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Architects Of Your Own Demise With TOM ENGLUND From EVERGREY · HEAVY Music Interviews

• 0:00
  Speaker 1: This is the eloquent Tom s England from Gothenburg, Sweden.
• 0:05
  Speaker 1: I'm the vocalist, founder, and guitar player and a bunch
• 0:10
  Speaker 1: of other things in Swedish metal sensation Every Gray. We're
• 0:16
  Speaker 1: currently releasing our fifteenth album and we're coming to Australia
• 0:20
  Speaker 1: in a few weeks, so hence the interview.
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  Speaker 2: I guess fantastic man. Thanks for joining us.
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  Speaker 1: Tonight, Thanks for having me, Thanks for having me, and
• 0:29
  Speaker 1: it's morning here in Sweden obviously, so yeah.
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  Speaker 2: That's been the ChIL end of the night is opposite
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  Speaker 2: ends of the spectrum.
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  Speaker 1: Yeah, there you go.
• 0:37
  Speaker 2: There made Every Gray.
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  Speaker 3: Release your fifteenth studio album, Architects of a New Weave
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  Speaker 3: on during the fifth So how you feel about it?
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  Speaker 1: Great? Honestly, really really good. First reactions are coming in
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  Speaker 1: a few album of albums of the month and a
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  Speaker 1: bunch of great reviews, and the reception from from the
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  Speaker 1: fans have been stellar so far. We released two different
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  Speaker 1: kinds of songs for this album so far. One we
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  Speaker 1: released like a prior to the album. It's a song
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  Speaker 1: called Oxygen, which is how you call it, an obnoxious, dark, brooding,
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  Speaker 1: complex type of song. Six minutes and twenty seconds, and
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  Speaker 1: then we release the song called Architects of the New
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  Speaker 1: which is four minutes straight to the point, sing along
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  Speaker 1: in heavy metal. So in between those two worlds, I
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  Speaker 1: guess this album it's where this album lives, so yeah,
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  Speaker 1: which I love. That's the cool thing about being in everygrade.
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  Speaker 1: We we can do pretty much whatever we want and
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  Speaker 1: fit everything into the everygrade package. Yeah, yeah, y.
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  Speaker 3: So we dive into the album a bit deeper musically
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  Speaker 3: and tell us what you're gone for the stumm around.
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  Speaker 1: I mean, we don't really set out to do anything
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  Speaker 1: like deliberate other than making the best possible songs we
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  Speaker 1: can ever make. But I guess every album is colored
• 2:02
  Speaker 1: by what we have around us. And and you know,
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  Speaker 1: the state of the world today. I mean our next
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  Speaker 1: single is called the World Is on Fire, which is
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  Speaker 1: fucking timing, is profound and sad in a way. So
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  Speaker 1: I mean it's I don't know what's going on in
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  Speaker 1: the world right now. It feels like we lost our
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  Speaker 1: sense of compassion and humanity and love for the next
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  Speaker 1: one And and I guess that's what this album is
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  Speaker 1: also a reaction to. It's not it's not a it's
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  Speaker 1: not a mere story of how I see the world.
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  Speaker 1: It's also an uprising against what we see and that
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  Speaker 1: we do not accept the world as we see it.
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  Speaker 3: So yeah, I short of mentioned this, but there's a
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  Speaker 3: subtle change between the name of the song, which is
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  Speaker 3: Architects of that New Wave, and the album is Architects
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  Speaker 3: of a New Wave, Like, what's the reason behind that?
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  Speaker 1: Well, the reason is that in the album context I
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  Speaker 1: wanted to I mean, it's about creating your own future
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  Speaker 1: and becoming yourself the best at that you can become.
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  Speaker 1: And I want to just speak in more general terms
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  Speaker 1: when it comes to the actual album title, but when
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  Speaker 1: it comes to the actual song, it's about me and
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  Speaker 1: I very much know how I'm viewing my future and
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  Speaker 1: and who I am and who I become and learned
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  Speaker 1: to be. So that's that's the slight difference.
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  Speaker 3: Right right Right Then the album is described as being fast, heavy,
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  Speaker 3: and cinematic, So to take us into the cinematic side
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  Speaker 3: of the album a bit more and how hard it
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  Speaker 3: is to get that that feel and that emotion through music.
