Latest / Son of a Boy Dad / Pete Holmes | Son of a Boy Dad #389

Transcript

Pete Holmes | Son of a Boy Dad #389 · Son of a Boy Dad

• 0:00
  Speaker 1: Hey Son of a Boy Dad listeners. You can find
• 0:02
  Speaker 1: every episode on Apple Podcasts, Spotify, or YouTube. Prime members
• 0:08
  Speaker 1: can listen ad free on Amazon Music. Gotcha, you got
• 0:16
  Speaker 1: a big ass coffee today?
• 0:17
  Speaker 2: Bubble bro a little local place iPhone.
• 0:21
  Speaker 1: Where you good to go.
• 0:25
  Speaker 2: It's the smallest look. I'll talk about whatever you want
• 0:29
  Speaker 2: to talk about. If you like lattes. But it's too
• 0:32
  Speaker 2: much fucking milk. Now, I'm making it a guy thing.
• 0:35
  Speaker 2: Too much fucking titty milk. Get a cortato, That's what
• 0:39
  Speaker 2: it is. It's an espressoa just a little bit of milk.
• 0:43
  Speaker 1: Nice.
• 0:43
  Speaker 2: So I see people drinking these fuck off lattes and
• 0:46
  Speaker 2: I laugh at them. You have a good laugh with
• 0:49
  Speaker 2: the guy who figured it.
• 0:50
  Speaker 1: Out their one ounce cup.
• 0:54
  Speaker 3: Yes, I could fill this.
• 0:55
  Speaker 2: I'm not gonna make that joke. At nine am, eight
• 0:58
  Speaker 2: my body's time. You know.
• 1:00
  Speaker 1: He's he's like a coffee nut. He has like a
• 1:03
  Speaker 1: ten thousand dollars La Marzoko set up at home seven
• 1:06
  Speaker 1: seven seven five.
• 1:08
  Speaker 4: It's not let's not get out of.
• 1:09
  Speaker 1: It's seven five and with the Japanese ceramic mugs. Ceramic mugs.
• 1:14
  Speaker 2: I'm not a shamed to admit I think it's a
• 1:16
  Speaker 2: wonderful hobby. I so have a I have an E
• 1:19
  Speaker 2: C M. Synchronica.
• 1:20
  Speaker 4: Oh, well done, I'm definitely we talk.
• 1:26
  Speaker 3: About is this real? Then everyone just turned it off.
• 1:29
  Speaker 2: I don't listen to Shane. I'm sure Shane. See that's
• 1:34
  Speaker 2: why Shane. He's brilliant and he appeals. He's a drip
• 1:38
  Speaker 2: coffee motherfucker. And I'm out here going he goes tamp
• 1:41
  Speaker 2: it and everyone's like, well, that will never be as big.
• 1:45
  Speaker 3: Coffee will never be as big.
• 1:47
  Speaker 4: I saw I saw him at a Madison Square garden
• 1:50
  Speaker 4: and I thought, I need to invest in coffee. You
• 1:55
  Speaker 4: mean this is this is unattainable. I need it.
• 1:58
  Speaker 2: I can't do this. I should lean into my coffe. Yeah.
• 2:00
  Speaker 4: Clearly this pursuit I'm in is has reached a ceiling.
• 2:04
  Speaker 3: Are you so bey Noodles? Are you sober?
• 2:07
  Speaker 4: Oh?
• 2:09
  Speaker 2: Now you're on my podcast. I guess what you're on
• 2:12
  Speaker 2: my podcast?
• 2:14
  Speaker 4: By the way, we've begun, is that? Okay?
• 2:16
  Speaker 3: Of course?
• 2:16
  Speaker 4: Okay, great? Great, I'm not sober he is, though.
• 2:20
  Speaker 2: I'm only asking because sometimes people get real into coffee
• 2:23
  Speaker 2: when they can't o their liquids in there.
• 2:26
  Speaker 4: You're looking for divorced, which I am yeah without child.
• 2:32
  Speaker 2: See I have the lifestyle of a divorced childless man
• 2:35
  Speaker 2: and I'm married with a child. I'm still out there, Tampa.
• 2:38
  Speaker 2: I wish do you use the three little the needles.
• 2:40
  Speaker 4: The weis distribution technique that would have a WDT tool?
• 2:44
  Speaker 2: I do is yours going on it and spinning or
• 2:47
  Speaker 2: you know that's cool?
• 2:48
  Speaker 4: There are some cool ones like that, the Weather Workshops
• 2:50
  Speaker 4: one my favorite. It's the moon Breaker.
• 2:53
  Speaker 3: Sponsors being gained from.
• 2:59
  Speaker 4: I've reached out to every one of these brands and
• 3:01
  Speaker 4: been like, hey, I'm making coffee, and they're like, we
• 3:04
  Speaker 4: found that our price points are too high.
• 3:06
  Speaker 3: Yeah, true, I love. I had them on.
• 3:10
  Speaker 2: I don't want to say I'm on the hook, but
• 3:11
  Speaker 2: I had a zoom with them and they were going
• 3:13
  Speaker 2: to sponsor my pod, and then the pandemic happened. That's
• 3:16
  Speaker 2: when we should have tripled down. That's when people got
• 3:18
  Speaker 2: into weird baking bread and needles and nothing.
• 3:21
  Speaker 3: I will talk.
• 3:22
  Speaker 2: About it off, Mike. I don't want to bore everything.
• 3:24
  Speaker 1: This is what this show is.
• 3:25
  Speaker 2: I no, no, but I can see look at your
• 3:27
  Speaker 2: body language.
• 3:28
  Speaker 4: You're like.
• 3:30
  Speaker 1: You're like you're ashamed of your coffee.
• 3:33
  Speaker 3: I'm ashamed of my penis.
• 3:35
  Speaker 2: I'm just like seeing a resigned He's doing it again,
• 3:40
  Speaker 2: is beautiful.
• 3:41
  Speaker 1: I'm the documentarian of all his coffee.
• 3:43
  Speaker 2: Okay, well, let's if you want to talk about I'll
• 3:46
  Speaker 2: talk about it endlessly.
• 3:47
  Speaker 3: But I am having some issues.
• 3:48
  Speaker 1: Does it make it hard to drink like a storeball coffee?
• 3:51
  Speaker 1: Because I feel like that's why you got into the
• 3:53
  Speaker 1: game of a homemade because you didn't want to be.
• 3:56
  Speaker 4: That and and I liked I liked saving money on
• 4:00
  Speaker 4: not buying a coffee every day, and then you just.
• 4:03
  Speaker 3: Paid it up front like the lottery, like a lump sum.
• 4:05
  Speaker 4: Yes, but you know your lifetime supply.
• 4:09
  Speaker 2: I'm gonna put seven to five in the machine.
• 4:11
  Speaker 4: In twenty thirty eight, I will have broken.
• 4:14
  Speaker 2: Even Wait is that really are you? I don't feel
• 4:19
  Speaker 2: like you're being honest.
• 4:20
  Speaker 4: No, So like with yourself. Well, I originally seven years
• 4:25
  Speaker 4: ago I bought a Brevel and it was like a
• 4:28
  Speaker 4: starter machine whatever. And I would say that over the
• 4:33
  Speaker 4: course of those seven years, like I must have saved
• 4:38
  Speaker 4: you know, yeah, thousands and thousands of dollars versus buying
• 4:41
  Speaker 4: like an eight dollars latte or whatever at a nice
• 4:44
  Speaker 4: coffee shop.
• 4:44
  Speaker 2: I take it back. I think you are being on it.
• 4:46
  Speaker 2: I just thought maybe most people that buy these things
• 4:50
  Speaker 2: just love the tinkering and the dialing it in, And
• 4:53
  Speaker 2: then you know what's more fun than like trying shots
• 4:55
  Speaker 2: and you're getting.
• 4:56
  Speaker 3: Ripped on espresso?
• 4:57
  Speaker 2: You know, Yeah, you get higher and higher and higher,
• 4:59
  Speaker 2: and they can better and better and better and cram
• 5:02
  Speaker 2: and better and different beans. Like, it's just such a fun,
• 5:05
  Speaker 2: harmless hobby. It doesn't make you fat, it doesn't make
• 5:09
  Speaker 2: you stupid. It might make you a little paranoid. I
• 5:11
  Speaker 2: think there's a sniper on the roommon. I yeah, it's
• 5:17
  Speaker 2: a pretty benign hobby, it is. But the money saving,
• 5:20
  Speaker 2: that's why I'm like, I don't know if that's the
• 5:22
  Speaker 2: most alluring thing, but it is a perk.
• 5:24
  Speaker 4: I think that that applied more with my cheaper machine.
• 5:27
  Speaker 4: Now I've invested so much that that that reasoning falls
• 5:31
  Speaker 4: a bit short.
• 5:31
  Speaker 2: You drink it, plain, see, I drink cortato, as I
• 5:34
  Speaker 2: was yelling at you earlier. Nice because I think lattes
• 5:38
  Speaker 2: have too much milk in them.
• 5:39
  Speaker 3: But when I make it at home or if I go.
• 5:43
  Speaker 2: To a nice place, I'll just get espresso because I
• 5:45
  Speaker 2: like I'm that guy.
• 5:46
  Speaker 3: Yeah, I like taste you too too.
• 5:48
  Speaker 5: No, No, I'm not an espresso. I can't really drink
• 5:50
  Speaker 5: a lot of coffee. I freak out.
• 5:52
  Speaker 3: Nice.
• 5:52
  Speaker 4: Yeah, so he drinks energy drinks.
• 5:54
  Speaker 5: Yeah, I'm drinking a coffee right now, but that's probably
• 5:57
  Speaker 5: as far now.
• 5:58
  Speaker 2: You do drink energy drinks?
• 5:59
  Speaker 4: I do.
• 5:59
  Speaker 6: Yeah.
• 6:00
  Speaker 3: I wonder what they do that to make is it alane?
• 6:03
  Speaker 2: I think so bro? I just took bro. I just
• 6:05
  Speaker 2: took some Healthanian with my coffee. So oh yeah, that's
• 6:08
  Speaker 2: that's a nice way.
• 6:09
  Speaker 1: Why is Alanian into?
• 6:11
  Speaker 3: That really evens out coffee?
• 6:12
  Speaker 2: Sorry? Yeah, too excited?
• 6:14
  Speaker 4: Now you're you're your dad on it.
• 6:16
  Speaker 2: If you take Althenian with your Hi, I'm Andrew Huberman.
• 6:19
  Speaker 2: If you take al with your coffee, it evens it out.
• 6:22
  Speaker 2: It's really nice, just keeps you calm. Well, how old
• 6:26
  Speaker 2: are you? I'm twenty four and you're still in your
• 6:28
  Speaker 2: like red Bull?
• 6:29
  Speaker 5: Yeah?
• 6:30
  Speaker 2: Yeah, do it exactly.
• 6:33
  Speaker 3: It's killing your spurs.
• 6:36
  Speaker 2: My stomach.
• 6:36
  Speaker 4: Harry morning routine starts at a gas station. Wow, that's
• 6:40
  Speaker 4: where he goes getting ready.
• 6:43
  Speaker 2: For the.
• 6:45
  Speaker 4: Cliff cliff drink.
• 6:47
  Speaker 2: You're gonna wake up?
• 6:48
  Speaker 3: Well, that's not true.
• 6:49
  Speaker 2: Life is long I do not feel like I just
• 6:51
  Speaker 2: woke up and I was forty six. But at some
• 6:53
  Speaker 2: point you'll be forty six and you you won't even remember,
• 6:56
  Speaker 2: like you won't even be able to get in touch
• 6:58
  Speaker 2: with this guy. Yeah that just was.
• 7:00
  Speaker 3: Like Pepperoni pizzas. I'll get it in Severnal like, like,
• 7:05
  Speaker 3: enjoy it.
• 7:05
  Speaker 2: It's so care free.
• 7:07
  Speaker 3: How old are you?
• 7:08
  Speaker 4: Thirty six?
• 7:09
  Speaker 2: Okay, so I'm older than both of you, but like
• 7:11
  Speaker 2: still like you're getting there, like you get refined, but
• 7:13
  Speaker 2: fine just means more preferences like enjoy this, like Bart Simpson,
• 7:18
  Speaker 2: like like who cares roller skating? Wait, wean a ol
• 7:22
  Speaker 2: like do a loop like it doesn't matter, middle seed coach,
• 7:26
  Speaker 2: you don't even notice.
• 7:29
  Speaker 1: Okay, see that's how.
• 7:31
  Speaker 4: You got your thumb all over the pulse of this podcast. Brother,
• 7:35
  Speaker 4: you don't even know the water's been waiting it to.
• 7:37
  Speaker 7: Pretty much all we talk about is coffee in airlines.
• 7:42
  Speaker 3: Okay, well those are my two treaties.
• 7:45
  Speaker 2: Yeah, I do good coffee and I do good travel.
• 7:47
  Speaker 3: Because if you're a comic.
• 7:48
  Speaker 2: Yeah yeah, it'll wreck you. Yeah, and you must be
• 7:52
  Speaker 2: you've been a comedian for like seven eight months. I
• 7:54
  Speaker 2: mean it must be grinding.
• 7:56
  Speaker 5: Pieces I've been doing for like five years now.
• 8:01
  Speaker 4: He's a touring headliner. Though I saw sucker Crowd incredible
• 8:05
  Speaker 4: social stuff.
• 8:05
  Speaker 2: Did you like pop Off?
• 8:07
  Speaker 7: I did like Twitter when I was like really young,
• 8:11
  Speaker 7: when I was in.
• 8:11
  Speaker 4: Like middle school school.
• 8:13
  Speaker 2: Pharaoh over, Sorry, I didn't realize that was Pharaoh crazy.
• 8:20
  Speaker 1: Sick pull.
• 8:24
  Speaker 2: Shelby's very funny. Okay, that's cool. So Twitter kind of
• 8:27
  Speaker 2: picked up.
• 8:28
  Speaker 5: And then I got hired to here when I was
• 8:31
  Speaker 5: like nineteen, I think nice.
• 8:33
  Speaker 7: And then I moved to New York and I started
• 8:34
  Speaker 7: doing stand up like right when I moved here.
• 8:36
  Speaker 2: Good.
• 8:36
  Speaker 1: He dropped out of college because Barstool offered him a job.
• 8:39
  Speaker 1: He was precocious. He is precocious.
• 8:41
  Speaker 2: He was a Zuckerberg of Dick fark stuff. I'm like
• 8:45
  Speaker 2: Mark Zuckerberg, but dick and farks. But I do right way.
• 8:49
  Speaker 2: That's still like a hip riff.
• 8:50
  Speaker 5: Yeah, okay, I'll be leaning on you if I'm still Are.
• 8:57
  Speaker 2: You guys sponsored by MENA?
• 9:01
  Speaker 4: No?
• 9:01
  Speaker 5: I wish that would probably fucking pay the bills, ye,
• 9:04
  Speaker 5: met a sponsorship.
