Latest / Vanity Farah with Chris Farah / 90 Day Fiancé The Other Way Season 8 Episode 2 “Kiasu, Kancheong, and Carry On” my Part 1

Transcript

90 Day Fiancé The Other Way Season 8 Episode 2 “Kiasu, Kancheong, and Carry On” my Part 1 · Vanity Farah with Chris Farah

0:07
Speaker 1: Hi, everyone. Welcome back to Vanity Pharah. My name is
0:10
Speaker 1: Chris Pharah, and I am definitely looking different as I
0:14
Speaker 1: talk to you today about 90 Day Fiancé, The Other Way,
0:18
Speaker 1: Season 8, Episode 2. This was called Kiasu, Kancheung, and
0:22
Speaker 1: Carry On. So if you are listening on Vanity Pharah, hi,
0:26
Speaker 1: no diff. But if you're also watching on YouTube or
0:28
Speaker 1: my Patreon because you wanted to give me $ 5 and
0:30
Speaker 1: get all this super, super early, super fast, and unedited,
0:35
Speaker 1: I have a stye in my eye, which I think
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Speaker 1: is kind of funny only because styes just like come
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Speaker 1: out of nowhere and will take you down. Because if
0:45
Speaker 1: you think you have plans, you now have like, you know,
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Speaker 1: plans that a Quasimodo is going to go on. So
0:52
Speaker 1: having said all of that, you know, I like makeup
0:56
Speaker 1: and I'm not wearing any because of the stye. It's
0:59
Speaker 1: this eye and you can probably see it. But at
1:02
Speaker 1: the same time, I hope it's not so bad. And
1:05
Speaker 1: I don't want to make it worse by putting makeup on.
1:07
Speaker 1: So that's what's happening. Hey, you guys, I hope all
1:11
Speaker 1: is well. I am excited to talk about The Other Way.
1:14
Speaker 1: I love the fact this is happening with Hunt for Love.
1:17
Speaker 1: I feel taken care of by the producers. I feel
1:22
Speaker 1: cared for. I feel like I have little treats to watch.
1:27
Speaker 1: So all of this is great. And at the same time,
1:30
Speaker 1: have you guys started watching East of Eden? Just a
1:34
Speaker 1: little like high-low, high-low brow. Honey, it's Chanel and it's
1:39
Speaker 1: Taco Bell all the time. And what I'm saying is
1:42
Speaker 1: 90 Day Fiancé' s Taco Bell. I love Taco Bell. Let's
1:46
Speaker 1: talk and let's get in. So the first is Vittorio
1:50
Speaker 1: and Jessie. So she is modeling a red pageant gown
1:54
Speaker 1: for her friend who we met before who has that
1:57
Speaker 1: fun haircut. And they met, Manny is his name. He's
2:01
Speaker 1: her gay bestie. And they met in the pageant circuit.
2:04
Speaker 1: He's wearing a yellow sweater. At first, I'm like, is
2:06
Speaker 1: that polo? I'm not quite sure if it is. It
2:08
Speaker 1: might be like Lacoste or whatever it is. He and
2:11
Speaker 1: her met again in that pageant life. Honey, she's a
2:14
Speaker 1: toddler in tiara, just grown up. And she gives that.
2:18
Speaker 1: She talks about the fact that she enjoys doing pageants
2:21
Speaker 1: because it reminds her of her mother who passed away
2:24
Speaker 1: from cancer. It's a very sad story. When she was
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Speaker 1: a senior in high school and she had to watch
2:27
Speaker 1: her honestly die. What a... Like, what a horrible thing
2:34
Speaker 1: to have to do at any age, much less, like,
2:37
Speaker 1: such a young age at the precipice of your life
2:40
Speaker 1: where I'm sure you want to ask your mom or, like,
2:44
Speaker 1: any sort of figure in your life one billion questions
2:47
Speaker 1: about this transition and to lose, like, someone that you
2:49
Speaker 1: love that cared for you. Oh, my God. God bless her.
2:53
Speaker 1: Jessie has gotten a lot— well, not a lot, but gotten
2:57
Speaker 1: hate online from the first episode. I didn't quite— I guess,
3:01
Speaker 1: clock any issues with her personality. People were like, she's
3:05
Speaker 1: too loud. She's whatever, obnoxious. I guess in her salon entrance,
3:11
Speaker 1: but to me, she was just certainly loud, but like
3:15
Speaker 1: in a way that like Rosie Perez, I'm assuming is,
3:17
Speaker 1: you know, like, you know, just gave me kind of
3:19
Speaker 1: like a certain vibe. Now in this episode, she does
3:23
Speaker 1: become less sufferable and She definitely is cringy at times
3:31
Speaker 1: for me. But at the same time, they're going to
3:33
Speaker 1: give us a sad story. It's the fact that her
3:35
Speaker 1: mom is no longer with us. God bless. RIP her
3:38
Speaker 1: mom and fuck cancer. So because of that, you know,
3:42
Speaker 1: she obviously didn't have an easy time going to college
3:45
Speaker 1: and getting loans. Her dad wasn't in the picture. And
3:49
Speaker 1: she doesn't come from a lot of money. And Vittorio does.
3:53
Speaker 1: He talks about the fact that he is, I guess,
3:56
Speaker 1: to her a part of some, like, fancy membership country-ass club.
4:00
Speaker 1: And he's like, when you come, you have to, like,
4:02
Speaker 1: dress well. And that's interesting to me. And I'll tell
4:05
Speaker 1: you why. If he is a man that understands fashion,
4:09
Speaker 1: which he supposedly is, he would be able to clock
4:16
Speaker 1: Jessie's absolute lack of taste on, like, a... that kind
4:21
Speaker 1: of level really early on. So this doesn't quite make
4:24
Speaker 1: sense why he would expect someone like her to suddenly
4:29
Speaker 1: acquire taste when she doesn't have any. And here is
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Speaker 1: the reason why I say that. Taste is subjective. Styles
4:39
Speaker 1: is subjective. But certain things are objective. Quality of fabrics, stitching, craftsmanship,
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Speaker 1: attention to detail and the wherewithal and awareness that these
4:56
Speaker 1: things like highly matter. You can dress on a budget
5:03
Speaker 1: and look well-dressed with seemingly quality fabrics or whatnot. It's
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Speaker 1: just that you have to have a discerning eye and
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Speaker 1: you know, Such things take practice. But if you're in
5:21
Speaker 1: the fashion industry, that discerning eye becomes, I mean, like
5:27
Speaker 1: a much more relevant need, right? That's like what sets
5:34
Speaker 1: you apart. If you can't look at a fabric and
5:37
Speaker 1: understand the difference between cheaply made polyester and something that's not,
5:41
Speaker 1: or stitching that looks like it was made from, God bless,
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Speaker 1: like a machine or, you know, who knows what. and
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Speaker 1: not looked at past that one cycle. And, you know,
5:54
Speaker 1: it's just all of that. Jessie doesn't have that. Jessie's
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Speaker 1: whole aesthetic is definitely like pageant girl who, you know,
6:02
Speaker 1: like hasn't moved up from, you know, her cultural, I guess,
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Speaker 1: awareness of fashion, like beyond what feels like New York fashion.
