Latest / The Bechdel Cast / Home Alone with Tamara Yajia

Transcript

Home Alone with Tamara Yajia · The Bechdel Cast

• 0:00
  Speaker 1: On the be dodcast, the questions asked if movies have
• 0:03
  Speaker 1: women in them, are all their discussions just boyfriends and husbands,
• 0:07
  Speaker 1: or do they have individualism? The patriarchy zef invest start
• 0:13
  Speaker 1: changing it with the beck Del casts. Hello, Hello, yeah, oh,
• 0:26
  Speaker 1: we're so excited. It's our it's our last show at
• 0:29
  Speaker 1: the Ruby. Yes, it is at least at this location
• 0:34
  Speaker 1: because they're moving downtown. Yes, so follow them that heard
• 0:39
  Speaker 1: of it. Hello. My name is Caitlin. My name is Jamie,
• 0:43
  Speaker 1: and we talk about the representation of women in movies
• 0:47
  Speaker 1: on our podcast that you're watching right now. Five. You
• 0:51
  Speaker 1: see our faces, so clap it up, as they say.
• 0:55
  Speaker 1: If you've listened to the podcast before, Oh nice. Remember
• 1:01
  Speaker 1: our first live show and everyone was like, where are we?
• 1:05
  Speaker 1: Everyone was in the room fully by mistake. They thought
• 1:09
  Speaker 1: it was a screening of Dirty Dancing, which it wasn't.
• 1:12
  Speaker 1: Um and um no no shame. Clap If you have
• 1:15
  Speaker 1: not heard the show before, did anyone come with a friend? OK? Welcome, Hi,
• 1:21
  Speaker 1: thanks for coming. Brave, very very brave, you say, brave
• 1:26
  Speaker 1: and non allied women clearly hates women haven't heard the
• 1:29
  Speaker 1: shop until tonight. And now you're here and we're going
• 1:31
  Speaker 1: to fix you. Okay, so just out of curiosity, today's
• 1:35
  Speaker 1: movie is Home Alone. We've seen it, clap. Has anyone
• 1:42
  Speaker 1: like me before a couple of days ago not seen
• 1:45
  Speaker 1: it before? Okay, I'm a dumbass, thank you? All right?
• 1:51
  Speaker 1: I mean I think we can both agree. I read
• 1:53
  Speaker 1: at the Jump feminist master Pie for sure. Yeah, it
• 1:58
  Speaker 1: has a feminist agenda, and we all know that. You
• 2:00
  Speaker 1: just gotta really dig down and make stuff up for
• 2:04
  Speaker 1: that which will be of today's show. Literally, what are
• 2:09
  Speaker 1: we going to talk about today? Hard hard to say,
• 2:12
  Speaker 1: but to join us in that discussion, We've got a guess,
• 2:15
  Speaker 1: as we always do. She's a writer. She's the host
• 2:18
  Speaker 1: of the Treso Talk podcast Give it up for tam
• 2:20
  Speaker 1: you here? Hi, Hello, welcome you. I have my beverages,
• 2:32
  Speaker 1: all two of them. Yes, I'm going to urinate on
• 2:35
  Speaker 1: the stage please. I like to think of the venue
• 2:40
  Speaker 1: as as your litter box. Really, it's nice. I was
• 2:44
  Speaker 1: just thinking I'm getting a cat, and I was like,
• 2:47
  Speaker 1: people should have litter boxes. It's way smarter. I did
• 2:52
  Speaker 1: something really terrible and embarrassing the other day. I peed
• 2:56
  Speaker 1: on my dog's pep pad standing up. What was the
• 3:01
  Speaker 1: motivation I don't know. Sometimes things like that make me
• 3:05
  Speaker 1: feel alive. Oh so you don't like that's possible. You
• 3:12
  Speaker 1: weren't like about to have an emergence that you're like, oh,
• 3:14
  Speaker 1: I can't get to the toilet and time Kit was
• 3:17
  Speaker 1: really trying to find the rationale. I had to walk
• 3:20
  Speaker 1: farther to get to the toilet, so you wanted the
• 3:25
  Speaker 1: pe I totally get that impulse. Being standing up is beautiful,
• 3:30
  Speaker 1: which I understand toxic masculinity. Every time I pee standing up,
• 3:35
  Speaker 1: I'm like, oh this it's empowered about Okay, why also
• 3:41
  Speaker 1: why can't Well, I guess I don't know. I just
• 3:43
  Speaker 1: think that there is a way in which women could
• 3:45
  Speaker 1: stand up. Have you ever seen like there is like
• 3:47
  Speaker 1: a complicated funnel that was on the market for a
• 3:49
  Speaker 1: bit that I was like, maybe I'll do it. I
• 3:52
  Speaker 1: owned one. You have one? Wa what does it get
• 3:56
  Speaker 1: there for camping? Oh it's too it's unnecessary, Like how long?
• 4:03
  Speaker 1: Is it? Like a to be thing? It's a funnel
• 4:06
  Speaker 1: with like a little like a skinny penis at style
• 4:11
  Speaker 1: in Yeah, alright, well we've all learned a lot so
• 4:16
  Speaker 1: far here. Okay, there's just like no way I'm not
• 4:20
  Speaker 1: going to pee in the litter box at some point,
• 4:22
  Speaker 1: please text me like, I will text you see what
• 4:26
  Speaker 1: clum page we get, We'll figure it out what happens. Okay,
• 4:32
  Speaker 1: so wants to die? Okay? Just I mean speaking of
• 4:38
  Speaker 1: pe home alone? Am I right? No? No one? Yeah,
• 4:44
  Speaker 1: he's there for a while. Does he not p the
• 4:48
  Speaker 1: whole two days he's home alone? But then the other
• 4:52
  Speaker 1: argument is like we should have seen him peeing, which
• 4:55
  Speaker 1: we shouldn't know, so you know, the peeing is implying
• 5:01
  Speaker 1: so tomorrow. What's your history your relationship with this film.
• 5:05
  Speaker 1: It's one of my favorite or it was one of
• 5:08
  Speaker 1: my favorite movies until I just rewatched it earlier this week,
• 5:13
  Speaker 1: and I was like, ah, when I was a kid,
• 5:16
  Speaker 1: I think I saw it as like a documentary because
• 5:20
  Speaker 1: I just realized today I've had a weird trauma about
• 5:23
  Speaker 1: getting burglarized when left home alone, and I didn't know
• 5:29
  Speaker 1: why I still have that. I believe it on the
• 5:33
  Speaker 1: movie like a goofy burglary or a scary one, like
• 5:36
  Speaker 1: an actual one. Yeah, And then I was like, it
• 5:40
  Speaker 1: was so goofy. That's what I thought when I saw
• 5:43
  Speaker 1: it last week. But it was scary when you were
• 5:46
  Speaker 1: a kid. It was scary and it's and it's still
• 5:49
  Speaker 1: a trauma I have of being alone and like having
• 5:54
  Speaker 1: people break into my apartment. I like talk about it
• 5:57
  Speaker 1: in therapy all the time, and I don't know. I
• 5:59
  Speaker 1: don't want to blame the movie, but like kind of
• 6:02
  Speaker 1: weird that it's my favorite movie and that's my biggest thing.
• 6:05
  Speaker 1: I mean, it just goes to show how influential film is,
• 6:08
  Speaker 1: which is why we need this podcast. Caitlin or what's
• 6:12
  Speaker 1: your history with this movie? I grew up with it
• 6:15
  Speaker 1: hard um whatever that means. Like I was four when
• 6:19
  Speaker 1: it came out in UM, but I think I probably
• 6:23
  Speaker 1: saw it for the first time when I was like
• 6:24
  Speaker 1: five or six, watched it steadily dozens and dozens of
• 6:28
  Speaker 1: times throughout my childhood, probably un till I was like
• 6:31
  Speaker 1: eight or nine or so, and then I was like,
• 6:34
  Speaker 1: I'm older than Kevin Funk this movie now, so I didn't.
• 6:39
  Speaker 1: I kind of stopped caring about it at some point
• 6:41
  Speaker 1: and I hadn't seen it since then, so it's been
• 6:43
  Speaker 1: a solid twenty plus years since I had revisited it
• 6:47
  Speaker 1: does hold up. I was surprised that the movie does
• 6:51
  Speaker 1: a lot of things to justify, like why they would
• 6:55
  Speaker 1: have forgotten Kevin at home, like they do try really
• 7:00
  Speaker 1: hard to get back to him right away. I didn't
• 7:02
  Speaker 1: remember any of that. I was like, if his family
• 7:04
  Speaker 1: doesn't even notice he's gone, except for that one part
• 7:07
  Speaker 1: where Katherine O'Hara is on the plane goes kind of
• 7:11
  Speaker 1: which is a cinematic moment like it will go down
• 7:15
  Speaker 1: in history. It's horrible that when I was watching them
• 7:19
  Speaker 1: forget him, I'm like, no, that makes sense. Well, there's
• 7:22
  Speaker 1: so many children there, how do you keep a million?
• 7:26
  Speaker 1: And they all look like yeah, within two inches of
• 7:29
  Speaker 1: height of the same child. And then she sent him
• 7:33
  Speaker 1: to the dungeon the upst the attic. I'm like, you
• 7:36
  Speaker 1: know what, as someone who like my parents did forget
• 7:41
  Speaker 1: me places like once or twice in ways that I
• 7:44
  Speaker 1: feel like we're more careless than what Katherine O'Hara did.
• 7:49
  Speaker 1: I don't know, but yeah, so I have. I watched
• 7:52
  Speaker 1: this a lot as a as a child, but not
• 7:54
  Speaker 1: at all as an adult. What about you, Jamie, I
• 7:57
  Speaker 1: didn't grow up with this movie. I don't know why.
• 8:00
  Speaker 1: I was like, I just I call. I was on
• 8:03
  Speaker 1: the film with my mom today and I was like,
• 8:05
  Speaker 1: why didn't we watch Home alone? When I was little,
• 8:07
  Speaker 1: She's like, it's dorky. I know. I I thought it
• 8:12
  Speaker 1: was a lovely romp when I watched it, But I
• 8:16
  Speaker 1: don't know. My mom thought it was dorky, so we didn't,
• 8:19
  Speaker 1: which is weird because like she has horrible taste and everything,
• 8:21
  Speaker 1: which anyone who listens the podcast is well aware of.
• 8:24
  Speaker 1: But what the movie I watched a ba jillion times
• 8:27
  Speaker 1: was The Jim Carrey Grinch, which my mom is like, now,
• 8:29
  Speaker 1: this is film, which, by the way, Jamie, we should
• 8:35
  Speaker 1: at least spend a little bit of time discussing what
• 8:38
  Speaker 1: you're wearing. Yeah, I have where it's a it's a
• 8:42
  Speaker 1: holiday episode where grin cheese. I wore a reddish color,
• 8:47
  Speaker 1: so I'm in a holiday spirit, you know, tasteful. This
• 8:51
  Speaker 1: is actually a traditional um winter Solstice outfit. So I'm
• 8:54
  Speaker 1: actually doing a really good job. I'm in white representing
• 9:00
  Speaker 1: God of course, headset toe, so I feel like we
• 9:05
  Speaker 1: really have some father son holy spirit energy on stage here.
• 9:10
  Speaker 1: You decide who's who. Yeah, I just I didn't grow
• 9:14
  Speaker 1: up with this movie. Uh, And now I was kind
• 9:16
  Speaker 1: of bummed out because when I watched it, I'm like, oh,
• 9:18
  Speaker 1: I wish I had Yeah, it's so fun. It is.
• 9:20
  Speaker 1: It's a beloved movie. Ye, it made a bazillion dollars
• 9:24
  Speaker 1: at the box office, was an instant smash. So thought
• 9:27
  Speaker 1: it was dorky. So what year did it come out? Okay,
• 9:33
  Speaker 1: so I was born in eighty three? So how old
• 9:36
  Speaker 1: was I? I can't do Basically, I was, okay, you're
• 9:39
  Speaker 1: like the perfect day to say this movie? Yeah? How
• 9:41
  Speaker 1: old was Kevin? Eight? Oh? Okay, yeah, yeah, yeah, this
• 9:48
  Speaker 1: is this is perfect. It's try and then I think
• 9:50
  Speaker 1: mccaulli Colchium is nine. Yeah, right, well represented here seven,
• 9:57
  Speaker 1: eight and nine, talk ab progressive. All right, should I
• 10:03
  Speaker 1: get into the recap let's recap it feminist masterpiece? Here
• 10:07
  Speaker 1: we go. So the McAlister House, which is somewhere in
• 10:12
  Speaker 1: the very wealthy suburbs of Chicago, is full of people
• 10:17
  Speaker 1: as they all prep for this holiday trip that they're
• 10:19
  Speaker 1: taking as a family to Paris, which good for you. Right,
• 10:25
  Speaker 1: they were rich. They were rich, very rich, and it
• 10:27
  Speaker 1: does not really go addressed how rich they are. But
• 10:32
  Speaker 1: when the pizza cons at the beginning of like dollars,
• 10:35
  Speaker 1: you're like, as an they're billionaires. I know, it's crazy.
• 10:45
  Speaker 1: So they're leaving for this trip the following morning, and
• 10:47
  Speaker 1: then we meet Kevin. That's Macaulay Culkin. Of course, uh,
• 10:51
  Speaker 1: he is whiny, he's causing trouble. He doesn't know how
• 10:54
  Speaker 1: to pack his suitcase. But he's not like the other kids, right,
• 10:59
  Speaker 1: He's precocious. But his family is like, oh, man, you're
• 11:03
  Speaker 1: so helpless, you can't do anything for yourself. And then
• 11:07
  Speaker 1: his mom Kate Catherine O'Hara, and his dad Peter played
• 11:12
  Speaker 1: by John Heard, we we meet those characters. We meet
• 11:14
  Speaker 1: Kevin's brother, Buzz, who has I got Buzz honestly, and
• 11:20
  Speaker 1: buzzes to Rantla and his creepy posters and his playboy
• 11:25
  Speaker 1: magazine that we find out he has later on, okay,
• 11:28
  Speaker 1: carefully alright, a former playboy there. Oh the worst fact
• 11:35
  Speaker 1: about me? I worked at Hooters, so I get it. Okay,
• 11:39
  Speaker 1: true story, but it was as a delivery driver. Then
• 11:42
  Speaker 1: that is a also true. Is the best fact about you?
