Latest / GOLDSTÜCKLi ahoy / Ist es dir nicht zu folkig? Doch, aber schön ist es trotzdem

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Ist es dir nicht zu folkig? Doch, aber schön ist es trotzdem · GOLDSTÜCKLi ahoy

• 0:03
  Speaker 0: And that piece of love at Ahoj is, do you know what the piece of Love is?
• 0:15
  Speaker 0: Because it's for envious and boys.
• 0:17
  Speaker 0: It's a piece of gold like Ahojs.
• 0:19
  Speaker 0: Yeah!
• 0:22
  Speaker 0: Hello, ladies and gentlemen non-binary listeners.
• 0:24
  Speaker 0: It's Goldstückli Ahoj time again!
• 0:27
  Speaker 0: Once Again Back is the incredible goldstückliahoj team with new melodies for your playlists.
• 0:34
  Speaker 0: My name is Linzon And I'm going to go over there next to you.
• 0:37
  Speaker 0: Wooo!
• 0:38
  Speaker 0: My right place is free.
• 0:39
  Speaker 0: I think it will be much more fun.
• 0:41
  Speaker 0: There he is!
• 0:41
  Speaker 0: Amazing!
• 0:42
  Speaker 0: Have a
• 0:43
  Speaker 1: good day, Olli.
• 0:43
  Speaker 1: How are things?
• 0:44
  Speaker 1: Hi, Linzon!
• 0:44
  Speaker 1: I am doing great!
• 0:45
  Speaker 1: I do great!
• 0:46
  Speaker 1: Period!
• 0:46
  Speaker 1: How about you?
• 0:48
  Speaker 1: Me too!
• 0:49
  Speaker 0: I was at the Hesselensche, and now I have to be careful that it's not so beautiful all the time.
• 0:54
  Speaker 0: With the whole hessian bubble!
• 0:55
  Speaker 1: Yes i like it right?
• 0:57
  Speaker 0: Me too.
• 0:57
  Speaker 0: I also
• 0:57
  Speaker 1: really like
• 0:58
  Speaker 0: it but people who you meet in Frankfurt are no longer in the hessians.
• 1:03
  Speaker 0: It never used to be such a great place in Frankfurt where there were dialects.
• 1:10
  Speaker 0: And yes, the kids nowadays don't speak hessian anymore so correctly.
• 1:16
  Speaker 0: But
• 1:16
  Speaker 1: your grandma was already through?
• 1:18
  Speaker 1: Yes of course!
• 1:18
  Speaker 1: My
• 1:18
  Speaker 0: grandma had really bubbled up.
• 1:20
  Speaker 0: Bubbled up.
• 1:22
  Speaker 1: Bubble
• 1:22
  Speaker 0: tea she drank
• 1:22
  Speaker 1: with Aschebecher.
• 1:24
  Speaker 0: With Aschebächer and in her arm bubble tea.
• 1:28
  Speaker 0: We have nice music for you guys.
• 1:31
  Speaker 0: Here on a Monday morning.
• 1:33
  Speaker 0: we are sitting in studio two, in the colorful studio of gold to present and announce you this moderator.
• 1:41
  Speaker 0: Ueli Hefliger is starting with an artist who was born in South Africa and grew up in Australia.
• 1:47
  Speaker 0: when I have that right behind my head.
• 1:48
  Speaker 0: Correctly
• 1:49
  Speaker 1: researched!
• 1:49
  Speaker 1: I would also have just said it here at Ruby Jill which has already published her third album these days which surprised me because I've never heard of Ruby, but it's great that she has now entered my life.
• 2:02
  Speaker 1: Because I love her very much!
• 2:04
  Speaker 1: Her new album Fishing is not about fishing already a very good
• 2:08
  Speaker 0: title and also a good review.
• 2:10
  Speaker 1: Yes, album titles on the one at this point would say.
• 2:14
  Speaker 1: I like it so much and there are just many nice stories about your everyday life about how they grew up in South Africa, and now feel comfortable in Melbourne.
• 2:26
  Speaker 1: with which artist she's on the road, Angie McMahon has already worked together.
• 2:33
  Speaker 1: With Gordie who is currently on her UK tour and so forth.
• 2:37
  Speaker 1: There are also a lot of potential from Australia.
• 2:39
  Speaker 0: So if you tell all this it really is a miracle that we didn't have you at home until now because
• 2:47
  Speaker 1: these are
• 2:48
  Speaker 0: names in our heads and we know them.
• 2:50
  Speaker 0: And your drummer?
• 2:51
  Speaker 1: Jess is also Alex Leahy's drummer.
• 2:55
  Speaker 1: We love him too.
• 2:57
  Speaker 1: Ruby is now also in our lives, at least in my opinion.
• 3:00
  Speaker 1: And the song I would like to introduce it's just one of those... Childhood memory.
• 3:05
  Speaker 1: Checkeranda is the name of this song, and it really refers specifically to that plant on which in its full bloom the most beautiful lilies, the alleys and parks are located also in South Africa.
• 3:20
  Speaker 1: And Ruby tells us about hours-long car rides with her divorced parents from the fights that happen there too in the car from Johannesburg back to Soweto.
• 3:30
  Speaker 1: And it's just very nice because the chorus then sinks again and again.
• 3:35
  Speaker 1: I don't know what i'm coming home to, but at least now I can cry about that!
• 3:45
  Speaker 1: Meanwhile, through the song.
• 3:47
  Speaker 1: But it's quite traumatic!
• 3:50
  Speaker 1: I remember that when I was about eleven years old...
• 3:56
  Speaker 0: ...my parents couldn't be together anymore in a short time period of time.
• 4:05
  Speaker 0: That was strange because it happened without warning.
• 4:14
  Speaker 0: It was a bit abrupt In
• 4:16
  Speaker 1: this case though but what
• 4:17
  Speaker 0: i wanted to say is that this sad topic isn't related with such a ballad... ...it's an uptempo acoustic guitar song Yes,
• 4:27
  Speaker 1: and also a little bit in the art.
• 4:29
  Speaker 1: Especially when they use the choir somehow still plants in the song.
