystal Knew from Church met day memoir she
• 10:01
  Speaker 1: had recently finished. She described it warmly, a book about publishing,
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  Speaker 1: she said, about the interior life of someone who had
• 10:09
  Speaker 1: given years to other people's words and was finally trying
• 10:13
  Speaker 1: to find her own. Cristel felt something move through her
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  Speaker 1: that she could not name. She went home and searched
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  Speaker 1: for two hours. She found nothing under any search she tried,
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  Speaker 1: because she was searching for her own name. She did
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  Speaker 1: not search for Patricia Wend. She did not know that
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  Speaker 1: name existed. Yet she found nothing, told herself she had
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  Speaker 1: misheard the description, and went to bed. She would later
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  Speaker 1: describe those two hours as the moment she most clearly
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  Speaker 1: saw what the manipulation had built inside her. She had
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  Speaker 1: a feeling so specific and so correct that it practically
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  Speaker 1: had an address, and she talked herself out of it.
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  Speaker 1: The third Tuesday of March twenty nineteen was an ordinary
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  Speaker 1: week day at the Harwick Community Church Lends Library. Karen
• 11:01
  Speaker 1: Yorke was her shelving returns, working her way down a
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  Speaker 1: cart of donated hardcovers. She placed a book on a
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  Speaker 1: shelf in the memoir section, stepped back to straighten the road,
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  Speaker 1: and looked at the spine she had just shelled cream
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  Speaker 1: small New York imprint name at the bottom. She pulled
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  Speaker 1: it back off the shelf. The title meant nothing to
• 11:22
  Speaker 1: her immediately, a life in margins. She turned it over
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  Speaker 1: and on the back flap above a biographical note for
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  Speaker 1: someone named Patricia Wend was a photograph of a woman
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  Speaker 1: Karen Yorke recognized immediately. She knew that face from the
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  Speaker 1: Food Drive Committee. She knew that woman's name, and it
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  Speaker 1: was not Patricia wend Karen did not replace the book
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  Speaker 1: on the shelf. She set it on the cart, pulled
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  Speaker 1: out her phone and photographed the front cover, the back flap,
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  Speaker 1: the copyright page, and the acknowledgments. Then she walked to
• 11:56
  Speaker 1: her car and called the non emergency line for the
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  Speaker 1: count Sheriff's office. That call reached Vernon Snyder's desk within
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  Speaker 1: the hour. Snyder opened a formal investigation within forty eight hours.
• 12:10
  Speaker 1: His first step was to pull every public record associated
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  Speaker 1: with HRM Representation LLC. What he found was a company
• 12:18
  Speaker 1: with minimal public footprint, a registered address that turned out
• 12:22
  Speaker 1: to be a mail forwarding service, a website with no
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  Speaker 1: client list, and a history of correspondence conducted entirely through
• 12:30
  Speaker 1: a single email domain that Hoffmann controlled without any external oversight.
• 12:35
  Speaker 1: The submission emails he had sent on Cristel's behalf the
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  Speaker 1: ones routed through that email account during the six thirty
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  Speaker 1: to seven o'clock window each evening existed in no inbox.
