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Academy Award Ep8 My Sister Eileen · Academy Award

• 0:03
  Speaker 1: The House of.
• 0:08
  Speaker 2: Squibb, manufacturing chemists to the medical profession since 1858, brings
• 0:15
  Speaker 2: you Academy Awards. The pictures, the players, the techniques and
• 0:19
  Speaker 2: skills which have won or been nominated for. The coveted
• 0:22
  Speaker 2: awards granted each year by the Academy of Motion Picture
• 0:25
  Speaker 2: Arts and Sciences. to each in his field for outstanding achievement.
• 0:43
  Speaker 2: The House of Squibb, makers of the great family of
• 0:45
  Speaker 2: Squibb medicinal products, brings you the Columbia picture, My Sister Eileen,
• 0:50
  Speaker 2: starring Rosalind Russell and Janet Blair, who will play the
• 0:53
  Speaker 2: same roles they created for the screens. and in which
• 0:55
  Speaker 2: Miss Russell was nominated for the 1942 Academy Award. So
• 0:58
  Speaker 2: it was, the two babes from the woods.
• 1:23
  Speaker 1: Walked hand in hand into Greenwich Village in search of fame, fortune,
• 1:28
  Speaker 1: and a room. We had come to New York from Columbus, Ohio.
• 1:32
  Speaker 1: We meant my typewriter, my ambition to become an author,
• 1:36
  Speaker 1: our $ 100, and her ambition to become the Sarah Bernhardt
• 1:40
  Speaker 1: of Broadway. She, here and after, known as her, the
• 1:45
  Speaker 1: blonde bombshell, and other terms of wolf-call endearment, was my
• 1:50
  Speaker 1: beautiful sister, Eileen. Whenever I think of those days in
• 1:54
  Speaker 1: Greenwich Village, I hear loud noises like this.
• 2:03
  Speaker 3: What was that?
• 2:04
  Speaker 4: What was what?
• 2:06
  Speaker 3: That noise, Mr. Apopolis. The whole room shook.
• 2:09
  Speaker 5: That shows you how you will get used to it.
• 2:11
  Speaker 5: I didn't even notice it.
• 2:13
  Speaker 3: Get used to it? You mean it happens all the time?
• 2:16
  Speaker 5: You won't even be conscious of it. The little blasting,
• 2:19
  Speaker 5: the new subway they're digging below.
• 2:22
  Speaker 1: You mean they're blasting right underneath us?
• 2:24
  Speaker 5: What are you worrying about? Those engineers know how much
• 2:28
  Speaker 5: dynamite for you.
• 2:29
  Speaker 3: But does it go on all the time?
• 2:31
  Speaker 1: No.
• 2:32
  Speaker 2: They knock off at midnight and they don't start again
• 2:35
  Speaker 2: until six in the morning.
• 2:37
  Speaker 1: Six in the morning?
• 2:38
  Speaker 3: Oh, we can't stay here, Ruth.
• 2:40
  Speaker 1: Listen.
• 2:41
  Speaker 2: In New York, you either live A, over a subway.
• 2:45
  Speaker 5: or B, where they're building a subway.
• 2:48
  Speaker 6: or you don't live in New York.
• 2:50
  Speaker 1: Stop double-talking and give us our rent money back.
• 2:52
  Speaker 5: What are you getting hysterical about?
• 2:55
  Speaker 2: I said I would give you your money back, and
• 2:56
  Speaker 2: I will, if at the end of the month you
• 2:58
  Speaker 2: are still dissatisfied.
• 3:00
  Speaker 5: Good night, ladies. Sleep tight.
• 3:02
  Speaker 3: Oh, Ruth. What are we going to do?
• 3:05
  Speaker 1: You? We're going to do 30 days in this dump, Eileen.
• 3:09
  Speaker 3: Oh, God. Shall I put out the lights now? Yes,
• 3:13
  Speaker 3: put them out.
• 3:14
  Speaker 7: All right.
• 3:16
  Speaker 4: Ruth?
• 3:16
  Speaker 2: Ruth?
• 3:17
  Speaker 3: I just put out the lights, but it's still light. Oh,
• 3:21
  Speaker 3: so it is.
• 3:22
  Speaker 1: Oh, there's a lamppost right in front of the window.
• 3:25
  Speaker 3: Well, then pull the shade down. There isn't any shade.
• 3:29
  Speaker 1: No shade? Oh, but Ruth, in this basement room, we're
• 3:34
  Speaker 1: practically sleeping in the street.
• 3:36
  Speaker 3: Just wait till I get that Apopolis.
• 3:38
  Speaker 1: Boy, what my hat and my gandy would give for
• 3:42
  Speaker 1: this bed.
• 3:43
  Speaker 3: Would it help any to close the window, Ruth?
• 3:46
  Speaker 5: If we do, we'll suffocate.
• 3:48
  Speaker 1: Golly.
• 3:50
  Speaker 3: I'm afraid, Ruth. You know, a dog could chase a
• 3:53
  Speaker 3: cat down here. And probably will. Well, let's go to sleep.
• 3:58
  Speaker 1: Maybe we can forget.
• 3:59
  Speaker 3: All right. Good night, Ruth.
• 4:02
  Speaker 6: Good night, Eileen.
• 4:04
  Speaker 3: Sleep tight.
• 4:05
  Speaker 5: Good night. I say I'm not going back or that's all.
• 4:18
  Speaker 1: Why not?
• 4:18
  Speaker 5: Well, they'll suck us for another cover charge. No, they won't. Listen,
• 4:23
  Speaker 5: you can take both of those dames and.
• 4:25
  Speaker 3: You go away from there, you drunken loafers.
• 4:28
  Speaker 5: Fine. A dame. Look, a dame down there in the window.
• 4:34
  Speaker 5: You go away from there or we'll call the police.
