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MC LON - Podpah _1076 · Luke's English Podcast

• 0:12
  Speaker 1: But what's going on with your hair?
• 0:13
  Speaker 2: It has a different movement, it's more fragrant, it's beautiful.
• 0:16
  Speaker 1: It's shiny.
• 0:16
  Speaker 2: I'm using an anti-dandruff oximen.
• 0:19
  Speaker 1: Really?
• 0:20
  Speaker 3: 100% effective against dandruff, refreshing, leaves the scalp clean, you know?
• 0:24
  Speaker 4: Really?
• 0:24
  Speaker 3: I can't even talk about all the benefits.
• 0:27
  Speaker 1: There are many benefits, brother. There are many benefits.
• 0:30
  Speaker 5: There are many benefits. There are many benefits. And high performance.
• 0:37
  Speaker 1: Delicious, right? SuperBet, you feel when it's super. Watch it
• 1:01
  Speaker 1: pop Watch it pop Watch it pop.
• 1:04
  Speaker 6: Watch it pop Watch it pop.
• 1:15
  Speaker 3: Welcome to another Podpah, the last of the week, unfortunately,
• 1:18
  Speaker 3: but to close the key with the golden.
• 1:20
  Speaker 1: Key, right, Engão? Let's go! I'm very happy, excited.
• 1:23
  Speaker 3: Come here, funk, this complete funk is like Tarzan de Osasco.
• 1:27
  Speaker 1: I'm already turning on the engines.
• 1:29
  Speaker 3: How many times have you put MC Long for us
• 1:33
  Speaker 3: to hear and tell stories and everything else? So stay there, welcome,
• 1:37
  Speaker 3: leave your like, subscribe to the channel. This episode is
• 1:40
  Speaker 3: just for those who have.
• 1:42
  Speaker 2: A guitar phone, share the headphones with a friend at school.
• 1:44
  Speaker 1: You know, the white headphones?
• 1:45
  Speaker 2: You were in pairs and each one put one on
• 1:47
  Speaker 2: the ear like this. And it was funny because sometimes
• 1:49
  Speaker 2: you could hear it so.
• 1:50
  Speaker 1: Loud that the headphones would burst. No, you could hear
• 1:52
  Speaker 1: it from the outside.
• 1:53
  Speaker 2: Before we introduce our wonderful guest, who is already here
• 1:55
  Speaker 2: with us, I need to talk about the sponsor of
• 1:57
  Speaker 2: this wonderful podcast, Mítico Jovem.
• 2:03
  Speaker 1: Man, you get smelly and sometimes....
• 2:25
  Speaker 3: If you don't put the perfume with the smell that's
• 2:27
  Speaker 3: on your hair, you get smelly, bro.
• 2:28
  Speaker 1: You get stung, for real.
• 2:30
  Speaker 2: Look at the hair of the magician.
• 2:31
  Speaker 1: Brilliant, smelly.
• 2:32
  Speaker 7: He uses what?
• 2:33
  Speaker 1: Ox Antiqueda.
• 2:35
  Speaker 2: That reduces the fall by up to four times. Point
• 2:37
  Speaker 2: to the camera, QR... Point the cell phone to the
• 2:40
  Speaker 2: QR code that's on the screen, okay?
• 2:42
  Speaker 1: And get to know the whole Ox line. We're together, Ox. Soon, news.
• 2:45
  Speaker 2: That's what I was going to say.
• 2:46
  Speaker 7: There's going to be news with Ox. What do you
• 2:48
  Speaker 7: think it could be? A partnership, something... For us to
• 2:54
  Speaker 7: take care.
• 2:54
  Speaker 1: Of your hair. We'll be close to your house again.
• 2:56
  Speaker 1: It's true.
• 2:56
  Speaker 2: Receive with great affection, Médico Jovem. Make a lot of noise,
• 3:00
  Speaker 2: knock down this studio, clap your hands for our guest today.
• 3:04
  Speaker 2: I can't believe this day has come. MC Lon in Podpá,
• 3:06
  Speaker 2: clap your hands!
• 3:07
  Speaker 1: What the hell? I'm happy. Let's go! Let's go, man!
• 3:17
  Speaker 2: I like this energy. How are you, Lonzeira?
• 3:19
  Speaker 1: I'm very grateful to be able to participate in Podpá. Right, Igão, right, Mítico.
• 3:24
  Speaker 1: I'm a super fan of yours, I've been following the
• 3:26
  Speaker 1: program since the beginning, right? I think I should have
• 3:30
  Speaker 1: come a few times, but because my dates didn't match,
• 3:33
  Speaker 1: I ended up waiting for the best moment to come,
• 3:36
  Speaker 1: and this best moment has arrived, it's today. I want
• 3:39
  Speaker 1: to thank God first, my family, you guys for the
• 3:42
  Speaker 1: opportunity to be here, Podpah, and that's it, let's review,
• 3:45
  Speaker 1: talk about funk, talk about the beginning, the beginning, and
• 3:48
  Speaker 1: the continuation of MC Long.
• 3:49
  Speaker 2: Damn, Long, it's a pleasure, it's.
• 3:50
  Speaker 7: A pleasure to have you here.
• 3:52
  Speaker 1: All in God's time.
• 3:53
  Speaker 2: That's what I was going to say, I believe that
• 3:54
  Speaker 2: it always happens at the best moment, you know? I'm
• 3:57
  Speaker 2: very happy, really, I've been your fan for a long time.
• 4:02
  Speaker 2: and bro start from the beginning brother I want to
• 4:05
  Speaker 2: be the affection you're crazy I'm going to say this
• 4:07
  Speaker 2: forever because it's a reality bro I don't I don't
• 4:10
  Speaker 2: know how to say it I don't receive the guys
• 4:13
  Speaker 2: very well that I know I'm a fan of a
• 4:14
  Speaker 2: person but when the person is trying to pay a fine,
• 4:18
  Speaker 2: you know, they don't come to the person, I'm your fan, bro,
• 4:22
  Speaker 2: I like it, I like it, I don't have a problem, exactly,
• 4:23
  Speaker 2: it was a lot of my life, it's done until today,
• 4:29
  Speaker 2: How did you get to Vila do Sapo? Because I
• 4:31
  Speaker 2: know you're not from there, from Praia Grande. Let's start
• 4:34
  Speaker 2: from the beginning. How did your life start, my brother?
• 4:40
  Speaker 1: Ah, my life was a life like many boys, right?
• 4:43
  Speaker 1: Battler and sufferer, right? Through my family, my father and
• 4:48
  Speaker 1: my mother, who nowadays find themselves in the bed, due
• 4:51
  Speaker 1: to age, due to the consequences of life, right? We
• 4:55
  Speaker 1: left from the Northeast. I was only 11 months old.
• 4:59
  Speaker 7: Where in the Northeast, man?
• 5:01
  Speaker 1: We were from a city in the interior of Pernambuco
• 5:04
  Speaker 1: called Brejo da Madre de Deus.
• 5:05
  Speaker 2: Brejo da Madre de Deus.
• 5:06
  Speaker 1: That's where I was born. My father is from Santa
• 5:09
  Speaker 1: Cruz and my mother is from Brejo. Right, then my
• 5:12
  Speaker 1: father and mother met each other, they worked as bus
• 5:15
  Speaker 1: drivers on the beach, you know? Then they left Pernambuco
• 5:19
  Speaker 1: to come to Santos, to sell peanuts, to sell raspadinha,
• 5:24
  Speaker 1: to sell utensils.
• 5:25
  Speaker 2: To work.
• 5:26
  Speaker 1: And at that time, the Praia Grande was being discovered.
• 5:30
  Speaker 1: 30 years ago, because Praia Grande is only 50 years old.
• 5:34
  Speaker 2: I see, so it was something very new there.
• 5:37
  Speaker 1: Very new, so there were a lot of tourists there,
• 5:39
  Speaker 1: through those desert beaches, and my father and my mother
• 5:42
  Speaker 1: would come, set up their little tent, sell it on
• 5:44
  Speaker 1: the street, and also sell it on the little tent
• 5:46
  Speaker 1: that they set up. That's the story they told me.
• 5:49
  Speaker 1: I have three older brothers than me who helped my
• 5:52
  Speaker 1: father and my mother. And then, between in and out,
• 5:55
  Speaker 1: there was one who was born in Santos. My mother
• 5:57
  Speaker 1: was pregnant in Santos and was born there in the north.
• 6:00
  Speaker 1: There were some who were pregnant there in the north
• 6:02
  Speaker 1: and were born in.
• 6:02
  Speaker 7: Santos, you know?
• 6:03
  Speaker 1: That's because of my brother, my sister too. But I didn't.
• 6:07
  Speaker 1: I was born there in the north. I was born
• 6:09
  Speaker 1: there in the north and when I was 11 months old,
• 6:11
  Speaker 1: they came to the beach. And then.
• 6:13
  Speaker 2: Born and raised there.
• 6:14
  Speaker 1: It was the time they came and didn't come back anymore.
• 6:16
  Speaker 1: Because the beach was a mess, they opened a kiosk
• 6:20
  Speaker 1: and stuff.
• 6:20
  Speaker 7: You were the last son, the youngest.
• 6:22
  Speaker 1: No, no. Then there were two more who were born
• 6:24
  Speaker 1: in Santos, which are Alan and Aline. Most of my
• 6:27
  Speaker 1: brothers start with A, my family starts with A.
• 6:29
  Speaker 7: So how many are they?
• 6:31
  Speaker 1: Six brothers. Six brothers. There's one of my mother, who
• 6:33
  Speaker 1: is already the first son. When she met my father,
• 6:35
  Speaker 1: she already had this son, which is Marcos. Right. Which
• 6:38
  Speaker 1: is my oldest brother, who is already 50 years old.
• 6:39
  Speaker 8: Damn.
• 6:40
  Speaker 1: There's one... There's Adriana, who's the second one, there's Alessandro,
• 6:45
  Speaker 1: there's Iron, who's me, then there's Alan and there's Aline.
• 6:48
  Speaker 1: What a key, brother!
• 6:49
  Speaker 2: So it's a very... It's just Marques who's not, who
• 6:52
  Speaker 2: comes first, right?
• 6:52
  Speaker 1: It came from another father, in this case.
• 6:54
  Speaker 2: Brother, and you've been living in Vila do Sapo since
• 6:57
  Speaker 2: the beginning? How is it that your family is structuring
• 7:00
  Speaker 2: themselves there, buying a little house?
• 7:02
  Speaker 1: Yes, it was a little house. We came, we... My
• 7:06
  Speaker 1: mom says we used to live here and I wanted
• 7:08
  Speaker 1: to rent this house for 3 months so I could
• 7:10
  Speaker 1: spend the summer working at the beach. With the money
• 7:12
  Speaker 1: from the beach, I pay the rent here in this
• 7:15
  Speaker 1: little tent. I stay here with my kids and when
• 7:17
  Speaker 1: the season is over, I go back to the north again.
• 7:20
  Speaker 1: With a little money there, because here in São Paulo
• 7:23
  Speaker 1: I earned a lot more money. than in the beaches there,
• 7:25
  Speaker 1: because the beaches there until today, you go there, like,
• 7:28
  Speaker 1: you eat a shrimp, it's R $ 10, R $
• 7:29
  Speaker 1: 20 until today, right, bro? Here... Here it's a little more... Salty.
• 7:33
  Speaker 1: It's more salty, so they came here, brought the cheap
• 7:35
  Speaker 1: goods from the north, here they sold a little more
• 7:37
  Speaker 1: expensive and managed to make a profit. And then my
• 7:41
  Speaker 1: father and my mother came to Baixada Santista, right? They
• 7:44
  Speaker 1: were able to capitalize on themselves. They came back to
• 7:47
  Speaker 1: the north after three months with a lot of money.
• 7:50
  Speaker 1: They could buy a house. They could buy a car
• 7:52
  Speaker 1: for them to drive.
• 7:53
  Speaker 2: And they didn't think about staying there? What was it
• 7:55
  Speaker 2: that your mother said? No, São Paulo.
• 7:57
  Speaker 1: Yes, I think it was the way of work. Making
• 7:59
  Speaker 1: money here. Making money and such. So much so that
• 8:04
  Speaker 1: they managed to buy a few houses there, you know? Like,
• 8:06
  Speaker 1: they bought a house, put it in my name, which
• 8:08
  Speaker 1: was sold 20 years ago. I remember that I was
• 8:11
  Speaker 1: about 15 years old. My mom had to sell it
• 8:14
  Speaker 1: to help my dad.
• 8:15
  Speaker 2: But your parents were visionaries, right?
• 8:16
  Speaker 7: So they managed to make some money here.
• 8:18
  Speaker 1: No, they did. But then came the bad part of
• 8:21
  Speaker 1: the story. My dad got involved with drinks, you know?
• 8:24
  Speaker 1: And started to burn everything in copper, you know? Like
• 8:27
  Speaker 1: a change of cachaça, you know? My mom said that
• 8:28
  Speaker 1: the trade that we managed to viralize there on the beach,
• 8:33
  Speaker 1: when everyone came from the north to here, my dad
• 8:35
  Speaker 1: ended up... Drinking a lot, drinking a lot, my mother
• 8:40
  Speaker 1: said she earned a lot of money. There was a
• 8:42
  Speaker 1: client who was at the beach and saw her eating
• 8:44
  Speaker 1: and said, no, if you ate, I'll pay. I don't
• 8:46
  Speaker 1: want you to spend anything. My mother is very kind,
• 8:49
  Speaker 1: my father is also very dear.
• 8:50
  Speaker 2: Ah, the owner of the store is still there?
• 8:51
  Speaker 1: So, like this, the lunch that my mother ate there,
• 8:54
  Speaker 1: the gringo clients paid. They said, no, you won't pay
• 8:55
  Speaker 1: your own lunch, I'm the one who will pay you,
• 8:57
  Speaker 1: I'll give you so much more, you can eat at will.
• 8:59
  Speaker 7: And you, when you were a little boy, you kept
• 9:01
  Speaker 7: following these.
• 9:03
  Speaker 7: These lives and lives.
• 9:04
  Speaker 1: They at work... Like I told you, when I was born,
• 9:07
  Speaker 1: I came to... They stayed.
• 9:08
  Speaker 2: I stayed until.
• 9:09
  Speaker 1: 11 months, then from the 11 months they traveled here,
• 9:12
  Speaker 1: I didn't see these lives and lives. I only went
• 9:14
  Speaker 1: back to the north after I became famous to sing,
• 9:17
  Speaker 1: you know? It was my three older brothers who suffered
• 9:22
  Speaker 1: these lives and lives, you know? So much so that
• 9:23
  Speaker 1: I have an older brother than me. Que é o Alessandro,
• 9:27
  Speaker 1: que ele nasceu em Santos, tá ligado? E eu sou
• 9:29
  Speaker 1: o mais novo, nasci lá no Norte. No Norte, sim. Entendeu? Entendi. Cara,
• 9:33
  Speaker 1: que louco.
• 9:33
  Speaker 2: Quando é que você percebe que... Porque, pô, acompanhando suas
• 9:37
  Speaker 2: músicas desde sempre, pelo menos o que você cantou, uma
• 9:40
  Speaker 2: das suas primeiras profissões foi ser barbeiro.
• 9:42
  Speaker 1: Sim, sim.
• 9:42
  Speaker 2: Como é que você aprendeu a ser barbeiro? Com que idade?
• 9:44
  Speaker 2: Como é que foi que essa oportunidade apareceu ali pra
• 9:46
  Speaker 2: você ajudar dentro de casa, tá ligado?
• 9:48
  Speaker 1: Não, foi depois que, tipo... When I was 10 years old,
• 9:51
  Speaker 1: my father was a great professional. He left the beach,
• 9:57
  Speaker 1: when I was very young, I still don't remember when
• 10:00
  Speaker 1: my mother and my father worked at the beach. I
• 10:01
  Speaker 1: only remember when I was a boy, 9, 10 years old.
• 10:06
  Speaker 1: My father worked as a construction master, you know, a bricklayer,
• 10:09
  Speaker 1: you know, building stuff. And he was very good, bro.
• 10:12
  Speaker 1: He was very good, bro. Capricious. Man, think of a
• 10:14
  Speaker 1: guy who didn't know how to read or write, but
• 10:17
  Speaker 1: he made a house plant, drew, knew the footage, everything right.
• 10:20
  Speaker 1: He was one of the best bricklayers in Vila do Sapo, bro.
• 10:23
  Speaker 1: Everyone hired him, he made the model of the houses,
• 10:25
  Speaker 1: gave it to the guy and said, your house will
• 10:27
  Speaker 1: look like this. And he would go there and make
• 10:30
  Speaker 1: the house like the model, bro. He was a fucking king,
• 10:32
  Speaker 1: you know? But the cachaça... He worked, bro. He earned
• 10:36
  Speaker 1: like 5, 6, 10 thousand reais a week. Or a month, sometimes.
• 10:38
  Speaker 1: And he spent everything from Saturday to Sunday. On Monday
• 10:42
  Speaker 1: we didn't even have time to have coffee sometimes, bro.
• 10:45
  Speaker 1: For God's sake, you know? It was in this difficulty
• 10:47
  Speaker 1: that my will and my voracity to be able to
• 10:50
  Speaker 1: work and help my mom came in. Then I started
• 10:52
  Speaker 1: to take care of the car very early, when I
• 10:54
  Speaker 1: was 10, 12 years old.
• 10:56
  Speaker 7: How was that experience, man?
• 10:57
  Speaker 3: Ten years old, usually we are very young to have
• 10:59
  Speaker 3: an attitude like that, right?
• 11:01
  Speaker 1: Yes, man. I saw that there were other friends of
• 11:03
  Speaker 1: mine who suffered. In the community there is a lot
• 11:06
  Speaker 1: of suffering, right, man? I saw my friends there leaving, like,
• 11:10
  Speaker 1: we lived on Rua das Casinhas, those songs where we recorded,
• 11:13
  Speaker 1: where I took Guimeio, Rodolfinho, the guys to meet there
• 11:15
  Speaker 1: and everything. We used to leave Rua das Casinhas, turn left,
• 11:18
  Speaker 1: there's a supermarket there, even today, called Supermercado Crio. You know? So,
• 11:22
  Speaker 1: in that supermarket there are those bike accesses and there's
• 11:25
  Speaker 1: a car parking lot. Right. Then I said, bro, I'm
• 11:27
  Speaker 1: going to stay there because I'm going to take care
• 11:29
  Speaker 1: of the cars and take care of the bicycles. And
• 11:30
  Speaker 1: earn some money. I'm going to try to earn some
• 11:32
  Speaker 1: money to be able to have at least a decent coffee,
• 11:34
  Speaker 1: you know, bro? And help my mom. Because, like, my dad.
• 11:36
  Speaker 2: Your situation was.
• 11:38
  Speaker 1: No, the situation was... There was a day when we
• 11:40
  Speaker 1: had rice and beans, but there was no meat. There
• 11:42
  Speaker 1: was a day when we had meat, but there was
• 11:43
  Speaker 1: no rice and beans. You know, bro? I had a
• 11:45
  Speaker 1: lot of coffee in the morning with flour and sugar, bro.
• 11:47
  Speaker 1: You know, bro? You know, bro? No, no, flour with sugar,
• 11:52
  Speaker 1: I would take a glass, like those glass bars, you know? Yes,
• 11:54
  Speaker 1: to fill your stomach. Then I would throw flour, cassava flour,
• 11:56
  Speaker 1: you know? And I would put sugar, stir it there,
• 11:58
  Speaker 1: and eat it, man. This stuff, even to swallow it
• 12:00
  Speaker 1: was difficult, you know, man? But I didn't have what
• 12:03
  Speaker 1: to eat, it was a necessity, you know? Due to
• 12:05
  Speaker 1: my father being a very smart guy to generate, but
• 12:07
  Speaker 1: he didn't know how to generate and he didn't know
• 12:09
  Speaker 1: how to spend with his children, nor with his wife
• 12:11
  Speaker 1: and everything.
• 12:13
  Speaker 8: You know?
• 12:14
  Speaker 1: With my mom, so we ended up going through a
• 12:15
  Speaker 1: lot of need. But at that time, did you have
• 12:17
  Speaker 1: a revolt?
• 12:17
  Speaker 7: Or was it like, did you know what was in
• 12:20
  Speaker 7: your head?
• 12:21
  Speaker 1: Man, I was never a rebellious boy, man. I always
• 12:22
  Speaker 1: knew that it was possible to change my situation. So
• 12:26
  Speaker 1: much so that my older brothers, you know, man, I
• 12:28
  Speaker 1: always told them, man, I'm going to stay, I'm going
• 12:30
  Speaker 1: to stay well and I'm going to help, I'm going
• 12:32
  Speaker 1: to help my mom, I'm going to help my mom.
• 12:34
  Speaker 1: I'll help you. We'll get out of this situation, bro.
• 12:36
  Speaker 2: So from there you were the most dreamer of all?
• 12:37
  Speaker 1: Yes, I always was. So much so that I have
• 12:39
  Speaker 1: a younger brother than me, that I made the songs
• 12:42
  Speaker 1: and he would say, shut up, these old songs, you
• 12:43
  Speaker 1: know how to say a word in the songs, bro?
• 12:45
  Speaker 1: This song there won't explode, this one there won't give
• 12:47
  Speaker 1: you any real. And Paul would say, no, I'm going
• 12:49
  Speaker 1: to explode, bro. Even if you don't believe, even if
• 12:51
  Speaker 1: no one believes, I'm going to believe in the thing,
• 12:53
  Speaker 1: I'm going to get it. I used to go to
• 12:54
  Speaker 1: the streets of the houses, like in the corner there,
• 12:57
  Speaker 1: it was like... Man, that's where the guys stay, you know?
• 13:02
  Speaker 1: In the movement, you know? And I never got involved, man.
• 13:05
  Speaker 1: I always stuck with the guys who were my friends
• 13:08
  Speaker 1: of the same age, the guys selling the walks, I
• 13:10
  Speaker 1: never wanted to get involved, you know? I always stuck
• 13:13
  Speaker 1: with the guys, but I never got involved.
• 13:15
  Speaker 7: Do you think the fact that you didn't get involved
• 13:17
  Speaker 7: was what? The creation of your mother?
• 13:18
  Speaker 1: Yes, my father and my mother. My father and my
• 13:20
  Speaker 1: mother always, as we are from the Middle East, they
• 13:22
  Speaker 1: never let me cut my hair, bro. I cut my hair,
• 13:24
  Speaker 1: I would do a little scratch on the eyebrow, they
• 13:26
  Speaker 1: would let me sleep in the area. Not my father,
• 13:29
  Speaker 1: my father was bad, bro, my father, like.
• 13:31
  Speaker 2: It's a way to protect, bro, because you know what
• 13:32
  Speaker 2: he sees? He says like this, damn, this is how
• 13:35
  Speaker 2: the police are, so I don't want my son to
• 13:36
  Speaker 2: be like this, but he can't explain, it's just like,
• 13:38
  Speaker 2: did you scrape it, did you cut it?
• 13:40
  Speaker 1: No. No. It's that he's protecting you. You won't become
• 13:43
  Speaker 1: a bandit, no. That's it. You won't become a bad guy, no. And, man,
• 13:45
  Speaker 1: inside my house you don't enter, because I'm still alive,
• 13:47
  Speaker 1: who sends here is me, and, man, my father used
• 13:49
  Speaker 1: to give me those.
• 13:50
  Speaker 7: São Jorge swords, you know?
• 13:52
  Speaker 1: Wow. There was a time that my father rolled up
• 13:54
  Speaker 1: those electricity wires, rolled up, and said, bro, if you
• 13:57
  Speaker 1: stick with these guys there, bro, You're going to get fucked,
• 14:00
  Speaker 1: but I... It's the street of the house, bro. I
• 14:03
  Speaker 1: used to go out at the door of the house
• 14:04
  Speaker 1: and I saw that. There wasn't much to do, you know?
• 14:07
  Speaker 1: It was the friendships that God put in our path.
• 14:09
  Speaker 1: So we can learn to live and today be a
• 14:12
  Speaker 1: nice family father. I consider myself a nice family father.
• 14:14
  Speaker 1: I help my children a lot. My children are all
• 14:16
  Speaker 1: soccer players. I have two. Two kids. One trains at Santos.
• 14:18
  Speaker 1: He plays at Santos, you know? For me it's a privilege.
• 14:23
  Speaker 1: Six years old, he signed his first contract.
• 14:25
  Speaker 7: Six years old.
• 14:26
  Speaker 1: Six years old. One plays for Santos.
• 14:29
  Speaker 2: I said, those guys are balls, Chininha.
• 14:31
  Speaker 1: Wow. One plays for Santos, Campo, and the other plays
• 14:36
  Speaker 1: for União RD, which is like Santos B, where União RD...
• 14:39
  Speaker 1: It's where Santos is like, let me see. That's it,
• 14:42
  Speaker 1: that's it, that's it. You know? And then, for me, bro,
• 14:45
  Speaker 1: I'm so proud of having passed this... Like that, these
• 14:48
  Speaker 1: agonies in childhood, and my children don't go through any
• 14:51
  Speaker 1: of that, you know, brother? For me it's a privilege, brother.
• 14:55
  Speaker 2: Okay, there, when you learn to cut hair, you were
• 14:57
  Speaker 2: already dreaming of becoming an MC, how was this funk
• 15:00
  Speaker 2: thing in your life?
• 15:00
  Speaker 1: Three years old, the haircut came in with my sister, Adriana,
• 15:04
  Speaker 1: who married Claudio, and he was a barber. Then, at
• 15:10
  Speaker 1: 12 years old, I started looking at that and said, bro...
• 15:13
  Speaker 1: Claudio makes money very fast, bro. And you were looking
• 15:15
  Speaker 1: at the car.
• 15:16
  Speaker 2: He always has money in his hands.
• 15:17
  Speaker 1: But Claudio was like my father, you know? He was
• 15:19
  Speaker 1: a very... He's still a very family man. But he
• 15:21
  Speaker 1: also had a problem with alcohol, you know? He's a
• 15:23
  Speaker 1: very smart guy, you know? But I saw that I
• 15:24
  Speaker 1: almost fell in it too. There was a time in
• 15:26
  Speaker 1: my life when I burst, bro. Mano, eu tava bebendo muito,
• 15:36
  Speaker 1: 10 litros de whisky, o que tinha? Eu bebia, gastava 30,
• 15:40
  Speaker 1: 20 mil reais com bebida, fazia churrasco nas esquinas, tudo.
• 15:44
  Speaker 1: Aí quanto que tem de cerveja aí? É tudo meu,
• 15:46
  Speaker 1: deixa eu dar pros meus amigos. A gente acha que
• 15:47
  Speaker 1: tá aproveitando, né?
• 15:48
  Speaker 4: Tá ligado?
• 15:48
  Speaker 1: Tipo, a gente acha que tá vivendo a vida legal,
• 15:50
  Speaker 1: mas depois a gente vai ganhando maturidade.
• 15:51
  Speaker 7: Vai percebendo.
• 15:52
  Speaker 1: Tudo ali é fase, né, irmão?
• 15:53
  Speaker 2: Isso, mas eu acho importante também viver essa fase do...
• 15:57
  Speaker 2: Do exagero, de uma certa forma. Porque quando você chega
• 16:00
  Speaker 2: nessa idade, você fala assim, eu vivi e vi que
• 16:02
  Speaker 2: não era bom. Porque quando você chega nessa idade e
• 16:03
  Speaker 2: não fez nada, você fica... You always have that feeling
• 16:06
  Speaker 2: of wanting to try it out.
• 16:07
  Speaker 7: And doing it old is ugly.
• 16:08
  Speaker 1: But Cláudio was a very... My ex-brother-in-law, who nowadays my
• 16:11
  Speaker 1: sister is no longer with him. I consider him like
• 16:16
  Speaker 1: a brother to me. He taught you a profession? He
• 16:18
  Speaker 1: taught me the first profession of life. He used to
• 16:20
  Speaker 1: call me Paciência. No, it's not like that. From 3,
• 16:22
  Speaker 1: you go to 2. From 2, you go to the headdress.
• 16:24
  Speaker 1: From the headdress, you go to 1. Here, you call
• 16:26
  Speaker 1: the little foot. But until you were 13, when you
• 16:28
  Speaker 1: started to cut.
• 16:29
  Speaker 3: Your hair, from 10, you started to look at the car,
• 16:31
  Speaker 3: then you did other things, or you were still looking
• 16:33
  Speaker 3: at the car?
• 16:33
  Speaker 7: No, I was looking at the car. I used to
• 16:35
  Speaker 7: go to the pizzeria, like.
• 16:36
  Speaker 1: This, I lived in the community. Praia Grande is divided,
• 16:40
  Speaker 1: I don't know if you go straight to Praia Grande,
• 16:43
  Speaker 1: but there's the Via Expresso Sul, and then there's Oceã,
• 16:46
  Speaker 1: right next to my house in the village. Oceã is
• 16:47
  Speaker 1: where we earned more money, because it's the place where
• 16:50
  Speaker 1: there are more people who are financially well. But there
• 16:54
  Speaker 1: the risk is greater. The risk is greater than what?
• 16:58
  Speaker 1: As you are younger, they would put you in the
• 17:01
  Speaker 1: police station and take you to the police station, and
• 17:03
  Speaker 1: your mother would have to take you to the police station.
• 17:06
  Speaker 1: So we would go to the other side, when I
• 17:07
  Speaker 1: was older, like 12, 13 years old. Then I said, no,
• 17:09
  Speaker 1: I have to learn to cut hair, because I'm not
• 17:10
  Speaker 1: going to live like that, running around as a guard,
• 17:12
  Speaker 1: being that I want to work. You know, it's nothing
• 17:14
  Speaker 1: wrong with what I'm doing, I'm just looking at the
• 17:16
  Speaker 1: cars and... I was making a lot of money.
