Latest / Pink Shade: Reality TV with Mary Payne / 1077 - 60 Days In (s4e11) "Cover Blown" with Keisha

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1077 - 60 Days In (s4e11) "Cover Blown" with Keisha · Pink Shade: Reality TV with Mary Payne

• 0:17
  Speaker 1: Hey, everybody, welcome to Pink Shade. It's mug shot Monday,
• 0:21
  Speaker 1: and it is holiday week. Happy, Happy holidays. Keisha forced
• 0:27
  Speaker 1: me to wear the only Christmas T shirt I have,
• 0:31
  Speaker 1: which is so funny.
• 0:32
  Speaker 2: I love it.
• 0:33
  Speaker 1: It's nothing for you, poor, I love it.
• 0:38
  Speaker 3: Yeah, you would think that I would have that shirt
• 0:40
  Speaker 3: on and she would have on the beautiful Saint Nick's shirt, but.
• 0:43
  Speaker 1: No, no, well, this is the only one I have.
• 0:47
  Speaker 1: I've loved to Christmas pajamas, but I just don't have
• 0:49
  Speaker 1: a lot of Christmas shirts. I don't have anything that
• 0:51
  Speaker 1: says like fallow Law or Mary or ho ho or
• 0:54
  Speaker 1: any of that. Yeah, I don't have any of that.
• 0:57
  Speaker 2: I'm feel surprised that she's entertaining and I say, hey,
• 1:01
  Speaker 2: let's wear this.
• 1:03
  Speaker 1: Let's shot.
• 1:04
  Speaker 3: She's always told me want no. Once this year when
• 1:07
  Speaker 3: I said let's do something, and what was it?
• 1:09
  Speaker 1: Can you remember?
• 1:10
  Speaker 2: I can't remember what is? It was kind of dumb anyway,
• 1:12
  Speaker 2: So I didn't argue. I didn't fight back.
• 1:16
  Speaker 1: I can't.
• 1:17
  Speaker 2: Well, she may have a point here. I can't remember
• 1:19
  Speaker 2: what it was, but I just remember not fighting.
• 1:20
  Speaker 1: Back hard, like okay, yeah, you know as always your
• 1:24
  Speaker 1: you have free will you you.
• 1:26
  Speaker 2: You can do whatever you want, but no, I want
• 1:28
  Speaker 2: us to do it together.
• 1:30
  Speaker 1: I know, I know. That's yeah interesting? And is everybody
• 1:34
  Speaker 1: in your family and Christmas close today? Did you make
• 1:36
  Speaker 1: them all dressed in Christmas attire as well?
• 1:39
  Speaker 2: They do not partake in my foolishness.
• 1:41
  Speaker 1: It's just me, just me, you know, they don't.
• 1:46
  Speaker 2: I don't even try with them. I'll just do it
• 1:49
  Speaker 2: by myself.
• 1:50
  Speaker 1: Man, you posted some gorgeous pictures over the weekend. I
• 1:52
  Speaker 1: don't know where you were, but she looked really good
• 1:55
  Speaker 1: this weekend. Yeah, or maybe I mean the last few days.
• 1:58
  Speaker 1: This last time I talked to you, I said a
• 2:00
  Speaker 1: few pictures and I was like, look at Kisha. You
• 2:02
  Speaker 1: had on jeans. I went a picture and I think
• 2:04
  Speaker 1: you were at maybe a kid's birth cheese.
• 2:07
  Speaker 3: Oh, yes, that was vv's fourth birthday party. I'm like,
• 2:11
  Speaker 3: look at us, fucking chucky cheese on a Saturday going
• 2:15
  Speaker 3: into a Christmas break.
• 2:17
  Speaker 2: This should be fun. But it wasn't bad. We had
• 2:19
  Speaker 2: a really, really good time.
• 2:20
  Speaker 1: So did you play ski balls? Ski ball is my favorite.
• 2:24
  Speaker 3: I actually didn't play any games this time because we
• 2:27
  Speaker 3: had her whole other side of the family and we
• 2:29
  Speaker 3: hadn't seen each other in a while, so it was
• 2:32
  Speaker 3: like chasing kids and it just catching up. We had
• 2:34
  Speaker 3: a really really good time, I must submit it.
• 2:38
  Speaker 2: Yeah, but I didn't eat their food.
• 2:41
  Speaker 1: It's probably a good call. It's been a while since
• 2:45
  Speaker 1: I went to a Chuck e Cheese.
• 2:46
  Speaker 2: But yeah, I didn't want a chance to my stomach
• 2:48
  Speaker 2: hurrting or anything like that. I'm like, I'll just wait
• 2:50
  Speaker 2: till we leave. But no, we had a really good
• 2:52
  Speaker 2: time at Chuck e Cheese.
• 2:55
  Speaker 3: It's more fun than more people you have around to
• 2:58
  Speaker 3: handle the kids.
• 3:00
  Speaker 1: Yeah, and especially if they're a little bitty and they
• 3:02
  Speaker 1: actually you have to watch them because if they're like
• 3:04
  Speaker 1: six or seven, you just be like, I'll see you
• 3:05
  Speaker 1: in a little while, because they stamp you with stuff.
• 3:07
  Speaker 1: The kids can't leave with a stranger and you know
• 3:10
  Speaker 1: all that, well, hold on.
• 3:12
  Speaker 3: So we went to a new Chuck e Cheese and
• 3:15
  Speaker 3: they don't do that. You have to take a selfie
• 3:19
  Speaker 3: with the child that you came with and the child
• 3:22
  Speaker 3: you will be leaving with, and you have to show
• 3:24
  Speaker 3: them that same selfie when you leave in order to
• 3:27
  Speaker 3: leave with that child.
• 3:29
  Speaker 1: Just e very new, so they have a record of
• 3:31
  Speaker 1: the selfie coming in no, no, you have to keep
• 3:35
  Speaker 1: it on your phone. Yeah, I know.
• 3:39
  Speaker 2: Ja, Like, wouldn't it make more sense if we sent
• 3:42
  Speaker 2: it to them and they had that record? But no,
• 3:44
  Speaker 2: you just showed him again. Who's to say you didn't
• 3:48
  Speaker 2: take a second selfie? Girl, Let's take us thirty minute
• 3:51
  Speaker 2: to leave.
• 3:52
  Speaker 3: Because I tried to leave with Mala and I realized
• 3:55
  Speaker 3: the picture wasn't on my phone. I had to go
• 3:57
  Speaker 3: find my brother. He's like, no, it's on Victoria, So
• 3:59
  Speaker 3: I have to go find.
• 3:59
  Speaker 2: It our site. No, it's on axis phone.
• 4:02
  Speaker 1: Yeah yeah, okay, Chuck, you cheese too better. I liked
• 4:06
  Speaker 1: the I liked it when they had the code. They
• 4:08
  Speaker 1: would stamp a code on you and a code on
• 4:10
  Speaker 1: the child and they had to match. That was a
• 4:13
  Speaker 1: good idea.
• 4:15
  Speaker 3: Jase's like, I don't know if like one person had
• 4:16
  Speaker 3: an allergic reaction to the stamp and they just changed
• 4:19
  Speaker 3: the whole thing. And I'm like, yeah, who knows is that?
• 4:21
  Speaker 3: But that was too much work that and maybe that's
• 4:25
  Speaker 3: the point.
• 4:25
  Speaker 1: That's the point. If you're going to kidnapp somebody, you
• 4:27
  Speaker 1: can't really think about it.
• 4:28
  Speaker 3: The really really work hard this kid with you, so
• 4:31
  Speaker 3: you better make sure this is what you want to do?
• 4:35
  Speaker 1: Is it worth it? Probably not? All right, Well, let's
• 4:38
  Speaker 1: talk about this episode. So again we have one more
• 4:42
  Speaker 1: full episode and then we have two reunion episodes. Okay,
• 4:48
  Speaker 1: so one's a reunion ones aware of they now. So okay,
• 4:51
  Speaker 1: this is sixty days in season four, episode eleven, cover
• 4:55
  Speaker 1: Blown Girl. There's a lot to talk about here, so
• 5:01
  Speaker 1: we'll just start with Johnny and Emmanuel because now much
• 5:04
  Speaker 1: happens with the guys. But no Johnny, remember, was heated
• 5:09
  Speaker 1: last week about this Alan guy in his smart ass
• 5:12
  Speaker 1: mouth being rude to the to the lady CEO. So
• 5:15
  Speaker 1: he says, I'm still heated about the Allen situation, and
• 5:18
  Speaker 1: the talking head of manual is like, I don't even
• 5:20
  Speaker 1: know why Johnny was running in his mouth. He should
• 5:22
  Speaker 1: pick his battles. You know, Alan's all riled up now
• 5:25
  Speaker 1: saying he's gonna kill him. And you see just Alan
• 5:27
  Speaker 1: over and over like I willa sab him, IM willa
• 5:28
  Speaker 1: kill him, I'm gonna murder him. I'm like, uh.
• 5:30
  Speaker 2: Oh, yeah, I have a theory.
• 5:32
  Speaker 3: Whenever someone is like I'm gonna beat that person up,
• 5:35
  Speaker 3: I'm gonna beat that personal I'm like, so you're gonna
• 5:37
  Speaker 3: say it two hundred times before you actually do it.
• 5:40
  Speaker 3: You don't really want to do it, Otherwise you would
• 5:42
  Speaker 3: just go ahead and do it.
• 5:43
  Speaker 2: Stop talking about it.
• 5:44
  Speaker 1: Johnny doesn't really want to do it.
• 5:47
  Speaker 3: He tuta in the face, come on, but waiting, come,
• 5:53
  Speaker 3: what're talking about to me about it?