• 9:05
  Speaker 4: I've been filming my U my morning workflow at my
• 9:09
  Speaker 4: Lamarzoka Linear, Minnie Micres, excuse me with my zero one
• 9:13
  Speaker 4: grinder with flatpers and well the high anyway, the point
• 9:18
  Speaker 4: is I understand that I've been using the meta glasses
• 9:21
  Speaker 4: for that. Are those I know those those are yours,
• 9:24
  Speaker 4: by the way, I owe them.
• 9:24
  Speaker 2: Back to even filming it with your glasses.
• 9:27
  Speaker 1: Yeah, so he can get his hands in and everything.
• 9:30
  Speaker 4: Like, yeah, it's like you're playing a video game.
• 9:31
  Speaker 2: I see. Everything comes back to porn. First meeting, they
• 9:35
  Speaker 2: were like, and pov.
• 9:37
  Speaker 4: Porn is Yeah, now you're completely right.
• 9:40
  Speaker 5: I'm pretty sure that's like there's like something going on
• 9:42
  Speaker 5: with that right now, with the glasses.
• 9:44
  Speaker 7: But they're banning them or some show really yeah, I
• 9:47
  Speaker 7: mean yeah.
• 9:48
  Speaker 2: Well it's like in Japan there's a real peep in problem.
• 9:50
  Speaker 1: Then that's why they have the sound on the shutter,
• 9:54
  Speaker 1: so you can't be sneaky.
• 9:55
  Speaker 2: You can't with that doesn't make a sound when you
• 9:57
  Speaker 2: take a picture. Yeah, I'm sure somebody knows the guy
• 10:01
  Speaker 2: if you're.
• 10:03
  Speaker 1: Ye and so that these glasses have like a light
• 10:05
  Speaker 1: that kind of flashes. But I think you can get
• 10:08
  Speaker 1: off brand or super much. So they don't.
• 10:10
  Speaker 2: They're going to be bootlegging and filming your fucking jack exactly.
• 10:15
  Speaker 2: The thing that made you is going to.
• 10:16
  Speaker 4: Kill you exactly.
• 10:19
  Speaker 1: Wait, so why are they Why are they banning them
• 10:21
  Speaker 1: though people are using them for for a.
• 10:22
  Speaker 2: Porn or for man.
• 10:24
  Speaker 4: Guys are wearing them on their shoes on the.
• 10:26
  Speaker 1: Subway, ankles full of glasses.
• 10:30
  Speaker 4: She's on a skirl. Yeah, there you go.
• 10:35
  Speaker 2: Yeah, everything successful things huge always have some sexual component.
• 10:42
  Speaker 2: Like obviously Facebook is, but like why did Facebook go huge?
• 10:45
  Speaker 2: Because people want to have sex. Instagram becomes about sex
• 10:49
  Speaker 2: and they become AI become exactly, Like that's why I'll
• 10:53
  Speaker 2: never be huge because my my special will get no
• 10:56
  Speaker 2: one late. The guys that are watching my special like
• 11:00
  Speaker 2: one minute and they're like finishing special.
• 11:03
  Speaker 3: Girlfriend falls asleep.
• 11:04
  Speaker 4: I watched years ago. I loved glaze here for a second.
• 11:09
  Speaker 4: I loved h Yeah.
• 11:12
  Speaker 2: Yeah, it's like sucking off yea.
• 11:14
  Speaker 1: Yeah, he's gonna suck you off.
• 11:15
  Speaker 4: It's a little counterintuitive. Anything put on you'll be You'll
• 11:20
  Speaker 4: be glazing me. That's how it should work.
• 11:23
  Speaker 3: We're gonna be co glaze.
• 11:24
  Speaker 4: Yeah, I will elicit glaze, I will summon glaze. No.
• 11:34
  Speaker 4: But I watched your HBO special, uh and I love
• 11:38
  Speaker 4: I watched it twice?
• 11:39
  Speaker 2: Which one?
• 11:41
  Speaker 4: Yeah, I don't know the name, but it had the
• 11:44
  Speaker 4: blue background, and I'll tell you jokes that I remember. Yeah,
• 11:48
  Speaker 4: it was. I loved the unicorn unicorn.
• 11:52
  Speaker 2: Oh silly, No, that's facesn't sounds.
• 11:55
  Speaker 4: That's right, that's what it was. And then I loved
• 11:58
  Speaker 4: the street Fighter Fighter pan uh, joke.
• 12:02
  Speaker 3: Us my Comedy Central special. This is boring. Nobody cares.
• 12:05
  Speaker 1: Is that the one where like the like a tiger
• 12:08
  Speaker 1: like slashes your stomach or something so people have their
• 12:11
  Speaker 1: like body.
• 12:12
  Speaker 2: That's this is nobody cares about those.
• 12:14
  Speaker 3: Pete tells you which joke was.
• 12:17
  Speaker 1: But I just I've not. I've always thought about that.
• 12:20
  Speaker 1: I think about that every time I like cover my
• 12:23
  Speaker 1: like my iners like this. You know what, do you
• 12:25
  Speaker 1: know what joke I'm talking about?
• 12:26
  Speaker 4: This is the street Fighter stuff?
• 12:28
  Speaker 1: Is it?
• 12:28
  Speaker 3: No, it's not.
• 12:29
  Speaker 2: This is about why Sorry, I love you and we're
• 12:32
  Speaker 2: going to get to it. I'm very sure that's.
• 12:34
  Speaker 4: Feel like I have a better sense of your material.
• 12:37
  Speaker 2: Actually, actually I think that's on. Nice Try the Devil,
• 12:41
  Speaker 2: which is the Comedy Central special that has a blue background.
• 12:44
  Speaker 2: And why would you know? Nobody cares what Networking Well
• 12:46
  Speaker 2: is on anymore? Like you just saw. Especially, I'm glad
• 12:48
  Speaker 2: you Watchybody, Like.
• 12:49
  Speaker 4: I feel somewhat sure that the one that I really
• 12:53
  Speaker 4: loved was on HBO because I came to it through
• 12:56
  Speaker 4: Crashing You and you you got that special like while
• 13:00
  Speaker 4: you were doing crashing, right.
• 13:02
  Speaker 2: Yeah, and that was pure Jed by the way they
• 13:05
  Speaker 2: passed HBO paths, was like, he has a show, Like
• 13:13
  Speaker 2: you're gonna have his special be on Netflix while he
• 13:17
  Speaker 2: has a show. And to their credit, they were like,
• 13:19
  Speaker 2: you're right. Yeah, Like Jed and Conan, all these guys
• 13:23
  Speaker 2: that have helped me out are like just so wonderful.
• 13:26
  Speaker 2: I just like sharing that it was obviously in my benefit,
• 13:29
  Speaker 2: but like there are people out there in show business
• 13:31
  Speaker 2: that like care and help and pay forward, and I
• 13:34
  Speaker 2: like giving them a little shadow.
• 13:36
  Speaker 4: That's cool.
• 13:37
  Speaker 1: But just explain the explain that the arms cross thing,
• 13:39
  Speaker 1: just because I think more people deserve to know about
• 13:42
  Speaker 1: that because it'll make you rethink how you carry your body.
• 13:45
  Speaker 2: What's when you pointed out that your body language is open, right,
• 13:48
  Speaker 2: this is like a confident person or someone confident. Yeah,
• 13:53
  Speaker 2: but you know, like taking up space, don't do it
• 13:55
  Speaker 2: on the subway. The man spread but like this is
• 13:57
  Speaker 2: a confident thing because I'm not worried you're going to
• 13:59
  Speaker 2: attack me, Like my groin is exposed.
• 14:02
  Speaker 5: Yea similar to like a cat, similar to a cat, Yes,
• 14:06
  Speaker 5: my man, but my.
• 14:07
  Speaker 2: Neck, the neck is so I love that you remember this.
• 14:10
  Speaker 2: But because this was not just a bit. It was
• 14:13
  Speaker 2: something that somebody explained to me or I don't know,
• 14:16
  Speaker 2: saw it on the Discovery Channel. It's real like anthropology stuff.
• 14:19
  Speaker 2: Like if you cross your arms, what you're doing is
• 14:22
  Speaker 2: protecting yourself from a kill stroke. If somebody hits you
• 14:25
  Speaker 2: across your gut, you're dead, like if a lion swipes
• 14:29
  Speaker 2: you here, you're dead. So it makes sense if you're
• 14:31
  Speaker 2: nervous you cross your arms. You want to protect yourself.
• 14:34
  Speaker 2: You already have ribs, ribs are getting this sort but
• 14:37
  Speaker 2: like this is vulnerable. This is smushy on you.
• 14:40
  Speaker 4: Okay, time I read.
• 14:44
  Speaker 3: The other one that's exposed is your neck.
• 14:46
  Speaker 2: No rib cage here, right, there's there can't be the
• 14:48
  Speaker 2: way that it's mobile like the new batsuit Dark Knight
• 14:51
  Speaker 2: on you gotta you got a very soft vulnerable next
• 14:55
  Speaker 2: to your shoulders go up right, Your shoulders also go.
• 14:58
  Speaker 3: Up when it rains. I don't know why, but if.
• 15:00
  Speaker 2: You're scared, this is your position, and it makes perfect
• 15:04
  Speaker 2: sense because your neck is everything you need to be
• 15:06
  Speaker 2: alive and nothing's guarding it.
• 15:08
  Speaker 3: So you put your neck up. And that's why this
• 15:09
  Speaker 3: what made it a joke.
• 15:10
  Speaker 2: This is why so many stand ups are up there
• 15:12
  Speaker 2: like this, Hey, what's going on? Sack garlic it up?
• 15:16
  Speaker 2: How about your arp? You know what I mean? Like
• 15:18
  Speaker 2: that because they're freaked out, and I like to remind
• 15:21
  Speaker 2: myself something. It's not just to like flex, it's to
• 15:25
  Speaker 2: tell the audience that they can relax, assume the posture
• 15:30
  Speaker 2: of someone who's comfortable. It's not really like confidence like
• 15:33
  Speaker 2: goo sull it. It's like just show them like you're
• 15:36
  Speaker 2: not worried, especially if you're bombing, especially if a joke
• 15:40
  Speaker 2: doesn't work. That's something Hannibal Buris taught me, he said explicitly.
• 15:45
  Speaker 2: If he tells a joke that doesn't work, the comics
• 15:47
  Speaker 2: instinct is to look down, and it is you go like, oh.
• 15:51
  Speaker 3: What's the employee discount at the dollar store?
• 15:54
  Speaker 2: You think it's just take it. I tell one of
• 15:55
  Speaker 2: my good jokes, but then like get bombs and then
• 15:58
  Speaker 2: you kind of like what else?
• 16:00
  Speaker 3: You look at your notes. That's also protecting your neck.
• 16:03
  Speaker 3: You're like you're closing off.
• 16:04
  Speaker 2: But if you if you, if it doesn't work and
• 16:07
  Speaker 2: you just continue with the posture of someone who is
• 16:10
  Speaker 2: doing well, that itself is a joke. It's funny that
• 16:14
  Speaker 2: you don't care, but why do you? Like?
• 16:16
  Speaker 3: Shane Gillis is a good example.
• 16:17
  Speaker 2: Could that dude. He's engaged with the audience, but he's
• 16:20
  Speaker 2: just kind of like, this is what I like. This,
• 16:23
  Speaker 2: this is what I like, you know what I mean like?
• 16:24
  Speaker 2: And that's alluring people are drawn to that.
• 16:27
  Speaker 1: Another thing that I've noticed that people do because I
• 16:29
  Speaker 1: think people are aware of this, but sometimes dudes will
• 16:31
  Speaker 1: get well, they'll do like the inverse of it, and
• 16:34
  Speaker 1: they'll have like a hand behind their back.
• 16:36
  Speaker 2: Nate, which I think the Napoleon And do you think
• 16:40
  Speaker 2: that that Nate is looking at a map of the
• 16:41
  Speaker 2: world going like poland Venezuela will be Bargaccia. I love Nate.
• 16:49
  Speaker 2: We started together.
• 16:50
  Speaker 1: You think that's like an analogous like physical response. Do
• 16:53
  Speaker 1: you think that it's linked to the same thing where
• 16:55
  Speaker 1: it's like you don't want to be like this, but
• 16:56
  Speaker 1: you're like, I'm consciously what do.
• 16:58
  Speaker 2: You think it is?
• 16:59
  Speaker 3: I know a little bit.
• 17:00
  Speaker 2: I love him to death. I think I can hear
• 17:02
  Speaker 2: him saying like, I just didn't know what to do
• 17:04
  Speaker 2: with my hands. Yeah, And he doesn't want to think
• 17:06
  Speaker 2: about it. And he's not Chris Fleming, who's brilliant, who's
• 17:10
  Speaker 2: using his body. Nate is like, don't worry about my body, please,
• 17:13
  Speaker 2: don't worry about it. So he poses like George Washington's
• 17:16
  Speaker 2: his most famous sketches, the George Washington sketch, and he
• 17:19
  Speaker 2: kind of stands like like he's wearing.
• 17:21
  Speaker 3: A powdered wig.
• 17:22
  Speaker 2: But I think that's just a way of being Like,
• 17:25
  Speaker 2: if he had chosen this, somebody would have been like,
• 17:28
  Speaker 2: you should stop doing that because this does look you
• 17:31
  Speaker 2: literally have your.
• 17:31
  Speaker 3: Hands behind your back. You're like, I'm not worried about you.
• 17:34
  Speaker 4: I've started putting my left hand in my pocket, and
• 17:37
  Speaker 4: I don't know if that's a good idea or not.
• 17:39
  Speaker 2: I love hand in pocket.
• 17:40
  Speaker 5: I put my hand in my pocket, but then sometimes
• 17:42
  Speaker 5: I'll go to like I'll take it out, and then
• 17:44
  Speaker 5: I'll go to put it back in and I'll miss,
• 17:47
  Speaker 5: and then then I just like have like one finger
• 17:49
  Speaker 5: in my pocket.
• 17:49
  Speaker 2: Can I Look, you don't need advice, You're doing great,
• 17:53
  Speaker 2: But something that really clicked for me with stand up
• 17:55
  Speaker 2: is whatever is happening is the show, right, So if
• 17:58
  Speaker 2: you miss I'm not saying you have to riff on everything, yeah,
• 18:02
  Speaker 2: but like that's funny. Yeah, And if the joke doesn't work,
• 18:06
  Speaker 2: that's funny its own way. Like if you're sweating and bombing,
• 18:10
  Speaker 2: that's funny in its own way. And there's this like
• 18:13
  Speaker 2: reclaiming of like like like one time I accidentally howked
• 18:18
  Speaker 2: a loogie on my wrist when I was starting here
• 18:21
  Speaker 2: in New York, and I just ignored it. Now, if
• 18:23
  Speaker 2: that did, that's all I would talk about. Yeah, how
• 18:25
  Speaker 2: we're all just bags of fluid and it's so embarrassing
• 18:28
  Speaker 2: and it's wonder things like this don't happen more often.
• 18:31
  Speaker 2: But like back then, I was like frozen and just
• 18:33
  Speaker 2: watched like a slug up my hand. It was disgusting.
