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Staring Into The Abyss With BEN PARKER And ALIZON TAHO From CALVA LOUISE · HEAVY Music Interviews

• 0:00
  Speaker 1: I'm Ben I played drums in Calval Louise and I'm
• 0:15
  Speaker 1: Amazon I play bass, and yeah we're from Cavalies.
• 0:21
  Speaker 2: We're missing Yestterday, who's the guitarist, singer and composer of
• 0:25
  Speaker 2: the band. And yeah, we're a multi nationality band from
• 0:31
  Speaker 2: based in the UK.
• 0:34
  Speaker 3: Very nice to hear, guys. Thanks for joining us today.
• 0:35
  Speaker 3: It's pleasure to speak what it is. Yeah, Like, so
• 0:39
  Speaker 3: the main reason we're here, I want to say, it's
• 0:41
  Speaker 3: a Calvaluise is said to release your new album, Edge
• 0:44
  Speaker 3: of the Abyss on the eleventh of July.
• 0:46
  Speaker 4: So that's not long now, guys.
• 0:47
  Speaker 1: How are you feeling, Yes, it's great, Like we're we're
• 0:51
  Speaker 1: all super hyped for it. You know when when was
• 0:54
  Speaker 1: it wraps? It was like late last year?
• 0:57
  Speaker 5: Yeah, like yeah, late last year. It feels a bit.
• 1:00
  Speaker 2: Yeah, it feels like we don't realize it yet, you
• 1:03
  Speaker 2: know what I mean. For us, it has been in
• 1:05
  Speaker 2: the pipes for a while, just releasing singles and it's like,
• 1:09
  Speaker 2: finally the whole thing's going to be out. Can't wait
• 1:11
  Speaker 2: to see what the what everyone has to say about it.
• 1:15
  Speaker 4: Yeah, this film is going to be a bit difficult
• 1:17
  Speaker 4: for you guys. Answer.
• 1:18
  Speaker 3: I asked it a lot, and it's pretty easy for
• 1:20
  Speaker 3: most people. But what were you going for musically with
• 1:22
  Speaker 3: the album? I tell us about the musical side of it.
• 1:24
  Speaker 3: There's so much going on.
• 1:26
  Speaker 1: Mm hmm, yeah, so yeah, I guess like it's it's
• 1:32
  Speaker 1: a continuous evolution like our sound has been from the start,
• 1:37
  Speaker 1: and it's it's kind of closer to what I think
• 1:43
  Speaker 1: we've always wanted to do, and every every release we've done,
• 1:47
  Speaker 1: like throughout the band's timeline has increasingly got closer to that.
• 1:52
  Speaker 1: And it's just a it's almost like a bit of
• 1:54
  Speaker 1: a non stop vision and it kind of like evolves
• 1:57
  Speaker 1: as it goes, and it's you know, obviously this album
• 2:01
  Speaker 1: is still very much in the heavy vein much like
• 2:04
  Speaker 1: the last release, like probably even a little bit more so,
• 2:09
  Speaker 1: I would say.
• 2:09
  Speaker 2: Yeah, and the whole the whole like music process is
• 2:14
  Speaker 2: quite interesting because we're very di y.
• 2:17
  Speaker 5: We don't we didn't go to the studio or anything.
• 2:19
  Speaker 5: We did everything.
• 2:19
  Speaker 2: We do everything at home, So just just writes the
• 2:23
  Speaker 2: songs on like logic on her computer to you know,
• 2:26
  Speaker 2: she'll put everything out there that she feels like putting,
• 2:30
  Speaker 2: like vocals, guitar, she'll do like drafts of drums and
• 2:33
  Speaker 2: you know, she put everything and then the and then
• 2:37
  Speaker 2: she the session gets passed around, so she gives us
• 2:41
  Speaker 2: to She gives the session to us to work out
• 2:43
  Speaker 2: our part to like, you know, figure out what we
• 2:46
  Speaker 2: want to do.
• 2:47
  Speaker 1: Uh.
• 2:47
  Speaker 5: And then and then we.
