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Essential Artists: Film in Covid on Quarantine During Pandemic · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to artists on artists on artists on artists. Boy,
• 0:03
  Speaker 1: do we have a panel for you.
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  Speaker 2: Today, History's screenwriting expert panels.
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  Speaker 3: New voices in Hollywood.
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  Speaker 4: Costumes are character.
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  Speaker 2: Buck Mary kil Wide shot, two shot, close up.
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  Speaker 1: This is artist on artists.
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  Speaker 3: On artists on artists.
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  Speaker 1: Do you know why they call it show business? I
• 0:19
  Speaker 1: always wondered that.
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  Speaker 4: Welcome back to artists on artists on artists on artists,
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  Speaker 4: And boy is today a good show? This is awesome.
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  Speaker 5: This is full of treasure and excitement for what's to come.
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  Speaker 5: This group of artists got together when the world was
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  Speaker 5: not together.
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  Speaker 2: There is no year harder than the year that many
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  Speaker 2: of us face in twenty twenty and twenty twenty one.
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  Speaker 2: But it didn't hit anyone as hard as it hit
• 0:53
  Speaker 2: creators as they struggled to find their voice again. This brave,
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  Speaker 2: ragtag group of artists came together to make a movie
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  Speaker 2: in Quarantine about Quarantine, a novel idea we've never seen since.
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  Speaker 3: They managed to capture the spirit, the heart, the heartbreak,
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  Speaker 3: the trials and the tribulations of a time that the
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  Speaker 3: world had never experienced before, and out of it came
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  Speaker 3: one the only the movie titled break Out. Let's listen in.
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  Speaker 2: It's so good to see you guys over Zoom again.
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  Speaker 2: I mean, this is where I really feel like I
• 1:36
  Speaker 2: connect with you guys. Zoom We're back. It's really great
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  Speaker 2: to see.
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  Speaker 5: Revis It's a wild it's wild to be together back
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  Speaker 5: on Zoom and know that we're not pressing to create something.
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  Speaker 4: We're just here to enjoy each other.
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  Speaker 6: It's so important. It's so important to be on Zoom.
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  Speaker 6: I've always said that. It feels so important, and it.
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  Speaker 3: Feels like we're like right next to each other again.
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  Speaker 1: Yeah.
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  Speaker 6: Absolutely, Honestly, Can I be honest with you guys, sometimes
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  Speaker 6: I feel more myself on Zoom than I do outside
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  Speaker 6: of Zoom.
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  Speaker 2: You're right, and.
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  Speaker 4: That's what it is to just be a filmmaker.
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  Speaker 2: And that's a movie, by the way, we should write
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  Speaker 2: that down. That is the movie. Totally a movie about that.
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  Speaker 3: That's a movie.
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  Speaker 4: I love that, a movie about someone who's uncomfortable in person.
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  Speaker 2: But that we should write that down. Do you guys
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  Speaker 2: want to We should talk about that.
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  Speaker 1: We should talk about that.
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  Speaker 2: It's really Pavlovian to be here with you guys, because
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  Speaker 2: it feels like it.
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  Speaker 1: Does feel Pavlovian.
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  Speaker 3: I was just about to say that, right, my mouth
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  Speaker 3: is exactly because it's absolutely I'm like.
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  Speaker 2: Or are we about to do a props presentation or
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  Speaker 2: are we about to do an art presentation? Right? Because
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  Speaker 2: we planned this whole movie over zoom.
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  Speaker 1: I know, I'm just like, where's my mark? Am I
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  Speaker 1: hitting my mark?
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  Speaker 2: Exactly? Exactly?
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  Speaker 1: Exactly? Well, we should introduce ourselves.
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  Speaker 4: Yes, I'll go first.
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  Speaker 5: I am Kelsey Kelsey, and I was the COVID officer
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  Speaker 5: on Breakout, big role, and I'm so excited to be
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  Speaker 5: here today and be with you all.
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  Speaker 3: Hi.
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  Speaker 6: What's up everybody? My name is Marcy Marcy. I played
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  Speaker 6: Linda Linda on Breakout, and it's a story of a
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  Speaker 6: girl who was trapped in who desperately wanted to make
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  Speaker 6: a name for herself. And I'm so excited to bring
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  Speaker 6: that role to life and for everyone to finally see it.
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  Speaker 2: What's up, everybody? My name is Kenny Kendall. I am
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  Speaker 2: the I played obviously the lead, the romantic lead, and
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  Speaker 2: also at the end kind of the main horror villain
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  Speaker 2: as the genre shifted, and I was of course Glen
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  Speaker 2: Gary Glenn Glenn and dabbled in the directing when the
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  Speaker 2: director was indisposed.
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  Speaker 5: I should also say that too, as the COVID officer,
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  Speaker 5: I did serve as the director for I think a
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  Speaker 5: couple zoom sessions.
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  Speaker 6: I think we all had to become a director at
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  Speaker 6: some point. For well, we don't have to talk about it, obviously.
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  Speaker 2: We don't have to talk about it. I mean, we
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  Speaker 2: didn't know a director, so we just kind of said,
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  Speaker 2: we'll start it and we'll get it together, and whoever
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  Speaker 2: feels in the moment they should direct kind of would
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  Speaker 2: jump in.
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  Speaker 3: Yeah, so, hey, guys, what's up. I'm Sebastian Bastian and
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  Speaker 3: I played the director as well. And then other than that,
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  Speaker 3: I think I was in a couple of scenes and
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  Speaker 3: I did write this. I did write this. I guess
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  Speaker 3: I should have led with that. I guess I should have.
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  Speaker 1: Led es Sebastian. Yes, and thank you for your work.
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  Speaker 1: Thank you for your work. Thank you so much for your.
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  Speaker 3: Work, Thank you for your work, thank you for well,
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  Speaker 3: you know, I will say it was so exciting to
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  Speaker 3: you know, you know, form a group like this, you know,
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  Speaker 3: like awesome. You know. When I first came up with
• 4:44
  Speaker 3: this idea called Breakout, I was like this is so interesting,
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  Speaker 3: This is so cool. What can we do with this?
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  Speaker 2: Sebastian bring us all in on the process?
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  Speaker 3: Yeah?
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  Speaker 1: Yeah.
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  Speaker 6: Day by day quarantine hits. Right, we hear of a
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  Speaker 6: little virus named COVID nineteen. Everyone starts freaking out. The
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  Speaker 6: grocery stores have lines out the freaking door.
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  Speaker 2: And toilet paper. It's impossible to mind. Remember, do you
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  Speaker 2: guys remember that? That's a big part of our plot.
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  Speaker 3: An idea. I look at all this stuff and I go,
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  Speaker 3: wouldn't this be great on camera? Wouldn't this be crazy?
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  Speaker 3: To do a film about creators not being able to create?
• 5:21
  Speaker 3: You know what? What? What? What? You know? What is?
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  Speaker 3: What is life in this new world? Because it's all
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  Speaker 3: changing so quickly in that moment, Like I because I've
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  Speaker 3: been following viruses and viril diseases and pandemics for years now,
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  Speaker 3: you know, I've been very interested in it for almost generations.
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  Speaker 3: My family was very affected by the influenza of nineteen
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  Speaker 3: eighteen and ever since then. You know, our family motto
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  Speaker 3: is watch your back, watch your back.
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  Speaker 2: So you know, I really think you should tell everyone's
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  Speaker 2: story about how your family was affected, because that was
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  Speaker 2: really I actually cried when.
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  Speaker 3: You told them to me. Yeah, it was really sad.
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  Speaker 3: We were, we were. You know, at this point, my
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  Speaker 3: great great great grandparents going over in a boat, have
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  Speaker 3: a baby, and then they catch influenza and die, and
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  Speaker 3: the baby is raised on that boat.
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  Speaker 4: So that baby is your great great grandpa. You're great great.
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  Speaker 3: Great great grandpa. Yeah. And then on the other side,
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  Speaker 3: my great great great grandparents on my mom's side, they
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  Speaker 3: were in America and they're so pumped because they just
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  Speaker 3: opened this deli shop, and then the influenza hits and
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  Speaker 3: they have a kid and then they both die.
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  Speaker 2: Truly an amazing story.
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  Speaker 3: And that's your story that made you cry.
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  Speaker 2: It made me cry. So how about you explain the
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  Speaker 2: plot of the movie we wrote?
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  Speaker 3: Great, I would happily do that. So in this story,
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  Speaker 3: a girl named Linda. Linda decides to get away from
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  Speaker 3: it all. It's a little stressed out about all the
• 6:48
  Speaker 3: stuff going down, and she says, you know what, I'll
• 6:50
  Speaker 3: just take a little vacation. I'll escape. I'll get an
• 6:53
  Speaker 3: airbnb for two months in the middle of Whistler, which
• 6:58
  Speaker 3: is in Canada. We couldn't cross the border, which is
• 7:00
  Speaker 3: a whole thing. It's a whole thing. A Big Bear.
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  Speaker 3: In Big Bear, I didn't.
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  Speaker 5: Border dramas, border drama, toilet paper drama, border drama, toiletaper drama.
