Latest / Suspense | Old Time Radio / Suspense - "Marry for Murder" (Old Time Radio, 1943)
Transcript
- 0:00Speaker 1: Lillian Gish, in one of her rare radio appearances, stars
- 0:04Speaker 1: as recently widowed Lettie Hawthorne. On September 9th, 1943, CBS
- 0:10Speaker 1: presented Suspense, episode 57, Marry for Murder, with Ray Collins
- 0:16Speaker 1: as attorney Philip Alden and Bramwell Fletcher as Lettie's younger husband,
- 0:21Speaker 1: Mark Taylor. On a fog-bound cape, Alden grows concerned after
- 0:27Speaker 1: Lettie's marriage, while the couple's reciprocal wills and a series
- 0:31Speaker 1: of domestic incidents bring unease to their isolated waterfront cottage.
- 0:37Speaker 1: The three-character drama was written by Walker T. Field, directed
- 0:41Speaker 1: by Ted Bliss, and produced by William Spear. We now
- 0:46Speaker 1: take you back to the original broadcast....
- 0:54Speaker 2: Suspense.
- 1:04Speaker 3: This is the man in black, here again to introduce
- 1:07Speaker 3: Columbia's program, Suspense. Tonight in one of her rare radio appearances,
- 1:12Speaker 3: we bring you a star who has occupied a unique
- 1:14Speaker 3: place in the affections of moviegoers ever since the screen
- 1:18Speaker 3: first became of age, Miss Lillian Gish. Appearing with Miss
- 1:22Speaker 3: Gish are two distinguished players, Mr. Ray Collins of the
- 1:26Speaker 3: Metro-Goldwyn-Mayer fold, whose current release is Thousands Cheer, and Mr.
- 1:30Speaker 3: Bramwell Fletcher, who has ornamented many a stage.
- 1:33Speaker 2: And film success.
- 1:35Speaker 3: There are only three players in Marry for Murder, which
- 1:38Speaker 3: is tonight's tale of suspense. Only three characters in this story,
- 1:43Speaker 3: whose beginning and end are shrouded in a dense, down-east fog.
- 1:48Speaker 3: The story of slow terror and swift death, planned by
- 1:51Speaker 3: a brilliant murderer. And so were the performances of Lillian
- 1:55Speaker 3: Gish as Letty Hawthorne, a frightened neurotic creature who seemed
- 1:59Speaker 3: destined to be a perfect victim. Of Bramwell Fletcher as
- 2:02Speaker 3: Mark Taylor, so handsome and attentive. And of Ray Collins
- 2:06Speaker 3: as the lawyer, Philip Alden, who relates these events to us.
- 2:09Speaker 3: We again hope to keep you in.
- 2:12Speaker 2: Suspense.
- 2:22Speaker 4: I used to love the sound of foghorns on the bay.
- 2:25Speaker 4: Especially at night when I sat before the fire. Let
- 2:28Speaker 4: their lonely wail weave a contrast between my snug comfort
- 2:32Speaker 4: and the gray immensity outside. But I've lost my taste
- 2:37Speaker 4: for them now. Lost it on the night I heard
- 2:40Speaker 4: them moan a dirge of death. It's hard enough to
- 2:50Speaker 4: lose a friend. But to lose one as I lost
- 2:54Speaker 4: Lettie Hawthorne is the kind of blow you'll never quite forget.
- 2:56Speaker 4: I remember the first time I met her. It had
- 3:01Speaker 4: fogged up all of a sudden, as it does here
- 3:02Speaker 4: on the Cape. But Anne Wentworth held her Sunday night
- 3:06Speaker 4: supper as usual. Lettie was the only stranger there, a
- 3:10Speaker 4: newcomer to the Cape. I looked at her and thought,
- 3:14Speaker 4: she'd be an attractive woman if she only didn't flutter
- 3:16Speaker 4: so much. She was a trim, pretty woman of about
- 3:20Speaker 4: my own age, which is 40.
- 3:25Speaker 5: You're Philip Alden, the lawyer, aren't you? Oh, what a
- 3:28Speaker 5: pleasure to meet so many nice people. There go those
- 3:31Speaker 5: foghorns again.
- 3:32Speaker 2: Yes.
- 3:33Speaker 5: Does one really get used to them in time?
- 3:35Speaker 2: Well, I.
- 3:35Speaker 5: I love the cape, but I can hardly bear that sound.
- 3:40Speaker 5: So depressing, isn't it? So morbid.
- 3:42Speaker 4: Well, to your first question, yes, I'm Alden, an attorney.
- 3:48Speaker 4: As for the foghorns, well... If you stay with us
- 3:50Speaker 4: for a few years, you won't be able to live
- 3:52Speaker 4: without them, Mrs.
- 3:53Speaker 2: Hawthorne. It is Mrs.
- 3:56Speaker 4: Hawthorne, isn't it? Anne never gets around to introducing people.
- 3:59Speaker 4: It's her only fault.