• 4:33
  Speaker 1: it reminds me of something that didn't
• 4:35
  Speaker 0: happen
• 4:35
  Speaker 1: last few weeks we presented here.
• 4:37
  Speaker 1: So where you sit on your car and look over at her mother and say Are You Still My Mother?
• 4:41
  Speaker 1: If You No Longer With My Dad And with this Are You Stil My
• 4:45
  Speaker 0: Mother is then
• 4:46
  Speaker 1: all the choir, the whole band
• 4:48
  Speaker 0: are there.
• 4:48
  Speaker 0: Oh yes right!
• 4:49
  Speaker 1: That's really nice, super
• 4:50
  Speaker 0: inspired.
• 4:50
  Speaker 0: I like acoustic guitar sounds.
• 4:54
  Speaker 0: They're almost
• 4:59
  Speaker 1: a bit Elliott
• 5:12
  Speaker 0: Smith-like.
• 5:14
  Speaker 0: It isn't too happy
• 5:17
  Speaker 1: for them Yes, but it's still nice.
• 5:21
  Speaker 0: Well then
• 5:22
  Speaker 1: let's go for it!
• 5:23
  Speaker 1: Here is Ruby Chill
• 5:27
  Speaker 0: with Jacaranda.
• 5:28
  Speaker 0: Pigeons gather around.
• 5:30
  Speaker 0: my brother Set the table for another Whisky tango.
• 5:34
  Speaker 0: Where's your mother?
• 5:35
  Speaker 0: Everybody fights.
• 5:37
  Speaker 0: I don't know what i'm coming home to And I don' t know how to cry about it.
• 5:54
  Speaker 0: Drive out to Soweto On a double-decker bus, and I meet you at the blue bar Sunset curling up with rust Choburgs like a canvas that I forgot to stretch.
• 6:07
  Speaker 0: Your such thin lines of color have no sense of what is left.
• 6:11
  Speaker 0: Unfamiliar migraine splitter free street gas line Blue, I no longer hold your hand.
• 6:17
  Speaker 0: now when we cross fourth avenue Big abandoned village, like the house that we once knew I don't know what i'm coming home.
• 6:55
  Speaker 0: Friends remember sweating with the land Lips sticky with greens and buck and the joy of finally feeling sad.
• 7:03
  Speaker 0: Drive for seven hours That it takes to touch the sand.
• 7:07
  Speaker 0: Thinking are you still mad?
• 7:09
  Speaker 0: If your no longer with
• 7:10
  Speaker 1: my dad I swore I'd never leave my children.
• 7:35
  Speaker 1: Paranoia Musik gehört aus Australien von Ruby Jill.
• 8:15
  Speaker 1: Checker Render ist ein Song von ihrer neuen Platte, Fishing is not about fishing.
• 8:21
  Speaker 0: Ja, ist was für checker renders!
• 8:24
  Speaker 0: Hast du schön gesagt?
• 8:25
  Speaker 0: Na ja geht so.
• 8:27
  Speaker 0: with a position that might fit even more in the time, where students and students from the police are being harassed on the street because they're
• 8:43
  Speaker 1: fighting against one
• 8:44
  Speaker 0: system.
• 8:44
  Speaker 0: That's been heard for a long time by me!
• 8:47
  Speaker 0: The hessian cowards!
• 8:49
  Speaker 0: The Hessian Cowards?
• 8:50
  Speaker 0: Yes I mean... Some
• 8:51
  Speaker 1: people wonder why, especially when Winsor is at home in Hesse,
• 8:54
  Speaker 0: Dalirandala has the strongest power.
• 8:57
  Speaker 0: Yeah but I also wanted to write you an SMS so it would be nice.
• 9:09
  Speaker 0: We'll talk about this podcast
• 9:11
  Speaker 1: later.
• 9:11
  Speaker 1: I
• 9:11
  Speaker 0: wasn't there during the riots anyway, don't worry.
• 9:15
  Speaker 0: Still fits well.
• 9:21
  Speaker 1: Okay,
• 9:22
  Speaker 0: I read something
• 9:23
  Speaker 1: from Bonn.
• 9:24
  Speaker 0: In Bonn, the artist studied.
• 9:27
  Speaker 0: The band can be located in Cologne and Albuquerque, New Mexico at the same time.
• 9:32
  Speaker 0: So in Cöln-Becurke?
• 9:33
  Speaker 0: Yes, only in Westphalia!
• 9:37
  Speaker 0: There they
• 9:37
  Speaker 1: are at home, the
• 9:38
  Speaker 0: owners of Smile who have gathered around the Corona pandemic.
• 9:47
  Speaker 0: There were first sessions and also first recordings.
• 9:51
  Speaker 0: It's interesting that Ruby Feggin, the singer who goes back to Elbe Kyrgyz and visits her family.
• 10:05
  Speaker 0: And also today from Elbe Kirky... on the rehearsals via internet.
• 10:15
  Speaker 0: And then you see the chord sequence, and then in Erbe Körke's text he writes... ...and then comes to
• 10:59
  Speaker 1: Cologne and sings into it or sometimes
• 11:04
  Speaker 0: sends it over too!
• 11:08
  Speaker 0: The first steps of the band were also created so that the pandemic forced Ruby after America.
• 11:20
  Speaker 0: there was no need for them anymore.
• 11:22
  Speaker 0: Then they worked together on songs but never lost a single project from their eyes.
• 11:28
  Speaker 0: Now we're done with the second album.
• 11:33
  Speaker 0: Price of Progress was already produced by Olaf Uphal.
• 11:39
  Speaker 0: He discovered it a little bit and also supported it for himself.
• 11:50
  Speaker 0: The first album has been recorded in various places, once at someone's
• 12:16
  Speaker 1: house then at
• 12:16
  Speaker 0: the art school again next time in the studio or in Albuquerque.
• 12:35
  Speaker 0: And now the new LP that will appear on the twenty-first one is
• 12:42
  Speaker 1: called
• 12:43
  Speaker 0: Ganschei but this time in studios
• 12:47
  Speaker 1: only.
