Latest / This Jungian Life Podcast / [SUBSCRIBER BONUS] How Do the Negative Mother and Negative Animus Collude?
Transcript
- 0:08Speaker 1: Welcome once again to Jung Love. We're with you in mind.
- 0:14Speaker 1: We take some time to answer questions, take a look
- 0:17Speaker 1: at dreams, or some of the other content that you'd
- 0:21Speaker 1: like us to consider. As ever, your support is much appreciated.
- 0:27Speaker 1: This week here is a question, and the question is,
- 0:31Speaker 1: what are the dynamics in a woman's psyche of the
- 0:35Speaker 1: collusion between the negative mother and the negative animus. And
- 0:40Speaker 1: for context, she says, I've had two similar dreams recently.
- 0:46Speaker 1: In the first, I'm at work and my mother's in
- 0:48Speaker 1: the office and is irritated and upset. A man across
- 0:53Speaker 1: the hall is trying to distract me from my work
- 0:55Speaker 1: that I haven't been able to do for a long time.
- 0:59Speaker 1: In the second dream, my mother has her back turned
- 1:02Speaker 1: to me, never acknowledging me and holding up dinner, while
- 1:05Speaker 1: my brother is late off doing his own thing. I
- 1:09Speaker 1: think I read in one of Marian Woodman's books about
- 1:12Speaker 1: how the negative mother and negative animus can collude in
- 1:17Speaker 1: a woman's psyche.
- 1:19Speaker 2: Well, I think one of the ideas that comes up
- 1:22Speaker 2: naturally for me is how in fairy tales particularly, there
- 1:28Speaker 2: can be a problematic female figure, an evil queen, a
- 1:33Speaker 2: cursing stepmother. And sometimes in the fairy tales that there
- 1:38Speaker 2: are male figures, huntsmen, soldiers, viziers, for instance, that are
- 1:46Speaker 2: in service to the queen and in a sense facilitating
- 1:52Speaker 2: this problematic conflict in the psyche. That's one environment where
- 2:01Speaker 2: I think that dynamic is captured as a motif.
- 2:05Speaker 1: So that sparks in me the thought of, like in
- 2:10Speaker 1: Snow White, the wicked queen hires the huntsman who is
- 2:16Speaker 1: supposed to kill Snow White and bring back her heart.
- 2:21Speaker 1: In Hansel and Gretel, the father, he's not the agent
- 2:27Speaker 1: of sending the children out into the woods, but he's absent.
- 2:32Speaker 1: He does not... He doesn't interfere. Cinderella's father is just,
- 2:39Speaker 1: he's just not on the scene. He's somewhere in the
- 2:44Speaker 1: background running a kingdom or doing something. So he doesn't
- 2:49Speaker 1: do anything negative, but his absence is harmful.
- 2:53Speaker 2: Right. So sometimes, if we use that formulation, sometimes the
- 2:58Speaker 2: animus is inactive, too silent, or a kind of sin
- 3:03Speaker 2: of omission. It is not supporting the ego in standing
- 3:08Speaker 2: against the kind of destructive complex.
- 3:12Speaker 3: So one of the things that comes up for me
- 3:15Speaker 3: is that dreams give us sort of a snapshot of
- 3:18Speaker 3: relations in the inner world. So these dreams are kind
- 3:21Speaker 3: of telling this dreamer something about what's going on in
- 3:24Speaker 3: the inner world. And to pick up on that important
- 3:27Speaker 3: phrase that you just used, Joseph, a kind of destructive complex,
- 3:31Speaker 3: it definitely happens that there can be destructive complexes in
- 3:35Speaker 3: the psyche that can kind of attack the ego or
- 3:38Speaker 3: impinge upon the ego. And dreams can show us that
- 3:42Speaker 3: that is happening. It's sort of like, you know, look here.
- 3:45Speaker 3: And these dreams may indeed be just that. But I
- 3:50Speaker 3: wonder about something else, which is she's called the male
- 3:54Speaker 3: figures in both of these dreams a negative animus. And
- 3:58Speaker 3: I'm not sure that I'm convinced that they're negative. A
- 4:02Speaker 3: lot of times something that seems negative in a dream
- 4:07Speaker 3: is something that the ego hasn't been ready to countenance.
- 4:12Speaker 3: And so the ego feels challenged by it, but it
- 4:15Speaker 3: may not indeed be negative. So for example, in the
- 4:18Speaker 3: first dream, there's this male figure who's trying to distract her.
- 4:22Speaker 3: It sounds like she is indeed distracted. She says she
- 4:25Speaker 3: hasn't been able to work on this for a long time.
- 4:28Speaker 3: But I just want to start by kind of questioning
- 4:31Speaker 3: the assumption that that is necessarily a bad thing. It
- 4:34Speaker 3: might be a just so, like this is what's happening
- 4:37Speaker 3: in your psyche, as I said a minute ago. But
- 4:39Speaker 3: it might be that there's real telos in it. Like
- 4:43Speaker 3: maybe this is not what you're meant to be doing
- 4:46Speaker 3: right now. And maybe your ego is pressing forward saying,
- 4:50Speaker 3: I need to do that work. But some other part
- 4:52Speaker 3: of you is like, no, you actually don't. So I'd
- 4:55Speaker 3: be curious about any other information about that man in
- 4:58Speaker 3: the dream or.
- 4:58Speaker 2: About your brother.
