Latest / What's Your (Least) Favorite Scary Movie? / #221: Shaun of the Dead (2004)

Transcript

#221: Shaun of the Dead (2004) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, what's your least favorite scary movie?
• 0:11
  Take the car, go to Moms, kill Phil, grab Liz, go to the
• 0:15
  Winchester, have a nice gold pie and wait for this all to blow
• 0:18
  over. Hello, hello, hello, Welcome to
• 0:22
  What's Your Least Favorite Scary Movie?
• 0:24
  The podcast where we talk about the good, the bad, the ugly and
• 0:27
  the absurd and all of our favorites.
• 0:29
  And the least favorite? Scary movies.
• 0:30
  Because we believe every horror movie rifely has its fan base.
• 0:33
  Even if we don't always. Get it?
• 0:34
  My name is Travis, my name is Jesse and welcome everybody.
• 0:37
  We are talking about Shaun of the Dead today.
• 0:41
  So I hope you guys are prepared for that.
• 0:44
  I wasn't prepared for your intro there.
• 0:46
  I, I had a feeling you were going to say that.
• 0:48
  I really wanted to chime in with a sorry Phillip.
• 0:54
  Too late though. It's it's done.
• 0:55
  It's a done deal. We've never done a second take
• 0:58
  of the opening. Ever.
• 0:59
  Never. Fun fact refused to.
• 1:01
  All right, so yeah, we're talking about Shaun of the Dead
• 1:03
  people. So I got a fun one in store for
• 1:06
  you guys today. The Movie.
• 1:07
  Was just called Shaun of the Dead, not Shaun of the Dead
• 1:09
  people. Shaun of the Dead for you
• 1:11
  people. Well, that's even more often.
• 1:14
  Yeah, that's not good. OK, so before we get into this
• 1:19
  one, Jesse, do you have anything you need to announce?
• 1:22
  No, other than thanks again to all of our patrons because we
• 1:28
  made our donation to the Trevor Project and we did match it with
• 1:30
  our own. Funds we did it officially went
• 1:32
  through this morning whenever day of recording.
• 1:36
  So yeah, thank you guys for doing that.
• 1:38
  It was a bigger donation this year than last year.
• 1:40
  Yes, it's very exciting. Yeah, it is really cool.
• 1:42
  I really appreciate all of you guys doing that and it's really
• 1:45
  cool thing. So thank you guys so much.
• 1:48
  I have our poll results from last week's episode, which was
• 1:53
  on the Purge, and we just asked everybody what you would want to
• 1:58
  do during the Purge. So it's between mess with random
• 2:02
  people, fuck shit up, get your revenge, or still that thing you
• 2:07
  always wanted. So on Twitter, 13% would mess
• 2:11
  with random people, 25% would get their revenge, 62% would
• 2:17
  steal that thing that they want and Instagram 12% fuck shit up,
• 2:23
  25% get your revenge and 62% still that thing you really
• 2:27
  wanted. So wow, it's kind of weird that
• 2:30
  it's almost the same distribution.
• 2:32
  It's just Twitter people want to mess with random people and
• 2:36
  Instagram people want to fuck shit up and that's the
• 2:39
  difference right there. We talked about it ourselves
• 2:42
  though. We we both said.
• 2:44
  Yeah, I think we always. Yeah, we, we want to like, yeah,
• 2:46
  like go get the thing that you want, like a pool or a console
• 2:50
  or quotes or whatever, you know, So, yeah.
• 2:54
  I'm going to get a lot of the really expensive mascara I like
• 2:59
  but don't like to buy all the time, so I'll just like stock up
• 3:02
  on it. I mean, yeah.
• 3:04
  I mean, you could do better. You could do better than.
• 3:07
  That OK, but still it's $30.00 for a tube of that mascara.
• 3:10
  I know, but it's Purge night, man, you got to go all out, OK?
• 3:13
  I'm just saying that's a stop along the way.
• 3:17
  Fair, fair. All right, so that's it.
• 3:21
  OK, OK, let's talk about Shaun of the Dead.
• 3:23
  OK, so Shaun of the Dead originally released March 24th.
• 3:28
  Oh excuse me, 29 2004 had it that wide.
• 3:32
  Release September 24th, 2004. OK, we watched it on our DVD.
• 3:38
  If you want to watch it, you also have to have it on your DVD
• 3:42
  because it is not available to stream.
• 3:44
  Or you can rent it. You can rent it from Amazon,
• 3:46
  Apple or YouTube or Fandango at home for like $4.
• 3:50
  Or prime. Or prime.
• 3:52
  Yeah, Prime's always an option to all of the same ones that
• 3:54
  always have the rent options. However, if you do like we did
• 3:59
  and go to Half Price Books and find a copy of the DVD, you
• 4:02
  might find yourself with one of our favorite things, a fun menu.
• 4:07
  Oh yeah. And this has like the the menu
• 4:10
  on this one. It's like one of those arcade
• 4:13
  shooters. So it's like House of the Dead
• 4:15
  or something like that. I think that's what it was.
• 4:17
  No clue. That's like the.
• 4:19
  I think that's the game. That's the game that I used to
• 4:21
  play all the time in the arcade. So it's a zombie game.
• 4:23
  Yeah. So written by Simon Pegg and
• 4:26
  Edgar Wright. Directed by Edgar Wright.
• 4:29
  Edgar Wright. I am.
• 4:30
  I am. Music by Dan Mudford and Pete
• 4:33
  Woodhead and special effects by Paul Dunn.
• 4:36
  OK Starring Simon Pegg as Sean, Nick Frost as Ed, Kay Ashfield
• 4:43
  as Liz, Lucy Davis as Diane, Dylan Morgan as Daffs Bill Nye.
• 4:49
  Not the science guy. Bill Nye, the actor.
• 4:53
  Guy the actor, Guy as Phillip and Penelope Wilton as Barbara.
• 4:58
  What if it was Bill Nye the science guy, though?
• 5:00
  And you're just like watching this.
• 5:02
  And you're like, Bill, Bill, Bill.
• 5:03
  Bill, Bill, bill, Bill, that's all.
• 5:07
  I mean, they're like, I, I want it.
• 5:10
  I just, you know, like I don't know if that would that would
• 5:13
  make for a better movie or if it would make for a way movie.
• 5:17
  I mean, we do have Bilbo Baggins make a brief appearance as well.
• 5:24
  Shit, he has been. I think that's more funny
• 5:27
  because he's like, he's the Jim Halpert of the Office one, and
• 5:30
  that the one. Yeah, she's the pan.
• 5:33
  The original. Pan.
• 5:34
  I love that scene, how they did that.
• 5:36
  Yeah, it's a good mirror bizarro version.
• 5:38
  All right, time for our favorite game on the show budget.
• 5:42
  Or budget. Come on Jessie, you didn't give
• 5:45
  me enough of a chance to catch up.
• 5:47
  Excuse. Me.
• 5:48
  I'm sorry, I was I'm. Not I'm not moving at winding
• 5:50
  speed over here. I'm still.
• 5:51
  Thinking about Martin Freeman. That's a problem.
• 5:56
  We can't have that be an ongoing issue this episode.
• 6:01
  OK, well, it's time for you to guess.
• 6:04
  So stop thinking about Martin. OK, I'm trying to think
• 6:10
  accurate. Was very young during this.
• 6:13
  Second movie. Yeah.
• 6:14
  So I don't know how incredibly established he was, like how
• 6:19
  much of A budget they gave him. And I do know just from
• 6:23
  listening to you watch the extras that they wanted to have
• 6:28
  an exploding Jaguar and eventually it turned into them
• 6:33
  just leaving Phil locked in there.
• 6:36
  I feel like that played out better.
• 6:37
  In the long run, yes, I do like that that better.
• 6:41
  So I think I'm going to go bug Ted.
• 6:44
  OK, you are correct £4 million. Remember, this is British.
• 6:51
  British. Whole other currency over there.
• 6:54
  So yeah. 4,000,000 lbs Opening box office 3.3 million Worldwide
• 7:00
  Gross 38 million Hell yeah. So it did pretty well.
• 7:04
  IMDb 7.8. Hell.
• 7:07
  Yeah, now that's a really, really good.
• 7:10
  And I got to say, man, the three movies that I pulled as
• 7:13
  comparisons are all very highly rated also.
• 7:16
  Oh wow, what was your theme? Well this was like the big
• 7:21
  zombie era, so I've got 3 zombie movies here.
• 7:25
  Uninspired, but we'll go with it.
• 7:27
  I'm assuming one of them is Dawn of the Dead.
• 7:30
  You're correct. Yeah, Dude, don't sound so
• 7:33
  disappointed. Come on, we're not all going to
• 7:36
  go for, like, weird shit every single time.
• 7:39
  Sometimes you got to be very much like, well, this is a
• 7:41
  zombie movie with his three other zombie movies.
• 7:44
  How else? That's a better comparison, OK.
• 7:47
  Stacking it up against its actual competition, OK.
• 7:49
  And stacking him up against another comic book nerd.
• 7:53
  Because that Dawn of the Dead is Zack Snyder.
• 7:55
  That's true. Yeah, so.
• 7:57
  That is a fair 1:00 to 1:00. That is all right.
• 8:00
  So Dawn of the Dead that released March 19th, 2004 $26
• 8:06
  million Budget $102 million Gross 7.3 IMDb score.
• 8:13
  And if you all want to hear us talk about that maybe more in
• 8:16
  depth, guess what, we've done it.
• 8:18
  Just just look for it. Maybe a year ago.
• 8:22
  No, that was like 21, OK or 22, I don't know.
• 8:29
  We were here. Is this podcast still going?
• 8:32
  Like it's so weird, man. Like we've been doing it for so
• 8:35
  long and I just, it doesn't feel like it.
• 8:36
  Same thing with this movie. This movie is technically 20
• 8:39
  years old. Isn't that insane?
• 8:42
  That's so fucking crazy. Yeah.
• 8:44
  I can't imagine this being 20 years ago because I just
• 8:46
  remember watching this with my friends back then.
• 8:48
  God damn it, we're getting old. It's yeah.
• 8:51
  Sucks. Here in Seanville, like I'm 29
• 8:54
  years old. I was like, no, you're a grown
• 8:56
  up. You can't be younger than us.
• 8:58
  He looks old. He will.
• 9:00
  He does not look 29. He looks maybe 39.
• 9:04
  He's always looked about 39. Yeah, and I'm not saying he
• 9:07
  looks old, old. I'm just saying he doesn't look
• 9:09
  29. But then again, there's some
• 9:10
  people like that out there. That's a thing.
• 9:12
  It happens. That's a thing.
• 9:14
  OK, Second movie, Resident Evil Apocalypse.
• 9:19
  OK, Yeah, I'm getting some more zombie stuff.
• 9:22
  So that released September 10th, 2004.
• 9:26
  OK Budget of $45 million. Worldwide gross $129 million.
• 9:34
  These are big movies, apparently.
• 9:35
  I didn't really realize that they went this big this way.
• 9:38
  IMDb score is 6.1 out of 10. OK, that's still pretty good.
• 9:42
  Yeah. All THINGS considered.
• 9:44
  The being horror. Score.
• 9:45
  Yeah. In the final movie, this will be
• 9:48
  one that some of our budget to your bubbies might be familiar
• 9:52
  with because we talked about it on last month's Patreon episode.
• 9:58
  It was an It was an answer in one of our horror movie Jeopardy
• 10:02
  questions. The Conjuring.
• 10:04
  No, it went back in time and released again in 2004 just to
• 10:10
  fuck with us. I wouldn't be surprised, but no,
• 10:14
  it is SARS wars. Oh my God, yeah, the the answer
• 10:20
  that I thought of as a joke. And then, yeah.
• 10:23
  It ended up actually. Being real.
• 10:25
  Yeah, it's like a Thai, maybe Korean.
• 10:28
  It's an Asian horror movie. I.
• 10:30
  Think it was Thai. Yeah, I think that's what I
• 10:32
  remember too that released December 16th, 2004.
• 10:37
  Didn't get the budget, but the worldwide gross was 121
• 10:40
  thousand. OK, IMDb 5.8.
• 10:44
  So not terrible. Still pretty good.
• 10:47
  All right, I've got a couple of tag lines here.
• 10:50
  OK, the one on the poster, a romantic comedy with zombies.
• 10:57
  I mean not entirely wrong. No.
• 11:01
  And this is one of the things that I kind of gathered from
• 11:05
  reading about this movie and also seeing the special features
• 11:08
  where they had their whole like, flip book where they wrote out
• 11:11
  like what they wanted the movie to be before it even had a
• 11:14
  script. They really wanted it to be like
• 11:16
  a ROM com basically. Yeah.
• 11:19
  So like, I guess they I don't necessarily get the romantic
• 11:23
  part from this movie more than any of the other genres like
• 11:27
  comedy and horror. But yeah, I don't know.
• 11:30
  Next one. It's just one of those days when
• 11:33
  you're feeling a little dead. It's.
• 11:35
  Just one of those days where you don't want to wake up.
• 11:38
  Everything is facts. Everybody sucks.
• 11:41
  Do you think Fred Durst started reading that?
• 11:43
  He's like, Oh my God. He's like, I have an idea, flips
• 11:47
  his hat around backwards. Wait.
• 11:48
  Which came first because like, it could have been like they
• 11:51
  fucking stole my thing. Yeah, no Limp Bizkit,
• 11:54
  unfortunately. I have to say Limp Bizkit came
• 11:56
  first. I'm sure it did, yeah.
• 11:59
  Next up, buy milk ring mum, dodge zombies.
• 12:05
  It's just like that's how if you needed to sum this movie up in 6
• 12:10
  words, essentially. I guess, but we don't ever
• 12:14
  really talk about buying milk and he doesn't actually like
• 12:18
  casually call his mom, he just calls to make sure she's at the
• 12:21
  house. That's true, yeah.