• 4:37
  Speaker 5: Another dame. Hey, look, Pete, there's two dames. One for you, too.
• 4:42
  Speaker 5: Can you go away? That one's mine. Okay. Mine ain't
• 4:46
  Speaker 5: the best.
• 4:47
  Speaker 3: You get away from here.
• 4:49
  Speaker 4: Hello, cutie.
• 4:51
  Speaker 2: Go away, go away, go away.
• 4:52
  Speaker 5: I'm fit as a fiddle. Are you ready for love?
• 4:57
  Speaker 3: Oh, Ruth, close the window. Me close the window?
• 5:01
  Speaker 5: No, no, you don't do it, Ruthie. I'd rather see
• 5:05
  Speaker 5: her close it.
• 5:06
  Speaker 7: Oh, Ruth.
• 5:07
  Speaker 3: Please.
• 5:08
  Speaker 5: Leave me in. I'll close it. Come on, honey. Come
• 5:11
  Speaker 5: to papa.
• 5:12
  Speaker 3: You take your hands out of here or I'll bust
• 5:14
  Speaker 3: them off.
• 5:15
  Speaker 5: Get out of here. What's going on here? Come on.
• 5:18
  Speaker 5: Break it up. Break it up. Oh, it's just the
• 5:21
  Speaker 5: social business. We was just going. Good night. Go on.
• 5:25
  Speaker 5: Get out of here. Go on.
• 5:28
  Speaker 3: Oh, I'm awfully glad you came, officer.
• 5:30
  Speaker 5: Yeah, I'll bet you are.
• 5:32
  Speaker 1: Oh, officer, do you think you could do something about
• 5:34
  Speaker 1: that lamppost? It shines right in here.
• 5:37
  Speaker 5: Sure. I'll put a shade on it. Say, ain't you
• 5:41
  Speaker 5: new in this neighborhood?
• 5:43
  Speaker 3: We just moved in today.
• 5:44
  Speaker 5: Well, if you're smart, you'll move out tomorrow. I'm particular
• 5:47
  Speaker 5: what goes on on my beat. I'm warning you.
• 5:51
  Speaker 2: Did you.
• 5:52
  Speaker 1: Did you hear what he said, Eileen?
• 5:55
  Speaker 5: Yes. Yes, I did, Ruth.
• 5:58
  Speaker 3: I'm afraid. Oh, move over, darling. I'm getting in bed
• 6:02
  Speaker 3: with you. Now, don't worry, dear. Everything's going to be
• 6:06
  Speaker 3: all right.
• 6:06
  Speaker 1: It's just different in this town, that's all.
• 6:12
  Speaker 3: It's just New York.
• 6:23
  Speaker 1: And that was the beginning of our new life in
• 6:26
  Speaker 1: New York, in a one-room basement apartment in Greenwich Village.
• 6:30
  Speaker 3: But life couldn't.
• 6:31
  Speaker 1: Go on all night.
• 6:32
  Speaker 3: There had to come dawn and the search for work.
• 6:36
  Speaker 3: I went uptown to see the.
• 6:37
  Speaker 1: Editor of a magazine, and while I was sitting with
• 6:39
  Speaker 1: my manuscript in the reception room, a door slammed open.
• 6:44
  Speaker 7: And he should come out.
• 6:45
  Speaker 5: With a wild look in his eye, but Mr.
• 6:47
  Speaker 4: Baker.
• 6:47
  Speaker 5: Can you read?
• 6:49
  Speaker 1: Oh, of course I can read.
• 6:51
  Speaker 5: Do you read?
• 6:52
  Speaker 1: And write, yes.
• 6:53
  Speaker 5: Never mind writing.
• 6:54
  Speaker 4: Everybody writes in New York, even people who can't read.
• 6:57
  Speaker 1: Well, I happen to be from Columbus.
• 6:58
  Speaker 4: That's very interesting. Now, think carefully. Have you ever read
• 7:00
  Speaker 4: our magazine, The Manhatter?
• 7:02
  Speaker 3: Well, not for some time.
• 7:04
  Speaker 2: Good.
• 7:04
  Speaker 4: Come with me.
• 7:06
  Speaker 5: What the... What's this? Mr.
• 7:08
  Speaker 4: Craven, meet Miss... What's your name?
• 7:10
  Speaker 3: Miss Sherwood, Ruth Sherwood.
• 7:11
  Speaker 4: Miss Sherwood. She can read. From Columbus, Ohio. Miss Sherwood,
• 7:14
  Speaker 4: in your time, you have read The Manhatter.
• 7:16
  Speaker 5: Is that true? Yes.
• 7:18
  Speaker 4: Do you like it?
• 7:19
  Speaker 5: No.
• 7:20
  Speaker 2: Good.
• 7:20
  Speaker 5: Wait a minute.
• 7:21
  Speaker 2: Who is this girl?
• 7:22
  Speaker 6: Miss Sherwood of Columbus.
• 7:23
  Speaker 4: What's the difference?
• 7:24
  Speaker 5: A lot of difference, my clever friend. What's she doing here?
• 7:26
  Speaker 5: Where did you find her?
• 7:27
  Speaker 4: Outside, sitting down.
• 7:28
  Speaker 5: I asked what she was doing there.
• 7:30
  Speaker 4: Miss Sherwood, the gentleman is trying to make a point
• 7:32
  Speaker 4: of some kind. Tell him. Tell us all. What were
• 7:34
  Speaker 4: you doing out there? I, uh.
• 7:37
  Speaker 1: I was trying to submit a manuscript.
• 7:39
  Speaker 5: That's all I want to know.
• 7:40
  Speaker 4: Good day, Miss Columbus.
• 7:41
  Speaker 5: Mr. Baker can pay you off outside.
• 7:43
  Speaker 4: Get out.