• 12:50
  Speaker 0: Don't be shy, my god.
• 12:53
  Speaker 0: I
• 12:54
  Speaker 1: work with it, somehow like that.
• 13:04
  Speaker 1: Also not the requirement to take this into a podcast program.
• 13:11
  Speaker 1: No link!
• 13:12
  Speaker 1: It's just such cryptic news but... Olaf and Paltz Music taste is interesting enough that I went to the research and it's really good.
• 13:20
  Speaker 1: Like I said, soundtrack for the world, great for running away.
• 13:33
  Speaker 1: The artist himself says in the song... Okay.
• 13:54
  Speaker 1: So a little bit of music, as I said to run away and but also to reorient myself in an open world?
• 13:59
  Speaker 1: I'm a big fan from Sound here or Vopal has done that well.
• 14:02
  Speaker 1: Sounds a bit like Sonic Youth.
• 14:03
  Speaker 1: Very dirty.
• 14:04
  Speaker 1: Postpunk-ish.
• 14:04
  Speaker 1: Serter bass.
• 14:05
  Speaker 1: And what's great too is how the song falls into each other at different places.
• 14:09
  Speaker 1: At places where you think now it starts right off and gets louder again becomes quite quiet.
• 14:16
  Speaker 1: I like it very much.
• 14:17
  Speaker 1: Who really likes what the four Kölner and the woman from Albuquerque in New Mexico are doing?
• 14:53
  Speaker 1: You can
• 15:01
  Speaker 0: write down a few notes for March already.
• 15:13
  Speaker 0: On the sixteenth, they're playing in the new future of Berlin.
• 15:35
  Speaker 0: Oh that's on me!
• 15:39
  Speaker 0: And then on the seventeenth on the MS Stubnitz in Hamburg.
• 15:49
  Speaker 0: Another date.
• 15:50
  Speaker 0: please take off your net.
• 15:52
  Speaker 0: Here we have Smile with Goda Run.
• 16:10
  Speaker 0: I like it very much and maybe also a small live hack for bands from Cologne, Bonn & Niedersachsen, Bayern Austria or Switzerland.
• 16:28
  Speaker 0: Just take a American singer or an American singer.
• 16:30
  Speaker 0: It immediately sounds like International Rock Indie Styles.
• 16:33
  Speaker 0: Yes, the
• 16:34
  Speaker 1: pronunciation
• 16:34
  Speaker 0: is correct!
• 16:35
  Speaker 0: Or it makes a big difference I think.
• 16:37
  Speaker 0: And
• 16:37
  Speaker 1: also very good that video... By the way you have to look at yourself ... How's
• 16:41
  Speaker 0: Ruby again?
• 16:42
  Speaker 0: Ruby yes.
• 16:43
  Speaker 1: Ruby already
• 16:44
  Speaker 0: back?
• 16:44
  Speaker 0: Yeah, double ruby.
• 16:45
  Speaker 1: Two rubys today.
• 16:47
  Speaker 1: Ruby directed himself and cut everything out.
• 16:53
  Speaker 1: I don't know
• 16:54
  Speaker 0: if
• 16:54
  Speaker 1: she too this.
• 16:56
  Speaker 1: What the poodle?
• 16:57
  Speaker 0: It's a pity that we missed the Ruby translation.
• 17:00
  Speaker 0: We could have done one, right?
• 17:01
  Speaker 0: Yes, totally
• 17:02
  Speaker 1: missed!
• 17:02
  Speaker 0: That isn't so bad... We say oi-oi-oi and we're happy about our next band And it wasn't a good translation either.
• 17:10
  Speaker 0: But with an information that is called Oi from Switzerland What should you do?
• 17:17
  Speaker 0: Sometimes
• 17:18
  Speaker 1: you need to use the easier bridge.
• 17:19
  Speaker 1: Yeah but you shouldn't
• 17:20
  Speaker 0: write E here at this point, instead
• 17:21
  Speaker 1: of Y. That's true.
• 17:22
  Speaker 1: There are some from Frontfrau from Troy together with MelodyDreamer.
• 17:28
  Speaker 1: This is the producer and the drummer.
• 17:30
  Speaker 1: For years, many things have been published in the field of electronics, afrobeat, avant-garde pop... There's really everything with it!
• 17:38
  Speaker 1: We've already presented them here a few years ago.
• 17:40
  Speaker 1: How do you
• 17:41
  Speaker 0: call yourself by name?
• 17:41
  Speaker 0: How did your nickname come to be so well known?
• 17:44
  Speaker 1: The
• 17:44
  Speaker 1: nickname?!
• 17:45
  Speaker 1: I just call myself Joe.
• 17:46
  Speaker 0: You're more
• 17:47
  Speaker 1: like a nickname,
• 17:48
  Speaker 0: right?
• 17:48
  Speaker 0: No but I don't know what kind of research I was looking for about my nicknames at some point Complete bourgeois name of the artist, so to speak.
• 17:56
  Speaker 0: And then it's up to me if we already
• 17:59
  Speaker 1: had one?
• 18:00
  Speaker 1: Yes yes and Joy is enough in front at this point but complete!
• 18:23
  Speaker 0: You
• 18:23
  Speaker 1: have now
• 18:24
  Speaker 0: been reported back
• 18:30
  Speaker 1: with your second single on your new record Messages from Walls.
• 18:43
  Speaker 1: This again what is typical for you a concept album.
• 18:45
  Speaker 1: It goes here really
• 18:59
  Speaker 0: about boats that are standing on walls which they discovered during their countless tours through the world and around it.
• 19:14
  Speaker 0: I
• 19:17
  Speaker 1: blow to every wall, new men need that land.
• 19:29
  Speaker 1: Something like this!
• 19:39
  Speaker 1: And
• 19:40
  Speaker 0: walls here are also a symbol for the
• 19:44
  Speaker 1: separation... ...for the split which is meant to tear down and to dance away from music.
• 20:07
  Speaker 1: Yes That sounds very good
• 20:16
  Speaker 0: with
• 20:16
  Speaker 1: an attractive statement Obuntu Fortress
• 20:24
  Speaker 0: Europol
• 20:24
  Speaker 1: Form.
