Latest / Michelle Explains Anime, Poorly / Dorohedoro Ep. 12 (FINAL)- Memories of School Days/Boy Meets Girl = Battle!/Pinky Swear
Transcript
- 0:00Speaker 1: Hey, it's your person, I guess Michelle. Probably I'm back.
- 0:07Speaker 1: Everything's totally fine, but I feel like shit. And I
- 0:09Speaker 1: don't know why. I just had a car repair because
- 0:13Speaker 1: my entire like exhaust system was just like rattling around
- 0:18Speaker 1: under my car, and I just assumed it was going
- 0:20Speaker 1: to be very expensive and it wasn't. It was very
- 0:24Speaker 1: very inexpensive for a car repair. So I should be
- 0:27Speaker 1: super fucking happy, but I'm not, and that is my fault, probably,
- 0:33Speaker 1: but who the fuck even cares? Right, Let's talk about
- 0:38Speaker 1: the last episode of Doro. Hey Doro, and I will
- 0:42Speaker 1: say one thing I have said previously during the season
- 0:46Speaker 1: that we didn't know when the second season was gonna
- 0:50Speaker 1: come out, and we do know. I don't know why
- 0:53Speaker 1: I didn't know, but it's coming out in the spring.
- 0:56Speaker 1: So yay. If you enjoyed this at all, and you
- 1:00Speaker 1: did this episode thinking, oh no, I actually need to
- 1:03Speaker 1: know what happens, and now I'm never gonna know. You
- 1:05Speaker 1: get to know in just like three months or something,
- 1:08Speaker 1: so that's pretty good, at least a little bit more
- 1:12Speaker 1: I am. I'm sure it's only gonna be like twelve
- 1:14Speaker 1: or thirteen episodes again, so I don't think that covers,
- 1:17Speaker 1: you know, the rest of the story or anything, but
- 1:19Speaker 1: you'll get closer to figuring out what was hidden in
- 1:23Speaker 1: the chaos. Yay. So I'm excited about it, and I
- 1:27Speaker 1: hope that you might be, and if not, that's totally cool.
- 1:30Speaker 1: We don't ever have to talk about it again after
- 1:32Speaker 1: this episode. It's not like one of those shows that
- 1:35Speaker 1: I'm gonna bring up constantly to compare to things like
- 1:38Speaker 1: that show that I bring up constantly to compare to
- 1:40Speaker 1: things that I'm not gonna bring up right now, it's okay,
- 1:42Speaker 1: you know what it is, you can say it here. Yeah,
- 1:44Speaker 1: that one. So yeah, I don't think I'm gonna cover
- 1:49Speaker 1: the second season. But then I was like, well maybe
- 1:51Speaker 1: I should. Maybe everyone would like that. So if you
- 1:55Speaker 1: would like that, you, whoever the hell you are, please,
- 2:00Speaker 1: for the love of God, email me and tell me
- 2:04Speaker 1: that so I can do it. If not, I just
- 2:07Speaker 1: probably won't because I will assume that you hate this
- 2:10Speaker 1: because I think that you hate everything that I do,
- 2:13Speaker 1: and I don't know why you listen at all, except
- 2:17Speaker 1: like hate listen, which I totally understand and is cool.
- 2:20Speaker 1: So yeah, that now they've said all that, I should
- 2:24Speaker 1: also say one more thing. If you are hearing kind
- 2:28Speaker 1: of a staticky noise in the background, I'm really sorry.
- 2:31Speaker 1: It's coming from my computer and I don't know how
- 2:34Speaker 1: to fix it yet, So yeah, apologies about that. I'm
- 2:38Speaker 1: doing my best. My microphone should be good. My little
- 2:41Speaker 1: preamph thing friend should be good. It's literally my computer.
- 2:46Speaker 1: Thank you so much, Windows. So let's just do it,
- 2:54Speaker 1: because what else are we gonna do? Just sit here
- 2:57Speaker 1: and talk to each other. I can't even hear you
- 2:59Speaker 1: when you to me because we're not talking in the
- 3:02Speaker 1: same time frame. But yeah, I'm I'm gonna stop talking
- 3:07Speaker 1: because I'm frigging myself out. So Doro Heidoro episode twelve
- 3:11Speaker 1: is called Memories of School Days, Boy meets Girl equals Battle,
- 3:16Speaker 1: and Pinky Swear. Those are three titles. Yay. If you
- 3:21Speaker 1: remember at the end of the last episode, it looks
- 3:24Speaker 1: like Kimon and Nikaito were probably gonna fight because Kimon
- 3:28Speaker 1: had been dragging her trying to get her back to
- 3:30Speaker 1: hole and she didn't want to go because she is
- 3:34Speaker 1: being mind controlled by n so she doesn't have her
- 3:38Speaker 1: own will anymore. Yay. And I'm gonna point this out
- 3:43Speaker 1: now and I'll probably point it out again during the episode.
- 3:46Speaker 1: But I've noticed that whoever the hell is the person
- 3:50Speaker 1: who translated this, and actually think it says their name
- 3:53Speaker 1: at the end of the episode, but I'm not gonna
- 3:55Speaker 1: say it because I didn't write it down. But whoever
- 3:58Speaker 1: the hell they are, they're not consistent. So sometimes it
- 4:02Speaker 1: says the whole and sometimes it says whole. And in
- 4:05Speaker 1: this episode, I notice specifically that when people were talking
- 4:08Speaker 1: about the whole or whole, they always say whole, and
- 4:12Speaker 1: it used to be the hole at the beginning. I
- 4:14Speaker 1: don't know which is correct. I would assume it's probably
- 4:18Speaker 1: just whole because it's the name of a place, but
- 4:19Speaker 1: it could be like the whole, like the bronx. You
- 4:23Speaker 1: wouldn't just say bronx. So I don't really know, and
- 4:27Speaker 1: I don't think it makes a difference, but it pisces
- 4:29Speaker 1: me off that they can't be consistent, so let's just
- 4:33Speaker 1: do it. So we start the episode seeing the side
- 4:38Speaker 1: of a stainless steel counter with like a bunch of
- 4:40Speaker 1: food on it, like meat that's kind of like wrapped,
- 4:43Speaker 1: kind of like a big oblong meat thing, or maybe
- 4:47Speaker 1: it's cylindrical and it has like wrapping on it. Like
- 4:51Speaker 1: I just said, like maybe it's a really big sausage
- 4:54Speaker 1: or like a lunch meat like jena wa salami. No,
- 4:58Speaker 1: I like ham. I think it'd be more. I don't know.
- 5:01Speaker 1: I don't eat meat. So we got that on the counter,
- 5:04Speaker 1: and there's some onions and potatoes and celery and red
- 5:07Speaker 1: and yellow bell peppers. We see the title card over it,
- 5:11Speaker 1: Memories of school Days. Yay. It's actually consistent with what
- 5:15Speaker 1: it says on Wikipedia. They all are in this one.
- 5:18Speaker 1: It's weird. So now we see a hand grab the
- 5:21Speaker 1: meat and we hear someone chuckle, and then we cut
- 5:25Speaker 1: to like a low like brick wall and it says
- 5:28Speaker 1: South Zagon Magic School on it, and there's some graffiti
- 5:31Speaker 1: and flyers on it. Of course the graffiti is a pentagram,
- 5:34Speaker 1: because we're probably in the source of our world. Then
- 5:37Speaker 1: we see the exterior of a building with like a
- 5:40Speaker 1: bunch of columns on the lower floors and then the
- 5:43Speaker 1: higher floors. I couldn't tell what this is supposed to be,
- 5:46Speaker 1: like really big just windows or they solar panels. I
- 5:51Speaker 1: don't know. It's a really interesting mix of like Renaissance
- 5:55Speaker 1: building and futuristic, so I thought it was pretty cool. Also,
- 5:59Speaker 1: in front of this building, there's this really big stairway
- 6:02Speaker 1: up to it. It actually goes over the first couple
- 6:05Speaker 1: of floors, which I didn't really understand. Maybe that's kind
- 6:08Speaker 1: of just an elevated basement whatever. But on that big
- 6:13Speaker 1: staircase there's like people sitting and shit and walking up
- 6:15Speaker 1: and down it like you would with a staircase. And
- 6:19Speaker 1: we hear a voice say, Iikawa, you bastard. There's a
- 6:22Speaker 1: guy wearing like chef clothes and he comes out of
- 6:26Speaker 1: this doorway and he's holding a knife and he's like,
- 6:28Speaker 1: give that food back, it's for the school lunches. Aikawa chuckles.
- 6:32Speaker 1: He's wearing his mask, by the way, because he always is.
