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Emma. · The Art of Costume Podcast

• 0:08
  I hate him in the scene because he's got like you got some sense
• 0:12
  into the carriage and he like undoes the front of his cave.
• 0:16
  Like it's supposed to be sexy or something like yeah unbutton the
• 0:25
  cape to eyebrows eyebrows. That's good.
• 0:43
  Hello and welcome to the art of casting blogcast.
• 0:45
  I most enjoy glass and I'm Spencer Williams.
• 0:48
  How was your week? Spencer, that's so good.
• 0:51
  Wanna know what I've been doing that.
• 0:52
  I've just been totally in love with what I have been so happy
• 0:57
  to finally, go back to the movie theaters, it's friends.
• 0:59
  So Fine, isn't it? Such a good feeling?
• 1:02
  It's so nice. Like I even took like a day off
• 1:05
  of work dollar day and I went around like to and afternoon.
• 1:08
  I was the only one in the theaters with a beer watching
• 1:12
  Suicide Squad and it was just like, I felt like I was in
• 1:15
  heaven. It was the best feeling ever.
• 1:17
  It's so good. Like, I must admit, I really
• 1:20
  enjoy this new trend of them. Putting new releases on
• 1:24
  streaming platforms. It doesn't change me wanting to
• 1:28
  go to the movies, like most of them.
• 1:29
  Movies, I watched on streaming. I also went to go see in
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  theaters. Yeah, it's almost like, I like
• 1:35
  both because it helps me make a choice.
• 1:38
  Like when Suicide Squad came out, I said, okay I'm going to
• 1:40
  see that one in theaters but then some movies come out are
• 1:43
  like, oh, I could probably just, you know, stream that it kind of
• 1:46
  helps you like, prioritize, what?
• 1:48
  Sounds more fun. Absolutely there, there are
• 1:51
  things. I watched just because they went
• 1:53
  straight to streaming, then I never in a million years would
• 1:56
  have gone to a theater for. Yeah, totally.
• 1:59
  But yeah. It's also why I love doing this
• 2:01
  podcast with you so much because it's making me like, have to go
• 2:04
  to the movies and see things, too.
• 2:06
  I know I'm watching things that like, I would have just, like,
• 2:09
  completely glossed over before and it's only gonna get worse.
• 2:14
  I'm gonna get worse. Hey, don't forget who's in
• 2:17
  charge of the schedule? Yeah, I know, I know.
• 2:20
  I'm sorry. Are you excited for this week's
• 2:22
  movie, though? I am excited.
• 2:26
  I'm very nervous. But I'm ready to just dig into
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  To it. So bring us there everyone.
• 2:33
  This week we watched Autumn de Wilde's 2020.
• 2:37
  Adaptation of Jane Austen's. Emma.
• 2:41
  Whoo. So good.
• 2:42
  This is such a good adaptation. So last week, we are episode was
• 2:47
  clueless as you all remember. And I've never seen Emma.
• 2:52
  I've never seen any adaptation of Emma Pride and Prejudice
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  anything Jane Austen but I've seen clueless lungs.
• 3:00
  Glad I thought clueless to help me understand what's Happening
• 3:02
  Here. Find that just so hilarious
• 3:05
  because like I would have been lost and clueless if I had not
• 3:10
  watched him a first, this shows how different we are.
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  I was just like, where's mr. Elton.
• 3:17
  Wait, the we're like who's supposed to be like, Miss
• 3:21
  Taylor, and mr. West, I don't like mr.
• 3:24
  Elton was the guy at the party who tried to make out with
• 3:27
  share. I get that once I actually Ali
• 3:30
  heard his name and he wasn't some weird guy.
• 3:32
  Just kissing her on the cheek all the time.
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  I mean okay that's goes us out goes without saying but we are
• 3:39
  in Elizabeth's world this week so I'm just here as support, I
• 3:43
  love this movie, it was fun but Elizabeth is in charge.
• 3:47
  Today, I'm just here to talk about pretty costumes.
• 3:50
  That that is exactly what we're here for.
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  So Spencer, Kansas not synopsis. All right.
• 3:55
  My here is the summary this week brought to you by Wikipedia The
• 4:01
  number one source for information wish I just finished
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  that synopsis myself. The film follows the story of
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  Miss Emma, Woodhouse a wealthy and elegant young woman living
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  with her father and Regency Era, England, something of a queen
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  bee in her sleepy, little town, em amuses, herself with
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  matchmaking and medals, in the Romantic lives of those closest
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  to her. Emma must navigate her way
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  through challenges of growing up friendships.
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  And misguided matches before she can recognize the love that has
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  been there all along and earned her happily ever after.
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  Boom there. That's what that is actually.
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  Very good. Synopsis.
• 4:41
  Yeah. So see, Wikipedia knows
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  everything. I don't know why teachers would
• 4:45
  give me a hard time for copy and pasting.
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  That's probably more about plagiarism which I did not do,
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  by the way. Sure you do.
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  I trust you, if you haven't seen the 2020, Mama and you have not
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  seen any other adaptation of Emma of which there are many
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  stop right here. Go watch any of them.
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  You really won't fully understand this episode unless
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  you watch the 2020 Emma with annotated Roy.
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  But you know, at least you'll know what we're talking about,
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  kind of, so go do that and then come back to us.
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  I think an important part of this podcast is understanding
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  what we're talking about. So I definitely recommend seeing
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  the movie. Yeah.
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  See the movie, love the movie. She and then come back to us so
• 5:32
  that I can now take you behind the Wardrobe.
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  So director, Autumn de Wilde actually had a big hand in the
• 5:40
  costumes. She was very fascinated by the
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  fashion and how that was going to translate to the screen but
• 5:49
  she hired Alexandra Brynn as her costume designer.
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  You'll know her from just maybe one or two little films like
• 6:00
  Thor, its sequel was with the golden age or you might know her
• 6:03
  from a little film, Phantom of the Opera or Thor.
• 6:07
  You might know her from The Avengers, or maybe rise, 300
• 6:11
  Rise of an Empire, you might have seen Guardians of the
• 6:14
  Galaxy, a small film Avengers Age of Ultron another, just
• 6:19
  tiny, little in and out of theater film.
• 6:22
  Doctor Strange murder on the Orient.
• 6:25
  Express, might not have heard of that, or most recently, just us
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  A small little thing called a Mary Queen of Scots.
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  Yeah. All tiny movies that no one's
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  ever heard of this woman has worked.
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  Yeah I mean she's like the best of the best you know, she really
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  is and I love this film because she's done a lot of interviews.
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  There are quite a few articles out there and she I love this
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  because she really did her research.
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  One of the things she really looked to for the cause Teams,
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  were the fashion journals that were being published at the
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  time. And this was kind of the first
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  time in history where fashion was being widely circulated
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  through print and then it was kind of up to people to like
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  make it themselves but she took a lot of inspiration from that.
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  She also I forget what museum she visited.
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  It might have been the Victoria and Albert Museum and looked
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  into their eye Archive of Riga. Sierra clothing and she like,
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  went into the seams of these two like look see what the color is
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  actually were. And she was like they were so
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  vibrant and in a lot of these just period films in general,
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  things will kind of washed out and her and Autumn too wild.
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  They did not want to do washed out, they wanted to do vibrant.
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  They wanted to make it closer to the actual period.
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  So they were like these. Is we're seeing vibrant colors
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  in these old pieces. We're going to go vibrant.
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  So that was a big inspiration for them.
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  Just going back. Looking at was actually, what
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  was actually available at the time.
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  One thing she learned from, all of these was about like a
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  working wardrobe. Their budget was not terribly
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  big on this film. So she really had to like, make
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  every piece count. She didn't have doubles for
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  things. She's like, we're not doing
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  action sequences. So, most the majority of those
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  pieces are one-offs Emma. It looks like she has a parade
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  of clothing. She only has three Muslim
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  dresses. The rest is just like layering.
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  So this it's such a fascinating film just for how she did the
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  Wardrobe. Yeah, which is why she was
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  nominated for an Oscar and 2021. Yeah, I was.
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  So this was actually the last movie I saw in theaters before.
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  Pandemic hit and I was like, oh, this is so pretty.
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  Like, I wanted to go see it again but then like everything.
• 9:05
  Shut down, things happened. Yeah, things happen.
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  Now, I love what you said about like the vibrancy of the colors
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  because when people think Regency, they think really like
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  these faded pale, no color dresses.
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  But like, that's not how they were warned.
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  It's just that's how we see them now you know, years and years
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  later. They're very dated and faded but
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  the colors were could have been very vibrant.
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  Yeah. And I think especially people
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  think like, oh natural, it was all natural dyeing at the time.
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  So like, oh, that must not be as vibrant.
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  But actually, a girl, I know from high school, she now owns a
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  natural dyeing company and they're like, I visited her
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  website ones. And their colors are just like
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  really intense. So I'm like natural dyeing.
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  It's just as good as our chemical.
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  Yeah. Well, okay, I love this movie
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  and I'm sure you have tons of facts to share with us as we go
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  through this. So I'm excited to just jump
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  Until this take me to it. All right, so before we jump
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  into it, everybody, we're going to take a little break and then
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  we'll be right back. All right.
• 10:28
  Sounds, are you ready to jump into Emma?
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  I'm ready. Well, actually, I'm a little
• 10:31
  scared but you're gonna be there to hold my hand through this.
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  Okay, I'm here to hold, everybody's hand through this
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  entire movie. So don't fret do.
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  Not fries, there's no fretting here.
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  There's no fighting here, unfortunately, Emma.
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  She's have to deal with some frightening, she's getting ready
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  for the wedding of her governess.
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  Miss Taylor, who has been like a best friend and mother to her.
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  So she is sad to see her go. Her father is downright
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  distressed to see Miss Taylor leave.
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  He is a man who is not comfortable with change.
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  However, Emma is very happy to see, mrs.
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  Taylor me. Mary.
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  Their good friend, mr. Weston, she made the match
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  herself and she is very, very proud of it.
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  They go to the wedding, she's looking around for a mr.
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  Frank Churchill, because he is The Prodigal Son of mr.
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  Weston but unfortunately he doesn't show up so she goes to
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  the reception at their house and spends a lovely day with her
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  friends that evening. Another good friend shows up,
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  mr. Knightley and Is there just to
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  kind of talk a little bit about the wedding and see, see what
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  went down. So what do you think of this
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  first? The first couple, the first just
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  couple minutes of Emma. Spencer.
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  I loved it. Like I said earlier, I'm so glad
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  I watched clueless because I gave me kind of like, oh, that's
• 11:58
  who this person is. That's who that person is.