- 4:00Speaker 5: Oh, I never stand on ceremony. That's my fault, if
- 4:03Speaker 5: you consider it one. Besides, I knew you at once,
- 4:06Speaker 5: you see, and you knew me. Don't you think that's
- 4:08Speaker 5: a promising beginning?
- 4:09Speaker 2: I never thought of it that way.
- 4:12Speaker 5: Oh, dearie me, there it goes again. It makes me
- 4:16Speaker 5: think of ghosts walking over my grave. How can you
- 4:20Speaker 5: bear it?
- 4:21Speaker 4: They do serve a very important purpose, you know.
- 4:24Speaker 5: I suppose they do, but they give me the shudders.
- 4:27Speaker 2: As a matter of fact, I find them comforting.
- 4:30Speaker 5: I made Jane Hart promise to stay with me tonight
- 4:33Speaker 5: if the fog doesn't lift. I... I daren't be alone.
- 4:36Speaker 5: You see, I'm still a bit nervous.
- 4:39Speaker 4: Oh?
- 4:39Speaker 5: I've been ill, you know, and the doctor prescribed complete
- 4:42Speaker 5: rest and quiet.
- 4:43Speaker 2: I see.
- 4:43Speaker 5: That's why I came up here.
- 4:45Speaker 2: Well, you'll find what you're looking for here, I'm sure.
- 4:47Speaker 5: Oh, do you think so? I... I do hope I will.
- 4:50Speaker 5: My nerves are simply shattered.
- 4:52Speaker 4: Hmm.
- 4:53Speaker 5: Mr. Hawthorne's dead, you see. Such a tragedy.
- 4:56Speaker 2: I'm terribly sorry.
- 4:58Speaker 5: You see, it happened so suddenly. I can't quite believe that.
- 5:03Speaker 4: Can I get you some of Anne's cider cup? That's
- 5:04Speaker 4: one of our Sunday night features.
- 5:06Speaker 5: Oh, thank you. That would be so nice. It's such
- 5:10Speaker 5: a comfort to have a man take care of one again.
- 5:14Speaker 5: You make me feel so, uh, so protected. I... I
- 5:18Speaker 5: know we're going to be great friends, aren't we?
- 5:26Speaker 4: I can tell you I worried a bit for a
- 5:27Speaker 4: while after that first parting. Lettie Hawthorne was a charming woman.
- 5:32Speaker 4: A bit fluttery, as I said, but still attractive and
- 5:35Speaker 4: rather pathetic. I was afraid she was setting her cap
- 5:38Speaker 4: for me. You see, I'm a crusty old bachelor, but
- 5:42Speaker 4: even my friends were beginning to wonder... So it was
- 5:46Speaker 4: with mingled relief and regret that I learned one day
- 5:48Speaker 4: that Lettie Hawthorne had transferred her attentions to another newcomer
- 5:52Speaker 4: to the Cape, Mark Taylor. He was eight or ten
- 5:56Speaker 4: years younger than she, a handsome fellow, but somewhat dissolute-looking.
- 6:01Speaker 4: I didn't like him. I may as well admit that
- 6:03Speaker 4: from the start. But short of marrying her myself, there
- 6:06Speaker 4: wasn't much I could do. Anyway, they seemed happy enough
- 6:11Speaker 4: at first. One day after the wedding, Lettie called me
- 6:15Speaker 4: on a matter of business. I went down there after sundown.
- 6:19Speaker 4: The three of us sat out on the beach in
- 6:20Speaker 4: front of her cottage.
- 6:26Speaker 5: I'm so glad you were able to come, Philip. You see,
- 6:28Speaker 5: Mark and I were counting on you.
- 6:30Speaker 2: Always glad to oblige you, Lettie.
- 6:31Speaker 6: As a matter of fact, Alden, we want you to
- 6:33Speaker 6: attend to a legal matter for us.
- 6:35Speaker 5: Yes? Yes, Philip. Mark wants to make a will. I
- 6:38Speaker 5: told him I don't like wills. There's something so... so
- 6:41Speaker 5: unhealthy about them. But Mark simply insists upon it.
- 6:45Speaker 2: Very sensible, I'm sure.
- 6:46Speaker 5: Oh, you men. You're all alive.
- 6:48Speaker 6: It needn't be a very elaborate affair, Alden. Just a
- 6:51Speaker 6: simple document stating that I leave all my property to Lettie.
- 6:54Speaker 5: Well, if he does that, Philip, I want you to
- 6:56Speaker 5: make out a will for me, too. Leaving everything I
- 6:58Speaker 5: have to Mark.
- 6:58Speaker 2: But, Lettie, that.
- 7:00Speaker 5: No, I insist.
- 7:01Speaker 2: Oh, well.
- 7:03Speaker 6: Alden here is going to think I married you for
- 7:05Speaker 6: your money.
- 7:05Speaker 5: Money? Why, I really don't know anything at all about
- 7:10Speaker 5: my affairs. Really, I don't. Frank, Mr. Hawthorne always used
- 7:13Speaker 5: to say, Lettie, I really think you know less about
- 7:16Speaker 5: business than a child. I left the management of his
- 7:18Speaker 5: estate entirely to his secretary.
