Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Amazing Mr. Malone: The Smoothie (EP1120)

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Amazing Mr. Malone: The Smoothie (EP1120) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

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  Welcome to the Great Attractives of Old Time Radio from Boise, Idaho. This
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  is your host, Adam Graham. If you have a comment, email it
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  to me Box thirteen at Great Attactors dot net, follow us on Twitter at
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  Radio Detectives, and become one of our friends on Facebook, Facebook dot com
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  slash Radio Detectives. Before we get started, today's programs brought to you by
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  the financial support of our listeners, and I especially want to thanks Cindy for
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  her support. We'll send us to the premium site as we do with alternations
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  of seven dollars or more, and you can support the show at support dot
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  Great Detectives dot net. Well, the episode we played a couple weeks ago
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  was the end of the Amazing Mister Malone over American radio. In addition,
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  there was a television series, but it didn't last long. However, Mister
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  Malone would continue to appear on the radio, just not in the United States.
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  Grace Gibson Radio Productions was one of Australia's biggest radio syndicators. They did
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  quite a few original series, but they also would purchase scripts from American radio
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  programs to be produced in Australian with Australian cast members and the series first appeared
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  in syndication in nineteen fifty three and would continue from August twenty seventh to fifty
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  three to August nineteenth of nineteen fifty It employed scraps from the ABC run of
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  the series, which is good since all but four of those are missing or
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  only half half the episode available. One notable change they did is that they
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  moved the series from Chicago to New York. Not quite certain why they did
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  it. They may have just had more Australian actors who were familiar with doing
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  New York accents. Well, have more to say about the syndication, but
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  this will be actually the first time we go ahead and play a full Australian
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  episode. And we've got four of these episodes, so we'll take a listen
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  to the first. This was the eleventh episode of the run aired in Australia
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  originally November the fifth, nineteen fifty three, and the title is The Smoothie
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  The Amazing Miss Them Alone Operator Give Me the Office of John J. Malone.
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  We now present The Amazing Mister Malone, an exciting half hour of mystery
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  and suspense starring John Saul as the lawyer who practiced before every type of bar
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  has become a legend. Allo Carl is the city of New York, the
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  time, the present, and the hero of these weekly adventures. The amazing
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  mister Malone. Malone's the name, John J. Malone, Attorney and Counselorate
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  Law. My collection of tried and true cliches is the oldie nothing venture,
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  nothing gained. Peter Quinn had heard that one all his life, but being
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  a timid little fellow, he took a long time to act on it.
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  But when he did, he ventured in a big way. Only he didn't
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  gain. He lost everything. But it was not the axiom that was at
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  fault. It was the person with whom Quinn ventured, said person being Peter
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  Dumont, a suave, shrewd operator who at the moment is leaning back in
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  one of the overstuffed chairs of his lavishly furnished apartment and smiling pityingly at Quinn,
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  who faces before him, squeaking his indignation. You are a thief,
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  woman, that's what you are, Just an ordinary thief, a thief,
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  perhaps ordinary neess, and you need try to be cute. You saw me
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  fifteen thousand dollars worth of worthless stock. What are you going to do about
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  nothing? I want my money. It's in much better hands now Quinn believes
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  me to see that renworth youtu Now you would never have shown such tastes.
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  Don't change the subject, not you swiddle me. Don't try it tonight.
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  You led me to believe that all well would bring a big return. People
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  so easily led deserves to be. It was our right fevery. You're repeating
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  yourself. I want to know what you're going to do about the money.
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  Now you're forcing me to repeat myself. The answer is still nothing. Then
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  I'll I'll see you in court with no proof. There was nothing on paper.
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  Well, if I can't get what's coming to me, at least I
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  can exposure so you can't cheat anyone else. Huggins, Huggins, what me,
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  mister Dumont, show mister Quinn out right, and when you get him
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  outside, Huggins, convince him that it would be wiser not to cause us
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  any inconvenience. Right, I get the idea good? Now see the Quinn
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  does? Would you do, monsieur dam could you leave you right this way?