• 18:37
  Speaker 2: But now I'm like, just just just own the moment,
• 18:40
  Speaker 2: just own what's happening. It seems like you've already figured
• 18:42
  Speaker 2: this out.
• 18:43
  Speaker 4: No, no, no, I appreciate that.
• 18:45
  Speaker 1: I feel like I kind of like I really hijacked
• 18:48
  Speaker 1: what you were trying to do.
• 18:49
  Speaker 2: I have no idea you were talking about the street
• 18:52
  Speaker 2: Fighter to sounds which we don't know or care which
• 18:54
  Speaker 2: one that is not, even though I appreciated.
• 18:56
  Speaker 4: I'll give you one more joke from this special, which
• 18:58
  Speaker 4: was that bit you did about sleep?
• 19:02
  Speaker 2: Well, that is the HBOS.
• 19:03
  Speaker 4: There you go, that's I think that is the one.
• 19:06
  Speaker 4: I've been wrong before, unless I maybe I watched a
• 19:09
  Speaker 4: couple at that time.
• 19:09
  Speaker 2: No, no, no, I let's move on because I just look
• 19:12
  Speaker 2: stupid and nobody cares.
• 19:14
  Speaker 1: But I I'd like to see you guys argue about
• 19:16
  Speaker 1: this again.
• 19:18
  Speaker 3: I am turning this into my podcast. I'm like, let's
• 19:20
  Speaker 3: move on.
• 19:21
  Speaker 4: I have a question for you. Yes, sir, would you
• 19:24
  Speaker 4: research the podcasts you jump on before you jump on them? Like?
• 19:28
  Speaker 4: Did you know what you were getting yourself into today?
• 19:30
  Speaker 2: No?
• 19:31
  Speaker 4: What is this? This is it? Yeah?
• 19:34
  Speaker 3: This podca but it's called Son of a Boy Dad.
• 19:38
  Speaker 5: Yeah.
• 19:38
  Speaker 7: Yeah, that's a little bit more.
• 19:41
  Speaker 2: There's not a big explanation for that. Unfortunately, this is
• 19:43
  Speaker 2: this is your Uh well, I'm trying to think I
• 19:46
  Speaker 2: have things like that. I called my book Comedy Sex God,
• 19:49
  Speaker 2: and every interview about it started with like why is
• 19:51
  Speaker 2: it called comedy Sex God?
• 19:53
  Speaker 3: So I'll spare you that, but.
• 19:55
  Speaker 2: Now I'm dying to know those are the three topics
• 19:59
  Speaker 2: it's about stand Did we list them in that order?
• 20:01
  Speaker 2: It's kind of funny. Yes, people were like, you're on
• 20:05
  Speaker 2: the Today Show, so you guys sex.
• 20:10
  Speaker 3: Yes.
• 20:10
  Speaker 2: I don't research it, but I've done other barstool shows,
• 20:15
  Speaker 2: and especially with comic what do you do? What do
• 20:18
  Speaker 2: you fucking what? The loses it?
• 20:24
  Speaker 1: No, I just really just glean off both of their
• 20:26
  Speaker 1: success and just kind of just bounce it out in
• 20:29
  Speaker 1: the middle.
• 20:29
  Speaker 4: Try this on for SiZ Pete Holmes host this.
• 20:32
  Speaker 3: Yeah, that's called hosting.
• 20:34
  Speaker 4: It does a bunch of stuff. Champion, Champion, battle wrapper, no.
• 20:37
  Speaker 2: Joke, fascinating as good as their fascinating.
• 20:42
  Speaker 3: I don't know, such a corny thing to say.
• 20:44
  Speaker 4: Father of Twins, if I may please please, Father of
• 20:47
  Speaker 4: new Twins, Father of Twins.
• 20:49
  Speaker 1: Twin swim boy, and that's it.
• 20:52
  Speaker 4: Makes the most money of the three of us, the most.
• 20:58
  Speaker 2: Should I leave that? I watch Harry Mack videos and
• 21:01
  Speaker 2: I get emotional.
• 21:02
  Speaker 3: I love him.
• 21:03
  Speaker 1: I mean, that guy is an insanely talented individual.
• 21:06
  Speaker 2: It's almost weird that he's never I've never even seen
• 21:10
  Speaker 2: him by time. Really. Every once in a while he'll say, like,
• 21:14
  Speaker 2: h Mac, you know, right off the dome like some
• 21:17
  Speaker 2: line where he's.
• 21:18
  Speaker 1: It's a crutch. Yeah, here's a crutch, but he's mostly crutchless.
• 21:21
  Speaker 2: Mostly crutch less. Yeah, And the higher stakes the situation,
• 21:25
  Speaker 2: the better he seems to do.
• 21:26
  Speaker 4: He's one of.
• 21:26
  Speaker 2: Those I hope similar to comedians pressures on, you do better,
• 21:31
  Speaker 2: like that's the inverse most people pressures on they do worse.
• 21:34
  Speaker 1: I think freestyling the way that he does is pantomount
• 21:37
  Speaker 1: to speaking a different language where you have to translate
• 21:41
  Speaker 1: inside your head while simultaneously saying something different. So he's
• 21:45
  Speaker 1: getting to a rhyme scheme and then at the same
• 21:47
  Speaker 1: time saying different words out of his mouth, like thinking
• 21:50
  Speaker 1: and thinking while talking, thinking while talking.
• 21:52
  Speaker 2: Yeah, that is a huge one time. This is embarrassing,
• 21:56
  Speaker 2: But I think that's my skill too. Yeah, I'm saying
• 21:58
  Speaker 2: I can't freestyle. I like to free style in my
• 22:00
  Speaker 2: car from I'm very relaxed. I think I think the
• 22:03
  Speaker 2: real skill of freestyle. Look, don't let me tell you
• 22:06
  Speaker 2: is lowering your heart rate. It's the same with magic.
• 22:08
  Speaker 2: It's the same with stand up and swimming underwater, and
• 22:11
  Speaker 2: swimming underwater and also pretending you're dead so you can
• 22:14
  Speaker 2: reunite with your starcrest lever.
• 22:16
  Speaker 3: You get that reference Romeo and.
• 22:20
  Speaker 4: Of course I did.
• 22:21
  Speaker 2: I did.
• 22:21
  Speaker 3: Yeah that's high school.
• 22:23
  Speaker 4: Yeah it's middle school.
• 22:27
  Speaker 2: But like so many times, the skill isn't the skill,
• 22:30
  Speaker 2: like freestyling is the skill, but the real skill is
• 22:34
  Speaker 2: staying calm and centered. Because like like when people are like, oh,
• 22:39
  Speaker 2: my friend Jeremy is so funny, he should do comedy,
• 22:42
  Speaker 2: I'm like, being funny writing jokes is part of it,
• 22:46
  Speaker 2: but it's actually showing up and lowering your heart rate
• 22:49
  Speaker 2: and being calm when you're really, really under a lot
• 22:52
  Speaker 2: of pressure. The other thing that I think is super
• 22:55
  Speaker 2: important for comedy is having a compulsion. So I'll do
• 22:59
  Speaker 2: a set and that night my brain is just working
• 23:02
  Speaker 2: on it. Like I never say work on that, but
• 23:04
  Speaker 2: like you know when you tell your computer to defrag
• 23:07
  Speaker 2: or like clean up or whatever, just runs for a
• 23:09
  Speaker 2: while after I do a set, After we all do sets,
• 23:11
  Speaker 2: that's what our brains are doing. That's actually the secret
• 23:15
  Speaker 2: sauce of being a stand up because if it was
• 23:17
  Speaker 2: just down to like what we will ourselves to do
• 23:20
  Speaker 2: and like sit at the desk and grind on the jokes,
• 23:22
  Speaker 2: I don't think most of us do that, but our
• 23:24
  Speaker 2: brains are constantly refining. You didn't even write it down.
• 23:27
  Speaker 2: That part didn't work. Next time you're doing it, you
• 23:30
  Speaker 2: just dropped it. That's the skill. And staying calm as
• 23:33
  Speaker 2: the skill. So free styling. If I'm freestyling in the car,
• 23:36
  Speaker 2: you ever get on a run by yourself and you're like,
• 23:38
  Speaker 2: Jesus Christ, this is amazing, Like aybody, you could hear this,
• 23:41
  Speaker 2: and you're like impressing yourself, Like what because you know
• 23:45
  Speaker 2: it's like it's obviously it's free associating and it goes
• 23:48
  Speaker 2: this interesting place and then it ends where it began.
• 23:50
  Speaker 2: And you're like, if anyone who cares, the skill is
• 23:54
  Speaker 2: doing it. Going back to the funny friend, Jeremy, I'm
• 23:57
  Speaker 2: glad you're funny, but the skill is doing it. At
• 23:59
  Speaker 2: eight o'clock on Sea.
• 24:00
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• 24:48
  Speaker 2: A lot of people are funny. Be funny. Now I'm
• 24:50
  Speaker 2: not in the mood. I'm scared. There's drunk people. Well
• 24:53
  Speaker 2: that's what makes it a thing. Yeah, that's why I'm
• 24:56
  Speaker 2: incredibly impressed.
• 24:57
  Speaker 1: It's so fun. I mean, it's and will now bottle
• 24:59
  Speaker 1: out is it's written, so it's not even I mean
• 25:03
  Speaker 1: there's some freestyling, but for the most part, it's like
• 25:05
  Speaker 1: you write it like a like you would write a
• 25:07
  Speaker 1: script for a play, and you memorize it. Yeah, does
• 25:10
  Speaker 1: that make it less impressive?
• 25:11
  Speaker 3: Yes? Of course, that absolutely that ruins it.
• 25:15
  Speaker 2: If I've done it, If I could write a rout
• 25:20
  Speaker 2: about each of you give me thirty minutes, don't make
• 25:23
  Speaker 2: me do it, but like i'd come back and what
• 25:25
  Speaker 2: rhymes with army hammer, redhead, fucking spacammer, you know what
• 25:29
  Speaker 2: I mean, and do it.
• 25:30
  Speaker 3: That's it has to be off the dome.
• 25:32
  Speaker 1: But the quality of the material like skyrocket and once
• 25:36
  Speaker 1: people could prepare it beforehand as opposed to the extemporaneous
• 25:40
  Speaker 1: nature of what it was like when it was only
• 25:42
  Speaker 1: on a beat in freestyle.
• 25:43
  Speaker 2: Well, I'll talk out the other side of my face
• 25:45
  Speaker 2: because I just said it ruins it. But I'm also
• 25:47
  Speaker 2: like I could see how that would elevate it because you.
• 25:50
  Speaker 3: Are leaving behind a lot of.
• 25:53
  Speaker 2: Brilliant people who can't necessarily do it on the spot,
• 25:57
  Speaker 2: but if you gave them five to ten minutes, they
• 26:00
  Speaker 2: could really nail it and really do something better. So
• 26:04
  Speaker 2: are we going to hit a ceiling with what is
• 26:06
  Speaker 2: like true freestylable? Yeah, probably Harry Mack's probably there, and
• 26:11
  Speaker 2: then like maybe we will be.
• 26:12
  Speaker 3: Like take ten minutes, take thirty minutes.
• 26:14
  Speaker 4: But not to I mean the freestyling thing nowadays, Like
• 26:20
  Speaker 4: I mean, we've talked about the formula. It's you think
• 26:22
  Speaker 4: to the second line of the couplet and just you
• 26:26
  Speaker 4: know your punchline beforehand and then you put.
• 26:28
  Speaker 1: Right, you would have started with redheaded scammer and then
• 26:31
  Speaker 1: end it on it army hands.
• 26:32
  Speaker 4: Right right, yeah, because you know you want to do
• 26:35
  Speaker 4: a joke about army hammer. So if you can think
• 26:37
  Speaker 4: one line ahead. And by the way, I'm not saying
• 26:39
  Speaker 4: this is easy, but like yeah, yeah, that's why if
• 26:42
  Speaker 4: anytime you hear a guy like that, like the first
• 26:46
  Speaker 4: line of the two is not funny, it's just a
• 26:48
  Speaker 4: throwaway that set up. Yeah, yeah, it's a setup.
• 26:51
  Speaker 2: That's the muscle that you guys are working. It's like, okay,
• 26:54
  Speaker 2: I have it.
• 26:54
  Speaker 3: And comedians do.
• 26:56
  Speaker 2: That as well, just way less urgently, you know what
• 27:00
  Speaker 2: I mean.
• 27:01
  Speaker 1: Like how so, well, if.
• 27:02
  Speaker 2: You're doing crowd work and you have something great, you
• 27:05
  Speaker 2: might think of it right while you're talking to them,
• 27:07
  Speaker 2: and then you're gonna wait and see how they are,
• 27:10
  Speaker 2: and if they're a dick, you'd be.
• 27:11
  Speaker 3: Like, all right, redheaded army hammer or whatever.
• 27:16
  Speaker 2: You walk to it. Yeah, but you wouldn't start it.
• 27:19
  Speaker 2: But we're doing it like more in a relational.
• 27:21
  Speaker 3: Way, I suppose.
• 27:22
  Speaker 2: I don't know, I think more accurately to your question
• 27:26
  Speaker 2: is like you know the funny part and you're just
• 27:28
  Speaker 2: gonna save it to the end, just like an intro,
• 27:31
  Speaker 2: like I know your name, I'm going to say save
• 27:32
  Speaker 2: it to the end, and the amateur who introduces you
• 27:35
  Speaker 2: says your name up to you.
• 27:37
  Speaker 1: That's smart. Yeah, that's pretty brilliant. It is. I mean,
• 27:41
  Speaker 1: it's a great discipline, but there's just no money in it.
• 27:43
  Speaker 1: And it's just like, oh, really a nasty and nasty
• 27:47
  Speaker 1: just like a scene that eats itself.
• 27:49
  Speaker 2: Well, you know what I think is you tell me,
• 27:52
  Speaker 2: and I'm really interested. It feels like impressions, But impressions
• 27:59
  Speaker 2: are easy, like easier, like if you can do an impression,
• 28:02
  Speaker 2: Like I just had Tarann kill him on my podcast.
• 28:04
  Speaker 2: He does this brad pit impression. I didn't get the
• 28:06
  Speaker 2: sense that he got nervous. If I was like, please
• 28:09
  Speaker 2: do your bread pit, please do it, he just does it.
• 28:11
  Speaker 2: But when you and I'm not going to ask you
• 28:12
  Speaker 2: a freestyle because I think that's a performer. Wouldn't do
• 28:17
  Speaker 2: that to another performer. But I feel like when you
• 28:18
  Speaker 2: say I'm a freestyler, all these fucking moms and their
• 28:21
  Speaker 2: chunky night out jewelry are just like do one, do
• 28:24
  Speaker 2: one and it sucks, Like is that a burden.
• 28:26
  Speaker 1: That it is? It's like, would you ask, like a
• 28:29
  Speaker 1: basketball player to like dunk in front of you like
• 28:31
  Speaker 1: you play basketball, Like, don't dunk for me?
• 28:33
  Speaker 2: Well, this is why I get this. Like the comedian,
• 28:35
  Speaker 2: you know, I'm doing Colbert later today. I like it.
