Latest / Brief Recess: A Legal Podcast with Michael Foote & Mélissa Malebranche / Nazi-Looted Art FOUND in a Property Listing (w. Kira from The Art Revival)
Transcript
- 0:06Speaker 1: Welcome to Brief Recess. I'm Michael Foot, I'm Melissa Albranch.
- 0:09Speaker 1: This week we're going to be talking about my latest
- 0:10Speaker 1: foe move mom, all the reasons why you should never
- 0:13Speaker 1: go to Times Square, The one time I saw a
- 0:15Speaker 1: guy get stabbed and stolen art with my good friend
- 0:19Speaker 1: Kira from the art Revival.
- 0:22Speaker 2: How are you?
- 0:26Speaker 1: I can't move like too much to the like my neck.
- 0:30Speaker 2: I you know what you did?
- 0:32Speaker 1: No no no no no no no. I was not
- 0:34Speaker 1: at the club.
- 0:35Speaker 2: No no, no, no no. You did the other thing.
- 0:37Speaker 2: You had a full move he did.
- 0:43Speaker 1: Please tell her to throw Magley's photo up there with
- 0:48Speaker 1: the definition of mom, which is a bad movement in
- 0:50Speaker 1: Haitian creole.
- 0:52Speaker 2: My mother would love that ship because you know my
- 0:54Speaker 2: mom is, she's on social media.
- 0:57Speaker 1: She's out in these streets.
- 0:59Speaker 2: Me.
- 1:01Speaker 1: I can't I throw at my neck.
- 1:03Speaker 2: Uh.
- 1:03Speaker 1: I was trying to get this guy's number for my friend.
- 1:07Speaker 1: I was at a sushi restaurant.
- 1:10Speaker 2: Well if you weren't at Taco Bell.
- 1:13Speaker 1: Not again, not again. And I did like a little
- 1:16Speaker 1: like oh hey and snap to the bend and snap
- 1:21Speaker 1: and I with the neck throw my neck.
- 1:23Speaker 2: Out, whipping your hair back in.
- 1:25Speaker 1: I got his number though, and I gave.
- 1:26Speaker 2: It to my friend and are they going to call it?
- 1:28Speaker 1: I think so. I hope it works out if I'm
- 1:32Speaker 1: a really good wingman, are you? Yeah, because I don't
- 1:34Speaker 1: have any shame, so like I have no problem walking
- 1:37Speaker 1: up to a person and just being like blue knock
- 1:39Speaker 1: over there, drink and be like, I'm so sorry, let
- 1:41Speaker 1: me buy another drink? What was your name again? I'm
- 1:43Speaker 1: actually clinically insane. I'm wanted in all fifty cents?
- 1:46Speaker 2: Is that how you got your husband? Did you over here?
- 1:49Speaker 3: You know?
- 1:49Speaker 1: We met online? But I but I mean I've done
- 1:52Speaker 1: and all sorts of unbelievable things in bars to.
- 1:55Speaker 2: Talk to people, and my husband online too.
- 1:57Speaker 1: Yeah, it's it's the way of the world now.
- 1:59Speaker 2: I guess.
- 1:59Speaker 1: But lied, Oh we all lie on the internet. No, no, no, no,
- 2:04Speaker 1: no no.
- 2:04Speaker 2: I mean when my mom asked, when my people asked
- 2:08Speaker 2: me how I met him, I said that I met
- 2:10Speaker 2: him in a restaurant, and they didn't find out that
- 2:11Speaker 2: we met online. And so before we got married, because
- 2:14Speaker 2: it was.
- 2:14Speaker 1: Like you knew you were going to get shipped from
- 2:16Speaker 1: your family a.
- 2:16Speaker 2: Few Yeah, it was. It just felt at the time.
- 2:19Speaker 1: Some of them worth it where it's like, I'm just
- 2:21Speaker 1: saying it's easier to lie about that.
- 2:23Speaker 3: Yeah.
- 2:23Speaker 2: And then then he went opened his trap and told
- 2:26Speaker 2: the whole world I have.
- 2:27Speaker 1: To go to a gala this week. They it's like
- 2:29Speaker 1: an immigration gala for I honestly have no idea. I
- 2:33Speaker 1: didn't read it.
- 2:34Speaker 2: What are you wearing?
- 2:34Speaker 1: Oh? I have a I have a whole like black tip.
- 2:36Speaker 1: I have one look for black time ends and I
- 2:39Speaker 1: just keep wearing it. I'm like Tiffany Hatter did the
- 2:42Speaker 1: same thing. She bought one nice dress when she first.
- 2:45Speaker 2: I don't love her, but go ahead.
- 2:47Speaker 1: Sorry, I'm like kind of indifferent. I mean I really
- 2:50Speaker 1: liked the sort of like U like the beginning of
- 2:53Speaker 1: like like her being everywhere.
- 2:55Speaker 2: Yeah, yeah yeah. And then and then she started speaking.
- 2:59Speaker 1: What was she saying?
- 3:01Speaker 2: Well? What did you say stuff that I didn't like?
- 3:03Speaker 2: Let's move on.
- 3:03Speaker 1: Okay, there's beef.
- 3:07Speaker 2: Hope you're not began, there's no there's no beef. I
- 3:09Speaker 2: don't know her, Okay, but I asked.
- 3:12Speaker 1: For four plus ones to the gala. I guess that's
- 3:17Speaker 1: plus four. I just like my friends are visiting, And
- 3:20Speaker 1: I was like, well, if I'm going to go to
- 3:21Speaker 1: this and they were like, we want you there, we
- 3:24Speaker 1: want you to take photos, we want you to post
- 3:25Speaker 1: about it.
- 3:26Speaker 2: It is.
- 3:26Speaker 1: I was like, that's fine, but I'm bringing my friends.
- 3:28Speaker 2: That isn't let me tell you out of the people,
- 3:31Speaker 2: out of your plus fours, I didn't get an invitation.
- 3:34Speaker 1: I see all the time these people are visiting.
- 3:36Speaker 2: I don't care. You don't think I want to get
- 3:38Speaker 2: dressed up and go someplace. You don't think that there
- 3:40Speaker 2: is some estate fine in my class.
- 3:43Speaker 1: Is exactly what Magalie would say. This is exactly what Yes, yeah,
- 3:48Speaker 1: oh you invited. I don't want to go, and I
- 3:50Speaker 1: wasn't invited and I didn't go if you did invite me,
- 3:53Speaker 1: but how dare you not invite me?
- 3:55Speaker 2: I don't want to go anywhere ever? Wow? But and
- 3:59Speaker 2: you know that.
- 4:00Speaker 1: However, however, if you don't invite me, it's over.
- 4:04Speaker 2: Yes, it's over. It's over.
- 4:06Speaker 1: What happened at the estate seale?
- 4:08Speaker 2: Nothing happened at the estate sale. However, I did think
- 4:10Speaker 2: about you because you wear suits all the time I do.
- 4:13Speaker 2: And when you buy things at estate sales. I hope
- 4:16Speaker 2: people know this right, you all are buying things at
- 4:19Speaker 2: estate sales and thrift stores and you're washing them right
- 4:22Speaker 2: or you're sending them to clean.