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  But I love the costumes already. I was so into it, when I saw
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  Emma's like first light pink costume with like that really
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  interesting, I Not even describe it.
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  Just like dispenser jacket. Yes, it's just so beautiful.
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  I was already hooked instantly. Yeah, so I really like this
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  opening sequence because Alexandra Brynn.
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  She used what she called a working wardrobe, which was a
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  lot of it's what all of us have a lot of separate different
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  pieces that can be interchanged to make different outfits.
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  So we first see her in the muslin dress, that she's pretty
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  much going to wear all day with just a little freely.
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  Collar placed over the top. That's what she's wearing.
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  When she gets the flowers for Miss Taylor, and then for the
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  wedding, we see her change into she replaces the collar with
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  that light, pink, Spencer jacket.
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  She puts on that fabulous hat and has her yellow shoes which I
• 13:01
  find it. Really interesting.
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  She how she only has like the one pair of yellow shoes, I
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  think she has some other like slippers but it's like, yeah,
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  she's rich, but even back then shoes first.
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  He'll extremely expensive to have made and it was like it was
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  a whole process every single pair of shoes was handmade.
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  So yeah, even though she is red. She's not going to still not
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  going to have like a slew of them around her.
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  She wears that light Spencer jacket to the wedding.
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  Then once they come home for the reception she changes into she
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  sells her muslin dress on but she puts this little just like
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  vest over that only, it's like a Second Empire, like top.
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  Over her dress, add some sleeves to it.
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  And then, at night, when mr. Knightley comes, she's put like
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  a house jacket over the whole thing.
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  So, I just, I love that sequence because it's kind of, it's a
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  whole bunch of different costumes but it's actually just
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  the same one with different accessories.
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  Yeah, it didn't notice that until you started explain it.
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  She really is just essentially wearing the same dress all day
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  long just putting different pieces over it but all those
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  little individual pieces almost changed entirely.
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  Outfit for me, which is so cool. Yeah, it looks like she has a
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  lot more clothes than she actually does.
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  Yeah, I love that. My favorite jacket is also
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  called the Spencer jacket, which it checks right.
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  I love that light pink and I love like you mentioned that
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  like Empire, like pink vest that she puts on that the other day.
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  So interesting to me, but my favorite costume has to be mr.
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  Woodhouse's costume. Her father who Essentially, he's
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  wearing this robe thing or a suit, and he basically Blends in
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  with the couch, like, he's the ultimate, couch potato for like
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  the entire 5001 Mr. Mr. Knightley's there?
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  Yeah, he's so funny and like, he really what he wears.
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  He does just like blend into the background because even to the
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  wedding, he's just wearing that like light blue and like gray
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  blue. Very, very simple.
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  But what it does do is because like they're the richest people
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  in the neighborhood. And it really makes the two of
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  them stand out. Once they get to the wedding,
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  literally, everyone else there is in some sort of burgundy or
• 15:19
  Earth Tone and it's it's so funny because they're just they
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  stick out so much and they're like yes we are the richest
• 15:28
  people here. Yeah.
• 15:30
  They they definitely stand out, they definitely feel like and of
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  kind of like the fun eccentric, two people there compared to
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  everyone else who like one of my favorite characters.
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  Is mrs. Bates, where she's wearing that
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  like really burgundy but then she has the fur collar over with
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  the blue and the gray, the big frilly hat and she's next to
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  this very elderly woman her mother.
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  Yeah. We're like the cutest little
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  like black bonnet situation going on here.
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  It's so funny. So yeah.
• 16:03
  Compared to Emma like Emma's definitely like the little
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  fashion star even to like you said, she's not even doing all
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  that much. She's not.
• 16:10
  She's just very Very stylish, she knows what's how to use what
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  she has. Also, in this first segment is
• 16:16
  one of my favorite scenes because in a couple of
• 16:20
  interviews, Autumn de Wilde. She mentions, she's like, and
• 16:24
  all these historical films. Like we always see women getting
• 16:29
  changed and unchanged change and unchanged like all the
• 16:34
  historical films. It's like oh how did this woman
• 16:36
  get in and out of her crazy costume.
• 16:40
  But in this one They show us how a man gets in and out of his
• 16:43
  crazy costumes. I love that seed to I was just,
• 16:49
  I was kind of amazed because I was like, why does he need help
• 16:52
  getting into these clothes? But I guess I actually was
• 16:55
  pretty complicated. Yeah.
• 16:56
  Actually in an interview with the wrap Alexandra, Bryn says
• 17:00
  that she I read a Diary of a gentleman, who explained
• 17:04
  dressing with his valet, The Measure of a Man in the Regency
• 17:09
  Era was about the quality of his life.
• 17:11
  Laundry. How clean his shirt was and how
• 17:13
  starched his white collar was. So it's like he needed this
• 17:18
  other man's help because like everything has to look pristine.
• 17:24
  I love that, okay? I'm starting to get a little bit
• 17:26
  of a flashback back to when we were doing our articles on the
• 17:30
  art of costume for Oscars week, wasn't it?
• 17:32
  You who emailed me and you're like, I have a photo of the nude
• 17:37
  man getting dressed. Can I get it?
• 17:39
  Yes. Or no?
• 17:40
  Yeah. Video clip Up that see.
• 17:43
  Okay, now that I've seen it like in context, it is important, you
• 17:50
  know, I think it was very interesting to see the this very
• 17:53
  long process of getting dressed, you know?
• 17:55
  Of course we saw it with like Bridge Orton and like how women
• 17:58
  got dressed but no one announces.
• 18:00
  I mean talks about how perfectly they wrapped a collar and how to
• 18:04
  put on these pants and then the coat and all the boots and yeah.
• 18:07
  So I'm glad you brought that up. Yeah and like in a lot of Films.
• 18:11
  It's like, look at this. Look at us undressing Andre
• 18:14
  dressing this hot woman and it's like they apparently did film
• 18:18
  addressing scene with Emma, but they were like, you know what?
• 18:21
  It's the man's turn. Oh, one thing I thought was
• 18:24
  hilarious, which, you know, we've gone to know through these
• 18:27
  Regency pieces lately is, how are these mutton-chop type
• 18:31
  sideburns? That the men were so famous for
• 18:34
  her to Regency area cuz you know, it's very like through
• 18:37
  research. It's like men, either had no
• 18:40
  facial hair. Are were very clean shaven or
• 18:43
  they just have like the biggest most disgusting sideburns ever.
• 18:48
  And so it just for me this ruins, the fantasy a little bit
• 18:51
  of it because, you know, eventually Emma falls in love
• 18:54
  with mr. Knightley.
• 18:55
  But the whole time I was like, not with the sideburns please.
• 18:58
  No. I mean, his sideburns aren't too
• 19:01
  bad. They're they're very on point
• 19:04
  for the air though. Yeah.
• 19:05
  No. Totally there.
• 19:06
  Exactly to how the men wore their sideburns.
• 19:10
  That's just to me. I just makes you want to scream.
• 19:12
  I want to shave him especially right now because facial hair
• 19:15
  was like not a thing. It just like was not a thing at
• 19:18
  this point. Yeah, totally.
• 19:20
  So at this point now that Miss Taylor is married out of the
• 19:24
  house, I'm a little lonely, but someone new moves into the
• 19:30
  village. She decides to / friend, Harriet
• 19:33
  Smith, who she believes is the illegitimate daughter of a
• 19:37
  gentleman. So Emma kinda wants to make a
• 19:39
  project out of her. She wants to help Harriet, take
• 19:43
  her rightful place in society, and find a quote on quote
• 19:46
  suitable, husband Harriet. She's like, oh shit, like I have
• 19:51
  this man, mr. Martin, a local farmer.
• 19:54
  His family's been really nice to me, but Emma's like, hmm.
• 19:57
  Yes, but what about this? Lovely local, Reverend, mr.
• 20:01
  Elton much more suitable for the maybe daughter of a gentleman
• 20:08
  and while Harriet loves me, Mr. Martin she is completely
• 20:13
  enamored by Emma and takes her advice and when mr.
• 20:17
  Martin says will you marry me? She says sorry.
• 20:22
  No mr. Martin is upset by this
• 20:24
  rejection. Mr. Knightley is also upset by
• 20:27
  this rejection, because he's mr. Martin's friend.
• 20:31
  And landlord and Mr. Knightley's like Emma.
• 20:34
  What's up, what? Like she can't do better than
• 20:38
  mr. Martin, nobody knows who her
• 20:40
  family is. Just let her just be happy and
• 20:42
  marry this man. And she's like, no, no Harriet
• 20:46
  can do better and he's like, well, if you're talking about
• 20:48
  mr. Elton sorry to disappoint, but
• 20:51
  he's looking to marry a rich woman.
• 20:55
  Oh my gosh. Yeah, I love what I love about
• 20:57
  this movie is that it's set in the Regency Era, but still feels
• 21:01
  like such like, 20 21 like drama, like this literally just
• 21:06
  bickering and throwing shade at each other talking, some Yeah II
• 21:12
  feel mr. Knightley on this one.
• 21:13
  I'm like, Emma. You just need to like mind your
• 21:16
  manners and just stop messing with other people's lives.
• 21:19
  Yeah. She's never had to go.
• 21:21
  That's like kind of the whole point of the book is that she's
• 21:25
  basically just like a spoiled brat, who's never really had to
• 21:28
  check herself. Yeah, let's talk about some
• 21:31
  costumes though. They there's a lot of great
• 21:33
  costumes in this segment. I absolutely love this red coat.
• 21:37
  She's wearing, but my favorite part about is the hatched she's
• 21:40
  wearing. Also this That's like, I've seen
• 21:42
  this image so many times, and every time I see it, she looks
• 21:44
  like a painting. She looks so beautiful in this
• 21:47
  garment. She really does.
• 21:49
  That's one thing I like about this movie.
• 21:50
  You could take any frame and turn it into a painting, and it
• 21:54
  would be absolutely gorgeous. I love this.
• 21:57
  I love that. Like, you can see the collar of
• 22:01
  the dress. She was wearing when her aunt
• 22:03
  Harriet have t. Just kind of like draped over
• 22:06
  the collar of her jacket. I think that is totally.
• 22:10
  I didn't. Nuys that.
• 22:11
  Yeah, it looks like part of the coat but it's actually her dress
• 22:14
  collar. So it's so cool and it's like,
• 22:17
  such a contrast between her and Harriet because Harriet, she
• 22:22
  lives at the local boarding house, but it is said that,
• 22:26
  like, she's relatively well-off for a single woman with no
• 22:31
  family. Like she has no allowance.
