Latest / The Bald Brothers Podcast / 153: Top 5 Women that belong in the Kitchen | #thebaldbrotherspodcast

Transcript

153: Top 5 Women that belong in the Kitchen | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right, what up y'all? Walking to the Bar Brothers.
• 0:02
  Speaker 1: I'm kemo stage today. We're here to wax poetically on stuff.
• 0:05
  Speaker 1: We're just some friends who wanted an excuse to hang out.
• 0:08
  Speaker 1: We don't like to leave our house, but Bar Brothers
• 0:11
  Speaker 1: gives an excuse today. Top five women who belong in
• 0:15
  Speaker 1: the kitchen. Get back in there where you belong. Get
• 0:22
  Speaker 1: in that kitchenchen. You want to kick it off, be
• 0:27
  Speaker 1: proud you want me to kick it off. Kick it off, man.
• 0:30
  Speaker 2: I'm gonna start with.
• 0:33
  Speaker 1: I'm gonna start with Patty LaBelle. Patti LaBelle changed the
• 0:38
  Speaker 1: game with her sweet potato pies. It was a it
• 0:41
  Speaker 1: was a borderline stampede. I didn't believe sweet potato pie
• 0:46
  Speaker 1: was a thing that could be made in masks. Sweet
• 0:47
  Speaker 1: potato pie, I'm like, punkin pie is not sweep tael
• 0:51
  Speaker 1: pie is not made in served in grocery stores like that. No,
• 0:55
  Speaker 1: you can't get sweet potato pie. Yeah, I think that's more.
• 0:59
  Speaker 3: Of the sweet potato pies.
• 1:01
  Speaker 1: And no, tom no, not nearly. If it is not
• 1:05
  Speaker 1: nearly at the rate of pumpkin pie. Maybe in black
• 1:08
  Speaker 1: parts of America, but by and large, you can't just
• 1:11
  Speaker 1: go before Patty. You couldn't just go and grab a
• 1:14
  Speaker 1: sweet potato pie that was good. I didn't know that
• 1:17
  Speaker 1: non baker Patty. Patty came in with the Patty's pies.
• 1:21
  Speaker 1: She got all kinds of desserts. So you get in
• 1:24
  Speaker 1: there and get to bacon, because that's what the pie
• 1:28
  Speaker 1: is good.
• 1:30
  Speaker 2: Patty label belongs in that kil shit.
• 1:35
  Speaker 1: I'm telling you, man.
• 1:37
  Speaker 3: Julia motherfucking Child, she is.
• 1:40
  Speaker 1: She not a She's not a game. Julia Child Meryl,
• 1:44
  Speaker 1: she got a good movie playing her.
• 1:46
  Speaker 3: You get your ass up in that kid.
• 1:48
  Speaker 1: Julia childs you belong.
• 1:50
  Speaker 4: She was in that kitten so and we loved every
• 1:53
  Speaker 4: molecule of it. Julia Child was just like she was.
• 1:58
  Speaker 4: I feel like she was my introduction into cooking show. Yeah,
• 2:02
  Speaker 4: who this lady is cooking it tot funny.
• 2:05
  Speaker 1: I was all the man.
• 2:07
  Speaker 4: Julia Child Child, she in the kitchen in Heaven right now,
• 2:12
  Speaker 4: serving it up.
• 2:15
  Speaker 1: All right. I'm gonna say, tap of the brown, get
• 2:20
  Speaker 1: that vegetables mixed up, get in there chocolate, that greenery,
• 2:26
  Speaker 1: tap tap burst on the sea, making the vegan stuff
• 2:30
  Speaker 1: during the pandemic. Then she said, I'm about to build
• 2:32
  Speaker 1: businesses and go and act cut up some salery. Tap.
• 2:36
  Speaker 1: She just sent me a recipe for a Greek salary
• 2:38
  Speaker 1: the other day. Man, it was all right. It made
• 2:42
  Speaker 1: my own homemade dressing with some olive no no, I
• 2:46
  Speaker 1: kept a vegan yeah, olive oil, lemon, salt and pepper,
• 2:52
  Speaker 1: big chunks of the vegetables. It was good because you
• 2:58
  Speaker 1: know that dressing where they get you on the on
• 2:59
  Speaker 1: the dressing me one hundred and fifty calories and that's
• 3:04
  Speaker 1: your tablespooon. When I quitted badly, I have more. I'm
• 3:09
  Speaker 1: I have more dressing than lettuce. People mess up absolutely,
• 3:15
  Speaker 1: so hers was hers was locale on the dressing. You
• 3:19
  Speaker 1: know what I'm saying. Tap cooks good. She and she
• 3:21
  Speaker 1: don't do the vegan food. I've been in their house
• 3:24
  Speaker 1: and he she don't do the like the like beyond
• 3:27
  Speaker 1: meat the plant, I mean the science meat. She and
• 3:32
  Speaker 1: she don't do tofo either. So it's like jackfruit, mushrooms,
• 3:39
  Speaker 1: stuff like that. We went to this vegan restaurant in London.
• 3:41
  Speaker 1: I still want you to go. Best vegan food that
• 3:43
  Speaker 1: had in my life. Yes, some Jamaican vegans who didn't
• 3:47
  Speaker 1: grow up with that science. They grew up with that
• 3:49
  Speaker 1: ground and that earth we're coming up out the earth.
