Latest / The 50 Greatest Old Time Radio Shows | Old Time Radio / Lux Radio Theatre - "The Paradine Case" (Old Time Radio, 1949)
Transcript
- 0:00Speaker 1: Accused of poisoning her blind, decorated war hero husband, Mrs.
- 0:04Speaker 1: Madalena Paradine faces an English court and the defense of
- 0:09Speaker 1: barrister Anthony Keene. On May 9th, 1949, Lux Radio Theater
- 0:16Speaker 1: brought its episode number 657 to CBS with The Paradine Case,
- 0:21Speaker 1: adapted from Alfred Hitchcock's 1947 film, itself drawn from Robert
- 0:27Speaker 1: Smythe Hitchens' novel. Joseph Cotton plays Keane, with Elida Valley
- 0:32Speaker 1: as Mrs. Paradine and Louis Jordan as Andre Latour. Valley
- 0:37Speaker 1: and Jordan return to roles they played in the film.
- 0:41Speaker 1: As Keane follows the case from London to the prison
- 0:44Speaker 1: and the Paradine estate, his interest in his client begins
- 0:48Speaker 1: to unsettle both his wife and his judgment. We now
- 0:52Speaker 1: take you back to the original broadcast.
- 0:55Speaker 2: Lux presents Hollywood.
- 1:06Speaker 3: Lieber Brothers Company, the makers of Lux Toilet Soap, bring
- 1:09Speaker 3: you the Lux Radio Theater, starring Joseph Cotton, Valley, and
- 1:15Speaker 3: Louis Jourdan in The Paradine Case.
- 1:19Speaker 2: Ladies and gentlemen, your producer, Mr.
- 1:22Speaker 4: William Keeley.
- 1:30Speaker 2: Greetings from Hollywood, ladies and gentlemen.
- 1:33Speaker 5: The cosmopolitan touch brings distinction to the Lux Radio Theater
- 1:37Speaker 5: tonight with three great stars from as many nations. First,
- 1:41Speaker 5: there's one of our top American favorites, Joseph Cotton. And
- 1:45Speaker 5: joining him are two of David O. Selznick's most important discoveries,
- 1:50Speaker 5: the lovely and talented ballet from Italy and from France,
- 1:54Speaker 5: the accomplished Louis Jourdain. The play which stars these three
- 1:58Speaker 5: together is Mr. Selznick's 10th dramatic hit of the current screen,
- 2:03Speaker 5: the Paradine case, which adds to the international flavor with
- 2:07Speaker 5: its highly emotional setting of a London murder trial. And
- 2:11Speaker 5: there's another international favorite involved in this production, too.
- 2:15Speaker 2: That's Lux Toilet Soap.
- 2:17Speaker 5: For wherever beautiful women are found, in Hollywood and all
- 2:21Speaker 5: over the world, they've chosen Lux Soap Care to guard
- 2:24Speaker 5: that beauty. It's curtain time now for the Paradine case,
- 2:28Speaker 5: and here's the first act, starring Joseph Cotton as Tony Keene,
- 2:33Speaker 5: Valley as Mrs.
- 2:34Speaker 2: Paradine, and Louis Jourdain as Latour.
- 2:48Speaker 5: A few days ago, the London newspapers announced the death
- 2:51Speaker 5: of a celebrated war hero, Colonel Richard Paradine. His death
- 2:55Speaker 5: was sudden, There was a police investigation with a startling development.
- 3:02Speaker 2: Don't worry about anything, Mrs. Paradine. We'll have you out
- 3:05Speaker 2: of here as soon as possible. As soon as possible.
- 3:08Speaker 6: It's incredible, Sir Simon. They came to my home, two policemen.
- 3:13Speaker 6: They arrested me. They say my husband was poisoned.
- 3:16Speaker 2: Inspector Ambrose will be back in a moment, my dear.
- 3:18Speaker 2: Let's not waste any words. You don't have to tell
- 3:21Speaker 2: me that the police are making a terrible mistake. But
- 3:24Speaker 2: above all things, we mustn't despair. You're not despairing, are you?
- 3:28Speaker 7: No, I'm not despairing.
- 3:29Speaker 2: Now, let's see. They read the charge and ask if
- 3:32Speaker 2: you have anything to say. I think you'd better say no.
- 3:35Speaker 2: Is that understood?
- 3:36Speaker 7: The trial. Who's to defend me?
- 3:39Speaker 8: You.
- 3:39Speaker 2: Oh, dear me no. I'm no criminal lawyer, Mrs. Paradine.
- 3:42Speaker 2: But you'll have one of the most distinguished leaders of
- 3:44Speaker 2: the bar. You've heard of Anthony Keen?
- 3:47Speaker 7: Yes, I think so.
- 3:48Speaker 2: He's very good at this sort of thing. He's a
- 3:49Speaker 2: friend of mine. I'm sure you'll like him.
- 3:52Speaker 7: That's not as important as his liking me, is it?
- 3:55Speaker 2: I think he will. Yes, I'm sure he will.
- 4:08Speaker 7: Tony, what's the matter, dear? You're miles away.
- 4:11Speaker 4: Just been thinking, Gay, that case somebody wants me to
- 4:14Speaker 4: take Mrs. Paradine.
- 4:15Speaker 9: I don't believe she did it, Tony. Nice people just
- 4:17Speaker 9: don't go about murdering other nice people.
- 4:20Speaker 4: So you think she's nice?
- 4:20Speaker 9: A photograph looks nice. A little too beautiful, maybe, but
- 4:25Speaker 9: Anyone who wasn't nice wouldn't have married a blind man,
- 4:27Speaker 9: even though he was so rich.
- 4:28Speaker 4: Nice people never murder their husbands, hmm? It's amazing that
- 4:31Speaker 4: 11 years of wedlock with an incurable realist hasn't altered
- 4:34Speaker 4: a single one of your lovely delusions about nice people.
- 4:39Speaker 7: But you've changed, Tony.
- 4:41Speaker 2: Have I?
- 4:41Speaker 9: 11 years ago, you wouldn't have taken on this pageant case.
- 4:44Speaker 4: That's nonsense. I never turned down a thumping big fee
- 4:47Speaker 4: then any more than now. You still love me, though.
- 4:50Speaker 7: A little.
- 4:51Speaker 2: Come here. I'm I'm not really mental, you know, not entirely.
- 4:58Speaker 9: But darling, Simi and Judy, they're coming for dinner.
- 5:01Speaker 4: Now, now, who's the realist now?
- 5:03Speaker 7: Tony, you are taking the case, aren't you?
- 5:06Speaker 4: I suppose so. I'm meeting her tomorrow with Simi.
- 5:17Speaker 2: And here's the great man himself, Mrs. Paradine, Anthony Keene.
- 5:21Speaker 2: You can take heart, my dear. We've got the Royal
- 5:23Speaker 2: Marines on our side.
- 5:25Speaker 7: You're going to defend me?
- 5:26Speaker 4: The Royal Marines look forward to very little trouble, Mrs.
- 5:28Speaker 2: Paradine.
- 5:29Speaker 4: A brief skirmish and you'll be lunching at the Savoy again.
- 5:33Speaker 2: Really?
- 5:34Speaker 7: I haven't been thinking about lunching at the Savoy.
- 5:38Speaker 6: I keep hearing people all the time saying that I
- 5:41Speaker 6: married a helpless blind man for his money and then
- 5:44Speaker 6: killed him for his money. And what will they say
- 5:48Speaker 6: of Richard? It makes him out such a fool for
- 5:51Speaker 6: loving me.
- 5:52Speaker 4: We'll have answers for whatever they say. You loved him
- 5:55Speaker 4: And he needed you.
- 5:56Speaker 2: You know that?
- 5:57Speaker 4: Weren't you his eyes?
- 5:58Speaker 7: I was, of course. I had to be.
- 6:01Speaker 2: Had to be, Mrs. Paradine?
- 6:03Speaker 4: Had to be? You must mind your verbs, my dear.
- 6:06Speaker 4: Sir Simon means that it was a voluntary service. You
- 6:09Speaker 4: devoted your whole life to Richard Paradine.
- 6:12Speaker 2: Freely.
- 6:13Speaker 4: Gladly. Yes.
- 6:15Speaker 7: Yes, I see what you mean.
- 6:16Speaker 2: I am sure it would be better to regard it
- 6:18Speaker 2: in that light. Now, I don't know, Mrs. Paradine, whether
- 6:21Speaker 2: or not Mr. Keene intends to put you in the
- 6:22Speaker 2: witness box, but if he.
- 6:23Speaker 4: I don't think we need trouble, Mrs. Paradine, with all
- 6:25Speaker 4: that just now, Simmy.
- 6:26Speaker 7: When will I see you again?
- 6:27Speaker 4: Just as soon as I've gone over the details with
- 6:29Speaker 4: Sir Simon. You've told him everything we should know.
- 6:33Speaker 7: Of course. Thank you deeply.
- 6:36Speaker 2: Until next time, Mrs.
- 6:37Speaker 4: Paradine.
- 6:48Speaker 7: Aren't you coming to bed, darling?
- 6:50Speaker 4: A little while, Gay.
- 6:51Speaker 7: Did you see Mrs. Paradine today?
- 6:53Speaker 2: Uh-huh.
- 6:54Speaker 7: What's she like?
- 6:56Speaker 4: Strangely attractive. Oh, I'm sure you'd think so anyway.
- 6:59Speaker 2: Oh, no, I wouldn't.
- 7:00Speaker 7: She's cost me too much.
- 7:02Speaker 2: Cost you? Oh, of course.
- 7:05Speaker 4: Our anniversary and that trip, I promised you. We'll still
- 7:08Speaker 4: make it, maybe before the case even comes to trial.
- 7:10Speaker 7: But it's all right, darling.
- 7:11Speaker 2: Gay, but honestly, I was thinking just today how much
- 7:13Speaker 2: fun it would be to go to Italy.
- 7:15Speaker 7: Italy? I thought we talked of Switzerland.
- 7:17Speaker 6: I know, but.
- 7:18Speaker 4: Italy somehow seems so much more colorful. We could go
- 7:20Speaker 4: back to Venice, you know, get in the gondola.
- 7:22Speaker 10: Oh, darling.
- 7:23Speaker 2: What's so amusing?
- 7:24Speaker 7: Nothing, nothing. I can't imagine anything more wonderful than being
- 7:28Speaker 7: in a gondola, Cain.
- 7:29Speaker 4: Well, then.
- 7:30Speaker 7: It's just that you're so, so transparent.
- 7:33Speaker 4: What?
- 7:33Speaker 7: You're such a devious kind of barrister, too.
- 7:36Speaker 2: You're pretty devious yourself right now.
- 7:38Speaker 4: Mrs.
- 7:38Speaker 7: Paradine is strangely attractive. And isn't Italy colorful?
- 7:43Speaker 2: So. Oh, the idiot.
- 7:44Speaker 7: I thought it might please you to know I can
- 7:45Speaker 7: be jealous.
- 7:46Speaker 4: You really think I'm interested in a woman?
- 7:48Speaker 7: Silly, of course you're not interested.
- 7:50Speaker 9: And I'm glad you're not getting so old you can't
- 7:52Speaker 9: admire an attractive woman.