• 5:55
  Speaker 1: But so so now Johnny and a guy named Raji
• 5:59
  Speaker 1: that we haven't seen or talking about Alan, He's like, well,
• 6:02
  Speaker 1: he was just disrespectful man, and I just can't stand
• 6:04
  Speaker 1: with people are disrespectful to women. I mean, well, probably
• 6:07
  Speaker 1: a lot of guys are in there for things they
• 6:09
  Speaker 1: did to women. So of course this is interesting.
• 6:12
  Speaker 3: That maybe why Alan can't find his fiance. He may
• 6:15
  Speaker 3: have beat her up before, and that's why he says.
• 6:18
  Speaker 3: She's like, I am not accepting this call.
• 6:20
  Speaker 2: No, no, you're in prison. I'm writing this opportunity.
• 6:23
  Speaker 1: Yeah. So in the talking head, Johnny goes, it's hard
• 6:27
  Speaker 1: for me to let it go because I want to
• 6:28
  Speaker 1: beat his ass, you know, and I can fight him,
• 6:31
  Speaker 1: but I don't want to have to break the law
• 6:33
  Speaker 1: while I'm in here. I want him to take a
• 6:35
  Speaker 1: swing at me, so then I'll have a reason. He goes,
• 6:38
  Speaker 1: but this is my gangster mentality. It's hard for me
• 6:40
  Speaker 1: to you know, break that out of that in my brain.
• 6:43
  Speaker 1: And then we see Alan saying some disgusting stuff to
• 6:46
  Speaker 1: the female CEO about her P word, and then that's
• 6:49
  Speaker 1: where we end with him. That's it, I.
• 6:51
  Speaker 2: Mean, what better way to end. They're talking about it ethel.
• 6:55
  Speaker 1: I mean, yeah, it's pretty good because this episode was
• 6:59
  Speaker 1: so chocked full and we just got a little bit
• 7:01
  Speaker 1: of the guys. But the women is where it's at
• 7:04
  Speaker 1: in this, In.
• 7:05
  Speaker 3: This uh Jesus Lord, yes, yes, yeah, you're right the
• 7:09
  Speaker 3: whole season. I mean, shit really goes on in the
• 7:12
  Speaker 3: women's Yeah, I'd be interested to know from Kimberly or
• 7:16
  Speaker 3: people who have watched other seasons if that's.
• 7:19
  Speaker 1: The way it always is, if it's I don't know.
• 7:22
  Speaker 2: But Kimberly sent us a text message she did what
• 7:26
  Speaker 2: did it say?
• 7:27
  Speaker 3: And she said that I said, oh, yes, oh yes,
• 7:32
  Speaker 3: she did.
• 7:33
  Speaker 2: Yes, she didn't recall this at all.
• 7:35
  Speaker 3: She said that I said that when Matt was cleaned up,
• 7:39
  Speaker 3: what I would give him my number or would not
• 7:41
  Speaker 3: them or something like that.
• 7:43
  Speaker 1: It was at the beginning. She went back and was
• 7:45
  Speaker 1: listening to the episodes again. Okay, because she's enjoying it
• 7:49
  Speaker 1: so much, And she said that you said, I'd give
• 7:52
  Speaker 1: him a wink, that's what you said.
• 7:55
  Speaker 2: I don't believe it. She would have to receipt prove
• 7:59
  Speaker 2: him lying screen shots. Yeah, yeah, I don't believe I
• 8:03
  Speaker 2: said that.
• 8:04
  Speaker 3: I cannot believe I said that.
• 8:08
  Speaker 1: She went back and was because she was listening as
• 8:10
  Speaker 1: we were going, but she hadn't watched the season in
• 8:13
  Speaker 1: so long. Then she went back and started watching the
• 8:15
  Speaker 1: season again and then re listening to our episode. She's
• 8:18
  Speaker 1: really loving it. She's really loved Yeah, thank you, Kimberly,
• 8:21
  Speaker 1: Thank you, Kimberly. So now we go over to Nate,
• 8:26
  Speaker 1: Allen and Andrew in the five hundred and Alan says
• 8:29
  Speaker 1: he's thinking about possibly buying some meth because he thinks
• 8:32
  Speaker 1: he can get O'Neill to sell it to him. So
• 8:35
  Speaker 1: he calls O'Neal into his cell and he's like, can
• 8:38
  Speaker 1: you help me out? Can you help me like get
• 8:39
  Speaker 1: a bump? And I wonder if Allan even knows like
• 8:41
  Speaker 1: the lingo.
• 8:43
  Speaker 3: Yeah, I think he's paid attention enough, Yeah that he
• 8:47
  Speaker 3: does know. And I think Pancho taught him a little
• 8:52
  Speaker 3: bit about the lingo.
• 8:53
  Speaker 1: Yeah, yeah, yeah, that's true.
• 8:55
  Speaker 3: Yeah, Allan ain't been right since Pancho left night no,
• 9:01
  Speaker 3: and and Neil says, well, right now, they're out.
• 9:03
  Speaker 1: They ran out. They ran out of meth at the
• 9:06
  Speaker 1: meth factory. They're out, and he goes, well, when could
• 9:09
  Speaker 1: you get some more? And he's like, well, it could
• 9:10
  Speaker 1: take a couple of days. So Alan is like really
• 9:13
  Speaker 1: eager because he knows his tie his clock is running down.
• 9:15
  Speaker 1: He wants to be able to do this, and he
• 9:17
  Speaker 1: tells him it's ten dollars for two lines. But he's like,
• 9:21
  Speaker 1: but it's really good. It's like really good stuff, and
• 9:24
  Speaker 1: Alan's like, okay, okay. So Alan says he wants to
• 9:28
  Speaker 1: be able to present the meth to Colonel Aguer to
• 9:31
  Speaker 1: be like, look what I got, boom and drop it
• 9:34
  Speaker 1: in front of him and say I got it in
• 9:35
  Speaker 1: the dorm like easily. And I think this will be
• 9:38
  Speaker 1: a great way to open some eyes. And then we
• 9:41
  Speaker 1: get another sea where O'Neal approaches him and tells him
• 9:43
  Speaker 1: the meth is coming on Friday. Now are they all
• 9:46
  Speaker 1: going to have to leave on Thursday?
• 9:47
  Speaker 3: I don't know, well, and I'm kind of wondering, you know,
• 9:52
  Speaker 3: my sick kid. Yeah, I'm thinking Alan's gonna go in
• 9:56
  Speaker 3: there for his final interview, and he's like, let me
• 9:58
  Speaker 3: grab something from in between a book cheeks and it's
• 10:00
  Speaker 3: the myth.
• 10:03
  Speaker 1: Okay, my mine did not go there, but where my mind,
• 10:06
  Speaker 1: where'd you go? My mind went that O'Neil would be like, okay,
• 10:08
  Speaker 1: now let me see you do it to like prove
• 10:13
  Speaker 1: you're not trying to sinch. Oh boy, that's my thought.
• 10:19
  Speaker 2: I don't think. So I don't know. I don't know,
• 10:23
  Speaker 2: because sometimes.
• 10:24
  Speaker 1: That's what they do, you know, they're like, Okay, if
• 10:26
  Speaker 1: to prove you're not undercover, you have to do this
• 10:28
  Speaker 1: or whatever.
• 10:30
  Speaker 2: Oh that would suck.
• 10:31
  Speaker 3: Yeah, and we're Alan doesn't need anything else to drain
• 10:34
  Speaker 3: the coloring of his skin right now, and he he
• 10:38
  Speaker 3: may actually die f the bump.
• 10:41
  Speaker 2: Yeah, his nerves are fraid. His nerves are a frayed.
• 10:44
  Speaker 1: So O'Neill tells him the meth is coming Friday. Okay,
• 10:47
  Speaker 1: So I don't know. We'll have to kind of pay
• 10:48
  Speaker 1: attention now to the dates because maybe they're going to
• 10:50
  Speaker 1: get let out on Thursday. So all right, and o'deill's
• 10:53
  Speaker 1: gonna be left with some myth. Okay, he'll figure out.
• 10:56
  Speaker 3: What to do with it because he's the myth guy,
• 10:58
  Speaker 3: the chip guy, the gambling guy.
• 11:00
  Speaker 2: Gambling guy is the person to know in this pot.
• 11:04
  Speaker 1: Yes, all right, Now we go over to Nate, and
• 11:07
  Speaker 1: Nate says Desmond, who's very close with has been his
• 11:10
  Speaker 1: cellmate for over three and a half months, so they've
• 11:12
  Speaker 1: really been together a long time.
• 11:14
  Speaker 3: Yeah, and there, I say, they're seemed to be. But
• 11:17
  Speaker 3: I mean, besides the whole undercover lie, pretty good.
• 11:20
  Speaker 2: Friends, I think.
• 11:21
  Speaker 1: And then you know, I think Nate was disappointed in
• 11:23
  Speaker 1: Desmond for the smoke of the pot, but otherwise, yeah,
• 11:27
  Speaker 1: it wasn't myth, it wasn't meth so little blessings. So
• 11:33
  Speaker 1: he they're talking, and you know, Nate's like, I've been
• 11:37
  Speaker 1: in here a really long time. Like I'm really ready
• 11:39
  Speaker 1: to go home. I'm really ready to live a real life.
• 11:42
  Speaker 1: And it feels awful to lie to Desmond because I
• 11:45
  Speaker 1: didn't expect I'd make such a strong bond in here
• 11:47
  Speaker 1: with somebody. But our friendship is really sincere. And we
• 11:51
  Speaker 1: see them kind of talking, you know, it's very sweet
• 11:55
  Speaker 1: and Desmond, he says, Desmond, what's the first thing you
• 11:58
  Speaker 1: want to do when you get out in Desmond says,
• 11:59
  Speaker 1: the first thing I'm going to do is I want
• 12:01
  Speaker 1: to go back to school. I want to go right
• 12:02
  Speaker 1: back to school. And Nate says, the first thing I'm
• 12:05
  Speaker 1: going to do is get a job. And do you
• 12:07
  Speaker 1: think anybody would hire me? And they're having like real conversation.
• 12:10
  Speaker 1: It was cute.
