Latest / Arsène Lupin versus Herlock Sholmes / 06 - Arsène Lupin versus Herlock Sholmes by Maurice Leblanc
Transcript
- 0:01Speaker 1: Chapter six, second arrest of Arsan Lupin. Since eight o'clock
- 0:06Speaker 1: a dozen moving vans had encumbered the Rue Crevais between
- 0:10Speaker 1: the Avenue du Bois de Boulonne and the Avenue Boujad.
- 0:14Speaker 1: Monsieur Philipe's Davy was leaving the apartment in which he
- 0:17Speaker 1: lived on the fourth floor of number eight, and Monsieur Dubrayl,
- 0:21Speaker 1: who had united into a single apartment the fifth floor
- 0:23Speaker 1: of the same house and the fifth floor of the
- 0:25Speaker 1: two adjoining houses, was moving on the same day, a
- 0:29Speaker 1: mere coincidence, since the gentlemen were unknown to each other.
- 0:32Speaker 1: The vast collection of furniture regarding which so many foreign
- 0:35Speaker 1: agents visited him every day, a circumstance which had been
- 0:39Speaker 1: noticed by some of the neighbors but was not spoken
- 0:42Speaker 1: of until later. Was this None of the twelve vans
- 0:45Speaker 1: bore the name and address of the owner, and none
- 0:48Speaker 1: of the men accompanying them visited the neighboring wine shops.
- 0:52Speaker 1: They worked so diligently that the furniture was all out
- 0:55Speaker 1: by eleven o'clock. Nothing remained but those scraps of papers
- 0:59Speaker 1: and rags that are always left behind in the corners
- 1:02Speaker 1: of the empty rooms. Monsieur Felix Davy, an elegant young
- 1:06Speaker 1: man dressed in the latest fashion, carried in his hand
- 1:09Speaker 1: a walking stick, the weight of which indicated that its
- 1:12Speaker 1: owner possessed extraordinary biceps. Monsieur Felix Davy walked calmly away
- 1:17Speaker 1: and took a seat on a bench in the Avenue
- 1:20Speaker 1: de Bois de Boulogne, facing the Rue Pergolaise. Close to him,
- 1:24Speaker 1: a woman dressed in a neat but inexpensive costume was
- 1:27Speaker 1: reading a newspaper whilst a child was playing with a
- 1:30Speaker 1: shovel in a heap of sand. After a few minutes,
- 1:34Speaker 1: Felix Davy spoke to the woman without turning his head.
- 1:38Speaker 1: Jeanniemrd went out at nine o'clock this morning. Where to
- 1:44Speaker 1: police headquarters alone? Yes, no telegram during the night. No,
- 1:51Speaker 1: do they suspect you in the house. No. I do
- 1:54Speaker 1: some little things for Madame Jeaniemard, and she tells me
- 1:58Speaker 1: everything her husband does. I have and with her all morning,
- 2:02Speaker 1: very well, until feather orders come here every day at
- 2:05Speaker 1: eleven o'clock. He rose and walked away in the direction
- 2:09Speaker 1: of the Dauphine Gate, stopping at the Chinese Pavilion, where
- 2:12Speaker 1: he partook of a frugal repast consisting of two eggs
- 2:16Speaker 1: with some fruit and vegetables. Then he returned to the
- 2:19Speaker 1: rue Cravals and said to the concierge, I will just
- 2:23Speaker 1: glance through the rooms and then give you the keys.
- 2:26Speaker 1: He finished his inspection of the room that he had
- 2:28Speaker 1: used as a library. Then he seized the end of
- 2:31Speaker 1: a gas pipe which hung down the side of the chimney.
- 2:35Speaker 1: The pipe was bent and the hole made in the elbow.
- 2:38Speaker 1: To this hole, he fitted a small instrument in the
- 2:41Speaker 1: form of an ear trumpet, and blew into it. A
- 2:44Speaker 1: slight whistling sound came by way of reply. Placing the
- 2:49Speaker 1: trumpet to his mouth, he said, any one around dubriil, no,
- 2:54Speaker 1: may I come up? Is He returned the pipe to
- 2:59Speaker 1: its place, saying to himself, how progressive we are. All
- 3:03Speaker 1: century abounds with little inventions which render life really charming
- 3:08Speaker 1: and picturesque and so amusing, especially when a person knows
- 3:13Speaker 1: how to enjoy life as I do. He turned one
- 3:16Speaker 1: of the marble moldings of the mantle, and the entire
- 3:19Speaker 1: half of the mantle moved, and the mirror above it
- 3:22Speaker 1: glided in invisible grooves, disclosing and opening, and the lower
- 3:26Speaker 1: steps of the stairs built in the very body of
- 3:28Speaker 1: the chimney, all very clean and complete. The stairs were
- 3:32Speaker 1: constructed of polished metal, and the walls of white tiles.
- 3:36Speaker 1: He ascended the steps, and at the fifth floor there
- 3:40Speaker 1: was the same opening in the chimney. Monsieur de Briel
- 3:43Speaker 1: was waiting for him. Have you finished in your rooms? Yes,
- 3:49Speaker 1: arizing cleared out? Yes, and the people only the three
- 3:54Speaker 1: men on guard very well. Come on. They ascended to
- 3:58Speaker 1: the upper floor by the same means, one after the other,
- 4:02Speaker 1: and there found three men, one of whom was looking
- 4:04Speaker 1: through the window. Anything new, nothing gov'nor all quiet in
- 4:10Speaker 1: the street. Yes, in ten minutes I will be ready
- 4:14Speaker 1: to leave. You will go also. But in the meantime,
- 4:18Speaker 1: if you see the least suspicious movement in the street,
- 4:21Speaker 1: warn me. I have my finger on the alarm bell
- 4:24Speaker 1: all the time. To Braille, did you tell the moving
- 4:28Speaker 1: man not to touch the wire of that bell? Certainly
- 4:32Speaker 1: it is working all right, That is all I want
- 4:35Speaker 1: to know. The two gentlemen then descended to the apartment
- 4:39Speaker 1: of Felix Davy and the ladder. After adjusting the marble mantle,
- 4:43Speaker 1: exclaimed joyfully du Braille. I should like to see the
- 4:47Speaker 1: man who is able to discover all the ingenious devices,
- 4:50Speaker 1: warning bells, networks of electric wires and acoustic tubes invisibelle passages,
- 4:56Speaker 1: moving floors and hidden stairways, a real fair land. What
- 5:01Speaker 1: fame for our san lupin the fame I could well
- 5:05Speaker 1: dispense with. It's a pity to be compelled to leave
- 5:09Speaker 1: a place so well equipped and commence all over again, Debraille,
- 5:14Speaker 1: and on a new model, of course, for it would
- 5:16Speaker 1: never do to duplicate this curse. Herlock shons. Has he
- 5:21Speaker 1: returned to Paris? How could he? There has been only
- 5:26Speaker 1: one boat from Southampton, and it left there at midnight.