6:12
Speaker 1: New Jersey pageant worlds. So you get a lot of
6:15
Speaker 1: like cheetah and you get a lot of like glitz,
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Speaker 1: but there doesn't seem to be any other discernible influences
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Speaker 1: or looks. It's interesting because the one thing is like,
6:28
Speaker 1: it wouldn't be a problem because you can imagine a
6:30
Speaker 1: billion men that are like obsessed with that, except that
6:33
Speaker 1: if you are someone who understands fashion and those things,
6:38
Speaker 1: it's crazy of you to want more from her. It'd
6:44
Speaker 1: be like someone who studies opera is, like, upset that
6:50
Speaker 1: a girl who gets drunk at karaoke, like, doesn't know
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Speaker 1: how to sing arias. You know what I'm saying? The
7:01
Speaker 1: girl at karaoke is like, how do you think I did?
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Speaker 1: You know, and in her mind, she really wanted to
7:06
Speaker 1: be like, so good, girl. You really can sound like
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Speaker 1: Taylor Swift or whatever. But, like, no, she doesn't. God bless. No,
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Speaker 1: you know, truly not. But... It's just, yeah, you know,
7:16
Speaker 1: that's my great metaphor. Okay, so she is, as I said,
7:20
Speaker 1: packing honey furs, leathers, cheetah print. No zebra print. I
7:27
Speaker 1: always think it's funny when people pick one animal print. Granted, cheetah,
7:31
Speaker 1: I guess, has gold and black, and that's like a
7:33
Speaker 1: great combination. You know, zebra has like black and white,
7:36
Speaker 1: which is, you know, maybe not as easy on a
7:37
Speaker 1: warm skin tone. I'm not quite sure. She has one
7:41
Speaker 1: of those fake fireplace TV consoles, and that, so do I.
7:45
Speaker 1: So I was like, oh girl, me, me, me and you.
7:49
Speaker 1: And that's because I just got done saying she doesn't
7:51
Speaker 1: have taste. So when I saw that, I was like, oh,
7:53
Speaker 1: you know, yeah. Now I do think mine looks different,
7:55
Speaker 1: but God bless. If you ever want to see mine, Patreon. Okay.
7:57
Speaker 1: So he at the same time gets his little cutaway because,
8:02
Speaker 1: you know, she is like, I call him all the
8:04
Speaker 1: time to her bestie and he sometimes doesn't pick up.
8:07
Speaker 1: So I just keep calling and I'm like, oh my God,
8:09
Speaker 1: that's a nightmare. You can't catch me calling someone more
8:15
Speaker 1: than like once or twice. I get real like pride
8:19
Speaker 1: or ego about like, if you don't give me the
8:21
Speaker 1: attention that I think that I deserve, I cut you
8:24
Speaker 1: out like cancer. Honey, I get rid of you. I
8:26
Speaker 1: just assume, honey, you're not doing it. I assume you're
8:28
Speaker 1: going to multiply and I'm not going to want you
8:31
Speaker 1: in my life. Okay. In his life now, honey, we
8:35
Speaker 1: get this like gorgeous drone shot of this like Italian hillside.
8:40
Speaker 1: I'm like, what is a stealing beauty, honey? That's a reference.
8:43
Speaker 1: That's like Liv Tyler's Bernardo Bertolucci film where she has
8:46
Speaker 1: to go to Italy and like find out who fucked
8:48
Speaker 1: her mom and who was her dad, but then she
8:50
Speaker 1: gets fucked. Oh my God. I love that movie. Great soundtrack. Okay.
8:54
Speaker 1: So it's a gorgeous villa, real, real big. He's like
8:57
Speaker 1: getting vegetables. Like there's a farmer's market nearby. It's an
9:02
Speaker 1: Instagram dream. I'm like, what is happening? Is this postcards
9:05
Speaker 1: by Hannah? I know I keep saying like different references.
9:07
Speaker 1: It's just that I'd like, this is unbelievable. He's like, oh,
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Speaker 1: in his accent. Oh, I haven't told, I can't do it.
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Speaker 1: Jesse that I moved. I can't do it. It sounds Arabic.
9:15
Speaker 1: I haven't told Jesse that I moved away from the
9:18
Speaker 1: Florence of Ferenze town center. And now I live in, again,
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Speaker 1: this in the hills, gorgeous, big ass villa, which looks
9:26
Speaker 1: like you would have to have a staff for, you know,
9:30
Speaker 1: it's big. It looks like, oh my God, it looks
9:32
Speaker 1: like it has a wood-fired oven. I saw this and
9:35
Speaker 1: I was like, no, dude. And he starts to say
9:37
Speaker 1: some crazy ass things later. I'm like, what the F's happening?
9:40
Speaker 1: I think this is fake. I think they're fake. I
9:44
Speaker 1: think they're fake. And it's not just because she's been
9:47
Speaker 1: on other reality shows, but that helps. But it's also
9:50
Speaker 1: the storyline and their energy and the fact that we're
9:57
Speaker 1: supposed to believe that they haven't had sex. which I
10:00
Speaker 1: believe they haven't had sex. But I mean, I don't know. Okay,
10:05
Speaker 1: so God bless. So he's, I said, doing that. He
10:08
Speaker 1: has like the most beautiful kale and celery I've ever seen,
10:12
Speaker 1: like greens. He's like, yeah, I know she likes a
10:14
Speaker 1: green juice. So I got all this. It's like, oh
10:15
Speaker 1: my God, I want to go here. Honey, bring my...
10:20
Speaker 1: blender in my juicer and stay for like three months
10:23
Speaker 1: and then just recommit myself to this natural world honey
10:27
Speaker 1: oh my god did you see the celery jesus so
10:33
Speaker 1: he's like getting her obviously her place this place ready
10:38
Speaker 1: for her he hasn't told her about the fact that
10:41
Speaker 1: he doesn't live in the city center anymore She is
10:44
Speaker 1: obviously en route to travel. She has her things. She
10:47
Speaker 1: gets on the flight. She like lands and she calls him.
10:50
Speaker 1: She's like, hurry up and get there. And he's like, yeah, yeah, yeah.