- 6:35Speaker 1: He's like holding up the meat and he says, yeah,
- 6:37Speaker 1: I pay for them, so you gotta be quicker than that,
- 6:39Speaker 1: And the chef's like what. Iikawa then like jumps like
- 6:44Speaker 1: kind of parkour, jumps up the building to the second
- 6:47Speaker 1: floor balcony above him, and he laughs, and then he
- 6:51Speaker 1: jumps over the chef in the room where the chef
- 6:53Speaker 1: is in to a balcony that's on the other side
- 6:55Speaker 1: of the room. Now he's like walking down the hall
- 6:59Speaker 1: like very much like a school hall. Chuckling and throwing
- 7:03Speaker 1: up the meat and catching it. And there's a couple
- 7:05Speaker 1: of guys standing like near the wall, and one of
- 7:08Speaker 1: them says, hey, Ika, what help us practice? Iikawa stops,
- 7:12Speaker 1: and the other guy says, stealing an early lunch again,
- 7:16Speaker 1: Iika is like, sub guys, you've seen resoo anywhere. I
- 7:20Speaker 1: want to point out right now that his voice sounds
- 7:22Speaker 1: very familiar. If it sounded familiar to you too, right right.
- 7:27Speaker 1: If it didn't, I'm not gonna tell you who it
- 7:29Speaker 1: sounds like. We can pretend this is the manga, because
- 7:32Speaker 1: then you wouldn't know for sure. Anyway. The first guy's like, reseal,
- 7:37Speaker 1: I saw him heading over to the sorcery classroom. Second
- 7:40Speaker 1: guy says, yeah, he was with some shady looking guys. Again,
- 7:44Speaker 1: we cut to an orange bag on a table. Actually
- 7:47Speaker 1: it's supposed to be a counter, but I didn't know
- 7:49Speaker 1: that yet. I think we're in like a library or something,
- 7:52Speaker 1: by the way, and the bottom of the bag is
- 7:55Speaker 1: like bloody blood, kind of collected in. And you've been
- 7:59Speaker 1: telling it's kind of come in the room, you know
- 8:01Speaker 1: how that works. And we hear a voice say here
- 8:03Speaker 1: it is. We have a tall guy with crosses on
- 8:06Speaker 1: his eyes and black hair, standing next to an older
- 8:09Speaker 1: cross eye guy, and the tall guy says, I heard
- 8:13Speaker 1: it was pretty tough. Again, the old guy's like, are
- 8:16Speaker 1: you okay, Resu? We see that Risu's left arm is
- 8:19Speaker 1: in a sling and he's got a hard cast onto
- 8:22Speaker 1: which you don't normally have a sling and a hard
- 8:25Speaker 1: cast but okay, Reesu like scratches his face with his
- 8:28Speaker 1: other hand, obviously, and it's like, yeah, anything for the boss.
- 8:32Speaker 1: The tall guy says, anyway, good work. I'm sure the
- 8:35Speaker 1: boss will appreciate it. He goes to lift the bag
- 8:37Speaker 1: up and he's like hmm because he sees Ikawa sitting
- 8:42Speaker 1: behind the counter. Aikawa looks up at him and then
- 8:44Speaker 1: just slices off his nose. Aikawa, what are you doing?
- 8:49Speaker 1: Blood spurts out, you know, everywhere, and the guy screams
- 8:53Speaker 1: because he doesn't have a nose anymore, and Iikawa jumps
- 8:56Speaker 1: over the counter and kicks him down. The old guy
- 9:00Speaker 1: unsheathes the sword and it's like, who the hell are you?
- 9:02Speaker 1: He swings twice at Iikawa, but Iikawa evades and like
- 9:06Speaker 1: jumps over him, and then he swings at the guy
- 9:10Speaker 1: with his knife The guy flinches and we hear like
- 9:13Speaker 1: a clank, but it doesn't connect. The guy opens his
- 9:16Speaker 1: eyes and is shocked to see that Riesu has stopped
- 9:19Speaker 1: Iikawa's knife with a railroad spike. Then I guess he uses,
- 9:23Speaker 1: which is pretty cool. So Grisu and Iikawa are like
- 9:27Speaker 1: locked spike against knife, and I hate the way this looked.
- 9:33Speaker 1: This was drawn so weird, like I could not understand
- 9:36Speaker 1: how Riesu's arm would work in the position it was in,
- 9:38Speaker 1: Like how could it hold a spike like that? It
- 9:40Speaker 1: looked like it was supposed to be foreshortened, but it
- 9:42Speaker 1: didn't really work. I couldn't tell who did this and
- 9:45Speaker 1: why no one fixed it, but it was really noticeable
- 9:48Speaker 1: to me. And also I stopped right there, so whatever,
- 9:52Speaker 1: they are locked in battle, and Reesu says stop at Iikawa.
- 9:57Speaker 1: We see a shot of the bag bloody on the
- 9:59Speaker 1: ground and the tall guy's nose like laying near it,
- 10:03Speaker 1: and then we cut to the exterior I guess of
- 10:05Speaker 1: the school building. We're panning up and we pass like
- 10:08Speaker 1: a classroom where some guy's teaching, and we get to
- 10:11Speaker 1: Aikawa and Risu, who are on the roof. Aikawa says,
- 10:16Speaker 1: I told you to stop dealing with those cross Eyes.
- 10:19Speaker 1: He's sitting with his back leaning against the railing, eating
- 10:22Speaker 1: the meat that he stole, and Risu is like leaning
- 10:25Speaker 1: over the rail standing up. He takes his mask off,
- 10:28Speaker 1: but we are looking at his back, so we can't
- 10:31Speaker 1: see what his face looks like, which seems like this
- 10:34Speaker 1: is a trend. And he continues, I know what they're
- 10:36Speaker 1: up to. I know what's in that bag too. Reese's like,
- 10:40Speaker 1: you can use a bit of magic, but I can't
- 10:42Speaker 1: even make an ounce of smoke even after enrolling here.
- 10:45Speaker 1: He kind of points his finger out like he's trying
- 10:47Speaker 1: to make smoke. He continues, the cross Eyes are a
- 10:50Speaker 1: group of guys like me. It's the only way for
- 10:53Speaker 1: useless guys like us to survive. He makes a fist.
- 10:57Speaker 1: Iika was like, quit acting so sorry for yourself. We
- 11:01Speaker 1: get a really nice shot of like the top of
- 11:04Speaker 1: the town, you know, like all the rooftops of the
- 11:06Speaker 1: buildings with like kind of small mountains or large hills
- 11:10Speaker 1: behind them, and the sky's blue as Risu is looking
- 11:13Speaker 1: out over them. Reesu says there are rumors that in Barreth,
- 11:18Speaker 1: forty kilometers north of here, which by the way, is
- 11:20Speaker 1: twenty four point eight five four eight miles. In case
- 11:23Speaker 1: you need to know, there's a Cross Eyed research facility.
- 11:27Speaker 1: I bet what's in the bag will be used there,
- 11:29Speaker 1: but cross eyes bos will lead us to freedom. Aikawa
- 11:32Speaker 1: puts on his mask and he's like, you're such a
- 11:34Speaker 1: sucker for believing such fanciful stories. He stands and then
- 11:38Speaker 1: he just kind of doubles over in pain and grabs
- 11:40Speaker 1: his head another headache. I'm taking the day off. Risu
- 11:44Speaker 1: turns and it's like, hey, Iikawa, but Iikawa is gone.
- 11:48Speaker 1: Risu is just standing there alone, which is pretty impressive
- 11:53Speaker 1: because like it's a pretty big roof. You think we
- 11:56Speaker 1: would still see Aikawa like running or walking off, but
- 12:00Speaker 1: we don't. Now we see Risu on a bus in
- 12:03Speaker 1: the back seat. It doesn't look like it's a great bus,
- 12:06Speaker 1: Like there's tape all over the seats. And I am
- 12:09Speaker 1: supposed to notice here, but I did not. That Resu's
- 12:12Speaker 1: hair is different. It now looks more like sticky up
- 12:16Speaker 1: and weird like it does in the present time. So
- 12:19Speaker 1: we have just time skipped back to Nawl. Anyway, current
- 12:24Speaker 1: Resu is on this bus and he says, I Colwa
- 12:27Speaker 1: has always been like that, getting headaches and disappearing. I
- 12:30Speaker 1: guess it would be impossible for me to find him.
- 12:33Speaker 1: He presses a button on the side of the bus
- 12:35Speaker 1: and it lights up and it rings like a doorbell.
- 12:37Speaker 1: The bus stops at a bus stop yay, and the
- 12:42Speaker 1: front of the bus has a sign on it like
- 12:43Speaker 1: buses do that says andres south Exit. I don't know
- 12:46Speaker 1: if this is that stop or that's where the bus
- 12:48Speaker 1: is going, but it doesn't really matter anyway. Reesu walks
- 12:52Speaker 1: off the bus and he looks around as the bus
- 12:54Speaker 1: pulls away, and the area it's kind of like rural
- 12:59Speaker 1: and run down the bus stop and some buildings kind
- 13:01Speaker 1: of looked like they were made out of scrap metal.
- 13:04Speaker 1: And he looks over at some mountains behind like a
- 13:08Speaker 1: bunch of tree foresty area and says, Bareth the cross
- 13:13Speaker 1: Eyed HQ is supposed to be here. The boss will
- 13:16Speaker 1: be here too, thank you for the exposition. He starts
- 13:19Speaker 1: to walk into what I guess is the town and
- 13:23Speaker 1: there's like a medium sized blue sign that says Beareth
- 13:27Speaker 1: on it that looks like someone who doesn't you know,
- 13:29Speaker 1: do typography well made it. It's not very nice. And
- 13:33Speaker 1: the street he's walking down is unpaved and there's lots
- 13:36Speaker 1: of weeds and shit and nothing is maintained, and there
- 13:39Speaker 1: are like stone houses like flanking. It looks like a
- 13:42Speaker 1: great place. Resu continues, I'll find out who killed me,
- 13:47Speaker 1: and then we go to the opening theme for the
- 13:48Speaker 1: last time yay, but also back from the opening theme,
- 13:54Speaker 1: we see an ornate building which I'm pretty sure is
- 13:59Speaker 1: ends asshole or at least adjason do it somewhere, and
- 14:02Speaker 1: we get a title card. Boy meets Girl equals battle. Yeah.