- 7:54Speaker 2: Well, I'd better get back to work.
- 7:55Speaker 10: Trouble, dear?
- 7:56Speaker 4: No, no, not exactly, but I thought Semi would have
- 7:59Speaker 4: a lot more information.
- 8:00Speaker 2: To give me.
- 8:01Speaker 7: But can't she give it to you, Mrs. Paradine?
- 8:02Speaker 4: Yes, of course. I'll see her in the morning.
- 8:06Speaker 7: But I've told you, Mr.
- 8:07Speaker 6: Keene, my past is of no concern to anyone but
- 8:10Speaker 6: my husband and myself.
- 8:12Speaker 7: And my husband is dead.
- 8:13Speaker 4: Don't you understand, Mrs. Paradine, the prosecution always tries to
- 8:17Speaker 4: tear down the character of the defendant. Naturally, I wouldn't
- 8:21Speaker 4: like them to have the advantage of me.
- 8:24Speaker 7: You think they may discover something?
- 8:25Speaker 4: Well, if there is anything to discover, at least anything
- 8:29Speaker 4: that you think might be embarrassing.
- 8:33Speaker 10: Mrs.
- 8:34Speaker 4: Paradine, it's essential that I have your cooperation.
- 8:36Speaker 6: Forgive me if I've been difficult. It will not shock you,
- 8:41Speaker 6: I assume. To learn that I am a woman who...
- 8:44Speaker 6: What would you say? A woman who has seen a
- 8:47Speaker 6: great deal of life.
- 8:48Speaker 4: Oh, please, don't mistake my persistence for any lack of sympathy.
- 8:51Speaker 6: When I was still in school at Naples, it began. I...
- 8:56Speaker 6: I ran away with a man.
- 8:58Speaker 2: He was much older, of course. Rich.
- 9:01Speaker 4: He took advantage of your youth.
- 9:03Speaker 6: He was married, respected. I took advantage of him. Then,
- 9:09Speaker 6: as suddenly as it began, it ended. He wearied of me,
- 9:13Speaker 6: I wearied of him. What difference does it make?
- 9:16Speaker 2: There were others?
- 9:17Speaker 6: Of course there were others. We cannot hide these things.
- 9:22Speaker 6: You said we cannot hide them, Mr.
- 9:23Speaker 4: Keene.
- 9:24Speaker 6: Let's break them out. Let them hang me for the
- 9:27Speaker 6: past and be done with.
- 9:28Speaker 4: No, no, no, you mustn't feel like that. We won't
- 9:31Speaker 4: permit them to make anything of it.
- 9:32Speaker 6: My poor husband. How he would have hated all this.
- 9:37Speaker 6: He gave me his name, his fine name. He depended
- 9:40Speaker 6: upon me to protect it.
- 9:44Speaker 4: He knew about you?
- 9:45Speaker 7: I kept nothing from him. He was so good. He
- 9:49Speaker 7: trusted me.
- 9:50Speaker 2: We'll get you free, Mrs. Paradine. Trust me.
- 9:53Speaker 4: I shall.
- 9:55Speaker 2: I do.
- 9:56Speaker 4: You still have no idea of... how your husband met
- 10:01Speaker 4: his death.
- 10:02Speaker 6: I've told you so many times. I don't know, Mr.
- 10:05Speaker 2: Keene.
- 10:06Speaker 7: I don't know.
- 10:15Speaker 2: But I still say, Tony, why not let the Crown
- 10:17Speaker 2: have the burden of proof? They say she poisoned her husband. Well,
- 10:20Speaker 2: let them prove it.
- 10:21Speaker 4: Sammy, what possible objection could you have to our proving
- 10:24Speaker 4: that Paradine committed suicide? He was ill, depressed.
- 10:26Speaker 2: I just think it's dangerous.
- 10:27Speaker 4: Lying men have committed suicide before. We have only to
- 10:30Speaker 4: decide who helped Paradine to do it. That's simple. Paradine's valid.
- 10:35Speaker 4: That fellow Latour.
- 10:36Speaker 5: Oh.
- 10:37Speaker 2: Latour worshipped him. He guided Paradine's every step like a
- 10:41Speaker 2: mother hen.
- 10:42Speaker 7: It's after midnight.
- 10:43Speaker 4: Darling, I know it's after midnight, but I'm not sleepy
- 10:45Speaker 4: and I have work to do.
- 10:46Speaker 7: Well, Simmy looks dead.
- 10:47Speaker 4: Well, he isn't dead.
- 10:48Speaker 2: Quite right, my dear. I only look dead.
- 10:51Speaker 7: Judy Jasper, I told you he was still here.
- 10:53Speaker 2: I wish that daughter of mine would let me manage
- 10:55Speaker 2: my declining years by myself.
- 10:57Speaker 7: I'll tell her tomorrow. We're having lunch, you know.
- 10:59Speaker 4: Latour is our man, Simmy. Who more likely to help
- 11:02Speaker 4: Paradine out of his misery?
- 11:03Speaker 2: I can't think of anyone less likely.
- 11:05Speaker 4: A devoted, grateful servant and war companion who would do
- 11:08Speaker 4: anything to help end his master's suffering.
- 11:10Speaker 2: It won't wash, Tony. Let's face it. Paradine was murdered.
- 11:13Speaker 2: Do you think she killed him? It's what the Crown
- 11:15Speaker 2: will try to prove. We have to prepare ourselves to
- 11:18Speaker 2: answer the Crown on Mrs. Paradine.
- 11:19Speaker 4: I'll have the answer.
- 11:20Speaker 2: With facts?
- 11:21Speaker 4: Well, to begin with, we have the very obvious fact
- 11:23Speaker 4: that Mrs. Paradine is not a murderess.
- 11:25Speaker 10: Really?
- 11:25Speaker 4: She's too fine a person.
- 11:27Speaker 2: I was under the impression that she's been a woman
- 11:29Speaker 2: of very low estate and rather easy virtue.
- 11:31Speaker 4: You're an insufferable snob. I only hope the Crown says
- 11:35Speaker 4: that just once. Sorry, Tony.
- 11:37Speaker 2: I hadn't realized the extent to which she has impressed you.
- 11:41Speaker 4: What's that supposed to mean?
- 11:42Speaker 2: Whatever you think it means, my boy, be careful, Tony.
- 11:47Speaker 4: I said I'll get her off, and I will.
- 11:49Speaker 2: Of course. I was just thinking of you. And gay.
- 12:04Speaker 4: It's true, isn't it, Mrs. Paradine? Latour worshipped your husband.
- 12:07Speaker 2: Yes, it's true.
- 12:08Speaker 4: So if Colonel Paradine wanted to die, there was only
- 12:10Speaker 4: one person he could turn to. Isn't that right?
- 12:13Speaker 7: I wouldn't say that. But Andre helped him.
- 12:16Speaker 2: Andre? You call him Andre, a valet?
- 12:18Speaker 6: Excuse me, I'm not too well trained in the more
- 12:21Speaker 6: subtle snobberies of your class.
- 12:23Speaker 4: My class? I'm afraid you don't know me very well.
- 12:26Speaker 2: I'm a.
- 12:27Speaker 4: A bit confused, Mrs. Paradine. You seem very eager to
- 12:31Speaker 4: protect Latour from even suspicion of being involved.
- 12:34Speaker 6: Well, this is impossible. You spoke as my rescuer. Talked
- 12:39Speaker 6: of a brief skirmish.
- 12:40Speaker 2: And I... Yes, so I did. Well, we'll drop Latour
- 12:43Speaker 2: for the time being.
- 12:44Speaker 7: And go on to what, Mr. Keene?
- 12:46Speaker 2: I don't know exactly, but we've time yet before the trial.
- 12:50Speaker 4: I'll keep you well advised, Mrs. Paradine.
- 12:53Speaker 2: Now, look here, Judy. Daughter or not, you've.
- 12:56Speaker 10: No right to.
- 12:56Speaker 11: Oh, stop it, darling. You know I'm right. Now, why
- 12:59Speaker 11: has Tony dropped the suicide angle and the valet?
- 13:01Speaker 2: I didn't say he dropped it. He just wasn't able
- 13:03Speaker 2: to talk Mrs. Paradine into it.
- 13:05Speaker 7: Has he got a substitute?
- 13:06Speaker 2: I don't know. He's going to Cumberland to investigate Hindley Hall.
- 13:10Speaker 2: That's the Paradine country house.
- 13:11Speaker 7: But Paradine died in London. And why would Hindley Hall
- 13:14Speaker 7: be open?
- 13:14Speaker 2: Well, it's not really open. There's just the housekeeper and...
- 13:18Speaker 2: Look here, Judy.
- 13:19Speaker 7: Is that handsome young valet there? Of course he is.
- 13:24Speaker 11: Tony's going up there because he thinks there was something
- 13:26Speaker 11: between Mrs. Paradine and Latour.
- 13:28Speaker 4: Oh, absurd.
- 13:29Speaker 7: Is it? Oh, why are you looking so funny? Or
- 13:32Speaker 7: did you have the same idea? And he's jealous. Oh,
- 13:37Speaker 7: my heavens. Tony's jealous of that valet.
- 13:39Speaker 2: Judy, of all the idiotic.
- 13:40Speaker 7: Have you ever known Tony to visit any other client
- 13:42Speaker 7: so often in jail?
- 13:44Speaker 2: Tony's in love with his wife, and you know it.
- 13:47Speaker 7: If he lets Gay down after all these years... Oh,
- 13:50Speaker 7: go on.
- 13:51Speaker 2: Leave me alone.
- 13:51Speaker 11: The best men always end up with the worst women.
- 13:54Speaker 11: Tony's after her boyfriend, and that's why he's going to Cumberland.
- 13:56Speaker 7: I'm right, aren't I?
- 13:58Speaker 2: I'll not be treated as a hostile witness by my
- 14:00Speaker 2: own flesh and blood.
- 14:01Speaker 11: I just wish I were married to Tony for just
- 14:04Speaker 11: one hour. I'd make him jump through hoops.
- 14:06Speaker 2: I wish you were married to someone, my angel. Perhaps
- 14:08Speaker 2: he could put up with your claptrap better than I can.
- 14:11Speaker 7: What's she like, Father? What's she really like?
- 14:16Speaker 2: Fascinating. I'm an old ruin, Judy, but she certainly brings
- 14:20Speaker 2: my pulse up a beat or two.
- 14:23Speaker 7: Poor Gabe. Still working, Tony?
- 14:35Speaker 9: I just wanted to say goodnight. Sorry if I didn't
- 14:38Speaker 9: seem quite myself this evening. Because I have a headache.
- 14:42Speaker 4: I'm a bit on the ragged side myself.
- 14:44Speaker 7: Tony, could we get away just for a little while?
- 14:46Speaker 7: You do need a rest. I've never seen you quite
- 14:47Speaker 7: like this before.
- 14:48Speaker 2: I'll be all right.
- 14:49Speaker 7: Even if it's only for a few days. For our anniversary,
- 14:51Speaker 7: you did promise.
- 14:52Speaker 4: Really, darling, there are some things more important than anniversaries.
- 14:55Speaker 7: You didn't used to think so.
