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I Am All In…Again: All the Wrong Decisions (Season 2 E13 “A-Tisket, A-Tasket”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in again. Let's you. I am all
• 0:17
  Speaker 1: in again with Scott Patterson and iHeartRadio Podcast. Hey everybody,
• 0:23
  Speaker 1: Scott Patterson, I am all in Podcast, one of them productions.
• 0:26
  Speaker 1: iHeartRadio Media. iHeart Podcast. Season two, Episode thirteen, A tisket
• 0:33
  Speaker 1: A tasket with the one and only, luminous, world famous
• 0:39
  Speaker 1: Easton Allen. Welcome today to the podcast. He's a huge
• 0:44
  Speaker 1: Gilmore Girls fan. He's a host of our incredible spinoff podcast,
• 0:48
  Speaker 1: I Smell pop culture, and boy do we ever we
• 0:52
  Speaker 1: smell even deeper when Easton is at the Rains and
• 0:57
  Speaker 1: he interviews singers, artists, movie stars, cultural icons that were
• 1:01
  Speaker 1: referenced in the show. I'm thrilled to have you back.
• 1:04
  Speaker 1: As we dive here into season two, episode thirteen, Easton Welcome.
• 1:10
  Speaker 2: Thank you, Scott. This is such a thrill. I'm so
• 1:12
  Speaker 2: honored to be here. I love baskets. I'm just having
• 1:15
  Speaker 2: the best time with.
• 1:16
  Speaker 1: This episode of the Baskets are great, aren't they? Yeah?
• 1:18
  Speaker 1: All right, here we go. The synopsis stars Hollow Charity
• 1:23
  Speaker 1: Picnic Basket Auction. Laurel and Rory face unexpected competition for
• 1:27
  Speaker 1: these baskets. Jackson refuses to bid on Suki's, prompting a
• 1:32
  Speaker 1: communication reset, while Rory and Lorelei clash over you Guessed
• 1:36
  Speaker 1: it Jess until Emily surprisingly backs. Laurel I directed by
• 1:43
  Speaker 1: Robert Berlinger, written by the one and only Amy Sherman Palladino.
• 1:49
  Speaker 1: Laurel's picnic basket, she finds out that Miss Patty is
• 1:54
  Speaker 1: keeping a photo of lorele in a wallet so she
• 1:57
  Speaker 1: can set her up with guys. Random guy, so Patty
• 2:01
  Speaker 1: sends laurrel I a bunch of pictures and resumes of
• 2:03
  Speaker 1: potential men. Laurel I recognizes the men bidding on her
• 2:08
  Speaker 1: basket from the photos Patty center. She runs to Luke's
• 2:11
  Speaker 1: and demands he bids on her basket. One of my
• 2:15
  Speaker 1: favorite scenes so far of the Luke Lorelei category. Luke
• 2:19
  Speaker 1: and larele I share a romantic moment. And that's what
• 2:22
  Speaker 1: I want to ask you about, is that it should
• 2:24
  Speaker 1: it be Luke Laurel or Laurel Ion Luke. It's always
• 2:27
  Speaker 1: been Luke or Laureli, but some people say Laurea ion Luke.
• 2:29
  Speaker 1: What's that about? Easton? I mean, I think respectfully, we
• 2:31
  Speaker 1: should probably be saying larel and Luke. You know it
• 2:33
  Speaker 1: doesn't it doesn't have the same rhythm. It does not
• 2:36
  Speaker 1: because Luke's that single syllable and rhythm, aren't we We
• 2:39
  Speaker 1: certainly are. Yeah, we're not going to change it, Luke
• 2:41
  Speaker 1: Laurelaw's scher omanic moment. While eating lunch together. Luke tells
• 2:45
  Speaker 1: Laurel I he is actually enjoying this, but then Dean interrupts. Okay, Easton,
• 2:52
  Speaker 1: where's miss Patty finding all these men?
• 2:55
  Speaker 2: I was curious about that too, that the guy that
• 2:56
  Speaker 2: stood out to me that she had for LOURAI was
• 2:58
  Speaker 2: the guy who had seen Ghostbust one hundred and twenty
• 3:00
  Speaker 2: four times, because I have done that, and I like
• 3:02
  Speaker 2: to think that if a guy like that can find love,
• 3:04
  Speaker 2: then any of us can.
• 3:07
  Speaker 1: A lot of eligible bachelor's and starts hollow. I had
• 3:09
  Speaker 1: no idea.
• 3:10
  Speaker 2: I'm wondering if she's going to surrounding villages the trit
• 3:15
  Speaker 2: So who did Laurla.