• 28:38
  Speaker 2: But Chris Rock made this point. A comedian goes on
• 28:41
  Speaker 2: a late night show, people wanted to be funny Tom Hanks.
• 28:44
  Speaker 2: I don't know. I picked Tom Hanks. He's very funny.
• 28:46
  Speaker 2: But I'm just like an actor goes on no one
• 28:48
  Speaker 2: expects them to be like acting or like it. We
• 28:53
  Speaker 2: do what we do. I prefer that, but there is
• 28:55
  Speaker 2: that slight burden. But like I'm also like, when doing
• 29:00
  Speaker 2: this podcast, so you made fun of my week coffee, right,
• 29:04
  Speaker 2: I had this out of fucking respect right before the show,
• 29:10
  Speaker 2: and I took my LFI and Ian right before the show.
• 29:14
  Speaker 2: I'm priming myself and you know, if I'm being honest,
• 29:17
  Speaker 2: not to dissect it too much. I'm thinking about, like, okay, Pete,
• 29:21
  Speaker 2: how do you want to come off? Be gracious, be
• 29:23
  Speaker 2: interesting just a couple of words, be grateful, be funny,
• 29:26
  Speaker 2: be alert. I'm trying to be the guests that I
• 29:28
  Speaker 2: want to be on my own show, like show up right.
• 29:32
  Speaker 2: I think about that priming just a little bit if
• 29:35
  Speaker 2: I'm if somebody's going to ask me to freestyle, like
• 29:39
  Speaker 2: I love eminem When they're doing those freestyling videos, they're
• 29:42
  Speaker 2: doing their own version of all of that. They're taking
• 29:44
  Speaker 2: their adderall or whatever it is. They're taking their caffeine.
• 29:48
  Speaker 2: They might go for a walk around the building, get
• 29:50
  Speaker 2: their heart rate up. They might be jumping up and down,
• 29:52
  Speaker 2: like just going with free thyle. It's like a fundamental
• 29:55
  Speaker 2: misunderstanding in what being a performer is. Being a performer
• 29:58
  Speaker 2: is conjuring up a state demand yes, and it's not.
• 30:03
  Speaker 2: Just like I tried to do this joke where I
• 30:07
  Speaker 2: was like, I think it's so funny. We see people
• 30:08
  Speaker 2: when they're good, but everybody that was is good was bad.
• 30:12
  Speaker 2: We erased this. But the first time Marshall Mathers freestyled,
• 30:18
  Speaker 2: he wasn't good.
• 30:19
  Speaker 4: It sucked.
• 30:20
  Speaker 2: It sucked, threw up in the bathroom, vomit on his sweater.
• 30:24
  Speaker 2: Already it was mom's spaghetti. He was nervous, but on
• 30:28
  Speaker 2: the surface he looked calmon red. But he went out
• 30:33
  Speaker 2: and I'm not trying to take anything away from him,
• 30:36
  Speaker 2: you know, Like I know, Donald Glover a little bit
• 30:38
  Speaker 2: one of the coolest people in the world. And when
• 30:40
  Speaker 2: I listened to Childish Gambino and he's like, yut, you know,
• 30:43
  Speaker 2: like it sound like that yu that yut, which is cool.
• 30:47
  Speaker 2: It's a little sexy, it's a little fun. Right.
• 30:49
  Speaker 3: There were five other things that they tried.
• 30:51
  Speaker 2: They were like it like nah, because that's what it
• 30:55
  Speaker 2: fucking is, which is why every biopiic sucks. When it's
• 30:58
  Speaker 2: Elton John being like Rocket Rocket Boy, it fucking sucks.
• 31:04
  Speaker 2: When Queen is sitting around in some of those, it's
• 31:09
  Speaker 2: fucking stupid. No one wants to see it. That's why
• 31:12
  Speaker 2: we mythologize. And eight Mile. You reference eight Mile, Right,
• 31:16
  Speaker 2: He's never bad in eight Mile, But every comic, even
• 31:19
  Speaker 2: Dave Chappelle, who they're like, he went up and he
• 31:21
  Speaker 2: was amazing. I bet he was charismatic and magnanimous and
• 31:24
  Speaker 2: interesting and better than ninety nine, But he wasn't as
• 31:27
  Speaker 2: good as he is now when he was whatever he
• 31:30
  Speaker 2: was fifteen. Yeah, he might be the exception, but everybody
• 31:34
  Speaker 2: else fucking sucks.
• 31:35
  Speaker 1: Sucks for a while.
• 31:36
  Speaker 2: It's just that's where we tried to show and crashing.
• 31:39
  Speaker 2: We were like, it's jokes about road signs and you
• 31:42
  Speaker 2: have Look, I'm sure you're different, But when I was
• 31:44
  Speaker 2: twenty four, I was like, orange tic TACs. Why do
• 31:48
  Speaker 2: I want to my breath to smell like I just
• 31:50
  Speaker 2: had a tangerine? Isn't that just another phone?
• 31:55
  Speaker 4: Yeah?
• 31:55
  Speaker 1: That's good, that's good, that's good.
• 31:58
  Speaker 2: I'm all worried about.
• 32:00
  Speaker 3: But this is why biopics.
• 32:02
  Speaker 2: You're fucking stupid, because making stuff is stupid, and we actually,
• 32:07
  Speaker 2: if we're honest, we don't want to see it. We
• 32:08
  Speaker 2: want to thought like Amadeus. You don't know what the
• 32:10
  Speaker 2: fuck that is. But Mozart, there's a movie about them.
• 32:12
  Speaker 2: It's called Amadis. I'm just seizing it. But like he
• 32:15
  Speaker 2: was like, oh, I just can't stop writing these symphonies.
• 32:18
  Speaker 2: It's not how it was, It's not true that is
• 32:21
  Speaker 2: there's many many unfinished symphonies. Mozart's work is covered in
• 32:26
  Speaker 2: redo's and scratch ups. We tell the story, we want it.
• 32:29
  Speaker 2: We want to think everybody's a genius. I just can't
• 32:32
  Speaker 2: help it. Fuck off fucking offensive to true creatives because
• 32:37
  Speaker 2: we know it's.
• 32:38
  Speaker 3: Embarrassing it's stupid, it's humiliating.
• 32:41
  Speaker 1: And that's kind of the fun part in retrospect. I
• 32:43
  Speaker 1: think that's like look back to like the times when
• 32:45
  Speaker 1: you sucked ass and you're with a bunch of other
• 32:47
  Speaker 1: people that sucked ass.
• 32:49
  Speaker 3: Couldn't agree more.
• 32:50
  Speaker 2: That's why it was like, enjoy your Red Bull seven
• 32:52
  Speaker 2: to eleven pizza time, and you'll never be more with other
• 32:56
  Speaker 2: people than at the beginning. Then you like, you know,
• 33:01
  Speaker 2: Lord Willing, I don't know what phrase to you is here,
• 33:03
  Speaker 2: but like let's say some of you become professionals and
• 33:05
  Speaker 2: start touring. Then you're you know, you're in a nice
• 33:09
  Speaker 2: hotel by yourself. Yeah, fuck dumb. Yeah, it sucks, it
• 33:14
  Speaker 2: can it can suck. I bring my opener, Mam McCarthy's
• 33:16
  Speaker 2: one of my best friends. That's a huge that's a
• 33:19
  Speaker 2: huge help. Yeah.
• 33:20
  Speaker 5: Yeah, I bring my buddy Moke Mooke. Yeah, how old's
• 33:23
  Speaker 5: Moke Mooke is twenty eight?
• 33:25
  Speaker 2: Okay, this works?
• 33:26
  Speaker 3: Yeah, you don't want to bring like a fifty two
• 33:28
  Speaker 3: year old guy.
• 33:28
  Speaker 2: Nah success, Oh yeah, yeah, we're different hotels, all right.
• 33:34
  Speaker 4: Rough that episode of Crashing where you went out and
• 33:39
  Speaker 4: played I think it was Bananas in New Jersey with uh, Dove,
• 33:44
  Speaker 4: Davidoff and Jamielee, right, yes, yes, and you stayed at
• 33:47
  Speaker 4: the comedy condo. Yeah, oh yeah, yes, yeah.
• 33:51
  Speaker 2: I remember very vividly because when you when you do
• 33:55
  Speaker 2: a show, they'll scout locations and they show you pictures,
• 33:57
  Speaker 2: maybe video. And I had such a a firm idea
• 34:01
  Speaker 2: of what the condo should look like because there's this
• 34:03
  Speaker 2: amalgamation of every condo I had stayed and then none
• 34:06
  Speaker 2: of them were gross enough.
• 34:07
  Speaker 4: Yeah, the Zanies Nashville, the Denver Comedy Works. I'm doing
• 34:14
  Speaker 4: there this weekend, and they put me in the comedy
• 34:16
  Speaker 4: in the condo and we stayed there. I did. I
• 34:19
  Speaker 4: didn't say that's right. You stayed with your with Bo Peters.
• 34:23
  Speaker 5: You went, You stayed with Moke Mook and I stayed,
• 34:25
  Speaker 5: which is really great. Yes, too, well, we he and I.
• 34:30
  Speaker 4: The last time we did Denver, we co headlined it
• 34:33
  Speaker 4: fun and Uh, I stayed in the condo with the
• 34:37
  Speaker 4: open with our feature at the time, it's his feature.
• 34:40
  Speaker 4: But he asked me if he could borrow some toothpaste
• 34:46
  Speaker 4: from me.
• 34:46
  Speaker 2: Moke, Yeah, Franceton like that.
• 34:50
  Speaker 4: What do you think about that? You know?
• 34:53
  Speaker 2: Usually I take the position of like, what's the big deal. Yeah,
• 34:59
  Speaker 2: but in this case, your toothbrush is a very personal thing.
• 35:05
  Speaker 2: And like jokes that involve like violating someone's toothbrush, I'm like,
• 35:10
  Speaker 2: I don't find that funny. I don't like it because
• 35:14
  Speaker 2: it's going in your mouth and we rinse it off.
• 35:16
  Speaker 2: But its mouth and toothpaste. If you're like me, it's
• 35:20
  Speaker 2: going right on that brush. So the rim it's kind
• 35:23
  Speaker 2: of like the toothbrush tosses the salad.
• 35:26
  Speaker 4: Of I knew he wasn't going to take sterilized scissors
• 35:32
  Speaker 4: and cut the toothpaste.
• 35:36
  Speaker 3: That's where he needs to be rubbed off.
• 35:37
  Speaker 4: I knew he was. There'd be contact, and if you
• 35:40
  Speaker 4: saw this guy, you'd be like absolutely.
• 35:44
  Speaker 2: You know, if somebody's asking, hey, can you spare some
• 35:47
  Speaker 2: some fucking aquafrush, I know we might not.
• 35:51
  Speaker 1: There's not a way to put it on the bristles
• 35:53
  Speaker 1: with just as with a.
• 35:55
  Speaker 3: You could twist it like honey.
• 35:56
  Speaker 2: You know those wooden things you up and Honey Honey's commercial.
• 36:02
  Speaker 3: You put one of those in the toothpastes and you
• 36:04
  Speaker 3: can drizzle it.
• 36:05
  Speaker 4: But you have to think, is this mooke?
• 36:08
  Speaker 2: I wasn't picturing a white guy. I'm gonna be real
• 36:12
  Speaker 2: when you said Muke, I don't know why. I was like,
• 36:14
  Speaker 2: this is a Kenyon, but here he is.
• 36:16
  Speaker 7: Francis, what did you say when you asked, you looks.
• 36:19
  Speaker 3: Like someone that copied you too many times?
• 36:22
  Speaker 4: I said, this isn't a bachelor party, is what I said. Yeah,
• 36:26
  Speaker 4: he goes there was something else about it though. That
• 36:29
  Speaker 4: was weird and I'm forgetting.
• 36:30
  Speaker 5: It was just funny that you guys had to interact
• 36:32
  Speaker 5: all weekend, like you guys went out to you guys
• 36:34
  Speaker 5: went to a diner.
• 36:35
  Speaker 4: I took him to a diner. All this because Harry
• 36:37
  Speaker 4: Harry's friends lived in Denver at the time. Yeah, right,
• 36:41
  Speaker 4: and Harry decided to crash on the couch. But that
• 36:44
  Speaker 4: condo is very weird and zany, and there's all kinds
• 36:46
  Speaker 4: of funky stuff going on.
• 36:47
  Speaker 1: What about like a piece of like tissue paper and
• 36:51
  Speaker 1: you just grab a little bit of the toothpaste.
• 36:53
  Speaker 4: If Connor Mook had considered any one of these types
• 36:56
  Speaker 4: of uh sort of sterilizing technique, this.
• 37:00
  Speaker 2: Guy's already brushing before he even realized there was an issue.
• 37:03
  Speaker 2: Like if you had said yes, yeah, it would have happened,
• 37:05
  Speaker 2: and then later he would have been like, did you
• 37:07
  Speaker 2: just I.
• 37:08
  Speaker 4: Also saw what types of wrappers and things were on
• 37:12
  Speaker 4: his bedside table and floor, so I knew what his
• 37:16
  Speaker 4: mouth was full of and what he was cleaning.
• 37:20
  Speaker 2: He also has a mustache, which is the toothbrush of
• 37:22
  Speaker 2: the face.
• 37:23
  Speaker 4: This is not a guy, Yeah, this is not a
• 37:25
  Speaker 4: guy who has to make sure that like broccoli bits
• 37:27
  Speaker 4: are out of his molers. It was a different time.
• 37:31
  Speaker 4: It was like burger king at three in the morning.
• 37:33
  Speaker 1: He's till the second he's asleep.
• 37:35
  Speaker 2: This was Uke at his lowest, not this picture specifically.
• 37:39
  Speaker 4: But when it is lowest when we were in Denver.
• 37:41
  Speaker 2: What was going on with Muke?
• 37:43
  Speaker 5: He was just in a lot of burger king back
• 37:45
  Speaker 5: Like I there was a seven eleven right next to
• 37:48
  Speaker 5: the club, and like I have you know, melatonin and
• 37:51
  Speaker 5: gummis before bed and he has a slim gym. Yeah.
• 37:53
  Speaker 2: Yeah, I don't want to humorim in you, but melatonin
• 37:56
  Speaker 2: is a hormone that your body makes. You shouldn't be
• 37:58
  Speaker 2: supplementing it.
• 37:59
  Speaker 1: We think he's going to us as pineal glands bro
• 38:02
  Speaker 1: calcify that.
• 38:03
  Speaker 2: Yeah, you might want to. If you're interested in your melatonin,
• 38:09
  Speaker 2: you should take calcium, which helps your brain make melatonin.
• 38:11
  Speaker 4: Hmmm, that sounds cool, weird. I'm open to anything. I'm
• 38:14
  Speaker 4: a terrible sleeper. Oh really yeah, guys.
• 38:17
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• 40:52
  Speaker 2: Yeah, well, Elfian, of course, back course apogen which is
• 40:56
  Speaker 2: just camomeal and magnesium. But the one that has a
• 41:00
  Speaker 2: word magnesium phosphorus or whatever it.
