Latest / Notable Nostalgia / 105. V for Vendetta

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105. V for Vendetta · Notable Nostalgia

• 0:04
  Speaker 1: And what if I lost both my hands tomorrow.
• 0:07
  Speaker 2: You could be a seat model star. I was sixteen
• 0:11
  Speaker 2: at the time or fifteen and uh, and then hook
• 0:14
  Speaker 2: it up with a witch and that was that. Cats
• 0:19
  Speaker 2: can smile apparently, whoa weird, But it doesn't always mean
• 0:24
  Speaker 2: that they're happy.
• 0:25
  Speaker 1: Now Lucy receives a call from what I can only
• 0:27
  Speaker 1: assume is the future winner of every acting award ever.
• 0:30
  Speaker 2: Yeah, Jimmy Man is a star. Her look looks weren't
• 0:35
  Speaker 2: part of the issue. He's like, I had to sell
• 0:38
  Speaker 2: my last top hat for Janas. Maybe this is not
• 0:41
  Speaker 2: appropriate either, but let's see.
• 0:48
  Speaker 1: Remember remember the fifth of November. What's up Nostal the Nerds,
• 0:52
  Speaker 1: We're doing a movie that I absolutely love. It's called
• 0:56
  Speaker 1: viaver Fandetta. I'm assuming you probably got that from the intro,
• 0:59
  Speaker 1: but we also have a special guests here. We have
• 1:01
  Speaker 1: Anthony O'Neil.
• 1:02
  Speaker 3: You.
• 1:02
  Speaker 1: You might remember him from playing David God on our
• 1:06
  Speaker 1: MUNCHI episode How you doing, Anthony, I'm good and.
• 1:09
  Speaker 2: Last week's episode the Nosalgia Nuggets.
• 1:11
  Speaker 1: Yeah, yes, you might remember from last week's episode as.
• 1:13
  Speaker 2: Well, unless that one's coming out after this. I couldn't remember.
• 1:17
  Speaker 1: Yeah, yeah, but just never seen this movie before, so
• 1:21
  Speaker 1: we thought it would be fun if he wrote the review,
• 1:24
  Speaker 1: and so we're just gonna kind of do the review
• 1:26
  Speaker 1: talk about the movie, and but before we start, so
• 1:29
  Speaker 1: I know this is your first.
• 1:30
  Speaker 2: Time seeing it seeing it?
• 1:31
  Speaker 1: Yeah, Anthony, do you remember the first time you saw it?
• 1:33
  Speaker 4: And I saw it in theaters actually because as a
• 1:36
  Speaker 4: comic book nerd, I read the comic book and I
• 1:38
  Speaker 4: was like, this is amazing. And I love Hugo Weaving
• 1:41
  Speaker 4: like el Ron and mister Smith and all that, and
• 1:44
  Speaker 4: so I was like, I gotta see this, I gotta
• 1:45
  Speaker 4: see how he does it, and it was just amazing.
• 1:48
  Speaker 4: Natalie Portman's like Opis and amazing Opus like mister Hollins Opis.
• 1:53
  Speaker 4: There's a movie in the nineties about with uh not
• 1:57
  Speaker 4: Billy Crystal, but the other guy that looks like him.
• 1:59
  Speaker 4: He's he was married to the lady from Veep comedian
• 2:05
  Speaker 4: from Seinfeld.
• 2:06
  Speaker 2: Oh, Julia Lubi Strepis.
• 2:07
  Speaker 4: Yeah that one. Oh h Richard Dreyfus, Yeah.
• 2:12
  Speaker 2: Married dah uh huh. I'm gonna do that really quick.
• 2:15
  Speaker 4: Yeah.
• 2:15
  Speaker 1: Wait, he was married to from Seinfeld. Yeah, that makes sense,
• 2:20
  Speaker 1: But I never made a connection.
• 2:22
  Speaker 2: I had no idea either. That's that's groundbreaking. Don't you
• 2:26
  Speaker 2: have like you like him?
• 2:28
  Speaker 1: No, But it's funny because today I was listening to
• 2:30
  Speaker 1: Spotify and have a song that says I want to
• 2:33
  Speaker 1: meet Richard Dreyfus. It's the whole song about how much,
• 2:35
  Speaker 1: and he goes, I'm not saying we have to go
• 2:36
  Speaker 1: on a date. But I know all your movies, and
• 2:38
  Speaker 1: some of them maybe not great, but yeah, it sounds
• 2:41
  Speaker 1: like this.
• 2:41
  Speaker 2: You are bout it.
• 2:42
  Speaker 1: I can tell you about all your movies.
• 2:45
  Speaker 2: I've seen Answerts and it was not that break, but
• 2:50
  Speaker 2: you are braid in it. I stayed up late to
• 2:52
  Speaker 2: finish it.
• 2:53
  Speaker 1: You luted in the moaning Richard Travis choice this it
• 3:05
  Speaker 1: was George, Yeah, yeah, no, I just actually I heard
• 3:10
  Speaker 1: that for the first time today, and that's so weird
• 3:12
  Speaker 1: that we brought up Richard Dreyfus and our VV friend
• 3:15
  Speaker 1: Detta talk. But for me, I didn't see it until
• 3:17
  Speaker 1: like twenty fourteen or something, and then I didn't even
• 3:20
  Speaker 1: know it was a comic book thing until I saw
• 3:23
  Speaker 1: Alan Moore at the very end of the movie. I'm like,
• 3:25
  Speaker 1: wait a second, had the killing joke. So I looked
• 3:28
  Speaker 1: it up. I was like, oh, shit, this is a
• 3:29
  Speaker 1: comic book stuf. Don't read any of them, but love
• 3:31
  Speaker 1: the movie though.
• 3:32
  Speaker 2: Yeah, so I don't have on Wikipedia doesn't say Julie
• 3:35
  Speaker 2: Louis Dreife is really Yeah.
• 3:38
  Speaker 4: Maybe I just made a connection with it because because
• 3:40
  Speaker 4: of the last name.
• 3:41
  Speaker 2: That makes sense though. Oh he is not aged well
• 3:44
  Speaker 2: seventy six.
• 3:45
  Speaker 4: Yeah, I mean I saw him in my Big Fat
• 3:47
  Speaker 4: Greek wedding, the first one, and I was just.
• 3:49
  Speaker 2: Like, man, look he was in my Big fact wedding, right,
• 3:52
  Speaker 2: I don't think I swear.
• 3:55
  Speaker 4: Because he's in my favorite movie, What About Bob? Yeah, yeah, yeahah,
• 3:58
  Speaker 4: and he was in that and I was like, oh,
• 4:00
  Speaker 4: it's Richard Dreyfus from from What About Bob?
• 4:02
  Speaker 1: I don't remember him in My Big Factory.
• 4:04
  Speaker 2: Maybe he wasn't.
• 4:06
  Speaker 4: I swear he was the tourist in it.
• 4:09
  Speaker 2: So far off to a great stat.
• 4:12
  Speaker 4: This is going fantastic. Okay, I'm pulling up his thing
• 4:16
  Speaker 4: right here. My Big Fat Greek wedding was around two thousands.
• 4:22
  Speaker 4: Was it the first one or the second one?
• 4:26
  Speaker 1: Are you thinking of my life in Ruins?
• 4:29
  Speaker 4: No?
• 4:30
  Speaker 2: All right, well.
• 4:36
  Speaker 1: The Jeopardy music?
• 4:37
  Speaker 2: How did we get? How did we get? From what subject?
• 4:41
  Speaker 1: Opus?
• 4:42
  Speaker 4: Yeah, opus, I said, mister Hollins opis.
• 4:45
  Speaker 2: Okay, yeah, ok, sorry, we got way off. It is bad.
• 4:49
  Speaker 4: Yeah.
• 4:49
  Speaker 1: So for me personally, the killing jokes, I have it.
• 4:52
  Speaker 1: I have a tattoo. It's one of the coolest joker stories.
• 4:54
  Speaker 1: It's not my like, it's probably my top ten favorite comics,
• 4:57
  Speaker 1: but I don't think it's as great as most people
• 4:59
  Speaker 1: say it is. It's fine or the killing joke. Alan
• 5:01
  Speaker 1: Moore wrote that, who also wrote Viva Vendetta, and I
• 5:05
  Speaker 1: guess originally Viva Vendetta was supposed to be. I found
• 5:08
  Speaker 1: this out when I did a little bit of research
• 5:12
  Speaker 1: in writing V four Vendetta. More drew upon a comic
• 5:15
  Speaker 1: strip idea submission that the DC Thompson's scriptwriting competition rejected
• 5:19
  Speaker 1: in nineteen seventy five. It was called The Doll, which
• 5:22
  Speaker 1: involved a transgender terrorist in a white in white face
• 5:25
  Speaker 1: makeup who fought a totalitarian state during the nineteen eighties.
• 5:29
  Speaker 1: Well that's kind of cool, yeah, Ellen Moore's better, so,
• 5:33
  Speaker 1: but no, I loved the movie, so I'm excited to
• 5:35
  Speaker 1: kind of go into.
• 5:35
  Speaker 2: It right on. Yeah. The only I did very little
• 5:39
  Speaker 2: research when I was writing this, and listener knows I
• 5:42
  Speaker 2: don't do any kind of preparing. I just get hammered,
• 5:45
  Speaker 2: and then I watch it one time through. Don't reread anything,
• 5:48
  Speaker 2: don't plus press pose if I get distracted. But it
• 5:52
  Speaker 2: opened on March seventeenth, twenty six, or two thousand and six,
• 5:55
  Speaker 2: I say it. The budget was fifty million, which seems
• 5:58
  Speaker 2: like a lot, but you know, probably Natalie Portman just
• 6:01
  Speaker 2: like took a lot of that money.
• 6:03
  Speaker 4: Oh yeah.
• 6:03
  Speaker 2: And then the gross was one hundred and thirty four,
• 6:06
  Speaker 2: so you have to consider like promotion and stuff, so
• 6:08
  Speaker 2: it really wasn't a box office hit.
• 6:10
  Speaker 1: They probably made about thirty million, because I think if
• 6:12
  Speaker 1: you if the movie was fifty million, they have to
• 6:14
  Speaker 1: make a hundred million to get even.
• 6:16
  Speaker 2: Oh so roughly, okay, advertising.
• 6:18
  Speaker 1: So made a little bit of money. Yeah, but Warner Brothers.
• 6:21
  Speaker 2: You know, I watched it on Amazon Prime Same it
• 6:24
  Speaker 2: was free. Yeah yeah, Amazon Prime Film. Amazon has got
• 6:27
  Speaker 2: it going on Amazon boxes over there. Okay, all right,
• 6:31
  Speaker 2: so then let's just get into it. Let's just this
• 6:33
  Speaker 2: is bust a nut and okay. So the film opens
• 6:36
  Speaker 2: with a scene from way back when or something and
• 6:40
  Speaker 2: a man this is going to be rough, and a
• 6:42
  Speaker 2: man is captured and then executed. I cannot find my
• 6:45
  Speaker 2: remote and the TV is too quiet, so I don't
• 6:47
  Speaker 2: know exactly what's going on, but I'm assuming this is
• 6:49
  Speaker 2: kind of like an origin story to the inspiration for
• 6:52
  Speaker 2: the mask.
• 6:52
  Speaker 1: The lead is going to be wearing knocked out of
• 6:55
  Speaker 1: the part exactly.
• 6:56
  Speaker 2: Hear it at all, and my TV was all like
• 6:58
  Speaker 2: at like thirty, it was like at fifty and it
• 7:01
  Speaker 2: still was so got strong and quiet. Yeah, I don't know.
• 7:03
  Speaker 2: After the opening interrupt me as much as you need to.
• 7:06
  Speaker 2: After the opening title, I think there is a man
• 7:09
  Speaker 2: all in black, shoulder length wig and a mask. He's
• 7:13
  Speaker 2: in a mask, he's getting ready. The scene cuts been
• 7:15
  Speaker 2: between him and none other than Oscar winner and Queen
• 7:19
  Speaker 2: of Naboo Natalie Portman.
• 7:22
  Speaker 1: Wait, what'd she want to Oscar for Black Swan? Still
• 7:24
  Speaker 1: haven't seen that?
• 7:25
  Speaker 2: It was really good? Oh, Natalie Portman and me like
• 7:28
  Speaker 2: Kunez like fucking that movie. Yeah, so yeah, watch it? Yeah,
• 7:33
  Speaker 2: pot listened her pose it. Go watch positive episode, Go
• 7:36
  Speaker 2: watch black Swan.
• 7:37
  Speaker 4: Come on back. I'm surprised my mom hasn't recommended it
• 7:39
  Speaker 4: to me.
• 7:39
  Speaker 2: She lesbian. Yeah, oh that's awesome.
• 7:41
  Speaker 1: Yeah cool, yeah, he's like now she's she's part swan.
• 7:49
  Speaker 2: I am really enjoying the scene both reacting to the
• 7:54
  Speaker 2: state run Oh god, this is gonna be so boring. Okay,
• 7:57
  Speaker 2: So I just enjoy this scene so far because they're
• 7:59
  Speaker 2: getting ready to do their thing, and you see how
• 8:01
  Speaker 2: that they're interacting or reacting to the state run media
• 8:05
  Speaker 2: that's on the news right then, So I thought this
• 8:07
  Speaker 2: was a really cool thing. Sidebar, jaremy now just came
• 8:10
  Speaker 2: into the bedroom and turned the volume up on the TV.
• 8:12
  Speaker 2: Bless that man, because I'm gonna find the remote. Yeah. Anyways,
• 8:16
  Speaker 2: it looks like Natalie Portman is going out for the
• 8:19
  Speaker 2: night when she should not be. Not that she should
• 8:22
  Speaker 2: not be, but like in this movie, she should not be. Yeah,
• 8:23
  Speaker 2: there's a strict curfew in yeah Toby Yellow or something.
• 8:27
  Speaker 4: And also women shouldn't go out late at night without
• 8:29
  Speaker 4: like any kind of protection period, whether you're an it
• 8:32
  Speaker 4: totalitarian dictatorship or nowadays.
• 8:35
  Speaker 2: And yeah, you just can't be safe anywhere.
• 8:37
  Speaker 4: It's a terrible world. Yeah it's not a funny joke,
• 8:40
  Speaker 4: but it's a terrible world.
• 8:40
  Speaker 2: No, it was like, what was so fucking shitty of me? Though?
• 8:43
  Speaker 2: So I had my coworker, she was kind of like
• 8:45
  Speaker 2: followed in a grocery store at night one time and
• 8:49
  Speaker 2: she had the cashier walk her out to her car,
• 8:52
  Speaker 2: which was super great.
• 8:53
  Speaker 4: So she told me.
• 8:53
  Speaker 2: About this and then me, being like a fucking asshole
• 8:56
  Speaker 2: white man, I messed. I'm like freaked out out by that.
• 9:00
  Speaker 2: So I message all of like the women in my life.
• 9:02
  Speaker 2: I'm like, oh, you gotta be real carefuah blah blah blah.
• 9:04
  Speaker 2: The reaction I got was like thank you, but like duh,
• 9:06
  Speaker 2: like we know this, like we've been dealing with this forever.
• 9:10
  Speaker 2: And I'm like I'm trying to man explain them, like
• 9:13
  Speaker 2: you have to be careful, but I feel.
• 9:15
  Speaker 4: So conscious about that. But like, if I'm walking towards
• 9:18
  Speaker 4: my car in a dark parking lot, I will tell
• 9:21
  Speaker 4: a woman, hey, I'm right here, just so I don't
• 9:23
  Speaker 4: scare you.
• 9:24
  Speaker 2: Yeah. Yeah, day I went to one of my coworkers
• 9:27
  Speaker 2: and went like around the corner.
• 9:30
  Speaker 1: I went, well, I don't think the most like people
• 9:34
  Speaker 1: that would try to doctor would probably start.
• 9:36
  Speaker 2: With that, yeah it's so good. Oh yeah, see, I'd
• 9:39
  Speaker 2: be careful everybody out there. It's it's rough times. Okay.
• 9:42
  Speaker 2: So she's stopped by two men and she says that
• 9:44
  Speaker 2: her uncle's sick. I'm not sure if she's telling the
• 9:46
  Speaker 2: truth or not. No, what was she trying to do? Then?
• 9:49
  Speaker 4: She was going to a dinner party at the producer
• 9:54
  Speaker 4: or I guess the host of that show's house.
• 9:56
  Speaker 2: Oh okay, okay. The two men attempt to assault her
• 10:00
  Speaker 2: while showing that they are part of the Chancellor like
• 10:03
  Speaker 2: the Tutorian you know, government's law enforcement team. I guess.