• 3:17
  Speaker 1: I really want to buy her basket? I mean, she
• 3:19
  Speaker 1: tells Luke she used her basket to get men to
• 3:21
  Speaker 1: do home improvements for Is that really true? What do
• 3:25
  Speaker 1: you think? Yes?
• 3:27
  Speaker 2: I mean I think she's she wants to use it
• 3:31
  Speaker 2: as a way to connect with Luke.
• 3:32
  Speaker 1: I think there you go. Yeah, and she ultimately does.
• 3:35
  Speaker 1: I mean, she really connects with Luke R Yeah, she
• 3:37
  Speaker 1: really forces And Luke tells Laura one day she will
• 3:42
  Speaker 1: have the perfect man bit on her basket. Why why
• 3:46
  Speaker 1: doesn't Luke think this can ever be him? Or is
• 3:48
  Speaker 1: he just playing game? Is this just Luke playing games
• 3:52
  Speaker 1: a little bit? You know?
• 3:54
  Speaker 2: I I I think it might be because I because
• 3:58
  Speaker 2: Luke is a confident guy. But I don't know if
• 4:01
  Speaker 2: Luke has visualized the true potential that could happen between
• 4:05
  Speaker 2: him and Laurrelai at this point. So you know, I
• 4:08
  Speaker 2: think Luke is looking for love at the bottom of
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  Speaker 2: that basket just as much as Lauray is.
• 4:12
  Speaker 1: Oh No, I think he does. I think he thinks
• 4:15
  Speaker 1: the true potential all the time. And I think he's
• 4:19
  Speaker 1: he feels his only shot is to be aloof and
• 4:22
  Speaker 1: distant and detached and cool. That's that's so cool. He's
• 4:27
  Speaker 1: trying real hard to be just like not caring, and
• 4:31
  Speaker 1: I think that sort of convinces himself into at times
• 4:35
  Speaker 1: actually not caring. Yeah, Like at these opportune moments, he's
• 4:38
  Speaker 1: like so casual, laid back, he's sarcastic, he's dismissive and
• 4:44
  Speaker 1: it works against him, you know, but it's but it's
• 4:47
  Speaker 1: the game he's playing, so you know, it's a nice
• 4:50
  Speaker 1: scene between Louc and Laureless. It's really perfect until Dean interrhus.
• 5:00
  Speaker 1: If Dean didn't interrupt what do you think would have
• 5:02
  Speaker 1: happened next? You think you think there would have been, Hey,
• 5:05
  Speaker 1: you want to go out on a date? They have
• 5:07
  Speaker 1: They haven't been out on a date yet, have they? No?
• 5:10
  Speaker 1: Not not yet. Yeah, we're still dancing around each other.
• 5:13
  Speaker 2: I mean, I like to think that it would have
• 5:15
  Speaker 2: progressed to that point if Dean hadn't gotten in the way,
• 5:17
  Speaker 2: as Dean's apt to do at this point.
• 5:20
  Speaker 1: I wonder in the writer's room on the storyboard, they
• 5:21
  Speaker 1: had a postcard up there and said, Okay, in the
• 5:24
  Speaker 1: middle of the scene, Dean winds here. I know.
• 5:30
  Speaker 2: I'm watching this whole episode, and I'm like, poor, I
• 5:32
  Speaker 2: feel so bad for Jerry. Like all he does is why,
• 5:34
  Speaker 2: Like he just winds constantly, right, he's yeah and huffing
• 5:37
  Speaker 2: and puffing.
• 5:38
  Speaker 1: Oh no, And I'm just like it makes me sad
• 5:42
  Speaker 1: for him, right, yeah, I know, and he commits to it.
• 5:45
  Speaker 1: He's good at it. Yes, you know, let's talk about
• 5:49
  Speaker 1: Jess and Dean. This is a heating op, isn't it.
• 5:52
  Speaker 3: Yes.
• 5:53
  Speaker 1: Uh. Jess runs into Dean and roaring in the grocery store.
• 5:56
  Speaker 1: He's always there. They're about to kiss and kiss again,
• 5:59
  Speaker 1: there's Jess, and Dean tells Roy how much he hates Jess.
• 6:05
  Speaker 1: I mean, he's really just becoming uncorked at this point.
• 6:08
  Speaker 1: Rory tells Dean it's a waste of energy and it
• 6:10
  Speaker 1: would be easier if they just got along. Don't you
• 6:14
  Speaker 1: love hearing that when you're in the heat of your hatred?
• 6:17
  Speaker 1: Justin Dean go back and forth bidding on Rory's basket.