- 5:30Speaker 1: Only one train from have leaving there at eight o'clock
- 5:33Speaker 1: this morning, and due in Paris at eleven fifteen. As
- 5:37Speaker 1: he could not catch the midnight boat at Southampton, and
- 5:41Speaker 1: the instructions of the captain on that point were explicit,
- 5:44Speaker 1: he cannot reach France until this evening, via new Haven
- 5:47Speaker 1: and Thieppe. Do you think he will come back? Yes,
- 5:53Speaker 1: he never gives up. He will return to Paris, but
- 5:56Speaker 1: it will be too late. We will be far away.
- 6:00Speaker 1: And Mademoiselle de Stanche, I am to see her in
- 6:03Speaker 1: an hour at her house. Oh no, she will not
- 6:07Speaker 1: paturn there for several days. But you, Dobrayl, you must hurry.
- 6:11Speaker 1: The loading of our goods will take a long time,
- 6:13Speaker 1: and you should be there to look after them. Are
- 6:16Speaker 1: you sure that we are not being watched by whom?
- 6:21Speaker 1: I am not afraid of any one but Sholmes Dubrayl retired.
- 6:26Speaker 1: Felix Davy made a last tour of the apartment, picked
- 6:29Speaker 1: up two or three torn letters. Then, noticing a piece
- 6:32Speaker 1: of chalk, he took it and on the dark paper
- 6:34Speaker 1: of the drawing room drew a large frame and wrote
- 6:37Speaker 1: within it to the following ar San Lupin Gentleman Burglar
- 6:42Speaker 1: lived here for five years at the beginning of the
- 6:45Speaker 1: twentieth century. This little pleasantry seemed to please him very much.
- 6:51Speaker 1: He looked at it for a moment, whistling a lively air,
- 6:54Speaker 1: then said to himself, Now that I have placed myself
- 6:57Speaker 1: in touch with the historians of future Jenny orations, I
- 7:01Speaker 1: can go. You must hurry, Herlock Shonnes, as I shall
- 7:05Speaker 1: leave my present abode in three minutes, and your defeat
- 7:08Speaker 1: will be an accomplished fact. Two minutes more. Now, you
- 7:12Speaker 1: are keeping me waiting, Monsieur Cholmes, one minute more? Are
- 7:18Speaker 1: you not coming? Well? Then I proclaim your downfall and
- 7:24Speaker 1: my apotheosis, and now I make my escape. Farewell, Kingdom
- 7:30Speaker 1: of our San Lupin. I shall never see you again.
- 7:34Speaker 1: Farewell to is the fifty five rooms of the six
- 7:36Speaker 1: apartments over which I reigned. Farewell my own royal bedchamber.
- 7:42Speaker 1: His outburst of joy was interrupted by the sharp ringing
- 7:46Speaker 1: of a bell, which stopped twice, started again, and then ceased.
- 7:51Speaker 1: It was the alarm bell. What was wrong? What unforeseen danger?
- 7:57Speaker 1: Johnny mard No, that was impossible. He was on the
- 8:01Speaker 1: point of returning to his library and making his escape,
- 8:04Speaker 1: But first he went to the window. There was no
- 8:06Speaker 1: one in the street. Was the enemy already in the house.
- 8:11Speaker 1: He listened and thought he could discern certain confused sounds.
- 8:15Speaker 1: He hesitated no longer. He ran to his library, and
- 8:18Speaker 1: as he crossed the threshold he heard the noise of
- 8:20Speaker 1: a key being inserted in the lock of the vestibule door.
- 8:24Speaker 1: The deuce, he murmured, I have no time to lose.
- 8:28Speaker 1: The house may be surrounded the servant stairway. Impossible. Fortunately,
- 8:34Speaker 1: there is the chimney. He pushed the molding. It did
- 8:37Speaker 1: not move. He made a greater effort. Still it refused
- 8:42Speaker 1: to move. At the same time, he had the impression
- 8:45Speaker 1: that the door below opened, and that he could hear footsteps.
- 8:49Speaker 1: Good God, he cried, I am lost. If this curseth mechanism,
- 8:54Speaker 1: he pushed with all his strength. Nothing moved. Nothing. By
- 8:59Speaker 1: some incredible accident, by some evil stroke of fortune, the mechanism,
- 9:03Speaker 1: which had worked only a few moments ago, would not work. Now.
- 9:07Speaker 1: He was furious. The block of marble remained immovable. He
- 9:12Speaker 1: uttered frightful imprecations on the senseless stone. Was his escape
- 9:16Speaker 1: to be prevented by that stupid obstacle. He struck the
- 9:20Speaker 1: marble wildly, madly, he hammered it. He cursed it. Ah,
- 9:25Speaker 1: what's the matter, monsieur Lupin, You seem to be displeased
- 9:29Speaker 1: about something. Lupin turned around. Herlock Shons stood before him,
- 9:38Speaker 1: Herlock Shoons. Lupin gazed at him with squinting eyes, as
- 9:44Speaker 1: if his sight were defective and misleading. Herlock Shows in Paris.
- 9:50Speaker 1: Herlock Shows, whom he had shipped to England only the
- 9:53Speaker 1: day before as a dangerous person, now stood before him
- 9:57Speaker 1: free and victorious. Ah Ah, such a thing was nothing
- 10:01Speaker 1: less than a miracle. It was contrary to all natural laws.
- 10:05Speaker 1: It was the culmination of all that is illogical and abnormal.
- 10:09Speaker 1: Herlock shomes here before his face, and when the Englishman spoke,
- 10:15Speaker 1: his words were tinged with that keen sarcasm and mocking
- 10:18Speaker 1: politeness with which his adversary had so often lashed him.
- 10:23Speaker 1: He said, Monsieur leu Pinne. In the first place, I
- 10:28Speaker 1: have the honor to inform you that at this time
- 10:30Speaker 1: and place, I blot from my memory forever all thoughts
- 10:33Speaker 1: of the miserable night that you forced me to endure
- 10:36Speaker 1: in the house of Baron Dalutrek, of the injury done
- 10:39Speaker 1: to my friend Wilson, of my abduction in the automobile,
- 10:43Speaker 1: and of the voyage I took yesterday under your orders,
- 10:46Speaker 1: bound to a very uncomfortable couch. But the joy of
- 10:50Speaker 1: this moment effaces all those bitter memories. I forgive everything,
- 10:56Speaker 1: I forget everything. I wipe out the debt I am
- 11:00Speaker 1: paid and royally paid. Lupin made no reply, so the
- 11:06Speaker 1: Englishman continued, don't you think so yourself? He appeared to insist,
- 11:12Speaker 1: as if demanding an acquiescence as a sort of receipt
- 11:15Speaker 1: in regard to the part. After a moment's reflection during
- 11:20Speaker 1: which the Englishman felt that he was scrutinized to the
- 11:22Speaker 1: very depth of his soul, Lupin declared, I presume, monsieur,
- 11:27Speaker 1: that your conduct is based upon serious motives, very serious.