10:52
Speaker 1: I'll hurry, but I'm not going to hurry. I'm just
10:54
Speaker 1: going to tell her I'm hurrying. I'm right there. And
10:56
Speaker 1: I'm just going to take my slow ass time. And
10:58
Speaker 1: that's what politicians and I do. I'm like, okay. She
11:02
Speaker 1: gets off the train with like a Louis duffel bag
11:06
Speaker 1: and then these like pink hard shell bags. And then
11:09
Speaker 1: she has like her pageant bag with her. And it's
11:15
Speaker 1: just very much her glamshaw face with a crown. I mean,
11:21
Speaker 1: I cannot imagine. It's also the smallest bag in the world. And, like,
11:26
Speaker 1: I cannot imagine it fits anything. And if you're a
11:31
Speaker 1: TSA worker or whatever, if you're, like, someone who's, like,
11:33
Speaker 1: on the plane and you see that, aren't you just like,
11:36
Speaker 1: I can't wait to smash that around? Oh, my God.
11:39
Speaker 1: It is... Cringy. It is vain. It is, I think,
11:46
Speaker 1: I'm hot shit. Jessie's, I think, really pretty. I think
11:51
Speaker 1: that she's really a pretty girl. Of course, too much makeup.
11:55
Speaker 1: And it says the girl, Chris Farah, with nothing on
11:57
Speaker 1: her face. But she, you know, there's a dime a
12:02
Speaker 1: dozen of her, which is just interesting. It's just, I
12:06
Speaker 1: think that's the thing about... people that walk through this
12:11
Speaker 1: world thinking that they're ultra special or ultra entitled. There's
12:15
Speaker 1: just a dime a dozen. And especially, Jessie doesn't do this,
12:22
Speaker 1: but when such attitudes are wielded against people in the
12:28
Speaker 1: hospitality industry, That's so crazy because the social contract of
12:33
Speaker 1: hospitality is that you trust me to get or deliver
12:37
Speaker 1: things that you need, food or beverages. And at any time,
12:41
Speaker 1: I mean, I can opt out. You can like, I
12:46
Speaker 1: can say that I got sick. I can run away.
12:48
Speaker 1: I can make someone else do it. I can spit
12:50
Speaker 1: in your drink. There's like so many things I can
12:52
Speaker 1: do in that. I wouldn't spit in someone's drink. But
12:55
Speaker 1: having said that, it's just so interesting when people don't
12:59
Speaker 1: understand the push and pull of the world. Like there
13:04
Speaker 1: is no action without a reaction. And thusly there's like
13:07
Speaker 1: a weird balance so that no one is more special
13:11
Speaker 1: than another or better than another. But it's interesting the
13:16
Speaker 1: ways in which, I don't know, like we try and
13:19
Speaker 1: hold true to that. Maybe it's a survival mechanism, but
13:23
Speaker 1: it's funny because I think that this picture of her
13:26
Speaker 1: with this crown on this suitcase that is like literally
13:29
Speaker 1: the size of a dime, I wonder if it's like
13:32
Speaker 1: when she goes to pageants, there is like every girl
13:34
Speaker 1: has it. And maybe that's just the way that they
13:36
Speaker 1: know which is whose is whose. You know? Because if not,
13:41
Speaker 1: then they would have all the exact same like black
13:44
Speaker 1: away carry on. Also, they entitled this episode... kiosu canjong
13:55
Speaker 1: and i obviously i'm not great at you know speaking
13:59
Speaker 1: the language of singapore and carry on but i like
14:01
Speaker 1: to think that this could have just been called pageant
14:03
Speaker 1: carry on and it should be all about this bag
14:07
Speaker 1: i cannot imagine feeling okay dragging that bag behind me
14:12
Speaker 1: in public life with my own fucking face on it
14:14
Speaker 1: i cannot imagine it i think that i would crawl
14:18
Speaker 1: Into it, I would crawl into the bag and then
14:20
Speaker 1: just have someone else. I'd be like, I can't actually
14:22
Speaker 1: carry this bag. What I will do is crawl into it,
14:25
Speaker 1: zipper myself up, and then you can carry it around.
14:27
Speaker 1: And then someone could just be like, look at that
14:28
Speaker 1: poor sack, having to carry around some dumb elitist, wildly
14:33
Speaker 1: entitled vain woman's bag. You know, but it's me, I'm inside.
14:36
Speaker 1: You know, I just like, that bag can't even fit
14:41
Speaker 1: two shoes and an iPhone. Why even bring it? She
14:47
Speaker 1: doesn't seem to have the shame that one might have
14:53
Speaker 1: if they recognized that their style and fashion taste was lacking, uncultured,
15:01
Speaker 1: or just not aspirational for a learned or educated person.
15:12
Speaker 1: And you, again, don't have to have a style. That
15:16
Speaker 1: would be, thusly, what I said in that category. It's
15:19
Speaker 1: just that she seems so proud of hers. And so
15:23
Speaker 1: the pride is just hilarious because, of course, it's like
15:27
Speaker 1: a lack of awareness. And that is just, it's going
15:29
Speaker 1: to make what happens so great. So obviously... You know,
15:33
Speaker 1: that happens. He has flowers. They're good-looking flowers. I want
15:35
Speaker 1: to always say when they're good flowers or bad flowers,
15:37
Speaker 1: he has good-looking flowers. They're very, like, decor-friendly. They look
15:41
Speaker 1: like the flowers that I have in my apartment right
15:43
Speaker 1: now because they're, like, yellows, oranges, greens, very fall-time. Great palette.
15:49
Speaker 1: So she, when he comes and sees her, and they have,
15:52
Speaker 1: you know, a cute meet-greet, it's not sexy at all. He...
16:01
Speaker 1: pretty much is like, look at you. He kind of
16:04
Speaker 1: greets her like a uncle would greet his niece who
16:09
Speaker 1: he had some lovely early summers with and has gotten
16:13
Speaker 1: a couple of pictures of, but hasn't seen her in
16:16
Speaker 1: like 10 years. And now she's a young lady. That's
16:20
Speaker 1: the vibe, okay? She's wearing, and I'll give this to her,
16:24
Speaker 1: a chic trench coat. Trench coats are chic. It's like,
16:27
Speaker 1: she's wearing that. I'm like, oh honey, it looks, you know,
16:30
Speaker 1: like European. I'm like excited about it. And big sunglasses.
16:33
Speaker 1: And he sees this and he's like, oh my God,
16:35
Speaker 1: she came correct. He, I think is like, wow. And
16:39
Speaker 1: then she reveals underneath her chic trench coat, this like
16:44
Speaker 1: Italia red, white, and blue shirt. And it's just basic.
16:53
Speaker 1: And it looks like, literally something you'd buy in and
16:57
Speaker 1: I think maybe she did the airport like before you
17:02
Speaker 1: leave when you're like oh hell I forgot to bring
17:06
Speaker 1: someone's souvenirs I'm just gonna go buy a bunch of
17:09
Speaker 1: cheap ass Italia regalia's Italia regalia and pack it quick
17:15
Speaker 1: she okay so she's like well how do I look
17:20
Speaker 1: what do you think of the shirt and he is
17:21
Speaker 1: like oh well This is, if you go watch like
17:25
Speaker 1: a soccer game, this is not anything you travel with.