- 4:23Speaker 1: If I buy anything, I have a friend who works
- 4:25Speaker 1: in like products. Yeah, and she said she went to
- 4:27Speaker 1: the factories where the products are made.
- 4:29Speaker 2: I'm sure it's disgusting.
- 4:31Speaker 1: And she was like, don't ever anything. You buy every
- 4:34Speaker 1: wash it and write it down if you can't wash it.
- 4:36Speaker 2: Yes.
- 4:37Speaker 1: So even if you get like a shirt from the store, yes,
- 4:40Speaker 1: And you're like, oh, I got.
- 4:41Speaker 2: Rapecially like towels and sheets and things up on the floor,
- 4:45Speaker 2: even if it's coming out of the package. So I
- 4:47Speaker 2: took a bunch of stuff to the dry cleaners dry cleaning.
- 4:50Speaker 2: I need to take a mortgage out.
- 4:52Speaker 1: Oh a long, Oh, oh my god, there is like
- 4:55Speaker 1: my dry cleaner has a full country home paid for
- 4:57Speaker 1: buy me. I think on the title, like it is
- 5:01Speaker 1: actually crazy how much money I spent on drag clean.
- 5:04Speaker 2: It was I forget what, I forget the stuff that
- 5:06Speaker 2: I brought, But it ended up being like two hundred
- 5:08Speaker 2: and sixty dollars.
- 5:10Speaker 1: Dry cleaners run this town. New York City is owned
- 5:12Speaker 1: and operated by dry cleaners, bodegas, and the food delivery guys.
- 5:17Speaker 1: Like literally, without them, the whole city of criminal collapse.
- 5:19Speaker 1: Most apartments don't have washers and dryers like it does
- 5:23Speaker 1: in unit and the washers and dryers the shared ones
- 5:28Speaker 1: in the building.
- 5:30Speaker 2: No, you people are nasty.
- 5:32Speaker 1: It's going to be the next strain of COVID comes
- 5:34Speaker 1: from the washers building.
- 5:35Speaker 2: It is disgusting dog biscuits. It is.
- 5:38Speaker 1: Oh, it's like Freddy Krueger's there. It's disgusting down there.
- 5:43Speaker 1: This is sidebar. We're going to talk a little bit
- 5:45Speaker 1: about what's going on in court this week, what's happening
- 5:47Speaker 1: in the news, what's happening in immigration and criminal court,
- 5:51Speaker 1: what's going on, what is going on in the world.
- 5:54Speaker 2: A lot.
- 5:55Speaker 1: Yeah, And I've always promised to bring like a fun
- 5:57Speaker 1: little update from court. This one's honestly, well, they're never
- 6:00Speaker 1: actually fun. It's usually horrifying, you.
- 6:03Speaker 2: Know, but they're maybe not, but they're always kind of interesting.
- 6:06Speaker 2: Is this like a but is this a sad one?
- 6:08Speaker 1: The casting director, Yeah, for a different show that I
- 6:12Speaker 1: said no to, asked me for like legal advice on
- 6:16Speaker 1: how to sue.
- 6:19Speaker 2: The network that they were trying to get you to
- 6:21Speaker 2: come on.
- 6:22Speaker 1: During the casting process. The casting director and I'm going
- 6:26Speaker 1: to be so vague when I say. This was basically like, hey,
- 6:30Speaker 1: so I've got like an issue with a contract with
- 6:32Speaker 1: my my manager. And I was like, oh my god,
- 6:35Speaker 1: are you seriously asking? You're trying to get me on
- 6:37Speaker 1: the show and you've got legal issues that were Do you.
- 6:40Speaker 2: Want to know what this reminds me of? Do you
- 6:42Speaker 2: want to know what this reminds me of? Remember that
- 6:44Speaker 2: time you were working someplace and you hated it and
- 6:48Speaker 2: you tried to get me to come on.
- 6:50Speaker 1: We're not talking about this. No. I worked out a
- 6:54Speaker 1: small nonprofit and he was unhappy and I was there
- 6:57Speaker 1: for like six months and me I tried to recruit
- 7:01Speaker 1: Melissa with a huge salary benefits.
- 7:04Speaker 2: And then I went and I talked to the person
- 7:07Speaker 2: and she hated it. I hated the person, and then
- 7:10Speaker 2: I almost newly hated him.
- 7:11Speaker 1: It was a tiny nonprofit. Oh my god, it was crazy.
- 7:15Speaker 1: It was all I didn't realize yet that I wanted
- 7:19Speaker 1: out so bad, And it was like, what's going on
- 7:21Speaker 1: is they didn't like or know anyone?
- 7:23Speaker 2: No, no, no, no, no, you knew right away you did,
- 7:26Speaker 2: and then you tried to get me to go be
- 7:28Speaker 2: with you.
- 7:28Speaker 1: Listen, he loves company from.
- 7:30Speaker 2: Me, I wouldn't do that to you. So tell me
- 7:34Speaker 2: more about this person.
- 7:35Speaker 1: Oh, it was okay, we moved we moved on, and
- 7:37Speaker 1: I withdrew from that casting.
- 7:39Speaker 2: No, no, no no, But does the person still need your help?
- 7:41Speaker 1: Yeah?
- 7:42Speaker 2: Are you going to help them?
- 7:43Speaker 1: I might?
- 7:44Speaker 2: I think, are you going to help them?
- 7:45Speaker 1: Because so basically I do this a lot when it
- 7:47Speaker 1: comes to like people asking for legal advice, I kind
- 7:50Speaker 1: of kick it back and I'm like, okay, do these
- 7:52Speaker 1: three things, send it to me, and then I'll start
- 7:54Speaker 1: working on it, just to do like a proof Sometimes
- 7:57Speaker 1: it's really easy to just like DM me and be
- 7:59Speaker 1: like heylah blah blah blah blah, I need help. So
- 8:02Speaker 1: I usually like refer back with like an a couple
- 8:05Speaker 1: questions just to like proof of concept. This person is
- 8:07Speaker 1: actually like going to do the work and follow up
- 8:11Speaker 1: and answer my questions because that's like, you know, dialogue
- 8:14Speaker 1: between you and your attorney is so important. So I
- 8:17Speaker 1: kind of did that. I pushed back and was like,
- 8:18Speaker 1: this is what we kind of need from you.
- 8:20Speaker 2: But I do think it's wild that somebody who tried
- 8:22Speaker 2: to get you to come over to their camp now wants.
- 8:25Speaker 1: To Oh for sure, yeah, oh definitely.
- 8:27Speaker 2: That's wild. Why would you do something like that?
- 8:30Speaker 1: It was sort of like, wow, maybe you're the problem.
- 8:34Speaker 2: Probably probably probably did you get the sense of that
- 8:37Speaker 2: the person is okay or not okay? Like what was
- 8:39Speaker 2: your feeling about the person?
- 8:42Speaker 1: Yeah, I can't say.
- 8:45Speaker 2: I think we know what that means. Friends.
- 8:47Speaker 1: I went to Dave and Busters during my I had
- 8:49Speaker 1: an hour between court and I was like in midtown
- 8:51Speaker 1: and I went to Dave and Busters because I was like,
- 8:54Speaker 1: I'm bored. I want to play some video games.