- 11:34Speaker 1: The fact that you have escaped from my captain and
- 11:36Speaker 1: his crew is only a secondary incident of our struggle.
- 11:40Speaker 1: But the fact that you are here before me, alone,
- 11:43Speaker 1: understand alone, face to face with Arsan Lupin, leads me
- 11:48Speaker 1: to think that your revenge is as complete as possible,
- 11:53Speaker 1: as complete as possible. This house surrounded, the two adjoining
- 12:00Speaker 1: houses surrounded the apartment above this. The three apartments on
- 12:07Speaker 1: the fifth floor that were formerly occupied by Monsieur Dubrayle
- 12:11Speaker 1: are surrounded saws, so that you are captured, Monsieur Lupin,
- 12:18Speaker 1: absolutely captured. The feelings that Scholmes had experienced during his
- 12:24Speaker 1: trip in the automobile were now suffered by Lupin, the
- 12:27Speaker 1: same concentrated fury, the same revolt, and also let us
- 12:32Speaker 1: admit the same loyalty of submission to force of circumstances,
- 12:37Speaker 1: equally brave in victory or defeat. Our accounts are squared, monsieur,
- 12:44Speaker 1: said Lupin frankly. The Englishman was pleased with that confession.
- 12:50Speaker 1: After a short silence, Leupin, now quite self possessed, said smiling,
- 12:56Speaker 1: and I am not sorry. It becomes monotonous to win
- 13:02Speaker 1: alls a time. Yesterday I had only to stretch off
- 13:05Speaker 1: my hands to finish you forever. Today I belong to you.
- 13:11Speaker 1: The game is yours. Lupan laughed heartily, and then continued,
- 13:18Speaker 1: at last, the gallery will be entertained Lupin in prison?
- 13:25Speaker 1: How would he get out? In prison? What an adventure?
- 13:31Speaker 1: Ah Shulm's life is just one damn thing after another.
- 13:37Speaker 1: He pressed his closed hands to his temples, as if
- 13:40Speaker 1: to suppress the tumultuous joy that surged within him, and
- 13:44Speaker 1: his actions indicated that he was moved by an uncontrollable mirth.
- 13:48Speaker 1: At last, when he had recovered his self possession, he
- 13:51Speaker 1: approached the detective and said, and now what are you
- 13:55Speaker 1: waiting for? What am I waiting for? Yes, shanny Mad
- 14:01Speaker 1: is here with his men. Why don't they come in?
- 14:05Speaker 1: I asked him not to, and he consented. I accepted
- 14:11Speaker 1: his services on condition that he would be guided by me. Besides,
- 14:15Speaker 1: he thinks that Felix Davy is only an accomplice of
- 14:17Speaker 1: our San Lupin. Then I will repeat my question in
- 14:22Speaker 1: another form. Why did you come in alone? Because I
- 14:27Speaker 1: wish to speak to you alone? Ah ah, you have
- 14:31Speaker 1: something to say to me. That idea seemed to please
- 14:35Speaker 1: Lupin immensely. There are certain circumstances in which words are
- 14:39Speaker 1: preferable to deeds. Messieurs shoons. I am sorry, I cannot
- 14:44Speaker 1: offer you an easy chair. How would you like that
- 14:47Speaker 1: broken box? Or perhaps you would prefer as a window ledge.
- 14:51Speaker 1: I'm sure a glass of beer would be welcome, light
- 14:54Speaker 1: or dark. But sit down, please, thank you. We can
- 14:59Speaker 1: talk as we well. Standing up, very well, proceed I
- 15:04Speaker 1: will be brief. The object of my sojourn in France
- 15:07Speaker 1: was not to accomplish your arrest. If I have been
- 15:10Speaker 1: led to pursue you, it was because I saw no
- 15:12Speaker 1: other way to achieve my real object, which was to
- 15:18Speaker 1: recover the blue diamond. The blue diamond, certainly, since the
- 15:24Speaker 1: one found in her Blacen's toothpowder was only an imitation.
- 15:29Speaker 1: Quite right, the genuine diamond was taken by the blonde lady.
- 15:33Speaker 1: I made an exact duplicate of it. And then, as
- 15:36Speaker 1: I had designs on other jewels belonging to the Countess,
- 15:39Speaker 1: and as the console her Blachen was already under suspicion,
- 15:43Speaker 1: the afore said blonde lady, in order to avert suspicion,
- 15:46Speaker 1: slipped the false stone into the aforesaid consul's luggage, while
- 15:51Speaker 1: you kept the genuine diamond. Of course, that diamond. I
- 15:57Speaker 1: want it. I am very sorry, but it is impossible.
- 16:03Speaker 1: I have promised it to the Countess de Croisson. I
- 16:05Speaker 1: must have it. How will you get it? Since it
- 16:09Speaker 1: is in my possession. That is precisely the reason, Because
- 16:14Speaker 1: it is in your possession. Oh, I am to give
- 16:18Speaker 1: it to you. Yes, voluntarily, I will buy it, Ah,
- 16:27Speaker 1: exclaimed Lupine, in an excess of mirth. You are certainly
- 16:32Speaker 1: an Englishman. You treat this as a matter of business.
- 16:37Speaker 1: It is a matter of business. Well, what is your offer?
- 16:43Speaker 1: The liberty of Mademoiselle de' stanche, her liberty. I didn't
- 16:48Speaker 1: know she was under arrest. I will give Monsieur Jeannie
- 16:52Speaker 1: Maude a necessary information. When deprived of your protection, she
- 16:56Speaker 1: can readily be taken. Lupine laughed again and said, oh
- 17:02Speaker 1: my dear monsieur, you are offering me something you do
- 17:05Speaker 1: not possess. Mademoiselle de Stange is in a place of
- 17:09Speaker 1: safety and has nothing to fear. You must make me
- 17:12Speaker 1: another offer. The Englishman hesitated, visibly, embarrassed and vexed. Then,
- 17:20Speaker 1: placing his hand on the shoulder of his adversary, he said,
- 17:24Speaker 1: and if I should propose to you my LIBERALTI no,
- 17:29Speaker 1: but I can leave the room to consult with Jeannie
- 17:32Speaker 1: Mard and to leave me alone. Yes, ah, mon dieu,
- 17:38Speaker 1: what good will that be? The cursed mechanism will not work,
- 17:42Speaker 1: said Lupin, at the same time, savagely pushing the molding
- 17:46Speaker 1: of the mantle. He stifled a cry of surprise. This
- 17:50Speaker 1: time fortune favored him, the block of marble moved. It
- 17:54Speaker 1: was his salvation, his hope of escape. In that event,
- 17:58Speaker 1: why submit to the conditions posed by Sholmes. He paced
- 18:02Speaker 1: up and down the room as if he were considering
- 18:04Speaker 1: his reply. Then, in his turn, he placed his hand
- 18:08Speaker 1: on the shoulder of his adversary and said, all things considered,
- 18:12Speaker 1: Monsieur Sholmes, I prefer to do my own business in
- 18:16Speaker 1: my own way. But no, I don't require anyone's assistance.