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  See other gentlemen is already seated at your table as a gentleman. Gentlemen,
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  gentlemen, I thought he was in your party. Nobody's in our party.
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  We're dining alone. The gentleman asked to be seated at your table.
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  I'm very sorry. It's all right, Pierre. We'll see who it is
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  we were dining here. Did you tell anyone to say no? No,
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  you just have to? What's the matter? Stone Coman, that's the boy?
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  Hello, Stoney, com On, saddam, take a load out of
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  here for you. Hello, miss, My name's Harvey Stoner. You're a
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  lesser Granville? Right? How did you know my name? It's my business
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  and those things I see themand hasn't changed. Still interested only in beautiful thing.
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  How long have you been in town? Stone? It just got in
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  as soon as I heard you in New York. I hopped up Poulaine and
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  came right over. And what do you want? Whatever I want? Uh?
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  What that questions? You want a tough business here? Now? No,
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  all right, we won't, I said, don let's have dinner.
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  I've already ordered the cocktails. Come on, or I'm gonna begin to get
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  the idea. You aren't glad to see me, and you know me,
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  friend, you wouldn't want me to be getting ideas like that? Would you?
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  Hey? Nice shot? Malone? Yeah, watch this one six ball
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  in the side pocket? Excuse me? Are you John J. Malone?
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  Oh? Look lover? He didn't anyone ever tell you you don't speak to
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  someone when he's about to make a shot. But I just did. Yeah,
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  you just did? You arm alone? Look, I'm John D.
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  Rockefeller. Here's a dime. Now go away, leave me alone. Beat
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  it? Mother ever tell you to stay out against like this? Oh please,
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  mister Malone, I'm Alissa Graanville. I call that your office. Your
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  secretary told me i'd find you out here. I'll make a note of that,
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  hire a new secretary. But I want to engage your services. Don't
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  you want to work? Does anyone? It's maybe a matter of life and
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  dead? It usually is. All right, let's go over and sit down.
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  Be back in a minute, Charlie, okay, all right, baby?
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  Who's life? And who's dead? Peter's life? Peters dead? Who's
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  Peter? Mike jon't say Peter Dumont? Go on, well, mister Stoner,
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  he's been bothering Peter. I think he's against you. Does Peter say
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  Stone is against her? He won't say anything about him, but I can
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  see he's won. Well, well do you want me to though? Isn't
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  there somewhere you can make mister Stoner leave Peter alone, stop bothering him.
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  A court order or something depends on how he's bothering him. Is he threatened
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  Peter? I don't know, great, but he up said Peter. How
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  I don't know? He just does This would sound dandy in court. I'm
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  afraid I can't help you, Miss Grandma. By the way, does Peter
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  know you've come to me? Of course no. I beg him to do
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  something about it, but he won't. He has a bodyguard, he says,
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  that's all he needs. A bodyguard. Yeah, a man named hugging
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  or horrible person. Peter sounds charming, he is, no doubt. Well,
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  look, if he wants protection, he'll asks for it. The best
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  thing for you to do is mind your own business. Peter is my business.
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  We're going to be married. I meant that you would only have a
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  talk with mister Stonner, find out what you really want. Look, Miss
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  Grandba, call me at Alissa. Unless I'm very much mistaken. Peter's not
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  going to like your budding in. Don't worry if you'll just do what I
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  ask. I can handle, Peter, Yeah, I'll bet you can at
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  that. Yeah, I'll be stoner. Yeah, I'm John Jay Malone.
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  Should I be amazed? Give me time? May I come in? What
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  forward? I'd like to talk to you while I buy? What does your
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  mom? Who sends you? Does it matter? Maybe? Well let's talk
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  it over and find out. Shall we? All right? Come in?
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  Thanks? You working for Dumont? No? Oh, I told you Stoner.
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  We'll come to that. Yeah, right, mylone way, Well in
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  time? Do you know something alone? What You're gonna be surprised? How
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  time fly? Well we can look out sooner? What guy here throwing that
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  lambs from the window? Didn't you hear that shot? There's a man on
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  the terrace out there? I gotta get out there. Hey, what's going
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  on? Is? I don't know? But he's duped. He's down there,
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  and just get it all right? You better stop struggling mistead cover Okay,
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  wow, mister Hagan, So this is Huggins, Hey, Dumont's boy.