• 11:46
  Speaker 1: Thank you so much. So Buzz tells Kevin about their neighbor,
• 11:53
  Speaker 1: this older man named Marley, who Buzz says is known
• 11:56
  Speaker 1: as the shovel Slayer and he killed his whole family
• 12:00
  Speaker 1: with a snow shovel. So Kevin's really scared of him.
• 12:03
  Speaker 1: Now the family sits down to dinner, which is hundreds
• 12:07
  Speaker 1: of dollars worth of pizza. I like, adjusted for inflation,
• 12:11
  Speaker 1: does anyone have a ballpark of how much that would be?
• 12:14
  Speaker 1: I pulled up the converter and then I was like,
• 12:17
  Speaker 1: I don't want to know. It's too much. Would guess,
• 12:22
  Speaker 1: but ten thousand American dollars. I lived in Argentina when
• 12:27
  Speaker 1: this came out, so for me it was ten tho
• 12:30
  Speaker 1: dollars because the Argentine basil is worth ship so so there.
• 12:35
  Speaker 1: So you're like, oh, these people are fucking million billionaires.
• 12:39
  Speaker 1: How much is a pizza costa? That's so confusing. So
• 12:44
  Speaker 1: the family they're having dinner and Kevin gets in a
• 12:47
  Speaker 1: fight with Buzz and all everything gets spilled, and his
• 12:50
  Speaker 1: whole family staring at him, being like you eaty, Look
• 12:54
  Speaker 1: what you did. His uncle really lays into him. What
• 12:59
  Speaker 1: is that line? He says, He's like, look what you did,
• 13:02
  Speaker 1: your little jerk? He really he hits jerks so hard
• 13:06
  Speaker 1: and silence. Yeah, Frank was cheap a uncle. Yeah, he
• 13:11
  Speaker 1: would not pay the pizza boy who was hot. He
• 13:15
  Speaker 1: was hot. Okay, he's probably a teenager. Not Now he's
• 13:20
  Speaker 1: like fifty years old. Now, don't persecute me. I'm so sorry. Okay.
• 13:27
  Speaker 1: So then there's also a cop just inside their house
• 13:33
  Speaker 1: and we're like, okay, this family loves cops unclear. I
• 13:37
  Speaker 1: don't love that. But he's like standing there and he
• 13:40
  Speaker 1: talks to Kevin's dad saying like, hey, just be careful.
• 13:44
  Speaker 1: There's a lot more home burglaries around the holidays. Like
• 13:48
  Speaker 1: I just want to make sure you have like adequate
• 13:50
  Speaker 1: home security, and like how rich do you have to
• 13:53
  Speaker 1: be for the police to show up at your house
• 13:55
  Speaker 1: to be like there might be crime at some point? Right?
• 14:00
  Speaker 1: It's like there, you live in Chicago, Like, go do something.
• 14:04
  Speaker 1: There are murders to solve. Yeah. So and it's Joe
• 14:08
  Speaker 1: Pesci and it's this is the reason why I picked
• 14:11
  Speaker 1: this movie. Honestly, head, I'm obsessed. But it's dark. Okay,
• 14:18
  Speaker 1: I cannot wait to un let's get into it. Oh
• 14:21
  Speaker 1: my god. So Kevin's dad's like, don't worry, like we're
• 14:25
  Speaker 1: going to Paris. We've got alarms, like everything is fine.
• 14:29
  Speaker 1: And then suddenly Joe Pesci flashes his gold tooth and
• 14:32
  Speaker 1: this cop seems sketchy all of a sudden, show your
• 14:37
  Speaker 1: show your no one asked to see his badge, and
• 14:40
  Speaker 1: that's not a victim blame. But it was not a
• 14:44
  Speaker 1: victim blame, but the whole family should have been murdering.
• 14:49
  Speaker 1: Then Kevin's mom sends Kevin upstairs and it's like quit
• 14:54
  Speaker 1: causing trouble you a little shit, and he's like, families suck.
• 14:58
  Speaker 1: I wish you'd all disappear. So then the following morning,
• 15:01
  Speaker 1: the family is like rushing around to head to the
• 15:03
  Speaker 1: airport because everyone slept in because there's a power outage.
• 15:06
  Speaker 1: There was like a bajillion kids. There's so many kids, right,
• 15:11
  Speaker 1: but there's a lot of kids, right, and they but
• 15:14
  Speaker 1: they all slept in, so there's chaos and they forget
• 15:18
  Speaker 1: about Kevin, who is sleeping in the upstairs dungeon, and
• 15:21
  Speaker 1: they accidentally leave him behind. Now Kevin wakes up and
• 15:24
  Speaker 1: discovers that his family is gone, and he thinks that
• 15:27
  Speaker 1: his wish was granted, and he's really excited about it.
• 15:32
  Speaker 1: He's jumping on the bed, he's eating junk food, he's
• 15:35
  Speaker 1: watching trashy movies, and meanwhile outside to burglars are casing
• 15:42
  Speaker 1: the house and one of them is the cop from
• 15:45
  Speaker 1: the beginning, Joe Pesci. From here on, his character's name
• 15:56
  Speaker 1: is Harry, and then there's also Marv that's Daniel Stern's character.
• 16:00
  Speaker 1: They go to break into the house because they think
• 16:02
  Speaker 1: no one is home, but then like Kevin sees them
• 16:04
  Speaker 1: lurking outside, so he turns the light on and scares
• 16:07
  Speaker 1: them off. Meanwhile, Kevin's mom is on the plane first class,
• 16:12
  Speaker 1: first class, but they keep like couching it by being like,
• 16:16
  Speaker 1: it's the other guy. He upgraded us this like mysterious uncle.
• 16:20
  Speaker 1: And it's also like the end of the eighties. It's
• 16:23
  Speaker 1: technically you're like, he got this money in a bad way, right, Oh,
• 16:28
  Speaker 1: for sure, you're like this reeks of like dirty eighties
• 16:32
  Speaker 1: Wall Street money. Definitely, Yeah, they did not earn that vacation.
• 16:37
  Speaker 1: But this is when we get the moment where Kevin's
• 16:40
  Speaker 1: mom is like, co god, she realizes this immediately and
• 16:44
  Speaker 1: then I'm like, oh, we have to get back home.
• 16:46
  Speaker 1: So they land in Paris there like calling the police
• 16:49
  Speaker 1: being like can you go check on Kevin. Nothing's really
• 16:51
  Speaker 1: working out. None of the neighbors are answering, and the
• 16:54
  Speaker 1: phone line doesn't work. That's another thing that they set up.
• 16:57
  Speaker 1: The phone isn't working at their house right before they leave,
• 17:00
  Speaker 1: because a decent job of cutting off all reasons they
• 17:05
  Speaker 1: want to see dystopian home alone. I think that's just
• 17:09
  Speaker 1: the movie's Skyfall. Remember how Skyfall does a home alone
• 17:14
  Speaker 1: thing at the end. Yeah, okay, So Kevin puts his
• 17:20
  Speaker 1: hands on his face and goes ah, and we're like, yes, yes,
• 17:27
  Speaker 1: this happy moment. I forgot that it was an aftershave thing.
• 17:31
  Speaker 1: I thought he was like, I'm scared. I'm like, damn,
• 17:33
  Speaker 1: marketing is so tricky. And then he goes out to
• 17:38
  Speaker 1: buy a toothbrush and he runs into the neighbor that
• 17:41
  Speaker 1: he's afraid of, and then he runs into the burglars
• 17:44
  Speaker 1: who have just robbed a nearby house, and now both
• 17:47
  Speaker 1: parties are suspicious of each other, and Kevin's like, when
• 17:52
  Speaker 1: those guys come back, I'll be ready for them. So
• 17:55
  Speaker 1: he knows that they're burglars somehow or something. Well, when
• 17:58
  Speaker 1: they almost hit them with a car, which I also
• 18:02
  Speaker 1: got right here. Yeah, who wrote this? Fucking John John Is?
• 18:10
  Speaker 1: So we're like, what this is? Actually like? John Hughes
• 18:13
  Speaker 1: is least problematic script, probably because there's no women in right.
• 18:19
  Speaker 1: So then Kevin pretends there's a party going on at
• 18:23
  Speaker 1: his house using a bunch of mannequins that his family
• 18:27
  Speaker 1: has for some reason, and a Michael and a cardboard
• 18:31
  Speaker 1: Michael Jordan. That was what a fun party, classes right?
• 18:36
  Speaker 1: I want to be invited. I would watch a David
• 18:39
  Speaker 1: Lynch short that was a Michael Jordan cut out in
• 18:42
  Speaker 1: a bunch of mannequen. So the burglars are tricked by this,
• 18:48
  Speaker 1: but eventually Harry figures out that Kevin is indeed home alone.
• 18:53
  Speaker 1: That's the name of the movie, and he loudly exclaims
• 18:57
  Speaker 1: that they will come back that night at nine pm,
• 19:00
  Speaker 1: and Kevin hears it. Yeah, So Kevin makes a Christmas
• 19:07
  Speaker 1: wish that he wants his family back, and he goes
• 19:10
  Speaker 1: into a church. He talks to his neighbor, who isn't
• 19:12
  Speaker 1: a scary murder after all, right, which is like, you're like,
• 19:16
  Speaker 1: the lesson is if you are afraid of an adult,
• 19:19
  Speaker 1: you should talk to them by yourself. Unclear on that, right,
• 19:24
  Speaker 1: But the old guy ends up being very nice. So meanwhile,
• 19:27
  Speaker 1: Kevin's mom has made it to Scranton shout out to Pennsylvania,
• 19:33
  Speaker 1: and she is now getting a ride in a moving
• 19:36
  Speaker 1: truck with a polka band that John Candy is the
• 19:39
  Speaker 1: clarinet player for shout out to clarinet. I wish there
• 19:45
  Speaker 1: have been an oboe, but there's really no place for
• 19:47
  Speaker 1: the polka band. Now it's a little too ready, sure,
• 19:52
  Speaker 1: but you know high clarinet visibility. Yes, yes, and that
• 19:57
  Speaker 1: when we do respect that, we do so. Kevin returns
• 20:01
  Speaker 1: home where he definitely left the doors unlocked, so the
• 20:04
  Speaker 1: burglars could just walk in at any time, by the way,
• 20:08
  Speaker 1: and then he booby traps the whole house. He's icing
• 20:11
  Speaker 1: the entryways. He puts tar and glue different places, little
• 20:17
  Speaker 1: toys that hurt when you step on them. And then
• 20:20
  Speaker 1: the burglars come back exactly at nine pm sharp, just
• 20:24
  Speaker 1: like they said, and they but they slip on the
• 20:29
  Speaker 1: ice and then there's an iron in his face. But
• 20:32
  Speaker 1: they're so determined to get into this house to steal what.
• 20:36
  Speaker 1: I don't know. I guess VCRs pizza money. Right. It's
• 20:42
  Speaker 1: like in Fast and Furious one, where like the whole
• 20:45
  Speaker 1: thing is liked blares. You're like, I guess that that's
• 20:51
  Speaker 1: a good highest for this specific span of three months.
• 20:57
  Speaker 1: So you know, the burglars are encountering all these obstacles,
• 21:02
  Speaker 1: but they finally make their way in. There's a trantula.
• 21:05
  Speaker 1: They trip a bunch over a bunch of stuff, and
• 21:08
  Speaker 1: they're like, I'm gonna get that kid, But then Kevin's
• 21:10
  Speaker 1: zip lines to his treehouse and gets away. They're chasing
• 21:14
  Speaker 1: after him, but then they catch him. But then Kevin's neighbor,
• 21:18
  Speaker 1: the nice guy who's not a murderer, comes in and
• 21:20
  Speaker 1: staves the day by bonking the bad guys with a shovel,
• 21:25
  Speaker 1: and then the cops come. They arrest the burglars, and
• 21:28
  Speaker 1: the next day is Christmas, and Kevin wakes up and
• 21:30
  Speaker 1: he's like, my family, are they gonna be here? And
• 21:34
  Speaker 1: then they're not, But then his mom shows up, but
• 21:36
  Speaker 1: then none of the other families there, but then they are,
• 21:38
  Speaker 1: and everyone's like and then we're like, okay, now I
• 21:41
  Speaker 1: know which ones were the siblings and which ones were
• 21:43
  Speaker 1: the cousins. They yes, so that's oh also yeah, no will.
• 21:48
  Speaker 1: It ends with the old man wax the burglars with
• 21:52
  Speaker 1: his shovel, and then he and Kevin make a silent
• 21:55
  Speaker 1: packed to never talk about it. He does not report
• 21:59
  Speaker 1: it to the police, is Kevin doesn't say a word,
• 22:01
  Speaker 1: and then they exchanged this look at the end, that's like,
• 22:06
  Speaker 1: don't tell? It was like, who does it benefit to
• 22:09
  Speaker 1: not tell anybody? Now there's burglars on the lice? But whatever?
• 22:12
  Speaker 1: Do you think Kevin had trauma after this? Yes, it
• 22:15
  Speaker 1: would have had to. I had trauma and I was
• 22:17
  Speaker 1: just watching it. And then there was home alone too
• 22:21
  Speaker 1: start Trump. What the yikes? But that's the story for
• 22:26
  Speaker 1: homelone one. So there you have it. Jamie, would you
• 22:32
  Speaker 1: join me backstage for a minute because I have to
• 22:34
  Speaker 1: tell you something. Oh my gosh, I'm so sorry everybody.