• 41:02
  Speaker 1: Is human fucked me up with or maybe it was
• 41:06
  Speaker 1: the book The Body by whoever the fuck was by,
• 41:09
  Speaker 1: But they said that the pineal gland is so powerful
• 41:13
  Speaker 1: that blind people can tell when the lights are on
• 41:16
  Speaker 1: and off. Oh wow, how fucking nuts is that?
• 41:19
  Speaker 4: Yeah?
• 41:20
  Speaker 5: I could see that if I close my eyes, but
• 41:24
  Speaker 5: I guess that's not the same as being blind.
• 41:25
  Speaker 4: Come to find that they've lost their sight. So there
• 41:28
  Speaker 4: you're hearing is just so attuned they can hear the
• 41:30
  Speaker 4: sort of.
• 41:33
  Speaker 2: Whole time. Well that's good science. What are the factors?
• 41:37
  Speaker 2: Can you feel the light? I mean these ones definitely.
• 41:41
  Speaker 2: You can feel hot a comedy, you take a stand hot. Sorry.
• 41:49
  Speaker 2: I don't know why, but being with the younger comic
• 41:51
  Speaker 2: is reminding me of all the things that I had
• 41:53
  Speaker 2: to figure out.
• 41:54
  Speaker 3: It's like, don't be like the cats.
• 41:56
  Speaker 7: Don't get me wrong, doctor being wishy washy.
• 41:59
  Speaker 2: I I love cats, like we all. That's the job.
• 42:03
  Speaker 3: That's the job.
• 42:04
  Speaker 2: Like you know what I mean? Like Bill Burg goes
• 42:06
  Speaker 2: on and rants on something. Could Bill talk about the
• 42:08
  Speaker 2: other side of it? Yes? Would that be fun? No,
• 42:11
  Speaker 2: it's fun for him to be like, hey, hey, fucking
• 42:13
  Speaker 2: shopping carts, you know whatever.
• 42:15
  Speaker 1: It is clear perspect.
• 42:16
  Speaker 3: Because I got Mooke on. Yeah, I know, right, like
• 42:19
  Speaker 3: the guy following Bill to murder him.
• 42:24
  Speaker 2: Get on the phone's gonna love this, Okay, I thought
• 42:30
  Speaker 2: you were Kenyon.
• 42:31
  Speaker 3: A new Kenyon named Mook.
• 42:33
  Speaker 2: Move that's real. Yeah, at the second move that's more
• 42:38
  Speaker 2: of a African flavor.
• 42:39
  Speaker 1: I don't know why there's a battle rapper named murder Mooke.
• 42:42
  Speaker 1: I think and do the.
• 42:43
  Speaker 2: Right thing, of course, that's what I'm saying.
• 42:45
  Speaker 1: Mouke is the right characters.
• 42:48
  Speaker 2: His name, that's a Jeremy who goes by.
• 42:50
  Speaker 5: His name is Connor. His last name is not Mouke,
• 42:53
  Speaker 5: but he goes by Connor.
• 42:54
  Speaker 4: M I don't know why his last name's not Mook.
• 42:57
  Speaker 2: Now, well he could have been.
• 42:59
  Speaker 1: His last name couldn't be Mook.
• 43:01
  Speaker 5: His red hair, why did I there's some I don't
• 43:06
  Speaker 5: know why I did not know that.
• 43:08
  Speaker 1: Yeah, because I think that he had like another he
• 43:10
  Speaker 1: had like an accounting job when he first started working here,
• 43:13
  Speaker 1: so he needed he needed some type of pseudonym.
• 43:18
  Speaker 5: Wow, okay, is this your studio?
• 43:21
  Speaker 2: Ya? These come down?
• 43:23
  Speaker 5: No, So this is all of us and then this
• 43:27
  Speaker 5: on the other side is Roan's other show.
• 43:30
  Speaker 4: I've done that one, Hooping and Hollering. I don't know
• 43:33
  Speaker 4: that's gonna say. ID was like that came out like
• 43:35
  Speaker 4: six months ago.
• 43:36
  Speaker 2: I don't think I did Hooping and Horran, but whatever
• 43:38
  Speaker 2: I did have the same.
• 43:39
  Speaker 3: You guys are reusing this sort of like sauna wood.
• 43:41
  Speaker 7: Oh yeah you probably did.
• 43:42
  Speaker 2: Can't see radio.
• 43:44
  Speaker 1: No, they just put the sauna wood in. How much
• 43:47
  Speaker 1: do you think that this set costs? I got a
• 43:48
  Speaker 1: text from my boss being like, this set cost x amount,
• 43:52
  Speaker 1: better be worth it?
• 43:53
  Speaker 2: Yeah, how much we'll get with including the furniture?
• 43:56
  Speaker 4: Yeah?
• 43:56
  Speaker 2: Everything. It's like prices right, this set cost thirty two
• 44:04
  Speaker 2: thousand dollars.
• 44:05
  Speaker 1: It cost fifty five thousand dollars.
• 44:07
  Speaker 3: I know a guy that.
• 44:08
  Speaker 2: Could, Oh yeah, we could a camera that doesn't make
• 44:10
  Speaker 2: a shutter sound and could have.
• 44:11
  Speaker 1: Gotten seventy thousand dollars off.
• 44:14
  Speaker 4: Do you think that includes those lights?
• 44:16
  Speaker 2: Though?
• 44:16
  Speaker 1: No, no, so they added nothing. It's just a fabrication
• 44:20
  Speaker 1: of this. I took a picture. I was like, where's this.
• 44:21
  Speaker 1: Where's the fifty five thousand dollars? They said it costs
• 44:24
  Speaker 1: ten thousand dollars to take down the old set. The
• 44:27
  Speaker 1: bookshelf I had that could.
• 44:29
  Speaker 3: Have done that for four dollars.
• 44:31
  Speaker 1: Yeah, I'm just getting my ball, bros.
• 44:35
  Speaker 2: Weird man. It used to like, because I've been doing
• 44:38
  Speaker 2: mine for I don't even know, it's over a decade.
• 44:41
  Speaker 2: It used to be like Ham Radio. You know, it's
• 44:44
  Speaker 2: like Mark Maron in his basement being like, my cat
• 44:47
  Speaker 2: fucking shit right now. I don't know why said that,
• 44:51
  Speaker 2: and I don't know why I said it, like Jack Nicholson,
• 44:55
  Speaker 2: but it was very low five yeah, and like Maren's point,
• 44:59
  Speaker 2: like when he started WTF which obviously inspired my show,
• 45:03
  Speaker 2: that his managers like laughed at him. They were like
• 45:06
  Speaker 2: why are you wasting your time? And I remember that.
• 45:08
  Speaker 2: I'm old enough to remember, like podcasts were like it
• 45:11
  Speaker 2: was like a joke. It's like the Microsoft zoon. It's like, oh,
• 45:15
  Speaker 2: you do a podcast? Can I get that on my zone?
• 45:18
  Speaker 2: Like it was like that. And now you're here. We're
• 45:21
  Speaker 2: sitting in a double.
• 45:22
  Speaker 1: Studio like with eight overhead directional lights.
• 45:26
  Speaker 2: Exactly in like a tech office, like I've been in
• 45:28
  Speaker 2: the Facebook office.
• 45:30
  Speaker 3: Like this isn't that far off.
• 45:31
  Speaker 1: It's insane.
• 45:32
  Speaker 3: There's not a Cereal bar.
• 45:34
  Speaker 6: No, if you were here a couple of years ago,
• 45:37
  Speaker 6: really cereal everywhere, Like we're just cereal.
• 45:47
  Speaker 3: That's not expensive.
• 45:48
  Speaker 4: All little manials in Chicago now.
• 45:51
  Speaker 2: But yeah, this is what happens when money finds something
• 45:55
  Speaker 2: is people start charging fifty thousand dollars to put up
• 45:59
  Speaker 2: something that if we were doing this and I'm not
• 46:02
  Speaker 2: making fun of your whoever did this, but like when
• 46:05
  Speaker 2: you were starting, you would have found a way to
• 46:07
  Speaker 2: do this exact set for eight dollars.
• 46:11
  Speaker 4: Yeah. And if by money finding something you mean Ice
• 46:13
  Speaker 4: finding all of the unskilled laborers in New York City. Yes,
• 46:17
  Speaker 4: that is why we had a team of like Etsy
• 46:20
  Speaker 4: handlers come in and Assemblis instead of a family from Venezuela.
• 46:23
  Speaker 2: Yeah, exactly.
• 46:24
  Speaker 3: This has Etsy vibes.
• 46:26
  Speaker 1: Which like or it just it rankled me a little
• 46:29
  Speaker 1: bit ruffled my feathers that my boss is on my
• 46:32
  Speaker 1: ass about this, about the set, as if I demanded
• 46:36
  Speaker 1: fucking Noah's arkwood you s yeah, for the basketball. It's like, dude,
• 46:44
  Speaker 1: also an asked for it would have taken a wood composite.
• 46:47
  Speaker 4: You like ball, you sports guy?
• 46:49
  Speaker 7: No, no, not almost a six six sixty six.
• 46:52
  Speaker 3: Barely touched the room.
• 46:53
  Speaker 1: Really, but you can't touch the room.
• 46:55
  Speaker 2: But I can't. Yeah, I mean that's all that matters.
• 46:56
  Speaker 2: I mean I can without really jumping, just get my
• 47:01
  Speaker 2: arm on there. It's a it's a shame that I
• 47:03
  Speaker 2: can't dunk. I always am the same height as Michael
• 47:05
  Speaker 2: Jordan or they lie in the stats a lot though.
• 47:08
  Speaker 1: Yeah, he's six six.
• 47:09
  Speaker 6: I think he's a legitimate six six before wanted he's
• 47:13
  Speaker 6: six one.
• 47:13
  Speaker 2: Yeah, is that real?
• 47:14
  Speaker 4: All lies?
• 47:15
  Speaker 2: No, No, he's probably six or five.
• 47:18
  Speaker 3: They leave books the last.
• 47:19
  Speaker 2: Dance just to have that cut them with his dead
• 47:22
  Speaker 2: eyes like smoking drunk. We need to take a break,
• 47:27
  Speaker 2: cries because yeah, walks off that house doesn't look fun.
• 47:31
  Speaker 2: Where he lives. He lives in like Superman's Fortress of Solitude.
• 47:34
  Speaker 1: Yeah, they've been trying to sell it to for like
• 47:36
  Speaker 1: a while, his Chicago mansion with like the twenty three
• 47:39
  Speaker 1: on the gates, and that was like, what's it shocking? Right?
• 47:44
  Speaker 2: I think Hammer would have swooped in taken I remember,
• 47:47
  Speaker 2: well there.
• 47:48
  Speaker 3: Was a Hammer palace that they could remember.
• 47:50
  Speaker 4: Of course, yeah, I would buy it.
• 47:52
  Speaker 5: I mean the twenty three on the front. You got
• 47:53
  Speaker 5: to be a big mj fan if that's going to
• 47:55
  Speaker 5: be Charry off off Brand, Jim Carrey fan.
• 47:59
  Speaker 2: He had that movie.
• 48:00
  Speaker 4: I just played Michael Jordan's golf course in Florida. It's
• 48:03
  Speaker 4: called Grove twenty three. Oh yeah, and you come in
• 48:06
  Speaker 4: and I can give this to our beloved editors. But
• 48:10
  Speaker 4: I'll show you guys, so that and then this will
• 48:12
  Speaker 4: be on the screen. But you drive in and you
• 48:14
  Speaker 4: see the gate and the like insignia of the twenty three.
• 48:18
  Speaker 4: I mean, it's all done in Roman numerals. It's pretty cool.
• 48:21
  Speaker 4: Just bear with me for one second. Here we go.
• 48:26
  Speaker 4: Oh yeah, here it comes, guys. You'll see in just
• 48:35
  Speaker 4: a second. I don't know why I'm showing you this.
• 48:37
  Speaker 4: It's not really.
• 48:38
  Speaker 3: Oh no, no, we'll.
• 48:39
  Speaker 1: Start from the beginning.
• 48:40
  Speaker 2: No, no, no, no, no.
• 48:41
  Speaker 4: Here, Look you'll see. I mean it's everywhere the twenty sideways.
• 48:48
  Speaker 4: Next time you see that. You couldn't see it, No,
• 48:52
  Speaker 4: I can't see anything. Yeah, it says x x x
• 48:58
  Speaker 4: x and then three ones ro numerals and that that
• 49:01
  Speaker 4: is everywhere, that twenty three.
• 49:03
  Speaker 2: That's pretty cool.
• 49:04
  Speaker 4: It is just like the whole prevailing.
• 49:07
  Speaker 5: You go to the pro shop. Yeah, I did any
• 49:10
  Speaker 5: good gear. There was some cool gear.
• 49:13
  Speaker 4: They make some cool like stuff that you can only
• 49:16
  Speaker 4: get there, which is cool. I had a friend who
• 49:18
  Speaker 4: asked me to pick him up some stuff. The other
• 49:21
  Speaker 4: cool thing about it is that because Michael Jordan loves cigars,
• 49:25
  Speaker 4: you can smoke cigars in the main restaurant like indoors.
• 49:29
  Speaker 4: And then they have a I think they have some
• 49:31
  Speaker 4: kind of it. It felt like they had a filtration
• 49:33
  Speaker 4: system that makes it still tolerable to those who don't
• 49:36
  Speaker 4: want to just be inhaling. Yeah. Probably. And then they
• 49:38
  Speaker 4: had all the doors open and then the air conditioning
• 49:41
  Speaker 4: on it. That's what you know. That's so rich you
• 49:43
  Speaker 4: have money to really burn. Yeah, all the doors open
• 49:46
  Speaker 4: on a humid floor today with the air conditioning.
• 49:49
  Speaker 2: Just yeah, just going outside.
• 49:51
  Speaker 4: Fighting a losing battle, dissipating endlessly into the humidity. Yeah, yeah,
• 50:00
  Speaker 4: but it was cool. Yeah. And he's always there.
• 50:02
  Speaker 2: Did you was he there?
• 50:03
  Speaker 4: I didn't see him.
• 50:04
  Speaker 2: Do you think he was there? Could you feel it?
• 50:07
  Speaker 4: No, he's pretty he's pretty note I'm sorry, broone. He's
• 50:11
  Speaker 4: pretty noticeable. Like he takes a group of six and
• 50:14
  Speaker 4: everyone gets their own cart. And he's famous for like
• 50:18
  Speaker 4: he'll he'll gamble with any member, and he's very like
• 50:21
  Speaker 4: approachable about it. So if this kid I was playing
• 50:23
  Speaker 4: with it was like twenty three, he was like, Yeah,
• 50:25
  Speaker 4: if I went up to MJ right now in the
• 50:28
  Speaker 4: restaurant and I was like closest to the pin off
• 50:31
  Speaker 4: of eighteen near the green for five hundred bucks, he
• 50:35
  Speaker 4: would immediately be like, yeah, let's go. Yeah. And and
• 50:38
  Speaker 4: his whole rule is like he'll gamble for anything as
• 50:41
  Speaker 4: long as it makes you uncomfortable. Yeah, So he doesn't
• 50:44
  Speaker 4: care if we're betting five hundred thousand or fifty bucks,
• 50:49
  Speaker 4: so long as it is an amount of money that
• 50:51
  Speaker 4: if you lost it. Did I already say this yes?