• 22:32
  She's taken care of. Just, nobody knows.
• 22:35
  Exactly, who is taking care of her, including Harriet herself.
• 22:39
  She just knows. Taking care of, but it's like
• 22:43
  Emma, Rich. Emma has the very nice coat with
• 22:47
  the leather gloves. Or as Harriet, she just has her
• 22:52
  little cape, and I think she has like some fingerless gloves that
• 22:55
  she's wearing, which it's like, yes, still very.
• 22:58
  She still looks very nice but not, not like Emma.
• 23:02
  Yeah, it's like a nice. What's not?
• 23:04
  Like a rich sophisticated. Nice, you know.
• 23:06
  So the girls of the boarding house I'm guessing are the ones
• 23:10
  wearing the Red capes then yes. I think it's a school and
• 23:14
  boarding house. I don't think it's just a
• 23:16
  boarding house. I think it's probably like a
• 23:19
  manner school as well. Yeah, I think this is definitely
• 23:22
  my favorite costume of the film was just this little scene right
• 23:25
  here. It's so stunning.
• 23:27
  And then also ml, there's a lot of stunning coats in this like
• 23:30
  that yellow one. Yellow looks so good on her too.
• 23:34
  That's just such a. I'm not a big yellow person but
• 23:37
  I'm all about this yellow coat. It's beautiful.
• 23:41
  Looks so good. And then it's perfectly offset
• 23:43
  with the white and the black hats.
• 23:45
  If it had just been like black and yellow, I would have been
• 23:48
  like, oh, this is not great, but like off putting it with the
• 23:52
  little bit of white is perfect. This is when we really get the
• 23:56
  meat biss Miss Bates at her like best until she's she I everyone
• 24:02
  knows this type of person who you like and up in a
• 24:04
  conversation with. Yeah and they just go and go and
• 24:07
  go just talking and talking and he don't know how to cut them
• 24:10
  off. And they just keep going and
• 24:12
  they don't realize they're just going going going.
• 24:15
  Yeah, they're just going talking about things.
• 24:17
  You don't really care about, you know.
• 24:19
  I one of my friends is talking to me this week.
• 24:22
  They share like a tick tock, and is all about, like, people with,
• 24:25
  you know, anxiety and ADHD. When you're talking to us.
• 24:28
  We already know where this conversation is going to end.
• 24:31
  We know the end to this story. So, once you start talking, we
• 24:34
  just totally, like, start blanking out everything you're
• 24:37
  saying, cause we already know how it ends.
• 24:39
  That's what's Happening. Here.
• 24:40
  Emma, It's like okay, just keep going by her costume on mrs.
• 24:45
  Bates is so funny to me because she feels very like.
• 24:48
  She feels dated in a way where it's like, she's very old school
• 24:51
  in this town like Little Bo Peep style.
• 24:55
  Yeah, so the thing with the bates's is, I forget exactly how
• 25:00
  but they were, like, probably as rich as Emma and her family, but
• 25:06
  I think it was her father or her brother.
• 25:08
  Absolutely, just squandered, the fortune.
• 25:10
  And and kind of left left them destitute.
• 25:14
  Because you'll notice, this is almost exactly what she's
• 25:17
  wearing to the wedding same coat, same hat.
• 25:21
  I think I might even be the same dress.
• 25:23
  So she's probably still trying to wear and like make work
• 25:28
  things that are 5-10 years old from when she was still wealthy
• 25:33
  to. Now, definitely, let's go to one
• 25:36
  of the funniest, one of the funniest parts of this movie.
• 25:41
  When Emma convinces, mr. Elton, that he wants a portrait
• 25:46
  of Harriet. It's like a fuse.
• 25:49
  My what's going on here? I was like who is trying to
• 25:52
  convince who? What is going on?
• 25:54
  I loved it though. The portrait scene was so
• 25:56
  stunning though. It was so funny.
• 25:59
  And like I love how hairy it looks.
• 26:02
  Because like, it's so ridiculous, but she does look
• 26:04
  very beautiful in it. I want someone to paint a paint
• 26:09
  a portrait of me like this, right?
• 26:10
  I stand in front of some really dated artwork and you just paint
• 26:15
  me. I'll do it.
• 26:16
  I'll do it Spencer. Okay.
• 26:18
  And a whole like a little cloth in my arms.
• 26:20
  Okay, sounds great. I just it's so funny and the
• 26:25
  scene leading up to it where he's looking at Emma's drawings.
• 26:28
  Like she's an okay artists. It's nothing spectacular though
• 26:33
  and he's looking at her pictures like they're Michelangelo
• 26:37
  sketches. Oh yeah, she's like, wow, whoo.
• 26:41
  This is great and I do love her little outfit in this because
• 26:44
  it's like, it's so ridiculous, but, like, in some of these
• 26:50
  scenes with mr. Elton, they almost wanted to
• 26:53
  unintentionally like, make her a little sexy, so it's like, she's
• 26:58
  like, kind of got her boobs pushed up with just like the
• 27:01
  detached collar. And then even in the painting
• 27:04
  scene, like, she's just wearing her muslin was like a little
• 27:06
  sheer. Something over like, overtop it?
• 27:10
  Yeah. So Oh, it's like she thinks
• 27:12
  she's getting him to fall in love with Harriet but he just,
• 27:16
  he doesn't know where to look. Yeah.
• 27:18
  But it's not working in her favor right now.
• 27:20
  But you know, we're getting there is definitely not working
• 27:24
  in her favor especially when Harry.
• 27:26
  It's like, oh my gosh mr. Martin wants to marry me and I
• 27:32
  love this scene because Emma's being fitted for a coach.
• 27:36
  She wears just a couple scenes later.
• 27:39
  I love it too. I loved watching.
• 27:41
  One of my favorite things about movies, especially you, and I
• 27:44
  being like, you know, journalists so to say of the
• 27:47
  costume design world is like seeing someone in a movie like,
• 27:51
  creating a costume. It's like, it's very like, a
• 27:54
  weird world for us almost. Looks like she's literally
• 27:57
  creating the dresser right now. You hardly ever see it Ivo, but
• 28:02
  when it does happen, it's fun. It is so much fun.
• 28:05
  But yeah, if you look closely at the blue coat, there's like like
• 28:08
  basting stitches there. I really like putting it
• 28:11
  together in a moment. It's really cool.
• 28:13
  Yeah, I mean, like that's how someone of her status and would
• 28:17
  have been fit for something back, then it like on them.
• 28:21
  Every inch would have been specifically to her measurements
• 28:25
  in that moment of time. So I love that.
• 28:28
  I also love underneath it. She has her, you see this muslin
• 28:32
  a couple different times but here because she has the yellow
• 28:36
  Petticoat underneath it, it looks like a yellow dress.
• 28:39
  Yeah, that's interesting. Take us back a Lizabeth.
• 28:42
  I want to live in this world, I'm so jealous.
• 28:47
  I want to live in this world to especially, then the very next
• 28:50
  scene is one of mr. Knightley comes over to be like,
• 28:54
  welcome Emma, why did you tell your friend not to marry that
• 28:58
  man? And she still wearing that that
• 29:01
  dress with yellow Petticoat, but she put this dark purple Spencer
• 29:06
  jacket over it. So, again, it looks like a
• 29:09
  completely different dress. I also love that Alexander
• 29:14
  brain, she put mr. Knightley, and that yellow
• 29:18
  jacket because like, he's the only other person in this movie
• 29:22
  who is her social equal really. And like, the only person who
• 29:28
  can really confront her about anything.
• 29:31
  And when you see them side-by-side, it's like, yes,
• 29:34
  they are complete and utter equals in every situation, also,
• 29:38
  the like yellow color against the background.
• 29:41
  Room, which is very pink and green.
• 29:43
  I just love the use of color in this film.
• 29:45
  It's so fun and it just pops so beautifully.
• 29:49
  It's so vibrant. It's just like you said earlier,
• 29:52
  every scene feels like it could just be a portrait.
• 29:55
  It really could more portrait like scenes coming up are during
• 29:59
  Christmas. Very exciting during Christmas
• 30:03
  Emma's like working on her scheme to get mr.
• 30:06
  Elton to marry Harriet, her, sister and brother-in-law.
• 30:11
  Are in town. She's still kind of on the outs
• 30:14
  with mr. Knightley but she's like, no
• 30:18
  worries. We're just going to go to the
• 30:20
  westons. Christmas party.
• 30:22
  Have a good time. Once again, she's disappointed
• 30:25
  that Frank Churchill's not showing up but it's like, okay,
• 30:28
  whatever. But then her whole family freaks
• 30:30
  out about the snow. They rush to get home leaving
• 30:34
  her to share a carriage with mr. Elton was very excited, I bet.
• 30:41
  He is, and when they're on the way to take Emma home, he
• 30:45
  proposes Emma freaks out. She's like, no, no, you're in
• 30:49
  love with my friend and he's like, um, he's basically like
• 30:52
  Harriet like you're the one. I've been interested in this
• 30:55
  whole time and she's like absolutely not and he gets out
• 31:00
  of the car like a little bitch walks home all disappointed.
• 31:04
  So now Emma has to tell Harriet who's also disappointed but
• 31:09
  because Harriet's like not Social equal.
• 31:12
  She's just like oh of course of course.
• 31:14
  He loved you and not me so like she's not really surprised but
• 31:19
  she is upset. That's mr.
• 31:21
  Elton doesn't want to marry her. Okay, so Josh O'Connor who we
• 31:26
  really got to know in the crown because he plays Prince Charles.
• 31:30
  He's such a brilliant actor but he's brilliant though because
• 31:34
  he's such an actor that makes you want.
• 31:36
  Like he has such a punchable face, I always want to fight him
• 31:40
  and every row. Well, he's in, but he's so good
• 31:43
  at it though. Like, he's got such a great
• 31:45
  actor, but you're like, dang, I hate this guy, but I like him
• 31:48
  because I hate him. He's good at that role.
• 31:51
  Yeah, he is very good at that role.
• 31:54
  It's so funny. Like I hate him in the scene
• 31:56
  because he's got like 50, he's got his hat in his cave and he
• 32:01
  gets, he gets into into the carriage and he like undoes the
• 32:05
  front of his cave. Like it's supposed to be sexy or
• 32:08
  something. Mike.
• 32:11
  Looking out the window. I mean, maybe that's how it was
• 32:16
  back in the day, like, absolutely how it was.
• 32:18
  It's scandalous that they were even sharing a carriage together
• 32:22
  without a chaperone. Yeah.
• 32:24
  Unbutton the cape who eyebrows eyebrows.
