Latest / I Am All In with Scott Patterson / Yeah, well, things change (S7 E16 “Will You Be My Lorelai Gilmore?”)

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Yeah, well, things change (S7 E16 “Will You Be My Lorelai Gilmore?”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in.
• 0:04
  Speaker 2: Oh that's you.
• 0:17
  Speaker 3: I am all in with Scott Patterson and iHeartRadio podcast.
• 0:20
  Speaker 1: Hey everybody, Scott Patterson, I am all in Podcast one,
• 0:23
  Speaker 1: a lot of productions. iHeartMedia, iHeart Radio. I Heart Podcast seven,
• 0:27
  Speaker 1: Episode sixteen. Will you be my lorel I Gilmour, I
• 0:30
  Speaker 1: am here with my own Trapid Crewe, Terror Suit, Danielle Romo,
• 0:34
  Speaker 1: Susanne Franche. I missed you, Yeah, I missed you. Guys?
• 0:38
  Speaker 2: How was she seeing you? And you were in my dream?
• 0:40
  Speaker 1: Weird? Who was in the dream?
• 0:43
  Speaker 4: Who?
• 0:44
  Speaker 2: Who were super weird?
• 0:45
  Speaker 1: Did I get into your dream? Yes?
• 0:48
  Speaker 2: Sometimes I sneak you away in there. I don't know.
• 0:49
  Speaker 2: Sometimes it happens when I watch the show. It's just
• 0:52
  Speaker 2: like I can't help it.
• 0:53
  Speaker 5: What was he doing in your dream?
• 0:55
  Speaker 2: I can't totally remember. Oh you can't actually reveal what
• 1:00
  Speaker 2: I'm like, Oh, I.
• 1:03
  Speaker 1: Tell you this, then it wasn't me.
• 1:05
  Speaker 2: I don't remember what I remember. I don't remember one
• 1:09
  Speaker 2: part that I'm like too embarrassed to say. It wasn't
• 1:12
  Speaker 2: like a dirty dream, but there was one part that's
• 1:16
  Speaker 2: like making me feel embarrassed.
• 1:18
  Speaker 5: We must move on from this conversation. I'm literally so uncomfortable.
• 1:24
  Speaker 2: I know, Scott. I'm so sorry. I'm so sorry.
• 1:27
  Speaker 1: It's okay, it's okay. Keep sharing, keep sharing everybody. At
• 1:33
  Speaker 1: least you're the courage to be honest, you know. Thank you.
• 1:36
  Speaker 2: It's like control my dreams, Danielle like, I can't help it.
• 1:42
  Speaker 2: I can't help it.
• 1:43
  Speaker 1: It's the subconscious mind is a wonderful slash.
• 1:46
  Speaker 2: Luke ends up in there.
• 1:48
  Speaker 1: Well, how does it happen? How does it happen?
• 1:52
  Speaker 2: Sometimes I don't know if you're Luke or Scott in
• 1:54
  Speaker 2: the dream, which is also kind of weird, right.
• 1:58
  Speaker 6: I feel like for me, I knew Scott before I
• 1:59
  Speaker 6: knew Luke, So I'm like, it's it's Scott.
• 2:02
  Speaker 2: What do you mean I knew Luke Scott.
• 2:07
  Speaker 1: That's our friend, daniel Danielle. If I hadn't end up
• 2:11
  Speaker 1: in Danielle's dream, it would be in a totally different reaction.
• 2:15
  Speaker 1: Get out of here? What are you doing?
• 2:17
  Speaker 2: I should be like, I told you what time we're recording.
• 2:21
  Speaker 1: Up? No, I can't upgrade your room in Vegas? Will
• 2:25
  Speaker 1: you leave me alone?
• 2:28
  Speaker 2: We're not getting you a jet.
• 2:36
  Speaker 5: iHeart Podcasts listen on the iHeartRadio app.
• 2:41
  Speaker 1: Who wants to synopsize this episode, Who's Gonna take it off?
• 2:46
  Speaker 6: Good moments, but like, all right, I put us through
• 2:50
  Speaker 6: our misery, although I would argue this is not miserable
• 2:52
  Speaker 6: for me. So this is season seven, episode sixteen, Will
• 2:55
  Speaker 6: You Be My Lorlike Gilmour? Air date February twenty seventh,
• 2:58
  Speaker 6: two thousand and seven. Rory is planning a baby shower
• 3:02
  Speaker 6: for Lane, but then gets an interview with The New
• 3:04
  Speaker 6: York Times. Loralai plays mediator between Lane and missus Kim,
• 3:08
  Speaker 6: who are fighting about how the twin should be raised,
• 3:11
  Speaker 6: and Logan tells Rory about his investment failure. Plus, Luke
• 3:16
  Speaker 6: makes a big decision about his father's boat, which prompts
• 3:18
  Speaker 6: him to make some changes in his life.
• 3:22
  Speaker 2: Also, hmm, there there's that boat was worth so much
• 3:26
  Speaker 2: more than six hundred dollars.
• 3:29
  Speaker 7: Yeah, I had to rewind it. I was like, did
• 3:32
  Speaker 7: I hear six hundred?
• 3:33
  Speaker 1: It was worth more? It was worth more than six
• 3:35
  Speaker 1: thousand dollars, six hundred dollars.
• 3:37
  Speaker 2: Kirk should have taken that in a run.
• 3:39
  Speaker 1: That is absolutely absolutely.
• 3:43
  Speaker 2: Wonder what you paid for your other new boat?
• 3:47
  Speaker 1: Yeah, right, sounded pretty ritzy, Right, You're gonna take it,
• 3:49
  Speaker 1: gonna take a three hour cruise on it, like go
• 3:53
  Speaker 1: against Island.
• 3:55
  Speaker 2: Anyway, did we do the synopsis?
• 3:58
  Speaker 6: Yeah, thanks for listening to my very very informant part
• 4:03
  Speaker 6: of each episode.
• 4:06
  Speaker 2: Was like really good parts and just really boring parts.
• 4:08
  Speaker 1: What were the good parts? Described them to me. Baby
• 4:12
  Speaker 1: shower you thought that was good?
• 4:14
  Speaker 2: Yeah, I enjoy the baby shower.
• 4:15
  Speaker 8: At the moment between Lane and Rory, I like that
• 4:18
  Speaker 8: part too.
• 4:19
  Speaker 4: Yeah, And but like Leane and Missus, Kim Luke and Laurelai.
• 4:25
  Speaker 2: Yeah, Logan was.
• 4:28
  Speaker 8: Yeah, I feel like I feel like this is the
• 4:31
  Speaker 8: part where I start to dislike Logan a little bit more.
• 4:35
  Speaker 7: I was like, when does this come in?
• 4:36
  Speaker 8: I think it's around here, because up until here he
• 4:40
  Speaker 8: I don't mind him, like I think he's charming.
• 4:43
  Speaker 5: But now I was waiting for the shoe to drop
• 4:45
  Speaker 5: and the shoes dropping.
• 4:46
  Speaker 1: Yeah, but it was the only time in the whole
• 4:48
  Speaker 1: episode I laughed and laughed out loud when he said,
• 4:52
  Speaker 1: by the way, I'm heading to Vegas. You know, Tinn's
• 4:55
  Speaker 1: dad's plane's gassed up at Tita Borough. I'm gone. I
• 4:58
  Speaker 1: roared with laughter because it was like his timing was
• 5:02
  Speaker 1: so impeccable, and it was the last thing you expected
• 5:05
  Speaker 1: him to say, but of course it was the first
• 5:07
  Speaker 1: thing you should have expected him to say, and off
• 5:11
  Speaker 1: he goes. I really enjoyed that moment that was that
• 5:14
  Speaker 1: was funny to me, very funny.
• 5:16
  Speaker 2: That that was fine. But I laughed very hard when
• 5:19
  Speaker 2: I saw on Instagram the person that commented, uh, Logan
• 5:23
  Speaker 2: Huntsburger hates.
• 5:24
  Speaker 1: Walls, hates walls because he always lives in a studio.
• 5:34
  Speaker 2: Waves because anyway, Sorry, I got excited about that.
• 5:37
  Speaker 1: Now I think the production of the show hates walls
• 5:39
  Speaker 1: because then, you know what I mean, better, just have
• 5:42
  Speaker 1: a studio. You can shoot in all areas right without
• 5:46
  Speaker 1: having to worry about walls.
• 5:47
  Speaker 2: Yeah, I mean, I don't mind that Logan's going off
• 5:50
  Speaker 2: with Finn And why why is the other guy's name
• 5:53
  Speaker 2: out of my Finn to Vegas? That actually tracks. I
• 6:00
  Speaker 2: thought it was kind of mean he didn't go to
• 6:01
  Speaker 2: the baby shower. Frankly, yeah, I.
• 6:08
  Speaker 1: Thought it really showed. I mean, for me, anyway, my
• 6:11
  Speaker 1: gut is like, Wow, these two are not well suited
• 6:15
  Speaker 1: for one another. This is the beginning of the end
• 6:18
  Speaker 1: of this relationship. It seems to me that his he
• 6:22
  Speaker 1: prioritizes his life over their life, anything that happened to him.
• 6:29
  Speaker 1: I just I felt him looking down his nose on
• 6:33
  Speaker 1: her friends and Lane in the baby shower and the
• 6:35
  Speaker 1: importance of that and what that meant to Rory, and
• 6:38
  Speaker 1: he just couldn't handle it. He couldn't, you know. Admittedly,
• 6:44
  Speaker 1: you know, losing millions of dollars of your father's money
• 6:46
  Speaker 1: and investor money and maybe ruining your career is a
• 6:49
  Speaker 1: big deal. But I mean, suck it up, dude, and
• 6:51
  Speaker 1: go support your woman. She would have done the same.
• 6:54
  Speaker 2: For you, right, Yeah, Well she did do the same
• 6:58
  Speaker 2: to per world and and.
• 7:00
  Speaker 1: Hang with her friends and all that. Maybe feel a
• 7:03
  Speaker 1: little better. And I thought it was a selfish move
• 7:06
  Speaker 1: on his part. He's going to Vegas. He's reverting back
• 7:09
  Speaker 1: to his old behavior.