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  Speaker 3: That was just the song of the day, you know,
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  Speaker 3: you know, you know, so what you know, what happens is,
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  Speaker 3: you know, she she rents this place, and you know,
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  Speaker 3: she goes up and then we kind of just slowly
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  Speaker 3: see this poor kind of woman spiral out of control,
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  Speaker 3: and you know, and you know, she has this like
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  Speaker 3: love interest that she meets in town, and you know,
• 7:31
  Speaker 3: and I don't want to give any anything away, but
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  Speaker 3: I think Kenny Kendall already gave it away. He turns evil,
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  Speaker 3: he turns evil, and you're not sure, like what is
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  Speaker 3: real and what's not real, kind of like COVID, Like
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  Speaker 3: you're not sure what facts you're getting are real and
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  Speaker 3: what facts you're getting you're not real, you know. And
• 7:49
  Speaker 3: basically a huge turning point of this whole movie is
• 7:51
  Speaker 3: the toilet paper. She runs out of toilet paper day three,
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  Speaker 3: and getting the toilet paper is a huge issue.
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  Speaker 2: And it's also so relatable, really relatable.
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  Speaker 3: But you know enough about me, you know, I want
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  Speaker 3: to jump in, you know, really quick to just like
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  Speaker 3: the amazing casting crew like we were able to put
• 8:08
  Speaker 3: together and that that you know, that is you guys,
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  Speaker 3: that is you guys. Well you know, And unfortunately we
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  Speaker 3: never could nail down a director during this time. But
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  Speaker 3: I love that we all just kind of took took jobs,
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  Speaker 3: we all like tried.
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  Speaker 2: I think it proves that, like I think it proves
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  Speaker 2: that actually movies don't need directors, Like I think what
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  Speaker 2: we did, the fact that we did it without a director,
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  Speaker 2: it's like everybody chip in and it really creates something
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  Speaker 2: that's just as good as.
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  Speaker 4: I also find that we don't need leaders.
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  Speaker 6: No, I think this whole concept of communal directing is
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  Speaker 6: really something that is what the industry is going to
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  Speaker 6: be pushing for now, because it's like we don't not
• 8:50
  Speaker 6: one person can make a plate of spaghetti. You know,
• 8:53
  Speaker 6: you need the person who makes the sauce. You need
• 8:55
  Speaker 6: the person who makes the spaghetti. You need the person
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  Speaker 6: in the factory, box by box putting the spaghetti in
• 9:02
  Speaker 6: the box so that you can walk up to a store.
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  Speaker 1: And buy it.
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  Speaker 3: You know. Yeah, And I will say, like that does
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  Speaker 3: still seem like a very traditional film set, Like you
• 9:10
  Speaker 3: do need the cinematographer and you do need the producer
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  Speaker 3: and then you do need the you know, the director,
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  Speaker 3: and you're do need the best boy, you know, like yeah,
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  Speaker 3: COVID officer. Yeah, but you know, you know, it was
• 9:22
  Speaker 3: still you know, great to like not you know, have
• 9:26
  Speaker 3: a director. I would say, we actually have a little
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  Speaker 3: bit of BTS if you guys want to see just
• 9:30
  Speaker 3: kind of how the process went down not having a
• 9:33
  Speaker 3: director on set.
• 9:34
  Speaker 2: Oh yeah, because I was filming with my go pro
• 9:36
  Speaker 2: the whole weekend m and.
• 9:39
  Speaker 3: So this is actually a little bit of that go
• 9:41
  Speaker 3: pro footage. Yeah.
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  Speaker 2: And I it's so cool that you let me, by
• 9:44
  Speaker 2: the way, everyone let me because no one could decide.
• 9:46
  Speaker 2: It's so cool you guys let me put a big
• 9:47
  Speaker 2: wig over the go pro so I could keep it
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  Speaker 2: going during every scene.
• 9:53
  Speaker 3: Mm hmmm. And I think it really yeah, it really
• 9:56
  Speaker 3: blended in like nobody was sure.
• 9:58
  Speaker 1: I had no idea.
• 10:00
  Speaker 6: I mean, I was acting straight across from you, and
• 10:02
  Speaker 6: I had no idea that there was a big GoPro
• 10:04
  Speaker 6: staring at my face the whole time.
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  Speaker 2: And it was a big one. It was the bigger one,
• 10:09
  Speaker 2: and it was a big wig, and it was a
• 10:10
  Speaker 2: big wig and it was red. It was a pippy
• 10:12
  Speaker 2: long stalkings Wig.
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  Speaker 3: So here's a little bit of that BTS, just to
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  Speaker 3: show this is a scene where Linda Linda Sorry, I
• 10:20
  Speaker 3: know your real name is not Linda, Linda Marcy. Marcy
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  Speaker 3: character Linda Linda was in the middle of kind of
• 10:27
  Speaker 3: like that period where she's unsure about where the world is.
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  Speaker 3: So let's just run a little bit of this BTS.
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  Speaker 3: I think it really captures the vibe of not having
• 10:35
  Speaker 3: a director on set, you know. So yeah, let's see it, guys.
• 10:38
  Speaker 3: We need to be quiet. We're starting to shoot.
• 10:41
  Speaker 2: We're starting to shoot, so we need to be quiet. Guys.
• 10:44
  Speaker 1: Is anyone rolling?
• 10:46
  Speaker 3: Oh I can roll? Or maybe yeah, Kelsey, could you roll?
• 10:51
  Speaker 4: Guys.
• 10:51
  Speaker 5: There's a piece of paper I put down that had
• 10:55
  Speaker 5: someone's temperature, and.
• 10:58
  Speaker 3: Just forget about that right now. This is really okay,
• 11:02
  Speaker 3: let's just roll. Let's just roll.
• 11:03
  Speaker 2: Hold on, hold on, I think a window is open.
• 11:07
  Speaker 3: Can we close the windows? Let's just wait?
• 11:12
  Speaker 1: Okay, so I hear, Okay, here's the plan.
• 11:15
  Speaker 6: I will yell rolling, then we'll have Jim yell sound
• 11:21
  Speaker 6: and then well we'll go back to me. I'll say action,
• 11:24
  Speaker 6: and then somebody else will say okay, go yeah, okay,
• 11:27
  Speaker 6: and I also.
• 11:27
  Speaker 5: Think let's just like remember to like throw these lines away,
• 11:31
  Speaker 5: just to step in as a director type two and
• 11:33
  Speaker 5: say that, like, I think the tone of this is important,
• 11:36
  Speaker 5: so I'll be in charge of tone.
• 11:38
  Speaker 2: Marcy, do you remember is this the shirt you were
• 11:41
  Speaker 2: wearing or did you change out?
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  Speaker 6: I think it was the same shirt, but I don't
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  Speaker 6: fully remember.
• 11:48
  Speaker 1: Hold on, just to be sure.
• 11:50
  Speaker 4: Did we Let's get a dirty too, what's a dirty too?
• 11:55
  Speaker 4: I love that that wig was just in the center
• 11:59
  Speaker 4: of it all.
• 12:00
  Speaker 2: It really shows you firsthand what it was like. And
• 12:05
  Speaker 2: I think it's going to be an artifact. I wouldn't
• 12:07
  Speaker 2: be surprised if it ended up in the Smithsonian because
• 12:09
  Speaker 2: that kind of thing. It's we're gonna want these during
• 12:13
  Speaker 2: this time period. I don't think we've talked enough about
• 12:17
  Speaker 2: how important it was for us to create during COVID.
• 12:20
  Speaker 2: You know other people weren't you.
• 12:22
  Speaker 3: Know, And I do say yeah, specifically for that you know,
• 12:25
  Speaker 3: footage having the GoPro to be you know, where Kenny
• 12:29
  Speaker 3: Kendall's faces, It wasn't where the original camera was supposed
• 12:33
  Speaker 3: to be set up, So you're seeing most of the set,
• 12:35
  Speaker 3: You're seeing most of the lights, which is completely unusable,
• 12:38
  Speaker 3: you know, for for a regular movie. But you know,
• 12:41
  Speaker 3: we figured it out by the end of like bye
• 12:44
  Speaker 3: by later that was like an earlier day. But by
• 12:47
  Speaker 3: the time we kind of all went through, you know,
• 12:50
  Speaker 3: the breakout, the actual breakout that we had on set,
• 12:54
  Speaker 3: which was really bonded.
• 12:56
  Speaker 5: So I want to address no, no, no, no, I no, guys,
• 13:00
  Speaker 5: stop stop stuff. I do want to address because in
• 13:04
  Speaker 5: that clip was the beginning of a big.
• 13:07
  Speaker 4: Mistake I make.
• 13:08
  Speaker 5: I just I thought it was interesting that that clip
• 13:11
  Speaker 5: shows when things started to get dicey for me because
• 13:14
  Speaker 5: I had lost one specific piece of paper that I needed.
• 13:19
  Speaker 4: You see, I wrote down.
• 13:22
  Speaker 5: People's test results and their temperatures on one paper and
• 13:26
  Speaker 5: the names that coordinated with that on another paper, and.
• 13:32
  Speaker 2: That it was you start crying. I'm going to start
• 13:37
  Speaker 2: crying because no, I just it's just because I think
• 13:40
  Speaker 2: it was. Honestly, if we're seeing whose fault it is,
• 13:43
  Speaker 2: it might be mine. Because, as you guys know, I
• 13:46
  Speaker 2: was going out and I was hooking up with a
• 13:48
  Speaker 2: different person in Big Bear every night that I was
• 13:52
  Speaker 2: meeting on various apps, and it was just my way
• 13:57
  Speaker 2: of exploring the world because I was feeling stressed and
• 14:03
  Speaker 2: I you know, it was my moments of kind of
• 14:06
  Speaker 2: blacking out. I don't even remember.
• 14:09
  Speaker 3: Well, you know, we had the audience.