• 6:21
  Speaker 1: Jess outbids Dean, paying ninety dollars for it. That's Jada
• 6:25
  Speaker 1: ninety bucks man, and that's a lot of money to
• 6:27
  Speaker 1: a kid. Oh yeah, Jess and Roy share their basket,
• 6:30
  Speaker 1: share her basket, her bracelet Dean gave her falls off
• 6:37
  Speaker 1: at the bridge, Oh, the bridge over troubled waters. I
• 6:41
  Speaker 1: called the Simon and Garfunkle bridge that I pushed Jess
• 6:44
  Speaker 1: off of into the troubled waters. And he notices it
• 6:49
  Speaker 1: fell off her wrist. Jess finds it, snatches it, puts
• 6:53
  Speaker 1: in his pocket. He even gives it the old movie
• 6:56
  Speaker 1: he round his fingers. Yeah, but to do it? Do
• 7:04
  Speaker 1: you think that Rory made the right decision? Did she
• 7:06
  Speaker 1: have to share her basket with Jess, even if it's
• 7:09
  Speaker 1: a tradition, or she wouldn't it have been great just
• 7:12
  Speaker 1: to say, you know what, No, yeah, here, here's your
• 7:16
  Speaker 1: money back. I'll pay your money back. That's my man,
• 7:19
  Speaker 1: I know what you're doing. What's going on in Hooterville.
• 7:24
  Speaker 2: I know we love Jess. I'm so anti Rory in
• 7:28
  Speaker 2: this episode. I think every decision she makes is the
• 7:31
  Speaker 2: wrong one. I think she was wrong to do that.
• 7:34
  Speaker 2: I don't like I know it's tradition, but I just
• 7:36
  Speaker 2: think given the circumstances, she should have not done that,
• 7:40
  Speaker 2: or yeah, given the money back, or just said I'm
• 7:43
  Speaker 2: not going to share this basket.
• 7:44
  Speaker 1: With you, right yep, So it's not going to happen. Yeah,
• 7:48
  Speaker 1: that's what every guy wants. By the way, all your
• 7:51
  Speaker 1: girls listening out there, this is what your dudes want. Yes,
• 7:55
  Speaker 1: you know what, pal, I'll pay you the ninety bucks.
• 7:58
  Speaker 1: I'm not going to lunch. This is my dude f off. Yes,
• 8:03
  Speaker 1: right exactly, it's im messing with my dude. There's a
• 8:06
  Speaker 1: time where you got to stand up for the relationship.
• 8:08
  Speaker 1: Roy didn't do it. No, guys should be friends. Oh
• 8:13
  Speaker 1: it's okay, I'm going to go have lunch with him now.
• 8:16
  Speaker 1: I mean, wow, she wanted to spend time. Yes, she
• 8:20
  Speaker 1: really did. She did.
• 8:22
  Speaker 2: He really hooked her in with that Charlie McCarthy reference.
• 8:24
  Speaker 2: She was like, Oh, man, if this guy can talk
• 8:26
  Speaker 2: about a ventriloquist from the fifties, I'm there.
• 8:32
  Speaker 1: It's really not a fair fights in that regard. But
• 8:37
  Speaker 1: I mean, being a stand up kind of guy metric,
• 8:41
  Speaker 1: I think Dean. You know, Dean's a better dude, all right. Yeah,
• 8:47
  Speaker 1: Ess paid ninety dollars for her basket. How does Rory
• 8:50
  Speaker 1: not see that? Jess likes her. I mean, I mean
• 8:53
  Speaker 1: she sees it, right, She likes it. She does. She
• 8:57
  Speaker 1: likes having this.
• 8:57
  Speaker 2: Guy clearly look at her and trying to get her attention,
• 9:02
  Speaker 2: screwing with her boyfriend.
• 9:04
  Speaker 1: And then Dean does just the boner move of all time, right,
• 9:11
  Speaker 1: you know, he goes to her mommy, he complains talk
• 9:19
  Speaker 1: about self immolation. Yes, it just come on, guy, don't
• 9:25
  Speaker 1: do what he did it.
• 9:28
  Speaker 3: He did it?
• 9:29
  Speaker 1: Oh jeez, Yeah, that's that's the thing. What do you
• 9:32
  Speaker 1: think about that move?
• 9:34
  Speaker 2: I mean, again, every everyone in this episode is making
• 9:38
  Speaker 2: bad decisions, which I generally like to watch in a show.
• 9:41
  Speaker 1: I love watching people just do the wrong thing. It's entertaining.
• 9:45
  Speaker 2: But oh my god, man, like you're going to her
• 9:48
  Speaker 2: mom like this is so humiliating, and then it's just
• 9:54
  Speaker 2: and then like you know, now now Laurala is involved,
• 9:58
  Speaker 2: she this is going to drive away between her and Rory.
• 10:03
  Speaker 2: It's I don't know. And again, Rory's doing the wrong thing.
