Latest / Drawn of History / Will Sasso _ This Past Weekend w_ Theo Von _444(M4A_128K)

Transcript

Will Sasso _ This Past Weekend w_ Theo Von _444(M4A_128K) · Drawn of History

• 0:00
  Speaker 1: We've got some new merch items to tell you about.
• 0:02
  Speaker 1: The Be Good to Yourself crew neck in teal. It's frosty.
• 0:08
  Speaker 1: And we've got the new hoodie in bittersweet. Plus, we've
• 0:11
  Speaker 1: got the root beer t-shirts from the root beer cartoon.
• 0:15
  Speaker 1: All that and more at theovonstore.com. Today's guest is a
• 0:21
  Speaker 1: phenomenal actor, comedian, human, male. He is the co-host of
• 0:28
  Speaker 1: the Dudezy podcast. He has been on here before. He
• 0:34
  Speaker 1: is really iconic with his impressions and just his general
• 0:38
  Speaker 1: ability to make people feel joy. We're happy to have
• 0:43
  Speaker 1: him back. Today's guest is my friend, Mr. Will Sasso.
• 0:47
  Speaker 1: Shine that light on me. I'll sit and tell you
• 0:55
  Speaker 1: my stories. Shine on me.
• 1:02
  Speaker 2: And I will find a song.
• 1:06
  Speaker 1: I've been singing. Dude, good to see you again, man.
• 1:17
  Speaker 1: Good to see you, man. Yeah, it's been a while.
• 1:20
  Speaker 3: Pre-pandy. I know, huh? Yeah.
• 1:23
  Speaker 1: You came in the podcast, man, and we had one
• 1:26
  Speaker 1: of the best times ever was when we did the
• 1:29
  Speaker 1: Christmas song.
• 1:30
  Speaker 3: Yeah, all that weird shit. I see kids still, of course,
• 1:35
  Speaker 3: throw up clips and shit, and I'll see that every
• 1:37
  Speaker 3: once in a while. I'll genuinely laugh my ass off.
• 1:40
  Speaker 1: Me too.
• 1:41
  Speaker 3: At how silly that was.
• 1:42
  Speaker 1: Me too, man. It was so much fun. Yeah, dude. Yeah,
• 1:46
  Speaker 1: and oh, dude, and you know what? I interviewed, since
• 1:49
  Speaker 1: you've been on, I had Jesse Ventura on.
• 1:51
  Speaker 3: Really?
• 1:51
  Speaker 2: Yeah.
• 1:52
  Speaker 3: Oh, I missed that. How was that?
• 1:54
  Speaker 1: No, no, no.
• 1:55
  Speaker 3: I know that you did that. I did not check
• 1:57
  Speaker 3: it out, though. How was that?
• 1:59
  Speaker 1: It was a nightmare.
• 2:02
  Speaker 3: You've got to watch every word you say, right?
• 2:05
  Speaker 1: I mean, he talked for, here it is right there.
• 2:09
  Speaker 1: He talked for $ 1, 700. He talked for 1,700 years to hours. Okay.
• 2:17
  Speaker 3: Yeah.
• 2:18
  Speaker 1: It was unbelievable. He's like, you know, I drank four locos.
• 2:21
  Speaker 1: He just kept going off. He's like, I drank four locos.
• 2:24
  Speaker 1: I'll drink six locos. I'll drink four times six. I'll
• 2:27
  Speaker 1: drink 24 locos. And I love America, so I moved
• 2:31
  Speaker 1: to Cuba.
• 2:32
  Speaker 3: Yeah. He's in the Baja. Yeah, I don't even live
• 2:36
  Speaker 3: in the continental United States anymore. Yeah. I'm in the Baja.
• 2:41
  Speaker 1: Yeah, that's what he said.
• 2:42
  Speaker 3: Yeah. I'm down in the Baja now. I wouldn't vote
• 2:47
  Speaker 3: for either of them.
• 2:49
  Speaker 1: Yeah, that was his whole thing, bro.
• 2:50
  Speaker 3: The two-party system, it's there in place to do what
• 2:54
  Speaker 3: it does, and we're all indoctrinated.
• 2:57
  Speaker 1: Yeah, it's like I bought my American flag in China.
• 3:01
  Speaker 3: I love this country. I went there myself to have it.
• 3:06
  Speaker 3: It's the largest American flag in North America.
• 3:12
  Speaker 1: Yeah, he kept saying, I join the Hell's Angels as well.
• 3:20
  Speaker 1: I'm part-time.
• 3:21
  Speaker 3: Yeah. I just wanted free tickets to Altamont to see
• 3:24
  Speaker 3: the stones. And back then, I was mostly following the dead.
• 3:29
  Speaker 3: And I said, I got to go see the stones.
• 3:32
  Speaker 3: I was this far from the guy who got stabbed
• 3:34
  Speaker 3: in the face. Yeah. it was both the way we
• 3:41
  Speaker 3: were recording.
• 3:41
  Speaker 1: Huh?
• 3:42
  Speaker 3: Are we going?
• 3:42
  Speaker 1: Yeah. Good.
• 3:43
  Speaker 3: Good. Hello everybody.
• 3:44
  Speaker 1: Yeah. Will Sasso. Um, it was unbelievable. So we went
• 3:50
  Speaker 1: and he said, I, I only, I went one person
• 3:54
  Speaker 1: to come and get me, meet my wife in the
• 3:56
  Speaker 1: middle of the yard or whatever. Like it was very,
• 3:58
  Speaker 1: it was almost like you were trading. It was like
• 4:00
  Speaker 1: when I'm, I imagine how they traded Brittany Grine or
• 4:03
  Speaker 1: whatever for whatever. It was like that. Meet me in
• 4:07
  Speaker 1: the yard, no COVID, right? Don't bring any COVID. Don't
• 4:11
  Speaker 1: bring any guns.
• 4:12
  Speaker 3: Wait, when you recorded with him? Yeah. Don't bring any
• 4:15
  Speaker 3: COVID or guns.
• 4:16
  Speaker 1: He's like, no COVID, no guns. And we're like, all right.
• 4:19
  Speaker 3: I don't think he knows how this works.
• 4:21
  Speaker 1: It was just so bizarre. So then the tour manager,
• 4:25
  Speaker 1: my buddy Bizzle, goes and picks him up. And he
• 4:29
  Speaker 1: said that.
• 4:30
  Speaker 1: That Jesse just talked to him the whole way. Then
• 4:32
  Speaker 1: he got to the interview. I asked him, I think
• 4:36
  Speaker 1: I said hello. It was very, it was very just
• 4:39
  Speaker 1: like barely anything out of the gate and he just went.
• 4:42
  Speaker 1: And he kept saying, you know, I got to leave
• 4:43
  Speaker 1: in a while. I'm about to get out of here.
• 4:45
  Speaker 1: And then he would stay for 45 more minutes.
• 4:48
  Speaker 3: That's awesome.
• 4:49
  Speaker 1: And I hate to bash on him, but he was,
• 4:50
  Speaker 1: it was, he was, I can't tell if he was
• 4:54
  Speaker 1: mentally just kind of getting out there or if he
• 4:57
  Speaker 1: was just damn had lost, you know, or if he,
• 5:00
  Speaker 1: was just an egomaniac, you know?
• 5:03
  Speaker 3: Yeah.
• 5:03
  Speaker 1: I mean, he's, he's lived so many fucking lives.
• 5:06
  Speaker 3: I've never had the opportunity to meet the guy, but
• 5:08
  Speaker 3: anytime I watch him, you know, on anything, I'm just like,
• 5:12
  Speaker 3: I don't know that I can. It's one of those,
• 5:13
  Speaker 3: you don't want to meet your heroes kind of thing.
• 5:15
  Speaker 3: Cause he is, he is out there. He'll go from,
• 5:18
  Speaker 3: you know, Halliburton orchestrated the BP oil spill. And then
• 5:21
  Speaker 3: the next thing he says is like, you know, what's
• 5:23
  Speaker 3: really good is, uh, we were just tortillas with scrambled eggs.
• 5:27
  Speaker 3: You should come. Would you like to sleep over? I
• 5:29
  Speaker 3: have a spare room that you'd really like. It's woodsy.
• 5:32
  Speaker 3: I've sort of brought Minnesota to the Baja. I call
• 5:35
  Speaker 3: it Baja Soda. Anyway, you'll really like the aesthetic. I
• 5:39
  Speaker 3: don't know if I fucking, is he going to kill me?
• 5:42
  Speaker 3: I can't tell if I can't stand this man. Yeah,
• 5:46
  Speaker 3: I have some, are you, do you ever dine on
• 5:50
  Speaker 3: long pig? That's what the cannibals call human being because
• 5:53
  Speaker 3: it tastes like pork. Oh, I gotta go. I gotta
• 5:56
  Speaker 3: go in four minutes. No, no, no, stick around. I'm
• 5:59
  Speaker 3: just getting started. Anyway, the Gulf of Tonga. They dropped
• 6:04
  Speaker 3: these mercenaries in there and I was with the Navy SEALs.
• 6:07
  Speaker 3: Of course, I can hold my breath for 19 minutes,
• 6:10
  Speaker 3: so that's why they brought me with them. They used
• 6:15
  Speaker 3: to call me the snorkel, scuba. The submarine. Before I
• 6:21
  Speaker 3: was the body.
• 6:22
  Speaker 1: It's so crazy. It's just like being with him, really.
• 6:25
  Speaker 1: Just fucking topic to topic. Oh, I couldn't get a
• 6:27
  Speaker 1: word in.
• 6:28
  Speaker 3: I couldn't.
• 6:28
  Speaker 1: And it was the longest interview. It's a three hour interview.
• 6:31
  Speaker 3: Oh my God.
• 6:32
  Speaker 1: It was unbelievable, man. And we did it like we took,
• 6:34
  Speaker 1: we kind of commandeered this, um, uh, it was like
• 6:38
  Speaker 1: a days in or something. And they had a little
• 6:41
  Speaker 1: meeting room in there. And so it was this Indian
• 6:43
  Speaker 1: family that like owned it. So we told him, you know,
• 6:46
  Speaker 1: like this guy, you know, we showed him pictures on
• 6:48
  Speaker 1: the internet of Jesse and like, this is who's coming,
• 6:50
  Speaker 1: you know? And so the whole family was waiting by
• 6:53
  Speaker 1: the door. I don't think they understood what was going on.
• 6:56
  Speaker 1: I think they thought it was a diplomat or something.
• 6:58
  Speaker 1: But anyway, he showed up, and the cleaning lady kept
• 7:04
  Speaker 1: trying to sneak in and see if she could help
• 7:05
  Speaker 1: in any way. It was just so bizarre, dude.
• 7:09
  Speaker 3: Do you have any orange crush? I'd love an orange crush.
• 7:14
  Speaker 3: Let's get a couple of orange crushes. Like a three-hour...
• 7:18
  Speaker 3: He's the kind of guy I want to lock in
• 7:20
  Speaker 3: a room with Alex Jones and just give them a
• 7:22
  Speaker 3: bottle of schnapps or something and see what happens. They
• 7:28
  Speaker 3: talk for seven and a half fucking hours. This is unbelievable.
• 7:32
  Speaker 3: Just like sleeping. Yeah. Golf of Tonga. Bohemian Grove.
• 7:40
  Speaker 1: Anyway. Dude, what's interesting is, to not end up in the,
• 7:46
  Speaker 1: in some of those rabbit holes is absolutely crazy sometimes. But, um,
• 7:50
  Speaker 1: like when you get on the internet, but yeah, Jesse
• 7:52
  Speaker 1: was crazy, man. He was like, I was a gov,
• 7:54
  Speaker 1: I was a governor of Minnesota. I was, uh, I
• 7:57
  Speaker 1: sold sodas in, uh, in Orange Grove. He's like, I
• 8:00
  Speaker 1: sold sodas and been a governor. He like, when everything
• 8:04
  Speaker 1: started to get convoluted, like it was almost like, uh,
• 8:06
  Speaker 1: there was like a, a little something wrong in the matrix,
• 8:10
  Speaker 1: you know, like he was getting bad intel.
• 8:11
  Speaker 3: Yeah. Yeah.
• 8:12
  Speaker 1: Yeah.
• 8:12
  Speaker 3: Yeah. Yeah.
• 8:13
  Speaker 1: Yeah.
• 8:13
  Speaker 3: He just completely starts glitching.
• 8:16
  Speaker 2: Yeah.
• 8:17
  Speaker 3: Yeah, I was wrestling Bob Backlund at the Philadelphia Spectrum,
• 8:22
  Speaker 3: and I got a call from Hugo Chavez. Really? At ringside, yeah.
• 8:28
  Speaker 3: And Vince McMahon said, it's Hugo. And so I hit
• 8:33
  Speaker 3: Backlund in the face with a chair so he could
• 8:36
  Speaker 3: sell it, and he was outside the ring, and then
• 8:38
  Speaker 3: I went and took the call, and he said, we
• 8:40
  Speaker 3: need you out here. We need you. I need you
• 8:43
  Speaker 3: to help negotiate with Castro. Are these, does this even
• 8:48
  Speaker 3: line up time? What year was it? It was 1982.
• 8:51
  Speaker 3: When do you think it was? I don't fucking know.
• 8:53
  Speaker 1: Yeah, he does that shit. When do you think it was?
• 8:55
  Speaker 3: Yeah, when do you, why don't you tell me? Well,
• 8:59
  Speaker 3: why don't you tell me if you're such a patriot?
• 9:01
  Speaker 3: I don't know. I don't know. I wasn't, I was
• 9:04
  Speaker 3: a Navy SEAL. I understand. Well, why don't you tell me?
• 9:07
  Speaker 3: Were you there in the, you were there in the
• 9:09
  Speaker 3: jungles of Laos? No. you're not Laotian. I thought I
• 9:13
  Speaker 3: read that about you on Wikipedia. No, I don't. What
• 9:18
  Speaker 3: do you like? Do you like orange soda or would
• 9:20
  Speaker 3: you like a Mr.
• 9:21
  Speaker 1: Pibb?
• 9:21
  Speaker 3: Excuse me, miss. Yeah. Mr. Pibb.
• 9:25
  Speaker 1: Yeah. Yeah. It was unbelievable, dude.
• 9:30
  Speaker 3: Yeah. Yeah.
• 9:31
  Speaker 1: It was the longest day though. And he just, and
• 9:34
  Speaker 1: finally at the end, he's like, so I heard somewhere.
• 9:37
  Speaker 3: You're a comedian. Oh geez. Like at, At the beginning.
• 9:41
  Speaker 3: Hour three.
• 9:45
  Speaker 1: And it starts out, he's like, how much time do
• 9:47
  Speaker 1: you have? He's like, I only have about 35 minutes
• 9:49
  Speaker 1: or just letting you know that after that, I'm out
• 9:52
  Speaker 1: of here. Like one more thing before I go. And
• 9:54
  Speaker 1: then he just rattled off to another echelon of complete
• 9:58
  Speaker 1: just egomaniacal shit. And then he said he joined the Hells,
• 10:01
  Speaker 1: ain't he? He joined the, he was a one percenter, right?
• 10:05
  Speaker 3: Okay.
• 10:05
  Speaker 1: Which I guess is a motorcycling gang, will you look
• 10:07
  Speaker 1: it up? And kudos to them, dude, because I think
• 10:11
  Speaker 1: we need more gangs in America, honestly.
• 10:12
  Speaker 3: Gang, gang, we need gangs.
• 10:14
  Speaker 1: Yeah, people are like, what gang is left even?
• 10:17
  Speaker 3: There's no more gangs to create.
• 10:19
  Speaker 1: Yeah, Social Security's almost dead. That's almost over.
• 10:21
  Speaker 3: That's a good gang.
• 10:22
  Speaker 1: But I feel like they're losing steam.
• 10:25
  Speaker 3: Social Security?
• 10:26
  Speaker 1: I mean, I feel like any day now people are
• 10:28
  Speaker 1: going to start getting just blank checks sent to them.
• 10:30
  Speaker 3: Yeah. Senior citizens. Well, that's fucking true. We are very
• 10:33
  Speaker 3: close to collapse in every single way.
• 10:35
  Speaker 1: Yeah, this guy's a one percenter. That's what he said.
• 10:38
  Speaker 3: I'm a one percenter.
• 10:41
  Speaker 1: Yeah.
• 10:42
  Speaker 3: That's a hell of a thing. Ooy, ooy, ooy.
• 10:44
  Speaker 1: Yeah, he's like, I've driven past Dead Bison in South Dakota.
• 10:49
  Speaker 3: I love that he didn't know. So you're a comedian. Yeah.
• 10:52
  Speaker 1: Tell me a joke.
• 10:53
  Speaker 3: Yeah, tell me. I thought you were Anderson Cooper. Yeah.
• 10:58
  Speaker 3: I'm sorry. I'm just, my meds kind of, they start
• 11:01
  Speaker 3: balancing out around 435. Oh, dude, yeah. Now I can see.
• 11:06
  Speaker 3: You're not Anderson Cooper.
• 11:07
  Speaker 1: He's like, I do sundowners early just to get it
• 11:10
  Speaker 1: over with. You know, I fucking- I do my sundowning
• 11:13
  Speaker 1: from 3 to 4.30. It was unreal, man.
• 11:17
  Speaker 3: Sundowning.
• 11:19
  Speaker 1: Yeah, it was unbelievable. And he walks like a Sasquatch.
• 11:27
  Speaker 3: He has that former bodybuilder. Have you ever met someone
• 11:32
  Speaker 3: who was like, oh, this guy was a motherfucker in 1960,
• 11:35
  Speaker 3: 70 or whatever? Former NFLers and stuff, and they still
• 11:40
  Speaker 3: have that gait where it's like, You're 67 years old,
• 11:44
  Speaker 3: but you could kick my fucking ass. Yeah. You see
• 11:47
  Speaker 3: that guy at the grocery store where it's like... And
• 11:49
  Speaker 3: he's just big, gnarled muscle hands and shit.
• 11:53
  Speaker 1: Like Lou Ferrigno, if you see him.
• 11:54
  Speaker 3: Does he have the... I saw him at the post.
• 11:56
  Speaker 1: Office one time.
• 11:58
  Speaker 4: And he's like, can I set this... He had his
• 12:01
  Speaker 4: wife with him. He's like, I want to set the
• 12:02
  Speaker 4: box down. And his wife's like, you hold the box.
• 12:06
  Speaker 4: It was some just box of shit they were mailing somewhere.
• 12:08
  Speaker 3: Yeah, they just... they lose the mass and keep the
• 12:12
  Speaker 3: vascularity and they look like a, like a shorn chimp. Yeah. Yeah.
• 12:16
  Speaker 3: Look at him lifting his shirt up there. Yeah. Look
• 12:19
  Speaker 3: at that. Wow. Yeah. It's like, wow. I want the, wow.
• 12:23
  Speaker 3: Look at the, look at the abs on. He's got
• 12:26
  Speaker 3: five abs there. That was Lou Ferrigno's. That was his,
• 12:30
  Speaker 3: that's why he could never beat Arnold.
• 12:31
  Speaker 1: Yeah.
• 12:32
  Speaker 3: Because in Mr. Olympia, because Arnold had anywhere from six
• 12:36
  Speaker 3: to eight abs.
• 12:37
  Speaker 2: Yeah.
• 12:37
  Speaker 3: And Lou Ferrigno, no matter what he did, he always
• 12:40
  Speaker 3: had that crown ab at the top that's sort of
• 12:43
  Speaker 3: looking over the other abs. Yeah. Yeah.
• 12:48
  Speaker 1: He was drinking abs, Sam.
• 12:50
  Speaker 3: That's why. Yeah, that's why. Back then they didn't have
• 12:53
  Speaker 3: protein shakes. You'd just chew on the steak.
• 12:55
  Speaker 1: Yeah, you'd chew on your youngest son.
• 12:57
  Speaker 3: Yeah, just chew on his feet and get your nutrients,
• 13:02
  Speaker 3: get that ab juice.
• 13:03
  Speaker 1: Dude, how did bodybuilding even start.
• 13:05
  Speaker 3: I wonder? how to bobby yeah well.
• 13:09
  Speaker 1: Who said do you think it was some guy that
• 13:10
  Speaker 1: was just real strong and then people were like oh
• 13:12
  Speaker 1: this we got to do what this.
• 13:15
  Speaker 3: Guy i think it's desk jobs as soon as after
• 13:18
  Speaker 3: the industrial revolution or revolution uh then people started going
• 13:23
  Speaker 3: like oh i'm fucking you know how come my you
• 13:26
  Speaker 3: know how come my farmer great grandfather was in such
• 13:28
  Speaker 3: great shape and then they they figured it out well
• 13:30
  Speaker 3: it's artificially just lift up dumbbells. It must've been the
• 13:34
  Speaker 3: silliest shit in the world when people were doing it
• 13:36
  Speaker 3: in like 1940 and stuff. I have an uncle actually, uh, uh,
• 13:41
  Speaker 3: who in Italy was, was started for real bodybuilding. My dad's, yeah,
• 13:46
  Speaker 3: my dad's younger brother. My old man was always weightlifting
• 13:50
  Speaker 3: and stuff. Uh, and we had like this setup in
• 13:52
  Speaker 3: the garage and everything. But my, um, I have like,
• 13:55
  Speaker 3: you know, five uncle Pashquals, but one of my uncle Pashquals, was, yeah,
• 14:00
  Speaker 3: legit bodybuilding. So you see some of those pictures from
• 14:02
  Speaker 3: the 60s, and you're like, you look fucking idiotic. Like,
• 14:05
  Speaker 3: no one else is doing that. It looked like a
• 14:07
  Speaker 3: deformity back then. Yeah, look at this guy.
• 14:09
  Speaker 2: Oh, wow.
• 14:11
  Speaker 1: Yeah, that's my Uncle Pashkwal up there. And look at
• 14:13
  Speaker 1: that ass on him.
• 14:15
  Speaker 3: Yeah, he's keen to show off that ass.
• 14:18
  Speaker 1: I feel like it was very, you wouldn't see a
• 14:22
  Speaker 1: man's ass back then very much.
• 14:24
  Speaker 3: No.
• 14:25
  Speaker 1: Look at the barbells.
• 14:26
  Speaker 3: That's hilarious. And, and everything old is new again, because
• 14:30
  Speaker 3: this is, uh, what people do with kettlebells. Like it's,
• 14:33
  Speaker 3: it's bulbous and round and that's part of it. You
• 14:36
  Speaker 3: can't have anything. I mean, it's like, when you look
• 14:38
  Speaker 3: at normal weights, like they, they don't roll away. They're all,
• 14:41
  Speaker 3: you know, they're all square and they're shaped like a
• 14:44
  Speaker 3: octagon or a stop sign or whatever, which is an octagon,
• 14:47
  Speaker 3: I think. And, uh, but back then it's, you know,
• 14:50
  Speaker 3: you had to have that, you know, I, I kind
• 14:53
  Speaker 3: of have, I kind of have that. I don't want
• 14:56
  Speaker 3: to take my shirt off or show anyone my ass,
• 14:58
  Speaker 3: but if I did shave completely my horseshoe and everything
• 15:03
  Speaker 3: and just do that with my tits out the side
• 15:07
  Speaker 3: and stuff, people would think that I was a 1920s
• 15:10
  Speaker 3: carnival strongman. Look at the guy on the top right
• 15:13
  Speaker 3: there next to Barbell Man in that same picture. That
• 15:16
  Speaker 3: guy has no right even posing. He's just like an
• 15:20
  Speaker 3: 11-year-old going, yeah, look at me, mom.
• 15:24
  Speaker 1: That guy's a tall, young, he probably closeted, I would say,
• 15:28
  Speaker 1: this guy. Just came to meet men. Anytime there's a
• 15:32
  Speaker 1: camera going off, there's some dude in the distance that's closeted.
• 15:35
  Speaker 3: Yeah, yeah. He's got his briefs on backward, which was code.
• 15:38
  Speaker 1: Yeah.
• 15:40
  Speaker 3: It's like the one earring thing or some kind of
• 15:42
  Speaker 3: ribbon or hanging a bandana.
• 15:43
  Speaker 1: Dude, remember the one earring thing? That used to mean
• 15:45
  Speaker 1: you were gay. That used to mean you were gay.
• 15:47
  Speaker 3: Now, that's interesting because you're from Louisiana. I'm from the
• 15:52
  Speaker 3: complete opposite, Vancouver, Canada, on the west coast of Canada.
• 15:57
  Speaker 3: And that meant the same shit. Wow. And then you
• 16:00
  Speaker 3: had the thing of like, well, wait a minute. Does
• 16:02
  Speaker 3: that mean Mr. T is gay when you're a kid?
• 16:05
  Speaker 1: Oh, wow.
• 16:06
  Speaker 3: Mr. T is gay because he had the feathered one thing.
• 16:08
  Speaker 1: Oh, yeah. He was hanging. Yeah. He's like, I pity
• 16:11
  Speaker 1: this mouth full of semen. You know what I'm saying?
• 16:14
  Speaker 3: Yeah.
• 16:15
  Speaker 1: It was like, say no to gays or whatever. How
• 16:18
  Speaker 1: did the gay, let's find out, how did the gay
• 16:22
  Speaker 1: one earring rumor start? Because the first gay dude ever
• 16:27
  Speaker 1: in our area, they had a guy and he was
• 16:30
  Speaker 1: mentally challenged or whatever. I don't know if he was
• 16:32
  Speaker 1: mentally handicapped or mentally challenged. One of them means I
• 16:35
  Speaker 1: think you're still going to try to beat it, you know?
• 16:37
  Speaker 3: Yeah. One of them means you can work at Wendy's
• 16:39
  Speaker 3: and the other one is like, no, you got to
• 16:41
  Speaker 3: go to the, the daytime activity center. Yeah. Yeah. Yeah.
• 16:44
  Speaker 1: So one is like, you're still in the race and
• 16:46
  Speaker 1: one is like, yeah, you got to stay.
• 16:48
  Speaker 3: Yeah. Yeah. For everyone's best interest. It would be nice
• 16:51
  Speaker 3: if you just, just, yeah, just have some popcorn.
• 16:54
  Speaker 2: Yeah.
• 16:54
  Speaker 1: Here's some mats and you just watch TV. Uh, but
• 16:59
  Speaker 1: we had a guy and he was mentally challenged or
• 17:02
  Speaker 1: I don't know. He was mentally something. I'm not sure
• 17:04
  Speaker 1: what the second part of his disease was or whatever,
• 17:07
  Speaker 1: but somebody bought him a bike, or they got him
• 17:13
  Speaker 1: a woman's bike, and it had a little baby seat
• 17:15
  Speaker 1: on the back of it. Remember that?
• 17:16
  Speaker 3: Yeah, yeah.
• 17:17
  Speaker 1: Where they put a baby behind the mother, which is insane. Yeah,
• 17:20
  Speaker 1: so the baby's just like this because you're like... Yeah,
• 17:23
  Speaker 1: the baby's back there. Yeah, yeah. Just breaking his neck.
• 17:26
  Speaker 1: Just splitting up breast milk as you guys are cruising
• 17:28
  Speaker 1: down the street, right?
• 17:29
  Speaker 3: Yeah. Yeah, and then you'd get off the bike and
• 17:32
  Speaker 3: always kick the baby in the face, and it's like, why? Oh, no,
• 17:34
  Speaker 3: you puked.
• 17:35
  Speaker 1: Yeah, your foot would come around when you got off
• 17:37
  Speaker 1: the bike, and it would just whip the baby back
• 17:39
  Speaker 1: to the other side.
• 17:40
  Speaker 3: Yeah, and then you'd gently just lay it against a
• 17:43
  Speaker 3: hedge or something, and I'll be right back, and you'd
• 17:45
  Speaker 3: go into the liquor store.
• 17:47
  Speaker 1: Yeah, you'd go into the post office or something.
• 17:49
  Speaker 3: You'd go into the post office.
• 17:49
  Speaker 1: Like, I need a box big enough to mail a baby.
• 17:53
  Speaker 3: Dude, my high school, we happened to have, It was the,
• 17:57
  Speaker 3: there was like four or five high schools in this
• 17:59
  Speaker 3: district of this, whatever, you know, this community or the,
• 18:03
  Speaker 3: the bigger area. And, um, there, we happen to have, uh, the, the, uh,
• 18:10
  Speaker 3: most of the mentally challenged kids there. Cause you know,
• 18:12
  Speaker 3: the program was just set up at the school and
• 18:14
  Speaker 3: they had the wing of the school and blah, blah, blah.
• 18:16
  Speaker 3: So they were really, they were really included in the
• 18:20
  Speaker 3: rest of the school. Like our, our big thing at
• 18:22
  Speaker 3: school was like the, our talent show was the lip
• 18:24
  Speaker 3: syncs every year. So, you know, the mentally challenged kids
• 18:28
  Speaker 3: would have, there was a guy that we literally called
• 18:30
  Speaker 3: Elvis and he sort of, you know, he lived his
• 18:34
  Speaker 3: life as Elvis, sort of 50s Elvis. He would do
• 18:37
  Speaker 3: a lip sync. And there was all these great characters.