• 12:23
  So. Not very accurate.
• 12:25
  Yeah. All right.
• 12:26
  Ever felt you were surrounded by zombies?
• 12:30
  Not especially now. What's the tagline?
• 12:35
  Nah, I wish we had a soundboard on here.
• 12:39
  All right. Final one.
• 12:41
  In a time of crisis, a hero must rise from his sofa.
• 12:45
  Nice, it's. Not too bad.
• 12:49
  OK, I've got fun facts. Yay.
• 12:52
  So this movie was inspired by an episode of Simon Pegg and Edgar
• 12:59
  Wright's sitcom that they were doing called Space.
• 13:02
  So in the episode Simon Pegg's character who's Nate's a zombie
• 13:08
  apocalypse while he is high on amphetamines after playing
• 13:11
  Resident Evil 2. OK.
• 13:15
  So that is how that started it. Makes no sense.
• 13:21
  So they actually conceived the actual idea for actually doing
• 13:24
  the movie seriously back in 19. They conceived the movie in 1999
• 13:31
  for real and well fuck man, you just threw me off my game.
• 13:38
  Sorry, you said actually three times in the span of about 10
• 13:41
  seconds. OK, so they pitched it to Film 4
• 13:46
  which is a studio, and Film 4 picked it up.
• 13:50
  Film 4 ended up having to drop it though, because they had to
• 13:53
  scale back their production budget.
• 13:56
  So Edgar Wright was doing TV gigs at the time, you know, he
• 13:59
  had that show with Sean, not Sean Simon Pegg, and he refused
• 14:04
  to do any more of those gigs until they got this movie off
• 14:07
  the ground. So that was like 5 years where
• 14:11
  they did that before this thing released.
• 14:13
  And he ended up actually racking up quite a bit of debt in the
• 14:16
  process because he's not getting really many gigs in the process,
• 14:20
  so he's not making much money. A lot of studios actually passed
• 14:24
  on it because they didn't understand the tone that they
• 14:26
  were going for. They didn't think it was funny,
• 14:29
  they didn't think it was scary. But it eventually did get picked
• 14:33
  up, obviously, and they were able to make it.
• 14:37
  They wrote the screenplay in eight weeks.
• 14:40
  The films that were major inspirations were of course,
• 14:44
  Night of the Living Dead, Dawn of the Dead, Raising Arizona.
• 14:48
  Not familiar with that movie? We.
• 14:50
  Do own it though. No, you're thinking of just
• 14:53
  Arizona. This is an 80s movie.
• 14:55
  The movie you're thinking of is a Danny McBride movie, which
• 14:57
  definitely did not come out before 2000.
• 15:00
  Four. Yeah, but probably actually.
• 15:02
  They're not gonna do a conjuring.
• 15:03
  They're not gonna go back in time just to fuck with us.
• 15:06
  They. Might they might.
• 15:07
  It is Simon Pegg and Edgar Wright, after all.
• 15:11
  They could if they were this next movie that was an
• 15:14
  inspiration. Back to the Future.
• 15:18
  Also Brain Dead and the Birds OK were inspirations.
• 15:23
  Mudford and Woodhead actually imitated Goblin and Fabio
• 15:28
  Frizzi. Frizzi for their soundtrack.
• 15:33
  He did. Fabio did the soundtrack for
• 15:36
  Zombie Two. Yeah, he he worked with Fulchi.
• 15:39
  Yeah, and Goblin, of course. They actually they did Dawn of
• 15:41
  the Dead, but they've done like a shit ton of other Italian
• 15:44
  movie. We've we've talked a lot about
• 15:46
  Goblin on the show. I'm sure you all are familiar at
• 15:49
  this point. So, and they actually use
• 15:52
  musical cues from Dawn of the Dead in the movie too.
• 15:56
  And right. Actually, while he was editing
• 15:58
  the movie, he put Goblin music in there as a temp track just to
• 16:04
  kind of, you know, use it as like a way of editing and trying
• 16:07
  to get things to seem right. And he ended up liking it so
• 16:10
  much they actually got clearance to use it.
• 16:13
  So we do get a little bit of Goblin in this movie.
• 16:15
  Apparently this movie is the first of the Cornetto trilogy.
• 16:19
  So that's a trilogy of films that Aggar Wright and Simon Pegg
• 16:22
  and Nick Frosted. That's this movie, Hot Fuzz, and
• 16:28
  this is the end of the world or the end of the world, something
• 16:31
  like that. I.
• 16:32
  Don't know, I've only ever seen this in Hot Fuzz.
• 16:34
  Yeah, I've not seen the third one, but basically in the
• 16:37
  Cornetto trilogy they each reference a different flavor of
• 16:41
  Cornetto ice cream. So in this movie, The flavor
• 16:45
  references strawberry due to the gory and violent nature of the
• 16:48
  movie. Oh, OK, they're meaningful.
• 16:52
  Yeah, they have, I guess, some purpose between, like, which
• 16:55
  flavor they choose. And finally, George A Romero was
• 17:00
  so impressed by Pagan Wright that he asked them to cameo as
• 17:04
  zombies in his movie Land of the Dead, which came out in 2005.
• 17:10
  Yeah, I think that that's really cool that they actually got.
• 17:13
  They got the nod from the guy. Yeah, right there.
• 17:16
  If you're going to do a zombie movie, that's the approval you
• 17:18
  want. Exactly.
• 17:19
  That's especially since apparently he hates everybody
• 17:22
  doing variations of those movies.
• 17:25
  From what I heard, he he's not really a big fan, but yeah, he
• 17:30
  he pretty much made exclusively those movies for the rest of his
• 17:33
  life. So who's he to talk?
• 17:35
  I mean, I guess he is the guy that created them.
• 17:37
  So I. Mean he's the guy to talk, yeah.
• 17:39
  Who am I? That's fair.
• 17:41
  OK, so that's it for the fun. Facts and everything.
• 17:44
  So it's time for a good, bad, ugly and absurd and you kick it
• 17:48
  off. Oh my God this movie is so
• 17:50
  fucking funny. Like it's it blows my mind that
• 17:53
  studios didn't get the tone because it's.
• 17:56
  And I guess maybe at that point, zombie movies were generally
• 17:59
  meant to be more scary than anything, but.
• 18:02
  Yeah, it's kind of, it's weird to me that it's like they're
• 18:06
  almost like horror and comedy, Like it's like as if they had
• 18:10
  never heard of that as a concept.
• 18:12
  Yeah, as if the first three Scream movies hadn't come out
• 18:15
  already. Yeah.
• 18:16
  And I wouldn't call them horror comedy, so.
• 18:19
  But there are like other horror comedies, that scary movie.
• 18:21
  Scary movie, Yeah. But yeah, I it's just, it's so
• 18:26
  funny. The script is really smart.
• 18:28
  I like there's continual references to how the movie is
• 18:32
  going to play out. Like the whole plan.
• 18:34
  They do end up, you know, when they're talking about like going
• 18:39
  to the Winchester, that is actually what ends up happening.
• 18:41
  Like he's like, tomorrow we'll go around, we'll do all of these
• 18:44
  things, we're going to drink together.
• 18:45
  We're just not worry about your problems.
• 18:46
  And we'll wind up at the Winchester.
• 18:48
  And that's what ends up being their plan on Z Day.
• 18:52
  The scene with Don't Stop Me Now is fucking beautiful.
• 18:57
  That is cinema. They, I was reading about that.
• 19:00
  They apparently they did. They wrote that song in mind
• 19:04
  before they even got clearance. And then like they wanted it so
• 19:08
  badly that they like, wrote a letter to I guess whoever was in
• 19:12
  control of that and begged them to get to use it.
• 19:15
  And it's amazing that they did. It's just it, it fits perfectly.
• 19:21
  And then you also get a throw in other jokes like David killed
• 19:25
  the Queen and he's like, what? Yeah, I like that too.
• 19:28
  That was really smart. Yeah, it's just, it's so it's so
• 19:32
  well done and it's so enjoyable and it's a timeless classic.
• 19:35
  I mean, like you were saying, it's hard to believe that this
• 19:38
  movie is 20 years old because it's still feel it, like it
• 19:41
  still hits all the right notes and it doesn't feel really
• 19:45
  dated. It's it's amazing.
• 19:47
  And Simon Pegg, I just I love him.
• 19:51
  He's. Him and Nick Frost are a good
• 19:53
  duo. Yes, they play off of each other
• 19:55
  so well. Yeah, they have great chemistry.
• 19:57
  You can tell that they're actual, like real life.
• 19:59
  Yeah, yeah. It's awesome.
• 20:02
  You what do you think is good? I mean, this is kind of like a
• 20:06
  thing in general for just Edgar Wright movies, but I love his
• 20:08
  style. He's he's so good at doing
• 20:11
  movies. If you watch an Edgar Wright
• 20:13
  movie, you know it's going to have a banging soundtrack.
• 20:15
  You know it's going to have some amazing film transitions because
• 20:19
  that's like one of his big things.
• 20:20
  Like whenever, like it would just like switch you over to the
• 20:23
  next scene. And it's just so seamless and
• 20:25
  it's all, it's just so entertaining.
• 20:27
  It's such a good way of visual storytelling.
• 20:29
  Yeah, Travis doesn't even like Last Night in Soho, but he likes
• 20:31
  Edgar Wright's directing in it. I do, yeah.
• 20:34
  And I wouldn't say mini banger songs in that one.
• 20:38
  This is the it's more very old school like.
• 20:42
  I'm sorry, do you not think that things will be great when you're
• 20:45
  downtown? It's not exactly.
• 20:50
  Also, are you saying are you implying that Suzie Sue and the
• 20:53
  Banshees don't produce bangers? Who the fuck is Suzie Sue and
• 20:57
  the Banshees? Is that the band from the movie?
• 21:01
  They're featured in the soundtrack.
• 21:03
  I don't know. Happy house.
• 21:05
  Nope, not ringing any bells. Wilson OK.
• 21:09
  Well, it doesn't discredit what I said.
• 21:12
  He's really good at that shit. Like, I don't know, He's just
• 21:16
  got, like, a knack for it. And yeah, like, exactly what you
• 21:19
  were saying before. Like, I love the references in
• 21:21
  this movie. They're so smart.
• 21:24
  I love at the end when they just call out 28 days later.
• 21:27
  It's like, by the way, it's not from monkeys being infected.
• 21:32
  The. Thing is, before he's about to
• 21:34
  get cut off, it's like it was found to be total bullshit.
• 21:38
  And I like that we never actually find the cause for it.
• 21:41
  Yeah, I didn't even think of that.
• 21:42
  But yeah, there's like, no, there's no explanation.
• 21:45
  Because he's always like flipping through the channel.
• 21:47
  Like when we see the newspaper he covers up the front of the
• 21:50
  headline, so you can't really read the whole thing.
• 21:52
  Yeah, that's. That's smart.
• 21:54
  We never get the full explanation behind it and I like
• 21:56
  it because it's a real funny like fuck you to all of the
• 22:00
  zombie movies that have some like Major Outbreak showing how
• 22:03
  this happened. Man, and that's like, this movie
• 22:07
  is so good with showing the onset of the outbreak.
• 22:12
  I love the scene. I love how they establish the
• 22:14
  normal routine of him getting out of his home, walking to the
• 22:18
  store and doing that. And then we get to see that
• 22:20
  again. And then you see all of the
• 22:22
  things that have changed. Because realistically this is
• 22:25
  what would happen during a zombie outbreak like.
• 22:28
  Being oblivious, yes. People are going to be
• 22:30
  oblivious. They'll generally like, they
• 22:32
  might hear stuff passing in the news, but they're not going to
• 22:34
  really pay attention to it, and then they're just going to go
• 22:37
  about life as normal until they absolutely, positively can't.
• 22:40
  Until it's an inconvenience to them.
• 22:43
  Yeah, that's when it starts to be a problem.
• 22:45
  But if you're able to go to the store, get your Cornetto, get
• 22:47
  you a Coke, Diet Coke, then that's all fine.
• 22:51
  You're all gravy. You don't have to worry about
• 22:53
  anything. Yeah.
• 22:54
  So, yeah, those are the good things I have to say about this.
• 22:59
  OK. All right.
• 23:00
  Bad things. Truthful.
• 23:05
  I really don't have a lot of bad for it.
• 23:07
  There's just it just, it's always so fucking solid to me
• 23:11
  the whole way through. It's solid for me too.
• 23:14
  And there's a thing that I noticed in this movie.
• 23:15
  And again, like it's a horror comedy, so you're like, you
• 23:18
  can't take it too seriously. But one of the things I noticed
• 23:22
  is the zombies are like a threat.
• 23:27
  And then there's a lot of times where they're just not a threat.
• 23:30
  Like at the end of the movie when they're all in the
• 23:32
  Winchester and it's like, Oh my God, they're all busting in.
• 23:35
  They're all going to come in here.
• 23:36
  And then like it's almost like they all like patiently wait
• 23:39
  because they felt like they were interrupting Barbara dying.
• 23:42
  Like, oh, sorry, we'll let you handle that.
• 23:44
  Just back away and nothing's a problem.
• 23:46
  It's one of the remainders of those primal instincts that they
• 23:48
  were talking about it then, the primal instinct we respect the
• 23:51
  morning of the dead. I like that too.
• 23:52
  I like that they actually give them like humanity a little bit
• 23:57
  too. And that's, that's kind of a
• 23:59
  nice touch to it. So that was like the only bad
• 24:03
  thing that I could really think of because like everything else,
• 24:05
  like he says, so perfect ugly stuff then.
• 24:11
  It casually dropping an N word. Oh yeah.
• 24:15
  I always forget about that until it happens and I'm like.
• 24:17
  Yeah, that's one of those things where you just cringe a little
• 24:19
  bit. Yeah, OK.