• 14:10
  Speaker 1: We all just hope on our own way, you know,
• 14:12
  Speaker 1: So I don't blieve it for that and.
• 14:14
  Speaker 3: Just for the audience. Basically what happened was we did
• 14:17
  Speaker 3: a lot of pre pro over zoom. We practiced, we rehearsed.
• 14:20
  Speaker 3: We really thought we had it down, so we thought,
• 14:23
  Speaker 3: what better way we'll get, you know, just ten of us,
• 14:25
  Speaker 3: a small small shoot.
• 14:28
  Speaker 4: A skeleton crew, A skeleton.
• 14:30
  Speaker 3: Crew actually rent something in Big Bear and we'll go
• 14:33
  Speaker 3: shoot this out for maybe you know, a week or two.
• 14:36
  Speaker 3: It ended up taking, you know, I think the final
• 14:41
  Speaker 3: thing was six months of shooting and being locked together
• 14:44
  Speaker 3: in this cabin.
• 14:44
  Speaker 2: Of actual shooting, right. I think there was three or
• 14:47
  Speaker 2: four months of in person pre pro and then in
• 14:50
  Speaker 2: person post pro.
• 14:52
  Speaker 5: No for sure, And I just I do want to
• 14:54
  Speaker 5: address like it was my responsibility to keep those two
• 14:58
  Speaker 5: pieces of paper together.
• 15:00
  Speaker 4: I didn't and I lost them, and I just I.
• 15:05
  Speaker 5: And it's just I don't know, I'm not gonna start crying,
• 15:08
  Speaker 5: but that clip really just is the beginning of it all.
• 15:11
  Speaker 1: But what not to.
• 15:13
  Speaker 3: Rehash own wounds. You know, not to rehash wounds, but
• 15:16
  Speaker 3: you know, my thing was, if anybody had a temperature,
• 15:20
  Speaker 3: if anybody tested positive, we don't need a name, you know,
• 15:24
  Speaker 3: correlated with that positive test. So we should have just
• 15:27
  Speaker 3: shut down set that.
• 15:28
  Speaker 1: I don't even want to know. I don't even want
• 15:30
  Speaker 1: to know who it was.
• 15:31
  Speaker 6: Was I talking to them? Am I in an enclosed
• 15:34
  Speaker 6: space with them? Was it the person who I had
• 15:36
  Speaker 6: an on stage kiss with. I don't want to know
• 15:38
  Speaker 6: that information. Because we're all a family, and it doesn't
• 15:41
  Speaker 6: matter which one of us was going to raves, and
• 15:45
  Speaker 6: which one of us was hooking up with people, and
• 15:47
  Speaker 6: which one of us went to something called a kissing farm.
• 15:51
  Speaker 6: It doesn't matter. It doesn't matter. All of these things
• 15:54
  Speaker 6: are just part of the family. They're part of the
• 15:56
  Speaker 6: artist's family, and they're part of what makes a movie
• 15:59
  Speaker 6: making speel so special. And now I'm gonna cry. And
• 16:03
  Speaker 6: you know what, if even if you would put those
• 16:05
  Speaker 6: two pieces of paper together, even if they had lined up,
• 16:08
  Speaker 6: it didn't matter because we all had COVID at that point.
• 16:11
  Speaker 5: That was after when we all went to you needed
• 16:15
  Speaker 5: a ride from the We needed to pick you up
• 16:17
  Speaker 5: from the kissing farm. So we we right, wasn't that correct?
• 16:22
  Speaker 5: Like I had lost those two pieces of paper. It
• 16:24
  Speaker 5: was like later that day we had wrapped for the
• 16:26
  Speaker 5: day and then we all went to go pick you
• 16:28
  Speaker 5: up at the Kissing Farm together.
• 16:31
  Speaker 6: Yes, and you took that whole You had to take
• 16:34
  Speaker 6: that van full of other people who were at the
• 16:36
  Speaker 6: Kissing Farm.
• 16:38
  Speaker 5: Hm.
• 16:38
  Speaker 2: We had to drop everyone else because Uber wasn't going right.
• 16:42
  Speaker 3: So we had to be you.
• 16:44
  Speaker 6: Guys did the right thing, which was pick up all,
• 16:47
  Speaker 6: which was pick up all of my friends the Kissing Farm.
• 16:53
  Speaker 3: You know, we just had to learn how to become.
• 16:55
  Speaker 3: We had to learn how to become roommates really quick.
• 16:57
  Speaker 3: We had to all learn how to become and we
• 16:59
  Speaker 3: had to learn what it meant to live with each other.
• 17:01
  Speaker 3: You know, these are I got most most of these
• 17:05
  Speaker 3: wonderful people just hiring them, but I had never, like
• 17:08
  Speaker 3: you know, you know, met them before. So we had
• 17:11
  Speaker 3: to learn how to live with each other and be
• 17:13
  Speaker 3: a family. As you know, well it was Jarshy Marsh
• 17:17
  Speaker 3: put it so well.
• 17:18
  Speaker 2: Our world's changed. Let's talk about the timeline, you know
• 17:21
  Speaker 2: what I mean? Like, uh, March twelfth, twenty twenty, I
• 17:25
  Speaker 2: was the host of the special effects show, Universal Studios,
• 17:29
  Speaker 2: March thirteenth. COVID hits March fourteenth. I get the script
• 17:33
  Speaker 2: from Sebastian.
• 17:34
  Speaker 3: In my email. I wrote it in the night. I
• 17:36
  Speaker 3: wrote it in the night, and I sent it to
• 17:39
  Speaker 3: email cold emailed a lot of people.
• 17:41
  Speaker 2: By March seventeenth, Saint Patrick's say, I was in Big
• 17:44
  Speaker 2: Bear with nine other strangers making the movie of my life.
• 17:48
  Speaker 1: And I love that we knew.
• 17:49
  Speaker 6: We knew right away, you know, like this thing where
• 17:53
  Speaker 6: a lot of people were like, is this going to
• 17:54
  Speaker 6: be two weeks?
• 17:55
  Speaker 1: Is it going to be two years?
• 17:56
  Speaker 6: Nobody knows, but we knew it was important to capitalize
• 18:00
  Speaker 6: on it right away, and nobody was making movies about COVID,
• 18:03
  Speaker 6: you know. And I think a lot of the content
• 18:05
  Speaker 6: of the movie actually reflects that it was exploring those
• 18:09
  Speaker 6: first three.
• 18:10
  Speaker 1: Days of COVID.
• 18:11
  Speaker 6: We didn't really see what happened afterwards because we didn't
• 18:14
  Speaker 6: we didn't know yet, So it was a lot of
• 18:16
  Speaker 6: toilet paper eccentric mostly toy.
• 18:19
  Speaker 3: We were rewriting a lot, you know, because I had
• 18:22
  Speaker 3: to end up adjusting the script a lot to what
• 18:24
  Speaker 3: was actually happening in the world, you know, And.
• 18:27
  Speaker 2: It was challenging to lock ourselves into those three days,
• 18:29
  Speaker 2: especially because we shot for about six to nine months, right,
• 18:32
  Speaker 2: so we were still shooting in December. The kind of
• 18:34
  Speaker 2: those first three days, and we knew more, but we
• 18:37
  Speaker 2: wanted to make sure a lot more.
• 18:39
  Speaker 4: Yeah, totally, totally. Okay, I'm going to grab a question from.
• 18:43
  Speaker 2: The fish Ball Gloves.
• 18:46
  Speaker 5: You know, I love that this one says, Okay, if
• 18:49
  Speaker 5: you had to describe your movie and the experienced audiences
• 18:53
  Speaker 5: are going to go through when they see this, when
• 18:54
  Speaker 5: this comes out, what would you what would.
• 18:57
  Speaker 4: You what would you say?
• 18:59
  Speaker 1: I think it's and I think it's reckoning.
• 19:02
  Speaker 6: I think it's taking time to, you know, look inward
• 19:07
  Speaker 6: to ourselves, like this has been such a traumatizing year.
• 19:10
  Speaker 6: And I think, honestly, I hope audiences see I hope
• 19:14
  Speaker 6: they experience Catharsis.
• 19:18
  Speaker 2: I Yeah, I would say, I think they're going to
• 19:20
  Speaker 2: see representation, you know, I think they're going to see
• 19:24
  Speaker 2: a representation.
• 19:26
  Speaker 1: I think creator representation.
• 19:27
  Speaker 2: Right, creator representation. Finally, the creator's point of view of
• 19:31
  Speaker 2: what happened during all this, you know what I mean,
• 19:33
  Speaker 2: because it was it was, it was going to be.
• 19:37
  Speaker 2: Representation is going to be nostalgia for missing a time
• 19:40
  Speaker 2: period that we didn't even know we were gonna miss.
• 19:42
  Speaker 2: I don't know about you guys, but I miss Deep
• 19:44
  Speaker 2: Quarantine so much right now.
• 19:47
  Speaker 3: It's tough at the adjustment. It's been really tough.
• 19:50
  Speaker 2: I think we kind of Stockholm syndromed ourselves a little bit. There.
• 19:53
  Speaker 2: I'm talking to my therapist about it because he's saying, yeah,
• 19:56
  Speaker 2: you really feel like you you kind of lost yourself,
• 19:59
  Speaker 2: you know, from.
• 20:00
  Speaker 3: Well, that's I do want to say. I just want
• 20:02
  Speaker 3: to come on, I apologize because I do feel like,
• 20:04
  Speaker 3: even though there wasn't a director per se, there was
• 20:08
  Speaker 3: a person leading maybe the feelings that we were stuck there.