• 12:11
  Speaker 2: It was cute. Would you hire me if I came
• 12:13
  Speaker 2: in and was like, of course I.
• 12:15
  Speaker 1: Would, you know, yeah, because they know that, they all
• 12:18
  Speaker 1: know Date's such a good guy. So Nate says, you know,
• 12:22
  Speaker 1: I worry that Desmond will think that we weren't real friends.
• 12:25
  Speaker 1: I'm worried he'll see this and wonder if I was
• 12:27
  Speaker 1: you using him. But we are real friends. It's very sweet.
• 12:31
  Speaker 2: It's sat at the same time, you know, yeah.
• 12:33
  Speaker 1: Because you do have to trick somebody, which leads us
• 12:36
  Speaker 1: to the two people left in the iPod, which is
• 12:39
  Speaker 1: Stephanie and Angelai. I am this was too much. I
• 12:44
  Speaker 1: am stunned at Angelai. The further out she gets from it,
• 12:47
  Speaker 1: the more she's not realizing what she's done. No remorse.
• 12:53
  Speaker 2: She was like Teresa Judas, okay with it's not my fault.
• 12:58
  Speaker 2: It's not my fault.
• 12:59
  Speaker 3: It's like, yes, it is your fault, like refuses to
• 13:02
  Speaker 3: take accountability.
• 13:03
  Speaker 2: Just where's blinders? All the time? It's everyone else's fault
• 13:08
  Speaker 2: y'all didn't do it, Looie didn't do it. Yes they did. Yeah,
• 13:12
  Speaker 2: they did. Open up your eyes.
• 13:14
  Speaker 3: And it's so funny how when we first started and
• 13:17
  Speaker 3: we were just seeing, like the previews were like, oh,
• 13:20
  Speaker 3: aunt Julie's going to be the person that they have
• 13:22
  Speaker 3: to like kick out, and then we switched up yeap
• 13:25
  Speaker 3: and said it was Stephanie.
• 13:27
  Speaker 2: And now here we go full circle.
• 13:31
  Speaker 4: Mm hmmm.
• 13:32
  Speaker 1: So we open where we left off with her where
• 13:34
  Speaker 1: the production is saying like, how does it feel, you know,
• 13:37
  Speaker 1: to be in a relationship with somebody you have to
• 13:39
  Speaker 1: keep this big secret? And she doesn't know you're undercover,
• 13:42
  Speaker 1: and she goes, how do you know she doesn't know?
• 13:45
  Speaker 1: And she goes, I'm just kidding. Maybe I'm not. No,
• 13:47
  Speaker 1: I'm just kidding. Am I kidding? And she kind of
• 13:50
  Speaker 1: does that back and forth, and then she tells the producer.
• 13:53
  Speaker 1: She goes, you know, Gabby and I talk and we
• 13:57
  Speaker 1: told each other our deepest, darkest secrets. I was like,
• 13:59
  Speaker 1: are you twelve?
• 14:00
  Speaker 2: And at summer camp?
• 14:01
  Speaker 1: What are you talking about?
• 14:03
  Speaker 2: Sounded like it's and I still like she could have
• 14:05
  Speaker 2: had so many other secrets that she could have told her, Yes,
• 14:09
  Speaker 2: other than this. Yeah, you never trust your prison girlfriend.
• 14:14
  Speaker 1: I mean. Oh, so she says, Gabrielle told me her
• 14:18
  Speaker 1: two deepest dark at secrets. So I felt like I
• 14:21
  Speaker 1: had to tell her, like, yo, I'm here undercover. I'm
• 14:24
  Speaker 1: an undercover inmate. And producer goes, so you do understand
• 14:30
  Speaker 1: how serious this is? She's like is. She kind of nods,
• 14:34
  Speaker 1: and the producer says, you may trust Gabrielle, but you know,
• 14:39
  Speaker 1: people get out and feelings change, and she goes maybe
• 14:43
  Speaker 1: she laughs. She goes, but I know she's not going
• 14:45
  Speaker 1: to do it. I know how close and intimate we are.
• 14:46
  Speaker 1: I know she wouldn't tell you know. All she knows
• 14:49
  Speaker 1: is I'm an undercover inmate. I'm there to expose some
• 14:52
  Speaker 1: grimy shit that goes on the facilities.
• 14:54
  Speaker 2: That's it.
• 14:54
  Speaker 1: She thinks, I'm the only one that's it.
• 14:57
  Speaker 3: Oh, she like, at this fall, she needs to tell
• 15:01
  Speaker 3: us what Gabby's the dark secrets?
• 15:04
  Speaker 1: We want to know. Yeah, so the producer says, but
• 15:07
  Speaker 1: why did you have to tell her? And she goes, well,
• 15:10
  Speaker 1: I knew I was falling in love with her, and
• 15:12
  Speaker 1: I knew she would fall in love with me, and
• 15:14
  Speaker 1: I didn't want to break her heart when this aired.
• 15:18
  Speaker 3: Okay, every time she said how in love they are,
• 15:23
  Speaker 3: it's crazy.
• 15:25
  Speaker 2: No, girl, you're just her prison cookie. You're doing you're doing,
• 15:29
  Speaker 2: You're making her feel good. That's it.
• 15:32
  Speaker 3: She does not care about you at all. And when
• 15:35
  Speaker 3: you leave, she'll just go right to the next chick.
• 15:37
  Speaker 2: I have no.
• 15:38
  Speaker 3: Doubt that Gabby will have another girlfriend within a week.
• 15:42
  Speaker 1: I agree, I agree.
• 15:44
  Speaker 2: So the producer says, so.
• 15:47
  Speaker 1: We're still in there with us, the production and Stephanie
• 15:51
  Speaker 1: is still in there, and so that's dangerous. So I'm
• 15:55
  Speaker 1: gonna have to go talk to the people. And then
• 15:58
  Speaker 1: she goes, am I gonna get kicked out? And he goes, yeah,
• 16:00
  Speaker 1: I don't know, and he says, but I don't think
• 16:03
  Speaker 1: you understand the risk right now. So yeah, yeah, to
• 16:07
  Speaker 1: be safe. This is a scary spot, so be safe.
• 16:09
  Speaker 1: So she goes back out into the population. So in
• 16:14
  Speaker 1: the black screen of death to avoid raising suspicion, Angela's
• 16:17
  Speaker 1: returned to the pod while Producer's consult with Colonel.
• 16:20
  Speaker 3: Ager and he was not playing with this girl at
• 16:24
  Speaker 3: all like she is pretending like she just told her.
• 16:31
  Speaker 2: Friend who her other friend is dating, like to that level.
• 16:35
  Speaker 2: She just it's just.
• 16:37
  Speaker 1: Like And then when she came in and was talking
• 16:39
  Speaker 1: to them, Colonel Adu, when they come in just a minute,
• 16:41
  Speaker 1: she was high a little bit Mary Vayne.
• 16:45
  Speaker 4: She was.
• 16:46
  Speaker 3: She's she's high off of whoop it, whip it whatever
• 16:49
  Speaker 3: it is.
• 16:50
  Speaker 4: Huh.
• 16:51
  Speaker 3: And she's probably half Ethel because she loves the Ethel. Okay,
• 16:56
  Speaker 3: she was filling real good when she went in there
• 16:58
  Speaker 3: to have that talk.
• 16:59
  Speaker 1: Okay, So Angelai goes back into the pod area and
• 17:05
  Speaker 1: waves Stephanie out of her room. So she smiles and
• 17:08
  Speaker 1: she tells Stephanie, oh, I did something really dumb. I
• 17:11
  Speaker 1: did something really dumb.
• 17:13
  Speaker 2: Yeah.
• 17:13
  Speaker 1: Yeah, So I told Gabby I'm undercover, and Stephanie, you
• 17:16
  Speaker 1: see her just like put her head down and she
• 17:18
  Speaker 1: goes but I told her it's just me.
• 17:19
  Speaker 2: It's just me.
• 17:20
  Speaker 1: I told her it's just me, and Sephanie leans against
• 17:22
  Speaker 1: the wall and it was like, are you kidding?
• 17:25
  Speaker 2: Yeah?
• 17:25
  Speaker 3: Yeah, she felt like she had been busted right there.
• 17:29
  Speaker 3: Like the color her melanin started to just go down
• 17:32
  Speaker 3: a little bit more like talk like she's scared.
• 17:36
  Speaker 1: She's scared. Because it's true. There's really no other reason
• 17:39
  Speaker 1: that Stephanie and Angelai would be friends.
• 17:41
  Speaker 2: She'd be talking and they have been, and they talk
• 17:43
  Speaker 2: all the time.
• 17:44
  Speaker 1: Was it exactly yep, so the talking had Stephanie says,
• 17:49
  Speaker 1: why would she do that? I can't think of any
• 17:52
  Speaker 1: other word that's worse than stupid, Like why would she
• 17:56
  Speaker 1: trust any inmate? Now I'm worried about people suspecting I'm
• 18:00
  Speaker 1: a plant because she and I walk together and we
• 18:02
  Speaker 1: talk together. People are not stupid. She's putting everybody at
• 18:06
  Speaker 1: risk who's working on this program. She has failed as
• 18:09
  Speaker 1: a participant, and I'm sure Gabby is now going to
• 18:13
  Speaker 1: suspect me. So I got to stir things in a
• 18:15
  Speaker 1: different direction.
• 18:17
  Speaker 2: Yeah.
• 18:17
  Speaker 3: So now all of a sudden, Jacqueline's gone Big Swol
• 18:20
  Speaker 3: seems to be.
• 18:20
  Speaker 2: I feel like if big Swall were.
• 18:22
  Speaker 3: Still here, this would have never happened. But she's coming
• 18:26
  Speaker 3: back to her census. I don't know, just big swallow.
• 18:28
  Speaker 3: She would have threatened to beat somebody up or spit
• 18:30
  Speaker 3: on them or some shit like that, But she has
• 18:33
  Speaker 3: come back to her census like she's she's done.