- 14:56Speaker 4: Matter of fact, I have to go away. Colonel Paradine
- 15:00Speaker 4: had a country place up in Cumberland. I thought I
- 15:02Speaker 4: might nose around a bit.
- 15:03Speaker 7: Oh, but that sounds wonderful. You won't be busy all
- 15:04Speaker 7: the time.
- 15:05Speaker 4: Darling, it's only for a day or two, and I... Well,
- 15:07Speaker 4: it wouldn't be any fun for you.
- 15:10Speaker 2: You see that, don't you?
- 15:12Speaker 7: Yes, I see.
- 15:12Speaker 2: This is the place for you.
- 15:14Speaker 4: Warm, cozy, protected. I want to keep all this ugly
- 15:17Speaker 4: business away from you.
- 15:18Speaker 7: But can you?
- 15:20Speaker 2: What do you mean, haven't I always?
- 15:21Speaker 4: What are you afraid of?
- 15:24Speaker 7: Need I say?
- 15:24Speaker 4: Now, listen, darling. This settles it. Nothing is worth this
- 15:27Speaker 4: kind of trouble between us. I won't go on with
- 15:30Speaker 4: this case at all.
- 15:31Speaker 7: Tony.
- 15:31Speaker 4: I mean it. Simi can get someone else.
- 15:33Speaker 7: But what will she say?
- 15:34Speaker 4: What the devil does it matter what she says? We'll
- 15:37Speaker 4: leave for Switzerland. Oh, darling. What's the matter now?
- 15:40Speaker 7: Nothing's the matter. Just thank you. I knew you couldn't
- 15:45Speaker 7: have changed that much.
- 15:45Speaker 4: What do you say, Lucernus Amaritz?
- 15:47Speaker 7: No, Tony, neither. You're going up to Cumberland and then
- 15:49Speaker 7: you're coming back and going into court.
- 15:50Speaker 2: No, no, I am tired. That's what you said and
- 15:53Speaker 2: you're right.
- 15:53Speaker 7: Not too tired, dear. And you're the only man who
- 15:55Speaker 7: can save her.
- 15:56Speaker 2: Oh, you've always had such big ideas about me.
- 16:01Speaker 4: No, darling, I haven't.
- 16:03Speaker 7: Besides, I wouldn't like a woman to be hanged. Any woman.
- 16:08Speaker 7: Just because my husband had a rendezvous with her in jail.
- 16:11Speaker 4: Gay, you'll come to Cumberland with me. We can have.
- 16:14Speaker 7: I'll be waiting here, Tony. Cozy, comfortable, and protected. Good night, darling.
- 16:31Speaker 2: Yes?
- 16:33Speaker 4: Well, Mr. Latour.
- 16:37Speaker 2: Can I have a word with you, Mr.
- 16:38Speaker 4: Keene?
- 16:38Speaker 12: Well, don't they announce callers at this inn? How did
- 16:41Speaker 12: you know this was my room? I saw you come
- 16:43Speaker 12: up from the lakeshore. And then this light went on.
- 16:47Speaker 4: Oh, you've been watching the inn for some time.
- 16:48Speaker 2: Yes.
- 16:50Speaker 4: I walked over from Hindley Hall.
- 16:52Speaker 2: It came to my mind.
- 16:53Speaker 4: It would be well to see you.
- 16:55Speaker 12: What is it you want with me? I beg your pardon, sir,
- 16:57Speaker 12: but I thought it was you who wanted to see me.
- 16:59Speaker 12: What caused you to think that?
- 17:01Speaker 4: You came to the hall today. I didn't go to
- 17:03Speaker 4: the hall to see you. I came to see the house.
- 17:06Speaker 12: But when I met you at the gate, you asked
- 17:08Speaker 12: my name. You said you wanted to speak to me later.
- 17:11Speaker 12: Only you disappeared.
- 17:12Speaker 7: Why?
- 17:14Speaker 4: I don't know.
- 17:15Speaker 12: I think first, no, I don't want to talk to him.
- 17:20Speaker 12: Then I think perhaps I'm wrong. Now, just remember this, Latour.
- 17:23Speaker 12: You forced yourself on me.
- 17:24Speaker 4: You're not one of my witnesses, and it would be
- 17:27Speaker 4: most improper for me to try to establish contact with you.
- 17:30Speaker 2: But you wanted to see me, sir. You choose to
- 17:32Speaker 2: say so.
- 17:33Speaker 4: But it so happens that it's my business, my job,
- 17:35Speaker 4: to save the life of your employer.
- 17:37Speaker 13: I beg your pardon, sir. She's not my employer. I
- 17:40Speaker 13: served Colonel Paradis.
- 17:41Speaker 4: Have that your own way. But I insist upon knowing
- 17:45Speaker 4: what you're here for now. I know why you wanted
- 17:48Speaker 4: to see me. She sent you.
- 17:51Speaker 2: She?
- 17:51Speaker 10: Mrs.
- 17:52Speaker 4: Paradine doesn't even know that I'm here. She had nothing
- 17:54Speaker 4: to do with my coming. It seems I'm wrong, then.
- 17:57Speaker 4: Why would she send me? She'd have her reasons.
- 18:00Speaker 2: Mr.
- 18:01Speaker 12: Keene, you may not think it, but you're on the
- 18:04Speaker 12: wrong side, sir, and I tell you so. You'd better
- 18:07Speaker 12: make yourself clear. You have only known Mrs. Paradine since
- 18:10Speaker 12: she is in prison, is it not so?
- 18:12Speaker 2: Yes.
- 18:12Speaker 13: Then how can you know her? If you did, I
- 18:16Speaker 13: should need to tell you that only almighty God or
- 18:19Speaker 13: the black devil himself knows what's going on in that
- 18:22Speaker 13: head of his.
- 18:22Speaker 4: I won't hear anything more against her. I know what
- 18:25Speaker 4: I'm talking about.
- 18:25Speaker 13: I know her.
- 18:27Speaker 4: If ever there was an evil woman, she's one. Would
- 18:30Speaker 4: you mind getting out of here? I said get out.
- 18:33Speaker 12: Very good, sir, as you wish. If you'll allow me, sir,
- 18:38Speaker 12: I'm very sorry for you. And God help you all.
- 18:53Speaker 12: After an intermission, we'll bring you Act Two of the
- 18:55Speaker 12: Paradine Case. And now, our Hollywood reporter, Libby Collins. Who's
- 19:00Speaker 12: in the limelight tonight, Libby?
- 19:02Speaker 14: One of the best-known and best-liked stars in Hollywood, Mr. Keeley,
- 19:05Speaker 14: Joan Crawford.
- 19:06Speaker 5: You know, Libby, I always look forward to a Joan
- 19:09Speaker 5: Crawford picture. Joan makes any role she plays, well, convincing
- 19:12Speaker 5: and dramatic.
- 19:13Speaker 14: And in her latest picture, Warner Brothers' Flamingo Road, she
- 19:16Speaker 14: plays a most demanding part with her usual finesse.
- 19:19Speaker 2: Yes, it's certainly a picture full of tense situations. with
- 19:22Speaker 2: Sidney Greenstreet outdoing himself as a ruthless villain.
- 19:25Speaker 7: Oh, he is really frightening.
- 19:27Speaker 14: I don't wonder he drives poor Zachary Scott to ruin
- 19:30Speaker 14: in Flamingo Road.
- 19:31Speaker 7: But in a harrowing climax, Joan comes out the winner.
- 19:35Speaker 2: And there's a lighter side, too.
- 19:36Speaker 5: As a carnival dancer, Joan really earns your admiration.
- 19:39Speaker 7: Yes, indeed.
- 19:41Speaker 14: She wears some handsome costumes, too. And she's beautiful in
- 19:44Speaker 14: the close-ups. The modeling of her face is perfect from
- 19:48Speaker 14: any angle.
- 19:49Speaker 7: Admirable.
- 19:50Speaker 2: That quality to a lovely luxe complexion, Libby.
- 19:53Speaker 7: And you have the cameraman's dream girl, John.
- 19:55Speaker 3: Well, Joan Crawford has been a luxe soap fan for years.
- 19:59Speaker 3: I guess that proves it's a complexion care that works.
- 20:02Speaker 7: Yes.
- 20:03Speaker 14: Joan tells me she's really grateful for the special care
- 20:07Speaker 14: luxe soap facials give her skin.
- 20:09Speaker 3: Those facials give a million-dollar complexion just the gentle protecting
- 20:14Speaker 3: care it needs.
- 20:15Speaker 2: Skin specialists have proved it, too.
- 20:18Speaker 3: Tests showed in three out of four cases, skin became
- 20:22Speaker 3: softer and smoother in a short time.
- 20:24Speaker 14: No wonder this fragrant white soap with a delicate perfume
- 20:28Speaker 14: is Hollywood's own beauty soap.
- 20:30Speaker 3: So be sure to get some Luxe Toilet Soap tomorrow.
- 20:34Speaker 3: It's another fine product of Lever Brothers Company.
- 20:39Speaker 2: Now, our producer, Mr. William Keeley.
- 20:41Speaker 5: Act II of The Paradine Case, starring Joseph Cotton as
- 20:44Speaker 5: Tony Keene, Vallée as Mrs. Paradine, and Louis Jourdain as Latour.
- 20:57Speaker 5: The defense of Madelaine Paradine is far more than just
- 21:01Speaker 5: another case to Anthony Keene. Almost against his will, he's
- 21:04Speaker 5: fallen under the charm of a lovely woman, And back
- 21:07Speaker 5: now in London, his first call is at Holloway Prison.
- 21:12Speaker 7: Mr. Keene, I thought you'd forgotten me.
- 21:15Speaker 4: Forgotten you? I've been up to Hindley Hall.
- 21:19Speaker 7: Why? Why did you go there?
- 21:21Speaker 4: I thought it might help me to know more about
- 21:23Speaker 4: your background. I went through the house into your room.
- 21:26Speaker 7: And spoke to him?
- 21:28Speaker 4: I saw the tour, Mrs. Paradine. At first he avoided me,
- 21:31Speaker 4: then he came to the inn to see me.
- 21:33Speaker 7: Indeed. And what? Did my husband's valet have to say
- 21:37Speaker 7: about me?
- 21:38Speaker 2: I beg you, don't behave this way with me.
- 21:39Speaker 7: I don't know what you mean.
- 21:40Speaker 2: Latour hates you. Don't you know that?
- 21:42Speaker 4: He despises you.
- 21:43Speaker 7: He despises old women.
- 21:45Speaker 4: He hates you. And he'll tell the jury why he
- 21:48Speaker 4: hates you. Can't you see that?
- 21:49Speaker 2: Of course I see.
- 21:50Speaker 7: You needn't explain these things as though I were a child.
- 21:53Speaker 4: Then listen to me. We'll go to trial soon. The
- 21:56Speaker 4: presiding judge is a man named Horfield. He's not what
- 21:59Speaker 4: you'd call a friend of mine exactly, but... Horfield doesn't
- 22:04Speaker 4: bother me. It's only that I.
- 22:06Speaker 7: I bother you?
- 22:07Speaker 2: I want to save you.
- 22:07Speaker 4: I want to fight for you. But I can't working
- 22:09Speaker 4: like this in the dark. I can't sleep. I can't work.
