Latest / Frightmares / Ep. 396 - Snakes On A Plane (2006)

Transcript

Ep. 396 - Snakes On A Plane (2006) · Frightmares

• 0:01
  Speaker 1: You are now listening to the Someone's Favorite Productions Podcast Network.
• 0:07
  Speaker 2: Hey, this is Jason Kleberg from the Force 5 Podcast,
• 0:10
  Speaker 2: a show that forces a guest to come up with
• 0:12
  Speaker 2: a movie-themed top five list topic, and then we reveal
• 0:15
  Speaker 2: our picks on air. Top five heist films, top five tearjerkers,
• 0:19
  Speaker 2: top five movie dogs. Every show you'll be asking yourself,
• 0:23
  Speaker 2: what would be on my list? Guests include directors, screenwriters, actors, podcasters, musicians, authors,
• 0:29
  Speaker 2: and even a professional wrestler. Subscribe to the Force 5
• 0:32
  Speaker 2: Podcast and you won't just be a listener, you'll be
• 0:34
  Speaker 2: a list nerd. The Force 5 Podcast, available wherever you're
• 0:37
  Speaker 2: listening now.
• 0:39
  Speaker 1: The following podcast will contain spoilers, tangents, hot takes, and
• 0:44
  Speaker 1: excessive foul language. Viewer discretion is advised.
• 0:48
  Speaker 3: Enjoy the show. Welcome back to Frighteners Podcast. I'm your host,
• 1:32
  Speaker 3: Austin Proctor. And joining me today for episode 396 is
• 1:35
  Speaker 3: my good friend, Spencer Laffermab. Hello. Laffermab. I always call
• 1:39
  Speaker 3: him that. And it's an inside joke that only we get.
• 1:43
  Speaker 1: Yeah.
• 1:44
  Speaker 3: So, fuck you.
• 1:45
  Speaker 1: Yeah, you tell him. You tell all the listeners.
• 1:48
  Speaker 3: What an intro. Hey, how you doing? Get out of here.
• 1:52
  Speaker 1: Fuck you.
• 1:52
  Speaker 3: Fuck you. Today on the last installment of Animagus Attack,
• 1:57
  Speaker 3: we're discussing our wild card pick, Snakes on a Plane
• 2:00
  Speaker 3: from 2006, where Samuel L. Jackson is indeed tired of
• 2:04
  Speaker 3: these motherfucking snakes on this motherfucking plane. Let's go into
• 2:08
  Speaker 3: the cold open. So from the corrections department, last episode,
• 2:17
  Speaker 3: I said that George P. Cosmatos was the director of
• 2:21
  Speaker 3: Panos Cosmatos. I meant father. Wildly different words. So there
• 2:25
  Speaker 3: you go. Also, the Cabinet of Curiosities episode that Panos
• 2:29
  Speaker 3: Cosmatos did was the viewing because I looked it up
• 2:32
  Speaker 3: and I didn't do it on the spot. Anyways, what
• 2:35
  Speaker 3: have you been watching? Good, sir.
• 2:37
  Speaker 1: Well, it's not horror, but last night I watched.
• 2:39
  Speaker 3: That's okay.
• 2:41
  Speaker 1: Last night I watched this new movie from Ridley Scott
• 2:43
  Speaker 1: called The Dog Stars with Jacob Elordi, Josh Brolin, Margaret Qualley.
• 2:51
  Speaker 1: Is that how you say her last name?
• 2:52
  Speaker 3: Margaret Qualley?
• 2:53
  Speaker 1: Yes.
• 2:53
  Speaker 3: Yeah, that was pretty good. Nice.
• 2:56
  Speaker 1: It wasn't Ridley Scott's best thing, but he's getting older,
• 2:59
  Speaker 1: so he can't keep doing Gladiator in the 80s. But
• 3:04
  Speaker 1: I enjoyed it. I did watch horror-related... I think like
• 3:10
  Speaker 1: Monday or something, it was a short on Tubi called
• 3:13
  Speaker 1: Simon Says.
• 3:14
  Speaker 3: Have you heard of it? Does Tubi, they have short films?
• 3:18
  Speaker 1: Apparently.
• 3:19
  Speaker 3: Really?
• 3:19
  Speaker 1: I had no idea. This was honestly, I was just
• 3:21
  Speaker 1: scrolling through Tubi and it said Simon Says and I
• 3:23
  Speaker 1: read the description, didn't even know it was a short.
• 3:26
  Speaker 1: I thought it was going to be an actual movie
• 3:27
  Speaker 1: and it said 21 minutes. I'm like, well, that's just
• 3:29
  Speaker 1: an easy watch regardless.
• 3:31
  Speaker 3: Okay, interesting, interesting.
• 3:32
  Speaker 1: It wasn't great. All of that to say, it wasn't...
• 3:36
  Speaker 1: I mean, the premise was interesting. So it was about
• 3:38
  Speaker 1: this random, I guess, clown goes and ruins this girl's
• 3:43
  Speaker 1: 21st birthday party by playing Simon Says, and if you
• 3:45
  Speaker 1: get the answer wrong, you die. Shotgun to the face.
• 3:48
  Speaker 1: Oh my God. And she was doing like... Jesus. Yeah,
• 3:51
  Speaker 1: and it was just 20 minutes of basically just killing people, which,
• 3:54
  Speaker 1: I mean... Sure, sure. In all aspects, I think a
• 3:58
  Speaker 1: full-length movie like that, more fleshed out reasoning, might have
• 4:02
  Speaker 1: been kind of interesting.
• 4:03
  Speaker 3: Sure, sure.
• 4:03
  Speaker 1: But for 20 minutes, it was kind of poop.
• 4:06
  Speaker 3: Kind of poop.
• 4:07
  Speaker 1: But for 20 minutes, it also looked pretty decent. Okay.
• 4:10
  Speaker 1: And the actor that played the crazy Simon was actually
• 4:13
  Speaker 1: pretty cool.
• 4:13
  Speaker 3: All right.
• 4:14
  Speaker 1: But otherwise, it was kind of crap.
• 4:15
  Speaker 3: Otherwise, it was kind of not great. Correct.
• 4:17
  Speaker 1: Correct.
• 4:18
  Speaker 3: What else? I mean, come on. You've got to have
• 4:20
  Speaker 3: more than that.
• 4:20
  Speaker 1: I wasn't done.
• 4:21
  Speaker 3: Oh, okay. God. Man.
• 4:23
  Speaker 1: No, I'm just kidding.
• 4:23
  Speaker 3: What happens when I don't have him on the show?
• 4:25
  Speaker 3: I don't know who you are. Who are you?
• 4:27
  Speaker 1: Who are you? So because Free Will and it kept
• 4:32
  Speaker 1: shooting my eyes on Hulu every time.
• 4:35
  Speaker 3: 10 out of 10 start.
• 4:36
  Speaker 1: Exactly.
• 4:37
  Speaker 3: I'm ready.
• 4:39
  Speaker 1: And because it kept just showing its face on Hulu,
• 4:42
  Speaker 1: I said, fuck it, and decided to rewatch the entire
• 4:44
  Speaker 1: Twilight franchise.
• 4:46
  Speaker 3: Twilight franchise? Yeah.
• 4:47
  Speaker 1: Yeah, The Twilight Saga.
• 4:50
  Speaker 3: Oh, I was thinking Twilight Zone. I was like, are
• 4:52
  Speaker 3: you forgetting a word? No. The Twilight Saga.
• 4:54
  Speaker 1: Because Hulu was just like, here it is. And I'm like, no,
• 4:57
  Speaker 1: I want to watch something else. And they kept showing up.
• 4:59
  Speaker 3: I'm like, you know what?
• 4:59
  Speaker 1: Fuck it. Let's watch this. It's been about 20 years.
• 5:02
  Speaker 1: Let me rewatch this. And you know what? I'm a fan.
• 5:05
  Speaker 1: I don't even care. Other than New Moon, I really
• 5:08
  Speaker 1: like those movies for as shitty and crappy and cheesy
• 5:11
  Speaker 1: and corny as they all are.
• 5:13
  Speaker 3: I enjoy them as well. I mean, I'm not going
• 5:14
  Speaker 3: to sit here and... I mean, I think I enjoy
• 5:16
  Speaker 3: them probably for the wrong reasons.
• 5:18
  Speaker 1: Right.
• 5:18
  Speaker 3: But nonetheless.
• 5:20
  Speaker 1: Like, Eclipse is still my absolute favorite.
• 5:22
  Speaker 3: Is that the third one?
• 5:23
  Speaker 1: Yeah.
• 5:23
  Speaker 3: Yeah, mine too. Yeah, same. Yep, yep, yep. Dude, okay, continue.
• 5:26
  Speaker 3: But I have something to say about third movies.
• 5:28
  Speaker 2: No, you're good.
• 5:29
  Speaker 1: And I have no shame in saying this. The soundtrack
• 5:33
  Speaker 1: for all of those movies as a whole fucking rocks.
• 5:38
  Speaker 1: I mean, you got Paramore, like, doing songs... You have
• 5:42
  Speaker 1: the Thousand Years by Christina Perri, which to me is
• 5:45
  Speaker 1: one of the best written love songs ever. I don't
• 5:47
  Speaker 1: even care. It's great.
• 5:50
  Speaker 3: 10 out of 10.
• 5:50
  Speaker 1: I'm showing my whole ass today.
• 5:52
  Speaker 3: Love it. Yeah. Full moon.
• 5:54
  Speaker 1: Exactly. Anyway, what were you going to say about threes? Oh, yeah.
• 5:57
  Speaker 3: I don't know what it is about third movies. They're
• 6:00
  Speaker 3: always my favorite. Friday the 13th, part three. Nightmare on
• 6:04
  Speaker 3: Elm Street, part three. Halloween, part three. Fucking Twilight, three.
• 6:10
  Speaker 3: What is it?
• 6:11
  Speaker 1: Except for Halloween Part 3. Saw 3. Right.
• 6:16
  Speaker 3: What is it with the third movie?
• 6:18
  Speaker 1: But if you're making a series, and I'm not counting
• 6:21
  Speaker 1: Halloween 3 because that's its own movie, but it's technically
• 6:23
  Speaker 1: the third one, but it's separate. But if you're making
• 6:26
  Speaker 1: a continued story and you still don't know what the
• 6:29
  Speaker 1: fuck you're doing by 3, just quit.
• 6:31
  Speaker 3: Well, true.
• 6:32
  Speaker 1: You have two movies prior to get your shit together.
• 6:36
  Speaker 1: So by the third one, it should be either together
• 6:39
  Speaker 1: or forming... forming something that's... Going somewhere. Going somewhere that's like,
• 6:43
  Speaker 1: holy shit, I can't wait for the rest. Which, Saw III, like,
• 6:47
  Speaker 1: what the fuck?
• 6:47
  Speaker 3: Yeah, that was insane. I mean, I still think the
• 6:50
  Speaker 3: twist of Saw IV is the best of the franchise, but.
• 6:52
  Speaker 1: Yeah, but if you think about it, the twist in
• 6:54
  Speaker 1: Saw IV was during Saw III!
• 6:55
  Speaker 3: Yeah, so it's... Yeah, whatever. Those movies are 20-something years old.
• 6:59
  Speaker 3: If you haven't seen them, sorry.
• 7:00
  Speaker 1: But yeah, threes, for the most part, are usually... should be...
• 7:04
  Speaker 1: Unless it's.
• 7:05
  Speaker 3: I mean, specifically not talking about just trilogies. Usually there
• 7:10
  Speaker 3: needs to be at least three or more.
• 7:12
  Speaker 1: Right.
• 7:13
  Speaker 3: You know, typically.
• 7:15
  Speaker 1: Like off the top of my head, the only one
• 7:16
  Speaker 1: that doesn't work for a third is Terminator 3. Because
• 7:19
  Speaker 1: how are you supposed to follow Terminator 2?
• 7:21
  Speaker 3: You don't.
• 7:21
  Speaker 1: You don't.
• 7:22
  Speaker 3: You just don't.
• 7:23
  Speaker 1: And Terminator 3 was just silly. It was fun, but
• 7:25
  Speaker 1: it was silly.
• 7:25
  Speaker 3: Well, it also came out 18 years later.
• 7:28
  Speaker 1: Yeah, like it was supposed to end with two, technically. Yeah.
• 7:32
  Speaker 3: Yeah, you don't top Terminator 2.
• 7:34
  Speaker 1: Yeah.
• 7:35
  Speaker 3: Same thing with Aliens. You're not topping Aliens.
• 7:38
  Speaker 1: No, you're really not.
• 7:39
  Speaker 3: There's two examples right there.
• 7:41
  Speaker 1: Right.
• 7:42
  Speaker 3: Basically, don't follow James Cameron if it's a whole fucking
• 7:45
  Speaker 3: franchise already. If there's already the second movie done by
• 7:47
  Speaker 3: James Cameron, eat dicks. Like, I don't know.
• 7:50
  Speaker 1: Right. Just stop.
• 7:51
  Speaker 3: Just don't.
• 7:52
  Speaker 1: Like, he won.
• 7:53
  Speaker 3: He won. Anything else, good sir?
• 7:57
  Speaker 1: No, that's about it. I mean, obviously this one, the
• 7:59
  Speaker 1: one we were about to talk about. Yes, and.
• 8:02
  Speaker 3: Even though there is a whole bonus episode coming out
• 8:06
  Speaker 3: on this one, I did want to talk about Insidious
• 8:08
  Speaker 3: out of the further, because I did see it with you,
• 8:10
  Speaker 3: and old man Austin was dozing off there a little bit.
• 8:14
  Speaker 1: Yeah. Dude, I looked over, and.
• 8:17
  Speaker 3: Was I snoring? Briefly.
• 8:20
  Speaker 1: I say briefly, because you could have been doing it
• 8:22
  Speaker 1: the whole time, but it was during the climax of
• 8:23
  Speaker 1: the movie, so it was loud, and your snoring was
• 8:25
  Speaker 1: not as loud as the movie. But there were quiet parts,
• 8:27
  Speaker 1: and I'm like... So I get this motherfucker in the back.
• 8:31
  Speaker 1: Austin's not the motherfucker in this, by the way. This
• 8:34
  Speaker 1: random dude in the back talking to himself the whole movie.
• 8:37
  Speaker 3: What? I didn't even notice that.
• 8:39
  Speaker 1: Yeah, dude, this guy that was sitting behind us, the
• 8:42
  Speaker 1: whole movie he was just talking to himself. He was
• 8:43
  Speaker 1: whispering to himself, but I heard his ass every single time.
• 8:45
  Speaker 1: I'm like, what the hell? What's happening?
• 8:47
  Speaker 3: What are you doing?
• 8:48
  Speaker 1: And then during the long ass climax of this movie,
• 8:52
  Speaker 1: Austin's dumb ass is over here like, by the way,
• 8:55
  Speaker 1: I know you didn't see that, but I pass out
• 8:56
  Speaker 1: for a second.
• 8:57
  Speaker 3: Uh, yeah. Old man, old man.
• 8:59
  Speaker 1: I wanted to like wake him and whatever, but I'm like,
• 9:01
  Speaker 1: you know what? Nah. And then, and then a loud
• 9:05
  Speaker 1: part came in the movie and he like jolted up
• 9:06
  Speaker 1: and I, I like cackled at myself like a little school.
• 9:09
  Speaker 3: Girl just so he didn't notice. I, uh, so I
• 9:11
  Speaker 3: saw like the first act and the third act and
• 9:13
  Speaker 3: I was like, the fuck, how did we get here?
• 9:16
  Speaker 3: And then I had to go. So I had to
• 9:17
  Speaker 3: go watch it the next day. I say all of
• 9:19
  Speaker 3: this on the episode, but yeah. I really, I, so
• 9:22
  Speaker 3: after watching it all the way through, I really enjoyed it.
• 9:26
  Speaker 3: It's obviously not the strongest in the franchise, but I do,
• 9:30
  Speaker 3: I think it's, I like it enough that it stands
• 9:32
  Speaker 3: on its own, but still has familiarities from, you know,
• 9:36
  Speaker 3: like Lin Shay being in there. spooky? I mean, insidious
• 9:40
  Speaker 3: movies for being PG-13 are spooky as hell.