• 17:27
  Speaker 7: But it was still dangerous.
• 17:28
  Speaker 1: It was still very dangerous. I ran several times. The
• 17:31
  Speaker 1: coach never managed to catch me, because I was always
• 17:33
  Speaker 1: very fast. And when you caught your friends, you were like...
• 17:37
  Speaker 1: I caught my friends straight away. I was like, damn, man.
• 17:39
  Speaker 1: I caught Davi, I caught Sorriso, I caught... Those guys
• 17:43
  Speaker 1: with 12 years of age. I was giving a lot
• 17:46
  Speaker 1: of fire to these guys.
• 17:47
  Speaker 2: What is the importance of Carlinhos Tapioca in your life, brother?
• 17:51
  Speaker 1: Carlinhos was where I became a singer.
• 17:53
  Speaker 2: I want to know how... He was the guy who
• 17:55
  Speaker 2: encouraged you? When I was 13 years old, I started
• 17:56
  Speaker 2: to cut my hair.
• 17:57
  Speaker 1: When I started to cut my hair, I went to
• 18:00
  Speaker 1: Bateria Unidos da Vila do Sapo. I already started to
• 18:03
  Speaker 1: cut my hair and went to Bateria, you know? I
• 18:05
  Speaker 1: followed them when I was 9, 10 years old, but
• 18:07
  Speaker 1: I kept looking more. Okay. Because I kept looking more
• 18:11
  Speaker 1: to what? To learn. I like to look at things
• 18:13
  Speaker 1: and mentalize and say, no, I'm going to do that thing...
• 18:16
  Speaker 1: And I'm going to do it better than that guy
• 18:19
  Speaker 1: is doing, you know? I'm a perfectionist on the walk,
• 18:22
  Speaker 1: you know? That's why maybe even today I don't get
• 18:26
  Speaker 1: so many studio sessions, I don't stay with the guys
• 18:28
  Speaker 1: from the present, because I prefer to look first to
• 18:31
  Speaker 1: know what I have to do, because if I don't
• 18:34
  Speaker 1: put the voice there anyway, in a project that is
• 18:36
  Speaker 1: just the guys today, big, and I don't get very well,
• 18:39
  Speaker 1: I can't. You won't feel good, right? Yeah, I don't
• 18:43
  Speaker 1: feel good, you know?
• 18:44
  Speaker 4: I see.
• 18:44
  Speaker 1: Like, not even when Guimê arrived there, dad, I would rhyme,
• 18:47
  Speaker 1: dad could rhyme a lot with the guys, and I
• 18:49
  Speaker 1: would say, damn, I wrote a great rhyme, you know, bro?
• 18:52
  Speaker 1: I don't know if you understand me, but it's a
• 18:54
  Speaker 1: completely different thing. I'm a little more reserved, but I'm learning.
• 18:58
  Speaker 1: Even if I'm just looking at this funk update, I'm learning.
• 19:01
  Speaker 1: I'm a guy who captures things very quickly. If I
• 19:04
  Speaker 1: go to the studio today with the guys, I want
• 19:06
  Speaker 1: to send a flow similar to theirs, but it's not
• 19:10
  Speaker 1: what they do. I don't want to lose my roots,
• 19:11
  Speaker 1: but I want to send a top update. I'm not
• 19:14
  Speaker 1: ready yet.
• 19:21
  Speaker 2: But I think it's really crazy you say that, Lon,
• 19:22
  Speaker 2: because you're a long-time MC, consolidated in funk, and it's
• 19:29
  Speaker 2: really cool to hear you say, like, I'm learning.
• 19:31
  Speaker 1: No, for sure.
• 19:32
  Speaker 2: Yeah, because sometimes you'll see today's kids, they act like they're,
• 19:35
  Speaker 2: I don't know, bro, the Catra.
• 19:37
  Speaker 1: Yeah, right? Yeah, I think it's more or less that. But, man,
• 19:40
  Speaker 1: I super understand, because I was one day like this, sober,
• 19:42
  Speaker 1: when we were younger, and we imagined, I was zero,
• 19:45
  Speaker 1: out of nowhere I started to earn several thousand, imported car,
• 19:48
  Speaker 1: you think I'm going to call Palpini call someone's opinion?
• 19:52
  Speaker 1: But we have to call, but each one has their
• 19:55
  Speaker 1: age and their stage of maturation, right, brother? It's like a,
• 19:58
  Speaker 1: how can I say, like a wine, when it gets older,
• 20:00
  Speaker 1: it gets better.
• 20:01
  Speaker 2: Right, brother?
• 20:02
  Speaker 1: I'm sure, right?
• 20:03
  Speaker 2: So, Carlinhos was the guy who told you, like, oh,
• 20:05
  Speaker 2: you sing?
• 20:06
  Speaker 1: How was that?
• 20:06
  Speaker 2: Because I have this in my head since I heard
• 20:09
  Speaker 2: you talk about this, about the rhyme, about the drums.
• 20:12
  Speaker 1: Yes, yes, man. The guy who made me a samba singer. Yes,
• 20:14
  Speaker 1: then I started going to take care of the car,
• 20:16
  Speaker 1: with the three of us there on the other side
• 20:18
  Speaker 1: of the ocean. So, I was in a lot of danger,
• 20:20
  Speaker 1: and the... The battery was running at night, you know? Actually,
• 20:24
  Speaker 1: I was going to take care of it on the
• 20:26
  Speaker 1: other side, because there was a pizzeria there called Forna Lenha.
• 20:29
  Speaker 1: And I really wanted to eat pizza. At that time,
• 20:31
  Speaker 1: McDonald's pizza was a novelty, you know, bro? Pizza was
• 20:35
  Speaker 1: only rich people who ate it, you know?
• 20:37
  Speaker 2: Man, and the guys.
• 20:38
  Speaker 1: Don't remember that, right? Yeah, bro. You know how old
• 20:41
  Speaker 1: I was when I ate a McDonald's? At 19 years old, bro.
• 20:43
  Speaker 1: For God's sake, bro. At 19 years old, bro. Fuck, bro.
• 21:06
  Speaker 1: Then I started going to work at night, and I said, no,
• 21:09
  Speaker 1: I'm going to do something else, I'm going to play
• 21:12
  Speaker 1: the drums. Then I went, I got better. No, first
• 21:15
  Speaker 1: I started in a gansá. Gansá is the chucalho. First
• 21:18
  Speaker 1: I went to a chucalho, and I went every night,
• 21:22
  Speaker 1: Tapioca was the president of the drums, I went to
• 21:23
  Speaker 1: the president, he finished it and said... I know how
• 21:26
  Speaker 1: to play this thing here. How do you know how
• 21:28
  Speaker 1: to play? I'm looking. I've been looking for nine years.
• 21:30
  Speaker 1: I know how to play. I play even better than him.
• 21:32
  Speaker 1: But I had never picked up an instrument, brother. In
• 21:33
  Speaker 1: the box, in a hipnique. Fuck. And then when you
• 21:36
  Speaker 1: got it, then I stayed two months playing the gansai.
• 21:38
  Speaker 1: So much that I stay all night talking to Tapioca.
• 21:41
  Speaker 1: I know how to play. I know how to play.
• 21:42
  Speaker 1: He said, calm down, let's do a test. He said,
• 21:44
  Speaker 1: the rehearsal starts at 8 o'clock. Arrives tomorrow at 7 o'clock.
• 21:48
  Speaker 1: I'll leave three instruments here to see if you play
• 21:50
  Speaker 1: better and I'll group you in the girls there. What
• 21:52
  Speaker 1: did you feel, man?
• 21:53
  Speaker 3: Besides knowing how to play, what woke you up playing
• 21:55
  Speaker 3: these instruments?
• 21:56
  Speaker 7: You said, man, this is my world, I found myself,
• 21:59
  Speaker 7: let's say. It's like the beat, you know, man?
• 22:04
  Speaker 1: The beat, bro. The samba is very much like the funk, bro.
• 22:07
  Speaker 1: The breaks. The rhythm. The rhythm, the footprint, the beating heart, bro.
• 22:12
  Speaker 1: The adrenaline. The audience. The heartbeat, the audience, you know, bro?
• 22:15
  Speaker 1: And after that, I became one of the best in
• 22:17
  Speaker 1: the drums, you know, bro? And then he saw that
• 22:18
  Speaker 1: that was not enough for me. He said, bro, I've
• 22:19
  Speaker 1: seen you singing along with the guy who sings there, bro.
• 22:22
  Speaker 1: I'm here in the drums, I've seen you singing, bro.
• 22:29
  Speaker 1: Can you sing for us in the streets of Lazer?
• 22:30
  Speaker 1: You'll be our singer, Mirim. I'm 14 years old, man.
• 22:31
  Speaker 1: That's crazy, man. But you used to sing. You used
• 22:34
  Speaker 1: to sing in the bathroom.
• 22:34
  Speaker 7: You used to sing for the guys.
• 22:36
  Speaker 1: Yes, yes. I saw that I had a talent. I
• 22:37
  Speaker 1: used to sing the songs of MC Barriga, who are
• 22:38
  Speaker 1: the MCs of the time. Danilo e Fabinho. In the bathroom,
• 22:40
  Speaker 1: inside the house, I used to sing the songs of
• 22:42
  Speaker 1: the guys. I had already risked doing some funk and everything.
• 22:50
  Speaker 1: Copying Reinaldinho Alemão, Copying Relíquia' s guys, you know? And she
• 22:54
  Speaker 1: got the rhythm of the guys, everything has a beginning, right?
• 22:56
  Speaker 1: The beginning was this, seeing them, you know? So, like this,
• 22:59
  Speaker 1: Tapioca saw my effort there too, inside the drums there.
• 23:02
  Speaker 1: And then I started playing the snare drum, and that
• 23:04
  Speaker 1: day I went and played the snare drum, and he said, Damn, bro,
• 23:07
  Speaker 1: you get the thing right, you said you know how
• 23:08
  Speaker 1: to play, tomorrow you will play, today you will play
• 23:10
  Speaker 1: the snare drum. Then the drums arrived. I arrived first.
• 23:14
  Speaker 1: When everyone arrived, they had already given me the drums uniform.
• 23:16
  Speaker 1: I was already big there. The guys said, are you crazy?
• 23:19
  Speaker 1: Drop this instrument there. If you play gansai, play chukari.
• 23:22
  Speaker 1: I said, no, go ask Tapioca. I play. I play
• 23:25
  Speaker 1: with the snare, my friend. I don't play gansai anymore.
• 23:28
  Speaker 1: I evolved. Then I played well. Tapioca said, no, from
• 23:31
  Speaker 1: today you will play the snare. It took two months. Tapioca,
• 23:34
  Speaker 1: I don't want to play the snare. I want to
• 23:35
  Speaker 1: play that one from there. The third sound, the cut sound. No,
• 23:42
  Speaker 1: it's the cut sound, which is... It's the little one.
• 23:44
  Speaker 1: Got it. Which makes the cadence of the samba. Wow,
• 23:46
  Speaker 1: you have to... Wow. Got it, man? Then I went.
• 23:48
  Speaker 7: Then he said, you know how to play the third sound?
• 23:50
  Speaker 1: Which is the middle one. There's the first, second and third.
• 23:53
  Speaker 1: I said, man, I know how to play the thing.
• 23:55
  Speaker 1: I saw Eric playing there, I saw the guys playing,
• 23:57
  Speaker 1: I saw Romário playing. I know how to play the thing, man.
• 24:03
  Speaker 1: It was expensive. It was expensive, man. I always asked
• 24:05
  Speaker 1: for it. Even to sing at my boulevard, I would
• 24:07
  Speaker 1: go there and ask every day for the Japanese finale.
• 24:10
  Speaker 1: You know? When I started to sing funk. That was
• 24:12
  Speaker 1: when I was 15, 16 years old. You know?
• 24:14
  Speaker 7: What was the most difficult instrument in the drums?
• 24:16
  Speaker 1: It was what I played. I became a singer. It
• 24:18
  Speaker 1: was the... From the Repnick. From the Repnick I became
• 24:22
  Speaker 1: a singer. I used to take the Hippa, bro. So
• 24:24
  Speaker 1: it was me and Catarina who played it. It was
• 24:26
  Speaker 1: two Repnicks on the drums, you know? The Repnick is
• 24:27
  Speaker 1: the instrument that pulls all the other instruments, you know?
• 24:30
  Speaker 8: A response.
• 24:31
  Speaker 1: It was a response. Then, after I played the third solo,
• 24:33
  Speaker 1: I stayed two months playing, I already told him, bro,
• 24:34
  Speaker 1: I know how to play that one. He's crazy, that
• 24:36
  Speaker 1: one is what everyone sends. I said, no, but I
• 24:38
  Speaker 1: know how to play it too, bro. I'm seeing the girls,
• 24:40
  Speaker 1: Catarina playing, I'm seeing Lingerinho playing. I know how to play, bro.
• 24:44
  Speaker 1: I know how to play like them or better. He said, bro,
• 24:45
  Speaker 1: I was crazy. Damn, bro.
• 24:46
  Speaker 2: But then, you realized that you also had a.
• 24:49
  Speaker 1: A talent. Yes, a talent, bro. I had a talent.
• 24:51
  Speaker 1: Even today I know how to play, bro. I haven't
• 24:53
  Speaker 1: unlearned anything. It's been more than 10 years since I've played, but...
• 24:56
  Speaker 1: Because every time I play, bro, I... Do you believe that...
• 24:59
  Speaker 1: I even get emotional when I talk about these things,
• 25:00
  Speaker 1: because I remember, bro. You know? The will, right? Yes, bro.
• 25:03
  Speaker 1: My will to grow, you know? Do you believe that
• 25:04
  Speaker 1: it was a gift, Lon?
• 25:05
  Speaker 7: Like, even though you kind of... Even though you look,
• 25:08
  Speaker 7: but kind of.
• 25:08
  Speaker 3: When you started playing, you said, bro, it seems like
• 25:12
  Speaker 3: I was born knowing this thing.
• 25:14
  Speaker 1: It's easy for me. It's a gift, bro. Because every
• 25:17
  Speaker 1: year there's a new song from the drums called Enredo,
• 25:21
  Speaker 1: from the Samba School. And every year it changes. There
• 25:24
  Speaker 1: are the interpreters, who are us, and there's a composer
• 25:28
  Speaker 1: who makes the music, and there's a singer who only...
• 25:31
  Speaker 1: Sing and reproduce, man. I saw him singing when the
• 25:37
  Speaker 1: songs were coming out. I said, man, I know how
• 25:39
  Speaker 1: to do all the blacks of this song, let me
• 25:40
  Speaker 1: do it. There's a funk, there's a sample of the agogô,
• 25:45
  Speaker 1: there's the tambourine. Wow, your head for music is far away. Man,
• 25:49
  Speaker 1: my music, like that, you know? I set up all
• 25:51
  Speaker 1: the music in my mind. So much so that there
• 25:53
  Speaker 1: was a time when I started singing when I was 14,
• 25:55
  Speaker 1: I started creating the songs. There was a song that
• 26:00
  Speaker 1: I created when Tapioca said, man, you're going to sing
• 26:02
  Speaker 1: and such.
• 26:03
  Speaker 7: How was the first time you pulled singing?
• 26:05
  Speaker 1: Man, I remember as if it were yesterday, you know, man.
• 26:08
  Speaker 1: I sang in a... First I rehearsed, the whole week.
• 26:11
  Speaker 1: Then I sang, Edson Samba Bem, who is the boy
• 26:15
  Speaker 1: there who sometimes plays at Neymar's house, who sings... A
• 26:17
  Speaker 1: super famous guy, you know? He also sings a pagodinho.
• 26:20
  Speaker 1: He's a son of Mumuzinho. Fuck. The first time I
• 26:22
  Speaker 1: went on stage.
• 26:23
  Speaker 7: Mumuzinho is around today, too.
• 26:25
  Speaker 1: He's a son of Mumuzinho, Edson. He's from my city.
• 26:28
  Speaker 2: The first time you sang, this man was there.
• 26:30
  Speaker 1: He was there with me, he was. Then I sang
• 26:32
  Speaker 1: a week with him, a samba from the Serrano Empire.
• 26:35
  Speaker 1: I wrapped myself to wrap you up, I wrapped myself
• 26:37
  Speaker 1: to wrap you up, I didn't balance, I didn't balance.
• 26:39
  Speaker 1: Come on, come on, come on. Like a samba from 2008, 2009,
• 26:43
  Speaker 1: you know, man? From a school in Rio de Janeiro,
• 26:47
  Speaker 1: Imperio Serrano. I don't know if you've heard of it.
• 26:50
  Speaker 7: It's very famous.
• 26:51
  Speaker 1: So we sang this song. After that performance that we
• 26:55
  Speaker 1: did inside a school, which is the school I was studying,
• 26:58
  Speaker 1: Cidade de Barretos, he said, no, you're going to be
• 27:01
  Speaker 1: the singer of the school. It was already official. Official,
• 27:04
  Speaker 1: you're official. Then I had an idea of what? Not
• 27:07
  Speaker 1: to stay just in those sambas there from Vila do Sapo,
• 27:09
  Speaker 1: you know? Singing only... I used to put a funk
• 27:11
  Speaker 1: in the middle. I pulled the three dots, which was...
• 27:14
  Speaker 1: Then you made a funk. I used to come like
• 27:18
  Speaker 1: a radical, I came like a fool, like a fool
• 27:20
  Speaker 1: in the movement. You're missing something, you know?
• 27:23
  Speaker 2: I remember you saying, what a bold boy.
• 27:26
  Speaker 1: Everyone was singing, bro. It even made me shiver. Then
• 27:28
  Speaker 1: I started to be hired by Bateria Show, which was
• 27:31
  Speaker 1: Bateria Show, the best of Bateria Mirim, up to 15
• 27:33
  Speaker 1: years old. We set up a Bateria Show. And then
• 27:35
  Speaker 1: we traveled all over Brazil, bro.
• 27:37
  Speaker 7: At that moment, were you already a loner?
• 27:39
  Speaker 1: Não, eu já era o Lon, mas era o Lon
• 27:41
  Speaker 1: da escola de samba, sabe? Tá. Tá ligado? Eu era
• 27:43
  Speaker 1: o Lon da escola de samba, que cantava um funk
• 27:46
  Speaker 1: no meio do samba ali.
• 27:47
  Speaker 3: Era um moleque muito diferenciado do que tava rolando nesse movimento, né?
• 27:50
  Speaker 1: Sim, sim, sim, tá ligado, mano? Porque eu não fiquei
• 27:52
  Speaker 1: paradão só no samba ali, eu já colocava um... A
• 27:55
  Speaker 1: black smile, a black hug, black... I sang other things,
• 27:58
  Speaker 1: you know? So, like, the guys liked it a lot, bro.
• 28:01
  Speaker 1: I got a lot of sponsorship for the end of Tapioca,
• 28:05
  Speaker 1: for the drums. Our drums got big, we arrived, everyone
• 28:08
  Speaker 1: was beautiful. We would sing at the congress, we would
• 28:10
  Speaker 1: go to Brasília, we would go to Angra dos Reis,
• 28:12
  Speaker 1: we would go to several places, bro, you know? From
• 28:15
  Speaker 1: a little boy, with 14 years old, I already started
• 28:16
  Speaker 1: to travel all over Brazil. It was your school. But
• 28:18
  Speaker 1: it's important to have a guy who encourages, right, bro? Yes, yes.
• 28:21
  Speaker 2: To have a guy who... It's because there, bro, it's
• 28:23
  Speaker 2: what he said, remember, he said about McDonald's, he didn't
• 28:27
  Speaker 2: even have the courage to scare poverty. So, sometimes we
• 28:30
  Speaker 2: have a dream, but we don't even have the audacity
• 28:33
  Speaker 2: to dream.
• 28:33
  Speaker 1: The beginning, right?
• 28:34
  Speaker 2: Then you say, no, it's not for me, bro. And
• 28:36
  Speaker 2: there was a guy who came and said, no, you're
• 28:37
  Speaker 2: a monster. How do you go to the funk, brother?
• 28:40
  Speaker 1: Funk started through this samba, when I sang the song
• 28:43
  Speaker 1: of Catra, I sang the song of some other artists
• 28:46
  Speaker 1: there that fit into this repertoire, I started to say, bro, man,
• 28:51
  Speaker 1: funk is, I think it's my face, bro, you know, bro,
• 28:55
  Speaker 1: I'm going to start making some music and such, then
• 28:57
  Speaker 1: I started making some music and such, then, like, the
• 29:01
  Speaker 1: show battery was over, I said, Tapioca, is there any
• 29:03
  Speaker 1: way to go up there for me to sing just
• 29:04
  Speaker 1: a funk and such, he said, No, you can, you can,
• 29:07
  Speaker 1: you can sing there. I was very moral. But sing
• 29:10
  Speaker 1: only three songs, okay? Don't sing too much funk, because
• 29:12
  Speaker 1: people all like samba there. Then it started, it started.
• 29:15
  Speaker 1: And if you cut your hair, it was from the band?
• 29:18
  Speaker 1: I already cut my hair, it was from the band,
• 29:20
  Speaker 1: you know? It all started there with 13 years old, 13,
• 29:22
  Speaker 1: 12 years old, I was already cutting my hair. Do
• 29:24
  Speaker 1: you know how old my haircut was? How old? At
• 29:26
  Speaker 1: 12 years old, to 13, it was 1,50, brother. Liar, man. 1,50, brother.
• 29:28
  Speaker 1: But you didn't shave, did you? No, the beard was like...
• 29:33
  Speaker 1: If you wanted to do the beard, it was like 2,50. 2,50.
• 29:35
  Speaker 1: For God's sake, bro. know why, Igão? It was a
• 29:41
  Speaker 1: lot of money.
• 29:41
  Speaker 2: Because I remember that the bread was R $ 0, 07.
• 29:43
  Speaker 1: You're crazy. It was, bro. A healthy one. You used
• 29:45
  Speaker 1: to shave?
• 29:45
  Speaker 7: I used to shave for my friends.
• 29:47
  Speaker 2: The guys knew how they were.
• 29:49
  Speaker 1: Going to pay later. I used to shave, bro. Olão,
• 29:51
  Speaker 1: where does the idea of your twister come from, bro?
• 29:53
  Speaker 2: Because when you appeared with that twister with lights, bro,
• 29:56
  Speaker 2: I think you know that everyone wanted to do it, bro.
• 29:59
  Speaker 2: And then I had my hair curled up and I
• 30:01
  Speaker 2: was just sad.
• 30:01
  Speaker 1: The idea of ​ ​ my twister, bro, was like this,
• 30:05
  Speaker 1: you know, bro, everyone started in time to make the
• 30:07
  Speaker 1: Mohican cut at that time. Then I went and made
• 30:12
  Speaker 1: the Mohican and I didn't like it. Then I said, bro,
• 30:14
  Speaker 1: I'm going to make a different Mohican, bro. Like this,
• 30:17
  Speaker 1: I had already seen some gringos trying to use the
• 30:18
  Speaker 1: hair like this. Dad and such with Mohican coming, coming
• 30:21
  Speaker 1: from here. Then I said, bro, I'm going to talk
• 30:23
  Speaker 1: to Claudio there so he can cut my hair there,
• 30:24
  Speaker 1: because Claudio cut a lot, even today he cuts a lot.
• 30:27
  Speaker 1: which is my ex-brother-in-law. Then I said, Claudio, cut it
• 30:29
  Speaker 1: like this, make a surfboard. Because there were those surfboard cuts.
• 30:32
  Speaker 1: As I live on the beach, the kids who went surfing,
• 30:36
  Speaker 1: they cut the hair and left it here, you know?
• 30:38
  Speaker 1: They just took it off the ear. They just took
• 30:40
  Speaker 1: it off the ear and made that, you know? That
• 30:42
  Speaker 1: little shadow, I said, bro, make this little shadow here,
• 30:44
  Speaker 1: just leave a reasonable size on it, because I'm going
• 30:46
  Speaker 1: to shiver. He's crazy, the thing is to fall like
• 30:49
  Speaker 1: this on the face, no, no. I'm going to shiver,
• 30:51
  Speaker 1: I've already sent the lights, and it's like a cloud.
• 30:52
  Speaker 7: But was it inspired by someone who was throwing this hair,
• 30:55
  Speaker 7: or was it you who invented it?
• 30:57
  Speaker 1: Surfers, bro, because there are a lot of surfers on
• 31:00
  Speaker 1: the beach, right, bro? So, like, I saw the surfers'
• 31:02
  Speaker 1: hair there, and I said, bro, I'm going to do
• 31:04
  Speaker 1: something like the guys, but I'm going to shiver.
• 31:06
  Speaker 7: But this hair there, bro. You know, bro? Let's talk,
• 31:07
  Speaker 7: because it wasn't from that time, you said that this was.
• 31:10
  Speaker 1: Twister, cut twister, you know?
• 31:11
  Speaker 2: Didi is there, Didi is there, he cuts my hair
• 31:13
  Speaker 2: there as always. I would get to Didi and say
• 31:14
  Speaker 2: like this, is there a way to do this dolon?
• 31:16
  Speaker 2: And he would say, bro.
• 31:18
  Speaker 1: So... Nowadays, you can do it, right, bro? Nowadays, in
• 31:21
  Speaker 1: the case that the guys invented a piece of board,
• 31:22
  Speaker 1: a piece of that board. Yes, yes. Leave any hair, bro,
• 31:25
  Speaker 1: on that knife. But I, at that age, I.
• 31:27
  Speaker 2: Would stay with good hair only those 40 minutes.
• 31:29
  Speaker 1: Then I would go home... At that time, to stay
• 31:31
  Speaker 1: with hair more, like, like this, more scared, I used
• 31:34
  Speaker 1: to go to Lausanne. Do you remember the time of Lausanne?
• 31:36
  Speaker 1: I remember. But it burned a lot, the hairy hair.
• 31:38
  Speaker 1: It was smooth.
• 31:38
  Speaker 7: But when you launched, you said, damn, now I'm... No,
• 31:42
  Speaker 7: when I launched.
• 31:42
  Speaker 1: I found myself. Brother, when I launched the thing, which
• 31:44
  Speaker 1: was from my 15 years to 16 years, that I
• 31:46
  Speaker 1: saw everyone... It was the first song that I released there,
• 31:49
  Speaker 1: you know? Everyone is crazy about it, right? I'm not
• 31:51
  Speaker 1: even talking about... Because I broke with 18 to 19
• 31:54
  Speaker 1: years old.
• 31:55
  Speaker 2: But which was the first one that played in your head?
• 31:58
  Speaker 1: In my head?
• 31:58
  Speaker 7: Yeah.
• 31:59
  Speaker 1: It was played... For me, don't... Don't say it wrong. No, no.
• 32:05
  Speaker 1: Atirador de Elite da Vila do Sapo? It was a
• 32:08
  Speaker 1: song called... It was even Dunguinha who composed it for me, bro.
• 32:12
  Speaker 1: who is the father of the youngest of RDC, you know?
• 32:14
  Speaker 1: The youngest of RDC. Of course. So, his father was
• 32:16
  Speaker 1: also a water divider for me to be able to
• 32:18
  Speaker 1: get into funk. Because he was my neighbor, he was
• 32:21
  Speaker 1: already a funk fan, you know? Along with the kids
• 32:23
  Speaker 1: from Que Baru, with MC Pequeno, with Diney, who had
• 32:25
  Speaker 1: a radio called Ilha FM, you know? There was Edmar, Marcelo,
• 32:30
  Speaker 1: they were already funkers and I was from Samba. Then
• 32:33
  Speaker 1: I went and stuck with the guys more.
• 32:34
  Speaker 7: I understood.
• 32:35
  Speaker 1: I said, man, Tapioca gave me the opportunity to sing
• 32:36
  Speaker 1: some funk songs here and everything. I'm going to stick
• 32:38
  Speaker 1: with Dunguinha, I'm going to stick with the guys there,
• 32:40
  Speaker 1: because the guys are going to... Help me make a funk.
• 32:42
  Speaker 1: Help me make a funk. Then Dunguinha, no, are you crazy?
• 32:44
  Speaker 1: I make the songs for you, because I really didn't
• 32:46
  Speaker 1: have the pen yet. I was very young at the time,
• 32:48
  Speaker 1: you know? Then he went and made a song for me,
• 32:51
  Speaker 1: which is Injuriado, the name of the song. Injuriado. She
• 32:54
  Speaker 1: started playing a lot in Vila do Sapo, Mirim, in
• 32:58
  Speaker 1: the neighborhoods of Praia Grande, you know?
• 33:00
  Speaker 3: And how was, in your opinion, the funk at that time?
• 33:03
  Speaker 3: Was it growing? Was there a lot of prejudice at
• 33:07
  Speaker 3: that time?
• 33:07
  Speaker 7: How was the funk?
• 33:08
  Speaker 1: It was crazy, the funk was a thing, how can
• 33:09
  Speaker 1: I say it, bro? Seen as criminal. Very distant for me, bro.
• 33:13
  Speaker 1: Because there was no MC in my city that had
• 33:15
  Speaker 1: done well, you know? I don't know Marquinho and Andinho,
• 33:20
  Speaker 1: but it was later that the guys made a success
• 33:22
  Speaker 1: and such.
• 33:23
  Speaker 7: So when you released the song, people were like, Elon,
• 33:26
  Speaker 7: stop it.