• 10:06
  Speaker 2: But but Dean's handling it poorly too. He should have
• 10:09
  Speaker 2: just confronted Laura and Jess, or sorry, Rory and Jess
• 10:12
  Speaker 2: about how he's feeling.
• 10:13
  Speaker 1: She would have gone to her mom. Takes a long
• 10:15
  Speaker 1: time to learn how to just say, you know what,
• 10:18
  Speaker 1: have fun, Yeah it does, bye, and then become remarkably unavailable. Yes,
• 10:30
  Speaker 1: he's just getting put through the meat grinder, this kid.
• 10:32
  Speaker 1: Oh yeah, I mean, this is just bad. They're just
• 10:35
  Speaker 1: they're just his character's just dying right now.
• 10:41
  Speaker 3: Why do you.
• 10:41
  Speaker 1: Think Rory feels the need to be nice to Jess.
• 10:45
  Speaker 2: I mean, I think that Rory likes the attention from Jess.
• 10:51
  Speaker 2: I think I think also, I mean, she and jes
• 10:53
  Speaker 2: connect intellectually a lot, like the they like the same
• 10:57
  Speaker 2: books that they clearly have a lot in common.
• 10:59
  Speaker 1: I I think.
• 11:00
  Speaker 2: She feels bad for him to a certain extent, but
• 11:06
  Speaker 2: mostly I think she just likes him and she likes
• 11:08
  Speaker 2: the attention. I don't think she like feels like I
• 11:09
  Speaker 2: have to be nice to him. I think she enjoys
• 11:12
  Speaker 2: hanging out with him. Yeah, yeah, you know, they do
• 11:16
  Speaker 2: sort of.
• 11:17
  Speaker 1: It's easy for her to have a conversation with him, yes,
• 11:21
  Speaker 1: you know, it's it's and they're gonna teach She's going
• 11:24
  Speaker 1: to teach him about Hemingway or no, she's gonna learn
• 11:27
  Speaker 1: about Hamingway. He's going to learn about Anne Ryan Hyan Rand.
• 11:34
  Speaker 1: I don't think her politics are terribly difficult to understand,
• 11:37
  Speaker 1: so I'm kind of scratching my head, you know. Anyway,
• 11:39
  Speaker 1: I guess for a sixteen year old, it's a big mystery.
• 11:52
  Speaker 1: All right, Let's get to Jackson and Suki more bad decisions.
• 12:02
  Speaker 1: You know. Jackson is laying it on really thick, like
• 12:05
  Speaker 1: do you want me to re up my lease at
• 12:07
  Speaker 1: the end of the month, And Suker says she doesn't
• 12:09
  Speaker 1: see why he shouldn't. Why on it's nice apartment time,
• 12:13
  Speaker 1: and uh, you know, it's a little weird that she
• 12:17
  Speaker 1: didn't pick up on his uh crestfall and countenance. Is
• 12:22
  Speaker 1: that a phrase?
• 12:23
  Speaker 2: Yeah, yes, yes it is and properly used. Uh yeah,
• 12:28
  Speaker 2: it's where she didn't pick up on that. But then also,
• 12:32
  Speaker 2: like he is he expecting her to read his mind?
• 12:36
  Speaker 2: I don't know, it's pretty obvious what he wants. But
• 12:40
  Speaker 2: at the same time, come on, man, just like just
• 12:43
  Speaker 2: say it. You don't why are you playing this weird game?
• 12:45
  Speaker 2: And then he then he continues to play the game
• 12:47
  Speaker 2: with the at the basket.
• 12:49
  Speaker 1: Auction right, yeah, he doesn't bid on the basket and
• 12:54
  Speaker 1: souctioned off, and that upsets Suki. And you know, she
• 12:58
  Speaker 1: never considered moving in together, she says, And then she
• 13:04
  Speaker 1: apologized to him that she was thought about living together,
• 13:07
  Speaker 1: but she doesn't want to ruin their relationship. Yeah, you know,
• 13:10
  Speaker 1: it's not on her, it's on him, right, Yeah, it's
• 13:12
  Speaker 1: on him to like just make that move, just bring
• 13:17
  Speaker 1: it up. This is what I want. And he finally
• 13:20
  Speaker 1: did yeah, which was which was great. He buys the
• 13:23
  Speaker 1: basket from Kirk for two hundred and fifty bucks, which
• 13:26
  Speaker 1: was an hysterical scene. Twelve children.
• 13:29
  Speaker 2: Yeah, finding out that Kirk has twelve brothers and sisters
• 13:32
  Speaker 2: is a wild reveal.
• 13:33
  Speaker 1: Right, that's a wild reveal. And then Jackson proposes to Suki.