- 7:20Speaker 6: Well, just some simple document that makes my intention clear.
- 7:23Speaker 2: You know the form, Alden. And, of course, if Lettie insists...
- 7:26Speaker 2: But I do.
- 7:28Speaker 5: We'll have twin wills. It doesn't sound so frightening that way.
- 7:31Speaker 6: The way Lettie talks about wills, you can tell.
- 7:33Speaker 2: She has a secret vice, can't you?
- 7:35Speaker 5: A secret vice?
- 7:36Speaker 2: Yes.
- 7:37Speaker 6: My wife's a murder mystery fan, Alden.
- 7:39Speaker 2: I didn't find out until it was too late.
- 7:42Speaker 5: Oh, Mark, you silly.
- 7:43Speaker 2: When you say that, Taylor, smile. I'm a detective fan myself.
- 7:48Speaker 4: It's a busman's holiday, of course, but I always read
- 7:51Speaker 4: the latest whodunits. If my father hadn't insisted that I
- 7:54Speaker 4: follow in his footsteps, I'd have been a detective instead
- 7:57Speaker 4: of a lawyer.
- 7:58Speaker 5: Really? How interesting. Tell us, Philip, do you ever get
- 8:00Speaker 5: any cases like the ones we read about?
- 8:02Speaker 4: Well, if you want my opinion, the chief difference between
- 8:04Speaker 4: fact and fiction is that the author of a novel...
- 8:07Speaker 4: wants you to see the pattern and the author of
- 8:09Speaker 4: a murder tries.
- 8:10Speaker 2: To hide it.
- 8:11Speaker 6: Well, what do you mean by that?
- 8:13Speaker 4: Well, take your case, for example. You and Lettie are
- 8:16Speaker 4: making out your wills. I heard her say that she
- 8:18Speaker 4: wanted to leave her money to you. But how do
- 8:20Speaker 4: I know the idea just sprang into her head of
- 8:23Speaker 4: its own accord? How do I know that you didn't.
- 8:25Speaker 2: Plant it there? Plant it? What do you mean?
- 8:29Speaker 6: Why, what possible reason could I have?
- 8:31Speaker 4: Well, as things stand now, there's no reason for me
- 8:33Speaker 4: to ask if you planted the idea in her head.
- 8:35Speaker 5: But.
- 8:37Speaker 2: If Lettie were found dead.
- 8:38Speaker 5: Dead? Oh, Philip, how dreadful. How can you even think
- 8:41Speaker 5: such thoughts? Mark, darling, how terrible for you. Philip, you're
- 8:45Speaker 5: to apologize this minute.
- 8:46Speaker 2: No, no, no, Lettie. Philip was just trying to explain.
- 8:49Speaker 5: Well, I won't have him talking about such horrible things.
- 8:51Speaker 2: Of course, I didn't mean you to. I was just
- 8:53Speaker 2: using you as an example.
- 8:54Speaker 5: Well, I didn't mean to be rude, Philip, but... Well,
- 8:56Speaker 5: you know my nerves, and it's getting dark, and.
- 9:01Speaker 5: Oh, the bay is beautiful at night, of course, but...
- 9:05Speaker 5: I've always been afraid of the water.
- 9:06Speaker 6: That's why I've had such a time persuading her to
- 9:09Speaker 6: come out for a sail. The Artemis has been tied
- 9:12Speaker 6: up all summer waiting.
- 9:14Speaker 5: It's just silly, I know. And I will go with you, Mark.
- 9:17Speaker 5: But let's do wait for a calm day.
- 9:20Speaker 6: You know, the latest idea of a sail is to
- 9:22Speaker 6: sit becalmed half a mile offshore. My wife has perfect
- 9:26Speaker 6: confidence in me, you see.
- 9:28Speaker 5: Oh, Mark, it isn't that. You're making fun of me,
- 9:30Speaker 5: aren't you? Of course, I trust you completely, but Well,
- 9:34Speaker 5: I'm not very athletic.
- 9:35Speaker 2: You're missing one of the treats of the Cape if
- 9:37Speaker 2: you don't sail.
- 9:38Speaker 5: But I shall. Of course I shall, and soon. And
- 9:41Speaker 5: what's more, I'm going to get Mark to teach me
- 9:43Speaker 5: to handle the artemis.
- 9:44Speaker 2: Well, I'll be looking forward to seeing your sails on
- 9:46Speaker 2: the bay then.
- 9:48Speaker 5: Oh, Mark, a storm.
- 9:50Speaker 2: I'd better be getting home before it breaks.
- 9:52Speaker 5: Are you sure you'll be all right? Oh, I'm simply
- 9:55Speaker 5: terrified of thunder. Wouldn't you rather stop with us?
- 9:58Speaker 2: Oh, I can make it to town. Stop by.
- 10:00Speaker 6: tomorrow, won't you, Alden? Or as soon as you have
- 10:02Speaker 6: those papers.
- 10:03Speaker 2: Right.