• 24:21
  And then also the fact that as soon as the zombie virus or
• 24:25
  whatever was under control, it immediately became, how can we
• 24:29
  exploit the zombies? So we're gonna put them into
• 24:32
  these customer service roles. We're gonna put them into sports
• 24:38
  games on TV. We're gonna have exploitative
• 24:42
  daytime talk TV shows. This is another reference.
• 24:46
  This is like another movie I think, where they did that.
• 24:50
  We've talked about this on the show before, 'cause I remember I
• 24:53
  was arguing about it, so I was like, no, it's Shaun of the
• 24:55
  Dead. You're like, no, it's a
• 24:56
  different movie. And I was like, no, they
• 24:57
  definitely end Shaun of the Dead.
• 24:59
  They do, but I think that yeah, they're referencing another
• 25:02
  movie because there's like a whole thing where there's like a
• 25:04
  whole sport where they're like fuck up zombies or something.
• 25:08
  I. Can't remember, we've definitely
• 25:10
  talked about this. What the fuck is that movie?
• 25:12
  If you know it, tell me, because I don't know Travis.
• 25:15
  Will have looked this up by the time you let him know.
• 25:18
  But still tell me, you know, like I you know.
• 25:20
  Tell him that you know what he's let's.
• 25:22
  Connect. Let's have a conversation.
• 25:24
  Yeah, even even if I know the answer, my ugly is fucking.
• 25:33
  What is his name again? Duffs I can't stand.
• 25:36
  He's such an insufferable asshole.
• 25:38
  David and Diana calls him Daffs is like a.
• 25:40
  Daffs. Oh man, OK, he was credited as
• 25:43
  David also. But like the majority of the
• 25:46
  movie, that's what they call. Him.
• 25:47
  All of them do. I liked the behind the scenes
• 25:50
  where Zach just refers to him as the bees.
• 25:52
  The DS? Oh, yeah, but man, fuck that
• 25:56
  guy. I guess soon he's like he, he's
• 25:58
  like jealous of Sean. And then he's like, all right,
• 26:00
  I'm gonna shoot your mom. Like I get it.
• 26:02
  Like a more put together version of Ed where like Simon, sorry,
• 26:08
  Sean is like, yeah, it's kind of an asshole, but he's my asshole,
• 26:13
  He's my friend. He makes me laugh.
• 26:14
  And that's, you know, that's Liz's version of Ed is David who
• 26:21
  yeah, he is a bit abrasive and he is a twat and we all
• 26:24
  acknowledge it, but he's our friend.
• 26:25
  He's got his good points, too. They're just opposite ends of
• 26:27
  the he's our asshole spectrum. I think he's just mostly a Leech
• 26:31
  to that friend group because he just wants to be with Liz so
• 26:34
  badly and his girlfriend Diane just doesn't really.
• 26:38
  That's so sad that she just accepts it.
• 26:40
  I know and she dies for him. Yeah, like the dude got ripped
• 26:44
  like to shreds and then. Just shreds, you say?
• 26:47
  I do and he she just like runs out and.
• 26:53
  To shreds, you say? Yeah, OK, absurd.
• 27:04
  Man, I guess there's a lot of absurd.
• 27:13
  I think what I'm gonna go with is that everybody's saying
• 27:17
  you've got red on you. I.
• 27:19
  Like that? That's a nice running guy.
• 27:21
  Yeah, 'cause instead of like, oh, your pen leaked or oh,
• 27:25
  you're covered in blood, what the fuck?
• 27:27
  Everybody's just like, you've got red on.
• 27:28
  You just see red, Yeah. Mine is the statement from Big
• 27:34
  Al that docs can't look up and also how every time I hear that
• 27:39
  I legitimately question. I'm like, actually do.
• 27:43
  That we've seen. Talia, look up.
• 27:44
  I know. And then that's what I remember.
• 27:46
  But I'm like, but does she? And I'm like, no, she
• 27:48
  definitely. Does there was a great part at
• 27:50
  the end of the movie where Sean's like OK fine, he was
• 27:55
  right about this, but dogs can look up.
• 27:57
  And the scout sat up from her cat bed and looked over at Talia
• 28:02
  like she was daring her to prove the point.
• 28:04
  And Talia was too sleepy. She was too sleepy.
• 28:06
  She got a popcorn toy today, so she wore herself out playing
• 28:10
  earlier. Yeah, yeah, she had too much
• 28:11
  fun. Yeah.
• 28:13
  OK. OK.
• 28:14
  So let's rate. It oh 10 10 out of 10.
• 28:17
  Yeah, that's absolutely, Yeah. This is a this is a fucking
• 28:19
  awesome movie. It's a classic.
• 28:21
  God it's sad that this is like actually a classic status now
• 28:24
  too. I yeah, it's a it's and it's one
• 28:28
  of those two that like you don't really realize how old it is
• 28:30
  until he's like, I haven't taken sugar in my tea since 1984.
• 28:34
  And I'm like, what are you on about?
• 28:36
  But I'm like, how old would he? Have been then 20/9/1984 2004,
• 28:42
  nine years old. OK, yeah, you're drinking tea at
• 28:44
  9:00. He's British.
• 28:46
  I know I tried to drink coffee when I was a kid because
• 28:48
  everybody was doing it and I felt like I needed to and I
• 28:52
  really powered through it, but I hated it.
• 28:54
  I didn't like coffee until college.
• 28:56
  Wow. Yeah, it took me that long.
• 28:57
  No, I think I probably started in like middle.
• 29:00
  School. So cool.
• 29:02
  OK, All right. Are we ready to get into this?
• 29:06
  I'm not going to argue with you about it.
• 29:08
  OK, that's beautiful. You said I was so cool.
• 29:16
  OK. OK, yeah, let's go.
• 29:18
  Let's go. All right.
• 29:20
  Start off Sean's Drinking a Pine at the Winchester with Ed and
• 29:26
  David and Diane and Liz. I love this reveal because it
• 29:30
  seems like a one-on-one with him and Liz, and then Ed kind of
• 29:34
  chimes in and then feels. Like no offense Ed, and then he
• 29:36
  goes no offense Dave and die. Yeah, and they're just over
• 29:40
  there today to the sides too. And I love this.
• 29:42
  This is like classic type of British humor that I enjoy where
• 29:47
  it's just like, and this just exacerbates thing and he goes,
• 29:49
  what do you mean? She goes, well, it's not like
• 29:51
  you get along and he goes no, no, no.
• 29:52
  What does exacerbate mean? It's a good question.
• 29:54
  Yeah. So basically they are talking
• 29:57
  about how they don't do anything with just the two of them.
• 29:59
  It's always there all the time. They're always doing shit at the
• 30:02
  Winchester. It's not romantic.
• 30:04
  She wants more. And he's like, I promise I'll
• 30:07
  change to make up for our three-year anniversary.
• 30:13
  We never went out to it. We came out here to the
• 30:15
  Winchester. Tomorrow night we'll go to the
• 30:17
  place that does all the fish. Full cheese, by the way, Full
• 30:20
  cheese. But I like instead how they
• 30:23
  consistently refer to it as the place that does all the fish.
• 30:26
  All of the fish. Yeah, all the.
• 30:27
  Fish. Does that mean that they do
• 30:29
  every single fish? Or is that just mean exclusively
• 30:32
  fish? I want to note like is it a
• 30:34
  sushi place or fish and chips? Oh, could be exclusively fish,
• 30:42
  but also all of the fish. That's the restaurant.
• 30:45
  Yeah. Full cheese, including shark
• 30:48
  wrestled by a zombie. Yes, yes.
• 30:52
  So yeah, Yeah, they make that promise and boom.
• 30:54
  OK, so next morning Sean stumbles out kind of like a
• 30:57
  zombie. Yes I do love these shots around
• 31:00
  town of different droves of people and it's almost like
• 31:03
  they're zombie like but. They're just going about the
• 31:05
  day-to-day. I like that, too.
• 31:06
  Yeah, Because everybody's just like stuck in that pattern.
• 31:09
  Yeah. So yeah, he's going to work.
• 31:12
  He's and this is an awesome one shot sequence of him getting out
• 31:16
  of the house, walking through the streets and encountering
• 31:19
  just like these random people. And I love how they establish
• 31:23
  these just random characters just so we can see them turn
• 31:26
  into zombies later. Well, before he goes off to
• 31:28
  work, he does have a moment with Pete, who is his flatmate, who's
• 31:31
  like, hey, when is Ed leaving? He doesn't have a job besides
• 31:36
  selling drugs. Yes, that's right.
• 31:38
  Which we do. Cut to Ed taking a call and he's
• 31:43
  saying like, no, I've only got a Henry.
• 31:44
  I don't know what that means. I don't know.
• 31:46
  There's gonna be probably a lot of British swing that we're not
• 31:49
  gonna catch with us right here. I'm sorry blokes.
• 31:52
  I I assume it's like an ounce of weed?
• 31:56
  I don't fucking know. He doesn't have any weed.
• 31:59
  That's basically. It are Oz metric.
• 32:02
  I don't fucking know man, you're asking the wrong guy.
• 32:05
  But yeah, so anyway, and and that's just important for like a
• 32:09
  little throwaway joke later, but so yeah, he's just like, you
• 32:13
  know, he never cleans up or anything.
• 32:15
  And he asks Ed directly to clean up.
• 32:18
  And Ed kind of blows him off on Sean's like, please clean up.
• 32:21
  He goes, I'm not doing anything for him.
• 32:23
  He goes do it for me. And he goes, I'm sorry Sean.
• 32:26
  And he goes, what? He goes, I'm sorry, Sean.
• 32:29
  He farted. He said he'll stop doing it when
• 32:31
  he stops like. He also put it on Pete's back
• 32:34
  like a bunch of post it notes that just say I am a prick.
• 32:37
  Yeah, yeah, it's funny. OK, So now Sean does his walk.
• 32:41
  He goes, gets a drink. He stops at Nelson's shop.
• 32:45
  Yeah, there are newspapers there talking about some kind of havoc
• 32:49
  going on. We just get clues that there's
• 32:51
  something going. On Yeah, like when he's on the
• 32:53
  bus and he looks over and sees a woman collapse at another stop.
• 32:58
  He gets to work. The person that's normally there
• 33:00
  is under the weather, so he's in charge and everybody jokes
• 33:03
  around about him being the oldest and because they're all
• 33:07
  like high schoolers basically. Why are high schoolers sales
• 33:10
  associates? That's not like a normal thing,
• 33:12
  I don't think. Maybe it is in Britain.
• 33:15
  It could be. I'm sorry.
• 33:16
  I'm going to stop doing that, you guys.
• 33:18
  Yeah, you can't do it the. Entire I know, I know, I don't
• 33:23
  know. But I do think it's funny
• 33:24
  because in the middle of their like morning huddle or whatever,
• 33:27
  the one guy that's like really going back and forth with Sean
• 33:31
  takes a call and he goes no, no, no, he said he's only got a
• 33:34
  Henry so. That oh that's his guy?
• 33:36
  I didn't even catch that. Oh that's hilarious.
• 33:40
  What the fuck is his name? I can't remember his name.
• 33:42
  I don't think we get a name. I think we do, yeah.
• 33:44
  As refers to him as Noodle when he calls him.
• 33:46
  No, you get his name because he has the name tag and he's also
• 33:49
  one of the zombies later on TV that's pushing the shopping
• 33:52
  carts in the 0. Shit, I missed that.
• 33:55
  It's like net or something, I don't fucking know.
• 33:57
  But anyways, Sean's got a visitor.
• 34:00
  It's his dad who he claims. It's not his dad.
• 34:03
  It's Phillip who his mom married and. 17 years ago, so he's been
• 34:08
  in Sean's life at a minimum since he was 12 years old, but
• 34:12
  probably longer depending on how long they were together before
• 34:15
  they got married. Yeah, I would assume that he can
• 34:17
  get married right away. Yeah.
• 34:19
  So yeah, he's like, all right, Sean, are you going to come see
• 34:22
  your mother? It's your it's your bimonthly
• 34:24
  visit. Maybe you can bring the flowers
• 34:27
  you forgot to bring for Mother's Day.
• 34:29
  You've got red on you. So yeah.
• 34:35
  And then Liz calls saying, oh, did you get my message about the
• 34:40
  reservation? And because Ned, what's his
• 34:42
  face, whatever noodle noodle, he is like giving Sean a hard time
• 34:50
  for having a personal visitor and now he's getting a personal
• 34:52
  call. So Sean's trying to act like
• 34:54
  it's not that. Well, this from corporate he
• 34:56
  calls us. Yeah, he's just.
• 34:58
  From corporate, yeah, no, I've got, I've got it all taken care
• 35:00
  of. Just.
• 35:01
  Giving her a bunch of uh huh. And she's like, all right, did
• 35:03
  you get the reservation? Uh huh.
• 35:04
  Yep, Yep, Yep. So on his way home, he stops to
• 35:07
  buy flowers for a wonderful mum. He notices like somebody across
• 35:14
  the street who is attacking a bunch of ducks or birds or
• 35:18
  something. Pigeons.
• 35:19
  Pigeons OK, The national bird of Britain.
• 35:22
  British, Yeah. As if we made pigeons.
• 35:25
  That's one of those things I feel like could also be
• 35:27
  plausible as just like a like a random person.
• 35:29
  Just yeah. You see shit?
• 35:31
  Yeah. You do, Yeah.
• 35:32
  And I mean, shit like that happens, Yeah.
• 35:35
  So. Yeah.
• 35:36
  And. Then on the bus on his way home
• 35:39
  a bunch of people are just like sick around him Is gross.
• 35:41
  Yeah, everybody's just coughing. Yeah, so on his way home, he
• 35:46
  runs into a Vaughn who like, I guess they're, they're friends
• 35:50
  from back in the day and. I got the impression that they
• 35:53
  were exes. No, because she says, are you
• 35:56
  still with Liz? And he said yeah.