• 10:07
  Speaker 2: Oh yeah. This movie takes place in London in the
• 10:10
  Speaker 2: not too distant future and is under a dictatorship of
• 10:14
  Speaker 2: what I'm assuming is more of like an ault right movement,
• 10:17
  Speaker 2: like they're more conservative. So wow, this is my writing
• 10:22
  Speaker 2: skills are just like my Mark Twain's level. Okay, dot
• 10:26
  Speaker 2: dot dot. So it is at night Natalie Portman is
• 10:29
  Speaker 2: getting attacked and then the v guy appears and talks
• 10:32
  Speaker 2: all badass poetry to the predators and then he kills them.
• 10:35
  Speaker 1: With so much where he's like, we'll do the clip
• 10:38
  Speaker 1: right here.
• 10:39
  Speaker 5: Yeah, the multiplying villinies of nature just swarm upon him.
• 10:45
  Speaker 5: What the hell's distaining fortune with his British steel, which
• 10:50
  Speaker 5: is with bloody executive, I can assure you, I mean,
• 10:58
  Speaker 5: you know how who who is? But the form following
• 11:02
  Speaker 5: the function of what and what I am is a
• 11:04
  Speaker 5: man in a masque mark.
• 11:06
  Speaker 2: You see that, of course you can.
• 11:08
  Speaker 5: I'm not questioning your powers of observation. I'm merely remarking
• 11:11
  Speaker 5: upon the paradox of asking a masked man who he is.
• 11:17
  Speaker 5: But on this most auspicious of knights, permit me, then,
• 11:20
  Speaker 5: in lieu of the more commonplace subriquet, to suggest the
• 11:23
  Speaker 5: character of this stramatous persona U voila in view, a
• 11:29
  Speaker 5: humble vaudevillian veteran cast vicariously as both victim and villain
• 11:33
  Speaker 5: by the vicissitudes of fate. This visage, no mere veneer vanity,
• 11:38
  Speaker 5: is a vestige of the vox popular, now vict vanished. However,
• 11:42
  Speaker 5: this valorous visitation of a bygone vexation stands vivified and
• 11:46
  Speaker 5: has vowed to vanquish these venal and vitilan firm in
• 11:49
  Speaker 5: vanguarding vice and vouchsafing the violently vicious and voracious violation
• 11:53
  Speaker 5: of felicity. The only verdict is vengeance, a venditta held
• 12:04
  Speaker 5: as a votive not in vain for the value and
• 12:06
  Speaker 5: veracity of such, She'll one day vindicate the vigilant and
• 12:10
  Speaker 5: the virtuous very this vicious swears of verbiage veers most faboose,
• 12:17
  Speaker 5: so let me simply add that it's my very good
• 12:20
  Speaker 5: honor to meet you, and you may.
• 12:21
  Speaker 2: Call me v.
• 12:24
  Speaker 1: Are you like a crazy person?
• 12:27
  Speaker 5: I'm quite sure they will say.
• 12:28
  Speaker 1: So, it's so fucking cool, And every time I started, like,
• 12:31
  Speaker 1: I understand what he's saying as it's going, but then
• 12:33
  Speaker 1: when I try to re like figure out my head,
• 12:37
  Speaker 1: I don't remember any of the words no, because it's
• 12:39
  Speaker 1: so smooth and dope.
• 12:40
  Speaker 2: I can't even read what I'm fucking writing here. This guy,
• 12:43
  Speaker 2: I couldn't imagine being in that intense situation and being like, oh,
• 12:47
  Speaker 2: it's time to do poetry. I wouldn't fuck up and
• 12:50
  Speaker 2: then be like, hey, guys, can we start over really quick?
• 12:52
  Speaker 1: Like yeah, which makes me think do you think that
• 12:55
  Speaker 1: he is? Like he goes okay, So if they ask
• 12:58
  Speaker 1: me who I am, I'll go this route. But if
• 13:00
  Speaker 1: they don't, maybe I'll do this one, like do you
• 13:02
  Speaker 1: think you practiced before he goes up?
• 13:03
  Speaker 2: Probably it's probably like you know, there might be in
• 13:05
  Speaker 2: the oasis, so he needs to make sure that he's
• 13:07
  Speaker 2: articulating and like the right volume. So they can hear,
• 13:10
  Speaker 2: because it'd be awkward if he's like doing his poetry
• 13:12
  Speaker 2: and then they're like wait, what, well, you.
• 13:14
  Speaker 1: Know the first time too, because he had the masks,
• 13:15
  Speaker 1: Like afterwards he's like, I didn't fucking plan for the mask.
• 13:18
  Speaker 4: Yeah, he was LIKEA.
• 13:22
  Speaker 2: Exactly.
• 13:23
  Speaker 4: I mean if it was me with that much, you know,
• 13:26
  Speaker 4: like when you're in a high pressure situation, I would
• 13:29
  Speaker 4: just be like, uh, a vagina, I can't think yeah
• 13:36
  Speaker 4: for vgina, that's a shit my gosh.
• 13:39
  Speaker 2: And then this is another common thing that I think happens.
• 13:42
  Speaker 2: I don't think that he heard her screaming. I'm assuming
• 13:44
  Speaker 2: that he was following her and already knew about Natalie Portman,
• 13:48
  Speaker 2: probably because she was in Star Wars movies. But throughout
• 13:53
  Speaker 2: this movie and we'll get to it, he lets her
• 13:55
  Speaker 2: get attacked a lot and doesn't like help her right away,
• 13:58
  Speaker 2: and like, yeah, that's kind of just like, come on, bro.
• 14:02
  Speaker 1: I feel like he didn't know about her first. I
• 14:04
  Speaker 1: feel like he kind of stumbled upon her because he
• 14:06
  Speaker 1: was going on his way to statue at first.
• 14:10
  Speaker 4: Yeah, I will, I will be in the middle of this,
• 14:12
  Speaker 4: I think right before. I think he met her by accident.
• 14:16
  Speaker 4: And then did the research and found out that her
• 14:18
  Speaker 4: parents were killed in the government ship and there's like, Okay,
• 14:21
  Speaker 4: she's a perfect one that can take over for me,
• 14:23
  Speaker 4: and then started to Yeah, and she worked, So.
• 14:27
  Speaker 1: That's another reason that he would want to be able
• 14:29
  Speaker 1: to get access.
• 14:30
  Speaker 2: And yeah, so he I think it feels like he
• 14:34
  Speaker 2: cuts one of the guys butt.
• 14:36
  Speaker 1: Yeah, did you guys get that?
• 14:38
  Speaker 2: Because the guy is like crawling away and then he
• 14:40
  Speaker 2: just like goes over and slices them. Yeah. Anyways, he's
• 14:45
  Speaker 2: kind of like a londonero zero. Yeah that's why, and
• 14:47
  Speaker 2: I'm here for that.
• 14:48
  Speaker 1: Did you know London or you know England is smaller
• 14:50
  Speaker 1: than Oregon? A? Yeah, it's crazy.
• 14:53
  Speaker 2: Wait why do they act like they just know it all?
• 14:55
  Speaker 1: Then? I just don't understand how they took over the
• 14:57
  Speaker 1: world for so fucking long being such a small area.
• 15:00
  Speaker 1: You know, that's so crazy.
• 15:02
  Speaker 4: And there's like three different countries in it. Yeah, just
• 15:04
  Speaker 4: like what yeah, like four different languages.
• 15:07
  Speaker 1: Ireland is like two point five times smaller than Oregon
• 15:10
  Speaker 1: or some shit.
• 15:11
  Speaker 2: Yeah, where's Britain?
• 15:12
  Speaker 4: So, uh, the UK is like maybe a river's worth
• 15:19
  Speaker 4: of water across from like France and like more towards
• 15:24
  Speaker 4: the southwest, southeast is Germany and all that other.
• 15:27
  Speaker 2: So it was London and part of Britain. Yeah it's
• 15:30
  Speaker 2: the capital, Okay, okay, but like the Britain, Britain United Kings,
• 15:35
  Speaker 2: whatever it's called, they gave us a lot of good
• 15:37
  Speaker 2: like spice girls that came out of there.
• 15:40
  Speaker 1: Frasier, I just found this fact, and I think it
• 15:41
  Speaker 1: might be the only country that has less people. Go
• 15:45
  Speaker 1: because it's not nice. But John Mahoney who played the Dad,
• 15:51
  Speaker 1: is British in real life, but he had like a
• 15:53
  Speaker 1: rough American accent. But I just found this fact out
• 15:55
  Speaker 1: and it blew my mind. So Ireland has less people
• 15:57
  Speaker 1: now than it did in the eighteen forties, and it's
• 16:00
  Speaker 1: probably the only country because of that quote unquote potato famine. Right,
• 16:04
  Speaker 1: it's not fucking tho. Why did you put it in
• 16:06
  Speaker 1: quotes because it really wasn't a famine. They had to
• 16:08
  Speaker 1: give sixty percent of their food. Oh yeah, there wasn't
• 16:11
  Speaker 1: a food if they were able to feed themselves. But
• 16:13
  Speaker 1: with like you know, the Christians and England going all
• 16:16
  Speaker 1: my earsh it's my shoes anyways. But I just found
• 16:18
  Speaker 1: that out and that blew my fucking mind.
• 16:20
  Speaker 4: The next time, don't lose a.
• 16:21
  Speaker 2: War like the leprech On people. Yeah, oh wow, okay, okay.
• 16:28
  Speaker 2: So V and Natalie Portman. I never get her name,
• 16:30
  Speaker 2: so it's evy ev.
• 16:33
  Speaker 4: Oh yeah yeah, because he says it ev.
• 16:35
  Speaker 2: I think that like she did such a you know,
• 16:38
  Speaker 2: okay job, you know whatever. But she's Natalie Portman. I can't.
• 16:42
  Speaker 2: I can't watch Natalie Portman and be like, that's not
• 16:44
  Speaker 2: Natalie Portman. So Natalie VA and Natalie Portman discussed music
• 16:49
  Speaker 2: I think, and I just checked my text messages during
• 16:53
  Speaker 2: me rating.
• 16:54
  Speaker 1: They didn't really discuss music.
• 16:59
  Speaker 2: Like that about music.
• 17:02
  Speaker 1: Hey do you like music? And she's like, yeah, I
• 17:04
  Speaker 1: want to show you this because I.
• 17:05
  Speaker 4: Was part of a bigger grand Let's go watch music
• 17:10
  Speaker 4: on the thing.
• 17:11
  Speaker 1: Yeah, so you like what kind of music you like?
• 17:13
  Speaker 1: Master p.
• 17:17
  Speaker 2: But I have a suspicsion that V does not want
• 17:20
  Speaker 2: to show her music. Suddenly music begins and then like
• 17:24
  Speaker 2: some historic building I think is blown up and fireworks
• 17:27
  Speaker 2: fight at the sky. So he like sees her talks
• 17:30
  Speaker 2: about music, is like, hey, come up on this roof
• 17:32
  Speaker 2: with me. I saved you O me. And then he's like,
• 17:36
  Speaker 2: there's music on these stereo systems and then all of
• 17:38
  Speaker 2: a sudden, this like building explodes and there's fireworks.
• 17:41
  Speaker 4: That go off.
• 17:42
  Speaker 1: Yeah, sorry, why did you why did you pull master P?
• 17:47
  Speaker 1: I don't know, because it's about you know, eight years
• 17:49
  Speaker 1: after he was really famous. If he doesn't really get
• 17:51
  Speaker 1: out very much, maybe his record collection is limited.
• 17:55
  Speaker 2: Oh that's so true, and that's what he like might
• 17:58
  Speaker 2: exist in this in this world.
• 18:00
  Speaker 4: I think I think master P exists because of this movie.
• 18:03
  Speaker 2: I love that that. I wonder if Star Wars exists
• 18:06
  Speaker 2: in this universe probably, But then that means that Natalie
• 18:09
  Speaker 2: Portman she was in Star Wars, or.
• 18:14
  Speaker 1: Is someone that looks like ev Yeah, the British version
• 18:17
  Speaker 1: of Natalie Oh.
• 18:19
  Speaker 2: Karen Kara Knightley Okay, yeah, she's like the Yeah she's
• 18:24
  Speaker 2: smasher pass Kara Knightley or Natalie Portman.
• 18:26
  Speaker 4: Can I smash bulls?
• 18:28
  Speaker 2: You can't.
• 18:29
  Speaker 1: Yeah, I'm gonna have to go that route too.
• 18:30
  Speaker 2: Now that's a great answer, all right, But.
• 18:34
  Speaker 4: If I had to, if I had to choose, I
• 18:35
  Speaker 4: would do Kiera Knightley.
• 18:37
  Speaker 2: Same, ye, same, she's too like she's like kind of
• 18:39
  Speaker 2: the dumb one of the two. So yeah, we're also
• 18:42
  Speaker 2: misogynistic policy as Yeah, okay, so the chancellor guy and
• 18:48
  Speaker 2: his team are meeting in like a very dark, sinister
• 18:51
  Speaker 2: black room. There's like a lot of unused space in
• 18:54
  Speaker 2: this black room. There every d I saw that.
• 18:56
  Speaker 1: I'm like, who would design this? I don't understand. It's
• 18:59
  Speaker 1: just it's not smart.
• 19:01
  Speaker 2: Yeah, there's no lighting except for like the red lights
• 19:05
  Speaker 2: and like little lights by their little desk because the
• 19:06
  Speaker 2: guys are sitting like kind of in a row. And
• 19:08
  Speaker 2: then the chances big old screen TV. I do not like.
• 19:12
  Speaker 2: I did not buy the evil dictators have to be
• 19:16
  Speaker 2: void of fun colors, flattering lighting, and flair.
• 19:21
  Speaker 4: I mean Trump's orange.
• 19:22
  Speaker 2: Yeah.
• 19:24
  Speaker 1: Jong Un looks cuddly.
• 19:26
  Speaker 2: I think he's the most to the two most used
• 19:33
  Speaker 2: gifts of mine on you know, on your cell phone
• 19:35
  Speaker 2: gifts Miss Juicy Baby and Kim Jong Un.
• 19:39
  Speaker 1: Have you seen Kim on a horse? It's it's a
• 19:43
  Speaker 1: wonderful picture.
• 19:44
  Speaker 2: I want to give him a Gerbert, like I want
• 19:46
  Speaker 2: to blow. It's when you blow on a baby's tummy
• 19:47
  Speaker 2: and they like giggle. That's what I want to do
• 19:50
  Speaker 2: with him.
• 19:51
  Speaker 4: You don't have a belly, but that's called a Berbert.
• 19:54
  Speaker 1: I think.
• 19:56
  Speaker 2: What's it is fitting?
• 20:00
  Speaker 1: I think we coined a new term.
• 20:01
  Speaker 2: Okay, oh wait, these people are probably anti LGBT, so
• 20:08
  Speaker 2: it's easy to hide that you're Oh it, it's easy
• 20:10
  Speaker 2: to to hide that you're gay in London because everybody
• 20:12
  Speaker 2: sounds super fucking gay. He's like, yeah, that's right.
• 20:17
  Speaker 4: Anyways, I was looking Abserbert to see if it's actually
• 20:20
  Speaker 4: a thing, if it's not chloral for Zerbert's informal the
• 20:24
  Speaker 4: sound when someone places the mouth against skin and plod.
• 20:29
  Speaker 2: There we go. I hate, I love and hate that.
• 20:32
  Speaker 2: That's like in my brain. Yeah, okay, So anyways, so
• 20:35
  Speaker 2: the daddies are all in black and chit chatting about
• 20:37
  Speaker 2: the explosion and are like, we need to find Natalie Portman.
• 20:41
  Speaker 2: Kind of dick that v only allowed Natalie Portman to
• 20:43
  Speaker 2: be on the roof during the explosion, but not realizing
• 20:46
  Speaker 2: that her face would be exposed. Unless it's part of
• 20:48
  Speaker 2: his plan or something, I'm too high, I'm gonna take
• 20:50
  Speaker 2: a break at the sandwich. You know that.
• 20:53
  Speaker 4: That brings me into another like maybe I'm leaning now
• 20:56
  Speaker 4: towards you on this one. Maybe he did know her,
• 20:59
  Speaker 4: Maybe he selected her out of all the people and
• 21:01
  Speaker 4: was like, Okay, this is the route I'm going to go.