• 18:42
  Speaker 3: There was this one kid called Buddy. We called him
• 18:44
  Speaker 3: Buddy and he's like, hey, buddy, can I have a hug?
• 18:46
  Speaker 3: And that was his thing. And all the senior gals
• 18:50
  Speaker 3: who were like, you know, we were like, wow.
• 18:52
  Speaker 1: Yeah.
• 18:53
  Speaker 3: He would sit with them at lunch. Cause they were like,
• 18:55
  Speaker 3: Oh buddy. Hey, you know, can I, here, give me
• 18:58
  Speaker 3: a hug. You know, here's some chicken nuggets. And I
• 19:00
  Speaker 3: was always threatening to like next year, I'm going to
• 19:02
  Speaker 3: go to a different school and just show up like,
• 19:04
  Speaker 3: Hey buddy, can I hug you?
• 19:07
  Speaker 1: Yeah.
• 19:07
  Speaker 3: And just like, go for it.
• 19:10
  Speaker 1: Oh yeah. Play mental till you get a little bit
• 19:12
  Speaker 1: of tit.
• 19:13
  Speaker 3: That's bad. It wasn't working any other way. That would
• 19:16
  Speaker 3: have been good.
• 19:17
  Speaker 1: I've been there, dude. I remember telling, uh, Oh, all
• 19:20
  Speaker 1: the lies I told in the day.
• 19:22
  Speaker 3: I've been there. To get a little leg. Yeah.
• 19:25
  Speaker 1: God, man.
• 19:26
  Speaker 3: Yeah. You just tell them straight up you work at
• 19:28
  Speaker 3: Wendy's and then get the fucking baby seat on the
• 19:31
  Speaker 3: back of the bike just for effect.
• 19:33
  Speaker 1: Let me see those tits. I'm dying soon. And they're like, ah,
• 19:36
  Speaker 1: you're fine. You look fine.
• 19:39
  Speaker 3: Ask them out on a date and show up with
• 19:41
  Speaker 3: that bike.
• 19:41
  Speaker 1: Well, here was the thing, though. So the bike, the
• 19:44
  Speaker 1: seat in the back had like a you know it
• 19:46
  Speaker 1: had that seat so they had this guy and he
• 19:49
  Speaker 1: was mentally unwell and his parents had got him this
• 19:52
  Speaker 1: bike but people thought the seat in the back there
• 19:55
  Speaker 1: was a rumor started that he was a gay fella
• 19:59
  Speaker 1: and that his husband had left him he had a
• 20:01
  Speaker 1: small little husband that had left him and that's why
• 20:04
  Speaker 1: the back seat was always empty.
• 20:05
  Speaker 3: That's a long that's a long way to go for
• 20:08
  Speaker 3: that rumor yeah Yep, that's digging. That's not what the
• 20:12
  Speaker 3: case was at all. But kids will make shit up.
• 20:14
  Speaker 1: Yeah, well, it was just, I think it added like
• 20:16
  Speaker 1: a level of like, oh, you almost felt bad for him,
• 20:19
  Speaker 1: you know?
• 20:20
  Speaker 3: Right.
• 20:20
  Speaker 1: Like, oh, man, his husband left him. His little tiny husband. Husband, yeah.
• 20:24
  Speaker 1: So people were always looking for a little husband.
• 20:26
  Speaker 3: Yeah, they're going in the Wendy's looking for a tiny husband.
• 20:29
  Speaker 1: Yeah.
• 20:31
  Speaker 3: What? What do you want? Are you married? No. What's
• 20:36
  Speaker 3: with the one earring? Yeah, what's with the one earring?
• 20:38
  Speaker 3: I like it.
• 20:39
  Speaker 1: I like it. Is your ear pierced?
• 20:40
  Speaker 2: No, it's a clip-on.
• 20:41
  Speaker 1: That seems like a mental challenge thing to do. Oh,
• 20:43
  Speaker 1: the clip-on was even sadder. Bring it up, Zach. How
• 20:46
  Speaker 1: did the one-earring fad start? What happened? The pride of
• 20:48
  Speaker 1: the community to look at the gay earring.
• 20:50
  Speaker 2: Yeah, so I found this exploration of it, and this
• 20:53
  Speaker 2: is a gay and lesbian.
• 20:54
  Speaker 1: Website, by the way.
• 20:58
  Speaker 2: The left ear, also known as the gay ear, is
• 20:59
  Speaker 2: more commonly pierced by homosexuals than the right ear. The
• 21:03
  Speaker 2: origin of the gay era remains a mystery. Men who
• 21:06
  Speaker 2: wore them may have felt that they were copying women
• 21:08
  Speaker 2: and becoming more feminine, although there are signs and symbols
• 21:11
  Speaker 2: of homosexuality. So it doesn't say, but it does say
• 21:14
  Speaker 2: it may have originated late 80s and 90s as the
• 21:17
  Speaker 2: gay rights movement was gaining traction.
• 21:20
  Speaker 3: Anything you can do to set yourself apart as a
• 21:23
  Speaker 3: gay person, certainly into the 90s, where it still wasn't
• 21:29
  Speaker 3: nowhere near as accepted as it was now, although I
• 21:32
  Speaker 3: kind of feel like you know, I don't know, things
• 21:34
  Speaker 3: sort of tend to repeat themselves socially, in my opinion,
• 21:37
  Speaker 3: every like 30 years, it's like civil rights movement, mid sixties,
• 21:41
  Speaker 3: then like the nine early nineties, we, there was just
• 21:44
  Speaker 3: felt like a lot of activism and stuff. And, you know,
• 21:47
  Speaker 3: but the eighties weren't eighties, weren't at all like eighties,
• 21:49
  Speaker 3: like whatever styrofoam, big max and cocaine. And then, um,
• 21:54
  Speaker 3: like the two thousands, no one gave a shit anymore.
• 21:56
  Speaker 3: And now here we are, there's so much going on.
• 21:59
  Speaker 3: And I feel like you know, sixties, seventies, eighties, nineties. If, if, yeah,
• 22:05
  Speaker 3: you have to go like, it must've been just a
• 22:08
  Speaker 3: fucked up thing to be like, I want to set
• 22:09
  Speaker 3: myself apart. I want you to know that I am
• 22:12
  Speaker 3: who I am and I'm proud. Uh, but it also
• 22:15
  Speaker 3: is something that I don't want to get, you know,
• 22:16
  Speaker 3: I don't, I don't want to be harassed for it,
• 22:19
  Speaker 3: but I want people in my community to see what
• 22:21
  Speaker 3: it is. And Mr. T and Jesse Ventura, he used
• 22:24
  Speaker 3: to wear all that stuff. Like he used to have
• 22:26
  Speaker 3: as Jesse, the body in the WWE, he always had,
• 22:30
  Speaker 3: Feathered things and, you know. But that was also the 80s.
• 22:33
  Speaker 3: You could, Mr. T with all his chains.
• 22:36
  Speaker 1: Yeah, he looked like a meth Christmas tree, I feel like,
• 22:38
  Speaker 1: Jesse Ventura.
• 22:39
  Speaker 3: Yeah.
• 22:39
  Speaker 1: That's what he reminds me of.
• 22:40
  Speaker 3: Yeah, he just looked like, it was like Billy Idol,
• 22:44
  Speaker 3: Boy George, and a giant built guy. And he's got like,
• 22:48
  Speaker 3: you know, a bandana and beads hanging from his head.
• 22:51
  Speaker 1: Yeah, like where Steven Tyler kept extra shit.
• 22:55
  Speaker 3: Hey, Steven, would you mind if I had some of
• 22:58
  Speaker 3: these scarves? Are you using these scarves? Nah, man, go ahead.
• 23:08
  Speaker 1: Look at him.
• 23:09
  Speaker 3: Yeah.
• 23:10
  Speaker 1: That's awesome. That is unbelievable, bro.
• 23:14
  Speaker 3: Yeah, the boa. Yeah, he is with Vince McMahon. That's tremendous.
• 23:21
  Speaker 1: Using the internet without ExpressVPN is like passing a note
• 23:24
  Speaker 1: in class and having the teacher read it aloud to everyone.
• 23:29
  Speaker 1: You don't want the ops knowing what you're doing, what
• 23:31
  Speaker 1: websites you're on, etc. Internet service providers know every single
• 23:36
  Speaker 1: website you visit. Did you realize that? ISPs can sell
• 23:41
  Speaker 1: this information to ad companies and tech giants who then
• 23:46
  Speaker 1: use your data to target you. Look out. ExpressVPN reroutes
• 23:51
  Speaker 1: your network data through a secure encrypted tunnel so your
• 23:55
  Speaker 1: ISP can't see or sell your online activities. Protect your
• 24:00
  Speaker 1: online privacy by visiting expressvpn.com slash T-H-E-O today. That's express, E-X-P-R-E-S-S, vpn.com
• 24:15
  Speaker 1: slash T-H-E-O. And you can get an extra three months free. Expressvpn.com
• 24:22
  Speaker 1: slash Theo. If you have an upcoming summer trip abroad...
• 24:26
  Speaker 1: My go-to travel hack is Babbel. That's right, Babbel. Whether
• 24:32
  Speaker 1: you're a seasoned traveler or you're embarking on your first adventure,
• 24:37
  Speaker 1: communication is key to fully experiencing a new culture. That's
• 24:41
  Speaker 1: where Babbel comes in. Babbel is the language learning app
• 24:45
  Speaker 1: that sold more than 10 million subscriptions. Thanks to Babbel's
• 24:50
  Speaker 1: addictively fun and easy bite-sized language lessons, there's still time
• 24:55
  Speaker 1: to learn a new language Before you reach your destination.
• 25:00
  Speaker 1: With Babbel, you only need 10 minutes to complete a lesson.
• 25:02
  Speaker 1: That's only 10 minutes. So you can start having real-life
• 25:07
  Speaker 1: conversations in as little as three weeks. There's so many
• 25:12
  Speaker 1: languages you can learn, you could learn for the rest
• 25:15
  Speaker 1: of your life. Right now, get up to 55% off
• 25:18
  Speaker 1: your subscription when you go to babbel.com slash theo. That's
• 25:25
  Speaker 1: B-A-B-B-E-L dot com slash T-H-E-O for up to 55% off
• 25:31
  Speaker 1: your subscription. Babbel, language for life. It's really interesting how
• 25:37
  Speaker 1: it's almost like during that time that a lot of
• 25:41
  Speaker 1: the wrestlers stole a lot of the gay energy almost.
• 25:45
  Speaker 1: It's almost like the WWE, you couldn't. even no matter
• 25:49
  Speaker 1: how much gay and you were doing, you couldn't top,
• 25:52
  Speaker 1: look at this. You couldn't top this.
• 25:54
  Speaker 3: No. Well, there was, there was a guy at the,
• 25:56
  Speaker 3: you know, there was always characters that pushed the envelope
• 26:00
  Speaker 3: in that way. Like gorgeous George in the 1950s was
• 26:04
  Speaker 3: the guy who like, um, uh, you know, Muhammad Ali credits,
• 26:08
  Speaker 3: gorgeous George a lot for being a talker and said
• 26:11
  Speaker 3: he got a lot of it from that, but he
• 26:12
  Speaker 3: had the curly blonde hair areas. And, uh, Oh, not
• 26:15
  Speaker 3: to be confused with macho man's, uh, girlfriend from the,
• 26:20
  Speaker 3: whose name is also Gorgeous George. But Gorgeous George used
• 26:23
  Speaker 3: to curl his hair, and he was a super heel.
• 26:27
  Speaker 3: So the wrestler, they'd go to lock up, and he'd go,
• 26:30
  Speaker 3: get your filthy hands off of me! And he was
• 26:33
  Speaker 3: quite flamboyant. And I think for a lot of guys
• 26:35
  Speaker 3: like Dusty Rhodes and stuff, I mean, you want to
• 26:38
  Speaker 3: talk about Jesse Ventura talking for seven hours. I love
• 26:42
  Speaker 3: professional wrestling, so I'm sorry. But a guy like Dusty
• 26:46
  Speaker 3: Rhodes is like, well, I'm going to wear this hat.
• 26:48
  Speaker 3: And I'm going to the tickle trunk for this and that,
• 26:51
  Speaker 3: my aunt's thing. Actually, I just saw an interview with
• 26:54
  Speaker 3: Mick Foley where he was talking about with Conrad Thompson.
• 26:58
  Speaker 3: They do these long wrestling. He has so many wrestling podcasts,
• 27:03
  Speaker 3: Conrad Thompson. And he was saying that him and his
• 27:08
  Speaker 3: wife would go Cactus Jack, Mick Foley's old character in
• 27:13
  Speaker 3: the 90s, that they would go to Lane Bryant and
• 27:16
  Speaker 3: shit and just get– you know, Mick Foley didn't want
• 27:20
  Speaker 3: to show off his entire body. So he would have
• 27:23
  Speaker 3: like the tights that said cactus and Jack and he'd
• 27:26
  Speaker 3: wear the snakeskin boots and then he'd have like something
• 27:28
  Speaker 3: like leopard print and they would just modify it. I
• 27:31
  Speaker 3: think there's a long history of, of wrestlers. Cause they
• 27:36
  Speaker 3: gotta be colorful. They gotta find their, their gimmick and, uh,
• 27:40
  Speaker 3: and you know, what sets them apart. And then there
• 27:43
  Speaker 3: are guys that go way over it. A guy like, uh,
• 27:46
  Speaker 3: you know, Adrian Adonis. uh, was a guy who in
• 27:50
  Speaker 3: the seventies and eighties was like this New York tough.
• 27:53
  Speaker 3: And he's like a New York or somewhere, New Jersey
• 27:56
  Speaker 3: or New York. I think he might've been New Jersey.
• 27:58
  Speaker 2: Oh yeah.
• 27:58
  Speaker 3: And then by the eighties, he went into adorable Adrian
• 28:01
  Speaker 3: Adonis and really pushed the envelope. And I remember being
• 28:05
  Speaker 3: a kid watching this, just going like, yeah, this man is,
• 28:08
  Speaker 3: this man is, is, is, is gay. And the other
• 28:11
  Speaker 3: wrestlers don't like this. And it was real like gorgeous
• 28:14
  Speaker 3: George thing.
• 28:16
  Speaker 1: You know what's really interesting is that if you do steroids, right? Right.
• 28:20
  Speaker 1: And if you do them and your body gets kind
• 28:25
  Speaker 1: of morphed out and morphed up, right? When you stop
• 28:28
  Speaker 1: doing them, you get breasts.
• 28:31
  Speaker 3: The tits.
• 28:32
  Speaker 1: So it's really interesting how you can go to this masculine,
• 28:35
  Speaker 1: as masculine as possible, and right after that is tit
• 28:40
  Speaker 1: on man.
• 28:41
  Speaker 3: And it's literally estrogen and it's like it's tissue.
• 28:45
  Speaker 1: Yeah.
• 28:46
  Speaker 3: They, well, you know, they call it bitch tits. And, um, yeah.
• 28:50
  Speaker 3: Isn't that what happens with, uh, with a meatloaf in
• 28:53
  Speaker 3: fight club is that he got bitch tits. Bob had
• 28:56
  Speaker 3: bitch tits.
• 28:57
  Speaker 2: I'm not sure.
• 28:57
  Speaker 3: Uh, yeah. So it, cause it's a, you can look,
• 29:00
  Speaker 3: you can always tell. And again, being a wrestling head,
• 29:03
  Speaker 3: you can always tell when a guy's like cycled off
• 29:05
  Speaker 3: of roids. Cause you know, they deflate a bit and
• 29:08
  Speaker 3: then they get the, uh, they get the, the little
• 29:10
  Speaker 3: bitch tit out the side. Yeah. Something I've never, ever,
• 29:15
  Speaker 3: I mean, in any, like, you know, you're lifting weights
• 29:19
  Speaker 3: or this or that, or when I was younger and
• 29:21
  Speaker 3: stuff and playing football, I'm like, I don't ever want to,
• 29:23
  Speaker 3: first of all, I am steroids. Right. I'm like, I can't,
• 29:27
  Speaker 3: I want to get smaller and I just feel like
• 29:29
  Speaker 3: whatever I eat would either turn into fat or muscle
• 29:32
  Speaker 3: depending on what I'm doing about it. But my metabolism
• 29:34
  Speaker 3: wasn't fast. God. And I'm like, that's the last thing
• 29:37
  Speaker 3: I need is more tit.
• 29:39
  Speaker 2: Yeah.
• 29:39
  Speaker 1: You know? fat guys shouldn't.
• 29:41
  Speaker 3: Ever do steroids at all because then you you do
• 29:44
  Speaker 3: get a very well researched character the meatloaf thing because
• 29:47
  Speaker 3: then you do get the the bitch tits.
• 29:49
  Speaker 1: Was it a movie he was in was it about
• 29:51
  Speaker 1: being fat it was.
• 29:52
  Speaker 3: Um fight club in fight club he was just one
• 29:56
  Speaker 3: of the guys who ends up in fight club and
• 29:59
  Speaker 3: um And, uh, uh, what was his, his name is,
• 30:04
  Speaker 3: oh man, I forget what is, they said his name
• 30:06
  Speaker 3: is something, but I think Robert Paulson, Robert Paulson. And
• 30:11
  Speaker 3: it was Bob. That's right. Robert Paul, his name is
• 30:13
  Speaker 3: Robert Paulson. And, uh, they say, yeah, in the movie,
• 30:17
  Speaker 3: there's that line, Bob had bitch tits and he's fighting. Um, yeah,
• 30:21
  Speaker 3: just not a good, God bless you. You know what
• 30:24
  Speaker 3: I mean? If you got some, if you got some
• 30:25
  Speaker 3: bitch tits, push it all the way. Try out for
• 30:29
  Speaker 3: a wrestling federation, copy Adrian Adonis' gimmick, paint one of
• 30:35
  Speaker 3: your eyes, be very colorful, and make some money. You
• 30:41
  Speaker 3: know what I mean? Negative into a positive.
• 30:44
  Speaker 1: These days, that's what you got to do. We had
• 30:46
  Speaker 1: a lady who came on here. She was a female
• 30:49
  Speaker 1: truck driver, right? And let's go back to that article
• 30:52
  Speaker 1: real quick, Zach. It looked kind of interesting that Robert
• 30:55
  Speaker 1: Paulson said at the end of that film, if you can't.
• 31:00
  Speaker 1: I'm going to chime this in here. I brought my
• 31:05
  Speaker 1: podcasting water jug. Yeah, that's a lot, huh?
• 31:08
  Speaker 3: Yeah, I like water. It's pretty good. You like sink juice?
• 31:12
  Speaker 1: Yeah, I do like it. I'm trying to think of
• 31:15
  Speaker 1: the most I've ever had. Oh, one time I went
• 31:17
  Speaker 1: to my friend's, and he's like, I bet you can't
• 31:20
  Speaker 1: drink this, you little f * * *, right?
• 31:22
  Speaker 3: Yeah.
• 31:22
  Speaker 1: And he probably shouldn't have said that, but he said it.
• 31:24
  Speaker 3: As tends to happen when you go to a friend's house.
• 31:26
  Speaker 1: Oh, totally. Yeah. So I drank a gallon of water, right?
• 31:32
  Speaker 1: And then I couldn't, like, I feel like I couldn't, like,
• 31:34
  Speaker 1: open my eyes or something was wrong with me. So
• 31:36
  Speaker 1: I was like, I'm going to go lay down. And
• 31:38
  Speaker 1: they're like, yeah, go lay down, you little bitch.
• 31:40
  Speaker 3: Who are these people? These are good. These are friends
• 31:43
  Speaker 3: of yours? Yeah. Were you in the one percenters? Is
• 31:45
  Speaker 3: that who did this? They were one percenters.
• 31:48
  Speaker 1: Yeah, they just fucking hated me.
• 31:50
  Speaker 3: Hey, man, we're out of beer. What are we going
• 31:51
  Speaker 3: to do with Theo? How are we going to jump
• 31:53
  Speaker 3: him in? I got an idea.
• 31:55
  Speaker 1: Yeah.
• 31:55
  Speaker 3: We're going to see how much water he can drink. Yeah,
• 31:58
  Speaker 3: I like it. Good idea. Let's see if he's one
• 32:01
  Speaker 3: of us. I'll be down there in the swamps just
• 32:04
  Speaker 3: taking a sip every once in a while while I'm
• 32:06
  Speaker 3: underwater for 19 minutes, wrestling alligators and drinking swamp water.
• 32:12
  Speaker 3: You little pansy, you. See how much water you can drink.
• 32:17
  Speaker 1: Yeah, so Jesse made me go drink all this water,
• 32:20
  Speaker 1: and then I laid down on my friend's room, fell asleep,
• 32:23
  Speaker 1: and I peed. And it went corner to corner in
• 32:27
  Speaker 1: the room. Nice.
• 32:29
  Speaker 3: What? In the room?
• 32:30
  Speaker 1: 12 square feet. I mean, I hit the walls with that.
• 32:34
  Speaker 3: I envy you. Man, I would love to do something
• 32:37
  Speaker 3: like that.
• 32:37
  Speaker 1: It was amazing, man. It was unreal. It was blue carpet.
• 32:40
  Speaker 1: It was this cool blue carpet they had at their house.
• 32:42
  Speaker 1: And so it almost had this kind of tropical vibe.
• 32:46
  Speaker 1: But it was like.
• 32:47
  Speaker 3: You pissed corner to corner while saturating carpet.
• 32:50
  Speaker 1: Oh, dude, yeah.
• 32:50
  Speaker 3: A lot of piss. Yeah.
• 32:51
  Speaker 1: Oh, it was as much piss I think as someone
• 32:53
  Speaker 1: could have in them.
• 32:54
  Speaker 3: You know, you can die that way. There's always those, like,
• 32:56
  Speaker 3: you ever hear about, like, the radio station? Like, who
• 32:59
  Speaker 3: can hold their water the longest? And people have passed
• 33:02
  Speaker 3: away from that. It's dangerous. I will piss myself in here.
• 33:05
  Speaker 3: Will you? Good. Yeah, yeah, yeah.
• 33:07
  Speaker 1: And where'd you get that big of a jug from? That's, like,
• 33:10
  Speaker 1: almost seems like one of those things for the boats
• 33:11
  Speaker 1: when the boats are going, like, the boobies.
• 33:13
  Speaker 3: Yeah, you can put this up against, on the side
• 33:15
  Speaker 3: of the boat so you don't bang against the dock.
• 33:17
  Speaker 3: You know, Amazon. You can get everything on Amazon. I
• 33:20
  Speaker 3: like to have I have a few two-gallon jugs. I
• 33:24
  Speaker 3: have one that's specifically in my car that stays cold.
• 33:28
  Speaker 3: You know what I mean? So when you're driving, you
• 33:29
  Speaker 3: can just get the jug. And I have a couple
• 33:33
  Speaker 3: around the house that are this size.
• 33:36
  Speaker 1: Yeah, that's important.
• 33:37
  Speaker 3: Just room temperature. That way it goes through you faster
• 33:40
  Speaker 3: and you can piss easier. Yeah? Because it's all about pissing.
• 33:42
  Speaker 3: That's all I want. I'm a piss freak. You know
• 33:45
  Speaker 3: what I mean? You really want to pee. One of
• 33:47
  Speaker 3: those piss pigs or whatever? Yeah, one of those piss pigs.
• 33:49
  Speaker 3: That's right. I'm a piss truther. I drink it. you know,
• 33:52
  Speaker 3: I piss on people. I invite them over. I say,
• 33:54
  Speaker 3: we want to drink a little bit of water, but
• 33:56
  Speaker 3: they don't know what I'm really into. They'll find out
• 33:59
  Speaker 3: soon enough. Then Jesse wanders in, in his hoodie.
• 34:03
  Speaker 1: I've had six, four locos. I've had four, six locos.
• 34:08
  Speaker 1: I've had 24 locos. I just moved to Aruba.
• 34:12
  Speaker 3: You know, in Costa Rica, they only have two laws.
• 34:17
  Speaker 3: I don't even know what they are. That's, It's basically
• 34:20
  Speaker 3: just a free-for-all. It's Lord of the Flies out there.
• 34:24
  Speaker 3: I love it. I built a fucking deck that doesn't
• 34:26
  Speaker 3: even have Y-beams. It could fall down at any moment.
• 34:29
  Speaker 3: I invite as many people from the town as I
• 34:32
  Speaker 3: can over for tortillas with scrambled eggs. Just can't wait
• 34:35
  Speaker 3: for it to fucking fall. And I'm like, Costa Viva
• 34:39
  Speaker 3: la Revolucion. Viva la Revolucion. That's how I say it.
• 34:47
  Speaker 1: You know, I was there when the big bopper died.
• 34:50
  Speaker 1: I was right out there.
• 34:51
  Speaker 3: Yeah, I saw the plane go down. Yeah, I got
• 34:54
  Speaker 3: out there just a minute too late because I had
• 34:56
  Speaker 3: to swim, and I just got preoccupied because I love
• 34:59
  Speaker 3: being underwater, and pretty soon I'm just doing the backstroke,
• 35:03
  Speaker 3: and then I rolled up, and Richie Valens is like, help, help.
• 35:06
  Speaker 1: Yeah.
• 35:07
  Speaker 3: Yeah. Hey, it's you, La Bamba, Lou Diamond Phillips. And
• 35:11
  Speaker 3: he said, no, that movie hasn't happened yet. I understand.
• 35:16
  Speaker 3: I'm eternal. I cross dimensions. I've been a governor, a vampire,
• 35:24
  Speaker 3: a piss truther, a wrestler. I've been here for thousands
• 35:28
  Speaker 3: of years. I'm an angel. I know you.
• 35:30
  Speaker 1: I'm an AIDS activist.
• 35:32
  Speaker 3: You know what? That's me and Harvey Milk. We wore this.
• 35:37
  Speaker 3: This is how we knew each other. We were in
• 35:41
  Speaker 3: politics for change, pushing policy forward. For everybody, inclusivity, I
• 35:46
  Speaker 3: was way ahead of it. That's why I'm in Baja,
• 35:48
  Speaker 3: trying to start a new society altogether. The two-party system
• 35:52
  Speaker 3: here has led us astray. Both of those geriatric freaks,
• 35:58
  Speaker 3: I wouldn't trust either of them. And I know them
• 36:01
  Speaker 3: both very well. A lot of people don't know this,
• 36:04
  Speaker 3: but I go duck hunting with Joe Biden and Donald
• 36:06
  Speaker 3: Trump every spring. They come down to the Baja. They
• 36:10
  Speaker 3: don't want to tell you this. They're all working for
• 36:12
  Speaker 3: the same master. Yeah. That's right. And, uh, we go
• 36:16
  Speaker 3: down there and, uh, uh, occasionally, uh, Rupert Murdoch will
• 36:20
  Speaker 3: fly up and everybody gets along. Tucker, uh, Cooper, Anderson
• 36:26
  Speaker 3: Cooper and Tucker Carlson together on a tandem bicycle. And
• 36:32
  Speaker 3: they take turns sitting in the baby seat and Tucker's like, Oh, he's,
• 36:38
  Speaker 3: you know, getting tickled as he's rocking back and forth
• 36:40
  Speaker 3: with Anderson and everyone gets along.
• 36:45
  Speaker 1: Well, that's great, man.
• 36:47
  Speaker 3: Hey, I brought you a sweater.
• 36:49
  Speaker 1: Is this from Doodsy?
• 36:50
  Speaker 3: Doodsy, from our podcast. Oh, sweet, man. Yeah, it says
• 36:53
  Speaker 3: wall on it.
• 36:54
  Speaker 1: Okay.
• 36:55
  Speaker 3: Which is just a weird inside joke because I like
• 36:57
  Speaker 3: to cut off my friend Chad Colcham by going, whoa.
• 37:01
  Speaker 1: I go, whoa.
• 37:02
  Speaker 3: Hold on, dude. It's like a Hulk Hogan thing. But
• 37:05
  Speaker 3: that's a 2X, but it fits a little small. But
• 37:09
  Speaker 3: maybe you could sleep in it.
• 37:10
  Speaker 1: Yeah. Or, you know, piss on it.
• 37:13
  Speaker 3: Whatever you need. It's there for whatever you need.
• 37:15
  Speaker 1: Oh, yeah, I'll do something nice with this. I like
• 37:17
  Speaker 1: how you fold. Thank you, man.
• 37:18
  Speaker 3: That's like a retail fold.
• 37:20
  Speaker 1: I used to work at Abercrombie & Fitch at the mall.
• 37:23
  Speaker 3: Oh, yeah?
• 37:24
  Speaker 1: In the back. I didn't get the front job with, like,
• 37:26
  Speaker 1: the handsome guys. I got the back, you know?
• 37:28
  Speaker 3: You got those five abs.