• 22:37
  Speaker 1: I don't know why she's doing this. Caitlyn, what okay?
• 22:43
  Speaker 1: Now that we're safely backstage, I can tell you about
• 22:46
  Speaker 1: Hello Fresh. Oh my gosh, what a relief, I know,
• 22:50
  Speaker 1: especially because I think that Kevin McAllister could have used
• 22:53
  Speaker 1: a Hell of Fresh subscription when he was home alone
• 22:57
  Speaker 1: and didn't have easy access to food, and if some
• 23:00
  Speaker 1: one was delivering Hello Fresh to his home, they would
• 23:03
  Speaker 1: have found him that he was a god. It makes
• 23:06
  Speaker 1: you think, Caitlin, we have both used Hello Fresh. It's true.
• 23:12
  Speaker 1: I am such a horrible cook, but with Hello Fresh,
• 23:16
  Speaker 1: I was able to not feel that way, and I
• 23:19
  Speaker 1: had I had several delicious meals, so did I. I
• 23:22
  Speaker 1: got the vegetarian option and I cooked the meals up.
• 23:26
  Speaker 1: It was super easy. The recipes that they provide make
• 23:30
  Speaker 1: the whole process so simple and stress free and delicious
• 23:35
  Speaker 1: meals to show for I had burgers, I had fahitas.
• 23:38
  Speaker 1: What didn't I have? Oh my goodness? You can break
• 23:40
  Speaker 1: out of your dinner rut our listeners that are not
• 23:42
  Speaker 1: at the live show with Hello Fresh as twenty plus
• 23:45
  Speaker 1: seasonal chef curated recipes each week. There's something for everyone,
• 23:49
  Speaker 1: from family recipes to calorie smart and vegetarian like you're saying, Caitlin,
• 23:53
  Speaker 1: and fun menu series like Hall of Fame and craft Burgers.
• 23:56
  Speaker 1: Hello Fresh has more five star recipes than any other
• 23:59
  Speaker 1: meal it, so you know you're going to get something delicious. Okay,
• 24:02
  Speaker 1: Oh my goodness. Hello Fresh is also very flexible and
• 24:06
  Speaker 1: it fits your lifestyle, so you can add extra meals
• 24:10
  Speaker 1: to your weekly order. You can add yell me add
• 24:13
  Speaker 1: ons like garlic bread and cookie doughs so you can
• 24:16
  Speaker 1: make cookies for the holidays the dough, and then you
• 24:20
  Speaker 1: can also easily change your delivery days, food preferences and
• 24:25
  Speaker 1: skip a week if you need to. Okay, we have
• 24:28
  Speaker 1: to get back out to the show. But I think
• 24:29
  Speaker 1: we can both agree. Kevin McAllister needed Hello Fresh. The
• 24:33
  Speaker 1: story would end so differently. And you can get nine
• 24:37
  Speaker 1: free meals with Hello Fresh by going to Hello Fresh
• 24:40
  Speaker 1: dot com slash TBC nine and using code TBC nine.
• 24:45
  Speaker 1: That's Hello Fresh dot com slash TBC nine with promo
• 24:49
  Speaker 1: code TBC nine. Can will you join me back in
• 24:52
  Speaker 1: the main room? You bet? I will? Damn Hi, Hello.
• 24:57
  Speaker 1: We're so sorry. Usually we're like, wow, there's so much
• 25:02
  Speaker 1: to talk about. Um, you know, this is just a
• 25:07
  Speaker 1: light episode. This is really more of a hangout. Yeah,
• 25:11
  Speaker 1: we're just hanging out where we discussed. I mean, so,
• 25:14
  Speaker 1: I guess where we could start is with Kate McAlister. Sure, okay,
• 25:21
  Speaker 1: what do we know about her? She's Kevin's mom. Mom.
• 25:25
  Speaker 1: She ignored him right at the beginning. He had valid points.
• 25:28
  Speaker 1: He went to her bed and he said, Mom, they
• 25:31
  Speaker 1: won't let me do this, and she said, shut the
• 25:34
  Speaker 1: funk up. And he said, Mom, they treat me like
• 25:38
  Speaker 1: ship and she was like, get out. She shushed him
• 25:41
  Speaker 1: a million times. She was on a work call. Did
• 25:45
  Speaker 1: she work? She was a great question. Um, it is unclear.
• 25:49
  Speaker 1: She's on the phone with someone at the beginning, but
• 25:51
  Speaker 1: I think it's a family member. That's what I kind
• 25:54
  Speaker 1: of thought as well. Um, it is not made ever
• 25:57
  Speaker 1: explicitly clear what her job is if she does have
• 26:01
  Speaker 1: a job, Nor is it make clear what Kevin's dad's
• 26:05
  Speaker 1: job is if he has a job. Apparently there are
• 26:09
  Speaker 1: I don't know if they're Reddit threads or what's out there,
• 26:12
  Speaker 1: but there's like a fan theory that Kevin's mom is
• 26:16
  Speaker 1: the breadwinner of the family. That was not the theory
• 26:20
  Speaker 1: I came across. A good theory, Okay, I think the
• 26:23
  Speaker 1: only evidence that I found to support this was that
• 26:26
  Speaker 1: she she had the money in her pocketbook to pay
• 26:30
  Speaker 1: he's a delivery driver, and she's wearing a suit, which
• 26:34
  Speaker 1: means that she has a job. She's a business I
• 26:36
  Speaker 1: feel like in like costuming wise, that does kind of
• 26:41
  Speaker 1: like means I don't know. I feel like, especially in
• 26:44
  Speaker 1: the eighties and nineties, they female characters are dressed so
• 26:49
  Speaker 1: in an expository way of like, this is the sexy character,
• 26:52
  Speaker 1: this is the mom, and she was dressed like a
• 26:54
  Speaker 1: working mom because the aunt is dressed fabulously with like
• 27:00
  Speaker 1: hurls and like like, but she she doesn't have a job.
• 27:03
  Speaker 1: I felt like a business job, and a business job. Yeah. Sure.
• 27:13
  Speaker 1: The dad was a total schmuck too, he was Yeah,
• 27:17
  Speaker 1: I think that he was like I I think that
• 27:19
  Speaker 1: he may have worked, he may have had a job,
• 27:22
  Speaker 1: but I don't think he was on her level. And
• 27:25
  Speaker 1: I would bet that her family was like, are you
• 27:27
  Speaker 1: sure about Peter? I thought that too, right, and then
• 27:31
  Speaker 1: she was like, well, he's inheriting this really nice house.
• 27:36
  Speaker 1: I had all these rewatched it. It almost feels the
• 27:39
  Speaker 1: way my family thinks about my husband who's a musician. Oh,
• 27:45
  Speaker 1: like are you are you sure? And you're like, but
• 27:47
  Speaker 1: it's for love, and they're like, what is it? But
• 27:49
  Speaker 1: it allows me to run the household, right, It's exciting,
• 27:53
  Speaker 1: it's great. I love to dominate. I think the bad
• 28:00
  Speaker 1: that's how you exert dominance over your households. It was
• 28:07
  Speaker 1: just one of the guess who's that that's terrifying. I'm
• 28:14
  Speaker 1: gonna come on the defense of Kevin's dad hanging out. Okay, So,
• 28:21
  Speaker 1: a lot of movies, especially of this era, and especially
• 28:24
  Speaker 1: in this genre, if they're framing like a family unit
• 28:27
  Speaker 1: like this, they're subscribing to a lot of tropes, and
• 28:31
  Speaker 1: the tropes are usually that it's like a shrewy cartoonishly
• 28:37
  Speaker 1: uptight mom and then a very doofy dad. I felt
• 28:42
  Speaker 1: neither of those stereotypes were really played too in this movie.
• 28:48
  Speaker 1: I felt that the dad was actually like very supportive
• 28:53
  Speaker 1: of his wife. Yeah, and it seems that they had
• 28:58
  Speaker 1: an equal parenting relationship. It seems like they were both
• 29:01
  Speaker 1: doing a lot. Well, you know, someone's got to pay
• 29:04
  Speaker 1: for the pizza, right, But like the two of them
• 29:07
  Speaker 1: seem too. I mean, in the few scenes we see
• 29:09
  Speaker 1: them parenting and not dwelling on their failure of parenting,
• 29:13
  Speaker 1: it seems like it's kind of and and they have
• 29:15
  Speaker 1: four kids, um, and it seems like they're they're they're
• 29:19
  Speaker 1: splitting their responsibilities. Is it four? Is if? Is there
• 29:23
  Speaker 1: another one? Might be? Oh wait, because there's little Karen
• 29:28
  Speaker 1: Coulkin too, but he's one of the cousins. He's a cousin.
• 29:31
  Speaker 1: But there's like I think the eldest daughter is maybe
• 29:37
  Speaker 1: two sisters, two brothers. That was my way to let
• 29:40
  Speaker 1: me check. I am dB production. There are eleven kids
• 29:45
  Speaker 1: total in the household between the two families. But if
• 29:50
  Speaker 1: there's only four kids in the McAlister unit, there is five.
• 29:54
  Speaker 1: There's Jeff McAllister, Kevin's elder brother, Megan McAllister, Kevin's eldest sister,
• 30:00
  Speaker 1: Buzz the older brother, and then Lenny. So there's five
• 30:04
  Speaker 1: kids and then the Callister family. I would forget one
• 30:08
  Speaker 1: every time I left, Honestly, anyone who's coming down too
• 30:13
  Speaker 1: hard on Kate and Peter consider right. I mean so
• 30:17
  Speaker 1: like the way that they're acting towards Kevin in the
• 30:19
  Speaker 1: very beginning, where they're like shut up, just like do
• 30:22
  Speaker 1: what you're told, and dada, like they're frantic they're dealing
• 30:25
  Speaker 1: with there's eleven children in their house. I would have
• 30:28
  Speaker 1: be having a meltdown. But I think that whenever when
• 30:31
  Speaker 1: like they're like on the flight to their trip, the
• 30:33
  Speaker 1: chaos has died down and his mom is like I
• 30:38
  Speaker 1: can't not do it. Um She's like I can't help
• 30:42
  Speaker 1: but feel like I forgot something. And I feel like
• 30:46
  Speaker 1: the dad could have been at least favorite son. He
• 30:49
  Speaker 1: went through Like I feel like in a lot of movies,
• 30:51
  Speaker 1: the dad would be like, oh, you're overreacting, like just relax,
• 30:54
  Speaker 1: like everything's fine, but he's like, well, let's go through
• 30:57
  Speaker 1: this was it. The coffee machine was at the door,
• 31:00
  Speaker 1: like he was always like very supportive and like he
• 31:02
  Speaker 1: never like belittle her or undermined her. And yeah, I
• 31:06
  Speaker 1: really liked it. Good people. Yeah, I really do think
• 31:10
  Speaker 1: they were good. I don't know, I was very sympathetic
• 31:13
  Speaker 1: with them the whole time. And I also felt like
• 31:16
  Speaker 1: the opening sequence where like Kevin is being talked down
• 31:19
  Speaker 1: to and kind of like dumped on by his family,
• 31:21
  Speaker 1: it's like a little over the top, but I feel
• 31:23
  Speaker 1: like that's almost written to be from his perspective that
• 31:26
  Speaker 1: when you're a little kid, you think like I, I
• 31:29
  Speaker 1: was from like a big family too, and you always
• 31:31
  Speaker 1: feel like no one likes me. I don't get the
• 31:34
  Speaker 1: attention I deserved. My parents don't want to talk to
• 31:36
  Speaker 1: me because there are too many other kids around. Like
• 31:38
  Speaker 1: I feel like that it's just like heightening, you know that,
• 31:41
  Speaker 1: like Kevin is like lost in this mix of kids
• 31:44
  Speaker 1: and he doesn't really fit anywhere because he's not Tarantula
• 31:47
  Speaker 1: kid yet the kid we all aspire to me. He
• 31:51
  Speaker 1: was the creative if you think about it, like he
• 31:54
  Speaker 1: was like the you know, he was kind of a
• 31:56
  Speaker 1: child prodigy, Like who does all the like the talk
• 32:00
  Speaker 1: are in the feathers and I mean, yeah, he's a mastermind.