• 9:43
  Speaker 1: I'd say.
• 9:44
  Speaker 3: There was some creepy shit in this movie.
• 9:47
  Speaker 1: The first one was one of the first PG-13 horror
• 9:49
  Speaker 1: movies I think we saw besides Drag Me to Hell
• 9:51
  Speaker 1: when it came out and we were like, PG-13 horror?
• 9:53
  Speaker 1: This doesn't make any sense. And then we saw it
• 9:54
  Speaker 1: and we were like, oh, well, fuck off. This was great.
• 9:57
  Speaker 3: So it goes, for me at least, it was Exorcism
• 10:01
  Speaker 3: of Emily Rose.
• 10:02
  Speaker 1: Oh, yeah, that was PG-13.
• 10:03
  Speaker 3: Yeah.
• 10:04
  Speaker 1: Well, there's an underrated version, too, so I forget about it.
• 10:06
  Speaker 3: Yeah, exactly. But I saw, I remember seeing parts of
• 10:09
  Speaker 3: that at someone's birthday party when I was younger. And
• 10:12
  Speaker 3: then it was, yeah, Drag Me to Hell, and then
• 10:15
  Speaker 3: this one, and you're like, PG-13, and you're like, eh.
• 10:18
  Speaker 1: If it's done right, it's done right.
• 10:20
  Speaker 3: Yeah, it's... And let me just... I don't know if
• 10:22
  Speaker 3: I mentioned this on the episode, but James Wan, literally
• 10:25
  Speaker 3: starting three different franchises, saw a million-dollar budget gross over
• 10:30
  Speaker 3: $ 100 million. Insidious, $ 1. 5 million budget grosses over a million dollars.
• 10:35
  Speaker 3: Conjuring was like, I think, A little bit more. Like
• 10:38
  Speaker 3: five or six million. I can double check. But still
• 10:40
  Speaker 3: less than 10. That grows like 300 million.
• 10:44
  Speaker 1: He knows what he's doing.
• 10:45
  Speaker 3: He knows how to start a franchise and then just
• 10:47
  Speaker 3: get those royalties, baby. I mean, holy shit. But yeah.
• 10:51
  Speaker 3: So what did you think overall of Out of the Further?
• 10:54
  Speaker 1: It was the best out of the prequels.
• 10:58
  Speaker 3: Yeah, because it's one, two, prequel, prequel.
• 11:00
  Speaker 1: So it was better than Red Door.
• 11:03
  Speaker 3: Yeah, definitely.
• 11:04
  Speaker 1: And Last Key, is that what it's called?
• 11:05
  Speaker 3: I mean, everything's better than Last Key.
• 11:07
  Speaker 2: Yeah.
• 11:07
  Speaker 3: No offense to that movie.
• 11:09
  Speaker 1: So it was better than those two for me, but
• 11:11
  Speaker 1: that's not saying a lot. True. Because this one only
• 11:14
  Speaker 1: was a half a star better than the other ones
• 11:15
  Speaker 1: for me.
• 11:16
  Speaker 3: Okay.
• 11:16
  Speaker 1: Give or take. The first three, I don't own any
• 11:20
  Speaker 1: of the other ones. I only own the first three.
• 11:22
  Speaker 1: I'll never own any other ones. Fair. It stopped after
• 11:25
  Speaker 1: the third one for me.
• 11:26
  Speaker 3: As a completionist, I have them, but yeah, I will
• 11:29
  Speaker 3: agree that the first three are the strongest.
• 11:31
  Speaker 1: And honestly, even though I enjoyed this one more than
• 11:36
  Speaker 1: the last two they did, I really think they should
• 11:39
  Speaker 1: just stop.
• 11:40
  Speaker 3: Yeah, I think it's time to stop.
• 11:41
  Speaker 1: Because what, we're at six now?
• 11:42
  Speaker 3: Six, yeah.
• 11:43
  Speaker 1: Yeah.
• 11:44
  Speaker 3: Oh, $ 20 million for The Conjuring budget. Oh, okay. But still,
• 11:48
  Speaker 3: $ 320 million.
• 11:49
  Speaker 1: Yeah, so it made an extra $ 300 million. Yeah. Cool. Oh, no. Whoa, man.
• 11:53
  Speaker 1: And I'm sure the second one made.
• 11:55
  Speaker 3: It made about $ 367, 000, I think.
• 11:57
  Speaker 1: Yeah, probably around the same budget.
• 11:59
  Speaker 3: Yeah, so James Wan knows what he's doing. I'll tell
• 12:03
  Speaker 3: you that. I mean, I know Malignant didn't make a lot. Yeah,
• 12:07
  Speaker 3: the budget on Conjuring 2, $ 40 million, grossed $.
• 12:09
  Speaker 1: 322, 000.
• 12:10
  Speaker 3: So yeah, still $ 700 million almost from... Two of them.
• 12:15
  Speaker 3: $ 60 million. And there's, what, four of those now? Four
• 12:18
  Speaker 3: of those, yeah. Yeah, so... That whole universe grosses so
• 12:21
  Speaker 3: much money.
• 12:22
  Speaker 1: Oh, yeah.
• 12:23
  Speaker 3: So, okay, instead of each other further, what did I watch?
• 12:25
  Speaker 3: My cult movie challenge this week was Tokusatsu Week. Tokusatsu
• 12:32
  Speaker 3: is like an expansion of kaiju movies. It's just, or
• 12:36
  Speaker 3: at least that's what I thought. I thought it was
• 12:38
  Speaker 3: just big giant things fighting other things, but it's like
• 12:41
  Speaker 3: so much more in depth. But I was like, I'm
• 12:44
  Speaker 3: going to choose a kaiju movie just because there's too
• 12:46
  Speaker 3: many other things. So I chose Rodan from 1956. He's
• 12:48
  Speaker 3: my favorite kaiju movie. And I haven't seen the original.
• 12:53
  Speaker 3: I've only seen him in literally every other iteration that
• 12:55
  Speaker 3: he's been in, except for the original. And this movie
• 12:58
  Speaker 3: fucking rocked, dude. This movie's so good from 1956. It
• 13:03
  Speaker 3: took the Godzilla approach where you don't really see him
• 13:06
  Speaker 3: until almost an hour in. But you get to see
• 13:10
  Speaker 3: him as a little baby. He cracks out of an egg.
• 13:12
  Speaker 1: A little baby Godzilla?
• 13:13
  Speaker 3: No, a little baby Rodan. And he's like, yeah. And
• 13:16
  Speaker 3: then he just demolishes the city with his wings just fucking... Earthquakes,
• 13:22
  Speaker 3: or fucking tsunami, whatever. Hurricane, whatever. Words are hard. Yeah,
• 13:27
  Speaker 3: it is so good. I'm going to give it probably
• 13:29
  Speaker 3: a four, I think. I'm still writing my review. But
• 13:32
  Speaker 3: that one was a lot of fun. Then I watched
• 13:35
  Speaker 3: that documentary Gabby and I were watching. It was called
• 13:39
  Speaker 3: Girl in the Picture, or A Girl in a Picture.
• 13:41
  Speaker 3: I don't know. That shit rocked my goddamn world. I
• 13:45
  Speaker 3: don't recommend that one, only because... It's just one of
• 13:50
  Speaker 3: those that like, it took a toll. It's a true crime. Sorry.
• 13:52
  Speaker 3: I should probably preface that. It took a toll on
• 13:54
  Speaker 3: me by the end. I was like, I'm so mentally
• 13:57
  Speaker 3: like I just watching it. I can't even imagine anybody
• 14:00
  Speaker 3: going through that. And I don't want to give any spoilers,
• 14:02
  Speaker 3: but basically every time I was like, can't get worse.
• 14:04
  Speaker 1: Right. It got worse.
• 14:05
  Speaker 3: It got like worse than I ever could have imagined.
• 14:08
  Speaker 3: I was like, how I pause it at, we pause
• 14:10
  Speaker 3: it to like break to go to the bathroom and
• 14:11
  Speaker 3: get drinks and stuff. And we had 40 minutes left,
• 14:13
  Speaker 3: and I was like, how? How is there 40 minutes?
• 14:16
  Speaker 1: Oh.
• 14:16
  Speaker 3: I was like, oh, fucking great. This is so fun.
• 14:21
  Speaker 3: But I gave that one a five, because it was,
• 14:23
  Speaker 3: holy shit. And then I watched a movie today called
• 14:27
  Speaker 3: another Giallo movie, because it was part of my box
• 14:30
  Speaker 3: set that also had What Have They Done to Your Daughters,
• 14:34
  Speaker 3: which I talked about last episode. This one has a
• 14:38
  Speaker 3: silly title as well. It's called Strip Nude for Your
• 14:41
  Speaker 3: Killer from 1975.
• 14:43
  Speaker 1: I mean, what else is he supposed to do for
• 14:44
  Speaker 1: your killer?
• 14:45
  Speaker 3: Yeah. Not great. It was fine. But what I was
• 14:52
  Speaker 3: reading about it was like people were at this point,
• 14:54
  Speaker 3: you know, Jollos were kind of. overdone and everyone was
• 14:58
  Speaker 3: tired of them. So this person tried to do something different.
• 15:00
  Speaker 3: And I was like, Oh, the only thing really that
• 15:02
  Speaker 3: different about this was there was just a lot of nudity.
• 15:04
  Speaker 3: And I don't really need that in my jello movies
• 15:06
  Speaker 3: or movies in general. I really just don't need excess nudity.
• 15:09
  Speaker 3: It is just like, that's everyone's naked. I'm like, I just,
• 15:13
  Speaker 3: this is not making my jello movies any better. So
• 15:17
  Speaker 3: I don't know if it's a slasher, whatever, throw some
• 15:20
  Speaker 3: tits in there, full frontal from a guy.
• 15:22
  Speaker 1: What?
• 15:22
  Speaker 3: I don't give a shit. But when every other scene
• 15:25
  Speaker 3: is just tits out, a full frontal from a woman,
• 15:27
  Speaker 3: I'm like, and it was directed by a woman too.
• 15:29
  Speaker 3: That's the thing I really don't get is, oh wait, nevermind.
• 15:33
  Speaker 3: My bad. That makes a lot more sense. The name
• 15:36
  Speaker 3: is Andrea. It's A-N-D-R-E-A. That's, I assume that was a female.
• 15:41
  Speaker 1: I mean, that's fair.
• 15:42
  Speaker 3: Nevermind. That makes so much more sense. Cause I was like, man, Andrea, Bianchi,
• 15:46
  Speaker 3: a lady? No, that's, that is a, that's a dude.
• 15:50
  Speaker 3: For sure.
• 15:50
  Speaker 1: Okay.
• 15:51
  Speaker 3: That makes a lot more sense. Cause I was like,
• 15:52
  Speaker 3: this feels so exploitative of women and it, okay. Got it.
• 15:56
  Speaker 3: Got it. Got it. I didn't see a picture on
• 15:59
  Speaker 3: IMDB or I didn't click on it. Either one. Cause
• 16:01
  Speaker 3: I'm stupid. Anyways. So that one was, it was fine.
• 16:04
  Speaker 3: Two and a half. I don't know. It did have
• 16:06
  Speaker 3: a motorcycle like killer. Basically they had like the getup
• 16:10
  Speaker 3: of a motorcycle rider, like all black. And I love that.
• 16:13
  Speaker 3: That's great. But really the story, I was like, it's fine.
• 16:17
  Speaker 3: Not the best. Nothing has still topped Tenebrae and Amsterdam.
• 16:20
  Speaker 3: Those are just peak giallo movies. And I know one
• 16:23
  Speaker 3: of those is Argento. Is Argento the one I don't like? Yes.
• 16:28
  Speaker 3: But that's fine.
• 16:29
  Speaker 1: You don't like Argento?
• 16:31
  Speaker 3: No, he's a fucking creep. He's a creep. Go listen
• 16:34
  Speaker 3: to my episode. This is the second time this is
• 16:36
  Speaker 3: coming up. He did a... I'll never stop talking about this.
• 16:39
  Speaker 3: He did a movie called Trauma from 1993 where there's
• 16:42
  Speaker 3: a nude scene involving his daughter and she was underage.
• 16:45
  Speaker 3: And that's just fucking gross. That is fucking weird.
• 16:47
  Speaker 1: What's this movie called?
• 16:48
  Speaker 3: Trauma from 1993. And she didn't want to do it.
• 16:52
  Speaker 3: He kind of pushed her into it. I'm like, that's
• 16:53
  Speaker 3: even more gross. So yeah, I scrubbed my collection. That
• 16:58
  Speaker 3: is super weird. Now that I remember, the only thing
• 17:00
  Speaker 3: I have left that's his is Tent and Break. That's
• 17:02
  Speaker 3: the only movie I'll watch from him. Cause that one's good.
• 17:05
  Speaker 3: It's it's yeah. I'll never stop bringing that up. It's,
• 17:08
  Speaker 3: it's disgusting. I don't know.
• 17:09
  Speaker 1: Interesting fact about, uh, you've seen the movie triple X, right? Yeah. So,
• 17:14
  Speaker 1: you know, the, the girl in there, the love interest.
• 17:16
  Speaker 2: Yeah.
• 17:16
  Speaker 1: That's his daughter.
• 17:18
  Speaker 3: Uh, something. Yeah. Asia Argento. Yeah, yeah, yeah. Yeah. That's,
• 17:21
  Speaker 3: that's who was in trauma. She was like 15 or 16.
• 17:24
  Speaker 3: I'm like, actually.
• 17:26
  Speaker 1: And my point to that is also what sucks is
• 17:28
  Speaker 1: that like, she was part of the whole Weinstein shit
• 17:31
  Speaker 1: going on too. So like she, she just never left that.
• 17:34
  Speaker 3: Well, and then later on, she would also kind of-
• 17:37
  Speaker 3: Starred one of his movies later. Well, she was abusive
• 17:41
  Speaker 3: towards a young boy. Yeah.
• 17:42
  Speaker 1: Yeah. So I'm like- There's a lot going on there.
• 17:45
  Speaker 3: There's too much. So let's see how many- Interesting. Let's
• 17:50
  Speaker 3: see how many episodes we'll bring this up on. I
• 17:53
  Speaker 3: think that's all I've got. You're going to see Buddy tonight.
• 17:57
  Speaker 3: Me and my wife are going to see Buddy tomorrow,
• 17:58
  Speaker 3: and then I'm probably going to go see Colony. I mean,
• 18:01
  Speaker 3: the wife said go, so I'm not going to miss
• 18:03
  Speaker 3: that opportunity to go watch Colony. So she said go.
• 18:06
  Speaker 3: I'm going to go. By the way, it's not like
• 18:08
  Speaker 3: I have to ask my wife permission. It's just, you know,
• 18:11
  Speaker 3: I'm just letting everybody know. She doesn't keep me on
• 18:12
  Speaker 3: a leash, but it's like we both want to see it.
• 18:15
  Speaker 3: And I don't like seeing movies without her, but she
• 18:16
  Speaker 3: said go. Okay, I'm going to go. I'm not going
• 18:19
  Speaker 3: to say no. Let me out of the house. I'm
• 18:20
  Speaker 3: going to put my leash on the thing on the
• 18:22
  Speaker 3: way out. Anyways, let's move on.
• 18:24
  Speaker 1: She doesn't put me on a leash, but I'm going
• 18:25
  Speaker 1: to hang it up on the way out. Anyways.
• 18:28
  Speaker 3: Let's go to the body count. I'm going to get
• 18:33
  Speaker 3: my notes here. Where are my notes? My snake's on
• 18:36
  Speaker 3: a plane. Okay, so this is that movie I just
• 18:40
  Speaker 3: said from 2006, released on August 18th of that year.
• 18:44
  Speaker 3: It is rated R for language. A scene of sexuality,
• 18:47
  Speaker 3: which I think there's more than one, but okay. and
• 18:50
  Speaker 3: drug use, and intense sequences of terror and violence.
• 18:52
  Speaker 1: There actually was only one major scene.
• 18:56
  Speaker 3: Yeah, I guess you're right. So there's moderate sex and nudity,
• 18:58
  Speaker 3: severe violence and gore, moderate profanity, moderate alcohol, drugs, and smoking,
• 19:01
  Speaker 3: and moderate frightening and intense scenes. Coming in at an
• 19:03
  Speaker 3: hour and 45 minutes. A little long, if I'm being honest.