• 7:11
  Speaker 8: I think we're used to him, like how he you know,
• 7:13
  Speaker 8: I think we're used to how he just like showed
• 7:15
  Speaker 8: up to the hospital for Richard, and we're kind of
• 7:18
  Speaker 8: like it's one extreme to the other.
• 7:20
  Speaker 7: It's like he was so there and now he's so
• 7:22
  Speaker 7: not right.
• 7:24
  Speaker 2: That's a really good point.
• 7:26
  Speaker 1: Yeah, I mean, that's that's that's Rory's best friend, and
• 7:29
  Speaker 1: it's a big event. You know, it's maybe just a
• 7:31
  Speaker 1: baby shower and guys don't want to go to a
• 7:33
  Speaker 1: baby shower, but it's a big event to support.
• 7:37
  Speaker 2: Land And yeah, I mean, and I get why he's
• 7:40
  Speaker 2: sort of miserable. I get that he's lost millions of
• 7:44
  Speaker 2: dollars and it's a total fail and it's his fault
• 7:46
  Speaker 2: and YadA YadA. But also I've said YadA YadA way
• 7:50
  Speaker 2: too much. I don't know why YadA YadA is stuck
• 7:52
  Speaker 2: in my head. I keep saying YadA YadA.
• 7:56
  Speaker 1: Speaking of YadA YadA, I just got a nice check
• 7:58
  Speaker 1: from Seinfeld.
• 8:00
  Speaker 2: You got one not that long ago.
• 8:01
  Speaker 1: I know, it's crazy.
• 8:03
  Speaker 2: Whoa, I like four numbers, five numbers, numbers. Let's just
• 8:19
  Speaker 2: go through it, Suzanne, you give us the gist of
• 8:21
  Speaker 2: the scene.
• 8:21
  Speaker 4: All right, So the opening, the opening, Did you notice
• 8:27
  Speaker 4: how long it was? It was almost four minutes.
• 8:29
  Speaker 1: That was forever it got long.
• 8:31
  Speaker 4: They walked almost all the way around the square.
• 8:34
  Speaker 2: Oh yeah, And I was very distracted by like extras,
• 8:38
  Speaker 2: and then I got very distracted by the prices that
• 8:41
  Speaker 2: docies like. I don't know if I was that engaged
• 8:44
  Speaker 2: because my eyes were just so like looking around. Yeah,
• 8:49
  Speaker 2: was this. They go to the baby store and it's
• 8:51
  Speaker 2: literally called the baby store out.
• 8:55
  Speaker 4: They come out of the baby store and they're talking
• 8:58
  Speaker 4: about the first pancake thing. Now, I had never heard
• 9:00
  Speaker 4: of that first pancake thing until I watched this show,
• 9:03
  Speaker 4: But now I see it in other places, Like, was
• 9:05
  Speaker 4: that something you guys knew about?
• 9:07
  Speaker 2: Yeah, the first pancakes always like the third pancake.
• 9:11
  Speaker 4: I never had.
• 9:11
  Speaker 7: I didn't know that, not in my experience.
• 9:15
  Speaker 2: The skillet that the skillet isn't quite right yet. Yeah,
• 9:20
  Speaker 2: and so the first one kind of kind of comes
• 9:21
  Speaker 2: out like that.
• 9:23
  Speaker 4: I liked what Laura said. Did it apply to Wobbles too?
• 9:28
  Speaker 4: Has a point specific? Yeah? That was just that was
• 9:31
  Speaker 4: a new one for me. So really, the whole point
• 9:34
  Speaker 4: of that opening was that Rory gets the call from
• 9:36
  Speaker 4: the New York Times. So the friend, her friend Hugo
• 9:41
  Speaker 4: that she's been writing for, gave her a connection. So
• 9:44
  Speaker 4: that was that was the exciting thing that.
• 9:47
  Speaker 2: She met, right, It was the dude she met at
• 9:49
  Speaker 2: Logan's part.
• 9:50
  Speaker 4: Yes, yeah, and this is what sets up that Laureli
• 9:54
  Speaker 4: is going to end up being the one that pulls
• 9:56
  Speaker 4: off the baby shower instead of Rory. So then we
• 10:00
  Speaker 4: go to Lorelized house where they're decorating well lorealized decorating,
• 10:05
  Speaker 4: and Sukie's just sitting on the chair.
• 10:08
  Speaker 2: Sings sort of annoying, Like it was like, yeah, Suki
• 10:12
  Speaker 2: was a little annoying that Phil was sitting on the phone,
• 10:15
  Speaker 2: like why did we need to spend a lot of time? Well,
• 10:17
  Speaker 2: and how hard is it to just reach back?
• 10:19
  Speaker 9: Like it was just kind of like okay, yeah, so
• 10:23
  Speaker 9: well like filler and just but this I noticed the signs,
• 10:28
  Speaker 9: like the signs were cute for the onesie painting and
• 10:30
  Speaker 9: all that.
• 10:31
  Speaker 4: I'm thinking, Wow, the art department had probably had fun
• 10:33
  Speaker 4: with this episode.
• 10:33
  Speaker 7: Yeah, I did laugh at it's a boys, yes.
• 10:37
  Speaker 2: Oh yeah. And also later when we talk about the onesies,
• 10:42
  Speaker 2: the onesies are phenomenal, but we'll get to them.
• 10:44
  Speaker 4: Yeah. So then we go to the scene in Logan's apartment,
• 10:52
  Speaker 4: so it's the middle of the night and he comes
• 10:54
  Speaker 4: home drug.
• 10:57
  Speaker 2: Sandwich.
• 10:58
  Speaker 4: The sandwich. Did you see the lettus acting? There was
• 11:01
  Speaker 4: some good lettuce acting there. There was like a random
• 11:06
  Speaker 4: piece of lettuce that was stuck to the bag of
• 11:09
  Speaker 4: bread and you can if you watch the lettuce, Matt
• 11:12
  Speaker 4: like tries to hide it in his hand and Alexis
• 11:15
  Speaker 4: just grabbed it out of his hand and slaps it
• 11:17
  Speaker 4: down on the countertop.
• 11:19
  Speaker 2: It was pretty We talk about the one bang acting,
• 11:22
  Speaker 2: so we'll talk about that, but the Lettuce acting is great.
• 11:26
  Speaker 1: Acting drunk like that, it's the hardest thing to do.
• 11:28
  Speaker 1: I thought he did a great job.
• 11:29
  Speaker 2: Yeah, he's see now.
• 11:31
  Speaker 4: I was going to say the opposite.
• 11:32
  Speaker 1: No, I thought it had done.
• 11:34
  Speaker 7: I agree with Susan.
• 11:36
  Speaker 1: It's such a fine line, though. It's really hard to
• 11:39
  Speaker 1: pull off. Yeah, because you know, he's just coming back
• 11:42
  Speaker 1: from a bender. It's just like he's still drunk, you
• 11:45
  Speaker 1: know what I mean. So it's hard. It's so hard
• 11:48
  Speaker 1: to do.
• 11:49
  Speaker 4: I did laugh when he was talking about his phone
• 11:52
  Speaker 4: and how it was on off and he's like, it
• 11:55
  Speaker 4: sounds like it's on, but it's off. It was on off.
• 11:57
  Speaker 4: That part, that little snippet of dialogue made me laugh.
• 12:01
  Speaker 4: But overall, I know he just was. It just seemed
• 12:05
  Speaker 4: a little overdone. And I was actually thinking about what
• 12:08
  Speaker 4: you had said before, Scott, about how hard it is
• 12:10
  Speaker 4: to be convincingly drunk and not be too drunk, and
• 12:13
  Speaker 4: that was it was just a little over the line
• 12:15
  Speaker 4: for me.
• 12:19
  Speaker 2: So we still want her too. It was just messy.
• 12:22
  Speaker 4: Yeah, and she doesn't know why, Like, she doesn't know
• 12:25
  Speaker 4: about the company yet, so she doesn't know why he's
• 12:28
  Speaker 4: behaving this way or why he's you know, felt the
• 12:30
  Speaker 4: need to to work late and then get drunk or whatever.
• 12:34
  Speaker 4: So from her perspective, she's like, what what the heck
• 12:37
  Speaker 4: is going on? Okay, and then we go to Luke
• 12:42
  Speaker 4: Steiner and this is where Okay. So funny, I did
• 12:47
  Speaker 4: a little research last night, and I found out that
• 12:50
  Speaker 4: the guy that was this is like super minute detail,
• 12:56
  Speaker 4: but the guy that was asking about the steel cut oatmeal.
• 13:00
  Speaker 4: So the show is famous for like reusing actors.
• 13:04
  Speaker 1: Oh that's Lauren's assistant. Really, yeah, he's that used to
• 13:10
  Speaker 1: be Lauren's assistant. I don't know if he's still in
• 13:12
  Speaker 1: her life. But that guy, the customer that Zach was
• 13:16
  Speaker 1: waiting on, yeah, actually Lauren's assistant. And funny story is
• 13:21
  Speaker 1: I was house hunting back in the day, back you know,
• 13:27
  Speaker 1: during the shooting of this. It was either two thousand
• 13:32
  Speaker 1: and five. I bought a house in two thousand and three,
• 13:33
  Speaker 1: so I was house hunting because I was gonna sell
• 13:36
  Speaker 1: it and get another house. And I went into this
• 13:38
  Speaker 1: house and there's and I'm looking around and I'm like
• 13:41
  Speaker 1: there's Lauren's assistant was sitting there in the living room,
• 13:45
  Speaker 1: and I just stopped and go, what the heck are
• 13:47
  Speaker 1: you doing here? And he goes, well, this is Lauren's house.
• 13:52
  Speaker 7: Oh funny, and you had no idea.
• 13:58
  Speaker 1: So he showed me into the bedroom. And the one
• 14:01
  Speaker 1: time I got into Lauren Graham's bedroom I had I
• 14:07
  Speaker 1: had to get there via assistant.