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  Speaker 1: Cristel had ever accessed. She had believed her manuscript was
• 12:50
  Speaker 1: in submission to publishers across the country. The emails confirming
• 12:54
  Speaker 1: those submissions, the rejection letters, the revision requests. All of
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  Speaker 1: it had been written, sent, and received by Hoffman alone,
• 13:03
  Speaker 1: to and from addresses he had created. Cristel Underwood had
• 13:07
  Speaker 1: been corresponding with her own story for three years. She
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  Speaker 1: just did not know it was already in print. Snyder
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  Speaker 1: brought the book to Cristel on a Thursday afternoon. He
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  Speaker 1: placed it on her kitchen table. She looked at the covern,
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  Speaker 1: looked at her photograph above the name. She did not recognize,
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  Speaker 1: and did not speak for a long moment. A friend
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  Speaker 1: who was present later said Cristel's first words were not
• 13:31
  Speaker 1: about the fraud. They were about the acknowledgments page, which
• 13:35
  Speaker 1: she had not yet seen. When she turned to it
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  Speaker 1: and found Biscuit's name in print, she put the book
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  Speaker 1: down and walked to the back of the house. She
• 13:43
  Speaker 1: came back, she sat down. She told Snyder she wanted
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  Speaker 1: to understand every piece of it. By the time Snyder
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  Speaker 1: had Hoffman's financial records, the shape of the scheme was
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  Speaker 1: clear enough, but two questions remained open, and they pointed
• 13:58
  Speaker 1: in opposite directions. The first was about knowledge picture. Crystal,
• 14:02
  Speaker 1: in the fall of twenty fifteen, recently laid off spending
• 14:06
  Speaker 1: evenings on a memoir she had never allowed herself time
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  Speaker 1: to write. She begins submitting to agents. Ronald Hoffman responds
• 14:15
  Speaker 1: within two weeks. He is warm, specific and patient. Nothing
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  Speaker 1: in that early contact was invented, his praise for her writing,
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  Speaker 1: his attention to her situation, even his memory of Biscuit's name.
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  Speaker 1: You could look at the ark from that first letter
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  Speaker 1: to the signed representation agreement and conclude that Hoffman had
• 14:36
  Speaker 1: identified a target engineered in Timothy and moved methodically. That
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  Speaker 1: version is supported by his own confession. He told investigators
• 14:45
  Speaker 1: he chose clients whose expertise would make them blame themselves.
• 14:49
  Speaker 1: But the question Snyder spent considerable time on was a
• 14:52
  Speaker 1: different one. Had Cristel been uniquely vulnerable or had Hoffman
• 14:57
  Speaker 1: found a vulnerability that exists in most people who have
• 15:00
  Speaker 1: spent decades giving their professional authority to other people's work.
• 15:05
  Speaker 1: That question mattered because Snyder had found a second name
• 15:09
  Speaker 1: in the HRM records. Deborah Finch was sixty three years old.
• 15:14
  Speaker 1: But there was a second layer in Hoffman's history. She
• 15:17
  Speaker 1: was a retired school teacher who lived two hours south
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  Speaker 1: of Harwick. She had worked with Hoffmann between twenty twelve
• 15:24
  Speaker 1: and twenty fourteen on a family memoir. She had never
• 15:28
  Speaker 1: heard from him again after he said the project had
• 15:31
  Speaker 1: not found interest at any publisher. She had spent five
• 15:35
  Speaker 1: years believing her book had simply failed. She did not
• 15:39
  Speaker 1: know that the book had been published in twenty fourteen
• 15:42
  Speaker 1: under a name she had never agreed to, with a
• 15:45
  Speaker 1: forty percent commission paid to HRM Representation LLC, and that
• 15:50
  Speaker 1: the author correspondence had been routed entirely through Hoffman's agency.
• 15:54
  Speaker 1: She had never known the book existed. Snyder was the
• 15:57
  Speaker 1: first person to tell him. When you set deborah story
• 16:00
  Speaker 1: alongside Crystal's, the pattern Hoffman described as a business model
• 16:04
  Speaker 1: becomes visible in its full shape. He did not improvise.
• 16:08
  Speaker 1: He did not stumble into a fraud of opportunity. The
• 16:11
  Speaker 1: representation agreement clause authority over author presentation decisions appeared in
• 16:17
  Speaker 1: both contracts. The double commission structure appeared in both publisher agreements.
• 16:21
  Speaker 1: The routing of all author correspondence through the agency appeared
• 16:25
  Speaker 1: in both. These were not adaptations. They were a template.