• 33:27
  Speaker 1: What are you doing? You're crazy, you're doing this thing,
• 33:30
  Speaker 1: it's crazy, bro. You're going to die, bro. You're doing
• 33:33
  Speaker 1: these things, it's a vagabond song. My father didn't want it,
• 33:36
  Speaker 1: my mother didn't want it, I was singing the songs
• 33:38
  Speaker 1: at home and my mother was like, stop saying the word, boy.
• 33:40
  Speaker 1: And I was singing, I was like, man, I'm not
• 33:42
  Speaker 1: saying the word, I'm just spending my day, stop walking.
• 33:44
  Speaker 1: So it was very hard for me. Even inside the house?
• 33:46
  Speaker 1: It was the worst place for me to sing.
• 33:48
  Speaker 7: And when was it that it was inevitable?
• 33:49
  Speaker 1: When your parents looked at you and said.
• 33:51
  Speaker 2: That you were an MC? When did it work out?
• 33:55
  Speaker 2: It was when I won my first 50 reais. Because
• 33:57
  Speaker 2: you were cutting your hair in 50?
• 33:59
  Speaker 1: I won 50 reais. Once I was singing in Itanhaém
• 34:01
  Speaker 1: at a community party. Zé Krika hired Boa do Catarina,
• 34:14
  Speaker 1: Boa do Catarina was already very popular, he earned a
• 34:17
  Speaker 1: lot of cash. Then I went to open his show.
• 34:21
  Speaker 1: Then I got 50 reais, I earned 75 reais, 25,
• 34:23
  Speaker 1: I paid the expenses, paid for the stuff, because at
• 34:25
  Speaker 1: that time the money was very.
• 34:27
  Speaker 2: It was more valuable, right?
• 34:28
  Speaker 1: It was more valuable, the dollar was 1 real, brother.
• 34:30
  Speaker 1: The dollar was the same as the real, I remember that.
• 34:32
  Speaker 3: What was the feeling when you got your first cash.
• 34:35
  Speaker 1: Of the song? Man, I felt like a superman, brother.
• 34:38
  Speaker 1: I got home with 50 reais and my mother said
• 34:40
  Speaker 1: to me, for God's sake, Who did you get this
• 34:42
  Speaker 1: money from? What is this? I said, no, 50 reais,
• 34:45
  Speaker 1: I have to do, my mom sews, I have to
• 34:48
  Speaker 1: do several clothes to sew to earn 50 reais. You
• 34:49
  Speaker 1: have to cut 40 hair. Yeah, you know, you have
• 34:52
  Speaker 1: to cut a lot of hair to earn 50 reais
• 34:54
  Speaker 1: and stuff. I said, man, I earned from music and stuff, man.
• 34:56
  Speaker 1: I think it's going to work, I think I'm going to...
• 35:00
  Speaker 1: I'm going to start making money, I'm going to change
• 35:01
  Speaker 1: your life, mom. I told her and such.
• 35:02
  Speaker 8: She was unhappy, man. Then she said, no, you can
• 35:04
  Speaker 8: say your words.
• 35:05
  Speaker 1: Here at home. No, even so, she still criticized me.
• 35:08
  Speaker 1: I sing a better thing and such. You're talking a
• 35:11
  Speaker 1: lot of bullshit, man. Yeah, I'm talking a lot of bullshit,
• 35:13
  Speaker 1: a lot of words, that will rage, I don't know who, rage,
• 35:15
  Speaker 1: I don't know who, you're not raging either. I was
• 35:18
  Speaker 1: dying of hunger, man, with the belly on my back.
• 35:20
  Speaker 1: But this first show there, how was it? Man, it
• 35:23
  Speaker 1: was in the community, there in a place called Savoy.
• 35:28
  Speaker 1: in Itanhaém, and I went to sing on a stage
• 35:30
  Speaker 1: like that, you know? Like half a dozen people, you know?
• 35:32
  Speaker 1: Like those things of movement, you know? What the guys
• 35:35
  Speaker 1: do and stuff. But how?
• 35:38
  Speaker 7: You said you were an artist.
• 35:39
  Speaker 1: No, I took clothes with one, a shirt with the other,
• 35:42
  Speaker 1: a bermuda with the other. I said, bro, ask me,
• 35:44
  Speaker 1: I'm going to sing, bro. I sang with a shirt
• 35:45
  Speaker 1: from Santos, from a friend of mine from Quebrada. I
• 35:47
  Speaker 1: went and sang and came back with the money. I
• 35:50
  Speaker 1: showed it to my mom and said, bro, it's working, bro.
• 35:52
  Speaker 1: But my target was always Bolivar, which was a show
• 35:54
  Speaker 1: house in the city. And who played there at the time?
• 35:57
  Speaker 2: Who played there was only famous.
• 35:59
  Speaker 1: I played Mr. Catra, Valencia Popozuda, The Havaianos, you know?
• 36:04
  Speaker 1: I played only those guys, man. MC Orelha, you know?
• 36:07
  Speaker 2: I played only.
• 36:08
  Speaker 1: Os Pica, man, you know?
• 36:09
  Speaker 2: When did you start having the opportunity to go to
• 36:11
  Speaker 2: the studio? When did you see that, like, damn, I'm
• 36:14
  Speaker 2: getting stuck in this here, I'm starting to compose, I'm
• 36:17
  Speaker 2: becoming MC Lon.
• 36:18
  Speaker 1: Here, man? Yes, yes, man. It was when I was 18,
• 36:20
  Speaker 1: 19 years old, like, after Dunguinha gave the first songs
• 36:23
  Speaker 1: to me, which was Enjuriado, then I did Boladão, Boladão Neguim,
• 36:26
  Speaker 1: then I did.
• 36:29
  Speaker 1: I did, which one? Let me remember. There are so many.
• 36:33
  Speaker 1: There are many songs, from the beginning mainly. I think
• 36:36
  Speaker 1: I did, it was Bondi das Casinhas, bro. A lot
• 36:39
  Speaker 1: of houses. Then I did the Revolta das Quebradas. This
• 36:43
  Speaker 1: one played more in São Paulo.
• 36:45
  Speaker 2: There was a video of the little boy that I think...
• 36:47
  Speaker 2: That went viral. That went viral. It must have helped
• 36:51
  Speaker 2: the song a lot.
• 36:51
  Speaker 1: I was already making some nice money. I was already
• 36:54
  Speaker 1: doing some TV shows. I was already on TV. You
• 36:56
  Speaker 1: were very viral. I was very viral. What I thought
• 36:58
  Speaker 1: was very cool, brother, always from your trajectory of the songs,
• 37:01
  Speaker 1: was that you reported on a day-to-day basis.
• 37:09
  Speaker 2: And then I said, man, this is the day-to-day of
• 37:11
  Speaker 2: those who live on the beach, you know? And do
• 37:14
  Speaker 2: you think that was it that was essential for you
• 37:16
  Speaker 2: to start making a success there, first in Quebrada, then even...
• 37:21
  Speaker 2: You can tell us when was the first time you
• 37:23
  Speaker 2: sang at Boulevard, because I think that was very.
• 37:26
  Speaker 1: monster, because.
• 37:27
  Speaker 2: This song that I asked you about, Carlinhos, I only
• 37:29
  Speaker 2: know about these details.
• 37:30
  Speaker 1: Because you sang it as if it were a.
• 37:33
  Speaker 2: a storytelling, a movie, you know?
• 37:35
  Speaker 1: Yes, yes. Until you became Lon MC, you know? Yes, yes, man.
• 37:38
  Speaker 1: I always had, after I learned to compose, I always had,
• 37:43
  Speaker 1: how can I say, the ease of telling my story
• 37:45
  Speaker 1: at the party, you know? And Carlinhos' song came in
• 37:48
  Speaker 1: a water divider, after I had already done the... Bonde
• 37:52
  Speaker 1: das Casinhas with Rho DJ. Rho DJ was the Rho
• 37:55
  Speaker 1: DJ He was the best bass DJ of the time.
• 37:58
  Speaker 1: He was DJ Bafafinha, Finado Bafafinha. And he recorded Felipe Boladão,
• 38:02
  Speaker 1: he recorded Dui Jonão, he recorded Neguinho do Cacheta, he
• 38:06
  Speaker 1: recorded Careca, he recorded Maná, all those guys that I
• 38:10
  Speaker 1: wanted to get close to. But, like, Praia Grande and
• 38:14
  Speaker 1: São Vicente have Ponte Penço, you know Ponte Penço? It's
• 38:17
  Speaker 1: one of the oldest bridges in Brazil. So, this Ponte Penço,
• 38:20
  Speaker 1: many MCs from São Vicente used to say, And the
• 38:26
  Speaker 1: song from MC Long didn't even cross the bridge of
• 38:27
  Speaker 1: Pense yet. Wow, that's crazy, man. You know? Because my
• 38:31
  Speaker 1: songs only played on Praia Grande, I only sang over there.
• 38:33
  Speaker 7: And at that moment, what did you do to spread
• 38:35
  Speaker 7: your sound, man? How did it work?
• 38:37
  Speaker 1: Ah, there was MSN, there was Orkut. I kept sending
• 38:40
  Speaker 1: people and people, I added people and kept sending, you know?
• 38:43
  Speaker 1: And there was the radio too, the community radio. There
• 38:45
  Speaker 1: was Ilha FM... And there was another one, I forgot
• 38:48
  Speaker 1: the name, now I won't remember.
• 38:49
  Speaker 2: And after a while, there started to be a lot
• 38:50
  Speaker 2: of websites, right, bro?
• 38:52
  Speaker 1: Mundo do Funk, Hitspower... And then came Hitspower.com, which was Felipe's.
• 38:58
  Speaker 1: He started to be my producer, he started to sell
• 39:01
  Speaker 1: my shows through there. There's also Pepito's, which was the top... Funkmp3. net,
• 39:06
  Speaker 1: you know? Then it started to unlock, bro. Then it
• 39:11
  Speaker 1: came more to São Paulo.
• 39:12
  Speaker 2: But did you get to know Duda, Careca, Boladão, Primo?
• 39:16
  Speaker 1: Yes, yes, I met all of them. How was this experience, bro?
• 39:19
  Speaker 1: I lived with them. Felipe Boladão, I went to concerts
• 39:22
  Speaker 1: with them and everything, man. We were becoming a lot
• 39:26
  Speaker 1: of friends and stuff, I had his contact, he had
• 39:29
  Speaker 1: my contact, he said, I'm going to sing today at
• 39:31
  Speaker 1: Zona Noroeste, come with me? I'm going to go to
• 39:33
  Speaker 1: Praia Grande and I'm going to take you. Me, him
• 39:35
  Speaker 1: and Paulinho da PG. Paulinho da PG is a friend
• 39:38
  Speaker 1: of ours who sings too, even today, Paulinho da PG
• 39:40
  Speaker 1: and stuff. And then, through Pony da PG, I became
• 39:43
  Speaker 1: a friend of Boladão. I always had the ease of
• 39:45
  Speaker 1: bowling the backs very fast. You know? And he saw
• 39:48
  Speaker 1: that in me. It was for you to be Boladão, then. Yeah,
• 39:50
  Speaker 1: like that. He saw that in me, you know, bro?
• 39:53
  Speaker 1: He said, damn, this guy is a cool basiado ball,
• 39:55
  Speaker 1: and dad and such, bro. And he said, bro, because
• 39:57
  Speaker 1: his father didn't like it, you know? Boladão' s father was
• 40:00
  Speaker 1: always a very, how can I say, very professional. He
• 40:02
  Speaker 1: didn't like that Boladão walked with us because we smoked,
• 40:05
  Speaker 1: you know? But the same studio that I went to,
• 40:07
  Speaker 1: which was after a long time, was the studio of
• 40:10
  Speaker 1: DJ Felipe. And DJ Felipe gave me the moral, bro.
• 40:14
  Speaker 2: DJ Felipe wasn't Boladão' s DJ?
• 40:16
  Speaker 1: Yes. And he was my DJ too, as incredible as
• 40:19
  Speaker 1: it may seem. That's crazy, man. When Boladão didn't have
• 40:21
  Speaker 1: a show, he would play for me, bro.
• 40:23
  Speaker 7: He already believed in your potential, right?
• 40:25
  Speaker 1: He already believed in my potential, you know?
• 40:26
  Speaker 2: Wow, so you were very close, bro.
• 40:28
  Speaker 1: But since Boladão had a lot of shows, the bars
• 40:30
  Speaker 1: that I did on Praia Grande, only the bars that
• 40:33
  Speaker 1: Boladão was, that later he didn't have, sometimes he couldn't
• 40:35
  Speaker 1: even stay, because he was somewhere else, you know? Until
• 40:38
  Speaker 1: I met my DJ, who is DJ Kaique, you know?
• 40:41
  Speaker 1: After I met DJ Kaique, I stayed in my corner
• 40:45
  Speaker 1: and DJ Felipe was taking care of Boladão.
• 40:47
  Speaker 3: And in these experiences with Boladão, for example, what did
• 40:50
  Speaker 3: you learn the most in those first tours?
• 40:53
  Speaker 7: What did you learn there?
• 40:55
  Speaker 1: Man, I learned that to grow up in funk, you
• 40:58
  Speaker 1: have to be humble, you know, bro? You have to
• 41:01
  Speaker 1: be very humble. He was very humble, bro. Man, he
• 41:03
  Speaker 1: was very popstar, bro. He was very different from everyone, brother.
• 41:07
  Speaker 1: For God's sake.
• 41:08
  Speaker 2: And he knew how to get in and out.
• 41:09
  Speaker 1: Because at that time, Funk was more... Brother, with all
• 41:11
  Speaker 1: due respect to everyone. With all due respect to everyone,
• 41:15
  Speaker 1: you know? But for me, in my opinion, MC Lon,
• 41:18
  Speaker 1: the guy who sang the most at Parada, bro, was
• 41:22
  Speaker 1: Felipe Boladão, bro.
• 41:23
  Speaker 2: His songs seem to be from today, right?
• 41:25
  Speaker 1: With all due respect to everyone, because I know there
• 41:27
  Speaker 1: were others who marked generations, who were pika, who can
• 41:30
  Speaker 1: be kings, can be, you know, emperor. But Felipe Boladão,
• 41:34
  Speaker 1: for me, is the 00 of the funk history and
• 41:36
  Speaker 1: there won't be anyone else who will pass him, bro.
• 41:38
  Speaker 1: I followed the guy, I'm a big fan of him.
• 41:41
  Speaker 1: He and Kevin are the ones who take the most
• 41:43
  Speaker 1: pictures of me to this day. You know, bro? They
• 41:46
  Speaker 1: were cheerful, charismatic, right? No, bro. It can't be. The
• 41:49
  Speaker 1: guys were... Like Boladão, because he was two years older
• 41:52
  Speaker 1: than me, right, bro? So, like this, bro. I followed
• 41:55
  Speaker 1: Boladão a lot, bro. He was very famous, bro. The girls...
• 41:58
  Speaker 1: They would get angry to take pictures with the guy,
• 42:00
  Speaker 1: they would cry. Bro, there was a time that I
• 42:02
  Speaker 1: went with him to the Northwest Zone, bro. A crowd
• 42:04
  Speaker 1: of two thousand people, bro. He said, guys, I'm going
• 42:07
  Speaker 1: to sing my new song. Bro, when he started singing
• 42:09
  Speaker 1: the thing, the guy sang orchestra, bro. The guy was
• 42:11
  Speaker 1: a monster, bro. It's not for nothing, bro. He started singing...
• 42:15
  Speaker 1: When he opened his eyes, everyone was crying. That was
• 42:19
  Speaker 1: a real story. It was a real story, bro. It
• 42:22
  Speaker 1: was about a car accident. It was a friend of his.
• 42:24
  Speaker 1: He was singing... Man, it was the first time I
• 42:26
  Speaker 1: saw a funk singer singing a song like the artists do.
• 42:28
  Speaker 1: Like Zeca Pagodinho. Melody. Everyone was crying, bro. Like, 2,000
• 42:43
  Speaker 1: people crying with the stuff there, because it was from
• 42:45
  Speaker 1: the city of Santos, the people there. It's crazy, bro.
• 42:47
  Speaker 1: The guy did the stuff that, really, bro, at that
• 42:49
  Speaker 1: time there wasn't a lot of cameras, the quality of
• 42:51
  Speaker 1: the cameras was bad.
• 42:52
  Speaker 2: And his voice, bro.
• 42:52
  Speaker 1: It's crazy, he was very good, bro, really, bro. The
• 42:55
  Speaker 1: guy was out of the curve too much, bro.
• 42:56
  Speaker 2: What I get in shock is from these MCs that, unfortunately,
• 42:59
  Speaker 2: have already left, is from you listening to the guy's
• 43:02
  Speaker 2: songs and saying like, bro, this song is 2026, bro.
• 43:04
  Speaker 1: What a melody is that, right? I say, this song
• 43:07
  Speaker 1: is from today, the guy is talking about Patek Philippe, how?
• 43:10
  Speaker 2: But I also listen to Boladão and I say, what
• 43:14
  Speaker 2: melody is this?
• 43:15
  Speaker 1: What flow is this? So, Felipe Boladão, brother, there was more,
• 43:19
  Speaker 1: so much so that his godfather is MC Careca, Careca
• 43:23
  Speaker 1: was the godfather of several there, Careca was also a
• 43:26
  Speaker 1: very cool guy in funk. Man, the first song that
• 43:28
  Speaker 1: Felipe Boladão recorded, he already blew up, brother. Do you
• 43:31
  Speaker 1: know Oruan? Yes, the first one. Oruan blew up in
• 43:35
  Speaker 1: the first one. Felipe Boladão was the best, bro. Oruan
• 43:37
  Speaker 1: was the best. Felipe Boladão was the best. But at
• 43:39
  Speaker 1: that time, the internet was different. I even know the song,
• 43:43
  Speaker 1: which one was it? Man, the whole bass played Bolivar, bro.
• 43:47
  Speaker 1: Wasn't that Elio Careca? It was Elio Careca, you know?
• 43:50
  Speaker 1: Careca recorded with him and such, but then he released
• 43:52
  Speaker 1: his own version too.
• 43:54
  Speaker 3: And you, at that moment, you kept seeing his success
• 43:56
  Speaker 3: and saying, man, I also think I can get on
• 43:58
  Speaker 3: this road.
• 43:58
  Speaker 1: Yes, my music was already playing in the communities there,
• 44:00
  Speaker 1: and then I stuck it and such, and he gave
• 44:02
  Speaker 1: me an incentive, he said, man, you're going to blow
• 44:04
  Speaker 1: it up, and such, man. He saw me doing a duet,
• 44:07
  Speaker 1: he said, man, this duet there, I don't know if
• 44:08
  Speaker 1: people are going to learn, because it's a difficult song, right?
• 44:10
  Speaker 1: And such. But this one from As Casinha, man, when
• 44:14
  Speaker 1: I'm living, he was living in my city, in Praia Grande,
• 44:16
  Speaker 1: because he married a girl from there. Right. Then he said, man,
• 44:19
  Speaker 1: this music from As Casinha, I'm listening to people playing
• 44:21
  Speaker 1: there on the radio and such, man, this one is.
• 44:23
  Speaker 7: So he saw your progress?
• 44:25
  Speaker 1: Yes, he saw my progress and helped me in a
• 44:27
  Speaker 1: certain way, because he didn't disturb me. He saw the
• 44:30
  Speaker 1: DJ who produced his songs, and I was there, you know?
• 44:33
  Speaker 1: We arrived in the studio together. You know? He didn't
• 44:37
  Speaker 1: disturb me. He didn't say, no, you can record the boy.
• 44:40
  Speaker 1: Give him a chance too, you know? If another guy
• 44:42
  Speaker 1: says no.
• 44:43
  Speaker 2: He'll take my place.
• 44:44
  Speaker 1: Yeah, you know? But he knew that no one would
• 44:46
  Speaker 1: take his place, you know? Because he was the fucking guy, bro.
• 44:49
  Speaker 2: I think it's a vision that the better, because the
• 44:52
  Speaker 2: more MCs, the better for Boladão, the better for Lão.
• 44:54
  Speaker 1: I have this vision to this day, bro. You know
• 44:56
  Speaker 1: why I have this vision to this day? Because I live...
• 44:59
  Speaker 1: I don't earn that money from digital platforms, which was
• 45:03
  Speaker 1: after my success... I make a lot of money from concerts.
• 45:07
  Speaker 1: This week I'm going to sing in one place, in another,
• 45:09
  Speaker 1: in Paraná, I'm going to many places. To get on
• 45:11
  Speaker 1: the road, get there on the road, do my show
• 45:13
  Speaker 1: and get my money back. To help my family, my employees,
• 45:16
  Speaker 1: my guys who run with me. So, every song that explodes,
• 45:21
  Speaker 1: I can choose it and put it in my repertoire,
• 45:23
  Speaker 1: you know, brother? Like, it's something that adds to me
• 45:26
  Speaker 1: and to my evolution too. Like, I go with Bruninho
• 45:29
  Speaker 1: da Praia, you know? He's one of my fans, I
• 45:32
  Speaker 1: saw his beginning and such. Every song that Bruninho da
• 45:35
  Speaker 1: Praia explodes, along with his friends, I can take this song,
• 45:39
  Speaker 1: he gives me total freedom to sing this song. And
• 45:41
  Speaker 1: put it on my repertoire. And sing. And the more
• 45:43
  Speaker 1: MCs singing. And the more MCs. Like seeing Jota Vila.
• 45:46
  Speaker 1: Seeing several good guys. That are good as hell. I
• 45:49
  Speaker 1: can add the music of these guys. And put it
• 45:51
  Speaker 1: on my repertoire. What they do too. And vice versa.
• 45:54
  Speaker 1: what they do is they take my song, a little bit,
• 45:56
  Speaker 1: go there, revive it, put another one updated there and such,
• 46:00
  Speaker 1: like Leozinho did with that set of Relíquias. And so, man,
• 46:03
  Speaker 1: it's making us more and more happy, you know, bro?
• 46:05
  Speaker 1: And I think it's going.
• 46:06
  Speaker 2: To strengthen each other. I think this is very important, Elon.
• 46:09
  Speaker 2: But for me it's very cool to know about your
• 46:11
  Speaker 2: proximity with Boladão, even because I'm a big fan of Boladão.
• 46:15
  Speaker 2: I was a big fan of him at that time,
• 46:16
  Speaker 2: when he was exploding.
• 46:17
  Speaker 1: And how.
• 46:18
  Speaker 2: I don't want to know how you got into this thing,
• 46:22
  Speaker 2: but I want to know how you got.
• 46:24
  Speaker 1: Because of everything that was happening.
• 46:28
  Speaker 2: Could it have happened to me?
• 46:30
  Speaker 1: Because you were close, right? Yes, I was very hopeful, brother.
• 46:33
  Speaker 1: I was already knowing my voice. You know? Because I
• 46:35
  Speaker 1: came from Samba. My voice in Samba was a... How
• 46:38
  Speaker 1: can I say? It was a way. It was a tonality.
• 46:41
  Speaker 1: In Funk, it was already more acute, stronger, more aggressive,
• 46:45
  Speaker 1: you know? I could potentialize it more. Then I said, bro,
• 46:47
  Speaker 1: I have to make some very high songs, bro. so
• 46:52
  Speaker 1: I can reach them. And every time I sing in
• 46:55
  Speaker 1: a higher key, I'll be able to get more public attention.
• 46:57
  Speaker 1: That's where it came from. Man, this song started to
• 47:00
  Speaker 1: play so strong here in São Paulo, in Vila Alpina.
• 47:03
  Speaker 1: It played a lot. In Vila California, you know? In
• 47:06
  Speaker 1: the South Zone of São Paulo, where it only played...
• 47:16
  Speaker 1: More remixed funk, more shit, you know? I got into
• 47:19
  Speaker 1: the middle of the shit, bro. The guys were singing
• 47:22
  Speaker 1: the shit and I.
• 47:23
  Speaker 3: I wanted to know what you heard at that time,
• 47:26
  Speaker 3: what they talked about your sound, your music.
• 47:29
  Speaker 7: Like, this guy is new, he has a different melody,
• 47:31
  Speaker 7: look at his voice. What did you hear about yourself.
• 47:34
  Speaker 1: That people talked about? Man, the guys always praised me
• 47:36
  Speaker 1: a lot, bro. Even like... It's boring to say, but
• 47:40
  Speaker 1: they always put me on a very high level. Even today,
• 47:43
  Speaker 1: when they troll me, they say, you're crazy, Lon, you're
• 47:46
  Speaker 1: a thousand degrees, you have a great importance for us.
• 47:49
  Speaker 1: Let's record one, and so on. I'm a little shy.
• 47:53
  Speaker 3: What did you talk about Lon when he started to
• 47:56
  Speaker 3: appear in these shows?
• 47:56
  Speaker 1: This song, we heard, it looked like an operation. We heard,
• 47:59
  Speaker 1: this happened. A movie and music. Exactly.
• 48:03
  Speaker 2: Exactly, the guy is telling you something.
• 48:05
  Speaker 1: And with a very good voice. Then you close your.
• 48:06
  Speaker 2: Eyes and say, wow, the car touched, the helicopter, I
• 48:09
  Speaker 2: don't know what.
• 48:10
  Speaker 1: And he sings.
• 48:11
  Speaker 2: So, for me, this was crazy. The same way I like.
• 48:13
  Speaker 7: Racionais, because it has a story.
• 48:15
  Speaker 1: This, for me, is crazy, because.
• 48:18
  Speaker 2: Obviously, there was a chorus, but you could see that
• 48:20
  Speaker 2: he didn't make the song for... Nowadays, you can see
• 48:23
  Speaker 2: that this guy wanted this song to turn into a hit.
• 48:25
  Speaker 1: He did it with the formula of the hit. There,
• 48:27
  Speaker 1: he didn't.
• 48:28
  Speaker 2: You could see that it was something visceral, talking about
• 48:31
  Speaker 2: his village, you know? So, I think it was a
• 48:34
  Speaker 2: thing that caught a lot of attention, because it was
• 48:36
  Speaker 2: very close.
• 48:37
  Speaker 1: You could feel the reality of the thing.
• 48:38
  Speaker 2: But for me, what was really crazy was the diction,
• 48:41
  Speaker 2: the speed he sang, the voice.
• 48:43
  Speaker 1: He sang well, you know? To understand... I get it,
• 48:46
  Speaker 1: I get it. That's what I wanted to know.
• 48:48
  Speaker 7: What were they talking about Lon at the beginning of
• 48:51
  Speaker 7: his career?
• 48:51
  Speaker 2: And I think the production was also very well.
• 48:54
  Speaker 1: Done, bro. What opened the gap for me to do
• 48:56
  Speaker 1: shows in big houses was the show at the Play Center,
• 49:00
  Speaker 1: you know? When I got together with Guilherme and Rodolfinho,
• 49:04
  Speaker 1: we started to throw macha on the meters and stuff.
• 49:05
  Speaker 1: Then I had the opportunity to meet Hugo, who was
• 49:08
  Speaker 1: the former owner of Máximo, right? Who is the owner
• 49:11
  Speaker 1: of Máximo, who came out of the air, but... Mano,
• 49:15
  Speaker 1: foi um cara que também, mano, eu só tenho a
• 49:17
  Speaker 1: agradecer a ele, tá ligado? Essa união de vocês foi... awesome.
• 49:20
  Speaker 1: It's crazy, the guys are awesome. How did you meet Rodolfinho,
• 49:24
  Speaker 1: Léo da Baixada? Léo da Baixada and I used to
• 49:26
  Speaker 1: race in the studio since we were kids. We bought
• 49:29
  Speaker 1: the first car he bought. He didn't buy it one day,
• 49:31
  Speaker 1: I bought mine the next. We used to ride together,
• 49:33
  Speaker 1: I didn't even know how to drive. He with a Fox,
• 49:37
  Speaker 1: I with a Golzinho, 5th generation. We used to race, bro.
• 49:41
  Speaker 1: There was a Ferrari at the time, right? For sure.
• 49:43
  Speaker 1: If at that time one real was already money, imagine
• 49:45
  Speaker 1: a car of 30, 40 thousand. You're crazy. You know?
• 49:47
  Speaker 2: And what was the lesson for us? At least Guimê
• 49:50
  Speaker 2: and Rodolffo were from Osasco. So for me, for the
• 49:54
  Speaker 2: guys from Osasco.
• 49:54
  Speaker 1: It's like, my God. There are two MCs. Heroes, heroes.
• 49:57
  Speaker 7: But there was a Lon.
• 49:58
  Speaker 1: There's a Lon who's like, man, who's this guy? He's
• 50:00
  Speaker 1: a little further away.
• 50:01
  Speaker 2: We can't access him. He's the hero from there, right?
• 50:03
  Speaker 1: Yes, he's the hero from the beach. But we don't
• 50:04
  Speaker 1: see him so much.
• 50:05
  Speaker 2: Rodolfinho and Guimê, I saw them at the school door.
• 50:08
  Speaker 2: So I wanted.
• 50:09
  Speaker 1: When I.
• 50:10
  Speaker 2: Saw them sticking together, making the videos of the medals,
• 50:12
  Speaker 2: I was like, wow, the guys got to know each other.
• 50:15
  Speaker 2: The guys got together. My God, what's going to come now?
• 50:17
  Speaker 1: Who got together? It was a very cool crowd. The
• 50:20
  Speaker 1: first backman of Rodolfinho that he smoked was with me,
• 50:23
  Speaker 1: Guimê too. You knew how to bowl well, right? I
• 50:25
  Speaker 1: knew how to bowl well. I was a bowler, brother.
• 50:27
  Speaker 1: The guys always admired me bowling a lot. I bowled
• 50:29
  Speaker 1: very fast. Today I don't smoke anymore. But everything has
• 50:33
  Speaker 1: its time. But in the time I smoked there, it
• 50:35
  Speaker 1: was good as hell. But who joined who?