• 3:52
  Speaker 1: Cook it up, fry it up, seizon it up. So yeah, tap,
• 3:57
  Speaker 1: get back in that kitchen.
• 3:58
  Speaker 3: Tap, you actually made this salad.
• 4:01
  Speaker 2: I've made the salad.
• 4:02
  Speaker 1: Man, it's me. Yes, I've been chopping up vegetables. Yes,
• 4:08
  Speaker 1: I made it. I did chop, chop, chop. I've been man,
• 4:13
  Speaker 1: it's a new me. Told you. See the neck, Look
• 4:16
  Speaker 1: at the neck, look at my next This is crazy.
• 4:20
  Speaker 3: It's new work.
• 4:22
  Speaker 1: Melissa been telling me you need to stop eating out
• 4:24
  Speaker 1: so much. I told you I don't listen to you,
• 4:28
  Speaker 1: and I don't even.
• 4:28
  Speaker 3: Listen to her.
• 4:29
  Speaker 1: I told you that I don't listen.
• 4:32
  Speaker 2: I don't care.
• 4:34
  Speaker 1: I listened to me by the time I listened to me.
• 4:37
  Speaker 1: It's my own idea. Again.
• 4:38
  Speaker 4: It so it'd be so and so when you tell
• 4:41
  Speaker 4: somebody so and they like, you know, but listen, told
• 4:43
  Speaker 4: me I was eating You.
• 4:49
  Speaker 3: Don't y'all, I eat out too much? Oh you don't.
• 4:56
  Speaker 1: Motherfucking problem with y'all is y'all order and too much.
• 5:00
  Speaker 1: She's too much postmakes and stuff. If you would just
• 5:02
  Speaker 1: take the time and cook and prepare your food, it'll
• 5:04
  Speaker 1: be all right. But pe, you don't want to listen
• 5:06
  Speaker 1: to me, who are me?
• 5:08
  Speaker 3: Who?
• 5:08
  Speaker 1: What do I know? You're up toned?
• 5:12
  Speaker 3: All right, so I'm going mm hmm. Listen, I know
• 5:23
  Speaker 3: what I know what she did.
• 5:24
  Speaker 1: I know I was hoping you would saying so I
• 5:26
  Speaker 1: could chime in, but I wouldn't have the responsibility of
• 5:28
  Speaker 1: saying I.
• 5:28
  Speaker 3: Know what she did.
• 5:31
  Speaker 4: I know what she said. I know she got ruined.
• 5:38
  Speaker 4: But god damn it, Polyarden, you get your racist bigger
• 5:41
  Speaker 4: than the ass in the kitchen and make me the
• 5:43
  Speaker 4: bigger tree biscuits and hush, bitch, I won't end on it.
• 5:49
  Speaker 1: I know what you did.
• 5:50
  Speaker 3: I know what you're saying.
• 5:52
  Speaker 1: Man, is crazy.
• 5:54
  Speaker 3: Get that segregation salad. Get that segregation salad.
• 5:58
  Speaker 1: Cute up right than segregation nigga chicken. I'm sorry, I'm
• 6:03
  Speaker 1: sorry not I know.
• 6:05
  Speaker 3: What you did. I know what you're saying, but I
• 6:07
  Speaker 3: still want to taste what.
• 6:08
  Speaker 1: You got doing, because if you feel with that much
• 6:10
  Speaker 1: bigger tree, you probably know how to season. Yeah, man,
• 6:15
  Speaker 1: biggotree McGee, listen, I know she own seventeen crock of
• 6:19
  Speaker 1: barrels down in Mississippi.
• 6:21
  Speaker 2: Now they be racist in there and we go up
• 6:23
  Speaker 2: in it.
• 6:24
  Speaker 3: Are they really racers in there?
• 6:26
  Speaker 1: He feels that way. The general store just ain't welcoming
• 6:29
  Speaker 1: to the blacks. It's not the whole general store.
• 6:32
  Speaker 4: The people be nice in there, the customers do anything personally.
• 6:37
  Speaker 1: Yeah, it's a hint of sism, is it? Yeah, it's
• 6:40
  Speaker 1: baked in the break.
• 6:41
  Speaker 3: I never got it.
• 6:43
  Speaker 1: Uh, Rachel Ray, get your butt in that kitchen. Give
• 6:45
  Speaker 1: me a thirty minute meal. Give me them thirty minute
• 6:49
  Speaker 1: meals with your just warm and bubbly set.
• 6:51
  Speaker 4: Smiling and what not last before something that got them
• 6:55
  Speaker 4: kitchen and get to work.
• 7:01
  Speaker 1: Nills. Rachel. I was with you TV show only twenty
• 7:05
  Speaker 1: two minutes.
• 7:06
  Speaker 2: She still had it done. She said, you can have
• 7:09
  Speaker 2: eight minutes.
• 7:09
  Speaker 3: For the commercials.
• 7:10
  Speaker 1: Rachel done. And she had me and Melissa on her
• 7:13
  Speaker 1: TV show back when we did our first book. We
• 7:15
  Speaker 1: didn't get to eat Rachel. Yeah she's nice. Everybody ain't nice,
• 7:19
  Speaker 1: y'all hear that. But Rachel Ray was as nice as advertised.