• 16:29
  Speaker 1: The head fake is this The story seemed to be
• 16:32
  Speaker 1: about Cristel's expertise failing her, about a woman who had
• 16:36
  Speaker 1: reviewed hundreds of contracts and still missed the clause. Snyder
• 16:41
  Speaker 1: himself initially framed the investigation around that question, how does
• 16:45
  Speaker 1: a senior acquisition's editor get here? But Deborah Finch had
• 16:48
  Speaker 1: no publishing background whatsoever. She was a retired school teacher.
• 16:53
  Speaker 1: She trusted Hoffman for the same reason Cristel did. Because
• 16:57
  Speaker 1: he was patient, because he paid attention, and because the
• 17:00
  Speaker 1: clause was buried in language that sounded like routine boilerplate.
• 17:06
  Speaker 1: The expertise Cristel spent years believing should have protected her
• 17:10
  Speaker 1: was precisely the thing Hoffmann selected for. He did not
• 17:14
  Speaker 1: fool her despite her knowledge. He selected her because of it.
• 17:19
  Speaker 1: Her professional fluency gave the manipulation a surface that felt
• 17:22
  Speaker 1: like collaboration. Every time she noticed something wrong, Her own
• 17:27
  Speaker 1: credentials handed her a reason to doubt the noticing. Snyder's
• 17:30
  Speaker 1: line written in his case summary was unambiguous. What Hoffman
• 17:35
  Speaker 1: built was not a disguise. It was a mirror. He
• 17:39
  Speaker 1: showed each woman a version of the professional process they
• 17:42
  Speaker 1: already understood, and he let that understanding do the work
• 17:46
  Speaker 1: of concealment for him. The crime was not that Cristel
• 17:49
  Speaker 1: failed to see it. The crime, as the federal charges confirmed,
• 17:54
  Speaker 1: wire fraud, identity fraud, theft of intellectual property two counts each,
• 18:00
  Speaker 1: was that Hoffman had designed it specifically so she would not.
• 18:04
  Speaker 1: Ronald Hoffman was arrested on a Friday in late March
• 18:07
  Speaker 1: of two thousand nineteen. He did not require a second
• 18:11
  Speaker 1: interrogation session. He confessed in the first one, and what
• 18:15
  Speaker 1: he said in that room is the part that stays
• 18:18
  Speaker 1: with you. He described the scheme as a business model,
• 18:22
  Speaker 1: not a mistake, not a lapse in judgment, a business model.
• 18:26
  Speaker 1: He never used the word wrong. Investigators noted that he
• 18:30
  Speaker 1: appeared to consider the terminology in the question itself a
• 18:33
  Speaker 1: category error. Six weeks after his arrest, he entered at
• 18:37
  Speaker 1: guilty plea. The federal charges stood wire fraud, identity fraud,
• 18:43
  Speaker 1: theft of intellectual property two counts each, covering Crystal Underwood
• 18:49
  Speaker 1: and Deborah Finch. The sentence came to four years and
• 18:53
  Speaker 1: eight months in federal custody. Restitution was ordered to both women.
• 18:58
  Speaker 1: The publisher recalled copy of A Life in margins and
• 19:02
  Speaker 1: issued a public statement naming Cristel as the sole legitimate
• 19:05
  Speaker 1: author of record. The corrected edition was never produced. The
• 19:09
  Speaker 1: imprint went out of business before it could be. Cristel
• 19:14
  Speaker 1: pursued a separate civil action. Deborah Finch, the retired school
• 19:18
  Speaker 1: teacher two hours south of Harwick, learned the full shape
• 19:22
  Speaker 1: of what had happened to her only through Vernon Snyder's
• 19:25
  Speaker 1: review of HRM records. She had spent five years believing
• 19:29
  Speaker 1: her family memoir had simply failed to find a publisher.