• 32:04
  Speaker 1: He's an engineer, a little boy in stem if you will,
• 32:08
  Speaker 1: he does the whole thing where there's explosives. Yeah, where
• 32:13
  Speaker 1: who tied him that? Buzz? Will you steal the firecrackers
• 32:17
  Speaker 1: from buzzes like porn stash area. Buzz reminds me of
• 32:21
  Speaker 1: Sid from Toy Store. Yeah, you're like, oh another Tally
• 32:25
  Speaker 1: Kid the movie that has a different character named Buzz
• 32:27
  Speaker 1: in it the connections. Oh wait, no, it's Buzz, Like
• 32:35
  Speaker 1: I don't think it was the dog because that would
• 32:37
  Speaker 1: just happenes. Holy sh it, I think I'm sick. Okay,
• 32:44
  Speaker 1: I think Buzz and Sid or both grow up to
• 32:47
  Speaker 1: be the feminists. Okay, okay, we can talk about Buzz
• 32:50
  Speaker 1: for a second. Buzz at eleven doesn't have the best
• 32:56
  Speaker 1: few of women yet. Can I tell you a fact
• 33:00
  Speaker 1: I've read? Yes, you know how. At one point, Kevin
• 33:04
  Speaker 1: pulls out a picture of Buzz's girlfriends. Yes, that's the
• 33:08
  Speaker 1: director wearing a wig because he is crazy. He's Columbus
• 33:13
  Speaker 1: in a whig. He didn't want to make fun of
• 33:16
  Speaker 1: women's looks. That he's kind of endearing. Is this movie
• 33:22
  Speaker 1: a gift from the heavens? That's like such a that's
• 33:27
  Speaker 1: a very round about sweet thing to do is like,
• 33:29
  Speaker 1: I don't want any like young girl to feel like
• 33:31
  Speaker 1: she's weird looking. You know what's weird looking me? Because
• 33:38
  Speaker 1: because Kevin sees the picture and he's like, oh, Buzzer's
• 33:41
  Speaker 1: girlfriend Wolf. Yeah, I don't hate it. There's I told
• 33:49
  Speaker 1: you guys, there's a lot of attourney. We'll be here
• 33:52
  Speaker 1: until six am. This is a sleepover. That's why we
• 33:56
  Speaker 1: were wearing pajamas. No, well, Buzz, you know, Buzz says
• 34:00
  Speaker 1: some he has his California girl posters, his his babe
• 34:04
  Speaker 1: posters of the era. You can tell he's a horny
• 34:07
  Speaker 1: young man that doesn't quite understand how to speak of
• 34:11
  Speaker 1: women respectfully. We get the feeling he's being raised by
• 34:14
  Speaker 1: a strong woman. She'll catch on when she has time
• 34:17
  Speaker 1: she has and be like, hey, let's you know, let's
• 34:22
  Speaker 1: have a discussion, and then she'll give him a rock
• 34:24
  Speaker 1: sand gay book. Right but right now, he says, is
• 34:28
  Speaker 1: it true that French babes don't shave their pits? And
• 34:31
  Speaker 1: he's grossed out by women's body hair fuzz uh. And
• 34:36
  Speaker 1: then he's like, Francis nude beaches, right, And then they're like,
• 34:40
  Speaker 1: it's winter he's like Tarantula's Oh my god, he's just
• 34:47
  Speaker 1: you know. I like to imagine the buzz Later goes
• 34:49
  Speaker 1: on a journey and you know, discovers some good literature
• 34:53
  Speaker 1: and really gets zack together. It was his friends from
• 34:57
  Speaker 1: school that we're influencing him. To me, Yeah, is the
• 35:00
  Speaker 1: letterman jacket all the time, And they got that Playboy
• 35:03
  Speaker 1: magazine for him. Well, I don't think Peter's hoarding those
• 35:07
  Speaker 1: unless but unless he we don't know. We don't know.
• 35:11
  Speaker 1: What I think is buzz Later writes a blog post
• 35:13
  Speaker 1: when blogs exist, so when he's like in his late twenties,
• 35:17
  Speaker 1: he writes a blog post. It's like letter to my
• 35:19
  Speaker 1: younger self. And then he writes about all the toxic
• 35:23
  Speaker 1: things he learned as a child, and he apologizes to
• 35:26
  Speaker 1: all the California babes. I hope that happened there. I
• 35:31
  Speaker 1: think that they're what we're learning is there's so few
• 35:34
  Speaker 1: female characters to talk about that we're just head cannoning
• 35:36
  Speaker 1: all the children. Well there's I think there's a little
• 35:39
  Speaker 1: bit more to talk about with Kevin's his mom, with Kate. Yeah,
• 35:43
  Speaker 1: of course, I forgot how much we cut back to
• 35:48
  Speaker 1: the family. Like I remember the Kevin thing happening on
• 35:53
  Speaker 1: the airplane, but I didn't quite remember, like how often
• 35:56
  Speaker 1: we cut back to her, like desperately trying to figure
• 35:59
  Speaker 1: out a way to get home. Very active, very active.
• 36:03
  Speaker 1: She's like delegating tasks, she's getting ship done. She's like
• 36:07
  Speaker 1: negotiating with people, whether it's like people work at the
• 36:11
  Speaker 1: airlines or like other customers who were like I will
• 36:15
  Speaker 1: give you five dollars, I'll give you all the jewelry
• 36:17
  Speaker 1: off my body, like take everything. I just I'm trying
• 36:21
  Speaker 1: to get home. So she's like doing stuff Like I
• 36:24
  Speaker 1: think she's easily a far more memorable character than the Dad,
• 36:28
  Speaker 1: who for sure no one remember. I mean maybe some
• 36:31
  Speaker 1: people remember the Dad, but like he and I think
• 36:33
  Speaker 1: that a lesser movie would have given all these tasks
• 36:37
  Speaker 1: to there, or at least some of the more active
• 36:40
  Speaker 1: tasks to the dad, where it's like I feel like
• 36:43
  Speaker 1: she is responding to like the maternal instinct, which is like,
• 36:47
  Speaker 1: you know, rooted in some truth and can sometimes be
• 36:50
  Speaker 1: used as a more trophy thing for a movie, but
• 36:52
  Speaker 1: in this movie it makes sense. The dad is supportive
• 36:55
  Speaker 1: of it every step of the way. But there is
• 36:57
  Speaker 1: that one moment where like she's at the airport and
• 37:00
  Speaker 1: she's like, I forgot my son at home, and he's like, well,
• 37:02
  Speaker 1: let's just go to Paris and see what happens. Then
• 37:05
  Speaker 1: you're like, yeah, One thing I found weird is when
• 37:09
  Speaker 1: they arrive at Paris, she she calls the cops back
• 37:15
  Speaker 1: in Chicago and she says, my son is home alone.
• 37:19
  Speaker 1: My son is home alone. But she doesn't say I
• 37:22
  Speaker 1: forgot my son at home. True, that was a red
• 37:27
  Speaker 1: flag that she didn't hold herself accountable for her mistake.
• 37:31
  Speaker 1: And then the cops says, oh, this woman's hyper. Yeah.
• 37:35
  Speaker 1: Well I thought that that was interesting too, because I'm like,
• 37:37
  Speaker 1: would they have acted that way if it was the
• 37:39
  Speaker 1: dad calling They men are called hyper a lot, so
• 37:44
  Speaker 1: I mean she should have said, you know, like admitted, listen,
• 37:47
  Speaker 1: I forgot about my son and I'm in France. That's
• 37:51
  Speaker 1: a bad look, but you got to say it. The
• 37:53
  Speaker 1: cops would have gone to the house, right. This is
• 37:56
  Speaker 1: all of a labyrinth of pustle pieces that But I
• 38:01
  Speaker 1: was very impressive, Like, she is very active. She is clearly,
• 38:06
  Speaker 1: you know, thinking smart in the moment, she's thinking strategically.
• 38:10
  Speaker 1: It's a very survival based I don't know I think
• 38:13
  Speaker 1: that my impression of this movie, or like just like
• 38:15
  Speaker 1: what I'd collected over the years, was that his parents
• 38:18
  Speaker 1: were like incredibly careless and stupid. But that wasn't what
• 38:21
  Speaker 1: I felt watching it, Like, this is just very unfortunate
• 38:25
  Speaker 1: for this billionaire family. It's too bad. The other thing
• 38:29
  Speaker 1: I found a bit surprising was that because so many movies,
• 38:33
  Speaker 1: especially ones that like have a young boy as the
• 38:37
  Speaker 1: lead character, the main relationship that will be focused on
• 38:41
  Speaker 1: in the movie would be a father son relationship, and
• 38:44
  Speaker 1: then this movie, it's far more focused on the mother
• 38:48
  Speaker 1: son relationship. Were Like that scene with him and Catherine
• 38:52
  Speaker 1: O'Hara at the end is so sweet, and I feel
• 38:56
  Speaker 1: like it's so well done by Katherine O'Hara because you
• 38:59
  Speaker 1: can see she's like, please don't remember this too much,
• 39:03
  Speaker 1: you know, and she loves him so much, and it's
• 39:06
  Speaker 1: it warmed in my heart. I have another weird factoid.
• 39:11
  Speaker 1: Macauley Culkin still calls her mom in real life weird.
• 39:17
  Speaker 1: Yeah is it Weird's not nice? It's weird. Well, I
• 39:22
  Speaker 1: don't know, it's it's something. Wow, they bonded, so if
• 39:28
  Speaker 1: no stue, wait you're telling me Macaulay Culkin thirty nine
• 39:32
  Speaker 1: years old, goes on the set of Ship's Creek just
• 39:36
  Speaker 1: to scream, and he says, Mom, Katherine O'Hara looks happen
• 39:42
  Speaker 1: is like what I'd like to think. This is exactly
• 39:48
  Speaker 1: what happened. I hope this happens all. I hope he
• 39:51
  Speaker 1: drops in constantly. He just calls to say mom and ing.
• 39:54
  Speaker 1: So that that is very I mean, he is so
• 40:00
  Speaker 1: little in this movie, like it's man and and like
• 40:03
  Speaker 1: so I mean it's this is not a hot take.
• 40:06
  Speaker 1: He's very talented. He's so good. I was getting I
• 40:11
  Speaker 1: saw Jojo Rabbit recently, and the kid and Jojo Rabbit
• 40:14
  Speaker 1: reminds me a lot of mcaulay culkin in the same
• 40:17
  Speaker 1: like we're like, wow, this kid's really got something kind
• 40:21
  Speaker 1: of way, but like he's so talented, especially because it's
• 40:24
  Speaker 1: like a kid having to like carry an entire movie.
• 40:27
  Speaker 1: It's no easy to see. Yeah, and like really the
• 40:31
  Speaker 1: only thing they had to go. He was in a
• 40:32
  Speaker 1: different John Hughes movie. He was an Uncle Buck in
• 40:35
  Speaker 1: like a pretty small role. And I guess I read
• 40:38
  Speaker 1: there was a If you love this movie and are
• 40:41
  Speaker 1: interested in the production of it, there's a really good
• 40:43
  Speaker 1: oral history of it that was like collected by John
• 40:46
  Speaker 1: Hughes's son that like he just talked to everyone who
• 40:49
  Speaker 1: made the movie, and I guess that they auditioned like
• 40:52
  Speaker 1: three million. It was a lot of kids, and like
• 40:58
  Speaker 1: John Hughes, who like I feel like I listened to
• 41:02
  Speaker 1: our other episodes about John Hughes movies because we don't
• 41:04
  Speaker 1: love him, but like, for the purposes of this movie,
• 41:07
  Speaker 1: I don't really care. Yeah, he was like, it's got
• 41:09
  Speaker 1: to be Macaulay Culkin and Chris Columbus was like, let's see,
• 41:13
  Speaker 1: let's see what these other tip tapping boys yet, and
• 41:17
  Speaker 1: then it still ended up being him because he was
• 41:19
  Speaker 1: that good. Was this his like breakout? I think, I think,
• 41:24
  Speaker 1: I mean it was like this was his first starring
• 41:27
  Speaker 1: like starring starring role, and then we get other classics
• 41:30
  Speaker 1: like the Page Mask, Stage Master and My Girl came later. Yes,
• 41:35
  Speaker 1: a couple of years after that, he's a start. He's
• 41:39
  Speaker 1: a star and he calls Cathine o'harah mom, he's a star.
• 41:44
  Speaker 1: I don't know. I love it. I love it. He's great. Um.
• 41:49
  Speaker 1: I want to talk a little bit about the things
• 41:51
  Speaker 1: that Kevin decides to do while he has no parental supervision.
• 41:55
  Speaker 1: At first, he's doing like normal kids stuff, like he's
• 41:59
  Speaker 1: jumping on the bed, he's eating junk food, stuff like that.
• 42:03
  Speaker 1: But then over the span of I suppose a day
• 42:06
  Speaker 1: or so, he comes of age. I don't know what happens,
• 42:10
  Speaker 1: but he's like, I have to go out and buy
• 42:12
  Speaker 1: a toothbrush and I have to make sure it's been
• 42:14
  Speaker 1: approved by the American Dental Association. And also I have
• 42:18
  Speaker 1: to go buy groceries and use a coupon while I'm
• 42:22
  Speaker 1: doing that. And then he does laundry, and then he
• 42:24
  Speaker 1: washes the dishes. He does all these domestic domestics that
• 42:28
  Speaker 1: we never see boys or men do in movies. Well,
• 42:32
  Speaker 1: those are only relegated to girls, and it's not made
• 42:35
  Speaker 1: to be a joke. And he's just like, I'm I'm
• 42:37
  Speaker 1: in charge of the house. This is what I do.
• 42:40
  Speaker 1: But then there's also this weird thing where he's like, oh,
• 42:42
  Speaker 1: I'm the man of the house. Now, it's ridiculous for
• 42:45
  Speaker 1: me to be scared. I have to protect my domain.
• 42:48
  Speaker 1: And okay, cut yourself, yeah, cut yourself a break. You're
• 42:52
  Speaker 1: eight years old and Joe Pesci is trying to kill you.
• 42:56
  Speaker 1: My dream waste kidding. He overcomes a fear of the
• 43:02
  Speaker 1: furnace too. He does, but he really does because the
• 43:06
  Speaker 1: furnace talks to him at the beginning, and then he
• 43:08
  Speaker 1: stops talking. He's scared. I was also scared of that
• 43:11
  Speaker 1: furnace when I was a kid. It's very scary. You
• 43:14
  Speaker 1: would have been scared. Yeah, I didn't even register that
• 43:17
  Speaker 1: is as him doing you know, traditionally feminine tasks. But
• 43:21
  Speaker 1: he's just like, I'm there, and he has like this
• 43:24
  Speaker 1: very kind of sweet allegiance to the house. He's like,
• 43:27
  Speaker 1: I gotta protect the house. I gonna do. It's like
• 43:29
  Speaker 1: this combination of like traditionally masculine and feminine trips that
• 43:33
  Speaker 1: are all sort of similarly. To defend his house, he
• 43:37
  Speaker 1: uses a mix of household appliances like an iron and
• 43:42
  Speaker 1: feathers and what are what do they do those mannequins
• 43:48
  Speaker 1: and feathers? Why were there mannequins in the basey my
• 43:52
  Speaker 1: head Cannon is that Katherine O Harri's character is the
• 43:54
  Speaker 1: breadwinner of the family and she's like a very successful
• 43:57
  Speaker 1: fashion designer. That's what I choose to believe. I like
• 44:01
  Speaker 1: to think that Peter likes mannis That's my opinion. Yeah,
• 44:13
  Speaker 1: he uses a mix of like household items and also
• 44:16
  Speaker 1: like a BB gun and a like blowtorch kind of thing. Um,
• 44:20
  Speaker 1: he's doing it all. There's that moment where the bags
• 44:24
  Speaker 1: break while he's walking, while he's walking with the groceries. Yeah, yeah,
• 44:27
  Speaker 1: and while rewatching it. That scene got me because I
• 44:32
  Speaker 1: have a frustration of errands and just lifting, as we
• 44:36
  Speaker 1: all do. But that really I related. Yeah, he knows
• 44:41
  Speaker 1: what it's like to the grind the grind. One thing
• 44:47
  Speaker 1: I felt was missing from the movie is there is
• 44:51
  Speaker 1: no cleaning up montage at the end after the burglars
• 44:56
  Speaker 1: have been arrested, because how there's tar, there's a glue.