• 50:37
  Speaker 7: Who said that?
• 50:38
  Speaker 1: Guimê, get there.
• 50:39
  Speaker 7: Who joined who at that moment?
• 50:42
  Speaker 1: Ah, man, actually it was Léo da Baixada, brother. Léo
• 50:44
  Speaker 1: da Baixada, the DJ Nino, recorded several of our hits.
• 50:48
  Speaker 1: Sensato Destino, Novinha Chora. Man. Man.
• 51:09
  Speaker 2: That video of Madly and the Blue Wall is when
• 51:11
  Speaker 2: you met each other?
• 51:12
  Speaker 1: We met each other, bro. What is that?
• 51:14
  Speaker 2: That video is very important for the fan scene.
• 51:16
  Speaker 1: We met each other. We sang Vale o que tem,
• 51:20
  Speaker 1: Vale o que tem, né? Você vale o que tem,
• 51:21
  Speaker 1: ou Vale o que tem dois. It's been a long time,
• 51:23
  Speaker 1: I don't remember. Você vale aquilo que tu tem dois.
• 51:26
  Speaker 1: You're worth more than two, KZ All, the band formed, right? Then,
• 51:30
  Speaker 1: you know, he said, he stuck, I said, but who
• 51:32
  Speaker 1: are these MCs, Rodolfinho, Guimê? No, man, the guys listened
• 51:34
  Speaker 1: to your funk, the guys liked you. There was a
• 51:37
  Speaker 1: little one too. Yeah, you know, I think it was Andreuzinho, right?
• 51:40
  Speaker 1: What was the first impression.
• 51:42
  Speaker 7: When you trombosed the guys?
• 51:43
  Speaker 1: Ah, no, it was the other MC, I don't remember
• 51:45
  Speaker 1: his name, but it was the other MCzinho, the little one.
• 51:48
  Speaker 7: When did you beat the guys?
• 51:50
  Speaker 1: Did you beat them? No, I already fought with them,
• 51:52
  Speaker 1: I already hugged them, bro. We became friends, bro. I've
• 51:55
  Speaker 1: always been a guy, bro, without a curse, that I
• 51:57
  Speaker 1: gave a lot of opportunity to all those who are MCs.
• 52:00
  Speaker 1: Only from the guy being an MC, you know, Mítico?
• 52:02
  Speaker 1: He's already my brother, bro. You're in the fight, right? Bro,
• 52:05
  Speaker 1: if he says like this, I'm an MC, you're already
• 52:06
  Speaker 1: my brother, bro. You've already won all the possible points
• 52:09
  Speaker 1: with me, you know? Now, as a person, you have
• 52:11
  Speaker 1: to win too. You know? As a musician, you've already won.
• 52:14
  Speaker 1: You're already an MC, you're already in the same dream
• 52:16
  Speaker 1: as me. Now let's see if your person will come out,
• 52:18
  Speaker 1: but after you burst. There were several there who were
• 52:21
  Speaker 1: my fans. And nowadays you ask him if he's a
• 52:23
  Speaker 1: Ken fan, he says, Zeca Pagodinho. You know? And the
• 52:27
  Speaker 1: guy starts to go to my house. You said, I remember, bro.
• 52:30
  Speaker 1: I remember. You know? But I leave the destiny, you know?
• 52:33
  Speaker 1: The puzzle of life is coming together. And I don't
• 52:35
  Speaker 1: even need to say anything, because there are a lot
• 52:38
  Speaker 1: of people who followed me. I say, pô, Zeca Pagodinho what?
• 52:41
  Speaker 1: I used to say until where I was a fan
• 52:42
  Speaker 1: of Lão. You know? So, like, the guys like to appear.
• 52:46
  Speaker 1: And how can I say this, bro? Forget the origins.
• 52:50
  Speaker 1: I don't forget, bro. I know where I came from.
• 52:51
  Speaker 1: I know where I want to go.
• 52:54
  Speaker 7: That's why you're still here.
• 52:56
  Speaker 1: I'm very strong, you know? You know Cauã de Mocota, right?
• 52:59
  Speaker 1: Cauã is my old partner, you know? Cauã is from
• 53:00
  Speaker 1: Bitaru and I'm from Vila do Sapo, you know? We
• 53:03
  Speaker 1: used to see each other. He was very famous in
• 53:05
  Speaker 1: my city. Cauã was the first to go to funk,
• 53:08
  Speaker 1: you know? He used to sing at Bolivar, I didn't.
• 53:14
  Speaker 1: You know?
• 53:14
  Speaker 2: Seattle was the goal, right?
• 53:15
  Speaker 1: So, he was wearing a Catron, and we didn't have
• 53:17
  Speaker 1: Catron yet. Hathlers were the clothes that the broken MCs wore,
• 53:21
  Speaker 1: you know? But he sang at Euphoria, he sang at Oficina,
• 53:26
  Speaker 1: at Vale da Quebrada, so.
• 53:27
  Speaker 2: Did you see the story of him coming to your
• 53:29
  Speaker 2: house and waking you up.
• 53:31
  Speaker 1: Out of nowhere? No, then I was already broken, I
• 53:33
  Speaker 1: was already broken. He came there waking me up and everything,
• 53:35
  Speaker 1: we did a lot of ballads together, right, bro? Then
• 53:38
  Speaker 1: destiny came to, how can I say this, to distance us.
• 53:42
  Speaker 1: But now we're friends again. I sang at his ball
• 53:44
  Speaker 1: these days. I gave him a hug, you know? It's
• 53:46
  Speaker 1: cool to resolve things.
• 53:48
  Speaker 2: He asked for forgiveness from.
• 53:49
  Speaker 1: Me, I asked for forgiveness from him. You know? Why not?
• 53:52
  Speaker 1: The one who didn't make a mistake shoots the first stone,
• 53:55
  Speaker 1: you know? It's beautiful. Our youth.
• 54:01
  Speaker 1: It brings a lot of good things, but it can
• 54:03
  Speaker 1: also bring a lot of bad things. And we try
• 54:04
  Speaker 1: to erase the bad things and keep the good things.
• 54:06
  Speaker 1: That's what happened between me and Cauã. But I have
• 54:08
  Speaker 1: a lot of affection for him. I like him. I'm
• 54:10
  Speaker 1: a fan of his musicality. I'm a fan of his people,
• 54:12
  Speaker 1: his family that I know. Dona Nava, the people there.
• 54:16
  Speaker 1: I believe that she also has a lot of affection
• 54:19
  Speaker 1: for me. Because whatever happens, she calls me. She's like,
• 54:22
  Speaker 1: are you okay? His producer is also a great guy.
• 54:32
  Speaker 1: I got sick that day, so they took care of me. So,
• 54:36
  Speaker 1: it's just good things. We'll keep talking about.
• 54:37
  Speaker 3: These friendships, but now I'm curious. When was the first
• 54:39
  Speaker 3: time you sang at Boulevard?
• 54:45
  Speaker 1: The first time I sang in Bolivar was at the
• 54:47
  Speaker 1: Havaianos concert. There's a video on YouTube. Didn't you have
• 54:50
  Speaker 1: a whole movie in your head?
• 54:52
  Speaker 7: No, but you don't know. I started when I was
• 54:53
  Speaker 7: 16 and went to Bolivar's door and enjoyed it.
• 54:55
  Speaker 1: There was a Friday Z and a Saturday Z. It
• 54:56
  Speaker 1: was 50 cents beer.
• 54:56
  Speaker 7: Wow.
• 54:57
  Speaker 1: Look at the joy. It was the night of the
• 55:00
  Speaker 1: 15 MCs. Damn! Night of the 25 MCs.
• 55:10
  Speaker 7: My God!
• 55:10
  Speaker 1: Why? 15 minutes for each one? Three songs each. It
• 55:15
  Speaker 1: was Vinny Fandangos, Renatinho Alemão, MC Primo, Boli Betinho, Totô
• 55:20
  Speaker 1: e Cabeça, Kalec Pichote. Man, all of the time there,
• 55:24
  Speaker 1: you know? Peck Marcelinho. And you liked it?
• 55:26
  Speaker 2: Only legend.
• 55:27
  Speaker 1: I liked it. Calde Ratinho. I liked it, man. I
• 55:30
  Speaker 1: was there in front of the stage, screaming, singing with
• 55:33
  Speaker 1: the guys. Felipe Boladão. I was just a young apprentice,
• 55:37
  Speaker 1: you know? I had just left the drums, because I...
• 55:38
  Speaker 1: A big fan.
• 55:39
  Speaker 3: And did you see yourself on stage?
• 55:42
  Speaker 7: You say, man, one day.
• 55:42
  Speaker 1: I saw myself there, so much so that I saw
• 55:45
  Speaker 1: the Japanese out there, I always had the entrepreneurial mentality, bro.
• 55:47
  Speaker 1: You will understand me now, this stuff is very cool too.
• 55:50
  Speaker 1: I saw the Japanese there, you know? The Japanese of funk,
• 55:53
  Speaker 1: who is no longer here with us. I saw him
• 55:55
  Speaker 1: at the door of the bar.
• 55:56
  Speaker 2: The owner of Boulevard, right?
• 55:56
  Speaker 1: The owner of Boulevard, of Fantastic. Remember Fantastic? Boulevard was
• 56:00
  Speaker 1: a very big bar there. from Santos, Praia Grande and such.
• 56:02
  Speaker 1: Then I saw him at the door of the club, bro,
• 56:04
  Speaker 1: like this, he with several gangsters from Quebrada, because the club,
• 56:08
  Speaker 1: you know, only gangsters, and I also saw his security,
• 56:11
  Speaker 1: that he had security, the big guys, the big guys,
• 56:13
  Speaker 1: I said, damn, bro, this guy is a thousand degrees, bro.
• 56:17
  Speaker 1: This one knows what he's doing. The guy with the
• 56:20
  Speaker 1: gold rings, with a kilo of gold, with the buds here,
• 56:23
  Speaker 1: I said, damn, bro, this guy is a thousand degrees.
• 56:25
  Speaker 1: Then I went there to look at the MCs, I
• 56:28
  Speaker 1: analyzed everything, I looked at the guys, they were all
• 56:31
  Speaker 1: well dressed, the MCs, you know? But I didn't see
• 56:34
  Speaker 1: anyone with a giant cord like him, man. He's more,
• 56:37
  Speaker 1: that's it. He's more MC than us.
• 56:39
  Speaker 2: The guy who fills his house, he's just the owner
• 56:41
  Speaker 2: of the house, the contractor.
• 56:42
  Speaker 1: You know? Bigode, maximum. Why don't we also have some
• 56:44
  Speaker 1: little cords? Like us, I say to the guys, why
• 56:46
  Speaker 1: don't the guys also have the little cords.
• 56:49
  Speaker 7: Of 1kg of gold and 2kg of gold, brother?
• 56:57
  Speaker 1: You know? It's not just him who has it. Ah, no,
• 56:59
  Speaker 1: if one day I burst, I'll have a 1kg cord, bro.
• 57:02
  Speaker 1: That's awesome. You're like the Japanese. Yeah, I machined it.
• 57:04
  Speaker 1: I said, no, I'm going to put gold together, I'm
• 57:06
  Speaker 1: going to do my thing. Then I said, oh, Japanese,
• 57:07
  Speaker 1: let me sing, but who are you, bro? I've never
• 57:09
  Speaker 1: seen you, you're not even an MC.
• 57:10
  Speaker 2: Go there, bro.
• 57:11
  Speaker 1: The other day you sing, and pa, pa, pa. You
• 57:13
  Speaker 1: already put the niggas, the guys already start pushing. The
• 57:15
  Speaker 1: other week I was there. Saturday, Tuesday, Thursday, Thursday. Hey, Japanese,
• 57:18
  Speaker 1: are you going to give me a chance to sing, bro?
• 57:20
  Speaker 1: And pa, pa. He said, no, no, who are you, bro? Man,
• 57:22
  Speaker 1: I stayed three years, man. Fuck, bro.
• 57:24
  Speaker 7: Every week, bro.
• 57:27
  Speaker 1: Every week, so much so that on the last day
• 57:30
  Speaker 1: I went to ask for him, there was DJ Titi
• 57:31
  Speaker 1: and DJ Pezão. Then I said to him, the Japanese.
• 57:35
  Speaker 1: Three years later, bro. No, every week, bro. I was there,
• 57:38
  Speaker 1: he even knew me. He said, that boring MC will
• 57:39
  Speaker 1: come there, bro. I asked to sing here. I asked
• 57:41
  Speaker 1: to sing, with the most humble clothes, you know? Cutting
• 57:43
  Speaker 1: my hair, because I had never stopped cutting my hair,
• 57:45
  Speaker 1: even my songs playing in the community. I was there
• 57:48
  Speaker 1: playing macho, that's what kept me. That gave breakfast, a
• 57:53
  Speaker 1: nice lunch. After I started to cut my hair, every
• 57:56
  Speaker 1: day was steak, brother. Steak for me was like, if
• 57:59
  Speaker 1: it were... I even ate in the sidewalk, for the
• 58:01
  Speaker 1: others to see me eating in the steak. Here, I'm
• 58:02
  Speaker 1: trying to serve a plate of food, son. Oh my God,
• 58:05
  Speaker 1: you know? I only ate eggs, I only ate hamburgers,
• 58:08
  Speaker 1: I only ate meat, you know?
• 58:09
  Speaker 2: I ate flour with sugar.
• 58:10
  Speaker 1: Yeah, flour with sugar in the morning. No, bread with milk,
• 58:13
  Speaker 1: coffee with milk, I'm going to drink here in the sidewalk, son.
• 58:16
  Speaker 1: You'll see.
• 58:17
  Speaker 7: I'm feeding myself. I bought my bus, bought.
• 58:19
  Speaker 1: My stuff and I'm already running. Then he said, man,
• 58:23
  Speaker 1: you've been asking me for three years to sing, man.
• 58:25
  Speaker 1: They had a radio there too, a radio that was
• 58:28
  Speaker 1: very famous there in Santos. He said, man, go there
• 58:29
  Speaker 1: on the radio. There in Santos, there. How did I
• 58:32
  Speaker 1: go there in Santos? It was like two cities there,
• 58:34
  Speaker 1: without accommodation, with the bus, without anything. Go there. I
• 58:37
  Speaker 1: got the bus, it was me and Bruninho da Baixada there,
• 58:39
  Speaker 1: a friend of mine there. I said, let's go to
• 58:41
  Speaker 1: Santos with me, man. Help me there, man. I was
• 58:43
  Speaker 1: going to talk to DJ Titi there, who was the
• 58:44
  Speaker 1: DJ who played the radio program. He told me to
• 58:47
  Speaker 1: go there and if I sing well there, he said
• 58:49
  Speaker 1: he would let me sing at Bolevar next week. Fuck! Brother,
• 58:52
  Speaker 1: I got into the guy's thing, brother. There, no mercy, man.
• 58:55
  Speaker 8: In 2009, 2008.
• 58:55
  Speaker 1: Wow! Man, think about the guy's studio, man. Pica! Man,
• 59:02
  Speaker 1: just like... Today's! Just like you guys here, with all
• 59:06
  Speaker 1: due respect, brother, with all due respect. Of course! 2008. Nossa. Mano,
• 59:01
  Speaker 1: pensa no estúdio do cara, parceiro. Pica. Mano, igual... Os
• 59:05
  Speaker 1: de hoje. Igual os de vocês aqui, com todo respeito, irmão.
• 59:08
  Speaker 1: Máximo respeito. Vocês fizeram um bagulho mil grau mesmo, da hora, mano.
• 59:12
  Speaker 1: Máximo de respeito, eu fiquei aqui no... Between the studios. Man,
• 59:15
  Speaker 1: you're crazy, what a cool place. Man, same thing as
• 59:17
  Speaker 1: you guys, awesome structure in those days, you know? Wow,
• 59:20
  Speaker 1: so it was even cooler. No, so the guy had
• 59:21
  Speaker 1: some Yakuza swords, because he was from Mafia Yakuza. Some swords,
• 59:23
  Speaker 1: some things, some gold rings hanging on the Buddha. Oh,
• 59:26
  Speaker 1: I got it. Those Buddha full of coins, those gold coins,
• 59:28
  Speaker 1: all Japanese stuff, because he was from Japan. I said,
• 59:37
  Speaker 1: are you crazy bro? This guy is a monster. Another
• 59:38
  Speaker 1: structure here. Another structure. Then I went there, I sang
• 59:40
  Speaker 1: there bro. I sang O Bonde das Casinhas, I sang
• 59:42
  Speaker 1: A Revolta das Quebradas. He said, are you crazy? You
• 59:44
  Speaker 1: evolved a lot, bro. You didn't even know how to sing, bro.
• 59:46
  Speaker 1: And I really didn't know at the beginning, you know?
• 59:49
  Speaker 1: He said, bro, next week I'm going to put your
• 59:50
  Speaker 1: name on the banner and you're going to sing there. Bro,
• 59:54
  Speaker 1: my name came out really small on the banner, on
• 59:55
  Speaker 1: Lambi Lambi. Havaianos, for the photos of the guys, of
• 59:59
  Speaker 1: the youth, of the guys, everything. My little name, like that.
• 1:00:03
  Speaker 1: I said, damn it, I can't believe he put my name.
• 1:00:04
  Speaker 1: I'm going to sing, bro. I announced it to break
• 1:00:07
  Speaker 1: it all, bro. I even bought an invitation for the guys.
• 1:00:09
  Speaker 1: I worked there and bought the ticket for R $ 10.
• 1:00:10
  Speaker 1: Take it for you, take it for you, take it
• 1:00:13
  Speaker 1: for you.
• 1:00:13
  Speaker 7: You paid to sing.
• 1:00:14
  Speaker 1: I paid to sing. At that time I spent about
• 1:00:16
  Speaker 1: 300 reais. I bought about 30 invitations. 300 reais were
• 1:00:18
  Speaker 1: about two accounts. Yeah, bro. You know? Then I took
• 1:00:21
  Speaker 1: my little girl, some people who were already from the street,
• 1:00:24
  Speaker 1: who already liked my songs. He said, stay in the front.
• 1:00:26
  Speaker 1: And sing. And sing. Bro, for you to see, there's something.
• 1:00:28
  Speaker 1: I sang the two songs. When I sang, he went
• 1:00:30
  Speaker 1: up on stage and he got scared. He said, are
• 1:00:32
  Speaker 1: you crazy? The boy is good as hell. Then the
• 1:00:34
  Speaker 1: Havaianos came in. Yuri went and said, who was this
• 1:00:41
  Speaker 1: boy who sang here first than us, who opened our show?
• 1:00:44
  Speaker 1: Is MC Law still there? Havaianu didn't call me to sing, bro. Fuck, bro. Imagine, man. Fuck,
• 1:00:51
  Speaker 1: this video is really there, bro. I think it's really there.
• 1:00:53
  Speaker 1: Let me see, I'm wearing a shirt from... Shirt from Estrada.
• 1:00:55
  Speaker 4: Yes, yes.
• 1:01:02
  Speaker 1: This video is from 2010. I think this is it, bro.
• 1:01:03
  Speaker 1: I think this is it, bro. After this video, Yuri
• 1:01:04
  Speaker 1: went on stage and said, bro, I want this MC
• 1:01:07
  Speaker 1: to sing here first, I want him to sing with us.
• 1:01:09
  Speaker 2: Then I went, I sang with the Havaianos.
• 1:01:11
  Speaker 1: And there was a part of São Paulo people, there
• 1:01:14
  Speaker 1: were people from São Paulo who came down, you know,
• 1:01:16
  Speaker 1: the big beards, came down just to stay in the
• 1:01:19
  Speaker 1: dressing rooms and see the MCs sing. You know what
• 1:01:21
  Speaker 1: the guys did last week, bro? My agenda was packed
• 1:01:23
  Speaker 1: to the brim.
• 1:01:29
  Speaker 8: Pamoca, I don't know what, I don't know what, I
• 1:01:32
  Speaker 8: don't know what.
• 1:01:32
  Speaker 1: So you had a great stage presence. Man, you know,
• 1:01:34
  Speaker 1: the guys already saw me singing with the Havaianos, the
• 1:01:37
  Speaker 1: Havaianos were dancing, those dances, you know? The stage was
• 1:01:40
  Speaker 1: blown up, they were in that Regina Cazé, Daburro. Yes, there,
• 1:01:42
  Speaker 1: in Esquenta. They were in Esquenta, in all the places,
• 1:01:44
  Speaker 1: then they gave me the opportunity to call, you know? Man,
• 1:01:46
  Speaker 1: I sang with the guys. Brother, from that day on,
• 1:01:49
  Speaker 1: I arrived here.
• 1:01:50
  Speaker 7: But then, did you have someone to answer the phone?
• 1:01:53
  Speaker 7: The ball, how was this structure?
• 1:01:55
  Speaker 1: After a day, the sites appeared. When the site appeared,
• 1:01:58
  Speaker 1: the guy came to me and said, bro, I'm going
• 1:02:00
  Speaker 1: to put your songs on the site, bro. I'm putting
• 1:02:03
  Speaker 1: your songs without your picture there, it's already hitting 1,000 plays, bro.
• 1:02:06
  Speaker 7: It's hitting 500 plays, bro.
• 1:02:07
  Speaker 1: 500 people are listening to your stuff, bro. I said,
• 1:02:09
  Speaker 1: are you crazy? 500 people, bro, on the site? Put
• 1:02:12
  Speaker 1: my number there as a contract, bro. Start selling my show.
• 1:02:14
  Speaker 1: If you can sell it, I'll give you so much.
• 1:02:16
  Speaker 1: You know? The guy didn't fill my agenda.
• 1:02:19
  Speaker 7: He earned his percentage.
• 1:02:20
  Speaker 1: Then he filled my agenda, saw the first lot of
• 1:02:21
  Speaker 1: the agenda, like, I sold it for three months and said, bro,
• 1:02:23
  Speaker 1: now my show is so much, bro. I'm singing for
• 1:02:26
  Speaker 1: everyone and it's getting crowded. That's where the revolution came from.
• 1:02:30
  Speaker 1: It was all new to me.
• 1:02:31
  Speaker 2: Did you start making the cashier more expensive?
• 1:02:34
  Speaker 1: Yes, they say that my cashier started to get more
• 1:02:36
  Speaker 1: expensive and the fans started to charge everyone.
• 1:02:39
  Speaker 2: With all due respect, on your first schedule, how much
• 1:02:42
  Speaker 2: was your show? The first schedule was R $ 1,500,
• 1:02:44
  Speaker 2: R $ 1,200.
• 1:02:44
  Speaker 1: After you saw that R $ 1,500 is not enough
• 1:02:46
  Speaker 1: for the noise I make here. For the lot. How
• 1:02:53
  Speaker 1: much was it? It was for 5,000, bro. Oh, man.
• 1:02:56
  Speaker 1: It was for 5,000. Then it was when I bought
• 1:02:57
  Speaker 1: the Captiva, I bought 30, I bought a car map,
• 1:03:00
  Speaker 1: I put it in the garage. I was walking with
• 1:03:02
  Speaker 1: a kilo of.
• 1:03:03
  Speaker 7: Gold on my neck. How many shows a week.
• 1:03:05
  Speaker 1: Were you doing? Oh, bro, I'm sorry to say, it's
• 1:03:07
  Speaker 1: an exaggeration, but I did up to 20 shows a.
• 1:03:10
  Speaker 8: Week, bro.
• 1:03:11
  Speaker 1: Man. 20, 30 shows a week, bro. I've arrived, I've
• 1:03:13
  Speaker 1: arrived in not even a day, bro. Going back with 100,000
• 1:03:15
  Speaker 1: in your pocket. It's crazy, bro, for God's sake, it's crazy.
• 1:03:17
  Speaker 1: You can ask Rodrigo Jair Seis, that he was also
• 1:03:19
  Speaker 1: one of the guys who... It helped me a lot,
• 1:03:21
  Speaker 1: because Rodrigo was always a guy who... He was a contractor, right?
• 1:03:24
  Speaker 1: who put us to sing in our... He had a connection, like,
• 1:03:26
  Speaker 1: in 10 concert halls, it was Rodrigo's, 10 houses at night.
• 1:03:29
  Speaker 1: At that time, bro. At that time, bro. Like, bro,
• 1:03:33
  Speaker 1: I already came to sing in 12... In just one day,
• 1:03:35
  Speaker 1: 12 shows. 12 dances. 12 dances, bro. 12 dances. Your
• 1:03:38
  Speaker 1: family must have been like... At the last show, the
• 1:03:41
  Speaker 1: guys were like this, with the gun on me. Go, sing,
• 1:03:43
  Speaker 1: where's your voice? You don't... I... Sing, fuck it. 19,
• 1:03:47
  Speaker 1: 20 years, no voice, bro, I had already spent everything.
• 1:03:50
  Speaker 1: Giving life to the people. Giving life to the people,
• 1:03:53
  Speaker 1: I didn't know, you know? I didn't know how to
• 1:03:55
  Speaker 1: make a.
• 1:03:55
  Speaker 7: Show, bro, it was all very fast.
• 1:03:57
  Speaker 1: And Luim, how was your mind, bro?
• 1:03:58
  Speaker 3: Because, out of nowhere, you started to earn a lot
• 1:03:59
  Speaker 3: of money, making a lot of success, you were new,
• 1:04:02
  Speaker 3: out of nowhere, you cut your hair, and now you were.
• 1:04:05
  Speaker 1: Earning 5 mil for the show, right? Bro, I was
• 1:04:07
  Speaker 1: a guy who, like, until today, bro, for God's sake,
• 1:04:10
  Speaker 1: I'm not that guy who likes to be with money,
• 1:04:12
  Speaker 1: you know, bro? I like to invest, I don't like
• 1:04:15
  Speaker 1: to have a lot of money, I think that.
• 1:04:18
  Speaker 1: The money is a good thing, but it's also bad,
• 1:04:19
  Speaker 1: you know, brother?
• 1:04:20
  Speaker 7: I understand.
• 1:04:21
  Speaker 1: You have to help people with what you have, you know?
• 1:04:22
  Speaker 1: Because there are many people who have nothing, like I
• 1:04:25
  Speaker 1: came from that... So, like, I was already buying. I
• 1:04:27
  Speaker 1: bought a bar, I bought a house, I bought a bicycle,
• 1:04:31
  Speaker 1: I bought a.
• 1:04:31
  Speaker 2: A real estate bank. The village of Sapo was becoming yours.
• 1:04:34
  Speaker 1: Man... Man, Bruninho himself already sold a lot of stuff
• 1:04:37
  Speaker 1: to me, because Bruninho was crazy about life when he
• 1:04:39
  Speaker 1: was younger. He used to go home and say, hey,
• 1:04:41
  Speaker 1: I found this stuff to sell, pa, pa, I don't
• 1:04:42
  Speaker 1: know what, pa, I take it, boy, pa, take this
• 1:04:44
  Speaker 1: stuff here, take a look, how much is it? It's 10,000,
• 1:04:46
  Speaker 1: take it here, tell me. Take a look, pa. I'm kidding, Bruninho,
• 1:04:49
  Speaker 1: it wasn't like that, bro. The stuff was crazy, the
• 1:04:52
  Speaker 1: door of my house opened one day, the guys were
• 1:04:53
  Speaker 1: already there. I would arrive at like 6 o'clock in
• 1:04:55
  Speaker 1: the morning. There's money, Bruninho used to have money at
• 1:05:00
  Speaker 1: the time. Money.
• 1:05:07
  Speaker 7: Yes, yes.
• 1:05:08
  Speaker 3: The money was over, the money was over.
• 1:05:10
  Speaker 2: Bruno said he promised, no, you can take it here
• 1:05:12
  Speaker 2: next week, he would pay, he was a good payer.
• 1:05:14
  Speaker 1: Yes, there were some guys who were from Quebrada too,
• 1:05:17
  Speaker 1: who had money. I turned into a pick and roll,
• 1:05:24
  Speaker 1: you know, man? I didn't like... So much so that
• 1:05:26
  Speaker 1: until today.
• 1:05:27
  Speaker 3: What were some crazy things you did on this website
• 1:05:30
  Speaker 3: to spend money?
• 1:05:30
  Speaker 1: That you said, bro, look... Oh, bro, I did a
• 1:05:32
  Speaker 1: lot of crazy things, bro. I think it's even wet
• 1:05:33
  Speaker 1: to talk about it, bro. Car or... So, you know, bro?
• 1:05:35
  Speaker 1: I did so much crazy, like, you know, bro? I'm
• 1:05:37
  Speaker 1: going to say just one thing, bro. You know, bro?
• 1:05:40
  Speaker 1: I used to spend money, like, with illegal weapons. I
• 1:05:42
  Speaker 1: used to buy illegal weapon packs, bro. I used to say, no,
• 1:05:45
  Speaker 1: I'm going to buy a pack of weapons here, because
• 1:05:48
  Speaker 1: I'm going to leave my friends all armed. If someone
• 1:05:49
  Speaker 1: comes to steal me here, he's going to lie down,
• 1:05:51
  Speaker 1: you know? I got it. Like, I was crazy, you know, bro? Gangsta, gangsta. No,
• 1:05:54
  Speaker 1: but it's like... You need to protect yourself, right? The
• 1:05:59
  Speaker 1: guys were dying. They were calling a lot of attention.
• 1:06:01
  Speaker 1: Then they started dying. Are you crazy? Then they started dying.
• 1:06:03
  Speaker 1: The guys were dying from shooting. I said, no, now
• 1:06:06
  Speaker 1: I have to buy a rifle, a shotgun. Buy everything.