- 10:04Speaker 5: Now, you won't be nervous after our talk of wills
- 10:08Speaker 5: and murders. But of course you won't. I'm such a
- 10:11Speaker 5: coward myself that I can never understand how other people
- 10:14Speaker 5: can be so brave.
- 10:15Speaker 6: You know, Philip, Lettie's helplessness is one of her chief charms.
- 10:19Speaker 6: Sometimes I suspect she exaggerates it just to make me
- 10:22Speaker 6: feel important.
- 10:23Speaker 5: Oh, Mark, you mustn't. Giving all my secrets away.
- 10:26Speaker 4: Well, don't worry about me or the wills, Lettie. Someday
- 10:31Speaker 4: you will frighten yourself to death.
- 10:33Speaker 2: THE END There was little enough for me to go by. Gradually,
- 10:51Speaker 2: I found myself worrying about Lettie and Mark.
- 10:54Speaker 4: They didn't seem to be hitting it off. Oh, on
- 10:58Speaker 4: the surface, everything was smooth. But I was haunted by
- 11:03Speaker 4: a premonition of what I didn't know. It was only
- 11:07Speaker 4: a nameless dread of something, some undercurrent of feeling. Lettie's
- 11:12Speaker 4: nerves were getting no better... In fact, she seemed more tense,
- 11:16Speaker 4: more frightened than ever. Yet she was making an effort
- 11:20Speaker 4: to meet Mark halfway. Many times I saw them out sailing.
- 11:26Speaker 4: Only when Lettie returned after a day on the water,
- 11:29Speaker 4: she seemed pinched and white. While Mark appeared to be
- 11:33Speaker 4: glowing with vitality, Lettie grew paler and more distracted.
- 11:40Speaker 2: I realized suddenly that she was a middle-aged woman.
- 11:44Speaker 2: One day in town, I met them in the general store.
- 11:47Speaker 5: But I tell you, Mark, you're just imagining it. I
- 11:50Speaker 5: hate to have that stuff around, as you very well know.
- 11:53Speaker 5: You read all kinds of stories about, well, about the
- 11:55Speaker 5: way it gets mixed up in food.
- 11:57Speaker 2: Oh, nonsense.
- 11:57Speaker 5: Well, I'm sure there aren't any rats around the boathouse.
- 12:00Speaker 5: I'd know if there were. I'm simply terrified of them.
- 12:04Speaker 5: But I, well, I can't bear thinking of having poison around. Well,
- 12:08Speaker 5: I'd be worried all the time.
- 12:10Speaker 6: Oh, Lettie, for heaven's sake, stop being childish. I didn't
- 12:14Speaker 6: put traps around because you didn't want them. Now that
- 12:17Speaker 6: I'm trying to get rid of them in another way,
- 12:18Speaker 6: you make a scene. I don't see why we have
- 12:21Speaker 6: to go into a three-act tragedy just because I want
- 12:23Speaker 6: to buy some rat poison.
- 12:25Speaker 2: Hello. Hello, you two. Oh, hello, Alden. Mathis.
- 12:28Speaker 5: Why, Philip, how nice to see you. Mark and I
- 12:31Speaker 5: were just doing a little shopping.
- 12:32Speaker 6: Philip, will you do me a favor?
- 12:33Speaker 2: Hmm?
- 12:34Speaker 6: Will you please reason with Lettie and try to get
- 12:36Speaker 6: some sense into her head?
- 12:38Speaker 2: Say, wait a minute. That sounds serious.
- 12:40Speaker 5: Well, it isn't really. But, Philip, you know my nerves
- 12:43Speaker 5: and the way things upset me, and Mark just doesn't understand. Oh,
- 12:46Speaker 5: I know I'm just a silly woman, but the doctor
- 12:48Speaker 5: says I have to be humored. And now Mark is
- 12:51Speaker 5: so unreasonable, and it's such a little thing.
- 12:53Speaker 6: Of course it's a little thing, and that's why I
- 12:55Speaker 6: can't understand your attitude.
- 12:56Speaker 2: Now look here, Philip.
- 12:58Speaker 6: The boathouse is infested with rats. Wouldn't you say the
- 13:01Speaker 6: obvious course of action would be to get rid of them?
- 13:03Speaker 4: Why, of course.
- 13:04Speaker 5: But poison, rat poison. Oh, Philip, don't you see how
- 13:08Speaker 5: horrible it is? I mean, accidents do happen. I've always
- 13:11Speaker 5: hated to have anything like that around, just in case.
- 13:13Speaker 4: I've heard of children eating this stuff by accident. But
- 13:17Speaker 4: you two people can take care of yourselves. Frankly, Lettie,
- 13:20Speaker 4: I think you're making a fuss over nothing.
- 13:22Speaker 2: Yes, yes, that's right, Philip.
- 13:23Speaker 6: That's just what I told her.
- 13:24Speaker 2: Well, very well, then.
- 13:26Speaker 5: But if I'm found dead, I hope you realize you'll
- 13:29Speaker 5: both be under suspicion.