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  Speaker 1: I think, Yeah, I think this whole album it has
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  Speaker 1: it's I mean, even for a song like Architects of
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  Speaker 1: the New Weave, which is a fairly straight to the
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  Speaker 1: point song. As I said before, it also holds so
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  Speaker 1: many details when you listen to to the song in depth,
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  Speaker 1: you know, and and that's how I want it. I
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  Speaker 1: want you to be able to connect with the song immediate,
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  Speaker 1: just because it's a great song. And then I want
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  Speaker 1: you to be able to sort of live with it
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  Speaker 1: for months and years to come, hopefully and discover things
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  Speaker 1: that that intrigues you or that you notice that we
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  Speaker 1: put a lot of emphasis on. And and that's I
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  Speaker 1: guess what we do on all the songs. Basically, it's
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  Speaker 1: like we we there are so many layers of production
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  Speaker 1: and detailed work for drums or keyboards or whatever it
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  Speaker 1: might be, but there's also this immediate song and that's
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  Speaker 1: I guess something that we're trying to refine for every
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  Speaker 1: album we do getting better at that, you know, handing
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  Speaker 1: you a song that you immediately understand and and like,
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  Speaker 1: and then also you're able to sort of dive deeper
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  Speaker 1: into our world and what's going on there. So and
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  Speaker 1: that goes throughout the whole of this album. It's so
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  Speaker 1: many it's so much music on this album. You know,
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  Speaker 1: we even we even left out three or four songs
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  Speaker 1: that we on like a limited edition version because because
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  Speaker 1: we didn't want people to have to have to buy
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  Speaker 1: a double vinyl for sixty euros, you know. Yeah, so
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  Speaker 1: how everything fits in within one album and we're getting
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  Speaker 1: better at that, you know, the music quality wise as well.
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  Speaker 1: You know, you can fit stuff more into an album nowadays.
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  Speaker 1: So but yeah, it's just too much money for me
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  Speaker 1: in my mind to pay sixty but for.
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  Speaker 2: Now, definitely.
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  Speaker 3: And you've got Michael's study on vocals video on the
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  Speaker 3: track of Burning Flame.
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  Speaker 2: So firstly, why have him on that song? And then
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  Speaker 2: what did he bring to it?
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  Speaker 1: When I wrote the vocal melodies for this song, a
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  Speaker 1: Burning Flame, it reminded me of him somehow, and since
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  Speaker 1: I never had him on any music before, and we've
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  Speaker 1: been friends for a long while and colleagues for thirty
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  Speaker 1: five years, it made sense for me to ask him.
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  Speaker 1: And at the same time, at the moment where I
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  Speaker 1: was writing it, I also learned about Tom balin Berg.
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  Speaker 1: It was the vocalist for At the Gates or was
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  Speaker 1: the now late Tompa Burgh and and he also sort
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  Speaker 1: of woke something in me that made me think about
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  Speaker 1: Stany and how the three of us are lead singers
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  Speaker 1: and in bands from Gothenburg that somehow made it decantly well,
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  Speaker 1: and you know how we become inspirations for other people.
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  Speaker 1: And Tompa was a real inspiration for me and Michael
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  Speaker 1: Stander because he was first, you know. And they went
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  Speaker 1: on tour and they they took their music with both
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  Speaker 1: grotesque and and at the Gates out into the world
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  Speaker 1: and we stood by them, looked at them in awe
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  Speaker 1: and were inspired to do the same. And nowadays we
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  Speaker 1: hope that we were inspiring younger musicians to also get
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  Speaker 1: out into the world and become musicians for life.
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  Speaker 2: Very guys, you sort of touched on this bit before.
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  Speaker 3: But the album does come with the Bius album featuring
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  Speaker 3: new songs as well as the live version in the
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  Speaker 3: Falling from the Sun, the demo version of Longing, But
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  Speaker 3: it's the instrumental version of Leaving the Happiness that intrigues me. Like, firstly,
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  Speaker 3: why too is that particular song to leave as an
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  Speaker 3: instrumental and and what do you what do you hearpe
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  Speaker 3: to listeners get out of here in the song without
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  Speaker 3: their vocals.
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  Speaker 1: I'm hoping the other that they become like me.
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  Speaker 2: Now.
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  Speaker 1: But about honestly, it's it's why we chose that song,
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  Speaker 1: is that is one of those songs that, on the
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  Speaker 1: surface sounds like a straight up even major sounding song.
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  Speaker 1: And I'm talking about like the chord progression, and it's
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  Speaker 1: very immediate, it's sing along type of heavy metal song.
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  Speaker 1: But then when you really take away the vocals and
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  Speaker 1: listen to the music, it's very complex, you know, and
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  Speaker 1: it doesn't sound like that. And that's that's an art
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  Speaker 1: in itself. And I guess, honestly, to be honest to
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  Speaker 1: talk about music a little bit, that's the art with
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  Speaker 1: pop music. They make it sound so easy, and that's
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  Speaker 1: the art of making pop, you know, because it's not
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  Speaker 1: that easy to make you believe in a song that
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  Speaker 1: doesn't carry anything, you know, other than drums and the melody.