- 22:11Speaker 4: I can't think while I.
- 22:12Speaker 7: I don't understand you, Mr. Keene. You were so sure
- 22:16Speaker 7: of yourself. What has happened to you?
- 22:20Speaker 4: Tell me this much. Is it possible that Latour hates
- 22:23Speaker 4: you because you made him disloyal to your husband?
- 22:26Speaker 2: That's enough, Mr.
- 22:26Speaker 4: Keene. What existed between you and Latour?
- 22:29Speaker 6: I will not be treated in this manner by my
- 22:31Speaker 6: own counsel.
- 22:32Speaker 7: I prefer that you give up the case.
- 22:33Speaker 4: No, no, no. I must try to help you. I
- 22:35Speaker 4: don't think anyone else can. My personal feelings are such that.
- 22:40Speaker 7: You must forgive me if I regard my life as
- 22:42Speaker 7: more important.
- 22:43Speaker 4: I'm sorry.
- 22:45Speaker 2: I apologize. Objectly.
- 22:48Speaker 6: I'm a little tired. You're not yourself either. Perhaps tomorrow, Mr.
- 22:54Speaker 4: Keene, we can... Yes.
- 22:56Speaker 2: Yes, of course. I'll come back tomorrow. Tony?
- 23:08Speaker 7: In here, dear. You're just in time for tea.
- 23:09Speaker 2: Hello, darling.
- 23:10Speaker 7: How was the journey?
- 23:11Speaker 4: Oh, not very interesting. Tremendous estate. Rather what you'd expect,
- 23:14Speaker 4: you know. The Lake District.
- 23:17Speaker 7: Would you rather I didn't talk?
- 23:19Speaker 4: What is it you want to know about gay?
- 23:20Speaker 5: Oh.
- 23:22Speaker 4: Oh, you've been reading the newspaper.
- 23:26Speaker 2: Mrs.
- 23:26Speaker 4: Paradine's counsel visits her in jail.
- 23:28Speaker 7: It's a good picture of you, darling.
- 23:31Speaker 4: I suppose you hate her, don't you?
- 23:34Speaker 9: I won't deny there have been moments these past weeks
- 23:36Speaker 9: when I've wished the worst for her.
- 23:39Speaker 7: It's not easy to face the thought of losing you.
- 23:41Speaker 4: Gay, must you make a... Let me finish, dear.
- 23:45Speaker 7: I've come to a conclusion.
- 23:47Speaker 2: Conclusion?
- 23:49Speaker 7: I want her to live. I hope she goes free.
- 23:54Speaker 7: Free to kill or to take other women's husbands. Or
- 23:58Speaker 7: to do anything else that comes into that beautiful head
- 24:00Speaker 7: of hers.
- 24:00Speaker 4: You can't really care what happens to her.
- 24:03Speaker 7: But I do. Oh, not for any noble reasons, but
- 24:06Speaker 7: because I want all this business over and done with.
- 24:08Speaker 7: An end to your being all mixed up, part lawyer,
- 24:10Speaker 7: part lover.
- 24:11Speaker 4: Oh, what nonsense.
- 24:12Speaker 7: All right, frustrated lover, then.
- 24:15Speaker 15: Yes.
- 24:17Speaker 9: And part husband still. Because you're not finished with me, Tony.
- 24:23Speaker 9: You wouldn't have come back here if you were. I
- 24:26Speaker 9: know the depth of your feeling for me. I'm counting
- 24:29Speaker 9: on your feeling for me. All I ask is that
- 24:33Speaker 9: she lives. So the fight can be an even one.
- 24:37Speaker 9: Because if she dies, you're lost to me forever. You'll
- 24:40Speaker 9: go on thinking you love her, imagining her as your
- 24:42Speaker 9: great lost love. But you don't love her, Tony.
- 24:47Speaker 7: No, you don't. There are lots of things I don't know,
- 24:50Speaker 7: but there's one thing I know better than anyone else.
- 24:53Speaker 4: I know you.
- 24:55Speaker 7: I want you to win this case, Tony. I want
- 24:59Speaker 7: you to get her free. I've made my speech.
- 25:03Speaker 9: If it comes to being married to a lawyer, I'll
- 25:05Speaker 9: go up and change.
- 25:06Speaker 4: I may win this case or lose it sooner than
- 25:09Speaker 4: we thought.
- 25:09Speaker 7: Oh?
- 25:09Speaker 4: The trial has been moved up.
- 25:11Speaker 2: But are you ready?
- 25:12Speaker 4: Yes, I'm ready. We'll go to court the day after tomorrow.
- 25:22Speaker 16: And for the jurisdiction of the Central Criminal Court, draw
- 25:25Speaker 16: near now and give your attendance.
- 25:26Speaker 10: God save the king.
- 25:27Speaker 2: The prisoner will stand.
- 25:30Speaker 10: Madelena Paradine. You are charged with the murder of Richard
- 25:33Speaker 10: Patrick Paradine on May the 6th last.
- 25:35Speaker 2: Are you guilty or not guilty?
- 25:36Speaker 7: Not guilty. I can't stay, Judy. I can't. I never
- 25:42Speaker 7: should have come in the first place. Of course you'll stay.
- 25:44Speaker 11: Tony doesn't know you're here and he can't possibly see you.
- 25:46Speaker 7: Just two more dim faces up here in the gallery.
- 25:48Speaker 7: I shouldn't be here. I should.
- 25:59Speaker 10: The prosecution will proceed.
- 26:02Speaker 2: Thank you, Milan.
- 26:04Speaker 15: It is a simple statement of fact that on the
- 26:08Speaker 15: night of May 6th, Richard Paradine, a blind man, died
- 26:13Speaker 15: as the result of a murderous dose of poison. We
- 26:16Speaker 15: also know that earlier in the evening, a quarrel took
- 26:19Speaker 15: place in which the participants were Mrs. Paradine, Colonel Paradine,
- 26:24Speaker 15: and his faithful servant and comrade-in-arms, André Latour. Gentlemen of
- 26:29Speaker 15: the jury, You are all probably aware of the colonel's
- 26:33Speaker 15: heroic character. One looks back upon his life with humility
- 26:38Speaker 15: and pride. Suddenly, in the service of his country, he's
- 26:42Speaker 15: doomed to darkness and the life of an invalid. It
- 26:45Speaker 15: was then that he met and married the defendant. Outwardly,
- 26:49Speaker 15: this woman was a model of patience. Heaven only knows
- 26:53Speaker 15: what sultry fires were banked within, but she had patience.
- 26:58Speaker 15: She could bide her time This is indeed no ordinary woman.
- 27:04Speaker 10: The defense may cross-examine if it wishes.
- 27:13Speaker 4: Thank you, my lord. Now then, Mr. Larkin, as Colonel
- 27:16Speaker 4: Paradine's butler, you served him dinner in his room, after
- 27:19Speaker 4: which he asked for a glass of burgundy wine at
- 27:21Speaker 4: his bedside. Is that correct? Yes, sir. Did he usually
- 27:25Speaker 4: drink burgundy?
- 27:26Speaker 2: It didn't agree with him, sir, but sometimes.
- 27:28Speaker 4: I thank you, that is all.
- 27:29Speaker 13: But if you're still implying that the master committed suicide.
- 27:31Speaker 4: Please, I said that is all.
- 27:32Speaker 10: Just a moment, Mr.
- 27:33Speaker 2: Larkin. Yes, my lord.
- 27:35Speaker 16: You told the jury that Colonel Paradine did not usually
- 27:37Speaker 16: take Burgundy.
- 27:38Speaker 10: Because it disagreed with him. Did he dislike Burgundy?
- 27:41Speaker 4: Oh, no, my lord. On the contrary.
- 27:43Speaker 10: He was very fond of Burgundy, but seldom dared take it?
- 27:46Speaker 4: Yes, my lord. That is correct.
- 27:47Speaker 10: Thank you.
- 27:51Speaker 7: Well, Judge Horfield just killed Tony's point.
- 27:53Speaker 10: How?
- 27:53Speaker 7: What do you mean?
- 27:54Speaker 11: By making it clear there was nothing so unusual about
- 27:56Speaker 11: his drinking burgundy.
- 27:57Speaker 10: You will pardon me, Mr. Keene. I was anxious that
- 27:59Speaker 10: the point should be clear.
- 28:01Speaker 4: Thank you, my lord. I'm obliged to your lordship. Has
- 28:05Speaker 4: the crown any questions? Oh, no questions, my lord. Will
- 28:09Speaker 4: the clerk call Andre Latour, please?
- 28:13Speaker 10: Take the testament in your right hand, Mr.
- 28:15Speaker 2: Latour, and repeat the oath.
- 28:17Speaker 12: I swear by almighty God that the evidence I shall
- 28:20Speaker 12: give shall be the truth, the whole truth, and nothing
- 28:23Speaker 12: but the truth.
- 28:24Speaker 15: Your name?
- 28:25Speaker 4: André Latour. You were born in Canada and served in
- 28:28Speaker 4: the war with Colonel Paradine.
- 28:30Speaker 2: Yes, sir.
- 28:31Speaker 15: You won the Distinguished Conduct Medal and bar for gallantry
- 28:34Speaker 15: in the field.
- 28:35Speaker 4: That is so, sir.
- 28:37Speaker 15: At the time of Colonel Paradine's death, you were employed
- 28:40Speaker 15: as his valet and confidential companion. You were very much
- 28:43Speaker 15: attached to Colonel Paradine, were you not? He was the
- 28:45Speaker 15: finest man I ever knew.
- 28:46Speaker 2: Mr.
- 28:47Speaker 15: Latour, at about 8 o'clock on the night of May 6th,
- 28:51Speaker 15: You heard the service bell ringing. You went to the
- 28:53Speaker 15: colonel's room. You saw the colonel and Mrs. Paradine facing
- 28:57Speaker 15: each other.
- 28:58Speaker 4: Is that correct? It is, sir.
- 29:00Speaker 12: What happened then, Major? Colonel Paradine was very angry with me.
- 29:05Speaker 12: His exact words, if you please. He said, do I
- 29:09Speaker 12: understand you're going to leave me now when I need
- 29:12Speaker 12: you the most? So I asked him who told him
- 29:15Speaker 12: such a thing. He said she did, Mrs.
- 29:18Speaker 2: Paradine. Had you any intention of leaving him?
- 29:21Speaker 4: No, sir.
- 29:22Speaker 13: She just wanted to get rid of me. Did you
- 29:25Speaker 13: remain in the room?
- 29:27Speaker 2: No, sir. The colonel ordered me to leave. Did you
- 29:29Speaker 2: return to the room? Yes, sir.
- 29:31Speaker 4: About an hour later.
- 29:33Speaker 2: Now, listen carefully. Was Mrs.
- 29:36Speaker 4: Paradine still in the room? She was in the hallway outside.
- 29:39Speaker 2: Yours?
- 29:40Speaker 10: Of that?
- 29:40Speaker 4: I am.
- 29:41Speaker 2: Is it your.
- 29:41Speaker 15: Impression that the lady was passing directly from Colonel Paradine's
- 29:45Speaker 15: bedroom to her own?
- 29:47Speaker 4: Yes, sir.
- 29:48Speaker 2: Your witness, Mr. Keene.