• 21:04
  Speaker 2: How can somebody's so calculating take her an over surveillanced
• 21:11
  Speaker 2: neighborhood during an explosion and he has a mask she
• 21:14
  Speaker 2: doesn't like. I don't know that. I feel like he
• 21:16
  Speaker 2: like intentionally exposed her.
• 21:18
  Speaker 1: Now I'm kind of leaning towards you say, too, because
• 21:20
  Speaker 1: during that first conversation, I think that, uh, like detective
• 21:24
  Speaker 1: but whatever it's called, what's called over there, inspector.
• 21:28
  Speaker 2: Yea, even that sounds gay Jesus. Something was yeah, right, bobbies,
• 21:35
  Speaker 2: they probably have whistles.
• 21:39
  Speaker 1: But he goes, there was uh something tapped into her.
• 21:43
  Speaker 1: Something was tapped into like our surveillance or something, so
• 21:45
  Speaker 1: he could have been listening. So maybe he did. Maybe
• 21:48
  Speaker 1: he did pick out even I'm kind of leaning more
• 21:50
  Speaker 1: towards that way too.
• 21:50
  Speaker 2: Yeah, yeah, oh yes, I'm back now and we are
• 21:55
  Speaker 2: in the state run news station and the news anchors
• 21:57
  Speaker 2: are trying to put a spin on the explosions and
• 22:00
  Speaker 2: saying that it was a delomination demolition. I don't want
• 22:04
  Speaker 2: to got angry at that, and the fireworks were part
• 22:07
  Speaker 2: of like celebrating the demolition of this building. Natalie Portman
• 22:11
  Speaker 2: works at the news station and her boss is an asshole.
• 22:13
  Speaker 2: I would have I've assume it's her boss, that bitch
• 22:15
  Speaker 2: that was like, give me espresso. Yeah, and I would
• 22:20
  Speaker 2: one hundred percent spent in that assholds coffee. Natalie Portman
• 22:25
  Speaker 2: brings coffee to that old, big old queen talk show
• 22:27
  Speaker 2: host Gordon. I'm assuming his name is because I got
• 22:30
  Speaker 2: the vibe that he was a homosexuals Oh yeah, like
• 22:32
  Speaker 2: because IDEs like the dildo. I was asked like like, yeah, I.
• 22:35
  Speaker 4: Mean I honestly like, I think he is in real life,
• 22:38
  Speaker 4: so like, and I knew that, and I love him
• 22:40
  Speaker 4: as an actor and as a as a person. So
• 22:42
  Speaker 4: it's like watching himim like, oh, is he playing straight?
• 22:45
  Speaker 1: He has one of my favorite things because he's an
• 22:47
  Speaker 1: atheist in real life.
• 22:48
  Speaker 2: Yeah.
• 22:49
  Speaker 1: He asks him about if he met God what he
• 22:52
  Speaker 1: would say, and he goes, I would say, how dare you?
• 22:54
  Speaker 1: And then he goes on this whole rand about like.
• 22:56
  Speaker 4: There's bone cancer and kids.
• 22:59
  Speaker 1: He's like, are you fucking kidding me? And there's one
• 23:01
  Speaker 1: of my favorite things.
• 23:01
  Speaker 2: So yeah, you know what movie? He has a cameo
• 23:03
  Speaker 2: appearance in Joe Dirt two, the blockbuster hit Spice World.
• 23:10
  Speaker 4: Not oh yeah, that's right, it does.
• 23:12
  Speaker 2: Okay, So then the movie cuts to the law enforcement
• 23:15
  Speaker 2: peeps breaking into Natalie Portman's apartment, but she's at work.
• 23:19
  Speaker 2: They find her badge and then there you are off Natalie.
• 23:22
  Speaker 1: But why did they find her badge if she was
• 23:24
  Speaker 1: at work? Oh yeah, it was new one. Yeah she
• 23:27
  Speaker 1: kept it, like how people keep.
• 23:29
  Speaker 2: Like their old driver's from when I was sixteen. My
• 23:31
  Speaker 2: one of my best friends, Tabitha, has my sixteen year
• 23:34
  Speaker 2: old driver's license and she keeps it.
• 23:36
  Speaker 1: I am pissed because, rough my so it wasn't four
• 23:39
  Speaker 1: years you have to get a license. I was like
• 23:40
  Speaker 1: twenty years old, dot whatever whatever that first time is.
• 23:43
  Speaker 1: So I called and go, hey, what do I need?
• 23:45
  Speaker 1: And they tell me but they didn't so I brought
• 23:46
  Speaker 1: like my ID and like my birth certificate or something.
• 23:49
  Speaker 1: But I needed one more fucking thing. And I bummed
• 23:52
  Speaker 1: because I went and I had a Hitler stash. So
• 23:55
  Speaker 1: I was just kind of fucking rock a Hitler stash.
• 23:57
  Speaker 1: But they go, hey, uh, you need this one more
• 24:00
  Speaker 1: some identification and I was like, well, I can't rock
• 24:02
  Speaker 1: a stash for like three weeks. Oh, I needed my
• 24:05
  Speaker 1: cer certificate. So I had to order my birth certificate
• 24:07
  Speaker 1: and I was like, I can't rock this for three weeks.
• 24:09
  Speaker 1: So on my second one, I don't have any facial
• 24:12
  Speaker 1: hair up here. I just have this, and I look
• 24:14
  Speaker 1: like a fucking idiot. Oh my god. Yeah, like I
• 24:16
  Speaker 1: would have looked better with the Hitler stash.
• 24:17
  Speaker 2: Yeah, Charlie Chap.
• 24:19
  Speaker 1: I would have said, like, who I love, that's my
• 24:22
  Speaker 1: whole plan for the joke.
• 24:23
  Speaker 2: But who's Hitler?
• 24:24
  Speaker 4: Yeah? Hitler?
• 24:26
  Speaker 3: What? Yeah?
• 24:28
  Speaker 4: Hitler what? Wait?
• 24:31
  Speaker 2: What?
• 24:34
  Speaker 4: But the workaround for that is having a passport, because
• 24:37
  Speaker 4: when you have your passport, it works for fucking everything. Yeah,
• 24:40
  Speaker 4: I got mine when I got to when I got
• 24:42
  Speaker 4: to go to Costa Rica, and it's like it's works
• 24:44
  Speaker 4: for a driver's license, for for anything.
• 24:47
  Speaker 2: I used to hate d m V employees and the
• 24:50
  Speaker 2: d m V with passion, but I appreciate their bitchiness
• 24:54
  Speaker 2: because if you're not prepared, now we have an internet.
• 24:57
  Speaker 2: You're not prepared, then yeah you should wait in line forever.
• 25:00
  Speaker 2: Get up there and made it feel like an asshole.
• 25:01
  Speaker 1: I've never had an issue except for that one time,
• 25:04
  Speaker 1: but then they go oh, and I was like, okay,
• 25:05
  Speaker 1: I just got to order it then whatever. Every time
• 25:07
  Speaker 1: I've gone so yeah, I don't know, it's your fault.
• 25:10
  Speaker 1: They have everything online. Just read what you need to
• 25:12
  Speaker 1: do and then go fucking do it.
• 25:13
  Speaker 4: No one wants to read anymore.
• 25:14
  Speaker 1: That's true.
• 25:15
  Speaker 2: So Natalie apartment is like delivering stuff because she's like
• 25:18
  Speaker 2: a male person or something, and she delivers these boxes
• 25:21
  Speaker 2: that have the masks like the V for de Vendetta masks,
• 25:24
  Speaker 2: and all of a sudden, the V guy enters with
• 25:26
  Speaker 2: has like a fuck ton of bombs attached to him.
• 25:29
  Speaker 2: He forces himself into the newsroom and plays a recorded
• 25:31
  Speaker 2: message to the people of London watching that next November fifth,
• 25:37
  Speaker 2: there'll be some sort of uprising at Parliament. V tricks
• 25:40
  Speaker 2: his way out of the news room but is almost
• 25:42
  Speaker 2: taken out by one of the law enforcement dudes, but
• 25:44
  Speaker 2: Natalie Portman saves his life with pepper spray. I don't
• 25:48
  Speaker 2: I did that like a dick. Natalie Portman is knocked
• 25:51
  Speaker 2: out and V saves her from getting arrested. Natalie Portman
• 25:56
  Speaker 2: wakes up in full of a room full of books
• 25:58
  Speaker 2: because V's bragging the he's a reader. Iooks, yeah, VA.
• 26:06
  Speaker 2: Natalie Portman discussed the state of society. I'm guessing through
• 26:10
  Speaker 2: well thought out sentences because they don't say or like
• 26:13
  Speaker 2: at all and they talk so eloquently, like him a
• 26:16
  Speaker 2: lot more than her, but she talks. Yeah, she's genius. Okay,
• 26:20
  Speaker 2: I can see this movie was made on a smaller
• 26:23
  Speaker 2: budget because they're only pretty much in like two minimal
• 26:25
  Speaker 2: rooms or three minimal rooms. Yeah, they're in the inspector office,
• 26:31
  Speaker 2: VI's little dungeon or hide out, and then the black room.
• 26:36
  Speaker 4: Yeah. Well they're also in that cathedral too for a
• 26:38
  Speaker 4: little bit.
• 26:39
  Speaker 2: Yeah, I could see. Okay, But Natalie Portman goes back
• 26:43
  Speaker 2: to sleep and wakes up to v being adorable and
• 26:46
  Speaker 2: making her breakfast. She shares with him more about herself,
• 26:49
  Speaker 2: and he shares more about his plan and vision for
• 26:51
  Speaker 2: the uprising. I'm curious if she ever just likes just
• 26:55
  Speaker 2: wants to rip off his masks like one hundred percent would,
• 26:57
  Speaker 2: or I would stink up the bathroom so much that
• 26:59
  Speaker 2: he threw up and has to live up its mask.
• 27:03
  Speaker 2: But this movie, I'm sure to talk about this later,
• 27:06
  Speaker 2: and if I don't, I'm gonna say it now. A
• 27:08
  Speaker 2: lot of this movie is Natalie Portman either falling asleep,
• 27:10
  Speaker 2: waking up, passing out, waking up. She falls asleep and
• 27:14
  Speaker 2: and goes to bed. So much in this movie so
• 27:17
  Speaker 2: much I could see that. Yeah, okay, So we cut
• 27:19
  Speaker 2: to the home of like a kind of a Tucker
• 27:23
  Speaker 2: Carlson kind of guy, like a like kind of like
• 27:24
  Speaker 2: Fox to me this kind of thing on, and he's
• 27:29
  Speaker 2: taking a shower while watching himself.
• 27:31
  Speaker 1: Love that shower though. Yeah, I've always wanted an overhead shower.
• 27:33
  Speaker 2: Yeah, it's delish, except for I need to have an overhead,
• 27:37
  Speaker 2: but like a detachable one because I like to like
• 27:40
  Speaker 2: really get in there deep on the backside at Yeah,
• 27:43
  Speaker 2: I was convinced with my friends to my friends anymore,
• 27:46
  Speaker 2: but I said that they're They just came out with
• 27:48
  Speaker 2: a cordless shower head and she was like, that's so cool.
• 27:52
  Speaker 2: And I'm like, yeah.
• 27:54
  Speaker 1: I had a friend that's like six eight or something,
• 27:56
  Speaker 1: and he said he fucking hates showers because it like
• 27:59
  Speaker 1: goes up to like his boobs.
• 28:00
  Speaker 2: Yeah, he's too tall.
• 28:02
  Speaker 1: It's too tall, right, And he goes, I can't take
• 28:04
  Speaker 1: a shower.
• 28:04
  Speaker 4: I'm like, that sucks, man, Yeah, what are you gonna
• 28:06
  Speaker 4: do because no bathtub is big enough for you.
• 28:08
  Speaker 1: Yeah.
• 28:09
  Speaker 2: Michael Jackson or Jordan or whatever his name is.
• 28:11
  Speaker 1: He's tall, Yeah, he's six six, but he's also a billionaire.
• 28:16
  Speaker 4: Not only does he have like an overhead shower, but
• 28:18
  Speaker 4: he has showers going the other two ways.
• 28:20
  Speaker 2: Is your friend who's that tall? Does he do anything
• 28:22
  Speaker 2: with his tallness?
• 28:24
  Speaker 1: He got really in the math and I haven't talking
• 28:25
  Speaker 1: for like fifteen years.
• 28:27
  Speaker 2: I don't know what he wouldn't do, like a like
• 28:29
  Speaker 2: a side show or something.
• 28:30
  Speaker 1: If I did that after six eight, you can do something.
• 28:32
  Speaker 2: Yeah, So apparently yeah. So the guy is like, and
• 28:37
  Speaker 2: I put on here Past not Smash while watching himself
• 28:40
  Speaker 2: on TV. So he's watching himself on TV. But I
• 28:42
  Speaker 2: also listened to this podcast while I'm taking a shower,
• 28:44
  Speaker 2: So I'm not the same as a cable news anchor,
• 28:47
  Speaker 2: but pretty close. Okay, Okay, So the guy opens up
• 28:50
  Speaker 2: his medicine cabinet. It looks like this guy has quite
• 28:52
  Speaker 2: the hobby. Damn. V has probably been watching him for
• 28:55
  Speaker 2: a while. And the news guy slips with his towel
• 28:57
  Speaker 2: and it's like no, and V kills him, I think,
• 29:00
  Speaker 2: and leaves a rose. I think that V is gay.
• 29:02
  Speaker 2: Here's why I think VI he's gay. He cooks. He
• 29:06
  Speaker 2: You don't have to do all of these, but you
• 29:07
  Speaker 2: have to do four of four of the six. I
• 29:09
  Speaker 2: think cooks, reads really into flowers, does not sleep with
• 29:12
  Speaker 2: now A. Portman dresses in costume slash drag, talks about
• 29:18
  Speaker 2: freedom instead of just pussy sports and boobs.
• 29:22
  Speaker 1: So so he's not like Saturdays for the boys. He's
• 29:27
  Speaker 1: like Saturdays for pruning, yeah.
• 29:30
  Speaker 2: Or like revolution or something, but instead he never talks
• 29:33
  Speaker 2: about it. Yeah, never anything. So yeah, so if you
• 29:38
  Speaker 2: are four of those, you're gay.
• 29:39
  Speaker 4: Yeah.
• 29:41
  Speaker 2: Okay. So the inspector and his work husband, because they're
• 29:43
  Speaker 2: just like obsessed with each other, go to the news
• 29:45
  Speaker 2: guy's home and they talk about stuff. Well, okay, this
• 29:50
  Speaker 2: is a a plus. Okay, if you guys want to
• 29:58
  Speaker 2: interject to be like, no, you're actually you're actually all
• 30:02
  Speaker 2: the important parts somehow. Okay. Natalie Portman wakes up again.
• 30:08
  Speaker 2: She's always sleeping, Okay. I don't know if she picked
• 30:13
  Speaker 2: she picked the right guy or not, or he picked
• 30:14
  Speaker 2: the right girl. Okay. So Nally Portman wakes up again
• 30:18
  Speaker 2: in vas practicing sword fighting with the armald armor arml
• 30:23
  Speaker 2: armor armored armored.
• 30:25
  Speaker 1: That's yeah, too many close ours with a night.
• 30:30
  Speaker 2: Most of Nali Portman scenes are waking up, our past, now,
• 30:32
  Speaker 2: going to sleep, blah blah blah.
• 30:33
  Speaker 1: Okay, I do love that scene though, of him watching
• 30:36
  Speaker 1: the movie and playing it out. Yeah, because like the
• 30:39
  Speaker 1: whole part part so far in this movie, you've only
• 30:42
  Speaker 1: kind of seen him as like the scary badass like revolutionary,
• 30:47
  Speaker 1: like uh vigilante type thing. But then when you kind
• 30:50
  Speaker 1: of see him like at home, there's still something kind
• 30:52
  Speaker 1: of whimsical about him and like kind of like childhood
• 30:55
  Speaker 1: because he's you know what, but he's also probably training.
• 30:57
  Speaker 1: But he's also watched the movie, which I thought was
• 30:59
  Speaker 1: a very good point because now you get all aspects
• 31:01
  Speaker 1: of it, and.
• 31:01
  Speaker 4: Then that's another point for him. Maybe being gay is
• 31:04
  Speaker 4: him really enjoying Earrol Flynn.
• 31:05
  Speaker 2: Movies Boom gay gay And like I used to re
• 31:09
  Speaker 2: enact Spice Girls concerts, he's doing the same thing.
• 31:13
  Speaker 1: Reenactnan. Maybe I'm six four redheaded.
• 31:17
  Speaker 2: Maybe your hair is the swoop is getting I'm trying
• 31:19
  Speaker 2: to get.