- 14:06Speaker 1: We hear Nikaido say, Kymen, I'm gonna stay his end's partner.
- 14:11Speaker 1: I can't go with you. Kymon's like, what are you
- 14:15Speaker 1: out of your mind? Nikido doesn't say anything. Kimon finally
- 14:19Speaker 1: takes off the meat pie head that he's been wearing.
- 14:21Speaker 1: He's like, I know that m guy's controlling you with
- 14:24Speaker 1: his magic. Right. He throws down the meat pie head.
- 14:27Speaker 1: I'm gonna kill that guy. He starts to walk towards Nikido.
- 14:30Speaker 1: Nikaido kind of like scoffs or laughs. Kimon says, don't laugh,
- 14:35Speaker 1: I even dressed up like this for you. Nikido then
- 14:39Speaker 1: lunges and tries to punch Kymen, but he dodges, and
- 14:42Speaker 1: then She runs and jumps and kicks mid air for
- 14:46Speaker 1: some reason, and Kymon blocks with his arm and then
- 14:48Speaker 1: she jumps back in a way that's not humanly possible,
- 14:51Speaker 1: and Kymon's like, stop it. I don't want to fight you.
- 14:54Speaker 1: She runs it him again, kicks it him like three times,
- 14:56Speaker 1: but he blocks every time, and he's like stop it.
- 15:00Speaker 1: Nikaido grabs him by the head and like pushes off
- 15:04Speaker 1: his head upward, like she was trying to get leverage
- 15:08Speaker 1: or something, and she like spins in the sky. I
- 15:12Speaker 1: don't understand, guys. Kaimon gasps, maybe because this doesn't make sense,
- 15:17Speaker 1: and Nikkaido comes down and kicks him right in the face.
- 15:20Speaker 1: He goes flying and slams headfirst into like a pillar
- 15:24Speaker 1: or statue thing. I'm not really sure, but it's like
- 15:27Speaker 1: such a powerful kick that like his head is like
- 15:29Speaker 1: literally in the wall, which isn't good. He pulls himself
- 15:33Speaker 1: out and he like coughs a little, and he's like asshole.
- 15:36Speaker 1: Nikaido is already back in position, raring to go, smirking,
- 15:40Speaker 1: and she's like, what's wrong. Can't fight for real against
- 15:44Speaker 1: a girl? She waves him on. Kaimon's like, I've never
- 15:48Speaker 1: considered you a girl, not even once okay Kaimon Nikaido
- 15:53Speaker 1: chuckles and runs at him. She jumps off the column
- 15:58Speaker 1: or statue or whatever and tries to kick him, but
- 16:01Speaker 1: he dodges and he's like, stop it. Nikaido says, use
- 16:05Speaker 1: your knife, Kimen, and runs at him. She's throwing punches
- 16:09Speaker 1: and kicks, but he's blocking all them, and she continues,
- 16:11Speaker 1: you're more impressive with a knife, and then she like
- 16:14Speaker 1: slices him with her hand, like in a way that
- 16:18Speaker 1: probably doesn't really work, and it like raises his shirt
- 16:22Speaker 1: and apron I think, and a couple of pink beads
- 16:25Speaker 1: pop off. I don't know what. Maybe the apron i
- 16:28Speaker 1: wasn't even aware it had beads, and they kind of
- 16:30Speaker 1: falls to the ground. Kymon stumbles back, breathing hard, like
- 16:35Speaker 1: kind of bent over, and he grabs his chest and
- 16:37Speaker 1: we see that his shirt is ripped and he says,
- 16:40Speaker 1: whiney Kaido. Nikaido says, End's enemies are my enemies. Kimon says,
- 16:46Speaker 1: that's enough bullshit from you. Nikaido jumps and flips in
- 16:49Speaker 1: the air and brings her leg down on Kymen, but
- 16:52Speaker 1: he blocks and Kymon's like, wake the hell up and
- 16:55Speaker 1: punches her in the face. Yeah. That sends her flying
- 16:59Speaker 1: back across the ground, but she immediately like springs up again,
- 17:03Speaker 1: and then she touches her nose and realizes that she
- 17:06Speaker 1: is bleeding from it, which surprises her Kimon, who is
- 17:11Speaker 1: still out of breath. You would think he would be
- 17:13Speaker 1: in better shape, considering he's such a good fighter, but
- 17:16Speaker 1: he's like always out of breath. He's like, hey, let's
- 17:20Speaker 1: call it quits. Ni Kaido stands up completely and flicks
- 17:24Speaker 1: the blood from her nose, and then we cut to
- 17:26Speaker 1: a like a really big statue of a red devil
- 17:31Speaker 1: in the really ornate room, which I think is supposed
- 17:33Speaker 1: to be a church. We're panning down and we hear
- 17:37Speaker 1: someone say, oh, great Satan, here my plea. It's chodah,
- 17:41Speaker 1: and he is praying to this big statue. He's like,
- 17:45Speaker 1: you know, bending over and getting up and whatever that
- 17:48Speaker 1: is called that she's doing. Anyway, he continues, please please
- 17:52Speaker 1: let Ni Kaido die here. Take this. He takes a
- 17:56Speaker 1: big head out of a bag. Hooray for the Great Satan.
- 18:00Speaker 1: Hooray for the Great Satan. Hooray for the Great Satan.
- 18:03Speaker 1: He stands up then, panting, and he wipes his forehead
- 18:07Speaker 1: and he's like, that should do the trick, I guess,
- 18:11Speaker 1: and then he hears a sound and he turns to
- 18:13Speaker 1: see Kimon crash through the side of the building and
- 18:17Speaker 1: then hid the opposite wall. Kimon is on the ground
- 18:20Speaker 1: now and he's like, oh. Then we see that a
- 18:23Speaker 1: large statue has been sliced in half, or at least
- 18:26Speaker 1: the head has been sliced off, and I don't know
- 18:29Speaker 1: how this happened, but it falls to the ground almost
- 18:32Speaker 1: on top of him, and he screams, and Choda's just
- 18:35Speaker 1: watching all this, and then we hear Nikaido say kimon.
- 18:40Speaker 1: Choto looks over and sees Nikido standing in the hole
- 18:43Speaker 1: that Kymon has come through, and he's like, oh, that whore, Kaimen.
- 18:47Speaker 1: That's a lizard guy. Then we see that actually Kaimon
- 18:51Speaker 1: hadn't totally avoided the statue head. It actually fell on
- 18:55Speaker 1: his legs. His legs are hinned under the statue and
- 18:58Speaker 1: he's trying to push it off and he's like, like, shit,
- 19:00Speaker 1: my legs. Nikido stares down at him, and Kaimen continues, Nikaido,
- 19:05Speaker 1: we're friends, aren't we. Let's stop this. Nikido's like, I'm
- 19:10Speaker 1: a sorcerer. Kimon gasps Nikado continues, you're right, let's put
- 19:15Speaker 1: an end to this. She jumps down. Kaimon's like, Nikaido,
- 19:19Speaker 1: don't she needs him light right in the chest and
- 19:22Speaker 1: he spits out blood. This is terrible for Kimen. And
- 19:25Speaker 1: then we see the statue shatter. At least I thought
- 19:27Speaker 1: that's what it was, but I think it was the
- 19:28Speaker 1: floor shatter, and Kaimen just falls into the darkness below him.
- 19:34Speaker 1: Cross eyes fade into a mostly black screen. The whites
- 19:37Speaker 1: of them are, you know, glowing in the dark, and
- 19:40Speaker 1: then we see a part of a brain appear between them,
- 19:43Speaker 1: like the top of a brain at the bottom of
- 19:44Speaker 1: the screen. A hand drops down from the top of
- 19:47Speaker 1: the screen, reaches into the brain and pulls out a
- 19:50Speaker 1: little white devil. Now we see a torso of someone
- 19:54Speaker 1: wearing a white T shirt, but you know, we don't
- 19:57Speaker 1: see their shoulders or their head or anything, and it's
- 19:59Speaker 1: all bloody up there. Whoever this is lifts their hand
- 20:03Speaker 1: and points. Then we cut to a phone ringing quietly
- 20:07Speaker 1: and then really loudly. Kimon opens his eyes and gasps.
- 20:11Speaker 1: He's staring up at a little patch of sky that
- 20:14Speaker 1: he can see, encircled by the darkness of the ceiling,
- 20:18Speaker 1: and he says, where am I. He's in some room.