17:28
Speaker 1: And also look at the stitching, look at the quality
17:31
Speaker 1: right there. I mean, it looks like, God bless, someone
17:34
Speaker 1: did it who's underpaid in a little country. And the
17:36
Speaker 1: way he says it is shady. It's that kind of
17:39
Speaker 1: like the library is open shade. She's upset. She's taken
17:45
Speaker 1: aback by it. But that is the rub. She asked
17:49
Speaker 1: a dumb question. How do you like my shirt? It's
17:52
Speaker 1: a horrible shirt. And the worst thing she has on.
17:55
Speaker 1: And she really, I feel like, expected a good answer.
17:58
Speaker 1: And he was like, I can't. I can't. I won't.
18:01
Speaker 1: I have to tell you the truth. It's, what is that, $ 4?
18:07
Speaker 1: That's like me coming to New York and then, like,
18:09
Speaker 1: getting that, like, I love New York shirt thing. but
18:14
Speaker 1: like very thin quality cotton and being like, what do
18:18
Speaker 1: you think? And so you'd be like, oh, I've seen
18:20
Speaker 1: that everywhere. Okay. So that happens and we're like, okay,
18:27
Speaker 1: God bless, you know, and they get in the car
18:29
Speaker 1: and she's upset. She's, she doesn't really like Italy. She's not,
18:34
Speaker 1: but she likes the city, but she doesn't seem to
18:39
Speaker 1: want to, to experience anything she doesn't know, but she
18:44
Speaker 1: doesn't really know anything. That's kind of like what her
18:47
Speaker 1: MO is. So she is upset because they keep driving
18:50
Speaker 1: and slowly he has to be like, where you thought
18:52
Speaker 1: I lived, I no longer live. And she's like, what?
18:55
Speaker 1: You don't live in the city center? And she's really upset.
18:57
Speaker 1: And then we're supposed to believe that she's upset because
18:59
Speaker 1: in her mind, she's going to be stuck in this
19:01
Speaker 1: place on this hill, like fucking Rapunzel, except with less hair.
19:05
Speaker 1: And she won't have any means to get around. And
19:10
Speaker 1: the truth of the matter is that's what happens to
19:13
Speaker 1: anyone going to any foreign place. That's literally what's happening.
19:18
Speaker 1: Every time we see none of the fiance and it's
19:19
Speaker 1: not the inner way, that's what's happening for the person
19:21
Speaker 1: getting there. So I don't feel like a certain amount
19:24
Speaker 1: of empathy towards you. I do think if you haven't yet,
19:29
Speaker 1: fucking open Duolingo, bitch, and start getting Italy under the belt.
19:34
Speaker 1: Get the Italian done. Grazie. I mean, you know what
19:38
Speaker 1: I'm saying? It's okay. So this is where he also
19:41
Speaker 1: says something that is so weird to me. I'm like,
19:43
Speaker 1: what'd you say? She's like, why didn't you tell me
19:48
Speaker 1: that you moved? Which is weird. Like, why? wouldn't you
19:50
Speaker 1: tell her that you moved? In his mind, or I
19:53
Speaker 1: guess his only answer to us is that he thought
19:55
Speaker 1: that she'd be upset. But in my, I'm like, well,
19:58
Speaker 1: you can spin it any way you want. She's not
20:03
Speaker 1: the expert of Italy. I don't understand why you can't
20:06
Speaker 1: just like tell her what's up. So anyway. That's obviously
20:10
Speaker 1: what happened. You know, he tells her, I'm sorry, I
20:14
Speaker 1: didn't tell you, but you know, I just travel so much.
20:19
Speaker 1: I needed a place that was more flexible. And I
20:24
Speaker 1: was like, what? Wait, buddy, you what? Had like a
20:30
Speaker 1: apartment in Florence, like in the city center, close to
20:34
Speaker 1: where all you work and probably close to all of
20:37
Speaker 1: your business and all of the fashion houses and And
20:40
Speaker 1: you travel so much that was too hard. So you
20:44
Speaker 1: gave that small place up to what live in a
20:49
Speaker 1: big ass villa on the hillside by yourself. And that
20:53
Speaker 1: is giving you more flexibility. No, that villa, you have
20:58
Speaker 1: to like sweep every part of that villa. There's no
21:03
Speaker 1: little market. So if you get in late, you can't
21:06
Speaker 1: like grab milk and have coffee creamer the next morning.
21:09
Speaker 1: You're on a villa in the middle of a hillside.
21:11
Speaker 1: It makes no sense for your MO to be like,
21:14
Speaker 1: I travel a lot and I just need flexibility to
21:17
Speaker 1: get a bigger home that requires more upkeep farther away
21:24
Speaker 1: from resources. That's insane, right? It would make sense if
21:32
Speaker 1: you had a smaller place in the city where you
21:35
Speaker 1: can just pop in, pop out. Maybe you have like
21:38
Speaker 1: a housekeeper come and you have a key and they
21:41
Speaker 1: come and dust for you. I mean, it makes no sense, right?
21:44
Speaker 1: It's really confusing. And so it does feel like he
21:47
Speaker 1: doesn't live in that villa. It feels maybe like it
21:49
Speaker 1: is like an Airbnb or like you really can't rent it,
21:52
Speaker 1: which then makes me feel like, can I rent it?
21:54
Speaker 1: Because I want to go and make those juices. I've
21:58
Speaker 1: already talked to you about how much that kale looks beautiful. What?
22:03
Speaker 1: So that's what happened there. Okay, Andy and Nigel. Oh,
22:06
Speaker 1: my God. So it opens, honey, she's writing a song.
22:08
Speaker 1: We're like, oh, my God, I get it. This is
22:10
Speaker 1: what this is going to be. But she is a
22:12
Speaker 1: good songwriter. Like, she really is. And she is doing
22:15
Speaker 1: a fun little play on words. She is wondering if
22:21
Speaker 1: he really loves her because she can't always feel his love.
22:25
Speaker 1: And he is wandering. Wandering and wandering. My God, the
22:35
Speaker 1: crux of so many relationships sucks. So she's like, you
22:40
Speaker 1: know what this song means? It means I have to
22:42
Speaker 1: go because I can't feel his love. So I need
22:45
Speaker 1: to go see him in real life and see if
22:46
Speaker 1: I can really feel it. We're like, oh my God,
22:47
Speaker 1: this is a little too on the nose, Andy. I'm happy, Andy,
22:50
Speaker 1: that you're going to come and get yours or whatever,
22:52
Speaker 1: but I don't need, you know, it to be like
22:54
Speaker 1: a fool. Like my songwriting gets me through my problems.