• 14:11
  Speaker 4: But I found out he was also in the episode
• 14:14
  Speaker 4: where Lorelei and Emily go to the day Spot. He
• 14:18
  Speaker 4: was Lorelei's messuse. Funny, yeah, and he also had a
• 14:25
  Speaker 4: quick thing in the in the revival, but of course
• 14:29
  Speaker 4: we can't talk about that yet. Anyways, So steel cut oatmeal.
• 14:32
  Speaker 2: Guy, and then between steel Cut and like what what?
• 14:38
  Speaker 1: What was.
• 14:41
  Speaker 2: Taker? First of all, I can't eat oatmeal diarrhea, But.
• 14:49
  Speaker 1: Throughout throughout the day I.
• 14:53
  Speaker 2: Think, so, yeah, something does something bad to me. But
• 14:56
  Speaker 2: what is the difference and which is better?
• 14:59
  Speaker 7: I like, I make overnight oats.
• 15:01
  Speaker 2: So so what's overnight oats.
• 15:04
  Speaker 5: Where you just like saturate them in liquid overnight.
• 15:09
  Speaker 8: Yeah, basically I put like coconut milk or almond milk
• 15:12
  Speaker 8: in the oats and then it kind of I put
• 15:14
  Speaker 8: chia seeds and then put food on top.
• 15:17
  Speaker 1: Yeah that's actually.
• 15:20
  Speaker 5: Wait, what's the difference between rolled and Yeah, that's a difference.
• 15:25
  Speaker 4: I can't The steel cut is like more of the
• 15:28
  Speaker 4: natural fiber. That's why it takes forever to cook, Like
• 15:31
  Speaker 4: it literally takes like forty five minutes to cook. So
• 15:34
  Speaker 4: Luke was not wrong when he said that.
• 15:36
  Speaker 2: I think it's too much fiber for my body, just saying,
• 15:39
  Speaker 2: listening a lot of fiber, Text me if you've got
• 15:43
  Speaker 2: a problem.
• 15:44
  Speaker 8: Also, yeah, steel cut oats are slow to say you start,
• 15:49
  Speaker 8: which means.
• 15:49
  Speaker 2: Trying to have a self help group for people that
• 15:51
  Speaker 2: cannot have so much fiber. The other thing I can eat, Yeah,
• 15:56
  Speaker 2: we could have our own podcast. I can't have any
• 15:59
  Speaker 2: of the butter, the nut butters, the peanut butters, the
• 16:02
  Speaker 2: sun butters makes my stomach feel weird. I'm gonna have
• 16:06
  Speaker 2: the occasional Justin's peanut butter cup, but not like I
• 16:08
  Speaker 2: cannot have a spoonful of any nut butter anyway. Anyway,
• 16:15
  Speaker 2: send your cards and letters and how much you hate
• 16:18
  Speaker 2: my sidebars to our.
• 16:20
  Speaker 1: Instagram man, what's handing?
• 16:29
  Speaker 8: Man?
• 16:29
  Speaker 1: You got?
• 16:29
  Speaker 10: Marshaw besmld Lynch.
• 16:31
  Speaker 1: Doug Hendrickson and Gavin Newsome and you're listening to politicking.
• 16:34
  Speaker 1: What does politicket even mean?
• 16:36
  Speaker 10: So this is how politicking work out, right, there's bridging gaps.
• 16:40
  Speaker 10: You sit down, you come to the round table. We
• 16:42
  Speaker 10: need to figure it out. I need to figure out
• 16:44
  Speaker 10: where you're coming from, right, but you need to figure
• 16:46
  Speaker 10: out where he coming from. Your politicking might be a
• 16:49
  Speaker 10: little bit different. You feel me, you handle yours a
• 16:51
  Speaker 10: different way. We bring each side all walks of life,
• 16:55
  Speaker 10: like how we're doing right now, and we figure out
• 16:57
  Speaker 10: what we got going on and what I'm gonna call it.
• 17:00
  Speaker 10: It's politicking, not because he's a politician, but because that's
• 17:03
  Speaker 10: just what we do. Yeah, with no politics, with no politics,
• 17:07
  Speaker 10: politics with no politics, that's it I'm talking about.
• 17:09
  Speaker 1: I love it. And we can change the world podcast
• 17:12
  Speaker 1: by podcast, and we will change the world podcast by
• 17:18
  Speaker 1: the gust you did to be saved.
• 17:21
  Speaker 10: But we're gonna figure it out though.
• 17:22
  Speaker 1: That's the thing we had a lot to do together
• 17:24
  Speaker 1: right now. Yeah, that's why you're listening to politiicing on iHeartRadio.
• 17:28
  Speaker 10: Apple podcasts or wherever you listen to podcasts.
• 17:32
  Speaker 1: Open your free iHeart app and search politicking. Coming July fifteenth,
• 17:38
  Speaker 1: this is where.
• 17:39
  Speaker 4: We have the newspaper ad and it made me laugh
• 17:42
  Speaker 4: when Kirk said, I've been published and it's just the
• 17:46
  Speaker 4: like and so listen to the pros this guy writes
• 17:50
  Speaker 4: and it's like yeah, and then Luke realizes that's his boat.
• 17:57
  Speaker 4: Blah blah blah.
• 17:58
  Speaker 2: Okay in total like d move of TJ.
• 18:01
  Speaker 7: And Liz's like, you don't see, Yeah, that was shady. Yeah,
• 18:08
  Speaker 7: not to jump ahead, but to be like, oh, we
• 18:10
  Speaker 7: would have given you the money, but if you want
• 18:12
  Speaker 7: to contribute to our garage.
• 18:15
  Speaker 1: But first of all, how he found out about it
• 18:18
  Speaker 1: was yeah, I mean really, yeah, it just so happened.
• 18:23
  Speaker 5: Kirk, like, I feel like Luke should be more upset
• 18:26
  Speaker 5: about that.
• 18:27
  Speaker 2: That's abused about and someone can correct me. The boat
• 18:31
  Speaker 2: was over at Lorealized for like a long time, right,
• 18:34
  Speaker 2: and then remember the boat moved and Luke was going
• 18:37
  Speaker 2: to store the boat somewhere. I don't recall him storing
• 18:41
  Speaker 2: it in a space that lives in TJ. Have I
• 18:45
  Speaker 2: thought Lizen TJ bought their house, like that's what somebody.
• 18:49
  Speaker 8: Can I was also confused by the location of their
• 18:51
  Speaker 8: house because it looks like they're right in the middle
• 18:53
  Speaker 8: of stars Hollow and it takes them like foized.
• 18:57
  Speaker 1: Garage, like Laurelized garage, but it's not supposed to beg Yeah.
• 19:03
  Speaker 4: No, okay, I had a John and I went over
• 19:07
  Speaker 4: this a great went great length last night, rewinding it
• 19:10
  Speaker 4: and going forward trying to figure it out. So I
• 19:12
  Speaker 4: think that the garage. So story wise, Luke moved the
• 19:18
  Speaker 4: boat out of Laurelized Garage when they had the fight,
• 19:20
  Speaker 4: and it was on the street in front of the diner.
• 19:23
  Speaker 1: But didn't they move it? But didn't he move didn't
• 19:25
  Speaker 1: she move it back in? Or something?
• 19:26
  Speaker 4: Well we never they never said what happened to it
• 19:29
  Speaker 4: after that? Oh really, they didn't explicitly say, but there
• 19:34
  Speaker 4: was there was that other fight where the boat was
• 19:37
  Speaker 4: in another location and he was arguing with the old
• 19:39
  Speaker 4: lady when she told him to move it out, and
• 19:41
  Speaker 4: that's how it wound up in Laurelized Garage. So, but
• 19:46
  Speaker 4: this garage that it was in physically, if you look
• 19:48
  Speaker 4: across the street, that was Suk's house. Yeah, and the
• 19:53
  Speaker 4: garage next to Suki's house is the one that on
• 19:57
  Speaker 4: the other side is Laurelized Garage.
• 20:00
  Speaker 1: Because those houses are right next to each other, right.
• 20:03
  Speaker 4: They're like back to back, so it's like Suki's garage
• 20:06
  Speaker 4: on this street and if you go around the back,
• 20:08
  Speaker 4: now it's like got two fronts. One front is Suki's in,
• 20:10
  Speaker 4: one front is lorealized.
• 20:11
  Speaker 1: So it's just it's very confusing.
• 20:14
  Speaker 8: It is very I was also just confused where do
• 20:17
  Speaker 8: they live because when they came to stay with Luke,
• 20:21
  Speaker 8: they like came into town, right, so they're.
• 20:24
  Speaker 2: Not the outskirts of town, but they don't live in
• 20:27
  Speaker 2: the heart of town.
• 20:28
  Speaker 4: Yeah, they never really specified, but like when they were
• 20:32
  Speaker 4: the house hunting, they said we're we're going to move
• 20:34
  Speaker 4: back to Stars Hollow, So whether that meant Stars Hollow
• 20:36
  Speaker 4: proper or just the Star Hall area, yeah, they never
• 20:40
  Speaker 4: really clarified.
• 20:42
  Speaker 5: They live by the superstore. Rouse.
• 20:47
  Speaker 1: Here's why he wasn't that agitated by it, right because
• 20:53
  Speaker 1: he let it go. He sold it. Now, if he
• 20:55
  Speaker 1: was really agitated, did a typical Luke ramp and then
• 20:58
  Speaker 1: Luke rant and then he turned around, so it would
• 21:00
  Speaker 1: have made him look kind of crazy.
• 21:02
  Speaker 5: So I just gonna be mad at my sister like
• 21:05
  Speaker 5: he was.
• 21:06
  Speaker 1: He was, he was, he was, but she's a young
• 21:10
  Speaker 1: mother and you don't want to tear into your sister
• 21:13
  Speaker 1: and you know, you know what I'm saying, And he.
• 21:17
  Speaker 4: Knew it wouldn't do any good to be mad at
• 21:18
  Speaker 4: her anyways, because she's just the way.