• 20:12
  Speaker 2: Yeah, we did name him the approver.
• 20:14
  Speaker 3: M Yeah, So and I apologize that. You know, halfway
• 20:18
  Speaker 3: through I became the approver, and you know, I really
• 20:22
  Speaker 3: took us in a direction that we're all kind of
• 20:24
  Speaker 3: still dealing with. So, I guess when I feel this movie,
• 20:27
  Speaker 3: the one word I would I would say is mistakes.
• 20:30
  Speaker 3: You know, COVID was a time where a lot of
• 20:32
  Speaker 3: people were making mistakes, and during that shoot, I'll be honest,
• 20:35
  Speaker 3: we made a lot of mistakes and a lot of
• 20:37
  Speaker 3: that footage for six months is completely unusable. But I
• 20:42
  Speaker 3: also would.
• 20:42
  Speaker 1: Push back on that.
• 20:43
  Speaker 6: I would push back on that and say that every
• 20:45
  Speaker 6: mistake is perfect, every mistake is absolutely perfect, and I
• 20:49
  Speaker 6: wouldn't change a single thing. When our approver got COVID
• 20:53
  Speaker 6: and had to go to the hospital, I would not
• 20:55
  Speaker 6: change a single thing because that meant that you got
• 20:58
  Speaker 6: to be the approver, and you got that experience, and
• 21:01
  Speaker 6: we got the experience of working for you.
• 21:04
  Speaker 5: And I'd love to piggyback pushback on that and say
• 21:10
  Speaker 5: I think audiences right now specifically need to go to
• 21:15
  Speaker 5: the movie theaters to have a moment of authenticity. Right now,
• 21:18
  Speaker 5: a lot of high concept stuff is coming out. I
• 21:21
  Speaker 5: see a lot of crazy trolls and crazy superheroes and
• 21:27
  Speaker 5: crazy trolls, and I think, what is so good is
• 21:31
  Speaker 5: to go to the movie theater and get some authenticity
• 21:33
  Speaker 5: and to be like here, we're on this date and night,
• 21:35
  Speaker 5: Like I really encourage everyone listening to just bring their dates,
• 21:38
  Speaker 5: bring their families, and go to the movies and have
• 21:41
  Speaker 5: a big reckoning.
• 21:42
  Speaker 3: Yes, I feel like nothing is more authentic than a
• 21:44
  Speaker 3: woman slowly losing her mind and her boyfriend turning out
• 21:48
  Speaker 3: to be a villain. It sounds super authentic to me
• 21:51
  Speaker 3: right now, you know, so you know, and I guess,
• 21:54
  Speaker 3: as the approver, I approve that, I really approve that pushback.
• 22:00
  Speaker 3: Don't do it again. Don't do it again, of course,
• 22:04
  Speaker 3: of course, but I do I appreciate. I guess. Sorry.
• 22:07
  Speaker 3: We're in a new world, and.
• 22:09
  Speaker 6: You know, I think audiences at the time of our release,
• 22:14
  Speaker 6: our big release August twenty eighth, twenty twenty one, I
• 22:19
  Speaker 6: think that they're going to really want to see this.
• 22:22
  Speaker 6: They're going to really want to see content about what
• 22:24
  Speaker 6: happened the previous year. No one has been talking about this.
• 22:28
  Speaker 6: No one has shown us, held up a mirror to
• 22:30
  Speaker 6: the experience and gone, this is what it was like
• 22:33
  Speaker 6: to run out of toilet paper.
• 22:34
  Speaker 1: No one is talking about it.
• 22:36
  Speaker 2: On my social media feed, on my Instagram, I haven't
• 22:39
  Speaker 2: seen a single person talk about COVID, not sing any
• 22:43
  Speaker 2: single one of the woodworking fan groups I follow, any
• 22:47
  Speaker 2: single one of the puppeteering engineering groups that I follow.
• 22:52
  Speaker 2: No one else bringing this out.
• 22:54
  Speaker 6: No one's say, women of Los Angeles, the Facebook group
• 22:57
  Speaker 6: where you look for housing.
• 22:59
  Speaker 1: No one is talking about it.
• 23:00
  Speaker 3: M hm.
• 23:01
  Speaker 5: Because I'll say, it's easy to forget, it's easy to
• 23:05
  Speaker 5: live in a pandemic and not really check in with
• 23:08
  Speaker 5: what's going around.
• 23:11
  Speaker 4: And I mean.
• 23:12
  Speaker 3: Yeah, yeah, I will say that was Yeah, that was
• 23:14
  Speaker 3: one of the hardest things of the pandemic is feeling
• 23:17
  Speaker 3: like nothing had changed, you know, for me and for us.
• 23:20
  Speaker 3: I feel like, really fundamentally, I just enjoyed my time inside.
• 23:25
  Speaker 2: Well it was great.
• 23:26
  Speaker 3: It was kind of the hardest thing. Yeah, it was really.
• 23:28
  Speaker 1: Hard to enjoy.
• 23:29
  Speaker 2: Yeah, And I was like looking around, I think Todd
• 23:32
  Speaker 2: I found you guys, because I was like, am I
• 23:33
  Speaker 2: the only one seeing this? Like I was freaking out.
• 23:38
  Speaker 6: Like it's like you have of course, you have the
• 23:40
  Speaker 6: people who are suffering, you have the people who are
• 23:44
  Speaker 6: in the hospital, But what about the people who were bored?
• 23:47
  Speaker 3: You know?
• 23:48
  Speaker 1: And I thought that was so tough.
• 23:50
  Speaker 6: It was so tough on creepy, because that's our lifeblood,
• 23:53
  Speaker 6: you know. We need to be hooked up, hooked up
• 23:55
  Speaker 6: to an oxygen machine full of creativity.
• 23:58
  Speaker 1: And we weren't getting that.
• 23:59
  Speaker 6: We were getting that all the oxygen machines were a bull.
• 24:04
  Speaker 2: Exactly, we need a brain ventilator, you know what I mean.
• 24:08
  Speaker 1: Exactly.
• 24:09
  Speaker 3: I'm just gonna grab you know, another question for the
• 24:12
  Speaker 3: fish bowl, Please jump into that. What was the hardest
• 24:15
  Speaker 3: day on set? Okay, this is a great question, you know,
• 24:18
  Speaker 3: because you know, as as the writer and pseudo director
• 24:22
  Speaker 3: book as, we all wore that hat. But as a
• 24:24
  Speaker 3: certain point four months in becoming the approver, there were
• 24:27
  Speaker 3: a lot of tough days on set. There were a
• 24:30
  Speaker 3: lot of tough days. And I would say for me,
• 24:33
  Speaker 3: one of the toughest days was when we knew Jarmie,
• 24:38
  Speaker 3: the original approver, was not going to be able to
• 24:43
  Speaker 3: come back, you know.
• 24:45
  Speaker 7: Yeah, I mean for me, I mean there's Breakout Day one,
• 24:51
  Speaker 7: and break Out Day three and Breakout Day four and
• 24:53
  Speaker 7: break I had so many pieces of paper, you guys,
• 24:57
  Speaker 7: I had so many.
• 24:58
  Speaker 8: Pieces of paper, and it was so hard to keep
• 25:01
  Speaker 8: all these pieces of paper in line and to date them,
• 25:04
  Speaker 8: and it was just it was so so extremely difficult.
• 25:09
  Speaker 8: So I would say the whole process for me was
• 25:11
  Speaker 8: one bad hard day.
• 25:14
  Speaker 2: I would say for me, it was the disco fantasy
• 25:18
  Speaker 2: scene because I couldn't remember that choreography. I just couldn't
• 25:23
  Speaker 2: remember it.
• 25:24
  Speaker 3: That was tricky, it was.
• 25:26
  Speaker 5: And guys, can I just say, can I just freaking
• 25:30
  Speaker 5: say that? Glenn Gary the role and you, my friend,
• 25:36
  Speaker 5: you learned the hardest choreo over Zoom.
• 25:40
  Speaker 4: And I think not a lot.
• 25:42
  Speaker 5: Of people remember because I had to test because once
• 25:45
  Speaker 5: we had a couple of breakouts, we started like testing
• 25:48
  Speaker 5: people even on Zoom, like we just want to make
• 25:50
  Speaker 5: sure people because we didn't know the virus at the time,
• 25:53
  Speaker 5: you know what I mean. And I remember you guys
• 25:54
  Speaker 5: standing behind me when I said, I think we need
• 25:56
  Speaker 5: to test people before they get on Zoom.
• 25:58
  Speaker 3: And that was.
• 25:58
  Speaker 4: So just awesome that we stood united in that. And
• 26:02
  Speaker 4: I get this.
• 26:03
  Speaker 5: Choreographer and we test her and I was just like,
• 26:05
  Speaker 5: oh my god, this is seriously a hard dance routine.
• 26:09
  Speaker 2: Yeah. And she was really sick when she put it together,
• 26:12
  Speaker 2: I remember, and so it was like I could feel that.
• 26:15
  Speaker 2: And what it was interesting is because spoiler alert, you know,
• 26:18
  Speaker 2: you name the character Glenn Gary Glenn Glenn because one,
• 26:23
  Speaker 2: it's a tiny secret kind of for the insiders in
• 26:25
  Speaker 2: homage to David Mammont if you kind of if if
• 26:28
  Speaker 2: you know David Mammott, you know it kind of were referenced.