- 4:59Speaker 3: You know, in what ways might these male figures be
- 5:03Speaker 3: bringing something that perhaps is needed? And the reason that
- 5:08Speaker 3: this matters is because when you see a kind of
- 5:11Speaker 3: working together in a dream, sometimes you see the shadow
- 5:15Speaker 3: and the animus kind of working together. And again, it
- 5:18Speaker 3: can feel like a negative animus because a lot of
- 5:20Speaker 3: times in those types of dreams, It feels like they
- 5:23Speaker 3: have this pact and they're over here and somehow the
- 5:26Speaker 3: ego is outside. But a lot of times it's communication
- 5:30Speaker 3: to the ego about the qualities that need to be
- 5:33Speaker 3: worked on. It's often some configuration like if you can
- 5:37Speaker 3: be more like the shadow, then you'll have better access
- 5:41Speaker 3: to the animus, for example, in some of the dreams
- 5:43Speaker 3: that I've seen. So, I mean, the negative mother can
- 5:49Speaker 3: obviously be a tremendous burden in the psyche. But I'm
- 5:54Speaker 3: wondering what the medicine in these dreams are. And that's
- 5:59Speaker 3: what's causing me to think, wait a minute, is this bad? Again,
- 6:05Speaker 3: I think the two possibilities are it's a snapshot of
- 6:09Speaker 3: a really negative complex that's at work that you're going
- 6:13Speaker 3: to have to figure out how to face, as it were.
- 6:16Speaker 3: Or it's medicinal. It's telling you, hey.
- 6:22Speaker 3: Actually, for example, maybe you don't need to be doing
- 6:26Speaker 3: that work. Maybe you need to be more like this
- 6:29Speaker 3: over here. Or, and I didn't quite understand the second term,
- 6:33Speaker 3: there's not a lot of information in it, but maybe
- 6:35Speaker 3: if you can get closer to some of the qualities
- 6:38Speaker 3: in your brother, then you might be able to get
- 6:40Speaker 3: dinner from your mom. So just maybe something to play
- 6:44Speaker 3: with in there.
- 6:45Speaker 1: I think I want to sort of take a shortcut
- 6:50Speaker 1: through all of the conceptual terminology and complexity of how
- 6:58Speaker 1: much is it the negative mother and how much is
- 7:00Speaker 1: it the negative animus? It's just sort of like, whoa.
- 7:06Speaker 1: And kind of pick up on what I think you're
- 7:08Speaker 1: pointing to, Lisa, which is just to consider these dream
- 7:12Speaker 1: images just on their own. That in the first dream,
- 7:16Speaker 1: there's a man who's trying to distract our dream ego
- 7:21Speaker 1: from what the dream ego thinks of as her work.
- 7:26Speaker 1: So what are we talking about here? What work? Who
- 7:30Speaker 1: is that? Say more. And in the second dream, that
- 7:35Speaker 1: we have the brother who is late. And mom is
- 7:40Speaker 1: holding up dinner until presumably the brother can get in.
- 7:44Speaker 1: and be there. So, hmm, what is that? An image
- 7:49Speaker 1: of some kind of privilege? And where is that in
- 7:52Speaker 1: the dreamer? Just go ahead and feel free to work
- 7:56Speaker 1: with the dream images themselves. The terminology and conceptual stuff
- 8:03Speaker 1: here can be a real thicket that may or may
- 8:08Speaker 1: not actually be helpful in understanding what's going on in you.
- 8:14Speaker 1: in a particular dream.
- 8:15Speaker 2: Well, I want to, in addition, just lift up a
- 8:19Speaker 2: little bit of the Marion Woodman piece because Marion has
- 8:24Speaker 2: a very particular perspective on this. So in Marion's work,
- 8:31Speaker 2: that she is particularly interested in the relationship of the animus,
- 8:36Speaker 2: the negative mother, and addiction. And so one of the
- 8:40Speaker 2: things that Marion brings forward is that sometimes the inner
- 8:45Speaker 2: masculine can turn into a very harsh judge, a distractor,
- 8:50Speaker 2: or can be rather grandiose, kind of a grandiose thinking
- 8:53Speaker 2: function that's cut off from feeling. And the Marian says
- 8:57Speaker 2: something like, the animus fosters addiction and in that addictive
- 9:07Speaker 2: spirit consumes the feminine. because it feeds on a woman's
- 9:13Speaker 2: psychic energy without giving her genuine support. And that can
- 9:18Speaker 2: be aligned with the negative mother when the internal negative
- 9:23Speaker 2: mother is functioning in a kind of devouring, withholding, or
- 9:27Speaker 2: chronically dissatisfied state, which is always constellating guilt and inadequacy
- 9:34Speaker 2: and a hunger for approval. So the animus that comes
- 9:40Speaker 2: forward with addiction as a response to the pain of
- 9:45Speaker 2: the negative mother, creates a kind of collusion that Marion
- 9:50Speaker 2: kind of lifts up. And while that's not explicitly demonstrated
- 9:55Speaker 2: in the dream, I think that's where Marian is coming in,
- 9:58Speaker 2: in terms of her own theory. So I think there
- 10:01Speaker 2: may be more in the question than we're able to
- 10:06Speaker 2: bring up without the questioner here in the room with us, perhaps.
- 10:10Speaker 3: Right. Yeah, it goes into some really deep places, so.
- 10:23Speaker 1: Thank you.