• 7:23
  Speaker 1: And she cooked the second before us, and then she
• 7:25
  Speaker 1: was like book talk and I was like, man, let me,
• 7:28
  Speaker 1: you ain't finished that. No, the PA scooted it away.
• 7:33
  Speaker 3: Don't do the scoopa way.
• 7:34
  Speaker 2: Ev oh oh man.
• 7:36
  Speaker 3: To get in there.
• 7:37
  Speaker 1: And I was hungry too, and they was the thing
• 7:39
  Speaker 1: was on wheels. Uh so yeah, Rachel Wade, that's five,
• 7:44
  Speaker 1: inn't it?
• 7:45
  Speaker 3: Oh we're just doing five total.
• 7:46
  Speaker 1: Yeah. Well, shout out Sonny Anderson too.
• 7:49
  Speaker 4: Let me let me give one more throw in man, Calise, man,
• 7:53
  Speaker 4: see what you got going on down here.
• 7:55
  Speaker 3: You get your singing ass in the African kitchen and
• 7:59
  Speaker 3: let's get to work.
• 8:00
  Speaker 2: She got the farm going to the farm going.
• 8:03
  Speaker 4: Man, listen, you get up in that kitchen. Let's get
• 8:06
  Speaker 4: the milkshakes going.
• 8:07
  Speaker 1: I'm in the yard.
• 8:09
  Speaker 4: I'm in the yard, Calicia, let's get the food going.
• 8:12
  Speaker 3: It's cute right in the yard. In the yard.
• 8:16
  Speaker 1: That's why we're in.
• 8:17
  Speaker 3: The yard making shakes on me. And now we're in.
• 8:21
  Speaker 1: Africa now looking like she having a great day.
• 8:25
  Speaker 3: The glow of is crazy.
• 8:26
  Speaker 1: The sun's always shining in her Instagram. Ain't never rained,
• 8:29
  Speaker 1: They never raining. Production is over great follow on Instagram.
• 8:33
  Speaker 1: But yes, get in that kitchen, all right. Top ten
• 8:38
  Speaker 1: Black TV Moms, Me and Tony the Baker gonna go
• 8:42
  Speaker 1: back and forth and give you the best of them fast.
• 8:44
  Speaker 2: You're going first, man to first.
• 8:46
  Speaker 1: I know who you're going.
• 8:47
  Speaker 4: Ropes Claire Bartholomew Huxtable Bartholomew is a uh you the
• 8:55
  Speaker 4: sex name yea it is today. Claire Huxtable is just
• 9:01
  Speaker 4: the ultimate TV mom. Yes, the perfect mix of firm, soft, fair, funny.
• 9:09
  Speaker 4: She just she was firing on them all cylinders. She
• 9:12
  Speaker 4: reminded me of my own moms.
• 9:13
  Speaker 3: I was like, yeah, man, Felicia Rashad.
• 9:17
  Speaker 4: If she didn't win an Emmy for that role, somebody
• 9:19
  Speaker 4: need to be slapped forth with the best TV mom
• 9:24
  Speaker 4: of all time, hands down for me. She ain't take
• 9:27
  Speaker 4: no ship. She was also loving at the same time,
• 9:30
  Speaker 4: and she would she would go at it with anybody.
• 9:33
  Speaker 4: She ain't care and I loved it all right, and
• 9:35
  Speaker 4: then the rapport with her and Cliff Fire.
• 9:37
  Speaker 1: It's great, all right. I'm gonna go with Aunt viv
• 9:41
  Speaker 1: original Janet g. Hubert, the actress she gave us. She
• 9:50
  Speaker 1: had personality. She was squeezing the hands, tough, hurting people's hands. No, No,
• 9:56
  Speaker 1: her sisters, that was just fun. She didn't take no crap.
• 9:59
  Speaker 1: They they were well to do. Will was in good
• 10:01
  Speaker 1: hands when I'm Viv. When they switched to the Uh,
• 10:05
  Speaker 1: they didn't give her much to do. That's on her.
• 10:08
  Speaker 1: I don't blame her, no, but the original aunt Viv
• 10:11
  Speaker 1: had a more well rounded character. I liked her.
• 10:14
  Speaker 2: They was regular black.
• 10:15
  Speaker 1: They was there was well off, but they wasn't snooty
• 10:17
  Speaker 1: and high for louton. Yes, there was regular black, and
• 10:20
  Speaker 1: I love that about them. She raised some good kids.
• 10:22
  Speaker 1: She did good with her kids, and she did good
• 10:25
  Speaker 1: with will.
• 10:26
  Speaker 4: Yes, all right, had I'm coming in with Florida Heavans.
• 10:32
  Speaker 1: Oh my god. She held the family back. They were
• 10:36
  Speaker 1: in the lottery. She said no. Every time something good happened,
• 10:40
  Speaker 1: she was shooting it down, keeping.
• 10:42
  Speaker 3: Them in the hood. She was scared though, man, Man,
• 10:45
  Speaker 3: she held her back.
• 10:46
  Speaker 1: Man, we had some stuff going.