• 2:48
  Speaker 2: Record it each on our own same at home, you know, uh,
• 2:53
  Speaker 2: and then send it back and then all the stems
• 2:56
  Speaker 2: get compiled just as a bit more production on it,
• 3:00
  Speaker 2: and then it gets sent to our friend Maza, whose
• 3:04
  Speaker 2: co producer on the album, who's.
• 3:07
  Speaker 5: Based in Italy. He is a producer in Italy.
• 3:09
  Speaker 2: He's worked on our previous release, the mixtape, and so
• 3:13
  Speaker 2: he does mostly you know, instrumental production on it, and
• 3:17
  Speaker 2: then he sends his stem back and then the stems
• 3:21
  Speaker 2: go to Gareth mcgrillin, who is a member of Pendulum
• 3:26
  Speaker 2: and Knife Party who had the chance to work with
• 3:29
  Speaker 2: on this album.
• 3:31
  Speaker 5: It was incredible.
• 3:32
  Speaker 2: We've always been a great, like huge fan of him
• 3:36
  Speaker 2: and having him joined the album was like the Droom
• 3:40
  Speaker 2: come true. So he will take the stem, do extra
• 3:44
  Speaker 2: you know, another layer of production, and then finally this
• 3:48
  Speaker 2: will all get packed packaged and send to the mastering
• 3:52
  Speaker 2: engineer who is probably Ignaw Dean McCarthy who finally does
• 3:57
  Speaker 2: this last layer of mix. Yeah, so we all had
• 4:03
  Speaker 2: to do this remotely because we were all in different
• 4:06
  Speaker 2: part of the world at all times, so it was
• 4:10
  Speaker 2: a big The process was a bit chaotic, but it
• 4:12
  Speaker 2: was really fun. So we had to work at random
• 4:16
  Speaker 2: hours of the day and night just to you know, when.
• 4:18
  Speaker 5: Any day.
• 4:24
  Speaker 3: Had released the singles Aimless, under the Skin, That Lane,
• 4:27
  Speaker 3: and w g F, which are assuming said for what
• 4:30
  Speaker 3: the fuck a I could study representation of what to
• 4:34
  Speaker 3: expect from whole album.
• 4:37
  Speaker 1: I think, like in general, Like I mean, the response
• 4:40
  Speaker 1: so far to those those songs and those releases have
• 4:42
  Speaker 1: been like incredible, Like people have just loved them. And yeah,
• 4:47
  Speaker 1: it's made us like super happy, super hyped for the
• 4:49
  Speaker 1: rest of the album and.
• 4:51
  Speaker 2: Especially live as well, because we these songs were we
• 4:54
  Speaker 2: started playing live this year and some of them we
• 4:59
  Speaker 2: played live for the first time on the previous tour
• 5:01
  Speaker 2: we did with Bloodywood. And the response has been amazing
• 5:05
  Speaker 2: every time, So which is a great sign. Like if
• 5:09
  Speaker 2: song work live and the audience you know, reacts well
• 5:11
  Speaker 2: to it, it's usually a really good sign.
• 5:16
  Speaker 3: Hit us good start anyway, Yeah, it's more than just
• 5:20
  Speaker 3: a concept album, like it's more like a sci fi
• 5:22
  Speaker 3: it's travy games, and it's got one of the most
• 5:24
  Speaker 3: stunning and a mandaining story arcs I've ever heard for
• 5:27
  Speaker 3: an album.
• 5:27
  Speaker 4: So can you run us through? And simplified a bit.
• 5:31
  Speaker 2: Yeah, So the general concept is that there are different
• 5:38
  Speaker 2: worlds superposed on top of ours, and everybody in the world,
• 5:45
  Speaker 2: like us, they've got a double somewhere in another world.
• 5:50
  Speaker 2: And all the travelers they called people like us who
• 5:57
  Speaker 2: are in search of their double, aimed to.
• 6:01
  Speaker 5: Find it and reunite. And yeah, it's there's.