• 20:25
  Speaker 0: So just imagine what would be if these
• 20:33
  Speaker 1: ...the European and
• 20:35
  Speaker 0: American rulers just get together, unwind each other.
• 20:37
  Speaker 0: Or collapse?
• 20:38
  Speaker 0: What is the Europe's constitution at all?
• 20:45
  Speaker 0: Why are there those who protect outside borders?
• 20:49
  Speaker 0: What actually
• 21:00
  Speaker 1: happens to humanity if you let refugees drink from the outside borders of the European constitution?
• 21:25
  Speaker 1: That's everything they ask for.
• 21:32
  Speaker 1: And that is of course worthy to praise.
• 21:41
  Speaker 1: That you once again have a band with knowledge, which not only writes in love songs Yes totally and Ubuntu will rise refers naturally one-to-one on this old African wisdom Ubuntu who in South Africa at night apart has made great known for it because Nelson Mandela He said, we have to be strong together.
• 22:40
  Speaker 1: And first the community creates good.
• 22:44
  Speaker 1: Quite in contrast with a north-eastern half-kugel where he says that it is most important for an individual.
• 23:25
  Speaker 1: The album has to get out of there.
• 23:29
  Speaker 1: Ubuntu is like a word for community feeling so to speak.
• 23:38
  Speaker 1: So only together are we a good team and this is here the message from these three minutes I love very much.
• 24:06
  Speaker 1: the production was great also similar Like with the MOTO Lecter, which we had last week.
• 24:11
  Speaker 1: With Reduce To The Max.
• 24:12
  Speaker 1: I reduce you to maximum.
• 24:14
  Speaker 1: When they were on tour and took part in a small mobile studio where they just limited themselves to sounds or few sounds... ...and then they could use these messages for this song.
• 24:35
  Speaker 1: Just songs jam, with other people as well.
• 24:38
  Speaker 1: And they had so fast song skits that were just shot in the head and jammed into their computer.
• 24:45
  Speaker 1: Very good!
• 24:45
  Speaker 1: Great job!
• 24:47
  Speaker 1: So it's possible to write on a country called The White Privilege in Switzerland like Switzerland?
• 24:56
  Speaker 1: Like you live here in
• 24:59
  Speaker 1: Berlin?!
• 24:59
  Speaker 1: Yes but I come from Switzerland.
• 25:01
  Speaker 1: It is also possible for Swiss people too.
• 25:04
  Speaker 1: A critical look
• 25:09
  Speaker 0: at the
• 25:09
  Speaker 1: European festival.
• 25:11
  Speaker 1: That's good,
• 25:12
  Speaker 0: that's positive for me!
• 25:15
  Speaker 0: Here are Oi with Ubuntu.
• 25:18
  Speaker 0: Fortress Europe will fall.
• 25:23
  Speaker 0: Ubuntu will
• 25:24
  Speaker 1: rise!
• 25:25
  Speaker 1: Ubuntu
• 25:26
  Speaker 0: Will Rise!
• 25:27
  Speaker 1: Thank you for this wonderful contribution.
• 25:30
  Speaker 1: The album Messages From Walls is coming next February and until then I think we'll hear some more from you or also see the video to this song.
• 25:39
  Speaker 1: It is very visible, together with Chiro Fujioca brought it on screen.
• 25:47
  Speaker 1: This is Ancestral Intelligence which means the artist's name from Chiro.
• 25:52
  Speaker 1: He's been making very well-known AI productions for Eric Cappadocia.
• 25:57
  Speaker 1: And now he has made an art, Mad Max vs Black Panther, in the scene here on stage.
• 26:04
  Speaker 1: It's a bit disturbing at the
• 26:05
  Speaker 0: beginning because you think,
• 26:06
  Speaker 1: what is this AI-quatch?
• 26:07
  Speaker 1: But it really has a stringent and also a sense.
• 26:09
  Speaker 1: So everything fits very well together.
• 26:12
  Speaker 1: I have discussed about the Genset
• 26:16
  Speaker 0: in Frankfurt as well so we explained to each other solidarily one could almost say with such discussion on the kitchen table And then there was a lot of discussion over AI too.
• 26:28
  Speaker 0: Then do you realize there are just zero point five percent of the people who use AI, but what's cool about it?
• 26:34
  Speaker 0: Yes.
• 26:34
  Speaker 0: In this case I will also try to look at this video in detail.
• 26:39
  Speaker 0: I am really very critical
• 26:41
  Speaker 1: on that.
• 26:41
  Speaker 1: Yeah me too!
• 26:42
  Speaker 1: But with MelodyDreamer and Joy we talked as well And they explained to us That was a good exchange between Shiro and him and that it was a joint work.
• 26:53
  Speaker 1: So not just something generated with your prompt, but it really was a month-long job!
• 26:58
  Speaker 1: And well done?
• 26:59
  Speaker 1: It's really simply well
• 27:00
  Speaker 1: done?!
• 27:01
  Speaker 1: Okay
• 27:01
  Speaker 0: of course, maybe at the next time again, do what you want guys... I'm really out of his number, i don't give you any more advice.
• 27:08
  Speaker 0: Exciting to be here!
• 27:09
  Speaker 1: Yes also
• 27:09
  Speaker 0: nice, visit the festivals he wants to visit, let me talk about them for you.
• 27:15
  Speaker 0: We have already presented three new pieces, three strong pieces.
• 27:22
  Speaker 0: There are also three more strong pieces coming up in this show.
• 27:33
  Speaker 0: But it's time for a rubric that deals with the pieces which exist
• 27:43
  Speaker 1: and they're still
• 27:44
  Speaker 0: good!
• 27:45
  Speaker 0: Yeah, we're looking back in time.
• 27:48
  Speaker 0: or have found us historically focused on samples.
• 28:00
  Speaker 0: Where does the beat actually come from in the nineties, to which we all danced?
• 28:05
  Speaker 0: To whom we were at the R&B disco for the first time!