• 10:47
  Speaker 4: That was very reflective of a lot of people's mindset
• 10:50
  Speaker 4: back in the day. Man, we were scared, like we
• 10:52
  Speaker 4: getting opportunities, were getting change, and like opportunities, that's scary
• 10:57
  Speaker 4: when you don't know nothing else.
• 10:58
  Speaker 3: So that was a very realistic betrayal or somebody like
• 11:01
  Speaker 3: even me, you know what I'm saying.
• 11:02
  Speaker 4: You got that broke mindset, like I'm scared to spend
• 11:05
  Speaker 4: the money, and so a lot of a lot.
• 11:07
  Speaker 3: Of people are like that.
• 11:08
  Speaker 1: You took your money and threw it in the ground
• 11:09
  Speaker 1: and buried it.
• 11:10
  Speaker 3: And that's cool.
• 11:13
  Speaker 4: What was gonna happen anyway. So I feel like that
• 11:15
  Speaker 4: was a very realistic betrayal. And you know what I'm saying,
• 11:18
  Speaker 4: I'm going Florida evans Man.
• 11:20
  Speaker 1: Okay.
• 11:20
  Speaker 4: And the way she tried to hold the grief in
• 11:25
  Speaker 4: and try to work through it, that was very real.
• 11:28
  Speaker 3: People do that all the time.
• 11:29
  Speaker 1: She was like, damn, damn, that was that was good man.
• 11:35
  Speaker 3: So shout out to her.
• 11:36
  Speaker 2: Harriet Winslow, Okay.
• 11:38
  Speaker 1: I liked Harriet wins.
• 11:39
  Speaker 3: She ain't do much.
• 11:40
  Speaker 1: She was a good mom, like just on the motherly
• 11:43
  Speaker 1: mother tip. She was up there with the mom stuff,
• 11:45
  Speaker 1: with the little white thing.
• 11:47
  Speaker 3: I ain't give her nothing to do, but she was
• 11:49
  Speaker 3: doing stuff.
• 11:50
  Speaker 1: She was like, y'all, the family matters, y'all. And it
• 11:52
  Speaker 1: was like it does, Mama.
• 11:53
  Speaker 3: I think you're just saying her just to say nah.
• 11:55
  Speaker 5: She came down.
• 11:56
  Speaker 1: I was like, whoa, she came down there. She was like, look, Steve,
• 12:03
  Speaker 1: get in here and be my children.
• 12:06
  Speaker 3: She was just a good mom.
• 12:08
  Speaker 1: I feel like I want her to be my mom.
• 12:10
  Speaker 1: She was a mom, That's what I feel like.
• 12:11
  Speaker 3: Like.
• 12:12
  Speaker 2: She was a mom.
• 12:13
  Speaker 3: And they give him nothing to do.
• 12:15
  Speaker 1: If somebody had to pick me up from school and
• 12:16
  Speaker 1: Harriet Winslow pulled around on the station wagon, I'd be like,
• 12:18
  Speaker 1: all right, mom's here, y'all, I'm getting it whatever, y'all
• 12:24
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• 13:43
  Speaker 4: All right, all right, Harriet Winslow, I'm gonna go with
• 13:48
  Speaker 4: Rainbow Johnson from Blast.
• 13:50
  Speaker 1: She is great. Yeah.
• 13:51
  Speaker 3: Now, now we got a mom that just doing something.
• 13:54
  Speaker 1: Yeah show, she's good.
• 13:55
  Speaker 4: She got some storylines going, she got some personality going,
• 13:59
  Speaker 4: she got some conflict it's going with.
• 14:00
  Speaker 3: Herself and with others.
• 14:02
  Speaker 4: Yes, she's just a fully realized TV sitcom mom.
• 14:07
  Speaker 3: And uh, I like Rainbow Johnson a lot.
• 14:10
  Speaker 1: She was good, a good show. I'm gonna go. Hmmm,
• 14:19
  Speaker 1: I'm gonna go. D Mitchell from Moesha Moisha just wasn't
• 14:24
  Speaker 1: letting her mom enough. But she was a good mom.
• 14:28
  Speaker 2: She was just angsty. You ain't my mom.
• 14:32
  Speaker 1: So they were always like at each other.
• 14:35
  Speaker 3: But fact he was fair, YEAHD was legit.
• 14:38
  Speaker 1: D was legit. She was fair. Moisha was just like
• 14:41
  Speaker 1: you ain my mom, always pulling that car. Yeah, like
• 14:49
  Speaker 1: was good. She didn't go with Miles like, that's not
• 14:52
  Speaker 1: you know I and you also really hadn't seen that
• 14:55
  Speaker 1: dynamic a lot. I can't remember anybody in the sitcom
• 14:59
  Speaker 1: where the mom didn't get along or she didn't get
• 15:02
  Speaker 1: along with the mom. But the mom wasn't she wasn't
• 15:04
  Speaker 1: doing anything. You know what I'm saying. Demitch could have.
• 15:07
  Speaker 3: Been my mom.
• 15:08
  Speaker 1: I better have her mom than Rita's mom and sister too.
• 15:11
  Speaker 1: She didn't believe in your dreams, but when she got
• 15:12
  Speaker 1: to the Moosha, she turned her life around. She believing
• 15:15
  Speaker 1: in dreams and stuff. She would let you go to
• 15:17
  Speaker 1: the choir in the competition, de Mitchell, you could go
• 15:20
  Speaker 1: choir competition, are in if Mitchell is your mom.
