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Changing Tides With JACOB SKOGLI From ATENA · HEAVY Music Interviews

• 0:25
  So I'm I'm Jacob core band Norway. We've been cooking for about ten years
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  and have our fourth album coming out in a week. It's called some Ranthem.
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  Yeah, I like you to That's what I swear. Thanks for joining
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  us tonight. Made as you said, man, I'm a tenner release in
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  your album Subway Anthem on September twenty nine. So how are you feeling about
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  it? I feel great. We spent a lot of time on it and
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  people have been responding well so far, and that's always a relief. I'm
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  just super proud of what we've done. So can you tell us a bit
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  more about the album from a musical point of view and what you've gone forward
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  it. I guess it depends a bit on what you've heard of us before,
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  but in general it's kind of a model modern metal core sound, which
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  sounds cliche, but there's maybe more cinematic elements. We try to like expand
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  on what we've done before. I could give you all the bank cliff Shase
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  of the heaviest being heavier and the melody is being more melodic. There's there's
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  some of that. There's more we used more electronics. Good of ours really
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  that stuff we've been using for that for years. We've always had electronic coun
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  center sound. We've victims on that part as well, So we just really
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  feel like we've done a lot. I guess if this makes sense if an
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  answers to your question, yeah, sure, And you've related the singles Poison,
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  fure I I A Dane Subway anthem. So just say, if that's
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  all someone's heard of the band, would you say that's a good representation of
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  the album. Well, absolutely, yeah, because you got both the soft
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  songs with O My and also like the I guess the more intricate ones would
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  like slip Away, which is both heavy and melodic, and that's like it's
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  not the most original song structure, but it's not the most common one either,
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  So yeah, yeah, it gives a good impression of the all the
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  different sounds on the album. So mentioned before, like it's your fourth album
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  as a band, so you have a set writing and recording process for the
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  album or is it differ every time? This one has been a bit different
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  from the three previous ones in the sense that the three previous ones were concept
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  albums coming from the the head of main song Yburn Replace It and finally,
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  like understing that tragy last time opened up some opportunities lyricwise to which also then
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  inspires different sounds and vice versia. Like I think for Fabern especially who always
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  starts these songs off, it was like a breath of fresh air to be
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  able to just think, like, what do I want to make outside of
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  those boundaries kind of set by those concepts. Even though those three albums don't
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  sound exactly the same, it was kind of like a the other concepts to
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  follow, so there's a difference there. Other than that, for writing,
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  it's been the same as it always has been, Vibian coming up with ideas
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  from inspiration from seeing movies, hearing movie soundtracks, listening to Always Is and
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  Not whatever he does, and then just me and him working together trying to
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  get his ideas out there, and then just building on that, bringing our
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  friend Yun who does the electronics, and then bringing it onto drums and bass
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  and etc. Your last album, Drowting Regretting Lunsfield with Water was an international
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  hit. It's it's fair to say there was probably your most successful album.
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  So was it was it tempting to recycle that formula this time around? It
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  was it more important for you guys to sort of showing more musical growth on
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  this one. I didn't hear the word recycled or what sort was it.
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  Well, you could have recycled that same formula like try done everything, but
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  what was it important for you to try and move beyond that and sort of
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  show that's a papable of all. I don't know if it was a goal
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  in and of itself. And it's not like we've switched stars completely, like
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  it's it's not a death metal record, it's not a Dragon Force album like
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  it's. It's clearly related to the one you're talking about and and sound such
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  charterer, But I guess it was a bit of important to just not think
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  too much about being directly related to that one, even though you end up
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  sounding kind of the same. But there there are more I guess pop sensibilities
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  in terms of songs structures to some degree on some songs that I wouldn't say
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  you find on Drowning Regret and the albums before it, So that's kind of
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  a big difference. But I mean, they're not pop songs. It's just
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  that's one of the differences. Yeah, But on that subject, may like
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  you guys have shown a lot of musical growth with every album, So how
• 5:36
  much growth have you left in the band? The internet is spuddy apparently,
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  so I said, so, you guys have shown a lot of musical growth.
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  I've every album, So how much strength do you think is left in
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  the band? I don't I don't know. I hope there's more. I
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  think there's more. I haven't really thought about it, even like Baborn always
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  finds a way, like you can tell we we all rely on him and
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  his brain. We're moving this stuff along, but he has We're all really
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  happy, like happy that we have him in our lives because he has that
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  kind of artist brain, like actual artist's brain, like dropping out of college
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  artist's brain like, which makes him like really receptive to the inspiration and ways
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  that we others maybe aren't that good at. Like he knows exactly how much
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  like was to form about to make it interesting. And that's so we all
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  feel really lucky like to like be a part of his first like we all
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  control. It's just that's one of the most special things about Santa for the
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  rest of us. So we all come from the bands, playwright like all
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  like all bands too. But I think that's what makes it unique, which
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  is probably a lot of pressure for him, but it's been going good,
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  good so far, and in terms of growth, yeah, I'm sure there's
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  going to be more, and especially collaborating with that friend of ours you own,
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  the electronics guy. He's from another city for away, and that is
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  always I think it's an inspiration in itself because like you send him like a
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  bare bones track, like a demo, tell him kind of what you're looking
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  for, and then you get something back, and those sounds and how amazing
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  those are will like maybe change the direction what you thought you were going to
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  do as well. So we've been Libyan has good ideas and we've been good
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  at collaborating, and as long as we keep doing that, I think we're
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  going to keep growing. The press release describes your sounds classic metalcore with a
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  more urban landscape, Like can you explain what they mean by more urban lambs
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  lads game? Yeah, it's probably the idiom influence. Yep, that's it
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  sounds like that to me. Like with Subway Anthem the song itself, you
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  have that kind of the nineties DNB drum break you're going on top of the
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  normal drums. I think it's that kind of sound. Maybe it's because we
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  all saw that bombth and MCS free seller video when we were kids on TV.