• 21:20
  Speaker 1: She is, right right, So I think it was more resignation. Yeah,
• 21:25
  Speaker 1: it's like, well, gosh, but I think he was he
• 21:28
  Speaker 1: was annoying.
• 21:29
  Speaker 4: So then there was a quick little scene at missus
• 21:32
  Speaker 4: Kim's where Laura goes to pick up pictures of Wayne,
• 21:36
  Speaker 4: and this is where missus Kin says she's not going
• 21:39
  Speaker 4: to the wedding shower. I mean, yes, baby shower, baby shower.
• 21:47
  Speaker 2: Yeah, this was a whole like I sort of enjoyed
• 21:50
  Speaker 2: this storyline of Lurai kind of going back and forth
• 21:53
  Speaker 2: and brokring it and the touching, but I also was
• 21:56
  Speaker 2: like this again, I thought it was just.
• 21:58
  Speaker 7: A little too dragged down. Yeah I did too.
• 22:02
  Speaker 1: I thought it was very redundant of this storyline between
• 22:07
  Speaker 1: mother and daughter. It's like she's about to give birth
• 22:12
  Speaker 1: to twins. I mean, does this really need It seems
• 22:15
  Speaker 1: sophomoric to me that these two women at this point
• 22:20
  Speaker 1: are still, you know, struggling.
• 22:25
  Speaker 2: I can't see that.
• 22:26
  Speaker 1: I think the end was one in bio for me,
• 22:30
  Speaker 1: the end of the end of what the end.
• 22:32
  Speaker 4: Of the episode, like where they got to the point
• 22:34
  Speaker 4: where they had reached kind of a shared understanding, like
• 22:37
  Speaker 4: we'll get I'll comment.
• 22:39
  Speaker 1: I mean it didn't have any impact because there was
• 22:41
  Speaker 1: no real tension to begin. It just seemed very forced.
• 22:44
  Speaker 1: Here's that word, a get. It seemed forced.
• 22:47
  Speaker 2: Yes, it is forced until you get to the bedroom
• 22:50
  Speaker 2: scene and Lane sort of acknowledges like I'm going to
• 22:54
  Speaker 2: be all about my kid just like my mom was,
• 22:57
  Speaker 2: and then you kind of go, that's cute. Okay, we
• 23:01
  Speaker 2: so yeah, sort of cute, right, But like getting there.
• 23:04
  Speaker 8: Was a little I feel like that was the best
• 23:06
  Speaker 8: part though, like that moment between Lorelei and and Lane.
• 23:10
  Speaker 7: But yeah, getting there was I don't know if we needed.
• 23:13
  Speaker 8: All of it.
• 23:14
  Speaker 4: Yeah, And I I liked the moment too between Lorelai
• 23:18
  Speaker 4: and missus Kim where Laura I was saying, like she said,
• 23:22
  Speaker 4: my mom missed so much and I don't want that
• 23:24
  Speaker 4: to happen to you. Like Larela I was acknowledging in
• 23:27
  Speaker 4: her own life how her actions had impacted Emily, which
• 23:31
  Speaker 4: I thought was a nice point that we don't often
• 23:35
  Speaker 4: see lorel making that realization.
• 23:37
  Speaker 2: Is sort of like that where it's like there's some
• 23:40
  Speaker 2: good points and some filler. Yeah.
• 23:42
  Speaker 1: I just thought it was I just thought it was
• 23:44
  Speaker 1: poorly presented. It's like ever ever try to make a
• 23:49
  Speaker 1: Western omelet and you just really screw it up, and
• 23:52
  Speaker 1: it's right, and it's better getmbled eggs, sit all and
• 23:56
  Speaker 1: start over, you know, and rebuild it, you know. And
• 24:00
  Speaker 1: I thought that way about this episode. It's like, maybe what's.
• 24:03
  Speaker 2: A Western omelet versus an omelet?
• 24:06
  Speaker 5: Is the one with ham and bell peppers.
• 24:07
  Speaker 1: Yeah, it's a lot of ingredients, yeah, bacon and Okay,
• 24:12
  Speaker 1: So then we go to Lane and Zach's and can
• 24:17
  Speaker 1: you eat the Western omelets? Are you okay with those? Can?
• 24:21
  Speaker 2: Yeah? And I can kind of dabble in cheese from
• 24:22
  Speaker 2: time to time. I can definitely do eggs. I wouldn't
• 24:25
  Speaker 2: do the peppers, though I have a limited.
• 24:30
  Speaker 4: Solareley goes to Lane's to find out like what the
• 24:34
  Speaker 4: source of this disagreement was, and then that's when Lane says,
• 24:39
  Speaker 4: you know, Mom's trying to control everything with my kids,
• 24:41
  Speaker 4: which I mean that is kind of an overstep on
• 24:43
  Speaker 4: missus Kim's part, Like you don't really get to tell,
• 24:47
  Speaker 4: you don't get to dictate what your grandchildren's would.
• 24:50
  Speaker 2: And look at her mom when her mom came. I mean,
• 24:52
  Speaker 2: it all tracks.
• 24:53
  Speaker 4: It's like, yeah, yeah, that's true. But Laurelai did have
• 24:59
  Speaker 4: a good point to to Lane. Lane doesn't know what
• 25:02
  Speaker 4: her kids are gonna like. And then there was the
• 25:04
  Speaker 4: funny analogy of you know, maybe she's gonna hide bibles
• 25:06
  Speaker 4: under the floorboards.
• 25:08
  Speaker 7: Yeah, that's the part I liked. Yeah, she had a point.
• 25:11
  Speaker 7: It's like, what if your kid does want to it
• 25:14
  Speaker 7: is religious and you.
• 25:16
  Speaker 4: Can't assume what your kid is gonna want. That's kind
• 25:20
  Speaker 4: of the point of the whole. Yeah, the show. And
• 25:28
  Speaker 4: then we go back to Logan's apartment. This this is
• 25:32
  Speaker 4: the next morning.
• 25:33
  Speaker 2: So Logan is hungover and the assistant keeps calling, and
• 25:37
  Speaker 2: right the assistant keeps calling, Rory's trying to get out
• 25:40
  Speaker 2: the door to meet the New York interject to something
• 25:43
  Speaker 2: about Logan's apartment though the fire pit slash fireplace that's
• 25:50
  Speaker 2: always going like they sleep, they sleep with it on.
• 25:56
  Speaker 2: I think it's not safe, Like do you know what
• 25:58
  Speaker 2: I'm did you notice he's got a fire pit?
• 26:01
  Speaker 7: I didn't notice.
• 26:03
  Speaker 2: Everybody needs to go back and it's like always on,
• 26:06
  Speaker 2: and I'm like are they not literally burning hot and
• 26:09
  Speaker 2: also sucking out so much of the oxygen in this studio?
• 26:12
  Speaker 2: I mean, it just was so unsafe. I was like,
• 26:15
  Speaker 2: it's one of those rocks kind of fire pits, like
• 26:17
  Speaker 2: literally a fire, an open fire going.
• 26:21
  Speaker 4: Now there's like all kinds of evidence that like those
• 26:23
  Speaker 4: those gas burning stoves and fireplaces and stuff are like
• 26:25
  Speaker 4: a really bad for It's.
• 26:26
  Speaker 1: A very poor example for the young people watching the show.
• 26:29
  Speaker 7: Not yeah, it's very It seems like a fire hazard
• 26:32
  Speaker 7: if they're sleeping with that.
• 26:34
  Speaker 1: So if you're watching at home, Yeah, who has.
• 26:37
  Speaker 2: A fire pit in the middle of their studio? And
• 26:40
  Speaker 2: I know it's supposed to be like a very fancy fireplace.
• 26:42
  Speaker 2: It's like crazy people.
• 26:43
  Speaker 1: That have planes gassed up at Teterborough ready to take off.
• 26:47
  Speaker 7: He couldn't afford another wall, but he can afford.
• 26:51
  Speaker 2: I'm sorry. Just the fireplace needed to be acknowledged.
• 26:54
  Speaker 4: I do want to give a shout out. They did
• 26:56
  Speaker 4: mention dirty dancing in this scene, which of course Bishop.
• 27:00
  Speaker 7: Was in that movie.
• 27:01
  Speaker 2: Yes, that's what did they say.
• 27:04
  Speaker 4: She made a comment about having to change clothes in
• 27:06
  Speaker 4: the call like in dirty dancing, like baby does.
• 27:09
  Speaker 2: Yeah, yeah, yeah, yeah, yeah.
• 27:12
  Speaker 4: All right, So she leaves for her interview, the phone ringing,
• 27:16
  Speaker 4: blah blah blah. Then we cut to the scene with
• 27:19
  Speaker 4: Liz and TJ and Luke.
• 27:22
  Speaker 2: The Girl.
• 27:22
  Speaker 4: I liked this scene, actually, I liked I kind of
• 27:26
  Speaker 4: liked seeing Luke be uncomfortable. I like that Liz kind
• 27:31
  Speaker 4: of gave him that kick in the pants. I think
• 27:34
  Speaker 4: because Luke has always kind of held he's always kind
• 27:39
  Speaker 4: of held his dad up as a hero, which I'm
• 27:43
  Speaker 4: sure he was, but at the same time, he didn't
• 27:45
  Speaker 4: even think that maybe he wasn't happy.
• 27:48
  Speaker 2: He was just in a rus That was interesting that
• 27:50
  Speaker 2: we got sort of some backstory there. Yeah, I thought
• 27:56
  Speaker 2: Liz told that, well, she was kind, she loved him,
• 28:01
  Speaker 2: but she was saying he was very routine and that
• 28:04
  Speaker 2: Luke needs to kind of, you know, yeah, try to
• 28:07
  Speaker 2: live a little differently. And I thought, yeah, you can tell.
• 28:11
  Speaker 4: Luke had never even considered that perspective until she said it,
• 28:15
  Speaker 4: so kind of her words to heart.
• 28:18
  Speaker 2: Yeah, you can comment. I mean, I thought, I trajectory
• 28:23
  Speaker 2: in this episode is pretty kind of interesting and cool.
• 28:28
  Speaker 1: I agree.