• 7:43
  Speaker 1: I certainly will. I've had a hard day, and I'm
• 7:46
  Speaker 1: darn sick of you and your magazine.
• 7:57
  Speaker 3: Hard day.
• 7:58
  Speaker 1: Gee, God, that's what I thought until I got back
• 8:01
  Speaker 1: to that air-conditioned packing case we called home. Yes?
• 8:05
  Speaker 2: Ah.
• 8:06
  Speaker 5: Hello.
• 8:07
  Speaker 3: Hello.
• 8:08
  Speaker 6: Oh, you're the new girls, huh? Well, my name's Loomis.
• 8:11
  Speaker 6: My wife and I live upstairs.
• 8:12
  Speaker 3: Oh, how do you do, Mr.
• 8:14
  Speaker 5: Loomis?
• 8:14
  Speaker 6: Oh, leave out the Mr. Call me Wreck.
• 8:16
  Speaker 5: Wreck? Yeah, that's what they called me at Georgia Tech.
• 8:19
  Speaker 6: Hey, is your sister home?
• 8:20
  Speaker 3: Oh, I expect her any minute.
• 8:21
  Speaker 5: Good.
• 8:22
  Speaker 6: My wife and I want to talk something over with you. Oh,
• 8:25
  Speaker 6: spaghetti and meatballs, huh? I smelled them coming past yesterday.
• 8:29
  Speaker 3: Oh, yes. They taste a lot better the second day.
• 8:31
  Speaker 5: Hey, watch me tackle it. Let's make a dummy.
• 8:36
  Speaker 3: You're a football player, Mr. Rex.
• 8:38
  Speaker 6: Yeah, yeah. When I'm in season, yeah.
• 8:42
  Speaker 5: Well, hello.
• 8:44
  Speaker 4: Oh.
• 8:44
  Speaker 3: Company, Eileen? Oh, no, Ruth. This is the Rex. Physically
• 8:49
  Speaker 3: or mentally?
• 8:51
  Speaker 6: You're Eileen's sister, huh?
• 8:52
  Speaker 2: I live upstairs with my wife, see? Now, look, Helen's
• 8:55
  Speaker 2: mother's coming to visit her, which straight-arms me right out
• 8:57
  Speaker 2: into the alley.
• 8:57
  Speaker 3: Well, haven't you enough room?
• 8:58
  Speaker 6: Oh, we could make room, only you see, she doesn't
• 9:00
  Speaker 6: know we're married, and Helen's.
• 9:01
  Speaker 2: Afraid to tell on account of I'm not working now.
• 9:03
  Speaker 5: But I start working.
• 9:04
  Speaker 2: As soon as the professional football season opens, and in
• 9:07
  Speaker 2: the meantime, we thought you wouldn't mind putting me up
• 9:09
  Speaker 2: in your kitchen.
• 9:10
  Speaker 3: Why, sure. You mean sleep in our kitchen?
• 9:13
  Speaker 4: Sure, sure.
• 9:13
  Speaker 5: Why not?
• 9:13
  Speaker 6: I'm a handy guy to have around in case something
• 9:15
  Speaker 6: happens anyway.
• 9:16
  Speaker 5: Well, thanks, girls.
• 9:17
  Speaker 6: You don't know how much you're helping us.
• 9:18
  Speaker 5: I'll get my stuff together right away.
• 9:22
  Speaker 1: Something tells me, Eileen, you weren't quite ready to leave Columbus.
• 9:27
  Speaker 5: Now what?
• 9:28
  Speaker 3: Oh, that must be Frank.
• 9:29
  Speaker 5: Who?
• 9:29
  Speaker 3: Frank Lippincott. He works at the soda counter in the drugstore.
• 9:32
  Speaker 1: I met him today, Ruth, and he gave me my
• 9:34
  Speaker 1: lunch for nothing. Please be very nice, Ruth.
• 9:38
  Speaker 4: Well, who am I?
• 9:39
  Speaker 3: Tugboat Annie? Come in.
• 9:43
  Speaker 5: Well, here I... Oh. Oh, gee, I'm sorry.
• 9:47
  Speaker 2: I didn't know there was a.
• 9:49
  Speaker 3: I guess you're Eileen's sister.
• 9:52
  Speaker 2: I can see a resemblance, all right.
• 9:54
  Speaker 1: Why, I'm very flattered.
• 9:57
  Speaker 5: Of course, you're a different type.
• 10:00
  Speaker 3: Yeah, I see what you mean.
• 10:02
  Speaker 1: Sit down, Mr. Lippincott.
• 10:04
  Speaker 5: Eileen's been telling me about your drugstore. Has she?
• 10:09
  Speaker 3: Oh, gee, it's a nice drugstore. I'm sure it is.
• 10:14
  Speaker 1: Oh, hello, Eileen.
• 10:16
  Speaker 3: Hello, Frank.
• 10:18
  Speaker 6: I brought you something.
• 10:19
  Speaker 3: It's California red wine.
• 10:22
  Speaker 5: I thought it'd go good with the spaghetti.
• 10:25
  Speaker 3: It's a special we're running this week.
• 10:27
  Speaker 6: So's our spaghetti, huh?
• 10:29
  Speaker 3: I bet your family's, Frank. Dinner's almost ready. Oh, here
• 10:33
  Speaker 3: we go again. Come in.
• 10:37
  Speaker 5: I'm looking for a party called Sherwood. Eleanor Sherwood?
• 10:40
  Speaker 1: You mean Eileen.
• 10:42
  Speaker 5: Oh, yeah, yeah.
• 10:44
  Speaker 4: Well, hello there, honey.
• 10:46
  Speaker 3: Why, Chick. Oh, Ruth, honey, this is Chick. He's a reporter.
• 10:51
  Speaker 3: He interviewed me today. You had a.