- 20:21Speaker 1: I don't know. He starts to sit up. Oh yeah,
- 20:25Speaker 1: I fell through the floor. He starts to cough, and
- 20:28Speaker 1: he takes off his mask, breathing really hard, and then
- 20:31Speaker 1: he hears footsteps and looks up. Nikaita was walking over
- 20:34Speaker 1: to the area of the floor that's missing. Now Kimon
- 20:37Speaker 1: sees her, obviously and starts to try his best to
- 20:40Speaker 1: crawl away, leaving a trail of blood behind him, and
- 20:43Speaker 1: he's like, damn legs, God, damn it. The area looks
- 20:46Speaker 1: like maybe it's a crypt. I guess there's like what
- 20:49Speaker 1: I guess are mummified devils, like in kind of coffin
- 20:53Speaker 1: standing up along the walls. And we're just kind of
- 20:57Speaker 1: looking at the room as we hear him pulling himself
- 21:01Speaker 1: along and it's like making all these really upsetting squelching
- 21:04Speaker 1: noises and stuff. Then he grabs his head and he's like,
- 21:07Speaker 1: my head hurts. He kind of makes to a wall
- 21:10Speaker 1: and manages to sit up against it. He's out of breath,
- 21:15Speaker 1: and then he suddenly looks to the side like he
- 21:17Speaker 1: heard something, but I didn't hear anything, and he's like,
- 21:20Speaker 1: who's there? He's silent for a second, and then he says,
- 21:24Speaker 1: it's just a mirror. Yeah, it's just a mirror. He's
- 21:27Speaker 1: seeing his reflection in it. And then there's a really
- 21:30Speaker 1: loud boom and he gasps and he Kaido is jumped down.
- 21:35Speaker 1: Kimen is now, I guess, kind of sitting behind like
- 21:39Speaker 1: a corner or something. He's kind of hiding, and he
- 21:42Speaker 1: starts to reach for his knife, and we hear a
- 21:44Speaker 1: voice say, you're gonna kill again. Kaimon gasps and turns
- 21:49Speaker 1: to see that Resue is in the mirror where his
- 21:52Speaker 1: reflection used to be, like mirroring his position, and Resue continues,
- 21:57Speaker 1: You're gonna kill again. Kimon's eyes widen, one of your comrades.
- 22:02Speaker 1: We see Kymon's terrified wide eyes again, and Riso says,
- 22:06Speaker 1: a friend. We go to black when we cut to blood,
- 22:11Speaker 1: and I guess Kymon's blood trail on the ground, and
- 22:14Speaker 1: Nikaido's like, Kimon, where are you? We see and hear
- 22:19Speaker 1: blood splashing like on the ground. Niakido's like there and
- 22:24Speaker 1: she turns and kicks, but she's alone. She slowly puts
- 22:29Speaker 1: her leg down and she's looking around and then she gasps,
- 22:33Speaker 1: there's a shadow behind her. She starts to look back
- 22:36Speaker 1: as it begins to raise what looks like a knife,
- 22:39Speaker 1: and she says kaymen and at that it stabs her
- 22:43Speaker 1: in the back and it like drags the knife down
- 22:47Speaker 1: to make like a really really big wound. And she
- 22:51Speaker 1: turns and we see like this out of focus back
- 22:55Speaker 1: three quarter view of this really tall man that's not Kimen.
- 23:00Speaker 1: He doesn't have a lizard head, and he's got like
- 23:02Speaker 1: really dark sideburns, but that's all we get. She stares
- 23:06Speaker 1: at him in shock. We cut to Choda looking around
- 23:10Speaker 1: at like a statue head, and he's like, it's all
- 23:13Speaker 1: quiet now. He looks into the hole and sees Nikaido
- 23:17Speaker 1: laying on the ground and he's like could it mean
- 23:21Speaker 1: He jumps down. We get a close up on Nikaido.
- 23:24Speaker 1: Her eyes are open and she has blood coming from
- 23:26Speaker 1: her nose and mouth. There's no light in her eyes.
- 23:29Speaker 1: Pretty sure she's dead. Choda bends over and pinches her
- 23:33Speaker 1: nose and is like, hey, Nikaido. He waits for a
- 23:36Speaker 1: second and it stands Yeah, she's dead. He raises his
- 23:41Speaker 1: hands to the sky triumphantly and is like thank you,
- 23:43Speaker 1: oh great Satan, and he starts to run and laugh.
- 23:47Speaker 1: He is insane. And then we see that Asu is
- 23:50Speaker 1: also standing right there, and he bends down to Nikaido
- 23:54Speaker 1: and says, she's not dead yet. Choda stops and it's like,
- 23:57Speaker 1: oh a devil. Asu puts her hand under her head
- 24:02Speaker 1: and lifts it a little and says she's alive barely.
- 24:06Speaker 1: Choda says, hey, hey, how are you gonna kill her
- 24:08Speaker 1: by stranglinger? She's dude as Wu's like, I'm not gonna
- 24:13Speaker 1: kill her. I'm saving her. Choda says, what, then give
- 24:16Speaker 1: me back the money I offered you. Asu says, the
- 24:19Speaker 1: hell are you talking about? He puts his hand on this,
- 24:23Speaker 1: you know, massive gnarly cut on her back with a
- 24:25Speaker 1: deep cut. He like puts his hand in the cut
- 24:28Speaker 1: and gasps, and he pulls out the limp gross contract.
- 24:33Speaker 1: He's like, it's her contract with n Whoo. Choda says,
- 24:38Speaker 1: can I have that? ASU's like, if you swear not
- 24:42Speaker 1: the hell end what you just saw. Choda says, I
- 24:44Speaker 1: swear I won't. Asu hands him the bloody contract and
- 24:48Speaker 1: Chota's like running around and praising Satan again. He's having
- 24:52Speaker 1: a really good day, I guess. Then we see Nikaido again,
- 24:57Speaker 1: except her eyes have light in them, and she says
- 25:00Speaker 1: su Asu is still kind of holding her head up
- 25:03Speaker 1: and says, don't worry, Nikaido. I removed the contract. Nikido
- 25:07Speaker 1: sits up. I feel like it was all a long dream.
- 25:10Speaker 1: ASU's like, who stabbed you? Was it Kaimen? Nikaido says, no,
- 25:15Speaker 1: it was a stranger. It wasn't Kimen. It was someone else.
- 25:20Speaker 1: He's still here, somewhere in the dark. I mean, we
- 25:22Speaker 1: don't actually know that, Nikido, because you were basically dead,
- 25:25Speaker 1: so you could have missed something. But whatever we cut to,
- 25:30Speaker 1: I don't know, like a sidewalk that intersects with another
- 25:32Speaker 1: sidewalk under like an arch, I'm not really sure. And
- 25:35Speaker 1: then walks past that intersecting sidewalk and he says, where
- 25:39Speaker 1: are you, Nikaido? Where have you gone? Answer me? Fuji do,
- 25:43Speaker 1: Ebisu and Kikarage are also with him, and he continues,
- 25:48Speaker 1: where has that, Nikaido? And then he stops and doubles
- 25:51Speaker 1: over in pain and just falls down. Ebisu kind of
- 25:54Speaker 1: eeks and is like, boss is down, Fuji does like
- 25:57Speaker 1: en son, Kikarage kind of cries, and then we cut
- 26:00Speaker 1: to Choda holding up the contract and staring at it.
- 26:04Speaker 1: I guess that's what happens, and we hear Asu say,
- 26:07Speaker 1: this contract is part of N's body. Now that I've
- 26:10Speaker 1: removed it, it must have affected him in some way. I
- 26:12Speaker 1: don't know why, you don't know. I would figure that
- 26:14Speaker 1: this would have happened before that someone would have removed
- 26:16Speaker 1: a contract like this, But who knows. Choda's like, if
- 26:20Speaker 1: I put it in my body, would it make me
- 26:22Speaker 1: End's partner? Asu says, it doesn't work like that. You
- 26:26Speaker 1: need to exchange contracts with N using cheetah Rum's power.
- 26:30Speaker 1: He turns Nikaido, You're only back to your normal self Temporarily,
- 26:35Speaker 1: N has to die or Cheeta Room has to nullify
- 26:37Speaker 1: the contract. Alternatively, you can annell it during the next
- 26:41Speaker 1: blue night. Nikaido says, how long will I be able
- 26:44Speaker 1: to keep my mind clear? ASU's like, End's contracts has
- 26:48Speaker 1: already become part of your body, so if you see him,
- 26:51Speaker 1: the contract will regenerate. Oh wow. We see N now
- 26:56Speaker 1: passed out on the sidewalk, lying on his back, and
- 27:00Speaker 1: Nasu continues, you must run far away from here, somewhere
- 27:04Speaker 1: he can't reach you AND's eyes open. Fujaa is kneeling
- 27:07Speaker 1: like next to him and says, are you okay? And
- 27:10Speaker 1: son and he's like, yeah, it's nothing. He grabs Fujita's
- 27:14Speaker 1: shoulder so like you can help him up, and he's like,
- 27:17Speaker 1: I just felt a bit faint. Nikido's in the church.
- 27:20Speaker 1: She shouldn't wander off like that on her own. I
- 27:23Speaker 1: guess he got like a ping of where the contract is.