• 35:58
  And she goes, good, I'm glad somebody made it.
• 36:01
  Like it seems like she's happy for them to still be together.
• 36:06
  Yeah, I mean, it could have been like.
• 36:07
  The same friend group or something?
• 36:08
  It could be I I thought it was just like a mutual departure
• 36:12
  between them, but maybe whatever.
• 36:14
  Yeah, but he just, he reveals that it's been three years that
• 36:16
  they've been together. And this is important because,
• 36:19
  you know, at three years significant anniversary, he
• 36:21
  didn't do anything special. She hasn't ever met his mom.
• 36:25
  That's insane for three years. It makes me think of Midsummer
• 36:29
  and I'm like, has Danny met Christian's parents?
• 36:34
  No, really not. I'm sure that that has never
• 36:37
  happened, Yeah. I guess parents don't even know
• 36:40
  her name. They probably don't even know
• 36:42
  that he's. Seen her?
• 36:43
  It's. Like I thought you, you have a
• 36:46
  girlfriend. He's like, I guess you could say
• 36:48
  that he'd be, he'd waffle on it. Yeah, like it's OK.
• 36:52
  It's casual. Yeah, you know, we're in school.
• 36:53
  It's fine. Yeah, but this conversation
• 36:56
  makes him realize that oh shit, he forgot to do the
• 36:58
  reservations. So he calls, he's desperate to
• 37:01
  try and get a table and they're like, sorry, we just gave away
• 37:04
  the last table. Hangs up doesn't even wait for
• 37:07
  like honestly, though, if you that guy, you say like, how
• 37:10
  about a table for tomorrow? And then Sean like that's him
• 37:14
  selling a table. That's true.
• 37:16
  And then Sean has the opportunity to be like, they
• 37:17
  were all booked out today, but I got us a table for tomorrow.
• 37:20
  But he already had that conversation where he said yes,
• 37:23
  I got the table, so he's kind of fucked himself.
• 37:25
  Regardless, better than her calling him saying there was a
• 37:29
  mix up with the table. By the way, do you want to go to
• 37:32
  the Winchester instead? Yeah, yeah.
• 37:33
  He just kind of gives up on it, Yeah.
• 37:37
  If you're going to fuck up, at least do a little bit better
• 37:39
  recovery. Yeah, so he goes over to Liz's
• 37:43
  place to try and make up. At first they won't let him in,
• 37:47
  so he tries to climb up. Can't quite make it so they
• 37:50
  don't let him in. I love how that's a good set up
• 37:53
  for later. So they they let him in and they
• 37:57
  have a big fight and she dumps him because he wants to always
• 38:02
  go to the Winchester. Same shit that she was saying
• 38:04
  before. Yeah, she's like, I just, if I
• 38:06
  don't do something, I'm gonna end up one of those sad
• 38:10
  Alcoholics there wondering what went wrong with my life.
• 38:13
  I also kind of feel bad for her friends there, Diane and Dave,
• 38:18
  who are just kind of catching strays.
• 38:21
  Yeah, it's like she over hears. He's like, I like your friend.
• 38:25
  She's like, what? A failed actress in a twat.
• 38:28
  And he goes, that's harsh. And she goes, those are your
• 38:30
  words. And he goes, hey, I never called
• 38:33
  Diane a failed actress. Yeah, that was funny.
• 38:37
  So yeah, they're broken up. So Ed takes Sean out to the
• 38:42
  Winchester for a drink. Is this because it was their
• 38:44
  normal plan or because Sean is sad?
• 38:47
  Hard to say. I fucking love this scene though
• 38:50
  of Ed trying to cheer him up by doing his client impression and
• 38:55
  we just keep cutting to Sean with like deer streaming.
• 38:58
  Down his face. It's a really good gag.
• 39:03
  Also, apparently they wanted to keep this movie super scripted
• 39:07
  and this is one of the few moments where they got to
• 39:08
  improvise. So this moment of him giving the
• 39:11
  back stories of these people were improvised by Nick Frost.
• 39:14
  OK. Which is impressive.
• 39:16
  I love this. So like, yeah, he's just
• 39:18
  cheering him up. He's giving back stories because
• 39:20
  he's like. These are all fine characters
• 39:23
  here in the win chest. Yeah, because Liz was kind of
• 39:25
  like shitting on the like a possibility of being one of
• 39:28
  them. You get snake hips who is a
• 39:30
  bigamist strangled his first wife.
• 39:33
  Then you get a cock, a saddle maniac ex porn star.
• 39:37
  These sound like Cards Against Humanity cards.
• 39:40
  They do it, yeah. And then you get Big Al, who
• 39:43
  runs the bar. No, no.
• 39:44
  Big Al says that John, who runs the bar, is a member of the
• 39:47
  Mafia. That's right.
• 39:48
  Yeah. Yeah, John is the bartender
• 39:50
  there. With his trophy wife, yeah.
• 39:53
  Ex North London mafia. Yes.
• 39:56
  And Seans like, well, that can't be true.
• 39:59
  He goes, that's what the rifle over the bar is all about.
• 40:01
  And he goes, no, that's just there because this is called the
• 40:04
  Winchester. He goes, well, Big Al says it's
• 40:06
  true. And he goes Big.
• 40:06
  Al says dogs can't look up. And again, I always question,
• 40:10
  like, can they? And then I'm like, no, they can.
• 40:13
  Yeah. It just always gets me.
• 40:14
  It gets me. They're always like, they're
• 40:16
  everybody's got a thing like that where they hear a thing and
• 40:19
  they're very confident. And then the second they're
• 40:21
  confident, they're like, wait, no, I need, no, I need to Fact
• 40:24
  Check. Yeah, if you question it just
• 40:26
  like a tad bit, you're like, whoa, actually.
• 40:28
  Yeah, It throws your perception of reality completely to the
• 40:31
  wind. You're like, wait, what?
• 40:32
  Yeah. So that cheers them up enough
• 40:35
  for them to get wasted. Yeah.
• 40:36
  And they're. Doing like flaming shots and
• 40:39
  he's like, let's just keep this party rolling.
• 40:41
  You know where we'll have this whole big event tomorrow?
• 40:44
  We'll go from pub to pub. Yeah, I I love how when they
• 40:49
  walk out so like you get the zombie, it looks like somebody
• 40:52
  making out, but they fuck off. Yeah, they don't care.
• 40:54
  And then I love the scene with the guy.
• 40:57
  They're like doing the singing from whatever song that was
• 40:59
  playing in there. They like keep going over to the
• 41:01
  zombie. He goes, I guess it's cute.
• 41:05
  That's the thing that we do with the cats, especially Zoe, when
• 41:08
  she's real agitated and meowing at us.
• 41:10
  We'll sing at her and like try and prompt her to meow at the
• 41:13
  right time. So we're like.
• 41:18
  Scout's done that before. She's very successful and that.
• 41:21
  Scout freaking loves swimming pools by Kendrick Lamar.
• 41:25
  She does. She's she's like huge.
• 41:28
  One of my favorite things about this, though, is this as if they
• 41:31
  were ever going to hire somebody else to play Ed.
• 41:34
  This was his thick Frost audition right here.
• 41:38
  Like when they did the casting tapes on the DVD.
• 41:40
  It's just like them going and he doesn't have to do anything.
• 41:44
  He's just like somebody off to the side, like off crime and
• 41:47
  goes. Well, it was more, it seemed
• 41:50
  more like a formality, like we have to have Nick audition for
• 41:53
  this, but like it was just him and Simon fucking.
• 41:56
  Around well, that's it's a good moment too, because it's like a
• 41:59
  good chemistry test. That day, too?
• 42:01
  Absolutely. Yeah.
• 42:02
  So we cut to them home, they're DJ and they're doing Electro
• 42:05
  music. It is ungodly loud though, and I
• 42:08
  don't blame Pete because he's like, it's four in the morning,
• 42:11
  I've got out of work tomorrow and they're like, no you don't,
• 42:13
  it's Saturday, he goes, it's Sunday, I've got to go into the
• 42:17
  office because everybody else is ill and also I got bit because I
• 42:22
  was mugged on my way home. Lots of reasons to be grumpy
• 42:25
  regardless of Z day. Yeah.
• 42:28
  And just yeah, Electro music going on downstairs.
• 42:33
  He throws the album out the window.
• 42:35
  That is the second album that Sean ever bought.
• 42:37
  It's very sentimental. I feel like this was Edgar
• 42:39
  Wright injecting himself there a little bit because he's he seems
• 42:42
  like he's such a music nerd also.
• 42:44
  Yes, well, and I, I kind of love this, the match of Simon Pegg
• 42:49
  and Edgar Wright too, because they're both also like comic
• 42:52
  book nerds. Yeah, true.
• 42:54
  They. Just seem like they'd be good
• 42:56
  nerd bubbies. Well, they surely are.
• 42:59
  They definitely are. So it's like the morning, like
• 43:03
  he gives Sean a stern talking to.
• 43:06
  He's like get your life sorted. Yeah, he basically says that the
• 43:10
  only reason he keeps Ed around is because he is the only person
• 43:13
  he knows who's a bigger loser than him.
• 43:15
  Harsh. And then he goes, Oh, you don't
• 43:18
  believe? Let me guess, It was it was Liz
• 43:20
  that broke up with you, right, Sean?
• 43:22
  Oh yeah, God. Kick this man while he's down.
• 43:26
  He might be an asshole, but I think he kind of had this one
• 43:28
  coming. So Sean just stumbles to the
• 43:31
  kitchen, writes something on the dry erase board and passes out.
• 43:35
  And when he wakes up he sees that it says go around mums, get
• 43:39
  Liz back, sort life out drunk, all the things drunk mouth
• 43:44
  speaks, sober thoughts, sure. So Yep.
• 43:48
  So he is gonna go to work. No, actually he's just he's
• 43:53
  running down to the shop offers to get.
• 43:58
  Yeah, you're right. Yeah, he's.
• 43:58
  Just still in his clothes from the day before.
• 44:00
  That's right. Yeah.
• 44:01
  Yeah. So he gets Ed Cornetto and he's
• 44:07
  like, not paying attention to like, people staggering around
• 44:11
  or the bloody handprints in the shop, or Nelson groaning in pain
• 44:15
  in the back of the shop. Yeah, he just, like, walks
• 44:19
  around all the shit and I love. Yeah.
• 44:21
  It's just like everything that we saw before Biz homified now.
• 44:24
  Yeah. So he comes back, sitting on the
• 44:26
  couch, flipping through the TV, and Ed goes, Hey, there's a girl
• 44:30
  in the garden. I love the show of Ed.
• 44:32
  He's just, like, behind the curtain.
• 44:35
  Like, I don't know, there's something about that.
• 44:37
  We've all done that. Yeah.
• 44:38
  And they peek back there and yeah, there's just like this
• 44:40
  woman stumbling around in the backyard.
• 44:43
  So they go out there and they're trying to get her attention.
• 44:45
  She's not turning around. Ed throws something at her which
• 44:48
  like, yeah, I get it, she's a zombie, but like, yeah, he
• 44:52
  doesn't. Know that yeah, he's just.
• 44:54
  Throwing a rock at a human. It's just a Pebble just to get
• 44:58
  her attention. That was bigger than a Pebble.
• 45:01
  OK, a tiny rock. It's not going to hurt.
• 45:03
  That's it's the size of that piece of wood that fucked up our
• 45:06
  shopping cart earlier. Oh damn, that did probably.
• 45:11
  It's true. So yeah, they just think that
• 45:14
  she's super drunk and they think that she's trying to come on to
• 45:17
  Sean because she tackles Sean. And then she starts trying to
• 45:19
  buy it and he is like, whoa, hey, what's up?
• 45:23
  And then ends up throwing her and she falls onto a pipe in the
• 45:25
  ground. And you can see the terror, I
• 45:29
  think he killed a woman, and then the terror at watching her
• 45:32
  rise up from that pipe. Yeah.
• 45:34
  Oh man, it's so good. I love this moment.
• 45:37
  Yeah. So they like run back inside.
• 45:40
  There's another zombie that's joined too.
• 45:42
  I'm so. Like Megan?
• 45:43
  I feel like he is modeled after the zombie from the opening of
• 45:49
  Zombie Pochi Zombie on the boat. He looks exactly like him,
• 45:53
  doesn't he? I could see that.
• 45:55
  Yeah, I, I feel like it's got to be.
• 45:56
  I mean, we've already got. And it's that same kind of
• 45:58
  moment of like, oh shit, this is really happening.
• 46:01
  Like an opening. Have at that opening.
• 46:03
  Yeah, I I feel like it's got to be a reference.
• 46:06
  So they're like, what the fuck do you do?
• 46:08
  And they turn on the news and the news anchor tells them that
• 46:12
  you have to shoot their head, destroy their brains, or just
• 46:17
  decapitate them. Yes, I also do like I love
• 46:20
  learning like different British like terminology.
• 46:25
  You know how like instead of vacation they say holiday and
• 46:28
  say trunk, they say boot. Instead of saying the line is
• 46:32
  busy, they say the line is engaged.
• 46:34
  Engaged. Yeah, it's just.
• 46:35
  Like, so it's so much classier than American English.
• 46:39
  Yeah, it is. Yeah, so they decide that
• 46:44
  they're gonna go improvise some weapons and gonna go fuck up the
• 46:47
  two zombies in their backyard. It looks it looks like a rage
• 46:51
  room bucket. It really does cuz.
• 46:53
  It's just like a box of like mugs and bottles.
• 46:56
  And if you've never done a rage room, first of all, highly
• 47:00
  recommend it. Second of all, be prepared to be
• 47:02
  fucking sore the next day. Also, be prepared for things to
• 47:06
  not break as easily as you expected.
• 47:07
  To well, that's why you're gonna be sore the next day.