• 13:38
  Speaker 1: She says yes, great, scene, tears in her eyes. She's
• 13:43
  Speaker 1: gonna marry the vegetable guy. She's gonna she's gonna she's
• 13:46
  Speaker 1: gonna be healthier whole life. It's gonna be great. So
• 13:51
  Speaker 1: Kirk is a little said that he is is he
• 13:56
  Speaker 1: doesn't have anyone else to make a basket for him,
• 13:58
  Speaker 1: not even his own mother. Is there anyone who stars
• 14:02
  Speaker 1: hollow for Kirk? You think.
• 14:05
  Speaker 3: So far?
• 14:06
  Speaker 1: I don't. I don't know. I don't know who could be.
• 14:11
  Speaker 2: Kirk is such a unique guy and he needs a
• 14:14
  Speaker 2: very special person, and I don't know if that person's
• 14:16
  Speaker 2: in the stars hollow for him at this point.
• 14:18
  Speaker 1: Here's my question, why have we never seen his twelve
• 14:22
  Speaker 1: brothers and sisters? Yes? Where are they? I mean, can
• 14:27
  Speaker 1: you imagine the fun the casting department would have casting
• 14:33
  Speaker 1: twelve brothers, Kirk brothers and sisters all.
• 14:37
  Speaker 2: Yes, I wanted to see that. I also really wanted
• 14:40
  Speaker 2: to see you get a look at it. When Kirk's
• 14:42
  Speaker 2: sitting on the bench kind of pondering his basket, but
• 14:44
  Speaker 2: I want to see more of the pretzel basket. So
• 14:47
  Speaker 2: he made the basket out of pretzel and.
• 14:49
  Speaker 1: Filled with goat cheese, and I thought them was so
• 14:52
  Speaker 1: exciting and I wanted to see more of that. Kirk
• 14:56
  Speaker 1: always leaves us wanting more. That's his way, right, But well,
• 15:02
  Speaker 1: there's your spinoff episode. There's your spinoff show. It's Kirk
• 15:05
  Speaker 1: and his brother's sisters, right, Yeah, twelve's company. Twelve's a crowd,
• 15:14
  Speaker 1: all right. So Jackson and Suki went from not living
• 15:17
  Speaker 1: together being gaged wid they are taking it too fast?
• 15:21
  Speaker 2: Yes, yes, I also thought that Jackson's little beanie bothers
• 15:28
  Speaker 2: me and is like his little hat ye crazy swinging
• 15:33
  Speaker 2: the wrong the other direction. I mean she was obviously
• 15:37
  Speaker 2: down to live with him. Uh, take it, take it
• 15:40
  Speaker 2: a step.
• 15:41
  Speaker 1: At a time. We don't have to get married here.
• 15:42
  Speaker 1: That's I thought. That was just crazy to see that happen. Well,
• 15:45
  Speaker 1: if Suki hasn't about living with him, you think their
• 15:49
  Speaker 1: marriage is going to work out? No? I mean, you
• 15:53
  Speaker 1: know people that want to get married and move in together.
• 15:56
  Speaker 1: It's it's kind of like a slam dunk. I mean
• 15:59
  Speaker 1: it's like yeah, yeah, there's no doubt, right, and it's
• 16:04
  Speaker 1: gonna work exactly.
• 16:07
  Speaker 2: But no, I think I don't think this is gonna work.
• 16:11
  Speaker 2: I don't think he should have proposed. I don't think
• 16:13
  Speaker 2: she should have said yeah. Like again, if she's not
• 16:15
  Speaker 2: jumping at the chance to live with them, why is
• 16:16
  Speaker 2: she saying yes to marrying him.
• 16:18
  Speaker 1: I don't like it all right, now, let's get this
• 16:22
  Speaker 1: is my favorite storyline in the episode, Laane and her
• 16:26
  Speaker 1: mother Lane and Henry, and I liked it. Henry, you know,
• 16:31
  Speaker 1: battered her away and said, listen, you know, I'm just
• 16:34
  Speaker 1: this isn't gonna work. It is silly, and it was
• 16:36
  Speaker 1: so heartbreaking. Right, So, her secret plan to share her
• 16:40
  Speaker 1: basket with Henry without her mom knowing, obviously just fails.
• 16:46
  Speaker 1: He lets her know that he just wants to date
• 16:48
  Speaker 1: a normal person without sneaking around, and he can't blame
• 16:51
  Speaker 1: the guy, right, yeah, and then he and then he
• 16:54
  Speaker 1: lowers the bone. He tells Lane he asked somebody else
• 16:56
  Speaker 1: to the prom, and she furious with her mother, and
• 17:02
  Speaker 1: this is when it starts getting interesting. You know, this
• 17:06
  Speaker 1: was one of the funniest scenes because Emily.
• 17:09
  Speaker 3: Said, a doctor, I.