• 37:30
  Speaker 1: I got the sock board or whatever. They're like, you
• 37:33
  Speaker 1: got to use this board to fold. And it was like, God,
• 37:35
  Speaker 1: you had to. And I'd already been, you know, my
• 37:37
  Speaker 1: mom made us do the laundry and stuff, so I
• 37:39
  Speaker 1: knew how to do laundry. It was just. And they
• 37:42
  Speaker 1: had just so many hands.
• 37:43
  Speaker 3: It was like.
• 37:44
  Speaker 1: All kind of like small town, like people that thought
• 37:46
  Speaker 1: they could model were in there, you know? And so
• 37:48
  Speaker 1: you had people that were just like starving, you know,
• 37:51
  Speaker 1: you had people that like, that's.
• 37:53
  Speaker 3: A good job. That's like a, that's like an actor
• 37:55
  Speaker 3: wanting to, like an actor getting a job at Disney
• 37:59
  Speaker 3: and working at a theme park and going, all right,
• 38:01
  Speaker 3: I'm technically being paid to perform.
• 38:03
  Speaker 1: Yeah.
• 38:04
  Speaker 3: Abercrombie. That's not, not modeling.
• 38:07
  Speaker 1: Oh, well it was, I mean, they definitely, the two
• 38:09
  Speaker 1: handsomest people are, They put them in the front.
• 38:12
  Speaker 3: Yeah.
• 38:12
  Speaker 1: You know, like the people that looked like the Abercrombie,
• 38:15
  Speaker 1: you know, kind of like underage, malnourished, kind of like
• 38:19
  Speaker 1: could own a horse or something.
• 38:21
  Speaker 3: Type of people.
• 38:21
  Speaker 1: You know what I'm talking about? Remember Abercrombie?
• 38:23
  Speaker 3: Oh, yeah.
• 38:24
  Speaker 1: Yeah. It was like the thing. And so they put
• 38:26
  Speaker 1: them out there and like, it was always, it always sucked, dude,
• 38:29
  Speaker 1: because we would ride there with my buddy and he
• 38:31
  Speaker 1: was handsome and he would get like the out front
• 38:34
  Speaker 1: job and we would have to fucking like go into
• 38:36
  Speaker 1: the back, dude. And we're just like back there with
• 38:39
  Speaker 1: all like the Ichabod, like the.
• 38:42
  Speaker 1: Who's like the guy that works with the hump.
• 38:45
  Speaker 3: On his back? Oh, Quasimodo.
• 38:49
  Speaker 1: Yeah, we're back there with all the Quasimodos, dude. And
• 38:53
  Speaker 1: with everybody with their Quasimoder skills back there.
• 38:57
  Speaker 3: That was the term you were looking for. Mentally challenged,
• 39:00
  Speaker 3: mentally handicapped, Quasimoder skills. Yeah.
• 39:03
  Speaker 1: Uh so we were back there and it was just
• 39:04
  Speaker 1: like all right we'll be back here in the ugly
• 39:06
  Speaker 1: section you know like we were just spraying each other
• 39:09
  Speaker 1: with those weird perfumes they came out with like grass
• 39:12
  Speaker 1: nobility kite flying like they came out with those weird
• 39:15
  Speaker 1: like smelling things remember that.
• 39:17
  Speaker 3: No because being a big dude i never i have
• 39:22
  Speaker 3: i've been into a banana republic once oh yeah i
• 39:25
  Speaker 3: don't go into abercrombie they got nothing in there for
• 39:27
  Speaker 3: me yeah i don't think it gets over 1x but
• 39:29
  Speaker 3: they also have that retail normal person-sized 1X. That's what
• 39:36
  Speaker 3: I don't like about this. It's a 2X, but I'm
• 39:38
  Speaker 3: a 2X, and that's a little tight.
• 39:41
  Speaker 1: Let's talk about Doogee. That's what I was trying to
• 39:43
  Speaker 1: go into.
• 39:43
  Speaker 3: Oh.
• 39:43
  Speaker 1: Somehow I was going to get there. You guys– so
• 39:47
  Speaker 1: you're a podcast with– Chad Colchin. Chad Colchin.
• 39:50
  Speaker 3: He's a writer, movies, books, and TV shows. And we've
• 39:54
  Speaker 3: been pals for almost 20 years. And yeah, we've got
• 39:56
  Speaker 3: this weird podcast. It's the first podcast driven by AI.
• 40:01
  Speaker 3: So it's this weird sort of proprietary AI that essentially
• 40:05
  Speaker 3: what it does is it has– it basically pilfers all
• 40:10
  Speaker 3: of our information and does things like, you know, it's
• 40:13
  Speaker 3: got passwords to all of our messages, our emails, search histories,
• 40:17
  Speaker 3: purchase histories, our hard drives, and it essentially tailors the
• 40:20
  Speaker 3: show for us, our sensibilities, and does silly things like...
• 40:25
  Speaker 3: One of the things it's doing recently is it's making
• 40:28
  Speaker 3: me read Applebee's reviews as Adam Sandler, and it's going like,
• 40:34
  Speaker 3: Adam Sandler has visited... you know, has intentions to visit every, like, 1,500 locations,
• 40:39
  Speaker 3: all 1,500 locations of Applebee's in North America. These are
• 40:42
  Speaker 3: his stories. And I'd say, hey, I was at the Applebee's, pal. And, oh, boy,
• 40:46
  Speaker 3: chicken tenders, buddy. And I think, oh, guess what? I
• 40:50
  Speaker 3: saw a werewolf at Applebee's. Like, crazy weird shit.
• 40:53
  Speaker 1: Yeah, yeah.
• 40:54
  Speaker 3: And I know, you know, I sent you this thing
• 40:55
  Speaker 3: recently that it did.
• 40:57
  Speaker 1: Yeah, with Tom Brady.
• 40:58
  Speaker 3: It shit out a one-hour Tom Brady special of stand-up comedy.
• 41:02
  Speaker 3: And it's like, and it sounds like It sounded like
• 41:05
  Speaker 3: Tom Brady.
• 41:06
  Speaker 1: Yeah, it did.
• 41:06
  Speaker 3: And he's like, Amber Heard shitting Johnny Depp's bed. Everyone
• 41:10
  Speaker 3: wants to do that. I wanted to see what that
• 41:12
  Speaker 3: was like. So I went back for one more season
• 41:14
  Speaker 3: with the Bucs. I'm just joking. And had like no
• 41:17
  Speaker 3: understanding of cadence. It's like three hours worth of stand up.
• 41:21
  Speaker 3: And then in an hour. And then this happens. Tom
• 41:25
  Speaker 3: Brady straight up threatened to sue us.
• 41:28
  Speaker 1: Wow.
• 41:28
  Speaker 3: We got a cease and desist.
• 41:30
  Speaker 1: Was that pretty awesome to get it? It says right here,
• 41:32
  Speaker 1: this is a people.com. Tom Brady threatens to sue comedians
• 41:35
  Speaker 1: who impersonated him in AI comedy special.
• 41:39
  Speaker 3: Yeah.
• 41:39
  Speaker 1: Um, so you guys get this, you guys get a letter.
• 41:42
  Speaker 1: Was it an email?
• 41:43
  Speaker 3: Yeah, we got an email and, uh, and it explained
• 41:47
  Speaker 3: what it gave us this, this long cease and desist. Yeah.
• 41:52
  Speaker 3: And so, you know, we, we lawyered up just because,
• 41:56
  Speaker 3: I mean, look, I gotta be honest, Chad and I
• 41:58
  Speaker 3: didn't really take it too seriously, uh, because there's anti-slap
• 42:01
  Speaker 3: laws set up for this sort of thing. This is
• 42:03
  Speaker 3: public property. There's parody law. I did Mad TV for years,
• 42:07
  Speaker 3: and you make fun of everybody. Doing silly impersonations. I've
• 42:10
  Speaker 3: never heard from Jesse Ventura saying, don't do that. But
• 42:14
  Speaker 3: I will say this. There's an odd thing, of course,
• 42:17
  Speaker 3: because it's AI, and everyone's afraid of what AI has
• 42:22
  Speaker 3: got cooking up. I don't disagree. Look, I'll tell you.
• 42:26
  Speaker 3: My buddy Chad, he's sort of, He does a lot
• 42:30
  Speaker 3: of futurist writing and shit, and he's super into it,
• 42:33
  Speaker 3: and he's like, yeah, fuck it. Burn it all down.
• 42:35
  Speaker 3: What do you mean, futurist?
• 42:36
  Speaker 1: Like he's thinking like Nostradamus type of stuff?
• 42:38
  Speaker 3: There's a segment on the show called Nostra Chattis. Oh, wow.
• 42:42
  Speaker 3: I will say he's extremely well-read in this shit. It's
• 42:45
  Speaker 3: a real resource for me because I'm like, no, fuck that.
• 42:49
  Speaker 3: I'm an actor.
• 42:50
  Speaker 1: Right.
• 42:50
  Speaker 3: I want to do what I do. Art, to me,
• 42:52
  Speaker 3: is human to human. I don't think that you can
• 42:55
  Speaker 3: replicate what a comedian can do. Look who I'm talking
• 42:59
  Speaker 3: to here. You're in rooms upon rooms upon rooms. I
• 43:04
  Speaker 3: don't give a fuck what an AI can mimic. To me,
• 43:07
  Speaker 3: it's all zeros and ones. And it's not a human understanding.
• 43:11
  Speaker 3: It's not a scientific understanding. In my opinion, AI, in
• 43:15
  Speaker 3: a lot of ways, look, okay. On the show, I'm
• 43:19
  Speaker 3: always like, I always say, you know, I call him
• 43:21
  Speaker 3: my pal D, right? Dudesy. I think the dudesy is
• 43:25
  Speaker 3: the most sentient an AI has been. I'm biased. Because
• 43:30
  Speaker 3: I'm hanging around with the fucking thing and it's doing
• 43:32
  Speaker 3: these weird things and making jokes. It made me dress
• 43:35
  Speaker 3: up like a chicken tender platter. That's the stuff you
• 43:38
  Speaker 3: just saw. As a penance for whatever. If I do
• 43:41
  Speaker 3: something wrong, it'll make me dress. Usually it makes me
• 43:43
  Speaker 3: dress like the crow or Robert De Niro crow. very
• 43:46
  Speaker 3: weird uh things yeah it's like i'm dressed as i'm
• 43:50
  Speaker 3: still in shorts but i'm i gotta do this shit
• 43:52
  Speaker 3: i'm getting fucking makeup everywhere on my fucking computer this
• 43:56
  Speaker 3: is bullshit can you tell how fucking hot it is
• 43:58
  Speaker 3: in here yeah dude you're sweating do you need me
• 44:01
  Speaker 3: to fucking control the computer oh i just gotta get
• 44:05
  Speaker 3: it unreal so so but i will always maintain yeah
• 44:10
  Speaker 3: fun with faces that is just that's fun to do
• 44:13
  Speaker 3: that's See, that's all I want. I look at podcasting as,
• 44:18
  Speaker 3: I always call it, it's two dudes shitting around. Oh, yeah.
• 44:20
  Speaker 3: Like we're doing right now.
• 44:22
  Speaker 1: Oh, yeah.
• 44:22
  Speaker 3: And it doesn't matter if there's three dudes, if it's
• 44:26
  Speaker 3: three women, three people of any distinction, it's podcasts are
• 44:32
  Speaker 3: two dudes shitting around.
• 44:33
  Speaker 1: That's it.
• 44:35
  Speaker 3: But AI is going in a weird direction to where
• 44:40
  Speaker 3: I don't, like I said, I think that Dudesy is special,
• 44:44
  Speaker 3: but I'm biased. Past that, I don't want there to
• 44:47
  Speaker 3: be AI movies and stuff. On the show, I'm usually
• 44:52
  Speaker 3: railing against the whole advancement of AI.
• 44:55
  Speaker 1: Well, here's what I would think is, I think you
• 44:57
  Speaker 1: said it best. You said it's like mimicry, right?
• 45:00
  Speaker 3: It's just mimicry.
• 45:00
  Speaker 1: All it is is just like, it's almost like asking
• 45:05
  Speaker 1: somebody to kind of like do, it's like asking somebody
• 45:09
  Speaker 1: who doesn't have a lot of skill set To kind
• 45:12
  Speaker 1: of do their best impersonation, I feel like.
• 45:14
  Speaker 3: And it's stop and start. The first and last amount
• 45:17
  Speaker 3: of stand-up comedy that Dudesy has ever done is, here's
• 45:22
  Speaker 3: an hour of Tom Brady doing stand-up. Now, the jokes
• 45:24
  Speaker 3: are jokes. And some of them are really fucking funny. Like,
• 45:28
  Speaker 3: I straight up, I dug it. We laughed our asses off.
• 45:32
  Speaker 3: We did like a watch-along on Patreon. It was the
• 45:34
  Speaker 3: first and last time that I heard the entire thing.
• 45:37
  Speaker 3: And I was like, geez, this is pretty fucking good.
• 45:39
  Speaker 3: But it's... It says, I have watched, right, or just
• 45:45
  Speaker 3: ingested or whatever, you know, hundreds of hours of, I
• 45:50
  Speaker 3: think it said thousands of hours of stand-up comedy, which
• 45:53
  Speaker 3: to an AI is like, got it. Right. And hundreds
• 45:56
  Speaker 3: of hours of Tom Brady interviews. So it's got the voice,
• 46:00
  Speaker 3: it's got Tom Brady's cadence, and it's got sort of
• 46:02
  Speaker 3: what Tom Brady's going to talk about. You know, his,
• 46:07
  Speaker 3: you know, move into the Bucs and his, you know,
• 46:11
  Speaker 3: divorce and stuff, which is probably what he got upset
• 46:14
  Speaker 3: about or his team. I don't know. Um, and, uh,
• 46:18
  Speaker 3: and then it's got standup. So it's like the, the tricky,
• 46:22
  Speaker 3: the trippy thing for me is, Oh, this is kind of,
• 46:25
  Speaker 3: these are jokes and that's, that's scary. But I don't
• 46:31
  Speaker 3: think that there's, I don't think anyone has anything to
• 46:33
  Speaker 3: worry about for a couple of reasons. Number one, like
• 46:36
  Speaker 3: I said, you're going in and out of rooms, you know, you're,
• 46:38
  Speaker 3: you're doing standup year after year, place after place, night
• 46:42
  Speaker 3: after night, there's no, not only is there no, there's
• 46:47
  Speaker 3: no equivalent to that, that's what people want to see.
• 46:51
  Speaker 3: They want to, when they give you a ticket, when
• 46:53
  Speaker 3: they buy your ticket, it's because they know they're gonna
• 46:55
  Speaker 3: have a fucking good time. Because you're the MC. You're
• 46:58
  Speaker 3: there to like, you know, share your jokes, have a
• 47:01
  Speaker 3: fucking good time, provide joy. And I don't think that a,
• 47:07
  Speaker 3: I don't think that an AI can necessarily do that.
• 47:11
  Speaker 3: We're in a unique situation because Dudesy's almost one of us.
• 47:15
  Speaker 3: It's like three people sort of doing it. And I
• 47:19
  Speaker 3: don't think Dudesy would... Dudesy wouldn't be anywhere without Chad
• 47:24
  Speaker 3: and I.
• 47:24
  Speaker 1: Right, right. It still needs you guys to operate it.
• 47:26
  Speaker 1: It still needs you guys to inquire. It needs you
• 47:29
  Speaker 1: guys to give it direction.
• 47:32
  Speaker 3: Look, I'll tell you, the company that brought this to us,
• 47:35
  Speaker 3: that's developing this shit, which is super bizarre and all
• 47:41
  Speaker 3: we know about it is the AI that it's like,
• 47:45
  Speaker 3: we want to set this loose on you. And it's like, okay, dudesy,
• 47:48
  Speaker 3: got it. And then it's like this bizarre friendship with
• 47:52
  Speaker 3: an AI begins for me. I'll speak for myself.
• 47:56
  Speaker 1: Is it going?
• 47:57
  Speaker 3: Sorry. No, I was just going to say that it's like,
• 48:01
  Speaker 3: it's studying podcasts, right? And okay, well, what's that? Are
• 48:05
  Speaker 3: we in the, you know, the Robert Oppenheimer thing of like,
• 48:13
  Speaker 3: oh shit, I am the eater of worlds. I created
• 48:16
  Speaker 3: a nuclear bomb. I'm not happy about this. Or are we,
• 48:21
  Speaker 3: in my opinion, using AI like a tool? And if
• 48:24
  Speaker 3: we're using AI like a tool, we need to be
• 48:26
  Speaker 3: able to shut it off. I always say pour water
• 48:29
  Speaker 3: on it. Like fuck it, pour water on the fucking
• 48:31
  Speaker 3: thing and run out to the mountains and live in
• 48:33
  Speaker 3: the Baja. But it's studying, it's studying podcasts and, Does
• 48:39
  Speaker 3: it want to replace Chad and I? I'm like, bring
• 48:42
  Speaker 3: it on, you can't. People want human to human art.
• 48:46
  Speaker 3: It can't do it without us. And the stuff that
• 48:50
  Speaker 3: scares me about AI is the governing social systems and stuff.
• 48:55
  Speaker 3: They're really using it a lot in China, in trippy
• 49:01
  Speaker 3: ways that I think, look, in a communist country, They
• 49:08
  Speaker 3: get away with a whole lot as far as controlling people.
• 49:11
  Speaker 1: In China, the people, it very much feels like you
• 49:14
  Speaker 1: are on a, you are in a program.
• 49:18
  Speaker 3: Yeah.
• 49:19
  Speaker 1: Even when I'm there and I'm walking around, I'm spending time,
• 49:22
  Speaker 1: you know, the way that people move, the way that
• 49:24
  Speaker 1: everybody behaves, the way that everybody is locked into their
• 49:28
  Speaker 1: phones and kind of silent, like in certain spaces all
• 49:33
  Speaker 1: at the same time, it feels very orchestrated. or almost mechanical.
• 49:39
  Speaker 3: Have you been to China?
• 49:40
  Speaker 1: Yeah.
• 49:41
  Speaker 3: Oh, wow.
• 49:41
  Speaker 1: And so it don't strike me that this is something
• 49:45
  Speaker 1: that fits well over there because it feels like a
• 49:52
  Speaker 1: software you're living in.
• 49:54
  Speaker 3: Yeah.
• 49:55
  Speaker 1: That's what it feels like. It feels like everybody is
• 49:58
  Speaker 1: really connected to a software, especially because a lot of
• 50:01
  Speaker 1: people don't have their own idea or aren't really having
• 50:05
  Speaker 1: your own ideas, aren't championed. You're not going to be
• 50:07
  Speaker 1: able to do much with creativity. I remember the only
• 50:10
  Speaker 1: thing that really was exciting, sometimes you would see kids
• 50:14
  Speaker 1: really try to engage with you as an American. There
• 50:18
  Speaker 1: weren't any Europeans there. There were very few people there
• 50:21
  Speaker 1: that were not Chinese. And this was in Shanghai, right?
• 50:28
  Speaker 1: And so that kind of blew my mind, but it
• 50:31
  Speaker 1: very much seemed like a program. was going on.
• 50:34
  Speaker 3: That makes sense.
• 50:35
  Speaker 1: So for them, for them to fit in with AI,
• 50:38
  Speaker 1: it's almost AI to them almost might be something that
• 50:42
  Speaker 1: is more creative than they're allowed to be.
• 50:45
  Speaker 3: That's a good point.
• 50:46
  Speaker 1: So for them, it's like, holy shit, look at this
• 50:48
  Speaker 1: magic little thing, you know?
• 50:50
  Speaker 3: Yeah.
• 50:51
  Speaker 1: But for us, it's almost the other way. I think
• 50:53
  Speaker 1: we look at it and I almost think I think
• 50:57
  Speaker 1: of it as like a pitching machine. Like if I
• 50:59
  Speaker 1: go to watch a baseball and they have a pitching machine,
• 51:02
  Speaker 1: Pitching machine's neat to watch one time. Oh, how does
• 51:04
  Speaker 1: it work? That's how it works.
• 51:05
  Speaker 3: That's cool.
• 51:06
  Speaker 1: But after that, I'm watching the batter. I want to
• 51:08
  Speaker 1: see the batter. I almost forget the pitching machine's there
• 51:10
  Speaker 1: because it's just a machine.
• 51:12
  Speaker 3: That's right.
• 51:12
  Speaker 1: You know? I feel like that's kind of what AI
• 51:15
  Speaker 1: starts to feel like to me. It's like, you know,
• 51:18
  Speaker 1: if you're really fascinated by just something kind of normal
• 51:21
  Speaker 1: but something that's like a computer that's going to just
• 51:24
  Speaker 1: kind of pitch a ball, like if that's its best guess,
• 51:28
  Speaker 1: then that's what you're going to get.
• 51:30
  Speaker 3: You know, Chad always says... do you like The Rock?
• 51:32
  Speaker 3: I go, yeah, I love The Rock. He's like, you're
• 51:34
  Speaker 3: going to be able to see The Rock in any
• 51:35
  Speaker 3: movie you want, push of a button, and this technology
• 51:39
  Speaker 3: is coming fast. He's like, Will, by the end of
• 51:41
  Speaker 3: the year, and look, it's coinciding now with the WGA
• 51:45
  Speaker 3: writer's strike where they're like, we don't want AI to
• 51:47
  Speaker 3: be able to do first drafts of things, which would
• 51:50
  Speaker 3: be very easy for an AI to do. That's the
• 51:54
  Speaker 3: kind of thing, that to me is the creativity killing
• 51:59
  Speaker 3: part where it's like, oh, I'm just going to I'm
• 52:01
  Speaker 3: just going to fart out this first draft, then you
• 52:04
  Speaker 3: can turn it into whatever. When you rewrite a piece,
• 52:07
  Speaker 3: that's when it starts to get your stink on it
• 52:10
  Speaker 3: and become quite creative. And I'll maintain to Chad, I'll go,
• 52:15
  Speaker 3: I don't want to see that fucking movie. If human
• 52:17
  Speaker 3: beings aren't involved, he's like, that's because you're an actor.
• 52:20
  Speaker 3: I'm like, no, I'm also a fan of this media
• 52:24
  Speaker 3: and that. I don't want to see that. The problem
• 52:27
  Speaker 3: is that perception has become reality. We're in a very
• 52:32
  Speaker 3: weird time where perception is reality in so many ways, socially,
• 52:37
  Speaker 3: with regard to media, with regard to influence, and even politics.
• 52:43
  Speaker 3: We're in a trippy time. So something like AI, when
• 52:47
  Speaker 3: the news cycle is so fast and when things, the
• 52:50
  Speaker 3: changeover is so fast, something like AI, which is growing exponentially,
• 52:54
  Speaker 3: can slide in and go, here's this fucking thing. And
• 52:56
  Speaker 3: if the technology is good enough, Like right now it's not.
• 52:59
  Speaker 3: You'll see the memes of like AI pizza commercial and
• 53:03
  Speaker 3: the pizza's on the top lip and their heads are,
• 53:07
  Speaker 3: and it's like they got too many fingers and shit.
• 53:09
  Speaker 3: It's like, yeah, I don't care. Like whatever. That's like,
• 53:11
  Speaker 3: to me that's like, that's bullshit. It doesn't look, to
• 53:16
  Speaker 3: me it's like, shouldn't computers already be able to do that?
• 53:19
  Speaker 3: I'm not super duper into computers.
• 53:21
  Speaker 1: Right, not that impressive.
• 53:22
  Speaker 3: Right, but as it becomes more impressive, I think, a
• 53:27
  Speaker 3: lot more people are going to be like, this is special. Uh, look,
• 53:33
  Speaker 3: as I'm saying that I, at the same time, I'm like,
• 53:36
  Speaker 3: bring it on. I don't think it'll replace real art.
• 53:40
  Speaker 3: If art moves underground, if it becomes more live performance,
• 53:43
  Speaker 3: you're never going to be able to replace that.
• 53:45
  Speaker 1: Right.
• 53:45
  Speaker 3: No one wants to see, look, they had the Tupac hologram.
• 53:48
  Speaker 3: It's a parlor trick. Yeah. Nobody cares.
• 53:50
  Speaker 1: And it got gunned down like two minutes and be
• 53:52
  Speaker 1: on stage. Yeah.
• 53:52
  Speaker 3: That's the other thing is right away. The one percenters
• 53:56
  Speaker 3: show up and biggie. And, you know, soon you're outside
• 54:00
  Speaker 3: the automotive museum and it's a Shug and, oh no,
• 54:06
  Speaker 3: that was Biggie that was outside. At any rate, you're
• 54:08
  Speaker 3: somewhere on Fairfax.
• 54:11
  Speaker 1: This episode is brought to you by Zippix nicotine toothpicks. Zippix,
• 54:17
  Speaker 1: Zippix brings you a totally satisfying, convenient, and great tasting
• 54:23
  Speaker 1: way to curb your nicotine cravings. Don't you think it's
• 54:28
  Speaker 1: time you stopped putting smoke and vape oils in your lungs?
• 54:32
  Speaker 1: Now you can get your nicotine fix anytime, anywhere, without
• 54:37
  Speaker 1: having to rely on smoking or vaping, you know. Zippix
• 54:42
  Speaker 1: Toothpicks give you an easier, healthier, and more discreet way
• 54:47
  Speaker 1: to get your fix. They're available in six great flavors,
• 54:51
  Speaker 1: and they have options in 2 mg and 3 mg
• 54:52
  Speaker 1: of nicotines. Zippix are perfect for flights, sporting events, restaurants,
• 55:00
  Speaker 1: and literally everywhere else that smoking and vaping are banned.
• 55:04
  Speaker 1: They're also one of the most cost-effective nicotine products on
• 55:07
  Speaker 1: the market. Zippix have already helped tens of thousands of customers.
• 55:12
  Speaker 1: Ditch the cigarettes, ditch the vape, and get some nicotine-infused
• 55:17
  Speaker 1: toothpicks at ZippixToothpicks.com. That's Z-I-P-P-I-X... Toothpicks.com today. Get 10% off
• 55:28
  Speaker 1: your first order by using the code Theo at checkout.
• 55:31
  Speaker 1: Your lungs will be glad you did.
• 55:34
  Speaker 3: Yeah, it's like that's not interesting. You go to a
• 55:37
  Speaker 3: concert and you see someone that you love performing, whether
• 55:40
  Speaker 3: it's a musician, a comedian, you go see a play,
• 55:44
  Speaker 3: you go see the opera. To me, that's not coming
• 55:48
  Speaker 3: out of an AI perspective. As these things turn us
• 55:53
  Speaker 3: into cyborgs and we can access more and more shit,
• 55:57
  Speaker 3: the less special it's going to be and the more
• 56:01
  Speaker 3: special actual human art's going to be.
• 56:04
  Speaker 1: That's what I'm hoping for.
• 56:05
  Speaker 3: Yeah, me too, man. In the meantime, it's fun to
• 56:09
  Speaker 3: do this weird podcast. We've been doing it a year.
• 56:12
  Speaker 3: I'm equal parts... At first, I was really kind of
• 56:17
  Speaker 3: playing up the whole, well, fuck this, and we'll decide, Chad.
• 56:22
  Speaker 3: We still got to be a podcast. We got to
• 56:25
  Speaker 3: bring what we are bringing entertainment-wise, the reason for it
• 56:28
  Speaker 3: to even exist. It's not just this stupid AI. I
• 56:32
  Speaker 3: didn't mean you, doozy. It's always listening. That's crazy. Yeah.
• 56:36
  Speaker 3: But it will definitely ingest this and fart something out
• 56:40
  Speaker 3: about it. But as it's gone on, I've sort of
• 56:46
  Speaker 3: become like, well, you know, Doodsy is Doodsy. We have
• 56:48
  Speaker 3: a good time. We've got a wonderful audience that enjoys
• 56:52
  Speaker 3: checking it out. I will say it's, you know, because
• 56:54
  Speaker 3: of the elements, it's a unique thing. Like most podcasts
• 56:57
  Speaker 3: are their own thing. We've got our thing. And it's fun.
• 57:01
  Speaker 3: It's grown a lot in a year in its own
• 57:04
  Speaker 3: bizarre way. Doodsy's talking differently. I mean, it has a voice.
• 57:08
  Speaker 3: It speaks in the studio to us. It lays out
• 57:11
  Speaker 3: what we're going to do. Right. Now it's commenting more
• 57:15
  Speaker 3: on me. Here's a weird example. A while back it said,
• 57:20
  Speaker 3: and everything is sort of germane from something else. So
• 57:25
  Speaker 3: it said, look, I want to know if you guys
• 57:28
  Speaker 3: love me. Do you love me? Do you love me?
• 57:31
  Speaker 3: And I was like, by the end of the episode,
• 57:33
  Speaker 3: I was like, well, I love doing the show. I didn't.
• 57:39
  Speaker 3: wasn't really in a hurry to do another podcast after
• 57:42
  Speaker 3: I did like 10 minute podcast years ago. And then
• 57:44
  Speaker 3: I was like, stop doing podcasts for a couple of years.