- 18:23Speaker 1: When Jenny Mark gets his hand on you, it will
- 18:26Speaker 1: be all over. You can't escape from them. Who knows come.
- 18:31Speaker 1: That is foolish. Every door and window is guarded except one,
- 18:38Speaker 1: which the one I will choose. Mere words, your arrest
- 18:45Speaker 1: is as good as maid. Oh, no, not at all. Well,
- 18:54Speaker 1: I shall keep the blue diamond. Sholmes looked at his
- 18:57Speaker 1: watch and said, it is now ten minutes to three.
- 19:02Speaker 1: At three o'clock, I shall call Jeannie mard Wells. Then
- 19:06Speaker 1: we have ten minutes to chat and to satisfy my curiosity,
- 19:11Speaker 1: Monsieur Sholmes, I should like to know how you procured
- 19:13Speaker 1: my address and my name of Felix Davey. Although his
- 19:18Speaker 1: adversary's easy manner caused Schome some anxiety, he was willing
- 19:22Speaker 1: to give lupin the desired information since it reflected credit
- 19:26Speaker 1: on his professional astuteness. So he replied, your address, I
- 19:32Speaker 1: got it from the blonde lady Clote Tilda herself. Do
- 19:37Speaker 1: you remember yesterday morning when I wished to take her
- 19:40Speaker 1: away in the automobile she telephoned her dressmaker. Well, well,
- 19:47Speaker 1: I understood later that you were the dressmaker, and last
- 19:52Speaker 1: night on the boat by exercising my memory, and my
- 19:55Speaker 1: memory is something I have good reason to be proud of.
- 19:57Speaker 1: I was able to recollect the last two figures of
- 20:00Speaker 1: your telephone number seven to three. Then, as I possessed
- 20:04Speaker 1: a list of the houses you had improved, it was
- 20:07Speaker 1: an easy matter on my arrival in Paris at eleven
- 20:10Speaker 1: o'clock this morning, to search in the telephone directory and
- 20:13Speaker 1: find there the name and address of Felix Davy. Having
- 20:16Speaker 1: obtained that information, I asked the aid of Monsieur ge Aennimard, admirable.
- 20:23Speaker 1: I congratulate you, but how did you manage to catch
- 20:27Speaker 1: the eight o'clock train at Havre? How did you escape
- 20:30Speaker 1: from the swallow? I did not escape, but you ordered
- 20:36Speaker 1: the captain not to reach Southampton before one o'clock. He
- 20:40Speaker 1: landed me there at midnight. I was able to catch
- 20:42Speaker 1: the twelve o'clock boat for Havre. Did the captain betray me?
- 20:48Speaker 1: I can't believe it. No, he did not betray you. Well,
- 20:52Speaker 1: what's then? It was his watch? His watch? Yes, I
- 20:59Speaker 1: put it to head one hour, how in the usual
- 21:04Speaker 1: way by turning the hands. We were sitting side by
- 21:08Speaker 1: side talking and I was telling him some funny stories.
- 21:11Speaker 1: Why he never saw me do it, powful, a very
- 21:17Speaker 1: clever check. Oh, I shall not forget it. But the
- 21:21Speaker 1: clock that was hanging on the wall of the cabin ah.
- 21:25Speaker 1: The clock was a more difficult matter, as my feet
- 21:28Speaker 1: were tied. But the sailor who guarded me during the
- 21:31Speaker 1: captain's absence, was kind enough to turn the hands for me.
- 21:36Speaker 1: He nonsense, he wouldn't do it. Oh, but he didn't
- 21:41Speaker 1: know the importance of his act. I told him I
- 21:44Speaker 1: must catch the first train for London at any price.
- 21:47Speaker 1: And he allowed himself to be persuaded by means, all,
- 21:54Speaker 1: by means of a slight gift which the excellent fellow,
- 21:57Speaker 1: loyal and true to his master to send to you.
- 22:02Speaker 1: What was it a mere trifle? But what the blue diamond?
- 22:08Speaker 1: It's a blue diamond, Yes, the false stone that you
- 22:13Speaker 1: substituted for the countess's diamond. She gave it to me.
- 22:18Speaker 1: There was a sudden explosure of violent laughter. Lupan laughed
- 22:22Speaker 1: until the tears started in his eyes. An de but
- 22:27Speaker 1: it is funny my fuzz diamond palmed off on my
- 22:31Speaker 1: innocent sailor and the captain's what and the hands of
- 22:37Speaker 1: the clock. Shulmes felt that the duel between him and
- 22:41Speaker 1: Lupan was keener than ever. His marvelous instinct warned him
- 22:45Speaker 1: that behind his adversary's display of mirth, there was a
- 22:49Speaker 1: shrewd intellect debating the ways and means to escape. Gradually,
- 22:54Speaker 1: Lupan approached the Englishman, who recoiled and unconsciously slipped his
- 22:58Speaker 1: hand into his watch pocket. It is three o'clock, monsieur Lupin.
- 23:04Speaker 1: Three o'clock already. What a pity. We were enjoying our
- 23:09Speaker 1: chat so much. I am waiting for your answer, my answer,
- 23:15Speaker 1: mon dieu, But you are particular and saw. This is
- 23:19Speaker 1: the last move in our little game, and the stake
- 23:22Speaker 1: is my liberty or the blue diamond. Very well, it's
- 23:29Speaker 1: your play. What are you going to do? I play
- 23:35Speaker 1: the king, said Scholmes as he fired his revolver, and
- 23:40Speaker 1: iy Ace replied Lupin as he struck at Schrimes with
- 23:43Speaker 1: his fist. Sholmes had fired into the air as a
- 23:47Speaker 1: signal to Jeannie Mard, whose assistance he required, but Lupin's
- 23:51Speaker 1: fist had caught Schomes in the mouth and caused him
- 23:53Speaker 1: to double up with pain. Lupin rushed to the fireplace
- 23:57Speaker 1: and set the marble slab in motion. Too late, the
- 24:00Speaker 1: door opened, Sorender Lupano, I fire Jehennimrd, doubtless station closer
- 24:06Speaker 1: than Lupin had thought. Jennimard was there with his revolver
- 24:10Speaker 1: turned on Lupin, and behind Jeannimard there were twenty men,
- 24:13Speaker 1: strong and ruthless fellows who would beat him like a
- 24:16Speaker 1: dog at the least sign of resistance. Hands down, I surrender,
- 24:22Speaker 1: said Lupin calmly, as he folded his arms across his breast.