• 19:06
  Speaker 3: A little long, but, you know, it's fine. Also not
• 19:09
  Speaker 3: a horror movie, so fuck me twice this month, because
• 19:12
  Speaker 3: Cocaine Bear wasn't listed as a horror movie. This is
• 19:14
  Speaker 3: an action-adventure crime thriller.
• 19:16
  Speaker 1: How is this not a horror movie?
• 19:18
  Speaker 3: It's literally rated R at the end for terror and violence.
• 19:21
  Speaker 3: What do you mean? So yeah, fucking, this is dumb.
• 19:24
  Speaker 3: But whatever. Whatever. Directed by David R. Ellis, who's only
• 19:28
  Speaker 3: directed seven total things, including Final Destination 2, The Final Destination,
• 19:32
  Speaker 3: and Shark Night.
• 19:33
  Speaker 1: Oh, you mean other horror movies?
• 19:34
  Speaker 3: Yeah.
• 19:35
  Speaker 1: Interesting. Yeah.
• 19:37
  Speaker 3: But weirdly enough, he's primarily a stuntman who worked in
• 19:39
  Speaker 3: movies like Invasion of the Body Snatchers. That is true. 78,
• 19:42
  Speaker 3: Airplane to the Sequel, Scarface, Leatherface, A Lethal Weapon, Lethal Weapon, Misery,
• 19:50
  Speaker 3: and many more. Written by three people, two of which,
• 19:54
  Speaker 3: John Heffernan and David D'Alessandro, didn't write a single other movie,
• 19:57
  Speaker 3: and I know why after watching this one.
• 20:00
  Speaker 1: Yeah, I'm sure.
• 20:00
  Speaker 3: But also Sebastian Gutierrez, he wrote Gothica the Eye and
• 20:05
  Speaker 3: Elizabeth Harvest. This is just the strangest mix of people.
• 20:08
  Speaker 3: Composed by Trevor Rabin, who also composed Armageddon, Jack Frost,
• 20:13
  Speaker 3: and Deep Blue Sea. Cinematography by Adam Greenberg. He did
• 20:17
  Speaker 3: The Terminator 1 and 2, Three Men and a Baby,
• 20:19
  Speaker 3: and its sequel, Three Men and a Little Lady. and
• 20:22
  Speaker 3: then Rush Hour, okay? Edited by Howard E. Smith, who
• 20:26
  Speaker 3: did Near Dark, The Abyss, and The Collector. Like, what
• 20:29
  Speaker 3: is strange? Not like strange in a bad way, but
• 20:31
  Speaker 3: just like, what is happening here? All of these people
• 20:35
  Speaker 3: worked on so many varying things.
• 20:37
  Speaker 1: Yeah, different things.
• 20:40
  Speaker 3: Starring Samuel L. Jackson as Neville and Flynn. I'm not
• 20:42
  Speaker 3: explaining who this man is. Julian Margulies as Claire Miller.
• 20:47
  Speaker 3: She was also in Ghost Ship as Epps. Nathan Phillips
• 20:50
  Speaker 3: as Sean Jones, who was in Chernobyl Diaries as Michael.
• 20:54
  Speaker 3: Rachel Blanchard as Mercedes. She was also in The Rage.
• 20:56
  Speaker 3: Carrie Tu was Monica. Then we have Flex. Alexander is 3Gs.
• 21:00
  Speaker 3: He was in The Hills Have Eyes 2 as Sarge.
• 21:02
  Speaker 3: Kenan Thompson as Troy, not explaining him either, and Lin
• 21:05
  Speaker 3: Shay as Grace. We already mentioned her, so whatever. I
• 21:09
  Speaker 3: cannot believe the budget on this is $ 33 million.
• 21:13
  Speaker 1: Oh, I can. I can absolutely believe that. Crazy. First
• 21:16
  Speaker 1: of all, you had Sam Jackson. Half that budget was
• 21:19
  Speaker 1: Sam Jackson. The other half was the CGI snakes.
• 21:21
  Speaker 3: Yeah, true. I saw $ 33 million. I was like, Jesus,
• 21:24
  Speaker 3: that's more than the... Okay, so many more movies, but
• 21:27
  Speaker 3: only grossed $ 62 million, so not great. Filmed in.
• 21:31
  Speaker 1: I mean, it almost broke even.
• 21:33
  Speaker 3: Yeah, almost. Filmed in Vancouver, British Columbia, Canada, and Honolulu, Oahu, Hawaii.
• 21:40
  Speaker 3: You can watch this on Prime for a $ 3. 99 rental.
• 21:42
  Speaker 3: Movies that came out around the same time. I fucked
• 21:44
  Speaker 3: that one up because there's nothing there, so that's tight.
• 21:47
  Speaker 1: I'm just going to fuck myself.
• 21:47
  Speaker 3: I'm just going to fuck myself. It was 2006, so what?
• 21:50
  Speaker 3: Saw 3, probably around this time. Fucking, that's all I got. Because, yeah.
• 21:56
  Speaker 1: I came out in October.
• 21:57
  Speaker 3: This was 2006, so that would have been Saw 2.
• 22:00
  Speaker 3: Saw III? I can never remember when the first Saw
• 22:03
  Speaker 3: came out.
• 22:04
  Speaker 1: Saw III was the first one you and I watched,
• 22:06
  Speaker 1: and we both started working at the theater.
• 22:08
  Speaker 3: When I was 2006.
• 22:10
  Speaker 1: I started October of 2006. Maybe. You started after me,
• 22:15
  Speaker 1: so you started maybe at the end. Whatever.
• 22:20
  Speaker 3: IMDb summary. An FBI agent takes on a plane full
• 22:22
  Speaker 3: of deadly venomous snakes, deliberately released to kill a witness
• 22:25
  Speaker 3: from being flown... from Honolulu to Los Angeles to testify
• 22:29
  Speaker 3: against his mob boss. This is the autopsy. So I
• 22:34
  Speaker 3: didn't read any of this, you know, I just copy
• 22:36
  Speaker 3: and paste it right from, or, uh, I didn't read
• 22:38
  Speaker 3: the summary. I just copied and pasted it. Cause I
• 22:40
  Speaker 3: was like, it's snakes on a plane. There's nothing else
• 22:42
  Speaker 3: to it. So wrong.
• 22:44
  Speaker 1: Yeah.
• 22:44
  Speaker 3: So fucking wrong. Okay. So overall thoughts for this movie, Spencer.
• 22:48
  Speaker 1: Is, So much.
• 22:52
  Speaker 3: We'll get to everything, but just give me the meat
• 22:54
  Speaker 3: and potatoes.
• 22:54
  Speaker 1: This watch, I actually had fun with it.
• 22:56
  Speaker 3: Okay.
• 22:56
  Speaker 1: It was not as... Which, you know, story time for
• 22:59
  Speaker 1: a little bit, but it was not as bad as.
• 23:01
  Speaker 3: The first time?
• 23:04
  Speaker 1: More like the second or third time. I've seen it
• 23:05
  Speaker 1: a few.
• 23:06
  Speaker 3: Oh, okay.
• 23:06
  Speaker 1: Yeah.
• 23:08
  Speaker 3: So.
• 23:09
  Speaker 1: I enjoyed myself. There was one scene that still got
• 23:12
  Speaker 1: me because, you know, like for the most part, I
• 23:14
  Speaker 1: remember this movie, but I haven't seen it since like 2007.
• 23:16
  Speaker 1: So it's been a long fucking time.
• 23:18
  Speaker 3: It's been a minute.
• 23:19
  Speaker 1: It's been a while. So like I remember most of it,
• 23:20
  Speaker 1: but there was one scene I was like, oh my God.
• 23:23
  Speaker 3: No.
• 23:23
  Speaker 1: Yeah. No, thank you. But yeah, no, I enjoyed it.
• 23:27
  Speaker 1: It's so silly.
• 23:29
  Speaker 3: It's very silly.
• 23:30
  Speaker 1: Like, the fact that this was made based off a joke. Yeah.
• 23:35
  Speaker 1: And this is how thin the joke was. It was
• 23:37
  Speaker 1: basically just Sam Jackson saying his line on a plane.
• 23:40
  Speaker 1: And then they're like, you know what? Let's make a
• 23:42
  Speaker 1: fucking movie about that. And they did.
• 23:44
  Speaker 3: Yeah.
• 23:44
  Speaker 1: So, like, that's crazy.
• 23:46
  Speaker 3: In and of itself.
• 23:49
  Speaker 1: Right.
• 23:50
  Speaker 3: So, yeah, overall thoughts for this one. I don't know
• 23:52
  Speaker 3: what took me 20 years to watch this.
• 23:55
  Speaker 1: Oh, this was your first time?
• 23:56
  Speaker 3: Yeah.
• 23:57
  Speaker 1: Oh.
• 23:57
  Speaker 3: Yeah, this is, so the, so the, this is the
• 23:59
  Speaker 3: wild card. Yeah. And the, the rule is like one
• 24:02
  Speaker 3: of us has to not see it. Ideally, neither of
• 24:04
  Speaker 3: us has seen the wild card pick, but I did it. I,
• 24:07
  Speaker 3: you know. One, I know that you're deathly afraid of snakes. Yes.
• 24:11
  Speaker 3: And I knew you hadn't seen it in a long time,
• 24:13
  Speaker 3: so I was like, fucking good enough. Plus, like I said,
• 24:15
  Speaker 3: I haven't seen it, and I don't know why. I
• 24:18
  Speaker 3: don't know why. I never got to this one.
• 24:20
  Speaker 1: It happens.
• 24:21
  Speaker 3: I don't know. I mean, it's exactly what you expect.
• 24:23
  Speaker 3: It's snakes on a plane.
• 24:24
  Speaker 1: Exactly.
• 24:25
  Speaker 3: It's what I love about cocaine. It's the same reason
• 24:26
  Speaker 3: I love Cocaine Bear, because I know what I'm getting into.
• 24:30
  Speaker 3: It's a bear on cocaine. It's snakes on a plane.
• 24:33
  Speaker 1: Right.
• 24:34
  Speaker 3: It's... I love a movie that's title tells you the
• 24:37
  Speaker 3: entire plot. I mean, not really necessarily here, because there
• 24:41
  Speaker 3: is a lot more going on.
• 24:42
  Speaker 1: There is.
• 24:43
  Speaker 3: Which didn't, 0% needed. None of that subplot was needed,
• 24:48
  Speaker 3: and we'll talk about it. Sure.
• 24:49
  Speaker 1: But you had to make a movie.
• 24:52
  Speaker 3: I can give you such a better... start to this movie,
• 24:55
  Speaker 3: but yeah, it was a great time. I did drag
• 24:58
  Speaker 3: a little bit towards the end, but overall it's a
• 25:01
  Speaker 3: bottle film and an airplane with snakes. So you're dealing
• 25:04
  Speaker 3: with two fears right there. One being in an airplane,
• 25:08
  Speaker 3: fuck that. And two snakes also fuck that. I'm not
• 25:11
  Speaker 3: afraid of snakes, but it, the circumstances would be different
• 25:15
  Speaker 3: if I was trapped with the snake.
• 25:16
  Speaker 1: Right. Of course.
• 25:18
  Speaker 3: Venomous snakes. Then it's a little bit different. So, yeah. Um,
• 25:24
  Speaker 3: Let's just, I mean, let's just, you know, get into,
• 25:26
  Speaker 3: let's just get into the name, right? Because like I said,
• 25:28
  Speaker 3: it's a title that tells you everything. They're not trying
• 25:30
  Speaker 3: to mislead you in any way. It's not hiding anything.
• 25:34
  Speaker 3: It's snakes on a plane. And of course, Samuel L.
• 25:37
  Speaker 3: Jackson is involved, as we all know, because he's very
• 25:39
  Speaker 3: tired of these snakes. And the title really, I just
• 25:44
  Speaker 3: thought it was going to be, in my head, I'm like, okay,
• 25:48
  Speaker 3: people are going to get on a plane. I'm assuming
• 25:50
  Speaker 3: there's like some animal, what do they call them? Not smuggler,
• 25:54
  Speaker 3: but like an animal, whatever. They're like transporting these from
• 25:57
  Speaker 3: one place to another and then they get loose. Nope.
• 26:01
  Speaker 3: Not even kind of. Like the opening of the movie
• 26:04
  Speaker 3: is this guy on a dirt bike fucking around, comes
• 26:06
  Speaker 3: across a mob boss killing some guy in the bridge.
• 26:10
  Speaker 3: And I looked at Gabby, because we both watched this.
• 26:13
  Speaker 3: I was like, why didn't he just wait for them
• 26:16
  Speaker 3: all to leave before he got on his dirt bike
• 26:18
  Speaker 3: and fucked off? He could have just waited for them
• 26:20
  Speaker 3: to leave, right?
• 26:20
  Speaker 1: Because people are silly.
• 26:23
  Speaker 3: Cause he gets on his dirt bike. He's like, and
• 26:25
  Speaker 3: they're like, what is that? Go find him. Um, and
• 26:28
  Speaker 3: then they just also get to his house with like, how,
• 26:32
  Speaker 3: how did they just get, like, they just, they're at
• 26:34
  Speaker 3: his house. No explanation.
• 26:36
  Speaker 1: Yeah.
• 26:36
  Speaker 3: We found, we found him. And then Samuel L. Jackson
• 26:39
  Speaker 3: being on the back patio, like come with me if
• 26:41
  Speaker 3: you want to live. Uh, why? How did, what?
• 26:43
  Speaker 1: I mean, I could, I can, uh, Like, I can forgive,
• 26:51
  Speaker 1: first of all, the movie's called Snakes on a Plane.
• 26:53
  Speaker 3: I don't care.
• 26:54
  Speaker 1: But I can forgive some of the choppy, like.
• 26:58
  Speaker 3: I'm just saying.
• 26:59
  Speaker 1: Like, there could, I mean, one, this movie probably could
• 27:02
  Speaker 1: have been over two hours if they really went with, like,
• 27:04
  Speaker 1: the whys and the hows. So, thankfully, it wasn't. However,
• 27:09
  Speaker 1: this movie could have easily been two and a half
• 27:11
  Speaker 1: hours for no fucking reason. The first 45 minutes could
• 27:14
  Speaker 1: have been wise and howls, and then we get to
• 27:16
  Speaker 1: the snakes on the plane. Yeah. But I can go
• 27:18
  Speaker 1: it as maybe Sam Jackson was already tailing this guy,
• 27:22
  Speaker 1: because he's a bad guy, and they know he's a
• 27:23
  Speaker 1: bad guy, and throughout the movie, they remind you he's
• 27:27
  Speaker 1: a bad guy.
• 27:28
  Speaker 3: Yeah.
• 27:28
  Speaker 1: Like, no shit, we know that, but thank you. It
• 27:31
  Speaker 1: gets kind of redundant of the dude. Eddie Kim. Eddie Kim,
• 27:35
  Speaker 1: but you can assume- He's been under some type of
• 27:37
  Speaker 1: surveillance for a while or whatever. Right. And maybe Sam
• 27:40
  Speaker 1: Jackson was on a stakeout, and he got some chatter,
• 27:44
  Speaker 1: and he's like, well, I'm already here, and I'm Sam Jackson,
• 27:46
  Speaker 1: so guess what, motherfucker?
• 27:47
  Speaker 3: It's just so funny. It's just so funny, because the guy,
• 27:50
  Speaker 3: his name is Sean... He's just sitting on his couch
• 27:53
  Speaker 3: watching TV, and then he hears noises outside of his door,
• 27:56
  Speaker 3: and they're, like, popping his lock to get in. So
• 27:58
  Speaker 3: then he goes to escape, and just Sam Jackson is
• 28:00
  Speaker 3: just on his patio, like, do what I say and
• 28:02
  Speaker 3: you'll live. And I'm like, what the fuck is happening?
• 28:05
  Speaker 3: Where did you come from? How did these guys... Like,
• 28:07
  Speaker 3: I don't care.
• 28:08
  Speaker 1: Who the fuck are you? What the fuck's going on?
• 28:10
  Speaker 3: What are we doing? Yeah, what are we doing here?
• 28:11
  Speaker 3: It was just so, so funny.