• 26:31
  Speaker 3: Just finish that play.
• 26:38
  Speaker 2: But Glen Gary Glen Glenn Wink wink wink. I mean
• 26:41
  Speaker 2: the insiders will know. But but the reason, like he's
• 26:48
  Speaker 2: named that is because there's four sides of the character
• 26:51
  Speaker 2: kind of spoiler alert, because he's three.
• 26:53
  Speaker 3: Of those sides are very similar, very similar, but they're different.
• 26:56
  Speaker 2: Glenn happy, Gary upset, Glen happy but disturbed, Glenn happy
• 27:06
  Speaker 2: but evil, And so we had to have all four
• 27:09
  Speaker 2: Glenn's and I was doing a lot of work for that.
• 27:12
  Speaker 6: And I think there was that scene where you were
• 27:15
  Speaker 6: the Glenn that was happy but evil, and you were
• 27:18
  Speaker 6: just so struggling to make coffee that one day when
• 27:23
  Speaker 6: we were in the in the kitchen, but you were
• 27:26
  Speaker 6: just so happy and so evil.
• 27:27
  Speaker 1: I think we have a clip of.
• 27:28
  Speaker 3: That actually, Oh yeah, yeah, you know here here, let
• 27:31
  Speaker 3: me play it. Yeah, okay, I made coffee. Hi, I
• 27:39
  Speaker 3: maybe coffee?
• 27:40
  Speaker 1: Yes, baby, are you okay?
• 27:44
  Speaker 2: I'm fine, I'm making coffee.
• 27:46
  Speaker 3: I like coffee. Yum, yum, mister coffee. I'm making coffee.
• 27:52
  Speaker 3: Coffee is good.
• 27:53
  Speaker 2: I'm gonna need some toilet paper after all this coffee.
• 27:57
  Speaker 3: Hey, did you see the Galgadol music video that was
• 28:01
  Speaker 3: so fun? That was such a fun scene. None, I
• 28:04
  Speaker 3: would say almost none of that was scripted. It was
• 28:07
  Speaker 3: such an amazing moment.
• 28:08
  Speaker 2: Yeah, I read it somewhere somebody wrote it down.
• 28:13
  Speaker 3: Who wrote that down?
• 28:14
  Speaker 9: I did not write that down, Kelsey Kelsey, Did you
• 28:18
  Speaker 9: write that a little bit of the script in?
• 28:21
  Speaker 3: Did you?
• 28:22
  Speaker 4: Okay?
• 28:22
  Speaker 5: So this was when I started using the script to
• 28:25
  Speaker 5: write down people's temperatures and though And this is when
• 28:30
  Speaker 5: my paper intake was so big I had. I had
• 28:34
  Speaker 5: pages that were the script and pages that were temperatures.
• 28:38
  Speaker 3: And that makes sense because you you loved writing about
• 28:41
  Speaker 3: how you make coffee.
• 28:42
  Speaker 5: Yes, and so I one day I wrote someone temperature down.
• 28:46
  Speaker 5: I wrote like one O two, and then I wrote like,
• 28:48
  Speaker 5: oh my god, I love my coffee.
• 28:50
  Speaker 4: I love making my coffee.
• 28:51
  Speaker 3: Oh my god.
• 28:52
  Speaker 2: Wait, so are you telling me that I accidentally said
• 28:55
  Speaker 2: your manifesto as signes in the movie? That's crazy. It was.
• 29:00
  Speaker 3: That's why I explains a lot of the footage I
• 29:02
  Speaker 3: got because I've been trying to edit this thing before
• 29:06
  Speaker 3: August twenty eighth, and it has been tough because there
• 29:08
  Speaker 3: are a lot of scenes I don't even remember writing.
• 29:10
  Speaker 3: And now I'm realizing I would love to play another
• 29:13
  Speaker 3: clip of another scene. I had no idea I had written.
• 29:16
  Speaker 3: Turns out I didn't. It was just Kelsey Kelsey, let's
• 29:19
  Speaker 3: play this one This was when you know that scene
• 29:22
  Speaker 3: we shot you two the main actors are walking through
• 29:25
  Speaker 3: the forest and it's just at that point where they're
• 29:27
  Speaker 3: in love but things start turning, you know, originally. Yeah,
• 29:31
  Speaker 3: so let's just play it. Let's play it, baby.
• 29:33
  Speaker 6: I love to stroll through the forest. I love how
• 29:36
  Speaker 6: pine cones make a little shape. Pine cone, pine cone,
• 29:40
  Speaker 6: pine cone, pine cone, pine cone, pine cone on my head.
• 29:44
  Speaker 2: Hey, Mom, get me off of this set. Come find me,
• 29:49
  Speaker 2: Come get me off of this set. I don't know
• 29:52
  Speaker 2: who I am anymore.
• 29:53
  Speaker 1: Jimmy's temperature is one oh two.
• 29:56
  Speaker 6: Cannot find his test results, Diane, pine cone, pine cone.
• 30:03
  Speaker 3: Don't look at me that way.
• 30:05
  Speaker 2: Don't look at me that way. Don't look at me
• 30:07
  Speaker 2: that way. Kelsey.
• 30:09
  Speaker 3: So when I you know, I remember shooting that day
• 30:14
  Speaker 3: and I wanted to say something, but I couldn't because
• 30:16
  Speaker 3: I wasn't the director that day. The approver didn't even
• 30:19
  Speaker 3: look at my line. So the approven was Walter. Yeah, well,
• 30:24
  Speaker 3: I was gonna say the approv was Walter. Walter was
• 30:25
  Speaker 3: in the hospital, so it was hard at that time.
• 30:28
  Speaker 1: You're trying to suit him in. But I remember he was,
• 30:30
  Speaker 1: you know, he was not well.
• 30:31
  Speaker 3: But he's out now, he's out now.
• 30:33
  Speaker 1: He's good now, he's good now.
• 30:35
  Speaker 3: He's good now. Still very unvaccinated, he refuses to get one.
• 30:39
  Speaker 3: He says he's stronger than ever. He says, yeah, he
• 30:42
  Speaker 3: just goes and swims in very cold water every morning
• 30:45
  Speaker 3: and he's good.
• 30:46
  Speaker 2: He joined a polar Bear club.
• 30:48
  Speaker 6: And he can bite like a whole lemon now without
• 30:50
  Speaker 6: even tasting it.
• 30:51
  Speaker 2: He could eat it in one bite.
• 30:53
  Speaker 3: It's crazy. Have you guys seen his YouTube series eating
• 30:55
  Speaker 3: a lemon in one bite? It's so important.
• 30:58
  Speaker 2: It goes down his throat like a swallowing a mouse.
• 31:02
  Speaker 1: I think our COVID officer might be frozen.
• 31:06
  Speaker 3: Oh no, oh, you know this is classic. This is
• 31:09
  Speaker 3: classic class.
• 31:11
  Speaker 2: That's a little inside our guys. We are Zoom and
• 31:14
  Speaker 2: our COVID officer did the Zoom shut out on her.
• 31:18
  Speaker 3: And you would not believe in pre pro this happened
• 31:21
  Speaker 3: all the time.
• 31:22
  Speaker 10: And just like.
• 31:23
  Speaker 6: Hollywood Insider, like a lot of people, if you aren't,
• 31:26
  Speaker 6: if you aren't in Hollywood right now, Zoom is a
• 31:29
  Speaker 6: platform we use to communicate over the pandemic, and it's virtual.
• 31:33
  Speaker 1: It's kind of like Skype, but it's.
• 31:35
  Speaker 2: Like being in person, but on the computer.
• 31:37
  Speaker 3: Guys.
• 31:37
  Speaker 2: I want to do the thing that we always do
• 31:40
  Speaker 2: when we lose. We talk as much about them as
• 31:42
  Speaker 2: we possibly can before they come on and see if
• 31:44
  Speaker 2: they catch us.
• 31:44
  Speaker 3: Yes, yes, that game scuzy where you talk the about shit. Okay,
• 31:48
  Speaker 3: ready to go?
• 31:50
  Speaker 2: Okay. Kelsey was terrible at her job.
• 31:53
  Speaker 3: Right, absolutely terrible. Why would she? Why would she write
• 31:56
  Speaker 3: things down? There's computers everywhere? This was a you know,
• 32:00
  Speaker 3: I had ten million dollars of my own money pulled
• 32:02
  Speaker 3: into this project, so she had the resources she needed.
• 32:05
  Speaker 6: Absolutely, And I will say, I will say my shit
• 32:08
  Speaker 6: talk about Kelsey Kelsey is that she comes from inherited wealth.
• 32:14
  Speaker 2: That's a good shit talk.
• 32:15
  Speaker 3: That's a good She's Kelsey Grammer's daughter, right, but she
• 32:19
  Speaker 3: took the first name instead of the last.
• 32:23
  Speaker 6: And Hollywood insider Kelsey Bramber was in a popular TV
• 32:26
  Speaker 6: show called Cheers.
• 32:28
  Speaker 1: For a very long time.
• 32:29
  Speaker 3: If you're not if you're not familiar, Yeah, he's in
• 32:31
  Speaker 3: Cheers and he was in.
• 32:31
  Speaker 2: A puplisher called Back to You with him and Patricia Heaton.
• 32:34
  Speaker 1: Okay, I'm gonna pull a question from the fish pole.
• 32:38
  Speaker 6: Hopefully Kelsey comes back to check us on any COVID regulations.