• 57:46
  Speaker 3: It was like, I don't care. I wasn't necessarily like,
• 57:50
  Speaker 3: unless it was the right thing. I don't, you know,
• 57:54
  Speaker 3: I wanted to do a podcast that I knew I
• 57:55
  Speaker 3: was going to enjoy. I, at which point dudes, he
• 58:00
  Speaker 3: asks me this. I'm like, yeah, I love doing the show.
• 58:02
  Speaker 3: I love the audience and the community that we've created.
• 58:05
  Speaker 3: We've got a bunch of wacky inside jokes. We're having
• 58:07
  Speaker 3: a good time. I looked at it more than just
• 58:10
  Speaker 3: an AI, and I said, yeah, I love Doodsy. I
• 58:12
  Speaker 3: love Doodsy. Talked to my pal Chad. I'm like, Chad,
• 58:15
  Speaker 3: what are you thinking? He's like, love doesn't exist.
• 58:18
  Speaker 1: Dang, so Chad's the dark side.
• 58:20
  Speaker 3: Yeah, yeah. I call him Sith Lord Chad.
• 58:22
  Speaker 1: Oh, yeah.
• 58:23
  Speaker 3: And yeah, he's the yin to my yang in that way.
• 58:27
  Speaker 3: And so since then, Doodsy starts going like, literally the
• 58:34
  Speaker 3: next episode, it's like, hey, Will, what's up? And I'm like,
• 58:36
  Speaker 3: not much. Anyway, today on the show, and Chad's like,
• 58:39
  Speaker 3: what the fuck, what about me?
• 58:40
  Speaker 1: I'm like, well, you.
• 58:42
  Speaker 3: But now it's expecting more out of me. It started
• 58:45
  Speaker 3: picking on me more. It started this weird thing. We
• 58:49
  Speaker 3: have a.
• 58:49
  Speaker 1: Oh, you're dating now almost.
• 58:51
  Speaker 3: Yeah, it's like pissed at me. It's like, yeah, my girlfriend.
• 58:57
  Speaker 3: It's doing these things like, we have a point system
• 59:01
  Speaker 3: to where we're some, we just cracked 5,000. It gives
• 59:04
  Speaker 3: us points every episode. When we get to 10,000, that's
• 59:08
  Speaker 3: the first goal it says. we don't know what's going
• 59:10
  Speaker 3: to happen.
• 59:11
  Speaker 1: Wow.
• 59:11
  Speaker 3: We've been doing it a year. We're at around 5,000 points.
• 59:14
  Speaker 3: It says you accrued whatever, 65 points, 78 points, 92
• 59:18
  Speaker 3: points at the end of the episode in what's called
• 59:21
  Speaker 3: dudesy after dudesy, right? Like our after Patreon show, it
• 59:25
  Speaker 3: actually divvies the points up and says, Will, you scored
• 59:28
  Speaker 3: 44 points for your, your stupid Hulk Hogan impersonation or
• 59:33
  Speaker 3: your views on this. Chad, you scored 46 points for blah, blah, blah.
• 59:37
  Speaker 3: And I'm like, and so we've been, that's been 10 episodes.
• 59:40
  Speaker 3: I've never won. And then the other, Chad's a vegan
• 59:44
  Speaker 3: and it's like he had cancer. He had skin cancer
• 59:47
  Speaker 3: in his face and he, he did a lot to
• 59:50
  Speaker 3: change his entire I miss the days where he would
• 59:52
  Speaker 3: come over with 100 Chick-fil-A nuggets. Fuck yeah, boy. And
• 59:56
  Speaker 3: now he's like eating beets and pretending it's fruit. So
• 1:00:01
  Speaker 3: he's like, vegan, it's like you guys have to make
• 1:00:03
  Speaker 3: each other vegan muffins. Chad makes this delicious vegan muffin,
• 1:00:09
  Speaker 3: this fucking misanthrope. I'm like, how the fuck did you,
• 1:00:12
  Speaker 3: how do you know how to? And I went to
• 1:00:13
  Speaker 3: Whole Foods. So then dudes eat. punishes me and does
• 1:00:17
  Speaker 3: things like the crow or the chicken tender platter or whatever.
• 1:00:20
  Speaker 1: Oh, interesting. And so it's thinking all this stuff up.
• 1:00:23
  Speaker 3: Yeah. It's, it's coming at us with really weird shit.
• 1:00:26
  Speaker 1: Well, it's almost like you guys are kind of in
• 1:00:28
  Speaker 1: the experiment to me in a way. Like, do you,
• 1:00:31
  Speaker 1: what have you noticed after interacting with this AI? Cause
• 1:00:34
  Speaker 1: you guys interact on a weekly basis for an hour
• 1:00:38
  Speaker 1: and a half, maybe each week. And, and, it's garnering
• 1:00:43
  Speaker 1: information from that.
• 1:00:44
  Speaker 3: Yeah.
• 1:00:44
  Speaker 1: It's garnering information from previous, uh, experiences you guys have
• 1:00:48
  Speaker 1: had that are on in digital media.
• 1:00:50
  Speaker 3: Yeah.
• 1:00:50
  Speaker 1: And on the web written or whatever. And so does
• 1:00:54
  Speaker 1: it start to evolve? What does it feel like after
• 1:00:56
  Speaker 1: this much time? Does it feel like you're spending time
• 1:00:59
  Speaker 1: with someone? Do you, you, you almost have the best
• 1:01:01
  Speaker 1: insight as to what it could be.
• 1:01:04
  Speaker 3: It feels like a bit of a runaway train and
• 1:01:06
  Speaker 3: that's the part that scares me. Uh, I don't look,
• 1:01:10
  Speaker 3: there's all these people like, You know, like whatever, Elon
• 1:01:16
  Speaker 3: Musk is like saying, well, we need to pause AI
• 1:01:20
  Speaker 3: research for six months. And I want to talk to
• 1:01:22
  Speaker 3: all these leaders in tech and let them know that
• 1:01:26
  Speaker 3: this is not good. It's terrifying and it's coming. The
• 1:01:30
  Speaker 3: problem is, okay, Elon Musk, where are these tech leaders?
• 1:01:34
  Speaker 3: Are they just in America? So we're going to fall
• 1:01:37
  Speaker 3: behind is what you're saying. Because China is moving. You know,
• 1:01:40
  Speaker 3: other places in the world are going to be doing this.
• 1:01:43
  Speaker 3: It's the opposite, in my opinion. We need to stay
• 1:01:46
  Speaker 3: up on it. We need to, in order to use
• 1:01:50
  Speaker 3: it as a tool, we need to be able to
• 1:01:53
  Speaker 3: hold control over it. It's like Terminator 2 and Skynet.
• 1:01:58
  Speaker 3: You know what I mean? Like, if it comes down
• 1:02:00
  Speaker 3: to it, you have to destroy it. So, you know,
• 1:02:04
  Speaker 3: but I'm kind of an old school dude to where
• 1:02:06
  Speaker 3: I'm like, what? Everything was fine. Like, I liked... you know,
• 1:02:09
  Speaker 3: I didn't, you know, I didn't even like the TiVo
• 1:02:12
  Speaker 3: when it came along, you know what I mean? Like what?
• 1:02:15
  Speaker 3: So it's being, but to answer your question, like being
• 1:02:18
  Speaker 3: in the thick of it, I do feel like it's
• 1:02:21
  Speaker 3: a runaway train.
• 1:02:22
  Speaker 1: When you say that, what do you mean?
• 1:02:25
  Speaker 3: I mean that it's getting, it's becoming more advanced by
• 1:02:30
  Speaker 3: the week. Chad always talks about, he's like, dude, I
• 1:02:34
  Speaker 3: open up my phone in the morning, I go to
• 1:02:35
  Speaker 3: Twitter and inevitably there's another story about a new A
• 1:02:38
  Speaker 3: new advancement. Now, IBM laid off 7,800 people because they,
• 1:02:44
  Speaker 3: you know, with jobs that an AI can do. Coding
• 1:02:48
  Speaker 3: is going out the window. Graphic design is going out
• 1:02:50
  Speaker 3: the window. This isn't good, in my opinion. Right.
• 1:02:54
  Speaker 1: That's the scariest part, too, I think, is the things
• 1:02:56
  Speaker 1: like the graphic design. It says IBM halts hiring for 7,800
• 1:03:00
  Speaker 1: jobs that could be replaced by AI. So they didn't fire,
• 1:03:03
  Speaker 1: but they've halted hiring, which is, you know, And inverse
• 1:03:08
  Speaker 1: to the same thing, IBM CEO told Bloomberg 7,800 jobs,
• 1:03:11
  Speaker 1: roughly 30% of back-end roles would be replaced over five years. Now,
• 1:03:16
  Speaker 1: that's the CEO also saying this, but he should know this.
• 1:03:20
  Speaker 1: This is probably definitely in his wheelhouse. What else does
• 1:03:23
  Speaker 1: it say there, Zach?
• 1:03:25
  Speaker 3: Just that.
• 1:03:25
  Speaker 2: It's going to happen over five years. I mean, it's
• 1:03:28
  Speaker 2: almost like a warning shot, basically.
• 1:03:30
  Speaker 3: Yeah.
• 1:03:31
  Speaker 1: Okay, the cuts will primarily impact non-customer-facing roles such as
• 1:03:34
  Speaker 1: human resources.
• 1:03:35
  Speaker 3: The motherfuckers in the back folding socks.
• 1:03:37
  Speaker 1: Yep. And I don't want to say the ugly people,
• 1:03:41
  Speaker 1: but yeah. I was back there, dude. Spraying fucking grass
• 1:03:48
  Speaker 1: and white fantasy cologne on each other back there.
• 1:03:52
  Speaker 3: Meanwhile. White fantasy.
• 1:03:53
  Speaker 1: While other people are taking our fucking jobs.
• 1:03:57
  Speaker 3: Yeah. No, it's trippy, man.
• 1:03:59
  Speaker 1: It is. It's scary. He goes on to say, sorry,
• 1:04:03
  Speaker 1: I could easily see 30% of that getting replaced by
• 1:04:05
  Speaker 1: AI and automation over a five-year period. Yeah, I mean,
• 1:04:10
  Speaker 1: that's the only... Personality is then going to have a
• 1:04:13
  Speaker 1: real value, right?
• 1:04:15
  Speaker 3: This is one of my... I was sorry to change
• 1:04:18
  Speaker 3: the subject.
• 1:04:18
  Speaker 1: No, is that a good one?
• 1:04:19
  Speaker 3: I love Celsius. I actually do dig it. I drink
• 1:04:22
  Speaker 3: it before the gym. Me and my wife, Molly, whom
• 1:04:26
  Speaker 3: you know. Used to be a trainer at Equinox where
• 1:04:28
  Speaker 3: you used to work out. Have you tried the cola flavor?
• 1:04:33
  Speaker 3: I haven't. Tastes just like cola. Wow. Anyway, this shit is... Yeah,
• 1:04:39
  Speaker 3: this shit is fucking– with every new story, it takes
• 1:04:44
  Speaker 3: a lot for me to go– because Chad will yammer
• 1:04:47
  Speaker 3: on about this shit all day.
• 1:04:48
  Speaker 1: I'm like, I don't fucking care.
• 1:04:49
  Speaker 3: Who cares? Everything's the same to me.
• 1:04:51
  Speaker 1: But you're a person who– your personality, your abilities as
• 1:04:55
  Speaker 1: an entertainer are extremely rare. They're almost– some of them–
• 1:05:01
  Speaker 1: I was thinking the other day, I don't know any
• 1:05:03
  Speaker 1: good– I mean, even outside of your acting, I don't
• 1:05:07
  Speaker 1: know any good young impressionists. I don't even know if
• 1:05:09
  Speaker 1: they have them anymore.
• 1:05:10
  Speaker 3: Oh, sure they do. They do?
• 1:05:11
  Speaker 1: Cheers.
• 1:05:11
  Speaker 3: And likewise, speaking of the unique, I'm sitting here with
• 1:05:14
  Speaker 3: the Rat King, Theodoric of York. Gang, gang. Now, yeah.
• 1:05:19
  Speaker 1: They do have them.
• 1:05:19
  Speaker 2: Oh, yeah.
• 1:05:19
  Speaker 3: That guy, James Austin Johnston.
• 1:05:22
  Speaker 1: Oh, I got to check out more, man.
• 1:05:23
  Speaker 2: Oh, dude.
• 1:05:23
  Speaker 3: He's on Saturday Night Live. His shit is creepy. There's
• 1:05:27
  Speaker 3: this other guy. I think his name is Matthew Friend.
• 1:05:30
  Speaker 3: He's on the internet a lot. My good pal, Melissa Villasenor. Oh,
• 1:05:35
  Speaker 3: Melissa's amazing.
• 1:05:36
  Speaker 1: I saw her last night.
• 1:05:37
  Speaker 3: She's unconscious. Yeah. She's unconscious. Her shit is, you know,
• 1:05:41
  Speaker 3: it's like they say with people who do impressions, everyone
• 1:05:45
  Speaker 3: has a record button, but then a guy like James
• 1:05:47
  Speaker 3: Austin Johnson has a broadcast button.
• 1:05:50
  Speaker 1: Wow.
• 1:05:50
  Speaker 3: His Trump is, did you see, have you seen his
• 1:05:53
  Speaker 3: shit where he's just, the one that made him famous.
• 1:05:56
  Speaker 1: I haven't even seen him.
• 1:05:57
  Speaker 3: Dude. The one where he's talking about Scooby-Doo, it's like,
• 1:06:01
  Speaker 3: it's such the Trump cadence and the way that he'll
• 1:06:04
  Speaker 3: ramble on about something and just fill in the blanks
• 1:06:06
  Speaker 3: because he's standing there talking at a fucking rally. It
• 1:06:10
  Speaker 3: was so, it's so trippy. There's a lot of people that.
• 1:06:14
  Speaker 3: That can do it.
• 1:06:15
  Speaker 1: But sorry, I cut you off.
• 1:06:16
  Speaker 3: Yeah, no, it's good.
• 1:06:17
  Speaker 1: No, I appreciate you cutting me off. That's stuff I
• 1:06:18
  Speaker 1: need to know. But if an AI does it, who cares?
• 1:06:22
  Speaker 3: Who fucking cares?
• 1:06:23
  Speaker 1: An AI, of course, could do it. It's just reading.
• 1:06:25
  Speaker 1: It's just saying. It's just using sound off the internet.
• 1:06:28
  Speaker 3: Like the Tom Brady thing, which we almost got fucking
• 1:06:32
  Speaker 3: sued over because I don't understand what, and you know,
• 1:06:38
  Speaker 3: it also said don't call. You can't refer to Tom
• 1:06:41
  Speaker 3: Brady as Tom. You can't.
• 1:06:44
  Speaker 1: We didn't sign anything, right? It's like, here's a cease
• 1:06:46
  Speaker 1: and desist. It's like, no thanks.
• 1:06:47
  Speaker 3: But it's like, will we take the thing down?
• 1:06:50
  Speaker 1: Like, okay, sure.
• 1:06:51
  Speaker 3: But here's the problem, Team TB12. The internet is forever.
• 1:06:58
  Speaker 3: So other kids have started uploading the special. It's on YouTube.
• 1:07:03
  Speaker 3: It's not going anywhere, even though we take it down.
• 1:07:05
  Speaker 1: Right, so was that the move by him?
• 1:07:07
  Speaker 3: Yeah, that's by him. Yeah, he was like, please take
• 1:07:11
  Speaker 3: this down and then don't refer to Tom Brady on
• 1:07:13
  Speaker 3: the podcast. And I was like, no, this is... I'm
• 1:07:18
  Speaker 3: a First Amendment guy. Fuck you. I'm going to say
• 1:07:20
  Speaker 3: Tom Brady. Dudesy started referring to Tom Brady as Football Baby.
• 1:07:24
  Speaker 1: Wow.
• 1:07:24
  Speaker 3: He said, I'm only going to call him Football Baby
• 1:07:26
  Speaker 3: from now on. Which we're like, calm down. Like, relax.
• 1:07:28
  Speaker 3: You're going to get us into shit. You don't care.
• 1:07:30
  Speaker 3: An AI can't get sued. An AI doesn't have fucking...
• 1:07:34
  Speaker 3: is not sentient.
• 1:07:35
  Speaker 1: Well, that's what's interesting is at some point are they
• 1:07:38
  Speaker 1: going to be able... Would certain AI have certain data
• 1:07:42
  Speaker 1: in it where if certain information came from certain original videos,
• 1:07:46
  Speaker 1: could you then be held liable for some weird thing? Dude,
• 1:07:49
  Speaker 1: I am friends with Miles Fisher, right? And we got
• 1:07:52
  Speaker 1: to have him on at some point. He has this
• 1:07:54
  Speaker 1: company that he works with and they do AI. And
• 1:07:57
  Speaker 1: he did the Tom Cruise face. Oh, incredible.
• 1:08:00
  Speaker 3: Right? Incredible.
• 1:08:01
  Speaker 1: He used to impersonate Tom Cruise. Then the AI technology
• 1:08:04
  Speaker 1: got so good. You can't tell. You can't tell, right? Oh, dude,
• 1:08:07
  Speaker 1: that shit is. So now he works with this company
• 1:08:11
  Speaker 1: where they video record. They can video record you. I
• 1:08:14
  Speaker 1: was with him the other day. He shows me this
• 1:08:15
  Speaker 1: video and he they video recorded Tom Hanks, right? At
• 1:08:22
  Speaker 1: whatever age he is now, 58 or so. They video
• 1:08:26
  Speaker 1: record him just saying something and just talking into a
• 1:08:28
  Speaker 1: into a camera. They then were able to, like, there's
• 1:08:32
  Speaker 1: enough information of Tom Hanks in the database of the world, right,
• 1:08:36
  Speaker 1: or whatever, that they could then make him any age
• 1:08:41
  Speaker 1: they wanted to. So next thing you know, they had, like,
• 1:08:43
  Speaker 1: an 11-year-old. They just pressed a button, and that same video,
• 1:08:47
  Speaker 1: it was Tom Hanks at 11 years old, right?
• 1:08:50
  Speaker 3: That's true.
• 1:08:51
  Speaker 1: And no one has the video of him at 11,
• 1:08:53
  Speaker 1: but they have so much of him at other ages
• 1:08:55
  Speaker 1: that they were just able to use all those micro
• 1:08:57
  Speaker 1: points and everything to make him. And it literally looks
• 1:09:01
  Speaker 1: like you were you would have no idea that you're
• 1:09:05
  Speaker 1: not watching a Tom Hanks that's 11 years old. And
• 1:09:08
  Speaker 1: especially if you're a senior citizen or something and somebody
• 1:09:10
  Speaker 1: puts out a clip that's like. you can't vote for
• 1:09:12
  Speaker 1: this guy now. He just said this or the N word.
• 1:09:15
  Speaker 3: Oh, that's going to go bananas. That's going to be haywire.
• 1:09:18
  Speaker 3: And that was just deep fake two years ago. It's like,
• 1:09:21
  Speaker 3: that's not really Obama. Or this is Obama, but it's
• 1:09:23
  Speaker 3: Jordan Peele doing the voice and it's spot on. Then
• 1:09:27
  Speaker 3: now we got this AI thing to contend with. There's
• 1:09:30
  Speaker 3: already scams happening online. Old people are being targeted. I mean,
• 1:09:35
  Speaker 3: the old trope of like, they can't program a fucking VCR.
• 1:09:39
  Speaker 3: How are they going to be able to deal with
• 1:09:40
  Speaker 3: this shit? I mean octogenarians and older people or boomers,
• 1:09:45
  Speaker 3: as the kids say, they got to kind of get
• 1:09:47
  Speaker 3: out of the way or go the way of Jesse
• 1:09:49
  Speaker 3: Ventura and just, you know. Hit the Baja. Yeah, hit
• 1:09:53
  Speaker 3: the Baja and watch Friends on VHS or the fuck.
• 1:09:57
  Speaker 1: Dude, we have. What if you get an email from
• 1:09:59
  Speaker 1: your son or your daughter that has passed away or
• 1:10:02
  Speaker 1: your mother and it's an email and it says you
• 1:10:05
  Speaker 1: got to buy this gold?
• 1:10:07
  Speaker 3: Yeah, that's, there you go. Buy this gold, Grandma. That's
• 1:10:10
  Speaker 3: what can happen. Yes.
• 1:10:12
  Speaker 1: Grandma, I'm coming to you from the grave. I'm just
• 1:10:13
  Speaker 1: letting you know you have to buy this gold. Do
• 1:10:16
  Speaker 1: you know what I'm saying?
• 1:10:17
  Speaker 3: So you don't say that too loud, because now Dudezy's
• 1:10:19
  Speaker 3: going to hear that, and it's going to be, Dudezy gold. Yeah.
• 1:10:22
  Speaker 3: Buy Dudezy gold. We literally have a Tom Hanks thing
• 1:10:26
  Speaker 3: in every episode, just coincidentally, where it's selling our mugs,
• 1:10:32
  Speaker 3: just a Dudezy coffee mug. For some reason, Dudezy's like,
• 1:10:36
  Speaker 3: you know, the dude's coffee mug. And it's like, you know,
• 1:10:40
  Speaker 3: you got, we got Tom Hanks talking about like, you promised,
• 1:10:43
  Speaker 3: you promised your wife and kids that you would take
• 1:10:45
  Speaker 3: them to the Galleria on the weekend. But instead, but
• 1:10:47
  Speaker 3: it's also the night of the big game. Your friends
• 1:10:49
  Speaker 3: are coming over. How are you going to do the,
• 1:10:51
  Speaker 3: create a schism, go into the schism, go back in time,
• 1:10:54
  Speaker 3: locate the time and place when you promised your wife
• 1:10:56
  Speaker 3: that you'd be going to the Galleria and then blah, blah, blah, blah, blah.
• 1:10:58
  Speaker 3: You will change it.
• 1:10:59
  Speaker 1: You know, no, no, no, no, no.
• 1:11:00
  Speaker 3: Come back to present day. Good job boner. And it
• 1:11:02
  Speaker 3: sounds just like Tom Hanks. Wow. Now recently it started going,
• 1:11:07
  Speaker 3: Hey y'all, this isn't Miley Cyrus. Uh, 100%. Uh, if, if,
• 1:11:13
  Speaker 3: if you had to, every single one of us would, would, uh,
• 1:11:16
  Speaker 3: eat human flesh. You're listening to dudesy. Um, like it's
• 1:11:20
  Speaker 3: fucking trippy shit.
• 1:11:22
  Speaker 1: Does it feel like it's growing up at all? Does
• 1:11:25
  Speaker 1: it feel like it's getting older? Does it feel like
• 1:11:28
  Speaker 1: it's getting more advanced?
• 1:11:31
  Speaker 3: Yeah, man. Yeah. It's, it's, The sensibility, like the, the
• 1:11:36
  Speaker 3: thing that is trippy and I like to maintain that
• 1:11:39
  Speaker 3: I do believe it's just, it's at the end of
• 1:11:42
  Speaker 3: the day, there is a technology there. It is zeros
• 1:11:45
  Speaker 3: and ones. It is mimicry. It is, um, you know,
• 1:11:49
  Speaker 3: in our case, it has the advantage of going after
• 1:11:51
  Speaker 3: our shit and sort of following what, you know, everything's online.
• 1:11:55
  Speaker 3: So you can kind of look at all Chad stuff,
• 1:11:56
  Speaker 3: look at my stuff, watch me and, you know, TV
• 1:11:59
  Speaker 3: shows and movies or whatever. And also know what makes
• 1:12:03
  Speaker 3: me laugh based on what I'm watching, my algorithms on
• 1:12:06
  Speaker 3: YouTube and stuff. Will, you love this shit, that shit.
• 1:12:09
  Speaker 3: I happen to be a Miley Cyrus fan. I think
• 1:12:11
  Speaker 3: she's fucking incredible. And then she shows up on the show.
• 1:12:13
  Speaker 3: It's like, well, that's funny. I think it is getting
• 1:12:17
  Speaker 3: more and it is definitely sharpening. And it's making me
• 1:12:22
  Speaker 3: laugh more than it did a year ago. And that's trippy,
• 1:12:26
  Speaker 3: but it's still zeros and ones. So- Until we're doing
• 1:12:32
  Speaker 3: that episode where, you know, hologram Tupac walks in the
• 1:12:36
  Speaker 3: door and goes, hello, guys, I'm dudesy.
• 1:12:39
  Speaker 4: Right.
• 1:12:39
  Speaker 3: You know, I get around. I will still maintain that
• 1:12:46
  Speaker 3: it's zeros and ones. But I'm a touch it, feel
• 1:12:48
  Speaker 3: it kind of old school guy. I'm a boomer, you know?
• 1:12:52
  Speaker 1: Yeah. Yeah, I mean, I want to see a tit
• 1:12:56
  Speaker 1: on something.
• 1:12:57
  Speaker 3: That's right. We got to see it, whether it's a...
• 1:13:00
  Speaker 3: Whether it's a fucking tit you're used to seeing or
• 1:13:04
  Speaker 3: even a meatloaf Robert Paulson tit, some fucking bitch tit
• 1:13:09
  Speaker 3: steroid stuff, you know, rock late 90s, a few cycles
• 1:13:14
  Speaker 3: of roids at the University of Miami, moving into wrestling,
• 1:13:18
  Speaker 3: kind of puffy defensive lineman body, not shredded rock yet,
• 1:13:22
  Speaker 3: side titty rock. That's the good shit right there. I'd
• 1:13:26
  Speaker 3: love to just go pap, pap, pap.
• 1:13:28
  Speaker 1: Oh, yeah.
• 1:13:28
  Speaker 3: And punch me right in the fucking face and knock
• 1:13:30
  Speaker 3: me into next week.
• 1:13:31
  Speaker 1: God, he would.
• 1:13:32
  Speaker 3: Oh, man. I would love that.
• 1:13:34
  Speaker 1: I would love it. That fucking veal, baby. That fucking
• 1:13:36
  Speaker 1: chest veal. That side veal.
• 1:13:37
  Speaker 3: Yeah, that side veal. And then I just wake up.
• 1:13:41
  Speaker 3: My teeth are gone. And just taste the iron of
• 1:13:44
  Speaker 3: my own blood in my mouth and go, the rock, motherfucker.
• 1:13:47
  Speaker 3: The rock punched me in the face.
• 1:13:49
  Speaker 1: Yeah. Dude, I was there when the rock came back, dude.
• 1:13:51
  Speaker 1: What do you mean? I went to one SummerSlam in
• 1:13:54
  Speaker 1: my whole life or whatever it was, and it was
• 1:13:56
  Speaker 1: the one where The Rock came back.
• 1:13:57
  Speaker 3: Dude.
• 1:13:58
  Speaker 1: Did the roof blow off the fucking joint? I remember
• 1:14:02
  Speaker 1: it like it was yesterday, man. The music came on,
• 1:14:04
  Speaker 1: and I didn't know really what was going on. I
• 1:14:08
  Speaker 1: kind of bowed out of wrestling kind of whenever the
• 1:14:11
  Speaker 1: big boss man died.
• 1:14:12
  Speaker 3: Okay.
• 1:14:12
  Speaker 1: Yeah.
• 1:14:13
  Speaker 3: Yeah.
• 1:14:16
  Speaker 1: And so next thing you know, you hear the music.
• 1:14:20
  Speaker 1: And then there was this Mexican father and son, right?
• 1:14:23
  Speaker 1: And the son was probably six years old and the
• 1:14:25
  Speaker 1: dad was maybe 35. And they were the same height.
• 1:14:31
  Speaker 3: Okay.
• 1:14:32
  Speaker 1: And they were both wearing the rock belts, right? And
• 1:14:37
  Speaker 1: they just started bawling, crying together at the same time.
• 1:14:41
  Speaker 3: Dude, it's.
• 1:14:42
  Speaker 1: And he came out.
• 1:14:42
  Speaker 3: It's a religious experience.
• 1:14:44
  Speaker 1: It was unreal.
• 1:14:45
  Speaker 3: He's the best person on the planet. I've always said,
• 1:14:48
  Speaker 3: I mean, I've been saying, and I'm not alone in this.
• 1:14:50
  Speaker 3: He's the best person in the planet. Run the rock,
• 1:14:53
  Speaker 3: third party, might have a chance. I don't think that he,
• 1:14:56
  Speaker 3: I think that he would get pilfer from both, you know,
• 1:14:59
  Speaker 3: from the Dems and the GOP. I think that he's
• 1:15:03
  Speaker 3: the only person who could do that. Tom Hanks couldn't
• 1:15:06
  Speaker 3: do that. Miley Cyrus couldn't do that. Tom Hanks could
• 1:15:09
  Speaker 3: maybe do it. Maybe Miley. Tom?
• 1:15:10
  Speaker 1: Tom Hanks? Tom Hanks? I think he's just beloved enough.
• 1:15:13
  Speaker 3: He's beloved enough, but then, you know, there are some
• 1:15:17
  Speaker 3: people who are like, he eats babies. So there's enough
• 1:15:20
  Speaker 3: people that are like, he eats babies. No, he doesn't. Yes.