• 28:07
  Speaker 0: And that's how it is today, Urle Hefliger brought with him the Grand Mars Hands song by Bill Withers.
• 28:17
  Speaker 1: Oh yes I was a little surprised that we didn't play it yet because i thought you would have presented me this
• 28:25
  Speaker 0: song.
• 28:25
  Speaker 0: No, but I just... A few weeks ago there was a song called Grandmas Schnüfti by Rex Orange County.
• 28:33
  Speaker 0: Maybe you'll change that!
• 28:34
  Speaker 0: Because he recorded it in the show as well and then released before the show because I still had something better to do And maybe you're a little confused about this.
• 28:42
  Speaker 0: But to drive on top of your ramp which is
• 28:43
  Speaker 1: currently being built It's all about samples from Blackstreet.
• 28:50
  Speaker 1: no Diggity That's what it looks
• 28:53
  Speaker 0: like.
• 28:53
  Speaker 0: At the
• 28:54
  Speaker 1: beginning you hear a guitar
• 28:55
  Speaker 0: and
• 28:57
  Speaker 1: it instantly points directly at the Remake.
• 29:01
  Speaker 1: No Diggity, which I think is very interesting because groove already exists!
• 29:06
  Speaker 1: The beats that were put under by No Dickity in.
• 29:12
  Speaker 1: They are really just worthy of the beat,
• 29:15
  Speaker 0: to the groove that is already there.
• 29:16
  Speaker 0: I mean in best case scenario a guitarist with rhythmic and harmonic information like this makes both sense and also generates such an art-beat.
• 29:25
  Speaker 0: We have it with one piece music to do.
• 29:28
  Speaker 0: That's another great example for pop music and how it works.
• 29:33
  Speaker 0: Grand Mars Hands is a topic to which everyone has an association.
• 29:42
  Speaker 0: Everyone actually knows how the hands of the grandma look like, do you know what your grandma's hands are?
• 29:46
  Speaker 0: Yes sure!
• 29:47
  Speaker 0: And how they felt when
• 29:50
  Speaker 1: she just missed a shell or gave you some sweets.
• 29:51
  Speaker 0: My grandma never missed such a shell but sometimes my grandma did it with her appearance And you still feel the
• 29:56
  Speaker 1: pain, right?
• 29:56
  Speaker 1: No.
• 29:56
  Speaker 1: Sometimes
• 29:57
  Speaker 0: it was when he hit the ring that I felt a little bit of pain but now there's never really any pain and then... I didn't feel exhausted at all.
• 30:04
  Speaker 0: But as said before this is an amazing topic because we know both associations have memories in their heads with our grandmothers or with whose hands and so on.
• 30:11
  Speaker 0: What's great about pop music?
• 30:12
  Speaker 0: now what do i actually want to say?
• 30:14
  Speaker 0: This whole thing has been built up where one can immediately get into it but of course it tells much more Because Bill Withers' grandmother married a man who was still enslaved, who was born into this slavery.
• 30:28
  Speaker 0: In the nineties.
• 30:29
  Speaker 0: it's the century.
• 30:30
  Speaker 1: Exactly in the
• 30:31
  Speaker 0: late eighties.
• 30:32
  Speaker 0: So something was born in the eighteen hundred and then in the nineteenth century on the cotton field.
• 30:38
  Speaker 0: And with his grandmother again, who lived from eight hundred sixty to nine hundred fifty-three, he went into church as a child.
• 30:46
  Speaker 0: He had the gospel choir there ... with sung and experienced.
• 30:49
  Speaker 0: And then these whole stories play into this song, which of course makes up a huge layer that you may not connect in the first place at all to the memories on your own grandmother's hands?
• 31:01
  Speaker 0: Yes
• 31:01
  Speaker 1: totally!
• 31:02
  Speaker 1: And
• 31:02
  Speaker 0: just
• 31:02
  Speaker 1: as beautiful.
• 31:03
  Speaker 1: what you said about this little shell thing there, right?
• 31:06
  Speaker 1: What the grandma missed out on her shoulder or the sweets she somehow fits... How she looks, nothing happens.
• 31:13
  Speaker 1: Billy don't you run so fast might fall on a piece of glass.
• 31:16
  Speaker 1: Might be snakes there in that grass.
• 31:19
  Speaker 1: And it's as nice how the song then only changes for two minutes where at the end also says But I dont have grammar anymore.
• 31:25
  Speaker 1: If i get to heaven I look for grandma´s hand.
• 31:28
  Speaker 1: That
• 31:29
  Speaker 0: is an awesome song Wonderful!
• 31:30
  Speaker 0: And one understands like the community around Black Street this sample could find well built where there is Ms.
• 31:39
  Speaker 0: Grandma's hands, as old stucly in gold stucley.
• 31:43
  Speaker 0: Clapped in church on Sunday morning Grandma's hand Played a tambourine Soustacea how to warn.
• 32:01
  Speaker 0: and she'd say Billy don't you run so fast Might fall on her piece of clay might be snakes staring that grass.
• 32:11
  Speaker 0: grandma's hand To the local unwed
• 32:22
  Speaker 1: mother.
• 32:23
  Speaker 1: Grandma's hand Used to ache sometimes and swear, Grandma's Hand Used to lift her face And tell
• 32:33
  Speaker 0: her she'd say Baby, grandma understand That you really love that man.
• 32:41
  Speaker 0: Put yourself in Jesus' hands, Grandma'S Hand Used a handmade piece of candy, GrandmaS Hand
• 33:09
  Speaker 1: Our piece of gold.
• 33:19
  Speaker 1: this week by Bill Withers, Grandma's Hands we heard from his debut album.
• 33:36
  Speaker 1: Just As I Am.
• 33:37
  Speaker 1: He was only out for thirty-two years.
• 33:40
  Speaker 1: He didn't have a star ambition at all, he also had a very small label and afterwards, when Columbia sent his art records to him... He would never be able to release this song under the fittest of Columbia.
• 33:58
  Speaker 1: It's
• 33:58
  Speaker 0: a song
• 33:59
  Speaker 1: about grandmothers were not on their agenda.