• 10:55
  Speaker 5: Busy day, Eileen. Hot, isn't it?
• 10:58
  Speaker 3: Yeah, but you'll cool off.
• 11:02
  Speaker 1: Are you staying for dinner, Mr., uh.
• 11:03
  Speaker 5: I'll stick around.
• 11:06
  Speaker 6: What's that stuff?
• 11:07
  Speaker 1: Why, that's a gift from Mr.
• 11:09
  Speaker 2: Lippincott.
• 11:10
  Speaker 1: Wine, I believe.
• 11:12
  Speaker 5: Well, let's have some.
• 11:13
  Speaker 3: I'll pour. Thank you, dear. Perhaps we should ice the wine.
• 11:17
  Speaker 5: Oh, no, no.
• 11:18
  Speaker 3: It should be served at room temperature.
• 11:20
  Speaker 5: Yeah.
• 11:21
  Speaker 6: Well, then you better cook it for a couple of hours.
• 11:24
  Speaker 1: Why don't you come back when the new subway's finished?
• 11:27
  Speaker 1: We expect a draft in here all day long.
• 11:29
  Speaker 3: Well, here's to.
• 11:31
  Speaker 1: To Eileen.
• 11:33
  Speaker 5: Yes. To you, gorgeous.
• 11:37
  Speaker 3: Don't mind me.
• 11:38
  Speaker 5: We don't.
• 11:41
  Speaker 4: Good Lord, what was that?
• 11:43
  Speaker 5: Relax, relax. It's only the subway. Get in there. Oh,
• 11:47
  Speaker 5: lay off me, you big ape.
• 11:48
  Speaker 3: Oh, here we go.
• 11:49
  Speaker 1: I forgot about the rake.
• 11:50
  Speaker 6: Oh, let go of me, you big slut.
• 11:52
  Speaker 5: What were you doing running out in that alley in
• 11:54
  Speaker 5: your nightshirt?
• 11:55
  Speaker 6: Will you tell this clown I'm okay?
• 11:57
  Speaker 3: Yes, he's all right.
• 11:59
  Speaker 4: I hope.
• 11:59
  Speaker 5: Oh, yes.
• 12:00
  Speaker 3: He's just the wreck.
• 12:02
  Speaker 2: The what? I found him out in the alley with.
• 12:04
  Speaker 5: All those bedclothes. I think he's some kind of a fiend.
• 12:06
  Speaker 6: You're crazy. I'm going to live here.
• 12:08
  Speaker 5: Live here?
• 12:09
  Speaker 3: In the kitchen.
• 12:10
  Speaker 5: It's all right, officer.
• 12:11
  Speaker 3: We know him.
• 12:12
  Speaker 5: Oh, it's you two. I thought I warned you to
• 12:14
  Speaker 5: move out of my beat.
• 12:16
  Speaker 3: How dare you? Wait a minute. Wait a minute.
• 12:18
  Speaker 1: Officer, I don't know what you think, but if it's
• 12:20
  Speaker 1: what I.
• 12:20
  Speaker 3: Think you think.
• 12:21
  Speaker 5: Yeah, see here, officer. And who do you think you are?
• 12:23
  Speaker 6: I'll tell you who I am.
• 12:24
  Speaker 5: Stop it.
• 12:25
  Speaker 3: Never mind who anybody is. What difference does it make?
• 12:27
  Speaker 3: Anybody walks in here. Everybody walks in here.
• 12:30
  Speaker 1: You know, for a place with a bad location and
• 12:32
  Speaker 1: no neon sign, we're doing a whale of a business.
• 12:35
  Speaker 3: Oh, who's that?
• 12:36
  Speaker 5: Oh, Mr.
• 12:37
  Speaker 3: Baker from the magazine.
• 12:39
  Speaker 4: Good evening, Miss Sherwood. I've read your manuscript. You left
• 12:42
  Speaker 4: it behind today. I'd like to discuss it.
• 12:45
  Speaker 2: What?
• 12:46
  Speaker 4: I said I read your manuscript. I'd like to discuss
• 12:48
  Speaker 4: it with you.
• 12:49
  Speaker 2: Yes.
• 12:50
  Speaker 3: That's what I thought you said.
• 12:52
  Speaker 2: Oh!
• 12:54
  Speaker 3: Oh, she's fainted! My sister has fainted!
• 12:57
  Speaker 1: Oh, Ruth!
• 12:58
  Speaker 5: Ruth!
• 12:58
  Speaker 2: Oh! In a moment, we will continue with the second
• 13:15
  Speaker 2: part of Academy Award. You all know how much careful
• 13:18
  Speaker 2: production means to your enjoyment of a motion picture. Well,
• 13:22
  Speaker 2: it's true of a dental cream, too. That's why the
• 13:24
  Speaker 2: production of Squibb dental cream, like that of the entire
• 13:28
  Speaker 2: great family of Squibb products, is governed by exacting scientific standards.
• 13:33
  Speaker 2: That's why more than 100 separate tests are made to
• 13:37
  Speaker 2: guarantee the purity and uniformity of this quality dentist. And
• 13:41
  Speaker 2: you can taste, feel, and see the refreshing difference. The
• 13:45
  Speaker 2: delightful minty flavor of Squibb Dental Cream is so cool,
• 13:48
  Speaker 2: so invigorating, it leaves a real tingle in your mouth.
• 13:52
  Speaker 2: And Squibb Dental Cream helps to uncover all the natural
• 13:55
  Speaker 2: sparkle of your smile because the active ingredient is one
• 13:58
  Speaker 2: of the safest, softest, yet most effective polishing agents known
• 14:02
  Speaker 2: to dental science.
• 14:04
  Speaker 5: Try it yourself. Ask for Squibb Dental Cream.