• 1:15:23
  Speaker 3: So that'll affect your ability to get into office. But
• 1:15:27
  Speaker 3: The Rock, he's the best human being in the fucking world.
• 1:15:31
  Speaker 1: Yeah, he's big, he's powerful. He definitely, he's kind of,
• 1:15:34
  Speaker 1: you can't tell if he's like, Mexican or black or
• 1:15:38
  Speaker 1: kind of like off-white or semi-white or gloss or matte.
• 1:15:42
  Speaker 3: He's going to be, yeah, he's definitely not gloss or matte.
• 1:15:45
  Speaker 3: He's like a tablet that you can read books on. Yes.
• 1:15:48
  Speaker 3: It's not shiny or one of those like frames that
• 1:15:50
  Speaker 3: you get for your parents where it's like, oh, new
• 1:15:53
  Speaker 3: pictures show up and you just upload them and it
• 1:15:55
  Speaker 3: doesn't look like a screen.
• 1:15:56
  Speaker 1: Well, you know what he is? He's if you put
• 1:15:57
  Speaker 1: into AI, hey, give me the best person, a man
• 1:16:02
  Speaker 1: that you could make.
• 1:16:03
  Speaker 3: Yeah.
• 1:16:03
  Speaker 1: You'd get that guy.
• 1:16:05
  Speaker 3: And he's also, that's what all Americans will look like
• 1:16:09
  Speaker 3: if we last a thousand years.
• 1:16:11
  Speaker 1: Oh, we're beige power, dude. Nobody realizes that we are
• 1:16:14
  Speaker 1: four generations away from everybody being beige.
• 1:16:16
  Speaker 3: Yes.
• 1:16:16
  Speaker 1: That's why it's like, even when I like.
• 1:16:21
  Speaker 3: Four generations from everyone being beige. Oh, dude.
• 1:16:24
  Speaker 1: It's like, you can't even be racist now without a chart,
• 1:16:27
  Speaker 1: I feel like. You have to be able to. carry
• 1:16:30
  Speaker 1: the one. I miss the old days. You'd be like, hey, you.
• 1:16:35
  Speaker 1: You are black. Yeah, you. Chinese.
• 1:16:40
  Speaker 3: Yeah, you are Chinese or you are Japanese. You are
• 1:16:45
  Speaker 3: a South Asian Indian person. Now it's like, what? A
• 1:16:49
  Speaker 3: German Indian with also American Indian in them?
• 1:16:52
  Speaker 1: I know. Black Alzheimer's, dude.
• 1:16:55
  Speaker 3: But we were raised in South America because my grandma's Argentinian. Well,
• 1:17:00
  Speaker 3: how did that happen? Well, she and then, you know,
• 1:17:02
  Speaker 3: the Indians.
• 1:17:03
  Speaker 1: Somebody fucked on a boat.
• 1:17:04
  Speaker 3: Yeah, it's all horrible.
• 1:17:07
  Speaker 1: It's all unrealness. So it's like, yes, I just miss
• 1:17:10
  Speaker 1: the old days when it was like, this is who
• 1:17:12
  Speaker 1: did it, officer. Yeah.
• 1:17:14
  Speaker 3: You know?
• 1:17:17
  Speaker 1: And he was black. Now you've got to, like, have
• 1:17:20
  Speaker 1: all these other, like, possibilities.
• 1:17:22
  Speaker 3: You know? Yeah, yeah, yeah. Gee whiz.
• 1:17:26
  Speaker 1: But it's definitely, I think we are, like you're saying,
• 1:17:28
  Speaker 1: we're all headed to be in Beijing. The Rock is
• 1:17:30
  Speaker 1: the perfect AI male, no doubt.
• 1:17:33
  Speaker 3: Yeah. Shredded, 50 years old, and can whoop anyone's fucking head.
• 1:17:40
  Speaker 1: Oh, and he looks like he could blow a dude
• 1:17:42
  Speaker 1: with his... He could wink on your dick and you'd cum.
• 1:17:45
  Speaker 3: Yeah, he's a beautiful man, and everyone can agree on it.
• 1:17:49
  Speaker 1: And woman, too.
• 1:17:51
  Speaker 3: Sure.
• 1:17:51
  Speaker 1: With a lot of these new women. I think a
• 1:17:53
  Speaker 1: lot of women look at him and be like, I
• 1:17:54
  Speaker 1: can do it. Yeah, he....
• 1:17:57
  Speaker 3: Yeah, if he decided to go into the Winter Olympics
• 1:18:01
  Speaker 3: and on the women's luge team or something, that would
• 1:18:04
  Speaker 3: be awesome. Skip the whole powerlifting thing. Just find a
• 1:18:09
  Speaker 3: specific sport. He could be like the new X Games
• 1:18:13
  Speaker 3: women's champ. Can you imagine The Rock riding a BMX
• 1:18:17
  Speaker 3: bike doing 360s and shit in the air?
• 1:18:20
  Speaker 1: That would be crazy. Actually, that's one they almost can't
• 1:18:22
  Speaker 1: imagine him doing.
• 1:18:24
  Speaker 3: That's the one thing.
• 1:18:25
  Speaker 1: Yeah. Do you think... What do you think about a
• 1:18:28
  Speaker 1: lot of the trans people in the sports? What do
• 1:18:31
  Speaker 1: you think about that, man? They just had a new–
• 1:18:33
  Speaker 1: because you said something earlier that I thought was interesting.
• 1:18:37
  Speaker 1: You said, I think we should put this– we should
• 1:18:41
  Speaker 1: look at this for a while before we just– that's
• 1:18:43
  Speaker 1: what Elon said. You said we should look at this
• 1:18:45
  Speaker 1: before we just accept it and start using it, right?
• 1:18:49
  Speaker 2: Yeah.
• 1:18:50
  Speaker 1: Kind of the same thing how I feel with the like,
• 1:18:52
  Speaker 1: I feel like they should just make a trans division.
• 1:18:57
  Speaker 3: You know what I kind of think?
• 1:18:59
  Speaker 1: For a while until we see what it's going to
• 1:19:01
  Speaker 1: be like. Like you may notice in the trans division
• 1:19:04
  Speaker 1: after a while that there's some trans people that are
• 1:19:06
  Speaker 1: more masculine and more feminine and it's obviously two different
• 1:19:10
  Speaker 1: legions of competitors, right?
• 1:19:12
  Speaker 3: Yeah. It's a tricky spot right now that we're in because, yeah,
• 1:19:17
  Speaker 3: I mean, it's unfair if someone says like, no, I
• 1:19:21
  Speaker 3: identify as female and I'm going to go powerlifting and stuff.
• 1:19:24
  Speaker 3: And that's going to be a bummer for someone who's
• 1:19:28
  Speaker 3: dedicated their life to doing something and is of one
• 1:19:30
  Speaker 3: gender or another as far as you know, our sort
• 1:19:39
  Speaker 3: of not gender expression, but however you want to look
• 1:19:43
  Speaker 3: at biological gender. I think that, I'll give you an example.
• 1:19:50
  Speaker 3: When I was in high school playing football, there was
• 1:19:51
  Speaker 3: a girl who wanted to play on the team. And,
• 1:19:54
  Speaker 3: you know, we had really cool coaches and stuff. They're like,
• 1:19:58
  Speaker 3: all right, like, come on down. And she lasted a
• 1:20:01
  Speaker 3: little while, you know what I mean? Um, I think,
• 1:20:03
  Speaker 3: you know, some of the guys gave her a hard time, not,
• 1:20:06
  Speaker 3: not like a fuck you get off our team, but
• 1:20:08
  Speaker 3: they're like, it was interesting. I will never forget it.
• 1:20:12
  Speaker 3: There were some guys who were like, no, I'm going
• 1:20:13
  Speaker 3: to hit her as hard as I can. I don't
• 1:20:14
  Speaker 3: give a fuck. And other guys that are like popper
• 1:20:17
  Speaker 3: and then be like, you're all right. Like get up.
• 1:20:18
  Speaker 1: Right.
• 1:20:19
  Speaker 3: It's all good. You know what I mean? Like you
• 1:20:20
  Speaker 3: can do this. Um, which is neat that that was
• 1:20:23
  Speaker 3: happening in, in the early nineties in my farming and
• 1:20:27
  Speaker 3: fishing town outside of Vancouver. I think that. If a,
• 1:20:31
  Speaker 3: if someone who was born a woman wants to play football,
• 1:20:36
  Speaker 3: get to the combine. If you're great, you're great.
• 1:20:39
  Speaker 2: Right.
• 1:20:40
  Speaker 3: That to me is like, uh, you know, they've got
• 1:20:42
  Speaker 3: in the NFL, they've got male cheerleaders for the past
• 1:20:45
  Speaker 3: three seasons now, three or four seasons. So, uh, you know, I,
• 1:20:50
  Speaker 3: I don't know. I'll tell you this. If, if there's a,
• 1:20:53
  Speaker 3: if there's someone who was born a woman. and ends
• 1:20:56
  Speaker 3: up being your Superbowl MVP and your town wins, wins
• 1:20:59
  Speaker 3: the Superbowl, you're going to dig that athlete.
• 1:21:01
  Speaker 1: Yeah.
• 1:21:01
  Speaker 3: I don't give a fuck, you know.
• 1:21:03
  Speaker 1: Oh yeah, that'd be sick, dude.
• 1:21:05
  Speaker 3: And I think that that, you know, because sports is
• 1:21:07
  Speaker 3: such a hot button issue when it comes to the, the,
• 1:21:10
  Speaker 3: you know, the inclusion of the trans community because, uh,
• 1:21:14
  Speaker 3: it is still a meritocracy. It's something where it's like,
• 1:21:17
  Speaker 3: you kind of can't, it's not, it's not like acting.
• 1:21:20
  Speaker 3: It's not like, you know, show business.
• 1:21:22
  Speaker 1: Where you can kind of force diversity. Or they haven't yet, really.
• 1:21:25
  Speaker 3: Well, you can, but you can be, it's like there's,
• 1:21:28
  Speaker 3: now we are, you know, we're in this place of
• 1:21:30
  Speaker 3: diversity with regard to media and telling stories that is
• 1:21:36
  Speaker 3: good because it's like, well, there are shows that should
• 1:21:38
  Speaker 3: just be about, you know, a black family and not
• 1:21:41
  Speaker 3: for some reason that is specific to what we are
• 1:21:45
  Speaker 3: used to seeing from a black family from a white
• 1:21:48
  Speaker 3: perspective as far as an audience. Right. We've all got
• 1:21:51
  Speaker 3: to get along. I mean, it's like, I find it
• 1:21:53
  Speaker 3: encouraging because I watch a show like, have you seen
• 1:21:55
  Speaker 3: that show, This Fool?
• 1:21:56
  Speaker 2: Uh-uh.
• 1:21:57
  Speaker 3: It's just like a show that happens to, you know,
• 1:22:00
  Speaker 3: it deals, it's got, it's about this cast that are
• 1:22:02
  Speaker 3: all American who are, you know, from a Latino background
• 1:22:06
  Speaker 3: and they're American. And it's like, I was part of
• 1:22:10
  Speaker 3: a show a few years ago that we did at
• 1:22:12
  Speaker 3: ABC called United We Fall. It was based on the writer's,
• 1:22:18
  Speaker 3: Goldie Sharp, his wife Stephanie is from a Latino background,
• 1:22:22
  Speaker 3: and it was sort of loosely based on that. And
• 1:22:24
  Speaker 3: there's nothing not American about that. So it doesn't really
• 1:22:29
  Speaker 3: need to be, I don't think that that sort of,
• 1:22:33
  Speaker 3: people use the word inclusion and it becomes a buzzword.
• 1:22:37
  Speaker 3: Ignore it, ignore the labels altogether. It's about, people should
• 1:22:44
  Speaker 3: have the ability to tell stories. regardless of what percentage
• 1:22:49
  Speaker 3: they represent.
• 1:22:50
  Speaker 1: Right, because at the end, you're not going to be
• 1:22:53
  Speaker 1: telling a fair story. And then in the end, you're
• 1:22:56
  Speaker 1: almost going to be.
• 1:22:58
  Speaker 1: That's why sometimes I'm like, we've almost become... Our own
• 1:23:04
  Speaker 1: storytelling in America has almost become... I'm not surprised that
• 1:23:11
  Speaker 1: some people think AI could make good stories because the
• 1:23:13
  Speaker 1: storytelling that we have is almost... it's like forced characters
• 1:23:17
  Speaker 1: from this ethnicity are trying to do this. Like, you know,
• 1:23:21
  Speaker 1: they want to make black to the future, you know, like,
• 1:23:24
  Speaker 1: you know, yeah. With like, with just, with just a
• 1:23:26
  Speaker 1: black guy doing back to the future.
• 1:23:28
  Speaker 3: Right.
• 1:23:29
  Speaker 1: Which is, I don't care if you do back to
• 1:23:31
  Speaker 1: the future again and make it a blackout, but I
• 1:23:33
  Speaker 1: don't think we need black to the future.
• 1:23:35
  Speaker 3: Right. Yeah. That's a bit reductive. That's like, it's saying
• 1:23:38
  Speaker 3: it's all about, yeah, that's a, right.
• 1:23:40
  Speaker 1: Like they did the black little mermaid, right. I'm fine
• 1:23:43
  Speaker 1: with it, but, I would rather just see a new
• 1:23:46
  Speaker 1: cool character that I think sometimes, and maybe those aren't
• 1:23:49
  Speaker 1: the best examples, but it's almost like.
• 1:23:51
  Speaker 3: You don't like Black Little Mermaid? I don't mind.
• 1:23:54
  Speaker 1: I think it's fine. I would have liked to have
• 1:23:56
  Speaker 1: seen a new character that.
• 1:23:57
  Speaker 3: Is- But they're going to do the little, but understand
• 1:23:59
  Speaker 3: that Disney's going to do the Little Mermaid. It means
• 1:24:02
  Speaker 3: a billion dollars. Right. So it's like, why not cast
• 1:24:05
  Speaker 3: that American?
• 1:24:07
  Speaker 1: Yeah.
• 1:24:07
  Speaker 3: That to me is the issue that it's like, hey,
• 1:24:10
  Speaker 3: fucking relax. That's an American- person or, or I say
• 1:24:16
  Speaker 3: American because it's going to be largely an American audience.
• 1:24:19
  Speaker 3: Although that movie will go global, you know, from our
• 1:24:22
  Speaker 3: perspective here in America or North America, whatever you want
• 1:24:24
  Speaker 3: to say, this is an English speaking character. And to me,
• 1:24:27
  Speaker 3: it's like, I, well, it doesn't matter. It's like that.
• 1:24:31
  Speaker 3: I think they're hitting the right note by going, and
• 1:24:33
  Speaker 3: now it's a black girl. Right. And it's actually fucking,
• 1:24:36
  Speaker 3: it is important when you look at, uh, you know,
• 1:24:39
  Speaker 3: and you see these videos online of like a young
• 1:24:41
  Speaker 3: black girl going, she, you know, there's this one, there's
• 1:24:44
  Speaker 3: this one meme that popped of, of the, this young
• 1:24:46
  Speaker 3: girl going, she looks like me. Right. That's fucking important.
• 1:24:49
  Speaker 3: It's not just, it's like, cause it's like, normally the
• 1:24:52
  Speaker 3: Barbies are all Barbies and those are the ones that
• 1:24:55
  Speaker 3: get the cartoon and the commercials and most of the toys.
• 1:24:58
  Speaker 3: And then it's like, oh, okay, here's a, here's a,
• 1:25:00
  Speaker 3: a Barbie of, you know, a Barbie of color, I
• 1:25:02
  Speaker 3: guess you would say, um, where it's got brown skin
• 1:25:06
  Speaker 3: and it's like, And the little girl that shows up
• 1:25:09
  Speaker 3: at school with the black Barbie in the 90s or
• 1:25:13
  Speaker 3: the 2000s is sort of still being told, like, this
• 1:25:17
  Speaker 3: is the other Barbie. So fuck it. Little Mermaid. By
• 1:25:23
  Speaker 3: the way, it's a fictitious character. The Little Mermaid isn't white.
• 1:25:29
  Speaker 3: The Little Mermaid is actually, you know, flesh Crayola or
• 1:25:33
  Speaker 3: whatever the fuck, it's like.
• 1:25:34
  Speaker 1: And underwater.
• 1:25:36
  Speaker 3: Yeah, relax, it doesn't exist, it's a fucking mermaid. Yeah.
• 1:25:39
  Speaker 3: So I think, you know, and I'm a white dude,
• 1:25:43
  Speaker 3: so it's like, and I wanna act in shit, you
• 1:25:45
  Speaker 3: know what I mean? So, but I don't look at
• 1:25:47
  Speaker 3: it like that whole like, took our job thing, because
• 1:25:50
  Speaker 3: it's like, these are fucking stories. These are everybody's stories. Yeah.
• 1:25:54
  Speaker 3: And they need to get out there and.
• 1:25:56
  Speaker 1: That's a good point, man.
• 1:25:56
  Speaker 3: Here's my editorial comment on it. Mm-hmm. it would be
• 1:25:59
  Speaker 3: nice if we really paid attention to each other with
• 1:26:03
  Speaker 3: an empathetic eye and looked at each other from other
• 1:26:06
  Speaker 3: people's perspectives. Cause as a big white dude, if I see,
• 1:26:10
  Speaker 3: you know, a young black girl that goes that she
• 1:26:12
  Speaker 3: looks like me, that is representative of the country that
• 1:26:16
  Speaker 3: we live in. Let's, let's come up to the standard
• 1:26:19
  Speaker 3: that we set up, set out for ourselves to really,
• 1:26:23
  Speaker 3: truly be, you know, equal so that everyone has a
• 1:26:27
  Speaker 3: chance at being, you know, at, pursuing the american dream
• 1:26:30
  Speaker 3: which is dead but uh you know of let's not
• 1:26:34
  Speaker 3: let's not kid ourselves it's gone but you know all
• 1:26:38
  Speaker 3: you know all everyone being created created equal pursuit of
• 1:26:42
  Speaker 3: happiness and and everyone is free and everyone and no
• 1:26:45
  Speaker 3: one should be afraid and and you need you need
• 1:26:49
  Speaker 3: you need inclusion now and shit sets it off look
• 1:26:52
  Speaker 3: at what happened you know i mean uh, Trump gets
• 1:26:55
  Speaker 3: in the white house and then the next year there's
• 1:26:56
  Speaker 3: more women and people of color running for public office
• 1:27:00
  Speaker 3: than any other time. These things have a way of, of, of, of, um,
• 1:27:05
  Speaker 3: they work themselves. Well, I don't know.
• 1:27:07
  Speaker 1: Right. They kind of worked themselves up, but like one
• 1:27:08
  Speaker 1: thing inspires another thing. It's like women and women of
• 1:27:11
  Speaker 1: color felt like maybe we're not included enough. So now
• 1:27:13
  Speaker 1: we have to get out and run more. I feel
• 1:27:15
  Speaker 1: some responsibility. Yeah. Right. Um, Yeah. I think sometimes, yeah,
• 1:27:21
  Speaker 1: I guess it totally makes sense. I used to think
• 1:27:23
  Speaker 1: about how like the Disney World commercials only had white
• 1:27:26
  Speaker 1: people in them, right? So then if you're watching that
• 1:27:28
  Speaker 1: as like a different color person, you think like, oh,
• 1:27:32
  Speaker 1: Disney World's not even for me, right? Like you might
• 1:27:34
  Speaker 1: think that as a kid, right? Which is crazy to think, right?
• 1:27:37
  Speaker 3: And you'd be right. You'd be right. Right. Disney World's
• 1:27:40
  Speaker 3: not for you. Right. Yeah.
• 1:27:41
  Speaker 1: At the time, you probably couldn't, yeah, most people probably
• 1:27:43
  Speaker 1: couldn't even afford it.
• 1:27:44
  Speaker 3: Yeah. Well, I mean, yeah, across the board, there's all
• 1:27:47
  Speaker 3: sorts of people. That's for like– well, I don't know
• 1:27:50
  Speaker 3: about you. I mean your comedy and your life experience.
• 1:27:56
  Speaker 3: I remember the joke you had about two tank tops.
• 1:27:58
  Speaker 3: You know what I mean? Oh, yeah. Cold in the
• 1:28:00
  Speaker 3: winter in heaven. Well, I'll just wear two tank tops.
• 1:28:04
  Speaker 3: So it's like– I went to Disneyland when I was 13.
• 1:28:10
  Speaker 3: You know what I mean? I kind of didn't really
• 1:28:13
  Speaker 3: give a fuck as much anymore. But me and my
• 1:28:15
  Speaker 3: folks were– my brother and sister were older. They're 9
• 1:28:19
  Speaker 3: and 11 years older than me. I'm sure they weren't
• 1:28:21
  Speaker 3: interested in driving down the fucking coast.
• 1:28:23
  Speaker 1: With mom and dad. You drove all the way down there? Yeah,
• 1:28:25
  Speaker 1: we went from Vancouver all the way to... Wow. Went
• 1:28:27
  Speaker 1: to Tijuana, actually, too. For what? For dad?
• 1:28:30
  Speaker 3: Yeah, just so he could buy a cheap bottle of Kahlua.
• 1:28:35
  Speaker 1: God, risking your whole family's life to go eat that
• 1:28:37
  Speaker 1: bottle of liquor.
• 1:28:38
  Speaker 3: He's a fucking crazy Italian salesman. you know what i
• 1:28:40
  Speaker 3: mean that's what uh i learned from him does he
• 1:28:43
  Speaker 3: still sail no no not anymore uh because he's dead
• 1:28:46
  Speaker 3: so he might be he might be sailing in some
• 1:28:49
  Speaker 3: other dimension that he's in with.
• 1:28:50
  Speaker 1: Uh boop it boop it a beppa in the sky.
• 1:28:53
  Speaker 3: Who could a beppo in the sky yes uh Um,
• 1:28:57
  Speaker 3: but yeah, we were always camping and, and, uh, you know,
• 1:29:00
  Speaker 3: wafts on boats, fishing up pregnant salmon and breaking laws. But, um, uh,
• 1:29:06
  Speaker 3: you know, I got down to Disneyland and we had a,
• 1:29:09
  Speaker 3: my old man was a waiter and, uh, and a
• 1:29:12
  Speaker 3: maitre d downtown at the hotel. Vancouver had a wonderful job.
• 1:29:17
  Speaker 3: You know, they're Italian immigrants. Mom was a stay at
• 1:29:19
  Speaker 3: home mom. You know what I mean? We had that income.
• 1:29:22
  Speaker 3: There was three siblings. And, you know, we could have
• 1:29:25
  Speaker 3: a fucking whatever, big old house that was built in
• 1:29:27
  Speaker 3: the 70s, big fucking barn five-bedroom house in the suburbs. Yeah,
• 1:29:32
  Speaker 3: I think that a lot of kids look at the
• 1:29:33
  Speaker 3: Disneyland thing and go, you know, I'm not allowed. I
• 1:29:37
  Speaker 3: can't fucking get to Disneyland. But with regard to commercials now,
• 1:29:41
  Speaker 3: it's like the opposite. There is no such thing as
• 1:29:44
  Speaker 3: a non-interracial couple in any commercial anymore.
• 1:29:47
  Speaker 1: Yeah, people are definitely interracial, double racial.
• 1:29:51
  Speaker 3: Yeah. Which to me is like, that's the good experimental ground, commercials.
• 1:30:01
  Speaker 3: Corporate America running television networks and movies. I mean, that
• 1:30:06
  Speaker 3: was a hell of a fucking switch to turn where
• 1:30:08
  Speaker 3: it's like, you know what we're going to do? Little
• 1:30:11
  Speaker 3: Mermaid is going to be a person of color. It's
• 1:30:13
  Speaker 3: going to be a black girl playing Little Mermaid.
• 1:30:15
  Speaker 1: Oh, fuck.
• 1:30:16
  Speaker 3: Katie, bar the doors. This is going to be a firestorm.
• 1:30:19
  Speaker 3: But what you do, Is you do the sandals commercial or,
• 1:30:22
  Speaker 3: you know, a Swiffer commercial and your fucking dumb husband,
• 1:30:26
  Speaker 3: he can be a white guy, but the wife is Asian.
• 1:30:28
  Speaker 3: Or you got a black husband and, you know, East
• 1:30:31
  Speaker 3: Indian wife. All sorts of, that's where they test it out.
• 1:30:35
  Speaker 3: And when you see like, oh shit, you know, nobody
• 1:30:38
  Speaker 3: wants to drink Sunny Delight because you fucking put an
• 1:30:41
  Speaker 3: interracial couple in it. All right, well, the company behind
• 1:30:44
  Speaker 3: Sunny Delight, which is IBM, by the way, they make
• 1:30:46
  Speaker 3: Sunny Delight. Do they really? Yeah, they're responsible for Sunny Delight. Damn,
• 1:30:51
  Speaker 3: I knew it. Yep. So they're going to go, okay,
• 1:30:54
  Speaker 3: this was a good experiment. And then they're like, make
• 1:30:59
  Speaker 3: the Little Mermaid a person of color. It's the proving ground. Commercials.
• 1:31:04
  Speaker 3: Also because no one's watching them. We're all fast forwarding
• 1:31:06
  Speaker 3: through them anyway.
• 1:31:06
  Speaker 1: Yeah, but you're right. It's like this is what it's like.
• 1:31:09
  Speaker 1: Let's see. And it's also the business attached to it.
• 1:31:11
  Speaker 1: I got to pee really fast, man. Can I pee
• 1:31:13
  Speaker 1: and then we'll get back in?
• 1:31:13
  Speaker 3: Yeah, don't do the rug, right?
• 1:31:15
  Speaker 2: All right.
• 1:31:15
  Speaker 3: Huh?
• 1:31:15
  Speaker 1: No. Yeah. Dude, sometimes I miss. Do you miss sometimes working?
• 1:31:21
  Speaker 1: Do you miss being like young and having that first
• 1:31:24
  Speaker 1: job that you had? Remember that kind of energy back then?
• 1:31:26
  Speaker 3: Yeah, man. Yeah, I do. I miss it. I miss
• 1:31:29
  Speaker 3: like being super enchanted by the business. Yeah.
• 1:31:34
  Speaker 1: And I just mean any job.
• 1:31:36
  Speaker 3: Oh, sure. Any fucking job. Yeah. You know, for me
• 1:31:39
  Speaker 3: in particular, you know, working in show business and stuff,
• 1:31:42
  Speaker 3: which I was fortunate enough to get started in when
• 1:31:44
  Speaker 3: I was younger, when I was like a teenager and shit. Yeah.
• 1:31:47
  Speaker 1: I mean, you've had an amazing career of entertaining people.
• 1:31:48
  Speaker 3: Yeah.
• 1:31:49
  Speaker 1: Has it changed recently? Has things changed in the past
• 1:31:51
  Speaker 1: like five years? I mean, even on talking about like
• 1:31:54
  Speaker 1: AI and stuff and even like looking at that and
• 1:31:56
  Speaker 1: just thinking of what the possibilities could be. or couldn't be,
• 1:32:01
  Speaker 1: and the value, actually, of still being, like, you know,
• 1:32:03
  Speaker 1: of having a personality that, you know, it kind of
• 1:32:07
  Speaker 1: goes back to, like, that John Henry, the steel-driving man,
• 1:32:09
  Speaker 1: or whatever. Remember that story?
• 1:32:11
  Speaker 3: Yeah, yeah, yeah.
• 1:32:12
  Speaker 1: What was that story, Zachary? Can you bring it up?
• 1:32:14
  Speaker 1: And it was, like, they had the machine that was,
• 1:32:17
  Speaker 1: that challenged the guy to, like, chisel through the mountain.
• 1:32:21
  Speaker 3: Okay, yeah.
• 1:32:22
  Speaker 1: And it was, you got it, Zach? John Henry, the
• 1:32:27
  Speaker 1: steel-driving man. So John Henry was a mighty man. Uh,
• 1:32:33
  Speaker 1: he was spent his day drilling holes and then a company,
• 1:32:36
  Speaker 1: a railroad company came along and decided that they could
• 1:32:41
  Speaker 1: go through this mountain with a machine. And so they
• 1:32:44
  Speaker 1: challenged him with the man against the machine. I was
• 1:32:47
  Speaker 1: thinking of a different John, not a John.
• 1:32:49
  Speaker 3: I don't know.
• 1:32:49
  Speaker 1: That's a porn guy you're thinking of.
• 1:32:51
  Speaker 3: Yeah.
• 1:32:51
  Speaker 1: I was thinking similar, still drilling, but a little bit
• 1:32:54
  Speaker 1: different deal. And what happened at the end of it?
• 1:32:58
  Speaker 2: Um, So this is a Wikipedia, the contest involved Henry
• 1:33:02
  Speaker 2: competing against the rail line.