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  Yeah, he tried to shoot you, stoner. I heard a noise
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  at the window. I looked. I saw him right outside raising the gun.
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  So I tossed the lamp at him just in time too. It caught
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  him and the shot went wild, and then I grabbed him before he recovered
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  planted. Malone splanted and now will you put your hands up? Want me?
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  Yeah? Go on, get him up. Oh that's gratitude. How
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  handle is my way? I can get to see you wait them alone if
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  I need to. Right now, I've got some pressing business with Huggins.
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  Oh you better get going, Malone. But don't you want to? I
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  told you what I want to settle with Huggins. All right, Malone,
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  start walking. When a man plows a gun on you and says start walking,
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  you walk, so do I. I walked away from Huggins and Stoner
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  And that was the end of a very unsatisfactory conversation. I didn't think my
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  client would be please. Well, she'd know where to find me if she
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  wanted me. I was all set to make a shot that would really amazed
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  Jolly. I studied the position, chucked the Q got sip. He started
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  my stroke and hello, hey you, mister Malone. No, mister Malone,
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  I must talk to you. Yes, it may be a master.
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  Don't tell me life or death. How did you know I'm amazing. Who's
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  this time? Who's what? Life or death? Mine? Huh, Well
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  that's a swift anyway. And just who are you less to? Quinn?
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  Quinn? All right, and I what's this danger you're in? Mister Dumon
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  thinks I hired you to investigate him? I wanted to tell him. I
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  didn't why because he's angry. There's no telling what he may do to me.
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  I mean, what gives him the idea I'm working for you are actually
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  working for somebody. I threatened to get a lawyer to tell her. Yeah,
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  it made me change my mind, so naturally he wanted to sue him.
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  Why. I'd rather not say what's the matter? Dumont wouldn't like it.
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  He wouldn't have to know you told me he might find out. Well,
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  if you won't tell me anything about Dumont, can you tell me anything
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  about Stoner? I don't know anything about it. All right, thanks for
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  nothing, Quinn, And now may I get back to my game? Well
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  certainly, but you will tell Dumant I didn't engage you, won't you know
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  what? But why not? It's my bargaining point. I'll make a deal.
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  What kind of a deal. Tell me what I want to know about
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  Dumont, and I'll tell him I'm not working for you, all right,
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  Malon, you win? Good? Now, what's with Dumont? He's a
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  swind last he told me fifteen thousand dollars worth of phony oil stock, so
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  that's it. Yeah. When I fret to take him to courty, have
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  his tug slapped me around and won me not to say anything. All right,
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  thanks Gwinn. Now you will tell Doo much You're not working for me,
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  all right, But of course you mustn't tell you I talk to you
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  about it. It may not be easy to work both ends and left together,
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  but I'll try. Thank you. Save it, Quen, save it
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  till we see how I make out. Oh, Pierre, there's the other
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  gentleman here again we misued you more. Well, that's all right this time
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  I'm expected today right to be here. Thank you. How's a boy,
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  Sam, I'm gonna tell you I wanted to have lunch with you. Yes,
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  How is he feeling better? That's good? I guess I was a
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  little rob on him. Did you know something to man? I take it
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  personal when somebody tries to throw a slug at me. Of course he was
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  acting under orders, conversational dexterity never was your strong suit. Stone. Well,
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  that's dispensefulin you end nose and come right down to the point. But
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  why did you ask me to have lunch with you today? What do you
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  want with me? Buck Pallely? I followed you all the way from La
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  on a kind of I like it as a team. I can handle the
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  rough stuff. You're good with the smooth line. When we've got some rich
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  baby we want to knock over. We're a natural. That doesn't answer my
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  question, Sure it does. This is one partnership I don't like to see
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  dissolved. You were not on me. I kind of bring you home.