22:58
Speaker 1: I didn't know whether I could go until I finished
23:00
Speaker 1: this key on this piano and just hit me. Oh, therapy.
23:04
Speaker 1: Thank you, mother song. You know, it's a little, it's
23:07
Speaker 1: a little, right? Okay. So, oh, and I say this
23:11
Speaker 1: because there's a part of me and Matt Morrow and
23:16
Speaker 1: I were talking about this that does miss the 90
23:19
Speaker 1: day fiance that just got normal ass, regular ass people
23:23
Speaker 1: who just got into this visa situation program. And we
23:27
Speaker 1: were watching them deal with it. Because without all of
23:31
Speaker 1: the rigmarole of like flashy jobs or whatnot, or like
23:36
Speaker 1: just the promise of fame, is the smallness of human
23:40
Speaker 1: relationships that this show, you know, really showcases sometimes. The
23:46
Speaker 1: smallness of the differences. Like, and I think that when
23:48
Speaker 1: I say smallness, it's like micro moments that illuminate the
23:55
Speaker 1: you know, the schisms between people, if that makes sense.
23:59
Speaker 1: Or conversely, the micro moments that illuminate the bridges that
24:05
Speaker 1: bridge people, regardless of culture, gender, sex, religion, and the
24:10
Speaker 1: whole thing, right? Both things happen. And I think that
24:15
Speaker 1: those micro moments get absolutely trampled on by the like,
24:22
Speaker 1: contrived moments I think that the producers try and wedge in.
24:27
Speaker 1: And then everything kind of becomes like predictable or playing
24:33
Speaker 1: at something without actually doing it. And you know what's
24:37
Speaker 1: so weird about that is that that sentence or a
24:43
Speaker 1: version of that sentence is like what is said in
24:46
Speaker 1: a that you shouldn't be acting, that you should just
24:51
Speaker 1: be experiencing, right? Like that if you think that you're
24:53
Speaker 1: doing something, you're trying to do something, that you're acting something,
24:56
Speaker 1: that that actually is not watchable or not great. It's
24:59
Speaker 1: not fun to watch. But watching someone truly experience something
25:03
Speaker 1: in real time is engrossing. And it's a line. And
25:08
Speaker 1: it's hard to do. And it's hard to remember the
25:12
Speaker 1: philosophy of, if that makes sense. But you can see
25:15
Speaker 1: it also in reality shows, right? Okay, so... We cut
25:23
Speaker 1: to a child's birthday party where kids are screaming and eating.
25:28
Speaker 1: It's funny. Kids, when they're experiencing utter joy, shriek at
25:36
Speaker 1: the top of their lungs shrilly. Shrill shrieks are how
25:45
Speaker 1: kids experience and express joy. Anyway. Isn't that so weird?
25:52
Speaker 1: You're like, oh my God, how? Can't you hear yourself scream?
25:57
Speaker 1: Can't you hear how loud that is? Can't you hear
25:59
Speaker 1: how it like hits a decibel that goes so high?
26:02
Speaker 1: Isn't that annoying to you? Oh my God. They have
26:07
Speaker 1: to get the joy out. Keep some of the joy
26:09
Speaker 1: in is what I say to kids. Bottle some of
26:11
Speaker 1: that joy. Keep a lid on it, kids. Okay. Okay.
26:16
Speaker 1: So at one point, the kids are eating something called
26:19
Speaker 1: fairy bread that looks just like Wonder Bread, but just
26:22
Speaker 1: sprinkles on top. But I'm sure it's sweeter than that.
26:25
Speaker 1: Then we see Nigel, who drives up on a motorcycle
26:27
Speaker 1: and then turns into a pirate just by the pure
26:31
Speaker 1: act of putting on a hat. Because his natural exterior,
26:36
Speaker 1: his natural aesthetic is already pirate-like. Like, there is no
26:39
Speaker 1: black eyeliner necessary. He's just like, hat! And he didn't
26:43
Speaker 1: really need the hat. party with the energy of a
26:50
Speaker 1: funkle who arrives an hour late and is gonna like
26:56
Speaker 1: just get a free mail he arrives big bold entrance
27:01
Speaker 1: like has the kids running around them for like what
27:04
Speaker 1: feels like a good 45 seconds until he retreats to
27:07
Speaker 1: the treat table gets the fairy bread and if he
27:10
Speaker 1: truly could he would just sit down pop open a
27:13
Speaker 1: beer the kids would be like Funkle Nigel, Funkle Nigel.
27:17
Speaker 1: And he'd be like, that's enough. Funkle Nigel's tired. Like
27:20
Speaker 1: that's the energy. But he, I guess, is getting paid.
27:23
Speaker 1: He's getting paid to lovingly, you know, work, which is
27:28
Speaker 1: great as a pirate, which he says was a job
27:30
Speaker 1: that he had. And now his friends own the business
27:33
Speaker 1: and he just feels and he doesn't do it for
27:34
Speaker 1: the money because he doesn't need it. We're like, yeah,
27:38
Speaker 1: you do. You got to fucking pay for that timeshare, asshole.
27:44
Speaker 1: But then we get a bunch of Nigel and it's
27:50
Speaker 1: weird talk of like, yeah, I made a bunch of
27:53
Speaker 1: great moves and a great investment. So I basically live
27:57
Speaker 1: a nomadic retired life where I own a home and
28:02
Speaker 1: like a, I don't know, what do you call it?
28:05
Speaker 1: One of the van things. I don't know. Something like that.
28:08
Speaker 1: One of the trucks that you pull a Some behind it,
28:11
Speaker 1: not quite sure. God bless. And obviously he is heavily
28:14
Speaker 1: into the ethically non-monogamous lifestyle. Also hippie lifestyle. Here's the thing.
28:25
Speaker 1: I don't quite understand if like polyamory people are across
28:29
Speaker 1: the board. Shoeless, a shoeless society with loud colors, barefoot.
28:38
Speaker 1: colorful clowns. I don't understand if that's just the kind
28:42
Speaker 1: of polyamorous people around him, or if there's like this
28:47
Speaker 1: subsect of clown musician Ren Faire people that fuck around
28:54
Speaker 1: all day long at each other. I'm not, it feels
28:57
Speaker 1: like that though, because again, it's not just polyamory or swingers.
29:01
Speaker 1: There's just this like added level of colorful expression and
29:07
Speaker 1: And no shoes. Hate shoes. It's yeah. Like it's interesting.
29:19
Speaker 1: I got to, I wish there'd be a lot more
29:22
Speaker 1: questions about it, but okay. So, you know, it's him
29:25
Speaker 1: doing his life, honey at this house. And he just
29:29
Speaker 1: says that he has unmedicated ADHD, which is so funny
29:33
Speaker 1: that now everyone has it. And sort of, I guess
29:35
Speaker 1: I do too. It's so weird. Mine's medicated, but I
29:39
Speaker 1: just went on it later on in life. So many
29:41
Speaker 1: people like that. It's so weird. Is that after COVID?