- 29:51Speaker 4: Russell Latour. Just a point or two about the years
- 29:54Speaker 4: you spent in Canada.
- 29:55Speaker 16: I'm sorry, Mr. Keene, but the hour's getting late. We
- 29:57Speaker 16: will adjourn until tomorrow morning.
- 29:59Speaker 2: At ten o'clock.
- 29:59Speaker 4: My lord, I should like to examine the witness.
- 30:01Speaker 7: Mr.
- 30:01Speaker 10: Keene, we shall have all the time you wish in
- 30:03Speaker 10: the morning.
- 30:04Speaker 4: Very well, my lord.
- 30:05Speaker 8: And the Central Criminal Court is again in session.
- 30:18Speaker 4: Don't know.
- 30:19Speaker 11: Well, maybe he had a better breakfast this morning. Look,
- 30:21Speaker 11: that's Latour down there. He lied like mad yesterday.
- 30:25Speaker 7: Or else he's keeping something back. I'm glad I'm not
- 30:27Speaker 7: in his shoes right now. Watch Tony tear him apart.
- 30:30Speaker 7: Just you watch.
- 30:34Speaker 4: Now then, Mr. Latour, does the name Margaret Wells convey
- 30:38Speaker 4: anything to you?
- 30:40Speaker 2: Yes, sir.
- 30:40Speaker 4: Well, what does it convey to you? No answer? Well,
- 30:45Speaker 4: let me try to help your memory. I claim that
- 30:48Speaker 4: some years ago in Canada, you were engaged to one
- 30:51Speaker 4: Margaret Wells and that on your wedding day, she rode
- 30:54Speaker 4: off with a farmer named Albert Troop. That is finished.
- 30:57Speaker 2: That is in the past.
- 30:58Speaker 10: Your point may be relevant, Mr.
- 31:00Speaker 2: Keene.
- 31:01Speaker 10: Its relevance escapes me.
- 31:02Speaker 4: My lord, I submit that the witness has shown an
- 31:04Speaker 4: almost pathological bias against not only my client, but against
- 31:07Speaker 4: all women. Mr.
- 31:08Speaker 16: Keene, after seeing our handsome witness, I should be inclined
- 31:11Speaker 16: to regard the young lady's behavior as pathological.
- 31:14Speaker 10: Not his.
- 31:15Speaker 2: Mr. Latour.
- 31:18Speaker 4: Were you aware that Colonel Paradine made a will in
- 31:20Speaker 4: which he left you 4,000 pounds? Well, it's a very
- 31:25Speaker 4: simple question.
- 31:27Speaker 12: Colonel Paradine told me he might leave me a little something,
- 31:30Speaker 12: but I didn't know about the will, sir.
- 31:32Speaker 4: You mean he told you he was going to leave
- 31:34Speaker 4: you this legacy, but you doubted his word?
- 31:36Speaker 13: No, sir, I did not doubt his word.
- 31:37Speaker 4: Then you believed it? Yes, sir.
- 31:38Speaker 12: You knew you would receive such a legacy on his death?
- 31:42Speaker 12: We never discussed it. I didn't think about it.
- 31:46Speaker 4: Yes, sir, I knew. You don't remember very easily, do you, Latour?
- 31:50Speaker 4: And did you or did you not repeatedly hear Colonel
- 31:53Speaker 4: Paradine say that he wished to be dead? That he
- 31:56Speaker 4: wished he was dead, sir.
- 31:57Speaker 2: That he was sick of life and wished to be dead?
- 32:00Speaker 12: He said a lot of things when he was angry
- 32:02Speaker 12: about his blindness.
- 32:03Speaker 4: I didn't take much notice. You didn't take much notice.
- 32:07Speaker 4: Very well. Tell the court, please, exactly what happened at
- 32:09Speaker 4: about 8 o'clock on the evening of May 6th. You
- 32:12Speaker 4: want me to go over my evidence again? No, Latour,
- 32:14Speaker 4: I do not want you to go over that evidence again.
- 32:16Speaker 4: I charge that your evidence was a tissue of lies,
- 32:19Speaker 4: that you were trying to cover up what really happened.
- 32:22Speaker 4: There is another person in this court who was also
- 32:24Speaker 4: there who knows what happened. Remember that.
- 32:27Speaker 10: What is your question, Mr.
- 32:29Speaker 3: Keene?
- 32:29Speaker 4: I ask, Mr. Latour, if he still wishes to swear
- 32:32Speaker 4: that Mrs. Paradine invented a cock and bull story about
- 32:35Speaker 4: his leaving the colonel's employ and that this started the quarrel. Yes, sir,
- 32:40Speaker 4: she did. It would be your word against her word
- 32:42Speaker 4: against yours. Yes, sir.
- 32:43Speaker 13: And so it was then with the colonel.
- 32:45Speaker 4: So you are asking his lordship and the jury to
- 32:47Speaker 4: believe that after your years of devoted service, Colonel Paradine
- 32:51Speaker 4: had absolutely no faith in your word of honor.
- 32:54Speaker 12: I put it to you, Latour. That your story is
- 32:57Speaker 12: a pack of lies. Do you persist in it? If
- 32:58Speaker 12: she says the contrary, she'd better.
- 33:02Speaker 4: Well, what were you going to say?
- 33:06Speaker 10: The witness will answer the question. I.
- 33:10Speaker 2: I stick to what I said before.
- 33:12Speaker 4: If you don't mind, Latour, did the butler tell you
- 33:16Speaker 4: about putting the glass of burgundy at the colonel's bedside?
- 33:19Speaker 2: Yes.
- 33:19Speaker 4: Well, was that unusual? Maybe so. No maybe about it.
- 33:23Speaker 4: Was it or wasn't it?
- 33:25Speaker 2: It was, sir.
- 33:26Speaker 4: And after he told you this, you went upstairs again?
- 33:29Speaker 2: Yes.
- 33:29Speaker 7: Why?
- 33:30Speaker 4: I had no special reason, sir. Shortly before, the colonel
- 33:33Speaker 4: had denounced you for deserting him, and yet you went
- 33:35Speaker 4: upstairs for no special reason?
- 33:39Speaker 2: I was unhappy about being on bad terms with him.
- 33:43Speaker 2: I wished to make it up with him.
- 33:45Speaker 4: Very well. You knocked at his door and went in?
- 33:48Speaker 2: I did not go in.
- 33:49Speaker 4: Why not? The colonel told me to go away. You
- 33:51Speaker 4: have stated that you saw someone else in the hall.
- 33:53Speaker 2: Yes, sir. Mrs. Paradine.
- 33:55Speaker 4: And what was she doing? Going to her bedroom. Mrs.
- 33:58Speaker 4: Paradine's bedroom was directly across the hall from Colonel Paradine's bedroom.
- 34:02Speaker 2: Yes, sir.
- 34:03Speaker 4: When you saw Mrs. Paradine, did you know where she'd
- 34:07Speaker 4: come from? No, sir. Not for certain.
- 34:10Speaker 2: She might even have come out of her room, seen you,
- 34:13Speaker 2: turned to go back?
- 34:15Speaker 4: It is possible. But she could not have come out
- 34:17Speaker 4: of the Colonel's room without going around you or through you.
- 34:21Speaker 4: Is that correct? Yes, sir. So, Mrs. Paradine went into
- 34:25Speaker 4: her room and shut the door. What did you do?
- 34:28Speaker 2: Nothing.
- 34:29Speaker 4: I hung about for a minute or two. What was
- 34:31Speaker 4: your purpose in hanging about for a minute or two? Well,
- 34:35Speaker 4: I just didn't know what to do, and then I
- 34:38Speaker 4: decided to go downstairs. Have you ever seen anyone die
- 34:43Speaker 4: by poison, Latour? No, sir. Any animal?
- 34:47Speaker 2: No, sir.
- 34:48Speaker 4: Wasn't there an old dog killed by poison at Hindley
- 34:50Speaker 4: Hall about.
- 34:51Speaker 2: Two years ago?
- 34:52Speaker 4: I beg your pardon, sir. I almost forgot. So we've noticed.
- 34:54Speaker 12: It was the colonel's old hunting dog. He was sick,
- 34:58Speaker 12: so we put him away. You mean you put him away?
- 35:00Speaker 4: Yes, sir. What poison did you use? I don't know, sir.
- 35:03Speaker 4: You don't know? No, sir.
- 35:04Speaker 12: We got the single dose from the vet. Don't persist
- 35:06Speaker 12: in saying we. You mean you did?
- 35:08Speaker 2: Yes, sir.
- 35:09Speaker 4: A large dose?
- 35:10Speaker 2: No, sir.
- 35:11Speaker 4: Very small. And it acted very quickly? Yes, it did.
- 35:17Speaker 4: I understand what he means to say.
- 35:19Speaker 13: He's accusing me of poisoning my kennel, but I didn't.
- 35:22Speaker 10: I didn't. I must ask the witness to collect himself.
- 35:24Speaker 4: But it's not true.
- 35:25Speaker 2: I didn't do it.
- 35:26Speaker 4: How could I?
- 35:27Speaker 10: You are not on trial, Mr.
- 35:28Speaker 2: Latour.
- 35:29Speaker 16: It is quite unnecessary to make protestations of innocence concerning
- 35:31Speaker 16: actions with which you have not been charged.
- 35:33Speaker 10: And I think Mr.
- 35:34Speaker 2: Keene.
- 35:36Speaker 16: I think this will be a convenient opportunity to adjourn.
- 35:38Speaker 16: We will resume at five minutes past two o'clock.
- 35:41Speaker 5: His court stands adjourned until five minutes past two o'clock.
- 35:44Speaker 4: Well, Hawfield's done it again, Sammy. He stopped me in
- 35:46Speaker 4: my tracks just when I had Latour where I wanted him.
- 35:48Speaker 2: In what way? I'm glad he did. You know Latour
- 35:50Speaker 2: never would.
- 35:51Speaker 10: Tony!
- 35:52Speaker 2: Wait a minute. Where are you going?
- 35:55Speaker 7: Well, this is Tony's morning, all right. It was terrible, Judy. Oh,
- 35:59Speaker 7: but darling, it's his job. Oh, come along, Gay. Let's
- 36:02Speaker 7: get a bite to eat.
- 36:12Speaker 2: She's in here, Mr. Keene.
- 36:14Speaker 4: Mrs.
- 36:14Speaker 2: Paradine.
- 36:15Speaker 4: Thank you. Well, it's gone well for us this morning.
- 36:18Speaker 4: Really well.
- 36:19Speaker 7: Has it?
- 36:20Speaker 4: Surely you must know that.
- 36:22Speaker 7: I'm not a lawyer, Mr.
- 36:23Speaker 4: Keene. Good heavens, you're a clever woman. Don't you realize
- 36:25Speaker 4: how I shook Latour?
- 36:27Speaker 6: I only realize that you have not kept faith with me.
- 36:31Speaker 6: I do not agree to what you've done today.
- 36:33Speaker 4: But I.
- 36:33Speaker 6: I objected when you wanted to make it appear that
- 36:35Speaker 6: Andre had helped my husband kill himself. Now you make
- 36:39Speaker 6: him out to be a murderer. No, I will not
- 36:43Speaker 6: forgive you for what you've done today.