• 1:06:09
  Speaker 1: But I didn't have the mentality that a weapon could
• 1:06:12
  Speaker 1: be legalized. I could carry it like a port, a posse.
• 1:06:15
  Speaker 1: Or even a shooter, a cac. I didn't have the mentality.
• 1:06:18
  Speaker 1: The money came a lot. I didn't know. I didn't
• 1:06:21
  Speaker 1: have financial education, brother. I studied this until the first
• 1:06:24
  Speaker 1: high school. I didn't finish the study. So, the funk
• 1:06:28
  Speaker 1: came and I had to stop studying, I worked since
• 1:06:32
  Speaker 1: I was young, you know? I found a way to
• 1:06:34
  Speaker 1: protect myself and I thought it was right, but it wasn't, bro.
• 1:06:40
  Speaker 1: You know? But then, I'm with my wife, she's already 16,
• 1:06:41
  Speaker 1: she's going to be 17 years old. My wife has
• 1:06:42
  Speaker 1: been with me since she was young, you know? She
• 1:06:44
  Speaker 1: has always been very smart, since she was young, she
• 1:06:46
  Speaker 1: always told me, bro, you don't need to be a singer,
• 1:06:48
  Speaker 1: your weapon is the microphone. Go to work, go to
• 1:06:52
  Speaker 1: the studios, set up your studio. Then I set up
• 1:06:54
  Speaker 1: a studio, I set up a studio in the favela,
• 1:06:56
  Speaker 1: I put the MCs. Imagine, on Praia Grande there was
• 1:06:59
  Speaker 1: no MC, in a little while I would put a
• 1:07:02
  Speaker 1: lot of MCs in my studio. Then DJ Kaique set
• 1:07:04
  Speaker 1: up a studio inside my house, on Rua das Casinhas,
• 1:07:05
  Speaker 1: and then I would put a lot of MCs. Since
• 1:07:07
  Speaker 1: Caxeta's nigga already put a lot of MCs, you know?
• 1:07:11
  Speaker 1: A lot of artists, you know? Kawan, you know?
• 1:07:15
  Speaker 2: At that moment when you started to explode, when you
• 1:07:17
  Speaker 2: started to do a lot of dancing, And we are
• 1:07:19
  Speaker 2: talking about the MCs that unfortunately have already left. Did
• 1:07:21
  Speaker 2: you tromb the Daleste too, my brother? I tromb, Daleste
• 1:07:24
  Speaker 2: was my friend.
• 1:07:25
  Speaker 1: The week Daleste died, we were together, we drank a
• 1:07:28
  Speaker 1: cachaça together. He gave me a hug and said, bro,
• 1:07:30
  Speaker 1: I'm your big fan, come up to sing with me.
• 1:07:31
  Speaker 1: I was very crazy, no, no, bro, I'm not going
• 1:07:32
  Speaker 1: to sing today. From Havaiana, all dirty at the party.
• 1:07:34
  Speaker 1: I was crazy, bro, like I was running away from
• 1:07:36
  Speaker 1: my wife. So sometimes I didn't even go home, I
• 1:07:38
  Speaker 1: was going to... You know? I was really crazy, you know?
• 1:07:47
  Speaker 1: I was like, let's go, let's go sing in the Cats,
• 1:07:50
  Speaker 1: let's go see Daleste, let's go, man. There was a
• 1:07:52
  Speaker 1: time when Daleste reposted something, I don't know if you
• 1:07:55
  Speaker 1: saw it, he put it like this, MC Lão is
• 1:07:58
  Speaker 1: fashion and Daleste here is foda, man.
• 1:08:01
  Speaker 7: On Twitter, what did you feel when you saw that?
• 1:08:03
  Speaker 1: Ah, I was a gangster, I was armed and I
• 1:08:05
  Speaker 1: wanted to get him. What an idea! Yeah, let's go,
• 1:08:08
  Speaker 1: and I went there. Did you go to the East? Yes,
• 1:08:13
  Speaker 1: I did. Pat is my best friend to this day.
• 1:08:15
  Speaker 1: I didn't go to the East. I went to Quebada.
• 1:08:17
  Speaker 1: He sings everywhere. I said, let him come. He will
• 1:08:19
  Speaker 1: come to my hand. When he comes to my hand,
• 1:08:22
  Speaker 1: we will exchange ideas. I got there and he received
• 1:08:24
  Speaker 1: me very well. He said, I ended up not seeing
• 1:08:27
  Speaker 1: this thing. I accepted his apology because I saw that
• 1:08:31
  Speaker 1: it was true. Purity. It was purity, brother. He said
• 1:08:33
  Speaker 1: he was my fan, that he liked me. I also
• 1:08:35
  Speaker 1: said I was his fan. He said, I didn't even
• 1:08:37
  Speaker 1: see it. I went and showed it to him. But
• 1:08:40
  Speaker 1: it's so retweeted that I retweeted it and said, but
• 1:08:42
  Speaker 1: it's yours, right? Yours has so many people, right? Of
• 1:08:45
  Speaker 1: the people, there are 100 people, yours has thousands, so
• 1:08:48
  Speaker 1: you have to see what you post. If the guy
• 1:08:50
  Speaker 1: says he's going to.
• 1:08:50
  Speaker 7: Do something with.
• 1:08:51
  Speaker 1: Your family, are you going to repost it? You're not
• 1:08:53
  Speaker 1: going to, so respect my walk too, I'm a big
• 1:08:54
  Speaker 1: fan of yours, you know? I'm a big fan of yours.
• 1:09:01
  Speaker 1: Then we became friends. That day he asked me to
• 1:09:03
  Speaker 1: sing with him. And I was really drunk. I said, bro,
• 1:09:06
  Speaker 1: I'm not going to sing. I'm going to stay here
• 1:09:08
  Speaker 1: watching your show, bro. You were a little drunk. And
• 1:09:10
  Speaker 1: I was a little nervous because of this tweet thing.
• 1:09:13
  Speaker 1: But anyway... We hugged each other, we made up. Pet
• 1:09:17
  Speaker 1: was there too, he made us get even closer, his brother.
• 1:09:19
  Speaker 1: And we became friends, you know? Thank God he... When
• 1:09:22
  Speaker 1: he left, we were already friends, we were exchanging ideas
• 1:09:27
  Speaker 1: and stuff. We were talking about making a barbecue, about
• 1:09:31
  Speaker 1: making some songs together. Unfortunately, we couldn't record the songs together.
• 1:09:34
  Speaker 1: But I'm sure that... Like, he was already a lot
• 1:09:38
  Speaker 1: of my friend, you know?
• 1:09:39
  Speaker 2: He's crazy, man. Hey, Mítico, I keep imagining the neuroses, man.
• 1:09:42
  Speaker 2: Because imagine that there were only a few MCs and
• 1:09:46
  Speaker 2: they were killing them.
• 1:09:48
  Speaker 1: It's a dangerous profession.
• 1:09:49
  Speaker 2: Neguildo Caxeta, when he came here, he said he was beaten.
• 1:09:53
  Speaker 2: So there must have been several storms of having climbed
• 1:09:55
  Speaker 2: on stage and you were scared. I like to bring
• 1:09:58
  Speaker 2: these people out there so people know that.
• 1:10:06
  Speaker 1: It wasn't easy, man.
• 1:10:07
  Speaker 2: It wasn't easy at all.
• 1:10:08
  Speaker 1: It wasn't easy at all. It wasn't easy at all.
• 1:10:11
  Speaker 2: It wasn't easy at all. It wasn't easy at all.
• 1:10:14
  Speaker 2: It wasn't easy at all. It wasn't easy at all.
• 1:10:16
  Speaker 1: It wasn't easy at all.
• 1:10:17
  Speaker 2: It wasn't easy at all.
• 1:10:33
  Speaker 1: But nowadays I know how to recognize my mistakes, I
• 1:10:35
  Speaker 1: know where I made mistakes, I know how to apologize.
• 1:10:37
  Speaker 1: There are some who accept and there are some who don't, right, bro?
• 1:10:40
  Speaker 1: But then we try to improve every time, every day,
• 1:10:42
  Speaker 1: thank you for waking up every day and such. But
• 1:10:45
  Speaker 1: in the past we... I'm me and that's it, I
• 1:10:47
  Speaker 1: don't know what, I don't want to know anything, I
• 1:10:50
  Speaker 1: don't want to hurt anyone, I did it, you know?
• 1:10:52
  Speaker 1: But we will... We live our lives knowing that we
• 1:10:55
  Speaker 1: have to put our feet on the ground so we
• 1:10:57
  Speaker 1: can wake up the next day and thank God.
• 1:10:59
  Speaker 2: Sorry, I remembered a song that I used to listen
• 1:11:02
  Speaker 2: to a lot in school and I wanted to know
• 1:11:03
  Speaker 2: who produced it. What a fucking good beat, man. Let's
• 1:11:07
  Speaker 2: burn a tip. Let's burn a tip, I think it was.
• 1:11:11
  Speaker 1: Was it Bala? You're crazy. No, no, I think this
• 1:11:15
  Speaker 1: was the power song, right, DJ Kaique? Where's DJ Kaique?
• 1:11:25
  Speaker 1: DJ Bala was one of the guys who did the
• 1:11:27
  Speaker 1: water division.
• 1:11:28
  Speaker 8: He was the one who did the Carlinhos' medley.
• 1:11:30
  Speaker 1: I only heard that at school. Chiquinho and Amaral too,
• 1:11:39
  Speaker 1: when they sponsored me. Chiquinho and Amaral when they sponsored
• 1:11:43
  Speaker 1: me too. They took me to many shows in São Paulo.
• 1:11:45
  Speaker 1: They helped me a lot. They did a lot of
• 1:11:47
  Speaker 1: shows at that time. They helped me a lot too.
• 1:11:49
  Speaker 1: I can't forget about them. They helped me a lot.
• 1:11:53
  Speaker 1: Chiquinha Amaral, you know? Those guys took me to those
• 1:11:56
  Speaker 1: places a lot.
• 1:11:56
  Speaker 3: Another moment I wanted to know about you too, how
• 1:11:59
  Speaker 3: was that beginning of.
• 1:12:01
  Speaker 7: Man, the TV started looking for you, the reporting started, interviews.
• 1:12:04
  Speaker 1: It was after the Playcenter, like I said, you know?
• 1:12:06
  Speaker 1: The channels started... Because they saw that the Playcenter was
• 1:12:08
  Speaker 1: a place that, like... It wasn't just a favela. Like,
• 1:12:10
  Speaker 1: you had to have money to go to the Playcenter, bro.
• 1:12:13
  Speaker 1: You know, bro? So, like, I saw that the Playboizinhos...
• 1:12:16
  Speaker 1: I was enjoying it too. Not the playboys, sorry for
• 1:12:18
  Speaker 1: the expression. But the people who... How can I say?
• 1:12:19
  Speaker 1: The people who have a father and a mother who work.
• 1:12:22
  Speaker 1: Let's say the people who live a normal life. Because
• 1:12:25
  Speaker 1: I remember, as I'm not from São Paulo, people have
• 1:12:27
  Speaker 1: to understand that too.
• 1:12:33
  Speaker 3: So when I saw you appearing a lot in Brazil,
• 1:12:37
  Speaker 3: it was in a Record.
• 1:12:38
  Speaker 1: Report, bro. In the Liga?
• 1:12:40
  Speaker 3: Yes, this report for me was historical, I said, fuck,
• 1:12:44
  Speaker 3: it was you, Guimê.
• 1:12:46
  Speaker 2: Bic accompanying.
• 1:12:47
  Speaker 3: Wow, they are accompanying you and such, how was that
• 1:12:50
  Speaker 3: for you? There was that I, who was not much
• 1:12:53
  Speaker 3: there in São Paulo, saw how funk worked there in
• 1:12:56
  Speaker 3: São Paulo, you know?
• 1:12:57
  Speaker 1: Yes, yes, bro.
• 1:12:58
  Speaker 7: It was this ostentation thing, bro.
• 1:13:00
  Speaker 1: This was after I bought the... Yeah, this was already famous.
• 1:13:02
  Speaker 3: Yeah, it was already very famous. I bought a place
• 1:13:04
  Speaker 3: for my dad, at that time, I bought a truck
• 1:13:05
  Speaker 3: for him and stuff.
• 1:13:06
  Speaker 1: My dad was what? My dad abandoned my mom, right, bro?
• 1:13:10
  Speaker 1: As he was drinking a lot, my mom fought directly
• 1:13:13
  Speaker 1: with him, bro. My dad ended up abusing my mom
• 1:13:16
  Speaker 1: when we were little kids, you know? We have a
• 1:13:19
  Speaker 1: lot of these things in our memory. And then there
• 1:13:21
  Speaker 1: was a time when my brother started to get involved.
• 1:13:26
  Speaker 1: In a crime, my dad never... Man, my dad hated it, man.
• 1:13:29
  Speaker 1: My dad was that guy, you know, the fighter. When
• 1:13:32
  Speaker 1: my brother started to get involved, when he was arrested
• 1:13:34
  Speaker 1: in Febem, my dad used to say, I'm not going
• 1:13:36
  Speaker 1: to visit you.
• 1:13:38
  Speaker 2: You're not my son anymore.
• 1:13:38
  Speaker 1: Yeah, here it's not your skin that got arrested, you know?
• 1:13:40
  Speaker 1: You're not my son anymore. I cut it, it's a
• 1:13:43
  Speaker 1: finger that I cut, man. You know? Then, like, my
• 1:13:45
  Speaker 1: mom came, we took... We would stop at Jabaquara, we
• 1:13:49
  Speaker 1: would take the subway to Tatuapé, from Tatuapé we would
• 1:13:52
  Speaker 1: go to Baldeação, we would go there, we would take
• 1:13:54
  Speaker 1: another bus, we would get to Febem, we would visit
• 1:13:57
  Speaker 1: my brother, we would stay there for 15 minutes and
• 1:13:58
  Speaker 1: we would come back. We would spend everything we had
• 1:14:00
  Speaker 1: and what we didn't have to stay there for 15
• 1:14:02
  Speaker 1: minutes with him and come back. We would get there,
• 1:14:04
  Speaker 1: we would take my brother all cut up and he
• 1:14:05
  Speaker 1: would say, mom, this week I got hit by a
• 1:14:07
  Speaker 1: dog chain. These guys broke me with a dog chain
• 1:14:09
  Speaker 1: here in Febem, the thing is crazy. You know? Then
• 1:14:11
  Speaker 1: my father, with so much suffering from my brother, started
• 1:14:13
  Speaker 1: to get involved. Then he grew up and was arrested again,
• 1:14:18
  Speaker 1: you know? My brother was the only one who took
• 1:14:19
  Speaker 1: a lot of KD. In total, he took almost 10 years,
• 1:14:22
  Speaker 1: you know? My brother, Alessandro, you know? He took 2 years,
• 1:14:24
  Speaker 1: then he took another year and 7 months, then he
• 1:14:26
  Speaker 1: took another quota, then he took a Febem, 9 months.
• 1:14:28
  Speaker 1: You know? Nowadays he's a worker, a closed worker. The
• 1:14:29
  Speaker 1: boy is, you know, good. But he was the one
• 1:14:32
  Speaker 1: who gave a lot of work, psychologically, to my father.
• 1:14:35
  Speaker 1: Because my father was crazy about cachaça, bro. But he
• 1:14:37
  Speaker 1: was a worker, bro, you know? My father never put
• 1:14:39
  Speaker 1: a marijuana cigarette in his mouth, you know, bro? My
• 1:14:46
  Speaker 1: dad was totally against crime, even though I grew up
• 1:14:49
  Speaker 1: like that. I'm not against crime, but I'm not in
• 1:14:53
  Speaker 1: favor of kids growing up in the middle. I think
• 1:14:56
  Speaker 1: kids have to study, have to follow their parents' and
• 1:14:59
  Speaker 1: their parents' steps.
• 1:15:01
  Speaker 2: You know, bro?
• 1:15:01
  Speaker 1: I'm from the community, I'm 100% from the roots, but
• 1:15:04
  Speaker 1: I think crime hinders a lot of people's talents to
• 1:15:08
  Speaker 1: grow up. There are a lot of new kids, 12, 13,
• 1:15:10
  Speaker 1: 14 years old, who are already growing up in crime.
• 1:15:13
  Speaker 1: When you leave Febem, you're more rebellious. Then it turns
• 1:15:17
  Speaker 1: into a nerve ball. My father was very afraid of it.
• 1:15:20
  Speaker 1: Then my father left. My father abandoned my family, you know? Abandoned.
• 1:15:25
  Speaker 1: And then my father was 5, 6 years away. My
• 1:15:27
  Speaker 1: father got cancer. Cancer in the pancreas. You know that
• 1:15:31
  Speaker 1: then the doctor went and decreed that we went there
• 1:15:33
  Speaker 1: to get him. We got there, he was in that
• 1:15:35
  Speaker 1: house that I told you that he had put in
• 1:15:37
  Speaker 1: my name. Yes. There in the north and such. But
• 1:15:39
  Speaker 1: my mother and my sister and my brother went to
• 1:15:41
  Speaker 1: get him. He said he was in a small tent,
• 1:15:46
  Speaker 1: like a slum. Left. Left, sleeping, just clothes, like skin
• 1:15:51
  Speaker 1: and bone. Then we took him, the doctor said he
• 1:15:53
  Speaker 1: had three more months of life. I paid the treatment
• 1:15:56
  Speaker 1: for him, and I'm grateful to God, bro. That I
• 1:15:58
  Speaker 1: was able to pay the treatment for him and such.
• 1:16:00
  Speaker 1: And he lived for seven more years. Wow, how good
• 1:16:05
  Speaker 1: you were. Imagine, bro. He was already in Bico do Urubu, bro.
• 1:16:08
  Speaker 1: Then he lived for seven more years. Then he lived
• 1:16:10
  Speaker 1: in a nice house, I bought a place for him.
• 1:16:13
  Speaker 1: I bought a car for him, cool, you know? He
• 1:16:15
  Speaker 1: didn't drive anymore, but he already had some stuff. We
• 1:16:18
  Speaker 1: got there, he got there, he was already with cancer,
• 1:16:20
  Speaker 1: taking the medicine and drinking. Then he said like this,
• 1:16:23
  Speaker 1: he said like this, he said like this, what are
• 1:16:25
  Speaker 1: these cars there that you're driving? It's all me, it's
• 1:16:27
  Speaker 1: all me who gave you. And pa, because the cachaça
• 1:16:29
  Speaker 1: already had kind of eaten the brain of the guy.
• 1:16:31
  Speaker 1: He saw me with a lot of friends, he didn't
• 1:16:32
  Speaker 1: like friendship. I saw the guys putting food, because there
• 1:16:35
  Speaker 1: was always a lot of farting after I burst into
• 1:16:38
  Speaker 1: the funk. I saw, this monkey is going to eat
• 1:16:40
  Speaker 1: here at home. He had a prejudice against people of
• 1:16:42
  Speaker 1: skin like that, you know? I didn't like it, you know?
• 1:16:45
  Speaker 1: But I had to respect him, he was my father,
• 1:16:47
  Speaker 1: you know? He didn't like my friends, people would eat
• 1:16:49
  Speaker 1: at his house. What's up? Are you looking at my lady?
• 1:16:52
  Speaker 1: My mother is 60 years old, he's jealous of my mother,
• 1:16:54
  Speaker 1: you know? Are you looking at my wife? Why did
• 1:16:57
  Speaker 1: you come here? To look at my mother? My producers,
• 1:17:00
  Speaker 1: you know? Who is this guy, this fat guy? Are
• 1:17:03
  Speaker 1: you looking at my wife? I don't know what. I'm
• 1:17:05
  Speaker 1: sending this guy away, I don't know what. He's crazy
• 1:17:08
  Speaker 1: about cachaça, you know? You know, whoever saw his situation
• 1:17:13
  Speaker 1: there understood.
• 1:17:14
  Speaker 2: But it's people whose lives hurt these people a lot, right, bro?
• 1:17:18
  Speaker 2: It's like, without structure, then the kids come, they have
• 1:17:21
  Speaker 2: to support, it's.
• 1:17:22
  Speaker 1: A difficult thing.
• 1:17:24
  Speaker 7: Problem with alcoholism.
• 1:17:24
  Speaker 2: Yeah, bro, I come from a place like that too.
• 1:17:26
  Speaker 2: So you see that the people who sometimes head a
• 1:17:28
  Speaker 2: addiction is a lot to cure the neuroses, right, bro?
• 1:17:32
  Speaker 2: And another thing.
• 1:17:33
  Speaker 1: That I'm going to make the guys aware of, you know, bro?
• 1:17:37
  Speaker 1: Be careful, guys, with this addiction of yours with alcohol, right? Man,
• 1:17:42
  Speaker 1: people think alcohol is a joke. This tobacco that's killing
• 1:17:45
  Speaker 1: the youth, guys, you know? I wish you, man, you know?
• 1:17:48
  Speaker 1: Go as far as you can, you know? Because I'm
• 1:17:50
  Speaker 1: not an example for anything, but at least the awareness
• 1:17:52
  Speaker 1: we can give, you know, man? I came from there,
• 1:17:54
  Speaker 1: I've been through all this, and I know it's not good, man.
• 1:17:56
  Speaker 1: The good thing is for us to have health, wake up,
• 1:17:58
  Speaker 1: you know, man? Breathe... know what we're doing and say
• 1:18:09
  Speaker 1: no to drugs, you know, bro? I've done everything wrong
• 1:18:12
  Speaker 1: that I had to do and today I'm an example
• 1:18:14
  Speaker 1: of a human being, an example of a father who
• 1:18:16
  Speaker 1: has two children. I don't want this for my children
• 1:18:18
  Speaker 1: or even for the youth, you know, bro?
• 1:18:19
  Speaker 7: That's it.
• 1:18:20
  Speaker 2: The boys are athletes, right?
• 1:18:22
  Speaker 1: The boys are athletes.
• 1:18:23
  Speaker 2: Speaking of athletes... At that time, you were from the
• 1:18:25
  Speaker 2: Santista Bachata. Santista. There was Neymar doing a lot of success,
• 1:18:29
  Speaker 2: and he likes to do funk, right? Did you give
• 1:18:32
  Speaker 2: him a kiss together?
• 1:18:33
  Speaker 1: Damn, we gave him a kiss together, man. Damn, I've
• 1:18:36
  Speaker 1: been to Neymar's house, with Cris, Cris took us. Guilherme too,
• 1:18:40
  Speaker 1: who had more proximity and such, man. He took us
• 1:18:43
  Speaker 1: to the village and such. So much so that now,
• 1:18:45
  Speaker 1: when he arrived at Santos again, I sang there at
• 1:18:47
  Speaker 1: his debut and such, bro. It was awesome, bro. It
• 1:18:50
  Speaker 1: was very good even for me, for my career. Like,
• 1:18:52
  Speaker 1: the Vila was packed to receive Neymar. I sang Mundo
• 1:18:54
  Speaker 1: M there, bro. I just pulled a lot of evil.
• 1:18:56
  Speaker 1: All over the world. The whole Vila singing, bro. The
• 1:18:59
  Speaker 1: thing that scared me. Mano Brown congratulated me. Projota said, damn, bro.
• 1:19:04
  Speaker 1: You're evil. With the utmost respect. You're a cool guy too, bro.
• 1:19:08
  Speaker 1: You know? Respect your career as much as possible. Imagine
• 1:19:11
  Speaker 1: if you heard Brau.
• 1:19:12
  Speaker 7: You're crazy.
• 1:19:14
  Speaker 1: You're crazy. Imagine if you heard Brau. Brau would say, bro,
• 1:19:17
  Speaker 1: you're a great guy, bro. Keep going in your career, bro.
• 1:19:20
  Speaker 1: You're a good boy.
• 1:19:20
  Speaker 2: And on a very cool day, right? For you, Neymar,
• 1:19:23
  Speaker 2: going back to your team, you guys in Vila Belmiro, saying...
• 1:19:26
  Speaker 2: Lon talking to Brau is a... You look and say,
• 1:19:28
  Speaker 2: this is happening, right?
• 1:19:30
  Speaker 1: Man, crazy stuff, bro. For me it was very cool.
• 1:19:32
  Speaker 1: It was a very special day, bro. Because I'm a
• 1:19:34
  Speaker 1: big fan of Brau, you know, bro? A big fan, really.
• 1:19:38
  Speaker 1: I've always had him as a reference for me, bro,
• 1:19:41
  Speaker 1: you know? And I've always been ashamed to talk to him. Really?
• 1:19:45
  Speaker 1: Because I thought I was going to talk shit and
• 1:19:47
  Speaker 1: he wouldn't like me, you know? Man, if I say
• 1:19:49
  Speaker 1: something there, bro, I have to know what I say
• 1:19:51
  Speaker 1: to this guy, right, bro? I have to use the
• 1:19:53
  Speaker 1: right words, right? Yeah, I live drunk, bro, I don't
• 1:19:55
  Speaker 1: know if he's going to like my way, I don't
• 1:19:56
  Speaker 1: know if he's going to think I'm a cool guy.
• 1:19:59
  Speaker 1: I eat this little hair here, bro. To know if
• 1:20:02
  Speaker 1: the guy, right, bro? We stay like this. But then
• 1:20:04
  Speaker 1: he goes seeing, we have friends in common. And his friends,
• 1:20:07
  Speaker 1: who are my friends, say that Lon is a good person,
• 1:20:09
  Speaker 1: that he helps people. Lon is a good boy. But
• 1:20:10
  Speaker 1: I've always heard that you help people. Is that something
• 1:20:14
  Speaker 1: you always put in your head, that you wanted to do,
• 1:20:16
  Speaker 1: if things work out? Is it your thing?
• 1:20:18
  Speaker 2: Because I think it's very beautiful. And I see that
• 1:20:20
  Speaker 2: you don't do it to show off, you just do it.
• 1:20:33
  Speaker 1: I hear a lot, you know? No, so it's like this, bro,
• 1:20:35
  Speaker 1: it's like I asked for a lot of things, right, bro?
• 1:20:38
  Speaker 1: I didn't steal, I asked. I would come, hey, doctor,
• 1:20:41
  Speaker 1: can I take care of your car, bro? Are you
• 1:20:43
  Speaker 1: going to eat at the pizzeria there? Are you, your son,
• 1:20:45
  Speaker 1: your wife? Man, come seven pieces, if there's a piece
• 1:20:48
  Speaker 1: of pizza left, how can you give it to me,
• 1:20:49
  Speaker 1: keep it there, give it to me to eat, bro? Dad,
• 1:20:51
  Speaker 1: you don't even have to give me money, just give
• 1:20:53
  Speaker 1: me a piece of pizza there, you know? So the
• 1:20:54
  Speaker 1: person saw that I was a good boy, that I
• 1:20:56
  Speaker 1: didn't want to, I wanted to help there, looking at
• 1:20:58
  Speaker 1: the car, because I always had a knowledge. You talk
• 1:21:02
  Speaker 1: to the guy who has the knowledge of the community
• 1:21:04
  Speaker 1: on the beach. You talk to me there, for those
• 1:21:06
  Speaker 1: who mess with you, I will know where the guy lives.
• 1:21:08
  Speaker 1: You say, no, calm down, you got your mythical chain,
• 1:21:10
  Speaker 1: let's go to his house there. I met his mother,
• 1:21:12
  Speaker 1: Dona Maria, and Mr. João, let's go talk to his
• 1:21:14
  Speaker 1: mother and his father. There's no crime, right? There's knowledge
• 1:21:17
  Speaker 1: in the thing, you know? So, like, I always preserved
• 1:21:21
  Speaker 1: this side of knowledge, you know, bro? And I used
• 1:21:23
  Speaker 1: to tell my clients there, when I was little, let
• 1:21:24
  Speaker 1: me take care of it here, bro, no one will
• 1:21:26
  Speaker 1: mess with your car. But there's a way to bring
• 1:21:30
  Speaker 1: a piece of pizza there, you know? So, like, I've
• 1:21:32
  Speaker 1: been through that. So when I see a child there, bro,
• 1:21:35
  Speaker 1: or someone going through the same thing I've been through,
• 1:21:38
  Speaker 1: my face is to help, you know, bro? I can't
• 1:21:40
  Speaker 1: do like many artists there, give 100 reais and film
• 1:21:43
  Speaker 1: like that, bro. I already gave it as a cake.
• 1:21:44
  Speaker 1: I didn't give 100 reais, I already gave it as
• 1:21:46
  Speaker 1: a cake. Take it here for you, take it here
• 1:21:48
  Speaker 1: for you, go away, take my money. Give me my
• 1:21:51
  Speaker 1: video card with those kids there, I'll go out. I've
• 1:21:56
  Speaker 1: never filmed these guys. I don't like it. Nothing against
• 1:21:59
  Speaker 1: who films. Everyone has to do their own thing. There's
• 1:22:02
  Speaker 1: time for everything. But I've never liked it. I've always
• 1:22:04
  Speaker 1: liked to help. To help and not expose people. I
• 1:22:07
  Speaker 1: think it's an exposition that sometimes people don't want.
• 1:22:12
  Speaker 7: It's so cool, man.
• 1:22:14
  Speaker 2: Brother, I wanted to know what was the tape to
• 1:22:16
  Speaker 2: stick on DJ Bala, because in that DJ Bala studio,
• 1:22:20
  Speaker 2: that thing of recording everyone here with a rimano profile
• 1:22:22
  Speaker 2: on the microphone, it went viral a lot, and there was,
• 1:22:25
  Speaker 2: I think, for many times, where we.
• 1:22:26
  Speaker 1: Met the MC, the face. Yes, true.