29:43
Speaker 1: I honestly need to know what's happening. His friend Chris
29:45
Speaker 1: comes over. It's not me. I know you were like,
29:49
Speaker 1: when you said Chris just now, I thought maybe it'd
29:51
Speaker 1: be you. It's his friend Chris, who's a male and
29:55
Speaker 1: lives by him and tolerates him on a daily basis, supposedly.
30:00
Speaker 1: Chris is like, oh, we see Nigel and he has
30:02
Speaker 1: a big ass smile on his face. He also has
30:06
Speaker 1: to be like, hey, buddy, like Andy's getting here. Have
30:09
Speaker 1: you swept? Instead of like doing more of the fuck
30:11
Speaker 1: weird shit you're doing right now, trying to put together
30:13
Speaker 1: some dumb scooter car. He's like, yeah, no, I will.
30:21
Speaker 1: Ends up being that he stays up all night to
30:22
Speaker 1: do so. I'm like, maybe get some medication on that ADHD. Okay. Okay.
30:30
Speaker 1: Chris Thins has a bunch of things, which I love.
30:32
Speaker 1: He's like, yeah, buddy, like when I met Andy, first
30:37
Speaker 1: of all, I didn't know that you were with her.
30:38
Speaker 1: I saw Andy and I was like, yes. I started
30:40
Speaker 1: talking to her and I was like, I'm a big
30:41
Speaker 1: ass crush. And then you were like, that's my girl.
30:43
Speaker 1: And I was like, what? She's better. She's better than you, buddy.
30:48
Speaker 1: I mean, and that makes me happy. He also is like,
30:51
Speaker 1: how is she going to feel about this polyamory thing?
30:55
Speaker 1: And he takes the side of like, And Andy's sister,
30:59
Speaker 1: like he is more like, I can't believe you're going
31:02
Speaker 1: to do this and you haven't talked about it. Don't
31:04
Speaker 1: you think Andy thinks that when she gets there, she's
31:07
Speaker 1: going to be your only one? Like he's not one
31:12
Speaker 1: of Nigel's poly friends that is like, I can't wait
31:15
Speaker 1: to get here, take off them shoes and get in there.
31:19
Speaker 1: You know, I'm going to get in that polyamory life.
31:21
Speaker 1: I'm not quite sure. But Chris also feels like he's
31:24
Speaker 1: laying a foundation to be like, she's going to get
31:25
Speaker 1: here and I'm going to get her. Honey, when he's
31:30
Speaker 1: busy pirating with his playmate, I'm going to get in
31:34
Speaker 1: there and get me my woman, my red-haired beauty, my
31:38
Speaker 1: talented red-haired American beauty. So yeah, Nigel talks about his
31:49
Speaker 1: playmate slash part-time lover that Andy got mad at. I'm
32:02
Speaker 1: not going to sing the song. It's Part-Time Lover by
32:10
Speaker 1: Stevie Wonder. If you haven't listened to Part-Time Lover by
32:12
Speaker 1: Stevie Wonder in like a whole last second, just, oh
32:14
Speaker 1: my God. I'm only going to say this because you're,
32:16
Speaker 1: maybe you're like, bitch, I'd listen to that song all
32:18
Speaker 1: the goddamn time. But obviously there is so many great
32:23
Speaker 1: groovy funk tracks in the world and I would say
32:26
Speaker 1: probably like a good 60% of them were made by
32:29
Speaker 1: Stevie Wonder. But God, part-time lover has such a fucking
32:34
Speaker 1: fun melody. It's just, it's good. So anyway, he said that,
32:41
Speaker 1: I sang the song, and I did it for you.
32:43
Speaker 1: I hate the words that he's saying, playmate and part-time lover.
32:47
Speaker 1: Playmate and part-time lover is so weird. Yeah, Nigel feels
32:53
Speaker 1: like he wants sympathy from his friend. He's like, yeah,
32:56
Speaker 1: we said it'd be okay. But then when I tried
32:58
Speaker 1: to get Andy on board for me to play with
33:00
Speaker 1: my playmate, part-time lover, to love my lover, my playmate,
33:04
Speaker 1: I'm like, oh, gross. She was upset. And Chris is like, yeah.
33:09
Speaker 1: And it felt like Andy wanted Chris to be like,
33:11
Speaker 1: that's crazy, dude. She should be totally into him. Okay,
33:18
Speaker 1: the next scene of their storyline, honey, involves a B-footage
33:24
Speaker 1: didgeridoo man. And we see him. It's a man playing
33:28
Speaker 1: a didgeridoo. First shot, I see a man shirtless with
33:32
Speaker 1: tats and dreads, red bandana. I'm like, he's playing a didgeridoo.
33:38
Speaker 1: There is a man on TikTok that if I open
33:41
Speaker 1: my TikTok right now, it's probably the first thing I'll see.
33:43
Speaker 1: And I don't know if you always are in this
33:45
Speaker 1: algorithm too. There's a didgeridoo man that plays on TikTok
33:48
Speaker 1: with a beat and it's pretty good. His whole thing
33:50
Speaker 1: is like, let me reset that nervous system. And honestly,
33:53
Speaker 1: it's true. So when this first happened, I'm like, oh
33:55
Speaker 1: my God, did a fiance track down the didgeridoo TikTok man?
34:00
Speaker 1: Because they both are like white men. So I had
34:02
Speaker 1: to do a deep dive. It's not him. And it
34:04
Speaker 1: happened because he opened his mouth, honey. I saw them
34:07
Speaker 1: teeth and I was like, oh, that's not him. And
34:09
Speaker 1: also the man on TikTok is completely bald and he
34:12
Speaker 1: always has a shirt on. Always. This seems like a
34:18
Speaker 1: vast aesthetic difference if it was the same man. Anyway,
34:23
Speaker 1: so that man, though, that we saw on None of
34:26
Speaker 1: They Fiance, this man, honey, says that the culture of...
34:33
Speaker 1: Aussie culture or whatever is very welcoming towards American women.
34:41
Speaker 1: I was like, what? What are you trying to do?
34:43
Speaker 1: What are you trying to do right now? I'm surprised
34:45
Speaker 1: he wasn't like, drop that chyron of my Instagram. American woman, come.
34:52
Speaker 1: Come to Down Under. I'm going to play you this stick.