• 45:01
  Speaker 1: Weird to believe Kevin cleaned that all up, cleaned it
• 45:04
  Speaker 1: all up by himself and put out milk and cookies
• 45:07
  Speaker 1: and put like put up the tree, did the stockings,
• 45:10
  Speaker 1: all that stuff it could, But I would have liked
• 45:12
  Speaker 1: to see the cleaning montage that Kevin did though. I
• 45:15
  Speaker 1: think that was an important thing that we missed. Old
• 45:18
  Speaker 1: Man Marley helped him for sure, but then at that
• 45:22
  Speaker 1: that increases the secret also of like let's make sure
• 45:26
  Speaker 1: there's no trace right there. It's so weird. One thing
• 45:31
  Speaker 1: that I mean this is so there's so little to
• 45:34
  Speaker 1: talk about it in the way, but Kevin has two sisters. Yes,
• 45:38
  Speaker 1: they shifted on him relentlessly. I liked that in this
• 45:43
  Speaker 1: montage of like just every kid in the house is
• 45:45
  Speaker 1: like Kevin's a loser, he sucks. There was, you know,
• 45:49
  Speaker 1: no discrimination in terms of gender, in terms of who
• 45:53
  Speaker 1: thinks Kevin sucks. Because I feel like, you know, a
• 45:56
  Speaker 1: lesser movie would be like, you know, would have like
• 45:59
  Speaker 1: female children be like no, it's but everyone's just like
• 46:04
  Speaker 1: fuck you, Kevin, You're You're the worst piece of ship
• 46:09
  Speaker 1: and he's like, wow, did just you know? So I
• 46:12
  Speaker 1: liked and I I felt that the girls were given
• 46:15
  Speaker 1: the superior burns. Yes, what's up with that classy burn?
• 46:23
  Speaker 1: She's educated surrealist burn. Yeah, I don't know what what
• 46:31
  Speaker 1: why that though? That that choice, I'm like, oh, she's
• 46:34
  Speaker 1: she read you know, three pages of a like. Um.
• 46:40
  Speaker 1: So I liked. I mean, obviously I wish that there
• 46:42
  Speaker 1: were more and the choice of a big brother over
• 46:45
  Speaker 1: a big sister, you know, that's you can kind of
• 46:48
  Speaker 1: make it that way you will, But I did like
• 46:50
  Speaker 1: that it was an equal opportunity dump on Kevin montage
• 46:54
  Speaker 1: at the top, I appreciated that. I want to talk
• 47:02
  Speaker 1: a little bit about other comparable movies of this era,
• 47:07
  Speaker 1: like late eighties into the nineties, the like children and
• 47:11
  Speaker 1: family movies from this time because of the popular ones
• 47:15
  Speaker 1: that are still remembered and beloved. Most of them are
• 47:20
  Speaker 1: very male driven stories. Most of them have male protagonists,
• 47:25
  Speaker 1: including I think holiday movies in generalists, well, I would
• 47:30
  Speaker 1: say so for sure, yes, and just all movies, but
• 47:34
  Speaker 1: it extends to children and family movies as well. Unfortunate
• 47:37
  Speaker 1: as that is, uh so, movies like Home Alone, Hook,
• 47:41
  Speaker 1: Teenage Mutant, Inta, Turtles, The sand Lot, The Mighty Ducks.
• 47:44
  Speaker 1: There's a bunch of sports movies like Space Jam, Little Giants.
• 47:48
  Speaker 1: There was Free Willie and we don't know if Willie
• 47:52
  Speaker 1: does Willie identify? I don't know if I gendered Willie?
• 47:56
  Speaker 1: Does anyone know? ORCA will cover it? But like Little Ras, Heavyweights,
• 48:06
  Speaker 1: a goofy movie, an extremely goofy movie. Are those cartoons
• 48:13
  Speaker 1: you haven't seen? You haven't seen a goofy movie. I
• 48:15
  Speaker 1: feel like you would really love it. Goofy scares me
• 48:19
  Speaker 1: a little bit. Really Yeah, I don't like him. He
• 48:24
  Speaker 1: gives me Anxietyfy you know how to skip it? I'll
• 48:31
  Speaker 1: watch it for you. So you know, there's all these
• 48:33
  Speaker 1: beloved movies from this era, but so many of them
• 48:35
  Speaker 1: are just like very male driven. Of the like ones
• 48:38
  Speaker 1: that are more female driven, they're kind of few and
• 48:40
  Speaker 1: far between. There are things like Matilda, Harriet the Spy.
• 48:46
  Speaker 1: Those I mean, those are the two that people normally
• 48:49
  Speaker 1: sit and those are like two little white girls too.
• 48:53
  Speaker 1: Family and you know, like we talked about this a
• 48:56
  Speaker 1: lot when it comes to like family and teen movies specifically,
• 49:00
  Speaker 1: where there's a giant class gap and most teen or
• 49:04
  Speaker 1: family movies don't work if the families are not upper
• 49:08
  Speaker 1: middle class at least, like, yeah, there's a huge gap
• 49:12
  Speaker 1: in representation. And I mean all entertainment, but like family
• 49:15
  Speaker 1: entertainment especially for sure. And then just a couple other ones.
• 49:20
  Speaker 1: There's you know, things like hocus Pocus or The Witches
• 49:24
  Speaker 1: because women be witches. Or there's like princess movies like
• 49:27
  Speaker 1: Beauty the Beasts, Little Mermaid, Little Princess Anastasia because women
• 49:31
  Speaker 1: be princesses. So you know, there's a much like narrower
• 49:36
  Speaker 1: idea of like what female characters are allowed to be
• 49:40
  Speaker 1: at the helm of of a female driven family children
• 49:42
  Speaker 1: family movie whereas like ones that star boys or men
• 49:47
  Speaker 1: are allowed to like you know, be swashbucklers and adventurers
• 49:50
  Speaker 1: and like or athletes, uh you know, all all kinds
• 49:54
  Speaker 1: of different stuff. And again that always goes back to
• 49:56
  Speaker 1: like who is behind the camera, who is working on
• 49:59
  Speaker 1: the movies, because there is not a woman to be
• 50:03
  Speaker 1: found in the like primary production trade for Home Alone,
• 50:08
  Speaker 1: which I'm sure comes as a surprise to basically no one,
• 50:11
  Speaker 1: but you know, it's directed by Chris Columbus, written and
• 50:14
  Speaker 1: produced by John Hughes, who has a socio history on
• 50:17
  Speaker 1: his portrayed all the female characters at all, and this
• 50:19
  Speaker 1: he opts for nothing, uh you know. And and so
• 50:23
  Speaker 1: something that like we try to touch on as well
• 50:25
  Speaker 1: is that, you know, normally, if there's a problem in
• 50:29
  Speaker 1: front of the cameras, because there's also a problem behind it,
• 50:31
  Speaker 1: because like Kevin could very easily have been a girl,
• 50:36
  Speaker 1: like there's nothing, which is kind of a cool thing
• 50:39
  Speaker 1: in the writing too, because he doesn't really strike you
• 50:41
  Speaker 1: as like a kid that is like curdling under toxic masculinity.
• 50:46
  Speaker 1: You know, it could very easily be a little girl
• 50:49
  Speaker 1: what's really kind of sucked up to It's like the
• 50:53
  Speaker 1: thieves at one point don't care about money anymore. Is
• 50:57
  Speaker 1: they're just trying to kill a kid? Right? Okay, can
• 51:00
  Speaker 1: we talk about Joe Pesh Now? Can you tell me
• 51:04
  Speaker 1: about I have a third factory. We I've already told
• 51:09
  Speaker 1: the two of you. Joe Pesci is a fucking method
• 51:13
  Speaker 1: actor on this movie. So he got so into the
• 51:17
  Speaker 1: role that he didn't talk to macauley unless it was
• 51:21
  Speaker 1: the camera was rolling, and he bit his fucking finger
• 51:26
  Speaker 1: to the bone during one of the scenes. Yeah, he
• 51:31
  Speaker 1: got that into the role that he fully chewed his flesh.
• 51:36
  Speaker 1: Oh my gosh, can you I leave Joe PESHI? I
• 51:43
  Speaker 1: thought this was raging bull his Chindler's like I can't.
• 51:51
  Speaker 1: It's it boggles the mind, Like I'm going to get
• 51:55
  Speaker 1: an oscar for this, Like what was he? Like? What
• 51:58
  Speaker 1: is the motivation? Like I feel like every time someone
• 52:01
  Speaker 1: goes method, which I hate, I think it's the most
• 52:04
  Speaker 1: annoying thing. And it's always men, And it's always men
• 52:08
  Speaker 1: who just are already obnoxious and want to be obnoxious
• 52:12
  Speaker 1: and get paid for it. Like it's just anything besides
• 52:16
  Speaker 1: some choice. Daniel tay Lewis. But like, but like the
• 52:18
  Speaker 1: whole documentary about like I'm Jim Carey and I want
• 52:22
  Speaker 1: to be annoying at being You're like, fuck you, fuck
• 52:27
  Speaker 1: you because with I'm like getting lightheaded thinking it makes
• 52:31
  Speaker 1: me yes. But it's like women, It's very hard to
• 52:35
  Speaker 1: find an example of a female actor of any amount
• 52:39
  Speaker 1: of fame going method because there is a huge stigma
• 52:43
  Speaker 1: of women being divas and women acting unprofessional when that
• 52:47
  Speaker 1: is method acting is being unprofessional and being hailed as
• 52:52
  Speaker 1: a fucking genius for it. They hate people. I hate people,
• 52:57
  Speaker 1: but I do think it's really funny that Joe. Well,
• 53:01
  Speaker 1: here's what kills me is that I have Joe Pesci
• 53:04
  Speaker 1: on a pedestal, and now the pedestal has been rocked
• 53:08
  Speaker 1: to the ground and Joe Pesci's on fallen. One other
• 53:11
  Speaker 1: thing is I used to love the idea that Joe
• 53:13
  Speaker 1: Pesci is a singer, but I never heard his music
• 53:16
  Speaker 1: until I was taking a bath before coming to this
• 53:19
  Speaker 1: what I had a full panic attack. He sounds like
• 53:23
  Speaker 1: it's like this, Oh, oh, I love you little Baby.
• 53:29
  Speaker 1: I swear yeah. The song his latest release is called
• 53:32
  Speaker 1: like Little Baby. Where did it come out? In Spotify?
• 53:41
  Speaker 1: He's a singer off a Little Baby. It's like it's
• 53:44
  Speaker 1: like my my little baby. I don't know, it's something
• 53:47
  Speaker 1: with the word baby. Okay, that's from right there. I
• 53:56
  Speaker 1: need to teach a college course on Joe Pesci dissertation. Well,
• 54:00
  Speaker 1: there were times in the movie where I was like
• 54:02
  Speaker 1: finding myself almost on the burglar's side because getting back
• 54:06
  Speaker 1: to the like extreme like wealth and upper middle classness
• 54:11
  Speaker 1: of this movie, I'm like, they should steal from the
• 54:15
  Speaker 1: rich and redistribute their wealth. So I was like, no,
• 54:18
  Speaker 1: this is child I I found it very disturbed. I mean,
• 54:23
  Speaker 1: I know that it's critical for the movie to work,
• 54:25
  Speaker 1: but the amount of like it almost begins to look
• 54:29
  Speaker 1: kinky for them, like how much they love being like
• 54:34
  Speaker 1: just physically they're destroyed, destroyed like would have killed them
• 54:39
  Speaker 1: a million times. They like concussions. They would have died
• 54:44
  Speaker 1: on the steps. I mean, Joe Pecchi has like third
• 54:48
  Speaker 1: degree burns on his head and hand, and he's like,
• 54:51
  Speaker 1: I'm going to steal this VCR if it kills me,
• 54:55
  Speaker 1: it's good. When did I already say that? When he
• 54:58
  Speaker 1: rubs the house before, they don't even care about robbing it.
• 55:01
  Speaker 1: He's looking at a collection. Yeah, it's called baby Girl.
• 55:06
  Speaker 1: It's baby Girl. It's called pay It. It came out,
• 55:12
  Speaker 1: Oh my god, it literally came out last week, the
• 55:16
  Speaker 1: world premiere. We may be the first prepared. Oh goody,
• 55:24
  Speaker 1: the interest very latin. What if I take off all
• 55:30
  Speaker 1: my clothes. I'm wearing like glitter all over my body
• 55:33
  Speaker 1: with a picture of Joe Pesci on my bush? We're
• 55:35
  Speaker 1: now with me. I know what to say, but every chip,
• 55:46
  Speaker 1: what is this? What is it going for? I don't
• 55:51
  Speaker 1: know if I told you, I don't. I don't like
• 55:58
  Speaker 1: him anymore. Oh my god, guys, I'm gonna start jerking off,
• 56:06
  Speaker 1: starting to feel horny? Are you horny? I'm kind of horny. Well, well,
• 56:18
  Speaker 1: before we get like sued for copyright infringement, what if
• 56:22
  Speaker 1: Joe Pesci literally sued us? That would be the best
• 56:25
  Speaker 1: press we've ever gotten. True, that Joe Pesci sues feminist
• 56:30
  Speaker 1: podcast would be a burn for us and keep it going.