• 1:22:28
  Speaker 2: Which is a lot of banner, MC Long, but how
• 1:22:32
  Speaker 2: is he?
• 1:22:33
  Speaker 1: How is his hair? The way he is.
• 1:22:34
  Speaker 2: So there, when there was, later with the clips, for sure,
• 1:22:37
  Speaker 2: but before, it was the DJ studios, you know? And
• 1:22:40
  Speaker 2: also know the importance of that, you know?
• 1:22:42
  Speaker 1: No, DJ Bally, like I said, was a water divider
• 1:22:44
  Speaker 1: for me, because he came to record our medley and
• 1:22:48
  Speaker 1: came with audiovisual, not just the audio, came with audiovisual,
• 1:22:52
  Speaker 1: so people started to look at us in a different way,
• 1:22:58
  Speaker 1: Knowing that we were that guy from the street, who
• 1:23:02
  Speaker 1: recorded on cell phone V3 and everything, but he was
• 1:23:04
  Speaker 1: a guy who also went to the studio, who made
• 1:23:07
  Speaker 1: a produced song, who had a well mastered beat, who
• 1:23:10
  Speaker 1: had a voice, how can I say, well mapped, you know?
• 1:23:14
  Speaker 1: So that's where I started to open interest to big companies,
• 1:23:18
  Speaker 1: you know? Television knew they could film me, that I
• 1:23:19
  Speaker 1: had a good can, that I was going to be
• 1:23:21
  Speaker 1: a guy like.
• 1:23:25
  Speaker 1: We could have done a better walk, you know? So
• 1:23:27
  Speaker 1: much so that when I got together with Guimê and
• 1:23:30
  Speaker 1: we went to the TV, it's crazy, then everything worked out.
• 1:23:32
  Speaker 1: Guimê already has a top can, he already talks better
• 1:23:35
  Speaker 1: than us, he knows how to respect people, he knows
• 1:23:38
  Speaker 1: how to get in and out of places. And then
• 1:23:39
  Speaker 1: we were already learning with Guimê too. But you did
• 1:23:42
  Speaker 1: the party there, you put everyone in the clip. He
• 1:23:45
  Speaker 1: helped me, he said, I'm going to appear in your clip.
• 1:23:48
  Speaker 1: I'm going to appear in your video, I'm going to
• 1:23:51
  Speaker 1: stick with you, bro, come with me. He was always
• 1:23:53
  Speaker 1: calming me down and I was always a little nervous,
• 1:23:55
  Speaker 1: you know, radical. Was Guilherme calmer? Always much calmer, he
• 1:23:58
  Speaker 1: always helped us to be calmer.
• 1:24:00
  Speaker 3: And how was it for you at that moment when
• 1:24:02
  Speaker 3: you started to pop TV, the videos, how was that
• 1:24:05
  Speaker 3: moment in your career that I feel was another.
• 1:24:07
  Speaker 1: Meteoric, right?
• 1:24:08
  Speaker 3: You were already good and now you started another level
• 1:24:11
  Speaker 3: of your career.
• 1:24:12
  Speaker 1: So that's when my cashier went up even more. Then
• 1:24:16
  Speaker 1: my cashier went up to 30,000, 25,000 at that time.
• 1:24:18
  Speaker 7: Then I managed to structure myself.
• 1:24:20
  Speaker 1: I had already lived a lot of things. So that's
• 1:24:24
  Speaker 1: when I started thinking, I'm going to buy a nice
• 1:24:28
  Speaker 1: house for my mom. I'm going to be able to
• 1:24:30
  Speaker 1: have a cool car now. I'm going to be able
• 1:24:32
  Speaker 1: to have my own van. I'm going to put my
• 1:24:39
  Speaker 1: team and everyone on a better level of life, you know? Cool.
• 1:24:41
  Speaker 1: So much so that those guys who worked with me
• 1:24:43
  Speaker 1: at that time, like, there are some, only the DJ
• 1:24:46
  Speaker 1: who stayed with me, right, bro? Some left for precaution,
• 1:24:49
  Speaker 1: wanted to choose another, became businessmen, owners of other things. And, bro,
• 1:24:54
  Speaker 1: but I'm sure everyone is doing well, bro, you know?
• 1:24:57
  Speaker 1: What happened to us, dude, is cool, bro.
• 1:25:01
  Speaker 2: He made a little coin.
• 1:25:03
  Speaker 1: We passed the bag. It was more or less like this.
• 1:25:06
  Speaker 1: Let's pass the bag, let's go to Curitiba, let's sing
• 1:25:08
  Speaker 1: in all the clubs there. Let's go to Paraná, all
• 1:25:10
  Speaker 1: the clubs there. Without laziness. Let's go to Rio de Janeiro,
• 1:25:12
  Speaker 1: let's go as far as possible. Let's go to Porto Alegre,
• 1:25:15
  Speaker 1: as far as possible. So we went to Porto Alegre,
• 1:25:17
  Speaker 1: we sang 18 shows. We went to.
• 1:25:19
  Speaker 7: Wow, yes.
• 1:25:19
  Speaker 1: Plus 20. Mythic. You know, man? Imagine that at that time.
• 1:25:22
  Speaker 7: 18 shows in a week, man. You're crazy, man. At
• 1:25:24
  Speaker 7: that time, just like.
• 1:25:25
  Speaker 1: Today, people have some words that... It's nice to hear
• 1:25:27
  Speaker 1: in the funk....
• 1:25:32
  Speaker 2: At that time, 2011, 2012, everything.
• 1:25:35
  Speaker 1: Was Novinha, Novinha. Exactly, exactly.
• 1:25:37
  Speaker 2: And this guy hacked this word for him, bro.
• 1:25:39
  Speaker 1: True, true. Didn't you become the Lom of Novinha? I did, dad,
• 1:25:42
  Speaker 1: I did. Because the first song that came out was
• 1:25:45
  Speaker 1: Novinha Chora. When we arrive, we get scared. Of R6
• 1:25:49
  Speaker 1: or Corolla. We lose to the shine of the code.
• 1:25:52
  Speaker 1: And we're here, man. As Novinha Chora. Chora, Novinha Chora.
• 1:25:58
  Speaker 1: You know? So, like, it started. This word, Novinha... Just
• 1:26:01
  Speaker 1: like Igão was saying, man, I picked her and everything,
• 1:26:04
  Speaker 1: I put it in the songs and everything worked out.
• 1:26:07
  Speaker 1: It was very hip. Man, the thing went crazy. This
• 1:26:10
  Speaker 1: one was the one that made the most success there.
• 1:26:13
  Speaker 7: Yeah, the one that until today, like, it's there. Mundo
• 1:26:16
  Speaker 7: M was a song.
• 1:26:17
  Speaker 1: That at the time, it exploded more, but it was
• 1:26:19
  Speaker 1: on my brother's account. My brother had a YouTube channel
• 1:26:22
  Speaker 1: and I released the videos there. At that time, I
• 1:26:29
  Speaker 1: think it had 100 million views.
• 1:26:31
  Speaker 7: Jesus Christ.
• 1:26:32
  Speaker 1: At that time, there was no one to pay the revenue.
• 1:26:34
  Speaker 1: Then what did they do? They took the song off
• 1:26:36
  Speaker 1: the air. They took it off the air because my
• 1:26:39
  Speaker 1: brother's channel didn't have... Monetization. Monetization, you had to put
• 1:26:43
  Speaker 1: the CPF, the bank account, the stuff, at that time
• 1:26:45
  Speaker 1: you had to do that. There was no PIX, but
• 1:26:47
  Speaker 1: there was already the account, there was already this stuff. So,
• 1:26:50
  Speaker 1: since there was no one to receive a work, they
• 1:26:52
  Speaker 1: banned it, you know? They took it out of the air.
• 1:26:55
  Speaker 1: But I think my song that had the most views.
• 1:26:57
  Speaker 2: It's Mundo M.
• 1:26:58
  Speaker 1: It's Mundo M, but then the one that stayed in
• 1:26:59
  Speaker 1: the place was Novia Vem Que Tempo, because it was
• 1:27:01
  Speaker 1: well worked, it was the people from Globo who recorded it,
• 1:27:04
  Speaker 1: you know? It was mine, mine, Guilherme, I think.
• 1:27:09
  Speaker 2: Guilherme Ogimê, huh, Rapa?
• 1:27:10
  Speaker 1: Man, I don't know which one it was. Do you know?
• 1:27:13
  Speaker 7: I remember this one.
• 1:27:14
  Speaker 2: Yeah, I don't know which one it was. I think
• 1:27:17
  Speaker 2: it's the one that has his cool video.
• 1:27:18
  Speaker 1: Land Rover? Yes, Land Rover. This one is in the league, right?
• 1:27:22
  Speaker 1: There's even a girl from the league in the video.
• 1:27:24
  Speaker 1: They recorded the material. Yeah, it was this one. The
• 1:27:27
  Speaker 1: people from Globo who recorded it. I don't know, Guimê
• 1:27:29
  Speaker 1: was the only one here. He was tattooing himself in
• 1:27:31
  Speaker 1: the videos. No one does these things. So, it was
• 1:27:32
  Speaker 1: this one. The same guys who recorded mine, recorded Guimê' s.
• 1:27:37
  Speaker 1: Then Fred Ouro Preto came along, some guys from Pica
• 1:27:40
  Speaker 1: da Parada who.
• 1:27:41
  Speaker 7: Recorded the song.
• 1:27:42
  Speaker 1: The party is true. The party is about to start.
• 1:27:44
  Speaker 1: And then it was good, it was good, you know?
• 1:27:46
  Speaker 1: It substituted the cool, because M.K.R.N.O.N. was a more marginalized song, right?
• 1:27:50
  Speaker 1: It's a song that didn't get into Globo a lot,
• 1:27:52
  Speaker 1: you know? And the new song came with a cool
• 1:27:56
  Speaker 1: outfit and I was able to make it on TV.
• 1:27:59
  Speaker 1: Tell me how was.
• 1:28:00
  Speaker 3: The creation of this new song. Because this song hit
• 1:28:02
  Speaker 3: a lot. Man, she hit 2 million views on YouTube.
• 1:28:04
  Speaker 3: I remember that.
• 1:28:05
  Speaker 1: In 24 hours she hit 2 million views. How was
• 1:28:07
  Speaker 1: the process of creating this song? I just went, you know?
• 1:28:10
  Speaker 1: There was a businessman of ours, who was the same
• 1:28:13
  Speaker 1: businessman as Guimei do Rodolfinho.
• 1:28:15
  Speaker 7: From Pequeno e Menor.
• 1:28:25
  Speaker 1: It was Hugo, Gustavo, Gustavo Preto, you know? We had
• 1:28:30
  Speaker 1: four businessmen. Danado was also a part of it. Danado
• 1:28:33
  Speaker 1: was a businessman, right? Yeah, Danado also became my businessman,
• 1:28:36
  Speaker 1: along with these guys. He bought a part of the company,
• 1:28:38
  Speaker 1: and when he bought the company, we were there, and
• 1:28:41
  Speaker 1: he was our businessman. And we always respected him as
• 1:28:43
  Speaker 1: our businessman. Danado is a guy who helped a lot
• 1:28:45
  Speaker 1: of people, you know? He always had the vision of TV.
• 1:28:48
  Speaker 1: Danado always had the vision of television, you know? He's
• 1:28:50
  Speaker 1: an artist. And then we... There's a location. What location?
• 1:28:59
  Speaker 1: The location of the video. I don't want a house,
• 1:29:02
  Speaker 1: a thing, no. There's going to be a location in
• 1:29:04
  Speaker 1: a hairdresser's salon. There's going to be a location of
• 1:29:06
  Speaker 1: a car. There's going to be a location of I
• 1:29:08
  Speaker 1: don't know what, I don't know what there. Of a shed.
• 1:29:11
  Speaker 1: And I'm just going, brother. And when we got there,
• 1:29:13
  Speaker 1: there were some guys, the guys would stick the cameras
• 1:29:16
  Speaker 1: in the car and do some crazy walks, which nowadays
• 1:29:18
  Speaker 1: is easier to see, but back then we didn't see
• 1:29:20
  Speaker 1: that much.
• 1:29:20
  Speaker 2: That's why I'm saying, the importance of you guys having
• 1:29:23
  Speaker 2: done this, bro, because there you were teaching the profession
• 1:29:26
  Speaker 2: of the thing, because today there's something to replicate, okay? Oh,
• 1:29:30
  Speaker 2: Lon already went there, Lon already did this, Lon already
• 1:29:33
  Speaker 2: made a clip, that's right. Then today you say, ah, okay,
• 1:29:36
  Speaker 2: but at that time, who had done it, you know?
• 1:29:40
  Speaker 1: Maybe one or another.
• 1:29:41
  Speaker 2: Catra, you know? So it was a lot like, no,
• 1:29:43
  Speaker 2: that's it, that's the clip we have to make, let's
• 1:29:45
  Speaker 2: make the clip like this, then we have to go
• 1:29:46
  Speaker 2: to TV, let's go to TV.
• 1:29:47
  Speaker 1: Like, the guys were a reference for us in the music,
• 1:29:50
  Speaker 1: you know, bro? Like, there was the Nego do Caxeita,
• 1:29:54
  Speaker 1: there was Danilo e Fabinho. Bola e Betinho, Totô e Cabeça,
• 1:29:58
  Speaker 1: Cláudio e Ratinho, Musicalmente, Felipe Boladão, Careca, etc. They were
• 1:30:02
  Speaker 1: all from the school. They were a reference for us
• 1:30:04
  Speaker 1: in music. But the music video was a very distant
• 1:30:07
  Speaker 1: thing from our school. There was Primo, who was in
• 1:30:10
  Speaker 1: charge of directing. There were others, but it was on
• 1:30:12
  Speaker 1: top of the slab. It was something I used to
• 1:30:14
  Speaker 1: do with my cell phone. Not that it was bad.
• 1:30:17
  Speaker 1: At the time it was great. But it was not
• 1:30:24
  Speaker 1: my fault, it was my businessmen that led me to
• 1:30:28
  Speaker 1: a better path at the time, which was Máximo Produtora.
• 1:30:31
  Speaker 2: No, but it was an absurd production.
• 1:30:34
  Speaker 1: Then came Rodrigo, because I only had two businessmen, which
• 1:30:37
  Speaker 1: was Máximo' s team, which was a group of businessmen, and
• 1:30:39
  Speaker 1: there was Rodrigo. Rodrigo was also a guy who helped
• 1:30:43
  Speaker 1: me a lot, you know? Rodrigo took my career, with
• 1:30:45
  Speaker 1: a name unlocked on YouTube, because when I left Máximo,
• 1:30:49
  Speaker 1: There was a guy there who was messing around there,
• 1:30:52
  Speaker 1: you know? I'm not going to say his name here.
• 1:30:54
  Speaker 1: He blocked my name, bro. I stayed 8 years with
• 1:30:56
  Speaker 1: the name blocked, bro. Without having access to anything. That's
• 1:30:59
  Speaker 1: why MC Lom gave me a mad decline, you know, bro? Why, bro?
• 1:31:02
  Speaker 1: The guy wanted to hurt you, bro.
• 1:31:04
  Speaker 2: I just got it right.
• 1:31:05
  Speaker 1: MC Loma appeared later. And MC Lã. Which was like
• 1:31:06
  Speaker 1: the same algorithm as my MC L. MC L, MC L.
• 1:31:10
  Speaker 1: Then you put MC L. Like, to write my name.
• 1:31:18
  Speaker 1: It only appeared in the search bar below, which appears.
• 1:31:22
  Speaker 1: MC Loma and MC Lan. So much that I said, man,
• 1:31:25
  Speaker 1: the guys blocked me. There was a time that Loma
• 1:31:27
  Speaker 1: thought I was talking bad about her and such. But
• 1:31:29
  Speaker 1: I'm a respecter already. But I'm going to say bad
• 1:31:31
  Speaker 1: about a workmate. I said bad about the management they
• 1:31:33
  Speaker 1: did with me, which was good until they were taking
• 1:31:36
  Speaker 1: care of me. After they.
• 1:31:39
  Speaker 1: My contract is over, I didn't want to renew it anymore.
• 1:31:43
  Speaker 1: They tried to erase everything they did, and I don't
• 1:31:45
  Speaker 1: think that's it. If you are my businessmen and we
• 1:31:48
  Speaker 1: have a 10-year contract and the 10 years are over,
• 1:31:51
  Speaker 1: I have to live with what we gave up and
• 1:31:53
  Speaker 1: vice versa. But I think funk has to be a
• 1:31:55
  Speaker 1: place of union.
• 1:32:02
  Speaker 2: Tanta velha guarda com a nova jovem guarda deve ter
• 1:32:04
  Speaker 2: que estar junto, mano. Porque é o que você falou
• 1:32:06
  Speaker 2: e é o que eu tô falando aqui também. Todo
• 1:32:08
  Speaker 2: mundo é fã de todo mundo, pô. Você citou o
• 1:32:10
  Speaker 2: Jota Vila aí, que é um moleque que tá fazendo
• 1:32:12
  Speaker 2: sucesso agora. Mas eu tenho certeza que o Jota Vila
• 1:32:14
  Speaker 2: é seu fã, mano.
• 1:32:15
  Speaker 1: Tá louco? O Jota Vila, eu correi pra cantar na
• 1:32:16
  Speaker 1: quebrada dele esses dias. Ele trouxe a avó dele pra
• 1:32:18
  Speaker 1: tirar foto comigo. Mas você entendeu, irmão? Que da hora.
• 1:32:20
  Speaker 1: Por Deus do céu. A mãe dele, a avó dele,
• 1:32:22
  Speaker 1: eu falei, caramba, a avózinha falou, sou teu fã. Eu falei, ó,
• 1:32:25
  Speaker 1: tô chegando lá também. Já tô com 35 mesmo, né, mano?
• 1:32:29
  Speaker 1: Mas dá hora, pô, mano. Mó satisfação, né, irmão? Like, man,
• 1:32:33
  Speaker 1: he's so humble, he was there, he gave me a
• 1:32:36
  Speaker 1: lot of attention, he stuck it in my dressing room,
• 1:32:39
  Speaker 1: I saw him sing the explosive songs of the moment,
• 1:32:40
  Speaker 1: he saw me singing Mundo M, his grandmother said she
• 1:32:43
  Speaker 1: was my fan, his mother took a picture and posted
• 1:32:45
  Speaker 1: it with me on Instagram, man, there's no money to
• 1:32:48
  Speaker 1: pay for this, right, brother? There's no. It's a story,
• 1:32:50
  Speaker 1: a story is not bought, right, brother? It's made through
• 1:32:54
  Speaker 1: the day-to-day, right, brother?
• 1:32:55
  Speaker 2: It's written, so that's why I think I'm very happy
• 1:32:58
  Speaker 2: with today, I'm anxious to roll these songs there, brother.
• 1:33:02
  Speaker 2: Dica is there when Lon wants it, bro.
• 1:33:04
  Speaker 1: I don't want to be like Faustão. No, what is this, bro? Beatles!
• 1:33:07
  Speaker 1: Beatles for us, ao vivo, quem sabe faz ao vivo. No,
• 1:33:09
  Speaker 1: let's go, let's go. For me it will be a
• 1:33:10
  Speaker 1: great satisfaction too, to be able to sing here, right, bro?
• 1:33:12
  Speaker 1: Here is the stage of life, right, bro? Here is
• 1:33:14
  Speaker 1: the stage where we go to all places. Are you
• 1:33:16
  Speaker 1: with all of them? If God blesses. Let's go. The
• 1:33:18
  Speaker 1: DJ is also with me. Tell us, DJ, how we met.
• 1:33:28
  Speaker 1: I went to sing at... It was the Ballet do Palestra,
• 1:33:35
  Speaker 1: in Vila Prudente, Zona Leste. I came there and sang.
• 1:33:39
  Speaker 1: I had closed 500 reais with the guy. The guy
• 1:33:41
  Speaker 1: was Osmar, I remember the name of Osmar as if
• 1:33:44
  Speaker 1: it were today. May God bless you, Osmar. Today I
• 1:33:48
  Speaker 1: remember your name, I won't forget it. I don't know
• 1:33:49
  Speaker 1: if you passed the fake name to me. That was
• 1:33:51
  Speaker 1: capable of what you did. Then it was... Man, it
• 1:33:54
  Speaker 1: gave me great attention, it gave me water. He showed
• 1:33:57
  Speaker 1: the dance to me, put me on the stage, I sang.
• 1:34:01
  Speaker 1: When I got off, I asked the fans, Hey, did
• 1:34:05
  Speaker 1: you see Osmar? Did you see Osmar? No, but it
• 1:34:07
  Speaker 1: wasn't you who sang now, man. It was Osmar, man.
• 1:34:09
  Speaker 1: The guy who brought me. Who is Osmar? I don't
• 1:34:11
  Speaker 1: even know who he is. The guy went there, made
• 1:34:13
  Speaker 1: the pass, made me sing, received me as if he
• 1:34:15
  Speaker 1: were my employer. He left me with no real, brother.
• 1:34:17
  Speaker 1: I only came with the money from the ticket, from
• 1:34:19
  Speaker 1: the trip. And for me to come back.
• 1:34:21
  Speaker 7: And was it 500? How much was it for you
• 1:34:23
  Speaker 7: to receive?
• 1:34:23
  Speaker 1: 500 real, brother. My song was already playing, Revolta da Quebrada.
• 1:34:26
  Speaker 1: I had closed R $ 500 with the guy. The guy left, bro. Like,
• 1:34:29
  Speaker 1: he received in my place, you know? Like, bro, the
• 1:34:32
  Speaker 1: guy made a very crazy plan.
• 1:34:33
  Speaker 7: Son of a bitch, bro.
• 1:34:34
  Speaker 1: What a bastard. I was looking for Osmar, the guys,
• 1:34:38
  Speaker 1: for my audience, the people who were there in the bar. Oh,
• 1:34:40
  Speaker 1: where's Osmar? Who is Osmar? I don't even know who
• 1:34:43
  Speaker 1: Osmar is.
• 1:34:43
  Speaker 7: He was already far away, son.
• 1:34:44
  Speaker 1: Man, then I went and got a... We got a bus,
• 1:34:49
  Speaker 1: you know? Diego do Caeira and Ticonha were there. Do
• 1:34:53
  Speaker 1: you remember the DJ Ticonha? Ticonha? That's a good name.
• 1:34:56
  Speaker 1: When Tiquinho plays the drum, the man starts to improvise.
• 1:35:00
  Speaker 1: He's not with us anymore. He left. Ticonha is younger
• 1:35:04
  Speaker 1: than me. He was my nephew. But he was with me,
• 1:35:10
  Speaker 1: so we went to Jabaquara. We arrived at Jabaquara at
• 1:35:13
  Speaker 1: 6 a.m. and we were there. 13 years old, DJ
• 1:35:14
  Speaker 1: Kaique with a bag. 13 years old. 13 years old, bro.
• 1:35:16
  Speaker 1: And I was 18, 19. Then he saw us, three kids,
• 1:35:19
  Speaker 1: and started to hide the bags, thinking we were going
• 1:35:21
  Speaker 1: to steal him. Jabaquara, right, bro? Then I went and said, bro...
• 1:35:34
  Speaker 1: He said, I'm going to Baixada. I said, man, how
• 1:35:35
  Speaker 1: can you pay the ticket for us, brother? We don't
• 1:35:36
  Speaker 1: have money. I cut my hair, I'll cut my hair
• 1:35:38
  Speaker 1: tomorrow and go to São Vicente. He said to me
• 1:35:40
  Speaker 1: that he was from São Vicente, from the PowerSong team.
• 1:35:43
  Speaker 1: I said, are you crazy? DJ from the PowerSong team?
• 1:35:46
  Speaker 1: I'm crazy for PowerSong. I'm going to record a song
• 1:35:48
  Speaker 1: and I'll pay you. He already took out the money.
• 1:35:58
  Speaker 1: I asked him how much it was, and he said 17,000, 17,000
• 1:35:59
  Speaker 1: and 17,000. 17 reais. That's how much it was to
• 1:36:01
  Speaker 1: get down the road. Then he went and gave me 17,000,
• 1:36:02
  Speaker 1: gave 17,000 to Diego Duca and gave 17,000 to Ticonha,
• 1:36:04
  Speaker 1: you know? He's a tough guy, man. And he's with
• 1:36:07
  Speaker 1: me to this day, he became my DJ and he's
• 1:36:08
  Speaker 1: with me to this day.
• 1:36:10
  Speaker 7: How many years have we.
• 1:36:11
  Speaker 1: Been together, DJ? The biggest DJ there, look. 15, 16 years. 15,
• 1:36:13
  Speaker 1: 16 years, man. Then after that day.
• 1:36:15
  Speaker 2: We went to the PowerSong studio, I paid him, my
• 1:36:18
  Speaker 2: mother gave me the money, I paid him and such.
• 1:36:24
  Speaker 1: And we're still here today, bro.
• 1:36:26
  Speaker 2: Very cool, man.
• 1:36:26
  Speaker 1: Damn, that's cool, bro. The earphone is for you to
• 1:36:28
  Speaker 1: hear the beat.
• 1:36:30
  Speaker 2: Your microphone, Samara will give it to you. Ah, it
• 1:36:34
  Speaker 2: comes from the beginning, it comes with all. Do as
• 1:36:36
  Speaker 2: you want, bro. For the love of God, I'm just
• 1:36:37
  Speaker 2: going to observe.
• 1:36:40
  Speaker 7: Let's see if the height of your earphone is good.
• 1:36:45
  Speaker 2: Mítico, I'm happy, bro.
• 1:36:47
  Speaker 7: No, it's wonderful.
• 1:36:48
  Speaker 2: You're crazy, I'm happy, bro.
• 1:36:49
  Speaker 1: To be able to be here with you. Thank you, Monzeira. Satisfação,
• 1:36:54
  Speaker 1: meus parceiros. Tamo junto mesmo de verdade. Agradeço pela oportunidade,
• 1:36:57
  Speaker 1: que Deus dê muita saúde pra vocês. Pra nós. DJ Kaique!
• 1:37:02
  Speaker 1: É você, irmão. E aí, DJ? Vamos começar assim, ó.
• 1:37:07
  Speaker 1: I'm going to arrive with a wrinkled suit, a little hair,
• 1:37:13
  Speaker 1: on a Monday. God bless you, you're the best, I'm
• 1:37:18
  Speaker 1: from Porto de Panamera. I'm going to arrive with a
• 1:37:23
  Speaker 1: wrinkled suit, a little hair, on a Monday. Bombo é
• 1:37:31
  Speaker 1: em Deus abençoado, suas mais top que é gado, eu
• 1:37:35
  Speaker 1: te posto pra na meira. Só menino bom tá com
• 1:37:39
  Speaker 1: a gente, e sandecidamente, eu já fui um delinquente. E
• 1:37:45
  Speaker 1: hoje eu já penso diferente, e demonstra que não é
• 1:37:49
  Speaker 1: por fama, nem por dinheiro, não é quando quiser. We'll
• 1:37:52
  Speaker 1: be right back.
• 1:38:12
  Speaker 6: We'll be right back.
• 1:38:20
  Speaker 1: We'll be right back. I've already spent a lot of
• 1:38:37
  Speaker 1: time in vain, in these times that come and go,
• 1:38:40
  Speaker 1: God who raised me from the ground, I used this
• 1:38:42
  Speaker 1: as a reflection, I've already walked on the path of evil,
• 1:38:45
  Speaker 1: I found myself when I got lost, I got rid
• 1:38:48
  Speaker 1: of sadness, I sought joy, you know, I made it
• 1:38:50
  Speaker 1: come true, I just progressed, I'll arrive.
• 1:38:52
  Speaker 8: With a wrinkled suit and a little.
• 1:38:54
  Speaker 1: Hair, second Sunday, Bate palma aí! Pelo amor de Deus!
• 1:39:27
  Speaker 2: I don't know if Lon wants it, but I wanted
• 1:39:29
  Speaker 2: the ones from the beginning.
• 1:39:31
  Speaker 1: Let's go to the beginning, let's go to the beginning.
• 1:39:33
  Speaker 1: Bonde das casinhas, onde é o terror da praia grande.
• 1:39:37
  Speaker 1: A nossa cara é curtir e atirar uma onda. Bonde
• 1:39:41
  Speaker 1: das casinhas, é o terror do litoral. O decalcado que
• 1:39:45
  Speaker 1: é menor de a pé e as novinha pra cá.
• 1:39:47
  Speaker 1: We'll be right back. Fita deu desacerto, tava fechadão, com
• 1:40:19
  Speaker 1: os moleque zica, família formada, família reunida, Luquinhas, Romário, Elton, Davi, Gato,
• 1:40:28
  Speaker 1: e se pagar de pá, você vai ser requisitado, só
• 1:40:32
  Speaker 1: criar nervoso, sangue de Coban, Colebras, PV, WG e o Alain.
• 1:40:39
  Speaker 1: o que o chulapa, Gil e o Lequinha, nós sequência
• 1:40:43
  Speaker 1: de trovão, rajadão de matraque, é assim ó, bonde das casinha,
• 1:40:48
  Speaker 1: é o terror da praia grande, a nossa cara é cutia,
• 1:40:51
  Speaker 1: tirar uma onda e pegar uma ali, vamos lá, bonde
• 1:40:54
  Speaker 1: das casinha, é o terror do litoral, o Z calcado
• 1:40:58
  Speaker 1: que é pé mais da pé, e as novinha passa mais.