• 14:08
  Speaker 2: Taste. Feel and see the refreshing difference. In a moment,
• 14:13
  Speaker 2: you will hear part two of My Sister Eileen. But first,
• 14:16
  Speaker 2: for making this story available, we want to thank Columbia Pictures,
• 14:20
  Speaker 2: who are also producers of Gilda, starring Rita Hayworth.
• 14:31
  Speaker 5: And now the.
• 14:32
  Speaker 6: House of Squibb presents part two.
• 14:33
  Speaker 2: Of Academy Award. Starring Rosalind Russell and Janet Blair in
• 14:38
  Speaker 2: My Sister Eileen. So you see, I'm not going to quit.
• 14:51
  Speaker 2: Anybody can walk out, that's easy. I'm going to stay
• 14:54
  Speaker 2: and fight Craven to a finish.
• 14:56
  Speaker 1: I think that's just fine, Mr.
• 14:57
  Speaker 5: Baker.
• 14:58
  Speaker 3: I also think it's four o'clock in the morning. Good night.
• 15:00
  Speaker 4: Hey, wait a second. I was only letting off steam.
• 15:03
  Speaker 1: Look, I fainted once tonight from people letting off steam.
• 15:07
  Speaker 1: And I thank you for the spaghetti and meatballs. It
• 15:10
  Speaker 1: was a great treat for me tonight, especially since we've
• 15:12
  Speaker 1: been living on them for a week.
• 15:14
  Speaker 4: Why didn't you say something?
• 15:16
  Speaker 1: Because I couldn't get a word in edgewise. I couldn't
• 15:18
  Speaker 1: even remind you that I'm an author. And I wrote
• 15:21
  Speaker 1: some stories, remember?
• 15:22
  Speaker 3: About Columbus.
• 15:23
  Speaker 4: Sure. And I read them.
• 15:26
  Speaker 3: It took till four.
• 15:26
  Speaker 1: O'clock in the morning to find out they weren't even
• 15:28
  Speaker 1: worth mentioning.
• 15:29
  Speaker 4: I don't know what you're talking about. They're very good.
• 15:32
  Speaker 2: They are?
• 15:33
  Speaker 3: Sure. Well, why didn't you say so?
• 15:36
  Speaker 4: Didn't I?
• 15:37
  Speaker 2: No.
• 15:38
  Speaker 4: Why, you write like an angel.
• 15:40
  Speaker 5: You know, these stories are quite good.
• 15:42
  Speaker 3: Oh, just quite good.
• 15:45
  Speaker 4: Isn't that good enough?
• 15:46
  Speaker 3: You mean, if you could publish them, you wouldn't?
• 15:51
  Speaker 4: No, I wouldn't. You see, the people are good, but
• 15:53
  Speaker 4: the stories are flat. That's because not enough happens to you.
• 15:57
  Speaker 5: Oh, it doesn't, eh?
• 15:59
  Speaker 4: That's what I said. You can't lead a quiet, sheltered life.
• 16:02
  Speaker 5: Quiet, sheltered?
• 16:03
  Speaker 3: Down in that tunnel? With subway blasts?
• 16:06
  Speaker 1: And a populist, our Rasputin.
• 16:08
  Speaker 3: Landlord, cheating us blind?
• 16:09
  Speaker 1: With Eileen dragging home newspaper geniuses and drugstore managers and
• 16:12
  Speaker 1: anything else.
• 16:12
  Speaker 3: She happens to meet up with in the course of
• 16:14
  Speaker 3: a day? With football players drifting through, not for no.
• 16:17
  Speaker 5: Reason at all?
• 16:17
  Speaker 3: Did you say sheltered?
• 16:18
  Speaker 4: Why, that's it. That's it.
• 16:20
  Speaker 5: That's exactly the stuff.
• 16:21
  Speaker 4: Write it.
• 16:21
  Speaker 3: Write what?
• 16:22
  Speaker 4: Write about your life in a Greenwich Village apartment.
• 16:24
  Speaker 5: Eileen, the blast, the whole menagerie.
• 16:27
  Speaker 4: Why, it's wonderful.
• 16:28
  Speaker 3: Oh, I see what you mean. Why, why, sure. And so,
• 16:47
  Speaker 3: that was what happened. That was what happened.
• 16:52
  Speaker 1: To me, to me, and my sister, Eileen.
• 17:04
  Speaker 3: There, it's finished. What, the tunnel? No, the book.
• 17:09
  Speaker 1: Say, Ruth, you seem so terribly down today, and golly,
• 17:14
  Speaker 1: if you start feeling that way.
• 17:16
  Speaker 3: Well, who's going to hold me up?
• 17:18
  Speaker 1: Oh, I'm not worried about you, Eileen. Not while there's
• 17:21
  Speaker 1: a man alive.
• 17:22
  Speaker 3: But after all, Ruth, men are only an escape.
• 17:27
  Speaker 6: Comes another escape.
• 17:29
  Speaker 3: Sherwood residence. Miss Ruth Sherwood. For me? Ruth, it's Chick's paper.
• 17:36
  Speaker 4: Hello?
• 17:38
  Speaker 5: Yes.
• 17:39
  Speaker 3: This is she.
• 17:39
  Speaker 5: Her.
• 17:40
  Speaker 1: She. What?
• 17:43
  Speaker 5: Yes.
• 17:43
  Speaker 2: Yes.
• 17:44
  Speaker 3: Yeah, sure.
• 17:46
  Speaker 1: Sand Street, Brooklyn?
• 17:48
  Speaker 3: Yes. Yeah, I've got it.
• 17:49
  Speaker 5: Sure, I understand.
• 17:50
  Speaker 1: Thanks.
• 17:52
  Speaker 5: Gee.
• 17:53
  Speaker 3: What is it? What's going on?
• 17:54
  Speaker 1: I'm going to give me a chance to show what
• 17:55
  Speaker 1: I can do. An assignment to cover over in Brooklyn.