• 18:37
  Speaker 2: She's Stephanie's completely done.
• 18:39
  Speaker 1: Well down, she's like, oh my god. So she calls Matthew,
• 18:43
  Speaker 1: her boyfriend, and goes, something's going on here. It's big,
• 18:45
  Speaker 1: and he's like, what is it. She's like, just no,
• 18:47
  Speaker 1: it's a very big deal. Like my heart's raising. I
• 18:49
  Speaker 1: can't get way out of here. So she can't tell
• 18:51
  Speaker 1: him what it is. And I'm like, you're just calling
• 18:53
  Speaker 1: to make it in panic even more.
• 18:55
  Speaker 2: Yeah.
• 18:56
  Speaker 1: So now we see Angela pull Gabby over and talk
• 19:00
  Speaker 1: to her, and so Gabby like crouches down like she's crying, like.
• 19:06
  Speaker 2: What's wrong with you?
• 19:07
  Speaker 1: Why'd you tell production that you told me? Why?
• 19:09
  Speaker 4: You know?
• 19:10
  Speaker 2: There was just no reason for her to tell. She
• 19:12
  Speaker 2: could have waited until she was done.
• 19:15
  Speaker 3: If their love is so real, right, if it's is
• 19:18
  Speaker 3: Beyonce jay Z loving like she's acting like it is,
• 19:21
  Speaker 3: she could have just told her when she got out, Yeah,
• 19:24
  Speaker 3: doing a phone call or something like that. Even though
• 19:27
  Speaker 3: Gabby's not got to call for anything but commissary why
• 19:30
  Speaker 3: she leads?
• 19:31
  Speaker 2: But just it just made no sense at all.
• 19:33
  Speaker 3: This is I feel like Angelae is someone that like
• 19:37
  Speaker 3: was never popular, like craved love all the time.
• 19:41
  Speaker 2: Because how can you trust this person so quickly? Yeah,
• 19:45
  Speaker 2: I don't get it.
• 19:46
  Speaker 1: It's just the hormones. I think it was just like
• 19:49
  Speaker 1: her hormones got the best Horny.
• 19:51
  Speaker 3: Yeah, my hormones have never got the best of me
• 19:54
  Speaker 3: like that Mary Kane.
• 19:55
  Speaker 1: Ever, not to put myself in danger probably now exactly.
• 20:02
  Speaker 2: No.
• 20:03
  Speaker 1: So we see Stephanie. She's crying because she's worried black
• 20:06
  Speaker 1: screen to death. The production the producers are meeting with
• 20:09
  Speaker 1: Colonel Adger to inform him that Angela revealed her undercover
• 20:13
  Speaker 1: status to an inmate. So we see the production they're
• 20:16
  Speaker 1: telling Colonel Ajer and they said she blew her cover
• 20:19
  Speaker 1: on purpose because she's in love.
• 20:22
  Speaker 2: It's so stupid.
• 20:23
  Speaker 1: And the colonel goes, you know, people frequently come to
• 20:26
  Speaker 1: jail and find what they were missing in the real world,
• 20:29
  Speaker 1: and that's what's happened here with Angelai. And the producer goes, well,
• 20:32
  Speaker 1: as far as I know, she didn't mention the name
• 20:34
  Speaker 1: of the show, just that she's gathering information for the facility.
• 20:38
  Speaker 1: And the colonel goes, there's no way we can leave
• 20:40
  Speaker 1: her in here. There's no way she's going to have
• 20:41
  Speaker 1: to leave.
• 20:42
  Speaker 2: And the mentioning of the show doesn't matter.
• 20:45
  Speaker 1: It doesn't matter what show it is.
• 20:46
  Speaker 3: Yeah, and it kept coming up. It's like, no, it
• 20:50
  Speaker 3: doesn't matter what show it is. The that's not the threat.
• 20:54
  Speaker 3: The threat is you're undercover in a prison. Yeah, and hey,
• 20:58
  Speaker 3: you're going to be telling yeah, tell everybody everything.
• 21:01
  Speaker 1: Yeah. So the Black Skin of Death tells us that
• 21:05
  Speaker 1: the men's jail is twenty miles from the women's jail,
• 21:08
  Speaker 1: which we had were wondered about. Right, and so far
• 21:12
  Speaker 1: there's no evidence that Mail andmates have found out about
• 21:15
  Speaker 1: the program. Now, this begged a question to me, and
• 21:20
  Speaker 1: I was like, we started talking beforehands, like, let's talk
• 21:22
  Speaker 1: about it on the show, because how do you think
• 21:23
  Speaker 1: this would happen? So it's just sort of like, okay,
• 21:27
  Speaker 1: let's think of a good example of who what's her name?
• 21:30
  Speaker 1: The dummy that wrote the book and Keith Keith and Leticia, Oh, Leticia, Okay,
• 21:35
  Speaker 1: So there, let's just say they're in two different prisons,
• 21:37
  Speaker 1: but they talk all the time. So that would be
• 21:40
  Speaker 1: a way that Leticia could call her man, her man,
• 21:42
  Speaker 1: her man, and she could be like, oh, you wouldn't
• 21:44
  Speaker 1: believe it. There's this bitch in here that was undercover. Right,
• 21:47
  Speaker 1: So yeah, that's the way another prison would find out
• 21:50
  Speaker 1: I guess if right.
• 21:52
  Speaker 2: Yeah, I don't.
• 21:52
  Speaker 3: I don't think that they can talk to each other directly.
• 21:55
  Speaker 3: I think they have to call someone on the outside.
• 21:58
  Speaker 3: That person does a three week and then they can talk.
• 22:02
  Speaker 2: So this is really can happen.
• 22:04
  Speaker 3: Like I don't think they're like, you know, being dramatic
• 22:08
  Speaker 3: about it. Yeah, these people talk, you know, or it.
• 22:12
  Speaker 1: Could be my sister's in the prison, and also like
• 22:15
  Speaker 1: my boyfriend's in this prison and I talked to one
• 22:18
  Speaker 1: that I told the other and it can just spread
• 22:20
  Speaker 1: like so fast.
• 22:21
  Speaker 2: Yeah, these motherfuckers are always on the phone. So yeah,
• 22:26
  Speaker 2: this is I didn't realize how dangerous it was until.
• 22:30
  Speaker 1: Yeah, this moment. Well you thinking like O'Neil's gonna kill Alan,
• 22:34
  Speaker 1: kill him, you know. So so then we see production
• 22:39
  Speaker 1: going into Angela's room and pulling her out, and like,
• 22:41
  Speaker 1: angel let's pull you for an interview. And so she
• 22:44
  Speaker 1: goes in and goes around the corner and there's the
• 22:46
  Speaker 1: colonel and the lieutenant colonel, Lieutenant Colonel Beasley. She cannot
• 22:49
  Speaker 1: contain her smirk, her laughter. She's like these She's just
• 22:53
  Speaker 1: say idiots.
• 22:53
  Speaker 2: Yeah, she's a person you never want to sit next
• 22:56
  Speaker 2: to her doing a serious situation. She's to have you crack
• 23:00
  Speaker 2: it up off to the side.
• 23:02
  Speaker 1: She can't.
• 23:03
  Speaker 3: She cannot stop giggling because they're so fucking this is
• 23:07
  Speaker 3: real stupid.
• 23:08
  Speaker 1: She's like, who cast this season? These are the stupid
• 23:11
  Speaker 1: at Batch. Yeah, so they're smiling. She comes in, she's smiling.
• 23:16
  Speaker 1: They're like, hey girl. She's like, what's up, and they go,
• 23:20
  Speaker 1: you know why you're here? And she goes, yeah, and
• 23:23
  Speaker 1: he says, look, you cannot be in a relationship with
• 23:26
  Speaker 1: an inmate, even if it's consensual. You're like an employee
• 23:30
  Speaker 1: of the Sheriff's department. You cannot get into a relationship.
• 23:34
  Speaker 1: And the lieutenant Colonel Beasley says, all right, so how
• 23:37
  Speaker 1: did you put it out there to her? How did
• 23:38
  Speaker 1: you tell her? And she goes, I just told her
• 23:41
  Speaker 1: to look, yo, I have something to tell you, and
• 23:43
  Speaker 1: I don't want you to feel betrayed by me. I'm
• 23:45
  Speaker 1: working as an undercover for the warden to expose shit
• 23:49
  Speaker 1: going on inside the facility. And the colonel just looks
• 23:52
  Speaker 1: at her and she's smiling. Can I think she's had
• 23:54
  Speaker 1: a little something something before she went on there? She
• 23:56
  Speaker 1: doesn't look like I.
• 23:57
  Speaker 3: Think she's exceptionally immature. As well as the episodes were
• 24:02
  Speaker 3: going on and on and on, like there's a certain
• 24:04
  Speaker 3: level of immaturity about her that I'm starting to pick
• 24:08
  Speaker 3: up on.
• 24:09
  Speaker 1: Yeah, because you think about compared to Jacqueline, who was
• 24:11
  Speaker 1: like so hyper serious immature.
• 24:13
  Speaker 3: Yes, yes, so, the colonel says, Stephanie is just according
• 24:18
  Speaker 3: to how our hair is that day. She's just according
• 24:21
  Speaker 3: to who's gonna give her a feed her up or
• 24:25
  Speaker 3: just yeah, you just never know.
• 24:26
  Speaker 2: She just kind of goes whichever the way the wind blows.