• 31:20
  Speaker 1: I love that.
• 31:20
  Speaker 2: Yeah A plus. Okay, So so V and his fag
• 31:25
  Speaker 2: Hag are discussing.
• 31:28
  Speaker 1: I thought that guy was going to turn on the
• 31:30
  Speaker 1: inspector right the first time, Like it seems like why
• 31:33
  Speaker 1: wouldn't they put that in the movie.
• 31:35
  Speaker 2: M h right in.
• 31:36
  Speaker 1: But I'm just saying I thought for sure.
• 31:38
  Speaker 2: So they're discussing that classic movie that V just loves Man.
• 31:43
  Speaker 2: There's man. There's a lot of dialogue in this movie,
• 31:46
  Speaker 2: and with the accents, it takes a lot to fully
• 31:48
  Speaker 2: understand what's going on. I watch way too much reality television,
• 31:52
  Speaker 2: including the epic new season of House the Villain with
• 31:55
  Speaker 2: the return of the HBI c New York.
• 31:58
  Speaker 1: Oh really, she's bad back?
• 32:00
  Speaker 2: Oh my god, do you know who New York is from?
• 32:02
  Speaker 2: Flavor of Love?
• 32:03
  Speaker 4: Oh my gosh. Yeah, I seen that show in so long.
• 32:06
  Speaker 2: It's icon I watch it yearly. But but yeah, she's
• 32:10
  Speaker 2: she is like probably the number one reality show villain
• 32:14
  Speaker 2: of all time. Like I think she's not so okay,
• 32:17
  Speaker 2: you need to watch House of Villain season one because
• 32:20
  Speaker 2: she goes after because they're both on the episode.
• 32:22
  Speaker 1: Oh wait, wait, so is this show about reality show
• 32:25
  Speaker 1: stars that were assholes all live together?
• 32:31
  Speaker 2: And the guy I forget his name, but he's in
• 32:33
  Speaker 2: movies I don't know, but from Community. I never watched
• 32:37
  Speaker 2: that show. No, not him, Joel McHale. He hosts it.
• 32:43
  Speaker 2: So then when when New York is gonna get eliminated
• 32:45
  Speaker 2: on the first season?
• 32:46
  Speaker 1: Wait, I don't want to hear I'm gonna start this.
• 32:48
  Speaker 1: Watch it, watch it, episodes about it, watch it, gotch it.
• 32:52
  Speaker 2: Okay, it's so good. Oh my god, you're gonna hear
• 32:55
  Speaker 2: it the iconic. It's so good. There's tonic moment in
• 33:00
  Speaker 2: that in that season. Okay, blah blah blah. Natalie Portman
• 33:04
  Speaker 2: questions V on if he took her work badge to
• 33:07
  Speaker 2: kill the news guy. She seems shocked, even though V
• 33:11
  Speaker 2: has been very forthcoming about his style. She watched he
• 33:14
  Speaker 2: didn't have to kill those guys that were assaulting her,
• 33:17
  Speaker 2: like they had it coming.
• 33:18
  Speaker 1: But I don't think he did kill them.
• 33:19
  Speaker 2: Actually, oh he.
• 33:20
  Speaker 1: Didn't because at one point that minister guy's talking and
• 33:23
  Speaker 1: he goes, they based on what they told us, we
• 33:26
  Speaker 1: figured out so they were actually still alive.
• 33:29
  Speaker 2: I didn't watch this with subtitles, and I should have
• 33:31
  Speaker 2: because I don't understand that like marbles in your mouth speak. Yeah,
• 33:35
  Speaker 2: we don't have a lot of British listeners.
• 33:37
  Speaker 1: Yea. The part where she goes, did you have something
• 33:40
  Speaker 1: to do with that murder or something? She goes, did
• 33:41
  Speaker 1: you have something to do with it? And he goes,
• 33:43
  Speaker 1: I murdered him.
• 33:44
  Speaker 2: Yeah, it was like I killed That's like his vibe
• 33:49
  Speaker 2: like he's like he's like a badass killer. He's not
• 33:51
  Speaker 2: like a like he does his little talkie dance thing.
• 33:53
  Speaker 1: But oh.
• 33:58
  Speaker 5: Good evening. Come on, brother, how did you get an hit?
• 34:02
  Speaker 5: Don't worry, I've made sure our reunion would be disturbed
• 34:05
  Speaker 5: by pescilate night phone calls.
• 34:07
  Speaker 4: Come on to stop that.
• 34:09
  Speaker 2: Why did you get calling me that?
• 34:10
  Speaker 5: That was your title? Remember when we first met, all
• 34:13
  Speaker 5: those years ago, he wore a uniform in those days.
• 34:20
  Speaker 2: You it is you, the ghost of Christmas Pass.
• 34:26
  Speaker 1: But everybody does kill that we know for sure deserved
• 34:29
  Speaker 1: it or tried to kill him first. Like those police.
• 34:32
  Speaker 1: I guess they were kind of doing their job, but
• 34:34
  Speaker 1: they are working for you know, like a horrible dictator.
• 34:37
  Speaker 1: So yeah, they were shooting at him.
• 34:38
  Speaker 4: So I absolutely have to watch movies with subtitles. I
• 34:41
  Speaker 4: got it from my mom. There's there's two things I
• 34:44
  Speaker 4: do as a as a half lesbian. I work on
• 34:46
  Speaker 4: subar us and I have the subtitles on.
• 34:48
  Speaker 2: I love that You're by lesbian.
• 34:51
  Speaker 4: I'm like half half.
• 34:53
  Speaker 2: I love that so much. Okay, there was some sort
• 34:57
  Speaker 2: of camp where gays get tested on.
• 34:59
  Speaker 1: I was like, fucked, well, I don't think it was
• 35:01
  Speaker 1: just gaze and it was like basically.
• 35:03
  Speaker 2: All the undesirables, degenerates that we're staying.
• 35:08
  Speaker 1: Well, that's what the minister. Also, they also did stuff
• 35:12
  Speaker 1: to kids too, That's what whole Saint Mary's sing was.
• 35:15
  Speaker 1: So they were testing this virus out on whoever they
• 35:18
  Speaker 1: thought were bad, but then to scare people, they started
• 35:21
  Speaker 1: doing it in little pockets of the and eventually killed
• 35:24
  Speaker 1: like one hundred thousand people. But that's what that's at it.
• 35:26
  Speaker 1: I never made that connection to where her brother was
• 35:29
  Speaker 1: at Saint Mary's, never made that connection till just now,
• 35:32
  Speaker 1: and I'm like, holy shit. So last time I watched it,
• 35:34
  Speaker 1: it was probably the eighth time I watched it. So yeah, yeah,
• 35:37
  Speaker 1: really good, really good writing. I was like, oh shit,
• 35:39
  Speaker 1: it's all coming together.
• 35:39
  Speaker 2: Yeah that was really bad. Okay, so people who worked
• 35:44
  Speaker 2: at the camp are being targeted. Oh and now Alie
• 35:47
  Speaker 2: Portman is doing more of her backstory about the fall
• 35:49
  Speaker 2: of London and her parents getting taken away. That was intense,
• 35:53
  Speaker 2: it was right. Yeah. However, I must point out that
• 35:57
  Speaker 2: the mom telling her, the young Natalie Portman, to hide,
• 36:02
  Speaker 2: but then when the mom falls on the ground, the
• 36:04
  Speaker 2: mom makes it very clear when Natalie Portman's hiding. Yeah,
• 36:07
  Speaker 2: so they probably were gonna look under the bed anyways,
• 36:09
  Speaker 2: but like the mom didn't do her anyhow, So that
• 36:11
  Speaker 2: was kind of dick. But I get it. If I'm
• 36:14
  Speaker 2: going down, I'm taking discuss with me because I'm gonna
• 36:17
  Speaker 2: be like a pharaoh that like when I die. Everybody,
• 36:19
  Speaker 2: I loved it too.
• 36:20
  Speaker 4: That's what my grandpa did. Like he took my little brother.
• 36:23
  Speaker 4: He took every single one of his dogs and cats
• 36:27
  Speaker 4: in life. There was just so much that went with
• 36:29
  Speaker 4: it and stuff. Yeah, my little brother had a little
• 36:32
  Speaker 4: heroine whoops of daisy.
• 36:34
  Speaker 2: Oh no, so you're you're he killed him?
• 36:38
  Speaker 4: No, no, no, no, no no, my brother was already dead.
• 36:40
  Speaker 2: Oh okay, that's better. I get But like I thought
• 36:42
  Speaker 2: you were saying, like he was like a murders.
• 36:44
  Speaker 4: It was like, no, no, no, no, that was super dark.
• 36:47
  Speaker 4: But it's not that dark. No, it only fucked me
• 36:51
  Speaker 4: up for like ten years, but now like that less dark.
• 36:56
  Speaker 2: I was like my dad did, Oh wow, okay, it's
• 37:00
  Speaker 2: one of those it's election day. We're gonna get dark
• 37:05
  Speaker 2: V back to doing his favorite thing telling instead of
• 37:09
  Speaker 2: showing down of the Aportman things. Wait, is he enlisting
• 37:11
  Speaker 2: her to help and take down the priest guy. That's
• 37:14
  Speaker 2: cool that they're finally going to partner up and do something.
• 37:17
  Speaker 1: Well, it was her idea, but it was like he's like, oh,
• 37:20
  Speaker 1: you know, I do have something that you could help
• 37:21
  Speaker 1: me out with.
• 37:22
  Speaker 2: Yeah, it's not like waiting the game for her to
• 37:24
  Speaker 2: start doing something. But besides napping, and.
• 37:27
  Speaker 4: I think she really just wanted to get the fuck
• 37:29
  Speaker 4: out of there, right.
• 37:29
  Speaker 2: That's what I was thinking about this. So oh then
• 37:32
  Speaker 2: I realized that he's only using her to be a
• 37:34
  Speaker 2: sex object. That's kind of how it felt. V waited.
• 37:37
  Speaker 2: Here's where it goes. V waited way too long to
• 37:40
  Speaker 2: come in and kill that guy or whatever because she
• 37:42
  Speaker 2: was getting like almost raped and it was all planned.
• 37:47
  Speaker 2: So why did he not start trying to get into
• 37:49
  Speaker 2: that room, like, I don't know, three minutes earlier to
• 37:52
  Speaker 2: make it less traumatic. But maybe that's that's the thing
• 37:55
  Speaker 2: with her. Yeah, he wants her to get raped, kind of.
• 37:59
  Speaker 4: Her to see that how far they're willing to take
• 38:02
  Speaker 4: it and how far that she has to take its.
• 38:05
  Speaker 2: Yeah, this movie's heavy.
• 38:06
  Speaker 1: Oh yeah, because if he came in too soon, maybe
• 38:08
  Speaker 1: she wouldn't realize that, Like Hey, not just who we
• 38:11
  Speaker 1: think are evil, but even the ones that were supposed
• 38:13
  Speaker 1: to like protect us, like the Catholic whoever they were,
• 38:17
  Speaker 1: even they're evil. So by oh maybe yeah, maybe with
• 38:20
  Speaker 1: a plan so she could take over completely.
• 38:22
  Speaker 4: This movie was long after the nineties, so I feel
• 38:24
  Speaker 4: like she probably already knew that the Catholic church was bad.
• 38:28
  Speaker 2: Yeah. I know, they just had to do another settlement
• 38:31
  Speaker 2: for like eight hundred million dollars or something like that.
• 38:33
  Speaker 2: They're gonna go out of business, just like Sherry's in
• 38:36
  Speaker 2: the restaurant.
• 38:36
  Speaker 4: Yeah. Sometimes I wish I wasn't such a fat kid.
• 38:39
  Speaker 4: Maybe then I can get a settlement. Oh god, because
• 38:43
  Speaker 4: I was raised Catholic, you were not by my mom
• 38:45
  Speaker 4: but my dad.
• 38:46
  Speaker 2: But oh wow you had Catholic and lesbian. Yeah that's awesome.
• 38:49
  Speaker 4: So I'm nothing or everything and everything and every I'm
• 38:54
  Speaker 4: every woman.
• 38:55
  Speaker 2: Yeah I love that. Okay, So, uh, Natalie pour me
• 38:59
  Speaker 2: kind of back to z V by telling the priest
• 39:04
  Speaker 2: guy like heyl, this guy's gonna kill you, but he's like,
• 39:06
  Speaker 2: I'm gonna rape instead. Anyways, but he really just treated
• 39:10
  Speaker 2: her like a Oh in my opinion at this time,
• 39:12
  Speaker 2: until just now when I realize I think he was
• 39:14
  Speaker 2: treated her like dog shit, but also really quick.
• 39:17
  Speaker 1: So that priest he was like, I like this game.
• 39:19
  Speaker 1: I've never played this game, literally, like, hey, this motherfucker. Yeah,
• 39:23
  Speaker 1: it was too specific for anybody.
• 39:27
  Speaker 2: This guy's gonna come in in the next five minutes
• 39:29
  Speaker 2: and he's gonna murder you. He's on the He's like,
• 39:31
  Speaker 2: he has a Vendetta and his name is v Oh
• 39:35
  Speaker 2: that's so crazy.
• 39:37
  Speaker 3: No, I do that.
• 39:37
  Speaker 2: I knew that V for Vendetta. But but then when
• 39:40
  Speaker 2: they explained why they got the V it would have
• 39:42
  Speaker 2: sucked for the.
• 39:43
  Speaker 1: Title if he was in like the cell, like or
• 39:46
  Speaker 1: if he just had his name like like I don't know, Hank.
• 39:50
  Speaker 2: V I for Vendetta, Like you know whatever. Okay, So
• 39:54
  Speaker 2: Natalie Portman runs off and even though she is one
• 39:57
  Speaker 2: of the most wanted people in London, she's gonna go
• 39:59
  Speaker 2: to Ordon's house and make him a target.
• 40:02
  Speaker 1: And she doesn't take out her pigtails, like trying to
• 40:05
  Speaker 1: look a little bit more normal if you're trying to fleeing.
• 40:08
  Speaker 2: So I don't know, Oh, I called it. He was gay.
• 40:10
  Speaker 2: The only gay person, okay, because only a gay person
• 40:13
  Speaker 2: would see a dictator take over and think Okay, I'm
• 40:17
  Speaker 2: gonna take him and read him, read him for filth.
• 40:20
  Speaker 2: So the news guy or the light late night talk
• 40:24
  Speaker 2: show guy was clearly gay because he just did that
• 40:27
  Speaker 2: skit that was so hord. It's like going to North
• 40:29
  Speaker 2: Korea doing a skit about Kim John Oon. You're probably
• 40:32
  Speaker 2: gonna die.
• 40:33
  Speaker 3: Yeah.
• 40:33
  Speaker 1: So, but also if you think about it, it wasn't
• 40:36
  Speaker 1: anything too overboard. And then they even said they probably
• 40:40
  Speaker 1: they probably weren't gonna kill him, but then they saw
• 40:42
  Speaker 1: the Koran there too, and they go, we can't fucking
• 40:44
  Speaker 1: have that. So that's why they killed him instead of
• 40:45
  Speaker 1: puting to prison. Yeah, but dude, those British people love
• 40:49
  Speaker 1: that fucking uh. You know that Benny Hill has some fun, Yeah,
• 40:58
  Speaker 1: he was.
• 40:59
  Speaker 2: We didn't brag out all of your stuff too. That
• 41:01
  Speaker 2: that also shows that he's gay because he's like, hey girl,
• 41:03
  Speaker 2: look come look at all this shit I have.
• 41:06
  Speaker 4: Do you think like Britain saw that we were stealing
• 41:09
  Speaker 4: a bunch of their like uh, the python, and they're like,
• 41:12
  Speaker 4: let's steal one of their things, and they took Benny
• 41:14
  Speaker 4: Hill a new way. Yeah, we were still up from
• 41:16
  Speaker 4: the tea little tea party we had back in the fifteen.
• 41:22
  Speaker 2: Okay, So on his talk show he bears the chanceller
• 41:25
  Speaker 2: guys about who looks just.
• 41:27
  Speaker 1: Like the chancellor. Yeah, that was too too much. That
• 41:30
  Speaker 1: was like, is this supposed to be like an a
• 41:31
  Speaker 1: I think I couldn't really tell. I was like, why
• 41:33
  Speaker 1: is it?