34:56
Speaker 1: I'm going to play you this stick. You play with
34:59
Speaker 1: my stick. American women, honey. It's safe down here. First
35:07
Speaker 1: of all, it's funny because 90 Day Fiancé is played
35:14
Speaker 1: in Canada and also in the UK. I know this
35:17
Speaker 1: because I have been creating enough content about this topic
35:21
Speaker 1: enough to see that people are looking at my stuff
35:23
Speaker 1: from those places. So I'm like, why are you only
35:26
Speaker 1: talking about American women? Also, is this place not safe
35:29
Speaker 1: for Canadian men? Okay. Okay. But he doesn't want anything
35:35
Speaker 1: to do with the Canadian men. He's like, you can
35:36
Speaker 1: stay there. Just bring me those American women, honey. Them
35:40
Speaker 1: hot ass, horny ass American women. It's weird to think
35:44
Speaker 1: that the tropes of American women are the following. If
35:49
Speaker 1: you're an American man on 90 Day Fiancé, you consider
35:53
Speaker 1: American women to be too aggressive, too strong-willed, too opinionated,
35:59
Speaker 1: too hard to please, like all of that, right? And
36:01
Speaker 1: it's like, that's why they're like, oh, that's why some
36:03
Speaker 1: of these incels and passport bros are like, I can't
36:06
Speaker 1: wait to get to a country where they're going to
36:07
Speaker 1: be appreciative of me, you know? And that just, it
36:10
Speaker 1: means whatever power dynamic that they think it means, which
36:13
Speaker 1: is obviously depressing. Then there's this other trope of like
36:19
Speaker 1: American women from like non-American men. And that, that means
36:24
Speaker 1: that we're all horny ass sluts. Demanding horny or like
36:31
Speaker 1: opinionated horny ass sluts. Dominant opinionated horny sluts. And, you know,
36:41
Speaker 1: that's interesting, too, because the American men never complain about
36:48
Speaker 1: the horny slut part. They don't even mention it. It's
36:56
Speaker 1: the non-American men that love it. I mean, if you
37:01
Speaker 1: think that I'm putting a negative spin on it, that
37:02
Speaker 1: I'm just using words, but it's just like that. It's
37:04
Speaker 1: funny how both men acknowledge that we are opinionated and
37:10
Speaker 1: that we are dominant and or aggressive or more than
37:13
Speaker 1: what they're used to or, you know, and have either
37:15
Speaker 1: positive or negative ideas of that. And then sex. Now,
37:21
Speaker 1: why also I think this is funny because a human
37:24
Speaker 1: beings have the capacity to act the way any other
37:28
Speaker 1: human beings. you know, person acts. Also at one point
37:32
Speaker 1: he says, this is the didgeridoo man who honestly took
37:34
Speaker 1: me on a fucking ride. Obviously he says, our culture
37:39
Speaker 1: is perpetual and we don't stop. And I don't know
37:44
Speaker 1: what that means. His, his culture is perpetual. He doesn't
37:48
Speaker 1: stop like the, like the Australian, the didgeridoo man never
37:52
Speaker 1: stops what blowing. I mean, humanity is, we kind of
37:59
Speaker 1: keep going so far. At some point, I think that
38:02
Speaker 1: we also might create our doom. So I don't know
38:06
Speaker 1: how right you are, man. Also, yeah, like it does
38:09
Speaker 1: look like, and it feels like he just is someone
38:13
Speaker 1: who has taken the craziest sounding drugs from people, shaming
38:22
Speaker 1: to street person. I mean, you know, God bless. At
38:25
Speaker 1: the same time, he does deserve his own spinoff. Okay.
38:31
Speaker 1: Now let's go back to Nigel, honey, who now looks
38:34
Speaker 1: normal in comparison. And that is the other thing about
38:36
Speaker 1: the didgeridoo man. The whole time we're supposed to be like,
38:39
Speaker 1: Nigel's crazy looking with his like weird mustache and his
38:43
Speaker 1: like haircut. And he likes to wear crazy ass clothes.
38:46
Speaker 1: But then you realize when push comes to shove and
38:50
Speaker 1: he's put next to side by side scene wise, a
38:53
Speaker 1: man like that didgeridoo man, then you realize that Nigel's
38:56
Speaker 1: kind of like maybe like a little bit of like
38:59
Speaker 1: a poser guy. He's kind of like, to me feels
39:08
Speaker 1: like someone on a mission for a self-identity, but never
39:17
Speaker 1: feels like at home in his current choices. He's, yeah, he's,
39:29
Speaker 1: he seems like he's lost, kind of looking for something. Anyway,
39:35
Speaker 1: so he has these two things in his home. He
39:40
Speaker 1: has a couple of things, and I took pictures of
39:41
Speaker 1: his decor because, you know, that's the kind of person
39:43
Speaker 1: I am and I pay attention. Okay, so at one
39:46
Speaker 1: point we see a salt rock That's obvious. And then
39:49
Speaker 1: what looks like a Chinese looking dragon with a liquid inside.
39:55
Speaker 1: The liquid inside is like brown. It's like the dragon
39:59
Speaker 1: in itself is a long kind of glass piece. To me,
40:04
Speaker 1: I was like, is this a bong? And is that
40:06
Speaker 1: really dirty bong water? Or is this something else? And
40:11
Speaker 1: then I want you to tell me if this is
40:13
Speaker 1: something else, you to tell me what this is, because
40:14
Speaker 1: what is this? And also, is that a bong? Okay.
40:17
Speaker 1: So then we see his home. And I think the
40:19
Speaker 1: way that some people decorate, obviously people on the show
40:22
Speaker 1: is great, right? Like I obviously was wildly obsessed with
40:26
Speaker 1: the way that Marissa had her bedroom and her, you know,
40:29
Speaker 1: in that huge ass Pennsylvania home. Look at this man, honey.
40:34
Speaker 1: It's like there are bar stools everywhere. that looked like
40:38
Speaker 1: they came out of like a 1950s diner, like there'd
40:42
Speaker 1: be a jukebox and these bar stools, like a Rubies
40:46
Speaker 1: or something. And then in the same vein, a red
40:50
Speaker 1: leather couch, and I mean red leather, honey, red leather,
40:55
Speaker 1: yellow leather, just kidding. Red leather ass, cherry ass, Coca-Cola
41:00
Speaker 1: ass red couch with like satiny black and red pillows
41:06
Speaker 1: of different textures. One looks like kind of like a
41:11
Speaker 1: geisha Chinese silk-esque uniform style pattern. The other one is leopard, honey,
41:17
Speaker 1: we know, black and white. And the other one looks
41:20
Speaker 1: like a Rastafarian or like white man Rastafarian poncho-esque shirt
41:27
Speaker 1: kind of look. And All of that, different pillows on
41:31
Speaker 1: that red ass couch. Honey, this is his living room.
41:34
Speaker 1: Those two bar stools that look like, again, from a
41:37
Speaker 1: 1950s diner. He's wearing leopard. He loves it. He should
41:41
Speaker 1: be with Jessie. She can wear the cheetah. He can
41:42
Speaker 1: wear the leopard. And then interestingly behind him is his kitchen.