• 34:01
  Speaker 1: You
• 34:01
  Speaker 0: see?
• 34:01
  Speaker 0: And then maybe quite fitting for that anecdote, there is also the second anecdote from The Black Street.
• 34:08
  Speaker 0: This sample was used in order to make a beat and sing it into songs but he didn't like it at all!
• 34:15
  Speaker 0: So one guy who after Dr.
• 34:16
  Speaker 0: Dre did... I don't know his name now... ...pushed or produced the song and said what do you want me to do?
• 34:21
  Speaker 0: And the band said it was a really bad song.
• 34:25
  Speaker 0: So they sent this guy to sing the first verse.
• 34:29
  Speaker 0: We send him out and if he has an egg on his head when we get in, then that wasn't so good!
• 34:33
  Speaker 0: Also very cool.
• 34:34
  Speaker 0: A song where everyone says we really want... ...and there is just a huge hit or maybe even the only hit?
• 34:40
  Speaker 0: Or do you have one from Black Shrieks?
• 34:41
  Speaker 1: No no that's not my only hit.
• 34:43
  Speaker 1: The guitar I sang was sampled by Steven Stills here at Buffalo Springfield And Cosby still is a nerd.
• 34:52
  Speaker 1: Ah, krass!
• 34:53
  Speaker 1: He played the guitar.
• 34:54
  Speaker 1: They
• 34:55
  Speaker 0: all hung together when they spoke.
• 34:58
  Speaker 0: Great music, thank you for joining us Bill Withers.
• 35:00
  Speaker 0: Without further ado a great artist!
• 35:02
  Speaker 0: Can one put the nice hits back in?
• 35:04
  Speaker 0: He has such an awesome best-of playlist Bill withers.
• 35:08
  Speaker 0: Just hits.
• 35:08
  Speaker 0: Yes
• 35:09
  Speaker 1: super and on this debut record he also covered LADD B by Beatles which is just very relaxed.
• 35:14
  Speaker 1: A very relaxed guy.
• 35:15
  Speaker 1: With relaxed guys
• 35:17
  Speaker 0: it goes on... We take our way to Perth In Australia where Ethan French is at home.
• 35:25
  Speaker 1: Ah that Insta guy there!
• 35:26
  Speaker 0: The man under circumstances of France.
• 35:28
  Speaker 0: Thank you for joining us with the name, but it's in Perf at home.
• 35:32
  Speaker 0: Yes he is this Insta or TikTok guy who went through the cover of the song A Day.
• 35:42
  Speaker 0: and is a big fan of Jacob Collier, who always tries to write an e-post when he delivers pop music pieces which can sometimes be annoying because it's too much.
• 36:02
  Speaker 0: And there are also pieces by Ethan French that are full packed where you think oh now another part comes in but less is more!
• 36:18
  Speaker 0: You could have done this differently as well.
• 36:21
  Speaker 0: In the frame of this song
• 36:23
  Speaker 1: A Day Challenge
• 36:24
  Speaker 0: Reduced to the max!
• 36:27
  Speaker 0: Yeah, fair good.
• 36:29
  Speaker 0: The song by the young artist who is relatively famous in Australia and has made it international for furore with this series.
• 36:48
  Speaker 0: He previously mentioned Jacob Collierson, his DMs as one of many famous musicians.
• 36:53
  Speaker 0: And he said yes that's really cool what you're doing...
• 36:55
  Speaker 1: He was also a fan from Ethan!
• 36:56
  Speaker 1: Now
• 36:57
  Speaker 0: I know exactly how it all started.
• 37:00
  Speaker 0: Jacob is also a big fan of Ethan too.
• 37:02
  Speaker 0: Many other international artists have reported to him.
• 37:07
  Speaker 0: Let's meet in
• 37:08
  Speaker 0: L.A.,
• 37:08
  Speaker 0: and he was like, I didn't live there at all!
• 37:10
  Speaker 0: I lived in the Perth, so in Australia... And then he had no ambition to change it.
• 37:16
  Speaker 0: He wanted to go to LA for a session but wouldn´t be able to do that now because he means There are evenings where he plays in a bar piano which is trained by pianists and also trained musicians.
• 37:35
  Speaker 0: You can hear this right away.
• 37:39
  Speaker 0: There are nights when you play in such a bar or eat people and he posted something on his
• 38:06
  Speaker 1: day before recording.
• 38:08
  Speaker 1: He has seven million views and
• 38:11
  Speaker 0: a hundred thousand likes.
• 38:18
  Speaker 0: But then he plays in the bar in front of Rentner, so no one recognizes him or takes care of them.
• 38:33
  Speaker 0: And that means it's extremely important for him to do this.
• 38:47
  Speaker 0: That makes him very sympathetic again.
• 38:51
  Speaker 0: When you look at his videos, which he records during his studies... First of all
• 39:02
  Speaker 1: because he is talented.
• 39:05
  Speaker 1: At the same time I think how sympathetic
• 39:12
  Speaker 0: can we be?
• 39:13
  Speaker 0: And now all
• 39:13
  Speaker 1: these songs for a day, they are
• 39:18
  Speaker 0: all on an album.
• 39:20
  Speaker 0: Right!
• 39:21
  Speaker 0: Idea Day number one is out now in the end of October and it's just very good.
• 39:36
  Speaker 0: The song that I have now offered, Rackless and Arranged has been played by me at Instagram You see?
• 39:55
  Speaker 0: There was the melody so convincing.
• 39:59
  Speaker 1: there you can hear such a little shlanker in the voice which flew
• 40:03
  Speaker 0: to my head.
• 40:04
  Speaker 0: And also the chord sequence has
• 40:05
  Speaker 1: something like Radio
• 40:06
  Speaker 0: Hadeskis with such a basic tone that stays there and then the chords go up.
• 40:32
  Speaker 0: and his voice.
• 40:33
  Speaker 0: And then you also have to act in front of your eyes that he has played all the instruments himself here!
• 40:42
  Speaker 0: The drums are awesome, it's amazing what this is for a beat which he loved but works amazingly well.