• 50:53
  Speaker 2: Not to me?
• 50:54
  Speaker 1: Yeah? Brand new for this was three mind.
• 50:57
  Speaker 4: This was pre MJ. Did I tell all though the
• 51:00
  Speaker 4: stories that I just told, there was some new information? Sorry,
• 51:05
  Speaker 4: thank god.
• 51:05
  Speaker 2: At a certain point, I think past the ten year mark,
• 51:08
  Speaker 2: I was just like, I'll just assume I've said everything.
• 51:11
  Speaker 2: But if I'm saying it again, I've heard it before.
• 51:15
  Speaker 2: I'm Were you interested in what you were saying?
• 51:17
  Speaker 4: Did you?
• 51:18
  Speaker 2: Was there still some juice in it?
• 51:19
  Speaker 4: I was interested?
• 51:20
  Speaker 2: Yeah, but I'm excited numerals. I mean, like, yeah, the
• 51:24
  Speaker 2: ac you loved it gambling.
• 51:26
  Speaker 4: If I didn't offer any new information, I would be concerned.
• 51:30
  Speaker 5: No, there was new information for the audience or for
• 51:33
  Speaker 5: your own my friends, for my mind.
• 51:37
  Speaker 1: But like so with your buddies, Like, isn't it fun
• 51:39
  Speaker 1: to tell the same old stories like that?
• 51:41
  Speaker 4: Ah, that's all it is.
• 51:42
  Speaker 1: Yeah, refriend that's what a friend is.
• 51:45
  Speaker 2: A friend is someone who will tolerate the insanity of
• 51:48
  Speaker 2: your repetitive one, Yeah, and not judge it, because I mean,
• 51:51
  Speaker 2: that's what we're all burdened with. Yeah, Like I like,
• 51:55
  Speaker 2: you ever watch a movie you've seen before and you
• 51:58
  Speaker 2: realize you're having the same thoughts as you had it
• 52:01
  Speaker 2: the first si because you see certain things and it
• 52:02
  Speaker 2: makes you think about certain things and you're like, this
• 52:05
  Speaker 2: is a repeat, Like I've seen this before, and I've
• 52:08
  Speaker 2: seen this before. That's what we are. We're just like,
• 52:10
  Speaker 2: it's not a bad thing, it's just like you need.
• 52:12
  Speaker 2: It's nice to recognize that your thoughts aren't really that personal.
• 52:16
  Speaker 4: I rewatched Inception this weekend. I've probably seen it ten
• 52:20
  Speaker 4: times and I hadn't seen it in years, And what
• 52:23
  Speaker 4: I realized this time is that I still do not
• 52:26
  Speaker 4: understand movie. Like, after all, I thought I had it figured. Yeah,
• 52:31
  Speaker 4: like the last time I saw it, and this time
• 52:33
  Speaker 4: I was like, oh no, there's a lot of pieces
• 52:36
  Speaker 4: of this from the the kick, like the falling, the
• 52:41
  Speaker 4: gravity stuff, all of that was just the time distortion
• 52:45
  Speaker 4: why someone can die and then you go deeper into
• 52:47
  Speaker 4: a level and you can rescue them from there. It
• 52:50
  Speaker 4: was abuff my head.
• 52:52
  Speaker 2: Yeah, that movie's pretty confusing.
• 52:54
  Speaker 1: Tenant was just like the more obtuse version of that movie.
• 52:57
  Speaker 4: I've never seen that one.
• 52:58
  Speaker 2: Tenant is upsettingly bad to me.
• 53:02
  Speaker 1: Yeah, no, it's too confused.
• 53:04
  Speaker 2: Like, and I love Nolan and I think i've watched
• 53:07
  Speaker 2: you know what's weird about me, I guess is like
• 53:10
  Speaker 2: I don't like Tennant, but I will watch YouTube's talking
• 53:14
  Speaker 2: about Tennant or Christopher Nolan talking about Tennant. I like that,
• 53:18
  Speaker 2: but I don't just want to be a mouse in
• 53:20
  Speaker 2: the maze trying to figure and that that might be
• 53:22
  Speaker 2: my age.
• 53:22
  Speaker 1: When you want to be on top of the maze
• 53:24
  Speaker 1: and just being like to see someone go through and
• 53:25
  Speaker 1: be like, oh that's interesting.
• 53:27
  Speaker 2: Yeah, that's an interesting thing. It's so much better than
• 53:29
  Speaker 2: you think it is. Like I watch movie YouTube's about
• 53:32
  Speaker 2: how the prestige isn't about what you think it's about.
• 53:35
  Speaker 2: I'm like, I don't know why, but I love like
• 53:37
  Speaker 2: deep analysis, but I don't want to be burdened with
• 53:41
  Speaker 2: having to do the deep analysis. Yeah, and I also
• 53:43
  Speaker 2: just I didn't really you want to.
• 53:45
  Speaker 1: I mean, to make art that people people aren't supposed
• 53:49
  Speaker 1: to get is not good art. I don't think, like.
• 53:52
  Speaker 2: Did you see Like Weapons.
• 53:54
  Speaker 3: I didn't see Weapons.
• 53:55
  Speaker 4: Like Weapons.
• 53:56
  Speaker 5: Was like, uh, it's like it's like a twenty four
• 53:59
  Speaker 5: horror movie.
• 54:00
  Speaker 2: Yeah, that Gregor wrote it. He's a buddy of mine,
• 54:02
  Speaker 2: but I haven't seen it.
• 54:02
  Speaker 4: Yeah, great movie.
• 54:03
  Speaker 3: I love to go running.
• 54:04
  Speaker 4: Yeah, yeah, I watched I saw it in theaters.
• 54:06
  Speaker 2: I loved it.
• 54:07
  Speaker 5: Yeah, And like I had an idea of what it
• 54:09
  Speaker 5: was about in my head, and then I went home
• 54:12
  Speaker 5: and I googled it and it was like not even close.
• 54:15
  Speaker 2: Oh interesting, Yeah, I guess that's part of it. And
• 54:18
  Speaker 2: we are such a rewatch culture. Like the first time
• 54:20
  Speaker 2: I saw the Matrix, I realized like I was probably
• 54:22
  Speaker 2: your age, and I was like, I loved it and
• 54:25
  Speaker 2: had no idea what it was about.
• 54:26
  Speaker 3: Yeah, and then I watched it again.
• 54:27
  Speaker 2: I was like, oh, and like you realize like they
• 54:30
  Speaker 2: were explaining.
• 54:31
  Speaker 4: It the whole time.
• 54:32
  Speaker 2: We were just like, look at KIANU care.
• 54:36
  Speaker 3: So sometimes it takes a wild owners.
• 54:38
  Speaker 2: Yeah.
• 54:38
  Speaker 4: Yeah.
• 54:39
  Speaker 1: A couple of years ago, my relatives came into New
• 54:43
  Speaker 1: York and I really wanted to take them to see
• 54:45
  Speaker 1: some comedy and we went to the Cellar and we
• 54:47
  Speaker 1: waited in line at the Cellar and we didn't get tickets,
• 54:50
  Speaker 1: and so instead of going to a show, we just
• 54:52
  Speaker 1: I just showed them crashing, and I was like, this
• 54:54
  Speaker 1: is it an idea?
• 54:59
  Speaker 2: And also the humility of not getting into the club
• 55:02
  Speaker 2: primed them.
• 55:03
  Speaker 1: For Yes, it feels like because to your.
• 55:05
  Speaker 2: Point, it's more interesting like the seller. To me, I'm
• 55:08
  Speaker 2: not saying I don't still sort of revere it as
• 55:11
  Speaker 2: a space but like I used to stand.
• 55:13
  Speaker 3: That's really where I barked on that.
• 55:14
  Speaker 2: Corner West Third and McDougall, so I could see the
• 55:19
  Speaker 2: seller and I'd be handing out flyers for another club,
• 55:22
  Speaker 2: and I'd watch you, said Dub David Off. I saw
• 55:25
  Speaker 2: Dub David Off in his like comedian leather jacket. It
• 55:27
  Speaker 2: was very popular at the time. He was crossing the
• 55:30
  Speaker 2: street and he just went in like it was his
• 55:32
  Speaker 2: living room. And I literally I'm handing out flyers. People
• 55:35
  Speaker 2: are taking them, throwing them away right in front of me,
• 55:37
  Speaker 2: and I'm like, I look at Devi and I just go, someday,
• 55:42
  Speaker 2: I really did this, I said someday out loud. And
• 55:47
  Speaker 2: what I didn't, I'd like to think I had some
• 55:50
  Speaker 2: appreciation for the struggle and the climb. I was that
• 55:53
  Speaker 2: guy that used to say they're going to write books
• 55:55
  Speaker 2: about this, like at an open mic in Chicago. So
• 55:58
  Speaker 2: three years in I'd be like, they're going to write
• 56:00
  Speaker 2: books about this. My friend Mike Bredenstein just wrote a
• 56:03
  Speaker 2: book about that comedy scene. So it was true, like
• 56:07
  Speaker 2: they did write books about it. But like, so I
• 56:09
  Speaker 2: did appreciate it. I wasn't postponing at all, but like
• 56:13
  Speaker 2: looking back again just to that point, like that sort
• 56:16
  Speaker 2: of was the juiciest. I prefer this a million times,
• 56:21
  Speaker 2: but that was the most interesting time of my life
• 56:24
  Speaker 2: to look at something and go someday.
• 56:27
  Speaker 4: Like there's very little.
• 56:28
  Speaker 2: In my life that I look at and go someday,
• 56:32
  Speaker 2: you know what I mean, Like a cruising altitude is
• 56:34
  Speaker 2: way less interesting than in this sense. Yeah, yeah, yeah,
• 56:37
  Speaker 2: makes sense.
• 56:37
  Speaker 4: I did the Thursday Mike at the Grizzly Pair for
• 56:40
  Speaker 4: like three years. And you'd take the West fourth subway station,
• 56:44
  Speaker 4: get out, you walk past the cage and then turn
• 56:47
  Speaker 4: right and you'd go past the seller I think, or
• 56:51
  Speaker 4: maybe it was before it, but you'd see it, and
• 56:53
  Speaker 4: I would always peek at the board with the handwritten names, yeah,
• 56:56
  Speaker 4: the credits y, and I had that. I mean, it's eerie.
• 56:59
  Speaker 4: I had the exact same thought to the degree when
• 57:02
  Speaker 4: I got past, like three or four years ago now,
• 57:06
  Speaker 4: and I got in and she came up, and we
• 57:08
  Speaker 4: walked up and she asked me for the headshot of
• 57:09
  Speaker 4: Ales and all bio and all that, and then I
• 57:12
  Speaker 4: was just holding it together and I walked out, turned
• 57:15
  Speaker 4: right where they like back the line up, and then
• 57:17
  Speaker 4: down that left side street and just openly wept.
• 57:20
  Speaker 2: Wow, Minetta, that's where we took the poster photo of crashing.
• 57:25
  Speaker 2: That's where we put the couch on the Nannetta lane.
• 57:27
  Speaker 4: Right. It meant more to me than anything.
• 57:29
  Speaker 2: Yeah, yeah, I didn't need to take away from a
• 57:31
  Speaker 2: story by telling you an asked nine thing about how
• 57:34
  Speaker 2: but that is beautiful.
• 57:35
  Speaker 4: Yeah, you see the summit for so many years, but
• 57:39
  Speaker 4: you are hiking a smaller mountain. Yeah.
• 57:42
  Speaker 2: That you know, there's a lot of stories about things
• 57:46
  Speaker 2: not being what you thought they would be, and I
• 57:49
  Speaker 2: have lots of stories like that. But doing the seller
• 57:52
  Speaker 2: for the first time didn't disappoint. But that's what That's
• 57:55
  Speaker 2: what human beings do is we imbue things with meaning.
• 57:58
  Speaker 2: And the more year it's like a batter, the more
• 58:00
  Speaker 2: you charge a place or a thing with meaning, and
• 58:04
  Speaker 2: then you do it. The thing you get past or
• 58:07
  Speaker 2: whatever it is, all of that stuff that you actually
• 58:10
  Speaker 2: put into it, you find what you put into it
• 58:13
  Speaker 2: is still there. Does that make sense? Like you filled
• 58:16
  Speaker 2: the toy box and then you open it, You're like,
• 58:18
  Speaker 2: look at all these toys that was your heart that
• 58:21
  Speaker 2: you were finding when you did it. Like the place
• 58:23
  Speaker 2: is it's just a place. But it's fun. What I
• 58:26
  Speaker 2: realized from doing comedy is like community and a culture
• 58:30
  Speaker 2: and a thing. All that belonging is super important to
• 58:33
  Speaker 2: human beings, and like being with other comics and coming
• 58:36
  Speaker 2: up with them and reuniting with them and all that.
• 58:38
  Speaker 2: That's so many people don't have culture, like a culture,
• 58:42
  Speaker 2: and we really have a culture. I think that's one
• 58:44
  Speaker 2: of the most exciting things about it. So you have
• 58:46
  Speaker 2: that story and it's also my story. That's why when
• 58:50
  Speaker 2: I meet a comic, I'm just like, I know we've
• 58:52
  Speaker 2: met before, but I'm like, I know we have more
• 58:56
  Speaker 2: in common because we were raised on the same mythology.
• 59:00
  Speaker 1: See, Sash just takes it as a foregone conclusion, like
• 59:03
  Speaker 1: he doesn't even aspire to it. He's like this, it's
• 59:05
  Speaker 1: fucking boring.
• 59:06
  Speaker 2: Yeah, I'll this is interesting because the more you suffer,
• 59:10
  Speaker 2: the more you pull that bow string back right, the
• 59:14
  Speaker 2: more likely you are to stick with it. And I'm
• 59:16
  Speaker 2: not I couldn't know. But what it'll be interesting is
• 59:20
  Speaker 2: will it hold your attention? And it's fine if it doesn't.
• 59:23
  Speaker 2: But like the guys like I can't include you because
• 59:27
  Speaker 2: I don't know, But the guys like me, that's really
• 59:30
  Speaker 2: we're grinding for ten years, you play cards, It's like
• 59:33
  Speaker 2: being pop committed. Yeah, I put so much into this.
• 59:36
  Speaker 2: I'm not gonna leave. And now I'm I'm a comedian.
• 59:40
  Speaker 2: I'm a real comedian. I'm not gonna walk away. But
• 59:41
  Speaker 2: it's because of that investment up top that you're not
• 59:45
  Speaker 2: gonna walk away. And I'm not saying you waltzed in
• 59:48
  Speaker 2: with no effort, but like if you do pop off
• 59:51
  Speaker 2: really quickly like machine gun. Kelly right, He's like, now
• 59:54
  Speaker 2: I'm gonna do pop punk and I'm like, yeah, because
• 59:56
  Speaker 2: you broke when you were like twenty four, No wonder
• 59:58
  Speaker 2: you're bored, you know, they said, trying to use hip
• 1:00:00
  Speaker 2: hop references.