• 28:30
  Speaker 4: Scott does not look like he agrees.
• 28:33
  Speaker 1: It's hard for me to opine. Unfortunately, on an episode
• 28:39
  Speaker 1: that I never bought into at any point. I just
• 28:43
  Speaker 1: didn't get on for the ride on this one. And
• 28:46
  Speaker 1: I was trying to. I'm standing there, I had my
• 28:49
  Speaker 1: ticket in my hand, I was ready to go, I
• 28:52
  Speaker 1: had my cotton candy, I had my coke ready ready
• 28:56
  Speaker 1: to get on, and I just the ticket TECH take this.
• 29:00
  Speaker 1: I couldn't get on. I couldn't find a way to
• 29:02
  Speaker 1: get on the ride. And that's just kind of how
• 29:04
  Speaker 1: I felt about the whole thing. So everything that came
• 29:07
  Speaker 1: out of it and came out of the screen toward me,
• 29:09
  Speaker 1: I was just oh no, oh no, oh no, And
• 29:13
  Speaker 1: I just I didn't it was I'm going to be
• 29:16
  Speaker 1: real honest with you, I just wasn't an enjoyable episode
• 29:19
  Speaker 1: for me at all at any.
• 29:20
  Speaker 2: Point, different situation and that, I see what you're saying.
• 29:24
  Speaker 2: I watched it, and I watched it a bit ago,
• 29:27
  Speaker 2: and I kind of, you know, like a few days ago.
• 29:29
  Speaker 1: But you know why, I'm sorry to interrupt, because I
• 29:31
  Speaker 1: didn't believe that. I didn't believe any of it because
• 29:34
  Speaker 1: nobody was acting like themselves. The situations were forced, the
• 29:38
  Speaker 1: dialogue was forced, and I didn't believe that this was
• 29:42
  Speaker 1: Gilmore girls. I didn't believe that this was the show.
• 29:44
  Speaker 1: I really felt that. I felt the vacuum left by
• 29:52
  Speaker 1: Amy and Dan.
• 29:54
  Speaker 2: Yeah, I mean.
• 29:56
  Speaker 1: To any of this there was. It wasn't really that clever.
• 30:00
  Speaker 1: It wasn't fast and funny, it wasn't popping for me,
• 30:04
  Speaker 1: and I just laid back and it was the longest
• 30:07
  Speaker 1: forty minutes in my life.
• 30:09
  Speaker 2: My problem was I sort of enjoyed it while I
• 30:11
  Speaker 2: was watching it, and I kept being like, Oh, I
• 30:13
  Speaker 2: wish I had my notepad because there were a few
• 30:15
  Speaker 2: little funny things I wanted to remember to talk about
• 30:18
  Speaker 2: the next day or two days later. I could not
• 30:21
  Speaker 2: remember anything from the episode. I actually was like, what
• 30:24
  Speaker 2: happened in the episode? And then I thought, oh, okay,
• 30:27
  Speaker 2: this is the one where Richard and Emily are like
• 30:29
  Speaker 2: really being mean to the staff, and Emily and Laura
• 30:33
  Speaker 2: I have that heart to heart and I'm like, nope,
• 30:35
  Speaker 2: that was I heard an episode i'd seen two weeks
• 30:39
  Speaker 2: earlier better than the one I'd seen two days ago.
• 30:43
  Speaker 2: So there there's something about it that just isn't memorable.
• 30:45
  Speaker 1: I was gonna say it's memorable, you know, you know
• 30:47
  Speaker 1: what I remembered about I just saw the episode too
• 30:50
  Speaker 1: before I came on. You know, I remember about it.
• 30:52
  Speaker 1: I remember that I looked outside. My shrubs looked pretty
• 30:55
  Speaker 1: good because I just had some new shrubs put it,
• 30:57
  Speaker 1: and I saw there was a little piece of cheese
• 30:59
  Speaker 1: in the in the media room, and I went and
• 31:01
  Speaker 1: picked it up. That's what I remember about the episode.
• 31:04
  Speaker 2: Yeah, you just don't get really and I started.
• 31:08
  Speaker 1: Opening my mail. There was a residual check from Seinfeld.
• 31:11
  Speaker 1: I opened it up, and that was the best thing
• 31:13
  Speaker 1: about the episode is getting the Seinfeld.
• 31:15
  Speaker 2: It's not a bad it's not bad. It's just not
• 31:18
  Speaker 2: anything for me. Although I enjoyed the baby shit. You know,
• 31:22
  Speaker 2: there's parts that I enjoyed, but it was for the
• 31:24
  Speaker 2: most part it's kind of yeah, I'm in ground noise
• 31:29
  Speaker 2: kind of an episode.
• 31:31
  Speaker 4: Like the individual scenes didn't seem like they really added
• 31:36
  Speaker 4: up to much. But then at the end of the episode,
• 31:38
  Speaker 4: I was like, Okay, well we made some progress on
• 31:41
  Speaker 4: the Lane and missus Kim relationship, and Luke had a
• 31:45
  Speaker 4: little bit of growth.
• 31:46
  Speaker 1: So to me, beating a dead horse. In my opinion,
• 31:50
  Speaker 1: it's like they're trying to rehash something that is well worn,
• 31:55
  Speaker 1: and if we're going to do that, can we do
• 31:57
  Speaker 1: it in a really interesting spectacu killer way that we
• 32:00
  Speaker 1: don't expect.
• 32:03
  Speaker 5: Yeah, I mean rehashing the same same.
• 32:06
  Speaker 1: Okay, so there you go, there you go.
• 32:08
  Speaker 2: You know, I guess I.
• 32:10
  Speaker 4: Didn't feel like it was rehashing it so much as
• 32:13
  Speaker 4: it was resolving it. Like I feel like we got
• 32:16
  Speaker 4: to an endpoint with them that they now both can
• 32:19
  Speaker 4: kind of see the other person's perspective.
• 32:21
  Speaker 1: I don't know, there's there's better, there's better, there's more
• 32:25
  Speaker 1: between them than going back to old tropes, you know.
• 32:29
  Speaker 2: Yeah, and even the suky stuff is boring to us
• 32:31
  Speaker 2: because it's like, okay, we've seeing this kind of you're pregnant,
• 32:34
  Speaker 2: Like I don't know exactly.
• 32:35
  Speaker 1: But I mean, let's take a poll. What did you
• 32:38
  Speaker 1: really want to see develop in this episode? And what
• 32:40
  Speaker 1: I was expecting and what we were set up for
• 32:42
  Speaker 1: is a little more heat between Luke and Laurela, and
• 32:44
  Speaker 1: we didn't really get it. Yeah, it was ignored. And
• 32:49
  Speaker 1: I thought this would be the episode because that's what
• 32:52
  Speaker 1: I was anticipating because I haven't seen any of these episodes.
• 32:55
  Speaker 1: I thought, oh, now we're set up. They really teed
• 32:58
  Speaker 1: it up now for those two to come back together
• 33:01
  Speaker 1: in some way and it was just like anything but.
• 33:04
  Speaker 11: Taking their sweet That's such a good point because when
• 33:06
  Speaker 11: I was watching it and all that stuff about you know,
• 33:10
  Speaker 11: Liz saying, oh, you gotta do things different, you know whatever,
• 33:13
  Speaker 11: you just gotta spice things up kind of I was
• 33:15
  Speaker 11: expecting Luke at the end of this episode to be
• 33:17
  Speaker 11: knocking on moralized or and being like, babe, I am
• 33:20
  Speaker 11: home and I am here, any.
• 33:24
  Speaker 1: Of that something give me something, right, except for this
• 33:27
  Speaker 1: sort of like long face at the end, like well,
• 33:30
  Speaker 1: you know, well, things change, people move on. And then
• 33:34
  Speaker 1: I mean, I don't want to feel that way.
• 33:35
  Speaker 5: Yeah, I want to this show.
• 33:38
  Speaker 1: I'm used to this show making me feel so good
• 33:41
  Speaker 1: and laugh so much and have so much hope. This
• 33:46
  Speaker 1: this was a show without hope, and I think they
• 33:48
  Speaker 1: were maybe trying to transfer that onto another narrative that
• 33:52
  Speaker 1: we've already seen uh time and time again that had
• 33:56
  Speaker 1: sort of run its course, and now they're kind of
• 33:57
  Speaker 1: rehashing it again for us for some reason. I don't know.
• 34:00
  Speaker 8: I know we talked about Sweep Sweep, and this aired
• 34:03
  Speaker 8: the end of February, that kind of a time end
• 34:05
  Speaker 8: of February where it's kind of not the big hitting episodes.
• 34:08
  Speaker 2: Depends the date, but like, if you get too far
• 34:11
  Speaker 2: into February.
• 34:12
  Speaker 8: It's February twenty seventh, two thousand and seven, it.
• 34:17
  Speaker 2: Could be the end of sweeps, or it could be
• 34:18
  Speaker 2: into March.
• 34:19
  Speaker 7: Because I was like, I wonder if it was just
• 34:20
  Speaker 7: a filler episode.
• 34:22
  Speaker 4: It feels like it.
• 34:23
  Speaker 1: Ye.
• 34:31
  Speaker 3: Hey everyone, this is Courtney Thorn Smith, Laura Layton, and
• 34:34
  Speaker 3: Daphne Zuniga on July eighth, nineteen ninety two. Apartment buildings
• 34:39
  Speaker 3: with pools were never quite the same as Melrose Place
• 34:43
  Speaker 3: was introduced to the world. It took drama and mayhem
• 34:47
  Speaker 3: to an entirely new level.
• 34:49
  Speaker 6: We are going to be reliving every hookup, every scandal,
• 34:53
  Speaker 6: every backstap, blackmail and explosion.
• 34:56
  Speaker 4: And every single wig removal together.
• 34:59
  Speaker 3: Secrets are revealed as we rewatch every moment with you.
• 35:04
  Speaker 7: Special guests from back in the day we'll be dropping by.
• 35:07
  Speaker 5: You know who they are, Sydney, Allison and.
• 35:09
  Speaker 8: Joe are back together on Still the Place with a
• 35:12
  Speaker 8: trip down memory Lane.