• 6:05
  Speaker 2: A lot to it, and basically story spans across multiple
• 6:10
  Speaker 2: errors and multiple worlds. So we're just telling it bits
• 6:15
  Speaker 2: at a time, video by video, you know, with our
• 6:19
  Speaker 2: means and our friends and you know, just the y
• 6:23
  Speaker 2: but there is a lot, basically.
• 6:25
  Speaker 5: That's the kind of concept and there there's.
• 6:27
  Speaker 2: A lot, you know, a little intricate, intricacy story, you know,
• 6:32
  Speaker 2: little And obviously the main character is Louise, like the
• 6:36
  Speaker 2: name of the bond, and so we get we get
• 6:41
  Speaker 2: introduced to to her in like the earlier video a.
• 6:47
  Speaker 5: Dating back to three years ago I think it was.
• 6:50
  Speaker 2: Yeah, and all the all the releases have been linked together.
• 6:55
  Speaker 5: And it's just that.
• 6:58
  Speaker 2: As as we've been getting closer to this album released,
• 7:02
  Speaker 2: the release, the videos, the story have been has become
• 7:06
  Speaker 2: more tangible like it's been because it's become more you know,
• 7:12
  Speaker 2: easier to explain, like we've.
• 7:14
  Speaker 1: Been communicate it in a like a more clear way.
• 7:18
  Speaker 3: I guess, yeah, I have more of an idea where
• 7:20
  Speaker 3: you're going with it, so they'd understand what you were saying.
• 7:24
  Speaker 2: And it's more like how to say it, how to
• 7:25
  Speaker 2: tell it, yeah, with like the characters and the story
• 7:28
  Speaker 2: and so people can understand.
• 7:30
  Speaker 1: And the thing is, like the story has been it's
• 7:32
  Speaker 1: actually older than the band itself. It's like Jess has
• 7:35
  Speaker 1: been doing that for years, even before even before you
• 7:40
  Speaker 1: guys know, right, yeah and yeah. So it's just it's
• 7:44
  Speaker 1: it's an extension of this core story and it's just
• 7:47
  Speaker 1: a constant retelling in different ways. And yeah, it's just a.
• 7:54
  Speaker 3: That's the sort of thing if you go on over multiple albums,
• 7:57
  Speaker 3: like is it is it all wrapped up on this
• 7:58
  Speaker 3: one or is it something that's going to be general.
• 8:01
  Speaker 2: No, No, it's it's it's been going since the style
• 8:03
  Speaker 2: of the band, and it will keep going maybe as
• 8:07
  Speaker 2: we keep going with the band.
• 8:09
  Speaker 5: Uh, there is a we have a discord.
• 8:11
  Speaker 2: I like to plug it where we have Like we're
• 8:16
  Speaker 2: trying to compile all the law information about the story,
• 8:21
  Speaker 2: so you know, if people are interested. I want to
• 8:24
  Speaker 2: know more about the characters to you know, the worlds
• 8:27
  Speaker 2: to hit the story. We've got a lot of information
• 8:30
  Speaker 2: on discord.
• 8:32
  Speaker 4: What's what, how they get to that, what's why. Pug
• 8:35
  Speaker 4: may give it a full pug.
• 8:36
  Speaker 5: Link tree Cavalaries dot com.
• 8:38
  Speaker 2: You've got all the links there now.
• 8:43
  Speaker 3: I love the way entering a bit starts to you
• 8:44
  Speaker 3: guys with a song tunnel vision, like especially for people
• 8:47
  Speaker 3: like myself, we've never heard of the band before or
• 8:49
  Speaker 3: had any music like that. Through the soft ambient intro
• 8:52
  Speaker 3: pathage and there's a massive screen that shifts focus completely
• 8:55
  Speaker 3: and it becomes aggressively spark and then the rapid fire
• 8:59
  Speaker 3: almost rap like vocals come over the top before things
• 9:02
  Speaker 3: it just dropped and shaw. That's in the first thirty
• 9:04
  Speaker 3: seconds of the song. Like I was looking at the screen, gun,
• 9:07
  Speaker 3: what the fuck have I just got into here? Like,
• 9:11
  Speaker 3: starting with a song like that that goes through so
• 9:13
  Speaker 3: many emotions, I was it grant people.