• 28:14
  Speaker 1: And then....
• 28:15
  Speaker 3: Eddie Kim, so he wants him dead before he can testify.
• 28:19
  Speaker 3: He doesn't just hire someone with a gun. I mean,
• 28:21
  Speaker 3: I guess that's what those guys were there to do.
• 28:24
  Speaker 3: But instead of hiring some guy with a gun to
• 28:26
  Speaker 3: take him out, he's like, nah, I need 400 fucking
• 28:30
  Speaker 3: snakes on a plane to be released and take this
• 28:34
  Speaker 3: plane down. So not only is he going after Sean,
• 28:37
  Speaker 3: he's just saying, fuck you to that whole plane.
• 28:40
  Speaker 1: Yeah, pretty much. Like, what?
• 28:42
  Speaker 3: What is happening here? It's just so, it's so unnecessarily silly.
• 28:47
  Speaker 3: And the crate that all of these snakes are in
• 28:50
  Speaker 3: is like this time released crate that has all of
• 28:53
  Speaker 3: these snakes in there, by the way, which fucking unrealistic
• 28:56
  Speaker 3: as shit, all of those snakes would have started attacking
• 28:58
  Speaker 3: each other. Because there was so many different breeds of snakes.
• 29:04
  Speaker 1: Plus the pheromones were already making them act crazy.
• 29:07
  Speaker 3: Yeah. So I was like, I can't forgive the snakes
• 29:10
  Speaker 3: all being trapped in the same place. Because it would
• 29:13
  Speaker 3: have been a turf war. And those snakes would have
• 29:16
  Speaker 3: all eaten each other with how many different variations of
• 29:20
  Speaker 3: snakes there were. So the setup was just so... It
• 29:23
  Speaker 3: was just over the top and I loved it because
• 29:25
  Speaker 3: I was like, this is so unnecessary.
• 29:26
  Speaker 1: Right.
• 29:27
  Speaker 3: It's literally, there's no reason for all of this mob
• 29:30
  Speaker 3: boss subplot.
• 29:31
  Speaker 1: Well, I mean, to be fair, there isn't. But like,
• 29:35
  Speaker 1: to make a coherent movie that you don't want to
• 29:37
  Speaker 1: go straight to Tubi, you have to make some sacrifices.
• 29:44
  Speaker 1: And I almost guarantee you this was written in like
• 29:48
  Speaker 1: a month. There's no way it wasn't right. Like, like
• 29:50
  Speaker 1: it's not like anything award winning was in there or
• 29:53
  Speaker 1: anything hard hitting. Like, like anybody could have, could have
• 29:55
  Speaker 1: pen and paper this. And like, it's not like the
• 29:57
  Speaker 1: dialogue was anything special. There's nothing really special about this movie. Well,
• 30:03
  Speaker 1: in the term that I'm saying right now.
• 30:04
  Speaker 3: Yeah.
• 30:05
  Speaker 1: The movie was definitely special, but not in that way.
• 30:07
  Speaker 3: Yeah, it's like Mama always said I was special.
• 30:11
  Speaker 1: But, like, so, I mean, and the writers know what's
• 30:16
  Speaker 1: going on. Like, they're like, clearly they haven't written shit since.
• 30:19
  Speaker 3: No, this is the only thing they did.
• 30:21
  Speaker 1: Right, and then they're like, well, let's get a known
• 30:23
  Speaker 1: director that does horror movies, even though this isn't a
• 30:26
  Speaker 1: horror movie, apparently.
• 30:27
  Speaker 3: Yeah, which is strange.
• 30:29
  Speaker 1: Which is fine. He has some skin in the game,
• 30:33
  Speaker 1: so give him directing. They could have gotten a nobody
• 30:37
  Speaker 1: to direct this movie, and it could have looked like shit,
• 30:38
  Speaker 1: and nobody would have cared. But it looked decent enough.
• 30:41
  Speaker 3: It looked pretty fucking incredible, if I'm being honest.
• 30:44
  Speaker 1: For what we got out of it? Yeah.
• 30:47
  Speaker 3: The lighting was great. The camera work was great. Obviously,
• 30:50
  Speaker 3: the CG snakes have not aged that well, but it
• 30:53
  Speaker 3: was also 2006, which is the same year that Dead
• 30:57
  Speaker 3: Man's Chest came out, but it's a little different when
• 30:59
  Speaker 3: you have face tracking on someone and you CG over that.
• 31:03
  Speaker 3: I mean, these are just CG snakes that are completely CG.
• 31:07
  Speaker 3: So there's no real base there. So I can forgive it.
• 31:11
  Speaker 1: Most of the snakes had to be CG because you're
• 31:14
  Speaker 1: not going to put a bunch of real venomous snakes
• 31:15
  Speaker 1: around real people.
• 31:16
  Speaker 3: That's dumb.
• 31:17
  Speaker 1: As dumb as this, silly as this movie is, people
• 31:20
  Speaker 1: are not murderers.
• 31:22
  Speaker 3: This isn't Venom from 1981 where they actually had a
• 31:25
  Speaker 3: real black mamba on set That was.
• 31:27
  Speaker 1: A horrible movie.
• 31:28
  Speaker 3: Venom?
• 31:29
  Speaker 1: Yeah, it scared me.
• 31:30
  Speaker 3: Oh, because of the snakes. Oh, let's talk about snakes.
• 31:34
  Speaker 1: It scared me.
• 31:35
  Speaker 3: Let's talk about this perfect segue right into what's up
• 31:37
  Speaker 3: with you and snakes. What is it?
• 31:39
  Speaker 1: I don't know. I don't fucking know, bro. I don't.
• 31:42
  Speaker 3: What happened to you as a child?
• 31:44
  Speaker 1: I don't know.
• 31:45
  Speaker 3: Everything.
• 31:46
  Speaker 1: I must have seen a murder or something from a snake.
• 31:49
  Speaker 3: I don't know.
• 31:49
  Speaker 1: I don't know, and I can't explain it. Because spiders
• 31:53
  Speaker 1: don't bother me. People, you know, there's two dozen people.
• 31:56
  Speaker 1: I hate snakes or I hate spiders.
• 31:57
  Speaker 3: Yeah.
• 31:58
  Speaker 1: If you hate snakes, you don't hate spiders. But if
• 32:00
  Speaker 1: you hate spiders, you love snakes.
• 32:02
  Speaker 3: Yeah.
• 32:02
  Speaker 1: Sometimes there's somebody that doesn't like both.
• 32:04
  Speaker 3: Of course.
• 32:05
  Speaker 1: I'm, you know, I mean, don't get me wrong. I'm
• 32:07
  Speaker 1: not going to be like, you're not going to see
• 32:09
  Speaker 1: me like, oh, look, a black widow. Let me touch that.
• 32:11
  Speaker 3: Yeah.
• 32:11
  Speaker 1: I'm not an idiot, but I mean, whatever.
• 32:16
  Speaker 3: See, it's so much more situational for me. It's like,
• 32:18
  Speaker 3: is this snake dangerous? No? Fine. Fuck it. It'll still
• 32:22
  Speaker 3: make me.
• 32:22
  Speaker 1: So, you know, I've gotten better.
• 32:25
  Speaker 3: Okay. I mean, clearly, if you were able to get
• 32:27
  Speaker 3: through this, no problem.
• 32:28
  Speaker 1: Oh, this movie was actually no problem for me, actually. Like... Okay.
• 32:30
  Speaker 1: I was actually.
• 32:32
  Speaker 3: So Anaconda's next then, right? That's the next natural progression?
• 32:34
  Speaker 1: I honestly want to try that again.
• 32:36
  Speaker 3: From 400 snakes to just one big one?
• 32:38
  Speaker 1: One big motherfucker. I mean, I watched the comedy and
• 32:41
  Speaker 1: I was fine.
• 32:42
  Speaker 3: The good news is you're never going to go down
• 32:43
  Speaker 3: to that area of the Amazon, so you're very safe
• 32:46
  Speaker 3: from that.
• 32:46
  Speaker 1: And I'm actually... There's just another snake fucking movie coming
• 32:49
  Speaker 1: out apparently from Lionsgate from another big fucking snake called... Really? Yeah,
• 32:54
  Speaker 1: I forgot what it's called. It starts with a B,
• 32:55
  Speaker 1: but it's on the Amazon again. It's coming out.
• 32:57
  Speaker 3: Oh, it's that Spanish one.
• 32:59
  Speaker 1: Yeah, that one.
• 32:59
  Speaker 3: It's the Spanish one.
• 33:00
  Speaker 1: Yeah, yeah, yeah. Yeah, and I saw the trailer. I'm like,
• 33:02
  Speaker 1: you know what? I'm fine with this trailer. The trailer
• 33:04
  Speaker 1: was fine, but I'm like, I might shit my pants
• 33:06
  Speaker 1: in the theater.
• 33:06
  Speaker 3: I don't know. Yeah, I saw it. It's like, I'll
• 33:08
  Speaker 3: have to look it up, but yes.
• 33:09
  Speaker 1: Yeah, but anyway, so- So I went from even seeing
• 33:13
  Speaker 1: the snake, no matter if I knew it was... You
• 33:15
  Speaker 1: know those fucking rubber snakes we always played with as
• 33:17
  Speaker 1: a kid?
• 33:17
  Speaker 3: Yeah.
• 33:18
  Speaker 1: If someone showed that to me or threw that at me,
• 33:21
  Speaker 1: I would violently get enraged and punch somebody in the
• 33:24
  Speaker 1: face for doing that to me. That's how scared I was.
• 33:26
  Speaker 3: Just take the snake and fucking beat the shit out
• 33:28
  Speaker 3: of them.
• 33:28
  Speaker 1: I'd be like, you know what?
• 33:30
  Speaker 3: Fuck you, bro.
• 33:31
  Speaker 1: No, but it was really bad that I couldn't... I
• 33:34
  Speaker 1: don't care if it was a good... Well, not a
• 33:35
  Speaker 1: good snake or a bad snake. Like a non-poisonous snake. Yeah.
• 33:40
  Speaker 1: Like I could not even look at them. Fair. Like
• 33:43
  Speaker 1: every time I watched, you know, those scenes in Indiana Jones.
• 33:47
  Speaker 3: Yeah.
• 33:47
  Speaker 1: I had to.
• 33:48
  Speaker 3: You're Indiana Jones. Why did it have to be snakes?
• 33:50
  Speaker 1: Correct. But the difference is he's there. I wouldn't be.
• 33:55
  Speaker 3: I literally told, I looked at my wife halfway through
• 33:57
  Speaker 3: the movie. I was like, thank God Indiana Jones isn't
• 33:59
  Speaker 3: on this plane.
• 33:59
  Speaker 1: Cause he'd have a fucking heart.
• 34:01
  Speaker 3: He'd have a heart. He wouldn't even be dead from
• 34:02
  Speaker 3: the snakes. He would have just had a heart attack.
• 34:04
  Speaker 1: But like, so every time like in Indiana Jones, those
• 34:07
  Speaker 1: scenes were, I'd have to mute. And cover my eyes.
• 34:10
  Speaker 3: Yep, yep, yep.
• 34:12
  Speaker 1: And be like, hey, if I'm watching this, let me
• 34:14
  Speaker 1: know when the snakes are gone.
• 34:16
  Speaker 3: Let me know when this is over.
• 34:17
  Speaker 1: So, story time.
• 34:20
  Speaker 3: Oh, okay.
• 34:21
  Speaker 1: Story time for the last time I saw Snakes on
• 34:23
  Speaker 1: a Plane.
• 34:23
  Speaker 3: Oh, yes.
• 34:24
  Speaker 1: Before this one.
• 34:24
  Speaker 3: Yes.
• 34:25
  Speaker 1: It's not kind of humorous, but also really annoying. So,
• 34:30
  Speaker 1: obviously I saw this in the theater. So I saw this,
• 34:33
  Speaker 1: I was flying to the theater with Sir Alan Sound,
• 34:35
  Speaker 1: so it was fine. And I think the reason why
• 34:36
  Speaker 1: that was is because I didn't see anybody in the
• 34:39
  Speaker 1: crowd freaking out. So I'm like, okay, I'm fine. There's
• 34:41
  Speaker 1: nothing here.
• 34:42
  Speaker 3: Right.
• 34:42
  Speaker 1: It's just a movie. I'm fine. Cut to, I bought
• 34:44
  Speaker 1: the DVD when it came out because, you know, as
• 34:47
  Speaker 1: one does. And on the DVD, it was, the surround
• 34:50
  Speaker 1: sound was DTS-ES, which was DTS 6.1, which translates on
• 34:54
  Speaker 1: Blu-ray to Dolby True HD to give you an idea
• 34:56
  Speaker 1: of the surround.
• 34:56
  Speaker 3: True HD 7.1? 5.1. 5.1, okay. Yeah.
• 35:00
  Speaker 1: So yeah, it went from 6.1 on the DVD to
• 35:01
  Speaker 1: translate to 5.1 on the Blu-ray.
• 35:04
  Speaker 3: Mm-hmm.
• 35:04
  Speaker 1: Anyway, so I have a surround sound system, of course. Yeah.
• 35:07
  Speaker 1: And I'm watching this, just watching it at night. I
• 35:09
  Speaker 1: don't know, it was like 8 or 9 o'clock. It
• 35:10
  Speaker 1: wasn't like late at night, but it was dark. And
• 35:13
  Speaker 1: I'm sitting on the ground with my back against the
• 35:17
  Speaker 1: couch just for visual. And it gets to the first
• 35:20
  Speaker 1: attack of the movie. And so I got surround sound going.
• 35:24
  Speaker 1: And I start getting fucking paranoid that they're under the couch,
• 35:27
  Speaker 1: not trying to get me, but I feel like they're
• 35:29
  Speaker 1: right there fucking watching me to attack.
• 35:32
  Speaker 3: Being in your home and being in a theater is
• 35:33
  Speaker 3: a vastly different experience.
• 35:35
  Speaker 1: Right. I was by myself. I had a more close
• 35:37
  Speaker 1: encounter surround sound. I wasn't around other people. So like, but,
• 35:41
  Speaker 1: and I was more, it was more of a personal
• 35:43
  Speaker 1: thing because I wasn't, you know, it was more like
• 35:45
  Speaker 1: the TV was probably from you to me. So it
• 35:47
  Speaker 1: wasn't very far, you know, 5.1 surround sound.
• 35:50
  Speaker 3: It was intimate.
• 35:51
  Speaker 1: Right. A little bit, I guess. And so I paused it,
• 35:55
  Speaker 1: and I'm like, I legitimately remember this like it was yesterday.
• 35:58
  Speaker 1: And this was like 2007 or something.
• 36:00
  Speaker 3: Yeah, right around the time it was released on DVD.
• 36:02
  Speaker 1: Yeah, so I was 17 years old. So I paused it.
• 36:06
  Speaker 1: No shit. Turned on all the lights. Walked under the
• 36:09
  Speaker 1: couch to see if there was any fucking thing there.
• 36:10
  Speaker 1: I'm like, okay, nothing there. Cool. Turn the lights off.
• 36:13
  Speaker 1: Got the mood back going. You know, lit my candle.
• 36:18
  Speaker 1: Press play. Not 30 seconds later, I start feeling snakes
• 36:22
  Speaker 1: on me. No snakes, by the way.
• 36:24
  Speaker 3: Yeah, no snakes.
• 36:24
  Speaker 1: And I'm like, fuck this movie. Turned it off.
• 36:26
  Speaker 3: I can't.
• 36:27
  Speaker 1: And I legitimately, it was the only movie I've ever
• 36:29
  Speaker 1: thrown away. I was that, like, and I've not seen
• 36:32
  Speaker 1: it since till Wednesday.
• 36:35
  Speaker 3: Did you, you got the 4K on Voodoo?
• 36:37
  Speaker 1: Yeah, so I have it.
• 36:38
  Speaker 3: Or Fandango at home now.
• 36:40
  Speaker 1: Yes, on Fandango at home. Yeah, so I have the
• 36:42
  Speaker 1: 4K of that now. And I've never owned it since then.
• 36:44
  Speaker 1: This is the second, this is. You know, so between
• 36:47
  Speaker 1: 2017 and, like, two months ago, I've never owned this movie. Yeah. Again.