- 36:44Speaker 4: Forgive me when I've exhausted myself destroying everything in an
- 36:48Speaker 4: effort to save you?
- 36:49Speaker 7: I did not ask you to do that.
- 36:50Speaker 10: Forgive me.
- 36:52Speaker 4: I was idiot enough to fall in love with you.
- 36:55Speaker 4: Did you hear that?
- 36:57Speaker 7: If it's true, then how could you deceive me as
- 37:00Speaker 7: you've done?
- 37:01Speaker 10: Mrs.
- 37:01Speaker 4: Paradine, this case is narrowed down to one of three things.
- 37:05Speaker 4: Either your husband managed somehow to poison himself or Latour
- 37:08Speaker 4: did it, or you did it.
- 37:10Speaker 7: As you like.
- 37:11Speaker 2: Thank you.
- 37:12Speaker 7: But I will not have you making Andre a murderer.
- 37:14Speaker 4: Are you in love with him?
- 37:15Speaker 7: What has that to do with it? You are my lawyer,
- 37:18Speaker 7: not my lover.
- 37:20Speaker 4: Someone else said something very much like that.
- 37:23Speaker 7: I should like to know whether you intend to continue
- 37:26Speaker 7: with the case.
- 37:26Speaker 4: Yes, of course. I'm planning to dispense with the witnesses
- 37:30Speaker 4: except you. I'm going to rely on your evidence and
- 37:35Speaker 4: my final speech to save you.
- 37:38Speaker 7: I know I can trust you. I feel it.
- 37:41Speaker 4: Yes.
- 37:43Speaker 7: You will save me.
- 37:44Speaker 4: You can trust me.
- 37:46Speaker 7: But not at his expense. You understand that, don't you?
- 37:52Speaker 4: But suppose that's the only way to save you.
- 37:55Speaker 6: You are not to destroy him. If you do, I
- 37:59Speaker 6: shall hate you as I've never hated a man.
- 38:02Speaker 4: I must go on the way I've begun. I must
- 38:05Speaker 4: act according to my own view. You can say what
- 38:08Speaker 4: you like in the witness box, but... My questions will
- 38:12Speaker 4: be mine.
- 38:12Speaker 2: Of course, Mr.
- 38:13Speaker 4: Keene.
- 38:15Speaker 7: And the answers will be mine.
- 38:28Speaker 3: We pause now for station identification. This is CBS, the
- 38:31Speaker 3: Columbia Broadcasting System.
- 38:54Speaker 5: In a few moments, we'll continue with the third act
- 38:56Speaker 5: of the Paradine case. Our guest this evening is Miss
- 38:59Speaker 5: Joyce McKenzie, young 20th century fox player. Has studio life
- 39:03Speaker 5: turned out to be all you expected, Joyce?
- 39:05Speaker 7: Every bit and more, Mr. Keeley.
- 39:07Speaker 17: There's always something new and interesting going on. I'll never
- 39:11Speaker 17: forget the fun it was to see Betty Grable during
- 39:13Speaker 17: a new picture, The Beautiful Blonde from Bashful Bend.
- 39:16Speaker 5: The screen's number one box office blonde. You know, it's
- 39:19Speaker 5: Betty in a new kind of role.
- 39:20Speaker 7: Yes, the picture's a riotous takeoff on a typical western.
- 39:24Speaker 17: Betty turns out to be a clever comedian as a
- 39:26Speaker 17: trigger-happy heroine of The Beautiful Blonde from Bashful Bend.
- 39:30Speaker 5: Rudy Vallee and Cesar Romero as a pair of timid heroes.
- 39:33Speaker 7: It's a grand piece of entertainment. You know, Mr.
- 39:36Speaker 17: Keeley, I'd always admired Betty Grable's beauty on the screen.
- 39:39Speaker 17: When I actually saw her, I was more impressed than ever.
- 39:42Speaker 7: What do you think, Mr.
- 39:43Speaker 8: Kennedy?
- 39:44Speaker 3: Well, I felt the same way, Joyce, when Betty Grable
- 39:46Speaker 3: was on our program two weeks ago. She's a winner,
- 39:49Speaker 3: all right. And, I'm proud to say, one of our
- 39:52Speaker 3: most enthusiastic Lux girls.
- 39:54Speaker 7: I know, Mr. Kennedy.
- 39:55Speaker 17: Betty Grable depends on Lux soap facials regularly for that
- 39:58Speaker 17: delicate skin of hers.
- 40:00Speaker 3: Betty told us when she was here that both her
- 40:02Speaker 3: little daughters are Lux girls, too. What better recommendation for
- 40:06Speaker 3: this gentle complexion soap?
- 40:08Speaker 7: Personally, I find Lux toilet soap a wonderful beauty care.
- 40:11Speaker 7: It really works.
- 40:13Speaker 2: Thank you, Miss Joyce McKenzie, for coming tonight. There's a reason,
- 40:16Speaker 2: you know.
- 40:17Speaker 3: Why this fragrant white soap is the choice of nine
- 40:21Speaker 3: out of ten screen stars. And that's why you should
- 40:25Speaker 3: begin Luxe Soap Beauty Care tomorrow. Here's our producer, William Keeley.
- 40:30Speaker 5: The curtain rises on the third act of the Paradine case,
- 40:34Speaker 5: starring Joseph Cotton as Tony Keene, Vallée as Mrs. Paradine,
- 40:38Speaker 5: and Louis Jourdain as Latour. Back in the courtroom, the
- 40:48Speaker 5: trial of Madeline Paradine resumes. Andre Latour is again in
- 40:52Speaker 5: the witness box as Anthony Keene pounds.
- 40:55Speaker 4: Away at his testimony. Answer the question, Latour. Did he
- 41:00Speaker 4: discharge you? Did Colonel Paradine discharge you? I didn't know.
- 41:03Speaker 4: I suppose he did. Yet you continued in the employ
- 41:06Speaker 4: of the woman who allegedly lied about you to her master.
- 41:10Speaker 12: I think I wanted to help take care of the
- 41:13Speaker 12: colonel's estate.
- 41:14Speaker 4: There was nowhere else to go. After you were told
- 41:17Speaker 4: that Colonel Paradine was dead, did you see the body?
- 41:20Speaker 2: Yes, sir.
- 41:21Speaker 4: I was told to clean up the room after Dr.
- 41:23Speaker 4: Young had left. Who told you to? She did, Mrs. Paradine.
- 41:27Speaker 4: And you noticed the wine glass. Did it still contain
- 41:29Speaker 4: the burgundy?
- 41:31Speaker 2: Only a few drops. Oh, there were a few drops
- 41:35Speaker 2: still in the glass. Yes.
- 41:36Speaker 4: Now listen closely, Latour. If you were told that the
- 41:39Speaker 4: doctor had examined the glass and found it to be clean,
- 41:42Speaker 4: that it had been washed and dried... Would you still
- 41:46Speaker 4: claim you saw a few drops remaining in the glass?
- 41:48Speaker 2: Yes, yes, I would. I would still say what I saw.
- 41:51Speaker 4: When did you wash and dry that glass, Latour? I
- 41:52Speaker 4: never touched the glass.
- 41:53Speaker 10: I never touched it.
- 41:54Speaker 15: Really, my lord, I must insist that the Council for
- 41:56Speaker 15: Defense keep within bounds.
- 41:57Speaker 16: I quite agree, Mr. Farrell, but I've been reluctant to interfere,
- 42:01Speaker 16: knowing how Mr. Keene resents interruptions.
- 42:04Speaker 4: May I continue, my lord?
- 42:05Speaker 10: Please do, Mr.
- 42:06Speaker 2: Keene.
- 42:07Speaker 4: You are aware, Latour, of the penalty for perjury.
- 42:09Speaker 13: I've told the truth.
- 42:10Speaker 4: The truth. Was it at Hindley Hall or here in
- 42:13Speaker 4: London that you first gave Mrs. Paradine occasion to complain
- 42:15Speaker 4: about your intentions?
- 42:16Speaker 7: It's not true.
- 42:17Speaker 2: She never did.
- 42:17Speaker 4: And was she not at last forced to go to
- 42:20Speaker 4: her husband and beg him to dismiss you from his service?
- 42:22Speaker 2: I won't listen to his lies. The colonel knew, didn't he?
- 42:24Speaker 10: Knew.
- 42:24Speaker 4: Because she told him.
- 42:25Speaker 2: I will not answer.
- 42:26Speaker 4: Because you don't want to admit that he trusted you
- 42:28Speaker 4: and you betrayed him. No, I did not.
- 42:30Speaker 13: She lied to you and I hate her.
- 42:31Speaker 4: Because she told her husband about you?
- 42:32Speaker 10: No, she did not.
- 42:33Speaker 2: He found out. At last.
- 42:37Speaker 4: So he heard you speaking improperly to his wife. Is
- 42:39Speaker 4: that it?
- 42:41Speaker 7: Yes.
- 42:42Speaker 12: My lord, I've finished with the witness. I didn't want
- 42:44Speaker 12: to tell about it. I didn't want to hurt his
- 42:46Speaker 12: good name. I said I was finished, Latour.
- 42:48Speaker 2: It was she who dragged us both down.
- 42:51Speaker 12: I hated every moment with her, but God forgive me.
- 42:54Speaker 12: I couldn't help myself. My lord, this man is a
- 42:57Speaker 12: confessed perjurer. Must the jury listen to this rubbish?
- 43:00Speaker 2: Mr.
- 43:00Speaker 16: Keene, this is not the first time you've been responsible
- 43:03Speaker 16: for an over-emotional atmosphere in court.
- 43:06Speaker 2: I cannot blame the witness for his behavior. May I
- 43:08Speaker 2: be heard, my lord?
- 43:09Speaker 10: You may.
- 43:11Speaker 15: Latour, in testifying as to what was overheard by Colonel Paradine,
- 43:16Speaker 15: are you implying that you engaged in improper conduct with Mrs.
- 43:20Speaker 2: Paradine?
- 43:22Speaker 4: Yes.
- 43:25Speaker 13: You know now what I did. I cannot live with
- 43:29Speaker 13: the memory of what I've done.
- 43:31Speaker 15: Did you avoid the truth because of your feelings about
- 43:34Speaker 15: this woman?
- 43:35Speaker 13: I lied because I didn't want the world to know
- 43:38Speaker 13: what she was.
- 43:40Speaker 4: His wife. My Kano's wife. That is all, Latour.
- 43:45Speaker 15: Milord, the prosecution has concluded its case. You have heard
- 43:50Speaker 15: the crown, Mr.
- 43:51Speaker 10: Keene?
- 43:51Speaker 2: I have, Milord.
- 43:53Speaker 4: Members of the jury, the woman in the prisoner's dock
- 43:57Speaker 4: is a foreigner, friendless and alone in a strange country,
- 44:02Speaker 4: but a country, thank heaven, that has always prided itself
- 44:05Speaker 4: on its passion for justice. I had fully intended to
- 44:09Speaker 4: call before you numerous witnesses to speak of her character,
- 44:12Speaker 4: of her self-sacrifice. A sacrifice made cheerfully by a beautiful woman,
- 44:18Speaker 4: fascinating and still young, in order to bring the light
- 44:22Speaker 4: of her affection into the life of a blind man.