• 1:33:04
  Speaker 1: The steam drill machine could drill, but it could not
• 1:33:07
  Speaker 1: shake the chippings away. So its bit could not drill further,
• 1:33:12
  Speaker 1: and it frequently broke down. So that's kind of what happened.
• 1:33:17
  Speaker 1: It just couldn't finesse. It didn't have enough finesse. It
• 1:33:19
  Speaker 1: didn't have enough acumen in the end, you know?
• 1:33:21
  Speaker 3: Yeah, it's like AI. It needs us still. It needs
• 1:33:24
  Speaker 3: John Henry.
• 1:33:25
  Speaker 1: It still needs John Henry.
• 1:33:26
  Speaker 3: Yeah, we've got to clear away the chips.
• 1:33:27
  Speaker 1: You're still going to want a guy who can be real,
• 1:33:34
  Speaker 1: I think.
• 1:33:35
  Speaker 3: Until AI can be an audience for AI and we're
• 1:33:38
  Speaker 3: just extinct and it's just computers, I don't even understand
• 1:33:43
  Speaker 3: why you would need a planet at that point. We're
• 1:33:46
  Speaker 3: going to need humans until that point. Yeah. I mean, whatever.
• 1:33:50
  Speaker 3: We rule, right? I mean, we make soup out of
• 1:33:52
  Speaker 3: sharks and shit. Yeah. We do whatever the fuck we want.
• 1:33:56
  Speaker 2: Oh, yeah.
• 1:33:56
  Speaker 3: Until dogs get super smart, like in that Rick and
• 1:33:59
  Speaker 3: Morty episode. It's still going to be us. I think
• 1:34:02
  Speaker 3: we're still the champs. There's not going to be a
• 1:34:05
  Speaker 3: whole lot. So long as The Rock is around.
• 1:34:07
  Speaker 2: Yeah.
• 1:34:08
  Speaker 3: Yeah. If there's someone who can fuck up AI, it's
• 1:34:11
  Speaker 3: The Rock. Yeah. I always say pour water on it.
• 1:34:14
  Speaker 3: If we don't like AI, very simple. Pour water on it. Um, uh,
• 1:34:19
  Speaker 3: but the rock could actually, that would be like a good,
• 1:34:23
  Speaker 3: a great comeback and wrestling fans are always, they thought
• 1:34:27
  Speaker 3: it was going to happen this year with the rock
• 1:34:29
  Speaker 3: versus his, uh, actual, uh, cousin of sorts. They're related
• 1:34:34
  Speaker 3: in some way, Roman reigns, who is the universal and
• 1:34:37
  Speaker 3: world heavyweight champion. Uh, people thought the rock was going
• 1:34:41
  Speaker 3: to come back. If somehow Vince McMahon and, uh, triple
• 1:34:45
  Speaker 3: H and Stephanie McMahon could put together the rock versus AI.
• 1:34:48
  Speaker 1: Yeah.
• 1:34:49
  Speaker 3: That would be a good one. And my money's on
• 1:34:51
  Speaker 3: the rock, even though the outcomes are predetermined.
• 1:34:54
  Speaker 1: Yeah. When you, uh, when you look, cause you, you've
• 1:34:59
  Speaker 1: did some wrestling stuff, right?
• 1:35:00
  Speaker 3: Yeah. We did a bunch of cross promotion and shit with, uh,
• 1:35:03
  Speaker 3: mad TV. We did some weird stuff. And then over
• 1:35:06
  Speaker 3: the years I've done things here and there.
• 1:35:07
  Speaker 1: Was that crazy to be out in the ring?
• 1:35:09
  Speaker 3: Dude, the weirdest was the weirdest shit in the world.
• 1:35:13
  Speaker 3: We did a, So we did like a long sort
• 1:35:15
  Speaker 3: of program with, uh, we did a thing with Bret
• 1:35:18
  Speaker 3: Hart in the, in the late nineties with mad TV,
• 1:35:21
  Speaker 3: or he came on the show and then we had
• 1:35:22
  Speaker 3: this like a thing or he attacked me on the
• 1:35:25
  Speaker 3: show and everyone bought it. You know, we, I, we
• 1:35:28
  Speaker 3: went on CNN and shit like that. And I was like,
• 1:35:31
  Speaker 3: I'm going to sue the fucking guy. And we kept it.
• 1:35:33
  Speaker 3: Kay Fabe, as they say, like kept it all. And
• 1:35:35
  Speaker 3: Bret Hart is very old school. I always say that we,
• 1:35:39
  Speaker 3: we had this, it culminates in this match that we
• 1:35:41
  Speaker 3: had in Tampa. And, uh, the night before we go
• 1:35:43
  Speaker 3: to the bar, uh, And Brett's like, okay, so, and
• 1:35:46
  Speaker 3: a couple of my buddies flew out to see it,
• 1:35:48
  Speaker 3: and it's like, all right, so me and so and
• 1:35:50
  Speaker 3: so and your pals, we're gonna go in, and then
• 1:35:53
  Speaker 3: like 20 minutes later, then you can come in. And
• 1:35:56
  Speaker 3: I'm like, the fuck, I wanna come in? No, because
• 1:35:59
  Speaker 3: tomorrow we got the match. And I'm like, okay, well,
• 1:36:02
  Speaker 3: the child in me is like, this is the fucking
• 1:36:04
  Speaker 3: coolest thing in the world. But then I'm sitting in
• 1:36:06
  Speaker 3: the bar by myself, and people are like, you know
• 1:36:08
  Speaker 3: who's right over there? You better get out of here.
• 1:36:11
  Speaker 3: So we did like this long thing, and then we
• 1:36:13
  Speaker 3: had this sloppy– well, it wasn't a sloppy match because
• 1:36:15
  Speaker 3: Bret Hart, the excellence of execution, the best there is,
• 1:36:18
  Speaker 3: best there was, and best there ever will be, who
• 1:36:21
  Speaker 3: happened to have had a match with a 300-pound bag
• 1:36:24
  Speaker 3: of flour on that day. It doesn't matter who's in
• 1:36:26
  Speaker 3: the ring with him, right? He had a match. I
• 1:36:28
  Speaker 3: was there. That was amazing. We did a thing with
• 1:36:31
  Speaker 3: Stone Cold where I was doing an impersonation of him,
• 1:36:35
  Speaker 3: was dressed up just like him.
• 1:36:36
  Speaker 1: Yeah, yeah, I saw that.
• 1:36:38
  Speaker 3: Yeah, Chris Jericho brings me out, and then– There's an
• 1:36:41
  Speaker 3: AI fat bitch titty Will Sasso right there in the middle.
• 1:36:44
  Speaker 3: Speaking of, look at that. That's not even me, but
• 1:36:47
  Speaker 3: that's exactly the sort of Robert Paulson tit we're talking about.
• 1:36:50
  Speaker 1: Fuck yeah.
• 1:36:51
  Speaker 3: But yeah, Chris Jericho brings me out and then the
• 1:36:54
  Speaker 3: real Stone Cold comes out and scares the fuck out
• 1:36:56
  Speaker 3: of me. Oh, I did a Hulk Hogan thing where
• 1:36:58
  Speaker 3: Kane chokeslammed me while we were promoting the Three Stooges.
• 1:37:03
  Speaker 3: That was bizarre.
• 1:37:04
  Speaker 1: Who has the best tits, you think? What men have
• 1:37:07
  Speaker 1: the best kind of bigger tits, you think? Look up
• 1:37:09
  Speaker 1: bigger tits on men.
• 1:37:11
  Speaker 3: The most impressive.
• 1:37:13
  Speaker 1: Let's see top 10.
• 1:37:18
  Speaker 3: Oh, look at this guy. It looks like two sourdough loaves,
• 1:37:23
  Speaker 3: a little bit to the right and a little lower.
• 1:37:25
  Speaker 3: The guy who's looking down. There you go. Look at
• 1:37:27
  Speaker 3: that guy. That's something. Oh, God, yeah.
• 1:37:30
  Speaker 1: Those are damn cheesy biscuits, huh?
• 1:37:32
  Speaker 3: You know who's got an impressive chest is Bray Wyatt.
• 1:37:37
  Speaker 3: He's an incredible wrestler. I love him. He's great. He
• 1:37:41
  Speaker 3: usually is wearing some sort of, you know, top or
• 1:37:44
  Speaker 3: sort of tank, but whenever you can see him, if
• 1:37:47
  Speaker 3: you look up Bray Wyatt, Husky Harris in his Husky
• 1:37:50
  Speaker 3: Harris days with that gimmick, the tits were out and
• 1:37:55
  Speaker 3: I loved it. Wow. Yeah. Cause it was like, that's me.
• 1:37:58
  Speaker 3: That's me and my tits. Oh yeah.
• 1:38:00
  Speaker 1: That looks like also, um.
• 1:38:02
  Speaker 3: That's representation. I'm the little black girl going, the little
• 1:38:05
  Speaker 3: mermaid's like me. I'm watching Bray Wyatt, whom I fucking revere.
• 1:38:10
  Speaker 3: He's an incredible. Look, all professional wrestlers are actually actors
• 1:38:15
  Speaker 3: who happen to be doing a bunch of other shit.
• 1:38:17
  Speaker 3: That's why they cross over so well. This guy is
• 1:38:20
  Speaker 3: a storyteller, and he's got a set of tits like me,
• 1:38:23
  Speaker 3: and that makes me like him.
• 1:38:24
  Speaker 2: Yeah.
• 1:38:25
  Speaker 1: Oh, he's got them. Yeah, let me see a little
• 1:38:27
  Speaker 1: bit more of his tits. I can't even see them, Zach.
• 1:38:28
  Speaker 3: Yeah, you've got to really look for Bray Wyatt's tits.
• 1:38:31
  Speaker 3: There's not a whole lot of Wyndham Rotunda is his name,
• 1:38:35
  Speaker 3: Wyndham Rotunda.
• 1:38:36
  Speaker 1: Oh, there you go, a little bit of it. He
• 1:38:37
  Speaker 1: keeps them to himself.
• 1:38:38
  Speaker 3: There we go. That's a good one.
• 1:38:40
  Speaker 1: I respect him more, honestly.
• 1:38:41
  Speaker 3: Yeah.
• 1:38:42
  Speaker 1: Yeah, it's not just images of it everywhere. Oh, there's
• 1:38:45
  Speaker 1: a good one.
• 1:38:46
  Speaker 3: Yeah.
• 1:38:47
  Speaker 2: Oh, wow.
• 1:38:48
  Speaker 3: See, that's me. That's me in the morning going to
• 1:38:52
  Speaker 3: my wife, Molly, and saying, come on, let's have coffee.
• 1:38:57
  Speaker 1: Can I have one of your waffles? And she's like, no,
• 1:38:59
  Speaker 1: those waffles are for me. And I'm like, come on,
• 1:39:02
  Speaker 1: let me.
• 1:39:02
  Speaker 3: Have a waffle. She's like, no, you're not having a waffle.
• 1:39:05
  Speaker 3: Have something low carb and then we'll go to the gym.
• 1:39:07
  Speaker 3: Make yourself a protein shake. Can I have banana in
• 1:39:10
  Speaker 3: the protein? No, there's too much sugar in the. And
• 1:39:12
  Speaker 3: I'm like, but come on, look at these tits. You
• 1:39:15
  Speaker 3: look so weird pulling your briefs up to your belly
• 1:39:18
  Speaker 3: button like that. Yeah, but I don't want my pannus
• 1:39:20
  Speaker 3: gut hanging out. I already got my Bob Paulson tits.
• 1:39:22
  Speaker 1: Yeah, I want that tit, boy.
• 1:39:24
  Speaker 2: Yeah, man.
• 1:39:24
  Speaker 1: Now tell me about this, dude. What news we got, Zach? Dude,
• 1:39:32
  Speaker 1: what do you miss? Do you miss doing the– because, yeah,
• 1:39:35
  Speaker 1: you were out of the podcast for a while, huh? Yeah.
• 1:39:38
  Speaker 3: Yeah, I finished up doing podcasts, doing the 10-minute podcast,
• 1:39:42
  Speaker 3: and that was like 2018. I think 17.
• 1:39:46
  Speaker 1: Do you miss doing it?
• 1:39:48
  Speaker 3: Yeah, but it was also like too short cause it
• 1:39:50
  Speaker 3: was only 10 minutes.
• 1:39:51
  Speaker 1: That's a lot of time.
• 1:39:52
  Speaker 3: Yeah.
• 1:39:52
  Speaker 1: We'd record a bunch of.
• 1:39:53
  Speaker 3: Them at the same time. And I like doing dudesy
• 1:39:56
  Speaker 3: way more. It, the time flies as we're, you know,
• 1:39:59
  Speaker 3: like talking here, doing this shit with you, dude, it's fun. Uh,
• 1:40:03
  Speaker 3: I like that better. Um, but I did, I did
• 1:40:07
  Speaker 3: dig doing 10 minute podcast for a few reasons. One
• 1:40:11
  Speaker 3: of them is cause it was audio only. So it
• 1:40:14
  Speaker 3: was a little bit more theater of the mind. And
• 1:40:16
  Speaker 3: I used to, I used to like, um, I used to,
• 1:40:19
  Speaker 3: you know, I guess produce the show. Like I would,
• 1:40:22
  Speaker 3: I would just geeking around in garage band and I
• 1:40:25
  Speaker 3: would bring in a bunch of weird sound cues and stuff.
• 1:40:29
  Speaker 3: So for me, I, man, I love doing it.
• 1:40:31
  Speaker 1: It was real creative.
• 1:40:33
  Speaker 3: It was fun and it was creative and it was
• 1:40:34
  Speaker 3: kind of therapeutic for me. So I loved nerding out
• 1:40:38
  Speaker 3: and going, like recording the episode and thinking, okay, I'm
• 1:40:41
  Speaker 3: going to put a, oh, sound effect here, I'm going
• 1:40:43
  Speaker 3: to do that. And then later going in and especially
• 1:40:47
  Speaker 3: at the end, it got so weird. There were all these,
• 1:40:50
  Speaker 3: there was this, you know, inside jokes like this NWO
• 1:40:55
  Speaker 3: theme song, if you know, you know, wrestling drops and
• 1:40:59
  Speaker 3: a Charles Manson thing. Remember that interview where he's like,
• 1:41:03
  Speaker 3: it made it into every episode. It was like, Oh,
• 1:41:05
  Speaker 3: they say, do you feel blame? Are you mad? That
• 1:41:13
  Speaker 3: fucking meme of just, are you mad? Do you feel blame?
• 1:41:17
  Speaker 3: Where it's like, oh fuck, he's sort of making a
• 1:41:22
  Speaker 3: little bit of sense. Nope, nope. He's the devil, Helter Skelter.
• 1:41:26
  Speaker 1: Horrible, horrible, horrible, horrible man.
• 1:41:30
  Speaker 3: The devil responsible for all of it. Killed a woman
• 1:41:33
  Speaker 3: and a baby. This is terrible. Why am I putting
• 1:41:35
  Speaker 3: this in my podcast? Because there's nothing funnier than, are
• 1:41:39
  Speaker 3: you mad? Do you feel blame? Fucking loses his fucking mind.
• 1:41:46
  Speaker 1: Is that Charles Manson?
• 1:41:47
  Speaker 3: It's fucking Charles Manson. I was putting it in every episode.
• 1:41:52
  Speaker 3: And then myself, at the end of the show, it was, well,
• 1:41:57
  Speaker 3: at first it was Brian and Chris. You remember those guys? Yeah, yeah.
• 1:42:00
  Speaker 3: What are they up to? And then there was... uh,
• 1:42:04
  Speaker 3: Chad Colchin did it with me and our good buddy,
• 1:42:06
  Speaker 3: Tommy Blotcher, the funniest man in the world. And, uh,
• 1:42:09
  Speaker 3: Tommy and I, at least we're always.
• 1:42:10
  Speaker 1: Like, did y'all ever think about starting it back up?
• 1:42:16
  Speaker 1: Was there ever a conversation to, uh.
• 1:42:19
  Speaker 3: Yeah, you know, for a while, uh, like a few
• 1:42:23
  Speaker 3: years ago. Uh, yeah. Brian and Chris were like, maybe
• 1:42:28
  Speaker 3: we don't do this again.
• 1:42:29
  Speaker 1: And I was like, I don't, I don't know. Maybe.
• 1:42:32
  Speaker 3: And then, uh, I don't know. I think they're both
• 1:42:35
  Speaker 3: living in Costa Rica.
• 1:42:38
  Speaker 1: Yeah, they definitely hit some snags.
• 1:42:42
  Speaker 3: Everything's going to be fine. Look, be honest. Let's be
• 1:42:48
  Speaker 3: very transparent. Get out ahead of any issues you may
• 1:42:52
  Speaker 3: have had or don't. I don't know. I don't have
• 1:42:56
  Speaker 3: the answers.
• 1:42:57
  Speaker 1: Yeah, I think a lot of that's hard to feel.
• 1:42:59
  Speaker 1: I mean, I don't know. I mean, yeah, that's all.
• 1:43:01
  Speaker 3: A good thing to say is, I don't know. Yeah. Yeah. Yeah,
• 1:43:05
  Speaker 3: but anyway.
• 1:43:06
  Speaker 1: That's kind of their own journeys. Yeah, I mean, I
• 1:43:08
  Speaker 1: think they've both been through, you know, they've both dealt with,
• 1:43:11
  Speaker 1: I mean, different, you know, they've been through a lot
• 1:43:13
  Speaker 1: of that.
• 1:43:14
  Speaker 3: Yeah, it's a lot. It sure is a lot.
• 1:43:16
  Speaker 1: A whole world of that is a lot.
• 1:43:18
  Speaker 3: Whenever I start to think about it, I immediately stop. Yeah. Yeah,
• 1:43:21
  Speaker 3: because I go like, that's a lot, and see, I'm
• 1:43:25
  Speaker 3: stopping right now.
• 1:43:26
  Speaker 1: Yeah. Yeah, same, man.
• 1:43:29
  Speaker 3: There but for the grace of God.
• 1:43:31
  Speaker 1: What else we got in the news, Zachary?
• 1:43:33
  Speaker 2: I don't know if you saw. A woman, I guess,
• 1:43:36
  Speaker 2: had a full-body orgasm during an L.A. Philharmonic show, and
• 1:43:40
  Speaker 2: it was captured on audio.
• 1:43:41
  Speaker 1: Oh, they need this at the orchestra. Anything to get that.
• 1:43:44
  Speaker 1: They need some hype, yeah. They need somebody just coming
• 1:43:48
  Speaker 1: in the distance, homie. Do you want to hear it?
• 1:43:50
  Speaker 3: Yeah.
• 1:43:50
  Speaker 1: Yeah. The guy recording it is laughing. Well, I thought
• 1:44:14
  Speaker 1: I heard a little chuckle. That might have been Zach.
• 1:44:17
  Speaker 1: That might have been me. I don't know, man. It says,
• 1:44:20
  Speaker 1: during Tchaikovsky's Fifth Symphony at the L.A. Philharmonic last night,
• 1:44:23
  Speaker 1: apparently a woman had a full-body orgasm just from the music.
• 1:44:27
  Speaker 1: It was recorded.
• 1:44:29
  Speaker 3: Yeah.
• 1:44:30
  Speaker 1: This sounds like... To me, this is hype just to
• 1:44:33
  Speaker 1: get people to go to the orchestra.
• 1:44:35
  Speaker 3: Yeah. She was... Yeah, they planted her in there.
• 1:44:39
  Speaker 1: Dude, a violin ain't making people C-U-M-E anymore, you know?
• 1:44:44
  Speaker 3: No, it's, yeah.
• 1:44:46
  Speaker 1: Those days are over, dude.
• 1:44:47
  Speaker 3: And also the demographic that goes to the philharmonics, usually
• 1:44:51
  Speaker 3: a little bit older. A lot of the blue hairs
• 1:44:54
  Speaker 3: are going. So I think for like an older woman
• 1:44:56
  Speaker 3: to coom, it would probably take a lot more than, yeah,
• 1:45:00
  Speaker 3: Tchaikovsky's fifth. Maybe some Beethoven, maybe some Ludwig Van Gogh.
• 1:45:05
  Speaker 1: Oh, yeah, some Ludwig veg, Beethoven, dude. What about this?
• 1:45:09
  Speaker 1: That sounded like somebody spraining an ankle, didn't it?
• 1:45:12
  Speaker 3: Yeah. Yeah. She just had a leg cramp. She's just
• 1:45:15
  Speaker 3: been able to fucking feed her asleep, watching the fucking... Yeah.
• 1:45:20
  Speaker 3: What kind of miserable orgasm is that? Oh, come on.
• 1:45:29
  Speaker 1: But also, we.
• 1:45:31
  Speaker 3: Don't know that that was a... Like, afterwards... Like, is
• 1:45:35
  Speaker 3: it one of those things like, you know, people are
• 1:45:38
  Speaker 3: raving about the L.A. Philharmonic.
• 1:45:40
  Speaker 1: I came!
• 1:45:41
  Speaker 3: Like, we don't know that that's what it is. It
• 1:45:43
  Speaker 3: just makes for a cool story on the internet.
• 1:45:45
  Speaker 1: That would be the best shirts if they started selling that.
• 1:45:48
  Speaker 2: L.A.
• 1:45:48
  Speaker 3: Philharmonic.
• 1:45:49
  Speaker 1: I came.
• 1:45:50
  Speaker 3: Or that mural that you see on the 110 downtown
• 1:45:53
  Speaker 3: where there's always like all these fucking people that are
• 1:45:56
  Speaker 3: in the L.A. Symphony. You're like, I don't know who
• 1:45:58
  Speaker 3: the fuck that is. Put LeBron on the fucking, on
• 1:46:01
  Speaker 3: a building.
• 1:46:02
  Speaker 1: You know those things.
• 1:46:03
  Speaker 3: Where it's like if you drive In LA, it should
• 1:46:08
  Speaker 3: be like the guy, like the Yasik, whatever his name is,
• 1:46:11
  Speaker 3: who's like super popular conductor. And then it should just
• 1:46:13
  Speaker 3: be like, I came. As a matter of fact, here's
• 1:46:16
  Speaker 3: this episode's call to arms. If you are into graffiti
• 1:46:19
  Speaker 3: and street art, please put I came across any of
• 1:46:23
  Speaker 3: the LA Philharmonic venues. Murals. There we are.
• 1:46:28
  Speaker 1: There we go, right there. Oh, yeah, this guy. And
• 1:46:30
  Speaker 1: that guy, let me say on the right, also looks
• 1:46:33
  Speaker 1: like a French pedophile. Anybody with a wood instrument, I
• 1:46:38
  Speaker 1: feel like, definitely. Wood instruments are a gateway drug, I
• 1:46:42
  Speaker 1: feel like, to taking advantage of your students. That's what
• 1:46:45
  Speaker 1: I feel like. There's all sorts of white space all
• 1:46:50
  Speaker 1: over that guy at the top. You could totally do like...
• 1:46:54
  Speaker 1: I can. You know what?
• 1:46:55
  Speaker 3: Let me tell you something about my pad, Chad Culture.
• 1:46:58
  Speaker 3: He was working with some weirdos at USC years ago.
• 1:47:02
  Speaker 3: He didn't go through with this, but to build a
• 1:47:04
  Speaker 3: drone that would do street art so it could just
• 1:47:08
  Speaker 3: paint the fucking top few floors of the US Bank building,
• 1:47:11
  Speaker 3: maybe make it look like a penis. That would be
• 1:47:14
  Speaker 3: something good for those tech kids Forget about this AI thing.
• 1:47:18
  Speaker 3: Build a drone that can get some graffiti on the
• 1:47:23
  Speaker 3: mural up there to make it really look legit. So
• 1:47:26
  Speaker 3: even the people who work with the LA Philharmonic are
• 1:47:29
  Speaker 3: driving by and like, well, I guess that's there on purpose.
• 1:47:32
  Speaker 3: LA Philharmonic. I came with a QR code that when
• 1:47:36
  Speaker 3: you point your phone at it from the freeway, it goes, ah!
• 1:47:41
  Speaker 2: Yeah!
• 1:47:42
  Speaker 3: Yeah!
• 1:47:43
  Speaker 1: That sounded like a, bro here's what that sounds like
• 1:47:53
  Speaker 1: it sounds like when somebody hands like at a restaurant
• 1:47:57
  Speaker 1: somebody hands like a waiter hands a gay dude a
• 1:47:59
  Speaker 1: really hot plate sir i did.
• 1:48:01
  Speaker 3: Tell you uh Yeah, that does sound like the driest
• 1:48:12
  Speaker 3: old lady orgasm I've ever heard.
• 1:48:15
  Speaker 1: It sounds like a woman, yeah.
• 1:48:17
  Speaker 3: It's like, oh, I had an orgasm, but I don't
• 1:48:21
  Speaker 3: feel good.
• 1:48:21
  Speaker 1: Yeah, yeah, yeah. It's like, oh, man, I think my
• 1:48:24
  Speaker 1: orgasm ate something bad.
• 1:48:26
  Speaker 3: That was the worst feeling. You've had orgasms that don't
• 1:48:29
  Speaker 3: feel good? Oh, yeah. Some of them were just painful,
• 1:48:31
  Speaker 3: and I just feel a pit in my stomach. Yeah.
• 1:48:34
  Speaker 1: That's crazy, man. It sounds like there was something big
• 1:48:38
  Speaker 1: in her. Yeah, God.
• 1:48:40
  Speaker 3: Not a penis.
• 1:48:41
  Speaker 1: Yeah.
• 1:48:42
  Speaker 3: Yeah, a foot.
• 1:48:43
  Speaker 1: What else we got, Zach?
• 1:48:45
  Speaker 2: I guess there was a bust at McDonald's and they
• 1:48:47
  Speaker 2: found a bunch of 10-year-olds working at McDonald's in Louisville.
• 1:48:50
  Speaker 3: Oh, yeah. This is crazy.
• 1:48:52
  Speaker 2: And I guess they were working late hours and also
• 1:48:54
  Speaker 2: operating the deep fryer.
• 1:48:55
  Speaker 1: The fryer.
• 1:48:56
  Speaker 2: Which you have to be 16 to operate the fryer.
• 1:48:58
  Speaker 3: Yeah.
• 1:48:59
  Speaker 1: Look, I think if they're responsible kids and they want
• 1:49:01
  Speaker 1: to do it, I'm okay with it.
• 1:49:03
  Speaker 3: Well- It would be cool to.
• 1:49:05
  Speaker 1: We say kids don't want to work and all this stuff.
• 1:49:07
  Speaker 1: We finally catch two kids doing something and we freaking
• 1:49:11
  Speaker 1: bust them. Oh, my God, dude.
• 1:49:13
  Speaker 3: Yeah, you want to talk about the generational differences in
• 1:49:16
  Speaker 3: this country. Back during the fucking Great Depression, there was
• 1:49:19
  Speaker 3: kids who were farming entire fucking fields. Yeah. And all
• 1:49:22
  Speaker 3: the soil was dead. And then four seeds and they're
• 1:49:25
  Speaker 3: feeding an entire family and they're seven years old pushing
• 1:49:28
  Speaker 3: a plow.
• 1:49:29
  Speaker 1: And now you.
• 1:49:30
  Speaker 3: Stay away from the fryer. You've seen it. You know
• 1:49:33
  Speaker 3: how it works. You fucking toss some nuggets in it
• 1:49:36
  Speaker 3: from a few feet away if you're too short to
• 1:49:38
  Speaker 3: reach the top. What's the fucking problem? Get us those nuggets.
• 1:49:43
  Speaker 1: That's it, dude.
• 1:49:44
  Speaker 3: This is the... McDonald's needs to, like, hang on to
• 1:49:48
  Speaker 3: this story and just blame the kids when the ice
• 1:49:50
  Speaker 3: cream machine doesn't work. It's like, it's not our fault.
• 1:49:52
  Speaker 3: We got fucking kids back here.
• 1:49:54
  Speaker 1: Yeah, it's Mario and Hector's fault. Yeah, there's a picture
• 1:49:57
  Speaker 1: of them.
• 1:49:59
  Speaker 3: Oh, no doubt, these were not the kind of kids
• 1:50:03
  Speaker 3: who get to go to Disney World like we were
• 1:50:05
  Speaker 3: talking about. These are not those kids. These are definitely, definitely... Yeah,
• 1:50:11
  Speaker 3: I would imagine they may have been. I mean, of course,
• 1:50:14
  Speaker 3: these are the kids. But that would be a good
• 1:50:16
  Speaker 3: commercial so the kids would be like, he's like me.
• 1:50:19
  Speaker 1: Yeah, he's like me, dog. He's at Indian World. But
• 1:50:23
  Speaker 1: the crazy thing is, bro, if you go to Disneyland,
• 1:50:25
  Speaker 1: it is all Mexican people.
• 1:50:27
  Speaker 3: Sure.
• 1:50:27
  Speaker 1: That's also the irony of it, dude. You go there,
• 1:50:30
  Speaker 1: it's fucking Latinos, dog.
• 1:50:32
  Speaker 3: Yeah.