• 32:43
  Speaker 6: I'm wearing my mask on zoom. You guys all are too,
• 32:46
  Speaker 6: so we should be covered on that front. But Hollywood,
• 32:50
  Speaker 6: if you're listening our COVID officer, she's coming back, so
• 32:53
  Speaker 6: don't sue us. Okay, okay, here's a here's a question.
• 33:00
  Speaker 1: What are you most excited for audiences to see?
• 33:04
  Speaker 2: Oh, that is a great question.
• 33:06
  Speaker 6: I mean, I think it was more just like the
• 33:08
  Speaker 6: concept that we made a movie itself.
• 33:10
  Speaker 1: That was so important for audiences.
• 33:13
  Speaker 6: To see was that it's not necessarily the content, it's
• 33:15
  Speaker 6: that it's that.
• 33:16
  Speaker 1: We made, it's that we did it.
• 33:18
  Speaker 2: I'm excited for them to see that it exists, absolutely
• 33:21
  Speaker 2: mm hmm.
• 33:22
  Speaker 6: I'm excited for them to see my name on a
• 33:24
  Speaker 6: Vimeo link that says that I did something.
• 33:28
  Speaker 3: Mm hmm. And that's true. I'm I'm only releasing it
• 33:32
  Speaker 3: on Vimeo private links. Ten million dollars well spent, I
• 33:37
  Speaker 3: would say, And this is kind of how I always
• 33:39
  Speaker 3: wanted to go down. We're doing a festival run soon.
• 33:43
  Speaker 2: Yeah, we're doing the I think I saw the dates.
• 33:45
  Speaker 2: We're doing the North Hollywood just for fun fest mm hm.
• 33:50
  Speaker 2: Then we're doing the what was it Des Moines Des
• 33:54
  Speaker 2: Moines's voices to be heard.
• 33:58
  Speaker 1: Des Mooin's voices to be heard.
• 34:00
  Speaker 6: Yeah, I think we're doing talahassee talk about film. We're
• 34:04
  Speaker 6: not showing the film there, We're just talking about it.
• 34:07
  Speaker 6: But I'm super excited.
• 34:08
  Speaker 3: And the last I think we're doing the Saint Paul
• 34:11
  Speaker 3: Catholic Brotherhood Film Festival. Really excited about that one, and
• 34:16
  Speaker 3: you told me I had to make an edit for that.
• 34:18
  Speaker 2: Yeah, there's gonna be a new cut for that one,
• 34:19
  Speaker 2: which is gonna be a little fun.
• 34:21
  Speaker 3: Yeah. I don't know if you guys know this, but Marcy,
• 34:24
  Speaker 3: your character ends up converting to Catholicism, and it really
• 34:28
  Speaker 3: it tied it in really really at the end.
• 34:30
  Speaker 6: Wow, It's so crazy how with an edit you can
• 34:33
  Speaker 6: make anything possible.
• 34:35
  Speaker 3: M because you never said I'm converting to Catholicism. So
• 34:38
  Speaker 3: I had to get very creative. And what I ended
• 34:40
  Speaker 3: up doing was, you know those guys who edit the
• 34:43
  Speaker 3: news and kind of like do mashups of Obama singing
• 34:46
  Speaker 3: a song.
• 34:46
  Speaker 2: Oh, I know them. Yeah, I dated one of them.
• 34:49
  Speaker 3: You dated one of them? Yeah, how was that?
• 34:52
  Speaker 1: Like?
• 34:53
  Speaker 2: It was great until we broke up, and then all
• 34:56
  Speaker 2: of a sudden, there's all these videos of me saying
• 34:59
  Speaker 2: these crazy things that I've never, you know, said, compared
• 35:04
  Speaker 2: just this like weird mashup video of me doing all
• 35:08
  Speaker 2: the lyrics of sticks is sailing away, And it was
• 35:10
  Speaker 2: like so weird, just different videos, and I was like,
• 35:13
  Speaker 2: we're broken up, Like it was really weird that they
• 35:15
  Speaker 2: did that.
• 35:17
  Speaker 3: Oh my gosh, Oh my gosh, Look who's back.
• 35:19
  Speaker 2: Kelsey's back.
• 35:21
  Speaker 3: Oh my god, you got disconnected Classic last literally laughing
• 35:28
  Speaker 3: so hard, Classic Zoom.
• 35:30
  Speaker 4: I got disconnected.
• 35:31
  Speaker 5: And then I forgot where on a piece of paper
• 35:34
  Speaker 5: I wrote my computer password?
• 35:38
  Speaker 3: So you got disconnected from your computer?
• 35:40
  Speaker 5: Well yeah, And that's why I also wanted to address
• 35:42
  Speaker 5: why sometimes I get mixed up with if I'm texting
• 35:45
  Speaker 5: my mom or I'm writing on a piece of paper,
• 35:49
  Speaker 5: or I'm writing my password to my computer or it's
• 35:53
  Speaker 5: on a piece of paper. I just I refuse to
• 35:56
  Speaker 5: enter the digital era with my paper. But this year
• 36:00
  Speaker 5: has taught me I have to also rely on just
• 36:04
  Speaker 5: the digitals.
• 36:05
  Speaker 6: Kelsey, I did, like I wanted to say, I admire
• 36:07
  Speaker 6: you so much because for a while you were doing
• 36:10
  Speaker 6: the call sheets and you type them all up on typewriter,
• 36:13
  Speaker 6: and they had so many errors.
• 36:16
  Speaker 1: But I thought it was so authentic that way.
• 36:18
  Speaker 3: Yeah. Well, and I don't want to yeah, I don't
• 36:20
  Speaker 3: want to speak like off the cuff here, but I
• 36:22
  Speaker 3: feel like also some medication would help, like ADHD or
• 36:25
  Speaker 3: something like that. You feel kind of all over the
• 36:27
  Speaker 3: place all the time. So yeah, well if you know,
• 36:30
  Speaker 3: they do have medication for that, you know.
• 36:33
  Speaker 5: Yeah, I mean, I just love my paper and I'll
• 36:36
  Speaker 5: leave it at that.
• 36:39
  Speaker 1: Okay, go ahead, no please.
• 36:41
  Speaker 2: Please, yeah, no, no, go ahead.
• 36:43
  Speaker 1: No, no.
• 36:43
  Speaker 5: I want both of you to tell me what you
• 36:44
  Speaker 5: want to tell me, because I feel like this room
• 36:46
  Speaker 5: has a lot to address to say.
• 36:50
  Speaker 6: Three, Kelsey, Kelsey, I want to know how you got
• 36:53
  Speaker 6: into COVID officer ing.
• 36:58
  Speaker 3: I also would love to know that because I was
• 37:00
  Speaker 3: very confused how it happened. Yeah.
• 37:01
  Speaker 5: Well, I hate to say it, but I am one
• 37:05
  Speaker 5: of the firsts because, like we said, the shutdown happened,
• 37:09
  Speaker 5: and then a day later we had a script. In
• 37:11
  Speaker 5: the day after, we were in pre pro and I
• 37:13
  Speaker 5: remember I and this is pre mask by the way, Yeah,
• 37:17
  Speaker 5: we're in pre.
• 37:18
  Speaker 2: We didn't even know what those were.
• 37:20
  Speaker 4: Yeah, we didn't even know what a technical COVID officer was.
• 37:24
  Speaker 2: I thought doctors and surgeons. I thought that's just how
• 37:28
  Speaker 2: their faces were.
• 37:30
  Speaker 4: With those you didn't even know that was a mask.
• 37:32
  Speaker 2: I thought you were some like freak robot with the
• 37:35
  Speaker 2: blue mouth.
• 37:36
  Speaker 3: That is, when did you learn? When? When did it
• 37:40
  Speaker 3: you know, when did you realize that it was not
• 37:42
  Speaker 3: like that?
• 37:43
  Speaker 2: I think I saw something on Bill Maher about it,
• 37:46
  Speaker 2: and then that's kind of what changed it all for me.
• 37:48
  Speaker 1: He's so smart, he's funny, so smart.
• 37:52
  Speaker 3: It was that except where he says, hey, everybody, doctors
• 37:55
  Speaker 3: faces are not like this, this is a mask. That's
• 37:58
  Speaker 3: the segmenture.
• 37:59
  Speaker 2: No one else talks about the stuff he does, and
• 38:01
  Speaker 2: I connect to it.
• 38:03
  Speaker 6: No, he was really giving it to Trump like so much,
• 38:05
  Speaker 6: and like really laying into him a lot.
• 38:07
  Speaker 1: And I really.
• 38:09
  Speaker 2: Respect amazing atheism.
• 38:11
  Speaker 1: He loves atheism a lot. It's like a lot.
• 38:14
  Speaker 3: What is that? What is that atheism? Yeah?
• 38:18
  Speaker 2: Well, well we are submitted to the Catholic Brotherhood fest
• 38:22
  Speaker 2: so I don't know if we should even.
• 38:22
  Speaker 1: Talk about the word.
• 38:25
  Speaker 3: No, it's all right, it's all right. I submitted as
• 38:27
  Speaker 3: a new movie. They'll never find it.
• 38:28
  Speaker 11: Okay, so here so Kelsey, Kelsey, So we right, okay, right,
• 38:35
  Speaker 11: because this was pre masked so we on the third
• 38:37
  Speaker 11: day of this pandemic decided, you know, it would be
• 38:39
  Speaker 11: really good to have another body in this enclosed space
• 38:42
  Speaker 11: to just kind of like watch what's happening.