• 56:37
  Speaker 1: What if he was backstage and I plotted this whole
• 56:40
  Speaker 1: thing and he's my dad. My name's Tomorrow Peshi. God,
• 56:49
  Speaker 1: that's long time. I Joe Peshi does a good job
• 56:55
  Speaker 1: in this movie? Does he do biting a finger to
• 56:59
  Speaker 1: the own baby girl job? We don't know? Should we
• 57:04
  Speaker 1: talk about Daniel Stern A little bit the other one
• 57:07
  Speaker 1: do you have? He's the narrator. There's the thing about him.
• 57:12
  Speaker 1: He's the narrator for the wonder years. Oh I'm smart,
• 57:18
  Speaker 1: you are thank you every year? A k A. I
• 57:22
  Speaker 1: read a buzz feedway before doing this. That's it about him.
• 57:27
  Speaker 1: Oh yeah, there's not much. He contributed a lot to
• 57:30
  Speaker 1: the Oral History, which indicated to me that he doesn't
• 57:33
  Speaker 1: have anything going on because because it said Joe Pesci
• 57:37
  Speaker 1: couldn't be reached, I know, it's not great something. I mean,
• 57:43
  Speaker 1: this has nothing to do with women or their portrayal.
• 57:46
  Speaker 1: But ei there were some things about this oral History
• 57:50
  Speaker 1: that I thought were interesting or charming. So one thing
• 57:54
  Speaker 1: that so this was one of Chris Columbus is I
• 57:56
  Speaker 1: think one of his maybe one of his first movies
• 57:59
  Speaker 1: that he directed. Previously written Grandmans and the Goonies, so
• 58:03
  Speaker 1: he had a lot of you know, considered eighties classics
• 58:07
  Speaker 1: under his belt. Uh, and then he goes on to
• 58:09
  Speaker 1: be kind of a famous children's movie director, specifically because
• 58:13
  Speaker 1: he directs the first two Harry Potter movies. Anyways, so
• 58:17
  Speaker 1: I guess that he and John Hughes have been trying
• 58:20
  Speaker 1: to work together for a while. Uh, and Chris Columbus
• 58:23
  Speaker 1: almost directed National Lampoon's Christmas Vacation, which we will probably
• 58:28
  Speaker 1: cover at some point because it's but then, okay, here's
• 58:32
  Speaker 1: it's just a quote about the time that Chris Columbus
• 58:35
  Speaker 1: met Chevy Chase and was afraid of him. So quote,
• 58:39
  Speaker 1: I went on to dinner with Chevy Chase. To be
• 58:41
  Speaker 1: completely honest, Chevy treated me like dirt, but I stuck
• 58:45
  Speaker 1: it out and even went so far as to shoot
• 58:48
  Speaker 1: a few scenes with him. So basically, he says that
• 58:51
  Speaker 1: chevy Chase verbally abused Chris Columbus into quitting what would
• 58:55
  Speaker 1: have been a huge break in his career when he
• 58:57
  Speaker 1: was like, oh he's Chevy Chase, known for being a dick.
• 59:02
  Speaker 1: Oh yeah, yeah, I had no idea. Yeah, I guess
• 59:06
  Speaker 1: he's just like a vile man. Is a really bad guy.
• 59:10
  Speaker 1: That's I think that's why you got kicked off community too.
• 59:12
  Speaker 1: It's just because he was just such a horror to
• 59:14
  Speaker 1: be around. Is the street chevy Chase named after? I
• 59:19
  Speaker 1: wonder this often? Could that possibly be true? Is there
• 59:22
  Speaker 1: another chevy Chase? Does anyone remember him now? I mean
• 59:27
  Speaker 1: like I think we do, But like what does a
• 59:29
  Speaker 1: teenager know who Chevy chases? It seems impossible. I feel
• 59:33
  Speaker 1: like community like but no, he's on it for a while.
• 59:39
  Speaker 1: How long he's in? Like four? He's forced? Oh wow,
• 59:43
  Speaker 1: he got stands in the front row? Was he in
• 59:47
  Speaker 1: the Three Amigos? He was? Is that movie good? My
• 59:52
  Speaker 1: husband loves people love it and I'm sorry, but you're wrong.
• 59:58
  Speaker 1: I hate that movie so much. Isn't like Donald Duck
• 1:00:00
  Speaker 1: in that movie? Not to digress too much, Oh, I
• 1:00:03
  Speaker 1: don't know. You know, there's a different version of the
• 1:00:05
  Speaker 1: three Now, that's the Three Cabanerros. That's what I'm thinking
• 1:00:08
  Speaker 1: about and his various friends. Good call. I've recently decided
• 1:00:12
  Speaker 1: that I think that Donald Duck style nudity is the
• 1:00:15
  Speaker 1: funniest style. I'm attracted to him. I think that I
• 1:00:19
  Speaker 1: think that Donald. Yeah, I'm just like you go for it.
• 1:00:22
  Speaker 1: Just a crop top in like his duck penis. And
• 1:00:25
  Speaker 1: again it's gender neutral because Daisy does the same thing. Yeah.
• 1:00:29
  Speaker 1: I love no pants cartoon. Another no pants cartoon is,
• 1:00:32
  Speaker 1: of course Paddington. Paddington wears a coat, but but it's
• 1:00:38
  Speaker 1: decent enough to cover most of American cartoons. Their commando.
• 1:00:44
  Speaker 1: Speaking of Paddington, Kevin's dad is wearing a Paddington like
• 1:00:49
  Speaker 1: duffle coat throughout the movie. It is it's the wrong color,
• 1:00:53
  Speaker 1: it's tan, but it otherwise is it's it's Paddington's coat,
• 1:00:58
  Speaker 1: its different color. All for Molina couldn't play Kevin McAllister,
• 1:01:02
  Speaker 1: Oh my god, imagine with a blonde wig. Tell me
• 1:01:07
  Speaker 1: you couldn't do it? Before we devolve into this into
• 1:01:12
  Speaker 1: the ground, do you just have one actual last point
• 1:01:16
  Speaker 1: to make sure. And it's just kind of tapping back
• 1:01:19
  Speaker 1: into the discussion of family movies, especially of this era
• 1:01:23
  Speaker 1: and even to some extent today, just so much focus
• 1:01:28
  Speaker 1: on a white nuclear family unit, both parents, hetero, still together,
• 1:01:34
  Speaker 1: still married, parents with white collar jobs, upper middle class
• 1:01:37
  Speaker 1: living in suburban America, especially for like holiday movies I
• 1:01:41
  Speaker 1: focus on like Christian Christmas. I mean, I think it
• 1:01:45
  Speaker 1: just goes back to the whole like family teen movie
• 1:01:48
  Speaker 1: thing too, where it's just like so few movies even
• 1:01:51
  Speaker 1: attempt to address anybody else because it's just like the
• 1:01:55
  Speaker 1: assumption that that is first the norm, which isn't, and
• 1:01:59
  Speaker 1: second that that is like the only thing people are
• 1:02:02
  Speaker 1: interested in seeing, which it isn't. But everyone who makes
• 1:02:05
  Speaker 1: this movie is from that background, and so they you know,
• 1:02:09
  Speaker 1: the problem because those are also the people who are
• 1:02:11
  Speaker 1: privileged enough to like make movies and like have funding
• 1:02:14
  Speaker 1: to like be in charge of getting movies made and
• 1:02:17
  Speaker 1: stuff like that. I mean, like even like I lived
• 1:02:19
  Speaker 1: in like in like a blue collar family, rural you know,
• 1:02:24
  Speaker 1: like working class family. Um, and I almost never saw
• 1:02:28
  Speaker 1: myself represented in any family movies when I was growing up. Um,
• 1:02:33
  Speaker 1: and that like folks with kids, yea one thing I felt.
• 1:02:38
  Speaker 1: I remember feeling this as a kid when it came out.
• 1:02:42
  Speaker 1: I was living in Argentina, where I was born, and
• 1:02:45
  Speaker 1: we were really poor, and I remember being really mad
• 1:02:51
  Speaker 1: at Kevin for missing the vacation, right the same way.
• 1:02:58
  Speaker 1: This is a different movie, but the same way I
• 1:03:01
  Speaker 1: was mad at the Little Mermaid for not enjoying like
• 1:03:05
  Speaker 1: her sea royalty and wanting to like be sure, you know,
• 1:03:09
  Speaker 1: missing the concert because I was just like, you have
• 1:03:13
  Speaker 1: moving and we didn't have money, and I was like,
• 1:03:15
  Speaker 1: enjoy your fucking trip to Paris. Yeah that's but yeah,
• 1:03:20
  Speaker 1: yeah they don't. They don't appreciate their wealth when they
• 1:03:23
  Speaker 1: have it. But stopped playing with like popcorn or whatever
• 1:03:27
  Speaker 1: he was playing, like go like Hug your parents and
• 1:03:31
  Speaker 1: be happy. Let's get it together. Jesup, come on. I
• 1:03:35
  Speaker 1: mean it goes without saying that families of color, poor families,
• 1:03:40
  Speaker 1: working class families, uh, you know, kids with disabilities, queer kids.
• 1:03:45
  Speaker 1: I mean still, it's very, very very rare to see.
• 1:03:48
  Speaker 1: And it's also I think like worth mentioning that when
• 1:03:53
  Speaker 1: families that are not the ones that you just described
• 1:03:56
  Speaker 1: are shown, it's often portrayed as tragic or lesser and
• 1:04:01
  Speaker 1: it's not portrayed and it's and it's that sucks because
• 1:04:04
  Speaker 1: it's like when you when you grow up in a
• 1:04:06
  Speaker 1: family that's different than Kevin McAllister's family, you still have fun,
• 1:04:11
  Speaker 1: you still enjoy, you know, and it's like it's not perfect.
• 1:04:13
  Speaker 1: It's it's different and there's different setbacks that you can
• 1:04:16
  Speaker 1: portray in a movie. But it doesn't need to be
• 1:04:18
  Speaker 1: like sad Violin over. You know, a family that like
• 1:04:23
  Speaker 1: this is their life, and so it would be it
• 1:04:26
  Speaker 1: would be good to see more family movies that don't
• 1:04:30
  Speaker 1: just portray families that are not upper middle class white people.
• 1:04:34
  Speaker 1: But it's also just like portraying this a is like
• 1:04:36
  Speaker 1: this is a normal thing, and like this is like
• 1:04:40
  Speaker 1: families can be very happy. Um, when they're not upper
• 1:04:44
  Speaker 1: middle class white people living at the suburbs of Chicago,
• 1:04:48
  Speaker 1: you know for sure. Um. One thing I'll say that
• 1:04:51
  Speaker 1: I think is a positive for this movie is it's
• 1:04:55
  Speaker 1: an original story that was because I feel like we're
• 1:04:59
  Speaker 1: like in this weird age of movies where like original
• 1:05:01
  Speaker 1: stories getting funding are less and less and less. Everything
• 1:05:05
  Speaker 1: is franchise and all that ship. But this is an
• 1:05:06
  Speaker 1: original story that like Super Super paid off, where this
• 1:05:10
  Speaker 1: movie had an eighteen million dollar budget and it made
• 1:05:14
  Speaker 1: four hundred seventy six million dollars and they I didn't
• 1:05:17
  Speaker 1: realize how huge this movie was when it came out,
• 1:05:22
  Speaker 1: but it's the top grossing movie of nine it out
• 1:05:24
  Speaker 1: earned good fellows. Take that Pesci. Maybe he was right.
• 1:05:29
  Speaker 1: Pesci owned Pesci, you know, like he maybe he was
• 1:05:33
  Speaker 1: right to chew through that finger. How much did Pesci
• 1:05:36
  Speaker 1: make for Home alone? Oh, good question, bault Park. I'm
• 1:05:41
  Speaker 1: gonna say, what was the total? Eighteen million? Eighteen million? Yeah?
• 1:05:46
  Speaker 1: Did Pesci make a million? No? That's crazy, that's too
• 1:05:51
  Speaker 1: Oh there's a disagreement, gentlemen. I feel like, well, who's
• 1:05:57
  Speaker 1: the most famous movie person in this movie? At the time.
• 1:05:59
  Speaker 1: I feel like it's Joe p She because he was
• 1:06:01
  Speaker 1: in Raging Ball who came first, and like the names
• 1:06:04
  Speaker 1: that come at the beginning, I can't remember trying to build.
• 1:06:08
  Speaker 1: I feel like it's about for someone. But this is
• 1:06:10
  Speaker 1: like before Katherine O'Hara is super super super famous. I
• 1:06:14
  Speaker 1: think it is. I'm pretty sure she's mainly known for
• 1:06:16
  Speaker 1: SETV at this point. Let's see No, it just says
• 1:06:20
  Speaker 1: Joe Pashi. Okay, this is very cryptic. Joe Pesci has
• 1:06:24
  Speaker 1: earned salaries up to three million, five hundred thousand dollars
• 1:06:30
  Speaker 1: for his acting. My cousin Vinny was maybe that one. Oh,
• 1:06:34
  Speaker 1: maybe that was a big one for him. I's psychic.
• 1:06:39
  Speaker 1: People also ask whatever happened to Joe? He's in the
• 1:06:44
  Speaker 1: Irishman as we speak. Well, yeah, well, and he just
• 1:06:48
  Speaker 1: released Baby Girl last week. Honey, true waiting up? People
• 1:06:55
  Speaker 1: dropping music right now? Um, you have other movie ease?
• 1:07:00
  Speaker 1: I just have a couple things to say, sure, Um.
• 1:07:05
  Speaker 1: Now the famous scene in Home Alone when Kevin is
• 1:07:09
  Speaker 1: standing in front of the mirror, he's talking to himself.