- 13:44Speaker 4: Seemed a foolish quarrel at the time. Yet when I
- 13:48Speaker 4: left them, I kept hearing Lettie's voice.
- 13:51Speaker 2: Very well, then.
- 13:52Speaker 5: But if I'm found dead... Very well, then. But if
- 13:57Speaker 5: I'm found dead.
- 13:59Speaker 2: Very well, then. But if I'm found dead.
- 14:04Speaker 4: Suddenly, a monstrous idea occurred to me. I wondered if
- 14:09Speaker 4: Lettie had been trying to warn me. And then the
- 14:13Speaker 4: horrible suspicion broke. All the trifling things began to add up.
- 14:19Speaker 4: Lettie's nervousness. Her fear of sailing with Mark. Her terror
- 14:25Speaker 4: of having the poison in the house.
- 14:28Speaker 2: But why? Why should she be afraid of Mark? What
- 14:33Speaker 2: motive had he? And then I knew.
- 14:37Speaker 4: I had helped to give him the motive when I
- 14:41Speaker 4: drew up Lettie's will. Yet my whole case was founded
- 14:45Speaker 4: on thin air. Figment of a nervous imagination. I had
- 14:50Speaker 4: to be sure. I had to keep an eye on them.
- 14:55Speaker 4: I found myself making excuses. Excuses to drop by at
- 15:00Speaker 4: their cottage.
- 15:03Speaker 6: Who is it, Lettie? Who's there?
- 15:04Speaker 5: It's Philip.
- 15:07Speaker 2: Oh, Philip.
- 15:07Speaker 6: Well, well, well. You're almost getting to be a member
- 15:11Speaker 6: of the family.
- 15:12Speaker 5: Well, hi.
- 15:13Speaker 4: Just thought I'd ask you to help me eat the
- 15:14Speaker 4: first bluefish of the season. There's too much here.
- 15:17Speaker 2: For an old bachelor like me.
- 15:19Speaker 5: Why, Philip Alden, if you aren't the most thoughtful person.
- 15:22Speaker 5: How perfectly sweet of you. Of course you'll stay to dinner.
- 15:25Speaker 5: We'll have a real feast.
- 15:26Speaker 2: Yes, yes, you might as well stay as long as
- 15:28Speaker 2: you're here. Oh, thank you. If you're sure I won't
- 15:31Speaker 2: be intruding.
- 15:31Speaker 5: Intruding? Why, of course not. And you can help me
- 15:34Speaker 5: get the dinner ready.
- 15:35Speaker 4: Well, I'd be glad to, but... Won't I be in
- 15:37Speaker 4: Anna's way?
- 15:38Speaker 6: Anna's gone.
- 15:40Speaker 2: Gone? Why, I thought you were well satisfied with her.
- 15:43Speaker 5: So we were, Philip. But Anna didn't seem to be
- 15:46Speaker 5: satisfied with us. In fact, they've all gone.
- 15:49Speaker 4: All?
- 15:50Speaker 5: Yes. Anna and Elsie and Otto, the handyman. They just
- 15:53Speaker 5: walked out and left us.
- 15:54Speaker 2: Well, for heaven's sake.
- 15:56Speaker 6: Since the ship and engine place opened on the heights,
- 15:58Speaker 6: nobody can keep a servant. Can't blame them myself.
- 16:01Speaker 5: I wonder. I don't believe Anna'd take a job at
- 16:03Speaker 5: the ship and engine. Anyhow, it does seem strange they
- 16:07Speaker 5: all went at once, doesn't it?
- 16:09Speaker 6: Lettie, I do wish you'd stop dramatizing everything. Ship and
- 16:12Speaker 6: engine just opened. The call went out for help. I
- 16:15Speaker 6: don't see any mystery in the servants answering. In fact,
- 16:18Speaker 6: it's their patriotic duty. And it's our patriotic duty to
- 16:21Speaker 6: get along without them. But it's so lonely here, especially
- 16:25Speaker 6: at night. Now, Lettie, you're not living here by yourself,
- 16:28Speaker 6: you know.
- 16:29Speaker 5: No, of course not, but... All the same, we are isolated.
- 16:34Speaker 5: Just the two of us. And you know how tricky
- 16:36Speaker 5: my nerves are. I always feel so much better if
- 16:38Speaker 5: the servants are around. After all, if anything were to happen,
- 16:42Speaker 5: and anything might happen.
- 16:44Speaker 6: Letty, this isn't getting us any closer to our dinner.
- 16:47Speaker 5: Oh, of course. Now, you boys wear these aprons. Philip,
- 16:53Speaker 5: since it's your fish, you may have the honor of
- 16:55Speaker 5: cooking it.
- 16:56Speaker 2: All right, you ask for it. It'll be your funeral.
- 16:59Speaker 5: Now, Philip... Oh, Mark, you hull the berries for the dessert.
- 17:04Speaker 5: I'll do the vegetables and set the table.
- 17:22Speaker 2: Well, for a seasoned bachelor, this dinner's a rare treat, letty.