• 17:58
  Speaker 3: What happened over in Brooklyn? A Portuguese ship.
• 18:00
  Speaker 1: Merchant Marine with a load of young cadets. They want
• 18:03
  Speaker 1: a human interest story on it.
• 18:04
  Speaker 2: Gee.
• 18:05
  Speaker 5: Oh, Eileen, where is Brooklyn?
• 18:08
  Speaker 3: Oh, it's, uh, it's, um.
• 18:10
  Speaker 1: Oh, well, you can't miss it. Oh, thanks.
• 18:12
  Speaker 3: That's a help.
• 18:18
  Speaker 4: Hello, gorgeous.
• 18:20
  Speaker 3: Oh, hello, Chick. How did you get in here?
• 18:25
  Speaker 5: Your back door lock is busted.
• 18:27
  Speaker 3: Oh, gosh, you scared me half to death.
• 18:30
  Speaker 5: Oh, take it easy, sugar.
• 18:31
  Speaker 2: I happened to see Ruth ducking into the subway, and
• 18:34
  Speaker 2: I thought maybe gorgeous is alone.
• 18:37
  Speaker 3: Oh, I see.
• 18:38
  Speaker 1: Well, she's on her way to Brooklyn, and oh, I
• 18:41
  Speaker 1: do want to thank you for getting that assignment for her, Chick.
• 18:44
  Speaker 4: Oh, forget it.
• 18:45
  Speaker 2: Now let's get your future straightened out. Will you stand still, please?
• 18:51
  Speaker 3: Well, I've been waiting for that interview to be published, Chick.
• 18:54
  Speaker 5: This week, sugar.
• 18:55
  Speaker 3: Oh, well, gee, thanks. Don't you think you better go now?
• 18:59
  Speaker 5: Go?
• 19:01
  Speaker 2: After I went and fixed it to get you along
• 19:02
  Speaker 2: without that eagle-eyed sister of yours around?
• 19:05
  Speaker 3: Oh, you framed my sister.
• 19:08
  Speaker 5: Now, don't get tragic.
• 19:09
  Speaker 3: Oh, you get out of here.
• 19:11
  Speaker 5: Now, that's silly. After all I tried to do for
• 19:13
  Speaker 5: that sister of yours. Oh, go away.
• 19:15
  Speaker 3: Take your hands off of me.
• 19:17
  Speaker 5: Now, stop playing coin, sugar.
• 19:18
  Speaker 3: Stop it, please. Oh, come in, come in.
• 19:22
  Speaker 5: Oh, Mr.
• 19:23
  Speaker 3: Baker. Well, I'm certainly glad to see you. And now, Mr. Clark,
• 19:28
  Speaker 3: will you kindly get out?
• 19:30
  Speaker 4: I think I'd do as the lady says, Clark.
• 19:33
  Speaker 5: Sure, I... A little hot for wrestling anyway.
• 19:36
  Speaker 4: Oh, Mr.
• 19:39
  Speaker 3: Baker.
• 19:39
  Speaker 4: No, no, no, no. You're all right.
• 19:42
  Speaker 3: Oh, I really don't know what I'd have done.
• 19:44
  Speaker 4: Oh, there, there. Sit right down. Right over there.
• 19:47
  Speaker 1: Oh, Mr.
• 19:51
  Speaker 3: Oh, thank you.
• 19:53
  Speaker 7: Thank you, Bob.
• 19:55
  Speaker 5: Yes.
• 19:56
  Speaker 4: Eileen.
• 19:59
  Speaker 5: Sir, where is it?
• 20:01
  Speaker 6: Where is it, I say?
• 20:02
  Speaker 2: Where is what, Mr.
• 20:03
  Speaker 3: Apopala?
• 20:03
  Speaker 5: My picture. My painting, my life, blood, my career, my work,
• 20:09
  Speaker 5: my art. Ye gods, it must be somewhere.
• 20:12
  Speaker 2: I remember painting it, framing it, but where.
• 20:17
  Speaker 5: Did I hang it?
• 20:19
  Speaker 2: Who was that?
• 20:20
  Speaker 3: That was Mr. Apopolis, our landlord.
• 20:22
  Speaker 7: The End.
• 20:34
  Speaker 5: Oh, for heaven's sake.
• 20:35
  Speaker 1: What's the matter, Ruth?
• 20:37
  Speaker 3: We're outnumbered, darling. The fleet's in.
• 20:39
  Speaker 5: Ah, St.
• 20:39
  Speaker 3: Petersburg. Oh, he's nice.
• 20:43
  Speaker 1: Help me get rid of them.
• 20:44
  Speaker 3: Well, who are they, Ruth?
• 20:45
  Speaker 1: Cadets from that Portuguese ship I interviewed.
• 20:47
  Speaker 3: Well, why did you bring them in here for? We've
• 20:49
  Speaker 3: got trouble as it is. Bring them. They were on
• 20:51
  Speaker 3: my trail ever since I left the Brooklyn dock.
• 20:53
  Speaker 1: There were more of them when we started off, but
• 20:54
  Speaker 1: half of them got.
• 20:55
  Speaker 3: Lost in the subway. Oh!
• 20:57
  Speaker 2: Oh!
• 20:58
  Speaker 3: They're coming at me, Ruth!
• 21:00
  Speaker 5: Help! Help!
• 21:01
  Speaker 1: End of the rocket, honey.
• 21:03
  Speaker 3: It's too late now.
• 21:04
  Speaker 4: Oh, Ruth!
• 21:28
  Speaker 5: I knew it the minute my back is turned.
• 21:30
  Speaker 7: Officer, save me.
• 21:32
  Speaker 1: Save me.
• 21:32
  Speaker 5: I'll save you for breach of the peace. Unlawful assembly.