- 8:56Speaker 2: Did you do that?
- 8:56Speaker 1: Yeah? Oh, I loved it.
- 8:57Speaker 2: When was the last time you were in David Buster?
- 8:59Speaker 1: The last time was David Busters was a year ago? Well, okay,
- 9:02Speaker 1: and I saw a man get stabbed and he died.
- 9:06Speaker 2: Was oh my, I was gonna laugh. I started to laugh,
- 9:10Speaker 2: and then you said he died.
- 9:12Speaker 1: Okay, Well you can laugh at this part. I found
- 9:14Speaker 1: out through my chiropractor. I didn't realize he died, and
- 9:21Speaker 1: it was it's a shared chiropractor that Melissa and I
- 9:24Speaker 1: got to.
- 9:25Speaker 2: Oh no, no.
- 9:29Speaker 1: She messaged me and was like, I saw you posted
- 9:32Speaker 1: from David Busters. Did you see that that man died?
- 9:38Speaker 1: The guy the guy got stabbed there and died and
- 9:40Speaker 1: I was like.
- 9:40Speaker 2: Really, chiropractor. They found it.
- 9:43Speaker 1: I guess they found it on like the post, like
- 9:45Speaker 1: it was like on GM or something, and I was like,
- 9:48Speaker 1: oh my god, I was there. I saw that man
- 9:50Speaker 1: go down like a secon ship. I thought it was
- 9:52Speaker 1: like a fight, and I was like, uh, playing the
- 9:55Speaker 1: basketball game. I was there. That's going to be sure,
- 10:00Speaker 1: that's going to be the YouTube clip. Is I lived it.
- 10:03Speaker 1: That's the Times Square stabbing at David Busters in Times
- 10:08Speaker 1: Square on the phone, I know, and like it really
- 10:10Speaker 1: had no business being there, but it is the nearest
- 10:13Speaker 1: Dave and Busters to my lifestyle. Okay, perfect day for me,
- 10:17Speaker 1: David Busters, taco bell and a stabbing and a little stabbing.
- 10:22Speaker 1: And there's actually a difference between a stabbing and a slashing,
- 10:24Speaker 1: and we can get into it. Yeah that sounds but
- 10:27Speaker 1: like statutory there's there's like you have to be clear
- 10:30Speaker 1: as a reporter and as a lawyer and a prosecutor
- 10:33Speaker 1: that this was a slashing not a stabbing.
- 10:35Speaker 2: That makes sense.
- 10:36Speaker 1: I saw this, yo, it was a stabbing, not a slashing.
- 10:40Speaker 1: He got stabbed.
- 10:41Speaker 2: What have I said?
- 10:42Speaker 1: Good?
- 10:43Speaker 2: What do I say?
- 10:43Speaker 1: I'm square?
- 10:44Speaker 2: That's what I say every time I said that decent
- 10:47Speaker 2: people have.
- 10:48Speaker 1: No decent people such decent folk. No, no, it is true,
- 10:58Speaker 1: nothing good could happen.
- 10:59Speaker 2: I mean and listen for people who were coming to
- 11:01Speaker 2: New York to our fair city, sure shore Shore, but
- 11:04Speaker 2: real New Yorkers do not go to Times Square. It's
- 11:07Speaker 2: so busy, it's congested, the food is overpriced and not
- 11:11Speaker 2: that good.
- 11:12Speaker 1: Yeah, you want to buy a dimebag from the people
- 11:15Speaker 1: in the like costumes that take photos of you, don't.
- 11:19Speaker 2: You don't need to buy a dimebag from anybody anymore.
- 11:22Speaker 2: Go to a dispensary. But you're not a dinbag for
- 11:26Speaker 2: isn't it all like marijuana duck like?
- 11:28Speaker 1: Not cool? I am dining bag.
- 11:31Speaker 2: Go in nineteen ninety seven. You're going to get a
- 11:34Speaker 2: dime bag.
- 11:38Speaker 1: I'm so excited. We're going to be joined by my
- 11:40Speaker 1: close friend Kira, who is an art content creator and
- 11:45Speaker 1: the incredible face and voice behind the Art Revival. Hi. Hi, welcome, Heira, Yay, welcome.
- 11:52Speaker 2: He excited, met you're here.
- 11:54Speaker 3: Thank you so much for having.
- 11:55Speaker 1: Me, Thank you so much for joining us. We're really excited.
- 11:57Speaker 1: I thought it would be great to include Kira on
- 11:59Speaker 1: this episode because we're going to be talking a lot
- 12:00Speaker 1: about art law all the weird things that happen in
- 12:04Speaker 1: museums and galleries. As y'all know, I do have some
- 12:07Speaker 1: like deep lore before I was a criminal lawyer and
- 12:10Speaker 1: an immigration lawyer that I worked at art galleries as
- 12:14Speaker 1: an art lawyer. And Kira, I think we've connected on
- 12:17Speaker 1: this a little bit.
- 12:18Speaker 2: We have it.
- 12:20Speaker 1: We'll buckle up because I've seen some crazy shit and
- 12:23Speaker 1: the NDAs have expired. Really no, I wasn't under NDA,
- 12:27Speaker 1: but I do have some cool stories, some crazy stories.
- 12:29Speaker 1: Some things have happened. Yeah, but I thought it would
- 12:32Speaker 1: be great to include you in this episode so we
- 12:33Speaker 1: could talk a little bit about your work. I think
- 12:35Speaker 1: we should play a quick clip of one of Kua's videos,
- 12:38Speaker 1: just so you get a sense of what she does
- 12:40Speaker 1: on the internet, because it's so fun.
- 12:42Speaker 3: This painting comes with onions, Woa Tolmina Maxiicola is a
- 12:46Speaker 3: master of life.
- 12:47Speaker 2: And look at these leaves. What is that? Parsley?
- 12:50Speaker 1: Wait, so how did you get into like the art world?
- 12:53Speaker 1: Like you make these cool videos, You go to what
- 12:56Speaker 1: seems like a gallery like multiple a day waiting for
- 13:00Speaker 1: you to like run out of art shows to go
- 13:02Speaker 1: to like I follow your videos and I watch them
- 13:04Speaker 1: and I'm like, how does I didn't realize that there
- 13:07Speaker 1: was this much fucking art in the world. Yeah, so much.
- 13:11Speaker 1: It's amazing.
- 13:11Speaker 3: Yeah, especially in New York. There's so much. I can't
- 13:14Speaker 3: see it all.
- 13:15Speaker 1: That's crazy.
- 13:16Speaker 2: Really.
- 13:17Speaker 3: Yeah, there are so many galleries it's insane. And not
- 13:20Speaker 3: even galleries, there's like museums and public art and just yeah,
- 13:23Speaker 3: everything happened.
- 13:24Speaker 1: I had like an e Prey love moment a couple
- 13:26Speaker 1: of years ago where I was like, every week I'm
- 13:28Speaker 1: going to take thirty minutes and go to a gallery
- 13:31Speaker 1: because I live near Chelsea, Like it's easy for me
- 13:33Speaker 1: to just walk into a gallery and just like see
- 13:35Speaker 1: what's up. And I was like looking for inspiration. I
- 13:38Speaker 1: was sort of at like a moment in my life.