• 15:23
  Speaker 3: But then she came back from the choir competition you're
• 15:25
  Speaker 3: not my mom.
• 15:28
  Speaker 2: After they won.
• 15:31
  Speaker 1: Loki, I was rewatching Moosha and I was like, Moysha
• 15:34
  Speaker 1: is kind of a brat. Of course, Moaysha. As a kid,
• 15:37
  Speaker 1: I identified with her way more because I was like, yeah, man,
• 15:40
  Speaker 1: parents son, he got the step mom going. But as
• 15:42
  Speaker 1: an adult we were were watching, I was like, Mosa
• 15:45
  Speaker 1: sucks man.
• 15:47
  Speaker 4: Yeah, nine times out of ten, I'm not feeling the
• 15:51
  Speaker 4: teenage kids. Nine times out of ten the teenage kids
• 15:56
  Speaker 4: annoying when it comes to the parent interactions.
• 16:00
  Speaker 3: Nine times.
• 16:00
  Speaker 4: Okay, cool, I'm going Janet Kyle.
• 16:06
  Speaker 1: And that's my next one.
• 16:07
  Speaker 4: She was fantastic. She was probably she might be the
• 16:12
  Speaker 4: funniest mom on here. Yes, straight on, straight, pure last.
• 16:15
  Speaker 1: Your last, for sure.
• 16:17
  Speaker 4: She is the funniest mom on the list so far,
• 16:20
  Speaker 4: by far, because a lot.
• 16:22
  Speaker 3: Of times you just want the mom to be the mom,
• 16:24
  Speaker 3: like the straight.
• 16:25
  Speaker 4: Man in the sense. But man, they let her rip
• 16:28
  Speaker 4: and run and hang with Damon Way and it was
• 16:32
  Speaker 4: just fantastic. She is easily one of the best.
• 16:35
  Speaker 1: I'm with you Cambell her second syndicated TV show, I'm
• 16:42
  Speaker 1: I'm Gonna Slide around the side on your tone White Woman.
• 16:46
  Speaker 2: Jill Taylor from Home Improvement.
• 16:50
  Speaker 1: She was good, Big White Mom, Pizza rolls in the
• 16:55
  Speaker 1: oven Mom, Jim was legit. Jim was legit. She was funny.
• 17:00
  Speaker 1: She she was a good foil to Tim. The two
• 17:03
  Speaker 1: man Taylor. She had the three kids. You know, Jonathan Taylor, Thomas,
• 17:06
  Speaker 1: the other two whites. Uh, they never really got cracked
• 17:10
  Speaker 1: off as much as Jonathan Taylor Thomas. You know, Zach
• 17:12
  Speaker 1: something and don't know Brian. There you go. There was
• 17:15
  Speaker 1: three names, little white boy.
• 17:18
  Speaker 3: I always get a kid acts three names.
• 17:21
  Speaker 1: Zachary Tyd Bryant for sure was the older brother. I
• 17:23
  Speaker 1: don't know, I don't remember what the youngest.
• 17:25
  Speaker 4: Kid, he for sure did bully and his name was Buzz.
• 17:33
  Speaker 1: We are friends. If he was in home alone as Buzz,
• 17:39
  Speaker 1: you would the movie doesn't change.
• 17:41
  Speaker 2: Of Hey Buzz, I mean you Rob.
• 17:44
  Speaker 4: He had that look. I'm coming in with another mom.
• 17:49
  Speaker 4: We're gonna keep it.
• 17:50
  Speaker 3: Big white, keep it big white.
• 17:52
  Speaker 1: Tarn Noah Smiths say black moms, Oh never mindlack TV moms.
• 17:57
  Speaker 3: Just right at the ato, so Kevi was supposed to.
• 18:01
  Speaker 1: Go my whites, get out of here, Get out whites.
• 18:07
  Speaker 1: I was looking at the list like why the white
• 18:09
  Speaker 1: ay on here? I was like, where's whinning?
• 18:12
  Speaker 2: Okay man, greg a ration.
• 18:14
  Speaker 1: I know you won't Kay, you'll remember Beth Pearson this
• 18:19
  Speaker 1: is us.
• 18:20
  Speaker 3: Never seen it? Not an episode right now? Nothing.
• 18:30
  Speaker 5: It was the biggest show for like three years. Why
• 18:35
  Speaker 5: you didn't tap in, Tony?
• 18:43
  Speaker 1: You really never seen an episode, not even the pilot.
• 18:45
  Speaker 3: I've never seen a shred.
• 18:48
  Speaker 1: Oh my god.
• 18:53
  Speaker 3: How many seasons?
• 18:54
  Speaker 1: Is it's like five or six? You're gonna fold up
• 19:01
  Speaker 1: that show. I had to take a break, I said, Man,
• 19:03
  Speaker 1: I'm too tired to cry after work. I used to
• 19:07
  Speaker 1: work at all. Death drive home. Get this is us
• 19:11
  Speaker 1: tears now I'm sleepy more. Yeah, it's good. This is
• 19:17
  Speaker 1: us Beth Pearson ride or died?
• 19:20
  Speaker 3: Mom?