• 35:13
  Speaker 7: And back to Melrose Place.
• 35:16
  Speaker 8: So listen to Still the Place on the iHeartRadio app,
• 35:18
  Speaker 8: Apple Podcasts or wherever you listen to podcasts.
• 35:22
  Speaker 7: Mondays are still a bit.
• 35:26
  Speaker 4: So then we go to the coffee shop in New
• 35:29
  Speaker 4: York where Rory's waiting for the bald guy. Really not
• 35:32
  Speaker 4: much to say about that.
• 35:33
  Speaker 2: Stuff that was so boring. I wanted that to be funny,
• 35:37
  Speaker 2: and yet it wasn't. Just every bald guy. Yeah, Like
• 35:40
  Speaker 2: I don't want that to be funny, and it wasn't.
• 35:43
  Speaker 2: I feel like we didn't need to see that, Like
• 35:45
  Speaker 2: we don't need to see her waiting in a coffee shop.
• 35:47
  Speaker 2: I feel like I don't even remember this, just a
• 35:50
  Speaker 2: lot of bald guys walking by and she awkwardly kind
• 35:52
  Speaker 2: of smiles at him.
• 35:53
  Speaker 1: Now that's the time for like a Bruce Willis cameo right.
• 35:56
  Speaker 5: There ordering coffee in the background.
• 36:01
  Speaker 1: I mean, give me something that would have been awesome.
• 36:04
  Speaker 4: And then so then we go back to the Missus
• 36:06
  Speaker 4: Kim and Laurel I situation where Laurel is now negotiating
• 36:10
  Speaker 4: with missus Kim.
• 36:12
  Speaker 2: Is this the scene where the bang happens? No, I
• 36:14
  Speaker 2: think that's when they get back to Lane's. Did you
• 36:17
  Speaker 2: guys notice so basically Lauren's hair looks perfect right, except
• 36:21
  Speaker 2: in one scene. I'm going to try and show you guys,
• 36:25
  Speaker 2: she's got one strand of hair hold on like trying
• 36:30
  Speaker 2: that's basically stuck on her forehead like this, so like
• 36:36
  Speaker 2: there's like a gap. It's kind of stuck like this
• 36:40
  Speaker 2: with a gap, Like you guys have to rewatch it
• 36:43
  Speaker 2: with a gap.
• 36:44
  Speaker 5: Amy. I feel that I noticed this in every single
• 36:48
  Speaker 5: episode with Rory. Every episode.
• 36:51
  Speaker 2: It was so distracting and then you can tell they
• 36:54
  Speaker 2: kind of.
• 36:56
  Speaker 4: Brush through it, and Jackie, I hope you're getting screen
• 37:00
  Speaker 4: shots of this, so it's.
• 37:02
  Speaker 2: Like blocking my eye right so she can't see it.
• 37:07
  Speaker 2: So maybe it's better if I do it like this.
• 37:10
  Speaker 2: I don't know how to do it. Basically, That's what
• 37:14
  Speaker 2: I saw, and it was so much.
• 37:17
  Speaker 4: I'm gonna have to rewatch that. I totally didn't everybody should.
• 37:20
  Speaker 2: It was pretty good. I have those little things through
• 37:23
  Speaker 2: the whole episode, which I think is what Scott's saying
• 37:26
  Speaker 2: he's opening his mail, was like her, how much of
• 37:31
  Speaker 2: the peach is a dosing?
• 37:32
  Speaker 10: Is?
• 37:32
  Speaker 1: You know?
• 37:32
  Speaker 2: Like I was just so what is wrong with me?
• 37:35
  Speaker 2: The fireplace? I mean, I was doing it the whole episode.
• 37:39
  Speaker 2: The lettuce Suzanne, Yes, that's true.
• 37:42
  Speaker 4: I was watching Lettuce in but so this is this
• 37:48
  Speaker 4: is where I mean, I didn't have a huge problem
• 37:50
  Speaker 4: with this scene. This is where Laurel I said that
• 37:52
  Speaker 4: she didn't want what happened to her to turn Emily
• 37:55
  Speaker 4: to happen to Lane and missus Kim. So I thought
• 37:57
  Speaker 4: that was a nice moment of realization.
• 38:01
  Speaker 1: Yeah, but too bad it had to come in this
• 38:03
  Speaker 1: episode in that way, because it's really a great line,
• 38:06
  Speaker 1: and it's a great sort of.
• 38:13
  Speaker 2: Sentiment.
• 38:14
  Speaker 1: It's it's it's it's an interesting moment in Laurelized life
• 38:20
  Speaker 1: to come to that realization and have that kind of
• 38:24
  Speaker 1: wisdom to impart to somebody else, you know, based on
• 38:27
  Speaker 1: her experience with with Emily. So, but I just wish
• 38:30
  Speaker 1: you had come in a better episode, in a better situation.
• 38:33
  Speaker 4: I agree, I can understand that. So then Luke and
• 38:36
  Speaker 4: April are on the phone, and Luke, this is where
• 38:40
  Speaker 4: he's starting to manifest his desire to get out of
• 38:44
  Speaker 4: this rut that he is now realized that he's stuck
• 38:46
  Speaker 4: in because he has this plan. They're going to go
• 38:49
  Speaker 4: to Miami Beach and Disney World. Yeah, and even April
• 38:54
  Speaker 4: was like, what.
• 38:57
  Speaker 2: I get it, Dad, We're good just hanging at the
• 38:58
  Speaker 2: diner kind of telling him like, like you like to do,
• 39:02
  Speaker 2: I'm good with that. So she's sort of acknowledging how
• 39:04
  Speaker 2: he's stuck in his ways. My only problem is they
• 39:08
  Speaker 2: you two are really good in person together. The phone
• 39:13
  Speaker 2: calls are okay, but it's just I prefer the scenes
• 39:16
  Speaker 2: with you guys together. I'm kind of ready to get
• 39:18
  Speaker 2: her back to Stars Hollow. Yeah, which I know what
• 39:23
  Speaker 2: that made me think of. Is there ever, because I know,
• 39:26
  Speaker 2: Scott you sort of explained last week, like these scenes,
• 39:30
  Speaker 2: you know you're not there when they're doing these phone calls.
• 39:32
  Speaker 2: Is there ever a time when you do do the
• 39:35
  Speaker 2: other side for the person?
• 39:37
  Speaker 1: Nope?
• 39:37
  Speaker 2: No, I mean it just would be like it would
• 39:39
  Speaker 2: be like a big waste of money.
• 39:41
  Speaker 1: They usually, Yeah, it would because they usually schedule those
• 39:43
  Speaker 1: for the end of the day, you know, or if
• 39:46
  Speaker 1: they're in that location, and let's just let's just grab
• 39:49
  Speaker 1: this phone call. And you know, Vanessa's not here today,
• 39:51
  Speaker 1: but let's just grab the phone.
• 39:52
  Speaker 2: Almost like you can tell. Okay, everybody can criticize this,
• 39:56
  Speaker 2: but it's almost like you can tell she's not actually
• 39:58
  Speaker 2: talking to you, Like the chemistry is just a hint off.
• 40:03
  Speaker 1: Right, Yeah. If you can't if you can't actually hear
• 40:06
  Speaker 1: the inflections in the voice, you can't respond in a
• 40:12
  Speaker 1: real way.
• 40:13
  Speaker 2: I think that's what bummed me out about that scene,
• 40:15
  Speaker 2: because the conversation is so major. Actually she's really calling
• 40:21
  Speaker 2: him out, and you know, blah blah blah. I just
• 40:23
  Speaker 2: would have preferred it together because I think the chemistry
• 40:25
  Speaker 2: would have been better. But that's just my dumb two cents.
• 40:29
  Speaker 4: So then then the negotiation continues. Missus Kim and Laura
• 40:33
  Speaker 4: I show up at Lane's apartment. I noticed there were
• 40:36
  Speaker 4: red drapes in the apartment. I don't know if those
• 40:38
  Speaker 4: are there are some.
• 40:39
  Speaker 2: I think some of this is new for the baby.
• 40:41
  Speaker 4: Yeah, I don't remember having noticed those before, but they
• 40:44
  Speaker 4: look good. They were like a deep bread I thought
• 40:45
  Speaker 4: they were pretty. And so Laane stands up to hug
• 40:50
  Speaker 4: missus Kim and has a contraction or some sort of
• 40:53
  Speaker 4: something happens, and they rush her off to the hospital.
• 40:57
  Speaker 4: I did notice that Lauren seemed like she was a
• 41:00
  Speaker 4: flop taller than missus Klan, like the way the angle was,
• 41:05
  Speaker 4: it was like she just was like way taller than
• 41:08
  Speaker 4: both of them or something. Yeah, because she's I think
• 41:14
  Speaker 4: she is. Yeah, let's see, all right. So then we
• 41:21
  Speaker 4: then we go we're still at the apartment, but now
• 41:23
  Speaker 4: it's later because they've come back from the hospital and
• 41:28
  Speaker 4: Lane is on bed rest and she thinks that they're
• 41:29
  Speaker 4: not going to be able to have the party now.
• 41:31
  Speaker 4: And this is where they had that nice moment about
• 41:34
  Speaker 4: you know, Laane saying, moms do like she did everything
• 41:37
  Speaker 4: for me, I'm going to do everything for my kid.
• 41:39
  Speaker 4: And you can see like the way the way she
• 41:41
  Speaker 4: said it, like she kind of had that realization like, well,
• 41:43
  Speaker 4: wait a minute, she really did give up a lot
• 41:45
  Speaker 4: for me, kind of realize the sacrifices that her mom made.
• 41:50
  Speaker 4: And then I did get a laugh when she asked
• 41:53
  Speaker 4: about the party and missus Kim was like, Laurel I
• 41:56
  Speaker 4: will figure out.
• 41:56
  Speaker 7: Yea, I'm not gonna do it, Laura, I will do it.
• 41:59
  Speaker 2: And then when the bed I know we're not there.