• 36:52
  Speaker 1: Because I'm like, fuck this. I can't do it. I cannot.
• 36:54
  Speaker 3: That's fair.
• 36:55
  Speaker 1: And.
• 36:57
  Speaker 3: 4K looks great, by the way.
• 36:58
  Speaker 1: Oh, 4K looks amazing.
• 36:59
  Speaker 3: 4K looks fucking fantastic.
• 37:00
  Speaker 1: And I think one of the aspects that worked with
• 37:03
  Speaker 1: me this time where I was completely fine except for
• 37:05
  Speaker 1: one particular scene was because I didn't remember it and
• 37:07
  Speaker 1: it was a jump scare. But A, I didn't have
• 37:10
  Speaker 1: surround sound. I just had TV speakers.
• 37:11
  Speaker 3: This time?
• 37:12
  Speaker 1: Yeah. Yeah.
• 37:13
  Speaker 3: Oh, okay, true. Yeah, yeah, because, yeah, I remember your streaming.
• 37:16
  Speaker 1: By streaming, it's just TV.
• 37:18
  Speaker 3: Fucking connect. Yeah, we're living in the future, and it's
• 37:21
  Speaker 3: harder to connect things than ever. Yeah, it's weird.
• 37:23
  Speaker 1: It doesn't get dumped. But you know what? In this case,
• 37:26
  Speaker 1: I'm thankful for it because I don't know if I
• 37:27
  Speaker 1: would have gotten through it. I don't know. I might have.
• 37:30
  Speaker 1: And then two, the CGI was so bad, I knew
• 37:33
  Speaker 1: they were all fake. So it helped a lot because
• 37:35
  Speaker 1: even though the CGI sucked for some movies back then,
• 37:39
  Speaker 1: your eyes were different.
• 37:42
  Speaker 3: It just looks different back then. You watch movies now,
• 37:46
  Speaker 3: even like Phantom Menace, you watch that and you're like,
• 37:48
  Speaker 3: oh man, I remember this being groundbreaking and you know.
• 37:52
  Speaker 1: So there are a couple of factors and I do
• 37:56
  Speaker 1: want to one day get the 4K actually and watch
• 37:58
  Speaker 1: it with surround sound to see if I'm a big boy.
• 38:00
  Speaker 3: See if we've graduated.
• 38:03
  Speaker 1: Yeah, but I'm going to wait a while. I don't
• 38:05
  Speaker 1: think I'm going to spend 30 bucks on it and
• 38:08
  Speaker 1: then hate myself afterwards.
• 38:09
  Speaker 3: Hmm, there's a holiday coming up soon. Maybe I'll buy
• 38:13
  Speaker 3: it for you.
• 38:15
  Speaker 1: What's the surround sound on the 4K, by the way?
• 38:17
  Speaker 1: Is it Atmos? Because I don't know if I could
• 38:19
  Speaker 1: do that.
• 38:20
  Speaker 3: I think it's true HD 7.1, I'm pretty sure.
• 38:22
  Speaker 1: Okay, so then that's Atmos, pretty much, yeah.
• 38:24
  Speaker 3: So, yeah, all right, so there you go.
• 38:26
  Speaker 1: Yeah, so that's my story. And then, yeah, like I
• 38:28
  Speaker 1: saw the Jack Black flashback, Anaconda. Anaconda recently, and I
• 38:32
  Speaker 1: was fine with that. I watched that in the dark.
• 38:34
  Speaker 3: That shit was hilarious.
• 38:35
  Speaker 1: Right, and I think that might have been what I
• 38:36
  Speaker 1: was fine with, too, because it was funny. So I
• 38:38
  Speaker 1: do need to eventually work my way up. I might
• 38:41
  Speaker 1: start with Indiana Jones, because I do own that.
• 38:44
  Speaker 3: I'm just going to start with the 90s Anaconda, because
• 38:47
  Speaker 3: it's only one snake.
• 38:48
  Speaker 1: It is, but that fucking snake's terrifying.
• 38:51
  Speaker 3: Yeah, and that one, there's a lot of practical effects.
• 38:55
  Speaker 1: Right, it's more practical than not.
• 38:56
  Speaker 3: But you got Jon Voight and Ice Cube. And J-Lo.
• 38:58
  Speaker 3: And J-Lo. Is it Owen Wilson in that shit? Other
• 39:02
  Speaker 3: white guy. Yeah, there you go.
• 39:03
  Speaker 1: He's the other white guy.
• 39:04
  Speaker 3: That's pretty shit. He's the other, yeah.
• 39:05
  Speaker 1: Yeah, I got to work my way up to big
• 39:09
  Speaker 1: boy status.
• 39:09
  Speaker 3: To big boy. Well, and you know what's interesting, too,
• 39:13
  Speaker 3: about this is, like, I knew this movie was going
• 39:16
  Speaker 3: to be stupid. I knew it was going to be funny,
• 39:18
  Speaker 3: whether it was intentional or not. And it was kind
• 39:21
  Speaker 3: of in both of those lanes. But what I didn't
• 39:24
  Speaker 3: really– I don't know why I didn't expect this, but it's, like,
• 39:27
  Speaker 3: genuinely tense. Yeah.
• 39:29
  Speaker 1: Yeah.
• 39:30
  Speaker 3: Yeah. It's, you know, it's snakes on a plane, but
• 39:33
  Speaker 3: I didn't also realize, too, because one thing is... I
• 39:36
  Speaker 3: just had so many different expectations. The plane goes through
• 39:40
  Speaker 3: a storm and then like, you know, the pilot, the
• 39:43
  Speaker 3: pilots start getting bitten. The plane starts going down. So
• 39:45
  Speaker 3: they're like also dealing with a plane that's going down
• 39:49
  Speaker 3: and snakes and a storm.
• 39:50
  Speaker 1: And I'm like, holy shit. And I wonder if that's
• 39:53
  Speaker 1: why they got that specific director because the final destinations
• 39:56
  Speaker 1: he's done are tense.
• 39:58
  Speaker 3: Yeah.
• 39:58
  Speaker 1: So maybe they did that. Maybe that was, that was
• 40:01
  Speaker 1: a strategic.
• 40:03
  Speaker 3: And no final destination. Yeah. Cause you know, Final Destination 2, well,
• 40:09
  Speaker 3: that doesn't have an airplane, but they're still very tense.
• 40:11
  Speaker 3: But it's still tense as shit. Because you can't escape this, right?
• 40:15
  Speaker 3: There's nowhere to run. You can jump, but that's going
• 40:18
  Speaker 3: to be certain death. So every seat is a hiding
• 40:21
  Speaker 3: place for a snake. Every overhead compartment is a potential snake.
• 40:25
  Speaker 1: And then they also give you that onboarding scene where
• 40:30
  Speaker 1: you got kids by themselves, you got a baby.
• 40:33
  Speaker 3: Oh, yeah, you got the two kids by themselves.
• 40:35
  Speaker 1: You got the mom and the baby.
• 40:37
  Speaker 3: Lin Shay is also in this.
• 40:38
  Speaker 1: Yes, she is.
• 40:39
  Speaker 3: I love that. She was the flight attendant.
• 40:41
  Speaker 1: Yeah. I mean, you got the... you got the, the,
• 40:46
  Speaker 1: the little fucking dog. Like you got, there are a
• 40:49
  Speaker 1: lot of factors in here. You're like, Oh shit. Like
• 40:50
  Speaker 1: these snakes could fuck all of these people up.
• 40:52
  Speaker 3: Yeah. And, uh, they do fuck those kids. I mean,
• 40:56
  Speaker 3: they don't die, but, uh, fuck those kids that I
• 40:59
  Speaker 3: really thought they were going to get the baby. And
• 41:01
  Speaker 3: I was like, yo, I was like, yo, this, this
• 41:05
  Speaker 3: might be like my limit. I don't know. I don't
• 41:09
  Speaker 3: care if I don't care if it gets the kids, whatever.
• 41:11
  Speaker 1: Fuck them kids.
• 41:12
  Speaker 3: Fuck them kids. Yo, not the baby though. Damn. So yeah.
• 41:17
  Speaker 3: And then Lin Shay ultimately kind of like makes a
• 41:20
  Speaker 3: sacrifice to like grab and turn and then, and then
• 41:22
  Speaker 3: get bit. But yeah, I mean, it's a genuinely tense
• 41:25
  Speaker 3: movie because the plane is, you know, all the lights
• 41:28
  Speaker 3: are flickering or they've got the emergency lights on and there's,
• 41:31
  Speaker 3: they also have this really cool, there's a lot of
• 41:33
  Speaker 3: like kind of blue lighting as well.
• 41:35
  Speaker 1: I bet he got snake vision.
• 41:37
  Speaker 3: Oh, the snake vision was so strange. Like, I don't
• 41:39
  Speaker 3: think that's how snakes see, but I don't know. I'm
• 41:41
  Speaker 3: not a snake. But I loved the POV of the snakes,
• 41:44
  Speaker 3: but I was like, why is it green?
• 41:46
  Speaker 1: Snake vision, bro.
• 41:49
  Speaker 3: I guess so. Just to make it fun.
• 41:51
  Speaker 1: They're probably like, well, if the predator gets predator vision,
• 41:53
  Speaker 1: snakes get snake vision.
• 41:55
  Speaker 3: Snakes get snake vision. Yeah. But then, of course, you
• 41:58
  Speaker 3: have Neville Flynn, who is somehow turned into the world's
• 42:03
  Speaker 3: most overqualified babysitter. Which is hilarious. He's taking everything in
• 42:09
  Speaker 3: this movie so goddamn seriously, and that's why I love it,
• 42:12
  Speaker 3: because he is so serious. Except... When?
• 42:16
  Speaker 1: When he says his famous line, it's the most forced
• 42:18
  Speaker 1: line in any movie I've ever fucking heard.
• 42:20
  Speaker 3: Really?
• 42:21
  Speaker 1: You didn't think it was forced when he said it? No.
• 42:24
  Speaker 3: I was waiting for it the whole time, and he
• 42:25
  Speaker 3: said it, and I was like, ah!
• 42:26
  Speaker 1: He said it, but A, it was the... Not saying
• 42:29
  Speaker 1: Sam Jackson's an award-winning actor, but he can act if
• 42:33
  Speaker 1: it causes for it.
• 42:34
  Speaker 3: Yeah.
• 42:35
  Speaker 1: But this... This scene, when it comes to it, and
• 42:39
  Speaker 1: when you watch it, after I say this shit now,
• 42:41
  Speaker 1: give it about 30 seconds before that scene, next time
• 42:43
  Speaker 1: you watch it, out of nowhere, you get a medium shot,
• 42:48
  Speaker 1: and then he puts his hands on his hips, and
• 42:49
  Speaker 1: he does a little huff and puff, and it's the
• 42:51
  Speaker 1: most forced, shittiest acting I've ever heard out of Sam Jackson.
• 42:55
  Speaker 3: Interesting.
• 42:56
  Speaker 1: It's so forced, but I think that's the gem of it,
• 42:59
  Speaker 1: because out of nowhere, because here's the thing. During this scene,
• 43:05
  Speaker 1: there's not one snake. They're not even dealing with the
• 43:07
  Speaker 1: snake situation at this point.
• 43:09
  Speaker 3: The snakes are in the cockpit.
• 43:10
  Speaker 1: Snakes are in the cockpit. It's now light outside, and
• 43:13
  Speaker 1: they're like, well, we can't land this. And then all
• 43:16
  Speaker 1: of a sudden, there's probably a good three minutes we
• 43:19
  Speaker 1: haven't seen this fucking snake or dealt with a snake
• 43:20
  Speaker 1: yet in this scene. And all of a sudden, he's like,
• 43:22
  Speaker 1: you know what? And then he says his line. And
• 43:24
  Speaker 1: I'm like, that is so fucking forced, bro. Like, it
• 43:29
  Speaker 1: hurts me how forced that was.
• 43:31
  Speaker 3: And then that's when he decides to shoot out the window.
• 43:34
  Speaker 1: Dude, but it's so 90s coded, and I'm a 90s
• 43:37
  Speaker 1: action film, so he's like, yeah.
• 43:38
  Speaker 3: True, true.
• 43:39
  Speaker 1: The way he says his lines, and then he puts
• 43:40
  Speaker 1: his gun in the air, and he goes, I'm gonna
• 43:41
  Speaker 1: open some fucking holes, or I'm gonna open a fucking window.
• 43:43
  Speaker 1: I'm like, bro, what the hell?
• 43:45
  Speaker 3: Everybody buckle up.
• 43:46
  Speaker 1: But like, it just felt, for me, it felt super forced,
• 43:51
  Speaker 1: because like, I think it was the way it was shot.
• 43:54
  Speaker 1: Not necessarily the delivery, but I think all of it
• 43:56
  Speaker 1: together felt like it was the most forced scene. Like, okay,
• 43:59
  Speaker 1: we have to say the line. He hasn't said the
• 44:00
  Speaker 1: line yet. It's been an hour and a half. What
• 44:01
  Speaker 1: the fuck do we do? Oh, here we go.
• 44:03
  Speaker 3: Throw it in here.
• 44:04
  Speaker 1: Throw it in here for no reason because he could
• 44:06
  Speaker 1: have said it while he was fighting the snakes at
• 44:08
  Speaker 1: any given time. But you know what? We're going to
• 44:10
  Speaker 1: say it when there's nothing else going on except we
• 44:12
  Speaker 1: got to figure out how to land this plane.
• 44:13
  Speaker 3: I think.
• 44:14
  Speaker 1: So.
• 44:16
  Speaker 3: I don't think it was forced. I think for me,
• 44:18
  Speaker 3: it was out of place.
• 44:20
  Speaker 1: That's okay.
• 44:20
  Speaker 3: Maybe that's what you mean.
• 44:21
  Speaker 1: Maybe it felt out of place, but like, but it
• 44:23
  Speaker 1: still felt like, that's what I meant. So it was a,
• 44:26
  Speaker 1: it was an out of place scene that felt forced.
• 44:27
  Speaker 3: Yeah. Cause like it, I expected it to be when
• 44:30
  Speaker 3: they were under attack and he's just like, I am
• 44:32
  Speaker 3: like tired of these motherfuckers. But no, it was really
• 44:35
  Speaker 3: at the weirdest moment.
• 44:36
  Speaker 1: So I think maybe when I say forced is because
• 44:39
  Speaker 1: the joke surrender on the movie was this line. So like,
• 44:42
  Speaker 1: we haven't said the line yet. What do we do?
• 44:44
  Speaker 3: Where is it?
• 44:45
  Speaker 1: Well, we'll just insert it in here because we haven't
• 44:47
  Speaker 1: said it yet and the movie's got 10 minutes left.
• 44:49
  Speaker 1: What do we do? Okay, so you're right. Out of place.
• 44:52
  Speaker 3: Yeah, very out of place.
• 44:53
  Speaker 1: Very out of place.
• 44:53
  Speaker 3: In daylight, not fighting any snakes.
• 44:55
  Speaker 1: Not fighting any snakes. There's no conundrums going on. Everyone
• 44:59
  Speaker 1: is safe right now.
• 45:00
  Speaker 3: No conundrums.
• 45:02
  Speaker 1: Yeah, so yeah, my bad for speaking out of turn.
• 45:05
  Speaker 3: Oh, no, no, no, you're fine. Because you're making me
• 45:07
  Speaker 3: think about it, and I was like, you know what?
• 45:09
  Speaker 3: There's something, you're right.
• 45:10
  Speaker 1: It just didn't feel right.
• 45:12
  Speaker 3: It did feel very out of place, and yeah, very... I.
• 45:16
  Speaker 1: Think the line delivery would have been better when he
• 45:19
  Speaker 1: was talking to... on the phone with the, uh, with his,
• 45:24
  Speaker 1: his cop buddy.
• 45:25
  Speaker 3: Yeah. Yeah. Yeah.
• 45:26
  Speaker 1: He's like, like, I was like, but I'm tired of
• 45:28
  Speaker 1: these motherfucking snakes. Like, I feel like that would have
• 45:31
  Speaker 1: been a better insert for the, for.
• 45:34
  Speaker 3: The, uh, no. Yeah. I, I a hundred percent agree.
• 45:36
  Speaker 3: I 100% agree.