- 17:26Speaker 5: Oh, I'm so glad you enjoyed it, Philip. Oh, I
- 17:28Speaker 5: don't deserve the credit. That bluefish was simply delicious. How
- 17:32Speaker 5: did you manage to catch it all by yourself? I
- 17:36Speaker 5: always think men are so wonderful.
- 17:38Speaker 4: I'd be glad to take you both the next time
- 17:39Speaker 4: I go fishing. It's good fun. Fresh air would be
- 17:42Speaker 4: good for you, Lettie.
- 17:42Speaker 5: Oh, no, I couldn't. Well, I'm still just a wee
- 17:46Speaker 5: bit nervous about the water. So I tried terribly hard,
- 17:49Speaker 5: haven't I, Mark?
- 17:50Speaker 6: Yes, yes, you have.
- 17:51Speaker 5: I've been good about the sailing. And you know I'm
- 17:53Speaker 5: learning to manage the Artemis all by myself, aren't I, Mark?
- 17:56Speaker 5: I don't write my name in the wake anymore, do I?
- 17:59Speaker 6: Yes, let is a real hand at the tiller. She'll
- 18:02Speaker 6: be a better sailor than I am soon, you see.
- 18:04Speaker 6: You'd have seen her take the Artemis into harbor the
- 18:06Speaker 6: other day.
- 18:07Speaker 2: You did, all right.
- 18:07Speaker 6: Yes, she came through that channel with a breeze against her.
- 18:10Speaker 6: I wanted to take it over, afraid she'd run into
- 18:12Speaker 6: the mudflats. But no, she coaxed it all the way,
- 18:15Speaker 6: and we came in under sail.
- 18:16Speaker 5: Yes, and I wanted to do it all by myself,
- 18:18Speaker 5: even though I was terrified.
- 18:20Speaker 2: Good for you. Why, that's really a splendid accomplishment.
- 18:22Speaker 4: I've been negotiating the harbor for years, but I confess
- 18:24Speaker 4: that I have trouble every now and then.
- 18:27Speaker 5: Well, since nobody wants any more berries, I guess it's
- 18:31Speaker 5: time to do the dishes. Now, I'll show you what
- 18:33Speaker 5: a good hand I am as a dishwasher.
- 18:35Speaker 2: Wait a minute, wait a minute. That's my job.
- 18:36Speaker 4: Here.
- 18:37Speaker 5: No, I'll clear, clean, and wash dishes. You two can dry.
- 18:40Speaker 5: And you can dry.
- 18:43Speaker 2: Lettie, what is it? Well, you shouldn't have tried to
- 18:45Speaker 2: carry that tray.
- 18:46Speaker 6: No.
- 18:48Speaker 5: It's not that.
- 18:49Speaker 2: Why, Lettie, what's happened to you? You look ghastly.
- 18:51Speaker 5: I'm... I'm afraid I... Something I ate. Here.
- 18:56Speaker 2: You'd better lie down.
- 18:58Speaker 6: Oh, I'll carry her upstairs.
- 18:59Speaker 2: Get a doctor, will you?
- 19:01Speaker 5: I'm afraid, Mark. I'm afraid I've been....
- 19:29Speaker 6: But great heavens, Philip, I just can't believe it. Arsenic poisoning?
- 19:35Speaker 2: Do you think Dr.
- 19:36Speaker 6: Potter knows what he's talking about?
- 19:38Speaker 2: I'm sure he does. Of course, we can't be sure
- 19:40Speaker 2: till the tests are made, but I don't see. I
- 19:42Speaker 2: don't understand.
- 19:43Speaker 4: It's not very hard to understand. Letty ate arsenic. How
- 19:48Speaker 4: or where she got it, we don't know, but it's
- 19:50Speaker 4: not difficult to guess. But we all ate the same meal,
- 19:53Speaker 4: you and I and she. Why, good Lord, Philip.
- 19:58Speaker 6: Do you think we are poisoned, too?
- 20:00Speaker 4: I feel perfectly all right. You appear to be comfortable.
- 20:05Speaker 4: I think we'd feel it by now.
- 20:06Speaker 2: But then how on earth did she... Let's be perfectly
- 20:08Speaker 2: logical about it.
- 20:08Speaker 4: We.
- 20:09Speaker 2: We all ate the bluefish. Yes. I prepared it. We
- 20:13Speaker 2: all had potatoes and string beans. Lettie cooked those. Yes, yes.
- 20:18Speaker 2: Then we all ate strawberries. You prepared them. Why?
- 20:22Speaker 4: Now, the fish and the vegetables were all served in
- 20:25Speaker 4: large platters... and each one of us helped ourselves. Therefore,
- 20:29Speaker 4: if any poison were in the food, we'd all be sick.
- 20:32Speaker 4: But the strawberries, Mark.
- 20:34Speaker 2: See here, Alden, are you suggesting... Wait a minute, wait
- 20:36Speaker 2: a minute.
- 20:37Speaker 4: We're just following this through logically... The strawberries were put
- 20:41Speaker 4: on the table in separate dishes. The poison could have
- 20:44Speaker 4: been slipped into Lettie's plate in the kitchen.