• 1:00:01
  Speaker 1: Now I understand because I was lost for a while. Kelly,
• 1:00:06
  Speaker 1: did I get it a white wrapper?
• 1:00:08
  Speaker 2: I only know the white ones mgk.
• 1:00:11
  Speaker 1: Em yeap and that's both of them.
• 1:00:15
  Speaker 3: You're forgetting theo Jima Man, what.
• 1:00:18
  Speaker 1: Do you guys? What's your guys thoughts on meeting your heroes?
• 1:00:22
  Speaker 1: Because it's a similar thing but often has an antithetical experience.
• 1:00:27
  Speaker 4: I mean, I think it can go either way more
• 1:00:30
  Speaker 4: often than not. At least when I've met people I
• 1:00:33
  Speaker 4: really look up to it. They've been nice. I haven't
• 1:00:37
  Speaker 4: quite yet had the really disappointing eye opening. Holy shit,
• 1:00:42
  Speaker 4: I had that guy pegged all wrong.
• 1:00:44
  Speaker 5: Yeah, I think you got to really put yourself out
• 1:00:46
  Speaker 5: there for that's even happened though, right for the guy
• 1:00:49
  Speaker 5: to be like fuck off, right, you got to be
• 1:00:54
  Speaker 5: saying something like maybe.
• 1:00:57
  Speaker 4: I mean, you hear those stories about you know, Usually
• 1:01:00
  Speaker 4: it's like a waiter at a restaurant who serves some
• 1:01:03
  Speaker 4: celebrity and they're like, no, sorry, this omelet was a disaster.
• 1:01:07
  Speaker 4: Yeah yeah, or they don't tip well or whatever. I
• 1:01:10
  Speaker 4: think that's yeah, that's true.
• 1:01:12
  Speaker 2: Well, once you're super famous, everything you do is a story.
• 1:01:15
  Speaker 2: And I'm not letting them off the hook for being turns.
• 1:01:17
  Speaker 2: I'm just saying, like one time when I was coming up,
• 1:01:20
  Speaker 2: we perform at the UCB and we'd go to this
• 1:01:22
  Speaker 2: bar across the street and Alec Baldwin was there because
• 1:01:24
  Speaker 2: he used to be there for like thirty rock reasons
• 1:01:27
  Speaker 2: I don't know, and he bought our table like chicken wings,
• 1:01:33
  Speaker 2: and that was a story I told for ten years.
• 1:01:36
  Speaker 1: Why do you do that?
• 1:01:38
  Speaker 4: Well he shot one of them, so it was an
• 1:01:41
  Speaker 4: apology apologetic windows.
• 1:01:43
  Speaker 2: Yeah, but like the burden of being super famous where
• 1:01:49
  Speaker 2: if I can't. I didn't even see it coming, but yeah.
• 1:01:54
  Speaker 3: I sympathize that.
• 1:01:56
  Speaker 2: When I was doing Crashing, I went to the cellar
• 1:01:59
  Speaker 2: and there was an su the parked idling out front,
• 1:02:02
  Speaker 2: kind of your mj uh Ac moment, and I'm going
• 1:02:07
  Speaker 2: in the club and that's Chappelle came out and he
• 1:02:10
  Speaker 2: was like, hey, man doing Radio City, Come doing radio
• 1:02:16
  Speaker 2: He doesn't talk like that.
• 1:02:18
  Speaker 4: That's pretty sure.
• 1:02:19
  Speaker 3: That's killing him softly. You got to come and do it.
• 1:02:24
  Speaker 3: I can't do it.
• 1:02:27
  Speaker 2: Doing pretty good. Hey man, Hey hey Pete, you gotta
• 1:02:32
  Speaker 2: come do it. You can kind of hear it.
• 1:02:34
  Speaker 1: Yeah, I thought the first one was it like that?
• 1:02:36
  Speaker 2: Yeah, yeah, that's killing him softly.
• 1:02:38
  Speaker 1: I don know, I'm saying the first thing lower tone,
• 1:02:40
  Speaker 1: the cigarette voice, yeah yeah yeah.
• 1:02:43
  Speaker 2: So he asked me to He was like, we're doing
• 1:02:45
  Speaker 2: these shows at Radio City, come do it with me.
• 1:02:48
  Speaker 2: And I was filming Crashing at the time, and I
• 1:02:50
  Speaker 2: wasn't doing stand up. I was doing fake stand up,
• 1:02:53
  Speaker 2: which was surprisingly like real stand up, you know, with
• 1:02:55
  Speaker 2: their background actors, but you're still kind of doing it.
• 1:02:57
  Speaker 3: But like I didn't.
• 1:02:59
  Speaker 2: I really didn't want to do it, like because I
• 1:03:02
  Speaker 2: wasn't strong, I wasn't like doing sets, and I was
• 1:03:04
  Speaker 2: filming a show twelve hours a day. I'm so happy
• 1:03:08
  Speaker 2: that he asked me, and I was so honored that
• 1:03:09
  Speaker 2: he asked me, so of course I said yes.
• 1:03:11
  Speaker 3: I didn't even think about it. I was like yes,
• 1:03:14
  Speaker 3: And then.
• 1:03:14
  Speaker 2: I did some sets of the cellar to warm up.
• 1:03:16
  Speaker 2: I'm like recording, I'm only doing like seven minutes or something,
• 1:03:20
  Speaker 2: and like I got to Radio City. I'm sure all
• 1:03:23
  Speaker 2: of you have done this. In my mind, I'm going
• 1:03:27
  Speaker 2: to get to Radio City and somebody's gonna spot me
• 1:03:30
  Speaker 2: and go, mister Holmes, this way, take me down some alleyway,
• 1:03:33
  Speaker 2: open some doors. It's all purple lighting, big cushy chairs,
• 1:03:37
  Speaker 2: snacks and drinks, and there's Chappelle of course, and Kevin
• 1:03:42
  Speaker 2: Hard is there. Everybody's there. It's a scene. We're all
• 1:03:45
  Speaker 2: hanging out. It was the saddest, loneliest experience of my life.
• 1:03:52
  Speaker 2: Not really, but I got there. The first thing I did,
• 1:03:55
  Speaker 2: I walked in with the crowd. I get in and
• 1:03:59
  Speaker 2: there's like attitude, like pages, like people that work at
• 1:04:03
  Speaker 2: Radio City, and none of them are happy. They're all like, oh,
• 1:04:07
  Speaker 2: this fucking crowd. I go Hi, I'm on the show.
• 1:04:09
  Speaker 2: I'm waiting for someone to be like my goodness, and
• 1:04:12
  Speaker 2: they're like, you go, you still gotta go through the detector.
• 1:04:15
  Speaker 2: It was like, all right, I go through. They take
• 1:04:18
  Speaker 2: my phone, they put it in one of those pouches.
• 1:04:20
  Speaker 3: Oh on the show.
• 1:04:24
  Speaker 2: I go, I don't care about what everyone says. They'll
• 1:04:29
  Speaker 2: I don't care, and they put me in an elevator.
• 1:04:33
  Speaker 2: I go up to my where my green room is.
• 1:04:36
  Speaker 2: Remember what I'm picking now at Young Chappelle, what's going on?
• 1:04:43
  Speaker 2: And it's an empty dressing room like rocket style, like
• 1:04:47
  Speaker 2: the bulbs some of them are out. There's nothing in
• 1:04:51
  Speaker 2: this room. Nothing. There's not even water, there's nothing. I'm
• 1:04:55
  Speaker 2: sitting in this long room designed for the Rocket by
• 1:05:01
  Speaker 2: myself with my phone in a bag like a fucking dipshit.
• 1:05:06
  Speaker 2: I go, well, I'm sure there's like water in the fridge.
• 1:05:09
  Speaker 2: I open the fridge. This fridge hasn't been on you off,
• 1:05:13
  Speaker 2: you know that smell. It just smells like an off fridge.
• 1:05:18
  Speaker 2: I close it and I just sit there and I
• 1:05:20
  Speaker 2: realize I'm nervous because I haven't been performing and my
• 1:05:24
  Speaker 2: set is on my phone. Looking back, I would have
• 1:05:28
  Speaker 2: cut open the bad for you. Fuck all of this
• 1:05:32
  Speaker 2: and I'm going last I'm head. You know what, that
• 1:05:35
  Speaker 2: would be a good story. I didn't. You know, when
• 1:05:37
  Speaker 2: you're like confidence is shook, you don't think of solutions.
• 1:05:41
  Speaker 2: You don't think like I can cut this open. Nobody's
• 1:05:43
  Speaker 2: gonna know or care.
• 1:05:45
  Speaker 4: Yeah.
• 1:05:45
  Speaker 1: Spiral, yeah, a spiral.
• 1:05:47
  Speaker 2: Yeah.
• 1:05:47
  Speaker 3: I'm catastrophzed.
• 1:05:48
  Speaker 2: I'm like, I can't even get my set. I fucking
• 1:05:52
  Speaker 2: went down and that's where everybody. I went downstairs before
• 1:05:55
  Speaker 2: the show. That's where everybody was. But I went and
• 1:05:57
  Speaker 2: it was like, not super fun. Lauren Hill was there though,
• 1:06:01
  Speaker 2: Lauren Hill saw me. Dude, okay, but Chappelle was very nice.
• 1:06:07
  Speaker 2: None of that is on Chappelle. But afterwards I went
• 1:06:09
  Speaker 2: up into his dressing room. Nobody said anything about my set.
• 1:06:13
  Speaker 2: Nobody's thinking about you. Nobody's like, yeah, I did fine,
• 1:06:16
  Speaker 2: I did well. That's not really the story. In fact,
• 1:06:18
  Speaker 2: when you're performing at Radio City, what I learned. I
• 1:06:21
  Speaker 2: forgot what my opening joke was, but I'm sure I
• 1:06:23
  Speaker 2: had something fast. I said it, and I'm like, oh,
• 1:06:26
  Speaker 2: it didn't work, And then this like tidal wave of
• 1:06:30
  Speaker 2: laughter hits you like three seconds later, so you realize
• 1:06:34
  Speaker 2: you have to like, wait, there's like a delight. There's
• 1:06:36
  Speaker 2: a flag in that many people like you know when
• 1:06:39
  Speaker 2: a truck goes by you and then you feel the wind.
• 1:06:41
  Speaker 3: It was like that. It was not it was not chill.
• 1:06:44
  Speaker 7: I mean that's a pretty How many people does that
• 1:06:47
  Speaker 7: room sit like?
• 1:06:47
  Speaker 4: I think it?
• 1:06:48
  Speaker 5: Damn that's crazy. It was crazy walking in with the
• 1:06:53
  Speaker 5: audience is hilarious.
• 1:06:54
  Speaker 2: Yeah, and them being really rude. No one said welcome,
• 1:07:02
  Speaker 2: no one said.
• 1:07:03
  Speaker 1: People in the audience being like Pete no.
• 1:07:05
  Speaker 3: And it's interesting.
• 1:07:07
  Speaker 2: I think crashing must have made me a lot more
• 1:07:10
  Speaker 2: recognizable because at that time I could still just walk
• 1:07:12
  Speaker 2: into Radio City with seven thousand comedy fans.
• 1:07:15
  Speaker 3: No one said shit.
• 1:07:17
  Speaker 2: People were like get in the fucking metal detecture and
• 1:07:20
  Speaker 2: I was like sorry, sorry.
• 1:07:22
  Speaker 1: Was a lot of the crashing stuff pretty analogous to
• 1:07:27
  Speaker 1: stuff that had happened to you or or were like
• 1:07:30
  Speaker 1: like one of the storylines like somebody like shaves before
• 1:07:33
  Speaker 1: a show? Oh yeah, shaves just face? Is that and
• 1:07:36
  Speaker 1: at all based?
• 1:07:39
  Speaker 3: That had to be somebody.
• 1:07:40
  Speaker 2: It's funny that you picked that's the one of two
• 1:07:42
  Speaker 2: episodes I didn't write. So out of this shocked I thought, yeah,
• 1:07:48
  Speaker 2: it was missing a certain.
• 1:07:51
  Speaker 5: No.
• 1:07:51
  Speaker 2: Judah Miller, who is our show runner, wrote that one,
• 1:07:53
  Speaker 2: and obviously I was involved, but there were twenty four
• 1:07:57
  Speaker 2: episodes and I wrote twenty two of them, and you.
• 1:08:00
  Speaker 3: Know, other people were involved.
• 1:08:02
  Speaker 2: But I always like to do the first pass, and
• 1:08:04
  Speaker 2: usually everything would have some sort of corollary, but that
• 1:08:07
  Speaker 2: one might have been somebody else's story, like or it's
• 1:08:10
  Speaker 2: just kind of general what is it? No big moves
• 1:08:14
  Speaker 2: on game day, like don't change the routine the morning
• 1:08:17
  Speaker 2: of the race. We just wanted to kind of talk
• 1:08:19
  Speaker 2: about that. But almost everything in there is something, and
• 1:08:23
  Speaker 2: a lot of the good advice that I got, like
• 1:08:25
  Speaker 2: Marina Franklin says to me something that somebody said to me.
• 1:08:28
  Speaker 2: I forget who, or it'll come to me, but she said,
• 1:08:32
  Speaker 2: if it sucks, that's how you know you're doing it right,
• 1:08:34
  Speaker 2: And that was such a That's what crashing is about,
• 1:08:37
  Speaker 2: is like it's not oh, this sucks, I must suck.
• 1:08:40
  Speaker 2: It's like, no, actually, it's what we were saying earlier.
• 1:08:43
  Speaker 2: It sucks for everybody. And this is like kind of
• 1:08:46
  Speaker 2: a beautiful rite of passage to bomb at the village lantern,
• 1:08:50
  Speaker 2: Like you know, who's bombed at the village lantern, fucking everybody,
• 1:08:54
  Speaker 2: like welcome, Like take your stripes, you know what I mean,
• 1:08:57
  Speaker 2: like being folded in and just like you know, I
• 1:09:00
  Speaker 2: don't think it's a stretch to say, like just like
• 1:09:02
  Speaker 2: male initiation, all these things, they're always kind of painful.
• 1:09:06
  Speaker 2: There's always something, there's some sacrifice. I think doing an
• 1:09:10
  Speaker 2: awful road gig is. I'm not into branding, but it's
• 1:09:14
  Speaker 2: like your way of being branded as a comic. Again.
• 1:09:17
  Speaker 2: It's why I feel kinship to comedians. I'm like, I know,
• 1:09:20
  Speaker 2: you know what a comedy condo is. Like, I've also
• 1:09:23
  Speaker 2: had a guy named Mooke ask me for truth like
• 1:09:26
  Speaker 2: that that does bind you together?
• 1:09:31
  Speaker 4: Why if you don't mind me asking why why did
• 1:09:36
  Speaker 4: were you guys trying to have a fourth season of Crashing?
• 1:09:39
  Speaker 3: Oh no, I don't mind that at all.