- 13:41Speaker 1: Have you ever been in one of those moments?
- 13:43Speaker 2: I'm always that, I'm always in a moment she lives And.
- 13:47Speaker 1: It was fun, though, I to like force myself to
- 13:49Speaker 1: go to a gallery because there are so many and
- 13:52Speaker 1: it changes over so quickly. Right, Is there anything that's
- 13:55Speaker 1: sort of like going on in the art world right
- 13:57Speaker 1: now that's like kind of exciting that you really want
- 13:59Speaker 1: to talk about or something that just like really peat
- 14:02Speaker 1: your interest.
- 14:03Speaker 3: So you mentioned Chelsea and have you seen the giant pigeon?
- 14:07Speaker 1: Yes, Oh my god, just.
- 14:09Speaker 2: Looking at the giant pigeons.
- 14:11Speaker 3: Literally just look at the giant Yeah. So that's not
- 14:14Speaker 3: like a new thing, but it is leaving I think
- 14:16Speaker 3: next year. It's amazing.
- 14:19Speaker 1: So if you're visiting New York, if you're watching this
- 14:20Speaker 1: on YouTube, throw up a photo of the giant pigeon.
- 14:22Speaker 2: C Jay.
- 14:24Speaker 1: Sometimes I don't want to see a little pigeon, but
- 14:26Speaker 1: I did see the big amazing, so cool.
- 14:28Speaker 3: It's hand painted and yeah.
- 14:31Speaker 1: Oh I didn't realize that it's it's.
- 14:33Speaker 2: Like a legit.
- 14:34Speaker 1: Wow.
- 14:35Speaker 3: And it's gorgeous and it's so cute, and yeah, it's
- 14:37Speaker 3: just magic.
- 14:38Speaker 1: That's incredible.
- 14:38Speaker 2: I feel like I want to take this moment to
- 14:40Speaker 2: tell people instead of going to Times Square, go look
- 14:43Speaker 2: at the giant pigeons. Honestly, we were talking about how
- 14:48Speaker 2: nothing happens, how much I personally, as a native New Yorker,
- 14:51Speaker 2: hate Times Square.
- 14:53Speaker 1: There's no art there either.
- 14:55Speaker 3: There actually is art in Times Square, and they put
- 14:58Speaker 3: they have a there's actually a Times Square art So true,
- 15:02Speaker 3: I should And it's not that the day of Busters
- 15:04Speaker 3: is it No, But they like light up all of
- 15:07Speaker 3: the billboards in Times Square. They like work with an
- 15:10Speaker 3: artist for like a minute during midnight. They'll project crazy stuff.
- 15:15Speaker 1: Oh that's cool, that's actually cool.
- 15:18Speaker 3: Then they had an amazing artist, Thomas J. Price, who
- 15:21Speaker 3: creates these monumental people, and they had his sculpture of
- 15:26Speaker 3: this like black woman.
- 15:27Speaker 1: Where did you see? Oh yeah, I did see that.
- 15:29Speaker 1: I saw your reviews.
- 15:30Speaker 3: That's right, that's right that it was horrible being there,
- 15:33Speaker 3: well in Times Square, so many people like recording it.
- 15:36Speaker 2: It was like, but it was great, Okay.
- 15:39Speaker 1: I went to Times Square for there's like the Time
- 15:42Speaker 1: Square Alliance had like a party on New Year's and
- 15:44Speaker 1: I got invited and it was actually really cool because
- 15:46Speaker 1: they like caught an off part of the street just
- 15:50Speaker 1: for like people at this party. So it was like
- 15:52Speaker 1: this like empty part of Time Square in the middle
- 15:54Speaker 1: of New Year's Eve, which was actually really fun. So
- 15:56Speaker 1: that was fun to be there for that. But I think,
- 15:59Speaker 1: I don't know. Public art is so interesting because of
- 16:01Speaker 1: the ways in which like people relate to it in
- 16:03Speaker 1: the way they treated you remember the like video that
- 16:06Speaker 1: connected Ireland and the US. Yes, and people started doing
- 16:10Speaker 1: obscene to cover.
- 16:14Speaker 2: Yeah, people can't help themselves, right, and like people.
- 16:16Speaker 1: Can help but expose themselves in the flat iron.
- 16:20Speaker 2: Yeah, I think that's really true. How did you decide that,
- 16:23Speaker 2: like art was going to be your thing? At what
- 16:25Speaker 2: point in your life did you realize that this is
- 16:28Speaker 2: really important to me as a baby?
- 16:31Speaker 1: You know, I don't know, sorry, just like real quick.
- 16:35Speaker 3: My mom is an artist, and so I grew up
- 16:39Speaker 3: like around art, going to museums, going to exhibitions, and
- 16:41Speaker 3: like it was always a very fun thing. So I
- 16:44Speaker 3: just always loved art.
- 16:46Speaker 2: Are you an artist?
- 16:46Speaker 3: No, I'm not. I do like little silly crafts here.
- 16:50Speaker 2: Well, I don't want to say a little silly no crafting.
- 16:53Speaker 2: I take my crafting.
- 16:56Speaker 3: I'm just saying I'm not like looking at my work
- 16:58Speaker 3: and I'm like, oh my god, it's amazing, But my
- 17:00Speaker 3: mom is and it's all Christmas presents.
- 17:04Speaker 1: You're still making paintings for your mom.
- 17:06Speaker 3: She's she's literally like you need to give me like
- 17:10Speaker 3: a handmaide. Oh I love.
- 17:11Speaker 2: It's not because.
- 17:16Speaker 3: She puts so much pressure on me, you know, And
- 17:19Speaker 3: I'm just making something for my mom, you know, but
- 17:22Speaker 3: I'm like, oh my god, it has to be perfect
- 17:24Speaker 3: to answer your question and to make.
- 17:26Speaker 1: Art for another artist. Okay, that is actually I'm not
- 17:29Speaker 1: cooking for a chef. You don't want, you don't want.
- 17:32Speaker 2: I've heard like chefs say that that's like a point
- 17:36Speaker 2: of a pain point for them, that nobody wants to
- 17:38Speaker 2: cook for them and they just want to be asked
- 17:40Speaker 2: over to someone's house.
- 17:41Speaker 1: You know what, you chose this life. If you're a
- 17:43Speaker 1: chef and you need to get the fuck over it,
- 17:45Speaker 1: I'm sorry. I am No one forced you to learn
- 17:49Speaker 1: how to slice like that perfectly.
- 17:51Speaker 2: Anyway, back to your mom, Yeah, so she's an artist.
- 17:54Speaker 2: What kind of art is your mom?
- 17:56Speaker 3: She's mixed mixed medie, mixed medium watercolor.
- 18:00Speaker 2: Ok.
- 18:01Speaker 3: I think that's why I'm not an artist because at
- 18:03Speaker 3: the age of like six, I'm drawing nothing and she's
- 18:06Speaker 3: drawing a body and I'm like, oh, I can't do that,
- 18:09Speaker 3: and I'm a perfectionist. So I'm like, I suck, you know,
- 18:12Speaker 3: even though she's like whatever, thirty something. So yeah, I'm
- 18:15Speaker 3: not an artist, and I love art. I really I
- 18:18Speaker 3: love art.