• 9:15
  Speaker 4: Are that.
• 9:17
  Speaker 5: Welcome to calv Yeah.
• 9:21
  Speaker 2: Fully enough, the song was to post the other one
• 9:23
  Speaker 2: was supposed to start with a different song.
• 9:25
  Speaker 5: Yeah, then you brought up, you brought up.
• 9:27
  Speaker 1: I was like, tunnel Vision is a better opener for it. Yeah,
• 9:31
  Speaker 1: it was supposed to start with a song called Bareleier
• 9:33
  Speaker 1: Response and and tunnel Vision and Barely Response was swapped
• 9:37
  Speaker 1: and the original track listing and yeah, I just kind
• 9:42
  Speaker 1: of like it was just a gut feeling for me.
• 9:44
  Speaker 1: I was like, yeah, guys, like I think I think
• 9:46
  Speaker 1: she started.
• 9:46
  Speaker 2: The tunnel Vision and at that point the artwork and
• 9:52
  Speaker 2: sent and like to make the vinyl and stuff, I.
• 9:56
  Speaker 4: Had to change it all.
• 9:59
  Speaker 5: Wait, wait, we're gonna want too song?
• 10:02
  Speaker 3: Yeah yeah, yeah, yeah, I loved it essentially, but those
• 10:08
  Speaker 3: do aren't familiar with the band. Like, in a nutshell,
• 10:10
  Speaker 3: your music mixes punk, metal, electronics, but there's a hell
• 10:13
  Speaker 3: of a lot more going on that. There's a cinematic helmet, sure,
• 10:16
  Speaker 3: there's atmospheric, it's there's a lot going on, But how
• 10:19
  Speaker 3: do you get the balance right in the creative process,
• 10:22
  Speaker 3: Like it must be a fucking nightmare.
• 10:25
  Speaker 2: I mean, most of it's down to Jess, to be honest, Like,
• 10:28
  Speaker 2: you know, she she always like, I like how unrestricted
• 10:32
  Speaker 2: she is in the creative process, Like you know, she'll
• 10:35
  Speaker 2: send us early demos and there's already all the elements
• 10:38
  Speaker 2: of the song. Is like everything needs to find the
• 10:41
  Speaker 2: place and it all comes together. I mean yeah, like
• 10:46
  Speaker 2: quite quite naturally. And it's true that sometimes you feel like, wait,
• 10:49
  Speaker 2: these things shouldn't go together, like electronic and like Latin
• 10:53
  Speaker 2: rhythm and quattrill and you know, and all sorts of
• 10:56
  Speaker 2: different rhythm and break. But yeah, us somehow it always
• 11:01
  Speaker 2: comes together into like a great piece. And that's why
• 11:06
  Speaker 2: we always can't wait to see what which is going
• 11:08
  Speaker 2: to come up with next?
• 11:10
  Speaker 4: Exactly right.
• 11:11
  Speaker 3: I listened to the album for Somebody Never heard You before,
• 11:13
  Speaker 3: Like it shouldn't go together and there's shit going on there.
• 11:16
  Speaker 3: They just should not go in the same fucking song,
• 11:19
  Speaker 3: but you guys pull it off. It's it's a tribute
• 11:22
  Speaker 3: to hate the step inside your fucking brains for a day.
• 11:28
  Speaker 3: Anything's scary in there.
• 11:32
  Speaker 2: It's interesting when it comes when it comes time to
• 11:35
  Speaker 2: play it live, it's it's a lot of like you know,
• 11:39
  Speaker 2: head scratching and like okay, let's let's figure this out.
• 11:42
  Speaker 1: How we're going to play this problem solving and figuring
• 11:45
  Speaker 1: out you know, what we did, what we're all doing? Yeah,
• 11:48
  Speaker 1: on stage?
• 11:49
  Speaker 3: Actually on that running matter with the live shows, because
• 11:51
  Speaker 3: the album's quite conceptually based and it runs along the
• 11:54
  Speaker 3: story ArcLight. Do you have to play the songs in
• 11:57
  Speaker 3: order of the album when you play live or can
• 11:59
  Speaker 3: you still chop them around?