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  Ooh, you're determined to take me back. That's right, pal, you
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  can't shake me. You might as well stop trying. Well, at least
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  your persistence is flattering. Yeah, oh, how about it. I got
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  reservations for two on the century, but tomorrow we use them for two.
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  Yeah, Huggins desire, I'm taking no chances. I know you wouldn't have
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  the nerve to pull a trigger yourself. I wasn't thinking of Huggins h a
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  doll? Is that serious? Could have been? If I could have shaken
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  Huggins in time, and if you hadn't shown up and I just wanted to
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  do a few more jobs to get a little hit. Don't make me a
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  laugh, but your taste it could never attire. The could always be some
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  painting or a lousy antique. Well you know me, So check the babe
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  and let's blow. I'll think about it. Well, thank god, because
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  I'm getting tired of horse and rum. Either a comeback but popper or they
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  send you back in a box. Before returning to the amazing mister Malone,
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  a few words from your announcer, and now back to the amazing mister Miller
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  homicide. Hello Brooks Malone. Look, I want you to check for me
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  on three guys. They call themselves Peter dumont, Huggins and Harry Stoner.
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  They could be aliases, of course, but I'll give you a descriptions.
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  Lave you got something on them and check with Bunker, will you. I
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  think one of them is a shakedown on it. Don't you sorry to disappoint
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  it? Not until you get the dope for me. I want to get
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  this thing cleared up. Now. Look here's what I got soaparbro. Hello
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  dumont O Huggins, don't you believe in knocking? Sometimes you're packing? So
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  I am. I didn't know whe're going anywhere. Now do where. I'll
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  tell you in good time. You know, if you was trying to hold
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  something back and I wanted to, I could make you talk. I could
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  trust you in half. So easy to struggle with brute force, Huggins is
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  that when it is not tempered by intelligence, it accomplishes very little. As
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  witness last night. How I know Malone was going to be there. The
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  point is he was there and you were unable to cope with the situation his
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  presence created. You're not very bright, Huggins. I wouldn't advise you to
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  cross me. Look if you want it now, there's the doorbell. Answer
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  it. Okay, it's probably missus Granville. Here her into the study.
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  I'll do with her in a minute. My dear, thank you ill.
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  How would you like to be married tonight? What we don't look so startled?
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  This is not so sudden. I don't know what to see, and
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  don't say anything. Just do what I tell you, Go home and pack.
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  Will be married to Nightly New York immediately and as soon as we can
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  arrange a passage, we'll sail for honeymoon stock Oh, Peter, that sounds
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  wonderful. Only why the great rush? Why not? Is it because of
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  that person? What person, mister Sterney? What gave you that idea?
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  The way you acted and the way he did? Am sure, my dear,
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  I don't range matters ru like a wedding to suit Stoney. Well,
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  you don't have to worry about him anyway. I'm delighted to hear it.
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  And just what gave you the idea? I am worried about him? I
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  can tell. Have I underestimated you? My dear? Is there a brain
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  behind that? Lovely to say? Now, don't get angry. I never
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  do. It's just that I love you so much. That's why I noticed,
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  and that I that you what? Well? Nothing? That you what
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  I told you? Nothing? Have you been meddling? No, it's just
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  well I thought it. Oh, maybe it's somebody talk to missus Sterney.
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  You talk to him? No, not I but yes, nothing, You're
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  young. I'm not angry. I'm sorry, Peter. Wait a moment,
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  Malone, he was at Stoner's. I thought that Quinn. Oh, so
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  that's it. You hired Malone. I was worried about you. I thought
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  that, he thought. I'm sorry, it's a little late for that.
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  And listen, what are you going to do by leaving New York? As
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  I plan? Good alone the depths of your stupidity and time. Put your
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  hands off me. Don't be angry. I'm telling me I'm angry. Ask
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  me what you made me do? I never struck a woman before in my
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  life. Now get out of here. Oh my pet, I'm going,
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  Hello Eliza, let them alone? Come in? Thanks? M hm.
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  Yes, maybe I'm a little late late before for telling you what I found
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  out. From the look of your eyes, you've found out yourself, and
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  I found out Peter doesn't love me? Going away? Going away? When
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  tonight? Well I have to see him first, I promise. Somebody,
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  May I use your phone? What's the number on the pad? Oh?