• 19:20
  Speaker 1: She did? She cut a random one time? Good. They
• 19:24
  Speaker 1: was arguing one time. He was like, when did I
• 19:26
  Speaker 1: ever stop you? What is this provisionist history? Or you
• 19:28
  Speaker 1: couldn't do what you want in life? When did I
• 19:30
  Speaker 1: ever stop it? She was like, which one I was
• 19:31
  Speaker 1: supposed to start? In between? Which one of your anxiety attacks?
• 19:34
  Speaker 1: He was like. She was like, I'm sorry, I'm sorry.
• 19:42
  Speaker 1: That's why you don't argue with women, because they gonna
• 19:44
  Speaker 1: cut you deep. And when they cut, the argument's over.
• 19:47
  Speaker 1: And that's why your real dad never came back. You
• 19:49
  Speaker 1: know what you win? Because why would you say that,
• 19:53
  Speaker 1: Because why would you.
• 19:54
  Speaker 3: Say that to me?
• 19:57
  Speaker 2: Check it out? Tone, it's good.
• 19:59
  Speaker 1: Just watch the poet if you if you watch the
• 20:00
  Speaker 1: party and you ain't tapped in, and then let it go.
• 20:02
  Speaker 1: I ain't gonna say nothing else about it. Of all time,
• 20:06
  Speaker 1: I hold y'all too, all right.
• 20:08
  Speaker 4: I'm coming in high then with Lisa Landry, sister sister's
• 20:12
  Speaker 4: still said good man jack A Harry playing the moms
• 20:16
  Speaker 4: out here man raising these twins and her and Tim
• 20:20
  Speaker 4: Reid had a great dynamic. I like the interactions with
• 20:23
  Speaker 4: the girls. I just feel like it was a solid
• 20:25
  Speaker 4: family unit the ton So yeah, I'm going with Lisa Landry.
• 20:33
  Speaker 1: How many more? We got my que to Bradley was
• 20:38
  Speaker 1: all right? So my last one?
• 20:42
  Speaker 3: Hmm.
• 20:45
  Speaker 1: Tasha Saint Patrick from Power, she kept a drug family together.
• 20:50
  Speaker 1: She she tried to help her reak. Ghosts did her
• 20:54
  Speaker 1: wrong for Angela he over here frolicking running around.
• 20:57
  Speaker 2: Tasha didn't do no wrong. Okay, Yeah, she gave on
• 21:00
  Speaker 2: her panties.
• 21:01
  Speaker 1: Who wouldn't. Ghost wasn't paying her no mind. And Sean
• 21:05
  Speaker 1: didn't have no panties. So give it to give them
• 21:08
  Speaker 1: some panties and get you a little bit on the
• 21:09
  Speaker 1: side goes over here running around frolic McGee. She kept
• 21:13
  Speaker 1: a drug in part together. If that's your family, you
• 21:16
  Speaker 1: gotta do it, Tasha Saint Patrick.
• 21:19
  Speaker 3: I can't give it to Toush. You can't let your
• 21:23
  Speaker 3: sons be no drug dealer.
• 21:25
  Speaker 1: Why not, man, somebody got to tell the drugs.
• 21:29
  Speaker 2: Drugs ain't gonna some.
• 21:30
  Speaker 3: Themselves within their world though.
• 21:37
  Speaker 1: Yeah, for sure.
• 21:39
  Speaker 3: All right, that's ten.
• 21:41
  Speaker 1: It's ten.
• 21:41
  Speaker 3: That's ten.
• 21:42
  Speaker 1: That's ten, man, all right. I want to take a
• 21:46
  Speaker 1: quick bak from the show to tell you about one
• 21:47
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• 21:48
  Speaker 2: Earn In.
• 21:48
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• 23:04
  Speaker 1: and now back to the show. We are moving on
• 23:07
  Speaker 1: to this or that. Pick your vibes, Tony, Oh, this
• 23:11
  Speaker 1: is that?
• 23:12
  Speaker 2: I know?
• 23:13
  Speaker 1: Let me ask you here we go, what's your vibe?
• 23:16
  Speaker 1: Would you rather?
• 23:17
  Speaker 3: Oh?
• 23:18
  Speaker 1: No, what's your vibe? Can we talk? Or let's chill?
• 23:23
  Speaker 3: Okay? Can we talk about Timmy KM chill guy.
• 23:30
  Speaker 1: For me?
• 23:31
  Speaker 2: For you I'm not.
• 23:33
  Speaker 3: I'm not trying to cater to the audience. I don't
• 23:35
  Speaker 3: want to hear you.
• 23:36
  Speaker 1: It's a destiny child song.
• 23:37
  Speaker 3: We ain't catering to you, man, I.
• 23:39
  Speaker 4: Don't want to hear your lips or your fingertips. This
• 23:43
  Speaker 4: is my pick.
• 23:44
  Speaker 3: Let's chill, let's chill, let's cheill.
• 23:49
  Speaker 1: That's crazy.
• 23:50
  Speaker 3: Shut it down because I'm gonna cue that up.
• 23:53
  Speaker 1: I'm not I'm queueing up. Can we talk, I'm queueing
• 23:57
  Speaker 1: it up. I'm more of a man.
• 23:58
  Speaker 3: Let's chill.
• 23:59
  Speaker 1: Yeah, all right, gee, this or that tony week or
• 24:06
  Speaker 1: my my mind?