• 47:11
  You really have to put your back into it.
• 47:13
  Yeah, not like this movie right here.
• 47:14
  They're like throwing records at their faces and it's just like
• 47:17
  straight up breaking in the Shard.
• 47:18
  It's like that's not gonna happen.
• 47:20
  Yeah, no, that that wouldn't happen that way.
• 47:22
  But I do like them going through his collection of records and
• 47:27
  trying to figure out which ones to throw.
• 47:28
  And he's got different things that he likes and I like the
• 47:32
  ones that he defends and and just kind of making fun of him
• 47:36
  like you do sometimes with your friends.
• 47:38
  Yeah, it's fun, yeah, but they're not really working.
• 47:42
  So Sean goes to the shed and he busts through the door because
• 47:46
  it's locked, and they get a cricket bat and a shovel.
• 47:50
  Yes, and I'm glad they eventually specified it was a
• 47:52
  cricket bat because I thought it was a paddle.
• 47:56
  I could have told you. Like a fraternity paddle.
• 47:58
  Type. It does look like that, it's a
• 48:00
  bit too big. Yeah, I was like, what the fuck
• 48:03
  is this? And then later when his mom's
• 48:05
  like, why have you got a cricket bat?
• 48:07
  And I was like, Oh yeah, cricket's a thing.
• 48:10
  Yeah, it's one of the sports I don't really think about too
• 48:12
  much, but in this, yeah. Is it kind of like baseball?
• 48:17
  Yeah. Kind of.
• 48:20
  But like, that's, I don't know, it's so weird.
• 48:24
  It's like a bizarro baseball. Baseball's a bizarro baseball,
• 48:27
  babe. Well, this is even.
• 48:29
  More weird. So they managed to whack the
• 48:33
  zombies, they get threats neutralized, they go back
• 48:36
  inside. And they're trying to come up
• 48:37
  with a plan because he's like, OK, need to go rescue my mom and
• 48:42
  need to rescue Liz. And so he tried.
• 48:46
  And they realized that Pete's probably infected as well
• 48:49
  because the news is saying, like, people that have been
• 48:51
  bitten will have a headache and likely some of the similar
• 48:54
  behaviors of the people that bit them.
• 48:57
  And Pete had been talking about having a headache and being
• 48:59
  bitten. So they're like, oh, so we need
• 49:02
  to. Maybe we can take his car.
• 49:04
  I've always wanted to drive Pete's car.
• 49:07
  And they try and call Liz and Shawn's like, shit, she's
• 49:12
  engaged. And I guess that was quick.
• 49:14
  Yeah. Which is a funny moment.
• 49:17
  And then the look on Shawn's face where it's like, that's
• 49:19
  funny. But now it's not the time.
• 49:21
  Like we've all been there. Call his mom.
• 49:25
  Mom's OK. They had a scuffle with some
• 49:28
  people. But somebody tried to break in
• 49:29
  and she's like, I think it's just, you know, addicts or
• 49:32
  something. But they did bite Phillip.
• 49:34
  So, you know, he's like, you need to not be around Phillip.
• 49:41
  So this is where they come up with a plan.
• 49:43
  I love it. This is like one of the most
• 49:44
  portable things from the movie. But before that an amazing
• 49:48
  moment because like they're going back and forth and Sean's
• 49:52
  like we're going to come save you mom and in the background
• 49:54
  and he goes, we're coming and get you Barbara.
• 49:57
  Oh yeah. Amazing, beautiful.
• 49:59
  Great. Reference, yeah.
• 50:00
  I feel like they had to have named her Barbara solely so they
• 50:03
  can do. That yeah, absolutely.
• 50:04
  There's no other reason to name her Barbara.
• 50:06
  And I love the way Ed is always like very protective of Barbara,
• 50:10
  like the way that you are of your best friend's.
• 50:12
  Parents. Yeah, that.
• 50:13
  You've grown up around and you can definitely see her being the
• 50:16
  type that would have opened house up to to Seans friends.
• 50:20
  Yeah, I could see it. Yeah, it feels like a real
• 50:22
  thing. So now here's the plan.
• 50:26
  They're gonna. Swing by moms.
• 50:29
  Swing by moms pick. Her up, go to Liz's, make sure
• 50:31
  everybody's OK, and then we'll just sit there, drink some tea
• 50:33
  and wait for the whole thing to blow over.
• 50:35
  I just love how in every iteration it starts off with him
• 50:38
  going, sorry Phil, we have to do this and they like Bond and I
• 50:41
  guess more and more. Violent.
• 50:44
  Abbreviated. Sorry, Phil.
• 50:45
  Then you just like, bat, like bashes him in the head and it's
• 50:48
  really funny. Yeah, so.
• 50:52
  Ed is like, well, no, I want to be somewhere where I know where
• 50:55
  there are exits on where I can smoke.
• 50:56
  And he goes, OK, so we'll go get Mom, take care of Phil, go get
• 51:00
  Liz, come back here and have a nice cup of wait for this whole
• 51:04
  thing to blow over if. It's whole thing to blow over.
• 51:06
  And then Ed's like, is Liz really gonna want to come here,
• 51:09
  though? And Sean's like, that's true.
• 51:11
  So where, where can we go that's safe?
• 51:14
  We're familiar. We can smoke.
• 51:18
  And the wind chest. It all comes back to the
• 51:21
  Winchester. And honestly, though, I
• 51:23
  understand that you want to be at your senses during the zombie
• 51:26
  apocalypse, but also there's a part of me that would be OK with
• 51:30
  getting maybe a little tipsy. Like we need to take the edge
• 51:32
  off. Yeah, you got to take the edge.
• 51:33
  Off you don't want. To get sloppy drunk in a time
• 51:37
  like this, but a little bit wow for sure.
• 51:39
  But also it could help you camouflage yourself around the
• 51:42
  zombies. If you get blackout drunk, yeah,
• 51:43
  they'll probably start to mistake you for an actual
• 51:46
  zombie. So all right, plan's set.
• 51:49
  They're going to go. I love the scene where Sean
• 51:51
  peeks through the little, like a male drop at the door.
• 51:55
  He's like, oh, it's not that bad as it looks.
• 51:56
  And he, like, looks widely to the right.
• 51:58
  Oh, there they are. It's just right there.
• 52:00
  But first, he's going to take a wee.
• 52:02
  Yeah. So he goes upstairs and I refer
• 52:05
  to him as Zompete. He's in the shower, tries to get
• 52:09
  him. He he doesn't do anything about
• 52:12
  him at the time, but we do confirm that Pete has in fact
• 52:15
  turned. Yes, he did, and he's naked.
• 52:18
  Too, And he's naked. Naked zombie.
• 52:20
  He turned in the shower then, that seems.
• 52:22
  Yeah, which, yeah, he he must have just died showering.
• 52:27
  Like and he's got some bruising on the side and it just takes me
• 52:31
  back to Return of the Living Dead.
• 52:35
  Yeah, Rick and Mortis. Yeah, Rick Morris, baby Rick
• 52:37
  Morris. Do you think the zombies
• 52:39
  experience that 'cause they're still constantly moving it
• 52:41
  seems? It happened in Return of the
• 52:44
  Living Dead. Frank and Freddie both
• 52:47
  experienced regular. They sad that they were
• 52:50
  stationary for a long time. Well, we don't know how long
• 52:54
  Pete was in the shower. That's.
• 52:56
  True, because I could see like it's it's, it's like a what is
• 53:02
  it? The Prowler, like with the one
• 53:05
  friend that's in the shower and they just assume she's in the
• 53:07
  shower all fucking night. They probably heard Pete in the
• 53:09
  shower and they're like, whatever.
• 53:10
  Well, these zombies also seem really dumb.
• 53:13
  Yeah, so he seems to have been stuck in the shower and doesn't
• 53:17
  know how to get out. Zoe in the litter box before we
• 53:20
  took the door off. Yeah, exactly.
• 53:22
  They're just like little Zoe's. That's dangerous.
• 53:27
  Especially Zoe likes to bite you.
• 53:29
  Yeah, and we can hear her. She's out there right now and
• 53:31
  meowing out. She's a zombie.
• 53:34
  Could be, could be. All right, So got the keys,
• 53:39
  Pete. They're running away now.
• 53:41
  They got to go because Pete's chasing them out there.
• 53:43
  So they take his car and they make it over to Mom's place.
• 53:47
  Yeah, I like that as time goes on and goes from driving
• 53:52
  carefully to hitting as many as on piece as he can.
• 53:55
  I get it because you kind of want to, but I mean, you don't
• 53:57
  really have to in this case. But whatever man, I would avoid
• 54:00
  them 'cause I don't want them to fuck up my car.
• 54:02
  Yeah, I do like the one though, like the first one that they hit
• 54:05
  on accident and they reversed to see if it was like, oh, why
• 54:11
  would I live? Or undead, Yeah.
• 54:13
  And then he comes up and he's like, oh, and Sean's like, Oh my
• 54:16
  God. Well, that's the thing, It could
• 54:18
  have killed him and turned him into a zombie.
• 54:20
  You don't know. That's true.
• 54:21
  The timeline for how quickly one turns into a zombie is very
• 54:25
  finicky in. This movie, it doesn't seem to
• 54:26
  be consistent. OK, so they make it there.
• 54:30
  Ed is going to stay in the car. Yeah.
• 54:33
  He's really eyeing that Jaguar that.
• 54:35
  Phillip has, and I like that. Clearly, Phillip had been in the
• 54:38
  middle of watching his car. When?
• 54:39
  Yeah. Those zombies busted in earlier,
• 54:43
  it's just a nice like little touch, like to have the soap
• 54:46
  still on the car. Yeah, and a little sponge still
• 54:48
  out there. Yeah, but he hasn't turned or
• 54:51
  anything yet, so Sean doesn't really have a good excuse to try
• 54:54
  and take him out. And Barbara's made it clear that
• 54:56
  she's not going anywhere without him.
• 54:58
  So the three of them end up walking out and Ned's like, oh,
• 55:02
  the car is a little bit banged up and Sean's like you were
• 55:04
  parked. He goes.
• 55:05
  I guess we'll just. Have to take the yeah, I kind of
• 55:08
  got into an accident. He's like, you were parked and
• 55:10
  he's just kind of she's like has his head down.
• 55:12
  He's like, yeah, and clearly he just wanted a record so he could
• 55:17
  drive the Jaguar. Yeah, so they're getting ready
• 55:20
  to get into the Jaguars, Phillips arguing about them
• 55:24
  being allowed to drive and then he's attacked and he's big and
• 55:27
  then. And then double back.
• 55:29
  Yeah, Yep. So they all get in there.
• 55:32
  They get to Liz's, Ed is going to keep them driving around
• 55:36
  while Sean goes in and tries to get the three of them to come
• 55:38
  with him. He rings the buzzer, but he is
• 55:42
  being converged upon so he doesn't actually answer them.
• 55:45
  When they like, you know, we're like, hello, who is this?
• 55:48
  I'm like, should we let you in or whatever?
• 55:50
  And he ends up climbing up the balcony.
• 55:52
  Good for him, I'm proud of him. I think this time he had
• 55:54
  adrenaline on his side. Yes, definitely.
• 55:58
  So he basically is just like, hey, we need to go somewhere
• 56:01
  safe. Like the zombies already know
• 56:02
  you're here. They would have figured it out.
• 56:04
  They were headed this way before I came here.
• 56:06
  We need to go. It'll be a nice, safe place.
• 56:09
  We know the lay of the land there.
• 56:12
  And at first, Liz is unsure. Diane's all aboard.
• 56:16
  Daffs is like, oh, absolutely not, we're not doing that.
• 56:20
  Well, what are you doing, Liz? Yeah, he's like, I'll only know
• 56:22
  if Liz goes. Yeah, yeah.
• 56:24
  And then they all decide to go so.
• 56:27
  They are all, I do love this moment where he's like, it's
• 56:30
  going to be crowded in the car. Does anybody have transport?
• 56:33
  And Diane's like, oh, me. And he's like, really?
• 56:36
  She was no, but I passed my test.
• 56:38
  And I like that she was just like, it clearly just happened
• 56:40
  and then the apocalypse happened so she hasn't had a chance to be
• 56:43
  excited about it. That would suck.
• 56:46
  And then here's one of those things.
• 56:48
  David can't resist the opportunity to be smug.
• 56:51
  He goes well, I just don't see the point of having a car in
• 56:53
  London. Yeah, I know.
• 56:54
  Like, yeah, yeah. Not the time.
• 56:56
  Yeah, you may. We can talk about this later,
• 56:59
  'cause I might be inclined to agree.
• 57:01
  Yeah, but this is not. Just say no and we'll move on.
• 57:04
  Yes. So they all pile into the cars,
• 57:07
  you know? What Dave is what?
• 57:09
  He's a fart smeller. He is a fart smeller.
• 57:11
  And not in like a funny, hot hot way, but in a.
• 57:16
  Like a fine line. Yeah, that was a scout.
• 57:19
  Kind of way, yeah. OK, so it's really cramped in
• 57:23
  the car right now. Yeah.
• 57:24
  Yeah. Nick is just hidden.
• 57:26
  Or not Nick, Ed is just hidden. Ed.
• 57:28
  We're doing this. We're not.
• 57:29
  To call them by their real. Name.
• 57:32
  He's just hitting everybody on the way there and he's blasting
• 57:34
  metal music and feel like his keeps going, like turn that shit
• 57:38
  down. And then he and have a moment
• 57:43
  where he's like, I just wanted to be the father figure that you
• 57:45
  need because you didn't have your father.
• 57:47
  And yeah, you know, sometimes I have to be a little bit
• 57:50
  disciplinarian because you're aimless and I want you to have
• 57:52
  that direction. And I've always loved you and
• 57:54
  cared about you. And that was one of the things
• 57:56
  that he was Sean was talking about with his mom, too.