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  It's probably that. So overall, like you've got a mix of heavy
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  guitars, you've got the electronics in there, the samples, and the hip
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  hop influences. So where did the idea to blend all of that together come
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  from? It's a pretty unique mix. I guess there's a one of them
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  is just listening to different things and being able to appreciate different sounds, which
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  a lot of musicians and music fans agree on it's important. And then there's
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  also a desire to kind of try to make something unique, I think.
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  And then there's also like completely pragmatic things like everyday life things that have influenced
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  that, Like when I became the singer, like what can I do?
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  Have me grab so out of the picture, so we have to do something
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  else in saying I can do? They stuff that also influences what part of
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  our influence we can use. So I'm sorry to stand out. In addition
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  to those things I think has been important, especially maybe I don't. I
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  don't know, you're trying to like we've been like a local band almost here
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  for for Ageous and trying to capture people's You have to steal people's time.
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  You have to grab them away from Netflix, you have to grab them away
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  from the other brands who maybe don't sound as interesting to someone who's never heard
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  them before. So there's also like a desire to I guess shock people into
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  like making them remember us and having lots of influences and melding them well is
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  a good strategy and also makes good songs of course. And then now you
• 10:18
  mentioned melding them well, mate, what suddenly is be on the next question?
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  Like how difficult is it to get the balance right in your songs with
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  all those different styles I had? You know you've gone too far with one
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  or not far enough with another. I know Vibian just a lot of focus
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  grouping with only himself and a group. Then yeah, yeah, all the
• 10:39
  different sides of him. I guess no, no, no, but we
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  sentence sentence its senses around to us as well, and it's one thing we've
• 10:48
  been good at mainly because of him, I must say, being like really
• 10:56
  hard on listening to something and is this actually good enough? Yea? Can
• 11:01
  we release it? Or should we work more on it, because if it's
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  boring and we can pick up on that, then it's absolutely not worth it.
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  So serving the song a cliche for a reason, that's a big like
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  it's something to make sure the parts of the song against So gave this this
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  boring and it needs another drum beat section or whatever, which none of us
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  play live because we're not computers. Like like if it's a DNB sample from
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  our friend and that needs there to make interressing into the next brick, and
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  that's what we have to do. I guess if that's no. The album
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  Subway Anthem comes out on September twenty nine, But what's next for a ten
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  or half that? Might you got any any shows find? Yeah, we're
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  working on shows for next year, like you when we speak. Now,
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  we've been pluving some Norwegian dates again. It spenty years since last time I
• 12:01
  had a last doing those and now we're just looking out on doing European shows
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  next year. Like we were all obviously afflicted by the the two three year
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  gap that happened, had shows pushed around, et cetera. So just trying
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  to get back into the to that just playing Europe again. We we did
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  some shows last summer who had been booked originally for twenty twenty. But we
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  want to get out there again. That's that's kind of the plan. Before
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  we let you go, mate, we started up had three news Spotify playlists
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  based on artists that we speak to you, So using your own songs and
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  using a tennis songs, give us a song for a playlist to get the
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  party started. A song for a playlist to save your marriage? Had a
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  song for a playlistic could potentially end your marriage? Oh wow? Uh,
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  this would has to be from the new album album any any of your music?
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  Okay, So to end your marriage, there's a song called Cheater of
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  album from twenty seventeen, not written by me lyrically, but I'm sure I'm
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  sure that will sour the tone in the room if you present it as your
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  view. What was the other category? Yeah? Yeah, then mhm.
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  We have a song in Norwegian, so which would make it usually makes people
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  cry and hug, but I guess it doesn't apply here in this English context,
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  So maybe maybe you'll mind because it's so delicate and full of falsetto and
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  makes you think of the fragile things in life, and it has nice melodies
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  and stuff. Yeah, I'll say that from the new album, I want
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  to get the party started. This is sound weird being this, but it's
• 14:01
  the Abuse. It's a dance funk from our previous record to either the Abuse
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  or Subway Anthem from the new album. Yeah, it's all all right.
• 14:13
  Maybel thanks most question by the way, and whole brother, thanks very much
• 14:16
  for your time. And I was early over there makes setting up for a
• 14:18
  good day. But subway and on September it's ready nine, So best of
• 14:22
  black Weather bro Dance. It's just another a guy STI my blah blah selah
• 15:22
  blah blah one on strike to sich anyway o my god, shall project work
• 15:31
  show Cow Cow, I don't ride, make me want you ride there?
• 15:41
  Still wait, it wasn't the trust that my d. It's just another one
• 15:52
  show a guy, chaffer, prank killers, choo chowy food, charity food.
• 16:56
  We'll show right out and chop another job. Wants the chair and shove
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  myself John cho and ride and let you watch it. D don't want to
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  write this job