• 24:09
  Speaker 3: Mm hmm. I gets a week in the knees. I
• 24:12
  Speaker 3: can hardly speak.
• 24:13
  Speaker 1: I lose, I can row, and something comes over me.
• 24:16
  Speaker 3: He love me, but my my man.
• 24:22
  Speaker 1: Yes, sure look good. No, that's such a good song. Yeah,
• 24:30
  Speaker 1: this is tough. It's just tough.
• 24:33
  Speaker 3: I'm gonna go mm hmm. I'll be getting weak in
• 24:41
  Speaker 3: the knees. I can hardly speak, but you do me
• 24:45
  Speaker 3: saying my ma, Ma, Ma, mama. You should look good.
• 24:52
  Speaker 1: Nought.
• 24:53
  Speaker 3: When I see biscuits come out, you got.
• 24:56
  Speaker 1: Your live my mind, mama by your liver. Biscuits is funny.
• 25:03
  Speaker 4: Show look good tonight I'm gonna go, I'm aa.
• 25:08
  Speaker 1: Go Week their way go after you did all that?
• 25:14
  Speaker 1: Week is a long, a long song when you do karaoke.
• 25:18
  Speaker 1: When you're listening to it, it's a fun song. But
• 25:20
  Speaker 1: when you do karaoke, they run it back. Love that man,
• 25:26
  Speaker 1: that dude, Man that goes again, What goes around comes
• 25:31
  Speaker 1: around with Week by creator Brad and listen to me.
• 25:34
  Speaker 1: I've done it for karaoke multiple times, and every time
• 25:36
  Speaker 1: I'm like, god, dog.
• 25:37
  Speaker 3: Man, I just want to sing background in that joint.
• 25:40
  Speaker 1: Man.
• 25:40
  Speaker 3: You just want to be like, oh, that's all man.
• 25:44
  Speaker 1: But after a while he's just like, all right, man,
• 25:45
  Speaker 1: sit down, man, Like karaoke needs to end at three
• 25:48
  Speaker 1: minutes hilarious, all right. End of the road verse. Angel's
• 25:55
  Speaker 1: favorite song, If I Ever Fall in Love Again? His
• 25:59
  Speaker 1: favorite song at the end of the no If I
• 26:01
  Speaker 1: Ever Fall in Love Shy. She loves the acappella versions, specifically,
• 26:05
  Speaker 1: Oh this is easy, Yeah.
• 26:06
  Speaker 4: Shy, shy achapella.
• 26:12
  Speaker 3: That's my favorite of the of the version. Yeh, copella
• 26:15
  Speaker 3: one is fine.
• 26:18
  Speaker 1: That's angels. People used to do that a talent shows
• 26:23
  Speaker 1: and she was like everyone she loved everyone, I hate it.
• 26:36
  Speaker 3: Why did she hate it?
• 26:37
  Speaker 1: Because the talent shows people kept when that song came out,
• 26:40
  Speaker 1: she was like every boy group, you gotta listen to
• 26:47
  Speaker 1: other story where she goes.
• 26:52
  Speaker 3: Read next time.
• 26:53
  Speaker 1: You actually hate the version with music?
• 26:58
  Speaker 4: Yeah, I hate the pelo one. Yeah, because when I
• 27:02
  Speaker 4: first I'll never forget when I first heard it. That
• 27:04
  Speaker 4: was in my brother's car, and I was just like,
• 27:05
  Speaker 4: this is amazing to your brother put you on?
• 27:07
  Speaker 3: He did put me on?
• 27:08
  Speaker 1: Yeah, my brother didn't put me on. He had no
• 27:10
  Speaker 1: more money than I. It was on the radio, Yeah,
• 27:16
  Speaker 1: but he was driving, he didn't put me on the radio.
• 27:20
  Speaker 1: All right. Poison verse, no diggity.
• 27:23
  Speaker 3: Poison, that's easy word. Why are you work it? Poison is?
• 27:28
  Speaker 1: I think that's a food, Josh, poison is that deal?
• 27:31
  Speaker 1: All right?
• 27:31
  Speaker 2: Here we go. Let's get it on versus untitled.
• 27:37
  Speaker 3: Let's get it on, Marvin Gaye versus untitled.
• 27:39
  Speaker 1: But feel I'm gonna go.
• 27:42
  Speaker 3: With Let's get it on. Let's get it sugar. Oh,
• 27:51
  Speaker 3: CA's right, let's get it on.
• 27:56
  Speaker 1: Okay, all right, last one, say my name, hand caught up, Say.
• 28:03
  Speaker 3: My name by Destiny's Child, caught up by usher Yep,
• 28:12
  Speaker 3: I'm the kind of brother.
• 28:13
  Speaker 1: Yea.
• 28:15
  Speaker 3: My ways slapping my bitch for you.
• 28:17
  Speaker 2: Whoa whoa, whoa what.
• 28:21
  Speaker 1: He did, not.
• 28:24
  Speaker 3: What he said?
• 28:25
  Speaker 1: Cut what Oh yeah, man, we got into it.
• 28:27
  Speaker 3: I'm gonna go call it up, caught Up, caught Up.
• 28:32
  Speaker 3: That song was always what it is.