• 41:33
  Speaker 2: Yeah, there was like two of them. That was like,
• 41:35
  Speaker 2: that was too weird. Nollyportman goes back to sleep. She
• 41:39
  Speaker 2: loves sleeping. All of a sudden, that Liza Oh, I
• 41:44
  Speaker 2: was comparing him to Liza Minelly storms in and he's like, bitch,
• 41:47
  Speaker 2: hide and then he gets black bagged. Natalie Portman does
• 41:51
  Speaker 2: not get caught this time. If I was going to
• 41:53
  Speaker 2: be black bagged out one hundred percent taken Alley Portman
• 41:56
  Speaker 2: down with me, I'd be like, she's down there.
• 41:58
  Speaker 4: I like how Eliza Minelli also protected her more than
• 42:01
  Speaker 4: her own mom did, because like he also got black
• 42:04
  Speaker 4: black bagged and like fell down by the bed, didn't
• 42:07
  Speaker 4: look at her. I mean he kind of looked at her,
• 42:09
  Speaker 4: but didn't reveal her position, and then she was able
• 42:12
  Speaker 4: to get That's that's the one scene where gays.
• 42:15
  Speaker 2: Won yep, exactly better than mom's. And that's the thing
• 42:18
  Speaker 2: that's the message of this of this podcast is like,
• 42:20
  Speaker 2: if you need somebody to love you unconditionally but still
• 42:24
  Speaker 2: tell you when your dry ends and just what ends
• 42:26
  Speaker 2: are bad, have a gay person in your life. Yeah, okay.
• 42:29
  Speaker 2: Natalie Portman is caught this time as she was like
• 42:32
  Speaker 2: jumping down like the side of the house and she
• 42:37
  Speaker 2: almost got away to capture bah blah blah. Okay, this
• 42:39
  Speaker 2: is I immediately called this because they did a horrible
• 42:43
  Speaker 2: juxt that wasn't folio paint attention, but I was paying
• 42:45
  Speaker 2: attention enough. The guy who grabs her spoiler alert, his
• 42:50
  Speaker 2: eyes around his eyes the skin is red, like very red.
• 42:54
  Speaker 2: So I knew it was I knew it.
• 42:56
  Speaker 1: I mean I knew after I saw it for the
• 42:58
  Speaker 1: first time. But but yeah, yeah, I didn't know the
• 43:02
  Speaker 1: first time I saw.
• 43:02
  Speaker 2: It and was like, oh shit, my TV must be
• 43:04
  Speaker 2: like really high definition or something.
• 43:06
  Speaker 1: But I was like, that's ve but I've never even
• 43:08
  Speaker 1: seen the red eyes watching.
• 43:11
  Speaker 4: I didn't know the first time I watched it because
• 43:12
  Speaker 4: I watched in theaters and like, admittedly I was really
• 43:15
  Speaker 4: drunk at the time, but even when I went back
• 43:17
  Speaker 4: to see the second time, I was just like, and
• 43:20
  Speaker 4: I was watching.
• 43:20
  Speaker 2: This because he's so calculated there's no way that he
• 43:23
  Speaker 2: even after she kind of backstabbed him a little bit,
• 43:26
  Speaker 2: that she he wouldn't still be like, this is my
• 43:28
  Speaker 2: my person, I'm nurturing. So he was gonna like kind
• 43:31
  Speaker 2: of protect her in like a really fucked up way.
• 43:33
  Speaker 1: But I think he could tell why she backs at him,
• 43:35
  Speaker 1: because she was she's just afraid, and that's like the
• 43:37
  Speaker 1: biggest thing. And she's just afraid because of everything that
• 43:39
  Speaker 1: happened to her life. So I don't think he would
• 43:41
  Speaker 1: even hold a vendetta against her.
• 43:42
  Speaker 2: And but yeah, I don't think that what she did
• 43:46
  Speaker 2: was warranted him starting from scratch again with somebody new.
• 43:49
  Speaker 2: So okay, so now we're in another black room that
• 43:53
  Speaker 2: is clearly V. And I have more proof that V
• 43:56
  Speaker 2: is queer because gays never pass up an opportunity to
• 43:58
  Speaker 2: do voices.
• 44:01
  Speaker 4: And I was gonna say this a little bit ago,
• 44:02
  Speaker 4: but I the first time I watched it, didn't recognize
• 44:05
  Speaker 4: the voice.
• 44:06
  Speaker 1: Oh, same, same, didn't recognize the voice.
• 44:08
  Speaker 4: The second time, I'm like, oh, that is his fucking voice,
• 44:12
  Speaker 4: and like.
• 44:13
  Speaker 2: The black covering the face, I was like, this is suspicious, suspicious. Okay.
• 44:18
  Speaker 2: So when I was at yeah, because when I was at.
• 44:20
  Speaker 2: Not to brag again about this, but when I was sixteen,
• 44:22
  Speaker 2: I worked to Arby's. Not to brag, but I was
• 44:25
  Speaker 2: the drive food person. I'd always do on different voices
• 44:27
  Speaker 2: when I was like, how would I welcome to Arby Like,
• 44:29
  Speaker 2: I just killed it and that's got me so far
• 44:32
  Speaker 2: in life. Okay, Wait, the person cutting Nollie Aportman's hair
• 44:36
  Speaker 2: is probably wearing a mask. But you can't see them.
• 44:39
  Speaker 2: But I'm assuming that they're probably wearing a mask, or
• 44:42
  Speaker 2: they'd be like, Hey, that's few for Vendetta. That's pretty
• 44:47
  Speaker 2: bad ass that Nollie Aportman cut off her hair for
• 44:49
  Speaker 2: this film. If may Carry was cast in this roll,
• 44:51
  Speaker 2: I doubt she would have cut off her hair. Maybe
• 44:54
  Speaker 2: the filmmaker did not show the full body of the
• 44:56
  Speaker 2: person in the hair. Blah blah blah. Okay, there is
• 45:00
  Speaker 2: no bed in the cell that Ali Portman is in.
• 45:02
  Speaker 2: That sucks. I'm never I'm never going to commit a
• 45:05
  Speaker 2: crime unless I'm in the real world and I become
• 45:09
  Speaker 2: v I think I could.
• 45:12
  Speaker 1: I could do it.
• 45:13
  Speaker 2: Like he jumps and stuff and gets on roofs and
• 45:15
  Speaker 2: I'm scared of heights. I don't do that, so I
• 45:17
  Speaker 2: don't know what I would I like wearing masks.
• 45:19
  Speaker 1: So instead of like jumping on a roof, you just
• 45:21
  Speaker 1: like walk in the front door, but you just have
• 45:24
  Speaker 1: a mask on.
• 45:28
  Speaker 2: Yeah, oh my god, I would kill it. I would
• 45:31
  Speaker 2: get those s'more things of s'more sticks you have one
• 45:35
  Speaker 2: around because they extend, so then I could like poke,
• 45:38
  Speaker 2: I could scratch somebody a little bit further.
• 45:42
  Speaker 4: You're like a lot. Yeah, you're just doing a bunch
• 45:46
  Speaker 4: of poetry words.
• 45:47
  Speaker 2: Yeah, okay. That There was a rat that came into
• 45:53
  Speaker 2: the cell and was like, hey, what's this food situation?
• 45:56
  Speaker 2: And then it was like, no, I'm good, and then oh,
• 46:01
  Speaker 2: I'm not really a fan of rats because of their tails.
• 46:04
  Speaker 2: But I think that's kind of rude, Like.
• 46:05
  Speaker 1: He grossed me out.
• 46:07
  Speaker 2: But if you just look at the rat, not the tail,
• 46:10
  Speaker 2: Like do you like gerbils?
• 46:11
  Speaker 1: No, I don't, you know, to be honest, Like the
• 46:13
  Speaker 1: older I'm getting the more most animals gross me out.
• 46:16
  Speaker 2: I know that you don't like ocean animals.
• 46:18
  Speaker 4: I like kappy bearra, but I don't like gurbbils. And
• 46:21
  Speaker 4: I put those two together, cappy barra it's like the
• 46:24
  Speaker 4: giant hamsters that are aquatic. Also, another one of God's
• 46:28
  Speaker 4: little mistakes.
• 46:29
  Speaker 2: Wait, a hamster. That's aquatic.
• 46:30
  Speaker 4: Yeah, it's a giant like literally, like it's the size
• 46:34
  Speaker 4: of a dog. It's aquatic, and it's in the Gurbil family.
• 46:38
  Speaker 4: It's a vegetarian and it's it. They're all over the place.
• 46:42
  Speaker 4: It's like giant nutrient. But it's in the Gurbil family.
• 46:45
  Speaker 2: How I never knew about this species. I just got
• 46:47
  Speaker 2: a lot of info.
• 46:48
  Speaker 1: Yeah, I love that.
• 46:50
  Speaker 2: Okay. Eventually the doing his cosplay is like, yo, like,
• 46:58
  Speaker 2: give us one march hands or we're gonna you and
• 47:00
  Speaker 2: Ali a Portman's like, no, I'm good at being shot.
• 47:03
  Speaker 2: But then the doors left open.
• 47:05
  Speaker 1: And and well, hold on, you missed I think one
• 47:07
  Speaker 1: of the most important parts of the movie. So right
• 47:09
  Speaker 1: after she sees the rat, she starts receiving these letters
• 47:13
  Speaker 1: through the whole Did you not see this?
• 47:15
  Speaker 3: Oh?
• 47:15
  Speaker 2: Wait, so that was more than one letter?
• 47:17
  Speaker 1: Yeah, I think there was probably three.
• 47:19
  Speaker 3: Oh.
• 47:19
  Speaker 2: I thought it was one that she kept rereading.
• 47:21
  Speaker 1: Maybe I don't know if it was one or if
• 47:23
  Speaker 1: it was multiple. I felt like it was multiple, but
• 47:25
  Speaker 1: I could be wrong.
• 47:29
  Speaker 3: I remember how the meaning of words began to change her.
• 47:34
  Speaker 3: Unfamiliar words like collateral and rendition became frightening. Well, things
• 47:40
  Speaker 3: like norse fire and the articles of allegiance became powerful.
• 47:45
  Speaker 3: I remember how different became dangerous. I still don't understand it. Well,
• 47:51
  Speaker 3: they hate us so much. They took Ruth while she
• 48:00
  Speaker 3: was out buying food. Yes, I've never cried so hard
• 48:05
  Speaker 3: in my life. It wasn't long till they came for me.
• 48:18
  Speaker 3: It seems strange that my life should end in such
• 48:21
  Speaker 3: a terrible place. But for three years I had roses
• 48:25
  Speaker 3: and apologized to no one. I shall die here. Every
• 48:33
  Speaker 3: inch of me shall perish, every inch.
• 48:38
  Speaker 2: But one.
• 48:44
  Speaker 5: An inch.
• 48:46
  Speaker 3: It is small, and it is fragile, and it is
• 48:50
  Speaker 3: the only thing in the world worth having. We must
• 48:53
  Speaker 3: never lose it or give it away. We must never
• 48:56
  Speaker 3: let them take it from us.
• 48:59
  Speaker 1: But that scene is so heavy, especially because before when
• 49:03
  Speaker 1: you see that the priest and that right wing talk
• 49:06
  Speaker 1: show host guy they used to work at that facility.
• 49:10
  Speaker 1: They kind of show this lady with all these stories
• 49:12
  Speaker 1: on her face. And then afterwards, when you get this
• 49:15
  Speaker 1: whole story, you see that it's her, and so they
• 49:17
  Speaker 1: bring it back. But you didn't realize how. And then
• 49:20
  Speaker 1: I don't know I love and that I love how
• 49:22
  Speaker 1: they did that part. I thought it was so fucking good,
• 49:24
  Speaker 1: the foreshadowing of someone that important. I don't know, I
• 49:27
  Speaker 1: thought it was great. I think that's one of the
• 49:29
  Speaker 1: best parts of the whole movie, is that that whole
• 49:32
  Speaker 1: story of that lady's.
• 49:33
  Speaker 2: No, yeah, that was super sad or something.
• 49:34
  Speaker 1: Yes, And I don't think they've I don't think v
• 49:39
  Speaker 1: is killed or you know, just go ahead, good.
• 49:40
  Speaker 2: She killed Hill the lady, Oh yeah, she kills He
• 49:44
  Speaker 2: kills the core. So there's the coroner that's working with
• 49:48
  Speaker 2: the investigator quotes. And then the investigators find out because
• 49:53
  Speaker 2: they're like really not good at their job. And I
• 49:55
  Speaker 2: would I would be a killer at my job if
• 49:59
  Speaker 2: the threat yet is that you'll be killed. This investigator
• 50:03
  Speaker 2: needs to step up his game because the childcor guys
• 50:06
  Speaker 2: are not happy with him.
• 50:10
  Speaker 6: Greedy, what are you doing here?
• 50:14
  Speaker 7: Several prominent party members have been murdered.
• 50:16
  Speaker 4: Chief Inspector.
• 50:18
  Speaker 7: This is no ordinary situation and requires more than your
• 50:21
  Speaker 7: ordinary attention. The Chancellor demanded my immediate involvement.
• 50:25
  Speaker 6: And we are to run an investigation if you're detaining
• 50:27
  Speaker 6: all my witnesses.
• 50:28
  Speaker 7: The security of information is paramount in these volatile times.
• 50:34
  Speaker 7: Mistakes like Jordan Tower can no longer be tolerated if
• 50:37
  Speaker 7: indeed Jordan Tower was an accident, what does that mean?
• 50:40
  Speaker 7: Terrorist seems to have a rather intimate understanding of our system.
• 50:45
  Speaker 7: The Chancellor suspects that might be an informer.
• 50:48
  Speaker 6: Are you saying I'm under surveillance, mister Creedy at this time,
• 50:51
  Speaker 6: it would behove you to cease any investigation that matters
• 50:55
  Speaker 6: that have long since passed and concentrate on the concern
• 51:00
  Speaker 6: of present you mean lack Hill.
• 51:03
  Speaker 7: Major Wilson is a friend of the High Chihn, so
• 51:06
  Speaker 7: that his loyalty is not in question.
• 51:09
  Speaker 1: But mine is.
• 51:11
  Speaker 7: Your mother was irish, wasn't she.
• 51:15
  Speaker 1: Terrible? Wasn't mars And wasn't.
• 51:17
  Speaker 6: It I've been a party member for twenty seven years.
• 51:22
  Speaker 7: If I were chief inspector, I'd find the terrorist. I'd
• 51:27
  Speaker 7: find him soon.
• 51:28
  Speaker 2: And he's doing a really shitty job. That's true, yeah,
• 51:31
  Speaker 2: in my opinion. So yeah, then he goes to the
• 51:34
  Speaker 2: quarter lady who was like a scientist or whatever at
• 51:36
  Speaker 2: the camp with the torture shit.
• 51:38
  Speaker 1: Yeah, she was one. He was kind of making the
• 51:40
  Speaker 1: whole virus. Yeah, because she thought she was gonna it
• 51:42
  Speaker 1: was for like good purposes, But then turned out to
• 51:44
  Speaker 1: be bad, and he goes, well, I'm not here to
• 51:46
  Speaker 1: kill you based on what you thought you were gonna do.
• 51:47
  Speaker 1: I'm gonna kill you based on what you did. Yeah,
• 51:50
  Speaker 1: but their interaction fucking I started tearing up last night.
• 51:53
  Speaker 1: I as seen this like eight times. I don't know
• 51:54
  Speaker 1: why it hit me different last night. When I was
• 51:56
  Speaker 1: rewatching it, I was like, I don't know. I just
• 51:59
  Speaker 1: thought it was beautiful scene between those two.
• 52:02
  Speaker 4: It's you, isn't it.
• 52:04
  Speaker 1: I've come to kill me, Yes, thank god.
• 52:13
  Speaker 2: I'm sorry. Expected but I can't get a response from
• 52:15
  Speaker 2: that number. There's a problem with a connection disguised, he said.
• 52:23
  Speaker 5: After what happened, after what they did, I thought about
• 52:27
  Speaker 5: killing myself. I knew that one day he'd come for me.
• 52:35
  Speaker 5: I didn't know what they were going to do.
• 52:39
  Speaker 3: Swear to you read my journal.
• 52:42
  Speaker 5: What they did was only possible because of you, Oppenheim.
• 52:48
  Speaker 1: I was able to change more than a course of
• 52:49
  Speaker 1: a war, changed the entire course of human history.
• 52:55
  Speaker 4: Is it wrong to hold on to that kind of hope?
• 52:58
  Speaker 1: I have not come for what you to do.
• 53:01
  Speaker 5: That's come for what you did.
• 53:03
  Speaker 2: I was curious why she got such a like I
• 53:06
  Speaker 2: killed you two minutes ago, and I was like, damn,
• 53:08
  Speaker 2: that's that's eerie.