• 32:28
  It's getting hot in here, who knows what happens.
• 32:33
  But I did love Emma's coat that she wore to the carriage that
• 32:38
  like red coat with the big collar.
• 32:41
  Iran. It.
• 32:41
  I love that the red cave. Yeah, so nice on her, it's so
• 32:45
  nice and the dress, she's wearing to that Christmas.
• 32:48
  Eve party is so beautiful, the white with the silver,
• 32:53
  embroidery. Like it's so festive without
• 32:57
  screaming Christmas and one thing we haven't really
• 33:01
  mentioned, but we probably should.
• 33:03
  But, you know, the Regency Era is very known for its empire
• 33:07
  waist, addresses. Yeah, everything's an empire
• 33:10
  waist. Literally everything for the
• 33:12
  women and we haven't mentioned that, but that just goes without
• 33:15
  saying that when you're watching a film of the Regency Era
• 33:18
  bridger-teton anything like that, it's all about empire
• 33:21
  waist. Yeah, it's all about the empire
• 33:23
  waist. They were really trying to
• 33:25
  emulate. Greek and Roman sculpture and
• 33:29
  the empire waist was the easiest way to do that.
• 33:32
  Although I must admit it's very sad that that Trend did not last
• 33:36
  longer because it's like it's such a much more freeing.
• 33:41
  Silhouette than what comes after it.
• 33:44
  And I love to that you mention this.
• 33:46
  I think it's so interesting that the empire waist and these
• 33:49
  Silhouettes was very inspired by like Greek and Roman culture, I
• 33:52
  think that's really cool because you wouldn't really get that by
• 33:56
  looking at any of these scenes were like, oh, like, why, how
• 33:59
  were they inspired by break Greek?
• 34:01
  And Roman cultures, but was, yeah, there was a huge Revival
• 34:06
  of Greek and Roman art and literature during the time.
• 34:10
  So, It was a gigantic influence on this entire period.
• 34:14
  Yeah, so we're ending this segment as they as Emma goes to
• 34:19
  the boarding house school. I The Boarding House.
• 34:23
  Yeah, I love this scene and they're like taking turns
• 34:27
  smacking their faces and to like a cake made out of sand.
• 34:30
  I don't know what the hell's going on here.
• 34:32
  I think it's a cake made out of flour.
• 34:35
  I believe and I think, I think it's almost like Jenga accept
• 34:40
  it. Like, whoever gets the little, I
• 34:44
  guess it's a pound to fall. They then have to go pick it up
• 34:48
  with their teeth. I think I kind of think that's
• 34:50
  the game. I loved everyone's reaction when
• 34:53
  Emma walks in another. Oh mrs.
• 34:56
  Woodhouse, we're so sorry. And I was like what the fuck
• 34:59
  guys doing? That was my reaction too.
• 35:01
  Is like, can you guys go read a book or something?
• 35:03
  What the hell is happening here? You were having some Christmas
• 35:06
  fun. They're all, they all look very
• 35:08
  cute in this scene. They're all like they do.
• 35:11
  In pastels, and this is like the most pattern you ever see in the
• 35:14
  entire film. Oh, yeah.
• 35:17
  It's everywhere. There's a little flowers.
• 35:18
  There's Checkers. There's polka dots.
• 35:21
  Yeah, to put a simple, I guess. Yeah, I love Harriet's.
• 35:25
  Little like crocheted shrug. Yeah, that's what I was trying
• 35:28
  to figure out. Its, it does look like crochet
• 35:31
  Emma. Has her very serious Blue Dress
• 35:34
  On. Yeah.
• 35:35
  Cuz of course she had a dress up for every occasion before the
• 35:39
  dinner I think. Is that coat with the fur is
• 35:43
  what she's being fit for. I want that coat.
• 35:47
  Will make it for you. Thank you.
• 35:49
  It seems pretty easy enough, right?
• 35:51
  I also want all of her Coral jewelry that she's wearing when
• 35:55
  her sister's visiting. Yes.
• 35:57
  So beautiful, that dress to like, I wish that scene had been
• 36:01
  lit a little differently because it has all sorts of like
• 36:05
  embellishment at the top that is hard to see.
• 36:08
  Yes, I love all the jewelry. It's all For a stunning.
• 36:11
  It's just everything about this film was stunning.
• 36:14
  I I loved it. Just like for the visual aspects
• 36:18
  of it. I was kind of lost the first
• 36:19
  watch through, but I just knew I was like wow this is beautiful.
• 36:23
  I love that. Love that.
• 36:24
  It's so beautiful. It's so funny.
• 36:27
  This this film really hits on the comedic elements of Emma.
• 36:32
  Like I just love her crazy. Her sisters never portrayed as
• 36:36
  being this crazy and the first the Wahoo, that's actually
• 36:41
  Knightley's younger brother. It's just it's so good.
• 36:45
  I love that scene, sorry. Okay, so let's just walk through
• 36:49
  this a little bit though because last week we had a huge
• 36:52
  argument, okay? We had a huge argument about
• 36:56
  share and Paul Rudd getting together, right?
• 36:59
  Because their step brothers and sisters.
• 37:02
  So then I watch Emma and Mr. Knightley's older brother
• 37:07
  younger brother younger brother is married to Emma's see Sir.
• 37:11
  Yeah. So that wouldn't that make mr.
• 37:13
  Knightley Emma's brother-in-law. Technically.
• 37:16
  No technically no but they've been neighbors for ever hit her.
• 37:22
  Brother-in-law is Mr. Knightley's younger brother.
• 37:25
  So aren't they kind of related kind of her sisters related to
• 37:29
  him through marriage? So then the how is this any
• 37:32
  different than clueless when you gave me a lashing?
• 37:35
  Okay, this is different because a everybody is of age there are
• 37:41
  No minors involved be their mother was never married to mr.
• 37:47
  Woodhouse they never called her sister.
• 37:50
  They never lived in the same house as siblings.
• 37:55
  I don't know. I'm just not buying it.
• 37:57
  It's just not buying it. Elizabeth I'm saying that love
• 38:02
  is love and I just do want a no just not gonna go there.
• 38:10
  I'm Saying I get it you know I think they work out as a couple
• 38:15
  as did I think share and Paul Rudd's character and clueless
• 38:20
  that's all aside from the fact that she was a minor.
• 38:23
  But that's just that just that little fact that fact is bad
• 38:27
  tiny fact that she's a minor in high school and he's in college,
• 38:34
  okay? Whatever the next movie is, make
• 38:36
  sure that no brothers or sisters or steps This movie.
• 38:42
  I mean, I think we need to take a break perfect because it's
• 38:49
  time for a prank. All right.
• 38:52
  I'll see you all after the break.
• 39:16
  All right, friends. We are back Elizabeth and I have
• 39:19
  a long discussion about these brother sister, not brother and
• 39:24
  sister relationships. We've put it behind us and we're
• 39:27
  ready to just proceed without mentioning it ever.
• 39:30
  Again, for the sake of our relationship, we are never
• 39:33
  talking about this again, but you know who is Talking Spencer.
• 39:37
  Mrs. Bates. Oh, God kill me.
• 39:41
  She's so excited. She is so excited because Her
• 39:45
  niece Jane Fairfax has finally come home to visit.
• 39:49
  Hartfield she's excited, Emma's excited to meet her Jane seems a
• 39:55
  little shy maybe. So Emma's kind of like hmm.
• 40:00
  Okay, girl whatever. But then she's quickly
• 40:03
  distracted yet again by the arrival of mr.
• 40:06
  Weston's, prodigal son. Frank, Churchill Emma and Frank.
• 40:11
  They're hitting it off right away.
• 40:13
  They're flirting Emma's like, Hmm, maybe, I will get married,
• 40:16
  I wasn't going to, but maybe I will get married now.
• 40:19
  So she's like, okay, I see you Frank.
• 40:23
  Churchill, so she's going about her life.
• 40:26
  Her and Harriet are hanging out, and then there's yet another
• 40:30
  addition to Highbury Society because after she rejected mr.
• 40:36
  Elton, he went on a little vacation and he came back with a
• 40:40
  wife who is very much trying to make herself the center of Of
• 40:45
  social life in the village. I do you know where to start?
• 40:50
  I want to start with mrs. Elton's hair.
• 40:55
  Is that her hair? Or is it a bow?
• 40:57
  I spent the entire movie trying to staring at it.
• 40:59
  I'm 90%. Sure it's her hair but not 100
• 41:02
  though. Not 100.
• 41:03
  And this is how Autumn de Wilde envisioned her pretty much.
• 41:09
  It's a quote from her interview and fashionista fashion can be,
• 41:13
  so ridiculous. And I That about fashion and I
• 41:16
  love especially when the person wearing it does not seem aware
• 41:20
  of how ridiculous it is, okay? I love that, I love that quote,
• 41:27
  it's so good. That is like, the basis of her
• 41:31
  because she's like, she's definitely like, she is that
• 41:34
  person on Instagram who is wearing every new trend.
• 41:37
  Yeah. And wearing it to like 100% and
• 41:40
  immediately dropping it for the next Trend.
• 41:43
  So she she she's hilarious. She is so funny.
• 41:48
  I loved my favorite. One of my favorite scenes is
• 41:51
  when they go to, you know, it's like a chapel where mr.
• 41:55
  Elton is, oh the church. Yeah, mr.
• 41:57
  Allens doing his thing, and I walk up, and mrs.
• 42:00
  Elton is sitting, and like, Emma's chair.
• 42:02
  And the look on everyone's faces.
• 42:05
  Like what the fuck is happening here?
• 42:07
  Who is this girl with the hair bow?
• 42:09
  I don't like this. I do not like change.
• 42:13
  Get this out, its know. Like everyone's so mm affronted
• 42:18
  for them because that's their Pew.
• 42:21
  Like dude sir is I mean it's nothing anymore but like back in
• 42:24
  the day like your Pew. Like that was the whole thing
• 42:27
  and someone taking your Pew was not cool.
• 42:30
  Oh hell no you better get up out my Pew right about now.
• 42:33
  And yeah and I love this scene because Emma.
• 42:37
  She is kind of wearing like a ridiculous fashion.
• 42:40
  Her hat is a lot, but she balances it out with like an
• 42:44
  entirely. Lee White Ensemble.
• 42:47
  Yes. So that in contrast to mrs.
• 42:50
  Elton who has the big Bonnet with the veil and although
• 42:54
  foreign she looks like the sun over here in the front Pew or
• 42:59
  Harry. She's just like in her little
• 43:01
  Bonnet and like mint green jacket.