- 27:26Speaker 1: Maybe Ebbi Sue's like, punish her. We see Nikaido now
- 27:30Speaker 1: walking with a lit candle. I don't know where she
- 27:32Speaker 1: got that. Asu and Choda are following, and she says,
- 27:36Speaker 1: no sign of Kimen or the other guy. ASU's like,
- 27:40Speaker 1: be careful, he's dangerous. Who's dangerous the other guy or
- 27:44Speaker 1: Kymen or what? Choda says, I didn't see anyone else
- 27:48Speaker 1: come down here. ASU's like, what was the man who
- 27:51Speaker 1: stabbed you? Like? Ni? Kido says it was too dark
- 27:55Speaker 1: to tell, but he wasn't Kymen. I'm positive about that,
- 27:59Speaker 1: Asu says Nikaido. Niktto gasps. AS's like, look in front
- 28:05Speaker 1: of them by a wall is a slumped figure. It's
- 28:09Speaker 1: too dark for us to make out, but I was
- 28:13Speaker 1: thinking maybe it's Kimen. Now we see a red and
- 28:16Speaker 1: green kind of modeled image with green bubbles floating up
- 28:20Speaker 1: from it, and then it goes to black, and then
- 28:22Speaker 1: we get a first person perspective of a metal ceiling
- 28:26Speaker 1: with like an HVAC register and pipes on it slowly
- 28:29Speaker 1: coming into focus, and we hear beeping like of a
- 28:32Speaker 1: heart monitor. And then we get a close up of
- 28:34Speaker 1: someone's profile laying down like on a hospital bed, with
- 28:39Speaker 1: bandages wrapped around his forehead, like over the bridge of
- 28:42Speaker 1: his nose and around his chin, and like a bandage
- 28:44Speaker 1: on his cheek, and whoever this guy is thinks, what
- 28:47Speaker 1: happened to me? We see, you know, bags that would
- 28:50Speaker 1: go into an IV of like who knows, medications, saline
- 28:53Speaker 1: water or whatever. I don't know, and then a curtain
- 28:56Speaker 1: hanging behind it, you know, like you're in a hospital
- 28:59Speaker 1: room and you have a curtain between you and another person.
- 29:01Speaker 1: Then we see a silhouette of a figure, a large figure,
- 29:05Speaker 1: obscured behind this really tattered curtain, and it says it's
- 29:10Speaker 1: all going according to plan. What we cut to Kim
- 29:14Speaker 1: in walking down a dark greenish hallway with like checkered
- 29:18Speaker 1: floor tiles and like a red light emitting from somewhere.
- 29:22Speaker 1: We only see his back as he walks, and he says,
- 29:25Speaker 1: why am I in such a hurry. There is some
- 29:28Speaker 1: figure at the end of the hallway. They're silhouetted in
- 29:32Speaker 1: like a red glow coming from behind them, And I
- 29:36Speaker 1: was gonna say they look person like, but they don't.
- 29:38Speaker 1: And they have multiple, multiple arms, and they are hovering,
- 29:42Speaker 1: and so are a bunch of railroad spikes like all
- 29:46Speaker 1: around them. So I'm wondering if this is Resu because
- 29:50Speaker 1: he's the only one we've seen us a railroad spike,
- 29:52Speaker 1: but whatever. Then we see someone's mouth we don't know
- 29:55Speaker 1: who it is, talking into a phone and they say,
- 29:58Speaker 1: don't come to my house. Got it? Then to a
- 30:01Speaker 1: horrified looking eye with cross marks around it and sweat
- 30:04Speaker 1: running down whoever it is face, and the person continues
- 30:08Speaker 1: it's here. Now we see someone's silhouettes hand on a
- 30:13Speaker 1: window because we're seeing it from outside of a window.
- 30:17Speaker 1: Red light in the background. Then we cut to eyes
- 30:19Speaker 1: that I don't know whose eyes they are, and then black.
- 30:22Speaker 1: It's still black, and we hear Kimon say, oh, that's right.
- 30:27Speaker 1: We see those weird bubbles again. Kimon continues, something evil
- 30:31Speaker 1: grew larger and larger inside me, and then black. Now
- 30:36Speaker 1: we see someone's first person perspective as vox looks down
- 30:41Speaker 1: on them. He's kind of blurry, and he says, are
- 30:44Speaker 1: you okay? This is a specialized hospital for sorcery victims.
- 30:48Speaker 1: I'm sorry to have to tell you this, but a
- 30:50Speaker 1: spell was cast on your head. We hear Kimon say
- 30:53Speaker 1: magic my head. Fox grabs a clipboard and is like, so,
- 30:58Speaker 1: what's your name? Where do you live? Any contact info?
- 31:02Speaker 1: We hear Kimon exhale and he's like, I don't know.
- 31:05Speaker 1: I can't remember anything. Fox says memory loss, huh damn.
- 31:10Speaker 1: Then we hear Nikido say, doc, how's he doing. Vox
- 31:13Speaker 1: turns and we see short haired Nikido standing behind him
- 31:17Speaker 1: and he's like, hey, Nikido, he just woke up. This
- 31:20Speaker 1: girl carried you all the way here. Nikido waves hey.
- 31:24Speaker 1: We finally see Kimon. He's laying down, looking like Kymon
- 31:28Speaker 1: and also looking incredibly exhausted, and we hear Vox say,
- 31:32Speaker 1: can you believe it? He's lost his memory. We go
- 31:35Speaker 1: black and then to a door that looks like it's
- 31:38Speaker 1: in hospital. We hear Kymon say no, and Fox is like, huh,
- 31:42Speaker 1: what do you want. Nikido opens the door and is like,
- 31:45Speaker 1: what's up. Kimon and Vox are in the hospital room
- 31:48Speaker 1: like sitting on stools, and Vox is like, we can't
- 31:52Speaker 1: decide on a name for him. He doesn't like anything
- 31:54Speaker 1: I come up with. Nikido's like, well, what did you
- 31:56Speaker 1: come up with? Fox says scaley Ki like no. We
- 32:02Speaker 1: then see a box of yosa, like the most beautiful
- 32:05Speaker 1: yosa I have ever seen in my life, and we
- 32:07Speaker 1: hear Nikido say, I brought you some gyosa form my restaurants.
- 32:11Speaker 1: Kimon stares at them and he's like, yosa. He picks
- 32:15Speaker 1: one up with chopsticks and puts in his mouth and
- 32:17Speaker 1: he's like, I love it, and he starts to just
- 32:20Speaker 1: eat more and more of them ravenously. Ni Kido's like,
- 32:22Speaker 1: I'm glad. Actually, I was thinking of a name for
- 32:25Speaker 1: you too. Kimon says anything that's not scay. Nikido's like,
- 32:30Speaker 1: I saw a reptile and a field guide that looks
- 32:32Speaker 1: like you. It was a kaimen. I actually think it's
- 32:35Speaker 1: pronounced cayman, by the way, but I think in maybe
- 32:39Speaker 1: in Japanese it's pronounced kaimon. I'm not sure. Anyway, let's
- 32:43Speaker 1: pretend it's pronounced kaymen per continuity. Kymon's like, kaymen, Yeah,
- 32:48Speaker 1: actually that kind of rings a bell. Maybe it's similar
- 32:51Speaker 1: to my real name. Yeah, Nikaido says, you like it.
- 32:57Speaker 1: Kymon's like yeah, Nikido smile and she says, then Kymen
- 33:01Speaker 1: it is, I'm gonna go to black again. We hear
- 33:05Speaker 1: Nikaido now, she sounds like she's far away and she's like,
- 33:08Speaker 1: kimen kaimen. We kind of fade in and we see
- 33:12Speaker 1: Kaymon's legs like blood all around them on the floor,
- 33:15Speaker 1: and Nikido is still calling to him, and his eyes
- 33:18Speaker 1: opened slightly and he makes like a sound, and we
- 33:21Speaker 1: see that Nikido is kneeling next to him with her
- 33:23Speaker 1: hand on his shoulder, and she's like, Kymon, are you okay?
- 33:27Speaker 1: Kaymon's like if you're a sorcerer. He grabs Nikaido's shoulders
- 33:31Speaker 1: and she looks shocked, and then he just chomps on
- 33:34Speaker 1: her head that you didn't see that coming, or maybe
- 33:36Speaker 1: you did, and it goes black. Nikido opens her eyes
- 33:40Speaker 1: inside Kaimu's mouth. Risu is also in the mouth, but
- 33:45Speaker 1: he is behind her naked, but all we see is
- 33:47Speaker 1: his ass for some reason, and he says, you're not
- 33:50Speaker 1: the one. Nikido gasps and turns and is like Risu
- 33:54Speaker 1: at this, The mouth kind of pulls back and Reesu
- 33:58Speaker 1: is getting further and further away from her, and then
- 34:00Speaker 1: Kimen spits her out and he says, what did the
- 34:03Speaker 1: man in my mouth Sandi Kaido? Ni Kaido's like, I'm
- 34:06Speaker 1: not the one. Kaimen says, really, I can't trust you.