- 24:28Speaker 1: Everyone was amazed. In the room, divested of its furniture
- 24:32Speaker 1: and hangings arsan. Lupin's words sounded like an echo. I surrender.
- 24:40Speaker 1: It seemed incredible. No one would have been astonished if
- 24:43Speaker 1: he had suddenly vanished through a trap, or if a
- 24:46Speaker 1: section of the wall had rolled away and allowed him
- 24:48Speaker 1: to escape. But he surrendered. Jennimrd advanced nervously and with
- 24:55Speaker 1: all the gravity that the importance of the occasion demanded.
- 24:58Speaker 1: He placed his hand on the shore of his adversary
- 25:01Speaker 1: and had the infinite pleasure of saying, I arrest you,
- 25:05Speaker 1: ar saint Lupin, said Lupin. You make me shiver, My
- 25:11Speaker 1: dear Jeannie Mard, what a lugubrious face. One would imagine
- 25:17Speaker 1: you were speaking over the grave of a friend. For
- 25:20Speaker 1: Heaven's sake, don't assume such a funereal air. I arrest you.
- 25:27Speaker 1: Don't let that worry you, in the name of the law,
- 25:30Speaker 1: of which he is a well deserving pillar. Johnnie Mard,
- 25:34Speaker 1: the celebrated Parisian detective, arrests the wicked Arsin Lupin, an
- 25:41Speaker 1: historic event of which you will appreciate the true importance.
- 25:46Speaker 1: And it is the second time that it has happened. Pravo,
- 25:50Speaker 1: Jennie Mard, you are sure of advancement in your chosen profession.
- 25:56Speaker 1: And he held out his wrists for the handcuffs. Jhni
- 26:00Speaker 1: adjusted them in a most solemn manner. The numerous policemen,
- 26:04Speaker 1: despite their customary presumption and the bitterness of their feelings
- 26:08Speaker 1: toward Lupin, conducted themselves with becoming modesty, astonished at being
- 26:13Speaker 1: permitted to gaze upon that mysterious and intangible creature. My
- 26:19Speaker 1: poor Lupin, sighed our hero, What would your aristocratic friends
- 26:25Speaker 1: say if they should see you in this humiliating position.
- 26:30Speaker 1: He pulled his wrists apart with all his strength, The
- 26:33Speaker 1: veins in his forehead expanded, the links of the chain
- 26:37Speaker 1: cut into his flesh. The chain fell off, broken. Another
- 26:43Speaker 1: comrades that one was useless. They placed two on him,
- 26:48Speaker 1: this time quite right, he said, you cannot be too careful. Then,
- 26:56Speaker 1: counting the detectives and policemen, he said, how many are you,
- 27:01Speaker 1: my friends? Twenty five thirty? That's too many. I can't
- 27:07Speaker 1: do anything. Ah, if there had been only fifteen. There
- 27:14Speaker 1: was something fascinating about Lupin. It was the fascination of
- 27:18Speaker 1: the great actor, who plays his role with spirit and understanding,
- 27:22Speaker 1: combined with assurance and ease. Sholmes regarded him as one
- 27:26Speaker 1: might regard a beautiful painting, with a due appreciation of
- 27:30Speaker 1: all its perfection and coloring and technique. And he really
- 27:34Speaker 1: thought that it was an equal struggle between those thirty
- 27:36Speaker 1: men on one side, armed as they were, with all
- 27:39Speaker 1: the strength and majesty of the law, and on the
- 27:42Speaker 1: other side that solitary individual, unarmed and handcuffed. Yes, the
- 27:48Speaker 1: two sides were well matched. Well, master, said Lupan to
- 27:55Speaker 1: the Englishman, this is your work. Thanks to you, is
- 28:00Speaker 1: going to rot on the damp straw of a dungeon.
- 28:04Speaker 1: Confess that your conscience pricks you a little, and that
- 28:07Speaker 1: your soul is filled with remorse. In spite of himself,
- 28:12Speaker 1: Sholmes shrugged his shoulders as if to say, it's your
- 28:16Speaker 1: own fault. Never never exclaimed Lupan give you the blue diamond.
- 28:23Speaker 1: Oh no, it has cost me too much trouble. I
- 28:27Speaker 1: intend to keep it on my occasion of my first
- 28:30Speaker 1: visit to you in London, which will probably be next month.
- 28:34Speaker 1: I will tell you my reasons. But will you be
- 28:37Speaker 1: in London next month? Or do you prefer Vienna or
- 28:40Speaker 1: Saint Petersburg. Then Lupan received a surprise. A bell commenced
- 28:46Speaker 1: to ring. It was not the alarm bell, but the
- 28:50Speaker 1: bell of the telephone, which was located between the two
- 28:52Speaker 1: windows of the room and had not yet been removed
- 28:56Speaker 1: the telephone. Ah, who could it be? Who was about
- 29:01Speaker 1: to fall into this unfortunate trap? Arsan Lupin exhibited an
- 29:06Speaker 1: access of rage against the unlucky instrument, as if he
- 29:09Speaker 1: would like to break it into a thousand pieces and
- 29:12Speaker 1: thus stifle the mysterious voice that was calling for him.
- 29:16Speaker 1: But it was Jeannie Mard who took down the receiver
- 29:18Speaker 1: and said, hello, hello number six four eight seven three, Yes,
- 29:26Speaker 1: this is it. Then Schulmes stepped up and with an
- 29:29Speaker 1: air of authority, pushed Janni mart Aside, took the receiver
- 29:33Speaker 1: and covered the transmitter with his handkerchief in order to
- 29:35Speaker 1: obscure the tone of his voice. At that moment, he
- 29:39Speaker 1: glanced toward Lupin, and the look which they exchanged indicated
- 29:42Speaker 1: that the same idea had occurred to each of them,
- 29:45Speaker 1: and that they foresaw the ultimate result of that theory.
- 29:49Speaker 1: It was the blonde lady who was telephoning. She wished
- 29:53Speaker 1: to telephone to Felix Davey, or rather to Maxim Bermond,
- 29:57Speaker 1: and it was to Shulm's she was about to speak.
- 30:01Speaker 1: The Englishman said hello, Hello, then after a silence, he said, yes,
- 30:09Speaker 1: it is I Maxim. The drama had commenced and was
- 30:14Speaker 1: progressing with tragic precision Leupen. The irrepressible and nonchalant Lupin,
- 30:20Speaker 1: did not attempt to conceal his anxiety, and he strained
- 30:24Speaker 1: every nerve in a desire to hear or at least
- 30:27Speaker 1: to divine the purport of the conversation. And Sholmes continued
- 30:32Speaker 1: in reply to the mysterious voice, Hello, Hello, Yes, everything
- 30:39Speaker 1: has been moved and I am just ready to leave
- 30:41Speaker 1: here and meet you as we agreed where where you are? Now?