• 21:35
  Speaker 2: Tighten the ride.
• 21:36
  Speaker 5: Get the wagon.
• 21:37
  Speaker 4: You're all under arrest.
• 21:38
  Speaker 5: There you are, bud.
• 21:40
  Speaker 1: Five minutes. Eileen.
• 21:41
  Speaker 7: Oh, Frank Lippincott.
• 21:55
  Speaker 3: Gee, it was so sweet of you to come all
• 21:56
  Speaker 3: the way down here to see me.
• 21:58
  Speaker 2: Hey, this is the first time I've ever been in
• 22:00
  Speaker 2: a jail.
• 22:01
  Speaker 3: You don't say.
• 22:02
  Speaker 1: Imagine why we're thrown in the clink twice every week.
• 22:06
  Speaker 3: Well, if you want an explanation for this prank, you
• 22:08
  Speaker 3: can go right now.
• 22:10
  Speaker 5: Oh, no, no.
• 22:11
  Speaker 3: I was bringing you this anyway.
• 22:13
  Speaker 4: Chocolate-covered cherries.
• 22:15
  Speaker 3: A special we're running this week. Oh, thank you. You
• 22:20
  Speaker 3: are the sweetest boy.
• 22:22
  Speaker 2: Oh, I'm glad you think so. Because I made an
• 22:24
  Speaker 2: important decision today. And it's just as well that your
• 22:27
  Speaker 2: sister's here, too.
• 22:29
  Speaker 5: Why?
• 22:29
  Speaker 7: Why, Frank?
• 22:31
  Speaker 3: This is hardly the place for a proposal.
• 22:34
  Speaker 4: Oh, no, no, it wasn't that.
• 22:36
  Speaker 3: It wasn't?
• 22:37
  Speaker 2: No. No, you see, I suddenly realized that I was
• 22:40
  Speaker 2: wasting my life. You girls have the right idea. Follow
• 22:44
  Speaker 2: your natural bent, whatever it is.
• 22:46
  Speaker 5: So?
• 22:48
  Speaker 4: So I'm ready for the bohemian life.
• 22:52
  Speaker 3: How dare you? We're not bohemians. No, we're not.
• 22:56
  Speaker 1: We're a couple of girls from Columbus, Ohio, who are
• 22:58
  Speaker 1: here trying to make a living. And that's all we're
• 23:00
  Speaker 1: here for.
• 23:01
  Speaker 4: Mr.
• 23:01
  Speaker 5: Baker to see you. Ruth, Eileen.
• 23:04
  Speaker 1: Bob!
• 23:04
  Speaker 3: Bob! Hold everything. I didn't know you knew Mr.
• 23:08
  Speaker 5: Baker.
• 23:09
  Speaker 3: Why, of course, Ruth.
• 23:10
  Speaker 1: We had a delightful time this afternoon, didn't.
• 23:14
  Speaker 5: We, Bob?
• 23:15
  Speaker 1: Uh.
• 23:15
  Speaker 2: I, uh, I, I, I'll go out and talk to
• 23:18
  Speaker 2: the man about bail.
• 23:19
  Speaker 5: See you in a little while, girls. Just a little while.
• 23:22
  Speaker 5: Come on, you guys. Clear the hall. Other people want
• 23:25
  Speaker 5: to visit in jail here.
• 23:26
  Speaker 3: What now, officer?
• 23:28
  Speaker 5: Mr. Sherwood from Columbus, Ohio to see you.
• 23:31
  Speaker 1: Dad.
• 23:32
  Speaker 3: Oh, Dad.
• 23:33
  Speaker 4: Don't dad me.
• 23:34
  Speaker 2: Did you have to come all the way to New
• 23:35
  Speaker 2: York to land in jail? What's the matter with our
• 23:37
  Speaker 2: jail back home?
• 23:39
  Speaker 3: It isn't the jail, Dad.
• 23:40
  Speaker 5: It's, well, uh.
• 23:42
  Speaker 1: Well, they've got better reasons in New York for putting
• 23:44
  Speaker 1: you in.
• 23:44
  Speaker 7: Hurry up, girls.
• 23:55
  Speaker 5: Finish your packing. We're going back to Columbus.
• 23:58
  Speaker 3: Yes, Dad.
• 23:58
  Speaker 6: Okay, Dad.
• 23:59
  Speaker 1: We're packing. Well, nobody can say we haven't lived in
• 24:02
  Speaker 1: this dump while we were at it.
• 24:04
  Speaker 3: And it's so nice and quiet today.
• 24:06
  Speaker 5: Oh, dear.
• 24:08
  Speaker 2: Good heavens, what was that? Come on, we'll run for
• 24:11
  Speaker 2: the street.
• 24:11
  Speaker 3: It's just a subway, Dad. They're digging it closer all
• 24:14
  Speaker 3: the time.
• 24:15
  Speaker 5: Oh, subway, huh?
• 24:16
  Speaker 2: Ruth. Ruth.
• 24:17
  Speaker 5: Bob.
• 24:17
  Speaker 4: Where have you been? I've been calling all day.
• 24:19
  Speaker 3: They took the phone out.
• 24:20
  Speaker 5: What are you doing packing?
• 24:21
  Speaker 4: You can't go.
• 24:22
  Speaker 5: See here, who are you?
• 24:23
  Speaker 4: Never mind who I am. This girl stays in New York. Look,
• 24:26
  Speaker 4: I published a story, the lead story in this issue
• 24:28
  Speaker 4: of the Manhattan. You're made.
• 24:29
  Speaker 5: Oh, Bob.
• 24:31
  Speaker 4: Don't faint.
• 24:31
  Speaker 5: It's true. Where is she?
• 24:33
  Speaker 4: Mr. Craven came along with a contract.