• 43:03
  I love Harriet's. Fashion as the movie goes on
• 43:07
  because I feel like Emma is like giving her hand-me-downs and
• 43:10
  like upgrading her wardrobe. Yeah slowly.
• 43:13
  But surely it's getting There. But Emma's face just says it
• 43:17
  all. She's just in physical pain
• 43:19
  seeing someone interview. She had her and her father are
• 43:23
  not happy about this. No.
• 43:26
  But rolling way way back. When Miss Bates and bites her
• 43:31
  and Harry up to the apartment. Yes.
• 43:33
  I want to talk about this too. It's so drab and like you see
• 43:39
  Harry and Emma in their Carriage at first and Emissary like a
• 43:41
  very cute green checkered coat Harry.
• 43:45
  It has her like, her Brown coat on.
• 43:47
  They both look very nice, very smart.
• 43:48
  It's like very like bright and like kind of cheery out.
• 43:52
  And then as soon as they are put into their dark apartment, you
• 43:55
  can just see how uncomfortable and depress, they both are.
• 43:59
  Oh my gosh, it's like even the environment around mrs.
• 44:02
  Bates is just like please help. It's she's a lovely woman.
• 44:06
  You know you like she's a nice friend, she's caring but they're
• 44:11
  all in her space and everything is just like gray and dreary.
• 44:15
  I've been there and she's just going and going.
• 44:18
  It's like, Emma's literally in her worst nightmare, right?
• 44:22
  Yeah. And I love Jane and this scene
• 44:26
  because you can see that like she's, I think she's been being
• 44:29
  taken care of like family, friends, her whole life and
• 44:32
  she's like a young vibrant woman, clearly with that, like,
• 44:36
  with the white muslin and like the Lilac Spencer jacket.
• 44:40
  But like, in that environment, just like that environment
• 44:42
  sucks. The color out of every single
• 44:44
  thing ever. Everyone's wearing definitely
• 44:46
  she's she's just like, even she's not happy about this.
• 44:49
  You could tell. She's just, why are we here?
• 44:51
  This is ridiculous. I want out of this apartment.
• 44:55
  That's a funny scene. It's a great scene and I love
• 44:58
  kind of like the Rivalry between her and Emma.
• 45:02
  Going forward like at the dinner party.
• 45:05
  When she plays the piano Forte and it's like she does not look
• 45:08
  as Grand as Emma. But in terms of like
• 45:11
  accomplishments and like how she conducts herself in society,
• 45:15
  Like she is totally Emma's equal even if she doesn't have the
• 45:19
  Monies to back that up. Oh definitely and at that little
• 45:22
  dinner party scene she's dressed up so nicely now and like the
• 45:26
  white with like the coral necklace.
• 45:28
  She just really glows and you're right.
• 45:31
  She is Emma's equal once she got out of mrs.
• 45:34
  Bates tacky, gray apartment. She really liked is given a
• 45:38
  spot. The shine.
• 45:40
  I love it. And it's such because Emma's
• 45:42
  worrying that I think it's a like a black satin.
• 45:45
  Down in that and that she just contrast, awesomest so nicely.
• 45:50
  Mmm has going through changes right now.
• 45:53
  She might not know it yet but she's going through changes.
• 45:56
  One thing I did like, which I've really learned from talking to
• 46:00
  you today. Is, you know, how they re wore a
• 46:03
  lot of things and also it was you essentially just one jacket
• 46:06
  or outfit that they were putting layers of pieces on top of.
• 46:11
  So, later on when she's with mr. Churchill, and she's wearing
• 46:13
  that pink Spencer. Get that I love from the
• 46:15
  beginning. It kind of just put a light bulb
• 46:18
  in my head like go you know that seem like there is tons and tons
• 46:22
  of costumes and this film. But it's really just a use of a
• 46:26
  lot of the same costumes just in different variations because
• 46:29
  this feels like a whole new costume but it's not.
• 46:31
  It's like that's the jacket we saw from earlier.
• 46:33
  It's really pretty. Yeah, and I love frank Churchill
• 46:37
  in this. They made him much more of a
• 46:40
  villain than he usually is but I saw I liked it so much we're
• 46:44
  going to have to watch Watch the version with Gwyneth Paltrow at
• 46:48
  some point. Ewan, McGregor plays, Frank,
• 46:51
  Churchill, and it's amazing. Yeah.
• 46:54
  Season 2 will watch another Emma just for you.
• 46:58
  And then there's an Emma miniseries from not that long
• 47:00
  ago. All right, well, let's pick one
• 47:03
  want to season know whenever I see them.
• 47:06
  It's I've decided. Okay, so I love frank Churchill
• 47:10
  because he's a lot like mrs. Elton where?
• 47:14
  He's Mr. Knightley, he's a very classy gentleman.
• 47:18
  He is like the epitome of class in this time.
• 47:22
  But Frank Churchill, like cuz his aunt and uncle have lots of
• 47:26
  money that he is going to inherit one day.
• 47:28
  So, I love, you can see like, he wears that green jacket with the
• 47:33
  patterned vest. Then he has a solid color vest
• 47:37
  underneath that and then a pattern Ascot and I'm like, who
• 47:42
  you like are really looking very fine.
• 47:45
  Fine, sir, she looks like the Mad Hatter in this scene a
• 47:48
  little bit, a little bit. And yeah, like you said about
• 47:53
  like her wearing the Spencer jacket again.
• 47:55
  I don't think it was told a second time, washing, This
• 47:58
  months and months ago that I realized like, oh yeah, that's
• 48:01
  the same jacket. Because even just the hat and
• 48:03
  her little bag. Now that she doesn't have that
• 48:05
  huge muff make it looks so different.
• 48:08
  I do like mr. Churchill's shirt that he's
• 48:11
  wearing because of the embroidery on it, with the
• 48:13
  leaves and the flowers That's a really beautiful intricate
• 48:17
  details. He is very fashionable.
• 48:20
  I love that scene. Where him and mr.
• 48:23
  Knightley are like, no, you go through the door first.
• 48:25
  Know you go through the door first because like, you can see
• 48:28
  the contrast like mr. Knightley as the classy, but
• 48:32
  practical gentlemen, he's got his, his jacket, his vest, just
• 48:36
  an ascot and then yet again, Frank Churchill is wearing a
• 48:40
  patterned vest with another pattern.
• 48:42
  Vast. I'm like an ascot that's like
• 48:44
  double the It's too much. It's like we're comparing Ascot
• 48:49
  sizes at this point. That's exactly what's happening
• 48:52
  time for a ball. Oh, Spencer, are you ready?
• 48:56
  I'm ready. Are you ready for a ball?
• 48:59
  You know, Elizabeth, I love me a good ball.
• 49:01
  Well, the westons are about to give you a ball.
• 49:04
  Frank, Churchill is permanently moving to the Village.
• 49:08
  Mr. Weston's excited. So, they're going to hold a ball
• 49:10
  for him there. Emma finds her place in Highbury
• 49:14
  Society. Challenged by mrs.
• 49:15
  Elton, she's like, oh I'm a bride.
• 49:17
  I must come first. Oh, but I'm oh, I don't want to
• 49:21
  be, I don't want to impose. So she's being obnoxious.
• 49:25
  Harriet looks lovely, is publicly snubbed by mr.
• 49:31
  Allen only to be saved by the kind gentleman, mr.
• 49:35
  Knightley as the night goes on, and then mr.
• 49:39
  Knightley. Get to dance in and they're like
• 49:41
  oh what is this? Who are we to each other?
• 49:44
  They start to catch feelings for each other.
• 49:47
  They're about to confront it right away.
• 49:50
  Mr. Knightley runs all the way to her house to say something,
• 49:53
  but just as he's about to say something Frank, Churchill is
• 49:57
  running into her home carrying Harriet, who is Thoroughly
• 50:01
  distressed? She has been attacked on the
• 50:04
  road home and they're like, oh well, okay let's help her first
• 50:09
  and Harry. It's like Emma!
• 50:11
  I'm in love again. Through all her distress, she's
• 50:14
  only Like, I've been saved, and I'm in love, and I'm just like,
• 50:17
  oh, so you're in love with Frank.
• 50:19
  He just saved you from the gypsies.
• 50:21
  Okay, that that, that makes sense.
• 50:23
  Okay, so I was like, all right, I guess your new love.
• 50:26
  Interest is Frank Churchill, these are some wild seeds into
• 50:32
  it. Okay, let's start with the ball.
• 50:34
  Let's start with mrs. Elton about ball.
• 50:37
  Yeah, I was just gonna say mrs. Elton is screaming for
• 50:40
  attention. I feel like she's screaming for
• 50:42
  our attention right now to talk about her.
• 50:44
  Assumes the hair. I can't with the hair but I love
• 50:47
  that. She put the little piece of
• 50:49
  jewelry in her hair to make it look like a crown.
• 50:51
  She looks like a pool. Get off the boat.
• 50:54
  We gonna put it. She does look like a poodle, I
• 50:57
  can't. So I'm very confident that as
• 50:59
  her hair now looking at it more closely.
• 51:01
  Yeah. It's just super like they
• 51:04
  probably put a lot of fat in it. Mr. Elton is so proud of
• 51:08
  himself. He's like, well everyone look at
• 51:10
  my beautiful bride. I don't need you Emma, I have
• 51:13
  this bride but she's so annoying.
• 51:15
  It's almost backfiring. It's like Elton, we don't care
• 51:19
  and he knows it, he knows she's super obnoxious.
• 51:24
  Like and then, oh my gosh, the way he disses Harriet.
• 51:28
  It's like, oh my gosh, you piece of trash?
• 51:32
  Yeah, like I said earlier, he has a very punchable face, he
• 51:35
  looked very punchable at this moment.
• 51:37
  I could not believe what he did. The Harriet.
• 51:39
  He's just so mean he's so me. Even when mrs.
• 51:42
  Weston is straight up, like, yo ask this girl to dance.
• 51:45
  She's all alone and ready to cry about it.
• 51:48
  He's like, no, yeah, it's just so rude, but I love the ball
• 51:53
  things. I Love any ball and any film or
• 51:55
  TV series But like everyone just looks so beautiful.
• 51:59
  I love Jane, fairfax's costume. She's wearing pink underneath
• 52:03
  with him wearing like a translucent white mesh over it.
• 52:06
  It's stunning. I love it.
• 52:08
  She just looks so beautiful. And Emma should be scared
• 52:11
  because she is her Eagle. Miss Fairfax.
• 52:14
  Just looks stunning. I'm obsessed.
• 52:16
  I love Emma. Always wanting to wear white at
• 52:20
  night because it makes her stand out so much.