• 19:33
  Speaker 1: She did not know it had been published. She did
• 19:35
  Speaker 1: not know it had ever left her hands. For five years,
• 19:39
  Speaker 1: the quiet grief of a book unread had been the
• 19:41
  Speaker 1: wrong grief entirely. That is the detail that does not
• 19:45
  Speaker 1: get smaller the more you sit with it. Snyder later
• 19:48
  Speaker 1: described Hoffman's victim selection as deliberate and documented. In his confession,
• 19:53
  Speaker 1: Hoffman stated that he chose isolated people whose expertise would
• 19:57
  Speaker 1: lead them to blame themselves and whose schedules were predictable.
• 20:01
  Speaker 1: He was not describing two women, He was describing a method.
• 20:06
  Speaker 1: The question his case files leave open, and that Snyder
• 20:09
  Speaker 1: has declined to answer publicly, is how many times that
• 20:13
  Speaker 1: method had been rehearsed before Crystal Endeborah. The publishing industry's
• 20:18
  Speaker 1: response was largely procedural. The contract clause granting authority over
• 20:23
  Speaker 1: author presentation decisions remains legal in most representation agreements. No
• 20:28
  Speaker 1: industry body issued guidance. The clause Hoffmann used is still
• 20:33
  Speaker 1: in circulation. Cristel Underwood said on record that her anger
• 20:38
  Speaker 1: was not about being fooled. She had made peace or
• 20:42
  Speaker 1: something close to it, with the mechanics of how it worked.
• 20:45
  Speaker 1: She understood the clause. She understood the window of six
• 20:49
  Speaker 1: thirty to seven o'clock every evening biscuit's insulin schedule weaponized
• 20:54
  Speaker 1: as an operational gap. She understood why she had not
• 20:58
  Speaker 1: verified the shared document folder, and why Hoffman's quick replies
• 21:02
  Speaker 1: had felt like reassurance rather than control. What she could
• 21:06
  Speaker 1: not fully account for. What she said still occupied her
• 21:10
  Speaker 1: was how many times she had apologized to Ronald Hoffman
• 21:13
  Speaker 1: for noticing something was wrong. That is the center of
• 21:16
  Speaker 1: the story, not the clause, not the e mail account.
• 21:20
  Speaker 1: She never saw the apologies each time she caught the
• 21:23
  Speaker 1: edge of something that did not fit her own expertise.
• 21:26
  Speaker 1: Her own professional formation handed her a reason to doubt
• 21:31
  Speaker 1: the noticing and she offered the doubt to him. She said,
• 21:35
  Speaker 1: sorry for the interruption, and let it go. A memoir is,
• 21:39
  Speaker 1: by design, the act of putting your own name on
• 21:42
  Speaker 1: your own life. Cristel wrote hers as an attempt to
• 21:45
  Speaker 1: reclaim something she had lost. The irony Hoffman built into
• 21:49
  Speaker 1: the structure of the theft is precise and almost too clean.
• 21:53
  Speaker 1: The vehicle she chose for reclamation became the instrument of appropriation.
• 21:58
  Speaker 1: The book about Finding her Voice was the book published
• 22:01
  Speaker 1: without her name. Karen York found it on a Tuesday.
• 22:05
  Speaker 1: She photographed the back flap Cristel's face above Patricia Wend's
• 22:09
  Speaker 1: name and called police. Before Cristel knew anything that happen.
• 22:13
  Speaker 1: The acknowledgments thanked biscuit. Cristel did not learn that until
• 22:16
  Speaker 1: after friends had read the book and told her there
• 22:20
  Speaker 1: is something in that sequence that resists easy framing. The
• 22:24
  Speaker 1: proof of authorship was a dog's name. The investigation began
• 22:28
  Speaker 1: because a church volunteer recognized a face on a jacket
• 22:31
  Speaker 1: in a hallway lending library. The system did not catch it.
• 22:35
  Speaker 1: The person did one person who knew Cristel well enough
• 22:39
  Speaker 1: to know that something in that image was wrong. Cristel
• 22:42
  Speaker 1: Underwood's memoir under her name remains unpublished. This show is
• 22:47
  Speaker 1: made by Obalmedia.