- 20:46Speaker 6: Walden, you have no right to accuse me of this
- 20:50Speaker 6: while you're fixing up a case against me.
- 20:51Speaker 2: I'm doing nothing of the sort.
- 20:54Speaker 4: In any event, I think you might worry less about
- 20:56Speaker 4: your own skin and more about Lettie.
- 20:57Speaker 2: Thanks.
- 20:58Speaker 6: I think I can take care of my own wife.
- 20:59Speaker 2: Nevertheless, I suggest you get someone to help you.
- 21:02Speaker 6: I'm perfectly well able to nurse her myself.
- 21:04Speaker 2: If I were you, I'd have someone else as well.
- 21:07Speaker 2: I'll send Mrs. Halstead over from town. She's an experienced,
- 21:10Speaker 2: practical nurse.
- 21:11Speaker 6: What I've always appreciated about you, Philip... is the way
- 21:14Speaker 6: you mind your own business.
- 21:17Speaker 2: I'll be going now. Mrs. Halstead will be along as
- 21:20Speaker 2: soon as I can get her. When the doctor's analysis came...
- 21:38Speaker 2: It was arsenic poisoning, all right.
- 21:41Speaker 4: There were traces of arsenic in the sugar on Lettie's dish.
- 21:46Speaker 2: Lettie was recovering. The dose wasn't large enough to kill her.
- 21:50Speaker 6: Mrs.
- 21:51Speaker 2: Halstead was installed as nurse and housekeeper.
- 21:54Speaker 4: Just then, business called me to New York, where I
- 21:58Speaker 4: found myself worrying about Lettie.
- 22:00Speaker 2: I couldn't get her out of my mind.
- 22:09Speaker 4: I was bothered by a few loose ends of Lettie's problem.
- 22:12Speaker 4: The sort of questions that would occur to a legal mind.
- 22:16Speaker 4: So I decided to spend an evening in the reference
- 22:18Speaker 4: room of the law library among the files, where I
- 22:21Speaker 4: found out enough about Mark and Lettie Taylor to send
- 22:24Speaker 4: me racing back to the Cape. And I knew I
- 22:27Speaker 4: had to hurry if I was to prevent a devilish murder.
- 22:36Speaker 4: It was one of those dull gray afternoons when I
- 22:38Speaker 4: arrived at the station. Fog was so thick over the
- 22:41Speaker 4: bay that it seemed to.
- 22:43Speaker 2: Cloud the whole town. Cold fear gripped me. Letty and Mark,
- 22:49Speaker 2: I learned, had left at dawn.
- 22:51Speaker 4: For a weekend's sail. I could picture them. Murderer and victim.
- 22:57Speaker 4: Shrouded in the gray veils of the fog.
- 23:00Speaker 2: Drifting.
- 23:01Speaker 1: Waiting.
- 23:02Speaker 2: Waiting. while the foghorns called a hoarse warning of murder. So,
- 23:14Speaker 2: I was too late. The trap was sprung.
- 23:18Speaker 4: With my newly gained insight into the affairs of Lettie
- 23:21Speaker 4: and Mark, I could have averted the tragedy, but I
- 23:25Speaker 4: was too late.
- 23:28Speaker 2: Or was I? If only they hadn't really left for
- 23:31Speaker 2: that sale. I took the chance. Feeling my way along
- 23:37Speaker 2: the Cape Road, I reached the Taylor Cottage. Nobody was there.
- 23:44Speaker 2: Then I... I heard noises in the boathouse.
- 23:48Speaker 4: I crept down the slope and listened.
- 24:00Speaker 5: Oh, Mark, you fool. Philip Alden will be sure you
- 24:04Speaker 5: planned to murder me for my money. I saw the
- 24:07Speaker 5: suspicion dawn in his mind that day we made out
- 24:09Speaker 5: our twin wills. I saw it grow when I was
- 24:12Speaker 5: seen in the general store and you brought.
- 24:15Speaker 6: The rat poison.
- 24:16Speaker 5: And that night when I was taken ill, he was sure.
- 24:18Speaker 5: Do you hear me? Sure! You wanted to teach me
- 24:25Speaker 5: to sail the Artemis. Thought I was afraid of the water. Well,
- 24:30Speaker 5: Mark Taylor, when your body drifts to shore, Philip Alden
- 24:34Speaker 5: will swear that only an accident prevented you from murdering me.
- 24:38Speaker 5: What fools you men are. Aren't you? Aren't you? Well,
- 24:46Speaker 5: wouldn't you like to answer me, Mark? Don't you wish
- 24:53Speaker 5: you could talk to me again? To your helpless little nephew.
- 24:58Speaker 5: But you can't. Can you? Dead men can't talk, can they?
- 25:06Speaker 5: But they say that in the instant of dying, a
- 25:09Speaker 5: man can understand many things. Did you understand, Ma? But
- 25:14Speaker 5: how could you? You are really a stupid man, Ma.
- 25:20Speaker 5: Didn't you ever wonder about my former husband and his
- 25:24Speaker 5: tragic death? Did you ever want to know about Frank Hawthorne?