• 40:52
  Speaker 0: What he does on bass... So pay attention to what happens with the deep frequencies here at Ethan French.
• 41:02
  Speaker 0: It really is crazy.
• 41:04
  Speaker 0: And what was so cool about what he did?
• 41:06
  Speaker 0: almost for many musicians around the world?
• 41:19
  Speaker 0: All possible drummers or saxophonists... Or MCs?
• 41:25
  Speaker 0: just sing, play and do the thing even better.
• 41:27
  Speaker 0: And he has more or less coincidence because his idea of the concept is developed to reduce himself but at the same time it's completely the algorithmic politics that decides whether you come forward or not.
• 41:51
  Speaker 0: He played through everything so this works And you can actually congratulate him for all the moves so far.
• 42:01
  Speaker 0: I think it's insanely good!
• 42:05
  Speaker 0: Also listen to the rest of the record, that is really very impressive.
• 42:13
  Speaker 0: what he does.
• 42:14
  Speaker 0: and on YouTube you have to subscribe to him at Instagram Tiktok which everything.
• 42:21
  Speaker 0: So, your own app that you use.
• 42:22
  Speaker 0: Check out what Ethan French does because it's really very, very worth seeing.
• 42:36
  Speaker 0: Especially this video where he says in five minutes I'm making a song now!
• 42:44
  Speaker 0: Where we can watch him, how he stresses and gets stressed through the studio is really very worth watching.
• 42:58
  Speaker 0: Yes, really great.
• 42:59
  Speaker 0: Ethan French with Day-FiftySix Reckless & Arranged.
• 43:27
  Speaker 0: John Baptiste's fan, John Mayer is a fan.
• 43:30
  Speaker 0: Tom Mish is fans.
• 43:31
  Speaker 0: Issa is fan.
• 43:32
  Speaker 0: Jojo is fan.
• 43:33
  Speaker 0: All are already fans of Ethan French and now we're that too.
• 43:38
  Speaker 0: I really recommend to listen again this whole plot idea day one And also the socials to subscribe from Ethan French.
• 43:47
  Speaker 1: Wonderful!
• 43:48
  Speaker 1: Everything was done right by
• 43:49
  Speaker 0: Ethan.
• 43:50
  Speaker 0: Yes he did it really
• 43:51
  Speaker 1: well.
• 43:51
  Speaker 1: Everything was made right.
• 43:52
  Speaker 1: Also Jonathan Wolff Joni Wolff As we know him.
• 43:56
  Speaker 1: in a given case.
• 43:58
  Speaker 1: It's an old ego when it comes to music.
• 44:01
  Speaker 1: It means why, question mark.
• 44:04
  Speaker 1: and we had him at the end of his zero years with The Hallows on the radio station where two men were playing on a Berlin basketball court.
• 44:18
  Speaker 0: Yes, yes.
• 44:19
  Speaker 0: That was different music than the one
• 44:21
  Speaker 1: we're listening to now?
• 44:23
  Speaker 1: His voice is still the
• 44:24
  Speaker 0: same.
• 44:24
  Speaker 0: But his style has changed a bit.
• 44:26
  Speaker 0: A
• 44:26
  Speaker 1: little but it's still kind of
• 44:29
  Speaker 0: like
• 44:31
  Speaker 1: an alternative hip-hop.
• 44:32
  Speaker 1: You can
• 44:32
  Speaker 0: already feel
• 44:33
  Speaker 1: the roots in this song and he's also a singer-songwriter with almost a chance on Yee Style.
• 44:39
  Speaker 0: And
• 44:40
  Speaker 1: what I really like here are those who come back very often.
• 44:45
  Speaker 1: The last records by Y. They were already very band-like.
• 44:49
  Speaker 1: Band-like, just recorded and produced with the live.
• 44:51
  Speaker 1: And now he's really all by
• 44:52
  Speaker 0: himself
• 44:52
  Speaker 1: again and wants to tell his own stories because he was left behind for a few years.
• 45:00
  Speaker 1: And especially when it comes to the next song Pretends So Real
• 45:03
  Speaker 0: tells you how
• 45:03
  Speaker 1: he thinks about how he would still be together with one of his friends and we would like to put it in the show window.
• 45:12
  Speaker 1: And she passes by and sees him, so that was really very sweet.
• 45:15
  Speaker 1: Yeah
• 45:15
  Speaker 0: yeah yeah.
• 45:16
  Speaker 0: A fantasy romance of a long-abandoned relationship has been heard all over the country.
• 45:23
  Speaker 0: Yes exactly!
• 45:26
  Speaker 0: That fits quite well with this topic again which I think is commonplace because... So now i don't know much about it but have accompanied
• 45:45
  Speaker 1: me for weeks or months.
• 45:48
  Speaker 1: Pointual.
• 45:59
  Speaker 1: Pointual in which you think, how would it be if I was still together with my ex-son like this?
• 46:10
  Speaker 1: That's
• 46:11
  Speaker 0: a thought that sometimes pops up.
• 46:17
  Speaker 0: It is so sweet because one notices and thinks he has been left behind.
• 46:21
  Speaker 0: Because there are people who say
• 46:26
  Speaker 1: they want to do the same thing again... ...and I'd love for those memories as well!
• 46:49
  Speaker 0: It also speaks completely through, because you can see old videos showing how they spent their holidays together.
• 47:25
  Speaker 0: And one sees an ex running across the beach or piling up by exhibition and so on... Oh ha!
• 47:31
  Speaker 0: ...and it's really nice that he did a great job.
• 47:34
  Speaker 0: Wow, but this is also spooky.
• 47:35
  Speaker 0: Imagine if there was an ex in front of him, depending upon his preference?
• 47:43
  Speaker 0: And then after a few years with them, he brings out such a song from which he
• 47:51
  Speaker 1: tells her to have fans who are still here and play along in the video as well.
• 48:04
  Speaker 1: Yes, I think he already asked himself that his face is already unrecognizable.
• 48:13
  Speaker 1: Really?
• 48:13
  Speaker 1: No one sees the face!