• 57:59
  He's like, yeah, I mean, he's kind of been a bit of an asshole
• 58:02
  to me this whole time. And she's like, well, Sean,
• 58:04
  you've not exactly been the best person to live with, so.
• 58:07
  Poof. Yeah, so he's getting, he's
• 58:10
  catching all the harsh truths. Yeah, here lately, yeah.
• 58:13
  So yeah, Phil comes Queen. He's like, I just, you know, I
• 58:16
  love you and. Then he dies and then.
• 58:19
  He dies. Yeah.
• 58:20
  You could tell that he knew that he was going there.
• 58:22
  Yeah. So they stopped the car, and
• 58:25
  Phil has, like, turned into a zombie immediately.
• 58:27
  It might be the double bite that caused that.
• 58:29
  Yeah. They've accelerated the process.
• 58:31
  Yes, yeah, one you know in his wrist, but then the next was in
• 58:35
  his carotid, so. He's.
• 58:37
  Fucked, yeah, but he still has the child locks on safety first.
• 58:42
  So they're like trying to get out and they eventually like
• 58:44
  they lock him in and Barbara's like no, we need to get Phillip
• 58:47
  out. And she goes and Sean's like,
• 58:49
  that man is not your husband. There's not a trace of the man
• 58:52
  you love anymore in there. And then zombie feel like turns
• 58:55
  down there. He turns off the song.
• 58:57
  He's like, well, I love that. That was great.
• 59:02
  So yeah, now they're on foot. Yep.
• 59:04
  So they're going through backyards.
• 59:06
  They've got to hop some fences. Luckily, some of them look like
• 59:10
  the fences around our neighborhood and they just like
• 59:12
  touch. It just falls over.
• 59:14
  Yeah, this is where they encounter the bizarro group,
• 59:18
  where it's them, but they're like counterparts.
• 59:22
  Yeah, Yvonne, her boyfriend, his flatmates and her mom and her
• 59:27
  cousin Tom. I love how they all look like
• 59:29
  exactly. Yes, they're styled similarly.
• 59:32
  It's just it's nice. It's a nice touch.
• 59:34
  Yeah, and they all just kind of like, walk by each other and
• 59:36
  just like, not to their own counterpart.
• 59:39
  Yeah, it's really funny, so. And like you said, seeing Martin
• 59:42
  Freeman and Lucy Davis. That was.
• 59:44
  I like that. That was a good call.
• 59:46
  I wonder if there were any others that we didn't get since
• 59:48
  we don't know. Yeah, Yeah.
• 59:51
  We only know the ones that made it to the international market.
• 59:55
  Yeah. So they are continuing to wander
• 59:59
  around. They make it to this man's
• 1:00:01
  place. Barbara gets left behind.
• 1:00:04
  So Sean goes to get her, ends up like they busted the fence,
• 1:00:09
  there's some fighting and Diane and Liz are helping while Ed and
• 1:00:15
  David are just like watching, not doing anything.
• 1:00:19
  Eventually, he impales him. It's one of my favorite visual
• 1:00:22
  gags where Diane gives him the tetherball and he just like
• 1:00:26
  swings the ball. I like how he takes his like,
• 1:00:28
  now we're talking. He just like swings it around
• 1:00:30
  and it just bobs his head and the guy just keeps the same
• 1:00:33
  expression and. She's like, no, like they're
• 1:00:36
  both like pants and. I'm hell yeah.
• 1:00:40
  No, he does. And he successfully, like, Rams
• 1:00:42
  it right through. Him and then this is my favorite
• 1:00:44
  visual gag of the movie, which is where he's going to check if
• 1:00:47
  the coast is clear and he climbs up that tiny toddler.
• 1:00:52
  Yeah, And he just peeks over the fences and he comes back down.
• 1:00:56
  He's got a terrified dog. And he's like, Nope, not clear,
• 1:00:59
  not clear. Yeah, there's a shit ton of
• 1:01:00
  zombies there. So this is Diane's chance to
• 1:01:03
  shine. She teaches them how to act.
• 1:01:06
  They're going to act like zombies.
• 1:01:08
  Man, that's such a bold choice. I know that this happens in a
• 1:01:10
  few movies, but the idea of just pretending like you're a zombie
• 1:01:14
  and thinking that's enough smell.
• 1:01:16
  You. That's the thing, I always
• 1:01:18
  thought it was like they had like this scent or if they like,
• 1:01:22
  they just have this ability to notice whether or not you're
• 1:01:25
  actually living or not. I feel like there's got to be
• 1:01:28
  something there. And I love that there's like
• 1:01:29
  different moments in this, like, Liz takes it seriously.
• 1:01:32
  David is above it all, which is like especially hurtful because
• 1:01:35
  it's his girlfriend's like career.
• 1:01:38
  Yeah, he barely does anything. He's like, oh, that's his.
• 1:01:41
  That's his zombie attempt. Barbara is just legitimately
• 1:01:44
  spaced down and she goes sorry dear, I was 1,000,000 miles
• 1:01:47
  away. She's like, oh, Barbara, that's
• 1:01:49
  really good. She's like, oh, sorry, I wasn't
• 1:01:50
  paying attention. Ed doesn't do a good job, so him
• 1:01:54
  and Sean have a little bit and he's like, Oh yeah, like you're
• 1:01:56
  the king of zombies. And Sean does his.
• 1:01:58
  He goes, no, actually, yeah, that's pretty good.
• 1:02:01
  Yeah, so this is one of those awesome transition shots, right?
• 1:02:03
  All right, 321. They're about to practice and
• 1:02:06
  then cuts them all acting like zombies walking across to the
• 1:02:10
  Winchester. And I appreciate that like
• 1:02:12
  little moments like that that film makers do instead of
• 1:02:16
  showing us them practicing, because we don't need to see
• 1:02:19
  them practice and then shuffle across the street.
• 1:02:21
  We know that they practice, and then we know now we're cutting
• 1:02:23
  to the actual action of the movie.
• 1:02:26
  The only alternative is if you give me a montage and you put
• 1:02:29
  some fun music over top of. It yeah, and I absolutely would
• 1:02:32
  take a montage, but we're about to get one of like the best
• 1:02:35
  moments. Like musical moments.
• 1:02:37
  Yeah. So yeah, they're successfully
• 1:02:40
  blending in. They're making it across the
• 1:02:42
  street, they make it to the door, it's locked and everybody
• 1:02:46
  starts to panic. Yeah, and Sean is like trying to
• 1:02:49
  talk, but he keeps getting cut off by people.
• 1:02:52
  And then Ed's phone rings and this fucker answers it and it's
• 1:02:55
  fucking noodle again. Yes, the guy again, just trying
• 1:02:58
  to ask for more weed. Like that's not the time,
• 1:03:02
  friends. Sean just kind of explodes on
• 1:03:05
  and he's like, look man, everybody's fucking right.
• 1:03:08
  You've been kind of being a shithead here lately and you
• 1:03:11
  just need to take shit seriously, especially right now.
• 1:03:15
  Meanwhile, David has freaked out because he's like, all right, we
• 1:03:19
  got to bash the window in because that's the only way in.
• 1:03:22
  Sean keeps trying to tell them there's a door around back that
• 1:03:24
  everybody keeps interrupting him, so David takes it upon
• 1:03:26
  himself to just straight up bust the window open.
• 1:03:29
  Yeah, and Sean's like, okay, cool, they'll just follow us in
• 1:03:32
  there. So he distracts the zombies.
• 1:03:35
  He leads the group away so that way his friends can get into the
• 1:03:39
  bar. And that's what they do as
• 1:03:42
  they're climbing in a trash can. The trash can is what Dave had
• 1:03:46
  used to bust in the window and trash fill out.
• 1:03:49
  And it was the flowers that Sean had bought for her but threw
• 1:03:53
  away after Liz broke up with him.
• 1:03:55
  Yeah. And she goes, I think these are
• 1:03:57
  for me. No.
• 1:04:00
  So yeah, they're all in there. They're waiting for Sean.
• 1:04:03
  He's still not back. Yet David wants to block the
• 1:04:05
  window. He's like, it's been 20 minutes
• 1:04:06
  and they're like 17. He's like the power's off.
• 1:04:10
  Him and Liz are arguing and then Sean arrives.
• 1:04:12
  Yeah. God I fucking hate David here
• 1:04:15
  too. He's like well if somebody here
• 1:04:18
  clearly needs to be the hero so I think that should be me.
• 1:04:21
  Like he doesn't even say with confidence.
• 1:04:23
  Yeah, he's like, if nobody else wants to step up, then I guess
• 1:04:27
  that I don't have a problem doing that.
• 1:04:28
  Yeah, OK. If you say so.
• 1:04:32
  So he starts his idea of being the hero is to just shit on
• 1:04:35
  everything. So that's what he does.
• 1:04:37
  He's like, all right, how the fuck are we going to do this?
• 1:04:39
  There's just some fucking nuts here.
• 1:04:40
  So he starts throwing snacks around.
• 1:04:42
  Like, and here's the thing too, though, is that like he's asking
• 1:04:45
  important, there's a way to do this.
• 1:04:46
  You can ask the important questions like how are we going
• 1:04:48
  to survive? What are we going to eat?
• 1:04:50
  What about electricity? You know, you can ask all of
• 1:04:51
  these, but he's doing it in the asshole.
• 1:04:53
  We're like, oh, are we supposed to survive off of hog lumps?
• 1:04:57
  Yeah. Oh hey, we've got some food
• 1:05:00
  here. This will last us, but we need
• 1:05:01
  to come up with a more long term like there's a way to go about
• 1:05:04
  it. Oh, Liz has the best response.
• 1:05:06
  She's like, look, fucking David, shut up.
• 1:05:08
  Like we have to make the best of this moment because this is
• 1:05:12
  where we are. Now, yeah, is that we're here.
• 1:05:14
  Yeah, so he's like throwing the snacks around and he throws one
• 1:05:18
  of the pack of nuts and then Sean catches it and he's like,
• 1:05:21
  hey, what's up, everybody? Corn Nuts.
• 1:05:25
  Corn nuts. So yeah.
• 1:05:26
  So then they're just kind of sitting in the dark.
• 1:05:30
  I do like this moment, though. We're like, Dave has to be kind
• 1:05:34
  of like, gross and homophobic and also, like, derogatory.
• 1:05:38
  And he was like, oh, we're just here because your boyfriend
• 1:05:41
  dragged us here. And he goes, he's not my
• 1:05:42
  boyfriend. And then Ed brings him over
• 1:05:44
  here. He goes.
• 1:05:44
  It's a little warm. He goes, thanks, babe.
• 1:05:46
  Yeah. I like that too, it's really
• 1:05:48
  funny. And I like that as a response
• 1:05:49
  because it is like being just very comfortable around your
• 1:05:51
  best friend, yeah. Yeah, it was really funny.
• 1:05:54
  So yeah, they they're under the impression that the power's out,
• 1:05:56
  but then it's wait enough and then all the street lights come
• 1:05:59
  on. So they know that the grid's
• 1:06:00
  not. Yeah.
• 1:06:01
  So like, it's just a fuse then. So just need to go flip the
• 1:06:03
  Breakers, just not the mains. That way the lights don't come
• 1:06:06
  on and we don't advertise that we're in here.
• 1:06:08
  So he goes back and he's flipping some of the Breakers
• 1:06:10
  and he looks outside and realizes that the zombies had
• 1:06:13
  followed him to the back door. And he comes out and he's trying
• 1:06:16
  to tell Liz. And she's like, I thought you
• 1:06:18
  gave him the slip. And he's like, and because
• 1:06:23
  they're trying to flip through the channels, nothing is
• 1:06:25
  broadcasting at all. Just says standby.
• 1:06:28
  And so Liz is distracted. Ed asks for a quid.
• 1:06:31
  I don't know how much that's worth, but apparently it's
• 1:06:34
  enough for a an arcade game. Maybe a coin?
• 1:06:38
  Is that y'all's coin over there? I don't know.
• 1:06:42
  So they're like all distracted and talking about what they're
• 1:06:45
  gonna do, and then all of a sudden this arcade game powers
• 1:06:47
  up and it's so fucking. Bad, Yeah.
• 1:06:49
  They freak out, they unplug it, but it's too late because it's
• 1:06:53
  so much noise out there. Yeah.
• 1:06:56
  And also while this has happened.
• 1:07:00
  The owner, John. Yeah, John has stumbled out and.
• 1:07:04
  He's. Attacking them now, Yeah.
• 1:07:06
  Sean tells David to go to the fuse box to try and turn on the
• 1:07:10
  fuses, but he doesn't know what the fuck he's doing.
• 1:07:13
  He just slams them all on. So like, all of the whites
• 1:07:15
  outside are flickering. It's attracting all the zombies.
• 1:07:18
  The jukebox has started and it's playing Don't stop me now.
• 1:07:22
  Yeah, and we just, it's so beautifully choreographed.
• 1:07:27
  It's nothing like insanely over the top, but it's just really
• 1:07:29
  like they're beating John up with these pool cues and they're
• 1:07:32
  like the music is lining up. So, well, it's so good the.
• 1:07:35
  Flickering the the people outside, it's just, it's
• 1:07:38
  amazing. It's.
• 1:07:39
  Amazing. And it ends with them throwing
• 1:07:42
  John into the jukebox and killing the music.
• 1:07:46
  So they grab the rifle from above the bar.
• 1:07:48
  This is Ed's big plan, and it turns out the rifle is real.
• 1:07:51
  It's loaded and it actually shoots like immediately, like it
• 1:07:54
  misfires, which is weird that the rival would be loaded up
• 1:07:58
  there, but whatever. So their plan is that they're
• 1:08:00
  going to fight the zombies who are trying to come in through
• 1:08:02
  the window. Liz is taking Barbara to the
• 1:08:04
  back to try and keep her safe. And she's like, I'm so glad we
• 1:08:07
  finally met. I want to give you this.