• 17:18
  Speaker 1: Damn, it's so good. But man, these two. What a powerful,
• 17:28
  Speaker 1: powerfully acted scenes these two have. Yes, it's just fantastic.
• 17:33
  Speaker 1: The work is sterling, the writing is fantastic, the situation
• 17:37
  Speaker 1: is so relatable. Absolutely, I really think that, you know,
• 17:43
  Speaker 1: Lane is telling an extremely important story. These two are
• 17:47
  Speaker 1: telling a really powerful story. And it's one of the
• 17:51
  Speaker 1: highlights for me of this entire show is when these
• 17:55
  Speaker 1: two go head to head. Yes, or any scene with
• 17:59
  Speaker 1: Lane or and her mother in it, no matter who
• 18:01
  Speaker 1: else is in it, it's going to be incredibly satisfying.
• 18:05
  Speaker 1: Oh yeah, did Lane self sabotaged this relationship with Henry?
• 18:11
  Speaker 1: I mean, if he's a perfect man, why didn't Lane
• 18:13
  Speaker 1: tell her mom about him? I don't think she's self sabotaged.
• 18:17
  Speaker 2: I think that even though Henry is everything that her
• 18:21
  Speaker 2: mother would want, she still is so apprehensive about introducing
• 18:27
  Speaker 2: any kind of man to her mom that that's just
• 18:31
  Speaker 2: something that's going to be giving her so much anxiety
• 18:34
  Speaker 2: and seeking her mother's approval, even though this is a
• 18:37
  Speaker 2: slam dunk way to get it. Still just like I
• 18:41
  Speaker 2: don't want to have that confrontation. That's what I think
• 18:44
  Speaker 2: she's avoided.
• 18:45
  Speaker 1: But then she was afraid Mom's going to approve of him,
• 18:47
  Speaker 1: and I'm gonna hate him, yes, exactly, So I can't
• 18:51
  Speaker 1: you know, Yeah, where's the drummer in me? The rebel
• 18:53
  Speaker 1: in me? So so here's the question. Do you think
• 19:05
  Speaker 1: missus Kim is going to save the day get Henry
• 19:07
  Speaker 1: to contact Lane again? Can I hear? You know? I
• 19:11
  Speaker 1: don't know. I'm curious. Yeah, that's an.
• 19:14
  Speaker 2: Old move for missus Kim, it is to insert herself
• 19:19
  Speaker 2: that way.
• 19:19
  Speaker 1: But I mean, I hope she again. That moment you.
• 19:23
  Speaker 2: Describe when she's like a doctor is Korean like everything
• 19:27
  Speaker 2: that you could see. Yeah, you can see how close
• 19:30
  Speaker 2: she was to perfection.
• 19:33
  Speaker 1: I think she was. She will I loved it if
• 19:36
  Speaker 1: she did love to see a doctor. Emily's so good,
• 19:44
  Speaker 1: She's so funny. She's so funny. All right, So this
• 19:49
  Speaker 1: is the closing scene. This is at the Kim house,
• 19:53
  Speaker 1: and we just talked about all this, and Missus Kim
• 19:56
  Speaker 1: is so shocked. She's kind of shocked and thrilled at
• 19:59
  Speaker 1: the same time. And and now we go to Friday
• 20:05
  Speaker 1: night dinner and attentions between Laurela I and Rory are
• 20:08
  Speaker 1: really high. We've never really seen them like this before.
• 20:10
  Speaker 1: So they're fighting about Rory's friendship with Jess, and Emily
• 20:13
  Speaker 1: tells Laura I she agrees with her parenting decision to
• 20:18
  Speaker 1: try to keep Jess away from her daughter. And this
• 20:22
  Speaker 1: this was also a great scene in Richard's study when
• 20:25
  Speaker 1: she goes in and and can we talk Rory, you know,
• 20:29
  Speaker 1: and it's like she tells Rory she trusts and respects
• 20:32
  Speaker 1: her judgment about Jess. Does the app complete opposite of
• 20:36
  Speaker 1: what her mother recommends her doing. Yes, Oh my god,
• 20:41
  Speaker 1: you agreed with him? I'm so sorry. Yeah, I know.
• 20:46
  Speaker 1: Is this the first time that Emily's agreed with Laurel
• 20:48
  Speaker 1: about a parent parenting I mean I think so at
• 20:51
  Speaker 1: this point, I don't recall him. Major moment, Yeah, big moment.
• 20:56
  Speaker 2: Yeah.
• 20:57
  Speaker 1: So it's obvious why this freaks or a lie out
• 21:00
  Speaker 1: so much. I mean, it's like, this is not what
• 21:03
  Speaker 1: you want to hear. This is what she wants to hear.