• 24:30
  Speaker 1: So the colonel says, I don't think you understand the
• 24:32
  Speaker 1: consequences your actions have put everyone in danger, and she's
• 24:36
  Speaker 1: just like smile, yeah, yeah, he says, So what I'm
• 24:39
  Speaker 1: going to tell you now is we're going to end
• 24:41
  Speaker 1: your participation and you're done as of right now. And
• 24:44
  Speaker 1: she goes okay and lieutender Carl goes, do you have
• 24:48
  Speaker 1: any regrets? And she goes, sure don't, sure don't, and
• 24:53
  Speaker 1: he goes, okay. They're trying so hard to give her away,
• 24:56
  Speaker 1: like say she's sorry, and he says, did they ain't
• 24:58
  Speaker 1: said the right thing yet she can't. Nothing has struck
• 25:02
  Speaker 1: And he says, did it occur to you about the
• 25:04
  Speaker 1: safety of the other participants or the production crew. Did
• 25:08
  Speaker 1: that occur to you anytime? She says, do I feel
• 25:11
  Speaker 1: like I jeopardize them? No, because they're in this jail
• 25:15
  Speaker 1: film in this shows they jeopardize themselves anyway.
• 25:18
  Speaker 2: She's just it's not clicking.
• 25:20
  Speaker 3: It did not sink in it until he told her
• 25:24
  Speaker 3: she couldn't go back to that cell.
• 25:26
  Speaker 1: That's right, that hole. I won't get to say bye now.
• 25:30
  Speaker 2: Yeah.
• 25:30
  Speaker 3: No, that's when her face with cold. It just when
• 25:34
  Speaker 3: stone faces were like, oh you ain't gonna get the
• 25:37
  Speaker 3: kiss that elpham before you go.
• 25:39
  Speaker 2: So yeah, she got real right.
• 25:41
  Speaker 1: Then and there he says, I have never told anyone.
• 25:45
  Speaker 1: It's all right to tell one person you're undercover, just
• 25:48
  Speaker 1: don't tell everybody like if you're in it's all the way,
• 25:52
  Speaker 1: you can't do that. Yeah, and she goes, well, to
• 25:54
  Speaker 1: be clear, Gabby doesn't know this is sixty days in.
• 25:56
  Speaker 1: She thinks I'm working for the warden and I never
• 25:58
  Speaker 1: in mentioned anything about Stephanie. She's got no clue about Stephanie.
• 26:03
  Speaker 1: And the colonel looks at and goes, you need to
• 26:05
  Speaker 1: ask yourself, why did I blow this? Not only did
• 26:08
  Speaker 1: you go full blown inmate, but you seem to have
• 26:11
  Speaker 1: said at some point forget what this is about.
• 26:13
  Speaker 3: I'm gonna do what I'm gonna do. Yeah, Gloriayale got there.
• 26:17
  Speaker 3: She just was like, I'm in love. I'm a native,
• 26:21
  Speaker 3: I'm a native. I'm one of them, you know what
• 26:23
  Speaker 3: I mean. And they let her get away with a
• 26:25
  Speaker 3: lot of shit. Yeah, you're like, okay, okay, yes, we're
• 26:28
  Speaker 3: gonna Okay, she's over there underneath the blanket with this girl. Okay,
• 26:32
  Speaker 3: she's doing a little bit of drugs. Okay, she beats
• 26:35
  Speaker 3: somebody up, but she had to do this. And it
• 26:39
  Speaker 3: just still makes no sense, no way that you put it.
• 26:42
  Speaker 2: Does it make sense at all?
• 26:43
  Speaker 1: No, And she's still and she just what it makes
• 26:46
  Speaker 1: less sense is her reaction to me. It's not that
• 26:49
  Speaker 1: I like to look back and be like, oh my god,
• 26:51
  Speaker 1: I was like all pee whipped and why did I
• 26:53
  Speaker 1: do that?
• 26:54
  Speaker 2: She just because that's what That's what she was.
• 26:56
  Speaker 4: Yeah.
• 26:56
  Speaker 1: Yeah, So she says, well, what Gabrielle and I have
• 27:01
  Speaker 1: is real, and then when we end up together, it'll
• 27:03
  Speaker 1: be worth it, worth it. The experience has been beautiful.
• 27:07
  Speaker 1: And the colonel I think they could tell she's on something.
• 27:09
  Speaker 1: The colonel goes, so you're moving to Atlanta and she
• 27:15
  Speaker 1: goes to no, I mean she'll move, but like, if
• 27:18
  Speaker 1: she can't move, then I could possibly move to Atlanta.
• 27:21
  Speaker 1: So now she's like now she's like, oh, we don't
• 27:24
  Speaker 1: live in the same reality.
• 27:26
  Speaker 3: Yeah, and I can tell you this after this episode.
• 27:29
  Speaker 2: I had to look her up on Instagram.
• 27:31
  Speaker 1: Okay, don't tell me. I mean you could tell me,
• 27:35
  Speaker 1: but tell you, but tell me when.
• 27:37
  Speaker 2: There's nothing to tell.
• 27:39
  Speaker 3: Okay, all right, none of her dreams came true.
• 27:45
  Speaker 1: So he tells her, Okay, so you're being released to
• 27:48
  Speaker 1: the production crew and she goes, oh, so not to
• 27:52
  Speaker 1: the Sheriff's department and he goes, no, you're being released
• 27:55
  Speaker 1: to the production crew. You're not going back to the jail.
• 27:57
  Speaker 1: It's over. And she's like, so she thought she was
• 28:01
  Speaker 1: going to get to go back to her room and
• 28:03
  Speaker 1: then they were gonna call her name and she was
• 28:05
  Speaker 1: gonna bring her a little cat.
• 28:06
  Speaker 3: But no, she thought she had one more chance to
• 28:09
  Speaker 3: have one more whippet party before she left.
• 28:12
  Speaker 2: No, no, no, no, bitch, you got to go right now. Bye.
• 28:15
  Speaker 2: They didn't even let her change clothes.
• 28:17
  Speaker 1: No, They're like, we don't care if you stink, you're
• 28:19
  Speaker 1: gonna wear those shower shoes and come right on. So
• 28:23
  Speaker 1: all right, I'm talking to her. The colonel goes, this
• 28:25
  Speaker 1: is unprecedented for the program. I puts all the participants
• 28:28
  Speaker 1: at risk. So Angelae will be taken to a hotel
• 28:32
  Speaker 1: room where she will not be allowed phone calls and
• 28:35
  Speaker 1: her activities will be monitored. Shit, it's not even a
• 28:38
  Speaker 1: nice hotel. It's like a holiday and express.
• 28:41
  Speaker 2: I mean it was not the best.
• 28:44
  Speaker 3: I mean, and you have to go two more weeks
• 28:46
  Speaker 3: and you cannot talk to anything.
• 28:49
  Speaker 1: No no computer, no phone. It's going to be just
• 28:52
  Speaker 1: TV and books and that's it.
• 28:55
  Speaker 2: I would die.
• 28:58
  Speaker 3: Okay, okay, wait. The first two days, I'm like, okay,
• 29:01
  Speaker 3: this is kind of cool. Yeah, but after that third day.
• 29:06
  Speaker 2: It would bother me.
• 29:07
  Speaker 1: It's like a lot of the people to go on
• 29:10
  Speaker 1: reality shows and they sequestered them for a week ahead
• 29:14
  Speaker 1: and Love's Blind and things like that, and they have
• 29:15
  Speaker 1: to sit in a hotel room, no phone, no nothing,
• 29:18
  Speaker 1: know nothing for a week or so and then you're
• 29:21
  Speaker 1: just like the only person you can talk to was
• 29:23
  Speaker 1: the preucture crew who were standing in the hallway so
• 29:25
  Speaker 1: that you can't leave your room.
• 29:27
  Speaker 2: Yeah.
• 29:27
  Speaker 3: I would be like, okay, So I can't make phone calls,
• 29:30
  Speaker 3: I can't get on a computer.
• 29:31
  Speaker 2: Kill y'all. Please at least door dash me some whippets.
• 29:38
  Speaker 1: Side, Please you have some taffy? Do you have some
• 29:42
  Speaker 1: Hawaiian Uh?
• 29:44
  Speaker 2: What's the word?
• 29:44
  Speaker 1: I look for Hawaiian punch. I was trying to say traffic,
• 29:47
  Speaker 1: but that's.
• 29:47
  Speaker 2: Nothing we need.
• 29:49
  Speaker 1: I need drugs to get I'll take some hand sanitizer
• 29:52
  Speaker 1: or anything. Yes, yes, And our talking head says, you know,
• 29:56
  Speaker 1: I found love in a dark place, and I'll I'll
• 30:00
  Speaker 1: all be worth it if I can have Gabrielle and
• 30:02
  Speaker 1: not lose her. And I knew when I made that
• 30:05
  Speaker 1: decision there was no turning back. But I trust her,
• 30:08
  Speaker 1: and I do not feel like it's the program at risk.
• 30:10
  Speaker 1: I mean, I don't know about Stephanie. I'm not worried
• 30:13
  Speaker 1: about Stephanie. Honestly, I just genuinely trust Gabrielle.
• 30:18
  Speaker 2: Okay, okay.
• 30:19
  Speaker 1: Next scene, then we see Gabrielle and they're showing all
• 30:23
  Speaker 1: the inmates walking. If we see Gabrielle like looking around,
• 30:25
  Speaker 1: she says, where the fuck is my baby? What did
• 30:27
  Speaker 1: they do to her? So we see her in the
• 30:32
  Speaker 1: Angelie talking to production and she's sitting and there showing
• 30:35
  Speaker 1: her contract and they say, so, you know you're in violation,
• 30:38
  Speaker 1: breaching your contract, and if you just stay sequestered with
• 30:42
  Speaker 1: no contact with your friends or family for the next
• 30:45
  Speaker 1: two and a half weeks, then you can cure the breach.
• 30:48
  Speaker 1: I guess that means she'll get paid.
• 30:49
  Speaker 2: Get paid.
• 30:50
  Speaker 1: Yeah, she goes, oh, okay, I just have to stay
• 30:53
  Speaker 1: in the hotel room two and a half weeks, don't
• 30:55
  Speaker 1: speak to can't call my mom. And they're like, yeah,
• 30:58
  Speaker 1: we're going to be monitoring, you know, computer, no phone notes,
• 31:00
  Speaker 1: and she's like, okay, so.