• 24:34
  Speaker 5: Now, see here, I've made up my mind. Who is he?
• 24:38
  Speaker 3: My father, Mr.
• 24:38
  Speaker 5: Baker, Mr. Craven. I've searched everywhere. I am desperate.
• 24:44
  Speaker 1: Mr.
• 24:44
  Speaker 3: Apopolis, my father.
• 24:45
  Speaker 6: Hey, Ruth, my wife wanted to know if... Oh, company.
• 24:48
  Speaker 3: That was a wreck from Georgia Tech.
• 24:50
  Speaker 5: Now, look here, Mr.
• 24:51
  Speaker 4: Sherwood.
• 24:51
  Speaker 5: We're going home.
• 24:52
  Speaker 2: You can't go home.
• 24:53
  Speaker 4: Ruth and I have a great deal of work to do.
• 24:55
  Speaker 4: It may take years. Maybe a lifetime.
• 24:59
  Speaker 5: Bob. Sign this contract.
• 25:01
  Speaker 2: I want an entire series of the Eileen stories.
• 25:03
  Speaker 3: Oh, a series.
• 25:04
  Speaker 5: Sure, sure, sure.
• 25:05
  Speaker 1: Where do I sign?
• 25:06
  Speaker 4: Right here.
• 25:07
  Speaker 3: Oh, what about me?
• 25:08
  Speaker 5: Huh? Oh, you.
• 25:10
  Speaker 7: That's it.
• 25:11
  Speaker 1: I'll sign this contract if you get my sister Eileen.
• 25:14
  Speaker 3: A job in the theater.
• 25:15
  Speaker 2: What?
• 25:15
  Speaker 3: Yes or no. Right.
• 25:17
  Speaker 4: Yes or no.
• 25:18
  Speaker 3: Oh, Mr. Craven. Why, you must know just, just everybody.
• 25:22
  Speaker 5: Why, I, why, certainly I. Go ahead. Sign that contract.
• 25:27
  Speaker 7: I'll, uh, I'll take care.
• 25:28
  Speaker 5: Of your sister.
• 25:29
  Speaker 2: Yes, indeed.
• 25:31
  Speaker 5: Now, listen here.
• 25:32
  Speaker 2: I'm the father of these girls, and I say we're
• 25:35
  Speaker 2: going to go.
• 25:41
  Speaker 5: Oh, oh, look!
• 25:43
  Speaker 3: A man is coming up through the floor!
• 25:46
  Speaker 4: Hey!
• 25:48
  Speaker 5: Hey, where am I? Hey, Pete!
• 25:52
  Speaker 6: We let the.
• 25:52
  Speaker 3: Last one go in the wrong place!
• 25:55
  Speaker 5: This ain't a subway no more.
• 25:57
  Speaker 1: It's some damn department.
• 26:11
  Speaker 2: Today, hungry men, women, and children all over the world
• 26:14
  Speaker 2: have received new hope from America, from all of us
• 26:17
  Speaker 2: who will get along with less food so that others
• 26:20
  Speaker 2: may have more. from our doctors and scientists who have
• 26:23
  Speaker 2: developed new, more effective medical aids for the sick and starving.
• 26:27
  Speaker 2: Perhaps you've heard of the new developments in protein derivatives
• 26:30
  Speaker 2: called amino acids. Through exhaustive research, clinical study, and constantly
• 26:36
  Speaker 2: accelerating production, the House of Squibb is making important contributions
• 26:40
  Speaker 2: in this field. To people who have known the ravages
• 26:43
  Speaker 2: of starvation, amino acids will help restore health-building proteins quickly,
• 26:48
  Speaker 2: speeding the return of full strength to wasted bodies. Because
• 26:53
  Speaker 2: amino acids promise to become an even greater boon to mankind,
• 26:57
  Speaker 2: the House of Squibb is devoting the vast energies of
• 26:59
  Speaker 2: its scientists and laboratories to further development and production of
• 27:04
  Speaker 2: protein derivatives, continuing the endless quest for perfection that lies
• 27:09
  Speaker 2: behind all Squibb products. One more reason why, to families
• 27:13
  Speaker 2: and physicians alike, Squibb is a name you can trust.
• 27:22
  Speaker 2: Next week, another great picture. The House of Scribd will
• 27:24
  Speaker 2: present Academy Awards starring Victor McLaughlin and an all-star cast
• 27:28
  Speaker 2: in The Informer. Today's performance of My Sister Eileen was
• 27:32
  Speaker 2: written for radio by Frank Wilson with an original musical
• 27:35
  Speaker 2: score composed and conducted by Lee Stevens.
• 27:37
  Speaker 5: Our producer-director is Dee Engelbach.
• 27:39
  Speaker 2: Rosalind Russell, whose performance as Ruth you enjoyed today, may
• 27:43
  Speaker 2: soon be seen as Sister Kenny in the RKO production
• 27:45
  Speaker 2: of the same name. Janet Blair, who played the role
• 27:48
  Speaker 2: of Eileen today, appeared through the courtesy of Columbia Pictures.
• 27:52
  Speaker 2: You will be interested to know that Janet Blair will
• 27:54
  Speaker 2: soon be seen co-starring with Glenn Ford in Columbia's new picture,
• 27:57
  Speaker 2: Gallant Journey. The further adventures of Ruth and her sister
• 28:00
  Speaker 2: Eileen is now being prepared by Arthur Curlin for production
• 28:03
  Speaker 2: next fall as a radio series starring Lucille Ball. This
• 28:07
  Speaker 2: is Hugh Brundage bidding you goodnight until next week at
• 28:09
  Speaker 2: the same time when you're invited to listen again to
• 28:11
  Speaker 2: Academy Awards presented by the House of Squibb, a name
• 28:16
  Speaker 2: you can trust. This is CBS, the Columbia Broadcasting System.