• 45:37
  Speaker 1: But hey, what are we? Some bitches.
• 45:38
  Speaker 3: Yeah, what do we know? I'm just a bitch. I'm
• 45:41
  Speaker 3: just some dumb bitch. So yeah, genuinely has some good scares.
• 45:46
  Speaker 3: Some fun deaths as well. You get a snake biting
• 45:49
  Speaker 3: a boob. You get a snake biting a guy's dick.
• 45:51
  Speaker 3: Snake biting an eye. Snake exploding in the microwave. That
• 45:55
  Speaker 3: was fucking great. There's so many silly things going on
• 45:59
  Speaker 3: in this movie. Nobody's safe because the snakes don't give
• 46:02
  Speaker 3: a shit. Rich asshole, snake. Children, snake. Douchey British guy, snake.
• 46:08
  Speaker 1: Baby, possible snake.
• 46:09
  Speaker 3: Possible snake. Yeah. So just a random guy who happens
• 46:13
  Speaker 3: to be there. Fuck you, snake.
• 46:15
  Speaker 1: Exactly.
• 46:16
  Speaker 3: And then, yeah, that British guy, though, not only was
• 46:19
  Speaker 3: he an asshole, that scene, though, was so fucking real
• 46:22
  Speaker 3: when he sits down and he sits down. Someone sits
• 46:26
  Speaker 3: down next to Mercedes, I think.
• 46:27
  Speaker 1: Oh, yeah.
• 46:27
  Speaker 3: With a dog.
• 46:28
  Speaker 1: What can happen next? He turns around and has a baby.
• 46:30
  Speaker 3: I was like, that is so real. And then he
• 46:32
  Speaker 3: gets up.
• 46:32
  Speaker 1: You know what? Fuck that guy, though.
• 46:34
  Speaker 3: Yeah, fuck that guy. Because he literally.
• 46:35
  Speaker 1: But he got what he... He got what came to
• 46:38
  Speaker 1: him big time. He got the best one.
• 46:39
  Speaker 3: Best karma immediately. Like, instant karma, which is great.
• 46:41
  Speaker 1: Yeah, it was Insta.
• 46:43
  Speaker 3: Yeah, but taking a dog... Yeah, that was a little
• 46:45
  Speaker 3: yappy dog, sure, but you don't just throw a dog
• 46:47
  Speaker 3: at a snake. Fuck you, dude.
• 46:48
  Speaker 1: Especially that big snake. You can't do it, bro.
• 46:51
  Speaker 3: And then he gets boa constricted, and then the snake
• 46:53
  Speaker 3: just starts to, like... Swallow. I was like, this is... Yes!
• 46:56
  Speaker 1: And my favorite part towards the end of that is
• 46:59
  Speaker 1: when all the snakes are leaving the window, and you
• 47:00
  Speaker 1: see the big one, like, leave the window.
• 47:02
  Speaker 3: Yeah.
• 47:03
  Speaker 1: It's real quick, but, like, you see the body still
• 47:07
  Speaker 1: in the snake, so the snake looks like a fucking...
• 47:11
  Speaker 1: Weird shape because he got in the body halfway through his,
• 47:13
  Speaker 1: because he's still digesting him. It's hilarious.
• 47:16
  Speaker 3: So good.
• 47:16
  Speaker 1: He looks like a fucking elephant.
• 47:18
  Speaker 3: Yeah. So that was a, that was a, that was
• 47:21
  Speaker 3: a probably, I think that was a boa constrictor of
• 47:22
  Speaker 3: some sort.
• 47:23
  Speaker 1: That was a, it was a, it was a, it
• 47:25
  Speaker 1: was a python. It was a Burmese, Burmese python.
• 47:29
  Speaker 3: Burmese python. Okay.
• 47:30
  Speaker 1: I think it says it in the trivia.
• 47:31
  Speaker 3: Well, and it's so funny because before you actually get
• 47:34
  Speaker 3: the answer, I could not stop thinking about where this
• 47:37
  Speaker 3: man was getting the snakes. Like, Eddie Kim didn't have
• 47:40
  Speaker 3: one snake. He got venomous snakes, constrictors, different size, different species.
• 47:45
  Speaker 3: I'm like, does this guy just have a warehouse of
• 47:47
  Speaker 3: reptiles that nobody knows about? Like, what's going on? Like, hey,
• 47:51
  Speaker 3: I need 300 snakes by Thursday. Got you. And also, too.
• 47:54
  Speaker 1: Same day shipping, bitch.
• 47:55
  Speaker 3: Also, too... Yeah, right? It is a fun fact that
• 47:59
  Speaker 3: snakes are not native to Hawaii. And then I'm like,
• 48:02
  Speaker 3: then how the fuck did he get them to Hawaii?
• 48:05
  Speaker 1: And they even say that in the movie, which is
• 48:06
  Speaker 1: kind of funny.
• 48:07
  Speaker 3: Yeah, then that's why.
• 48:08
  Speaker 1: They're like, you know, by the way, we don't have
• 48:10
  Speaker 1: to say this, but like.
• 48:11
  Speaker 3: It's just like, hey, I need 300 snakes by next Thursday.
• 48:13
  Speaker 3: Any particular species? Yes.
• 48:14
  Speaker 1: All of them.
• 48:15
  Speaker 3: Yeah, just yes. But then, of course, you realize that
• 48:17
  Speaker 3: there is a guy he got them from. So I
• 48:19
  Speaker 3: guess somehow he shipped them. He shipped these to Hawaii.
• 48:23
  Speaker 3: They transferred them and then put them on the plane.
• 48:27
  Speaker 3: Like this could have gone so badly for Hawaii. Those,
• 48:29
  Speaker 3: those snakes could have gotten out and then repopulated. And
• 48:33
  Speaker 3: guess what? Now we have snakes in Hawaii. Like, fuck you.
• 48:36
  Speaker 1: Yeah. Like there are so many things that could have
• 48:38
  Speaker 1: gone wrong. Obviously this movie is nowhere near plausible.
• 48:41
  Speaker 3: No, but that's, I mean, that's why I love it. Yeah.
• 48:46
  Speaker 1: I think that's the charm.
• 48:47
  Speaker 3: So I think it's still, yeah, you do get an answer.
• 48:49
  Speaker 3: There was a guy who, he has all these snakes
• 48:52
  Speaker 3: and that whole scene too, when they go find the
• 48:54
  Speaker 3: guy and one snake gets out and bites him.
• 48:57
  Speaker 1: And, uh, he got shot and bit. I'm like, bro,
• 49:00
  Speaker 1: you just got fucked.
• 49:01
  Speaker 3: Dude, that guy literally a fucking FBI helicopter pulls up
• 49:05
  Speaker 3: and lands. And then Bobby Conneval gets out. And then
• 49:09
  Speaker 3: the guys just start shooting at F like you're dude,
• 49:12
  Speaker 3: that's jail. I mean, that's a felony. You're going to
• 49:15
  Speaker 3: get so fucked for shooting at the FBI. What are
• 49:17
  Speaker 3: you doing? But then he gets bit by a snake
• 49:19
  Speaker 3: and he's got like, seven minutes to live. He's like,
• 49:22
  Speaker 3: give me the anti-venom. He's like, give me the answers.
• 49:24
  Speaker 1: Exactly.
• 49:25
  Speaker 3: You're gonna die. Fucking good lord.
• 49:28
  Speaker 1: There are some really cool, like, scenes, like, I can
• 49:31
  Speaker 1: see where this could be more of an action thriller
• 49:33
  Speaker 1: with those scenes, more than a horror, but like.
• 49:35
  Speaker 3: There's definitely some horror there.
• 49:37
  Speaker 1: Oh yeah, any scene on that fucking plane is a horror.
• 49:40
  Speaker 3: Yeah, I can't believe it's not labeled horror.
• 49:43
  Speaker 1: It's weird.
• 49:45
  Speaker 3: Same thing with Cocaine Bear. I understand that one more
• 49:47
  Speaker 3: because that is so much more about crime and stuff
• 49:50
  Speaker 3: like that, but at the end of the day, it
• 49:51
  Speaker 3: is a bear ripping people apart. That's pretty horrifying.
• 49:54
  Speaker 1: Yeah, that's scary.
• 49:55
  Speaker 3: That's real life horror for me.
• 49:57
  Speaker 1: Yeah, it's more horrible than fucking snakes on a plane.
• 50:01
  Speaker 1: My ass just has to go on a plane.
• 50:03
  Speaker 3: Yeah. If I'm ever on a plane and happen to
• 50:05
  Speaker 3: have snakes that are on said plane.
• 50:07
  Speaker 1: I think- Honestly, just fucking kill me. Yeah, just- Like,
• 50:12
  Speaker 1: instantly just- I'll just break my own neck. I don't
• 50:14
  Speaker 1: fucking care.
• 50:15
  Speaker 3: Give me a parachute. I don't want to get bitten
• 50:17
  Speaker 3: by a venomous snake and slowly die. That was my question, though, too,
• 50:22
  Speaker 3: because that guy had seven minutes to live. I guess
• 50:24
  Speaker 3: that was a specific- Certain ones. Okay.
• 50:27
  Speaker 1: Certain venoms have certain time.
• 50:30
  Speaker 3: Okay.
• 50:30
  Speaker 1: Like a time limit.
• 50:31
  Speaker 3: Well, speaking of venom, it's not even in this movie,
• 50:34
  Speaker 3: but it's just general misinformation to, oh, we got to
• 50:37
  Speaker 3: suck out the venom. No, you don't.
• 50:39
  Speaker 1: And suck out the poison.
• 50:40
  Speaker 3: No, you don't. You don't do that for many reasons
• 50:43
  Speaker 3: because it's not like the venom is just sitting underneath
• 50:46
  Speaker 3: the skin in that little pocket. Like once venom is
• 50:49
  Speaker 3: injected into a body, it spreads.
• 50:51
  Speaker 1: Oh, yeah.
• 50:52
  Speaker 3: So sucking it out is not going to do anything. Oh,
• 50:54
  Speaker 3: fucking computer just goes off.
• 50:56
  Speaker 1: Yeah, but that scene was funny.
• 50:58
  Speaker 3: Well, no, it's funny. But especially doing it with your
• 51:01
  Speaker 3: mouth is a terrible idea because your mouth contains a
• 51:03
  Speaker 3: lot of bacteria.
• 51:04
  Speaker 1: Right.
• 51:05
  Speaker 3: Or tiny cuts or ulcers that could provide another route
• 51:09
  Speaker 3: for the venom to go into. And more importantly, you're
• 51:11
  Speaker 3: just wasting time. Get the treatment.
• 51:14
  Speaker 1: Just cut it off. Just saw it off. Saw it off, bro.
• 51:19
  Speaker 1: You don't need it anymore.
• 51:20
  Speaker 3: If someone gets bitten, we don't need to become MacGyver
• 51:22
  Speaker 3: and fucking fix this shit with a cucumber, a melon,
• 51:26
  Speaker 3: and some lube or whatever. Those are the three. What
• 51:30
  Speaker 3: the fuck? Yep. Those are the three dumbest things I
• 51:34
  Speaker 3: could have said. That's like that game where you try
• 51:37
  Speaker 3: to buy three things at like a grocery store to
• 51:39
  Speaker 3: like freak people. Okay. So that's what. I mean, to be.
• 51:44
  Speaker 1: Fair, you're doing something totally different with that.
• 51:47
  Speaker 3: Wow.
• 51:48
  Speaker 1: I'm in cry tears, bro.
• 51:49
  Speaker 3: What the fuck?
• 51:50
  Speaker 1: That was great. Yep.
• 51:51
  Speaker 3: Yep.
• 51:51
  Speaker 1: However, there's no way in hell.
• 51:55
  Speaker 3: What?
• 51:56
  Speaker 1: That olive oil is just on a plane like that.
• 51:59
  Speaker 3: Oh yeah, no.
• 51:59
  Speaker 1: Like that was so weird. Be like, yeah, I have
• 52:01
  Speaker 1: this for the sake of the movie only.
• 52:03
  Speaker 3: I mean, the only thing I could think they would
• 52:05
  Speaker 3: have olive oil for would be like a salad dressing,
• 52:08
  Speaker 3: but really you're using like balsamic, you know?
• 52:11
  Speaker 1: Also, when the fuck do you eat a salad on
• 52:13
  Speaker 1: a plane?
• 52:14
  Speaker 3: Uh, very rarely, but on like a long trip, but
• 52:17
  Speaker 3: it's Hawaii to California. I can't imagine that's a long
• 52:21
  Speaker 3: plane flight.
• 52:22
  Speaker 1: Maybe two hours. Maybe. Maybe.
• 52:25
  Speaker 3: Let's find out.
• 52:26
  Speaker 1: Oahu. To LA.
• 52:28
  Speaker 3: To LA. LA.
• 52:30
  Speaker 1: I'm going 225.
• 52:31
  Speaker 3: Time. Five hours and 25 minutes.
• 52:35
  Speaker 1: Suck my ballsack. What? Whoa. That is a long time.
• 52:39
  Speaker 3: That's like from here to, it's about a six hour
• 52:41
  Speaker 3: flight from here to Seattle.
• 52:42
  Speaker 1: All right, we'll just go fuck ourselves then. We don't
• 52:44
  Speaker 1: know anything.
• 52:44
  Speaker 3: Okay, I don't know shit apparently. Anyway, so yeah. But yeah, don't,
• 52:50
  Speaker 3: you know, just leave it alone.
• 52:51
  Speaker 1: You know what I thought was kind of funny about
• 52:52
  Speaker 1: that scene though? What? Uh, More ironic that the actress
• 52:57
  Speaker 1: who played the mom is Chris Hemsworth, Thor's wife in
• 53:02
  Speaker 1: real life. So she's native and knows all the snake
• 53:04
  Speaker 1: stuff in real life.
• 53:05
  Speaker 3: Oh, shit. Okay.
• 53:06
  Speaker 1: Yeah, that's Elsa Pateke or whatever you said.
• 53:08
  Speaker 3: Oh, shit. No, I did not know that.
• 53:10
  Speaker 1: Yeah.
• 53:11
  Speaker 3: Good for Thor.
• 53:12
  Speaker 1: I don't know if they were married at the time.
• 53:13
  Speaker 1: They've been married for a while, so I would assume
• 53:16
  Speaker 1: they were.
• 53:16
  Speaker 3: But I mean, this was even before Iron Man. So
• 53:18
  Speaker 3: who knows? Maybe they met on the set of Thor
• 53:21
  Speaker 3: or something.
• 53:21
  Speaker 1: Maybe. But anyway, but like, you know, she's Australian or whatever.
• 53:26
  Speaker 1: Like she's from New Zealand or wherever. So she knows
• 53:30
  Speaker 1: all this information already off the cusp in real life probably.
• 53:32
  Speaker 1: So I felt like, oh, that's kind of interesting that
• 53:35
  Speaker 1: they did this. I don't know if they did that
• 53:37
  Speaker 1: on purpose or not, but I thought it was fun.
• 53:40
  Speaker 3: I liked it.
• 53:40
  Speaker 1: I enjoyed it.
• 53:42
  Speaker 3: Uh, I think I had like two more things here.
• 53:45
  Speaker 3: The dialogue, uh, was a very, very apparent that it
• 53:49
  Speaker 3: was first time writers.
• 53:50
  Speaker 1: It was just, it was plain dialogue.
• 53:52
  Speaker 3: Some of it was clunky. Like when one of the
• 53:55
  Speaker 3: flight attendants was saying something about you people or whatever.
• 53:58
  Speaker 3: And Sam Jackson was like, what do you mean you people?
• 53:59
  Speaker 3: She's like, and he was like, I'm just kidding. I
• 54:01
  Speaker 3: was like, that was so weird. Uh, okay.
• 54:04
  Speaker 1: Okay.
• 54:05
  Speaker 3: But, like, sometimes characters are explaining things they don't need
• 54:07
  Speaker 3: to explain. They're, like, announcing their emotions or saying.
• 54:10
  Speaker 1: Right, like 3G' s was like, oh, don't touch me, but, like,
• 54:14
  Speaker 1: I'm also giving you the fuck me eyes. Like, what
• 54:15
  Speaker 1: do you do when you fuck? You touch each other somehow.