• 31:03
  Speaker 3: That's that's Can you imagine if James didn't hear from
• 31:08
  Speaker 3: me for like two weeks or.
• 31:09
  Speaker 2: That phone call stuff it made to a boyfriend.
• 31:11
  Speaker 3: He would a kool eight man through the walls.
• 31:17
  Speaker 1: Well, I don't know if they're gonna tell whoever or
• 31:21
  Speaker 1: if her mom is her contact or whatever, just say
• 31:23
  Speaker 1: she's like, she's okay, she's in lockdown and she can't
• 31:26
  Speaker 1: contact you.
• 31:27
  Speaker 2: I would hope that they would do that because.
• 31:30
  Speaker 1: If she's been calling them every other day, yeah, now
• 31:32
  Speaker 1: she doesn't call it all, then they would need to
• 31:34
  Speaker 1: let them know.
• 31:35
  Speaker 4: Yeah.
• 31:35
  Speaker 1: So so they tell her we're going to monitor Stephanie
• 31:40
  Speaker 1: and the whole unit, and we're monitoring all the other facilities.
• 31:44
  Speaker 1: You know, they said, she said, believe it or not,
• 31:46
  Speaker 1: we care about your safety more than we care about
• 31:48
  Speaker 1: the show. So she goes, okay, so I have to
• 31:50
  Speaker 1: sign it right now, like right now. They're like yeah, yeah, nah, bitch, yeah,
• 31:54
  Speaker 1: pick up that damn pen and sign. So she signs it.
• 31:58
  Speaker 1: So Colonel Address says, we cannot allow her in any
• 32:01
  Speaker 1: way to contact Gabrielle or anyone. No phone, no computer
• 32:05
  Speaker 1: for the duration of the program, because the worst case
• 32:08
  Speaker 1: scenario is Gabrielle tells other inmates. So now we see everybody.
• 32:16
  Speaker 1: Everybody's chatting where'd she go? Like she left, she left
• 32:19
  Speaker 1: all her stuff here? Where is she? She's gone, She
• 32:21
  Speaker 1: didn't take anything. So Gabrielle is like going through her
• 32:24
  Speaker 1: papers and stuff. She goes, I feel gross like going
• 32:26
  Speaker 1: through her stuff, but like.
• 32:27
  Speaker 3: You feel gross going through her paperwork, But she has
• 32:31
  Speaker 3: you spread eagle open it a cell full of other women.
• 32:35
  Speaker 2: Now you want to feel gross, Come.
• 32:38
  Speaker 1: On, Keisha, they had towels.
• 32:41
  Speaker 2: They okay, they pay all right.
• 32:44
  Speaker 1: So Stephanie is like, yeah, it's only a matter of
• 32:47
  Speaker 1: time until Gabrielle realizes that Angelae is not coming back,
• 32:51
  Speaker 1: and now I worry I'm going to be found out.
• 32:55
  Speaker 1: She says, you know, okay, okay, So we go back
• 33:00
  Speaker 1: to Angela. Angelae is talking about what a phenomenal woman
• 33:03
  Speaker 1: Gabrielle is, and so many of those women in there
• 33:06
  Speaker 1: are really good people who just fucked up and need
• 33:08
  Speaker 1: another chance. And it really sucks because I wasn't able
• 33:11
  Speaker 1: to tell her goodbye. And you know, I admitted what
• 33:15
  Speaker 1: I did, and I genuinely love Gabrielle and this is
• 33:18
  Speaker 1: one hell of a love story. Love is so hard
• 33:21
  Speaker 1: to find.
• 33:22
  Speaker 3: Stop acting like y'all met on a church mission, y'all
• 33:26
  Speaker 3: met in jail, like you're acting.
• 33:28
  Speaker 1: Like this three weeks ago.
• 33:31
  Speaker 2: He said, this is a criminal, And do.
• 33:34
  Speaker 1: I think, And do I think? Man, I shouldn't have
• 33:36
  Speaker 1: said anything to her. No, I don't think that. I
• 33:39
  Speaker 1: can't gret it because I found love. I grew up
• 33:43
  Speaker 1: in a violent household with very little nurturing, and I
• 33:45
  Speaker 1: found it with Gabrielle.
• 33:48
  Speaker 2: Well, because she can't.
• 33:49
  Speaker 3: Fight, because she'll get arrested into jail for fighting.
• 33:53
  Speaker 2: Like none of the stuff does she's saying makes sense
• 33:56
  Speaker 2: at all?
• 33:57
  Speaker 1: Like I think she's gonna come down. She's I think
• 34:00
  Speaker 1: next week will be interesting to see after she comes
• 34:02
  Speaker 1: down out of this love bubble, and she's going to
• 34:04
  Speaker 1: be like.
• 34:05
  Speaker 2: So, well, we're about to see it pop in a minute.
• 34:08
  Speaker 1: So she goes to the hotel and in the talking
• 34:11
  Speaker 1: head she's still talking about how amazing everybody is. She's
• 34:14
  Speaker 1: I was able to open up with all these women
• 34:16
  Speaker 1: and they opened up to me. And I never said
• 34:18
  Speaker 1: it all right, And I never said anything about this
• 34:23
  Speaker 1: show that it was sixty days in. I never said
• 34:25
  Speaker 1: it was days in. And the producer goes, girl, it
• 34:29
  Speaker 1: is not about the show name. It is about the
• 34:33
  Speaker 1: safety of the participants. Do you understand that She doesn't
• 34:37
  Speaker 1: get it, and she goes, yeah, but I don't think
• 34:40
  Speaker 1: they're going to find out about Stephanie. And the producer goes,
• 34:42
  Speaker 1: but what about the crew, and what about the crew
• 34:45
  Speaker 1: and also the inmates and the men's facility word travels
• 34:49
  Speaker 1: in jail and she goes, oh, hum, well, I don't
• 34:54
  Speaker 1: think so, but we'll just see how it unfolds and smiles.
• 34:58
  Speaker 2: So she is rock she really or just.
• 35:02
  Speaker 1: Like a narcissist or something like, it's so selfish that
• 35:05
  Speaker 1: she can't affected other people.
• 35:08
  Speaker 2: Yeah, that's true.
• 35:09
  Speaker 1: And it's been now many hours and it just still
• 35:12
  Speaker 1: hasn't dawned on.
• 35:13
  Speaker 3: As it's Nope, maybe once she changes gets a good
• 35:17
  Speaker 3: shower and changes clothes or something.
• 35:20
  Speaker 1: Like she's after a loan for two and a half weeks.
• 35:23
  Speaker 1: So talking to Stephanie, says, people in here in the
• 35:28
  Speaker 1: jail are vicious, and their fights every day and if
• 35:31
  Speaker 1: I'm find out, they're gonna jump me, like I didn't
• 35:33
  Speaker 1: get jumped that other time, but this is the sumping. Yes,
• 35:37
  Speaker 1: So like Screen of Death, the cellmates are questioning Gabby
• 35:41
  Speaker 1: about Angel's disappearance from the pot. So we see them
• 35:44
  Speaker 1: all talking to her and they're like, where is she?
• 35:47
  Speaker 1: And she goes home. I assume I don't know. There's
• 35:51
  Speaker 1: so many conspiracies and so, and she's kind of looking
• 35:55
  Speaker 1: around and so Gabby now knows that the camera is
• 35:58
  Speaker 1: recording them for the show. The rest of them don't
• 36:02
  Speaker 1: know this, and so someone says, you think she was
• 36:05
  Speaker 1: set up in here? And someone says nah, and then
• 36:09
  Speaker 1: Gaby kind of nods, and this other girl goes, unless
• 36:13
  Speaker 1: you tell me she confessed that to you, I will
• 36:15
  Speaker 1: not believe it, and Gabrielle looks at all of them
• 36:18
  Speaker 1: and goes, yeah, she told.
• 36:19
  Speaker 2: Me she basically grabbed the mic. Ladies and gentlemen, I
• 36:23
  Speaker 2: have an announcement to me. She's sang like a.
• 36:26
  Speaker 1: Canary, yes, yes, and it's been less than a day
• 36:30
  Speaker 1: and yeah, and the other girl goes, no, I don't
• 36:32
  Speaker 1: believe it. I still don't believe it. I find that
• 36:34
  Speaker 1: so because they all just loved her so much. Yeah
• 36:37
  Speaker 1: m hm, and they go what is she a cop?
• 36:40
  Speaker 1: She shakes her head, she goes, is she an actress?
• 36:42
  Speaker 1: And then she says no, she said she was hired
• 36:45
  Speaker 1: to do a job to observe and take notes and
• 36:48
  Speaker 1: report back to the chief. So she's just boom, lays
• 36:51
  Speaker 1: it all out there.
• 36:52
  Speaker 3: I thought she would maybe.
• 36:56
  Speaker 1: So now these women now know when they see the
• 36:58
  Speaker 1: production team, yep, what's up?
• 37:00
  Speaker 2: What's going on?
• 37:01
  Speaker 4: Yep?
• 37:02
  Speaker 1: Okay.
• 37:02
  Speaker 2: So Stephanie goes into the cell and goes, hey, I
• 37:04
  Speaker 2: don't want to interrupt your conversation. How are you doing?
• 37:07
  Speaker 1: And Gabrielle goes, we're talking about something, and Stephanie goes
• 37:10
  Speaker 1: what and she goes something you already know, and Stephanie goes,
• 37:15
  Speaker 1: know what, I don't know? And Gabby looks at her
• 37:18
  Speaker 1: and she goes, you know, one time I asked angel
• 37:21
  Speaker 1: about her charges, and she came up with some fucked
• 37:23
  Speaker 1: up county name, and I looked it up and Atlanta
• 37:26
  Speaker 1: doesn't even contain one of those counties. And the others
• 37:29
  Speaker 1: who were like, I don't know, I don't believe it.