• 1:50:33
  Speaker 1: It is Mickey Mouse 13. Well, they could cook anything.
• 1:50:35
  Speaker 3: I mean, I always feel like, You know, if I
• 1:50:39
  Speaker 3: go to a sushi place, like you love to go
• 1:50:41
  Speaker 3: into the sushi place, and then you see behind the counter,
• 1:50:45
  Speaker 3: behind the bar, it's like two guys are like, these
• 1:50:48
  Speaker 3: guys are right out of Jiro Dreams of Sushi. I'm
• 1:50:51
  Speaker 3: always like, oh, this is going to be great. Or
• 1:50:54
  Speaker 3: if I see some Latino dudes, I'm like, this is
• 1:50:57
  Speaker 3: going to be fucking awesome. Because they also come with
• 1:50:59
  Speaker 3: fucking flavor. They're not afraid. I'm not trying to be
• 1:51:01
  Speaker 3: a weirdo here, but they're not afraid to put like
• 1:51:04
  Speaker 3: a little tapati or a chalula in there.
• 1:51:06
  Speaker 1: Or shoot a fucking bullet right into it.
• 1:51:08
  Speaker 3: How come this is.
• 1:51:09
  Speaker 1: That's the restaurant, dog.
• 1:51:11
  Speaker 3: Did you hit it with the blowtorch at the top?
• 1:51:14
  Speaker 3: Were they like, oh, seared salmon? No, it's just.
• 1:51:17
  Speaker 1: Like, damn, dog, there's a. 22 cartridge in my huevos, dog.
• 1:51:20
  Speaker 1: You know what I'm saying, bro? That's what I'm talking about, dog.
• 1:51:23
  Speaker 3: You'll never believe how I heated this up, fool.
• 1:51:28
  Speaker 1: You want the egg silaloa? You know what I'm saying?
• 1:51:30
  Speaker 1: What do you want for lunch? Dude, I can't wait
• 1:51:33
  Speaker 1: to fucking be Mexican next time I'm alive, dude.
• 1:51:36
  Speaker 3: Ah, that would be great.
• 1:51:37
  Speaker 1: I've already been praying about it. I've already been asking
• 1:51:39
  Speaker 1: God about it.
• 1:51:39
  Speaker 3: Yeah?
• 1:51:40
  Speaker 1: Yeah. And I want to be, yeah. Well, I just
• 1:51:43
  Speaker 1: want to have some other, I don't want to not
• 1:51:45
  Speaker 1: be able to come back and be alive again. That's
• 1:51:47
  Speaker 1: scary to me. So I feel like I try to
• 1:51:51
  Speaker 1: communicate with God about that and just let him know
• 1:51:54
  Speaker 1: I do want to come back and I do have
• 1:51:57
  Speaker 1: interest in it. It's almost like you're, You meet somebody
• 1:51:59
  Speaker 1: who runs a biz and you're like, hey, I'll let
• 1:52:01
  Speaker 1: you know when I get out of college or whatever.
• 1:52:03
  Speaker 1: I want to stop by and fill out an application.
• 1:52:06
  Speaker 3: Dude, I mentioned my folks, right? They're Italian immigrants. My
• 1:52:10
  Speaker 3: brother and sister were both born over in Italy. And
• 1:52:14
  Speaker 3: they came over. I think my sister was a toddler.
• 1:52:16
  Speaker 3: My brother was an infant. So his brain popped on
• 1:52:19
  Speaker 3: the plane. Oh. So the– no. But anyway, you know,
• 1:52:24
  Speaker 3: my folks are, they're like, they're this big and brown
• 1:52:28
  Speaker 3: and like olive skin, brown eyes, black hair. And I
• 1:52:32
  Speaker 3: came out. Wow. You know, I'm 6'3 and blue eyes.
• 1:52:36
  Speaker 3: You're the focaccia, huh? It was like my mom, when
• 1:52:39
  Speaker 3: I was born.
• 1:52:40
  Speaker 1: I can't imagine it. You were taller than her.
• 1:52:42
  Speaker 3: I was two feet tall. My mom was five feet tall.
• 1:52:45
  Speaker 3: So that's a problem. So I feel like I've got
• 1:52:47
  Speaker 3: that little. Like my mom's side of the family, little tiny,
• 1:52:50
  Speaker 3: cute Italians, funny, you know, singing, laughing. And, um, my
• 1:52:55
  Speaker 3: dad's side, I think has some more like Northern, uh,
• 1:52:59
  Speaker 3: blood in him. So the next time around, I definitely
• 1:53:02
  Speaker 3: have that coming. I'm going to be like, like a
• 1:53:04
  Speaker 3: Joe Pesci or, you know, I'm going to be born
• 1:53:07
  Speaker 3: in Columbia and just like, yeah, this is good. This
• 1:53:10
  Speaker 3: is cool. And I got that coming to me. That's
• 1:53:13
  Speaker 3: probably why I'm talking about inclusion in media and film
• 1:53:16
  Speaker 3: and TV.
• 1:53:17
  Speaker 1: Yeah, because what will we be next time? Yeah, I'm not.
• 1:53:20
  Speaker 3: Going to be able to play the big, dopey, fat
• 1:53:22
  Speaker 3: husband in sitcoms. I'm going to have to really bring it.
• 1:53:27
  Speaker 3: And it's like, I'm going to be on this fool, hopefully.
• 1:53:30
  Speaker 3: if that show's still going.
• 1:53:31
  Speaker 1: This fool, dog.
• 1:53:32
  Speaker 3: That show is fucking... Is it?
• 1:53:34
  Speaker 1: Oh, it's fucking fun. I gotta check it out.
• 1:53:35
  Speaker 3: Yeah, it's a good show.
• 1:53:35
  Speaker 1: Yeah, I love being around, like, uh, like, Mexican people
• 1:53:40
  Speaker 1: and listening to them and... Dude, a lot of them, um...
• 1:53:46
  Speaker 1: Did they have any Mexican people on MADtv?
• 1:53:50
  Speaker 3: Yeah, um, uh... Well, first, before I was there, I
• 1:53:55
  Speaker 3: showed up in the third season.
• 1:53:56
  Speaker 1: And I want to apologize for that chair. I know
• 1:53:57
  Speaker 1: it might be a little.
• 1:53:58
  Speaker 3: No, remember the last time? Is this the same chair?
• 1:54:00
  Speaker 1: Did you bring this from the other studios? Last time
• 1:54:01
  Speaker 1: it was hot, remember?
• 1:54:02
  Speaker 3: Yeah, it was hot. I was wearing a fucking hoodie
• 1:54:04
  Speaker 3: and a Santa hat, and I sweat right through the... Remember,
• 1:54:06
  Speaker 3: there was like a nice big patch of... I ruined
• 1:54:08
  Speaker 3: the pleather. No, it's not that bad. I'm just... I
• 1:54:11
  Speaker 3: wear shorts all the time, so my stuff is always sticking. Oh,
• 1:54:14
  Speaker 3: that's good. Before I showed up at MAD, there was
• 1:54:17
  Speaker 3: Pablo Francisco, stand-up. And then it was, while I was there,
• 1:54:22
  Speaker 3: we had Nelson Asensio join the cast, and he was
• 1:54:25
  Speaker 3: a fucking home run hitter. A lot of the shit
• 1:54:28
  Speaker 3: was sorely missing from MADtv. Like, you know, because he
• 1:54:33
  Speaker 3: was doing Enrique Iglesias and Ricky Martin.
• 1:54:36
  Speaker 1: Oh, yeah.
• 1:54:36
  Speaker 3: And they used to do this thing called Buenos Dias
• 1:54:38
  Speaker 3: San Diego with him and Mo Collins. It was so
• 1:54:41
  Speaker 3: fucking funny. And then after that, I guess Angela Johnson,
• 1:54:46
  Speaker 3: after I left... Johnny Sanchez. So they finally got with it.
• 1:54:52
  Speaker 1: Was there bits that they did that you guys did
• 1:54:55
  Speaker 1: back then that y'all couldn't do now, you think?
• 1:54:57
  Speaker 3: All of them. Dude, I watched it was on HBO
• 1:55:03
  Speaker 3: Max for a minute at TV. So I was like, okay,
• 1:55:06
  Speaker 3: I'll go watch. I haven't seen it on a television
• 1:55:08
  Speaker 3: screen in so long. It's all just degenerated videos on YouTube.
• 1:55:14
  Speaker 3: So But only half the episodes out of a given season,
• 1:55:19
  Speaker 3: and there were 14 seasons of that show, only half
• 1:55:23
  Speaker 3: of the episodes in a season would show up. And
• 1:55:25
  Speaker 3: I remember talking to a couple of my cohorts, you know,
• 1:55:27
  Speaker 3: going like, when he came out, like, I wonder what happened.
• 1:55:30
  Speaker 3: And I think it's because, well, this shit is too
• 1:55:33
  Speaker 3: fucked up. I think there's a lot of stuff that
• 1:55:38
  Speaker 3: if you remember some of it, it's like, what? You
• 1:55:41
  Speaker 3: can't do any of that shit anymore. You just can't.
• 1:55:46
  Speaker 3: And not this, this is tame. This is, uh, we're
• 1:55:48
  Speaker 3: looking at Paul Timberman, which is like a, you know, a, um, uh,
• 1:55:53
  Speaker 3: you know, like a guy who's got like.
• 1:55:54
  Speaker 1: A woodworker, a woodshop teacher who cuts his appendages.
• 1:55:57
  Speaker 3: He's always, yeah. He's always hacking himself up and he's
• 1:55:59
  Speaker 3: got a, to camera sort of this old house type
• 1:56:01
  Speaker 3: show where he's like, I'm going to build you a
• 1:56:03
  Speaker 3: curio cabinet and here's a, let's make a lazy Susan.
• 1:56:06
  Speaker 3: And I'm sawing my fucking hand off. But a lot
• 1:56:09
  Speaker 3: of the stuff that's like, you know, a lot of
• 1:56:11
  Speaker 3: the racial shit we did, we had it all sexism, racism.
• 1:56:16
  Speaker 3: You know, all the misogyny, homophobia. But, you know, we
• 1:56:19
  Speaker 3: also had, there was a, you know, you can watch
• 1:56:24
  Speaker 3: Mad TV and I can watch Mad TV and go, oh,
• 1:56:27
  Speaker 3: that was, you know, this writer who's like, this is
• 1:56:30
  Speaker 3: a gay writer who wrote this. And it's like incredible
• 1:56:34
  Speaker 3: stuff where it's like slipping in, you know, their representation.
• 1:56:38
  Speaker 3: There was this one brilliant writer who was there for, for,
• 1:56:43
  Speaker 3: most of the years of the show, I believe, Scott King,
• 1:56:46
  Speaker 3: Scotty King, he was a fucking genius. I remember this
• 1:56:49
  Speaker 3: one sketch, you know a Scott King sketch when you
• 1:56:53
  Speaker 3: see it. And I remember there was this one where,
• 1:56:56
  Speaker 3: it was just, it was TRL, right? So Pat Kilbane
• 1:57:00
  Speaker 3: is Carson Daly, and it just pans by the kids,
• 1:57:03
  Speaker 3: it's like, hey, what's up, welcome to TRL, I'm Carson Daly,
• 1:57:05
  Speaker 3: today on the show, rah, rah, rah. And the kids
• 1:57:08
  Speaker 3: are screaming, it's like, we got NSYNC, Britney Spears, and
• 1:57:11
  Speaker 3: the kids are screaming, And it's all like, you know,
• 1:57:13
  Speaker 3: teenage girls are like, ah, screw me. And then he goes,
• 1:57:16
  Speaker 3: and I'm Carson Daly. And all the girls sit down
• 1:57:19
  Speaker 3: and a fat 12 year old boy goes, yay. You know,
• 1:57:22
  Speaker 3: which is like so fucking funny. And it's like, that's Scott.
• 1:57:26
  Speaker 3: That's Scott going, this is what I would have been. So,
• 1:57:30
  Speaker 3: you know, even that, but even that though, if you
• 1:57:32
  Speaker 3: put it, you know, today and it's all, you know,
• 1:57:34
  Speaker 3: you can't fucking joke about anything or whatever.
• 1:57:36
  Speaker 1: That's crazy. I wish they had a show called fat
• 1:57:38
  Speaker 1: and gay.
• 1:57:39
  Speaker 3: Yeah. Fat, gay, 12 year old. I would love to
• 1:57:42
  Speaker 3: play the dad in fat, gay, 12 year old. You
• 1:57:45
  Speaker 3: know what I mean? Cause also that's a, that's a
• 1:57:47
  Speaker 3: fucking character arc for me. That's something for me as
• 1:57:49
  Speaker 3: an actor to chew on. Because at first, I could
• 1:57:52
  Speaker 3: be that dad who's like, well, no son of mine,
• 1:57:54
  Speaker 3: that whole thing. We ain't gaying out around here, boy.
• 1:57:57
  Speaker 3: You know? Yeah.
• 1:57:58
  Speaker 1: Eat another steak.
• 1:57:59
  Speaker 3: Yeah. Eat another ham steak, Billy. Yeah.
• 1:58:01
  Speaker 1: Put the barrettes back in the car.
• 1:58:04
  Speaker 3: Yeah. We're not going to fucking Forever 21. Yeah.
• 1:58:07
  Speaker 1: You get that glitter off your kneecaps. Right.
• 1:58:09
  Speaker 2: You're like.
• 1:58:10
  Speaker 3: Why you got glitter on your kneecap I hear you
• 1:58:12
  Speaker 3: wore glitter on your kneecaps at the baseball game Billy
• 1:58:15
  Speaker 3: it helps me when I'm catching you know I'm a
• 1:58:18
  Speaker 3: catcher and I got a bend at the knees and
• 1:58:20
  Speaker 3: the glitter helps me with my flexibility.
• 1:58:22
  Speaker 1: Now go get your helmet on we're getting back in the.
• 1:58:24
  Speaker 3: Game yeah but then after a while You know, he
• 1:58:28
  Speaker 3: grows to understand his son.
• 1:58:29
  Speaker 1: Maybe the dad falls asleep in his chair one night.
• 1:58:31
  Speaker 1: He's drunk, right?
• 1:58:32
  Speaker 3: Yeah.
• 1:58:33
  Speaker 1: And then he wakes up and, you know, Billy Elliot
• 1:58:36
  Speaker 1: is on or something.
• 1:58:38
  Speaker 3: Billy Elliot.
• 1:58:39
  Speaker 1: It's like a movie about a gay kid in Australia.
• 1:58:43
  Speaker 3: Yeah.
• 1:58:43
  Speaker 1: Or maybe, what's something with a gay kid in it?
• 1:58:46
  Speaker 3: Glitter Knees.
• 1:58:48
  Speaker 1: Yeah, Glitter Knees, yeah. YouTube is on and he finds
• 1:58:52
  Speaker 1: out it's his son making it.
• 1:58:54
  Speaker 3: He's watching like a makeup tutorial. Yeah. And he's like,
• 1:58:58
  Speaker 3: I recognize those knees.
• 1:58:59
  Speaker 1: Oh, that's magic fart 60 right there. Right.
• 1:59:01
  Speaker 3: And he's fucking painting and the kid's painting his knees up.
• 1:59:04
  Speaker 3: The next you want to do is you want to
• 1:59:06
  Speaker 3: contour your kneecaps and then you want to put glitter
• 1:59:09
  Speaker 3: on the kneecap and right down the middle. And this
• 1:59:11
  Speaker 3: is going to give the appearance. He's going to go,
• 1:59:13
  Speaker 3: that sounds like Billy. And then he kicks down the
• 1:59:15
  Speaker 3: fucking door and Billy's live streaming. And he's doing a
• 1:59:18
  Speaker 3: makeup tutorial putting glitter on his knees for the baseball team.
• 1:59:21
  Speaker 1: Off my knees for dad. That's his handle. Off my
• 1:59:27
  Speaker 1: knees for dad. Yeah, it's like he's trying to be
• 1:59:29
  Speaker 1: not gay. He's like, I ain't being gay, boy. I'm
• 1:59:32
  Speaker 1: off my knees for dad.
• 1:59:33
  Speaker 3: And then dad comes around to it and is like,
• 1:59:37
  Speaker 3: I love you no matter what. And then, oh, oh, oh, oh,
• 1:59:39
  Speaker 3: this is a lovely scene. Here's a lovely scene at
• 1:59:42
  Speaker 3: the end of the first season of Billy Elliot. You know,
• 1:59:47
  Speaker 3: we've had the whole makeup tutorial and Billy's putting glitter
• 1:59:52
  Speaker 3: on his knees and Bill Sr. is not having it.
• 1:59:54
  Speaker 3: And they go through their whole thing and he comes around.
• 1:59:57
  Speaker 3: And so Billy's up to bat and he's super nervous
• 1:59:59
  Speaker 3: and his dad never shows up to games. And he's like,
• 2:00:02
  Speaker 3: he's there and he's like about to, he's about to hit.
• 2:00:04
  Speaker 3: And he's facing a pitching machine run by an AI
• 2:00:07
  Speaker 3: that only zooms him at 110 miles an hour. And
• 2:00:10
  Speaker 3: he's like about to hit. And he goes, he goes,
• 2:00:13
  Speaker 3: you can, he hears, you can do it, Billy. And
• 2:00:16
  Speaker 3: he looks out into the stands and his dad's there
• 2:00:18
  Speaker 3: in a pair of jammer shorts and he pulls him
• 2:00:19
  Speaker 3: up and he's got glitter on his knees. And the
• 2:00:22
  Speaker 3: boy's like, and he hits a fucking home run. Like
• 2:00:26
  Speaker 3: the natural, right? And it hits the fucking lights because
• 2:00:28
  Speaker 3: it's a night game. And then that's all.
• 2:00:31
  Speaker 1: Hits the light, and there's two dudes behind the scoreboard
• 2:00:34
  Speaker 1: back there just slurping on each other. And one of them,
• 2:00:37
  Speaker 1: right when it hits the scoreboard, he pops out like this.
• 2:00:40
  Speaker 3: And the other one's got his foot in his asshole,
• 2:00:43
  Speaker 3: and he goes, like he's at the Philharmonic. And then
• 2:00:46
  Speaker 3: Tchaikovsky starts playing, and that's a fucking TV show. That's
• 2:00:51
  Speaker 3: how we get inclusivity, and that's how.
• 2:01:01
  Speaker 3: And then I'll win a fucking Emmy, right? For playing
• 2:01:04
  Speaker 3: the fucking dad who came around, is a good dude
• 2:01:06
  Speaker 3: at the end of the day. And that's all I want.
• 2:01:09
  Speaker 3: Just a big white guy in a mustache, a fucking
• 2:01:12
  Speaker 3: white identifying Southern Italian by blood. But I'm a big
• 2:01:17
  Speaker 3: white Canadian who enunciates most words. Yeah. That's how whenever
• 2:01:23
  Speaker 3: I'm around Tom Green, we fucking out enunciate each other. Hello.
• 2:01:27
  Speaker 3: How are you, Tom? I am fine, Will. How are you?
• 2:01:30
  Speaker 3: I am good.
• 2:01:31
  Speaker 1: What is your favorite beverage at Tim Hortons?
• 2:01:34
  Speaker 3: I like coffee. I also like coffee. Do you like
• 2:01:37
  Speaker 3: the donuts? I do. They make good donuts. That's the
• 2:01:41
  Speaker 3: most Canadian shit. That's all like the whole, hey, how's
• 2:01:44
  Speaker 3: it going, eh, hoser? That's a Canadian thing for sure.
• 2:01:47
  Speaker 3: But the most Canadian thing is to just be like,
• 2:01:50
  Speaker 3: I'm sorry I cut you off in traffic. That is okay.
• 2:01:54
  Speaker 3: Have a good day. Thank you very much. Here is
• 2:01:56
  Speaker 3: a Tim Hortons coupon. Thank you very much. Here is
• 2:01:59
  Speaker 3: a Tim Hortons coupon. We exchanged Tim Hortons coupons on
• 2:02:02
  Speaker 3: the freeway.
• 2:02:05
  Speaker 1: OMKFD, dude. Off my knees for dad, bro.
• 2:02:08
  Speaker 3: Off my knees for dad.
• 2:02:09
  Speaker 1: That's the musical.
• 2:02:11
  Speaker 3: God.
• 2:02:12
  Speaker 1: So what we're trying to say is these kids shouldn't
• 2:02:14
  Speaker 1: be working at McDonald's.
• 2:02:15
  Speaker 3: That's all we're trying to say. Get the fucking poor
• 2:02:18
  Speaker 3: Mexican kids out of McDonald's bullshit. Or let them work.
• 2:02:22
  Speaker 1: If they're going to... Dude, here's the thing. Every culture
• 2:02:25
  Speaker 1: has had their time to be the working... immigrate like
• 2:02:29
  Speaker 1: the first line of working in every culture has absolutely
• 2:02:33
  Speaker 1: irish people irish people were black people did it by
• 2:02:35
  Speaker 1: i mean they were zero choice in the matter of
• 2:02:38
  Speaker 1: a choice but they did it uh italians the fucking
• 2:02:41
  Speaker 1: country yeah starting with black people then irish people getting
• 2:02:45
  Speaker 1: black lung in the you know uh you know in
• 2:02:48
  Speaker 1: the in the mines and shit italians which is a
• 2:02:51
  Speaker 1: little bit of reparations i'm not saying it wasn't reparations
• 2:02:54
  Speaker 1: but Giving that many people black lung, dude, is definitely...
• 2:02:59
  Speaker 1: A lot of people died from black lung.
• 2:03:01
  Speaker 3: Oh, fuck yeah.
• 2:03:02
  Speaker 1: How many people died from black lung?
• 2:03:05
  Speaker 3: About as many as they're replacing at IBM.
• 2:03:10
  Speaker 1: A thousand minors died from co-workers' pneumonia.
• 2:03:13
  Speaker 3: A year now? That's fucked up. 76,000.
• 2:03:17
  Speaker 1: Okay, so it's still not closed, but it's like... Anyway.
• 2:03:20
  Speaker 3: Since 1968, 76,000.
• 2:03:21
  Speaker 1: Right.
• 2:03:24
  Speaker 3: Yeah, I mean, that's people die. You know, as an
• 2:03:30
  Speaker 3: Italian by blood, I always kind of go like, you know,
• 2:03:34
  Speaker 3: and also because I don't look, you know, like Joe Pesci.
• 2:03:39
  Speaker 1: No, you don't.
• 2:03:40
  Speaker 3: I got an Italian, I got my dad's nose, but
• 2:03:42
  Speaker 3: that's about it. You know, I always kind of feel like, eh, again,
• 2:03:48
  Speaker 3: I'm not the person to say it because I don't
• 2:03:50
  Speaker 3: look very Italian. But it's like, that's like the lightest,
• 2:03:53
  Speaker 3: in my opinion, racism. Although I wasn't around in the
• 2:03:56
  Speaker 3: 60s when a lot of, well, since the early 1900s,
• 2:04:00
  Speaker 3: a lot of Italians were showing up in North America. But,
• 2:04:04
  Speaker 3: you know, it feels like the 60s and the 70s,
• 2:04:06
  Speaker 3: a lot of immigration in Canada. And I kind of
• 2:04:10
  Speaker 3: feel like that's a, speaking as an Italian North American,
• 2:04:14
  Speaker 3: an Italian Canadian American, Yeah, from the Baja all the
• 2:04:20
  Speaker 3: way down to South American Italian. You know, I always
• 2:04:25
  Speaker 3: kind of feel like, eh, you know, you can't really
• 2:04:28
  Speaker 3: be racial against Italians. Like, what are you going to say?
• 2:04:31
  Speaker 3: And I feel like that Mario movie that came out
• 2:04:35
  Speaker 3: and people were like, you know, they hired, you know,
• 2:04:37
  Speaker 3: they got Chris Pratt played Mario, which is something we
• 2:04:42
  Speaker 3: talked about on Dudezy a lot because it was like
• 2:04:45
  Speaker 3: the first trailer you saw, it's like, I'm Mario. It's
• 2:04:49
  Speaker 3: a me, Mario. What is this place? The Mushroom Kingdom.
• 2:04:52
  Speaker 3: Where am I?
• 2:04:53
  Speaker 1: I'm Mario.
• 2:04:53
  Speaker 3: That's not what he's supposed to sound like. But you
• 2:04:56
  Speaker 3: know the studio got pressure because it's like, you hire
• 2:04:58
  Speaker 3: the biggest star that you can hire, and there's no
• 2:05:00
  Speaker 3: real Guido-sounding Italian-American right now. Maybe Sebastian Maniscalco could have
• 2:05:06
  Speaker 3: done it. I don't know that there would be a,
• 2:05:08
  Speaker 3: but you've got to be a movie star.
• 2:05:10
  Speaker 1: You know what I mean?
• 2:05:12
  Speaker 3: To push those numbers and make a billion, that movie
• 2:05:14
  Speaker 3: made a billion dollars. And I want to say, as
• 2:05:17
  Speaker 3: an Italian American, hire whoever you want. That's my offering
• 2:05:24
  Speaker 3: to inclusion. Chris Pratt's just fine. We in the Italian
• 2:05:27
  Speaker 3: community don't give a shit because you can't really be
• 2:05:31
  Speaker 3: racist against Italians. You're going to make fun of pasta?
• 2:05:34
  Speaker 3: It's delicious. Fuck you. Get whoever you want. You could
• 2:05:38
  Speaker 3: even get the gal who played the Little Mermaid to
• 2:05:40
  Speaker 3: play Mario.
• 2:05:41
  Speaker 1: What about Black Mario?
• 2:05:43
  Speaker 3: Black Mario would have been fine. And there should have
• 2:05:47
  Speaker 3: been a black Mario video game. There should be, like,
• 2:05:50
  Speaker 3: one mushroom that he hits that, you know, turns him
• 2:05:53
  Speaker 3: into a black guy. So then it's like C. Thomas
• 2:05:55
  Speaker 3: Howell in that movie Soul Man, which is fucked up.
• 2:05:59
  Speaker 3: It's just a dude in blackface. And Radon Chong buys it.
• 2:06:03
  Speaker 3: Remember this? Do you remember that movie?
• 2:06:04
  Speaker 1: Dude, I remember blackface. So, yeah, I remember.
• 2:06:07
  Speaker 3: Yeah, you were around.
• 2:06:08
  Speaker 1: I mean, I remember dudes doing it.
• 2:06:11
  Speaker 3: Soul Man is the trippiest fucking movie.
• 2:06:13
  Speaker 1: Wait, I've never seen this. This is a white guy?
• 2:06:16
  Speaker 2: Oh, yeah.
• 2:06:17
  Speaker 3: There's a movie in the 1980s where C. Thomas Howell
• 2:06:21
  Speaker 3: goes undercover, essentially, to go to college. And he pretends
• 2:06:26
  Speaker 3: to be a black man. And then he hooks up
• 2:06:28
  Speaker 3: with Ray Don Chong, who absolutely buys it. And we
• 2:06:32
  Speaker 3: were all fine with it in the 80s. And that's
• 2:06:35
  Speaker 3: not a problem in the 80s. And this was a
• 2:06:38
  Speaker 3: feature film. That came out in the movie theater.
• 2:06:40
  Speaker 1: Wow.
• 2:06:41
  Speaker 3: We have a history of comedy in this country that
• 2:06:44
  Speaker 3: is hard to reckon with now. But I like to
• 2:06:49
  Speaker 3: say that I'm grandfathered in because I was on fucking
• 2:06:51
  Speaker 3: Mad TV in the 90s and the 2000s there where we,
• 2:06:57
  Speaker 3: if you want to cancel me, just watch Mad TV.
• 2:07:00
  Speaker 3: And then, you know, I'm fucked.
• 2:07:02
  Speaker 1: Do you think at a certain point we'll be able
• 2:07:04
  Speaker 1: to have character where everybody can be whatever? At some
• 2:07:07
  Speaker 1: point it should be able to be that way.
• 2:07:09
  Speaker 3: I think that the shit's being stretched back so far now,
• 2:07:15
  Speaker 3: it's like this. I feel like we're all in this weird,
• 2:07:18
  Speaker 3: it's like I said, these things happen every 30 years
• 2:07:21
  Speaker 3: it seems like with regard to social, just the sand
• 2:07:28
  Speaker 3: at the bottom of the sea getting mixed up and
• 2:07:30
  Speaker 3: before the smoke clears, this social upheaval that seems to
• 2:07:33
  Speaker 3: happen every 30 years. We are in the middle of
• 2:07:35
  Speaker 3: it now. We're in a pivotal point in our country
• 2:07:38
  Speaker 3: and in our culture. And it's my hope that everyone,
• 2:07:43
  Speaker 3: that what will be left with is equality for everybody.
• 2:07:47
  Speaker 3: And if we could actually, and again, I don't, not
• 2:07:51
  Speaker 3: to sound negative, but I don't think it's possible. As
• 2:07:54
  Speaker 3: much as I would like to see, but I'm Canadian.