• 48:14
  Speaker 1: So from there it's also a good bridge then to sing which we will play at the very end but later on more first time here comes why with pretend so real.
• 48:33
  Speaker 1: It's hard to make up another sun beyond hotel For when you're driving by my condo.
• 48:52
  Speaker 1: Yeah, I'll let any event throw Civitans so that you are You are Killing it in every dimension.
• 49:04
  Speaker 1: Giving up on the question I'm betting on modern medicine.
• 49:08
  Speaker 1: Be letting them know your not messing around Face-to-the ground Your breaking new ground.
• 49:28
  Speaker 1: Can i take u out?
• 49:29
  Speaker 1: That's why I'm a pretenser reel and out took us an annoying album.
• 49:35
  Speaker 1: Oh golly, yes lord.
• 49:38
  Speaker 1: It's a double album with two pages where his dad quotes, because that was the main thing to say about him.
• 49:45
  Speaker 1: Oh golly!
• 49:45
  Speaker 1: And yes lord from Bad Attitude vs Good Attitude.
• 49:50
  Speaker 1: But
• 49:50
  Speaker 0: then you also notice it is no longer a musician in their twenties, right?
• 49:55
  Speaker 0: He already gets drunk and sounds like an old saying of his father or something ... Yes this is how normal
• 50:03
  Speaker 1: it is... Yeah even a little
• 50:05
  Speaker 0: bit of gray
• 50:06
  Speaker 1: mulling here on the track.
• 50:08
  Speaker 1: I think it's also
• 50:09
  Speaker 0: good.
• 50:10
  Speaker 0: Why?
• 50:11
  Speaker 0: Pretend so real.
• 50:14
  Speaker 0: Real comes from Hills or H.LLS Bookstabiert.
• 50:25
  Speaker 0: Together with Let By Her, the trio from England has now finished a single that I really like very much.
• 50:32
  Speaker 0: It's called Libra by Hills is about childhood friends three childhood friends two who like to sing one who likes to produce and they do it kind of anonymously music or public that don't have a clear name.
• 50:48
  Speaker 0: It's kind of like Red Golden Green, where one red is the other gold and another green.
• 50:52
  Speaker 0: They call themselves One Two Three in interviews here but they also don't want to give their names as public prize.
• 50:59
  Speaker 0: They want to keep themselves behind because what should be the foreground?
• 51:04
  Speaker 0: The music!
• 51:04
  Speaker 0: And
• 51:05
  Speaker 1: now you've got some... with
• 51:05
  Speaker 0: the luggage that allows me to drive through the night in the big city.
• 51:13
  Speaker 0: So it's a song where you can see rainy autofensters and lights blinking.
• 51:19
  Speaker 0: It is also like The Hills by Weekend, so my association might be on the band name but I don't know exactly!
• 51:26
  Speaker 0: the mood that will be added to this great piece of music.
• 51:31
  Speaker 0: And then there is also the mixing of different vocalists who come in here, we have these two guys from HILDS on the sound track and then someone comes in lead by Hörrein, it's Rachel Ayser-Diak from England as well.
• 51:51
  Speaker 0: She does a bedroom drill, she says herself.
• 51:54
  Speaker 0: Bedroom Drill?
• 51:54
  Speaker 0: Yeah the Elephant mixtape is there right now.
• 51:57
  Speaker 0: you can pull yourself in.
• 51:58
  Speaker 0: Okay!
• 51:58
  Speaker 0: It has an extremely special way of rapping and it's always called very quiet on the microphone because... Oh so Billie Eilish music?
• 52:04
  Speaker 0: Yes, that's the Billie Eilsich English rap I would say And this really is such an awesome moment.
• 52:10
  Speaker 0: when then the boys are ready The song goes down again for some time Then Led by Her starts with her part.
• 52:16
  Speaker 0: So i'm really a fan of them.
• 52:19
  Speaker 0: not so much happens in the
• 52:21
  Speaker 1: song.
• 52:21
  Speaker 1: Yes, the anonymization that you just mentioned is also covered with this video where all three of Hills show themselves unconsciously always with red faces.
• 52:30
  Speaker 0: I
• 52:32
  Speaker 1: have to say i suspect there will be a lot coming because they produced a certain producer Collective The Monsters and Strangers Here also for Justin Bieber, Dua Lipa, Halsey Miley Cyrus and so on.
• 52:47
  Speaker 1: We produced it!
• 52:48
  Speaker 1: And who knows what's behind these three hills?
• 52:50
  Speaker 0: Yes yes that is definitely a band which has the potential to be out as supergroups sooner or later.
• 52:56
  Speaker 0: Then afterwards you all recognize each other.
• 52:57
  Speaker 0: That can already happen but maybe The story with childhood friends who always wanted to make music together of course was nicer.
• 53:04
  Speaker 0: I think the idea... So especially if they were in a supergroup If there would have been people like this that you already know, then I think it's really even cooler to say we keep our names out there for the first time and if you like music is awesome.
• 53:19
  Speaker 0: And otherwise... We can still try to save things with
• 53:23
  Speaker 1: our promie status.
• 53:24
  Speaker 1: All good!
• 53:24
  Speaker 1: We don't keep our name out at all.
• 53:26
  Speaker 1: This is Winsan, my name is Ueli.
• 53:28
  Speaker 1: If you want to support this podcast come on fanclub with kaa.com.
• 53:32
  Speaker 1: You will be able to support us from € one and ninety-nine.
• 53:36
  Speaker 1: so here in this wonderful studio just longer?
• 53:40
  Speaker 1: Exactly
• 53:41
  Speaker 0: We hope there was something for you and refer to previous episodes.
• 53:50
  Speaker 0: If you want to hear it again, I mean... You don't just have to listen to music that appeared this week!
• 53:59
  Speaker 0: You can also support us on older episodes from the Goldstückli-Erhol format.
• 54:04
  Speaker 0: Thank you very much for listening and see you next time!
• 54:08
  Speaker 0: Bye, Vincent!
• 54:09
  Speaker 0: And Ueli!
• 54:10
  Speaker 0: Ain't just the tiny ways and how you kicked up It's the way we made love.