• 54:18
  Speaker 3: Yeah, he was weird.
• 54:19
  Speaker 1: It was really weird.
• 54:19
  Speaker 3: He had random germophobia for no reason.
• 54:22
  Speaker 1: Yeah, that was weird, too.
• 54:23
  Speaker 3: And then... But you know what? I will give this
• 54:26
  Speaker 3: movie credit for being 2006. I mean, outside of the
• 54:29
  Speaker 3: not touching me thing, but that was an everybody thing.
• 54:31
  Speaker 3: It wasn't just specifically guys. It was everybody.
• 54:34
  Speaker 1: Everybody.
• 54:34
  Speaker 3: No homophobic slurs. No gross dialogue. Outside of when Kenan
• 54:40
  Speaker 3: was like, oh, I have a bite too.
• 54:42
  Speaker 1: Right, but that was for comedic effect.
• 54:43
  Speaker 3: But that was, yeah. But I was like, hey, look
• 54:46
  Speaker 3: at us mid-2000s getting through without one homophobic slur. Good
• 54:50
  Speaker 3: for you guys. You did it.
• 54:52
  Speaker 1: And which is even funny is one of the... characters
• 54:55
  Speaker 1: in there was presumed to be gay the whole time. Right.
• 54:57
  Speaker 3: Yeah.
• 54:58
  Speaker 1: And they didn't use any.
• 54:59
  Speaker 3: And they didn't use any.
• 55:00
  Speaker 1: They did do a joke, though. They're like, oh, right,
• 55:02
  Speaker 1: your girlfriend.
• 55:03
  Speaker 3: Yeah, like, oh, right.
• 55:04
  Speaker 1: But, like, that's nothing.
• 55:05
  Speaker 3: That's just a joke. And then he gets off the
• 55:06
  Speaker 3: plane and just.
• 55:07
  Speaker 1: Gets a tap. It's just hot. It's hot. Whoa. And
• 55:10
  Speaker 1: they're all like, son of a bitch. Son of a bitch.
• 55:12
  Speaker 3: You put me wrong. But, yeah, there was even, like... Exactly.
• 55:16
  Speaker 3: So I was like, you know what? Good for you.
• 55:18
  Speaker 3: But then... They land, everything's, you know, a lot of
• 55:23
  Speaker 3: people are dead or dying or whatever, but they land,
• 55:25
  Speaker 3: and then they never address Eddie Kim again. You see
• 55:28
  Speaker 3: him for, like, three scenes in this movie, fucking no
• 55:31
  Speaker 3: court case, no courts, nothing.
• 55:33
  Speaker 1: Well, I'm sure he got arrested.
• 55:34
  Speaker 3: I know, but it's like we don't even show him
• 55:37
  Speaker 3: after they got off the plane. I was, like, furthering
• 55:40
  Speaker 3: my point of unnecessary. And then we get a music video.
• 55:44
  Speaker 1: Dude, that music video is, like, the craziest jump scare.
• 55:47
  Speaker 3: What? Like, what was that? Okay. Like I need an
• 55:51
  Speaker 3: explanation because I'm sitting there and I was like, oh, okay. Music. Yeah.
• 55:57
  Speaker 3: Music video of snakes on a plane. Music. What's happening
• 56:01
  Speaker 3: is a very, I've never seen that in the credits before.
• 56:04
  Speaker 1: Yeah.
• 56:04
  Speaker 3: That was weird. I've never seen that before about like,
• 56:07
  Speaker 3: it was literally a music video from someone. I don't
• 56:10
  Speaker 3: know who, but that was the strangest way to end
• 56:12
  Speaker 3: this film. Like during, as the credits are rolling, just
• 56:15
  Speaker 3: fucking music video. Oh, okay. Like, I've already been through enough, okay?
• 56:21
  Speaker 3: I've been through snakes, I've been through a plane, people surviving,
• 56:24
  Speaker 3: and now I have this aggressive 2006 fucking ending with a, like,
• 56:29
  Speaker 3: I don't need anymore. But I did watch the whole thing.
• 56:32
  Speaker 3: Of course, of course.
• 56:33
  Speaker 1: I didn't need it, but I watched it.
• 56:34
  Speaker 3: I watched the whole thing because I was like, what
• 56:36
  Speaker 3: is this? This is so strange.
• 56:38
  Speaker 1: It's a catchy song, though.
• 56:39
  Speaker 3: What's that?
• 56:39
  Speaker 1: It was catchy.
• 56:40
  Speaker 3: It was catchy. It was kind of poppy. Yeah, for sure.
• 56:42
  Speaker 3: Like I just, it was just so fucking random, but
• 56:46
  Speaker 3: I did, I did really enjoy. It's such a silly movie.
• 56:49
  Speaker 3: I mean, really my only, you know, like I said,
• 56:52
  Speaker 3: I feel like it's a little bit longer than it
• 56:55
  Speaker 3: needed to be, but really I think a lot of
• 56:58
  Speaker 3: that was the kind of like for me, the unnecessary plot.
• 57:00
  Speaker 1: The beginning fluff. Yeah.
• 57:01
  Speaker 3: The beginning fluff. And then constantly, you know, referring back
• 57:03
  Speaker 3: to that and any, any subplot that was based around, um,
• 57:08
  Speaker 3: The Eddie Kim thing or whatever. But I do love
• 57:12
  Speaker 3: also that they took over first class for no reason
• 57:15
  Speaker 3: other than to just like keep him safe.
• 57:17
  Speaker 1: Right.
• 57:18
  Speaker 3: And everyone else was like, oh, I can't believe I.
• 57:20
  Speaker 1: At the end of the day, they all ended up
• 57:22
  Speaker 1: in first class. That's true.
• 57:24
  Speaker 3: They did. Oh, man. I don't know what it is
• 57:29
  Speaker 3: about movies with planes. For some reason, part of the
• 57:35
  Speaker 3: plane's got to just come apart and everyone gets... No
• 57:37
  Speaker 3: one got sucked out, though, I think. I think one person, maybe?
• 57:41
  Speaker 3: When the plane, after he shut out the window.
• 57:43
  Speaker 1: Yeah, I don't think.
• 57:44
  Speaker 3: They were holding on for dear life. And then Kenan Thompson,
• 57:47
  Speaker 3: for the win, coming in to land this plane.
• 57:49
  Speaker 1: Based off... flight simulators on playstation.
• 57:52
  Speaker 3: That's the funniest part about this shit is because he's
• 57:54
  Speaker 3: like i've got over 2 000 hours and my wife
• 57:56
  Speaker 3: was like what of a video game and they don't
• 57:58
  Speaker 3: say anything right and we're like oh shit that would
• 58:01
  Speaker 3: be a really cool interjection and and then you know
• 58:03
  Speaker 3: samuel jackson's like so you really got over 2 000
• 58:05
  Speaker 3: hours like yeah i'm flight simulator this and i'm like
• 58:08
  Speaker 3: come on we were so close that's what he's been
• 58:11
  Speaker 3: he was playing the whole movie i know he's on
• 58:13
  Speaker 3: the psp on the psp fucking one of the greatest
• 58:15
  Speaker 3: handheld devices ever.
• 58:18
  Speaker 1: That was one of the first times I actually saw Saw. What?
• 58:23
  Speaker 1: Saw on PSP.
• 58:24
  Speaker 3: On a PSP?
• 58:24
  Speaker 1: I didn't see Saw in theaters. The first one I
• 58:27
  Speaker 1: did not see in theaters.
• 58:28
  Speaker 3: The way James Wan intended it. Exactly.
• 58:31
  Speaker 1: I actually, years ago, I actually saw it first on
• 58:35
  Speaker 1: a bootleg. Just on the computer or whatever. Right. I
• 58:38
  Speaker 1: had a PSP and I came out on PSP. I'm like,
• 58:41
  Speaker 1: fuck yeah. I had that. I had that. I had Underworld.
• 58:45
  Speaker 1: I had like four or five PSP movies, bro.
• 58:48
  Speaker 3: That was such a great handheld thing. That was such
• 58:50
  Speaker 3: a great thing. Is there anything else that we didn't
• 58:54
  Speaker 3: get to that you wanted to talk about?
• 58:57
  Speaker 1: Just like one of the funniest moments that I always calculate.
• 59:01
  Speaker 3: Absolutely. Hit me with it.
• 59:04
  Speaker 1: So the scene where, the Mile High scene. Yeah. So
• 59:07
  Speaker 1: it cracks me up. I don't know why it cracks
• 59:09
  Speaker 1: me up, but like, out of all the things that
• 59:11
  Speaker 1: could be the snakes is like big titty let's fucking
• 59:14
  Speaker 1: go and i just crack up i don't know why
• 59:17
  Speaker 1: but i'm like that just doesn't seem like like does
• 59:20
  Speaker 1: it see red like what's going.
• 59:21
  Speaker 3: On yeah i don't know yeah.
• 59:22
  Speaker 1: But then continuing that scene out on the other side
• 59:26
  Speaker 1: where Lin Shayne and the other guy, I don't know.
• 59:28
  Speaker 3: Yeah, they're just.
• 59:29
  Speaker 1: They're like, it sounds like he's given to her really well,
• 59:32
  Speaker 1: but actually they're dying, which is fucking just funny.
• 59:34
  Speaker 3: Yeah, which is hilarious.
• 59:35
  Speaker 1: She's just like, good for him. And then like literally
• 59:38
  Speaker 1: just stops. And she's like, oh, maybe not. I just died.
• 59:42
  Speaker 3: She's like, wow, he's really good. No, maybe not that good.
• 59:44
  Speaker 1: And just stops. Like, yeah, no.
• 59:46
  Speaker 3: Leave it to Lin Shayne to have a zinger.
• 59:48
  Speaker 1: So good.
• 59:49
  Speaker 3: I will say one of the fears that I have,
• 59:52
  Speaker 3: like an irrational fear, like sharks in a pool or whatever.
• 59:57
  Speaker 3: But I mean, sometimes it happens, but very rarely. But
• 1:00:01
  Speaker 3: it's a snake in the toilet. And that's what happened.
• 1:00:03
  Speaker 1: Dude.
• 1:00:03
  Speaker 3: The snake came out of the toilet. I was like, no.
• 1:00:05
  Speaker 3: And then bit the guy right in the dick.
• 1:00:07
  Speaker 1: No. To be fair, that can't happen.
• 1:00:10
  Speaker 3: Yeah. That's what I'm saying. It can happen. It's very unlikely.
• 1:00:13
  Speaker 3: But it is literally one of my biggest fears.
• 1:00:16
  Speaker 1: Adding on to my story time earlier.
• 1:00:18
  Speaker 3: Okay for the walk that's perfect that's kind of how
• 1:00:22
  Speaker 3: we started so that's kind of how we'll bring.
• 1:00:23
  Speaker 1: It back but it circles around to exactly what you
• 1:00:25
  Speaker 1: just said perfect perfect every time that i did pee
• 1:00:31
  Speaker 1: i stared at that motherfucker like it owed me money
• 1:00:34
  Speaker 1: and then i would instantly close the lid I didn't
• 1:00:38
  Speaker 1: give a fuck.
• 1:00:39
  Speaker 3: I mean, to be fair, and really the snake's defense,
• 1:00:42
  Speaker 3: that guy did piss on his head.
• 1:00:43
  Speaker 1: Right, like you don't do that, bro.
• 1:00:45
  Speaker 3: Fuck that guy.
• 1:00:45
  Speaker 1: He didn't ask for a golden shower. Like, if anything,
• 1:00:50
  Speaker 1: the snake was in the right.
• 1:00:51
  Speaker 3: Yeah, because also he was peeing and the guy was
• 1:00:54
  Speaker 3: just looking straight up. I'm like, who pees like that?
• 1:00:57
  Speaker 1: Right, like you gotta look to see if there's a
• 1:00:58
  Speaker 1: snake in your fucking, like... Like, bro, here am I.
• 1:01:01
  Speaker 3: Look at me. What are you doing?
• 1:01:04
  Speaker 1: I straight up hate snakes, but I'm defending this motherfucker
• 1:01:07
  Speaker 1: like I'm his lawyer. Yeah.
• 1:01:08
  Speaker 3: This fucking guy.
• 1:01:09
  Speaker 1: Dude, still to this day, though, I'm like, there better
• 1:01:12
  Speaker 1: not be any fucking snakes in there.
• 1:01:14
  Speaker 3: It's pretty good. I don't want no goddamn snakes in
• 1:01:16
  Speaker 3: this goddamn toilet.
• 1:01:16
  Speaker 1: It's so hot outside. I don't want to get some
• 1:01:19
  Speaker 1: coolant in here.
• 1:01:20
  Speaker 3: I'll do it.
• 1:01:22
  Speaker 1: Also, one other stupid thing in this movie that just
• 1:01:25
  Speaker 1: came to mind. Yeah. So when Sam Jackson's trying to
• 1:01:28
  Speaker 1: get the AC back on.
• 1:01:29
  Speaker 3: Okay.
• 1:01:29
  Speaker 1: And he uses the flames for that.
• 1:01:32
  Speaker 3: Yeah.
• 1:01:34
  Speaker 1: Like, it works, but not in a fucking airplane. I know.
• 1:01:38
  Speaker 1: I know.
• 1:01:39
  Speaker 3: It's like, this is a terrible idea.
• 1:01:40
  Speaker 1: Like, the smartest thing in the entire movie was the dialogue,
• 1:01:43
  Speaker 1: don't shoot your gun, or it will do what it does.
• 1:01:47
  Speaker 3: Yeah.
• 1:01:48
  Speaker 1: And that's true. And then he does it, and it
• 1:01:50
  Speaker 1: does what it does. But I'm like, okay, but there
• 1:01:51
  Speaker 1: was cause for that. But that was the smartest dialogue
• 1:01:53
  Speaker 1: in the whole fucking movie. Yeah. Was, don't shoot your gun,
• 1:01:56
  Speaker 1: or this will happen. But fire's okay.
• 1:01:59
  Speaker 3: Bro, what's a gun?
• 1:02:01
  Speaker 1: What comes out of a gun? Besides a bullet. It's fire. Bro,
• 1:02:05
  Speaker 1: what the fuck?
• 1:02:05
  Speaker 3: Yeah, that was the one thing.
• 1:02:07
  Speaker 1: But yeah, but still. So there is a lot of silliness,
• 1:02:10
  Speaker 1: but I fucking love this rewatch.
• 1:02:13
  Speaker 3: Love it. So yeah, be sure to check your toilets
• 1:02:15
  Speaker 3: going forward. Just, you know, be safe out there, and
• 1:02:20
  Speaker 3: that's where we'll leave it. You know, it's snakes on
• 1:02:23
  Speaker 3: a plane. It's a little, you know, it's a little clunky.
• 1:02:25
  Speaker 3: It's a little excessive. It's occasionally terrible, but it's so much.
• 1:02:30
  Speaker 3: It's just, it reminds you that cinema can be ridiculous
• 1:02:34
  Speaker 3: and fun, because it's not asking you to, like, believe
• 1:02:38
  Speaker 3: that this could happen. It just asks you to buckle
• 1:02:41
  Speaker 3: your seatbelt.
• 1:02:42
  Speaker 1: It just asks you to sit and be entertained.
• 1:02:44
  Speaker 3: Yeah, just be entertained.
• 1:02:44
  Speaker 1: And are you not entertained?
• 1:02:46
  Speaker 3: Are you not entertained? Yeah. So that's all I've got.
• 1:02:51
  Speaker 3: Anything else from you? Final thoughts? Nope.
• 1:02:53
  Speaker 1: All right.
• 1:02:54
  Speaker 3: Let's go to the final cut. Taglines here on August 18th.
• 1:02:59
  Speaker 3: Summer really begins. Okay.
• 1:03:01
  Speaker 1: That was dumb.
• 1:03:02
  Speaker 3: At 30,000 feet, snakes aren't the deadliest things on this plane. Wait, what?
• 1:03:07
  Speaker 1: But they are.
• 1:03:08
  Speaker 3: What the fuck? What's the deadliest thing on this plane? Anyway.
• 1:03:11
  Speaker 1: Sam Jackson, maybe? Maybe.
• 1:03:12
  Speaker 3: Sit back, relax, enjoy the fright. I like that one.