- 18:19Speaker 2: Yeah, clearly clearly if you're you know, spending your days
- 18:23Speaker 2: chopesing around the city to like look at it and
- 18:25Speaker 2: also to share it with other people. I think I
- 18:27Speaker 2: think wow to see it.
- 18:30Speaker 1: Okay, So on TikTok you covered a story of Kersha Kashell,
- 18:35Speaker 1: who was women's only art lounge and was sued for discrimination.
- 18:39Speaker 1: I wanted to bring you on to talk about this
- 18:41Speaker 1: today because dealing with civil rights laws and Title nine
- 18:46Speaker 1: and how these laws are enforced and how discrimination cases
- 18:51Speaker 1: sort of make it to a courtroom and how they're
- 18:54Speaker 1: sort of enforced around the country was very interesting to me.
- 18:57Speaker 1: So when I heard about this, I actually heard about
- 18:59Speaker 1: it from your video. I thought it would just be
- 19:02Speaker 1: cool to sort of get into it. So could you
- 19:04Speaker 1: tell us a little bit about that situation, like what
- 19:06Speaker 1: actually happened that precipitated a discrimination lawsuit against an artist
- 19:10Speaker 1: who was having a women's only sort of lounge.
- 19:13Speaker 2: Can you sort of share with this? Also, like what
- 19:15Speaker 2: kind of art does Krisha do? Like what's her Oh yeah,
- 19:19Speaker 2: what's her medium?
- 19:20Speaker 3: Well, so she is not necessary, she's more of like
- 19:23Speaker 3: a performance art. She's just like an artsy person, gotcha.
- 19:27Speaker 3: But before the art lounge, she actually faked a Picasso.
- 19:31Speaker 3: So let me tell you about the art lounge for Okay, Yeah,
- 19:35Speaker 3: So at the Mona, which is a museum in Tasmania
- 19:39Speaker 3: who her husband actually owns the museum. She was like,
- 19:41Speaker 3: I want to make a woman's only art lounge. And
- 19:43Speaker 3: it was this fabulous velvet green area and she had
- 19:47Speaker 3: great art there, world renowned art, and only women or
- 19:51Speaker 3: people identifying as women could come in and see the art.
- 19:54Speaker 3: So this man came in, bought a ticket to the
- 19:56Speaker 3: museum and was like, I want to go to the
- 19:58Speaker 3: women's only lounge and they were like no. He sued
- 20:00Speaker 3: for discrimination, he won, and then she appealed and the
- 20:07Speaker 3: whole thing was kind of crazy because she had all
- 20:10Speaker 3: these women, like thirty or twenty or thirty women, yeah,
- 20:14Speaker 3: in suits. She created this woman's only art lounge. A
- 20:17Speaker 3: man named Jason Laus suit her for discrimination and the
- 20:19Speaker 3: court ended up ruling in laws favor. And they walk
- 20:21Speaker 3: into court and they're like dancing and it's like, oh,
- 20:24Speaker 3: that's so cool. But then she gets up on stage,
- 20:26Speaker 3: well gets up on the Yeah.
- 20:30Speaker 1: I don't know, I don't know, I don't know in
- 20:32Speaker 1: Tania what the sort of looked like. I know they
- 20:35Speaker 1: wear wigs.
- 20:35Speaker 3: And she basically says that that that the purpose of
- 20:38Speaker 3: the art lounge was to discriminate against men because women
- 20:43Speaker 3: had been discriminated for centuries.
- 20:44Speaker 1: Okay, so like, if you are watching this and you
- 20:46Speaker 1: are doing that, please don't admit to discrimination and open
- 20:49Speaker 1: court in defiance of your attorney. I would that would
- 20:52Speaker 1: be so treacherous for your if I were your lawyer
- 20:55Speaker 1: representing you and you no, no, no no no, I
- 20:58Speaker 1: was no.
- 20:58Speaker 2: No no no. Mlissen that a. This is wondering though,
- 21:02Speaker 2: I wonder since she is a performance artist, could that
- 21:06Speaker 2: be considered performance art? Right?
- 21:08Speaker 3: Sure, Yeah, there was something that she said that it
- 21:13Speaker 3: was like law fifty seven fifty six, but it's said
- 21:16Speaker 3: that certain groups who had been discriminated, like people of
- 21:19Speaker 3: color or women, can discriminate if it leads to more equality.
- 21:24Speaker 1: It's something interesting. So there are some like similar laws
- 21:27Speaker 1: in the US where like you can technically, like there's
- 21:31Speaker 1: a there's a big question on the bar exam when
- 21:32Speaker 1: I took it that, like you can technically break the
- 21:34Speaker 1: law and advise your client to break the law in
- 21:38Speaker 1: very specific situations if it is to prove that a
- 21:41Speaker 1: law is like specifically unjust. It's like a very narrow
- 21:45Speaker 1: sort of definition, like you can't do it to prove
- 21:48Speaker 1: that like robbing is okay, like you can't like it.
- 21:51Speaker 1: You can't tell them like oh your pocket, yeah, like
- 21:54Speaker 1: go for it. And it's like a very specific sort
- 21:57Speaker 1: of I guess technically crimes that you can break the
- 22:00Speaker 1: law and commit the crime in order to then go
- 22:04Speaker 1: on and have standing in front of certain courts to
- 22:08Speaker 1: then try your case.
- 22:11Speaker 2: So she didn't win. Initially she lost. The guy won, yes, right,
- 22:16Speaker 2: And what happened then was that at that point did
- 22:19Speaker 2: they sort of close the exhibition at the said the library,
- 22:22Speaker 2: but at the museum, or did they allow men to attend.
- 22:26Speaker 3: So when he won, the judge was like, was like
- 22:31Speaker 3: open the lounge to anybody, and she was like, no,
- 22:35Speaker 3: thank you, So they closed it down completely. Got and
- 22:37Speaker 3: then she won her appeal and then she was allowed
- 22:40Speaker 3: to open it up again, and then she opened it
- 22:41Speaker 3: up and then she got on stage. Well she had
- 22:45Speaker 3: a little interview and she was like, I want to
- 22:47Speaker 3: thank the man his name with Jason Low. I want
- 22:49Speaker 3: to thank Jason Wow so much pursuing me because you
- 22:53Speaker 3: basically show that like women are better than men, the
- 22:56Speaker 3: men can keep appealing and this is what Kersha has
- 22:58Speaker 3: to say to them. We'll see how the men take it.
- 23:00Speaker 2: And then are a little hysterical. I'm a bit concerned.
- 23:03Speaker 3: They're troubled by the power of women. And then she's like,
- 23:08Speaker 3: any man that wants to work in the lounge can
- 23:12Speaker 3: apply to be a butler. Oh women, yeah, I love
- 23:17Speaker 3: that actually. But about the Picasso, Oh yeah, there was
- 23:22Speaker 3: she yes, in the lounge, there was like actual art,
- 23:26Speaker 3: like I forgot who it was, but cool art, you know.