- 34:11Speaker 1: Ni Kaido's like I'm not lying. Kaimen, who is still
- 34:14Speaker 1: holding her shoulder, says, prove it, you shitty sorcerer. Nicido
- 34:18Speaker 1: gasps and it is like listen, Kimen. De man in
- 34:20Speaker 1: your mouth is Risu. Kymon's like what we cut to
- 34:25Speaker 1: meat sizzling on a grill and we hear NOI say,
- 34:28Speaker 1: eat up. There's plenty more meat. She is walking over
- 34:32Speaker 1: with this big block of meat and Johnson vox thirteen. Costa,
- 34:37Speaker 1: Kabe and Shin are sitting around a table with like
- 34:40Speaker 1: a little I guess habachi grill or something on it
- 34:43Speaker 1: vox and thirteen look sick like they're just having the
- 34:47Speaker 1: worst time of their life, which I understand. And Sin says,
- 34:50Speaker 1: you snuck out of the room while I was gone,
- 34:52Speaker 1: didn't you? Costa kabs On Kastu Kabe lifts a piece
- 34:56Speaker 1: of meat and flips it over with the chopsticks and
- 34:58Speaker 1: he's like, yeah, I took look around. I've always been
- 35:01Speaker 1: curious about this huge castle. Shin says, I'm protecting you
- 35:06Speaker 1: from en. Don't forget it. He picks up a piece
- 35:09Speaker 1: of meat and puts it in his bowl. Costu Kabe says, yeah,
- 35:12Speaker 1: I'm sorry. Sin's like, anyway, you're all going back tomorrow.
- 35:17Speaker 1: He eats the meat. Thirteen in Vox are like tomorrow,
- 35:21Speaker 1: Fox says whew. Finally, Thirteen's like yeah, but Nikaido Shin
- 35:26Speaker 1: cuts him off. Forget or punk. He puts some steak
- 35:29Speaker 1: sauce in his bowl. You two, doc. Thirteen in Vox
- 35:32Speaker 1: look kind of worried, and Vox says, give up. Thirteen,
- 35:36Speaker 1: this guy's a billionaire. Thirteen's like, I, this is about
- 35:39Speaker 1: the money. Costa Kabe says, okay, we'll go back tomorrow.
- 35:44Speaker 1: NOI puts her hand on Costa Kabe's head and says, sorry,
- 35:49Speaker 1: don't cry now, yoshosh, which they translated into there's a
- 35:53Speaker 1: good boy. But I wanted to point out that's something
- 35:57Speaker 1: you say when you're like petting a dog or something,
- 35:59Speaker 1: So it was pretty funny. Thirteen and Box just kind
- 36:02Speaker 1: of stare at us as Johnson attempts to eat that
- 36:04Speaker 1: entire block of meat that NOI just brought over, and
- 36:07Speaker 1: thirteen also kind of looks kind of disgusted. Kasukabe laughs
- 36:10Speaker 1: and is like, I'm fine. I'm not a kid anymore. Now.
- 36:13Speaker 1: We cut back to Kaimon and everyone, and we see
- 36:16Speaker 1: that mirror with Kaymon's legs reflected in it, and he says,
- 36:21Speaker 1: if the man in my mouth really is Risu? Was
- 36:24Speaker 1: it Risu who cast a spell on me? Riesu doesn't
- 36:27Speaker 1: have any magic, so I don't think so. Nikido's like kaimen.
- 36:32Speaker 1: Asu says, Risu is in a village called Bareth Nikito
- 36:37Speaker 1: both look kind of shocked, and Kimon says, who the
- 36:39Speaker 1: hell are you? If you know something, spit it out.
- 36:42Speaker 1: ASU's like, watch your mouth, I can send you to hell,
- 36:45Speaker 1: you know. Chota says devils are really powerful, they know everything.
- 36:48Speaker 1: Didn't you know that? Kimon says, and who the hell
- 36:51Speaker 1: are you? Choda suddenly slaps Nikaido in the mouth and
- 36:56Speaker 1: also covers Kymen's mouth, and he's like, shit, be quiet.
- 37:00Speaker 1: We see ends shadow on the floor opening the main doors.
- 37:03Speaker 1: I guess of the church, and he's like, Nikaido, I
- 37:08Speaker 1: know you're in here. Then we hear I think this
- 37:10Speaker 1: is end, but his voice sounded a little weird. Come out,
- 37:13Speaker 1: or there'll be no dinner for you. Come on out.
- 37:16Speaker 1: Choda is like, oh no, he'll find us in no time.
- 37:20Speaker 1: We see Fujida looking around and he's like, she's not here.
- 37:23Speaker 1: She must have run away. Ebi su is giggling. She's
- 37:27Speaker 1: like super excited to be in this church, I guess.
- 37:29Speaker 1: And she runs over to like that devilhead statue that's
- 37:32Speaker 1: on the ground, and she's like a huge devil oh,
- 37:36Speaker 1: and then she sees the hole in the floor. Asu
- 37:39Speaker 1: creates a wooden door that's very nice, by the way,
- 37:43Speaker 1: and says, you both must get far away from here.
- 37:47Speaker 1: Kaimen's like what Nikaido says, but Asu Kimen says now
- 37:52Speaker 1: with this big fat liar. We see En jump down
- 37:56Speaker 1: into the hole and Ebisu, Fuji and Kikarage are also
- 37:59Speaker 1: down there now, and Ebisu's like, it's moldy, you know,
- 38:04Speaker 1: Ebi sue I remember when you miss the damp, so
- 38:08Speaker 1: shut up, And it's like Nikaido and we hear Nikaido
- 38:12Speaker 1: say En. He turns to see her standing off in
- 38:17Speaker 1: the shadows and he's like Nikaido. Nikido says Hi. She
- 38:22Speaker 1: kind of rubs her head, and n puts his hands
- 38:25Speaker 1: on her shoulders and says, what happened? Nikido giggles, I
- 38:29Speaker 1: was just feeling a bit upset and I kind of
- 38:32Speaker 1: wreck the church. Fujida is watching like what the fuck?
- 38:38Speaker 1: And Ebisu is just picking her nose, and En says,
- 38:42Speaker 1: don't worry about it, as long as you're safe. He
- 38:44Speaker 1: puts her hand on her shoulder. I guess he had
- 38:46Speaker 1: taken his hands off her shoulder, and Nikido kind of
- 38:49Speaker 1: gasps and then continues, let's go. Then Nikaida's like, uh yeah.
- 38:54Speaker 1: We get an above shot of all of them leaving
- 38:56Speaker 1: the church, and Asu is sitting on a cross, like
- 39:02Speaker 1: on the building above them, and he's like it worked.
- 39:05Speaker 1: He cut to black back to a few minutes ago.
- 39:09Speaker 1: I guess Kimon's like, not with this, liar. Nikido says, wait.
- 39:13Speaker 1: Asu is trying to close the door on them, but
- 39:17Speaker 1: they're like trying to keep it open, and Nikido's like, Asu, wait,
- 39:20Speaker 1: hold on a second. Osu says Nikaido, I've always wanted
- 39:24Speaker 1: to do something for you. Nikido gasps Asu wait. Asu
- 39:28Speaker 1: finally gets the door closed and it starts to disappear,
- 39:31Speaker 1: and Choda's like, oh dear, if you're so worried, why
- 39:34Speaker 1: didn't she go with her? Asu says, I must see
- 39:38Speaker 1: Chia Ruma. He's calling for me and I cannot ignore him.
- 39:41Speaker 1: Choda's like, but Anna will be looking for Nikaido as
- 39:44Speaker 1: soon as he finds out she's gone. Osu puts his
- 39:47Speaker 1: hand on Choda's shoulder. That gives me an idea. Choda's
- 39:50Speaker 1: like what. Choda suddenly sprouts breasts, like bigger breast, and
- 39:55Speaker 1: his ass like pops out of his pants, and he
- 39:58Speaker 1: is kind of screaming, and like green flames start to appear,
- 40:02Speaker 1: and like his clothes kind of transform into Nikaido's outfits.
- 40:07Speaker 1: And Asu says, Choda, take off your mask, I mean Nikaido.
- 40:12Speaker 1: Choda gasps in Nikido's voice and is like, no, you didn't.
- 40:16Speaker 1: He looks at his reflection in the mirror and he
- 40:19Speaker 1: is Nikaido and he's like, no, not that whoreror. He
- 40:23Speaker 1: clasps his hands over his mouth and is like, no way,
- 40:26Speaker 1: my voice too. Asu says, I use my powers to
- 40:30Speaker 1: turn you into Nikaido. Choda looks really pissed off. I
- 40:34Speaker 1: would be too if I was turned into Nikaido. Actually,
- 40:36Speaker 1: Nikido's pretty cool, so maybe that would be fine. But
- 40:39Speaker 1: whatever anyway, Asu continues, not only En, but Cheetah Ruma
- 40:44Speaker 1: will be tricked for now. Choda's like, how dare you
- 40:47Speaker 1: turn me into Nikaido? You damn little? Asu says, little,
- 40:51Speaker 1: what do you want to go to hell? Choda like
- 40:53Speaker 1: falls to his knees and bows and is like, forgive
- 40:55Speaker 1: me for being so rude. Asu says, glad you understand.