• 1:07:12
  Speaker 1: He's like, I just took a shower. I washed all
• 1:07:15
  Speaker 1: my crevices. I used actual soap, I used as he
• 1:07:19
  Speaker 1: does he says, did I creep black that out? Because
• 1:07:24
  Speaker 1: he says crevices and I don't like children saying I agree.
• 1:07:29
  Speaker 1: But he's like talking about all the products he's using.
• 1:07:32
  Speaker 1: He's like, yeah, use soap, an adult formula shampoo, and
• 1:07:35
  Speaker 1: then a cream rinse for that just washed shine. And
• 1:07:39
  Speaker 1: the way to see him, we see him like putting
• 1:07:40
  Speaker 1: on deodorant and then putting on the aftershave and then
• 1:07:42
  Speaker 1: he does that. Ah. That scene very closely resembles the
• 1:07:47
  Speaker 1: scene in American Psycho where Patrick Bateman is like looking
• 1:07:53
  Speaker 1: at the mirror. He's like, and then I used an
• 1:07:55
  Speaker 1: almond scrub, and then I use a facial cleanser that
• 1:07:58
  Speaker 1: doesn't have alcohol because alcohol dize your skin out. And
• 1:08:01
  Speaker 1: then I use a blah blah blah, and and then
• 1:08:03
  Speaker 1: he like peels the mask off his face, and it's
• 1:08:05
  Speaker 1: basically identical. I'm saying that Americans like a ripped off
• 1:08:09
  Speaker 1: home alone can fully agree, thank you so much. And
• 1:08:13
  Speaker 1: then there's a very what I think is a very
• 1:08:16
  Speaker 1: direct reference to Raiders of the Lost Dark when Joe
• 1:08:19
  Speaker 1: Pesci grabs the door when Alfa Millian and the tarantulas.
• 1:08:24
  Speaker 1: But there's I'm talking about a different thing. Uh, when
• 1:08:27
  Speaker 1: Joe Pesci grabs the door knob and then has to
• 1:08:30
  Speaker 1: stick in his burning and he has to stick his
• 1:08:32
  Speaker 1: hand in the snow, and then there's the It's like
• 1:08:35
  Speaker 1: the imprint of the door knob is burned onto his
• 1:08:37
  Speaker 1: hand and the same thing happens to the Nazi in
• 1:08:41
  Speaker 1: Raiders of the Lost Dark. Thank you so much. That
• 1:08:44
  Speaker 1: was really good. Wow, I fully I have a degree
• 1:08:50
  Speaker 1: Instagram writing I I came across a theory, yes that
• 1:08:55
  Speaker 1: Kevin is dead? WHOA wait, the said from earlier? Yes, okay,
• 1:09:03
  Speaker 1: I thought you were about to say Kevin is dead.
• 1:09:05
  Speaker 1: I thought I want to hear that. Okay. So this
• 1:09:07
  Speaker 1: is good and it's actually written by feminist icon Aaron
• 1:09:10
  Speaker 1: Gloria Ryan, I'm a big fan of She wrote this
• 1:09:13
  Speaker 1: piece two years ago. Says Home Alone is so much
• 1:09:15
  Speaker 1: better if Kevin McAllister is dead. It's a hot take,
• 1:09:19
  Speaker 1: but bear with me. I'll read a bit from it.
• 1:09:22
  Speaker 1: I was compelled quote in the Dead Kevin version of
• 1:09:25
  Speaker 1: Home Alone, the reason the extended family has gathered in
• 1:09:29
  Speaker 1: the Winnetka house is that the next day they're going
• 1:09:32
  Speaker 1: to fly to Paris without Kevin so that they can
• 1:09:34
  Speaker 1: get a little piece and quiet. Leaving him home was deliberate.
• 1:09:37
  Speaker 1: No one actually thought Kevin would join them on the
• 1:09:40
  Speaker 1: trip to Paris, because he is a spirit who's tethered
• 1:09:43
  Speaker 1: to the house. Kate McAllister is the only person who
• 1:09:47
  Speaker 1: reacts to forgetting Kevin the way a normal person would
• 1:09:49
  Speaker 1: to forgetting a child. Her husband Peter, is oddly calm,
• 1:09:53
  Speaker 1: as our Aunt Leslie and Uncle Frank, who tried to
• 1:09:55
  Speaker 1: comforicate by telling her that he forgot his reading glasses.
• 1:10:00
  Speaker 1: Kevin has an aversion to both the third floor of
• 1:10:02
  Speaker 1: his house and the basement, where a menacing furnace calls
• 1:10:05
  Speaker 1: his name. It doesn't take a first year Tish student
• 1:10:08
  Speaker 1: to point out that this pair of aversions represent Kevin's
• 1:10:12
  Speaker 1: refusal to leave the physical world of his house and
• 1:10:16
  Speaker 1: ascend or descend heaven or afterlife. What It's Dante's inferno,
• 1:10:22
  Speaker 1: but home alone. It's incredible. Later, as an emboldened Kevin
• 1:10:28
  Speaker 1: attempts to leave the edge of his yard for the
• 1:10:30
  Speaker 1: first time, he is thwarted by old Man Marley, who
• 1:10:33
  Speaker 1: appears practically out of nowhere and scares Kevin back inside
• 1:10:36
  Speaker 1: where he's safe. Marley also appears where Kevin ventures past
• 1:10:40
  Speaker 1: the edge of his yard for the first time the
• 1:10:41
  Speaker 1: next day, as if to scare him back home again.
• 1:10:45
  Speaker 1: On the night the band has planned to rob Kevin's house,
• 1:10:47
  Speaker 1: Marley tries again to keep him safe, trying to teach
• 1:10:50
  Speaker 1: him old man lessons in a church. And it's old
• 1:10:54
  Speaker 1: man Marley who is finally able to fill the bandits
• 1:10:57
  Speaker 1: with his shovel after Kevin leads them through a sea
• 1:11:00
  Speaker 1: areas of hellish physical ordeals. So okay, the theory goes on.
• 1:11:08
  Speaker 1: It also says that Joe Pesci and the other guy
• 1:11:10
  Speaker 1: are immortal, but basically Kevin's a ghost. Marley is his
• 1:11:17
  Speaker 1: protector that already an angel, his angel that is trying
• 1:11:20
  Speaker 1: to get him to stay in the house where he's
• 1:11:23
  Speaker 1: saved and decide to ascend or descend. That's why they
• 1:11:26
  Speaker 1: don't tell anyone anything happened, because no one's going to
• 1:11:29
  Speaker 1: believe a ghost, so there's no point in reporting it.
• 1:11:34
  Speaker 1: But not what it was. Are you sure? Can we
• 1:11:39
  Speaker 1: be sure? I don't think it's real, but I was.
• 1:11:41
  Speaker 1: I was, like, my mouth was a gay. But this
• 1:11:44
  Speaker 1: is insane. It's amazing. I'm glad that someone thought about.
• 1:11:48
  Speaker 1: It's my favorite fan theory I've ever read. Kevin McAllister
• 1:11:53
  Speaker 1: is dead. What if everyone in the movie was dead
• 1:12:00
  Speaker 1: and they were just people dead people come. It's like
• 1:12:03
  Speaker 1: the last episode of Lost or whatever the funk happens
• 1:12:05
  Speaker 1: in that what happens that I took a class on
• 1:12:09
  Speaker 1: that in college? Shut the funk up? Can you believe
• 1:12:12
  Speaker 1: that whole semester a whole semester of some fucking loser
• 1:12:16
  Speaker 1: being like it makes sense? And then I was in
• 1:12:21
  Speaker 1: debt for a decade? Can you believe that I took
• 1:12:24
  Speaker 1: a semester of don Key xote and I just realized
• 1:12:27
  Speaker 1: that you could watch the Yale lecture for free online.
• 1:12:30
  Speaker 1: Oh no, I don't go to college. It's a scam. Okay,
• 1:12:35
  Speaker 1: I have a master's degree. Anyway, I am in so much.
• 1:12:39
  Speaker 1: Please join our patreon. Um okay, so uh does anyone
• 1:12:44
  Speaker 1: have any final thoughts? No, we had more to say
• 1:12:47
  Speaker 1: than I thought you will, be honest. I thought this
• 1:12:50
  Speaker 1: would finally be the episode where we just sat out
• 1:12:52
  Speaker 1: of here. Like it turns out, we talk a lot.
• 1:12:56
  Speaker 1: It's a feminist masterpiece. I think we have a I
• 1:12:59
  Speaker 1: think we have a few moments for a couple of
• 1:13:01
  Speaker 1: questions or comments from the audience. If anyone has anything
• 1:13:05
  Speaker 1: to contribute to this important discussion that yeah, come on down,
• 1:13:12
  Speaker 1: we can hear you in the in the mic um.
• 1:13:15
  Speaker 1: I would just like to point out that there are
• 1:13:17
  Speaker 1: many adults that failed to realize this kid is like
• 1:13:21
  Speaker 1: walking around by himself. He goes to the grocery store.
• 1:13:25
  Speaker 1: The police are like, oh, we tried, we tried knocking,
• 1:13:29
  Speaker 1: and you know, no one answered, so I guess he's fine.
• 1:13:32
  Speaker 1: It's like he's eighty, you know, he's in there. One
• 1:13:36
  Speaker 1: lady comes close, but she doesn't. She's like, are you
• 1:13:39
  Speaker 1: by yourself? It's when he goes to the supermarket the
• 1:13:43
  Speaker 1: second time he goes to a church. I have expected
• 1:13:48
  Speaker 1: him to talk to Why doesn't Marley church alone? Why
• 1:13:54
  Speaker 1: aren't you a church? Incompetence? Incompetence by all the else,
• 1:14:00
  Speaker 1: he's the most competent one. I think it only makes
• 1:14:03
  Speaker 1: sense that he's dead. I mean, and that's I mean,
• 1:14:07
  Speaker 1: that's a common theme of like children's movies, where it's
• 1:14:09
  Speaker 1: like the children are so much smarter than the adults.
• 1:14:13
  Speaker 1: And then this movie also plays into the fantasy of like, yeah,
• 1:14:16
  Speaker 1: our families suck and we just want to be home
• 1:14:18
  Speaker 1: alone forever. I'm like, oh, I haven't watched them. We're
• 1:14:23
  Speaker 1: going to cover it tomorrow. Are there any of the questions? Yeah,
• 1:14:29
  Speaker 1: I've rewatched it this morning, and um, I just thought
• 1:14:32
  Speaker 1: it was interesting how John Candy offered to like give
• 1:14:35
  Speaker 1: her a ride, and him and his poker band like
• 1:14:38
  Speaker 1: rented a bus, but um, Kate didn't think to rent
• 1:14:42
  Speaker 1: a bus. She just kept buying over. She didn't think
• 1:14:46
  Speaker 1: to like rent a car or anything until like a
• 1:14:48
  Speaker 1: man showed up and was like, no, let me help you.
• 1:14:54
  Speaker 1: That's very true. Good point. Um, all excuse because I
• 1:14:57
  Speaker 1: like Katherine O'Hara so much and the character she plays
• 1:15:01
  Speaker 1: that mom. Sorry, um, I'll excuse that a way of
• 1:15:05
  Speaker 1: just like her being so frantic over this crisis that's
• 1:15:09
  Speaker 1: happening in her family that she isn't like using her
• 1:15:13
  Speaker 1: logical brain as effectively as I would guess that she
• 1:15:16
  Speaker 1: had already bartered all her jewels. She had no nothing
• 1:15:23
  Speaker 1: or maybe nothing left on her too. I don't know,
• 1:15:27
  Speaker 1: but that is that could have that that could have
• 1:15:28
  Speaker 1: easily been an oversight to just be like, well, we
• 1:15:30
  Speaker 1: want John Candy in the most obviously, which was a delight.
• 1:15:33
  Speaker 1: His lines were all improvised. As another fact, if oh interesting,
• 1:15:38
  Speaker 1: I feel like he's playing the same character he plays
• 1:15:40
  Speaker 1: in trains, plans and automobiles. He's just like on that journey,
• 1:15:43
  Speaker 1: he's like, oh yeah, I'll give you a ride. I'm
• 1:15:46
  Speaker 1: on a bus this time van. So that scene, those
• 1:15:50
  Speaker 1: scenes with him are not very long, right, But I
• 1:15:53
  Speaker 1: read in the in the Oral History that I read
• 1:15:56
  Speaker 1: apparently they had a full twelve hours of shooting with him,
• 1:16:01
  Speaker 1: and he fully explored a character. I mean, there was
• 1:16:06
  Speaker 1: a whole Katherine o' harris says in this like Oral
• 1:16:09
  Speaker 1: History interview she was like, yeah, I just remember it's
• 1:16:12
  Speaker 1: a really long day. I think that she improvised flashing
• 1:16:15
  Speaker 1: out her character quite a bit. John Candy created this
• 1:16:19
  Speaker 1: whole narrative for the Polka Band and they were on
• 1:16:21
  Speaker 1: hard times but now they're doing better, but they're not
• 1:16:23
  Speaker 1: as successful as they once were. And it was this
• 1:16:25
  Speaker 1: whole thing. And then at the end of the day,
• 1:16:27
  Speaker 1: Chris Columbus was just like, well that was all basically unusable,
• 1:16:33
  Speaker 1: like kind of like calm down, like you know how
• 1:16:38
  Speaker 1: they just right. I'm like, but they did. It's somewhere,
• 1:16:42
  Speaker 1: maybe somewhere that footage is somewhere to get our hands
• 1:16:45
  Speaker 1: on it. I would love to see a twelve hour cut. Well,
• 1:16:50
  Speaker 1: speaking of twelve hours, that's about how long it takes
• 1:16:53
  Speaker 1: to drive from Scranton, Pennsylvania to Chicago, because I did
• 1:16:57
  Speaker 1: Google map it today. So she was in that same
• 1:17:01
  Speaker 1: way that van for twelve I mean, and it was snowing,
• 1:17:05
  Speaker 1: so maybe they had to go slower. I don't know.