- 23:29Speaker 3: But she was in the lounge and she's like, I
- 23:31Speaker 3: need a Pilasso. And she even is quoted by saying
- 23:33Speaker 3: that a lot of her friends have Picassos. So she's like,
- 23:36Speaker 3: I could get a Pilasso, but I wanted a green
- 23:37Speaker 3: Piicasso because everything's in the lounge. So she painted her
- 23:41Speaker 3: own green Piicasso and pretended like it was real, and
- 23:45Speaker 3: then it was it came out that it was fake,
- 23:47Speaker 3: and then she was like, guys, I've been waiting.
- 23:49Speaker 1: She sounds so cool, so fun.
- 23:52Speaker 2: Yeah, So the whole point of her painting the Picasso
- 23:55Speaker 2: was to be found out, to be found out, y gotcha?
- 23:58Speaker 2: And then does anything happen? I mean I'm assuming that
- 24:02Speaker 2: something could only happen if you tried to sell it
- 24:05Speaker 2: as a real Picasso.
- 24:07Speaker 1: I don't think, yeah, she probably wasn't impressed. She can't
- 24:10Speaker 1: forge it, she was never made.
- 24:13Speaker 3: She basically made up a whole.
- 24:15Speaker 1: If she was like charging admission to go in and
- 24:17Speaker 1: see the Picasso claiming it was.
- 24:21Speaker 3: Wasn't she No, it's probably lounge was yeah right, No
- 24:25Speaker 3: one was paying to enter the women's lounge, gotcha.
- 24:29Speaker 2: Yeah.
- 24:29Speaker 3: And then actually the Paassa Foundation responded and they were like,
- 24:33Speaker 3: it's all right, okay, this is the current update with
- 24:35Speaker 3: the woman who thanked a Picasso. Picasso found should have
- 24:37Speaker 3: gents about the forged paso. So they say, well, we
- 24:40Speaker 3: can only regret the situation and the current overexposure. We
- 24:43Speaker 3: believe that this matter is now closed. Oh, everything's all right.
- 24:48Speaker 2: Yeah. So with her as that one man, one man,
- 24:52Speaker 2: a typical.
- 24:55Speaker 1: Being, like there's one place I'm not allowed. I'm gonna
- 24:58Speaker 1: freak out and I'm gonna sue over like that.
- 25:00Speaker 2: It is a natural quote. The men are acting a
- 25:03Speaker 2: little hysterical. They may appeal, but they're not appealing to me.
- 25:06Speaker 2: I love that. That is great, that's great, all right.
- 25:13Speaker 1: Let's get into I thought it would be nice to
- 25:16Speaker 1: have care join us because we're going to be talking
- 25:17Speaker 1: a lot about stolen art. So Warhols were stolen. This
- 25:23Speaker 1: lawsuit is from twenty twenty five. This man, Thomas Trotta,
- 25:28Speaker 1: was arrested and charged and sentenced to eight years in
- 25:31Speaker 1: federal prison for his role in an art theft ring.
- 25:35Speaker 1: So this case was actually a federal case because it
- 25:39Speaker 1: involved like multiple states in New York, New.
- 25:41Speaker 2: Jersey, Massachusetts, Rhode Island, North, North Dakota.
- 25:45Speaker 1: Actually, I bet there's like a there's probably like one
- 25:48Speaker 1: incredible art museum in North Dakota.
- 25:49Speaker 2: Probably the one, the one, but we don't know of
- 25:54Speaker 2: North Dakota people of.
- 25:55Speaker 1: North Dakota police. Yeah, man, let us correct us, correct us,
- 25:59Speaker 1: so that we got wrong. I've never been.
- 26:01Speaker 3: Never it's beautiful, It's probably really great.
- 26:03Speaker 2: There's I'm sure. I'm sure it's gorgeous. Actually, very sure.
- 26:07Speaker 1: Which ones? Where the where those four heads are those guys.
- 26:11Speaker 1: It's like they've got the four dudes. They're like all
- 26:14Speaker 1: the the presidents, the dead ones. Oh yeah, yeah, Now
- 26:20Speaker 1: that's in North Dakota. I think I don't fact check
- 26:23Speaker 1: fact check me. Common below Trump.
- 26:26Speaker 2: Wants to have his Did you hear that that Trump
- 26:28Speaker 2: wants to have his head chiseled into next to Lincoln
- 26:32Speaker 2: I'm sorry.
- 26:33Speaker 1: Okay, So like I know my I know my angles,
- 26:35Speaker 1: Like we have these cameras set up like very specifically
- 26:38Speaker 1: for my angles. I would never if I had those ankles,
- 26:41Speaker 1: I would never be like, let's memorialize this in the
- 26:44Speaker 1: side of a fucking mountain. I'm sorry, I am like
- 26:49Speaker 1: pretty snatched, like I'm not like I'm six seven, like
- 26:51Speaker 1: I'm I'm not like O my ten put my face
- 26:54Speaker 1: on a mountain and like I'm me but like the
- 26:57Speaker 1: president saying that, but he.
- 26:59Speaker 2: But okay, but he's not looking at himself like the
- 27:02Speaker 2: rest of us are looking at him. He's got all
- 27:05Speaker 2: kinds of.
- 27:05Speaker 1: Ros I mean, he's not looking at himself at all.
- 27:08Speaker 1: He's unconscious half the time, Like I think there's like
- 27:10Speaker 1: a diminished capacity.
- 27:12Speaker 2: No, I think I actually think that this man is
- 27:15Speaker 2: looking at himself. And he's just like, yeah, this is no.
- 27:20Speaker 1: Put this on a mountain.
- 27:21Speaker 2: Put this on a mountain, a mountain, on a stamp.
- 27:26Speaker 1: He wants to what colors the mountain. Is it like
- 27:29Speaker 1: an orange hue or.
- 27:30Speaker 2: Is it No, it's not.
- 27:32Speaker 1: It's like all I was going to say, it might
- 27:33Speaker 1: actually work.
- 27:34Speaker 2: No, no, no, no, it's like I think it's like
- 27:36Speaker 2: it's like a white.
- 27:37Speaker 1: Stony white mountain.
- 27:38Speaker 2: Yes, yeah, gray, yeah yeah.
- 27:42Speaker 1: I wonder if the people of North Dakota are upset
- 27:45Speaker 1: about this.
- 27:45Speaker 2: Is it really in North Dakota.
- 27:46Speaker 1: It might be South Dakota.
- 27:48Speaker 2: It's in the Dakota.
- 27:49Speaker 1: One of the digress, I would go brief recess on
- 27:53Speaker 1: the road, join us next week, yep, road trip. But
- 27:56Speaker 1: they stole like all these different artworks from different establishments.
- 28:00Speaker 1: One was they snuck in through a tent and stole
- 28:02Speaker 1: it from the museum because they were having like a party.
- 28:06Speaker 1: And because they stole the paintings in different states, it
- 28:09Speaker 1: technically invoked the Commerce Clause of the Constitution. So commerce
- 28:13Speaker 1: clause is we're going to do like a little audio there.