• 37:31
  Speaker 1: I don't believe in. Stephanie's like what And Gabby says,
• 37:36
  Speaker 1: but you know, she didn't mean to fall in love
• 37:38
  Speaker 1: and compromise her position. So Gabby still has a little
• 37:41
  Speaker 1: bit of that we're in love too.
• 37:43
  Speaker 3: At this moment, she is not too much in love
• 37:46
  Speaker 3: because she just rated her out right, so she damned
• 37:51
  Speaker 3: a rat Stephanie out.
• 37:53
  Speaker 1: So Stephanie goes, now, I feel like my life is
• 37:55
  Speaker 1: in danger. I do, I'm now the number one target.
• 37:57
  Speaker 1: I think they're gonna they're gonna figure it out, because
• 37:59
  Speaker 1: why else would she and I be such good friends? Yep, Okay.
• 38:02
  Speaker 1: So the colonel and the lieutenant colonel meet with Angela
• 38:06
  Speaker 1: formally because they've already done the you know sound, They're
• 38:08
  Speaker 1: meeting with her formally about her participation, and they tell her,
• 38:12
  Speaker 1: as an agent of ours, there are obviously things you
• 38:14
  Speaker 1: cannot do that you did, and Angela goes, yeah, but
• 38:17
  Speaker 1: I am no different than those women. I am the
• 38:20
  Speaker 1: same as those women, and their consequences may come to me,
• 38:23
  Speaker 1: but I own it. And I wanted you to go like,
• 38:27
  Speaker 1: are you still high? Because I thought she'd be over
• 38:29
  Speaker 1: it by now, but she ain't over it. The lieutenant
• 38:32
  Speaker 1: colonel Besa goes, did you think about STDs? Did you
• 38:34
  Speaker 1: think about that?
• 38:36
  Speaker 2: I know I didn't even think about that.
• 38:38
  Speaker 1: I didn't think about that rights and Angela goes no,
• 38:43
  Speaker 1: and she goes, do you think your behavior was acceptable
• 38:45
  Speaker 1: in there? And she goes, yeah, I mean I became
• 38:49
  Speaker 1: an inmate. I became an inmate, but I guess I
• 38:52
  Speaker 1: was more of an inmate than a participant in the program.
• 38:55
  Speaker 1: And they're just looking at her, like, twenty four hours later,
• 38:57
  Speaker 1: you still don't get it.
• 38:59
  Speaker 2: No, she does it CIVI.
• 39:01
  Speaker 1: Lieutenant colonel goes, do you think that Gabrielle will continue
• 39:04
  Speaker 1: to keep your secret? And she goes, oh, yeah, absolutely,
• 39:07
  Speaker 1: and the colonel goes, well, she's already talked to several
• 39:10
  Speaker 1: people and told them you were undercover girl.
• 39:13
  Speaker 2: That was that face that she made.
• 39:15
  Speaker 3: I thought she was having a stroke of or like
• 39:19
  Speaker 3: everyfecial expression, like she was in shot.
• 39:23
  Speaker 1: She was in shot shock because again it's not even
• 39:26
  Speaker 1: been a day. And she goes, I, I h well,
• 39:30
  Speaker 1: I don't think I believe that. I don't believe that,
• 39:32
  Speaker 1: and he goes, well, we have it on video. Do
• 39:34
  Speaker 1: you want us to show you the video? And he goes, so, now,
• 39:37
  Speaker 1: because of what you've done, Stephanie is a target, and
• 39:40
  Speaker 1: now all the participants are in danger because of what
• 39:43
  Speaker 1: you've done. And I'm going to have to shut down
• 39:46
  Speaker 1: the entire thing before anybody gets hurt.
• 39:48
  Speaker 4: Oh.
• 39:49
  Speaker 1: I just shook it when he said the entire thing,
• 39:53
  Speaker 1: me too, all of it. And he says, I have
• 39:56
  Speaker 1: to get Stephanie out for her safety. So I guess, yes,
• 40:00
  Speaker 1: I guess they're going to do everybody all at once.
• 40:03
  Speaker 1: I don't know how they're gonna do it. Looks like
• 40:05
  Speaker 1: how they're going to do it. I don't know. But
• 40:07
  Speaker 1: next time on Colonel Adger is saying, this is an emergency.
• 40:12
  Speaker 1: I have to get all the participants out covertly and safely.
• 40:16
  Speaker 1: Word is out at the woman's pod and it's only
• 40:19
  Speaker 1: a matter of time until it gets over to the
• 40:20
  Speaker 1: men's facility.
• 40:22
  Speaker 4: Shit.
• 40:24
  Speaker 1: Shit, shit, we see Stephanie scurrying out. She has got
• 40:27
  Speaker 1: her mattress and her bag and she's read to go.
• 40:30
  Speaker 1: She is like, got to go, got to go, got
• 40:31
  Speaker 1: to go. Thanks for the hair, News, Thanks for the hair.
• 40:34
  Speaker 1: Keep those extensions, girl, I'll see you later. Alan says,
• 40:40
  Speaker 1: I heard my name called and he goes and I
• 40:43
  Speaker 1: got worried because maybe I was getting caught for meth.
• 40:46
  Speaker 1: And then we see him like looking around, like what
• 40:49
  Speaker 1: and we see O'Neill like giving him the look m h.
• 40:53
  Speaker 1: Something goes on with the manual, but I can't tell
• 40:54
  Speaker 1: what it was. I can't.
• 40:56
  Speaker 3: All I saw was like it looks like Johnny left
• 40:59
  Speaker 3: and the like Keith thought he was leading to and
• 41:01
  Speaker 3: then the door closed in his face.
• 41:03
  Speaker 2: They're like, Keith, this motherfucker. He can say, you can forget?
• 41:06
  Speaker 1: Yeah, yeah, yeah, he needs a little more tough love.
• 41:08
  Speaker 2: Yes he does.
• 41:09
  Speaker 1: So Nate and Desmond are talking in their bunks and
• 41:12
  Speaker 1: Nate says to Desmond, what if I left tomorrow or Wednesday?
• 41:17
  Speaker 1: And Desmond goes, wait, wait, wait, why do you say that?
• 41:19
  Speaker 1: Do you know when you're going to court? You've been
• 41:21
  Speaker 1: holding out on me. So I think because he said
• 41:25
  Speaker 1: tomorrow or Wednesday, and remember that Alan was trying to
• 41:28
  Speaker 1: get the meth by Friday. I think Alan's not going
• 41:30
  Speaker 1: to be there long enough to get the meth. So
• 41:34
  Speaker 1: I don't know if they've told Nate, hey, in a
• 41:38
  Speaker 1: day or two. We can't pull you out all at once,
• 41:41
  Speaker 1: but we're going to pull you out one at a time.
• 41:43
  Speaker 1: And so because you've been here the longest, you know,
• 41:46
  Speaker 1: I think I think the production or the colonel tells
• 41:49
  Speaker 1: Nate you're getting pulled out.
• 41:51
  Speaker 2: Yeah, but be cool.
• 41:54
  Speaker 1: So so Colonel Address says, if word gets out that
• 41:58
  Speaker 1: there are participates, participants here in the men's jail, all
• 42:02
  Speaker 1: hell is going to break loose. Oh yeah. So then
• 42:05
  Speaker 1: we see everybodyre in the the shared pod area, the
• 42:08
  Speaker 1: eating area, and we see one inmates stand up on
• 42:11
  Speaker 1: the table and go, you see all, is it Desmond?
• 42:15
  Speaker 1: I think? So it was?
• 42:18
  Speaker 2: Oh okay, He.
• 42:20
  Speaker 1: Says, do you see all these white people leaving? Because
• 42:23
  Speaker 1: you have to imagine Alan left, Nate left.
• 42:26
  Speaker 2: And yeah, it's not that many of them in there.
• 42:29
  Speaker 1: Yeah.
• 42:29
  Speaker 2: So yeah, so who's in there? Nate and Alan and Andrew? Andrew.
• 42:36
  Speaker 1: I was like, there's another white guy. It's Andrew. He says,
• 42:39
  Speaker 1: you see all these white people leaving. He goes no
• 42:41
  Speaker 1: offense or nothing, but you see all these white people
• 42:44
  Speaker 1: leaving on the same goddamn day.
• 42:47
  Speaker 2: So yes, so they're leaving on the same day.
• 42:49
  Speaker 1: They're pulling all three at one time at the same time,
• 42:52
  Speaker 1: which means then they have to make sure that then
• 42:54
  Speaker 1: they don't yell through the wall to the six hundred. Right,
• 42:58
  Speaker 1: this was much like they have to do it all
• 43:00
  Speaker 1: at once.
• 43:02
  Speaker 3: This has gotten so I know lots of people are
• 43:06
  Speaker 3: listening to our recap. Yeah, but you really should watch
• 43:11
  Speaker 3: the show, like this has the elements that we're just
• 43:15
  Speaker 3: not gonna find on Laalu.
• 43:17
  Speaker 1: Also, I'm also thinking the way to do it is, Okay,
• 43:21
  Speaker 1: we have to go on lockdown. Everybody goes on lockdown,
• 43:23
  Speaker 1: and then they can cherry pick out the people that
• 43:26
  Speaker 1: have to come out, but everybody else has stay on lockdown.
• 43:29
  Speaker 1: So it's not so chaotic maybe, But if then they
• 43:32
  Speaker 1: do that, does that make it more chaotic because it's unusual.
• 43:36
  Speaker 3: Look, it looks suspicious when the only white people are
• 43:39
  Speaker 3: all leaving on the same day, marching out.
• 43:42
  Speaker 2: It just does.
• 43:43
  Speaker 3: Yeah, you know, they know they're being filmed for something,
• 43:47
  Speaker 3: So even that's going to raise suspicion, like.
• 43:52
  Speaker 2: Yeah, the book. Yeah, And I feel the worst for Nate.