• 1:09:40
  Speaker 2: We were. It's funny. It's hard to know if if
• 1:09:45
  Speaker 2: it's if you're like changing the memory to make yourself
• 1:09:48
  Speaker 2: into a psychic. But there. I think people on the
• 1:09:51
  Speaker 2: stuff would agree that there was a feeling that we
• 1:09:54
  Speaker 2: weren't going to get a fourth season while we were
• 1:09:57
  Speaker 2: making the third sun okay, and when we shot a
• 1:10:00
  Speaker 2: last shot right by the Papaya Dog where I'm walking
• 1:10:04
  Speaker 2: with Jamie or Alli is her character's name, but it's
• 1:10:07
  Speaker 2: Jamie Lee.
• 1:10:08
  Speaker 3: She and I are walking.
• 1:10:09
  Speaker 2: We shot two versions of it, one where we kiss
• 1:10:12
  Speaker 2: and one where we don't kiss, And we knew that
• 1:10:14
  Speaker 2: the kiss version would be if we're canceled, and we
• 1:10:18
  Speaker 2: were canceled, and we do the kiss version because that's like,
• 1:10:20
  Speaker 2: that's a series arc, like oh okay, like and I'm
• 1:10:24
  Speaker 2: really proud of that.
• 1:10:25
  Speaker 3: Like Pete, I'm worried.
• 1:10:26
  Speaker 2: This sounds disingenuous, But if we had done a fourth
• 1:10:29
  Speaker 2: season because we broke it, we were starting to outline it,
• 1:10:32
  Speaker 2: Pete would have gotten a talk show. That's what happened
• 1:10:34
  Speaker 2: to me next. And then it's not crashing anymore. It's
• 1:10:37
  Speaker 2: it's flourishing. It's supposed to be about a guy whose
• 1:10:41
  Speaker 2: only dream was to be folded into the New York
• 1:10:45
  Speaker 2: comedy scene. And it ends and he's folded into the
• 1:10:47
  Speaker 2: New York comedy scene. He's passed. I don't know if
• 1:10:49
  Speaker 2: he's passed.
• 1:10:50
  Speaker 3: I can't even remember I got passed.
• 1:10:52
  Speaker 4: You were with Jabouki on that and talking to st right, Okay.
• 1:10:55
  Speaker 2: Oh yeah, Jabuki's in that. I forgot Yeah, Jabuki white
• 1:10:57
  Speaker 2: and she passes me. So Pete, my character, Pete is
• 1:11:01
  Speaker 2: now going to do comedy and that's all he wanted
• 1:11:03
  Speaker 2: to do.
• 1:11:04
  Speaker 3: And the girlfriend, And this is.
• 1:11:06
  Speaker 2: Sort of telling about something I had to figure out
• 1:11:08
  Speaker 2: as a person too. Jamie Jamie's character was just kind
• 1:11:12
  Speaker 2: of she represented like comedy, like just my life. Like
• 1:11:16
  Speaker 2: I'm happy with her because I'm happy that I'm in comedy.
• 1:11:20
  Speaker 3: Like I don't think Pete and Jamie.
• 1:11:22
  Speaker 2: Stay together or Ali Jamie, but you know what I mean.
• 1:11:25
  Speaker 4: Yeah, I had a huge crush on her from that show.
• 1:11:28
  Speaker 2: Oh she's great. Yeah, she's so fabulous. We're dear friends
• 1:11:31
  Speaker 2: and we dated for a year. In real life we
• 1:11:34
  Speaker 2: were friends.
• 1:11:36
  Speaker 4: I didn't really like her that much I would, I like,
• 1:11:39
  Speaker 4: I respect her friendly, I'm sort of glad that a
• 1:11:44
  Speaker 4: friend of mine, and right because of that, I only
• 1:11:47
  Speaker 4: see her in platonic terms and.
• 1:11:49
  Speaker 2: I always said that I love her. We don't think
• 1:11:52
  Speaker 2: of each other in that way. It's very Jerry Elaine,
• 1:11:55
  Speaker 2: Like we dated a little bit, but like we've been
• 1:11:58
  Speaker 2: friends for ten over ten times times that so it
• 1:12:01
  Speaker 2: really is like something I never thought I would have.
• 1:12:03
  Speaker 2: But like a true close girlfriend friend who was a girlfriend. Yeah,
• 1:12:08
  Speaker 2: you know what I mean, very brief.
• 1:12:09
  Speaker 1: One of the things I subconsciously stole from the show
• 1:12:12
  Speaker 1: is when I'll see someone doing a joke and I'll
• 1:12:14
  Speaker 1: just be like, so good, so good, so good?
• 1:12:18
  Speaker 2: Was her episode and Jamie, you know I should step
• 1:12:21
  Speaker 2: that out a little bit. She was writing on the
• 1:12:24
  Speaker 2: show and she auditioned. I think when we were promoting it,
• 1:12:28
  Speaker 2: Jamie was kind of like, maybe don't mention we dated,
• 1:12:30
  Speaker 2: So I do want to step that out and be
• 1:12:31
  Speaker 2: like she got it on her own accord. There was
• 1:12:34
  Speaker 2: no like word I put in. She auditioned and Jed
• 1:12:37
  Speaker 2: was blown away, and I think it was probably picking
• 1:12:40
  Speaker 2: up on this chemistry that we had as friends.
• 1:12:43
  Speaker 3: But she earned it and she was fabulous.
• 1:12:45
  Speaker 4: Do you want us to cut that whole thing starting
• 1:12:46
  Speaker 4: with me saying that I have a crush on her?
• 1:12:48
  Speaker 4: We can go cloud?
• 1:12:50
  Speaker 2: Are you kidding.
• 1:12:53
  Speaker 4: Out that whole part?
• 1:12:55
  Speaker 2: I think Jamie, you'd be dumb to not have a
• 1:12:57
  Speaker 2: crush on Jamie. She's so funny and wonderful.
• 1:13:00
  Speaker 4: She went on to write for Ted Lasso.
• 1:13:01
  Speaker 3: Right yep.
• 1:13:03
  Speaker 2: And I believe were you really going to crush on it?
• 1:13:05
  Speaker 4: Well? I was just impressed. And then I and then
• 1:13:07
  Speaker 4: I did a show that she was on very shortly
• 1:13:10
  Speaker 4: after that, where I was like, whoa, I thought you
• 1:13:12
  Speaker 4: were doing better than this, And then I saw that
• 1:13:16
  Speaker 4: she was. She was on ted Lasso I.
• 1:13:19
  Speaker 5: She was on the when I filmed A Don't Tell
• 1:13:21
  Speaker 5: set like two years ago in San Diego, and I
• 1:13:25
  Speaker 5: was watching Crashing and she was on the show.
• 1:13:28
  Speaker 2: Oh wow, And.
• 1:13:29
  Speaker 4: I was like, what the fuck?
• 1:13:30
  Speaker 3: That's crazy, that's crazy.
• 1:13:32
  Speaker 4: Yeah.
• 1:13:33
  Speaker 2: Yeah, the building the fake Boston exterior because the Boston's gone.
• 1:13:37
  Speaker 4: Yeah, but it was Greenwich Comedy Club right or did
• 1:13:40
  Speaker 4: you film it?
• 1:13:41
  Speaker 2: Oh? Where the exterior The interior was a set, oh,
• 1:13:45
  Speaker 2: which is insane. Wow, And the exterior was like a
• 1:13:49
  Speaker 2: frozen yogurt shop or something.
• 1:13:51
  Speaker 4: Is the Boston what Greenwich Comedy Club is now? It's
• 1:13:55
  Speaker 4: like three doors down from the cellar.
• 1:13:57
  Speaker 3: Next to the fire station.
• 1:13:58
  Speaker 2: Yeah, I don't know. I would imagine. So isn't that
• 1:14:03
  Speaker 2: on the strip or is that no?
• 1:14:05
  Speaker 4: The strips on the upper east side.
• 1:14:07
  Speaker 3: This is West third right by the.
• 1:14:10
  Speaker 7: I feel like, isn't there like ten clubs on that street?
• 1:14:13
  Speaker 3: Yes, and there's going to be more that McDonald's justah.
• 1:14:15
  Speaker 4: But the Village Lantern just got shut down Oh really, Yeah,
• 1:14:19
  Speaker 4: it's a bummer ahead of time.
• 1:14:22
  Speaker 1: Yeah, you guys are yeah, you're.
• 1:14:24
  Speaker 3: You're having a great time. I'm just aware that we
• 1:14:26
  Speaker 3: have another thing.
• 1:14:26
  Speaker 4: Ab are you going to do a set on Colbert? No,
• 1:14:30
  Speaker 4: you'll just guessed yes.
• 1:14:33
  Speaker 2: But what's great about that is you just do you know.
• 1:14:39
  Speaker 2: Usually on a pre interview a producer will like ask
• 1:14:41
  Speaker 2: you about your life and be like, oh, you have
• 1:14:43
  Speaker 2: a daughter or whatever. But when we do Colbert, you
• 1:14:46
  Speaker 2: just go like, I want to do this bet and
• 1:14:48
  Speaker 2: this been and this been and this bed and you
• 1:14:49
  Speaker 2: do plan it like a set. Oh that's nice.
• 1:14:52
  Speaker 3: But then he's there.
• 1:14:53
  Speaker 2: It's so fun.
• 1:14:54
  Speaker 3: It's so set you up. He sets you up.
• 1:14:56
  Speaker 2: And there's a clip of me where sometimes he doesn't help.
• 1:15:03
  Speaker 3: In any way.
• 1:15:05
  Speaker 2: I had a joke. Yeah, I had a joke about
• 1:15:06
  Speaker 2: how like we all have group mode and we have
• 1:15:08
  Speaker 2: solo mode, and like some I was recently with somebody
• 1:15:12
  Speaker 2: and I watched them transition from group mode to solo mode,
• 1:15:14
  Speaker 2: and he was like, but if you were there, how
• 1:15:16
  Speaker 2: could they have been alone? And I just yelled at
• 1:15:19
  Speaker 2: him for five minutes, like you're supposed to help me.
• 1:15:24
  Speaker 2: But that that's funny too, Like I don't. I don't care,
• 1:15:26
  Speaker 2: like if the bits don't come out or if one
• 1:15:29
  Speaker 2: of the you know, you really run a risk with
• 1:15:31
  Speaker 2: somebody as fast and funny as Steven that he's going
• 1:15:35
  Speaker 2: to know where the joke is going and very well
• 1:15:38
  Speaker 2: may say the punchline before you get there. So you
• 1:15:41
  Speaker 2: just have to It's an exercise and fluidity. You just
• 1:15:43
  Speaker 2: go like, that's exactly right. You have to be like,
• 1:15:45
  Speaker 2: I'm glad you got that first, and let's let's go
• 1:15:47
  Speaker 2: into it. You have to so there is something conversational
• 1:15:50
  Speaker 2: to it.
• 1:15:51
  Speaker 4: But I mean, Letterman would never but.
• 1:15:54
  Speaker 2: I don't think Letterman was trying. He was just planning
• 1:15:58
  Speaker 2: his dinners. I love Letterman, but I know what you mean.
• 1:16:01
  Speaker 2: He wasn't really like chomping.
• 1:16:02
  Speaker 4: And he wouldn't cut your punchline from you.
• 1:16:06
  Speaker 2: Because he was more relaxed. I think Colbert is definitely
• 1:16:10
  Speaker 2: I don't know. I think it might go down as
• 1:16:13
  Speaker 2: one of the great honors of my career to be
• 1:16:14
  Speaker 2: in these last ten weeks of shows, because it's really
• 1:16:18
  Speaker 2: he's having people on us. It's a dumb flex no
• 1:16:21
  Speaker 2: that he likes. Yeah, and I'm just taking I'm having
• 1:16:24
  Speaker 2: a moment of gratitude to be.
• 1:16:25
  Speaker 4: Like that's yeah.
• 1:16:26
  Speaker 5: It's like when Norm did Letterman's last episode, just who
• 1:16:31
  Speaker 5: do you want to mess around?
• 1:16:32
  Speaker 4: Exactly?
• 1:16:33
  Speaker 2: And Conan, you know, Conan and I did a talk
• 1:16:35
  Speaker 2: show together. Conan used to call Martin Short a day off,
• 1:16:39
  Speaker 2: and that's the compliment.
• 1:16:41
  Speaker 3: I'm always great.
• 1:16:43
  Speaker 2: I want the host to say that was a day off,
• 1:16:45
  Speaker 2: because usually they have to pull it out, but you're
• 1:16:47
  Speaker 2: just going he says how are you, and you just go.
• 1:16:50
  Speaker 4: Yeah, yeah, Well I think I can absolutely say that
• 1:16:54
  Speaker 4: the three of us have had a day off.
• 1:16:56
  Speaker 3: Oh that's really nice of you.
• 1:16:58
  Speaker 2: It's you said that because I'm like, that's what I'm
• 1:17:00
  Speaker 2: trying to do for you. Like when people come on
• 1:17:03
  Speaker 2: my podcast and you say how are you and they
• 1:17:06
  Speaker 2: tell you, you know, they don't just go like I'm good.
• 1:17:10
  Speaker 2: They go like, yeah, that's great, you know whatever, and
• 1:17:12
  Speaker 2: you lead them somewhere, they lead you somewhere. That's a
• 1:17:16
  Speaker 2: day off.
• 1:17:16
  Speaker 1: Yeah, hell yes, you're the man. Thank you so much?
• 1:17:19
  Speaker 4: Bro?
• 1:17:19
  Speaker 3: Thanks?
• 1:17:19
  Speaker 2: What are we having?
• 1:17:20
  Speaker 4: What are we looking for?
• 1:17:21
  Speaker 3: The specialist?
• 1:17:22
  Speaker 2: On March twenty fourth, it's called Silly Silly fun Boy.
• 1:17:24
  Speaker 2: It's on a website called YouTube Hell yeah y YouTube
• 1:17:28
  Speaker 2: dot com I believe.
• 1:17:29
  Speaker 1: Run that thing up.
• 1:17:31
  Speaker 4: Also, March twenty fourth.
• 1:17:32
  Speaker 2: March twenty fourth is when it's available for free for anybody.
• 1:17:36
  Speaker 3: You can pre watch it. When is this air before that?
• 1:17:39
  Speaker 1: Yes, definitely tomorrow.
• 1:17:41
  Speaker 2: Well you can pre watch it on eight hundred pound
• 1:17:43
  Speaker 2: Gorilla's website. I think you can choose what you want
• 1:17:45
  Speaker 2: to pay, radiohead style. I'll pay a few bucks and
• 1:17:48
  Speaker 2: watch it early, or you can wait for the twenty fourth.
• 1:17:50
  Speaker 2: It'll be on my YouTube and eight hundred pounds YouTube.
• 1:17:53
  Speaker 2: And I'm really I'm really proud of it, like, who
• 1:17:55
  Speaker 2: cares what you? Sorry? I mean, everybody was laughing and
• 1:18:00
  Speaker 2: then we dded out the parts where they didn't, so
• 1:18:05
  Speaker 2: silly fun Boy on YouTube.
• 1:18:07
  Speaker 1: Amazing, Thank you so much, Thanks guys, so fun