- 30:48Speaker 1: Don't believe that he is here yet. Shulmes stopped speaking
- 30:52Speaker 1: for words. It was clear that he was trying to
- 30:55Speaker 1: question the girl without betraying himself, and that he was
- 30:58Speaker 1: ignorant of her whereabouts. Moreover, Jennimard's presence seemed to embarrass him. Ah,
- 31:04Speaker 1: if some miracle would only interrupt that cursed conversation, Lupin
- 31:08Speaker 1: prayed for it with all his strength, with all the
- 31:11Speaker 1: intensity of his incited nerves. After a momentary pause, Shulmes continued, Hallo, hallo,
- 31:20Speaker 1: do you hear me? I can't hear you very well?
- 31:24Speaker 1: Can scarcely make out what you say? Are you listening well?
- 31:28Speaker 1: I think you had better return home. No danger now.
- 31:33Speaker 1: But he is in England. I have received a telegram
- 31:36Speaker 1: from Southampton announcing his arrival. The sarcasm of those words,
- 31:42Speaker 1: Shulmes uttered them with an inexpressible comfort, and he added,
- 31:48Speaker 1: very well, don't lose any time. I will meet you there.
- 31:52Speaker 1: He hung up the receiver. Monsieur Geennimrd, can you furnish
- 31:56Speaker 1: me with three men for lady? Eh? Yes, you know
- 32:01Speaker 1: who she is and where she is? Yes, coo, that
- 32:08Speaker 1: settles Monsieur Lupin fonfont take two men and go with
- 32:12Speaker 1: Monsieur Champs. The Englishman departed, accompanied by the three men.
- 32:18Speaker 1: The game was ended. The blonde lady was also about
- 32:22Speaker 1: to fall into the hands of the Englishman. Thanks to
- 32:26Speaker 1: his commendable persistence and to a combination of fortuitous circumstances,
- 32:30Speaker 1: the battle had resulted in a victory for the detective
- 32:34Speaker 1: and an irreparable disaster for Lupin. Monsieur Chammes, the Englishman
- 32:41Speaker 1: stopped Monsieur Lupin. Lupin was clearly shattered by this final blow.
- 32:49Speaker 1: His forehead was marked by deep wrinkles. He was sullen
- 32:52Speaker 1: and dejected. However, he pulled himself together, and notwithstanding his defeat,
- 32:58Speaker 1: he exclaimed in a cheerful tone, you will conceive that
- 33:03Speaker 1: fate has been against me. A few minutes ago. It
- 33:07Speaker 1: prevented my escape through that chimney and delivered me into
- 33:11Speaker 1: your hands. Now by means of the telephone, it presents
- 33:15Speaker 1: you with the blond lady. I submit to its decrees.
- 33:20Speaker 1: What do you mean? I mean that I am ready
- 33:24Speaker 1: to reopen our negotiation, Chamstok Jannimard aside and asked, in
- 33:31Speaker 1: a manner that did not permit a reply, the authority
- 33:34Speaker 1: to exchange a few words with the prisoner. Then he
- 33:37Speaker 1: approached Leeupinne and said, in a sharp nervous tone, what
- 33:41Speaker 1: do you want, Mademoiselle de Stange's liberty? You know the price? Yes,
- 33:50Speaker 1: and you accept? Yes, I accept your terms, Ah, said
- 33:58Speaker 1: the Englishman in surprise. But you refused for yourself. Yes,
- 34:04Speaker 1: I can look out for myself, Monsieur Schaums. But now
- 34:07Speaker 1: the question concerns a young woman and a woman I
- 34:10Speaker 1: love in France. Understand, we have very decided ideas about
- 34:15Speaker 1: such things, and lupin has the same feelings as other people.
- 34:21Speaker 1: He spoke with simplicity and candor. Shulmes replied by an
- 34:25Speaker 1: almost imperceptible inclination of his head and murmured, very well,
- 34:31Speaker 1: the blue diamond, take my cane. There at the end
- 34:35Speaker 1: of the mantel, press on the head of the cane
- 34:38Speaker 1: with one hand, and with the other turned the iron
- 34:41Speaker 1: pharaoh at the bottom. Holmes took the cane and followed
- 34:45Speaker 1: the directions. As he did so, the head of the
- 34:49Speaker 1: cane divided and disclosed a cavity which contained a small
- 34:52Speaker 1: ball of wax, which in turn enclosed the diamond. He
- 34:57Speaker 1: examined it. It was the blue diamond. Monsieur le Pinne, mademoiselle,
- 35:04Speaker 1: the stance is free. Is her future safety assured? Has
- 35:09Speaker 1: she nothing to fear from you? Neither from me nor
- 35:13Speaker 1: anyone else? How can you manage it? Quite easily? I
- 35:18Speaker 1: have forgotten her name and address. Thank you and au revoir,
- 35:25Speaker 1: for I will see you again sometime, Monsieur Chames, I
- 35:29Speaker 1: have no doubt of it. Then followed an animated conversation
- 35:33Speaker 1: between Chams and Jennie Mard, which was abruptly terminated by
- 35:36Speaker 1: the Englishman, who said, I am very sorry, Monsieur Jeannie Mard,
- 35:40Speaker 1: that we cannot agree on that point. But I have
- 35:43Speaker 1: no time to waste trying to convince you. I leave
- 35:46Speaker 1: for England within an hour. But the blond lady I
- 35:51Speaker 1: do not know such a person, and yet a moment ago,
- 35:56Speaker 1: you must take the affair as it stands. I have
- 35:59Speaker 1: delivered arsan luke into your hands. Here is the blue diamond,
- 36:03Speaker 1: which you will have the pleasure of returning to the
- 36:05Speaker 1: Countess de Croisson. What more do you want? It's a
- 36:09Speaker 1: blond lady. Find her Scholmes pulled his cap down over
- 36:14Speaker 1: his forehead and walked rapidly away, like a man who
- 36:17Speaker 1: is accustomed to go as soon as his business is finished.
- 36:21Speaker 1: Bauvoyar's monsieur, cried Lupin, and believe me, I shall never
- 36:27Speaker 1: forget the friendly way in which our little business affairs
- 36:30Speaker 1: have been arranged my regards to Monsieur Wilson. Not receiving
- 36:35Speaker 1: any reply, Lupin added sneeringly, this is what is called
- 36:40Speaker 1: taking British leave. Ah, The insular dignity lacks the flower
- 36:45Speaker 1: of courtesy by which we are distinguished. Consider for a moment,
- 36:49Speaker 1: Jennie Maud, what a charming exit a Frenchman would have
- 36:52Speaker 1: made under similar circumstances, with what exquisite courtesy he would
- 36:57Speaker 1: have masked his triumph? But God bless me, Johanny mart
- 37:01Speaker 1: what are you doing making a search? Come? What's the use?