• 1:03:14
  Speaker 1: That one's The best so far.
• 1:03:16
  Speaker 3: And airline food ain't what you got to worry about.
• 1:03:20
  Speaker 3: Big facts. So, contrary to popular belief, Samuel L. Jackson's
• 1:03:25
  Speaker 3: agent insisted the title be changed because Jackson, quote, couldn't
• 1:03:28
  Speaker 3: work on a film with such a title. When Jackson
• 1:03:30
  Speaker 3: heard about this, he responded with the much cited comment,
• 1:03:33
  Speaker 3: we're totally changing that back. That's the only reason I
• 1:03:35
  Speaker 3: took the job. I read the title.
• 1:03:37
  Speaker 1: I mean, that's fair.
• 1:03:39
  Speaker 3: That's fair.
• 1:03:39
  Speaker 1: And you know what? I want to know what the
• 1:03:41
  Speaker 1: original title of the other title was. I would love
• 1:03:42
  Speaker 1: to know.
• 1:03:43
  Speaker 3: I'm sure I could find that out. When the male
• 1:03:45
  Speaker 3: flight attendant puts the snake in the microwave, he can
• 1:03:48
  Speaker 3: be seen hitting the snake preset button on the microwave.
• 1:03:51
  Speaker 1: Dude, that made me cackle.
• 1:03:52
  Speaker 3: I love this, though. A somewhat unusual preset for a microwave.
• 1:03:57
  Speaker 1: Do you think?
• 1:03:58
  Speaker 3: No shit. Do you think? In 2006, New Line Cinema,
• 1:04:01
  Speaker 3: due to a massive fan interest on the internet, allowed
• 1:04:03
  Speaker 3: for a five-day reshoot to film new scenes to take
• 1:04:08
  Speaker 3: the movie from PG-13 to an R-rated film. Originally, the
• 1:04:11
  Speaker 3: film wrapped in September 2005. Among these additions is Samuel L.
• 1:04:15
  Speaker 3: Jackson's character's line. I've had it with these motherfucking snakes
• 1:04:18
  Speaker 3: and motherfucking planes.
• 1:04:18
  Speaker 1: Right, because what would be the point of making a
• 1:04:20
  Speaker 1: movie based on that joke and not putting it in
• 1:04:22
  Speaker 1: the movie? That would be stupid.
• 1:04:23
  Speaker 3: A line that originated in an anticipatory internet parody of
• 1:04:28
  Speaker 3: the movie. 450 snakes were used, including one 22-long... Burmese python. Yeah,
• 1:04:34
  Speaker 3: there we go. And crazy enough, most of the snakes
• 1:04:37
  Speaker 3: were digitally created because the real snakes did not move
• 1:04:40
  Speaker 3: as much as the filmmakers wanted.
• 1:04:42
  Speaker 1: I mean, I guess that makes sense.
• 1:04:44
  Speaker 3: These are some really funny goofs. The first one is
• 1:04:47
  Speaker 3: clearly an airline pilot. The exterior shots of the aircraft
• 1:04:51
  Speaker 3: show a 747-400. The interior, however, features a singular staircase
• 1:04:56
  Speaker 3: between coach and first class. The singular staircase was discontinued
• 1:04:59
  Speaker 3: and replaced with a long straight staircase when the Boeing
• 1:05:03
  Speaker 3: introduced the 747-400. Fucking nerd. Fucking nerd. I love this one.
• 1:05:09
  Speaker 3: This one was listed as a plot hole.
• 1:05:11
  Speaker 1: Right?
• 1:05:12
  Speaker 3: This was listed as a plot hole.
• 1:05:13
  Speaker 1: Okay.
• 1:05:14
  Speaker 3: When the couple in the lavatory go to join the
• 1:05:17
  Speaker 3: Mile High Club, the guy reaches up and pulls out
• 1:05:19
  Speaker 3: the smoke detector located in the ceiling so the couple
• 1:05:21
  Speaker 3: can smoke a joint. Tamboring with the smoke detector in
• 1:05:23
  Speaker 3: this fashion triggers an alarm and the whole crew, to
• 1:05:28
  Speaker 3: the crew, as this is a federal offense and would
• 1:05:30
  Speaker 3: be immediately investigated. That's not a plot hole!
• 1:05:32
  Speaker 1: Yeah, that's not a plot hole.
• 1:05:34
  Speaker 3: I don't think people understand what a plot hole means.
• 1:05:36
  Speaker 1: I feel like that would be a.
• 1:05:38
  Speaker 3: That just means that... The crew would be notified, but
• 1:05:42
  Speaker 3: what are they going to do? They're over the ocean.
• 1:05:44
  Speaker 3: They can't just land. So it's not a plot hole.
• 1:05:47
  Speaker 1: Yeah, and it had nothing to do with the plot.
• 1:05:48
  Speaker 3: Exactly. Except for, yeah. Flynn tells the passengers to hold
• 1:05:51
  Speaker 3: their breaths before he shoots the window, thereby depressurizing the
• 1:05:54
  Speaker 3: interior of the plane. In reality, if a person holds
• 1:05:57
  Speaker 3: their breath during depressurization, a lung overexpansion injury can occur.
• 1:06:01
  Speaker 3: This is why scuba divers are taught to never hold
• 1:06:04
  Speaker 3: their breath. Rated 5.5 out of 10 on IMDb. which
• 1:06:10
  Speaker 3: for the Nightmare Index gives us a 2.75 out of 5.
• 1:06:14
  Speaker 3: Then we have a 2.5 out of 5 on Letterboxd.
• 1:06:19
  Speaker 3: 69% on the Tomatometer.
• 1:06:21
  Speaker 1: Nice.
• 1:06:22
  Speaker 3: So the critics liked it more than the 49% audience score.
• 1:06:25
  Speaker 1: Interesting. Wild. It's usually the other way around.
• 1:06:28
  Speaker 3: What did you rate this?
• 1:06:30
  Speaker 1: I gave it a 3.5.
• 1:06:31
  Speaker 3: I'm thinking 3.5 as well, just because I almost want
• 1:06:34
  Speaker 3: to give it a 4, but the pacing is the
• 1:06:36
  Speaker 3: thing that kind of fucked me up a little bit.
• 1:06:38
  Speaker 3: So that gives us a nightmare index of 3.06. So
• 1:06:42
  Speaker 3: if we scroll down here, this is going to be
• 1:06:46
  Speaker 3: right above Of Unknown Origin at a 2.94 and right
• 1:06:51
  Speaker 3: below The Bay at a 3.09. Similar movies according to Letterboxd.
• 1:06:56
  Speaker 3: We have Deep Blue Sea, Anaconda, Lake Placid, Eight-Legged Freaks,
• 1:07:01
  Speaker 3: and SWAT. Took a really left turn there.
• 1:07:04
  Speaker 1: That's because Sam Jackson's in Swatch. Ah.
• 1:07:07
  Speaker 3: Similar movies according to Letterboxd. The Meg, Sharknado, Cocaine Bear,
• 1:07:11
  Speaker 3: Deep Blue Sea, and The Happening. Again, left turn. Mark
• 1:07:15
  Speaker 3: Wahlberg's not in this movie.
• 1:07:18
  Speaker 1: I'm trying to find the connection. M.
• 1:07:19
  Speaker 3: Night Shyamalan didn't direct this movie.
• 1:07:21
  Speaker 1: I'm not defending The Happening ever. No. That movie can
• 1:07:23
  Speaker 1: suck a dick.
• 1:07:25
  Speaker 3: So, as in traditional fashion, I forgot to remind you
• 1:07:28
  Speaker 3: to get funny reviews.
• 1:07:29
  Speaker 1: I got, no, you did.
• 1:07:31
  Speaker 3: Oh. In person. Oh, okay. We talked about it in person.
• 1:07:33
  Speaker 3: How many do you have?
• 1:07:34
  Speaker 1: I have four.
• 1:07:35
  Speaker 3: All right, you go first, because we're probably going to
• 1:07:36
  Speaker 3: take each other's.
• 1:07:38
  Speaker 1: It usually happens that way, but I tried really hard
• 1:07:40
  Speaker 1: this time not to.
• 1:07:40
  Speaker 3: Okay.
• 1:07:41
  Speaker 1: All right, so I have one. Two stars. So bad,
• 1:07:45
  Speaker 1: but so good at the same time.
• 1:07:46
  Speaker 3: Facts.
• 1:07:47
  Speaker 1: Yeah, I just thought that was original.
• 1:07:49
  Speaker 3: I love this one. Two stars as well from Rat Bastard.
• 1:07:52
  Speaker 3: Title checks out.
• 1:07:57
  Speaker 1: What is it?
• 1:07:58
  Speaker 3: That was it.
• 1:07:58
  Speaker 1: Oh, you just called the rat bastard.
• 1:08:00
  Speaker 3: Oh, okay. No, no, no. That was it. It was
• 1:08:02
  Speaker 3: two stars from rat bastard. Title checks out.
• 1:08:04
  Speaker 1: Oh, title checks out.
• 1:08:05
  Speaker 3: Oh.
• 1:08:06
  Speaker 1: Dude, I was so waiting for you to be like,
• 1:08:09
  Speaker 1: what's the rest? No, that was it. Oh, okay.
• 1:08:12
  Speaker 3: Title checks out.
• 1:08:13
  Speaker 1: Okay.
• 1:08:17
  Speaker 3: Two halves of a whole idiot.
• 1:08:19
  Speaker 1: You know, it's so funny because I remember seeing that
• 1:08:21
  Speaker 1: comment too and I was going to use it and
• 1:08:22
  Speaker 1: it just.
• 1:08:24
  Speaker 3: Over my head.
• 1:08:24
  Speaker 1: All right, two and a half stars. Very 2000s movie.
• 1:08:27
  Speaker 1: Bad movie and bad characters, but still kind of funny.
• 1:08:30
  Speaker 3: Yeah. Facts. Three and a half stars. I'm going to
• 1:08:34
  Speaker 3: read this the way I'm hearing it in my head.
• 1:08:36
  Speaker 3: Three and a half stars from Adam Bolt. There's a
• 1:08:39
  Speaker 3: snake on my dick.
• 1:08:42
  Speaker 1: Yeah. I would have read it that way too.
• 1:08:43
  Speaker 3: Yeah. Yeah.
• 1:08:45
  Speaker 1: All right. Three stars. Sometimes a movie doesn't have to
• 1:08:49
  Speaker 1: be high art to be good. Sometimes all a movie
• 1:08:51
  Speaker 1: needs is an absurd amount of CGI snakes on a
• 1:08:54
  Speaker 1: plane slaughtering people. who are way too horny.
• 1:08:59
  Speaker 3: That's perfect because my next review ties right into that.
• 1:09:02
  Speaker 3: It's one and a half stars and a heart from
• 1:09:04
  Speaker 3: Jake and it's why is everyone so horny?
• 1:09:07
  Speaker 1: I was going to pick that one too but I'm like,
• 1:09:09
  Speaker 1: I mean, yeah.
• 1:09:11
  Speaker 3: Everyone was so fucking horny.
• 1:09:14
  Speaker 1: It's the fair ones, bro.
• 1:09:15
  Speaker 3: Everyone, oh, maybe it was. Everyone was fucking everyone.
• 1:09:18
  Speaker 1: Exactly. All right. The last one, two stars flying on
• 1:09:21
  Speaker 1: spirit airlines.
• 1:09:22
  Speaker 3: Be like, I, uh, this one, I'm glad I saved
• 1:09:27
  Speaker 3: this one for last because you talk about your theatrical experience.
• 1:09:31
  Speaker 3: So I'm very glad you didn't have this theatrical experience.
• 1:09:33
  Speaker 3: Three stars from Russman. When I saw this originally people
• 1:09:37
  Speaker 3: through rubber snakes around the theater.
• 1:09:39
  Speaker 1: I would have thrown hands. I would have gone to prison. Yeah.
• 1:09:42
  Speaker 3: What is happening?
• 1:09:45
  Speaker 1: I would have screamed like a little bitch. I would
• 1:09:48
  Speaker 1: have shat my pants. And I would have murdered at
• 1:09:52
  Speaker 1: least three people.
• 1:09:53
  Speaker 3: Just shit.
• 1:09:54
  Speaker 1: It would have been the movie theater massacre.
• 1:09:57
  Speaker 3: Oh, my God. So if you enjoy this show, please
• 1:10:00
  Speaker 3: rate and review on your favorite podcast app of choice.
• 1:10:02
  Speaker 3: Follow us on Facebook, Instagram, TikTok, Slasher Threads, and YouTube
• 1:10:05
  Speaker 3: at Frighteners Podcast. Our email is stayspookyatlook.com. You can also
• 1:10:09
  Speaker 3: follow me personally on Letterboxd at Dr. Proctor, all one word.
• 1:10:13
  Speaker 3: You are.
• 1:10:14
  Speaker 1: Slaverman. Slaverman.
• 1:10:16
  Speaker 3: If you'd like to expand your movie podcast listening, be
• 1:10:18
  Speaker 3: sure to check out the Shameless Picture Show, the Dead
• 1:10:20
  Speaker 3: Eye Millennial Film Club, and One Week Rental as well.
• 1:10:24
  Speaker 3: Next month, even though it's this week, but next month
• 1:10:28
  Speaker 3: starts off Spectember Frights, and it's going to be ghost movies,
• 1:10:32
  Speaker 3: which I know, Haunted House and Ghosts, very similar, but
• 1:10:35
  Speaker 3: these are like Ghosts. Spectral. Spectral.
• 1:10:39
  Speaker 1: Because that's what you're getting. Nice. I like it.
• 1:10:41
  Speaker 3: So it'll be, I said someone and I, I found someone.
• 1:10:45
  Speaker 3: Corey and I are going to do the others from
• 1:10:47
  Speaker 3: 2001 as our essential pick. And I know, everybody's going
• 1:10:50
  Speaker 3: to say fucking Exorcist. Not ghosts. It's demons.
• 1:10:54
  Speaker 1: Yeah. I would have said that too.
• 1:10:56
  Speaker 3: Oh, okay. I don't know. I figured people would be like,
• 1:10:58
  Speaker 3: why did you do the exorcist?
• 1:11:00
  Speaker 1: Because it's not good.
• 1:11:00
  Speaker 3: Wait, no. That's for another month. I'm stupid. I'm stupid.
• 1:11:04
  Speaker 3: We're doing a demon month. Never mind. But yeah, I'm
• 1:11:07
  Speaker 3: not doing an exorcist for that one. So fuck you again.
• 1:11:10
  Speaker 1: You tell them, bro. You fucking tell every single person.
• 1:11:15
  Speaker 3: I don't want to, look, okay, I don't like The Exorcist.
• 1:11:18
  Speaker 3: I'm sorry. I don't want to do an entire episode
• 1:11:21
  Speaker 3: dissing that movie. So I was just, I'm fine.
• 1:11:24
  Speaker 1: That's fair.
• 1:11:25
  Speaker 3: It's going to be a different movie. But I also
• 1:11:27
  Speaker 3: love how I started the podcast by saying, fuck you.
• 1:11:29
  Speaker 3: And now I'm ending it. I don't mean that literally.
• 1:11:33
  Speaker 3: I'm just, I'm stupid. If you don't know that by now,
• 1:11:36
  Speaker 3: please just know I'm dumb. I'm sarcastic. And I'm dragging
• 1:11:40
  Speaker 3: this on for far too long. Uh, so there's going
• 1:11:42
  Speaker 3: to be three episodes that drop today, which is crazy.
• 1:11:45
  Speaker 3: This episode, our bonus episode of insidious out of the
• 1:11:49
  Speaker 3: further on YouTube and my director interview of bury the
• 1:11:52
  Speaker 3: devil with Adam O'Brien. So you have plenty of listening
• 1:11:55
  Speaker 3: material for August 31st. So enjoy this. And until next time,
• 1:11:59
  Speaker 3: or sorry, until later this week, I guess, if you
• 1:12:04
  Speaker 3: want to put it that way, stay tuned and stay spooky.
• 1:12:12
  Speaker 1: So so.
• 1:12:45
  Speaker 3: Thank you for listening.
• 1:12:46
  Speaker 1: To hear more shows from the Someone's Favorite Productions podcast network,
• 1:12:50
  Speaker 1: please select the link in the description.