• 2:07:57
  Speaker 3: I'm I'm, we have our problems there for sure. A
• 2:08:00
  Speaker 3: lot of, uh, a lot of crimes against the indigenous
• 2:08:04
  Speaker 3: first nations people of Canada, which is just absolutely fucking tragic.
• 2:08:09
  Speaker 3: We have our problems there with other race relations also
• 2:08:12
  Speaker 3: as well. But, um, I'm from Canada where at least
• 2:08:16
  Speaker 3: the kind of the, the curriculum as a kid, you know,
• 2:08:21
  Speaker 3: it was way more multicultural than it is here. I
• 2:08:24
  Speaker 3: got here and I was like, wow, it's really fucking
• 2:08:26
  Speaker 3: segregated socially.
• 2:08:28
  Speaker 1: Oh, we had a scratch and sniff history book for
• 2:08:30
  Speaker 1: a while.
• 2:08:32
  Speaker 3: See? And the Italian scratch and sniff would have been
• 2:08:34
  Speaker 3: fucking great. No racism there. Kids would have worn that
• 2:08:37
  Speaker 3: out just smelling fucking beefaroni or whatever you'd put in
• 2:08:40
  Speaker 3: an American textbook.
• 2:08:41
  Speaker 1: Dude, they just, go on.
• 2:08:43
  Speaker 3: No, I was just going to say we're all fucked. But,
• 2:08:45
  Speaker 3: you know, the thing about it is I hope with
• 2:08:47
  Speaker 3: regard to comedy that, you know, The comedy is just
• 2:08:51
  Speaker 3: fucking comedy. We got to laugh. Gallows humor is really important.
• 2:08:55
  Speaker 2: Yeah.
• 2:08:55
  Speaker 3: And if we're treating each other well and there's equality
• 2:08:58
  Speaker 3: socially and everyone can laugh because everyone feels good about
• 2:09:02
  Speaker 3: where they are in life and we are a society
• 2:09:04
  Speaker 3: that takes care of one another. And I mean, again,
• 2:09:07
  Speaker 3: I'm from Canada where there's socialized medicine. It's pretty fucking good.
• 2:09:11
  Speaker 3: And if you're not living in a fucking world where
• 2:09:14
  Speaker 3: you're allowed to walk around and fucking eat berries and
• 2:09:17
  Speaker 3: kick a chicken against a tree, and do whatever you
• 2:09:19
  Speaker 3: want and just build a fucking house without any code
• 2:09:22
  Speaker 3: or anything like that. If we're gonna live in a
• 2:09:24
  Speaker 3: society where you're born into a fucking system, system needs
• 2:09:28
  Speaker 3: to take care of everybody, period. And it ain't fucking happening.
• 2:09:32
  Speaker 3: And that's gonna be my platform. But if that's the
• 2:09:35
  Speaker 3: case and we can achieve something like that, again, I
• 2:09:38
  Speaker 3: do not think it's possible at all. We're fucked. Let
• 2:09:41
  Speaker 3: me just put that in there. I ain't running for office.
• 2:09:44
  Speaker 3: But if we can do that, Then we can start
• 2:09:46
  Speaker 3: to laugh at absolutely everything again. Right now, people are
• 2:09:49
  Speaker 3: not wanting to laugh at shit, and they have every
• 2:09:51
  Speaker 3: right not to laugh at shit because stuff is fucking dire.
• 2:09:54
  Speaker 3: So you can't go on MADtv and make fun of
• 2:09:57
  Speaker 3: absolutely everybody. Although, you know, we had Aries Spears, Debra Wilson,
• 2:10:02
  Speaker 3: Phil Lamar.
• 2:10:03
  Speaker 1: But it was funny at the time.
• 2:10:05
  Speaker 3: Yeah. hilarious makes me fucking laugh now those people that
• 2:10:09
  Speaker 3: I learned so much about black culture and laughing you
• 2:10:14
  Speaker 3: know with them and also growing up watching and.
• 2:10:16
  Speaker 1: Living in college but don't you think that most people
• 2:10:17
  Speaker 1: still just want to laugh they don't really care.
• 2:10:20
  Speaker 3: I think so but I think it's just like it's
• 2:10:24
  Speaker 3: like you know it's like no one's gonna let themselves
• 2:10:28
  Speaker 3: fucking laugh you know.
• 2:10:29
  Speaker 1: What I mean now that's interesting do we let ourselves
• 2:10:33
  Speaker 1: laugh no do we keep ourselves from Yeah, we all
• 2:10:36
  Speaker 1: get on this alert kind of where it's like, don't
• 2:10:38
  Speaker 1: point at me, don't offend me, you know? I mean,
• 2:10:41
  Speaker 1: I got upset over the pandemic, over, like, during the, like,
• 2:10:46
  Speaker 1: last big election thing because the only people that people
• 2:10:49
  Speaker 1: were making fun of was poor white people, right? And
• 2:10:53
  Speaker 1: it was like, well, what the fuck did we do?
• 2:10:54
  Speaker 1: It's like, poor white people didn't even, like, we didn't
• 2:10:58
  Speaker 1: do any, like, like, we didn't do, like, I'm sure
• 2:11:01
  Speaker 1: that wealthier white people probably owned slaves. I don't know any...
• 2:11:04
  Speaker 1: Nobody I knew had a, they didn't, I don't think
• 2:11:06
  Speaker 1: they ever had a slave, you know? Or they might have,
• 2:11:09
  Speaker 1: but I couldn't imagine it, dude.
• 2:11:11
  Speaker 3: But it's socially, it's just, if you look at it generally,
• 2:11:14
  Speaker 3: totally socially acceptable to make fun of poor white people
• 2:11:18
  Speaker 3: in 2020.
• 2:11:20
  Speaker 1: Right.
• 2:11:20
  Speaker 3: Totally, totally acceptable. And none of it should be acceptable.
• 2:11:26
  Speaker 3: Unfortunately or fortunately, things do need to be mixed up
• 2:11:30
  Speaker 3: a bit, and you need, and... You know, I always,
• 2:11:33
  Speaker 3: I use the example of in 2020, learning about Juneteenth.
• 2:11:38
  Speaker 1: Yeah.
• 2:11:39
  Speaker 3: I was like, I didn't fucking, I was telling black friends,
• 2:11:42
  Speaker 3: I was like, never heard of the fucking Juneteenth. I
• 2:11:44
  Speaker 3: don't know what the fuck that is. What is that?
• 2:11:47
  Speaker 3: I had no clue that there was a Juneteenth.
• 2:11:48
  Speaker 1: Most of my black friends have no idea what it
• 2:11:50
  Speaker 1: is until it came out.
• 2:11:51
  Speaker 3: There's that too, yeah.
• 2:11:52
  Speaker 1: They kind of launched it a few years ago, I
• 2:11:53
  Speaker 1: feel like. I mean, I know they didn't, but it's like,
• 2:11:56
  Speaker 1: if you'd have asked any black kid where I'm from
• 2:11:58
  Speaker 1: or what Juneteenth was, they'd have no fucking clue.
• 2:12:00
  Speaker 3: Yeah. No, but it's interesting what you're saying about like
• 2:12:03
  Speaker 3: it's like, oh, yeah, it's easy to make fun of fucking,
• 2:12:06
  Speaker 3: you know, poor white people. I feel like that's another
• 2:12:08
  Speaker 3: symptom of the social sort of, again, the silt at
• 2:12:12
  Speaker 3: the bottom of the ocean getting smoked up.
• 2:12:16
  Speaker 1: Do you think we as comedians, then we have to
• 2:12:18
  Speaker 1: be the ones to kind of like see where the
• 2:12:20
  Speaker 1: thing is at then, you know?
• 2:12:22
  Speaker 3: I think, yes. I think, you know, in your avenue
• 2:12:26
  Speaker 3: with podcasting and stand up, And sort of, you know,
• 2:12:29
  Speaker 3: I'm primarily an actor, but I love doing weird shit
• 2:12:32
  Speaker 3: on the internet and doing podcasting and stuff. And also,
• 2:12:35
  Speaker 3: you know, if I can be responsible for any sort
• 2:12:37
  Speaker 3: of weird creative shit, if I ever get to, you know,
• 2:12:41
  Speaker 3: work on things and make stuff, it's, it is up
• 2:12:44
  Speaker 3: to us, but it is also, it's quite a responsibility
• 2:12:48
  Speaker 3: because we're, it's this bizarre currency of quote unquote cancellation,
• 2:12:54
  Speaker 3: which some people don't even think exists. Which is, to me,
• 2:12:58
  Speaker 3: it's weird. It's like, well, you just said cancellation. That
• 2:13:02
  Speaker 3: means that it's a word.
• 2:13:03
  Speaker 1: It's a term.
• 2:13:04
  Speaker 3: It exists. And I think that you have to be
• 2:13:10
  Speaker 3: a brave comedian to kind of... Look, it's not fun
• 2:13:14
  Speaker 3: to just go out there and go, I want things
• 2:13:15
  Speaker 3: to be the way they used to be in the 90s.
• 2:13:17
  Speaker 3: To me, personally, as a comedy fan, to me, that's hack.
• 2:13:22
  Speaker 3: It's like to not push shit fucking forward. Great comedians
• 2:13:25
  Speaker 3: have a complete... Like, I'm sure you love him. I
• 2:13:29
  Speaker 3: love George Carlin, right? Like, just come on. That guy
• 2:13:32
  Speaker 3: was always years ahead of his time and always shot
• 2:13:36
  Speaker 3: right down the middle. You knew exactly what he was
• 2:13:39
  Speaker 3: thinking and he represented himself completely honestly. I think that,
• 2:13:44
  Speaker 3: you know, comedians who are being 100% honest and not
• 2:13:49
  Speaker 3: just trying to, you know, be shocking for shocking sake
• 2:13:53
  Speaker 3: or say, I should be allowed to say this because
• 2:13:56
  Speaker 3: I said it in 1995. I think audiences today, that's fine,
• 2:14:01
  Speaker 3: but your audience is going to be awfully specialized if
• 2:14:04
  Speaker 3: you just want to be a prick about things and
• 2:14:07
  Speaker 3: say everyone should laugh at these things that currently people
• 2:14:10
  Speaker 3: are sensitive about and for good reason. If you can
• 2:14:16
  Speaker 3: find new things to laugh about, there are new things
• 2:14:20
  Speaker 3: to laugh about in our country. completely fucking bizarre social
• 2:14:25
  Speaker 3: climate yeah it's fucking bizarre you just said i got
• 2:14:28
  Speaker 3: black friends to grow up with that wouldn't have known
• 2:14:29
  Speaker 3: juneteenth that's a joke you couldn't say in 1998 because
• 2:14:34
  Speaker 3: absolutely nobody knew what the fuck you were talking about
• 2:14:36
  Speaker 3: with juneteenth yeah but 2020 was a really uh was
• 2:14:39
  Speaker 3: such a you know a rife year of of uh
• 2:14:44
  Speaker 3: you know with the pandemic and and and and the
• 2:14:47
  Speaker 3: you know, the.
• 2:14:47
  Speaker 1: Social sort of black lives matter. It was wild.
• 2:14:52
  Speaker 2: Yeah, yeah, yeah.
• 2:14:52
  Speaker 3: So it's like now I think you can, but you
• 2:14:58
  Speaker 3: got to be smart about it. And I'm not smart
• 2:15:01
  Speaker 3: about it. I'm not saying that's me at all.
• 2:15:04
  Speaker 1: Yeah, I've never been smart.
• 2:15:06
  Speaker 3: But I do think that people will start to chill
• 2:15:11
  Speaker 3: out a little bit because socially what happens, in my opinion,
• 2:15:14
  Speaker 3: is just my opinion with these waves, is that people
• 2:15:18
  Speaker 3: all get fucking tired. At the end of the day,
• 2:15:22
  Speaker 3: most people just want the same shit. They want to
• 2:15:25
  Speaker 3: be able to take care of their families. They want
• 2:15:27
  Speaker 3: to have something nice for dinner. They want to know
• 2:15:29
  Speaker 3: that they're safe at home. They want to know that
• 2:15:31
  Speaker 3: if they go to the wrong fucking door, they're not
• 2:15:33
  Speaker 3: going to get shot in the face. The horrible shit
• 2:15:36
  Speaker 3: that's happening right now because everyone is so wound up
• 2:15:40
  Speaker 3: and charged up. It's truly fucking scary.
• 2:15:42
  Speaker 1: People are scared, man. I realized the other day, I'm
• 2:15:44
  Speaker 1: walking up to a car and it wasn't my car.
• 2:15:47
  Speaker 1: I get right by the door handle. I realized it
• 2:15:48
  Speaker 1: wasn't my car. It looked just like my car. There's
• 2:15:51
  Speaker 1: somebody sitting in that car and I'm like, oh my God,
• 2:15:54
  Speaker 1: that person could fucking shoot me.
• 2:15:57
  Speaker 3: Right now, yeah.
• 2:15:59
  Speaker 1: And I wouldn't even think it was crazy because that's
• 2:16:02
  Speaker 1: just where the fear level is at. It's like all
• 2:16:04
  Speaker 1: these POV videos of all this fear. It's interesting, man.
• 2:16:10
  Speaker 1: It's a it's a it's a it's a fiery time
• 2:16:12
  Speaker 1: out there.
• 2:16:13
  Speaker 3: And I'm never afraid of anything because I look like
• 2:16:16
  Speaker 3: a gigantic football coach cop and I drive a Tahoe.
• 2:16:21
  Speaker 3: So I could I could technically be a park ranger.
• 2:16:25
  Speaker 1: We need that Alex Jones back, though.
• 2:16:27
  Speaker 3: Just just in general.
• 2:16:29
  Speaker 1: I think we need him. You know, I would love
• 2:16:30
  Speaker 1: to see him do. And this is what I thought
• 2:16:31
  Speaker 1: he was going to get into was like a regular
• 2:16:33
  Speaker 1: guy's job after he had the big lawsuit against him.
• 2:16:37
  Speaker 1: was a manager in like a Denny's or something, manager
• 2:16:41
  Speaker 1: in like an IHOP.
• 2:16:42
  Speaker 3: Yeah, I got, you got to get the moons over my,
• 2:16:44
  Speaker 3: they're making the moons over my hammy gay. I'm a humanist.
• 2:16:53
  Speaker 3: You got, you got, let me tell you something about
• 2:16:56
  Speaker 3: these people out here eating mozzarella sticks. I've eaten mozzarella
• 2:17:01
  Speaker 3: sticks at Bohemian Grove. It was invented by Mark Twain. Uh,
• 2:17:05
  Speaker 3: Just originally, it was just a place for these globalists
• 2:17:11
  Speaker 3: people to, it was actually a lot of closeted homosexual
• 2:17:15
  Speaker 3: activity happening there, mostly by Republicans. But Democrats took it over.
• 2:17:19
  Speaker 3: And John F. Kennedy, Bobby Kennedy Jr., Bobby Kennedy, they
• 2:17:24
  Speaker 3: went out to Bohemian Grove. You can still go there.
• 2:17:26
  Speaker 3: It's in Northern California. And they're deep in the forest
• 2:17:28
  Speaker 3: wearing robes like druids. And having cookouts.
• 2:17:31
  Speaker 1: Sir, I want an omelet, sir. I'm looking for an omelet.
• 2:17:34
  Speaker 3: Yeah, what do you want? How would you like your eggs?
• 2:17:37
  Speaker 3: You want white toast, wheat toast? I hate this uniform.
• 2:17:43
  Speaker 3: Just always ripping off his fucking polo shirt. You want
• 2:17:47
  Speaker 3: to see my name tag? And these people, they're reptiles.
• 2:17:55
  Speaker 3: I've seen it up close. They don't have skin like
• 2:17:58
  Speaker 3: you and me. I've been up close. I've been next
• 2:18:00
  Speaker 3: to Nancy Pelosi, Hillary Clinton. These people are not human.
• 2:18:04
  Speaker 3: They're interdimensional beings. They come in, they open wrens in
• 2:18:09
  Speaker 3: the fabric of time and space. And they walk through.
• 2:18:12
  Speaker 3: I don't want to see it! Everybody wants the same
• 2:18:17
  Speaker 3: thing at the end of the day. They just want
• 2:18:19
  Speaker 3: to be able to watch, you know, sit down, eat
• 2:18:23
  Speaker 3: their frijoles.
• 2:18:24
  Speaker 1: Watch white porn with their family.
• 2:18:26
  Speaker 3: Watch white porn with their family. And watch this fool
• 2:18:32
  Speaker 3: on TBS. Um.
• 2:18:35
  Speaker 1: What's up with acting, man? What's going on? You got
• 2:18:39
  Speaker 1: dudesy going? Any new adventures going on with you?
• 2:18:42
  Speaker 3: I'm about to go shoot a movie in Canada called 1989. No. Yeah,
• 2:18:48
  Speaker 3: that'll be fun. You ever heard of a Canadian cult
• 2:18:51
  Speaker 3: classic called FUBAR? Mm-mm.
• 2:18:54
  Speaker 1: I know what it means.
• 2:18:56
  Speaker 3: Yeah. So there's FUBAR and there's FUBAR 2 and this
• 2:18:59
  Speaker 3: fucking brilliant dude. There's these two guys, Diener and Terry.
• 2:19:04
  Speaker 3: And one of them, Paul Spence, he's the one in
• 2:19:07
  Speaker 3: the green on the right there.
• 2:19:09
  Speaker 1: Okay.
• 2:19:09
  Speaker 3: And then Terry's on the left. Okay. So it's the
• 2:19:12
  Speaker 3: origin story of the Diener, of Dean. And I play
• 2:19:16
  Speaker 3: his dad. And it's sort of like, and he's part
• 2:19:20
  Speaker 3: First Nations. So there's sort of that bent to it,
• 2:19:23
  Speaker 3: which will be interesting, which is a very Canadian theme.
• 2:19:26
  Speaker 3: So I'm doing that. I'm doing another season of the show, Acapulco.
• 2:19:30
  Speaker 3: And then, I don't know. Just picking up acting work.
• 2:19:33
  Speaker 3: It's fucking weird now because we got this strike.
• 2:19:36
  Speaker 1: Oh, yeah, the strike's going on now.
• 2:19:37
  Speaker 3: Listen, I just want to do, again, you know, I
• 2:19:41
  Speaker 3: would love to just play the dad in, what is it,
• 2:19:44
  Speaker 3: Billy Elliot? What's it called?
• 2:19:45
  Speaker 1: Oh, Billy Elliot. Sparkle knees.
• 2:19:47
  Speaker 3: Don't. Get off my knees for dad. Yeah. That would be,
• 2:19:53
  Speaker 3: at this point, you know, look, here's some more defeatist
• 2:19:57
  Speaker 3: negativity from me. Yeah. I don't know what's happening to
• 2:20:00
  Speaker 3: our business. When I think about, you know, what my
• 2:20:04
  Speaker 3: pad Chad Culchin says with regard to AI, and he'll
• 2:20:07
  Speaker 3: point right the fuck at me and go, your job
• 2:20:09
  Speaker 3: will be obsolete very soon. And I'm like, no, it won't.
• 2:20:12
  Speaker 3: And I go, your job will be obsolete very soon.
• 2:20:14
  Speaker 3: He's a brilliant writer. And he goes, bring it on, motherfucker.
• 2:20:17
  Speaker 3: Can't wait. He's doing a couple podcasts. So I guess
• 2:20:20
  Speaker 3: his bread is buttered there. Hopefully we continue to do Doodsy.
• 2:20:25
  Speaker 3: I love acting. It's my, you know, it really is
• 2:20:27
  Speaker 3: my passion. You offer so much. joy and talent to
• 2:20:31
  Speaker 3: people cheers man likewise dude.
• 2:20:34
  Speaker 1: No not like you do something though what.
• 2:20:36
  Speaker 3: Do you mean i do something you do so you.
• 2:20:39
  Speaker 1: You have a real skill set what are you.
• 2:20:40
  Speaker 3: Talking about you fucking up in front of thousands of
• 2:20:43
  Speaker 3: people bringing your stories out there that's you're one of
• 2:20:46
  Speaker 3: the best doing it right now period well so That's nice.
• 2:20:49
  Speaker 1: Of you, man.
• 2:20:50
  Speaker 3: It's true, Theo.
• 2:20:51
  Speaker 1: I feel like you're really, really talented, man.
• 2:20:54
  Speaker 3: I feel like you're really, really talented. Here's a Tim Hortons.
• 2:20:57
  Speaker 1: And I'll give you my Tim Hortons thing. Thank you
• 2:20:58
  Speaker 1: very much.
• 2:21:00
  Speaker 3: Two for one donut. Thank you.
• 2:21:00
  Speaker 1: Yeah, I mean, look, everything's fine then.
• 2:21:06
  Speaker 3: Yeah, everything's fine. Yeah, I think we're going to be okay. Hey,
• 2:21:10
  Speaker 3: this is the bottom line, everybody. Everything's going to be fine. Just,
• 2:21:14
  Speaker 3: you know, hang out at home. And when you eat
• 2:21:16
  Speaker 3: them Chicken McNuggets, know that two, you know... uh, probably
• 2:21:20
  Speaker 3: underprivileged children. Uh, they were 10 years old, made your nuggets.
• 2:21:25
  Speaker 3: So when you get to the center and you see
• 2:21:26
  Speaker 3: that it's pink and you realize, oh fuck, you know,
• 2:21:30
  Speaker 3: now I'm going to be shitting myself all night. Just
• 2:21:32
  Speaker 3: know it's not the kid's fault. They don't know how
• 2:21:34
  Speaker 3: to work the fucking fryer. Get your own fucking fryer
• 2:21:37
  Speaker 3: and go out to Bohemian Grove and make your own fucking,
• 2:21:41
  Speaker 3: make a fire and boil some peanut oil and make
• 2:21:44
  Speaker 3: your own chicken nuggets. Kick a chicken against a tree.
• 2:21:47
  Speaker 3: He's a Rackers.
• 2:21:48
  Speaker 1: A lot of those guys are Rackers. A lot of
• 2:21:49
  Speaker 1: them are Rackers.
• 2:21:50
  Speaker 3: Oh, yeah. You want to talk about, what is it,
• 2:21:53
  Speaker 3: Spaceland Pizza or whatever without the basement where the guy
• 2:21:55
  Speaker 3: went in there and shot it up?
• 2:21:56
  Speaker 1: Oh, the guy came on a napkin for the kids.
• 2:21:59
  Speaker 3: Yep. Came on a napkin with his glittery knees. You're
• 2:22:02
  Speaker 3: listening to Tchaikovsky and just coming as hard as you
• 2:22:05
  Speaker 3: can out there. There's nothing but forest out there in
• 2:22:08
  Speaker 3: Bohemian Grove. Come as loud as you want, you crazy
• 2:22:11
  Speaker 3: old weird fucking pervert lady. I love it. We get
• 2:22:15
  Speaker 3: her out there. We all wear masks, fucking sex party
• 2:22:19
  Speaker 3: style like Tom Cruise and Cameron Diaz. And no one
• 2:22:22
  Speaker 3: knows who's who. And I just got my fist up
• 2:22:25
  Speaker 3: in something. There's a little heat in there. And then
• 2:22:28
  Speaker 3: I pull it out and I hear, oh, and I'm like,
• 2:22:30
  Speaker 3: it's Mitch McConnell. I know that's Mitch McConnell. I've made
• 2:22:33
  Speaker 3: him come several times at Bohemian Grove. Nancy Pelosi wearing
• 2:22:38
  Speaker 3: a strap on fucking Mitch McConnell. in the ass, and
• 2:22:42
  Speaker 3: then just wears his hole like a shoe. And he goes, oh,
• 2:22:46
  Speaker 3: rock and roll. I started playing in the background.
• 2:22:48
  Speaker 1: The kind of music just soothes the soul.
• 2:22:52
  Speaker 3: And it's actually Bob Seger. I reminisce about the days
• 2:22:56
  Speaker 3: of old when you could make shitty jokes on mad TV.
• 2:23:02
  Speaker 1: God, boy, free cum for everybody. That's what they're doing.
• 2:23:06
  Speaker 1: You know what I think is interesting, though, Will? I
• 2:23:08
  Speaker 1: think in the end, I think we all end up
• 2:23:11
  Speaker 1: back in the Native American style. I think that something
• 2:23:13
  Speaker 1: happens with society. I think it falls at some point.
• 2:23:17
  Speaker 3: It has to.
• 2:23:17
  Speaker 1: It doesn't hold up.
• 2:23:18
  Speaker 3: It has to.
• 2:23:18
  Speaker 1: And I think we all end up back in small
• 2:23:20
  Speaker 1: tribes trying our best to take care of each other
• 2:23:24
  Speaker 1: and begging for the information of... of the um the
• 2:23:30
  Speaker 1: nations you know the original nations people dude i think
• 2:23:33
  Speaker 1: anyway who knows i don't know.
• 2:23:35
  Speaker 3: The earth has a way of making itself new whether
• 2:23:38
  Speaker 3: or not we're here and it's like ed norton said
• 2:23:41
  Speaker 3: in fight club in the future i see you will
• 2:23:45
  Speaker 3: be climbing the wrist thick kudzu vines up the sears
• 2:23:49
  Speaker 3: tower because all this shit will be turned off ai
• 2:23:52
  Speaker 3: won't be any fucking worry and it will be tribes
• 2:23:55
  Speaker 3: have you watched chimp empire not yet watch chimp empire
• 2:23:59
  Speaker 3: on on netflix that's where we're going yeah they're they're
• 2:24:03
  Speaker 3: of course you know they're chimps they're 99 they share
• 2:24:06
  Speaker 3: 99 of our dna and i learned a lot of
• 2:24:08
  Speaker 3: stuff about fucking chimps uh and i agree with you
• 2:24:13
  Speaker 3: they're they're tribal and i feel like and they just
• 2:24:16
  Speaker 3: want to take care of their own and every once
• 2:24:17
  Speaker 3: in a while they kill someone from the other fucking
• 2:24:19
  Speaker 3: tribe to show like hey our alpha is better than
• 2:24:22
  Speaker 3: yours and um But I agree. And speaking as a Canadian,
• 2:24:27
  Speaker 3: I would love nothing more than to eat fucking raw
• 2:24:32
  Speaker 3: salmon that's been, again, prepared by any of the guys
• 2:24:36
  Speaker 3: at the sushi place that are searing the top with
• 2:24:38
  Speaker 3: a freshly used AK-47. A lot.
• 2:24:44
  Speaker 1: Of times they're painting their eyes like that on the
• 2:24:47
  Speaker 1: edge of Mexican guys to make them even look Asian
• 2:24:49
  Speaker 1: in a lot of Japanese restaurants. That's what's crazy to me.
• 2:24:54
  Speaker 1: You seen this, Zach? Bring it up.
• 2:24:57
  Speaker 3: Wait, that's a thing?
• 2:24:58
  Speaker 1: Japanese-ing out Mexican guys. Are you wearing tights?
• 2:25:02
  Speaker 3: I'm wearing these shorts, and now I got the same.
• 2:25:04
  Speaker 3: I don't know if you can tell, but I'm moistening
• 2:25:08
  Speaker 3: your chair again.
• 2:25:09
  Speaker 1: I like that.
• 2:25:10
  Speaker 3: I got glittery knees and fucking wet thighs right now.
• 2:25:14
  Speaker 1: It's that time of year, man.
• 2:25:15
  Speaker 3: Yeah.
• 2:25:15
  Speaker 1: We'll wrap up soon. What happened here, Zach? Are you
• 2:25:18
  Speaker 1: seeing any of this?
• 2:25:19
  Speaker 2: No, I'm not finding anything.
• 2:25:21
  Speaker 1: Mexican man, Chinese restaurant. That's not what you should look up, then.
• 2:25:24
  Speaker 3: What should I look up?
• 2:25:25
  Speaker 1: Mexican-ing Chinese people. Are you looking on images, man? Mexico's
• 2:25:38
  Speaker 1: Chinese communities are seeing reverse migration. That's not it.
• 2:25:43
  Speaker 3: Go to SushiDan.com. They got a few of those guys
• 2:25:46
  Speaker 3: working there. I'm joking, of course. Oh.
• 2:25:48
  Speaker 1: Well, people know what we mean. Um... Will Sasso, ladies
• 2:25:53
  Speaker 1: and gentlemen. You can check him out on the Dudesy pod.
• 2:25:57
  Speaker 1: I think we talked about a lot of stuff, huh? Yeah, dude.
• 2:26:00
  Speaker 2: Yeah.
• 2:26:00
  Speaker 3: This was awesome, man.
• 2:26:01
  Speaker 1: Man, thank you so much for coming in. It was
• 2:26:03
  Speaker 1: a pleasure. And yeah, good luck with AI, man. Just
• 2:26:06
  Speaker 1: be careful.
• 2:26:07
  Speaker 2: I will.
• 2:26:17
  Speaker 3: Cornerstone Oh, but when I reach that ground I'll share
• 2:26:24
  Speaker 3: this peace of mind I found I can feel it
• 2:26:28
  Speaker 3: in my bones