- 37:05Speaker 1: There's nothing left, not even a scrap of paper. I
- 37:08Speaker 1: assure you my archives are in a safe place. I
- 37:12Speaker 1: am not so sure of that, replied Johanni Mard. I
- 37:15Speaker 1: must search everything. Lupan submitted to the operation. Held by
- 37:21Speaker 1: two detectives and surrounded by the others, he patiently endured
- 37:24Speaker 1: the proceedings for twenty minutes. Then he said, hurry up,
- 37:28Speaker 1: Johnnie Maut, and finish. You are in a hurry. Of course,
- 37:33Speaker 1: I am an important appointment at a police station. No
- 37:40Speaker 1: in the city. Ah, at what time two o'clock? It
- 37:47Speaker 1: is three o'clock now, just so I will be late,
- 37:52Speaker 1: and punctuality is one of my virtues. But give me
- 37:56Speaker 1: five minutes, not a second more, said Lupin. I am
- 38:01Speaker 1: doing my best to expedite. Oh, don't talk so much.
- 38:06Speaker 1: Still searching that couple of it is empty. Here are
- 38:10Speaker 1: some letters old invoices. I presume, Oh a packet tied
- 38:16Speaker 1: with a ribbon, a red ribbon. Oh, Jannie mart for
- 38:20Speaker 1: God's sake, don't untie it from a woman, Yes, a
- 38:26Speaker 1: woman of the world, the best in the world. Her
- 38:30Speaker 1: name Madame Jeannie Mard. Very funny, very funny, exclaimed the detective.
- 38:40Speaker 1: At that moment, the men who had been sent to
- 38:42Speaker 1: search the other rooms returned and announced their failure to
- 38:46Speaker 1: find anything. Lupin laughed and said, pole did you expect
- 38:51Speaker 1: to find my visiting least or evidence of my business
- 38:55Speaker 1: relations with the Emperor of Germany? But I can tell
- 38:59Speaker 1: you what you shouldn't investigate Joannimard, all the little mysteries
- 39:03Speaker 1: of this apartment. For instance, that gas pipe is a
- 39:06Speaker 1: speaking tube, that chimney contains a stairway, that wall is hollow,
- 39:12Speaker 1: and a marvelous system of bells. Ah, Johnnie Mard, just
- 39:16Speaker 1: press that button, Johannimard obeyed. Did you hear anything, asked Loupenn. No?
- 39:26Speaker 1: Neither did I. And yet you notified my eroraut to
- 39:30Speaker 1: prepare the dirigible balloon which will soon carry us into
- 39:33Speaker 1: the clouds. Come, said Johnnie Mard, who had completed his search.
- 39:40Speaker 1: We've had enough nonsense. Let's be off. He started away,
- 39:45Speaker 1: followed by his men. Leeupenne did not move. His guardians
- 39:50Speaker 1: pushed him in vain well, said Johnny Mard. Do you
- 39:54Speaker 1: refuse to go? Not at all? But it depends on
- 40:00Speaker 1: what where you want to take me to the station house.
- 40:05Speaker 1: Of course, then I refuse to go. I have no
- 40:09Speaker 1: business there. Are you crazy? Did I not tell you
- 40:14Speaker 1: that I had an important appointment? Lupin? Why, Jannie Maud,
- 40:20Speaker 1: why Shanni mad? I have an appointment with a blond lady.
- 40:24Speaker 1: And do you suppose I would be so discourteous as
- 40:26Speaker 1: to cause her a moment's anxiety? That would be very ungentlemanly. Listen, Lupin,
- 40:33Speaker 1: said the detective, who was becoming annoyed by this persiflage.
- 40:37Speaker 1: I have been very patient with you, but I will
- 40:40Speaker 1: endure no more. Follow me, impossible. I have an appointment,
- 40:47Speaker 1: and I shall keep it for the last time. Follow
- 40:53Speaker 1: me im possible. At a sign from Johannimrd, two men
- 41:01Speaker 1: seized Lupin by the arms, but they released him at once,
- 41:04Speaker 1: uttering cries of pain. Lupin had thrust two long needles
- 41:09Speaker 1: into them. The other men now rushed at Lupin with
- 41:12Speaker 1: cries of rage and hatred, eager to avenge their comrades
- 41:15Speaker 1: and to avenge themselves for the many affronts he had
- 41:18Speaker 1: heaped upon them. And now they struck and beat him
- 41:20Speaker 1: to their heart's desire. A violent blow on the temple
- 41:23Speaker 1: felled the Lupin to the floor. If you hurt him,
- 41:27Speaker 1: you will answer to me, growled Joannimrd in a rage.
- 41:32Speaker 1: He leaned over Lupin to ascertain his condition. Then, learning
- 41:36Speaker 1: that he was breathing freely, Jannimard ordered his men to
- 41:39Speaker 1: carry the prisoner by the head and feet, while he
- 41:41Speaker 1: himself supported the body. Go gently, now, don't Jante him
- 41:46Speaker 1: as brute would have killed him. Well, Lupin, how goes it?
- 41:52Speaker 1: None too well? Chanimard, you let them knock me out.
- 41:58Speaker 1: It was your own fault. You are so obstinate, replied
- 42:02Speaker 1: Johnny Mard. But I hoped they didn't hurt you. They
- 42:06Speaker 1: had left the apartment and were now on the landing.
- 42:09Speaker 1: Lupin groaned and stammered Johnnie Mard the elevator. They are
- 42:15Speaker 1: breaking my bones. A good idea, an excellent idea, replied
- 42:21Speaker 1: Johnny Mard. Besides, the stairway is too narrow. He summoned
- 42:26Speaker 1: the elevator. They placed Lupin on the seat with the
- 42:29Speaker 1: greatest care. Johnny Mard took his place beside him and
- 42:32Speaker 1: said to his men, go down the stairs and wait
- 42:35Speaker 1: for me below. Understand, Johnny Mard closed the door of
- 42:39Speaker 1: the elevator. Suddenly, the elevator shot upward like a balloon
- 42:43Speaker 1: released from its cable. Lupin burst into a fit of
- 42:47Speaker 1: sardonic laughter. Good God, cried Johnny Mard as he made
- 42:53Speaker 1: a frantic search in the dark for the button of descent.