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  Speaker 1: Right so now, but this song, it's a poppy heavy
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  Speaker 1: metal song, I will say, but it's it's heavier than
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  Speaker 1: most of the songs on the album, and it carries
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  Speaker 1: a very intricate, difficult guitar part for the theme, which
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  Speaker 1: is which I'm practicing right now. It's difficult.
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  Speaker 3: So, as we mentioned before that this is your fifteenth album,
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  Speaker 3: So do you think it becomes easier or how did
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  Speaker 3: it come up with new and fresh hand of material.
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  Speaker 1: The more you write, the more I write, the more
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  Speaker 1: inspired and intrigued I get, and the more surprised I
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  Speaker 1: get that this still is exactly as much fun as
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  Speaker 1: it was when I started writing music, when I came
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  Speaker 1: to that point where I was able to record the
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  Speaker 1: first album, and I'm still loving that sensation of being
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  Speaker 1: lost in the world of creation and creativity and just
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  Speaker 1: indulge myself in the world of making this album for
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  Speaker 1: a year. It takes around a year for me to
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  Speaker 1: write and recording, or for us to write and recording
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  Speaker 1: an album. So it's obviously hopefully, hopefully we have gotten
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  Speaker 1: better on our instruments and we play better and we're
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  Speaker 1: singing better, and we're getting to be better songwriters. But
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  Speaker 1: at the same time, that's secondary for us. We're making
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  Speaker 1: music for ourselves and and and as long as you
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  Speaker 1: do that and being sincere about it, I think that
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  Speaker 1: really shines through, and really I think the audience really
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  Speaker 1: can notice that and appreciate that fact that you're not
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  Speaker 1: doing it for money or for fame or for you're
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  Speaker 1: doing it for the love of the music. And that's
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  Speaker 1: certainly why we're doing this. If it was for the money,
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  Speaker 1: we would equip.
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  Speaker 2: Tell me there ain't no money.
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  Speaker 1: Many years ago.
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  Speaker 3: As you said before, Made have a great return to
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  Speaker 3: Australia very soon for a run of show. It's kicking
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  Speaker 3: off April twenty eighth in Perth and you hit Tambra,
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  Speaker 3: Sydney and Melbourne before finishing in Brisbane on May the third,
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  Speaker 3: so it's not far away.
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  Speaker 2: Made get packed and ready to go.
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  Speaker 1: Yeah, well not packed yet, but we're doing Brazil first
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  Speaker 1: and hopefully that nobody bombs the golf so we can
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  Speaker 1: get over there, you know. So that's the only thing
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  Speaker 1: I'm getting a bit nervous about. But other than that,
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  Speaker 1: I mean, it's been two decades pretty much to the
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  Speaker 1: year that we since we were in Australia before, and
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  Speaker 1: we're still here doing the same thing, playing fucking heavy metal.
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  Speaker 1: So it's't that just lovely. I can't wait to get
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  Speaker 1: out there and meet the Australian music lovers once more.
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  Speaker 3: So, as you say, it has been a Waller's two
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  Speaker 3: thousand and seven year out of your last. So how
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  Speaker 3: would you say your live show has changed and gotten better?
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  Speaker 1: I mean, obviously going to Australia, and maybe that's also
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  Speaker 1: why it takes such a long time in between. And
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  Speaker 1: obviously twenty years is ridiculous. We should do it every
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  Speaker 1: fifth year at least. But it costs a lot of
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  Speaker 1: money and it also makes us have to think in
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  Speaker 1: different ways because we have to reduce our crew, we
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  Speaker 1: have to reduce our stage shows. But in the end
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  Speaker 1: of it all, it's about the songs, right, you know.
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  Speaker 1: So we have gotten better. We released fifteen albums. Have
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  Speaker 1: the hard the hardest thing for us right now is
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  Speaker 1: to pick songs. You know. We have to play some
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  Speaker 1: of the old fan favorites and we also have to
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  Speaker 1: play a lot of the new stuff because the new
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  Speaker 1: stuff is doing better than the old stuff, you know.
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  Speaker 1: So it's like it's it's a balance in between the worlds.
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  Speaker 1: But I love both. So yeah, So instead of trying
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  Speaker 1: to fit everything within the hours we're playing in Australia
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  Speaker 1: this time, let's come back again sooner and then we
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  Speaker 1: can change out to set this a little bit more.
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  Speaker 2: Now that's a good idea to me. Well, thanks very
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  Speaker 2: much for your time. Tom.
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  Speaker 3: The album Architects of the New Readers out Streeen fifth
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  Speaker 3: the chur kicks off on April twenty eighth, so everyone's
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  Speaker 3: going to get plenty of every gray over the coming months.
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  Speaker 2: Mate, So we'll see you in a couple of weeks.
• 12:15
  Speaker 1: Can't wait. Thanks so much for having me Man,