- 25:29Speaker 2: He did.
- 25:30Speaker 5: At the very end, he wondered about his predecessor, George Martin.
- 25:35Speaker 5: Strange how both died in a yachting accident, isn't it?
- 25:41Speaker 5: Frank died off the coast of California, and George was
- 25:45Speaker 5: drowned in the Gulf of Mexico. And now you, Mark,
- 25:50Speaker 5: your body will be found someplace along the Cape here,
- 25:53Speaker 5: I suppose. Oh, what bad luck I've had with my husband.
- 26:00Speaker 5: But how thoughtful all of you were to leave me
- 26:03Speaker 5: your property. Too bad I'm such an extravagant widow, isn't it?
- 26:08Speaker 5: For I do run through money. I wasn't lying about that. Oh, dear,
- 26:16Speaker 5: I wish I could... I wish you could help me
- 26:19Speaker 5: get your body to the Artemis. If only you hadn't
- 26:24Speaker 5: insisted on turning back when the fog rose. I could
- 26:28Speaker 5: have killed you so much more neatly. A sudden gust
- 26:33Speaker 5: of wind while I was at the wheel, and the
- 26:36Speaker 5: Artemis jibes, and the boom catches you, and off you
- 26:39Speaker 5: go to the bottom of the sea. But now, I've
- 26:45Speaker 5: got to lug you back on board.
- 26:50Speaker 5: And pitch you overboard somewhere. This was really inconsiderate, Mark,
- 27:00Speaker 5: to make me kill you in the boathouse here.
- 27:05Speaker 2: You won't have to drag the body aboard, Lettie.
- 27:07Speaker 5: Oh, Philip, I'm so glad you've come.
- 27:09Speaker 2: Are you, Lettie?
- 27:11Speaker 5: Something dreadful's happened to Mark. I'm so upset I hardly
- 27:14Speaker 5: know how to tell you.
- 27:15Speaker 4: Oh, Philip, I think I've... You needn't pull a phony
- 27:17Speaker 4: feint this time, Lettie. I fell for it before when
- 27:21Speaker 4: you made me think that Mark had poisoned you.
- 27:23Speaker 2: That is, almost.
- 27:26Speaker 5: What do you mean, Philip?
- 27:27Speaker 4: That was a little too smart, Lettie, that poison scene.
- 27:31Speaker 4: Because when I left you, I wondered about two things.
- 27:33Speaker 4: Why anyone should be foolish enough to attempt that type
- 27:36Speaker 4: of murder before an audience, and why, having attempted it,
- 27:40Speaker 4: he should fail to make the dose large enough.
- 27:43Speaker 5: I don't know what you're talking about.
- 27:45Speaker 2: I think you do.
- 27:47Speaker 4: You see, while I was in New York, I took
- 27:49Speaker 4: the trouble to look up a few matters that were
- 27:50Speaker 4: bothering me. And I found the newspaper clippings of your
- 27:54Speaker 4: two previous, shall we say, accidents.
- 27:57Speaker 5: Oh, Philip, isn't it dreadful?
- 27:59Speaker 2: Still pretending. You're a clever woman, Lettie. But I overheard
- 28:04Speaker 2: you just now.
- 28:04Speaker 5: You'll never prove anything.
- 28:06Speaker 2: I think I will. You see, I found the motive, too.
- 28:09Speaker 2: It was Mary for money... Married for murder, wasn't it?
- 28:12Speaker 4: I wouldn't try to run away, Lettie.
- 28:13Speaker 2: I brought a gun. You're coming with me to the
- 28:16Speaker 2: police station.
- 28:20Speaker 4: Don't wonder that you hate the sound of foghorns, Lettie Taylor.
- 28:25Speaker 2: You've spoiled them for me, too.
- 28:50Speaker 3: And so closes Mary for Murder, starring Lillian Gish with
- 28:54Speaker 3: Ray Collins and Bramwell Fletcher.
- 28:57Speaker 2: Tonight's tale of.
- 28:58Speaker 3: Suspense.
- 28:59Speaker 2: Suspense.
- 29:21Speaker 3: This is your narrator, the man in black, who conveys
- 29:24Speaker 3: to you Columbia's invitation to spend this half hour in
- 29:27Speaker 3: suspense with us again next week, same time, when Virginia
- 29:31Speaker 3: Bruce and John Loder will star in the Dorothy B.
- 29:34Speaker 3: Hughes suspense thriller, The Cross-Eyed Bear. The producer of these
- 29:39Speaker 3: broadcasts is William Spear, who with Ted Bliss, the director,
- 29:44Speaker 3: Bernard Herman and Lucienne Marowick, conductor and composer, and Walker T. Field,
- 29:49Speaker 3: the author, collaborated on tonight's Suspense.
- 29:52Speaker 2: Suspense. This is CBS, the Columbia Broadcasting System.
- 30:18Speaker 1: That brings suspense, Mary for Murder, to a close. This
- 30:21Speaker 1: is Victor Sterling. Until next time, good night.