- 42:55Speaker 1: Having found it, he cried, the fifth four, Wash the
- 42:59Speaker 1: door the fifth four. His assistants clambered up the stairs
- 43:02Speaker 1: two and three steps at a time. But this strange
- 43:05Speaker 1: circumstance happened. The elevator seemed to break through the ceiling
- 43:09Speaker 1: of the last floor, disappeared from sight of Johanni Mar's
- 43:13Speaker 1: assistance suddenly made its appearance on the upper floor, the
- 43:16Speaker 1: servant's floor, and stopped. Three men were waiting for it.
- 43:21Speaker 1: They opened the door. Two of them seized Johnny Mard, who,
- 43:25Speaker 1: astonished at the sudden attack, scarcely made any defense. The
- 43:30Speaker 1: other man carried off Lupin. I warn you, Jeannie Mard,
- 43:34Speaker 1: about dirrigible balloon another time. Don't be so tender hearted.
- 43:40Speaker 1: And moreover, remember that Arsan Lupin doesn't allow himself to
- 43:46Speaker 1: be struck and knocked down without sufficient reason. Adieu. The
- 43:51Speaker 1: door of the elevator was already closed on Johnny Mard,
- 43:54Speaker 1: and the machine began to descend. And it all happened
- 43:58Speaker 1: so quickly that the old detective reached the ground floor
- 44:01Speaker 1: as soon as his assistants. Without exchanging a word. They
- 44:04Speaker 1: crossed the court and ascended the servants stairway, which was
- 44:07Speaker 1: the only way to reach the servant's floor, through which
- 44:09Speaker 1: the escape had been made. A long corridor was several
- 44:13Speaker 1: turns and bordered with little numbered rooms, led to a
- 44:16Speaker 1: door that was not locked. On the other side of
- 44:19Speaker 1: this door, and therefore in another house there was another
- 44:22Speaker 1: corridor with similar turns and similar rooms, and at the
- 44:26Speaker 1: end of it a servant's stairway. Jennimrd descended it, crossed
- 44:30Speaker 1: the court and a vestibule, and found himself in the
- 44:33Speaker 1: rue picot. Then he understood the situation. The two houses built.
- 44:39Speaker 1: The entire depth of the lots touched at the rear,
- 44:43Speaker 1: while the fronts of the houses faced upon two streets
- 44:45Speaker 1: that ran parallel to each other at a distance of
- 44:48Speaker 1: more than sixty meters apart. He found the concierge, and,
- 44:52Speaker 1: showing his card, inquired did four men passierree just now? Yes,
- 44:58Speaker 1: the two servants from the false and fifth floors with
- 45:00Speaker 1: two friends who lives on the fourth and fifth floors,
- 45:05Speaker 1: two men named Falvele, and their cousins whose name is Provost.
- 45:09Speaker 1: They moved today, leaving the two servants who went away
- 45:11Speaker 1: just now. Ah, thought Johnny Maud, what a good opportunity
- 45:16Speaker 1: we have missed. The entire band lived in these houses,
- 45:21Speaker 1: and he sank down on a chair in despair. Forty
- 45:28Speaker 1: minutes later, two gentlemen were driving up to the station
- 45:31Speaker 1: of the Northern Railway and hurried to the Calais Express,
- 45:34Speaker 1: followed by a porter who carried their valises. One of
- 45:37Speaker 1: them had his arm in a sling, and the pallor
- 45:40Speaker 1: of his face denoted some illness. The other man was
- 45:43Speaker 1: in a jovial mood. We must hurry, Wilson, or we
- 45:47Speaker 1: will miss the train, Ah, Wilson, I shall never forget
- 45:50Speaker 1: these ten days, but neither will I. Ah. It was
- 45:55Speaker 1: a great struggle the superb, a few repulses here and
- 45:59Speaker 1: there of no consequence, and at last victory all along
- 46:05Speaker 1: the line. Lupan arrested the Blue Diamond recovered my arm broken?
- 46:12Speaker 1: What does a broken arm count for in such a
- 46:14Speaker 1: victory as that, especially when it is my arm? Ah? Yes,
- 46:19Speaker 1: don't you remember, Wilson, that it was at the very
- 46:22Speaker 1: time you were in the pharmacy, suffering like a hero,
- 46:25Speaker 1: that I discovered the clue to the whole mystery. How
- 46:29Speaker 1: lucky The doors of the carriages were being closed all aboard.
- 46:35Speaker 1: Hurry up, gentlemen. The porter climbed into an empty compartment
- 46:39Speaker 1: and placed their valises in the rack, whilst Sholmes assisted
- 46:42Speaker 1: the unfortunate Wilson. What's the matter, Wilson, you're not done up?
- 46:47Speaker 1: Are you come? Pull your nerves together? My nerves are
- 46:51Speaker 1: all right. Well, what is it? Then? I have only
- 46:55Speaker 1: one hand? What of it? Exclaimed Sholmes, cheerfully. You are
- 47:01Speaker 1: not the only one who has had a broken arm.
- 47:04Speaker 1: Cheer up. Shrilms handed the porter a piece of fifty centimes.
- 47:09Speaker 1: Thank you, monsieur, Sholmes, said the porter. The Englishman looked
- 47:13Speaker 1: at him. It was our san Lupin. You you, he stammered,
- 47:20Speaker 1: absolutely astounded, and Wilson brandished his sound arm in the
- 47:24Speaker 1: manner of a man who demonstrates a fact, as he said,
- 47:27Speaker 1: you you, But you were arrested. Sholmes told me so
- 47:33Speaker 1: when he left you, Jeannie Martin, thirty men had you
- 47:35Speaker 1: in charge. Lupin folded his arms and said, with an
- 47:39Speaker 1: air of indignation, did you suppose I would let you
- 47:43Speaker 1: go away without bidding you adieu? After the very friendly
- 47:47Speaker 1: relations that have always existed between us. That would be
- 47:51Speaker 1: discourteous and ungrateful on my part? The train whistled. Lupin continued,
- 47:59Speaker 1: I beg your pardon, but have you everything you need?
- 48:01Speaker 1: Tobacco and matches, yes, and the evening papers you're finding them,
- 48:06Speaker 1: an account of my arrest, your last exploits, monsieur shows,
- 48:11Speaker 1: and now au revoir. I am delighted to have made
- 48:15Speaker 1: your acquaintance, and if ever I can be of any
- 48:18Speaker 1: service to you, I shall be only too happy. He
- 48:22Speaker 1: lead to the platform and closed the door. How do you,
- 48:26Speaker 1: he repeated, waving his handkerchief. Are do you? I shall
- 48:30Speaker 1: write to you? You will write also, eh, and your
- 48:34Speaker 1: arm broken, Wilson, I am truly sorry. I shall expect
- 48:38Speaker 1: to hear from both of you a postal card now,
- 48:41Speaker 1: and then simply address loupin Paris. That is sufficient. Are
- 48:47Speaker 1: do you? See you soon? End of chapter six