• 12:01
  Speaker 1: No? No, we can. We can do them in any
• 12:03
  Speaker 1: order we want live. And it's not this like the
• 12:08
  Speaker 1: the track listing on the record is not chronological, yess.
• 12:13
  Speaker 1: You know, the songs are not you know, it's it's
• 12:16
  Speaker 1: slay more abstract than that.
• 12:18
  Speaker 3: Right, col You mentioned your previous album to say, like
• 12:21
  Speaker 3: you've released rhight Oceros, sen Youphic before, but there wasn't
• 12:24
  Speaker 3: say your mixtape Over the Threshold came out in twenty
• 12:27
  Speaker 3: twenty three that the world actually started to take notice
• 12:29
  Speaker 3: from Talvalais. So why do you think people resonated with
• 12:32
  Speaker 3: the songs on that more than what they did with
• 12:34
  Speaker 3: the other stuff.
• 12:38
  Speaker 5: I think, I don't know.
• 12:38
  Speaker 1: I think it's yeah, I think it's probably because Jess
• 12:44
  Speaker 1: as a songwriter started to settle on her sound and
• 12:49
  Speaker 1: like what she wanted to create more, you know, and
• 12:53
  Speaker 1: I mean you see this with bands all the time,
• 12:54
  Speaker 1: you know, it takes some time for them to like
• 12:58
  Speaker 1: like find their sound, as people like to say, And
• 13:00
  Speaker 1: I think that's what just really did with the mixtape.
• 13:06
  Speaker 2: Yeah, I was going to say something similar like that.
• 13:08
  Speaker 2: I think the mixtape was definitely the point where we
• 13:13
  Speaker 2: reached the closest sound to what we what we was
• 13:17
  Speaker 2: all meant to be. And I feel like that's that
• 13:21
  Speaker 2: resonates hopefully with people more because that was definitely the
• 13:27
  Speaker 2: how would you say, Yeah, like that was you know, finally, finally,
• 13:32
  Speaker 2: that was like the result that we were all kind
• 13:36
  Speaker 2: of aiming towards from the start without being able to
• 13:40
  Speaker 2: reach it for many different reasons.
• 13:42
  Speaker 3: Yeah, we sort of touched on this before, but that
• 13:45
  Speaker 3: mixtape led the Pendulums Garreth macgrill in here in Your
• 13:48
  Speaker 3: Music Can originally actually via Instagram, Like that must have
• 13:51
  Speaker 3: been pretty surreal moment getting the message of him and gone, nah,
• 13:54
  Speaker 3: can't be.
• 13:57
  Speaker 5: Yeah, that was pretty wild.
• 13:58
  Speaker 1: Yeah, it was. It was crazy. I used to listen
• 14:01
  Speaker 1: to Pendulum quite a lot, you know, my early in
• 14:04
  Speaker 1: my early twenties, and it was really cool, Like right
• 14:08
  Speaker 1: when the record Immersion came out, that was sort of
• 14:11
  Speaker 1: my introduction to them, and yeah, just like getting to
• 14:15
  Speaker 1: meet Gareth and work with him was just like super cool,
• 14:20
  Speaker 1: super super cool.
• 14:21
  Speaker 5: Yeah and surreal moment.
• 14:25
  Speaker 3: Like you said, that did lead to him working with
• 14:26
  Speaker 3: you on edginy Abiz. So what sorts of things did
• 14:29
  Speaker 3: he bring to the to the band's sound on that album.