• 42:01
  Speaker 2: But when the bed's going through town, Like what is
• 42:04
  Speaker 2: the movie that that reminds me of? Is it like bed?
• 42:07
  Speaker 2: Remember that movie bed Knobs and Broomsticks?
• 42:10
  Speaker 4: Oh yeah, yeah yeah?
• 42:11
  Speaker 2: Do they take a bed through town? Like for some reason,
• 42:13
  Speaker 2: I was like, I've seen this.
• 42:17
  Speaker 4: Monkeys and they talk.
• 42:20
  Speaker 1: It's been it's been in the movies. I've seen that.
• 42:23
  Speaker 8: Yeah, But that scene from Gilmore like It's like that
• 42:26
  Speaker 8: clip of just the still of the bed going through
• 42:28
  Speaker 8: town is pretty like famous.
• 42:31
  Speaker 7: I feel like I just didn't realize it was this episode.
• 42:34
  Speaker 2: Yeah, funny, Sorry I jumped ahead.
• 42:37
  Speaker 1: Well, I thought it was absurd. Why would you take
• 42:39
  Speaker 1: your daughter?
• 42:40
  Speaker 4: I know, doesn't literally mean you you can't get out
• 42:44
  Speaker 4: of bed?
• 42:45
  Speaker 1: I mean it was just absurd. Yeah, it was so absurd.
• 42:49
  Speaker 1: It would have been better if there were sort of
• 42:51
  Speaker 1: dancers around doing like this, like turn that's a moment
• 42:54
  Speaker 1: you turn into a musical. Because it's still freaking absurd.
• 42:58
  Speaker 1: You've got to like just go with it, right, I mean,
• 43:01
  Speaker 1: missus Kim stopping cars and no, I'll turn your lights,
• 43:05
  Speaker 1: the whole thing.
• 43:06
  Speaker 4: Yeah, it's kind of classic Stars Hollow though. I mean, yeah,
• 43:12
  Speaker 4: all we needed was Taylor out there, but it wasn't.
• 43:15
  Speaker 1: But it wasn't grounded in any kind of reality, classic
• 43:18
  Speaker 1: Stars Hollow stuff. We were very fond of the festivals
• 43:22
  Speaker 1: and the fairs and all that stuff, and it's real.
• 43:25
  Speaker 1: I just had a hard time buying into that. I mean,
• 43:28
  Speaker 1: that's somebody who's about to give birth and they're like
• 43:32
  Speaker 1: wheeling her through the streets. It's like what you're putting
• 43:36
  Speaker 1: her in close proximity with vehicles that weigh six thousand pounds. Okay,
• 43:41
  Speaker 1: I just didn't buy it. I I mean, yeah, I
• 43:44
  Speaker 1: don't know what was Zach there too, like having a
• 43:47
  Speaker 1: good old time pushing his I mean, if that's my wife,
• 43:50
  Speaker 1: I'm not letting her like get rolled down the street.
• 43:56
  Speaker 2: Miss Patterns. I'm like, oh my god.
• 43:59
  Speaker 4: And do you know a ramp was like supported with books,
• 44:01
  Speaker 4: like it was probably.
• 44:02
  Speaker 1: Like all the.
• 44:04
  Speaker 2: Books under it from what's his doozy store?
• 44:07
  Speaker 1: Should have been a steering wheel on her.
• 44:09
  Speaker 2: Put a sale, possibly, get the bed out of the apartment.
• 44:12
  Speaker 1: Right exactly it exactly that door right right, just put
• 44:17
  Speaker 1: a sale on it. And yeah, they all should have
• 44:21
  Speaker 1: had sailors hats and well and strength.
• 44:24
  Speaker 4: Because the way they were coming to like that, that
• 44:27
  Speaker 4: wasn't the direction where their apartment was, Like their apartment
• 44:30
  Speaker 4: was down the street, like they wouldn't have had to
• 44:33
  Speaker 4: really cross that intersection.
• 44:35
  Speaker 7: But anyways, the map this episode did not make sense.
• 44:38
  Speaker 1: We take the bet apart, we'll get it outside, we'll
• 44:40
  Speaker 1: get you just see. Now that's the scene. I wanted
• 44:43
  Speaker 1: to say, those scenes, I wish i'd have seen them
• 44:46
  Speaker 1: breaking the bed down.
• 44:49
  Speaker 4: Okay, so this is then we go to the part
• 44:51
  Speaker 4: where Logan tells Rory what happened with the company. So
• 44:55
  Speaker 4: we kind of already knew because we saw it at that.
• 44:58
  Speaker 7: At the end of his inner Yeah, when they came
• 45:01
  Speaker 7: home to.
• 45:01
  Speaker 2: That phone conversation that she was right.
• 45:04
  Speaker 8: I just didn't realize that was weeks ago because he
• 45:08
  Speaker 8: said that he's known for weeks, and that was like
• 45:12
  Speaker 8: two episodes ago.
• 45:13
  Speaker 4: That's weeks. Yeah, I guess technically that could that's.
• 45:17
  Speaker 1: A couple's weeks when we don't know.
• 45:23
  Speaker 4: I'm trying to like look back here at my old things.
• 45:26
  Speaker 4: I think it was. Yeah, maybe it was weeks.
• 45:28
  Speaker 1: I don't know. Oh, look the neighbors going down the street.
• 45:31
  Speaker 1: Here in her bed. It happens all the time.
• 45:38
  Speaker 4: And then Rory was her usual kind of like, oh,
• 45:42
  Speaker 4: I can help, and it's like, how would you help,
• 45:45
  Speaker 4: Like you can't.
• 45:45
  Speaker 2: Help Pollyanna about it? Yeah, she was right, like she.
• 45:50
  Speaker 4: Kind of tends to try to get involved in things
• 45:52
  Speaker 4: and she wasn't going to be able to help. But
• 45:56
  Speaker 4: and then this is the whole Vegas conversation. You know,
• 45:58
  Speaker 4: he needs a break and okay, whatever, I would have
• 46:02
  Speaker 4: been more annoys.
• 46:02
  Speaker 7: He lost all his money, so let's go to Vegas.
• 46:06
  Speaker 4: Right exactly this episode, he did kind of come off
• 46:10
  Speaker 4: as like the spoiled rich kid in.
• 46:13
  Speaker 1: This I mean he made it.
• 46:14
  Speaker 8: He made it sound like him and his dad and
• 46:17
  Speaker 8: everyone involved are completely broke.
• 46:19
  Speaker 7: And then he's like, well, we're going to Vegas.
• 46:21
  Speaker 1: Everything, we get the private jet, We're gone. I need
• 46:26
  Speaker 1: a break, Roy, can't you understand it's about me? It's
• 46:29
  Speaker 1: about me?
• 46:31
  Speaker 4: And then then comes the scene where Luke and Kirk
• 46:35
  Speaker 4: and the boat. He sells it for the wopping sum
• 46:40
  Speaker 4: of six hundred dollars.
• 46:43
  Speaker 8: And the hat including the trailer that included the trailer, right,
• 46:47
  Speaker 8: oh yeah, there he goes.
• 46:49
  Speaker 1: Luke's a career as an appraiser.
• 46:52
  Speaker 2: The ss Lurk was a deal. He basically like got
• 46:55
  Speaker 2: that for one dollar, Like it was so crazy and
• 46:58
  Speaker 2: I was just so shocked by that that I couldn't come.
• 47:02
  Speaker 4: Then Rory shows up at Miss Patty's and wants to
• 47:05
  Speaker 4: know why.
• 47:05
  Speaker 1: Wait a minute, So, so Kirk's line sucker at the
• 47:08
  Speaker 1: end was was actually accurate. Yeah, there's no irony to
• 47:14
  Speaker 1: itad on.
• 47:19
  Speaker 4: True, it's happening.
• 47:21
  Speaker 2: When he said six hundred dollars ago, that's like what
• 47:24
  Speaker 2: you would pay for. I literally bought an inner to
• 47:28
  Speaker 2: and cost three hundred dollars.
• 47:33
  Speaker 1: And that didn't have a motor on its at I.
• 47:35
  Speaker 2: Was like, I mean the trailer a fun Boy floaty
• 47:41
  Speaker 2: raft caused like fun Boy is expense the barbie the
• 47:45
  Speaker 2: barbie the car is what like three hundred dollars.
• 47:49
  Speaker 8: Yeah.
• 47:49
  Speaker 7: I looked into it and I was like, it's a
• 47:50
  Speaker 7: blow up.
• 47:51
  Speaker 2: My brother bought it. It's a blow up.
• 47:54
  Speaker 1: Avoid episodes that have beds and birds, boats in the street,
• 47:58
  Speaker 1: ed birds and birds so unrealistic.
• 48:01
  Speaker 4: Anyway, Sorry, Okay, So Rory comes into his patties and
• 48:16
  Speaker 4: Laurela has to explain why they moved the baby shower,
• 48:19
  Speaker 4: and then that's then they all go to get the
• 48:22
  Speaker 4: bed and rolling around the city and all that monkey's reference.
• 48:27
  Speaker 4: I had to of course note that.
• 48:28
  Speaker 2: Because yeah, that was funny.
• 48:32
  Speaker 4: And then so then we get to the actual shower
• 48:35
  Speaker 4: and I liked the sign that called it a baby's shower.
• 48:38
  Speaker 2: I thought that was I was in the house that
• 48:40
  Speaker 2: Tara called that out earlier. Wait, not the boys. It
• 48:45
  Speaker 2: also said a baby's shower.
• 48:47
  Speaker 4: Yeah, there was a sign out front that said welcome
• 48:49
  Speaker 4: to the baby's shower.
• 48:51
  Speaker 2: So that's funny because it's the same as the like
• 48:53
  Speaker 2: it's a boy boys, Yeah, that's so clever.
• 48:57
  Speaker 8: The one thing that bothered me about this scene is
• 49:00
  Speaker 8: Rory has the worst speeches, Like they're always so cringey. Yeah,
• 49:04
  Speaker 8: like between the wedding, yeah true, between the wedding and this,
• 49:09
  Speaker 8: I was like, I.
• 49:09
  Speaker 7: Don't want to hear her speak.