- 41:00Speaker 1: Shoda thinks, wait, if I make N hate me, that
- 41:06Speaker 1: means he'll hate me Kaido. He smiles evily and stands, fine,
- 41:10Speaker 1: I'm a pretty good actor. Leave it to me. Yay
- 41:14Speaker 1: OSU's like, I know what you're thinking. Don't blow this,
- 41:18Speaker 1: don't do anything weird either, got it? We cut back
- 41:22Speaker 1: to I guess now where Shoda is smiling as he
- 41:25Speaker 1: and N walk out together, and ASU's like, but where
- 41:29Speaker 1: did the man who stab Nikaido go? No? Maybe he
- 41:34Speaker 1: never even existed? Yeah, I'm overthinking this. Who is Kaimen?
- 41:42Speaker 1: We pan up above the church into the sky and
- 41:46Speaker 1: we hear Asu say, was I right to let him go?
- 41:49Speaker 1: With Nikaido? We get the title card a promise. We
- 41:53Speaker 1: pan down from that same sky to ruins of a town,
- 41:56Speaker 1: which is a pretty cool transition, and we hear Kaimen say,
- 42:00Speaker 1: where are we? The buildings are kind of all partially collapsed,
- 42:04Speaker 1: and they got like tree roots growing in them and stuff.
- 42:07Speaker 1: Nikido says, no idea. Kimen's like, it's no regular city.
- 42:12Speaker 1: It's all ruins. Really, Kimen really, Nikido says, it's really
- 42:17Speaker 1: far away from Men's castle. How would you know that?
- 42:20Speaker 1: You just said you don't know where you are. She
- 42:22Speaker 1: looks around and gasps and is like, this way, Kymen.
- 42:25Speaker 1: She grabs his wrist and pulls him along. Kymen's like,
- 42:28Speaker 1: what hey, wait. We cuts to a devil flying over,
- 42:33Speaker 1: and Nikido says, look a devil. They are crouched down
- 42:37Speaker 1: under something. I didn't understand what it was, but it's
- 42:39Speaker 1: like they're looking out a window. Basically. She continues, if
- 42:43Speaker 1: any devil besides us who sees us, they'll report us
- 42:45Speaker 1: to end. Kimon walks away from the window into the
- 42:49Speaker 1: interior of the building and says Nikaido. Nickido gasps and turns.
- 42:55Speaker 1: Kimon is at the top of an escalator. I believe
- 42:57Speaker 1: this is a supermarket, and he says this way and
- 43:00Speaker 1: starts to walk down. We now see an area that
- 43:03Speaker 1: is partially flooded, you know, with like maybe a couple
- 43:06Speaker 1: inches of water or something, and we hear Nikido say
- 43:09Speaker 1: there are lots of devils around when night's falling. We
- 43:12Speaker 1: see window fans kind of turning slowly in the windows.
- 43:15Speaker 1: I assume that is from a breeze, because I don't
- 43:17Speaker 1: think there's any electricity, and Nikido continues, we should stay
- 43:22Speaker 1: hidden here. They sit down against a concrete wall and
- 43:26Speaker 1: there's just kind of silent for a minute, and finally
- 43:28Speaker 1: Kymen says, so you're some great sorcer or. Huh. Nikada's like, yeah,
- 43:33Speaker 1: just a rare one. Kimon says, why were you pretending
- 43:37Speaker 1: to be human in whole? Nikido looks pretty sad. She's
- 43:40Speaker 1: resting her head on her knees, and she says, because
- 43:44Speaker 1: of my magic, I lost a friend. Kimon's like a friend.
- 43:48Speaker 1: Nikido says, my magic is really dangerous, so I'm never
- 43:52Speaker 1: going to use it again. We get it like another
- 43:55Speaker 1: shot of the interior with like the escalator and some
- 43:58Speaker 1: vines and trees growing inside, and Nikaido continues, and I
- 44:02Speaker 1: wanted to get away from people like n who were
- 44:04Speaker 1: after my magic. That's why I went a hole. I
- 44:07Speaker 1: wanted to be human. She looks so sad and she
- 44:12Speaker 1: gasps as she hears movement and realizes that Kimon is
- 44:17Speaker 1: now kneeling in front of her, and he's like, then,
- 44:19Speaker 1: why did you help me out? Tell me? Nikido says,
- 44:22Speaker 1: if I thought sorcerers who practiced magic on humans, I
- 44:26Speaker 1: thought I might actually be able to become a human,
- 44:29Speaker 1: and I also thought you could really be my friends.
- 44:33Speaker 1: Kaimon blushes and like stutters and is like, I've lost
- 44:37Speaker 1: my memory and my face is hideous. You don't even
- 44:39Speaker 1: know who I am, and you're fine with that. Nikido says,
- 44:43Speaker 1: what about you? Don't you hate me now because I'm
- 44:45Speaker 1: a sorcerer. Kimon's like, uh, he looks away. You're not
- 44:51Speaker 1: a sorcerer if you don't use magic. He's like scratching
- 44:55Speaker 1: his head and still blushing. That is, if you can
- 44:57Speaker 1: promise to never use magic again. Nikido stares at him
- 45:01Speaker 1: and smiles, holds up a pinky and is like, I promise.
- 45:04Speaker 1: Kimon is surprised, and he looks down at his hand,
- 45:07Speaker 1: and then he holds up his pinky to hers. They're
- 45:09Speaker 1: like touch but they're not doing anything, and he's like, okay,
- 45:12Speaker 1: then we're buddies forever. Nikkaido says, no matter who you
- 45:18Speaker 1: really are no matter what happens, We'll always be friends.
- 45:22Speaker 1: Au Kymon's like yeah, and he smiles and they interlock pinkies.
- 45:28Speaker 1: Then we hear Kimon say, still focused on their pinkies,
- 45:31Speaker 1: my name is Kaimen. We got a black and we
- 45:34Speaker 1: see a neon sign that says club Big Boss. At
- 45:38Speaker 1: this point, the ending theme starts to play, which is
- 45:40Speaker 1: four oh four by no Name, which actually like quite
- 45:43Speaker 1: a lot, And then we see a picture of n
- 45:46Speaker 1: on the couch with Nikaito like in his lap, and
- 45:50Speaker 1: Ebbie Sue is posing in front of them, like laying
- 45:54Speaker 1: down on the couch with a mermaid tail and a
- 45:56Speaker 1: shell bikini. Then we see Shinnon No walking down a
- 46:00Speaker 1: hallway and then their car driving away, and then we
- 46:04Speaker 1: see and then we see like really busted up pavement
- 46:07Speaker 1: moving like a car is driving over it, and we
- 46:10Speaker 1: hear Kimon say, to recover my face and memory. I'm
- 46:13Speaker 1: searching for the guy who casts a spell on me.
- 46:15Speaker 1: We see that Vox Costu, Kabe, Johnson and thirteen are
- 46:18Speaker 1: in a car. Thirteen is driving and it is a
- 46:21Speaker 1: blue and pink f W bus with a little mushroom
- 46:25Speaker 1: painted on the front. So I'm sure and we'll miss this,
- 46:28Speaker 1: and Kymon continues, I don't know anything yet. Everything is
- 46:32Speaker 1: still hidden in chaos, but they'll be an end to
- 46:35Speaker 1: the chaos. We see a ceiling light swinging, and then
- 46:38Speaker 1: we cut to a low shot of a group of
- 46:41Speaker 1: cross eyes that we don't know yet standing under it.
- 46:43Speaker 1: I like these cross eyes, by the way. The light
- 46:46Speaker 1: flickers and then goes out. It's black again. We get
- 46:49Speaker 1: a red shot of a knife, red shot of a
- 46:51Speaker 1: ceiling fan, and then back to the road. We see
- 46:55Speaker 1: like a pedestrian crossing sign from that town with all
- 46:59Speaker 1: the mushroom, because there's mushrooms everywhere. Then back to the road,
- 47:03Speaker 1: then to Kymen and Nikaido sitting in the building, and
- 47:06Speaker 1: then we see Nikaido sleeping like on Kaymon's shoulder, and
- 47:10Speaker 1: Kymon looks over at her and closes his eyes and
- 47:13Speaker 1: we hear him think, I know there will be He
- 47:17Speaker 1: looks up, go to black. We see re soon now
- 47:21Speaker 1: rising out of Kymen's throats and he says you And
- 47:25Speaker 1: that's its what we learned in episode twelve. There's a
- 47:29Speaker 1: mysterious man in the dark. Yeah, I don't think so.
- 47:32Speaker 1: Nikaido is the one who named Kaymen. That's true. Those
- 47:36Speaker 1: two are just friends. I like them as friends. So yeah,
- 47:41Speaker 1: everything else is still hidden in chaos. And that is
- 47:43Speaker 1: doro hidoo and that's it. Yay, we did it, closing thoughts.