• 14:33
  Speaker 1: I mean, yeah, to the sounds, I mean just overall,
• 14:37
  Speaker 1: he brought so much to the record and to us,
• 14:40
  Speaker 1: like he gave us. He gave us a lot of advice,
• 14:42
  Speaker 1: a lot of really good advice. It really took us
• 14:45
  Speaker 1: under his wing. He was such a mentor, wasn't he
• 14:48
  Speaker 1: in so many ways? Like sonically he's like I feel
• 14:55
  Speaker 1: like he just he just boosted it all in me,
• 14:57
  Speaker 1: Like he's just with other microphones and stuff like he
• 15:03
  Speaker 1: he was super knowledgeable about different mic microphones, mic types
• 15:07
  Speaker 1: and voice types as well, because he'd listened to Jess's
• 15:10
  Speaker 1: stem recordings and he was just like, oh, like maybe
• 15:13
  Speaker 1: he try this, or like angle the mic slightly this way,
• 15:16
  Speaker 1: or you know, he was giving Jess tips Like yeah,
• 15:21
  Speaker 1: it's just super super knowledgeable. Like for someone who's been
• 15:24
  Speaker 1: in the the studio and production world for like years
• 15:29
  Speaker 1: and years and years, he's just got a breadth of
• 15:31
  Speaker 1: knowledge that's so wide and so deep.
• 15:34
  Speaker 2: Yeah, it was really really great because he helped us
• 15:37
  Speaker 2: a lot to get the best out of what we
• 15:39
  Speaker 2: have because we we do everything at home with you know,
• 15:44
  Speaker 2: not super expensive stuff, So he gave us little tips
• 15:48
  Speaker 2: to like improve the quality of the recording as much
• 15:50
  Speaker 2: as possible with the equipment we have. And then yeah,
• 15:54
  Speaker 2: he's just like it just brought like his own touch
• 15:57
  Speaker 2: to the productions process, especially for vocal He's got like,
• 16:02
  Speaker 2: you know, a whole bunch of production tricks and little
• 16:06
  Speaker 2: magic they happened to the vocals and to the rest
• 16:10
  Speaker 2: of the instruments. So yeah, it's been great. And he
• 16:13
  Speaker 2: co wrote two songs on the album with Jess as well,
• 16:17
  Speaker 2: so he co wrote under the Skin and Hated Me,
• 16:21
  Speaker 2: So that's also a big, you know, a big part.
• 16:24
  Speaker 6: Yeah.
• 16:26
  Speaker 3: Cool, And have you got any any chores coming up
• 16:28
  Speaker 3: that are going to help promote the album?
• 16:30
  Speaker 5: Absolutely.
• 16:31
  Speaker 2: We are coming back to the US in September, so
• 16:36
  Speaker 2: I think it's went on sale this week actually, So
• 16:41
  Speaker 2: we we're going back for a month in the US
• 16:45
  Speaker 2: across the continent, well across the country, and then after
• 16:51
  Speaker 2: that we are going to Europe with straight from the path, yeah,
• 16:58
  Speaker 2: which we love and we're super excited about. So we'll
• 17:02
  Speaker 2: be Yeah, we'll be doing US and Europe before the
• 17:06
  Speaker 2: end of the year, and then yeah, we'll see you
• 17:09
  Speaker 2: next year, probably.
• 17:10
  Speaker 3: More straight from the part to coming to Australia in August.
• 17:13
  Speaker 3: It's just got an out today. You should tell them
• 17:14
  Speaker 3: I walked. Sometimes you should tell them bringing over with them,
• 17:18
  Speaker 3: tell them bring you over here.
• 17:19
  Speaker 1: I saw that post earlier today.
• 17:21
  Speaker 5: I was like, yeah, yeah, we've never been to Australia yet.
• 17:24
  Speaker 4: I reckon you, guys. I'm going to have a chat
• 17:27
  Speaker 4: to a few people I know and.
• 17:28
  Speaker 7: See what we can do for you, because I reckon
• 17:30
  Speaker 7: you can kill it over here. Before I let you go, guys,
• 17:37
  Speaker 7: I've got a segment that I do called photo bombs.
• 17:39
  Speaker 7: So basically, before I had a chat with you, I've
• 17:41
  Speaker 7: bentrolling your social media and I've come up with a
• 17:43
  Speaker 7: few photos that I want to know a little bit
• 17:44
  Speaker 7: more about.
• 17:46
  Speaker 4: So this one first one is for you, buddy.
• 17:50
  Speaker 3: Now, there's quite a lot of photos of you and
• 17:52
  Speaker 3: Jess in that position on stage right. They've never got
• 17:56
  Speaker 3: one pair shape like if you ever misjudged the distance
• 17:58
  Speaker 3: and head but at each other or something like that.