• 49:12
  Speaker 4: For someone who's supposed to have this great command of
• 49:14
  Speaker 4: the English language because she's a writer or whatever, she's
• 49:17
  Speaker 4: not really a good poem.
• 49:18
  Speaker 7: Like her Victorian's speech was good.
• 49:20
  Speaker 4: Oh yeah, that's true, but then after that it went Yeah.
• 49:25
  Speaker 4: So I kind of liked the baby shower because I
• 49:27
  Speaker 4: liked all the people.
• 49:29
  Speaker 2: All the people and the art on the onesies is amazing.
• 49:34
  Speaker 2: It actually looked like a pretty good time randoms. Bunch
• 49:39
  Speaker 2: of randoms in there we've never seen before, like a
• 49:42
  Speaker 2: bunch of guessed at this.
• 49:43
  Speaker 4: Shower that I'm like, are all these people and they
• 49:46
  Speaker 4: had that creepy face morphing thing with the babies, like
• 49:51
  Speaker 4: like kind of big at the years and glasses and
• 49:55
  Speaker 4: creep But the rest of it I thought was cute.
• 49:58
  Speaker 4: And then catches Rory up on the fight and how
• 50:01
  Speaker 4: Laurel I fixed everything, and then that's when Lane says,
• 50:05
  Speaker 4: you know, my kids are gonna need a laurel I
• 50:07
  Speaker 4: Gilmore like I had, and she asked Rory to do that.
• 50:10
  Speaker 4: I'm thinking, Rory can never be Laura I. I'm sorry, true,
• 50:18
  Speaker 4: and then they're John Adams doorknob.
• 50:21
  Speaker 1: As if the scenes themselves weren't bad enough, we had
• 50:23
  Speaker 1: to relive them through dialogue later.
• 50:29
  Speaker 4: Yeah, we had to recap everything.
• 50:30
  Speaker 1: Because Rory was I'm going to get some emails.
• 50:36
  Speaker 4: Okay, and then Kirk is in his snazzy jacket and
• 50:39
  Speaker 4: his captain's hat, and that's when we hear the name S. S. Lurk.
• 50:47
  Speaker 4: And then then there's they go outside and Rory's talking
• 50:51
  Speaker 4: about the rest and Fellowship. We find out there's only
• 50:53
  Speaker 4: four people in the country that are going to get
• 50:55
  Speaker 4: accepted to this.
• 50:56
  Speaker 10: So.
• 50:58
  Speaker 4: That's an important point. And then to your point, Scott,
• 51:03
  Speaker 4: now Rory's retelling the story about Logan to Laura Lai
• 51:08
  Speaker 4: and how they're all flying off to Vegas. But then, okay,
• 51:13
  Speaker 4: so this part was good. When Luke showed up and
• 51:15
  Speaker 4: he was talking to Laurali and he was telling her
• 51:17
  Speaker 4: about the boat and he says things change. Yeah, that
• 51:22
  Speaker 4: was very significant and then they had a moment like
• 51:27
  Speaker 4: they had a look for just a split second, and
• 51:29
  Speaker 4: then they go back inside and then this is where
• 51:33
  Speaker 4: they're singing the song, like everybody's gathered around singing the song,
• 51:36
  Speaker 4: and this is where we have our celebrity guest spot
• 51:42
  Speaker 4: in the background.
• 51:43
  Speaker 2: So I had to have my.
• 51:45
  Speaker 4: Husband help me with this one because I didn't know
• 51:47
  Speaker 4: what this guy looked like. But at the January podcast event,
• 51:52
  Speaker 4: like our live event that we had, and Sebastian was
• 51:54
  Speaker 4: talking about how Geddy Lee from Rush was in one
• 51:59
  Speaker 4: of the scenes, and this was the scene. So those
• 52:03
  Speaker 4: of you that are Rush fans and know what Geddy
• 52:05
  Speaker 4: Lee looks like. I didn't know.
• 52:06
  Speaker 2: My husband had a shot or was a huge fan.
• 52:09
  Speaker 2: That's how that's right, That's right, Yeah, so that's why
• 52:13
  Speaker 2: he was there.
• 52:14
  Speaker 4: So I don't know if his daughter was in the
• 52:15
  Speaker 4: scene too. But if you look at the back where
• 52:17
  Speaker 4: it's it's showing everyone, and he's in the back, like
• 52:21
  Speaker 4: to the left, there's a big white tree and he's
• 52:23
  Speaker 4: just to the right of the tree behind Sally Struthers,
• 52:26
  Speaker 4: So if you want to look for him, there he is.
• 52:31
  Speaker 4: And then that was it. We end with a little story,
• 52:33
  Speaker 4: I'd look on lorelized face, and then we went to
• 52:37
  Speaker 4: the credits.
• 52:38
  Speaker 1: I thought the credits were really good. They rolled by
• 52:42
  Speaker 1: at a nice pace. I thought there was lots of
• 52:45
  Speaker 1: tension because they kept wanting to get to the next credit,
• 52:47
  Speaker 1: but they just they kept, you know, spoon feeding me,
• 52:51
  Speaker 1: little spoonfed.
• 52:54
  Speaker 2: It's fine. It just wasn't memorable. It's like I keep
• 52:56
  Speaker 2: forgetting it even now. I'm like, that's in this episode.
• 53:00
  Speaker 1: All right, I'll tell you what we'll do. Let's uh,
• 53:03
  Speaker 1: let's stick a fork in this turkey and what kind
• 53:09
  Speaker 1: of rating, Tara are you going to give us? And
• 53:13
  Speaker 1: what is your measuring stick?
• 53:16
  Speaker 7: I feel like talking it out.
• 53:18
  Speaker 8: I liked it less, and then I was like, I
• 53:22
  Speaker 8: guess it wasn't that agree. I'm going to give it
• 53:28
  Speaker 8: five Captain's hats, five Danielle.
• 53:35
  Speaker 5: I was gonna say five point two five ride shrimps.
• 53:40
  Speaker 2: Weirds, And I'm giving it way more than you guys,
• 53:42
  Speaker 2: And I feel like I liked it less.
• 53:43
  Speaker 1: I haven't called on you yet.
• 53:44
  Speaker 2: Sorry, Sorry, I I thought it.
• 53:49
  Speaker 4: Was better than a five. I'm gonna say six and
• 53:52
  Speaker 4: a half beds rolling through the.
• 53:54
  Speaker 2: Street, six and a half indoor fire, pits. That logan's
• 54:01
  Speaker 2: very unsafe and.
• 54:03
  Speaker 1: Let us I'm gonna go. I mean this, for me,
• 54:10
  Speaker 1: this is like a sub to oh wow, this is
• 54:13
  Speaker 1: one of your worst ever. I just yeah, I just
• 54:16
  Speaker 1: thought this.
• 54:16
  Speaker 2: Was waste of that sandwich too. I could just hear
• 54:20
  Speaker 2: my one of my nieces just get so.
• 54:21
  Speaker 7: You didn't even.
• 54:24
  Speaker 1: Of this entire If we don't eat the sandwich never
• 54:29
  Speaker 1: got made, yea, and it got tossed. I'm going to
• 54:34
  Speaker 1: give it one uh unmade sandwiches that got thrown away.
• 54:42
  Speaker 1: That's what I'm going to give it.
• 54:45
  Speaker 2: Somewhere in Suzanne's words, the sandwich was the true victim,
• 54:48
  Speaker 2: and I must.
• 54:52
  Speaker 1: All right. That's going to wrap it up. Kids. Uh sorry,
• 54:55
  Speaker 1: it wasn't a better episode. It wasn't our fault. Uh,
• 54:59
  Speaker 1: although it was probably partially my fault because I was
• 55:01
  Speaker 1: in it. You can play me somewhat.
• 55:07
  Speaker 7: We got some good boat talk out of it.
• 55:10
  Speaker 2: Yeah, the phone scene wasn't your strongest, but that's not
• 55:12
  Speaker 2: totally your fault too.
• 55:14
  Speaker 1: I don't know, I don't know you're gonna take it.
• 55:17
  Speaker 1: And if I'm gonna take some credit, I got to
• 55:18
  Speaker 1: take the heat too.
• 55:19
  Speaker 2: So still Campbell, I'm still not admitting what was in
• 55:21
  Speaker 2: my dream. Those that want to know, if you pressure me,
• 55:24
  Speaker 2: I might tell next week.
• 55:26
  Speaker 1: We're going to do a whole episode about it next week,
• 55:28
  Speaker 1: aren't we.
• 55:28
  Speaker 2: I know, I know dream talk is really boring. Everybody
• 55:32
  Speaker 2: was like, I want to have this dream Expert on
• 55:34
  Speaker 2: and I'm like, no, no one ever wants to hear
• 55:37
  Speaker 2: about someone else's dream. And then I did it.
• 55:39
  Speaker 7: But so the dream Expert next week.
• 55:46
  Speaker 2: Next week, tune in for I Am All dream Talk.
• 55:50
  Speaker 1: Thank you, ladies, much appreciated, and thanks for tolerating me
• 55:53
  Speaker 1: all through this experience, this episode, and that's going to
• 56:00
  Speaker 1: wrap it up. Listen, guys, thanks for all of your comments,
• 56:04
  Speaker 1: Thanks for being patient with us. We were on hiatus,
• 56:07
  Speaker 1: but we really needed a break and I think we're
• 56:09
  Speaker 1: really gonna need a break after watching this, so in
• 56:13
  Speaker 1: a couple of years, wait till the next one. All right, kids,
• 56:18
  Speaker 1: all the best. Thanks a lot for the cards and letters.
• 56:22
  Speaker 1: We love them, keep them coming. We read everything. Thank you, ladies, Danielle, Suzanne,
• 56:28
  Speaker 1: Tara Amy. We will see you next time. And remember
• 56:31
  Speaker 1: we and I am all In stay safe. Everybody'll forget
• 57:03
  Speaker 1: Follow us on Instagram at I Am All In podcast
• 57:07
  Speaker 1: and email us at Gilmore at iHeartRadio dot com