• 52:24
  So one of the ridiculous kind of additions.
• 52:29
  Mrs. Elton has to her dress are those little like, rosettes all
• 52:35
  over the top with the chains of rhinestones and the other
• 52:41
  frilliness there Emma has those too but there's only like four
• 52:45
  of them place like far apart. Yeah.
• 52:47
  Emma's very like the sophisticated, you know, her
• 52:51
  outfits are very thoughtful. She's very like Put everything
• 52:54
  on and take one thing off. But mrs.
• 52:57
  Elton is just like put everything on and then add some
• 53:00
  more and add some more variety. Must look like a bride.
• 53:07
  And can we talk about first? We haven't mentioned this mrs.
• 53:10
  Weston looks beautiful. We haven't even mentioned that
• 53:12
  she's played by Gemma Whelan from Game of Thrones.
• 53:16
  Hello, right. I'm like, I can't believe you
• 53:19
  hired her to play. It's not a small part but it's
• 53:22
  definitely like I Like, it doesn't do a tongue cousin
• 53:25
  camera, Thrones, she plays Yara Greyjoy.
• 53:28
  And she's very like piratey and freedom murder, everybody ready
• 53:32
  to murder everybody. And then in this, she's very
• 53:35
  sophisticated and classy and beautiful and I love that she's
• 53:38
  very versatile. I love that in an actress.
• 53:41
  I thought she did a great job in this role.
• 53:43
  Yeah, II love her character. It's I also love she's just like
• 53:47
  pregnant the whole time, but nobody says anything about it.
• 53:51
  I actually didn't even notice that until you said that, that's
• 53:53
  why mr. Alton when one.
• 53:56
  She's like, oh, I'll dance with you mrs.
• 53:58
  Weston and she's like, oh, and she like points to her stomach,
• 54:01
  and he's like, oh yeah, you can't dance.
• 54:04
  You're preggers. And then she's holding that baby
• 54:06
  at the end. Well, I noticed the baby but I
• 54:09
  didn't notice the pregnancy. There was a lot going on,
• 54:12
  Elizabeth as a costume person. I'm my eyes are going all over
• 54:16
  the place so I miss little details.
• 54:19
  All right, all right. All right.
• 54:22
  Well this was a fun ball there. Three stunning.
• 54:25
  It was a very fun ball and it in some confusion and tragedy for
• 54:30
  Harriet. She's just like so flustered,
• 54:33
  but then she's like, I'm in love and I'm like, oh girl, I mean, I
• 54:37
  did tear up a little bit when mr.
• 54:40
  Church fainter. Yeah.
• 54:42
  Well, mr. Churchill saved Harriet was,
• 54:44
  very cute. I started to tear up a little
• 54:46
  bit. I was like, oh that's such an,
• 54:48
  he's such a nice guy, such a nice man.
• 54:50
  I love her dad at the end of that scene though.
• 54:53
  Like Is he alive? I was like, I'm so glad.
• 54:58
  They got Bill Nighy to play that role.
• 55:00
  He's such a good actor. It was made for him.
• 55:04
  Yeah, he's brilliant. Yeah, well now, Harriet's found.
• 55:07
  Her new love interest. I think we need to take a little
• 55:10
  break. Maybe let's get on Bumble find
• 55:12
  ourselves some love interests, okay?
• 55:14
  Well, whoever that person is they better not have hair put up
• 55:19
  in a hair bow and I cannot have giant sideburns either.
• 55:24
  So those are my two requirement if you down for some sideburns,
• 55:27
  okay? See you after the break.
• 55:52
  All right, Spencer, are you ready to go?
• 55:54
  This up, I am ready. Am I ready?
• 55:58
  I'm ready. You're ready.
• 56:00
  You're ready? You have no choice.
• 56:02
  Things are getting interesting in Highbury this is Alton.
• 56:05
  She's just dominating the social Gatherings.
• 56:08
  She has no qualms about saying whatever she wants.
• 56:12
  She's even like to mr. Knightley, like I want to see
• 56:16
  your house, let me look at your house and I was like, he's on
• 56:20
  anybody. Look at his house.
• 56:21
  I don't know what you're trying to do, but It's all shut up.
• 56:25
  No good luck and he's like, oh no all over my house.
• 56:29
  Come visit. Everyone's visiting the, a be
• 56:33
  Emma's kind of tense because Mr. Knightley's been acting weird
• 56:37
  ever since the ball Harry, it's been acting weird, Emma's
• 56:41
  concerned. When mr.
• 56:42
  Knightley, walks off with Harriet's have a little
• 56:45
  conversation. Even Jane Fairfax is being
• 56:49
  weird, because she's there with everybody and she's like, I
• 56:52
  gotta go home, I don't feel good.
• 56:54
  And I was like you're not gonna walk home alone.
• 56:55
  She's like I am depressed. Let me leave goodbye.
• 57:00
  I'm just like, okay thanks don't get any better.
• 57:04
  They take a little exploration to a local Hill, AKA Box Hill
• 57:10
  and Emmas kind of bored Frank. Churchill who's, there is also
• 57:15
  kind of bored. So he decides to come up with a
• 57:19
  little game to play however, makes Emma reveal her.
• 57:24
  Crooler side and she upsets poor silly.
• 57:29
  Very, very sweet. Mrs. Bates, even mrs.
• 57:33
  Elton is like, oh, girl. No, that's not cool.
• 57:37
  Everyone, abandons, her, as they're leaving.
• 57:40
  Mr. Knightley. He's furious with her.
• 57:44
  He's like, yeah, she's ridiculous.
• 57:46
  But she's poor and disadvantaged and everyone here looks to you
• 57:51
  when it comes to how people should be treated.
• 57:54
  And our little Society here. So you need to do better.
• 57:59
  She's upset, she automatically realized that she fed up and has
• 58:03
  to go. Apologize to mrs.
• 58:06
  Bates. But her day is not getting any
• 58:09
  easier. She's called to the westons, and
• 58:12
  the westons are like, so we really know you and Frank were
• 58:17
  very close because everyone noticed some flirting, it was no
• 58:20
  secret there like Frank Churchill is it Engaged to Jane
• 58:25
  Fairfax and now that his aunt has died.
• 58:28
  They're getting married and Emma's upset but she's like, I'm
• 58:31
  not upset for myself. I'm upset for my friend Harriet
• 58:34
  because I thought heard Frank could get together so she's like
• 58:38
  I gotta go once again break Harriet's heart.
• 58:42
  So she goes and Harriet's. Like what?
• 58:46
  I don't care about Frank Churchill.
• 58:48
  I was talking about how mr. Knightley saved me at the ball
• 58:51
  from having to look like pathetic.
• 58:54
  Lonely. I'm in love with mr.
• 58:56
  Knightley, you said it was possible and she's like, no, I
• 59:00
  didn't. She's like, yeah, you did.
• 59:03
  She's like no and mr. Knightley, he's like she's like
• 59:07
  mr. Knightley is out of your league
• 59:08
  and she's like whoa wait. Do you like mr.
• 59:10
  Knightley and she's like, what? I don't know and she's like, he,
• 59:13
  totally do get out. So, am I guess out?
• 59:17
  She's sad walking, the grounds between her and mr.
• 59:21
  Knightley's the state and Mr. Knightley's All In A tizzy
• 59:24
  because he's heard about Frank and Jane and he's like, Emma was
• 59:28
  crashing real hard on Frank? Churchill, I gotta go.
• 59:32
  Make sure she's okay. And she's not because her and
• 59:35
  her best friend. Harriet just had a fight.
• 59:37
  So he thinks she's upset about Frank, but she's not, and he's
• 59:41
  like, it's gonna be fine. It's going to be, okay?
• 59:44
  He's like, I love you and More Words than I love you because
• 59:48
  he's a repressed, Regency man. And she's like, what?
• 59:52
  No? You You like Harriet Harriet
• 59:55
  thinks you like her, you must like her and he's like, I don't,
• 59:59
  but I understand the confusion and she's like, well until we
• 1:00:03
  fix the situation with Harriet. Like I can't marry you but yes,
• 1:00:07
  I will. She realizes that she really
• 1:00:11
  screwed over Harriet when she convinced her, not to marry mr.
• 1:00:15
  Martin and goes to apologize to mr.
• 1:00:19
  Martin about it and includes the lovely portrait she Made of her
• 1:00:24
  dear friend in the apology. So, Emma's doing her best to to
• 1:00:30
  mend Bridges. And men's the bridge with
• 1:00:34
  Harriet. Harry comes over, she says I'm
• 1:00:36
  engaged to mr. Martin and my father has finally
• 1:00:40
  revealed himself to me. He is a Tradesman who makes
• 1:00:43
  galoshes and she is proud of him, no matter what his social
• 1:00:47
  standing, and this is for Emma really steps up.
• 1:00:50
  She's like, if he's coming to visit, please bring him to Field
• 1:00:55
  because Harriet's her friend, she no longer cares what class
• 1:00:59
  they're in. So now, all that's left is for
• 1:01:02
  her and mr. Knightley, to make it official,
• 1:01:05
  she's worried about leaving her father because he's a nervous
• 1:01:09
  man who doesn't like change, but mr.
• 1:01:11
  Knightley, he's a stand-up guy. He's like, your father doesn't
• 1:01:15
  want you to leave here. You don't feel right leaving him
• 1:01:17
  here. Okay, looks like I'm moving in
• 1:01:20
  with you and he does, they Get married and live happily ever
• 1:01:25
  after. Oh good.
• 1:01:29
  I wish you sat next to me, when I watched this movie so you
• 1:01:32
  could have explained everything to me.
• 1:01:37
  You should record an audio book for Emma, that would be fine.
• 1:01:40
  Maybe I should just do an Emma podcast.
• 1:01:44
  So I love this, this scene where they're all playing cards and
• 1:01:48
  mrs. Elton's being really obnoxious
• 1:01:50
  because there's just like so much tension between Emma and
• 1:01:53
  mr. Knight But mr.
• 1:01:55
  Knightley looks like the best. He's looked this whole time,
• 1:01:58
  he's got that beautiful blue jacket with, like a blue accent
• 1:02:03
  underneath it. And it looks so good and I've
• 1:02:07
  just say this is probably the only scene where Emma looks
• 1:02:11
  overdone. Like she's trying too hard to
• 1:02:14
  look. Good almost like mrs.
• 1:02:15
  Elton's gotten to her a little bit because she's got like the
• 1:02:20
  Lilac over best. The Ranjit yellow petticoat with
• 1:02:26
  the white muslin and the little brooch on the Petticoat.