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  Yes, thanks? How come you found out about him? I told him
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  I talked to you. He was sure. Yeah, I can see how
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  he would be. Hello, Hello Demon? Oh is that Huggin? Hello
• 21:47
  Huggins, Don Jay Malone speaking? How'd you make out with Stunner? I'll
• 21:53
  bet look, Huggins, when do you think Demant will be back? Well,
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  I've got to go by that way. Anyway, So I'll drop in
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  and see if he's there. Okay, all right, I'll be over in
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  fifteen minutes. Hello Huggins, Well I see Stone. I left his trademark
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  on your face. Huh? Or was it a door in the dark?
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  You want to see? Dumont just came in in the study? Oh well,
• 22:29
  thanks, Huggan. First door down that way. Thanks again. Yeah,
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  he doesn't answer and the door's locked. All right, what's the idea?
• 22:56
  Wait a minute, I get someone in there. Yeah, come on,
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  come on, open up, open in the window. You have a
• 23:06
  keep of this door. Oh well, maybe we can break it in.
• 23:08
  Come on, okay, no, good, come on once more. Okay,
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  here we are. Yeah, there's Dumont where on the floor by the
• 23:21
  desk. No wonder he didn't enter the door. I'll cut he put a
• 23:25
  bullet in his head. Yeah, duman was dead. The window was open,
• 23:33
  and whoever had been there was gone. I gave the room a quick
• 23:37
  going over. Then I put in a call to headquarters. Well, the
• 23:41
  police will be here right away, Huggins. You don't have to hurry on
• 23:44
  my account. Tell me something, Huggins, what do you smoke cigars?
• 23:48
  Dumont? Oh? Why Stoner does and take a quip of this air what
• 23:53
  you mean? Yeah, well you will have to be a reception committee of
• 23:56
  one Huggins. I got things to do where you're gone, don't Stone?
• 24:00
  Who knows? If I'm lucky, I may smoke out a murderers the idea.
• 24:11
  I don't like your budget in there. I'll barge out in a minute.
• 24:14
  Would you care to come along where two months? The police might be
• 24:17
  interested in talking to you. Police. Yeah, they're over there. If
• 24:21
  they want way, they can come here. Is that an invitation? They
• 24:22
  may take you up on it. You're in the wrong Allway'm alone. I
• 24:26
  didn't kill do mom? You didn't know? And how did you know he'd
• 24:29
  been killed? Whoa? You're you? I said the police were there,
• 24:33
  that's all. I didn't say anybody had been killed. I don't read that
• 24:41
  taken before anyone gets hurted. That's better. And now, Stoner, I
• 24:47
  think you're going to two months after all? Come on, I alatand I
• 24:56
  brought you a present, Lieutenant Sleet Harvey Stoner charm well, lieutenant, I
• 25:03
  see you boys work fast. Here's the girl too, Hello a little miss
• 25:07
  Malone. I didn't kill Peter. Tell him I didn't. All right,
• 25:10
  honey, Brooks, she didn't do it. Thanks, Now, what's with
• 25:12
  us character, Stoner? I thought you might like to talk to him.
• 25:15
  He was at the scene of the murder. Yeah, when when I got
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  here? And when was that just before I put in the call to you?
• 25:22
  Just before? Ruh, we got that call at three forty five.
• 25:26
  You're doing great, Malone. Why what's the matter? The mia says Demart
• 25:29
  was killed sometime around three. Well, Malone, I guess that lets me
• 25:33
  out. I'm not so fast, Stoner. You could have forgotten something and
• 25:36
  come back for it, prove it. Maybe he won't have to. You
• 25:38
  know, we got other leads. What Brooks? The girl for one thing?
• 25:41
  Malone, she was here around three, But I didn't do it.
• 25:45
  He was alive when I left, sure he was. Ah, there's something
• 25:48
  wrong about your time sequence, Brooks. Yeah, yeah, Huggins, you
• 25:52
  want me, Malone? Yeah, Look, when I got here before you
• 25:56
  told me Demanda just come in, so he must have been alive there.