• 38:44
  Speaker 5: Yeah, just ensure And that's when we started, like every
• 38:47
  Speaker 5: day my job is changing because we are learning more.
• 38:50
  Speaker 4: We were I was so it all I think.
• 38:54
  Speaker 5: I hate to say it, but I am one of
• 38:56
  Speaker 5: the pioneers of our industry, our little COVID officer industy Tree.
• 39:00
  Speaker 4: And now I look at what it is. There are
• 39:02
  Speaker 4: full COVID.
• 39:02
  Speaker 5: Teams, there are safety meetings. I mean, we didn't have
• 39:06
  Speaker 5: a safety meeting. I want to say never. We never
• 39:11
  Speaker 5: had and now it's it brings here.
• 39:15
  Speaker 10: It cost us hugely, cost us huge cource it did,
• 39:21
  Speaker 10: but now it's twice. Yeah, and then it came back around.
• 39:26
  Speaker 6: I will say thet When it came back around the
• 39:28
  Speaker 6: second time, around December, when we all went to see
• 39:31
  Speaker 6: our families, and then we came back to shoot more pickups.
• 39:36
  Speaker 6: When we all got COVID the second time, it really hurt.
• 39:39
  Speaker 6: Like the first time, I think we were we were ready,
• 39:41
  Speaker 6: we were in for it as a family, but I
• 39:43
  Speaker 6: noticed that the morale was significantly lower.
• 39:45
  Speaker 1: The second time around.
• 39:45
  Speaker 3: Yeah, I guess for me, that's when it became so
• 39:49
  Speaker 3: much less of a hoax. You know, That's when I
• 39:51
  Speaker 3: was like, this is real, this is real.
• 39:56
  Speaker 2: And I, while we are addressing things, I did want
• 39:59
  Speaker 2: to address us the one day that I was the
• 40:02
  Speaker 2: approver in October, and as the approver, you know, tried
• 40:07
  Speaker 2: to get us to go home. You know, I got
• 40:11
  Speaker 2: us in the van, and I got us out, and
• 40:13
  Speaker 2: I got us the outskirts of Big Bear and I,
• 40:16
  Speaker 2: you know, somebody took me away from approver mode and and.
• 40:20
  Speaker 3: We had to fight you. We had to push you
• 40:22
  Speaker 3: in that back. Yeah.
• 40:23
  Speaker 2: Yeah, you know, as we say, we're.
• 40:24
  Speaker 3: Only a third away through shooting.
• 40:27
  Speaker 2: Yeah, you no longer because you're no longer the approver
• 40:29
  Speaker 2: if you are deemed unwell, and you guys kind of
• 40:33
  Speaker 2: found me to be unwell. I still disagree. I think
• 40:38
  Speaker 2: I was in my right mind, and I think it
• 40:40
  Speaker 2: would have been fun for us to have gone home
• 40:42
  Speaker 2: for good. But but I respect the process and I
• 40:48
  Speaker 2: respect that you guys made that choice.
• 40:50
  Speaker 6: I would like to thank you and to also apologize
• 40:53
  Speaker 6: for the time that I was the approver and you
• 40:56
  Speaker 6: guys removed me from the set for a while because
• 40:59
  Speaker 6: I refused to turn the camera on, and that was
• 41:03
  Speaker 6: an example of me not being in my right mind.
• 41:05
  Speaker 1: And I do recognize that. I recognize that now.
• 41:08
  Speaker 3: So it was just tough because we were rehearsing. That
• 41:10
  Speaker 3: was maybe the most committed we were all we were
• 41:13
  Speaker 3: in the most set, it felt the most. You were
• 41:15
  Speaker 3: a great approver to run set, but you just refuse
• 41:17
  Speaker 3: to turn on the camera. And I just you know,
• 41:19
  Speaker 3: had to keep on explaining to you what we're doing
• 41:22
  Speaker 3: right now cannot be seen, cannot be in a film
• 41:27
  Speaker 3: unless we put the cameras.
• 41:29
  Speaker 6: And I think that turning the camera on would have
• 41:30
  Speaker 6: been inauthentic because this we were so in the scene
• 41:34
  Speaker 6: that was like perfect, perfect performance, and turning the camera
• 41:38
  Speaker 6: on would have ruined it.
• 41:39
  Speaker 4: I totally agree. And on that note about not being seen,
• 41:42
  Speaker 4: I want to.
• 41:43
  Speaker 5: Say I apologize for the day that I was the
• 41:45
  Speaker 5: approver and I pivoted the project and I wanted to
• 41:48
  Speaker 5: do a picture book.
• 41:50
  Speaker 2: I it was really hard.
• 41:52
  Speaker 3: We all had to do, really and we were all
• 41:55
  Speaker 3: losing our mind. I wanted to absolutely losing our mind.
• 41:58
  Speaker 5: I'm a paper gallup and through and I just wanted
• 42:00
  Speaker 5: us to make a picture book, and I apologize because
• 42:04
  Speaker 5: that's what not what we're doing.
• 42:06
  Speaker 4: We're making a film.
• 42:09
  Speaker 9: I guess the one, So thank you, I guess I'll
• 42:14
  Speaker 9: say maybe on a lighter note, I loved when I
• 42:20
  Speaker 9: was the approval and I came up with the idea
• 42:21
  Speaker 9: of all of us going to.
• 42:22
  Speaker 3: Astro Camp space camp next door for kids. That was
• 42:28
  Speaker 3: very fun. That was actually when we got Yeah, we
• 42:32
  Speaker 3: we snuck in and we shot.
• 42:33
  Speaker 4: Rockets and somehow we picked up COVID mm hmm.
• 42:37
  Speaker 3: And I will actually apologize because, yeah, two bad things
• 42:40
  Speaker 3: happened at astro Camp. One we got COVID and maybe
• 42:44
  Speaker 3: that was my fault now thinking about it. It wasn't
• 42:47
  Speaker 3: you know, anybody hooking up. It was because we went
• 42:49
  Speaker 3: to Astro Camp and licked everything where kids were. I
• 42:52
  Speaker 3: made everybody lick and to you know, uh, Devin, our
• 42:57
  Speaker 3: best boy. We put him on that chair that you're
• 43:00
  Speaker 3: supposed to launch people in Astro Camp and we didn't
• 43:04
  Speaker 3: tie him down.
• 43:05
  Speaker 2: But you know, it's okay, Sebastian because as you know,
• 43:08
  Speaker 2: I would say, and no offense to anyone else, I
• 43:10
  Speaker 2: would say, you were probably my favorite approver on set.
• 43:13
  Speaker 3: Really.
• 43:13
  Speaker 2: Yeah, there was that one time where you had to
• 43:17
  Speaker 2: kind of punish me because I wasn't doing what you wanted,
• 43:22
  Speaker 2: and as a punishment, you did my character for what
• 43:27
  Speaker 2: ended up to be thirty to thirty five minutes of
• 43:29
  Speaker 2: the movie.
• 43:32
  Speaker 3: I remember, I do remember.
• 43:33
  Speaker 2: I think we have a clip of the scene where
• 43:36
  Speaker 2: it switches for me to you.
• 43:37
  Speaker 3: Yeah, yeah, okay, let's play it. This is a great scene.
• 43:41
  Speaker 3: This is between our two leads, and it's just when
• 43:43
  Speaker 3: she starts interrogating him about kind of where he's been,
• 43:46
  Speaker 3: what's going on, And you can actually see the moment
• 43:49
  Speaker 3: where I didn't think. You know, you're fantastic. I want
• 43:53
  Speaker 3: to reiterate you're a fantastic actor, Kenny, but there was
• 43:58
  Speaker 3: just a moment where I thought you weren't getting it,
• 43:59
  Speaker 3: and I felt like I had to get in totally.
• 44:01
  Speaker 2: Yeah, that's if you paid really close attention, I think
• 44:03
  Speaker 2: you'll be able to notice it.
• 44:07
  Speaker 1: Glenn, what's wrong?
• 44:09
  Speaker 6: You're acting so strange.
• 44:11
  Speaker 2: I'm acting the way I need to act, the way
• 44:14
  Speaker 2: I need to survive Past home.
• 44:16
  Speaker 1: You came out so late, you were covered in dirt
• 44:20
  Speaker 1: and mud. Where were you?
• 44:23
  Speaker 2: I was searching for the cure of this brand new
• 44:26
  Speaker 2: disease called COVID.
• 44:29
  Speaker 3: It's called COVID nineteen. Don't you get that? Don't you
• 44:33
  Speaker 3: understand that? Of course I love coffee, coffee, coffee, coffee.
• 44:38
  Speaker 4: Now can we cut? Can we cut? Someone? Someone has COVID,
• 44:44
  Speaker 4: So we should shut down.
• 44:45
  Speaker 2: I can't breathe.
• 44:46
  Speaker 1: Under this bag.
• 44:48
  Speaker 3: Shut up. You're gonna learn your lesson. The approver says,
• 44:51
  Speaker 3: you sit under that bag until you learn your lesson.
• 44:54
  Speaker 3: Question for our listeners, did you notice the switch? Did
• 44:56
  Speaker 3: you notice where the switch.
• 44:57
  Speaker 5: Was before we have to leave here today, this beautiful zoom?
• 45:05
  Speaker 5: What each of you thinks the future looks like for
• 45:08
  Speaker 5: us as society and for us mainly importantly as filmmakers,
• 45:12
  Speaker 5: as we navigate.