• 53:09
  Speaker 1: Well, I think too, he probably knew that her intention
• 53:12
  Speaker 1: started out good, but then based on just whatever, I
• 53:15
  Speaker 1: don't know, whatever, it went bad. So maybe that's why
• 53:18
  Speaker 1: he didn't do it in such a violent way.
• 53:20
  Speaker 3: You know.
• 53:20
  Speaker 4: Well, I mean it's V for vendetta and not R
• 53:22
  Speaker 4: for redemption. So that's true.
• 53:24
  Speaker 2: If I was like a part of like a concentration
• 53:28
  Speaker 2: camp where they did test on people, and then like
• 53:32
  Speaker 2: people that were my colleagues were getting murdered, I would
• 53:34
  Speaker 2: assume that I was going to get murdered next.
• 53:36
  Speaker 1: And that's what she goes. I knew it was you
• 53:38
  Speaker 1: once I saw that Rose that she she goes, I
• 53:41
  Speaker 1: had my she goes, I kind of thought it was you.
• 53:43
  Speaker 1: But then once I saw that Rose today, I knew
• 53:45
  Speaker 1: for sure.
• 53:46
  Speaker 2: As Oh, so she knew she was going to die,
• 53:48
  Speaker 2: I think, and she kind of she probably has a
• 53:50
  Speaker 2: lot of guilt, so she was like.
• 53:51
  Speaker 1: She even says like thanks because this is every day
• 53:55
  Speaker 1: it's hard, like I can't. So she kind of wanted
• 53:57
  Speaker 1: to die.
• 53:57
  Speaker 2: So how did she not wake up to a needle?
• 54:00
  Speaker 1: I thought the same thing, thought, I don't know.
• 54:05
  Speaker 2: Good actress. The the worst actor I think in this
• 54:07
  Speaker 2: movie so far is the inspector guy, which is weird.
• 54:11
  Speaker 4: Because I've seen him in a like I I watch
• 54:13
  Speaker 4: a lot of like British TV shows and stuff because
• 54:16
  Speaker 4: I don't know, yeah, just because like here in America,
• 54:20
  Speaker 4: all we get is like adaptations, remix sequels and prequels,
• 54:23
  Speaker 4: and it gets boring. So I watched their ship because
• 54:25
  Speaker 4: it's like, oh, let's see something new. And he's fantastic
• 54:28
  Speaker 4: in a lot of things. I mean, sure he's the
• 54:29
  Speaker 4: same character, but you know, he's really good in some things.
• 54:33
  Speaker 4: But like this is just kind of missed the market.
• 54:35
  Speaker 1: Yeah, I don't think he was bad, but I don't
• 54:36
  Speaker 1: think he was good like he was like like for
• 54:39
  Speaker 1: as much as much as he's on screen featured.
• 54:43
  Speaker 2: Yeah, I think it could be maybe elevated more. I
• 54:46
  Speaker 2: thought the guy who played v for having a mask
• 54:48
  Speaker 2: on the entire time, like, oh my god, the.
• 54:51
  Speaker 4: Emotions, yeah, just amazing yea.
• 54:56
  Speaker 1: And I think Nawie Portman, she starts out fine, but
• 54:59
  Speaker 1: near the end, like somehow her acting just keeps progressing.
• 55:03
  Speaker 1: At the very end, You're just like, fuck, man, this
• 55:05
  Speaker 1: is she's fucking killing it.
• 55:06
  Speaker 2: Like yeah, when she yeah, when she takes her naps,
• 55:09
  Speaker 2: they're a little bit more.
• 55:11
  Speaker 4: She killed it her eyes a couple of times. She's
• 55:16
  Speaker 4: just flicking those bugs out.
• 55:20
  Speaker 2: Okay, Yeah, so Natalie port So the cell walked like
• 55:23
  Speaker 2: opens up, and Natalie Aportman like waddles down and eventually
• 55:27
  Speaker 2: ends up in V's home again. And I knew it.
• 55:31
  Speaker 2: I like, I felt so proud of myself and this
• 55:34
  Speaker 2: I felt, yeah, vindicated, and oh yeah there was like,
• 55:38
  Speaker 2: oh yeah, I did come back and talk about that
• 55:40
  Speaker 2: lesbian death. Thane just sound like a be little everything. Okay,
• 55:45
  Speaker 2: Van takes Nali Aportman outside because she surely smells and
• 55:48
  Speaker 2: it is raining. Seems like shawshake redemption moment, which I've
• 55:51
  Speaker 2: never seen. I've never seen. Yeah, I heard it is.
• 55:57
  Speaker 1: I've heard that people say it's really good because no
• 55:59
  Speaker 1: matter where you start, like let's say, if you don't
• 56:01
  Speaker 1: start from the very beginning, no matter where you start,
• 56:03
  Speaker 1: you can watch the end of it and it's still good.
• 56:05
  Speaker 2: Yeah, I guess I'm sure that it's amazing. But like
• 56:10
  Speaker 2: now that I'm a Stanley Cup owner, I feel like
• 56:14
  Speaker 2: people that have Stanley Cups are the same people that
• 56:17
  Speaker 2: love Ryeb they're always like, oh, it's such a good movie,
• 56:23
  Speaker 2: or you really have to watch it.
• 56:24
  Speaker 1: Well, let me ask a question. So maybe I missed
• 56:27
  Speaker 1: something here, But I felt like there's some kind of
• 56:29
  Speaker 1: symbolism that I was supposed to get that I've never got.
• 56:32
  Speaker 1: When v comes out of the destroyed concentration camp place,
• 56:36
  Speaker 1: it's all fire and then she kind of gets awoken
• 56:40
  Speaker 1: and she's like in the water. So is it supposed
• 56:43
  Speaker 1: to be maybe that she's gonna not be as aggressive
• 56:48
  Speaker 1: fe or maybe like a different way to do it,
• 56:50
  Speaker 1: or maybe there's something I'm missing. Did you guys get
• 56:52
  Speaker 1: anything from that? Yeah?
• 56:54
  Speaker 4: I don't. I don't know. I saw it as like
• 56:57
  Speaker 4: a different beginning that she could really leave because he
• 57:01
  Speaker 4: focuses so much on his own revenge and stuff and
• 57:06
  Speaker 4: not enough about like curing what's wrong with the country
• 57:09
  Speaker 4: or what do you think?
• 57:10
  Speaker 1: Well, because now it's thinking. So his thing was in
• 57:12
  Speaker 1: fire and explosions, right, and so it's like the the Tip,
• 57:16
  Speaker 1: like the worst possible ship, all these explosions like the Tip.
• 57:20
  Speaker 1: Now she's coming in after he dies to take over
• 57:23
  Speaker 1: where it's kind of a little bit more like mellow
• 57:25
  Speaker 1: in away, like it's a whole different type of.
• 57:32
  Speaker 2: The fire is the is the beginning of the uprising,
• 57:34
  Speaker 2: and then the water is the starting again. Yeah.
• 57:37
  Speaker 4: Like yeah, it's like it's like the death and reburse exactly.
• 57:43
  Speaker 1: Maybe that's what it's supposed to be.
• 57:44
  Speaker 2: I'm a skipped to the remind me about the end.
• 57:47
  Speaker 2: I have something to say about that. Okay, okay. So
• 57:50
  Speaker 2: Natalie Portman showers and gets dressed, and but I'm like,
• 57:52
  Speaker 2: where the fuck are you going? Like she's just like
• 57:55
  Speaker 2: d for her Yeah, but she's like dressed up, She's
• 58:00
  Speaker 2: gone to the mall. So I was like, all right,
• 58:03
  Speaker 2: the stayer round. Media outlets are promoting in fear to
• 58:05
  Speaker 2: encourage people of London not to rebel. As November fifth
• 58:09
  Speaker 2: is approaching, I want everyone to remember why they need In.
• 58:16
  Speaker 3: The former United States, civil war continues to devastate the Midwest.
• 58:20
  Speaker 2: Scientists attribute this latest water shortage to the lack of
• 58:23
  Speaker 2: rainfall the last two years. Ministry officials expect water coupon
• 58:27
  Speaker 2: prices to rise. Police have arrested nine suspects.
• 58:30
  Speaker 4: Can you believe?
• 58:31
  Speaker 2: According avian fluids.
• 58:33
  Speaker 1: Some outside the quarantine zone, a new airborne pathogen has
• 58:37
  Speaker 1: killed twenty seven people.
• 58:39
  Speaker 3: Authorities have uncovered new evidence linking the terrorist organization called
• 58:43
  Speaker 3: THEE to the Saint Mary's viral attack on London fourteen years.
• 58:46
  Speaker 1: Ago, and people are starting to realize, like, this is sure.
• 58:52
  Speaker 2: I think at the end I started catching on to
• 58:54
  Speaker 2: what was going on a little bit more.
• 58:55
  Speaker 1: There's another part too that we missed that that was
• 58:57
  Speaker 1: so important, is when he goes, because at the beginning,
• 58:59
  Speaker 1: she I'm just scared every day. I don't want to
• 59:02
  Speaker 1: be scared anymore. And that's what he gave her as
• 59:04
  Speaker 1: a gift. Now she's no longer scared because she's not
• 59:06
  Speaker 1: scared to die anymore. So that's really heavy.
• 59:08
  Speaker 4: Doesn't feel anything?
• 59:09
  Speaker 2: Yeah, yeah, yes, but I feel like she I'll bring
• 59:14
  Speaker 2: this upthing. I feel like she has a she's met
• 59:19
  Speaker 2: his requirements to an extent. But later on, I'm trying
• 59:23
  Speaker 2: not to spoil it, but we'ren'n talk about anyways. When
• 59:25
  Speaker 2: she kisses him that part and then the final line
• 59:29
  Speaker 2: of the movie when she addresses only him and not
• 59:32
  Speaker 2: the world that she wants or that we need to have,
• 59:36
  Speaker 2: I think she's too fixated on the figure and not
• 59:40
  Speaker 2: the message.
• 59:42
  Speaker 1: Oh I see what you're saying. Yeah, so she goes.
• 59:45
  Speaker 1: I knew v differently than other people knew V. And
• 59:47
  Speaker 1: so now she's more focused.
• 59:48
  Speaker 2: On I don't know, I don't know if she maybe
• 59:51
  Speaker 2: I don't know. And is she gonna like train somebody?
• 59:54
  Speaker 2: Is she gonna is the inspector? Maybe you can talk
• 59:55
  Speaker 2: about that. Is the inspector going to be her new apprentice?
• 59:59
  Speaker 1: Maybe?
• 59:59
  Speaker 2: I mean go yeah, okay, So, so the outlets are
• 1:00:04
  Speaker 2: doing all that promoting of like propaganda and stuff. The
• 1:00:06
  Speaker 2: investigator guys like really starting to question the government. Bitch,
• 1:00:09
  Speaker 2: bearter be careful that role is played so boring. I
• 1:00:14
  Speaker 2: am literally gonna die bored him. I'm not literally gonna
• 1:00:17
  Speaker 2: die bored him. He meets with a man who's clearly
• 1:00:21
  Speaker 2: detailing all of the horror that occurred at the camp
• 1:00:24
  Speaker 2: and the true nature of the government. The guy who
• 1:00:29
  Speaker 2: the blind guy is V. Yeah, like that's pretty clear.
• 1:00:33
  Speaker 2: So okay, uh V somehow blackmail This is where I
• 1:00:36
  Speaker 2: was really stoned. V. Somehow blackmails something or something to
• 1:00:41
  Speaker 2: the blonde adult man. Nothing's worse than a blonde adult
• 1:00:44
  Speaker 2: man who's blonde. They're like that, like I'm like a strawberry.
• 1:00:48
  Speaker 2: But but yeah, adult man, I just don't trust him.
• 1:00:51
  Speaker 2: They're blonde. That's true, Like, who would you rather, like,
• 1:00:54
  Speaker 2: if you want like fifty million dollars, who are you
• 1:00:57
  Speaker 2: going to hire to like manage your money? Like black
• 1:01:00
  Speaker 2: hair or blonde adult man?
• 1:01:02
  Speaker 4: Well, black hair?
• 1:01:04
  Speaker 2: Yeah, right. So one of the Investigator's council members is
• 1:01:08
  Speaker 2: the blonde guy that's an adult man.
• 1:01:10
  Speaker 1: And he's like these bags. He's like the head of
• 1:01:12
  Speaker 1: like you know, he's like the ship guy.
• 1:01:14
  Speaker 2: Yeah, he's like like diddling with his orchids. And then
• 1:01:18
  Speaker 2: V for Vendetta is like hey, and then I completely
• 1:01:21
  Speaker 2: spaced all of that conversation. But he somehow convinces the
• 1:01:25
  Speaker 2: blonde adult male to like backstab the chancellor.
• 1:01:31
  Speaker 1: Yeah, because he when he gives all the information to
• 1:01:34
  Speaker 1: the investigator guy, yes, what the fuck is his name?
• 1:01:37
  Speaker 2: Or what is he?
• 1:01:38
  Speaker 1: A private inspector? Why can't I remember that? So he
• 1:01:41
  Speaker 1: has the inspector to start following the blondhaired guy for
• 1:01:45
  Speaker 1: a month straight, and he goes, then, once I've realized
• 1:01:49
  Speaker 1: or once I feel like I got all the information
• 1:01:51
  Speaker 1: I can, I'll tell you the rest of the story
• 1:01:53
  Speaker 1: type of oh. And then he tells that blonde guy, hey, man,
• 1:01:56
  Speaker 1: that chancellor doesn't trust you. He's having you tailed. And
• 1:01:59
  Speaker 1: so now that blonde guys like, well, fuck, I am
• 1:02:01
  Speaker 1: gonna die, so I got to take this chancellor out.
• 1:02:03
  Speaker 2: First, gotcha? Okay, that makes a lot more sense. It
• 1:02:06
  Speaker 2: sounds very catty. Okay, So Natalie Portman is rewatching that
• 1:02:13
  Speaker 2: old movie that V really likes. She's like fangirling.
• 1:02:15
  Speaker 1: She probably just woke up too, because she's laying on
• 1:02:17
  Speaker 1: the couch she loves.
• 1:02:19
  Speaker 2: Like most of during the auditions, she was just like, hey,
• 1:02:23
  Speaker 2: give us your best nap.
• 1:02:24
  Speaker 1: Yeah, place can you lay down?
• 1:02:27
  Speaker 3: Yeah?
• 1:02:27
  Speaker 2: I thought she was yeah either, I thought she was. O. Wait,
• 1:02:30
  Speaker 2: she's at home. But why did she go home?
• 1:02:34
  Speaker 1: She's at a different house.
• 1:02:35
  Speaker 2: Where does she get all this money? She was like
• 1:02:36
  Speaker 2: a mail carrier at a news station.
• 1:02:38
  Speaker 1: I think later on he goes like, how are you
• 1:02:40
  Speaker 1: getting by? And she goes just doing what I gotta
• 1:02:42
  Speaker 1: do or something like that. I think she's doing like
• 1:02:44
  Speaker 1: god jobs or something.
• 1:02:45
  Speaker 4: Okay, Well, wasn't she a bad girl somewhere?
• 1:02:48
  Speaker 1: I saw?
• 1:02:48
  Speaker 3: Yeah?
• 1:02:48
  Speaker 1: Well I don't know if she was a bad girl.
• 1:02:50
  Speaker 1: But she talks about how she was at a store
• 1:02:53
  Speaker 1: and someone that she used to work with looked right
• 1:02:55
  Speaker 1: in the face and didn't realize who she was. Because
• 1:02:58
  Speaker 1: she's bald. But two, I think because our whole attitude
• 1:03:02
  Speaker 1: is gone torture.
• 1:03:04
  Speaker 2: Do you know, Yeah, V is making a large domino
• 1:03:07
  Speaker 2: display for dramatic purposes. He has he's up to date
• 1:03:12
  Speaker 2: on his ADHD medicine because he accomplishes so much.
• 1:03:15
  Speaker 4: Honestly, I really want those dominoes too, said, yeah.
• 1:03:18
  Speaker 1: They He did say that he's been working on this
• 1:03:20
  Speaker 1: plan for twenty years. Though what he said, he's been
• 1:03:25
  Speaker 1: working on this plan for twenty years of this like whole,
• 1:03:28
  Speaker 1: So he does have a lot of time.
• 1:03:29
  Speaker 2: So that's a lot of commitment. That is well.