• 26:00
  And that was nearly three forty five. I was in the back of the
• 26:03
  apartment. I heard somebody come in. Actually I figured it was Dumont.
• 26:07
  I guess the stone Man satisfied Malone. All right, so Dumont was dead
• 26:14
  since three? Hey, now what there's one level man. We've all been
• 26:19
  overlooking Osa. Just a hunch, but it's worth checking. Where's the phone?
• 26:23
  The only phone is in the study. I'll see if the boys are
• 26:26
  through in there. All right, No, no, wait a minute,
• 26:30
  we'll make up your mind. Malone. Seems I'm wrong again. You know
• 26:34
  something, Malone, that could get to be crying? Well, I think
• 26:37
  I found a cure. Here's your murderer, Brooks right here. I'll get
• 26:41
  there. What do you meet, Malone? Just what I said? How
• 26:45
  can Hugh kill Dumont? And this time I'm not wrong? Well, Huggins
• 27:00
  talked and what he had on what Bruh admitted the whole thing. You were
• 27:03
  right, You're amazing, mister Malone. Well, I won't argue the point.
• 27:10
  Lieutenant Dumart was going to tie the can to Huggins, and Huggins got
• 27:12
  beats, so he plugged him. But Jumble Malone. Huggins pretended not to
• 27:18
  know anything about the murder until we broke into the study and found the body.
• 27:22
  Yeah, that's right, but I'd called Huggins about fifteen minutes before that.
• 27:26
  Until he might be over. So the call must have taken place somewhere
• 27:30
  around three thirty, when Dumont was already dead. Right. Well, when
• 27:34
  you told me the only phone in the apartment was in the study, I
• 27:38
  saw that Huggins was our boy, because when he answered my call, he
• 27:42
  must have seen the body, but he didn't say anything. M Well,
• 27:47
  huh, the body was in the study and the phone was in the study.
• 27:52
  Yeah, all right. If that doesn't Malon, I thought it would.
• 27:56
  There's only one thing I still don't understand. What's that you get mixed
• 28:00
  up in this case? In my first place, Alyssa asked me to and
• 28:03
  you saw what a beauty she was. But she was engaged to another man
• 28:07
  at the time. Yeah, so she was, but I could see she
• 28:12
  was the sort of woman men die for. I just took a chance he
• 28:17
  would. Good night, let him and now once again back to the Amazing
• 28:42
  mister Malone. I'll have another story for you next week, so why not
• 28:47
  pick me up in my office at the same time. I'll be waiting for
• 28:49
  you, and good night. The Amazing Mister Malone is a Grace Gibson production
• 29:02
  starring John Saul as John J. Malone. And directed by Lawrence a Cecil.
• 29:18
  Welcome back, well, very comparable to the American production. The one
• 29:22
  thing I didn't hear in the episode, and perhaps the biggest difference with the
• 29:26
  NBC run, was the chemistry between the actor John Sall and Hart maguire in
• 29:37
  the roles of Malone and Brooks versus the previous run that we just heard.
• 29:45
  But to be fair, Brooks wasn't in this episode a whole on, so
• 29:49
  we'll have to see how that develops. It's interesting to note we had a
• 29:55
  listener send in a question a while back asking if anyone went to Australia on
• 30:02
  Carter Brown to play to play roles on Australian radio, and I said,
• 30:10
  nothing I aware of. But according to the Digital la FTP which I've got
• 30:15
  the information on the Australian run for Hart McGuire, who was actually born in
• 30:21
  Tennessee, did play the role of Lieutenant Brooks in this series. All right,
• 30:27
  well, that will do it for today. Join us back here tomorrow
• 30:30
  as we continue on with Matter of Reasonable Doubt. In four weeks we'll be
• 30:37
  bringing you mister Chameleon. But in the meantime, join us next Tuesday for
• 30:44
  another episode of the amazing mister Malone from Boise, Idaho. This is your
• 30:48
  host, Adam Graham, Sign and off.