- 44:26Speaker 4: But after hearing the case for the crown, we find
- 44:28Speaker 4: so little to refute that we have decided to call
- 44:30Speaker 4: no witnesses except the prisoner herself. I ask Maddalena Paradine
- 44:35Speaker 4: to go into the witness box.
- 44:37Speaker 10: Hold the testament in your right hand and repeat the oath.
- 44:40Speaker 6: I swear by almighty God that the evidence I shall
- 44:43Speaker 6: give shall be the truth, the whole truth and nothing
- 44:46Speaker 6: but the truth.
- 44:47Speaker 2: What is your name?
- 44:48Speaker 7: Maddalena Paradine.
- 44:50Speaker 4: You're the widow of Richard Patrick Paradine? I am. What
- 44:53Speaker 4: were your circumstances when you married him?
- 44:56Speaker 7: I was very poor. My life had been unpleasant and unattractive.
- 45:02Speaker 4: Had you no fear of a lifetime with a blind man?
- 45:06Speaker 7: I thought it a splendid opportunity.
- 45:08Speaker 2: Opportunity?
- 45:09Speaker 7: Yes, I thought. I will be his eyes.
- 45:12Speaker 4: Did you find it difficult to care for a blind man?
- 45:15Speaker 2: No.
- 45:15Speaker 4: He was never unkind to you?
- 45:17Speaker 7: Sometimes.
- 45:19Speaker 6: But I understood. It was terrible for him, so helpless.
- 45:24Speaker 6: It was easy to forgive him.
- 45:25Speaker 4: On the night of your husband's death, a quarrel took place.
- 45:29Speaker 2: Yes.
- 45:29Speaker 6: Could you tell the jury, please, the cause of that quarrel?
- 45:32Speaker 6: I had spoken to my husband about his valet, Latour.
- 45:36Speaker 6: I asked my husband to find another place for him.
- 45:39Speaker 2: Why?
- 45:40Speaker 7: I did not wish Latour to stay in the house.
- 45:42Speaker 4: Why not?
- 45:44Speaker 7: I did not like his manner with me.
- 45:46Speaker 4: What do you mean by that?
- 45:49Speaker 7: He took liberties.
- 45:51Speaker 4: Did he try to make love to you? Please answer, Mrs.
- 45:55Speaker 2: Paradine.
- 45:56Speaker 4: Did he try to make love to you?
- 45:58Speaker 2: Yes.
- 45:59Speaker 4: And you complained about him.
- 46:00Speaker 2: To your husband?
- 46:01Speaker 7: I did.
- 46:02Speaker 4: You've heard Latour's version of the quarrel. What actually happened
- 46:06Speaker 4: when Latour came into the room?
- 46:08Speaker 6: My husband swore at him and said, you have insulted
- 46:11Speaker 6: my wife. Latour broke down. He said that if my
- 46:16Speaker 6: husband would forgive him, It will never happen again.
- 46:19Speaker 4: Then Latour's version of what took place is completely untrue.
- 46:21Speaker 4: The Lord, I object. I am simply asking a question,
- 46:24Speaker 4: my Lord.
- 46:25Speaker 16: The form is objectionable. And I am anxious not to
- 46:28Speaker 16: have to intervene again, Mr.
- 46:29Speaker 2: Keene.
- 46:31Speaker 10: I am being clear.
- 46:33Speaker 4: Your Lordship always makes his meanings perfectly clear.
- 46:39Speaker 10: Mrs.
- 46:40Speaker 4: Paradine, after your husband's death, you sent Latour into the
- 46:44Speaker 4: Colonel's room to tidy it up. Yes. Was anyone with you?
- 46:47Speaker 2: Dr.
- 46:47Speaker 7: Young was with me.
- 46:48Speaker 4: And was Dr. Young still with you when Latour came
- 46:51Speaker 4: out of the room?
- 46:52Speaker 7: Yes.
- 46:53Speaker 4: Have you heard of Dr. Young's deposition stating that after
- 46:57Speaker 4: he left you, he went to your husband's room and
- 46:59Speaker 4: found the wine glass washed and dried?
- 47:02Speaker 7: I've heard that, yes.
- 47:04Speaker 4: Then, is it not true that the only person who
- 47:08Speaker 4: could have washed and dried that glass is Latour?
- 47:11Speaker 10: All right, all right.
- 47:14Speaker 6: Could anyone else have washed and dried it? I know
- 47:17Speaker 6: what you're trying to make me say. You're trying to
- 47:21Speaker 6: make people think that Andre Latour killed my husband.
- 47:23Speaker 13: Quiet.
- 47:24Speaker 10: Quiet.
- 47:26Speaker 4: I asked you whether anyone else could have washed and
- 47:28Speaker 4: dried the glass.
- 47:29Speaker 7: Yes.
- 47:29Speaker 4: What do you mean by yes?
- 47:31Speaker 7: I did.
- 47:32Speaker 16: It is my duty to warn you, Mrs. Paradine, that
- 47:34Speaker 16: you've made a very serious admission. Would you like to
- 47:37Speaker 16: make some explanation of.
- 47:38Speaker 2: It to the jury?
- 47:38Speaker 4: My lord, with the utmost respect, I would like to
- 47:42Speaker 4: request time to consider this turn of events. This evidence
- 47:44Speaker 4: is entirely new to me. I feel.
- 47:46Speaker 2: Very well, Mr. Keene.
- 47:47Speaker 10: We will adjourn until 10.30 tomorrow morning.
- 47:58Speaker 6: Hello, Tony.
- 47:58Speaker 4: Hello, Judy. Well, what are you looking so sad about?
- 48:02Speaker 7: Oh, nothing. I was there today in court.
- 48:05Speaker 2: Was Gay with you? Yes.
- 48:06Speaker 4: Is that your idea?
- 48:08Speaker 1: Yes.
- 48:09Speaker 7: Oh, gaze upstairs, Tony. Before you go up... Well?
- 48:14Speaker 2: If Mrs.
- 48:15Speaker 7: Paradine washed that wine glass.
- 48:16Speaker 4: If she did wash that glass, it's because she knew
- 48:18Speaker 4: that Latour killed Paradine, and if I had access to
- 48:21Speaker 4: her while she's a witness, I'd make her say so tonight.
- 48:23Speaker 7: And Latour's motive?
- 48:24Speaker 4: He was in love with her.
- 48:25Speaker 7: What about your motive, Tony?
- 48:28Speaker 2: What do you mean?
- 48:29Speaker 11: Well, you know, and I know, and Gay knows why
- 48:32Speaker 11: it is that you think Latour is the murderer. You
- 48:35Speaker 11: wouldn't have handled her that way in the witness box
- 48:36Speaker 11: for any other reason. You treated her as though you
- 48:39Speaker 11: were cross-examining a witness for the prosecution.
- 48:42Speaker 4: Look here, Judy, I'll handle it.
- 48:43Speaker 7: Oh, Tony, it's true.
- 48:44Speaker 11: It's terribly true. Somebody's got to show you. You've got
- 48:47Speaker 11: to save this woman for gay's sake.
- 48:49Speaker 4: If you'll let me alone, perhaps I still can.
- 48:51Speaker 7: If you're left to your own devices, I'll bet you
- 48:53Speaker 7: one thing. Mrs. Paradigm will be done for in your
- 48:55Speaker 7: career along with it.
- 48:57Speaker 11: And if it weren't for gay, I'm not so sure
- 48:59Speaker 11: I'd care.
- 49:10Speaker 10: Well, Mr.
- 49:10Speaker 16: Keene, the defendant is in the witness box. You may
- 49:12Speaker 16: resume where you left off yesterday.
- 49:14Speaker 4: My lord, I have no further questions. I have finished
- 49:19Speaker 4: with the witness.
- 49:20Speaker 10: Does the Crown wish to cross-examine?
- 49:22Speaker 2: We do, my lord. Mrs.
- 49:26Speaker 15: Paradine, these attentions on Latour's part had gone on for
- 49:31Speaker 15: some time.
- 49:32Speaker 7: Yes.
- 49:32Speaker 2: Then why did you delay telling your husband.
- 49:36Speaker 7: I was ashamed.
- 49:36Speaker 10: Ashamed?
- 49:37Speaker 2: Why, was it your fault?
- 49:38Speaker 7: Of course not.
- 49:39Speaker 2: Then why be ashamed? Mrs.
- 49:41Speaker 15: Paradine, did you not refrain from complaining about Latour because
- 49:45Speaker 15: you were madly in love with him?
- 49:47Speaker 6: Madly in love with him? And yet I went to
- 49:50Speaker 6: my husband and asked him to send Latour away?
- 49:53Speaker 7: Is that what you think?
- 49:54Speaker 15: And did you not finally succeed in your objective and
- 49:56Speaker 15: induce this unfortunate man who worshipped his master to betray him?
- 50:00Speaker 7: I deny that.
- 50:01Speaker 2: Mrs.
- 50:01Speaker 15: Paradine, is it not a fact that as soon as
- 50:02Speaker 15: you discovered that Latour took no interest in you, you
- 50:05Speaker 15: resolved to overcome that indifference?
- 50:07Speaker 7: No.
- 50:07Speaker 2: Weren't you in love with Latour all the time he
- 50:09Speaker 2: lived at Handley Hall?
- 50:10Speaker 7: No.
- 50:10Speaker 2: Were you not madly in love with him all the time?
- 50:12Speaker 10: Just a moment, please.
- 50:13Speaker 2: The Lord, I am simply trying to.
- 50:14Speaker 10: It's this message.
- 50:15Speaker 16: I've just been handed a message from the police. Andre
- 50:18Speaker 16: Latour committed suicide an hour ago.
- 50:22Speaker 7: Andre.
- 50:24Speaker 10: Quiet!
- 50:26Speaker 4: My lord, I.
- 50:28Speaker 15: I would like to have an opportunity to consider what
- 50:30Speaker 15: bearing this new tragedy has on the case.
- 50:32Speaker 4: I submit that it is great bearing, my lord. It
- 50:34Speaker 4: is perfectly obvious why the witness committed suicide. Oh, no,
- 50:37Speaker 4: I don't think so.
- 50:37Speaker 15: Latour himself said he couldn't live with the knowledge of
- 50:39Speaker 15: having betrayed Colonel Paradine.
- 50:41Speaker 2: I suggest that.
- 50:41Speaker 10: Both counsel remember where they are.
- 50:43Speaker 2: Mr.
- 50:44Speaker 16: Farrell, do you wish to apply for an adjournment?
- 50:46Speaker 10: Adjourn?
- 50:47Speaker 4: No, my lord.
- 50:48Speaker 10: Then proceed with your case.
- 50:49Speaker 2: Very well. Mrs. Paradine.
- 50:52Speaker 15: You admitted yesterday that you deliberately washed the glass that
- 50:56Speaker 15: contained the poison which killed your husband. Why did you
- 51:00Speaker 15: wash that glass? Answer my question. Why did you wash
- 51:05Speaker 15: that glass?
- 51:08Speaker 10: You must answer the question, Mrs.
- 51:11Speaker 2: Paradine.
- 51:12Speaker 7: I'm sorry.