• 1:02:30
  It's just like a whole look. Yeah, I think it's the yellow
• 1:02:33
  for me. That makes it feel like now,
• 1:02:35
  she's like really trying to put everything onto she has.
• 1:02:38
  Yeah, I agree if you do the blue on mr.
• 1:02:42
  Knightley. It looks wonderful.
• 1:02:44
  He looks great and blue, he does.
• 1:02:46
  I wish he'd worn more blue, but I see, I almost feel like in
• 1:02:50
  this moment. He's trying harder for Emma.
• 1:02:52
  The blue is look. Very sophisticated on him.
• 1:02:55
  He's pulling out all of his nicest clothes right now.
• 1:02:57
  Yeah, IMA get me a blue coat. Do it?
• 1:03:01
  It would look good on you. There's just so many costumes
• 1:03:07
  here. I know.
• 1:03:08
  So at mr. Knightley is house.
• 1:03:10
  I love die. Has everyone over and this is a
• 1:03:12
  good point where you get shot. Yeah, it's a great group, shot
• 1:03:16
  to see the different styles of everyone because you have mrs.
• 1:03:19
  Outland, just kind of walking around, wearing everything in
• 1:03:22
  her wardrobe, again, look, In the most but then you have mrs.
• 1:03:26
  Bates, and I'm guessing her mother looking looking.
• 1:03:30
  So old school again, just kind of walking around in the
• 1:03:32
  background. But then you have Miss Fairfax
• 1:03:36
  down. She looks absolutely stunning.
• 1:03:38
  I just love this group shot because it really shows
• 1:03:41
  everyone's different styles. Yeah, it does.
• 1:03:43
  I like that. Mr. Knightley, like stands out
• 1:03:46
  the most with his gray jacket and then like two tone booths,
• 1:03:52
  he looks great. Also, I'd love in the same scene
• 1:03:57
  with Emma and Harriet sitting together because at this point,
• 1:03:59
  they really are starting to feel and look like equals because
• 1:04:02
  their costumes almost feel like a good compare and contrast
• 1:04:05
  where it's almost the same costume just in different colors
• 1:04:09
  and just different parts of are almost different colors to me.
• 1:04:12
  That's what I see. Yeah, like clearly, Harriet's
• 1:04:15
  added that like pink bow to one of her dresses to kind of mimic
• 1:04:20
  the pink and Emma's. It's still a little thrown
• 1:04:23
  together because Again, she doesn't have Emma's resources
• 1:04:26
  but it still looks very nice with even like the blue gloves
• 1:04:29
  and the green little shawl she has.
• 1:04:32
  Yeah, I wish that her gloves were pink but you know, I think
• 1:04:37
  it's very cute because I think that she's really kind of found
• 1:04:40
  her place in society, you know, in these Social Circles, maybe
• 1:04:44
  she's not like the higher class like Emma is, but at least she's
• 1:04:47
  like made her Mark in this Society where everyone
• 1:04:50
  recognizes her and, you know, enjoys her.
• 1:04:52
  Yeah. I also This scene with her and
• 1:04:55
  Frank Churchill where he's come late to the party, he's all
• 1:05:00
  upset and she's like he wants to like, go explore Europe and
• 1:05:04
  she's he's like there's nothing to do in England.
• 1:05:07
  She's like oh you don't like wealth and prosperity.
• 1:05:11
  It's like yeah. England's like at your
• 1:05:14
  fingertips like get over it. Yeah but I love that.
• 1:05:18
  They're next to this. It's probably like a Greek or
• 1:05:21
  Roman statue. As you can see, it kind of
• 1:05:25
  mimics that empire waist and the statue and you can kind of just
• 1:05:29
  see the whole influence. Yeah.
• 1:05:32
  Regency women's style as Emma standing right next to it.
• 1:05:36
  I'm glad you brought that up to because when you're looking at
• 1:05:38
  the Statue, you see all the drapes and the garments.
• 1:05:41
  And it's almost like Emma's wearing the exact same
• 1:05:44
  silhouette right next to the Statue.
• 1:05:46
  So it really goes to that. Greek Roman influence you were
• 1:05:49
  talking about. Elizabeth, are you ready to go
• 1:05:52
  on the world's most awkward? Picnic.
• 1:05:54
  Yeah, I am the party to Box Hill.
• 1:05:58
  Alright. First we have to start with mrs.
• 1:06:00
  Elton. I mean, look at her, she is
• 1:06:04
  really wearing everything she has in her wardrobe.
• 1:06:07
  She looks like the sun again but also like the sun's whirring
• 1:06:10
  cloves. Yeah.
• 1:06:12
  See, I mean honestly, this is probably the most toned down.
• 1:06:15
  She ever gets really. I feel like she's doing the most
• 1:06:19
  because she's always doing the most but it's like she's got her
• 1:06:23
  just very Frilly white muslin with a couple of Trims on it,
• 1:06:28
  it's really like the hat and the shawl, she has.
• 1:06:32
  I think that makes it look so busy with the parasol to with
• 1:06:36
  the parasol. Yeah, that's right.
• 1:06:39
  She's like so crazy by love it. I love as a costume designer.
• 1:06:43
  Alexander burn. I you know it's like it feels
• 1:06:46
  very intentional that as she has a lot to say with mrs.
• 1:06:49
  Elton's costume, you know that she is a bit much and she's
• 1:06:52
  really inserting herself. Open to every conversation and
• 1:06:55
  to all these Social Circles, and she's doing the most to get
• 1:06:58
  where she's at. And her costume says all of
• 1:07:01
  that. So it says, all of that.
• 1:07:05
  I like Emma again. She's gone back to being her
• 1:07:07
  simple classy self in this scene.
• 1:07:10
  Even though she is her least classy.
• 1:07:12
  She was Behavior wise. She was so mean to miss Bates.
• 1:07:16
  Like, I know I've been saying this entire podcast how annoying
• 1:07:19
  this Bates was talking and talking and talking but when
• 1:07:23
  Emma Snaps at Miss Bates, I was like, hey, you don't talk to her
• 1:07:26
  like that, like that's like she's my friend.
• 1:07:29
  I get to say that because me and Miss Bates, our friends.
• 1:07:32
  You don't get to talk to her like that.
• 1:07:34
  You need to talk to her like that, and I even love mr.
• 1:07:36
  Knightley, like, she's clearly like upset by what happens, but
• 1:07:41
  she's not going to say anything. And he's like she is older than
• 1:07:43
  you. She is disadvantaged in life
• 1:07:46
  compared to you. She is a sweet person.
• 1:07:49
  Don't make fun of her. Yeah, it's like when you're
• 1:07:52
  playing video games with, One, and then they lose, and they get
• 1:07:55
  up and start yelling at you or, you know, talking mad trash and
• 1:07:59
  you're just like, okay, sit down.
• 1:08:02
  You're having a bit of a moment right now?
• 1:08:04
  I felt like, yeah, she's just taking all of her frustration
• 1:08:06
  now on mrs. Bates.
• 1:08:08
  And I was just so upset, and it's so mean like, Frank.
• 1:08:11
  Churchill also like coax her into doing it.
• 1:08:14
  And it's like, what, why are you being a jackass kids?
• 1:08:18
  These days. I know.
• 1:08:20
  I do love her apology outfit though.
• 1:08:23
  I do I do too, but I love that. She went to her very drab, dark
• 1:08:28
  apartment. Again, mrs.
• 1:08:29
  Bates. It's just feels so sad.
• 1:08:32
  You would think that. Mrs. Bates is dying or
• 1:08:34
  something? I know it's so sad.
• 1:08:37
  She looks lovely though. And that like polka-dotted
• 1:08:41
  muslin, which the little lilac. Yeah, so many costumes.
• 1:08:47
  Not enough time. However, one of my favorite
• 1:08:50
  costumes of her is coming up. She's finds that when Finds out
• 1:08:54
  that Frank Churchill is getting married to Jane and she's
• 1:08:58
  wearing that white muslin with the green trim, and yellow, and
• 1:09:02
  green embroidery, with the just like little green dress, like
• 1:09:07
  Drop necklace. It's so pretty, it's so
• 1:09:10
  beautiful. I love the green on her.
• 1:09:12
  I love that at her waist. It's almost like a green and
• 1:09:15
  yellow kind of gradient. It's very beautiful.
• 1:09:17
  Yeah. And you know with like the
• 1:09:19
  backdrop of the trees behind her.
• 1:09:22
  I feel like in this scene like Emma's like growing into like a
• 1:09:25
  fully realized woman who she kind of.
• 1:09:28
  She understands all the mistake she's made and now she realized
• 1:09:32
  all the corrections she has to make.
• 1:09:34
  He finally knows what she wants out of her life.
• 1:09:36
  Yeah. Actually, this is just a big
• 1:09:38
  scene all about growth. So I love that she's wearing a
• 1:09:40
  green because to me it kind of says a lot about nature and
• 1:09:43
  growth and I think that's what the costume design was trying to
• 1:09:47
  say. And I love when she's talking to
• 1:09:49
  Harriet because Harriet's wearing a muslin with a yellow
• 1:09:54
  Petticoat underneath it and it kind of picks up the yellow and
• 1:09:57
  Emmas and it's like you can see how much Emma really has
• 1:10:01
  influenced her over the past year.
• 1:10:03
  Yeah, it's almost like Emma's having a conversation with with
• 1:10:06
  Harriet but it's also a conversation.
• 1:10:08
  She's having with their self because Harry it's wearing
• 1:10:11
  almost the same exact costume. That Emily was wearing scenes
• 1:10:14
  back. So she's really just kind of
• 1:10:16
  discovering things about herself at the same time.
• 1:10:19
  Yeah, I love these couple of costumes that you brought up.
• 1:10:22
  She's discovering everything. She's done wrong.
• 1:10:24
  That she loves mr. Knightley and mr.
• 1:10:26
  Knightley loves her. Mmm.
• 1:10:28
  But she's got a dress down for a second when she goes to
• 1:10:31
  apologize to mr. Martin.
• 1:10:34
  I was like, she really dressed down right here.
• 1:10:38
  Yes. She really was like, oh, I'm
• 1:10:39
  going to a farm. I need to like, really dress up
• 1:10:42
  like a farmer for a quick second.
• 1:10:44
  Yeah, that's so nice. Mr. Martin seems like a nice
• 1:10:49
  guy, you know, once is this our first time seeing him, no, you
• 1:10:53
  see. Him a couple times.
• 1:10:54
  He doesn't have a lot of lines, but you see him quite a few
• 1:10:57
  times. Alright, so when we see mr.