41:47
Speaker 1: And there's like a high shelf. And on the high
41:52
Speaker 1: shelf that is where like all his, I'm assuming pots
41:56
Speaker 1: and plates or whatever are, is just a array of
42:00
Speaker 1: different alcoholic bottles, liquor bottles. And I'm like, is that decor?
42:04
Speaker 1: Is that you just put it up there? How can
42:06
Speaker 1: you reach up there? Is this your way of not drinking?
42:09
Speaker 1: Or is this your way of being like, this is
42:13
Speaker 1: the decor of the place. It's 1950s diner, alcohol, alcoholic. I,
42:21
Speaker 1: it's just so interesting, right? I just find it fascinating.
42:25
Speaker 1: I find the jarring color of his couch to be
42:34
Speaker 1: overwhelming for me. I would not be able to see
42:36
Speaker 1: it all the time and experience peace or serenity in
42:39
Speaker 1: the area in which it is, which would be my home.
42:41
Speaker 1: So anyway, at the airport, he's waiting for her to come,
42:46
Speaker 1: of course, out of the doors for our famous 90
42:50
Speaker 1: day fiance moment. Listen, it is the moment of moments
42:54
Speaker 1: where we get the airport reunion. However, we also, because
43:00
Speaker 1: we're in the world, have seen the other side of
43:03
Speaker 1: the filming of that. Whereas I think it was, yeah,
43:08
Speaker 1: I think it was Paula and Thomas. Before last season aired,
43:12
Speaker 1: there were all these pictures of them like having their
43:16
Speaker 1: airport reunion over and over again shot. So it does
43:20
Speaker 1: take some of the magic out and I'm sorry to
43:23
Speaker 1: do that to you, but also listen, here in this home,
43:28
Speaker 1: Vanity Fair, we choose knowledge over ignorance. We would eat
43:35
Speaker 1: the fruit. Okay. Very Eve coded. Okay. So we're at
43:42
Speaker 1: the airport. Like I said, he's waiting for her to
43:44
Speaker 1: come out the doors. As we get a shot of that,
43:47
Speaker 1: I noticed some lady has taken off her shoes and
43:51
Speaker 1: is like holding her legs up. I mean, like she
43:54
Speaker 1: thinks she's on a couch at her besties house. At
43:57
Speaker 1: the airport. And already I'm like, what? Who's that? Okay. So, obviously,
44:07
Speaker 1: Andy comes out. She has her, like, sweet hello. You know,
44:10
Speaker 1: she's been wandering. He's been wandering. It's a really sweet, like,
44:15
Speaker 1: look at you. Oh, it's so good to see you're
44:18
Speaker 1: such a handsome man. Like, it's, like, a very interesting vibe.
44:24
Speaker 1: He seems... yeah, like a guy that's proud of himself
44:30
Speaker 1: through her. It felt very, again, like maternal. It felt
44:38
Speaker 1: very loving for sure. And not every moment between a
44:44
Speaker 1: couple has to radiate sex, even though truly I talk
44:47
Speaker 1: about it a lot. It was just an interesting moment
44:51
Speaker 1: because I don't feel like he was like, you look, amazing.
44:55
Speaker 1: He wasn't as complimentary, I think. He was just more
44:58
Speaker 1: basking in her gaze and her adoration of him. Did
45:06
Speaker 1: you guys notice that? Okay. However, then she's like, okay,
45:10
Speaker 1: let's go. But he's like being a little bit like, oh,
45:12
Speaker 1: let's stay around. She's like, what's happening? And then honey,
45:15
Speaker 1: music starts. And then there is a full flash mob.
45:19
Speaker 1: And that girl we saw before runs out and they're
45:23
Speaker 1: all barefoot. on the floor of this international airport. All
45:31
Speaker 1: of them. I mean, can you imagine the germs in
45:37
Speaker 1: an international airport? It comes from everywhere. Shoes from every place.
45:42
Speaker 1: All of the bacteria that the world has created. Every microorganism.
45:48
Speaker 1: I mean, in one, I guess, vicinity, a vast array
45:52
Speaker 1: of the diversity of bio-organisms and truly, I guess, to
45:55
Speaker 1: be studied, especially like the big ones, I would want
45:57
Speaker 1: to know like what happens in Paris, what happens in London,
45:59
Speaker 1: what happens in New York, or what happens in LAX,
46:03
Speaker 1: like the immunity that could come if you just... Every
46:07
Speaker 1: day looked a little bit of an international airport floor,
46:10
Speaker 1: you know, airport floor. I'm sure it'd be great. You know, like,
46:12
Speaker 1: you know, there's a whole study that kids, honey raised
46:15
Speaker 1: in barns and farms have immunity systems like nobody's business. Okay.
46:20
Speaker 1: So that's what I'm going at. At the same time,
46:23
Speaker 1: if you don't start young, it's gross now. Okay. Okay.
46:30
Speaker 1: So she's delighted that he's arranged this flash mob. And
46:33
Speaker 1: he's like, you know me, I'm so, I'm so a Nigel.
46:36
Speaker 1: I got to think of something to do, especially there's
46:38
Speaker 1: something that's free. And I got all my friends to
46:41
Speaker 1: come around and just, they all don't have jobs. So
46:45
Speaker 1: they definitely have a lot of time on their hands
46:47
Speaker 1: to suddenly jump around at an, at an airport. I
46:51
Speaker 1: also want to be like, is it easy to park
46:53
Speaker 1: at this airport? And then the third thing is, Is
46:57
Speaker 1: that girl that I saw that was barefoot, who is
46:59
Speaker 1: now in this flash mob, is she the part-time lover?
47:02
Speaker 1: Is she the playmate? I feel like she is. If
47:06
Speaker 1: I was Andy, I'd be like, oh, all of your friends,
47:08
Speaker 1: all of your close friends, all the friends that if
47:11
Speaker 1: you called up and been like, I need something, you know,
47:13
Speaker 1: they would show up. These girls, like literally that girl.
47:19
Speaker 1: I mean, come on. I'm so excited. Okay. So That's, honey,
47:24
Speaker 1: what happens. And they're off to whatever. I'll be honest.
47:28
Speaker 1: I was like, is Chris going to be there? I
47:31
Speaker 1: want Chris to try and swoop in. That's what I want.
47:38
Speaker 1: And I deserve it. I think. I mean, I'm hoping.
47:42
Speaker 1: I'm hoping. Okay. All right, my loves, let's move on
47:47
Speaker 1: to part two. Thank you so much for listening. Listen,
47:49
Speaker 1: I have a lot to say. Obviously it brings up
47:52
Speaker 1: a lot. I have more pictures, so we're on the road.
47:54
Speaker 1: Thank you so much. Hit part two and I'll see
47:57
Speaker 1: you there. Bye.