• 1:41:02
  Speaker 1: We're back ready, ready for anything. The victim is accelerated,
• 1:41:05
  Speaker 1: I'm on the floor, slow down. Man, it's just a
• 1:41:08
  Speaker 1: crazy dog that came to wake me up. It's the neighbor,
• 1:41:11
  Speaker 1: the guy, but I wouldn't let him. Nós guardamos a
• 1:41:18
  Speaker 1: quebrada de dia até de noite Tornando o tiquinho, bata
• 1:41:23
  Speaker 1: até o ar do doze Transparentemente, sempre chique e elegante
• 1:41:28
  Speaker 1: Tenha humildade, seja perseverante Só fala a verdade, corro da
• 1:41:35
  Speaker 1: mentira Levo no sorriso, mas não é mais difícil, mas
• 1:41:38
  Speaker 1: na minha vida Tenho uma capacidade de subir no palco
• 1:41:41
  Speaker 1: e mostrar meu valor This is crazy, my God, huh?
• 1:42:07
  Speaker 2: I want elite shooters from Vila do Sapo, Vision of
• 1:42:11
  Speaker 2: Survival 2. The man knows, man.
• 1:42:12
  Speaker 1: You're crazy, bro. I'm just not from the beach. Disappointment, bro.
• 1:42:15
  Speaker 1: It's crazy. This is the beginning of my trajectory, where
• 1:42:18
  Speaker 1: I was able to... I was able to change a
• 1:42:20
  Speaker 1: little bit of our well-suffered story. Our reality, right, bro?
• 1:42:25
  Speaker 1: Our reality, which was, bro... You know? Selling lunch to
• 1:42:28
  Speaker 1: eat dinner, bro. It was serious, but thank God... com
• 1:42:36
  Speaker 1: as oportunidades que Deus vem dando pra nós, né, mano?
• 1:42:38
  Speaker 1: A cada dia, em poder crescer. Tamo aí, né, mano?
• 1:42:41
  Speaker 1: Tamo aí. Vamos puxar um aqui, DJ. Vamos pra visão
• 1:42:45
  Speaker 1: da sobrevivência, um, depois nós vai pra dois.
• 1:42:46
  Speaker 2: Aí, caralho.
• 1:42:48
  Speaker 1: É mais ou menos assim, ó. I don't know. We'll
• 1:43:12
  Speaker 1: be right back. Muleque se diverte, hoje nesse artigo perdemos
• 1:43:33
  Speaker 1: mais dois moleque O finado pulguinha, finado nino macumbeiro Pra
• 1:43:39
  Speaker 1: muita gente o final foi triste de guerreiro É bala perdida,
• 1:43:44
  Speaker 1: mais uma mãe que chora Perdeu seu filho na porta
• 1:43:48
  Speaker 1: da escola Não vem nos criticar, antes sabe o que
• 1:43:51
  Speaker 1: nós amamos aqui da favela I'm proud of myself, I
• 1:43:55
  Speaker 1: kill and die for her. She hesitated, she talked, everything conspired,
• 1:43:59
  Speaker 1: she took it as a sequence. Humility is the vision
• 1:44:03
  Speaker 1: of survival. She hesitated, she talked, everything conspired, she took
• 1:44:06
  Speaker 1: it as a sequence. Humility is the vision of survival.
• 1:44:11
  Speaker 1: This is Ramela in the favela, keep thinking that it's good.
• 1:44:16
  Speaker 1: This is untruthful, this is Ramelão. Don't close our bank,
• 1:44:20
  Speaker 1: get out of here. Say you're a partner, but you're
• 1:44:24
  Speaker 1: a pilantra, you're a bitch. This is Vermeca Gueta, you're
• 1:44:27
  Speaker 1: going to be incinerated. We put bullets, sent more than
• 1:44:31
  Speaker 1: 30 on top of the naughty Verme. And so it was,
• 1:44:35
  Speaker 1: for all communities. It's the MC Mau que tá no
• 1:44:38
  Speaker 1: pode parar, rimando na hora, na tranquilidade. Vacilou, tomou de papum, conspirou,
• 1:44:43
  Speaker 1: tomou de sequência A humildade, a visão na sobrevivência Vacilou,
• 1:44:48
  Speaker 1: tomou de papum, conspirou, tomou de sequência A humildade, a
• 1:44:53
  Speaker 1: visão na sobrevivência Man, I'm like this, for me.
• 1:45:25
  Speaker 2: I'm an old lady on Roberto Cartes' ship. I'm just
• 1:45:28
  Speaker 2: waiting to play the bass.
• 1:45:30
  Speaker 1: Remember and live, right? And this one that was on
• 1:45:33
  Speaker 1: DJ Bala. Detonar cantando, tendo pancadão Detonar cantando, tudo a
• 1:45:40
  Speaker 1: nós aê Se você não conhece, então venha conhecer Só
• 1:45:45
  Speaker 1: moleque louco treinado, nós não quer fama Querendo obter o espaço,
• 1:45:50
  Speaker 1: sempre em busca da grana Tô firma com o mano
• 1:45:54
  Speaker 1: mítico que é parceiro. O Igão é verdadeiro, é humilde,
• 1:45:58
  Speaker 1: é guerreiro.
• 1:46:00
  Speaker 8: É assim que é louco, nós que tá na palavra.
• 1:46:03
  Speaker 1: Então chega perto e stop dentro da nossa quebrada. Sempre respeitando,
• 1:46:08
  Speaker 1: você vai ser respeitado. É o certo pelo certo, e
• 1:46:12
  Speaker 1: o errado ele é cobrar. Pesadão, é o bonde pesadão,
• 1:46:18
  Speaker 1: eu só venho relatando o que acontece nesse louco mundo
• 1:46:22
  Speaker 1: Foi baseado em realidade, história que aconteceu na nossa comunidade
• 1:46:29
  Speaker 1: E nem deu pra acreditar no ato de crueldade, mó
• 1:46:33
  Speaker 1: infelicidade Mas é a pura verdade, ele estava trabalhando It's
• 1:46:38
  Speaker 1: like this, look. Essa eu fiz pra ti Essa vai
• 1:47:01
  Speaker 1: pra ti Que me fez cantor de samba E hoje
• 1:47:04
  Speaker 1: eu não MC Eu agradeço a Deus Muito a você
• 1:47:09
  Speaker 1: Que me deu um incentivo E demonstrou o que eu
• 1:47:12
  Speaker 1: posso fazer Que eu vou seguir cantando Que eu quero
• 1:47:15
  Speaker 1: esquecer a tristeza Se o nosso destino é sofrer Tá suave, louco,
• 1:47:19
  Speaker 1: tá firmeza Olha aí, pancadão É o higão, detona Casinha
• 1:47:25
  Speaker 1: não termina A nossa voz voltou à dona Pantanal, it's
• 1:47:29
  Speaker 1: the sound of experience. This is part two of the
• 1:47:33
  Speaker 1: vision of survival. Part two of the vision of survival.
• 1:47:38
  Speaker 1: You can't stop shutting down memories and cards.
• 1:47:40
  Speaker 2: For God's sake, shut down the memories of the maloqueiros, man.
• 1:47:42
  Speaker 2: It's to shut down the memories of the maloqueiros, you're crazy.
• 1:47:47
  Speaker 2: E aquela lá, questão de segundos, que eu vi a
• 1:47:51
  Speaker 2: Blazer capotar.
• 1:47:52
  Speaker 1: Bate o águia derrotado, e a Cipabal me atava de
• 1:47:56
  Speaker 1: AK cromadão. Caiu pra missão, de G3 trovão, e de
• 1:48:02
  Speaker 1: fura na mão. Pronto pra missão, pra pegar os alemão Duco, bolinha,
• 1:48:14
  Speaker 1: mais de 300 de matraquinha E na playzone More than
• 1:48:11
  Speaker 1: 300 of matraquinha And in the playzone, only J.R.P. and Matracona.
• 1:48:22
  Speaker 1: And if he tries to enter, he'll take a paraval chromed.
• 1:48:29
  Speaker 1: With a strong hand, he'll prepare. Do you know who
• 1:48:32
  Speaker 1: it is? It's the J.R.P. and J.R.P. of the Mira
• 1:48:34
  Speaker 1: do Sapo.
• 1:48:35
  Speaker 8: J.R.P.
• 1:48:35
  Speaker 1: And J.R.P. of the Mira do Sapo. Because we, because we,
• 1:48:38
  Speaker 1: take it easy, take it easy. Why do we unload?
• 1:48:49
  Speaker 1: We put our chest on the rail and shoot the
• 1:48:52
  Speaker 1: bullet in a straight line. Why do we unload? Why
• 1:48:59
  Speaker 1: do we unload? We put our chest on the rail
• 1:49:02
  Speaker 1: and shoot the bullet in a straight line. In a
• 1:49:05
  Speaker 1: matter of seconds, I saw the plane take off. Thank
• 1:49:10
  Speaker 1: you for watching! And if they have to come in
• 1:49:31
  Speaker 1: here Why we, why we, unload, unload, why we unload
• 1:50:06
  Speaker 1: We'll be right back. Proibidão muito louco, mano. Desculpa.
• 1:50:26
  Speaker 2: Depois que ele para de cantar essa, essa é proibidão
• 1:50:31
  Speaker 2: muito louco, hein, mano.
• 1:50:33
  Speaker 1: Então, por isso que minha mãe, às vezes, ela fica.
• 1:50:34
  Speaker 7: Agora você.
• 1:50:37
  Speaker 1: Entende, né, um pouquinho. Mas é o cotidiano. Depois que
• 1:50:40
  Speaker 1: nós viramos pais de família, nós falamos, puta, mano, caramba.
• 1:50:42
  Speaker 1: Não tinha um jeito mais fácil de jogar esse futebol, não, mano.
• 1:50:46
  Speaker 1: We wanted to play with a clay ball, but it
• 1:50:48
  Speaker 1: was made of coconut. But it's okay. It's part of
• 1:50:50
  Speaker 1: the story. I won't say anything else. But after Novinha
• 1:50:52
  Speaker 1: Vem Que Tem, things started to change. We got more intelligence.
• 1:50:54
  Speaker 7: Professionalism started to come in.
• 1:51:04
  Speaker 4: DJ!
• 1:51:20
  Speaker 1: A gente cai pro rolê, na praia é só os filé,
• 1:51:24
  Speaker 1: onde os vagabundo anda gozando de naveira e santa fé.
• 1:51:28
  Speaker 1: É assim que é, prometo ter uma deta, tô cansado
• 1:51:32
  Speaker 1: de sofrer, andar de bicicleta, usando as palavras certas. I'm
• 1:51:37
  Speaker 1: going to follow a good advice. If we sing funk,
• 1:51:39
  Speaker 1: it's to be able to cheer up the companions. Get
• 1:51:42
  Speaker 1: out of depression. Think about growing and don't give up.
• 1:51:46
  Speaker 1: Attitude in virtue and intelligence. It's us who steal the scene.
• 1:51:51
  Speaker 1: Lazy is a bad presence. Disgust is a thousand. Cavalry
• 1:51:55
  Speaker 1: is a GR. Accept it. This is the sound of summer.
• 1:51:59
  Speaker 1: It's the pot and the lomb. Que tá te passando
• 1:52:03
  Speaker 1: uma mensagem É o som do tamborzão Esse é o
• 1:52:06
  Speaker 1: som do verão É o mítico iuigão Na rima, na hora,
• 1:52:11
  Speaker 1: acidente vegano Ela desce até o chão A gente cai
• 1:52:14
  Speaker 1: pro rolê Na praia é só se ler O desvagabundo
• 1:52:18
  Speaker 1: anda gozando De naveira em Santa Fé É assim que
• 1:52:22
  Speaker 1: é Prometo ter uma dessa Tô cansado de sofrer E
• 1:52:26
  Speaker 1: andar de bicicleta Usando as palavras certas Vou seguindo um
• 1:52:30
  Speaker 1: bom conselho Se nós cantar funk é pra poder alegrar
• 1:52:34
  Speaker 1: os companheiros. Saia da depressão, pensa em crescer e não desça.
• 1:52:39
  Speaker 1: E atitude e habitude na inteligência. É nós que rouba
• 1:52:43
  Speaker 1: a cena, malandro é mó presença. Diz que é de mil,
• 1:52:47
  Speaker 1: cavaca que é RR600.
• 1:53:06
  Speaker 1: .
• 1:53:08
  Speaker 7: .
• 1:53:13
  Speaker 2: .
• 1:53:21
  Speaker 1: For those who followed the beginning of the trajectory, we
• 1:53:24
  Speaker 1: started very violent. But it was the reality, right, brother?
• 1:53:28
  Speaker 2: Yeah, there wasn't that.
• 1:53:29
  Speaker 1: Right, brother? Like, how can I say this? There were
• 1:53:33
  Speaker 1: some guys who said things more discriminately, like this, brother, discreetly, right, brother?
• 1:53:39
  Speaker 1: Telling the reality, even at that time, brother.
• 1:53:41
  Speaker 7: Cruel, right, brother?
• 1:53:42
  Speaker 1: It's cruel, because I wasn't ashamed, you know? I knew
• 1:53:44
  Speaker 1: that I was at risk, but I had to run
• 1:53:46
  Speaker 1: that risk to try to change the life of my family, brother.
• 1:53:49
  Speaker 1: It was that, right? You know, brother? I had nothing
• 1:53:52
  Speaker 1: to do.
• 1:53:52
  Speaker 7: You were singing what was happening, right?
• 1:53:54
  Speaker 1: For real, right? And then it happened that the violence
• 1:53:59
  Speaker 1: came through the MCs, you know, bro? Why? Because I
• 1:54:02
  Speaker 1: think the people there from the government, I don't know
• 1:54:05
  Speaker 1: if I can say this, but I was very irritated
• 1:54:08
  Speaker 1: because the girl was adopting a lot of that stuff there,
• 1:54:10
  Speaker 1: she was much younger in age, enjoying it, you know?
• 1:54:12
  Speaker 1: And I was scared to hell that some attack would
• 1:54:14
  Speaker 1: happen against my life, you know, bro? But it was
• 1:54:17
  Speaker 1: always protecting, right, bro? We were always asking for protection
• 1:54:19
  Speaker 1: from God, because I always had a lot... Muito afeto
• 1:54:22
  Speaker 1: com o Senhor Jesus e tudo que eu pedi pra Deus... Aconteceu.
• 1:54:25
  Speaker 1: Deus sempre, tipo, me protegeu. Deus sempre me deu, tipo,
• 1:54:29
  Speaker 1: minha alimentação, sabe, mano? Que eu sempre fui um cara que, mano...
• 1:54:33
  Speaker 1: Tá escrito aí na Bíblia essa parada. Depois de mais
• 1:54:35
  Speaker 1: velho eu entendi, mano, que a maior ostentação do universo,
• 1:54:38
  Speaker 1: do mundo, mano, é você se alimentar bem, mano. Acredita, mano.
• 1:54:41
  Speaker 1: Coloca os seus amigos de verdade numa mesa e coma.
• 1:54:44
  Speaker 1: Coma como se... It was the last day of your life,
• 1:54:47
  Speaker 1: but without gula, you know? Yes. Eat well. Feed yourself.
• 1:54:51
  Speaker 2: Eat a nice thing that you want, you know?
• 1:54:53
  Speaker 1: You eat, you know? And I also discovered that a
• 1:54:55
  Speaker 1: cemetery is the saddest place in the world, right, bro?
• 1:54:58
  Speaker 1: A lot of dead dreams, right? I saw that there,
• 1:55:01
  Speaker 1: after so many friends lost their lives and everything, bro,
• 1:55:10
  Speaker 1: It's written in the Bible that sometimes it's better to
• 1:55:13
  Speaker 1: be in a cemetery watching a real friend than to
• 1:55:16
  Speaker 1: be in a banquet full of drinks, with a lot
• 1:55:20
  Speaker 1: of good food and surrounded by fake friends, you know? True.
• 1:55:23
  Speaker 1: It's a very stupid thing, but it's the real thing,
• 1:55:26
  Speaker 1: you know?
• 1:55:26
  Speaker 2: That's true.
• 1:55:27
  Speaker 1: So, like, sometimes we have to keep our feet on
• 1:55:28
  Speaker 1: the ground, know that we saw the dust, and the
• 1:55:31
  Speaker 1: dust will come back, right, brother?
• 1:55:33
  Speaker 2: Everyone, there's no place to run. There's no drawer, right?
• 1:55:35
  Speaker 1: There's no drawer. That's it. Do you want another song, guys?
• 1:55:38
  Speaker 1: I want a few more, right?
• 1:55:41
  Speaker 7: If you can. Mundo M, Novinha também.
• 1:55:44
  Speaker 1: Vamos mandar, vamos mandar. Novinha Chora? Vamos de Novinha Chora?
• 1:55:47
  Speaker 2: Por favor.
• 1:55:48
  Speaker 1: DJ, solta aquele beatzinho 130, moleque. Eu voltei pra sexta série, gente. Gostosinho.
• 1:55:54
  Speaker 1: Essa daqui travou a porta da escola, mano. Sonny Erikson.
• 1:55:58
  Speaker 1: Querendo pelo Lola. Tá ligado, vamos lá. When we get there,
• 1:56:02
  Speaker 1: we go crazy. R6, Corolla, take it for the shine
• 1:56:06
  Speaker 1: of the rope. And notice that my party is foda.
• 1:56:09
  Speaker 1: My bag is an aquarium. That's what they like. Cry, cry,
• 1:56:15
  Speaker 1: little girl, cry. Little girl, little girl, cry. I attacked
• 1:56:18
  Speaker 1: in the bar and funk. The captive of the new ones.
• 1:56:22
  Speaker 1: I took you to the cellar. And I took you
• 1:56:24
  Speaker 1: from the old and the new ones. Chora, chora, novinha
• 1:56:29
  Speaker 1: Oh novinha, novinha, chora No pinhão tô de seiscentas Na
• 1:56:33
  Speaker 1: porta da tua escola Tu já tá perdendo ali Todas
• 1:56:37
  Speaker 1: tuas amigas Oh novinha Quando nóis chega, nóis apavora De
• 1:56:42
  Speaker 1: aí cê doi de corola Pega o brilho da foda
• 1:56:45
  Speaker 1: E nota que o igão é foda Meu bolso tá
• 1:56:48
  Speaker 1: um aquário That's what they say. And my brother didn't
• 1:56:52
  Speaker 1: tell me. Cry, cry. The new girls cry. New girls,
• 1:56:55
  Speaker 1: new girls. I attacked them in the pod. The captive,
• 1:56:58
  Speaker 1: they're new. I took you to the cellar. And I
• 1:57:01
  Speaker 1: took you out of the cellar. And the new girls cry. Cry, cry.
• 1:57:04
  Speaker 1: The new girls cry. New girls, new girls cry. In
• 1:57:07
  Speaker 1: the corner of the door of your school. You're already
• 1:57:11
  Speaker 1: losing there. And all your friends look. Thank you. Gosta
• 1:57:38
  Speaker 1: de reggae, de funk, ainda curte um Novinha, vem que
• 1:57:42
  Speaker 1: tem Oi, vem que tem, meu bem Eu tô de
• 1:57:44
  Speaker 1: Camaro e o bolso aquário Novinha, vem que tem Oi,
• 1:57:50
  Speaker 1: vem que tem, meu bem Eu tô de Camaro, não
• 1:57:52
  Speaker 1: pode pá Com tantas notas Acabei de chegar Te ganhei
• 1:57:57
  Speaker 1: no olhar E na porta do baile funk Eu fiz
• 1:58:01
  Speaker 1: ela delirar Só pra impressionar I open the solar ceiling
• 1:58:06
  Speaker 1: and throw my rope out to bother. We'll be right back.
• 1:58:15
  Speaker 8: E se aproximou, viu que tinha tipo um esquema insolúte.
• 1:58:19
  Speaker 1: Nas que é botador.
• 1:58:20
  Speaker 2: De malote, qualquer balada somos arabipe.
• 1:58:23
  Speaker 1: Vem curtir o nosso camarote. No camarote ela dança pra mim,
• 1:58:28
  Speaker 1: no camarote ela mexe. Gosta de funk, de samba, ainda
• 1:58:33
  Speaker 1: curte um reggae. No camarote ela dança, no camarote ela dança.
• 1:58:38
  Speaker 1: Gosta de reggae, de funk, ainda curte um samba. Gosta
• 1:58:42
  Speaker 1: de grana.
• 1:58:43
  Speaker 6: We'll see you next time.
• 1:59:02
  Speaker 1: Tô de corola, nós passe as bandida, olha Na potência DR1,
• 1:59:08
  Speaker 1: nós chama no ground uma roda Esbanjado o poder de disputa,
• 1:59:13
  Speaker 1: elas gosta Mas se deu 4 e 20, fiquei de
• 1:59:16
  Speaker 1: marola Mas passei de 600 na porta da tua escola
• 1:59:21
  Speaker 1: Eu de corda Rolex no pulso, artigo da moda E
• 1:59:25
  Speaker 1: aí já era, é só escolher levar embora E aí
• 1:59:29
  Speaker 1: já era, é só escolher levar embora Nós escolheu e
• 1:59:31
  Speaker 1: levou embora. Se hoje tem festinha, bebe pra ficar bom.
• 1:59:36
  Speaker 1: Chama suas amiguinhas, é dia de comemorar com o MC Long.
• 1:59:41
  Speaker 1: Sabe o que nós compramos pra comemorar? Nós tem o whisky, chandon, vai,
• 1:59:46
  Speaker 1: estoura o champanhe. Porque o amor verdadeiro que existe é
• 1:59:50
  Speaker 1: só demais. Tem o whisky, chandon, e as naves pra acelerar.
• 1:59:54
  Speaker 8: O novinha vem com nós. Pra gente desenrolar, tem o whisky.
• 1:59:59
  Speaker 1: Chandon, estoura o champanhe Porque o amor verdadeiro que existe
• 2:00:04
  Speaker 1: é só de mamãe Nós tem o whisky, chandon e
• 2:00:07
  Speaker 1: as naves pra celeirar Ô novinha vem com nós, pra
• 2:00:11
  Speaker 1: gente desistir Estudar, respeitar, o papai e a mamãe para
• 2:00:17
  Speaker 1: o futuro a eles dar And study, respect But the
• 2:00:22
  Speaker 1: Lord is my shepherd And nothing will be missing from
• 2:00:25
  Speaker 1: me But it's on the recording Here you can't stop
• 2:00:28
  Speaker 1: It's the Longevity, many evils But in my way There's
• 2:00:32
  Speaker 1: no boy crazy Magic world, boy.
• 2:00:41
  Speaker 6: MULHERENGO MISTERIOSO MALVADO ME MOSTROU MALANDROS MALANDREADO MAIORAL.
• 2:00:52
  Speaker 8: MELHORES MOMENTOS MARGINAL MALDITO MOVIMENTO MELODIA MEMORA MAL MENSAGEIRO MALICIOSO
• 2:01:03
  Speaker 8: MATIMENTO MANTEMO Mafioso, moderno, mau humorado, mau mistério, mercadoria milagrosa.
• 2:01:15
  Speaker 1: Mafia, monstra, milícia, milhões, manobra, maestro, mostrando.
• 2:01:24
  Speaker 1: Thank you.
• 2:01:46
  Speaker 4: Moeda melhora Mundo mítico, menino maquinado Mundo M, militares mutilados
• 2:01:57
  Speaker 4: Mundo M, mania mortada Música mostra, ele se mete com
• 2:02:03
  Speaker 4: a mala Mundo M, menino maquinado Mundo M, militares mutilados.
• 2:02:11
  Speaker 8: Mundo M, mania mostrada.
• 2:02:15
  Speaker 1: Música mostrada, MC Mediomala. Satisfação total. Bate palma, bate palma.
• 2:02:22
  Speaker 1: Isso aí não existe. Caralho. Quando eu vi isso aí... Não,
• 2:02:27
  Speaker 1: você errei aqui, tá maluco. Que isso, parça, que isso.
• 2:02:31
  Speaker 1: Sou apenas mais um sonhador no meio da multidão. Only
• 2:02:35
  Speaker 1: with a little more age, you know? We're living.
• 2:02:37
  Speaker 7: I wanted to fit a question in this, bro. What
• 2:02:40
  Speaker 7: was the challenge of making this sound?
• 2:02:42
  Speaker 3: What was the difficulty? Why did you create this? I
• 2:02:44
  Speaker 3: imagine when you released it, it was like, bro, how come?
• 2:02:46
  Speaker 3: A song just with an M.
• 2:02:48
  Speaker 1: Just with a letter. What was the challenge? No, so,
• 2:02:50
  Speaker 1: like this, bro. I was already... My song was playing
• 2:02:54
  Speaker 1: in the communities, that one... It's holding the revolt of
• 2:02:58
  Speaker 1: my broken... Ah.
• 2:03:00
  Speaker 1: Bom dia das casinhas, é o terror. Mas não tinha
• 2:03:03
  Speaker 1: virado a chave, irmão. Não tinha virado a chave, sabe, irmão? Tipo,
• 2:03:07
  Speaker 1: eu não tinha cantado ainda na Boulevard, tá ligado, mano? Tipo,
• 2:03:10
  Speaker 1: aí eu falei, mano, eu vou cantar na Boulevard, eu
• 2:03:12
  Speaker 1: preciso ter uma música, mano, que senão eu vou parar
• 2:03:15
  Speaker 1: de cantar, mano. Eu comentei até com o meu amigo
• 2:03:17
  Speaker 1: lá da praia, que me levava pra ficar mais próximo
• 2:03:21
  Speaker 1: do Boladão, que é o Paulinho da PG, tá ligado?
• 2:03:22
  Speaker 1: Eu falei pra ele, mano, eu vou tentar fazer uma
• 2:03:25
  Speaker 1: música aqui agora, irmão, que se eu não conseguir, irmão,
• 2:03:27
  Speaker 1: I'm gonna stop singing, I'm gonna work, I'm gonna help
• 2:03:29
  Speaker 1: my mom in another way. I'm gonna... I don't know,
• 2:03:31
  Speaker 1: I'm gonna help my dad in his work, you know?
• 2:03:34
  Speaker 1: Throw me to another corner. Yeah, bro, because I'm tired
• 2:03:37
  Speaker 1: of being humiliated, because at that time we were already
• 2:03:39
  Speaker 1: very humiliated, bro. You asked to sing, like I told you,
• 2:03:41
  Speaker 1: I spent three years asking to sing on the boulevard.
• 2:03:44
  Speaker 1: You listened to the others like that, in the face of.
• 2:03:47
  Speaker 7: You're bad, you don't know how to sing.
• 2:03:49
  Speaker 1: Go there. There's no MC on Praia Grande, there's no
• 2:03:50
  Speaker 1: MC on Praia Grande. You know, bro? There's no famous
• 2:03:53
  Speaker 1: MC on Praia Grande. No one ever blew up on
• 2:03:56
  Speaker 1: Praia Grande. Only from São Vicente and MC de Santos
• 2:03:58
  Speaker 1: and such. Because there was a lot of this stuff,
• 2:04:00
  Speaker 1: you know? Then I went to sleep thinking about it, bro.
• 2:04:02
  Speaker 1: I said, damn, bro, will I make it, bro? Lord Jesus,
• 2:04:05
  Speaker 1: help me, God. I want to be a guy, bro.
• 2:04:07
  Speaker 1: I want to at least be with my friends. I
• 2:04:08
  Speaker 1: don't want to be the best, no. I just want
• 2:04:10
  Speaker 1: to be doing shows. I want to go up on
• 2:04:11
  Speaker 1: the same stage as them. Then I slept, bro. And
• 2:04:13
  Speaker 1: in a dream of mine, I dreamed of singing. And
• 2:04:16
  Speaker 1: I dreamed of singing this song, bro. Like this. Many evils, bro,
• 2:04:20
  Speaker 1: my way. Many evils, bro, my way. I was changing clothes.
• 2:04:26
  Speaker 1: I woke up like this, bro. Because I woke up,
• 2:04:27
  Speaker 1: it was a shock to my mind. I remember as
• 2:04:29
  Speaker 1: if today I was sleeping in those bunk beds, you know?
• 2:04:31
  Speaker 1: That are downstairs and upstairs. But my mom was about
• 2:04:34
  Speaker 1: to disassemble. Then she left one part for me and
• 2:04:37
  Speaker 1: the other part for my brother, you know? And I
• 2:04:39
  Speaker 1: was cutting my hair, I had already put the floor
• 2:04:42
  Speaker 1: in my room, which was my and my brother's room.
• 2:04:44
  Speaker 1: I had already bought a little TV, a little video
• 2:04:46
  Speaker 1: game for us to play. We were always dreamers. I
• 2:04:49
  Speaker 1: came to see a floor in my house when I
• 2:04:50
  Speaker 1: was 19 years old, through my living room. I never
• 2:04:51
  Speaker 1: had a floor in my house. It was always that
• 2:04:53
  Speaker 1: beaten floor. So the suffering was very strong, as I
• 2:04:55
  Speaker 1: said at the beginning of our conversation.
• 2:04:58
  Speaker 8: With that stuff, I already had the opportunity to record.
• 2:05:00
  Speaker 1: With DJ Felipe, I had already recorded Bom Dia das
• 2:05:02
  Speaker 1: Casinhas with Rod J. I said, man, I want a
• 2:05:04
  Speaker 1: song that will change my life, man. Then I slept
• 2:05:16
  Speaker 1: and woke up. A lot of evil, my way. A
• 2:05:18
  Speaker 1: lot of evil, my way. A lot of evil, my way.
• 2:05:21
  Speaker 1: Then I woke up and said, man, it's all with M.
• 2:05:26
  Speaker 1: A lot of evil, my way. Man, I'm going to
• 2:05:28
  Speaker 1: do everything with M. Why? Because I'm the relic, right, man?