• 21:08
  Speaker 1: Why do you think Rory decides to call Jess instead
• 21:10
  Speaker 1: of Dean at the end of the night. So that's
• 21:14
  Speaker 1: like the page turner aspect of the writing.
• 21:16
  Speaker 2: It's like, oh, yes, I mean, because at this point
• 21:21
  Speaker 2: Rory hung out with Jess on the bridge. They went
• 21:24
  Speaker 2: and got pizza and like shopped and walked around. Rory
• 21:30
  Speaker 2: is out on Dean. She is, in my opinion, she
• 21:32
  Speaker 2: is out at this point.
• 21:33
  Speaker 1: She is.
• 21:35
  Speaker 2: Je The allure of Jess is too strong, She's too interested.
• 21:40
  Speaker 2: The way Dean's been acting. How could you not be
• 21:41
  Speaker 2: turned off by that? And she just she wants more Jess,
• 21:46
  Speaker 2: She's got it. She wants to talk to him more.
• 21:48
  Speaker 2: She wants to be around him more. Right, which is
• 21:51
  Speaker 2: not you know, a bad thing to do with you're
• 21:53
  Speaker 2: in a relationship with somebody else.
• 21:55
  Speaker 1: Listen, young fellas out there listening to this right now.
• 21:58
  Speaker 1: If you're high school guy and you're somehow listening to
• 22:01
  Speaker 1: this podcast, if this happens to you, take the hit, yes,
• 22:10
  Speaker 1: and don't scream out because the enemy will hear you
• 22:14
  Speaker 1: screaming and they will kill you. Do not react. Just
• 22:20
  Speaker 1: take the hit, smile, wish her well, have a nice time.
• 22:27
  Speaker 3: Bye bye.
• 22:28
  Speaker 1: Yes, that's your only move, because that's going to really
• 22:33
  Speaker 1: help out your reputation because the entire school is going
• 22:36
  Speaker 1: to be watching for your reaction. And if you don't care,
• 22:40
  Speaker 1: and you continue to act like you don't care and
• 22:43
  Speaker 1: you just move on, that's power. It's hard to do
• 22:47
  Speaker 1: as a young man. Yes, that's probably impossible. That's the move.
• 22:55
  Speaker 1: That's the move, and that also makes for a great
• 22:57
  Speaker 1: scene in a television series, you know, take away the whining.
• 23:04
  Speaker 1: That's still like good television. It's almost film, right, Yeah,
• 23:09
  Speaker 1: anyway it is. That's my boomer advice. Doll you spring
• 23:13
  Speaker 1: chickens out there, take note. Listen when Scott Patterson talks,
• 23:17
  Speaker 1: he speaks wisdom. Everybody. You'll thank yourself later. Take the hit.
• 23:22
  Speaker 1: Look how many times Easton, how many times you been
• 23:25
  Speaker 1: in that situation? A few? Yeah? And did you take
• 23:28
  Speaker 1: the hit? I took the hit the h not.
• 23:31
  Speaker 2: Yes, I did, and it always kind of worked out,
• 23:33
  Speaker 2: not because of maintaining my pride, but mostly because I
• 23:37
  Speaker 2: just really just.
• 23:38
  Speaker 1: Didn't want to deal with it.
• 23:39
  Speaker 2: It was worth I took the hit out of avoidance,
• 23:43
  Speaker 2: which you know I dealt with later in life.
• 23:45
  Speaker 1: There's almost a world where you should thank thanker. Yes, yes,
• 23:50
  Speaker 1: and thank god I found out now exactly because think
• 23:53
  Speaker 1: about this first would be if it kept going right,
• 23:57
  Speaker 1: what if we ended up marriage? You did it during
• 23:58
  Speaker 1: the marriage. Yes, Then it's hard to take the hit
• 24:01
  Speaker 1: because then you really take a hit in your bank
• 24:05
  Speaker 1: account and you you lose your house and the whole
• 24:08
  Speaker 1: What is this like? You know she still has a
• 24:10
  Speaker 1: box of my pencils. What am I gonna do? Yeah?
• 24:14
  Speaker 1: What assets are you dividing up? At that point? That's
• 24:17
  Speaker 1: my eraser. Just take the hit. Be cool man, be
• 24:25
  Speaker 1: a little Fonzie, Be a little Fonzie. Yeah, put on
• 24:28
  Speaker 1: your leather jackets, lick your hair back, and just go
• 24:31
  Speaker 1: to collar up. Hit that juke box. I have a
• 24:34
  Speaker 1: nice Let right, take care And it's really your only
• 24:38
  Speaker 1: shot that she's gonna circle back around. Yeah, because that's
• 24:42
  Speaker 1: that's the thing that's going to be on her mind.