• 1:03:31
  Speaker 1: I mean, if you think about if everybody you love
• 1:03:33
  Speaker 1: was murdered and you'd want to get it back to people,
• 1:03:35
  Speaker 1: I guess, and you're some kind of disgusting, hideous free
• 1:03:39
  Speaker 1: you know.
• 1:03:39
  Speaker 4: What are you gonna do just to live on a rent?
• 1:03:41
  Speaker 1: Well, he lives underground.
• 1:03:43
  Speaker 2: Yeah, but how does he pay his electricity bill and
• 1:03:45
  Speaker 2: cable bill?
• 1:03:46
  Speaker 1: Well, since it used to be a train station, I
• 1:03:48
  Speaker 1: don't think it's just like if there's random electricity going
• 1:03:50
  Speaker 1: down there, I don't think anbody's going to pay attention.
• 1:03:52
  Speaker 1: And he does to take him ten years to clean
• 1:03:57
  Speaker 1: out the train station, so I think he was working
• 1:03:59
  Speaker 1: there for years.
• 1:04:00
  Speaker 2: Where did he order all of those hundreds of thousands
• 1:04:02
  Speaker 2: of mass Well.
• 1:04:03
  Speaker 1: Okay, that's what I said. At the very end, I
• 1:04:05
  Speaker 1: was like, could you imagine being that company and you're like, man,
• 1:04:07
  Speaker 1: this last.
• 1:04:10
  Speaker 4: Right?
• 1:04:10
  Speaker 2: Cool? Yeah, because that would be like that. That's where
• 1:04:14
  Speaker 2: I would be like, oh, hey, authorities, somebody just ordered
• 1:04:17
  Speaker 2: hundreds of thousands of masks.
• 1:04:18
  Speaker 1: At one point they go, well, there's uh several hundred
• 1:04:21
  Speaker 1: thousands of them going out right now, because based on
• 1:04:24
  Speaker 1: the boxes. Then I was like, maybe he has a press, right,
• 1:04:27
  Speaker 1: But even if he has a press and he can
• 1:04:29
  Speaker 1: do one, let's say every thirty seconds, it's like we'll
• 1:04:33
  Speaker 1: just say four hundred thousand, right, so that's two hundred
• 1:04:36
  Speaker 1: thousand minutes.
• 1:04:38
  Speaker 2: It's one hundred and thirty eight days. So really, I guess,
• 1:04:40
  Speaker 2: and he has a whole year, So maybe he has
• 1:04:42
  Speaker 2: other people that he's saved and like recruited.
• 1:04:45
  Speaker 4: Maybe, or maybe he just ordered it beforehand before he started.
• 1:04:48
  Speaker 2: Yeah.
• 1:04:48
  Speaker 1: Oh maybe for the last twenty years he's been ordering
• 1:04:51
  Speaker 1: like ten a month or yeah.
• 1:04:53
  Speaker 2: Yeah, you know. So I thought that the little montage
• 1:04:58
  Speaker 2: of kind of Natalie Portman starting to notice like signs
• 1:05:01
  Speaker 2: of the uprising's going to be happening. Was really good.
• 1:05:04
  Speaker 2: This is when I think the investigator guy or inspector
• 1:05:07
  Speaker 2: really like you know, to finally took a Natalie Apartment
• 1:05:11
  Speaker 2: nap and like was ready. Oh and then the little
• 1:05:15
  Speaker 2: dorky girl that we saw earlier gets shot and then
• 1:05:18
  Speaker 2: the guy who shot her is killed. While this seems
• 1:05:20
  Speaker 2: pretty powerful, That's what I said. The Natalie aportman returns
• 1:05:26
  Speaker 2: to v she does have.
• 1:05:27
  Speaker 1: A key to his house, well, you know, based on
• 1:05:30
  Speaker 1: how he steals everything, and I bet she can just probably,
• 1:05:35
  Speaker 1: I mean, if he's is kind of training her in
• 1:05:37
  Speaker 1: some kind of way, I don't know, maybe she can
• 1:05:39
  Speaker 1: break in.
• 1:05:40
  Speaker 4: And I don't know if she locks his doors the subway.
• 1:05:44
  Speaker 1: Since I can't let you leave for a whole year
• 1:05:46
  Speaker 1: because one, you know, I live underground. Two you know
• 1:05:48
  Speaker 1: the color of the stone. So if if they torture
• 1:05:52
  Speaker 1: you and you tell him those two things, they we
• 1:05:53
  Speaker 1: will forget where I'm at. So I guess she I mean,
• 1:05:57
  Speaker 1: he probably assumes nobody knows where she lives or he lives,
• 1:05:59
  Speaker 1: so she's like, oh, doesn't even have a door.
• 1:06:02
  Speaker 2: Yeah, Like when I get home, I have to go potty,
• 1:06:05
  Speaker 2: and like you know, do a couple of things, so
• 1:06:07
  Speaker 2: like she never does that. She just comes in and
• 1:06:08
  Speaker 2: straight off. It's like I'm gonna be dramatic with you.
• 1:06:11
  Speaker 2: Like that's like coming home from work and like being like, oh,
• 1:06:13
  Speaker 2: I have something dramatic. No, like let me let me,
• 1:06:16
  Speaker 2: let me be compressed, let me chill.
• 1:06:18
  Speaker 4: Just immediately just jumping into dead without taking off your shoes.
• 1:06:21
  Speaker 2: Yeah, yeah, just like Jesus Christ. So then they like
• 1:06:26
  Speaker 2: slow dance and I'm worried that Natalie Portman is catching
• 1:06:29
  Speaker 2: fields feelings. You are barking up the wrong tree girl. However,
• 1:06:34
  Speaker 2: in real life, Natalie Portman is married to ballet dancers,
• 1:06:36
  Speaker 2: so she really she is she is, So I don't
• 1:06:40
  Speaker 2: I think this is a pattern I'm seeing with Natalie Portman.
• 1:06:43
  Speaker 2: And I obviously Natalie Portman is not actually Envy. She's
• 1:06:47
  Speaker 2: in it. Yeah, that she's not playing herself. That would
• 1:06:50
  Speaker 2: be so good though I have like a like a
• 1:06:52
  Speaker 2: doctor or isn't Yeah, but yeah, but I was gonna say,
• 1:07:00
  Speaker 2: Natalie Portman. That would have been a good twist if
• 1:07:03
  Speaker 2: instead of her name being ev it's actually Natalie Portman.
• 1:07:07
  Speaker 1: Yeah, and then what if like at the end she's
• 1:07:09
  Speaker 1: like v or v my name has been Natalie Portman
• 1:07:12
  Speaker 1: the entire time, and he goes from Star Wars.
• 1:07:14
  Speaker 2: Yeah, because like in the in the newer episode, like
• 1:07:18
  Speaker 2: a newer movie of child's play, Jennifer Tilly plays herself.
• 1:07:22
  Speaker 2: Oh that's cool, god me, she's joining She's joining Real
• 1:07:27
  Speaker 2: Housewives of Beverly Hills. She really yes, I'm like, what
• 1:07:30
  Speaker 2: the fuck is this going down?
• 1:07:31
  Speaker 4: Such a liar? Liar?
• 1:07:34
  Speaker 2: Yeah, she was so villainy in that. But I love Bound.
• 1:07:37
  Speaker 2: Have you seen Bound? Because lesbian watch, that's that your
• 1:07:41
  Speaker 2: mom has done you disservice. I'm gonnay hekay. Black Swan
• 1:07:44
  Speaker 2: is like the twink version of lesbians. Okay, but you
• 1:07:47
  Speaker 2: know what twink is. Yeah, Bound is like older lesbians
• 1:07:53
  Speaker 2: love Bound. Shan and and and Jennifer Tilly banging.
• 1:07:57
  Speaker 1: Out Jennifer Tilly in the episode of Fraser. I think
• 1:08:00
  Speaker 1: that's the most attract Like she is gorgeous that episode.
• 1:08:03
  Speaker 2: It's and I'm not really a tits guy, but like
• 1:08:06
  Speaker 2: biome like she's she's hot. Is that how straight guys
• 1:08:10
  Speaker 2: talk about boobs kill? Her drugs were.
• 1:08:18
  Speaker 4: Jugs?
• 1:08:20
  Speaker 2: I want to be I want to like be uh not.
• 1:08:23
  Speaker 2: I don't want to appropriate straight male culture. But like
• 1:08:27
  Speaker 2: I kind of do we.
• 1:08:28
  Speaker 4: Say utters utters a lot, that's what it is.
• 1:08:36
  Speaker 2: Later just be like by it was so good. Okay,
• 1:08:42
  Speaker 2: So now he bought me go to an abandoned train
• 1:08:44
  Speaker 2: station underground and V shows her his big plan for
• 1:08:47
  Speaker 2: November five. He then puts it in her in her
• 1:08:51
  Speaker 2: hands to make the final decision if she's going to
• 1:08:53
  Speaker 2: pull down the lever and execute the plan or not.
• 1:08:56
  Speaker 2: Then he's like, bye, forever, go to the law enforce
• 1:09:00
  Speaker 2: my guys who are now on his side. Apparently I
• 1:09:02
  Speaker 2: didn't know about the whole other stuff that was really
• 1:09:04
  Speaker 2: important to the story. They revealed that the Chancellor is
• 1:09:08
  Speaker 2: right there. Then they kill the Chancellor, and the adult
• 1:09:11
  Speaker 2: man with blonde hair is like, now we're gonna kill you.
• 1:09:15
  Speaker 2: They start shooting him. Even though V for Vendetta is like,
• 1:09:18
  Speaker 2: you're gonna use all your bullets on me that I'm
• 1:09:20
  Speaker 2: gonna kill you, they decide to like listen to him.
• 1:09:22
  Speaker 2: So I'm like, that's weird.
• 1:09:24
  Speaker 1: Well one thing too, I we got to mention. So
• 1:09:27
  Speaker 1: he's doing it underground with this train this final explosion. Yeah,
• 1:09:30
  Speaker 1: and at the very beginning, the fucking investigator guy inspector.
• 1:09:36
  Speaker 1: I remember you. Why can't I remember that? The inspector
• 1:09:38
  Speaker 1: guy says to the Chancellor, well, I think there's only
• 1:09:41
  Speaker 1: two ways that he could explode it. One would be underground,
• 1:09:44
  Speaker 1: and the chances like, where do you get this information?
• 1:09:47
  Speaker 1: He goes, just a hunch and he goes, I don't
• 1:09:48
  Speaker 1: want any of that info. Give me some real shit.
• 1:09:50
  Speaker 1: That's dumb. It turns out if you would have listened,
• 1:09:52
  Speaker 1: they would have been able to.
• 1:09:53
  Speaker 2: Catch adult men with their you're talking about the dirty
• 1:09:57
  Speaker 2: investigator guy, inspector Okay, So then after the bullets are out,
• 1:10:03
  Speaker 2: then the is like I'm gonna kill you motherfuckers, which is.
• 1:10:06
  Speaker 1: One of my favorite fight scenes because it's so sick
• 1:10:08
  Speaker 1: with the like the little knives or you can see
• 1:10:11
  Speaker 1: like the wind. I don't know what it's called.
• 1:10:13
  Speaker 4: It's so fucking dope.
• 1:10:15
  Speaker 2: The blood was really cool, like not to it was
• 1:10:17
  Speaker 2: this PG or bizarre. It could have been more violent,
• 1:10:22
  Speaker 2: I think.
• 1:10:22
  Speaker 4: Yeah, it could have been more sweary too.
• 1:10:24
  Speaker 2: Yeah. I just I just watched Terrifier three, So that's
• 1:10:27
  Speaker 2: my new standard for every movie.
• 1:10:29
  Speaker 4: I've heard so many good things about it because but
• 1:10:31
  Speaker 4: I haven't seen Terrifier one or two.
• 1:10:33
  Speaker 2: I started with Terrifier two because Terrifier one has doesn't
• 1:10:38
  Speaker 2: have a plot to it.
• 1:10:39
  Speaker 1: We'll be really cute that because you know how good
• 1:10:41
  Speaker 1: Taken one is. So I wanted to rent it when
• 1:10:43
  Speaker 1: Kathy and I first started dating, and I was like, well,
• 1:10:45
  Speaker 1: I haven't seen Taken two. Let's check that out. And
• 1:10:48
  Speaker 1: it's fucking dogshit and I am so start. Taken two
• 1:10:52
  Speaker 1: so bad?
• 1:10:53
  Speaker 2: Who gets taken? Oh?
• 1:10:55
  Speaker 1: Okay, and I'm taking three? I think everybody gets taken
• 1:10:59
  Speaker 1: him if.
• 1:10:59
  Speaker 2: I through the liam Neesan stuff, Well, I guess taken.
• 1:11:03
  Speaker 2: That makes so much sense. Taken one, there's one person taken,
• 1:11:07
  Speaker 2: Taken two, there's two people taken. Taking three, but the
• 1:11:09
  Speaker 2: first one I guess the friend. The friend was taken.
• 1:11:13
  Speaker 4: I feel like after Taking three they should just call
• 1:11:16
  Speaker 4: it took Yeah.
• 1:11:19
  Speaker 2: You know what song ruined me with the that word
• 1:11:22
  Speaker 2: waterfalls because toc says took in. Then I started saying
• 1:11:26
  Speaker 2: took in ye. So but whatever. Terrifier three was so good,
• 1:11:31
  Speaker 2: like it was glorious. Fuck but like I love the
• 1:11:33
  Speaker 2: B movie aspect and like the kind of Barberrella like
• 1:11:37
  Speaker 2: evil Dead kind of vibe. It was.
• 1:11:39
  Speaker 1: It was good.
• 1:11:40
  Speaker 2: Okay, So where did I leave off? Oh, damn fight came. Okay,
• 1:11:46
  Speaker 2: I'm so tired. Okay. Oh Natalie Portman ends up. Oh wait,
• 1:11:51
  Speaker 2: hold on reverse. Yes, she does the bad ass kill Thanny.
• 1:11:56
  Speaker 2: And then even though v was not killed right away
• 1:11:58
  Speaker 2: because he's we're in the armor, he's still shot, which
• 1:12:02
  Speaker 2: he when he was shot that many times, I was like, oh,
• 1:12:04
  Speaker 2: he's like some kind of immortal thing.
• 1:12:06
  Speaker 1: Well, I think he might also be a little bit more,
• 1:12:09
  Speaker 1: just because if everybody else died from the virus except
• 1:12:12
  Speaker 1: for him, maybe there's something about him. And then he
• 1:12:15
  Speaker 1: also got out of the fire. Yeah, so I wonder
• 1:12:18
  Speaker 1: if maybe that maybe the virus gave him a little
• 1:12:21
  Speaker 1: bit of extra shit, or somebody can still die.
• 1:12:23
  Speaker 4: Or maybe he just couldn't feel pain because the fire
• 1:12:26
  Speaker 4: burnt off all his nerve.
• 1:12:28
  Speaker 2: Yeah, oh, he's walking away.
• 1:12:30
  Speaker 1: He he kind of falls into the wall and then
• 1:12:32
  Speaker 1: there's a perfect blood v I'm like, well, that's kind
• 1:12:34
  Speaker 1: of convenience.
• 1:12:35
  Speaker 2: Ye, it's better that, like, what's a complicated letter like
• 1:12:41
  Speaker 2: q Q is w w W R would be fucking crazy.
• 1:12:47
  Speaker 2: So if it was like R, then that would be like, oh,
• 1:12:50
  Speaker 2: I'm bleeding out, but I have to do this, like
• 1:12:52
  Speaker 2: lift my arm and squiggle it okay, So he comes
• 1:12:56
  Speaker 2: back to an ali portman even though he was already
• 1:12:58
  Speaker 2: like bye forever but whatever. But then he dies in
• 1:13:00
  Speaker 2: her arms. She lays him out on the train with
• 1:13:02
  Speaker 2: the mask on, and he's.
• 1:13:04
  Speaker 1: A big fucking dude and she's not. So she must
• 1:13:07
  Speaker 1: have some muscles to move like he's probably what six
• 1:13:09
  Speaker 1: ' five only six big motherfucker.
• 1:13:11
  Speaker 2: Do you guys think that she looked under the mask?
• 1:13:14
  Speaker 1: I don't. I think she realized how important it is.
• 1:13:17
  Speaker 2: Not.
• 1:13:17
  Speaker 4: I think she was so tired from hafting him into
• 1:13:20
  Speaker 4: the subway train and she was just like, I give up.
• 1:13:22
  Speaker 1: And we don't know the last time she took a nap, Yeah,
• 1:13:24
  Speaker 1: she was like three hours.
• 1:13:26
  Speaker 4: I mean we know she hasn't been lifting.