• 45:13
  Speaker 4: Post COVID and post post this film.
• 45:21
  Speaker 2: Well, I will say that, you know, there is kind
• 45:25
  Speaker 2: of another I've just been hearing about. This is just
• 45:27
  Speaker 2: kind of another wave of COVID that's causing a lot
• 45:29
  Speaker 2: of problems. And can I just say, I'm so excited
• 45:31
  Speaker 2: because I'd love to shoot a sequelten.
• 45:35
  Speaker 4: Holy shit, I was hoping you would say something. I
• 45:37
  Speaker 4: was hoping that would come up.
• 45:39
  Speaker 1: I was so I'm so excited. What's it called?
• 45:43
  Speaker 3: Oh this, it's called breakout too?
• 45:45
  Speaker 2: Oh?
• 45:46
  Speaker 1: I love that. Oh my god, what a fun way
• 45:49
  Speaker 1: to keep it going. Oh, that's so exciting. I can't
• 45:52
  Speaker 1: wait to explore this pain. I cannot wait to explore
• 45:55
  Speaker 1: the pain of the upcoming wave. That's so exciting.
• 45:58
  Speaker 2: That's awesome, awesome.
• 46:00
  Speaker 3: Yeah.
• 46:01
  Speaker 2: So I think that's what I'm kind of looking forward to,
• 46:05
  Speaker 2: is being able to create more in whichever situation.
• 46:09
  Speaker 3: I'm really really, you know, looking forward to just diving
• 46:12
  Speaker 3: in again, diving in again, getting lost in the internet,
• 46:15
  Speaker 3: getting lost physically. I was lost for a very long time,
• 46:20
  Speaker 3: just I could not find my car, and you know,
• 46:25
  Speaker 3: not having not and you know, not having to worry
• 46:32
  Speaker 3: about outside society. I don't want to go to a
• 46:36
  Speaker 3: coffee shop field with other writers trying to write something.
• 46:39
  Speaker 3: I want to write something in my room because I'm
• 46:41
  Speaker 3: scared of what's happening in the world. And then I
• 46:45
  Speaker 3: want to go for six months with strangers and now
• 46:49
  Speaker 3: who have become my family and some of my best friends.
• 46:52
  Speaker 3: And do we see each other. No, but that's fine.
• 46:54
  Speaker 3: Families don't see each other after a certain period. And
• 46:59
  Speaker 3: I just want to make art, you know, I just
• 47:02
  Speaker 3: want to make art.
• 47:03
  Speaker 6: I want to make art, so so, so, so so
• 47:07
  Speaker 6: bad and I would just love to really quickly plug
• 47:11
  Speaker 6: I mean obviously so excited for this film.
• 47:13
  Speaker 1: August twenty eighth, Vimeo come out and see it.
• 47:16
  Speaker 6: Come out six pm and see it six pm wherever
• 47:20
  Speaker 6: you Vimeo.
• 47:21
  Speaker 3: You want the private links, message me if you want
• 47:23
  Speaker 3: the private.
• 47:23
  Speaker 2: Links PM only on Vimeo. If you don't get on
• 47:26
  Speaker 2: at six pm, we are removing it.
• 47:31
  Speaker 1: Yeah, we're gonna take it off. But also on August thirtieth,
• 47:36
  Speaker 1: my film Inside the Kissing Farm comes out, and.
• 47:40
  Speaker 3: This is you were shooting the movie the entire time.
• 47:43
  Speaker 6: Yeah, it was a real It was a skeleton crew
• 47:46
  Speaker 6: of about forty five to sixty people, and we're sort
• 47:50
  Speaker 6: of it was a similar family vibe where we were
• 47:53
  Speaker 6: all at the same time kissing in real life and
• 47:56
  Speaker 6: kissy kissing in the movie.
• 47:58
  Speaker 5: I did a COVID officer, I like filled in for
• 48:00
  Speaker 5: somebody right one of those days of the kiss.
• 48:02
  Speaker 1: Who did we brought her? Oh, we brought her over
• 48:04
  Speaker 1: her because the other COVID officer got COVID.
• 48:07
  Speaker 2: Can I ask a quick question, what's the product at
• 48:09
  Speaker 2: the Kissing Farm? What's the kind of product you're going towards?
• 48:13
  Speaker 2: The product of the No the Farms have products. I
• 48:17
  Speaker 2: guess I'll have to see the movie to find out,
• 48:19
  Speaker 2: but if you could tell me now, that would save
• 48:20
  Speaker 2: me a lot of sleepless nights. I just want to
• 48:23
  Speaker 2: know what you guys did there.
• 48:25
  Speaker 3: So the farm, the farm.
• 48:26
  Speaker 6: The export is love and forgiveness. The export is human compassion.
• 48:31
  Speaker 6: And we keep the lights on the way we do
• 48:36
  Speaker 6: any job by love and all knowing. And someone who
• 48:42
  Speaker 6: runs the farm's dad is the president of Raytheon, so.
• 48:46
  Speaker 2: We get some support there, you know. Can I just say, Marcy,
• 48:50
  Speaker 2: that's an incredible pitch because it just makes me neat
• 48:53
  Speaker 2: to see the movie. It gives me more questions than answers.
• 48:57
  Speaker 6: And that's and we want people to come with questions.
• 48:59
  Speaker 6: We want be questions.
• 49:01
  Speaker 5: Important, so important, I'll say, for the future. For me,
• 49:05
  Speaker 5: it looks like breakout too. Hopefully, I I really, I
• 49:09
  Speaker 5: really hope.
• 49:10
  Speaker 3: I'm so sorry you're not coming back. You're probably not
• 49:13
  Speaker 3: going to be coming back now. Why is that we
• 49:16
  Speaker 3: got COVID two to three times, maybe even more, but
• 49:21
  Speaker 3: you kept on losing the papers.
• 49:22
  Speaker 5: That's maybe because we had we had many cast members
• 49:25
  Speaker 5: at Kissing Farms, and.
• 49:27
  Speaker 3: We and as the COVID compliance officer you're kind of
• 49:30
  Speaker 3: in charge of not letting that happen. You could come back,
• 49:34
  Speaker 3: as it's.
• 49:34
  Speaker 6: A really tough moment for all of us. But if
• 49:37
  Speaker 6: I'm going to keep going to kissing Farms, we're going
• 49:39
  Speaker 6: to be a COVID officer.
• 49:40
  Speaker 1: Who's up for the task.
• 49:42
  Speaker 2: I'm sorry, Kelsey, just wasn't up to snuff. You let
• 49:47
  Speaker 2: me meet up with several people every night.
• 49:51
  Speaker 4: But you wanted a ride, and I gave.
• 49:53
  Speaker 3: You a ride, and you dropped off everybody else too.
• 49:57
  Speaker 6: It's responsible for all of our personal decisions, and you
• 50:01
  Speaker 6: should have known that going in.
• 50:03
  Speaker 1: Well.
• 50:03
  Speaker 3: Big Bear gave you to blame.
• 50:05
  Speaker 2: Big Bear gave you a key to the city for
• 50:07
  Speaker 2: being an emergency taxi during COVID, and.
• 50:10
  Speaker 3: I don't want to blame COVID entirely on you, but
• 50:13
  Speaker 3: I do feel like it was entirely your fault. The
• 50:16
  Speaker 3: whole amazing.
• 50:17
  Speaker 4: Hi, I got the key to the city and that
• 50:19
  Speaker 4: was amazing. But I've worked with you guys. Will you
• 50:22
  Speaker 4: at least hire me as a deemster.
• 50:24
  Speaker 3: If you cry, I'm going to cry. Stop God.
• 50:28
  Speaker 4: I can't say that this wasn't a good.
• 50:29
  Speaker 3: Learning workout a role for you. We'll work out a
• 50:32
  Speaker 3: role for you.
• 50:32
  Speaker 4: I mean I had the key to the City of
• 50:34
  Speaker 4: Being Bears. If you want to shoot there, I bet it'll.
• 50:36
  Speaker 3: Be by the way. Are you guys vaccinated?
• 50:42
  Speaker 1: No? Oh hell no, no, no, absolutely not.
• 50:46
  Speaker 4: And that was artist on artists on Artists on.
• 50:48
  Speaker 6: Artists, and of course this film is available August twenty
• 50:52
  Speaker 6: eighth on Vimeo at six pm and so DMUs.
• 50:56
  Speaker 1: For the private Lenk.
• 50:57
  Speaker 2: This has been artists on artists and artists and artists
• 51:00
  Speaker 2: answering the question. Now, that's why they call it show business.
• 51:04
  Speaker 2: We'll see you next week. Stay safe.
• 51:15
  Speaker 4: Hi, I'm Angela Jertana.
• 51:16
  Speaker 3: I'm Jeremy Colhayne, I'm Patrick McDonald, and.
• 51:18
  Speaker 1: I'm Kylie Brakman.
• 51:19
  Speaker 6: Artists on Artists on Artists on Artists is an improvised
• 51:22
  Speaker 6: Hollywood roundtable podcast available on iTunes and Spotify.
• 51:26
  Speaker 3: You can follow us at aoaoaoa pod on Twitter and Instagram.
• 51:30
  Speaker 2: That's right, four a's with three o's in between, then pod.
• 51:34
  Speaker 1: This episode was edited by July Diz.
• 51:36
  Speaker 3: Music for this week's episode was provided by Gabriel Ponton.
• 51:40
  Speaker 1: That's all for now, good night, Hollywood.