• 1:17:08
  Speaker 1: They stopped for meals properly, bathroom breaks. No, there's no
• 1:17:12
  Speaker 1: peeing in this movie, No, pep. That's a great back around.
• 1:17:17
  Speaker 1: That was a call back to the p Matt to
• 1:17:20
  Speaker 1: TAM's peep pebs. Yes, we have a question in the
• 1:17:23
  Speaker 1: back most all, there's that whole discussion we're in the
• 1:17:27
  Speaker 1: movie about the cousin or the son that went to
• 1:17:30
  Speaker 1: the bed. So your your listeners are gonna be like, no,
• 1:17:33
  Speaker 1: there's peeing in this movie. You just saved us from
• 1:17:36
  Speaker 1: being added to death. Thank you, you guys forgot about
• 1:17:39
  Speaker 1: Kieren Colkins every time. For Karen Golden Peas. That's a
• 1:17:45
  Speaker 1: huge part about this. I love Twitter so much. It
• 1:17:50
  Speaker 1: makes sense. Thank you, Thank you for that. That's a
• 1:17:52
  Speaker 1: great points only one character piece. And Macaulay instead Kevin's dead,
• 1:18:00
  Speaker 1: the Collocums alive and well and calls Catherine a hair
• 1:18:02
  Speaker 1: up mom. Yeah. Any other questions are comments Yeah, well
• 1:18:06
  Speaker 1: go Homer, Yeah, we'll repeat it. So the question is,
• 1:18:10
  Speaker 1: how do you think we can encourage and support more
• 1:18:14
  Speaker 1: diversity in film give opportunities to writers, creators, directors, etcetera,
• 1:18:20
  Speaker 1: any creative minds who have like influence over story and
• 1:18:23
  Speaker 1: stuff like that. Um, I think it's like and it's
• 1:18:25
  Speaker 1: a lot of just like demanding it from people who
• 1:18:27
  Speaker 1: have power right now, where I just dumped on Twitter
• 1:18:31
  Speaker 1: because everyone you know will point out pepe things. But
• 1:18:35
  Speaker 1: the great power of of social media is you do
• 1:18:38
  Speaker 1: have like direct connection to powerful people and to let
• 1:18:42
  Speaker 1: them know how you feel. And so like there is
• 1:18:45
  Speaker 1: such a failure of powerful people right now to give opportunities.
• 1:18:49
  Speaker 1: And there's that mentorship complex that I feel like we've
• 1:18:52
  Speaker 1: discussed on the show before, where it's like mentors so
• 1:18:55
  Speaker 1: often are you know, like there's so many like rich
• 1:18:59
  Speaker 1: white guys in power, and they'll mentor people who remind
• 1:19:01
  Speaker 1: them of themselves. And it's just encouraging people who have
• 1:19:05
  Speaker 1: power right now to mentor people who are not just them,
• 1:19:09
  Speaker 1: to prioritize giving opportunities to people from backgrounds that aren't
• 1:19:14
  Speaker 1: their own, and to you know, diversify and conversations like
• 1:19:17
  Speaker 1: this too, because as we're sitting here, I'm like Ship
• 1:19:20
  Speaker 1: thinking of myself as a kid in Argentina watching this.
• 1:19:24
  Speaker 1: It's like there's a story to be told in that.
• 1:19:26
  Speaker 1: I just never thought it was anybody cared, you know,
• 1:19:30
  Speaker 1: So what we do, we care do And then I
• 1:19:33
  Speaker 1: think one of the main things that consumers can do
• 1:19:36
  Speaker 1: because money speaks very loudly in this industry and all industries,
• 1:19:42
  Speaker 1: but um, make sure you go to see movies in
• 1:19:44
  Speaker 1: theaters that are created by and star you know, diverse casts,
• 1:19:50
  Speaker 1: and and look for them too, because they're not marketed
• 1:19:53
  Speaker 1: as heavily as fucking Joker and Ship like that. Don't yeah,
• 1:19:59
  Speaker 1: bravely don't see Joker. That's the way to encourage diversity, No,
• 1:20:03
  Speaker 1: uh no, but I do think it like it is,
• 1:20:06
  Speaker 1: just like it because people from any sort of marginalized group,
• 1:20:11
  Speaker 1: their their movies and projects are not prioritized and marketed
• 1:20:14
  Speaker 1: as heavily as things from you know, the old school,
• 1:20:19
  Speaker 1: rich white guys. It's like you have to seek it
• 1:20:21
  Speaker 1: out and support it and you know, support your friends,
• 1:20:25
  Speaker 1: and it's it's a climb, but it's you know, it's
• 1:20:28
  Speaker 1: it's getting better slowly slow. Um. Thank you for all
• 1:20:33
  Speaker 1: your questions. That's a great question. Hey, does this movie
• 1:20:36
  Speaker 1: pass the backtel test? No, it does not. There are
• 1:20:41
  Speaker 1: more interactions between women than I expected there to be
• 1:20:46
  Speaker 1: because I remember none of these. But like Kate McAllister
• 1:20:50
  Speaker 1: talks to the French airline lady about trying to get
• 1:20:54
  Speaker 1: on a flight back home, but she is not named,
• 1:20:56
  Speaker 1: and they don't. The whole context is I have to
• 1:20:59
  Speaker 1: get back to my and Irene the old lady that
• 1:21:02
  Speaker 1: she offers all the jewelry to yes, and she is
• 1:21:05
  Speaker 1: named Yes, But the whole thing is still like, my please,
• 1:21:10
  Speaker 1: I must get back to my husband. And then her
• 1:21:15
  Speaker 1: husband comes up and he's like, we're boarding, get on
• 1:21:18
  Speaker 1: the flight, Irene. And then the mom talks to various
• 1:21:23
  Speaker 1: of her daughters and I think it's her sister in law,
• 1:21:25
  Speaker 1: Leslie Um. But again the whole thing is like even
• 1:21:28
  Speaker 1: though the conversations they're passing like passing on paper, versations
• 1:21:33
  Speaker 1: like they don't necessarily mention a man's name, but the
• 1:21:35
  Speaker 1: whole context is still like we have to do these
• 1:21:38
  Speaker 1: things to get back to Kevin So. And then the
• 1:21:41
  Speaker 1: mom talks to the female police officer. But again the
• 1:21:44
  Speaker 1: same thing with a context. So I don't think it passes.
• 1:21:48
  Speaker 1: It's no, it doesn't pass. I had I have to
• 1:21:51
  Speaker 1: say one more thing and then while everyone go home. Okay,
• 1:21:54
  Speaker 1: so one of the sisters, the actor who plays Megan McAlister,
• 1:21:58
  Speaker 1: she goes on to represent the United States in judo
• 1:22:04
  Speaker 1: at the Olympics three times. Good for her, I know.
• 1:22:10
  Speaker 1: I think she actually ends up doing the best. I
• 1:22:12
  Speaker 1: think she ends up doing better than Macaulay Culkin in
• 1:22:15
  Speaker 1: many ways. She's remembered for being a judo champion. I
• 1:22:19
  Speaker 1: just thought that was very impressive. Shout out to her,
• 1:22:22
  Speaker 1: shout out. We'll never do that, We'll never so far
• 1:22:26
  Speaker 1: away from being an Olympic judo Does anyone here think
• 1:22:29
  Speaker 1: they even have a shot? Does anyone do? That's why
• 1:22:32
  Speaker 1: you're not Megan mcallis um, But yeah, yeah, that does
• 1:22:37
  Speaker 1: not pass. Let's write it on our nipple scale zero
• 1:22:40
  Speaker 1: to five nipples based on its representation of women. Oh um, well,
• 1:22:46
  Speaker 1: I do appreciate, But what's the number? I know, I
• 1:22:52
  Speaker 1: always don't say the number for until Yeah. I like
• 1:22:55
  Speaker 1: to give a long prep because she's deciding wh a
• 1:22:59
  Speaker 1: whole long wrung way I'm going to say one and
• 1:23:02
  Speaker 1: a half. I think that's pretty fair. I will also
• 1:23:06
  Speaker 1: say that, and I'm not going to let the audience
• 1:23:10
  Speaker 1: influence me this time because I also do that every
• 1:23:13
  Speaker 1: time where like and I'm like, I'm sorry if women
• 1:23:18
  Speaker 1: don't apologize anymore. I think one and a half because
• 1:23:23
  Speaker 1: the one female character we get to know is while
• 1:23:28
  Speaker 1: we really only know who she is as it relates
• 1:23:31
  Speaker 1: to being a mother, which is a reductive thing. She is,
• 1:23:35
  Speaker 1: I would say, on par and maybe the second most
• 1:23:39
  Speaker 1: active character in the stories. She is driving the mission
• 1:23:45
  Speaker 1: to get home to Kevin. She is not the negligent
• 1:23:47
  Speaker 1: mother that I feel like history has like remembered her,
• 1:23:51
  Speaker 1: as she's got a lot on her plate. It appears,
• 1:23:54
  Speaker 1: even though she'd be more explicit that she may be
• 1:23:57
  Speaker 1: the breadwinner of this family. She's called stomed as the
• 1:24:00
  Speaker 1: breadwinner of the family, and she got way more screen
• 1:24:04
  Speaker 1: time than I thought that, you know, just based on
• 1:24:08
  Speaker 1: the way this movie have been described to me, So
• 1:24:10
  Speaker 1: you know, it's the classic you really only get one
• 1:24:13
  Speaker 1: female character, even though you see others. She's the only
• 1:24:15
  Speaker 1: active female character. But I liked her, and then it's like,
• 1:24:20
  Speaker 1: I feel like it's easy to you know, plug yourself
• 1:24:23
  Speaker 1: into her situation, and she's a very empathetic, active character,
• 1:24:27
  Speaker 1: which I appreciate it. But then there's only men other
• 1:24:31
  Speaker 1: than that one and a half one and a half.
• 1:24:33
  Speaker 1: It's also just an extremely as we've discussed, white movie,
• 1:24:37
  Speaker 1: an extremely upper class movie. It doesn't give a shit
• 1:24:41
  Speaker 1: about anyone who does not fit this like idyllic American
• 1:24:46
  Speaker 1: dream type of family and villainizes the people who are
• 1:24:50
  Speaker 1: trying to eat the rich. So you know, if you
• 1:24:54
  Speaker 1: have a hundred dollars for pizza, Yeah, no, it is.
• 1:24:57
  Speaker 1: It is very of its time in the way is
• 1:25:00
  Speaker 1: that it portrays families and the way that it portrays
• 1:25:03
  Speaker 1: the ideal family, and in sort of every regard. Um, sure, yes,
• 1:25:09
  Speaker 1: I'm gonna give it a nipple and a half. I'm
• 1:25:12
  Speaker 1: gonna give one to Catherine O'Hara, and then we give
• 1:25:15
  Speaker 1: half to Kevin because he's dead. Oh, I'm gonna give
• 1:25:21
  Speaker 1: my one and a half nipple to the tarantula. Tarantula's
• 1:25:27
  Speaker 1: do have zero nipples, but they have eight legs, and
• 1:25:32
  Speaker 1: that's tarantula facts. With Caitlin, I love it. Dam What
• 1:25:38
  Speaker 1: do you think I'm gonna give it two nipples because
• 1:25:41
  Speaker 1: I have two nipples. All right, that's the entire reasoning.
• 1:25:47
  Speaker 1: That's the best reasoning I've ever heard. You pee on
• 1:25:50
  Speaker 1: your floor and you have two nipples. What if we
• 1:25:52
  Speaker 1: were like this episode has been brought to you by
• 1:25:55
  Speaker 1: baby Girl by today, I think maybe we can bump
• 1:26:01
  Speaker 1: it up to two dipples, just strictly because did he
• 1:26:03
  Speaker 1: name his song baby boy? Feminist icono is prioritizing the
• 1:26:10
  Speaker 1: representation of women, that's true, but he's also infantilizing them.
• 1:26:14
  Speaker 1: So that's not what he could be thinking about a baby.
• 1:26:16
  Speaker 1: That's true. We can't understand that. It's impossible to know
• 1:26:19
  Speaker 1: what he's saying. Oh he's Scooby doing. We don't know
• 1:26:25
  Speaker 1: what he's saying. Yeah. True. I hope everyone goes home
• 1:26:28
  Speaker 1: and listen I write it. Thank you so much for
• 1:26:33
  Speaker 1: that gift, because I didn't. It was his first release
• 1:26:39
  Speaker 1: in twenty three years to right now you know, yes,
• 1:26:46
  Speaker 1: thank you, thank you for sharing that and thank you
• 1:26:47
  Speaker 1: for being give it up for tim Thank you, Thank
• 1:26:51
  Speaker 1: you guys for having me. Where can people follow you online?
• 1:26:58
  Speaker 1: Check out your stuff? Find me on my not job.
• 1:27:01
  Speaker 1: You know, I'm just kidding. Um. I have a podcast
• 1:27:04
  Speaker 1: called Ceriso Talk where me and my sister talk about
• 1:27:08
  Speaker 1: our life as kids and now, and we eat a sausage,
• 1:27:13
  Speaker 1: a different one every time, except we forget the sausage
• 1:27:17
  Speaker 1: every time. So that's just the yeah. Um, And I'm
• 1:27:22
  Speaker 1: online at Dances with Dammy's the worst fucking Twitter name ever.
• 1:27:28
  Speaker 1: But it's a classic classic based off of Dances with
• 1:27:32
  Speaker 1: Wolf Spike Kevin Costner, which I've never seen. Oh, it's
• 1:27:36
  Speaker 1: very long and quite boring. Thank you so much for
• 1:27:40
  Speaker 1: coming to the show. Give it up. Give it up
• 1:27:44
  Speaker 1: to Jake for according for us the whole raft. Give
• 1:27:49
  Speaker 1: it up to the Ruby by