• 1:08:09
  Sean's father gave it to me, his real father.
• 1:08:12
  And she goes, well, you don't need to do this.
• 1:08:13
  And Barbara feels that she's been fit and she goes.
• 1:08:15
  I just, I thought it would upset Sean.
• 1:08:17
  Yeah, Also, I like how nobody's actually a good shot that's so
• 1:08:22
  real because, yeah, you would think like, oh, a zombie movie,
• 1:08:25
  they got a gun all right, headshot score.
• 1:08:27
  But now, like they're just missing everybody.
• 1:08:29
  And I like it because that's that's more realistic.
• 1:08:32
  Everybody thinks that they'd be amazing shot in a situation that
• 1:08:35
  calls for you, and most people wouldn't.
• 1:08:36
  That's just hard. It doesn't matter how close you
• 1:08:38
  are to them. So yeah, everybody just kind of
• 1:08:40
  goes over there to be with Sean and Barbara.
• 1:08:44
  She's saying her goodbyes to Sean.
• 1:08:46
  He's crying over her and she dies.
• 1:08:48
  And David immediately has the gun and is ready to shoot.
• 1:08:51
  And so it turns into this, like, standoff moment because Sean
• 1:08:55
  breaks the bottle and holds it up to Dave, and he goes, don't
• 1:08:57
  shoot my mom. And then Ed breaks the bottle.
• 1:09:00
  He goes, don't shoot Barbara. And Diane's like, well, this
• 1:09:03
  hardly seems fair. And.
• 1:09:05
  He hands. Her the bottle and grabs a quick
• 1:09:07
  scream. So they're all just like facing
• 1:09:09
  off at each other. And this is where they're like
• 1:09:10
  all kind of like arguing and and I call out David for being in
• 1:09:13
  love with Liz. And even Diane's like, yeah, you
• 1:09:16
  very obviously are. He always has like the answer
• 1:09:19
  where you can tell he's lying. I was like, I don't know what
• 1:09:21
  you're talking about. Yeah, what?
• 1:09:24
  I know Liz who I don't. I'm not even sure her name's
• 1:09:29
  Liz. Yeah, it's such bullshit.
• 1:09:34
  It's so sad, too. She's like, yeah, I know that
• 1:09:36
  you only hung her around me because you wanted to be with
• 1:09:39
  Liz, and then I was there to fall back on whenever that
• 1:09:42
  didn't happen. It's like it's getting real.
• 1:09:46
  So eventually Liz is like, listen, David's a twat, not
• 1:09:51
  denying that. However, your mom is about to
• 1:09:53
  turn into a zombie, so Shonda shoot her when she turns.
• 1:09:57
  That's rough, David. I didn't write down what he
• 1:10:01
  said, but I just wrote Dick move David.
• 1:10:03
  I feel, I feel like a moment like that probably has to give
• 1:10:07
  him some like even more remorse considering the aftermath of the
• 1:10:14
  outbreak. How they all, I guess,
• 1:10:15
  especially him with Ed, he keeps him there as a friend and then
• 1:10:19
  they're using all these zombies all the time anyways because
• 1:10:21
  they still have that human element to them.
• 1:10:23
  Yeah. Oh God.
• 1:10:25
  Yeah, it's, it's a, it's a tough thing.
• 1:10:28
  So yeah, like David's just kind of alienated himself from the
• 1:10:31
  group. And then he's like, all right,
• 1:10:33
  well, I'm gonna run out and dies.
• 1:10:35
  Like, that would be a very, very silly thing to do.
• 1:10:40
  And yeah, and then he gets grabbed by zombies through the
• 1:10:44
  window and he gets. True.
• 1:10:46
  Support. 2 shreds. Two shreds you say?
• 1:10:50
  Yes, it's very trash in Return of the Living Dead.
• 1:10:53
  Sorry. It's hard not to make those
• 1:10:54
  comparisons when we just watched it a couple days ago.
• 1:10:57
  True. But man, like, I mean, it's one
• 1:11:00
  of the more satisfying depths in this movie because they rip into
• 1:11:03
  his guts. They pull them all out.
• 1:11:06
  They rip off his head, his arms, and then Diane.
• 1:11:09
  Diane actually rips his leg off. And then she she runs out
• 1:11:13
  because even though he's dead, she still like, wants to save
• 1:11:16
  him and she's fighting zombies. With his leg.
• 1:11:18
  Yeah. Just like bashing.
• 1:11:19
  Yeah, she's dead. She doesn't stand a chance.
• 1:11:22
  So it's just Ed, Sean and Liz. They stuck behind the bar.
• 1:11:28
  Yeah, the front door pops open. They've got that coming.
• 1:11:31
  The side door pops open. Pete comes in.
• 1:11:34
  Him and some other zombies bite Ed, and so Sean shoots Pete.
• 1:11:40
  They get Ed behind the bar. They pour liquor on the bar top
• 1:11:45
  and set it on fire. So it's a nice little like fire
• 1:11:47
  barricade, except he forgot that the shotgun shells were still on
• 1:11:50
  the counter. So those get heated up and start
• 1:11:52
  shooting off. He also forgot that there's just
• 1:11:54
  like a little gate door on the side and Caucus idle maniac
• 1:12:00
  opens it up and starts coming behind the bar.
• 1:12:02
  So they climb down the Hatch into the cellar and they don't
• 1:12:06
  have much time because the zombies are trying to get in
• 1:12:09
  there, but the door leading out to the street is locked so they
• 1:12:13
  don't know what they're going to do.
• 1:12:15
  They, Liz and Sean, are about to have one last cigarette together
• 1:12:19
  when they see the like supply lift and they're going to use
• 1:12:23
  that to get out and they're trying to get Ed to get up.
• 1:12:26
  And he was like, what? I'll just slow you down.
• 1:12:29
  Again, he got bit in the neck. That's a that's a fatal place no
• 1:12:33
  matter what. And.
• 1:12:33
  He goes, I'm sorry, Sean. I like how they're like they're
• 1:12:38
  making up and they're becoming a couple again.
• 1:12:40
  And then like they're talking about like we only have two
• 1:12:43
  bullets left. And then she's like, oh, Sean
• 1:12:45
  was like, I guess I could take a bunch of them out.
• 1:12:46
  They all stand in a line and she's like, I wasn't talking
• 1:12:48
  about them. And then like, well, what about
• 1:12:51
  us? And he's like, I'll be all
• 1:12:53
  right. And then as they're like
• 1:12:55
  building their relationship up again, you can hear him off to
• 1:12:57
  the side, like actually, I'll take, I'll take one of those
• 1:12:59
  shells. Yeah, so he farts as his like
• 1:13:03
  parting goodbye to Sean. That's a fitting goodbye.
• 1:13:06
  It is. And he says I'll stop doing it
• 1:13:08
  when you stop laughing. So they take the lift up and
• 1:13:12
  they're all on the street and they're trying to figure out how
• 1:13:15
  they're going to fight when all of a sudden an armored truck
• 1:13:17
  pulls up. It arrives, Yvonne's on there
• 1:13:19
  and she said they're taking us to safety.
• 1:13:22
  Yeah. So we cut three months later.
• 1:13:24
  Six months, Six months. Oh yeah, the news says the
• 1:13:27
  original storyboard. I know where you got that from,
• 1:13:29
  the original storyboard. So three months later.
• 1:13:31
  But the final cut is the news anchor saying six months ago we
• 1:13:35
  had Z Day. Weird change.
• 1:13:36
  Yeah, I guess it makes more sense that gives them more time
• 1:13:39
  to implement like zombie sports. And I guess that's true, yeah.
• 1:13:43
  OK, so yeah, I like you get to see TV.
• 1:13:46
  There's like this new story. I could totally see this stuff
• 1:13:49
  happening. It's like this little 10 year
• 1:13:51
  old kid had to kill his whole family.
• 1:13:53
  It's like a kid with a barrel of the gun like down the camera.
• 1:13:56
  That's. One of those dramatic
• 1:13:57
  reenactments, too. Yeah, it's really funny.
• 1:14:00
  And then they got, like, sports. And it's like all kinds of news
• 1:14:03
  broadcasts talking about how they're just used to, like, do
• 1:14:07
  mundane jobs. So they're basically like the AI
• 1:14:12
  of this universe here. And then Ed says he's going to
• 1:14:16
  pop out in the garden for a minute and he's or Sean says
• 1:14:19
  he's going to pop out in the garden for a minute.
• 1:14:20
  He's got Ed in the shed and they just play video games together.
• 1:14:23
  Yeah, that was nice. Like he like it was a good
• 1:14:26
  reveal. He pops in the shed and then
• 1:14:28
  it's just like player 2 join and it's just Ed.
• 1:14:31
  He tries to eat them. Yeah.
• 1:14:32
  For a second, but then he's like, hey, hey, the fucking
• 1:14:34
  game. Then that's like, Oh yeah, so
• 1:14:36
  you just start playing. Just like you with Zoe.
• 1:14:38
  Yeah, pretty much. Yeah.
• 1:14:40
  It is exactly like Zoe. Zoe could be a zombie.
• 1:14:42
  Yeah. So that's how the movie ends.
• 1:14:46
  I say it's still a 10 out of 10. I do too.
• 1:14:48
  This movie's awesome. I fucking love it.
• 1:14:50
  All right. I think we've already
• 1:14:52
  established that there is not really anything we wanna change.
• 1:14:57
  Well, I mean, I guess I could say like, I don't know.
• 1:15:06
  No, not really. But I guess I wouldn't hate it
• 1:15:08
  if the zombies were more menacing.
• 1:15:12
  OK. You know.
• 1:15:14
  I think maybe him having a little bit more of a moment with
• 1:15:16
  Phillip, not directly on his deathbed.
• 1:15:19
  Yeah, Yeah. I guess that's true.
• 1:15:22
  But I feel like that makes it a little bit more impactful when
• 1:15:26
  that happens like that. Yeah.
• 1:15:28
  Then I don't know. Yeah, I don't know.
• 1:15:30
  There's not. I mean, that's the thing.
• 1:15:32
  There's not a lot that I would want to change with this movie.
• 1:15:34
  It's just like, it's so good as it is, yeah.
• 1:15:37
  What would you want as a sequel? Oh dream sequel dude.
• 1:15:41
  I don't know if I would ever want a sequel to this, but if
• 1:15:44
  there ever were one. I want, and I was thinking of
• 1:15:48
  this as we're talking about the ending.
• 1:15:51
  I want kind of like this meets the Gordon storyline and Nope
• 1:15:57
  because I want to see some of the zombies like if they're used
• 1:16:00
  as like extras and actors or whatever in movies and then like
• 1:16:04
  one gets loose and it reignites the outbreak.
• 1:16:07
  Oh, so you're like wanting like, not with any of our characters,
• 1:16:11
  like a spin off. Yeah, yeah, yeah, like loosely
• 1:16:14
  tied sequel. I wouldn't be mad if we saw
• 1:16:16
  Simon Peck again. I he could game.
• 1:16:19
  You see, there was a thing that I was thinking of too, where he
• 1:16:23
  could like he's still trying to figure out what he wants to do
• 1:16:26
  because clearly he doesn't want the job that he wants.
• 1:16:29
  And then he sees an Ave. to like use Ed as like one of the
• 1:16:34
  entertainment things there. So.
• 1:16:36
  Becomes like Ed's manager maybe. Yeah, something like that.
• 1:16:39
  Like him and Ed are like a duo, like maybe they do like a
• 1:16:42
  competition together. Like they go into like a reality
• 1:16:45
  show where they like are like in a competition, they have to do
• 1:16:49
  like certain events together and.
• 1:16:51
  Yeah. It could be something like that.
• 1:16:54
  Like The Amazing Race or? Something Oh my God I want to
• 1:16:58
  see a zombie version of The Amazing Race.
• 1:17:00
  Are you kidding me dude? All the game shows, I want to
• 1:17:02
  see a zombie survivor. Dude, that would be a great
• 1:17:06
  show. You go to the island and there's
• 1:17:08
  zombies there. Can you imagine those zombies
• 1:17:10
  survivor like on your tribe? Like when people start getting
• 1:17:13
  really hungry and those zombies are like just trying to eat the
• 1:17:16
  the humans. Yeah, that's why I want to watch
• 1:17:19
  it. I feel like it would be awesome
• 1:17:20
  but. Is Jeff Probst still human or is
• 1:17:23
  he undead in this version of Survivor?
• 1:17:27
  He's human. He's got to be human.
• 1:17:29
  Yeah, but you get like some of the the favourites, like Boston
• 1:17:34
  Rob is like a zombie now. Zombie Rob is what they call
• 1:17:38
  him. Yes, I love it.
• 1:17:41
  Or Zob. If you will, that's.
• 1:17:43
  What we're going to start calling Zoe.
• 1:17:45
  Zab. Yeah.
• 1:17:48
  OK. So we got two ideas there.
• 1:17:50
  That we we didn't probably murder ideas in a way.
• 1:17:53
  Like maybe they do a cameo, so maybe there's like a side by
• 1:17:56
  Side Story. Yeah.
• 1:17:58
  Yeah, I don't know. We we could.
• 1:18:00
  Because if they're getting into the entertainment industry, then
• 1:18:02
  this leads into the zombies as like actors.
• 1:18:06
  Type thing. Yeah, True.
• 1:18:07
  Yeah. All right, cool.
• 1:18:08
  We got something. All right.
• 1:18:12
  What did Talia think of this? Well, as we established she had
• 1:18:17
  her play bucket of popcorn, yes, got very excited.
• 1:18:21
  Played around with that as Ed did.
• 1:18:24
  She likes to fart. She related to Ed Hardy.
• 1:18:28
  And she said I will stop doing it when you stop laughing.