• 1:13:28
  Speaker 2: Yeah, right, Would you guys have looked underneath the mask?
• 1:13:31
  Speaker 1: I don't think so.
• 1:13:33
  Speaker 4: No one she saw his hands. I mean that's probably
• 1:13:36
  Speaker 4: not a pretty sight.
• 1:13:37
  Speaker 1: Under yeah, And he was like I'm sorry, oh remember that,
• 1:13:42
  Speaker 1: he goes, I'm sorry.
• 1:13:42
  Speaker 2: It was kind of it was kind of dick of
• 1:13:44
  Speaker 2: her to like, I don't know you you saved me.
• 1:13:47
  Speaker 2: Now I'm going to ask you about your trauma. Yeah,
• 1:13:49
  Speaker 2: Like that was kind of dick of her. But okay,
• 1:13:53
  Speaker 2: so then the parliament. Oh so she pulls the lever,
• 1:13:55
  Speaker 2: blah blah blah. Natalie Porton pours the lever and the
• 1:13:58
  Speaker 2: mask is dressed as the come to parliament. Since the
• 1:14:01
  Speaker 2: guards don't have anyone to give orders to, they don't shoot.
• 1:14:05
  Speaker 2: The parliament explodes, and ali A Portman is like, thank goodness,
• 1:14:08
  Speaker 2: I have an amazing face and head shape, or the
• 1:14:11
  Speaker 2: shaven head would not have worked on me. And then
• 1:14:13
  Speaker 2: I think she realized she's not gonna win an oscar.
• 1:14:15
  Speaker 2: But I think she was trying to sidebar when the
• 1:14:18
  Speaker 2: masses are taking off of their ve so all of
• 1:14:21
  Speaker 2: the masses of the population are all like, hey, we're
• 1:14:23
  Speaker 2: dressed up as v right now. Then they start taking
• 1:14:25
  Speaker 2: off their masks. The one thing, I know what they're
• 1:14:28
  Speaker 2: trying to do, but they put people in the crowd
• 1:14:30
  Speaker 2: that had already died. Yeah, I get what they're trying
• 1:14:35
  Speaker 2: to do. I can't deal with that nonsense.
• 1:14:37
  Speaker 4: So, like, the people that died will live on because
• 1:14:41
  Speaker 4: of the actions.
• 1:14:43
  Speaker 2: And maybe if like if somebody was there to see
• 1:14:47
  Speaker 2: the air quote ghosts of these people then but nobody
• 1:14:51
  Speaker 2: was there, so like, but so there was a blank
• 1:14:53
  Speaker 2: space by like that like chubby guy, that's just like
• 1:14:56
  Speaker 2: there's no one standing here. Okay, move that's for the
• 1:14:59
  Speaker 2: lesbian ghosts.
• 1:15:00
  Speaker 1: Yeah, well, I mean we probably all understand why, but
• 1:15:03
  Speaker 1: I think it's to kind of symbolize that it can
• 1:15:05
  Speaker 1: be anybody that you know, not because there's the old
• 1:15:08
  Speaker 1: saying like they came for all the blacks and then
• 1:15:11
  Speaker 1: they nobody. I didn't speak up because I wasn't black,
• 1:15:14
  Speaker 1: and they came for all the gays, and then I
• 1:15:15
  Speaker 1: just speak up so I wasn't gay, and then they
• 1:15:16
  Speaker 1: came for me and there's nobody left or something like that.
• 1:15:18
  Speaker 1: So I mean, that's what they're trying to do.
• 1:15:20
  Speaker 4: So that's the same for all the blacks.
• 1:15:24
  Speaker 2: No, I think it was, like I think it was.
• 1:15:27
  Speaker 2: I need to look it up, but I know, I
• 1:15:28
  Speaker 2: know we're talking about it's about Jewish people they talk about. Yeah,
• 1:15:31
  Speaker 2: I know what talking about. Okay, So then the movie
• 1:15:36
  Speaker 2: ends climactic, all right, and he's gonna look it up.
• 1:15:43
  Speaker 1: All right. I'm not sure if this is exactly right,
• 1:15:45
  Speaker 1: but this sounds way more accurate than what I said.
• 1:15:48
  Speaker 1: So first, they came for the communists and I did
• 1:15:51
  Speaker 1: not speak out because I was not a Communist and
• 1:15:53
  Speaker 1: then they came for the socialist. I did not speak
• 1:15:55
  Speaker 1: out because I was not a socialist. Then they came
• 1:15:58
  Speaker 1: for the trade unionists, and I did not speak out
• 1:16:00
  Speaker 1: because I was on a trade unionist. Then they came
• 1:16:03
  Speaker 1: for the Jews. I did not speak out because I
• 1:16:05
  Speaker 1: was not a Jew. Then they came for me, and
• 1:16:07
  Speaker 1: there was no one left to speak out for me.
• 1:16:09
  Speaker 2: So I was close. I think with that poem it's
• 1:16:15
  Speaker 2: it's uh time stamped, but it's also made to like
• 1:16:19
  Speaker 2: fill in the blanks, like right now we're going through
• 1:16:22
  Speaker 2: like a nation, like really shitty stuff about like Hispanics
• 1:16:25
  Speaker 2: and Muslims like that, you could easily put them in. Yeah, okay,
• 1:16:30
  Speaker 2: So I have a couple of questions then that I
• 1:16:33
  Speaker 2: need to Okay, No, I don't have any questions because
• 1:16:39
  Speaker 2: you haven't answered. I'm so never mind. So what do
• 1:16:41
  Speaker 2: we think of the movie?
• 1:16:43
  Speaker 1: So for me, it's a movie that I watch every year,
• 1:16:45
  Speaker 1: right around November of course, because remember remember the fifth November.
• 1:16:48
  Speaker 1: I love it so much. I think it's a great character.
• 1:16:51
  Speaker 1: I think it's very important to know that the government
• 1:16:53
  Speaker 1: should be afraid of the people. The people shouldn't be
• 1:16:55
  Speaker 1: afraid of the government, Well I do anything about it?
• 1:16:58
  Speaker 1: Probably not. I buy from Amazon. Yeah, so I'm kind
• 1:17:00
  Speaker 1: of a hypocrite, but I do think it's very important
• 1:17:03
  Speaker 1: and I think everybody should watch at least once. So
• 1:17:05
  Speaker 1: if I had to rate it, i'd probably give it
• 1:17:07
  Speaker 1: like a seven point five out of ten. Really, I
• 1:17:09
  Speaker 1: really like this movie.
• 1:17:10
  Speaker 4: Yeah, it's one of my favorites, absolute, hands down favorite
• 1:17:15
  Speaker 4: action or superhero movies. And it was made so early
• 1:17:18
  Speaker 4: in like the era of superhero movies that it was
• 1:17:20
  Speaker 4: just like it stands alone when it comes to like
• 1:17:24
  Speaker 4: the script, the adaptation from like the comic books to it,
• 1:17:28
  Speaker 4: and you know, we are living in the times that
• 1:17:30
  Speaker 4: we are living in where you know, you ever see
• 1:17:34
  Speaker 4: someone do the right thing for the wrong reasons? Yeah,
• 1:17:37
  Speaker 4: And like January sixteenth? Is that for me? You know,
• 1:17:40
  Speaker 4: as an anarchist, I was just like, well, yeah, they're
• 1:17:43
  Speaker 4: bringing down the Senate. Oh wait, it's for someone shit balls,
• 1:17:47
  Speaker 4: O fucking It's it's like the one that Got Away
• 1:17:50
  Speaker 4: for you know, serial killer.
• 1:17:52
  Speaker 1: Like you could have been destroying this for the right reasons,
• 1:17:54
  Speaker 1: but you're destroying it for the wrong reasons.
• 1:17:56
  Speaker 4: Yeah, Like, god damn it. So like this movie really
• 1:17:59
  Speaker 4: harkens back to that for me, and and I just
• 1:18:01
  Speaker 4: love it. I'm like, hell, yeah, that's what we need.
• 1:18:03
  Speaker 4: A little anarchy. I should have called it a for anarchy,
• 1:18:07
  Speaker 4: a for Andy.
• 1:18:10
  Speaker 2: I think that I probably would have enjoyed this movie
• 1:18:12
  Speaker 2: a lot more if I saw it when it came out,
• 1:18:15
  Speaker 2: because now in this time of like when television and
• 1:18:18
  Speaker 2: movies are so can be more fleshed out. Like I
• 1:18:22
  Speaker 2: wish this would be like a mini series or a trilogy,
• 1:18:25
  Speaker 2: because yeah, do.
• 1:18:26
  Speaker 1: You think it could have been maybe the phone.
• 1:18:28
  Speaker 2: To the phone, a bunch of Oh, yeah, I was,
• 1:18:32
  Speaker 2: I was stoned, I was on my phone, the volume
• 1:18:35
  Speaker 2: wasn't up, subtitles, I left, I love to go make
• 1:18:40
  Speaker 2: a sandwich. Yeah, there was a lot of things. But
• 1:18:44
  Speaker 2: I would say it's like I feel like if this
• 1:18:47
  Speaker 2: was like three at least two movies, you could have
• 1:18:50
  Speaker 2: really like brought out and let's say it was this
• 1:18:53
  Speaker 2: story exactly like the comics.
• 1:18:55
  Speaker 1: No I've never reading I got to read this.
• 1:18:58
  Speaker 4: I haven't read it in so long.
• 1:18:59
  Speaker 2: But it's not Yeah, because like a whole like hour
• 1:19:03
  Speaker 2: episode could have been like the flashback of Natalie Portman's
• 1:19:06
  Speaker 2: character and like her relationship with her family, and yeah, yeah,
• 1:19:10
  Speaker 2: like I feel like it's it needed, and like even
• 1:19:12
  Speaker 2: the investigator like his role and his dilemma of being
• 1:19:15
  Speaker 2: like part of that could be a really complicated role,
• 1:19:19
  Speaker 2: being like this servant to this dictator, but then also
• 1:19:23
  Speaker 2: having doubts that the government and even one of his
• 1:19:26
  Speaker 2: colleagues was saying like that worked at state run media
• 1:19:30
  Speaker 2: was like, it's not our job to dictate or control
• 1:19:32
  Speaker 2: what the stories are or like manipulate them. It's the
• 1:19:34
  Speaker 2: government's job.
• 1:19:35
  Speaker 1: I was like, oh shit, well, like what you're saying,
• 1:19:37
  Speaker 1: because imagine if they did a little bit more world
• 1:19:39
  Speaker 1: building with like the six episode arc, and then they
• 1:19:41
  Speaker 1: could even then you could really see what the world's
• 1:19:44
  Speaker 1: like because they you know, we get it. It's like
• 1:19:46
  Speaker 1: a fascist run area, so scary and everything. But imagine
• 1:19:49
  Speaker 1: if they had like a whole episode that was like
• 1:19:51
  Speaker 1: three people's stories about living there then.
• 1:19:57
  Speaker 2: And even like they mentioned how there's like another civil
• 1:20:00
  Speaker 2: war in America, but they don't really have the opportunity
• 1:20:03
  Speaker 2: to dive into that. Yeah, So I was like, there's
• 1:20:05
  Speaker 2: a lot there's a lot of material here, but I
• 1:20:07
  Speaker 2: think in the grand scheme of things, I thought it
• 1:20:08
  Speaker 2: was pretty good all considering the volume wasn't up. I
• 1:20:11
  Speaker 2: was high. I wasn't paying attention.
• 1:20:13
  Speaker 4: We should right a V for Vendetta, but making the
• 1:20:17
  Speaker 4: American version called it for Engines.
• 1:20:21
  Speaker 2: I would give this out of five Natalie Apartment Naps.
• 1:20:25
  Speaker 2: I would give it's all the three Natalie Apartment Naps.
• 1:20:28
  Speaker 2: I feel like it's a very important movie that people
• 1:20:30
  Speaker 2: probably should watch. And the iconicness of the mask and
• 1:20:35
  Speaker 2: how that's taken off, so that came off from the
• 1:20:37
  Speaker 2: was that was that massign for this movie, and that's
• 1:20:41
  Speaker 2: really taken off, like the whole anonymous thing and everything.
• 1:20:44
  Speaker 2: So I thought that, so this this has a place
• 1:20:46
  Speaker 2: in pop culture. So cool. I think that's great. So
• 1:20:50
  Speaker 2: do you have anything you else you want to add
• 1:20:51
  Speaker 2: or you know.
• 1:20:53
  Speaker 4: Checkhun great review too, Like I felt like I was
• 1:20:56
  Speaker 4: watching it again. I haven't seen it in a couple
• 1:20:58
  Speaker 4: of years, and.
• 1:20:59
  Speaker 2: You can watch it for on Amazon Prime Boom and
• 1:21:03
  Speaker 2: be a part of the problem. Any Do you have
• 1:21:09
  Speaker 2: anything you want to promote?
• 1:21:10
  Speaker 1: No, just check out I like Balls to Me Deals podcast.
• 1:21:13
  Speaker 1: It's a sports podcast. He likes sports. I'm not a
• 1:21:15
  Speaker 1: big fan, so I just kind of make some like
• 1:21:17
  Speaker 1: quips about it. But you know, it's fun.
• 1:21:19
  Speaker 2: He likes sports. I like balls. If you want to
• 1:21:25
  Speaker 2: look at pictures of gus Gus my dog on Instagram,
• 1:21:28
  Speaker 2: Guscus underscore the Dog. It just pictures of my dog
• 1:21:31
  Speaker 2: to music. So that's it. That's kind of weird, but
• 1:21:35
  Speaker 2: that people would follow him, Anthony, Do you have anything
• 1:21:39
  Speaker 2: to promote or anything that you've recently watched that you're like,
• 1:21:41
  Speaker 2: this is ship is good?
• 1:21:44
  Speaker 4: No on that one and no, no, nothing nothing going on.
• 1:21:49
  Speaker 2: Do you have anything that you guys want to say
• 1:21:50
  Speaker 2: to people as they might be listening to this stress
• 1:21:53
  Speaker 2: the funk out about the election that's occurring today.
• 1:21:56
  Speaker 1: No, not really, just because like, for the most parts,
• 1:21:59
  Speaker 1: either are all and be okay or it's not. Try
• 1:22:01
  Speaker 1: don't worry too much. Well, it kind of goes against
• 1:22:05
  Speaker 1: everything we just.
• 1:22:10
  Speaker 4: Oh, I kind of like to steal your thing and
• 1:22:14
  Speaker 4: talk to my future self.
• 1:22:15
  Speaker 1: Oh do that.
• 1:22:16
  Speaker 4: I honestly love that that you do that. I'm like,
• 1:22:18
  Speaker 4: I wonder if he understands how psychologically healthy that is.
• 1:22:22
  Speaker 2: Yeah, what do you want to say to the future Anthony?
• 1:22:24
  Speaker 4: All right, future Anthony, you're listening to this. I know
• 1:22:26
  Speaker 4: this because you're a narcissist. You just need to take
• 1:22:29
  Speaker 4: a deep breath, Bud, you got this, drink some water,
• 1:22:33
  Speaker 4: lock it down.
• 1:22:34
  Speaker 2: Yeah, I love that.
• 1:22:36
  Speaker 1: Thank you so much for being on the episode.
• 1:22:38
  Speaker 4: Hey guys with you this is super fun.
• 1:22:42
  Speaker 1: To do another one soon.
• 1:22:43
  Speaker 4: I'm glad that I could show up on time this
• 1:22:45
  Speaker 4: time and stay the whole time.
• 1:22:46
  Speaker 2: Boom, killed it, Boom. We'll leave us. Leave us a
• 1:22:50
  Speaker 2: five star review or whatever doesn't really matter. Leave us
• 1:22:53
  Speaker 2: a comment if you want, and then follow us on
• 1:22:56
  Speaker 2: social media and the until next time.
• 1:22:57
  Speaker 1: I'm Jeff, I'm Andy Vandetta, and we will see you
• 1:23:01
  Speaker 1: next Tuesday. And that's a wrap for this episode of
• 1:23:08
  Speaker 1: Notable Nostalgia. We hope you enjoyed our trip down memory
• 1:23:11
  Speaker 1: lane just as much as we did. If you love
• 1:23:13
  Speaker 1: reminiscing with us, don't forget to subscribe great and leave
• 1:23:17
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• 1:23:19
  Speaker 1: for more nostalgic fun. Notable Nostalgia was created by Alij Warren,
• 1:23:23
  Speaker 1: produced by Andrew Lipsey, and edited by Andrew Lipsey. If
• 1:23:27
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• 1:23:38
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