• 18:02
  Speaker 2: Surprisingly not, you know, that's that's especially at the time.
• 18:05
  Speaker 2: I feel like the shows were a lot more punk
• 18:08
  Speaker 2: at the time in terms of because you know, it
• 18:11
  Speaker 2: was all you know, it was all the a y
• 18:14
  Speaker 2: and it was small venues and it was you know,
• 18:17
  Speaker 2: so we were just kind of bashing around and we yeah,
• 18:21
  Speaker 2: we always used to do that.
• 18:24
  Speaker 5: Kind of like gently headbooked during the show.
• 18:28
  Speaker 2: And surprisingly, I'm still amazed that, you know, it was
• 18:33
  Speaker 2: all we never actually hurt ourselves.
• 18:36
  Speaker 5: It was always like, it seems to.
• 18:39
  Speaker 2: Like miss each other, but in a good way. Like
• 18:42
  Speaker 2: you know, it always worked like a choreography that wasn't planned.
• 18:49
  Speaker 3: And now this runs for you bend like there's I
• 18:52
  Speaker 3: love this run. There's there's a hell of a lot
• 18:55
  Speaker 3: of love going on in this, but I'm not sure
• 18:57
  Speaker 3: what it's actually directed at.
• 19:00
  Speaker 1: Yeah, okay, so those were our two old pedal board cases,
• 19:08
  Speaker 1: weren't they. I can't remember where this was taken on
• 19:13
  Speaker 1: a tour. Oh wait, that's the that's the New Zealand bag.
• 19:16
  Speaker 1: Actually the black one with the weight in it. Yeah,
• 19:19
  Speaker 1: that's cures back. So it would have been a UK
• 19:22
  Speaker 1: tour for sure.
• 19:25
  Speaker 4: A look on your face, you look like you just
• 19:26
  Speaker 4: hit the money shirt.
• 19:29
  Speaker 1: This was probably at a guess, I reckon this is
• 19:31
  Speaker 1: probably like after we've rolled up to a venue and
• 19:34
  Speaker 1: it's quite deep into the tour and we're all a
• 19:36
  Speaker 1: bit tired, and like maybe we've just done like a
• 19:39
  Speaker 1: loading up three sets of stairs and I've just like
• 19:43
  Speaker 1: laid down on the pedal boards and Kira, our photographer
• 19:46
  Speaker 1: at the time, was like snapped a picture of me.
• 19:48
  Speaker 3: All Right, I gotta get onto my next one. But thanks,
• 19:50
  Speaker 3: thanks for the check guy. It's been absolute pleasure again
• 19:52
  Speaker 3: you know. Is the album Edge of the Abyss is
• 19:54
  Speaker 3: out July the eleventh. Then, as I said to the
• 19:56
  Speaker 3: guys before we started, it's one of the freshest bet
• 19:59
  Speaker 3: down my fucking awesome albums I've had in a long time.
• 20:02
  Speaker 4: Side refees are Anakates, thank you veryon.
• 20:06
  Speaker 8: Take you.
• 20:24
  Speaker 9: I have a reason to me.
• 20:27
  Speaker 10: And they were trying to baby although I see you frustration,
• 20:37
  Speaker 10: I have the reasons.
• 20:40
  Speaker 11: And listen for the killing.
• 20:44
  Speaker 6: Can give you my word astray to be.
• 21:00
  Speaker 12: So many.
• 21:08
  Speaker 13: Us are you Larry some time moments and then you
• 21:21
  Speaker 13: was trying to you, I can't see the first Faction
• 21:26
  Speaker 13: Express special, So you're saying that trying to that I.
• 21:34
  Speaker 14: Say, and still.
• 21:55
  Speaker 9: Sat together.
• 22:10
  Speaker 12: I don't want to talk to the question. Thought about
• 22:13
  Speaker 12: that hoss.
• 22:23
  Speaker 11: Down classes US basic.
• 22:50
  Speaker 6: Sails, Lad, why not climate that out?
• 23:17
  Speaker 12: I know