• 1:18:31
  She also deals weed to the asshole.
• 1:18:36
  So I think Talia, I think Talia's gonna give this A10.
• 1:18:41
  I think she had a good time with it.
• 1:18:43
  OK, I can accept that. Zoe's ultimate warrior.
• 1:18:50
  Zoe's ultimate warrior, I think, is Pete, because Pete eventually
• 1:18:57
  made it out of that bathtub despite the shower curtain being
• 1:19:00
  in the way. Oh yeah.
• 1:19:02
  He ended up tracking it down. He got his target.
• 1:19:05
  Yeah. He wanted to fuck add up.
• 1:19:07
  That was his human element that was still intact with him.
• 1:19:11
  He's like, I'm a zombie, but I'm fucking him off.
• 1:19:15
  Yeah. Fuck that guy.
• 1:19:16
  I saw where you wrote that. I was a prick on my back.
• 1:19:21
  Oh, that's funny. OK, tagline.
• 1:19:32
  Adulthood bites. No, that's not too bad.
• 1:19:36
  That's pretty good. I think it would just be really
• 1:19:39
  funny to just have the tag on me.
• 1:19:42
  Sorry, Philip. Sorry, Philip.
• 1:19:44
  Sorry, Philip. Just like put it in parentheses
• 1:19:47
  and real tiny. Yeah, I like that.
• 1:19:51
  Just sorry, Philip. Yeah, OK.
• 1:19:52
  Yeah. OK.
• 1:19:56
  What is next for us? We have interview.
• 1:20:01
  Oh, yeah. Who did we relate to?
• 1:20:03
  That's right. God, I feel like we're kind of
• 1:20:04
  out of order with this stuff here.
• 1:20:11
  Do you know who yours is? I'd say that I probably relate
• 1:20:23
  to man. I'd say I probably relate to
• 1:20:29
  Pete because I'm also grumpy if I'm woken up at 4:00 in the
• 1:20:32
  morning. Yeah, I was thinking about that
• 1:20:35
  too. That was one of the things that
• 1:20:36
  I related to the most. There was him having that
• 1:20:39
  outburst that like loud roommates.
• 1:20:43
  I've never really had to deal with that.
• 1:20:44
  I I've had bad roommates. You do kick Zoe out of the
• 1:20:48
  bedroom when she's being really loud at like 4 in the.
• 1:20:51
  Morning. You're right.
• 1:20:52
  Yeah, that is that is a lot like that.
• 1:20:55
  God, I guess we've that is sad that we both relate to Pete of
• 1:20:59
  all. Of the yeah, because we're the
• 1:21:01
  like, we're the adults. This is a movie about a dude
• 1:21:03
  having to learn to grow up. I feel like I have like actually
• 1:21:06
  taken Zoe to the side and be like get your shit together.
• 1:21:10
  Yeah, no, I've definitely seen you like cradle her and be like,
• 1:21:14
  listen, you need to, you need to calm the fuck.
• 1:21:16
  Down that's the difference I do it with love.
• 1:21:18
  I try you know actually I feel like I'm going to relate to Sean
• 1:21:22
  then with at that scene in the backyard when he pushes the
• 1:21:27
  zombie that he thinks is drunk because like Zoe has been trying
• 1:21:30
  to get my food lately. I don't have to like give her
• 1:21:32
  like a little push back, like hey, get back a little bit and
• 1:21:34
  she kind of stumbles back like that sometimes.
• 1:21:37
  But she's a cat. She's a little bit more graceful
• 1:21:38
  than a zombie. So or she could be a zombie.
• 1:21:41
  I still don't know yet. It's pretty still out.
• 1:21:43
  But I relate to that moment there because I've had to do
• 1:21:45
  that and she's had to do that exact same stumbled back a few
• 1:21:47
  times. OK, all right, time for reviews.
• 1:21:52
  OK, so obviously I knew that we both love this one.
• 1:21:56
  Yes, we watch this one all the time so.
• 1:21:59
  So I've got a one star IMDb review.
• 1:22:03
  Oh no. Rated one out of 10.
• 1:22:07
  Really. 8 out of 10 Are people insane or what?
• 1:22:11
  That's the title of the review. This is 2015.
• 1:22:15
  They reviewed this. What I can't understand is why
• 1:22:18
  this movie is so overrated. There is nothing in the movie to
• 1:22:21
  laugh at at all. To laugh at at all.
• 1:22:24
  I guess there are so lame and childish kind of jokes that I
• 1:22:29
  hardly even laugh in the whole movie.
• 1:22:31
  This movie is actually a disrespectful or a disrespect to
• 1:22:36
  all of the zombie movies out there.
• 1:22:39
  And one idiotic end to the movie you would be like Oh my God what
• 1:22:43
  have I just watched even though the genre is comedy.
• 1:22:45
  But really this movie is clearly an insult to the zombie films.
• 1:22:49
  I mean come on, even if you're making a zombie spoof, make it
• 1:22:51
  at least tolerable. Save your time and money and
• 1:22:54
  watch some real zombie movies like 28 days slash Weeks later.
• 1:22:57
  Or just watch Walking Dead rather than watching this.
• 1:23:00
  Usually don't write reviews but this movie made me write one.
• 1:23:03
  Such a poor comedy and direction.
• 1:23:05
  I don't know why people are giving it so much.
• 1:23:07
  Rating is so high. The movie has such a lousy start
• 1:23:11
  and there's nothing so half the time and zombies are such like
• 1:23:15
  they would walk like I guess slow.
• 1:23:18
  They would walk like snails. I don't fucking know.
• 1:23:20
  This guy's got some weird writing here.
• 1:23:24
  I don't even know what story is in the movie.
• 1:23:27
  Other zombies which are also poorly made.
• 1:23:30
  Even for a comedy movie, this movie fucking sucks big time.
• 1:23:33
  Jesus Christ. OK, you need to learn how to
• 1:23:35
  type your thoughts out a little bit better.
• 1:23:37
  Too. Definitely.
• 1:23:38
  We're doing voice to text. I bet you're right.
• 1:23:41
  Yeah, voice to text on an IMDb review?
• 1:23:44
  Come on. Well, they don't normally write
• 1:23:46
  reviews, you're right. And they still don't.
• 1:23:49
  Yeah. Mitch Hedberg right there.
• 1:23:51
  Yeah, Oh my God, you're right. They didn't write it.
• 1:23:53
  Like, OK, I get it, this movie, it's not scary, but I think it's
• 1:23:58
  a fun take on the zombie genre. And clearly King of Zombies
• 1:24:02
  himself agrees. So.
• 1:24:04
  But I mean, yeah, if you're going for a scary zombie movie,
• 1:24:08
  this isn't the one you're going to reach.
• 1:24:09
  For no, don't go through this if you want like an actual like,
• 1:24:12
  watch this. For like, if you've watched a
• 1:24:15
  lot zombie movies and you're gonna laugh at it like that
• 1:24:18
  because it's a spoof on those movies basically.
• 1:24:20
  Yeah, You know, I, I don't think a movie is a bad movie just
• 1:24:27
  because, granted, that's the whole point of our show, just
• 1:24:30
  because you don't get it. But this is a prime example.
• 1:24:33
  If it's not a bad movie, it's just not what you look for in a
• 1:24:36
  zombie movie. Yeah, true.
• 1:24:40
  OK, so we got some listener reviews.
• 1:24:42
  OK, First off, we got Amber. Oh, yay.
• 1:24:46
  Yeah, she's Amber. She just says.
• 1:24:48
  I just love this movie. Turn off 10.
• 1:24:50
  Beautiful. It's a fucking song, yeah.
• 1:24:54
  We have Marnie who just says yay with a Purple Heart.
• 1:24:57
  I think she loves this movie too.
• 1:24:59
  And Lord Zombie who is a zombie so let's see what he has to say
• 1:25:03
  on this. Oh my goodness where do I start?
• 1:25:06
  As a fan of zombies, I love this one.
• 1:25:09
  The edit cuts, the references, the humor, Great one from start
• 1:25:12
  to finish. I am always up to watch this
• 1:25:14
  one. Fuck yeah that's like same
• 1:25:16
  points that we made too. Like the edit cuts the
• 1:25:18
  references humor. Everything about this movie is
• 1:25:21
  just fun. It really is, man.
• 1:25:23
  It's just like if you appreciate the genre.
• 1:25:26
  It's fun and it's well done. It is.
• 1:25:28
  It's so well. Put the It's done by a group of
• 1:25:30
  people who are like masters in their craft.
• 1:25:35
  Yeah. And that's like one of those
• 1:25:36
  interesting things to for it to be such an early movie, like,
• 1:25:39
  yeah, that's like one of those things where you can tell, oh,
• 1:25:41
  this guy was just good. Yeah.
• 1:25:43
  These guys were just really good at what they do.
• 1:25:46
  And then you give them more of a budget and you're like, oh,
• 1:25:48
  shit, They really are good. Because, like, Edgar Wright, I
• 1:25:53
  didn't hate last night, so it's OK.
• 1:25:55
  But like all of his other movies, I fucking love that I've
• 1:25:58
  seen of his. Like he's just like.
• 1:26:00
  Scott Pilgrim is one of your favorite.
• 1:26:01
  Scott Pilgrim is so good. Not even horror but God damn
• 1:26:04
  that movie is amazing. And for all the reasons I said,
• 1:26:07
  I love this movie too. He just fucking kills it.
• 1:26:09
  Yeah, soundtrack editing humor. Yeah.
• 1:26:13
  And all of those things, Yeah. OK.
• 1:26:16
  So those are reviews. OK.
• 1:26:18
  So thank you guys for sending those in.
• 1:26:20
  We always appreciate those. And I think that's it for this
• 1:26:25
  week's episode. That is.
• 1:26:27
  So what do we got on the menu next week?
• 1:26:30
  Next week is actually our Patreon voted movie for the
• 1:26:34
  month, and it is Paranormal Activity Three.
• 1:26:36
  We're finally getting back to the paranormal movies.
• 1:26:38
  Oh. Man, it's been over a.
• 1:26:39
  Year it has been yeah it's been a it's been a hot minute Luckily
• 1:26:44
  this is a fairly watchable movie you can watch it on Max YouTube
• 1:26:47
  primetime, Hulu premium, prime premium, YouTube TV premium or
• 1:26:51
  you can rent it from Google Play or Fandango at home so.
• 1:26:55
  Plenty of options. Plenty of options, it's always a
• 1:26:57
  fun one to watch. We obviously have a lot of fun
• 1:27:00
  with the Paranormal Activity movies, so we're excited to go.
• 1:27:03
  Back to it. Yeah, I'm really excited for it.
• 1:27:05
  Yeah, cool. All right, Well, in the
• 1:27:09
  meantime, we would like to thank our patrons out there.
• 1:27:12
  We have Joe. Freedomatron.
• 1:27:15
  Freedomatron. That's right.
• 1:27:17
  Now name. Is that oh, because over there
• 1:27:20
  the 4th of July freeze from my truck.
• 1:27:25
  I thought that that was just you too.
• 1:27:26
  No, no. No.
• 1:27:29
  OK, OK, yeah, Joe, good job. Got Amber, Michael Ward, Zombie
• 1:27:37
  Tyler and Chad. Thank you guys so much.
• 1:27:40
  You guys are awesome so. Much you keep the lights on, you
• 1:27:43
  keep our website running. Seeking of you can find our
• 1:27:46
  website. What's your least favorite scary
• 1:27:47
  movie.com? You can also find us on social
• 1:27:50
  media. We're on Instagram and threads
• 1:27:52
  at least favorite scary movie podcast and we're on Twitter and
• 1:27:55
  blue ski at least fave pod. You can also e-mail us at least
• 1:27:57
  favorite scarymovie@gmail.com. Yep.
• 1:28:00
  Also, if you are unable to be a patron, you know, we understand
• 1:28:05
  that. But if you could do us a favor,
• 1:28:07
  if you're a fan of the show, you can.
• 1:28:08
  Just like us on whatever platform you listen on, whatever
• 1:28:13
  social. Media you use.
• 1:28:14
  Yeah, whatever social media you use, share our episodes if you
• 1:28:18
  don't mind. Like, you know, that stuff is
• 1:28:20
  cool when you guys see that. We really appreciate it and it
• 1:28:23
  makes us happy when we see that. So and I, I really love hearing
• 1:28:26
  the things that you guys like about our ship.
• 1:28:28
  Yeah, When you guys. When you guys do that, it's so
• 1:28:31
  awesome. I really, really appreciate it
• 1:28:33
  so and I like just having a conversation with you guys.
• 1:28:36
  If you guys have anything you say about the movies or the
• 1:28:38
  episodes, stuff like that, it's cool so.
• 1:28:40
  And people have come up with some really good suggestions for
• 1:28:43
  movies for us to watch, too, like not even necessarily cover
• 1:28:45
  on the show, but even just in general.
• 1:28:47
  I'll just be like, hey, just at least watch it.
• 1:28:49
  Yeah. Well, so like you're always
• 1:28:52
  welcome to do that. We love that.
• 1:28:54
  And also if you do have things you would like for us to cover
• 1:28:56
  on here and you know, let us know on all of those resources
• 1:29:00
  that we've just provided, so. Yep, we we came into the Munoz
• 1:29:04
  era from a suggestion, from a suggestion.
• 1:29:07
  We started prom month from a suggestion.
• 1:29:09
  We started prom month from a suggestion also.
• 1:29:11
  Yeah. So some of the best things from
• 1:29:12
  the show have come from you guys actually suggesting things to
• 1:29:16
  us. So yeah, feel free to continue
• 1:29:19
  because we love it. All right, thanks, guys.
• 1:29:21
  We appreciate you all being here.
• 1:29:23
  Until next time, bye bye, bye, bye, bye bye.
• 1:29:39
  My God. With Ed.