• 1:10:59
  Martin now and he like actually talks like, oh, he's actually a
• 1:11:03
  nice guy. I was I was mad at Emma all over
• 1:11:05
  again. I can't believe you made her say
• 1:11:08
  no to this nice man. Emma.
• 1:11:10
  Yeah. Smack to the wrist.
• 1:11:12
  How dare you? And it's like back then being a
• 1:11:15
  illegitimate child, especially as a woman.
• 1:11:18
  Like she was lucky that. Anybody wanted to marry her
• 1:11:22
  literally We're lucky that she wasn't living in that like
• 1:11:26
  boarding house for rest of her life with no man.
• 1:11:28
  So, yeah, she's lucky she was on on the streets.
• 1:11:31
  Honestly. Okay.
• 1:11:34
  We have to talk about the scene at Emma's house with her father.
• 1:11:39
  Once again, looking like a real Couch, Potato.
• 1:11:41
  You. And I talked about this during
• 1:11:43
  one of the breaks, but I love mr.
• 1:11:45
  Woodhouse and his obsession with like, trying to stay warm and
• 1:11:49
  all these screens he builds around, but I love this.
• 1:11:53
  Seen because he's not doing it to stay warm.
• 1:11:57
  He's doing it to give the two of them privacy without him leaving
• 1:12:00
  the room, but I mean, yeah. So is he doing this on purpose?
• 1:12:04
  Because he knows her hair in a moment.
• 1:12:06
  Or is he doing this? Because he's trying to protect
• 1:12:07
  them from whatever sickness he's about to get know.
• 1:12:11
  He's doing this to give them privacy because he knows they're
• 1:12:14
  having a moment. I didn't catch that.
• 1:12:17
  I thought he was like stay away from the cold and the germs
• 1:12:20
  hide. Yeah.
• 1:12:21
  I mean that's been him this entire time.
• 1:12:23
  Time but like he wants to give them privacy but he really can't
• 1:12:28
  leave the room now that he knows something's up between the two
• 1:12:32
  of them. He's so funny.
• 1:12:35
  He's so funny. Also, can we take a moment to
• 1:12:37
  talk about all the servants in this movie?
• 1:12:40
  I know you forget they're there but you know, servants are like,
• 1:12:43
  oh God, what's going on now? This servants are so funny in
• 1:12:47
  this and I they're treated like they don't even exist.
• 1:12:51
  I love when mr. Knightley goes.
• 1:12:53
  Home falls on the floor. Just in the background.
• 1:12:56
  You see a servant walk through the door.
• 1:12:59
  Look at him. Turn around mr.
• 1:13:06
  Woodhouse when they the first time they have mrs.
• 1:13:10
  Elton over 40 and mr. Woodhouse is just staring at her
• 1:13:14
  and the servant just like takes his teacup because he's like,
• 1:13:18
  you can't drop it and then mr. Woodhouse.
• 1:13:21
  He's like I'll move that screen. He's like, no, no.
• 1:13:23
  That screen Niecy. Like at one point I think when
• 1:13:26
  Emma and mr. Knightley start actually, you
• 1:13:29
  know, have their like first kiss moment and that servants.
• 1:13:32
  Kind of look at each other like Oh Brother, the servants in this
• 1:13:37
  are great. You have to watch the movie.
• 1:13:39
  Once they're just watch it and take it in a second time to
• 1:13:42
  figure out what's going on. Like, what's going on?
• 1:13:46
  A third time to figure out what the servants are doing in the
• 1:13:49
  background. I think I might, I still haven't
• 1:13:52
  rented for another 24 hours. Hours.
• 1:13:54
  So I might actually well Lisbeth you and I love a good wedding.
• 1:13:58
  So let's wrap this up with Emma's.
• 1:14:01
  Beautiful wedding. Everyone is looking their best.
• 1:14:05
  All the ladies from The Boarding House are there Harry.
• 1:14:08
  It's there at the Bates are there her sister and
• 1:14:12
  brother-in-law are there. I was thought it was so funny
• 1:14:15
  that he was crying. I'm glad that mr.
• 1:14:19
  Woodhouse decided to put on something that's not his like
• 1:14:22
  Couch Potato coat. Blending in with the furniture,
• 1:14:25
  right? Emma was clearly like you are
• 1:14:29
  wearing this, this and this to my wedding.
• 1:14:31
  Thank you. Yeah.
• 1:14:32
  Don't worry, you could put on your couch potato coat as soon
• 1:14:35
  as you leave the wedding. It's so good.
• 1:14:40
  Like she just looks so simple. You hardly get to see what she's
• 1:14:44
  wearing in this scene and it's so simple.
• 1:14:47
  She just has that beautiful veil.
• 1:14:50
  He's wearing that fantastic, blue coat again.
• 1:14:53
  And it's like, They're just, you know, they're just going to go
• 1:14:55
  and live a very happy life together.
• 1:14:57
  Yeah. I feel like it's very simple and
• 1:15:00
  since that will one I'm glad that mr.
• 1:15:02
  Knightley took your advice and decide to wear blue for his
• 1:15:05
  wedding. So Props to you Elizabeth and
• 1:15:08
  also I do feel like, Emma's wedding dress is very simple.
• 1:15:12
  But in a sense that she's wearing a veil in the flowers, I
• 1:15:14
  think that in this moment they're really pulling attention
• 1:15:17
  to her face and just you know, like actually just kind of
• 1:15:20
  document all of her emotions that she's getting married and
• 1:15:23
  same with him. To Nightly, you know, we've seen
• 1:15:25
  all of their costumes, they don't have a lot of different
• 1:15:27
  costumes. So we're really pulling
• 1:15:28
  attraction to the face right now and it just really was a
• 1:15:32
  beautiful scene but there's just a little notes like the flower
• 1:15:35
  embroidery and the veil, I love that flower embroidery
• 1:15:38
  especially because like they placed it perfectly like I never
• 1:15:41
  really liked hides any of her face.
• 1:15:45
  Yeah. At one point, it almost looks
• 1:15:46
  like the embroideries, like, right over her hair like actual
• 1:15:49
  flower, which she does have actual Flowers in her hair, but
• 1:15:53
  them Brody just looks like a part of her hair.
• 1:15:55
  It's really beautiful. It's so good.
• 1:15:57
  What? A beautiful wedding I know when
• 1:16:00
  you and I get married one day, we're going to have like high
• 1:16:02
  expectations for whatever it is, after all these, I know Osteen
• 1:16:05
  podcast weddings we've done now. I know I mean that might be our
• 1:16:10
  first one. Have we done any others, how we
• 1:16:12
  just covered our first wedding? It feels like we talked about
• 1:16:15
  weddings a lot but maybe not, maybe that's just us either way.
• 1:16:21
  Juan division had a wedding dress.
• 1:16:23
  There you go. I knew, can I have been our
• 1:16:25
  first and clueless. That's right.
• 1:16:27
  Okay, okay, okay. That is the end of Emma.
• 1:16:31
  We, that's the end of them. We made it Elizabeth.
• 1:16:36
  Thank you so much for taking us through that.
• 1:16:39
  I really have to depend on you this week because I was still
• 1:16:42
  trying to understand what happened.
• 1:16:43
  I know. And I have a deeper appreciation
• 1:16:46
  for Emma, and I'm going to go back and watch it again.
• 1:16:50
  I kind of want to read the book to the book is great.
• 1:16:52
  It's been a while since Since I read the book, like I said,
• 1:16:55
  there's a great film adaptation with Gwyneth Paltrow, there's a
• 1:17:00
  miniseries from 2009. That's very good.
• 1:17:03
  You got lots of options and just one last note on a costume
• 1:17:07
  design of Emma Alexandra, burn stunning, beautiful.
• 1:17:11
  Loved it so much. You know, she was nominated for
• 1:17:14
  an Oscar for this. And now that I've seen this
• 1:17:16
  movie, I completely understand why she was nominated period
• 1:17:21
  costume. Especially Regency costume is
• 1:17:23
  not Easy. It's very complex a lot of
• 1:17:25
  history and I think she nailed it you know I loved the use of
• 1:17:29
  color. I love the use of the working
• 1:17:32
  outfit costume like you were talking about and I just really
• 1:17:36
  feel like it's a really beautiful put together picture
• 1:17:39
  and I'm really glad we talked about this movie.
• 1:17:42
  It really was if you want to know more, there are like a
• 1:17:46
  million and two articles out there.
• 1:17:48
  Like there are a lot, I did a article around the Oscar There's
• 1:17:54
  reimagining Jane Austen's Emma. If you want to check that out,
• 1:17:57
  that has links to all my research for it.
• 1:18:00
  Yes. It's go to the Arctic
• 1:18:02
  costume.com, go to Elizabeth's. Emma article is a very, very
• 1:18:07
  great piece, thank you. But yeah, so that, that has a
• 1:18:11
  lot of quotes and what they did also lots of links to her other
• 1:18:15
  interviews. It's a great film.
• 1:18:18
  All right, Elizabeth. Well, what are we watching next
• 1:18:21
  week? Spencer?
• 1:18:23
  We're getting into spooky season finally.
• 1:18:26
  Thank God. I mean, it's about to be
• 1:18:29
  September, so I think we can start getting getting into
• 1:18:32
  spooky territory and we are going to watch Lovecraft
• 1:18:37
  country. Hell yeah, I love this show so
• 1:18:41
  much, actually. It is one of my favorite shows.
• 1:18:44
  So I feel like we're leaving Elizabeth territory of Emma, and
• 1:18:49
  now we're moving into Spencer territory with Lovecraft
• 1:18:51
  country. We are This is my first time
• 1:18:54
  watching it so I'm very excited, it's so good.
• 1:18:57
  I've seen it a thousand times a costume designer.
• 1:19:00
  Dana pink is Emmy, nominated this year and she deserves it.
• 1:19:06
  I love the show so much. I can't wait to talk about it.
• 1:19:09
  I'm so excited. I can't wait.
• 1:19:11
  Thank you all for listening. If you liked what you heard,
• 1:19:14
  give us a little like follow. Share this with your friends and
• 1:19:18
  family and have a wonderful weekend, everybody.
• 1:19:22
  Bye everyone. Our two costume blogcast is
• 1:19:26
  hosted by Elizabeth Joy, glass and Spencer Williams produced by
• 1:19:29
  Elizabeth Joy, glass with associate producer, Spencer
• 1:19:32
  Williams or sound design and Engineering is done by Daniel
• 1:19:35
  white. Follow us on Instagram, at the
• 1:19:37
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• 1:19:41
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• 1:19:45
  and interviews. Visit the art of costume.com
• 1:19:48
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