- 28:18Speaker 1: I want to fly in Okay. But they put the
- 28:20Speaker 1: Commerce Clause on both my shoulders because I know all
- 28:23Speaker 1: about the Commerce Clause because they don't fucking shut up
- 28:25Speaker 1: about it. In law school, all they talk about is
- 28:27Speaker 1: the damn Commerce Clause. So the Commerce Clause is basically
- 28:31Speaker 1: the government, the federal government can regulate and has jurisdiction
- 28:34Speaker 1: over anything having to do with interstate commerce. So anything
- 28:38Speaker 1: that crosses the state line is technically interstate commerce. And
- 28:42Speaker 1: it's like this like weird part of the law where technically,
- 28:46Speaker 1: like the states and the federal government are always beefing
- 28:48Speaker 1: over like who's going to tell who to do what,
- 28:51Speaker 1: and the federal government over the history of the nation
- 28:55Speaker 1: was like, hey, anytime business crosses the border between states,
- 29:00Speaker 1: it's we take jurisdiction. That's mine, baby. So technically, because
- 29:05Speaker 1: they were robbing different states, it was governed by the
- 29:08Speaker 1: federal jurisdiction, so they had to go to federal court
- 29:12Speaker 1: for these crimes. They were arrested and charged and Thomas
- 29:15Speaker 1: ended up serving eight year sentence, so he's currently in jail.
- 29:21Speaker 1: Person currently in But this is like one of these
- 29:24Speaker 1: I don't know, I thought it was really interesting. There's
- 29:26Speaker 1: like this common trend in art theft where it's almost
- 29:29Speaker 1: like kind of sexy the way that like people and
- 29:33Speaker 1: the news sort of like deal with art theft. It's
- 29:36Speaker 1: sort of like one of these like cool crimes that
- 29:40Speaker 1: people are It's not like, oh my god, this like
- 29:43Speaker 1: awful thing happened. It's like there's sort of.
- 29:45Speaker 2: Like this like a little bit of like a victimless crime, right.
- 29:48Speaker 1: Like yeah, or like it's a crime of like the
- 29:50Speaker 1: ultra wealthy and like we don't feel too sad about it.
- 29:54Speaker 1: There's just like I thought it was cool from like
- 29:56Speaker 1: a cultural perspective of like the way that people are
- 29:58Speaker 1: going to be tree this case is people really tune
- 30:04Speaker 1: in because you're right, it is like a victimless crime.
- 30:06Speaker 2: It feels that way. It does feel that way.
- 30:08Speaker 1: Are there other like stolen looted art situations that you
- 30:12Speaker 1: know about that you want to talk a little bit about.
- 30:14Speaker 3: Recently there was a Nazi looted art situation.
- 30:18Speaker 1: All right, yeah, I heard about this. Yeah.
- 30:20Speaker 3: He was a man very close to Hitler got this
- 30:24Speaker 3: artwork by frag Algario, that's the artist, and it's called
- 30:27Speaker 3: Portrait of a Lady and then it like passed hands
- 30:30Speaker 3: and it went to his financial advisor, and then it
- 30:33Speaker 3: went to his daughter. And she's been living in Argentina
- 30:38Speaker 3: and for ten years, these journalists were trying to get
- 30:40Speaker 3: it and.
- 30:40Speaker 1: They like could not did they know where it was?
- 30:43Speaker 3: They couldn't know. They didn't find it right, they didn't
- 30:46Speaker 3: know where it was. They just thought that she had it.
- 30:48Speaker 1: And he's just like a huge problem. Like Nazi looted
- 30:50Speaker 1: art was just sort of like blasted around the world.
- 30:53Speaker 1: Like Hitler had like a really systematic We talked about
- 30:55Speaker 1: it in law school. They had like a systematic way
- 30:58Speaker 1: in which he was like looting museums, galleries, people's homes
- 31:02Speaker 1: and sort of like appraising and then redistributing the artwork
- 31:07Speaker 1: as an asset to people in his circle. Yeah.
- 31:12Speaker 3: Yeah, and the artwork was stolen from this art dealer.
- 31:15Speaker 3: So yeah, he had thousands of his work store.
- 31:17Speaker 2: Wow.
- 31:18Speaker 3: Anyway, so over ten years that they were trying to
- 31:20Speaker 3: find this artwork, and this journalist like in like a
- 31:23Speaker 3: la last ditch effort, he shows up to the house
- 31:26Speaker 3: of this woman. He knocks on the door if she
- 31:28Speaker 3: doesn't answer, because she has an answer for ten years.
- 31:32Speaker 3: And then in the yard there's a for sale sign
- 31:34Speaker 3: and he like gets back in his hotel and he's like,
- 31:36Speaker 3: let me look up the real estate, let's say. And
- 31:39Speaker 3: then above the couch is the painting.
- 31:42Speaker 2: Yeah, we talked about that. That was the one that
- 31:44Speaker 2: I told you about. It was the person found it
- 31:46Speaker 2: in Zillow like they were looking at they were looking
- 31:49Speaker 2: for a house. I didn't realize it. I didn't realize
- 31:51Speaker 2: it was that. Yeah, that situation, but it was on
- 31:55Speaker 2: the Zillow ad of the house. The art that had
- 31:58Speaker 2: been stolen by the nuts had been living in this
- 32:01Speaker 2: woman's house for years.
- 32:02Speaker 3: Yeah, and so he called in all the proper people
- 32:06Speaker 3: they like raided the house and it was missing, and
- 32:09Speaker 3: in its place was this like tapestry of horses. And
- 32:12Speaker 3: then they put these people on house arrest and they
- 32:14Speaker 3: were like, listen, you have this thing, and they're like, mind,
- 32:16Speaker 3: we don't.
- 32:17Speaker 1: Imagine being that, Like tapestry of horses are just like
- 32:19Speaker 1: the understudy for like the real star, and like you've
- 32:22Speaker 1: got to go on. Everyone's watching you and you're like
- 32:26Speaker 1: everyone showed up to see the star and you're just
- 32:28Speaker 1: like a crusty.
- 32:29Speaker 3: But it could have been a really cute tapistry, like
- 32:31Speaker 3: we don't know what.
- 32:32Speaker 1: Like we don't know. Yeah, thank you for protecting art.
- 32:35Speaker 1: Thank you for protecting the identity of that, because we
- 32:37Speaker 1: don't know it could be like a fierce you're right textile.
- 32:40Speaker 2: Yeah.
- 32:40Speaker 3: So the people, the the woman, her and her husband
- 32:44Speaker 3: were you know, all the lost of prosecuted or whatever,
- 32:48Speaker 3: and now they're in big trouble. Oh oh the painting,
- 32:52Speaker 3: So where is the bab It's unfound. The people got
- 32:56Speaker 3: on house arrest and then they were like, and then
- 32:58Speaker 3: they try to like sell it to Yeah, they were
- 33:01Speaker 3: like can you sell it? And they were like no,
- 33:02Speaker 3: you're in trouble. So now they're like going to be
- 33:06Speaker 3: prosecuted for like forgery, not forgery for.
- 33:11Speaker 2: It. But let me ask you this though. So the
- 33:15Speaker 2: way that the painting came into their hands was that
- 33:18Speaker 2: it had belonged not belonged but the but the father
- 33:23Speaker 2: of the woman had stolen it.