- 51:13Speaker 4: I didn't hear it.
- 51:15Speaker 10: Counsel has already repeated it.
- 51:20Speaker 7: What does it matter now?
- 51:23Speaker 6: Andre is dead. The man I love is dead. I
- 51:29Speaker 6: thought about it day and night, but I didn't know how.
- 51:34Speaker 6: I wanted to do it so that we could be free.
- 51:38Speaker 6: So that Andre and.
- 51:38Speaker 7: I could be free. But Andre wouldn't help me. He
- 51:44Speaker 7: and his honor.
- 51:44Speaker 16: I must again warn you of the gravity of your statement.
- 51:48Speaker 7: Andre knew I killed the blind man. Andre knew it.
- 51:53Speaker 7: I didn't tell him, but he knew it.
- 51:56Speaker 15: I think it quite unnecessary to ask any further questions.
- 52:00Speaker 10: My lord.
- 52:01Speaker 2: Mr. Keene. Mrs.
- 52:03Speaker 4: Paradine.
- 52:04Speaker 6: I have nothing further to say to you, Mr.
- 52:06Speaker 4: Keene.
- 52:08Speaker 7: I loved Andre and you murdered him. My life is finished.
- 52:14Speaker 7: It's you who have finished it.
- 52:16Speaker 6: My only comfort is the hatred and contempt I feel
- 52:19Speaker 6: for you.
- 52:22Speaker 4: My lord. Members of the jury, I've done my best.
- 52:29Speaker 4: This case has already taken its heavy toll in the
- 52:34Speaker 4: life of Latour, in its burden.
- 52:37Speaker 2: On you and indeed on me. I am.
- 52:43Speaker 4: More than ever conscious of my shortcomings. Everything that I've
- 52:48Speaker 4: done seems to have gone against my client. but you
- 52:52Speaker 4: must not confuse my incompetence with any of the issues
- 52:58Speaker 4: of the trial. Many things have become obscured. Many things
- 53:06Speaker 4: have become obscured. My Lord, I regret I cannot continue.
- 53:16Speaker 4: I request your Lordship's indulgence to But my friend, Sir
- 53:21Speaker 4: Simon Flacker, take over the case.
- 53:28Speaker 16: Maddalena Paradine, you have heard the verdict of the jury.
- 53:33Speaker 16: You will be returned this day to His Majesty's prison
- 53:35Speaker 16: in custody of the warden. And there, following three clear Sundays,
- 53:41Speaker 16: you will be hanged by the neck until dead.
- 53:51Speaker 4: Simeon, I'm sorry I didn't notice the time.
- 53:54Speaker 2: It's almost morning. I wonder what the newspapers will say
- 53:58Speaker 2: about our day in court.
- 54:01Speaker 4: They'll probably suggest that next time you place your confidence
- 54:04Speaker 4: with more discretion, they'll be right. I just don't know
- 54:11Speaker 4: what happened to me today. When she turned on me,
- 54:15Speaker 4: when she said that.
- 54:18Speaker 2: Well, it doesn't matter now, Earl.
- 54:21Speaker 4: I'll run along.
- 54:21Speaker 2: Where are you going at this hour? Sit down, Tony.
- 54:25Speaker 2: I do wish you'd at least telephone Gay. She must
- 54:27Speaker 2: be worried to death.
- 54:29Speaker 4: Worried for fear that I'll come home, you mean?
- 54:32Speaker 2: No, no.
- 54:34Speaker 4: The least I can do for Gay is to spare
- 54:36Speaker 4: her the boring job of standing by me.
- 54:39Speaker 2: Now listen, Tony. You're not as wise about everything as
- 54:42Speaker 2: you may think. And you mustn't despair. If there's one
- 54:44Speaker 2: thing I can't abide, it's despairing. What would you have
- 54:47Speaker 2: me do after this? Hope for a high court judgeship?
- 54:50Speaker 4: No.
- 54:51Speaker 2: All this talk about giving up the law.
- 54:53Speaker 4: Poppycock.
- 54:54Speaker 2: If I know anything about Gay, there's nothing at all
- 54:56Speaker 2: she wants at this moment but... Father? Judy, I thought
- 55:00Speaker 2: you were asleep hours ago.
- 55:01Speaker 7: Come here, dear.
- 55:02Speaker 2: I wish you wouldn't constantly butt into matters that.
- 55:05Speaker 4: Oh.
- 55:07Speaker 2: There he is, my dear.
- 55:09Speaker 9: Hello, Tony.
- 55:11Speaker 2: Gay.
- 55:13Speaker 7: What about having some breakfast?
- 55:15Speaker 4: Thanks, but... Well, as a matter of fact, I was
- 55:17Speaker 4: just about leaving.
- 55:19Speaker 9: Tony, you really shouldn't have worried me like this. I
- 55:22Speaker 9: suppose I should have known you'd be here with Zimmy. Tony,
- 55:26Speaker 9: I was proud of you today.
- 55:29Speaker 2: Proud?
- 55:30Speaker 7: Yes, I was.
- 55:33Speaker 9: Darling, it won't be easy. There'll be those who laugh
- 55:36Speaker 9: at you. I don't think the newspapers were very kind.
- 55:39Speaker 2: The worst of all is what I've done to you.
- 55:42Speaker 9: Tony, the most important moment in your life wasn't when
- 55:45Speaker 9: you discovered what she was. It wasn't even when you
- 55:48Speaker 9: had the courage to stand up there before the whole.
- 55:50Speaker 7: World and confess your mistakes. The most important moment.
- 55:57Speaker 7: Look at me, Tony.
- 55:59Speaker 9: The most important moment in your life is now. My
- 56:04Speaker 9: husband is the most brilliant man I've ever known. You
- 56:08Speaker 9: can throw away your career and become a beachcomber.
- 56:11Speaker 7: If that's what you want.
- 56:12Speaker 12: Hmm.
- 56:13Speaker 2: Yeah, but that's not such a bad idea.
- 56:14Speaker 9: Oh, darling, don't you understand? I want you back on
- 56:17Speaker 9: the job just as fast as ever you can. And
- 56:20Speaker 9: I hope you have a tough case.
- 56:23Speaker 7: Very tough. So that it will take the best you have.
- 56:27Speaker 2: Why?
- 56:28Speaker 7: Oh, darling.
- 56:31Speaker 4: All your fancy ideas about me.
- 56:33Speaker 2: I'll try, Kay. I'll try.
- 56:50Speaker 5: Your applause is a cue for our stars to return
- 56:53Speaker 5: for a curtain call.
- 56:54Speaker 2: And here they are, Joseph Cotton, Valley, and Louis Jordan.
- 56:58Speaker 4: Thank you, Bill. It's a great pleasure to be back.
- 57:06Speaker 13: Oh, Joe, you must have seen some exciting things while
- 57:09Speaker 13: you and.
- 57:10Speaker 4: A leader.
- 57:10Speaker 13: We're making your picture in Vienna last winter.
- 57:12Speaker 4: Well, Vienna's sort of an international hotspot right now.
- 57:16Speaker 2: Did you have a chance to visit your home in Italy,
- 57:18Speaker 2: Miss Valle?
- 57:19Speaker 16: Yes.
- 57:19Speaker 7: And of course, that was the biggest thrill of the
- 57:21Speaker 7: trip for me.
- 57:23Speaker 6: But you know, one thing that's still missing throughout most
- 57:25Speaker 6: of Europe is an abundance of good soap.
- 57:28Speaker 7: Like my favorite, for instance. Lux soap.
- 57:31Speaker 2: Well, thanks for the tip.
- 57:33Speaker 5: I'm going to Europe myself this summer, so I'll take
- 57:35Speaker 5: plenty of lux soap along.
- 57:37Speaker 6: Louie, I hear you had a little excitement in New
- 57:40Speaker 6: York recently when you were mobbed by the fans at
- 57:42Speaker 6: the Broadway opening.
- 57:44Speaker 12: Well, to be honest, the crowds were really gathered for
- 57:46Speaker 12: the new Selznick picture, Portrait of Jenny.
- 57:49Speaker 2: And I just happened to be there.
- 57:51Speaker 13: Oh, by the way, Joe, I can assure you that
- 57:52Speaker 13: you and Jennifer Jones have made a hit.
- 57:54Speaker 4: Thank you very much, Louie. Bill, what have you lined
- 57:58Speaker 4: up for next week?
- 57:59Speaker 5: Next week, a fast-moving musical, Joe.
- 58:02Speaker 2: It's the Warner Brothers hit, April Showers.
- 58:05Speaker 5: And our stars are Jack Carson, Dorothy Lemoore, and Robert Alder.
- 58:11Speaker 5: There's a moving, dramatic story and some of America's best-loved songs,
- 58:15Speaker 5: like April Showers. So I know our audience will like it.
- 58:19Speaker 7: Sounds like a grand show, Mr. Keeley. Good night.
- 58:22Speaker 2: Good night. And thank you again.
- 58:28Speaker 5: Ladies and gentlemen, the armed forces of the United States
- 58:32Speaker 5: face a grave shortage of physicians and dentists. Young men
- 58:35Speaker 5: who received their medical education during the war years and
- 58:39Speaker 5: have not served in the armed forces are urged to
- 58:41Speaker 5: volunteer now when the need is so great. Lever Brothers Company,
- 58:50Speaker 5: the makers of Lux Toilet Soap, join me in inviting
- 58:53Speaker 5: you to be with us again next Monday evening when
- 58:55Speaker 5: the Lux Radio Theater presents Jack Carson, Dorothy L'Amour, and
- 58:59Speaker 5: Robert Alder.
- 59:00Speaker 2: In April Showers.
- 59:02Speaker 5: This is William Keeley saying goodnight to you from Hollywood.
- 59:12Speaker 3: Heard in tonight's cast was Betty Lou Gerson as Gay.
- 59:15Speaker 3: Our play was directed by S.H. Barnett and our music
- 59:17Speaker 3: was directed by Louis Silbers. This is your announcer, John
- 59:20Speaker 3: Milton Kennedy, reminding you to join us again next Monday
- 59:22Speaker 3: night to hear April Showers, starring Jack Carson, Dorothy L'Amour,
- 59:26Speaker 3: and Robert Alda. if you have trouble trouble trouble with
- 59:39Speaker 3: your nice things change to luxe flakes and they will
- 59:43Speaker 3: bubble bubble bubble your troubles.
- 59:45Speaker 9: Away keep nice things lovely longer keep undies and stockings
- 59:51Speaker 9: stronger let l-u-x bubble your troubles away.
- 1:00:00Speaker 3: Be sure to listen next Monday night to the Lux
- 1:00:02Speaker 3: Radio Theater presentation of April Showers, starring Jack Carson, Dorothy L'Amour,
- 1:00:06Speaker 3: and Robert Alda. Stay tuned for My Friend Irma, which
- 1:00:08Speaker 3: follows over these same stations. This is CBS, the Columbia
- 1:00:12Speaker 3: Broadcasting System.
- 1:00:31Speaker 1: Lux Radio Theater concludes with The Paradigm Case. This is
- 1:00:34Speaker 1: Victor Sterling. Until next time, good night. Follow the 50
- 1:00:38Speaker 1: greatest old-time radio shows for more classic broadcasts.