• 24:44
  Speaker 1: You you young fellas out there. You know, she'll be
• 24:47
  Speaker 1: thinking about that and you and your non reaction while
• 24:51
  Speaker 1: she's on the date with mister dreamy eyes. Right. It'll
• 24:56
  Speaker 1: drive her crazy, it'll eat it. That's the way to
• 24:58
  Speaker 1: do it. And then you get all your power back
• 25:01
  Speaker 1: with or without her. It's wonderful anyway. All right, all right,
• 25:04
  Speaker 1: I think, uh, what do you think Jess and Rory?
• 25:09
  Speaker 1: They have more in common? Oh yeah, what do you think?
• 25:11
  Speaker 2: Absolutely, without a doubt they're more in common and this
• 25:17
  Speaker 2: relationship could be pursued from a more responsible angle. But hey,
• 25:20
  Speaker 2: that's that's how young love works.
• 25:22
  Speaker 1: Yeah, you know, and she stays with Dean. It's you know,
• 25:25
  Speaker 1: it's a it's a pathway to bored him. Yep, maybe happiness, right,
• 25:30
  Speaker 1: you never know. Yeah. I think with Rory's mind, it's
• 25:34
  Speaker 1: it's a pathway to bored him and frustration. And I
• 25:37
  Speaker 1: think with Jess it's a it's boy, that's a disaster
• 25:42
  Speaker 1: waiting exactly. She'll have fun, It'll be a roller coaster, right,
• 25:47
  Speaker 1: that's right, man. What would you do if Roy was
• 25:50
  Speaker 1: your daughter? I mean, let's say you and Laura l A. Marrick, Okay, right, Yeah,
• 25:58
  Speaker 1: you're not Christopher, you're Easton. Okay, so it's Eastern and Laurel. I.
• 26:03
  Speaker 1: It's not Luke and Laurel. It's Eastern Laurel. I. Yeah.
• 26:05
  Speaker 1: And he stayed together, right yeah, and Laurela, I mean
• 26:10
  Speaker 1: Rory was your biological daughter. What would you do? And
• 26:14
  Speaker 1: I knew this was happening, Yeah, the Dean, the Jets,
• 26:16
  Speaker 1: the whole thing. Yeah, I would.
• 26:19
  Speaker 2: I mean I would tell her you are acting inappropriately,
• 26:24
  Speaker 2: you're acting responsibly. You need to think about the feelings
• 26:28
  Speaker 2: that you have, and you need to follow those feelings
• 26:32
  Speaker 2: and break up with Dean. You need to end things
• 26:35
  Speaker 2: the Dean immediately before you can move on with your life. Yes,
• 26:41
  Speaker 2: it's the car. Change the license.
• 26:42
  Speaker 1: Plate to UH to Roy loves Jess. Yes, drive the
• 26:47
  Speaker 1: man crazy. Yeah, that's what I tell her to do.
• 26:54
  Speaker 3: Oh my god.
• 26:55
  Speaker 1: All right, well I think we solved it. Yes, And
• 26:58
  Speaker 1: I don't mean to put you on the spot, but
• 26:59
  Speaker 1: I you know, I know how much you are on
• 27:02
  Speaker 1: your feet. Yeah, Sosh, you the good stuff anyway, Easton Allen,
• 27:08
  Speaker 1: Ladies and gentlemen, round of applause. Thank you so much, Scott.
• 27:11
  Speaker 1: This has been such a blast. You got to come
• 27:13
  Speaker 1: back real soon. I know you're very busy in your
• 27:15
  Speaker 1: global superstar at this point. Are you doing a tour yet?
• 27:18
  Speaker 1: Are you doing a stadium tour? Arena tour yet? You know,
• 27:22
  Speaker 1: we're working on it.
• 27:23
  Speaker 2: We're working on arenas first and then we're gonna go
• 27:25
  Speaker 2: up to stadiums. We'll probably do Wrigley at some point.
• 27:29
  Speaker 2: But yeah, you know, it's it's a it's a wheels
• 27:32
  Speaker 2: or in motion.
• 27:32
  Speaker 1: We'll say it's all happening. Yes, all the best man,
• 27:36
  Speaker 1: congratulations and all your success. You're natural. Thank you so much,
• 27:39
  Speaker 1: Scott and uh best fans on the plant keep those
• 27:44
  Speaker 1: cards in let are coming, and where you lead, we
• 27:48
  Speaker 1: will follow.
• 27:48
  Speaker 3: Stay safe, everyone, everybody.
• 28:19
  Speaker 1: And don't forget. Follow us on Instagram at i Am
• 28:22
  Speaker 1: all In podcast and email us at Gilmore at iHeartRadio
• 28:27
  Speaker 1: dot com