• 28:35
  Speaker 1: Usher was in his bag and all his bag. That
• 28:39
  Speaker 1: was so it was. His debut album was goes It Usher.
• 28:46
  Speaker 1: His first album.
• 28:47
  Speaker 4: It might have been self titled Come to find Out.
• 28:49
  Speaker 4: He didn't like Called Up for the Longest.
• 28:50
  Speaker 1: Artists never liked the song.
• 28:52
  Speaker 3: We didn't like Called Up for the Longest.
• 28:54
  Speaker 2: Coco hated it. They hated weak.
• 28:59
  Speaker 1: Jumped off. But that's not that's the second album. I
• 29:01
  Speaker 1: think Usher, it might be untitled.
• 29:03
  Speaker 3: I think it's self titled.
• 29:04
  Speaker 1: It's Usher, so it's My Way. Then it was eighty
• 29:06
  Speaker 1: seven oh one, and then Confessions Man, come on them
• 29:10
  Speaker 1: three My Way to eighty seven one.
• 29:12
  Speaker 3: The Confessions, Crazy Run Daw Crazy Run.
• 29:16
  Speaker 1: Confessions was like Nigga, he can't do no wrong.
• 29:19
  Speaker 4: That's why when they be drawing to compare them to
• 29:21
  Speaker 4: Chris Brown, comparison like it's Usher.
• 29:23
  Speaker 1: Man he has had. Honestly, it's really no comparison to me.
• 29:29
  Speaker 1: I like Chris Brown's debut album, but Usher's bodies of
• 29:33
  Speaker 1: work have been better. Chris Brown should be having songs on.
• 29:36
  Speaker 3: Albums, man, prolific. He just keeps putting out albums to
• 29:40
  Speaker 3: be twenty songs.
• 29:40
  Speaker 1: It just be songs McGhee, Just songs, man, where's the storytelling,
• 29:47
  Speaker 1: where's the cohesion? It's just songs on tracks, just thirty
• 29:53
  Speaker 1: six songs, man, Why cut some of these out and
• 29:57
  Speaker 1: tell me a story?
• 30:00
  Speaker 2: It was a cohesive album for sure.
• 30:02
  Speaker 1: Chris Brown just be like, throw forty eight tracks on
• 30:05
  Speaker 1: their double disc.
• 30:06
  Speaker 4: When I look at that clip, when I look at
• 30:09
  Speaker 4: the album and I see twenty nine tracks, I just leave.
• 30:14
  Speaker 3: I don't mean right, I'm not even gonna do this.
• 30:17
  Speaker 3: You're talking too much because I'm gonna get bored.
• 30:20
  Speaker 1: What possibly could you be saying?
• 30:22
  Speaker 2: The thirty eight track double disc.
• 30:24
  Speaker 3: When you get the track seventeen, no interlus.
• 30:30
  Speaker 1: Just all tracks he'd be making. Now, that's what I
• 30:34
  Speaker 1: call music albums himself, Chris Brown forty six triple disc songs. Love.
• 30:43
  Speaker 4: It's too much material, that's a and he keep making
• 30:47
  Speaker 4: the album.
• 30:48
  Speaker 3: Just give me this. I just put out an album
• 30:50
  Speaker 3: that was twenty nine tracks.
• 30:52
  Speaker 4: That got another one from now about fifty two tracks called.
• 30:56
  Speaker 3: Fifty two pickup.
• 30:59
  Speaker 1: I got song for every deck of the Cards plus
• 31:02
  Speaker 1: the Jokers, plus three bonus tracks for the Rules Bicycles.
• 31:07
  Speaker 4: So track number two the two of Diamonds feature in cutting.
• 31:15
  Speaker 1: Man all Right, Lennox was talking about one of her
• 31:18
  Speaker 1: albums and she had picked the twelve. She had eighty songs.
• 31:22
  Speaker 1: They were all crossed out. She was like, the hardest
• 31:24
  Speaker 1: part of making the album is trying to fit which
• 31:27
  Speaker 1: songs make sense for the album. Take your time and
• 31:30
  Speaker 1: do this on the whiteboard. Man, you ain't doing this.
• 31:36
  Speaker 1: You're just saying take the drive, bounce it out, air,
• 31:39
  Speaker 1: drop it final throw. He put in songs like he's
• 31:43
  Speaker 1: shoveling dirt.
• 31:44
  Speaker 2: Yeah, we got You're gonna track you guy.
• 31:46
  Speaker 3: We got twenty two.
• 31:47
  Speaker 1: Qris oh Man, plenty man, we just get started.
• 31:52
  Speaker 3: Let me get thirty six up on there, man songs.
• 31:56
  Speaker 2: The last track is just song.
• 31:58
  Speaker 4: Ty on his There's no urgency on his albums because
• 32:03
  Speaker 4: always put and next Tuesday.
• 32:05
  Speaker 1: You missed last week's album.
• 32:07
  Speaker 2: Forty six songs this week.
• 32:09
  Speaker 1: This is the month of the year.
• 32:11
  Speaker 3: I'd be like, bro, man, it's cool. You make an
• 32:17
  Speaker 3: album every year. Ten piece of up t ten piece
• 32:24
  Speaker 2: All right, that's it all right, Feed, but we're gonna
• 32:29
  Speaker 2: keep going.