• 2:05:32
  Speaker 1: Just like Igão really likes old songs. The gog, right?
• 2:05:35
  Speaker 1: You know, in the middle of the favela, there's always
• 2:05:39
  Speaker 1: that person who's more relic, who listens to those raps,
• 2:05:42
  Speaker 1: you know? Like Mano Brown said these days, you know?
• 2:05:46
  Speaker 1: I was listening to that song by Goga.
• 2:05:47
  Speaker 2: He said Dani Dinaldinho, right?
• 2:05:49
  Speaker 1: Yeah, you know, man? He said, his song I already
• 2:05:52
  Speaker 1: liked a lot, Pedro Paulo, Profissão, Pedreiro, Passatempo Predileto, Pandeiro.
• 2:05:59
  Speaker 1: Then I started with my song, which was a copy
• 2:06:02
  Speaker 1: of his song, but with a funk beat. An inspiration, right?
• 2:06:04
  Speaker 1: An inspiration, you know?
• 2:06:05
  Speaker 2: I'm not ashamed to say it, because, you.
• 2:06:07
  Speaker 1: Know, like a guy who inspired me, you know, bro?
• 2:06:09
  Speaker 1: It was from there, bro, I said, bro, there's a
• 2:06:10
  Speaker 1: way to do it, because the bro already did this stuff,
• 2:06:13
  Speaker 1: but I'm going to put a lot of maldade, bro. Pô,
• 2:06:16
  Speaker 1: dá pra fazer um funk, ó, mano. Muitas maldades, mano,
• 2:06:27
  Speaker 1: meu mano era menor Moleque maloqueiro Mano, encaixou certinho, eu falei, puta,
• 2:06:33
  Speaker 1: tudo com M Vai rolar Já peguei um dicionário, já
• 2:06:36
  Speaker 1: comecei a juntar uma parte de palavra M Mano, em um,
• 2:06:39
  Speaker 1: tipo assim, em duas horas eu terminei a música, mano
• 2:06:42
  Speaker 1: Tá ligado, mano? E quando você.
• 2:06:44
  Speaker 7: Acabou, você sentiu? Falou, isso aqui vai mudar minha vida?
• 2:06:47
  Speaker 1: Senti que eu tinha feito uma música boa, mas não
• 2:06:49
  Speaker 1: senti que era a música que ia mudar minha vida,
• 2:06:51
  Speaker 1: tá ligado? Mas eu senti que eu tava no caminho certo,
• 2:06:53
  Speaker 1: porque eu já tava sabendo trabalhar meu tom de voz
• 2:06:56
  Speaker 1: I was getting the words right and I was knowing
• 2:06:57
  Speaker 1: that the thing was hitting, like, you know, bro, it
• 2:06:59
  Speaker 1: was sweating right, it's like you take an instrument and
• 2:07:03
  Speaker 1: play it wrong, you can see that the guy is
• 2:07:04
  Speaker 1: playing wrong. When the guy plays right, a cavaquinho there,
• 2:07:07
  Speaker 1: you see that he's sweating the right notes, you know,
• 2:07:10
  Speaker 1: it's like a song. I said, bro, the thing will work, bro.
• 2:07:12
  Speaker 1: Then I went and introduced it to Felipe Boladão, he said, bro,
• 2:07:15
  Speaker 1: the bondi das casinhas is better, bro, but this one
• 2:07:18
  Speaker 1: is very crazy, bro, I've never seen anyone doing such
• 2:07:20
  Speaker 1: a thing, bro. Very different, right, bro? Different from how
• 2:07:23
  Speaker 1: people will sing, bro. It's all with M, bro.
• 2:07:24
  Speaker 2: I think what it did when we heard it was
• 2:07:26
  Speaker 2: the desire to sing the song. So, like, I'm going
• 2:07:28
  Speaker 2: to hear until I sing this song.
• 2:07:30
  Speaker 3: No, I imagine that at the time everyone wanted to
• 2:07:32
  Speaker 3: decorate too, right?
• 2:07:33
  Speaker 1: It's listening until you know how to sing. DJ Felipe said...
• 2:07:37
  Speaker 1: I said, are you crazy? What a crazy thing. No,
• 2:07:39
  Speaker 1: let's record this thing now, bro. I said, calm down, bro,
• 2:07:40
  Speaker 1: I'm finishing it yet, because there were three lines left
• 2:07:42
  Speaker 1: to finish. He said, are you crazy, bro? Finish the
• 2:07:44
  Speaker 1: thing there, I'll leave you in the studio there alone, finish. Then, bro,
• 2:07:48
  Speaker 1: in three minutes, I found the words that were missing,
• 2:07:50
  Speaker 1: which were, Moeda, Melhora, Mundo M, Menino Maquinado. Like, in
• 2:07:58
  Speaker 1: my mind, Mundo M is what? Mundo Melhora. a successful thief,
• 2:08:01
  Speaker 1: you'll get arrested. But at that time, since I was
• 2:08:04
  Speaker 1: coming from Proibidão, I said, it's gonna work. That's right.
• 2:08:10
  Speaker 1: It's fucking awesome, man. It's a fucking story. You know, man?
• 2:08:13
  Speaker 1: Then he said, man, record the stuff, record the stuff. Then, man,
• 2:08:16
  Speaker 1: he recorded the stuff there on... We released it on
• 2:08:18
  Speaker 1: the Hitspower website, it started to get access. We released
• 2:08:20
  Speaker 1: it on Funk MP3, it started to get access. Then, man,
• 2:08:22
  Speaker 1: you know, man? The guys started taking me to the
• 2:08:25
  Speaker 1: dance floor to sing this song to me, you know? Man,
• 2:08:27
  Speaker 1: sing that one from the M you did, Chiquinho Amaral said,
• 2:08:29
  Speaker 1: sing that one from the M you did. Then I sang,
• 2:08:32
  Speaker 1: because Chiquinho was always very lyricist. So he started to
• 2:08:35
  Speaker 1: have these ideas in me. He said, man, sing that
• 2:08:37
  Speaker 1: one from the M, man. That one from the M
• 2:08:39
  Speaker 1: is crazy. This one is not possible, bro. So crazy, man.
• 2:08:42
  Speaker 1: So much so that he is my godfather in funk.
• 2:08:43
  Speaker 2: Chiquinho and Amaral, you know?
• 2:08:45
  Speaker 1: Totô e Cabeça, Chiquinho e Amaral e Duda do Marapé.
• 2:08:47
  Speaker 1: These are my godfathers that I had. So much so
• 2:08:49
  Speaker 1: that I have a tattoo of Duda do Marapé here
• 2:08:50
  Speaker 1: on my leg.
• 2:08:51
  Speaker 2: On his face, you know?
• 2:08:53
  Speaker 1: So I sang for Duda too, and he was like, dude,
• 2:08:55
  Speaker 1: that's cool, dude, that's crazy, because he was kind of
• 2:08:58
  Speaker 1: like a gringo, you know? Duda already did remixes back then.
• 2:09:01
  Speaker 1: He would take that song from Tio Peck, he would
• 2:09:04
  Speaker 1: take that song from Tio Peck and he would sing
• 2:09:07
  Speaker 1: it in Portuguese, the same way the guys sang there,
• 2:09:09
  Speaker 1: he would sing it here. What a key, man. You know, man?
• 2:09:11
  Speaker 2: Duda's presence on stage was also.
• 2:09:13
  Speaker 1: Man, no one used to put their hands on the line,
• 2:09:17
  Speaker 1: you know? They used to send some flowers. Man, a
• 2:09:19
  Speaker 1: Biruta flower. I used to say, man, this guy is
• 2:09:22
  Speaker 1: a Biruta, man. It's advanced too much. Man, the dances shook,
• 2:09:24
  Speaker 1: they used to come to the dances and I used
• 2:09:27
  Speaker 1: to say, man, if Duda said the thing, the thing
• 2:09:29
  Speaker 1: is a monster, man. Let's do it. Then it was
• 2:09:31
  Speaker 1: when I managed to sing at Bolivar, that I asked
• 2:09:34
  Speaker 1: the Japanese, I said, Japanese, I'm going to sing, I'm
• 2:09:37
  Speaker 1: going to sing. He said, no, go to Santos. We'll
• 2:09:40
  Speaker 1: record you on the radio. If you can record a song,
• 2:09:42
  Speaker 1: you'll sing it. I liked it.
• 2:09:43
  Speaker 7: I put your name on it.
• 2:09:44
  Speaker 1: I sang this Mundo M there, bro. I sang this
• 2:09:46
  Speaker 1: Mundo M. The guys from my band that I had
• 2:09:49
  Speaker 1: paid for them to go, they started to sing very loud.
• 2:09:51
  Speaker 1: They invaded the stage. They made a big mess. The
• 2:09:53
  Speaker 1: guy said, okay, crazy, come back next week. I said,
• 2:09:56
  Speaker 1: what do you mean?
• 2:09:58
  Speaker 7: I stayed three years.
• 2:09:58
  Speaker 1: You want me to sing this week? Sing the other
• 2:10:00
  Speaker 1: one too. There are no other artists to sing. Next week.
• 2:10:02
  Speaker 1: Then I sang the other week. Come back the other week.
• 2:10:04
  Speaker 1: Come back the other week. From there, from the boulevard,
• 2:10:06
  Speaker 1: I started. It's the same as Mundo M, Mundo M
• 2:10:08
  Speaker 1: is coming, bro. This song is... Special, right? No, it's funk,
• 2:10:11
  Speaker 1: there's nothing to say.
• 2:10:12
  Speaker 2: If we keep talking here, bro, it's a story, you know?
• 2:10:14
  Speaker 1: That's why you.
• 2:10:16
  Speaker 2: Have doors open for us.
• 2:10:16
  Speaker 1: It's a movie, bro. To come back whenever you want.
• 2:10:19
  Speaker 2: It's crazy, bro.
• 2:10:20
  Speaker 1: Very crazy, right, bro? Imagine if tomorrow, through my production,
• 2:10:25
  Speaker 1: I create a story for MC Lon, a thing to...
• 2:10:27
  Speaker 1: It's a movie, bro. A cool thing, don't do a
• 2:10:29
  Speaker 1: cool thing, bro. For sure, bro. Based on reality, you know?
• 2:10:34
  Speaker 1: You can change some things for the.
• 2:10:37
  Speaker 7: Better, right?
• 2:10:37
  Speaker 1: But, man, the thing is really crazy.
• 2:10:38
  Speaker 7: This story of life is really crazy, brother.
• 2:10:40
  Speaker 3: And here it was very little, I can't imagine that
• 2:10:42
  Speaker 3: you can't say what we haven't told here yet.
• 2:10:45
  Speaker 7: So your story is really cool.
• 2:10:47
  Speaker 2: In two hours you can't talk about everything, right? But, man,
• 2:10:49
  Speaker 2: it's a lot of history.
• 2:10:50
  Speaker 1: There's a lot of things, if I tell you a
• 2:10:51
  Speaker 1: lot of things that I know about funk there, man.
• 2:10:54
  Speaker 1: You know, man? What you saw, what you lived.
• 2:10:55
  Speaker 7: What I saw, what I lived, things that.
• 2:10:58
  Speaker 1: We can talk about things that I can talk about here,
• 2:11:00
  Speaker 1: but I can denigrate my own image. I've seen so
• 2:11:04
  Speaker 1: many things. I saw MC start to be stronger than me,
• 2:11:06
  Speaker 1: and now that he was so strong, he doesn't even
• 2:11:08
  Speaker 1: work with Funk anymore. As I saw in the UFC,
• 2:11:19
  Speaker 1: everyone didn't believe him and now he's very strong. He's
• 2:11:21
  Speaker 1: 0-0 in the fight. So I saw everything in the fight.
• 2:11:23
  Speaker 1: You've always been very observant, as you said. And nowadays
• 2:11:25
  Speaker 1: I can follow this a lot, even when I'm not
• 2:11:27
  Speaker 1: close to the guys.
• 2:11:28
  Speaker 2: I talk a lot with Bruninho da Praia. He's very
• 2:11:30
  Speaker 2: close to the.
• 2:11:31
  Speaker 1: Guys from the present, as he is now. So he's
• 2:11:42
  Speaker 1: very close to the guys, so I end up talking
• 2:11:44
  Speaker 1: to them, in the conversation he says, pô, this happened,
• 2:11:46
  Speaker 1: that happened, so I end up knowing everything, even if
• 2:11:50
  Speaker 1: I'm not.
• 2:11:51
  Speaker 2: Present.
• 2:11:51
  Speaker 1: Present, you know? You know? So the funk that is
• 2:11:54
  Speaker 1: part of me will always do it, you know, bro?
• 2:11:56
  Speaker 2: You're the funk, Olão, for real.
• 2:11:58
  Speaker 1: The kids, whether they want it or not, you know, bro?
• 2:12:00
  Speaker 1: I have the utmost respect for them, I want them
• 2:12:02
  Speaker 1: to grow up more and more, but whether they want
• 2:12:04
  Speaker 1: it or not, for real, bro, no one will pay
• 2:12:07
  Speaker 1: for what I did, you know? You have to respect.
• 2:12:09
  Speaker 1: No one will pay for your story, no one will
• 2:12:10
  Speaker 1: pay for your... Even if they want to delete me,
• 2:12:12
  Speaker 1: you know? Like I said at the beginning of the show, MC,
• 2:12:15
  Speaker 1: to start with the funk, they want to get close
• 2:12:17
  Speaker 1: to me. I'm not talking about the present, it's already happened,
• 2:12:19
  Speaker 1: you know? I'm not going to name the fools or
• 2:12:23
  Speaker 1: the jumentos, you know? Because we've been fools, we've been jumentos,
• 2:12:26
  Speaker 1: we've done a lot of wrong things. But there are
• 2:12:31
  Speaker 1: guys who have great talent, but they don't bet on
• 2:12:34
  Speaker 1: their talent, they bet on their talented friends. See them
• 2:12:38
  Speaker 1: stick with the talented ones and they become one of them.
• 2:12:41
  Speaker 1: I opened a lot of opportunities for many, I let
• 2:12:44
  Speaker 1: them sleep in my house, I let them record in
• 2:12:46
  Speaker 1: my studio, I walked with my car, I didn't have
• 2:12:47
  Speaker 1: a real in my account and I walked with my
• 2:12:49
  Speaker 1: imported cars. But after they blew up, the guys didn't
• 2:12:52
  Speaker 1: even tag me. They don't follow my life and I
• 2:12:57
  Speaker 1: keep following theirs as if nothing had happened.
• 2:13:00
  Speaker 2: It was more of a social alpinism.
• 2:13:03
  Speaker 1: Than a friendship. Yes, bro. I can't erase that boy
• 2:13:06
  Speaker 1: from my memory because he went through my school life.
• 2:13:10
  Speaker 1: Like Kevin, like Hariel, like... I met all these guys
• 2:13:15
  Speaker 1: when they were very young. And I have the utmost
• 2:13:17
  Speaker 1: respect for them. For what they conquered, for what they did,
• 2:13:19
  Speaker 1: for what they did. because of the greatness they achieved,
• 2:13:26
  Speaker 1: you know? But even if they don't follow my life
• 2:13:29
  Speaker 1: that much, I end up following their lives, you know? Why?
• 2:13:33
  Speaker 1: Because I'm a funk too, you know? So if they're
• 2:13:35
  Speaker 1: doing well for the funk, they're doing well for me.
• 2:13:37
  Speaker 1: Even if they don't want to. I don't say these names,
• 2:13:40
  Speaker 1: but like... I understand. Because these guys are more my
• 2:13:43
  Speaker 1: friends and I can talk about them, you know? Like,
• 2:13:45
  Speaker 1: they're the guys who are references in music nowadays. Kevin,
• 2:13:47
  Speaker 1: who left, and Hariel, who for me is one of
• 2:13:49
  Speaker 1: the guys who is 0-0 in the parada, you know? No,
• 2:13:51
  Speaker 1: Hariel is a monster.
• 2:13:52
  Speaker 2: What he did now with the orchestra.
• 2:13:53
  Speaker 1: So, like, he was a guy who... Man, our funk
• 2:13:55
  Speaker 1: revived a lot in this thing he did now, you know?
• 2:13:57
  Speaker 1: A huge gratitude for him, for doing this for those
• 2:14:00
  Speaker 1: who left and for the songs he listened to when
• 2:14:02
  Speaker 1: he was starting his crazy life there, you know? To
• 2:14:05
  Speaker 1: give improvement to his family, just like mine. And today
• 2:14:08
  Speaker 1: he can rekindle these things in a more musical way,
• 2:14:10
  Speaker 1: like this... The guy put the song of Careca on
• 2:14:20
  Speaker 1: the record. He's a great guy, you know? He's the
• 2:14:22
  Speaker 1: most respected, you know? And that's it.
• 2:14:24
  Speaker 2: Harry is a monster. I was watching your song, by
• 2:14:25
  Speaker 2: the way. The first song of Symphonic.
• 2:14:28
  Speaker 1: Contra Nós.
• 2:14:29
  Speaker 2: It's really cool.
• 2:14:30
  Speaker 1: I was there. Contra Nós, Contra Nós, Contra Nós. Very cool.
• 2:14:32
  Speaker 1: Would you do another one before we end this wonderful podcast?
• 2:14:35
  Speaker 1: Of course.
• 2:14:36
  Speaker 2: Until 10 more. Music is what we lack, right, DJ? Prejudicado, pobre,
• 2:14:45
  Speaker 2: preso Perdeu parente, pertence, perdeu parceiro.
• 2:15:01
  Speaker 1: Pass the time by the passenger penitent. Privileged carrying a
• 2:15:07
  Speaker 1: black umbrella. Professional party P1. Professional party P1. Professional party P1.
• 2:15:14
  Speaker 1: I will promote you dangerous propaganda. Prejudicando pessoas pura proposta Poetizando,
• 2:15:27
  Speaker 1: pedindo paz Periferia pelos progressos prontos principais Pão de pancadão
• 2:15:34
  Speaker 1: pra dar com potência potente Pendente, pronto, preparado, psicologicamente Predominado,
• 2:15:42
  Speaker 1: prédio parado Pecado, pagando pelos pecados Policiais They ask for propyla,
• 2:15:52
  Speaker 1: to be able to stop the process, predominate, pass through
• 2:15:56
  Speaker 1: the portal, gift for the prisoners, freedom sings for the buzeiro, huh? Go, professional, party,
• 2:16:02
  Speaker 1: I'm the first. Professional Partido P Primeiro Professional Partido P Prejudicado,
• 2:16:12
  Speaker 1: pobre e preto Passatempo, predileto, pandeiro Preso, portando popas ou
• 2:16:19
  Speaker 1: pelos piores pesadelos Professional Partido P Primeiro Professional Partido P
• 2:16:26
  Speaker 1: Primeiro Professional Partido P Primeiro Eu quero ir Pra longe,
• 2:16:35
  Speaker 1: bem longe Lá na onde o vento se esconde Lá
• 2:16:41
  Speaker 1: na onde o vento É que o vento se esconde
• 2:16:44
  Speaker 1: na onde Além do horizonte Pode pá, eu quero ir
• 2:16:46
  Speaker 1: Pra longe Vamos lá pra bem longe, lá na onde
• 2:16:53
  Speaker 1: o vento se esconde. Lá na onde o vento, infância sofrida,
• 2:16:59
  Speaker 1: moleque tá na guerrilha, fumando. Um na pracinha plantou, boca
• 2:17:03
  Speaker 1: da esquina, casinha, guerrilharia. O moleque não se intimida, esse
• 2:17:08
  Speaker 1: ex brota em cima, nosso bonde é das casinhas. Nós
• 2:17:12
  Speaker 1: somos terroristas, tipo Pablo Escobar. We just want to trap
• 2:17:16
  Speaker 1: the money, conquer and rhyme. Send a heavy one to
• 2:17:22
  Speaker 1: all of you here in Podpá. And as soon as
• 2:17:25
  Speaker 1: we represent, our voice is in the air. And the
• 2:17:28
  Speaker 1: repercussion is the mythical Yuigão. And I'm going to go
• 2:17:32
  Speaker 1: wherever the wind goes. I'm the smallest fighter. And our
• 2:17:38
  Speaker 1: suffering people won. Who knows how to sing like this?
• 2:17:43
  Speaker 1: I want to go far, very far. I love you.
• 2:18:04
  Speaker 1: We'll see you next time.
• 2:18:29
  Speaker 7: To have more stories, more music, just say who you want.
• 2:18:32
  Speaker 1: It's cool, it's crazy. Like I said, I'm ready now, right?
• 2:18:35
  Speaker 1: Maybe I didn't come before so as not to bother
• 2:18:37
  Speaker 1: other people. I wasn't ready, I wasn't ready to talk
• 2:18:40
  Speaker 1: to you. I've always seen your aura, I know you
• 2:18:43
  Speaker 1: guys are totally positive. It's no use me coming here badly,
• 2:18:45
  Speaker 1: you know? cause with people I don't like it bro
• 2:18:56
  Speaker 1: I'm from peace I have two children I have to
• 2:18:58
  Speaker 1: be an example you know bro and I think I'm
• 2:19:00
  Speaker 1: fine now and I want to thank you for the
• 2:19:02
  Speaker 1: opportunity you're crazy.
• 2:19:04
  Speaker 7: Man thank you for sticking bro.
• 2:19:06
  Speaker 1: Actually like that you understood me like that you know
• 2:19:08
  Speaker 1: bro we have several phases and I had a phase
• 2:19:12
  Speaker 1: that wasn't good bro it wasn't good psychologically it was
• 2:19:16
  Speaker 1: when I lost my father it was when A lot
• 2:19:20
  Speaker 1: of things happened in my life, you know, bro?
• 2:19:22
  Speaker 2: It seems that sometimes everything.
• 2:19:23
  Speaker 8: Happens together, right? Everything happens together.
• 2:19:26
  Speaker 1: It was when I had that misunderstanding with MC Cauã,
• 2:19:29
  Speaker 1: you know, bro? I never want to denigrate the image
• 2:19:32
  Speaker 1: of someone, especially the boy who started with me in
• 2:19:34
  Speaker 1: the fight, you know, bro? He's a guy, you know,
• 2:19:36
  Speaker 1: like I told you, he's a fucking guy. He's a
• 2:19:38
  Speaker 1: guy that I wish all the success in the world.
• 2:19:39
  Speaker 1: And it's not for nothing that he's MC Cauã and
• 2:19:41
  Speaker 1: is shining in Brazil, abroad, abroad. And that's it, bro.
• 2:19:45
  Speaker 1: Let's go up.
• 2:19:45
  Speaker 7: Just to leave the final point, right?
• 2:19:47
  Speaker 3: No, but it's cool you talking about this, because I
• 2:19:50
  Speaker 3: said that Lon was like this, bro.
• 2:19:52
  Speaker 1: When he wants... He can come. He can come. Then Lon, bro,
• 2:19:55
  Speaker 1: how is he? He wants to come?
• 2:19:57
  Speaker 7: If he says he wants to come, he can come.
• 2:19:59
  Speaker 1: It was like that. At least my psychological dates are
• 2:20:04
  Speaker 1: so good now. Now it's all right, it's lighter. Now
• 2:20:06
  Speaker 1: I'm right, thank God, bro. I want to thank you
• 2:20:09
  Speaker 1: once again for the opportunity. First to God and then
• 2:20:13
  Speaker 1: to you, to the whole team. To Pedrinho, who treated
• 2:20:15
  Speaker 1: us very well, leaving us in the dressing room in
• 2:20:17
  Speaker 1: the top, with a lot of guloseimas, beer cups. Here
• 2:20:23
  Speaker 1: it is like that. I felt it at the beginning,
• 2:20:25
  Speaker 1: back in 2010. I felt it back in 2009. Thank you, Pedro.
• 2:20:28
  Speaker 1: God bless you.
• 2:20:28
  Speaker 7: Good luck, man.
• 2:20:29
  Speaker 1: Did you like it, brother? Man, I loved it. I
• 2:20:32
  Speaker 1: loved it so much. I hope the guys at home
• 2:20:34
  Speaker 1: like it too, right, brother? A little bit of our
• 2:20:37
  Speaker 1: story here. That's the way I told it here. I
• 2:20:39
  Speaker 1: never told it anywhere.
• 2:20:40
  Speaker 7: Damn, that's cool, man.
• 2:20:41
  Speaker 1: Can Boladão show up? He can, he can.
• 2:20:44
  Speaker 7: Bring Boladão here.
• 2:20:44
  Speaker 2: Just so we can finish with Boladão, right, man?
• 2:20:46
  Speaker 1: Bring the little monkey there, our little monkey. Come, dad. Okay,
• 2:20:49
  Speaker 1: here he is. Oh, man.
• 2:20:52
  Speaker 2: Is this your youngest son?
• 2:20:54
  Speaker 1: Yeah, this is Boladão. He moves everything.
• 2:20:55
  Speaker 2: No, leave it on the microphone to move it.
• 2:20:57
  Speaker 1: Yeah, leave it.
• 2:20:58
  Speaker 2: Film him there while we finish. Se você gostou, deixa
• 2:21:02
  Speaker 2: o like, se inscreva no canal, siga o Lon em
• 2:21:04
  Speaker 2: todas as redes sociais, vão estar aí na descrição. Vá
• 2:21:06
  Speaker 2: aos shows, ouça as músicas, contrate o show do MC Lon.
• 2:21:09
  Speaker 8: Obrigado, obrigado, rapaziada. Tamo junto, essa semana nós vamos estar
• 2:21:12
  Speaker 8: lá no Paraná, né, Tony?
• 2:21:14
  Speaker 1: Vamos estar em São Paulo também, o pessoal de São
• 2:21:16
  Speaker 1: Paulo aí, nós temos bastante show em São Paulo, de sexta, domingo,
• 2:21:19
  Speaker 1: sábado nós vamos estar lá na região do Paraná, Paraná, irmão?
• 2:21:22
  Speaker 1: And let's make a show there, man. Contract us so
• 2:21:25
  Speaker 1: we can sing at the Relique. There are the new
• 2:21:28
  Speaker 1: ones too. There's a lot of new music. There's a
• 2:21:30
  Speaker 1: new song that will come out with MC Iggy. There's
• 2:21:32
  Speaker 1: a new song with Richie. There's a new song with Carrochefe,
• 2:21:35
  Speaker 1: me and Bruninho da Praia. Tem música nova também que
• 2:21:38
  Speaker 1: saiu já, que é eu, Paulinho da Capital e o CBzinho, certo, rapaziada?
• 2:21:43
  Speaker 1: Tamo junto aí, Deus abençoe, obrigado pela oportunidade, saúde e
• 2:21:46
  Speaker 1: muita paz. Ei, Boladão, esse aí tá suave. Aí é
• 2:21:53
  Speaker 1: a responsa minha.
• 2:21:55
  Speaker 2: Não, essa é a responsa minha, foi eu que chamei
• 2:21:58
  Speaker 2: o Boladão, né, irmão? É o Boladão. He bit the
• 2:22:03
  Speaker 2: P10 there, bro.
• 2:22:04
  Speaker 1: Relax, it's smooth. If it wasn't for the monkey, it
• 2:22:05
  Speaker 1: would have been fine. Leave your like, subscribe to the channel.
• 2:22:10
  Speaker 2: Follow us on social media, they will be there in
• 2:22:13
  Speaker 2: the description. As I said, listen, go to the shows
• 2:22:15
  Speaker 2: and sign up. Meet with Jovem, do the honors. We
• 2:22:19
  Speaker 2: are together, what a.
• 2:22:19
  Speaker 7: Wonderful episode, I hope you enjoyed it.
• 2:22:22
  Speaker 1: Subscribe to the Potipa channel, bro.
• 2:22:23
  Speaker 7: Next week we will meet more, there are several programs
• 2:22:26
  Speaker 7: going on there, Quebrada FC live.
• 2:22:28
  Speaker 1: Pode pôr record.
• 2:22:29
  Speaker 7: Tá saindo várias coisas essa semana aí no nosso canal também.
• 2:22:32
  Speaker 1: Tamo junto.
• 2:22:32
  Speaker 7: Dignidade já. É nóis.
• 2:22:46
  Speaker 2: But what's going on with your hair?
• 2:22:48
  Speaker 1: Is it moving differently? Is it more fragrant? Is it beautiful?
• 2:22:52
  Speaker 1: Is it shiny? I'm wearing anti-dandruff glasses. Really?
• 2:22:54
  Speaker 3: Always certified against dandruff.
• 2:22:56
  Speaker 1: Refreshing. It leaves the scalp clean, you know? Really? I
• 2:22:59
  Speaker 1: can't even talk about all the benefits. There are many benefits, brother.
• 2:23:03
  Speaker 5: There are many benefits. There are many benefits. There are
• 2:23:08
  Speaker 5: many benefits. And high performance.
• 2:23:12
  Speaker 1: Delicious, huh?
• 2:23:13
  Speaker 7: Nossa, tá refrescante, hein? Vocês estão sentindo a refrescância aí?
• 2:23:17
  Speaker 1: Nunca ouviu falar no Passa Bola da Superbet? Não. É
• 2:23:20
  Speaker 1: de graça.
• 2:23:20
  Speaker 3: Você e mais três amigos podem jogar e se divertir
• 2:23:22
  Speaker 3: em grupo.
• 2:23:23
  Speaker 2: E aí depois de montar o time, a gente escolhe
• 2:23:24
  Speaker 2: no que apostar.
• 2:23:25
  Speaker 1: Eu tenho que apostar. Escanteiro é comigo. Falta. Então vai
• 2:23:28
  Speaker 1: para os cartões. Superbet. Você sente quando é super.
• 2:23:39
  Speaker 4: Thank you.