- 33:25Speaker 3: Well, this head Nazi official got it from well, stole
- 33:29Speaker 3: it from this art dealer, correct, and then he gave
- 33:32Speaker 3: it or somehow his financial advisor got it right, and
- 33:35Speaker 3: then he died and it went to the daughter.
- 33:37Speaker 2: Right. So do we know for sure that the daughter
- 33:41Speaker 2: knew the origin of that painting.
- 33:43Speaker 3: No, but she gave it over and they contacted her
- 33:47Speaker 3: for ten years.
- 33:48Speaker 1: Gotcha, Okay, So probably know if you had like the
- 33:51Speaker 1: opportunity at that point, you had.
- 33:53Speaker 2: The chance to do the right thing, and you did it,
- 33:54Speaker 2: and you hit it, and you hit it.
- 33:56Speaker 1: That's weird, a little sauce, yeah, but yeah, And there
- 34:00Speaker 1: is a law in the books in Argentina about how
- 34:02Speaker 1: like being in possession of stolen goods is technically a crime.
- 34:06Speaker 1: But you know, we have two things are needed for
- 34:09Speaker 1: every crime, men's rea and act as raya. So you
- 34:12Speaker 1: need the mental state to me the crime, but also
- 34:14Speaker 1: a physical act too, So this would be the physical
- 34:16Speaker 1: act of concealment, and then the mental state would be
- 34:19Speaker 1: the knowledge of this being stolen.
- 34:22Speaker 2: I guess I suppose if I mean, obviously she hid it,
- 34:25Speaker 2: so she probably did sort of know. But I wonder
- 34:28Speaker 2: if if I go to an estate sale that's what
- 34:32Speaker 2: I do. No no, no no, But I buy a
- 34:36Speaker 2: piece of art that I like, and I hang it
- 34:38Speaker 2: in my home and I paid five dollars for it
- 34:41Speaker 2: at a garage sale or something, I could very well
- 34:45Speaker 2: not know that it was stolen. And then if somebody
- 34:48Speaker 2: finds it and they say, hey, this is a stolen
- 34:52Speaker 2: piece of art, and I say, well, I bought it
- 34:54Speaker 2: in a garage.
- 34:54Speaker 1: Yeah, that's the opportunity to remedy. So if you're given
- 34:57Speaker 1: the opportunity to make it right. There are couple of
- 35:00Speaker 1: different lawsuits where I think, like the first one was
- 35:03Speaker 1: actually a celebrity and that she had a stolen artwork
- 35:08Speaker 1: that was looted by the Nazis and she was sued
- 35:11Speaker 1: for it. But there wasn't really the legal case law precedent.
- 35:14Speaker 1: She was kind of the first. It was like in
- 35:16Speaker 1: the seventies or sixties.
- 35:19Speaker 2: You're looking at me like I was there. No, I
- 35:20Speaker 2: didn't know. I was just working. You gave me a
- 35:23Speaker 2: look like do you remember it from Go Fuck Yourself? Michael.
- 35:27Speaker 1: Anyways, thank you for joining us, Kira un This would
- 35:30Speaker 1: be my last recording.
- 35:34Speaker 2: Anyway. But right so, I'm just curious what would happen
- 35:38Speaker 2: to somebody like that she bought it, but not we're
- 35:41Speaker 2: assuming that she didn't know what she was.
- 35:43Speaker 1: Yeah, they wouldn't just like you know, show up and
- 35:45Speaker 1: arrest her for possession of it, but given an opportunity
- 35:49Speaker 1: to sort of remedy the situation before seeking to press
- 35:55Speaker 1: charges or prosecuting or arresting this person. I mean, you'd
- 35:58Speaker 1: be given the opportunity to which is actually like kind
- 36:01Speaker 1: of unusual for these types of crimes, like if you
- 36:06Speaker 1: rob a store, Right, we have to make sure that
- 36:08Speaker 1: this person actually has the requisite men's raya, the mental
- 36:11Speaker 1: state end that they actually knew what they were doing
- 36:15Speaker 1: when they committed the crime or were in position of
- 36:16Speaker 1: the stolen goods. Right, So it sort of like invokes
- 36:19Speaker 1: like property law and also like criminal laws, so it's
- 36:24Speaker 1: kind of a cool one. But thank you for joining us, Kira,
- 36:26Speaker 1: thank you for coming and being a part of that. Oh,
- 36:28Speaker 1: thank you for telling us more about your work, plug
- 36:30Speaker 1: your socials. Where do you want everyone to follow?
- 36:33Speaker 3: It's called the Art Revival and you can follow on
- 36:36Speaker 3: Instagram and TikTok and YouTube, oh and Facebook.
- 36:39Speaker 1: Give for a follow because she really does pump out
- 36:42Speaker 1: of all these videos. It's really incredible, especially if you're
- 36:45Speaker 1: like not going to art exhibitions that often, but you
- 36:48Speaker 1: do love art. It's a great way to sort of
- 36:50Speaker 1: like get to see what's happening in the art world
- 36:53Speaker 1: while also not leaving your home.
- 36:56Speaker 3: Yeah, thanks so much for having me. I learned so
- 36:58Speaker 3: much and I feel like I'm like a lawyer now.
- 37:01Speaker 1: Okay, but please don't practice without a license. That was
- 37:07Speaker 1: so great. I love talking about just sort of like
- 37:09Speaker 1: the provenance and art getting sort of like spread around
- 37:12Speaker 1: the world, and like the stories that now you know,
- 37:14Speaker 1: the grandchildren and the great grandchildren of sort of having
- 37:17Speaker 1: to repatriate art back to the original owners. It's really interesting,
- 37:21Speaker 1: super interesting.
- 37:22Speaker 2: I loved having her on.
- 37:23Speaker 1: Thank you for listening to Brief Recess. I'm Michael Foot.
- 37:26Speaker 2: I'm Melissa Malbranch.
- 37:27Speaker 1: Don't forget to submit a question for next week and
- 37:30Speaker 1: we'll see you in court. This has been an Exactly
- 37:35Speaker 1: Right production recorded at iHeart Studios, hosted by me, Michael Foot.
- 37:39Speaker 2: And me Melissa Malbranch. Our producer is CJ. Ferroni.
- 37:42Speaker 1: This episode was edited by Nicholas Galucci.
- 37:44Speaker 2: Our associate producer is Christina Chamberlain and our guest booker
- 37:47Speaker 2: is Patria Cottner.
- 37:49Speaker 1: Our theme song was composed by Tom Bridfogel with artwork
- 37:51Speaker 1: from Charlotte Delarue Manessa Lilac with photography by Brad Obono.
- 37:56Speaker 2: Brief Recess is executive produced by Karen Kilgareff Georgia Hartstark.
- 38:00Speaker 2: I'm Danielle Kramer.
- 38:01Speaker 1: You can find me on Instagram at Department of Redundancy
- 38:03Speaker 1: Department or on TikTok at Michael Foot and.
- 38:06Speaker 2: I'm on both Instagram and TikTok as Melissa Malbranch.
- 38:09Speaker 1: Got legal questions, reach out at Brief Recess at exactlyrightmedia
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