- 47:51Speaker 1: That's it. That's it, that's all I got. Now we're
- 47:54Speaker 1: done forever. No, I guess we should talk about all
- 47:56Speaker 1: of that because it was kind of important. So before
- 48:00Speaker 1: I forget, this is something I haven't told you guys,
- 48:03Speaker 1: and I should have, but I didn't really look it
- 48:04Speaker 1: up because I don't know, so we didn't even talk
- 48:08Speaker 1: about what doo. Hey, dodo means. Dodo means mud, Hey,
- 48:13Speaker 1: dodo means sludge, so it probably means mud and sludge,
- 48:17Speaker 1: which is a pretty fun title in my opinion. It
- 48:21Speaker 1: might also mean mud to mud if we separate the
- 48:24Speaker 1: words differently, because in Japanese there's no spaces between words,
- 48:30Speaker 1: so things could mean different things. So it could be
- 48:34Speaker 1: dodo hey like I guess two. I guess hey would
- 48:39Speaker 1: be two, I'm not really sure, and then dodo again,
- 48:41Speaker 1: so from mud to mud, or it could be dodo
- 48:44Speaker 1: and then hido doo meaning mud and sludge, if that
- 48:47Speaker 1: makes sense to you. I also learned that doro doro
- 48:50Speaker 1: is the oozing automount of pier or sound effect. So yeah,
- 48:56Speaker 1: now you know. So it's on my list the really
- 49:00Speaker 1: cool titles for some reason. And yeah, so this episode
- 49:05Speaker 1: was I thought it was really good. I I'm trying
- 49:10Speaker 1: to think of where to what to say about it.
- 49:14Speaker 1: It's not a cliffhanger, but it's a pretty big information
- 49:17Speaker 1: cliffhanger in the story because we don't know what happened
- 49:22Speaker 1: with Nikaido getting stabbed in the church base. Many plays,
- 49:28Speaker 1: but I think we have a lot of evidence to
- 49:32Speaker 1: suggest that it was Kimen because a I don't think
- 49:37Speaker 1: anyone else was there. Kaiman got that headache and I
- 49:42Speaker 1: don't know what is going on with him, but something
- 49:45Speaker 1: about him isn't normal. It also worried me in this
- 49:48Speaker 1: episode that Aikawa got a headache and then disappeared. I'm
- 49:52Speaker 1: wondering if we're supposed to connect the two of them,
- 49:56Speaker 1: because I think we probably are. I still don't know
- 49:59Speaker 1: why Resu would be in his throat though, if they
- 50:02Speaker 1: were the same person, because we know Risu had his
- 50:07Speaker 1: head cut off, so why would he be in the
- 50:10Speaker 1: throat and why would he be in Ikawa's throat. Yeah,
- 50:16Speaker 1: I think whoever Kimen is He's done really horrible things
- 50:21Speaker 1: in his past. He's definitely killed some people. I mean
- 50:24Speaker 1: he killed people as kym in too, but I think
- 50:26Speaker 1: he killed some people he cared about, as we know
- 50:30Speaker 1: from what Resu said in the Mirror. I mean he
- 50:34Speaker 1: might have been talking about himself too, if Kimen really
- 50:37Speaker 1: is Aikawa. But yeah, I'm really glad that Nikido is
- 50:43Speaker 1: not being held captive by n anymore. And it's actually
- 50:48Speaker 1: really nice that Choda could be Nikido because Chodah loves
- 50:52Speaker 1: end so they should be happy together, except that he
- 50:54Speaker 1: can't do Nikido's magic, so that's gonna be a problem.
- 50:59Speaker 1: But yeah, Chonah reverse grew on me. He over the
- 51:04Speaker 1: course of knowing him, I liked him less and less,
- 51:07Speaker 1: to the point that he's probably one of my least
- 51:09Speaker 1: favorite characters. Now he's just fucking annoying in my opinion,
- 51:14Speaker 1: and I think I'm leaving this with Kyman being my
- 51:19Speaker 1: favorite character, which wasn't the first time I watched this
- 51:22Speaker 1: than the first time that I read the manga. I
- 51:24Speaker 1: just think Kim's pretty fucking cool, and I like that
- 51:27Speaker 1: he's willing to still be friends with Nikaido despite all
- 51:31Speaker 1: the sorcer or bullshit, because they really are super cute friends.
- 51:36Speaker 1: I like them together, and they both have probably somewhat
- 51:39Speaker 1: checkered pasts. I mean, we don't really know Kymen's, but
- 51:44Speaker 1: it wasn't good, I'm sure, So I like them together.
- 51:48Speaker 1: I think they have just like a nice camaraderie, and
- 51:51Speaker 1: I don't really think they're supposed to be in a
- 51:54Speaker 1: relationship or heading towards one. I wouldn't be unhappy if
- 51:57Speaker 1: they did, but I think they're just supposed to be friends,
- 52:00Speaker 1: which I like a lot. Maybe or not. Maybe they're
- 52:04Speaker 1: supposed to be because Kimon does get jealous, you know,
- 52:08Speaker 1: when thirteen was hitting on her. I don't know so,
- 52:12Speaker 1: but the thing and that what we learned in episode
- 52:15Speaker 1: twelve said they're just friends, so I have to believe
- 52:19Speaker 1: that none of this matters. But yeah, overall, I actually
- 52:25Speaker 1: really enjoyed this. At the beginning, when we first started watching,
- 52:30Speaker 1: I wasn't too sure how I felt about actually doing
- 52:34Speaker 1: it because I wasn't really enjoying it as much. But
- 52:37Speaker 1: as we got into the later episodes, I really got
- 52:39Speaker 1: more engaged with the story. I think this is some
- 52:42Speaker 1: of the best world building I've ever encountered, just because
- 52:45Speaker 1: it is so unique and weird. Like a lot of
- 52:49Speaker 1: times get like really good world building, but it will
- 52:52Speaker 1: be like it's a fantasy world building and it's really good,
- 52:56Speaker 1: but it follows like really fantasy e worlds and there's
- 53:00Speaker 1: and shit. I don't know. I just liked that this
- 53:03Speaker 1: was so out there. You have contracts in people's bodies,
- 53:07Speaker 1: like there's all these devils. There's so much that we
- 53:11Speaker 1: learned and so much that's still hidden in chaos about everything,
- 53:15Speaker 1: and it feels like it's all worked in appropriately. Like
- 53:19Speaker 1: I don't feel like q Highestida, which is kind of
- 53:21Speaker 1: pulling this out of her ass as she went along.
- 53:23Speaker 1: I feel like there was a plan, and I think
- 53:25Speaker 1: that's really cool. I'm sure not all of it was planned,
- 53:29Speaker 1: because it's hard to do that, but just the level
- 53:33Speaker 1: of detail in the Sorcerer's world and how weird it is,
- 53:37Speaker 1: I just really like it. I think it's really cool.
- 53:42Speaker 1: Other than that, I hope that they figure out who
- 53:45Speaker 1: the hell Kime is actually. I think Kiman might be
- 53:48Speaker 1: better off not knowing, but you know, sometimes you just
- 53:53Speaker 1: gotta know and then live with the consequences. So might
- 53:58Speaker 1: be what happens here, I guess, honestly, like, that's all
- 54:02Speaker 1: I really got. I hope that you like this, but again,
- 54:06Speaker 1: if you didn't, I get it. I'm bad at choosing
- 54:10Speaker 1: anime or something. That's fine, and I think I am
- 54:14Speaker 1: gonna do Given, because if there's one thing that I
- 54:18Speaker 1: like to do, it's pick anime that I think will
- 54:22Speaker 1: make everyone hate me. So this is kind of a
- 54:25Speaker 1: one eighty a pivot in a direction that we haven't
- 54:27Speaker 1: gone and yet, where like Given is not action at all,
- 54:31Speaker 1: it's romance and trauma. It's only like thirteen episodes, So
- 54:35Speaker 1: if you hate it, I'm sorry, but it won't be
- 54:38Speaker 1: that long. And yeah, it'll just be really different, and
- 54:42Speaker 1: then we'll probably just never do that again because there's
- 54:44Speaker 1: not a lot of those that I really love. But
- 54:47Speaker 1: I really do like this and it'll be fun to
- 54:49Speaker 1: talk about music and explore that a little. But I
- 54:52Speaker 1: think what I'm gonna do next week is I'm just
- 54:53Speaker 1: gonna quickly, like have a shorter show just about what
- 54:58Speaker 1: is currently airing in in the winter twenty twenty sixth season,
- 55:02Speaker 1: because there's a lot of things and I need some
- 55:05Speaker 1: time to get my notes together Forgiven. So yeah, so
- 55:09Speaker 1: I'll be back next week with a shorter show and
- 55:10Speaker 1: then the following week will start up on given. But uh, yeah,
- 55:15Speaker 1: thanks for listening to this with me. No, that doesn't
- 55:19Speaker 1: make any sense. Thanks for listening to this. I couldn't
- 55:21Speaker 1: listen to it because I was talking it, but you
- 55:24Speaker 1: know that. And yeah, it means a lot. Thank you
- 55:28Speaker 1: for being here. And if you want me to stop
- 55:32Speaker 1: doing these, you can tell me just go for it
- 55:34Speaker 1: and I will stop. All you have to do is
- 55:37Speaker 1: make me feel really bad, and it wouldn't even take
- 55:39Speaker 1: that much. You could say, like, I think it's just fine,
- 55:42Speaker 1: and I'd probably just break down crime. No, probably not maybe,
- 55:49Speaker 1: So I'm gonna go. I have so much to do.
- 55:54Speaker 1: And yeah, just thank you again, and I hope that
- 55:58Speaker 1: you have a really good whateppen her and I will
- 56:01Speaker 1: see you unless the world ends later. Weeps