• 43:56
  Speaker 1: Because he's really made friends, so he is what the
• 44:00
  Speaker 1: program is all about.
• 44:01
  Speaker 2: Like, yeah, you should have wrote it like.
• 44:04
  Speaker 3: A book or something, and they should have gave it
• 44:06
  Speaker 3: straight to Angela.
• 44:08
  Speaker 2: This is how you do it right here.
• 44:10
  Speaker 1: He No, she said she's busy writing her own book
• 44:13
  Speaker 1: on how to fall in love. Yeah, how to find
• 44:15
  Speaker 1: love in a hopeless place. Yeah, okay, So Nate says,
• 44:21
  Speaker 1: I knew as soon as they called my name, it's
• 44:23
  Speaker 1: gonna indeed show everyone I was here undercover and this
• 44:26
  Speaker 1: ship is dangerous. So I think they call Nate last.
• 44:30
  Speaker 1: I think they called Nate last. And everybody's now getting
• 44:33
  Speaker 1: suspicious because people are getting pulled out. And I wonder
• 44:36
  Speaker 1: too if they've pulled out Johnny and Emmanuel like the
• 44:40
  Speaker 1: day before or like two hours before. And now it
• 44:42
  Speaker 1: gets over to this side. I'm very I didn't watch forward.
• 44:45
  Speaker 1: I didn't watch for me either. I wanted to, but
• 44:47
  Speaker 1: I didn't.
• 44:48
  Speaker 2: I wanted to.
• 44:49
  Speaker 3: As well, but I'm like, no, Well, for one thing,
• 44:51
  Speaker 3: I'm like, I'm gonna have to watch it twice because I'll.
• 44:53
  Speaker 2: Forget all the ship before we're recording.
• 44:56
  Speaker 3: Uh, you know me, but this is this that's juicy,
• 45:00
  Speaker 3: Like I didn't expect this to happen at all. I
• 45:04
  Speaker 3: really didn't.
• 45:05
  Speaker 1: I didn't expect they'd have to pull everybody out at
• 45:07
  Speaker 1: one time, like me either.
• 45:09
  Speaker 3: I thought they were gonna pull Stephanie out. Yes, but
• 45:13
  Speaker 3: I didn't think about the men.
• 45:14
  Speaker 2: But it makes sense, So it does it?
• 45:17
  Speaker 4: Does?
• 45:18
  Speaker 2: I get it?
• 45:18
  Speaker 1: I get it because I think I think that the
• 45:21
  Speaker 1: issue is they do not know for sure if Angela
• 45:24
  Speaker 1: said anything about Stephanie. I think that is the issue
• 45:26
  Speaker 1: because they kind of feel like if she did this,
• 45:29
  Speaker 1: then she might do that. It says they don't know,
• 45:31
  Speaker 1: you know.
• 45:32
  Speaker 2: Well, it seems like she knows.
• 45:35
  Speaker 1: Because it seems like Gabby's like something you already know
• 45:37
  Speaker 1: about exactly.
• 45:40
  Speaker 2: Yeah, a person. And she's so cute. I don't think
• 45:46
  Speaker 2: she's cute at all. She's really not cute.
• 45:48
  Speaker 1: Now. I think I think she's very cute to look at.
• 45:51
  Speaker 1: I could see why the other girls were very attracted
• 45:53
  Speaker 1: to her.
• 45:54
  Speaker 2: Well, what I do I think she's so cute. I
• 45:57
  Speaker 2: think she's like a cute in an attractive way. I
• 46:00
  Speaker 2: think he's cute, little dimples, got the pretty teeth.
• 46:04
  Speaker 1: Okkay, listen, lest we forget. We started this podcast with
• 46:09
  Speaker 1: you saying you would wink it, Matt, so.
• 46:12
  Speaker 3: I don't believe it.
• 46:15
  Speaker 2: Did I take his zanass before we recorded?
• 46:17
  Speaker 1: I don't. I don't know what you were doing that day.
• 46:19
  Speaker 1: Maybe you'd have some whippets in your uh with you
• 46:22
  Speaker 1: and James are doing whippets in your kitchen before it started.
• 46:25
  Speaker 2: I don't know.
• 46:26
  Speaker 3: Now you know, James has never even smoked a cigarette.
• 46:30
  Speaker 2: He's done nothing.
• 46:31
  Speaker 3: He makes me look like a crackhead, like he has
• 46:33
  Speaker 3: done nothing his whole life.
• 46:36
  Speaker 2: Nothing. I'm good for him, good for him, good for him.
• 46:39
  Speaker 3: Nice Yeah, nice little boy, nice little boy.
• 46:43
  Speaker 2: Yeah, his wife.
• 46:46
  Speaker 1: That's right. Well, guys, that is it. And if you're
• 46:49
  Speaker 1: hearing this, it is December twenty second, so we're three
• 46:52
  Speaker 1: days away from Christmas. If you celebrate, if you celebrated Honkkah,
• 46:56
  Speaker 1: happy Hanukkah, if you're celebrating Kwanta, happy Quanta, if you
• 47:00
  Speaker 1: celebrate nothing, happy nothing.
• 47:02
  Speaker 2: Just happy, happy holidays.
• 47:04
  Speaker 1: Happy holidays, and happy taking a break from work, because
• 47:08
  Speaker 1: most people at least will get a day off. So yeah,
• 47:11
  Speaker 1: unless you never needs a.
• 47:13
  Speaker 2: Break, unless you work for Mary Payne.
• 47:15
  Speaker 1: Unless you work for me, never going to be working
• 47:17
  Speaker 1: every day, every day, holidays, no, no again. Matt Sharp
• 47:24
  Speaker 1: only takes a break for the Super Bowl, and even
• 47:26
  Speaker 1: I don't take a break. That's right. Speaking of super Bowl,
• 47:29
  Speaker 1: guess who's going to the Sugar Bowl? Old mess Rebels.
• 47:34
  Speaker 2: They Sugar Bowl.
• 47:36
  Speaker 1: It's the second round of the college football playoffs. So
• 47:39
  Speaker 1: we made it through the first round and my son
• 47:43
  Speaker 1: went to the game. He comes back today. He got
• 47:45
  Speaker 1: home from Ole Miss. He got it on the plane
• 47:47
  Speaker 1: and back to all Miss and then he comes back
• 47:50
  Speaker 1: and now we're all going to the Sugar Bowl. We're
• 47:52
  Speaker 1: going to New Orleans. I love New Orleans.
• 47:56
  Speaker 2: We're going to February.
• 47:57
  Speaker 1: I love New Orleans. Well, it should comes no surprise
• 48:00
  Speaker 1: that I'm not a giant fan of New Orleans. But really,
• 48:03
  Speaker 1: it's been so long since almost has gotten this far
• 48:05
  Speaker 1: in the playoffs that we're gonna go.
• 48:09
  Speaker 4: Yeah.
• 48:09
  Speaker 3: New Orleans is one of the best places you can
• 48:11
  Speaker 3: go because the culture there is so different.
• 48:15
  Speaker 2: There's so much culture. I love it. I Mean, I
• 48:18
  Speaker 2: grew up three hours from there, so I know, oh
• 48:20
  Speaker 2: it is.
• 48:21
  Speaker 1: Jackson, Mississippi, is very close to New Orleans, and I
• 48:25
  Speaker 1: just you know, it's just the the culture of it.
• 48:28
  Speaker 2: I love.
• 48:28
  Speaker 1: I love lights to go to the garden, and I
• 48:30
  Speaker 1: love the whole moody vibe of it and stuff.
• 48:33
  Speaker 2: Yes, yeah, I just Bourbon Street is disgusting.
• 48:37
  Speaker 1: That's that's that's really. I guess when you think about
• 48:40
  Speaker 1: New Orleans, you think about Bourbon Street and the French
• 48:42
  Speaker 1: Quarter and stuff, and that's all too touristy for me.
• 48:44
  Speaker 1: But New Orleans itself is gorgeous. Anyway, we're very excited.
• 48:49
  Speaker 1: We're gonna go. Dave and John and I are going
• 48:50
  Speaker 1: to go. I'm pumped going to the game. And Dave
• 48:54
  Speaker 1: might not go if he can't get a ticket, but
• 48:56
  Speaker 1: John and I are going, and her very excited. So anyway,
• 49:03
  Speaker 1: that's not till the first so don't worry. We're still
• 49:05
  Speaker 1: going to be working. No episodes will be missed, No
• 49:08
  Speaker 1: episode one, not a one.
• 49:10
  Speaker 2: Okay, mayor pay I got at a restaurant.
• 49:12
  Speaker 1: Okay, that's it. Everybody followed Keisha the Leaverlounge with Keisha.
• 49:16
  Speaker 2: She's got to talk thus out.
• 49:17
  Speaker 1: She's got episodes out too, and she doesn't want to
• 49:20
  Speaker 1: hear about my football experience. And that's fine, And I.
• 49:23
  Speaker 2: Mean, the more you taught, the more I have to
• 49:25
  Speaker 2: go to the restaurant.
• 49:25
  Speaker 1: Okay, you guys, Tomorrow will be before the ninety Days
• 49:29
  Speaker 1: with Kimberly. Thursday is going to be a TLC year
• 49:32
  Speaker 1: end wrap up with Kimberly from ninety day Cray Kray,
• 49:35
  Speaker 1: and don't forget on Wednesday's Keisha and are putting up
• 49:38
  Speaker 1: our recaps of the rewatch Welcome to Plifal, which we
• 49:41
  Speaker 1: had the finale of season one. Boy oh boy, none
• 49:44
  Speaker 1: of that age swell. So just make make sure you're
• 49:47
  Speaker 1: watching because I've got a slideshow for you.
• 49:49
  Speaker 2: I got a slide show.
• 49:50
  Speaker 1: Okay, okay, okay, all right, Keisha, I'll talk to you
• 49:52
  Speaker 1: next week.
• 49:53
  Speaker 4: Bye bye. Built of