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Siagon The Podcast Featuring Kelly Marie Tran And Rob Benedict · Arroe Collins Like It's Live

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  Speaker 1: Twenty different podcasts to choose from, and not every one
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  Speaker 1: of them is, you know, like another, They're not. They're
• 0:07
  Speaker 1: all different because we're all different. Arrow dot Net, r
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  Speaker 1: r Oe dot net, one of them being The Resurrection.
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  Speaker 1: Not what you think, this is the rising of a
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  Speaker 1: writing instrument. Say what when was the last time that
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  Speaker 1: you found a writing instrument on the ground and you
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  Speaker 1: took it home to use it? Imagine all the stories
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  Speaker 1: that writing instrument has to share. But are you listening
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  Speaker 1: The Resurrection only on Aro dot net, r r Oe
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  Speaker 1: dot net. Enjoy your exploration. I'm so proud of the
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  Speaker 1: two of you for doing this, and there are so
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  Speaker 1: many selfish reasons why, and probably the most one is
• 0:45
  Speaker 1: is the It's everything that my martial arts instructor would
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  Speaker 1: always get us to do. If you want to respect
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  Speaker 1: your belts and martial arts, you have to understand the
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  Speaker 1: country and know the country's history. And what you guys
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  Speaker 1: are doing with Saigon is so deeply in trenched into
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  Speaker 1: my heart now because I'm not the only one that's
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  Speaker 1: gonna say I I grew up with two different Vietnams.
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  Speaker 1: I grew up with the one that was that was
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  Speaker 1: at war, and now I've got a Vietnam that my
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  Speaker 1: neighbor can't stay away from. That they go there, they
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  Speaker 1: want to live there. They they everything, They cherish it
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  Speaker 1: and every and and and so. And in listening to
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  Speaker 1: your podcast, you're giving me a complete love affair for
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  Speaker 1: for Vietnam as well as Saigon, because you're showing me
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  Speaker 1: the history before the story, if you know what I mean.
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  Speaker 2: Yeah, yeah, that's amazing. Yeah, I agree. It's a it's
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  Speaker 2: a it's a it's a it's it's a history.
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  Speaker 3: So it's so much more involved than we were even
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  Speaker 3: learned when we were kids in America. And uh, yeah,
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  Speaker 3: it was. It was so fascinating breaking that open.
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  Speaker 1: To break this story the way that you're doing it,
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  Speaker 1: though you're doing it in such a way it's almost
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  Speaker 1: like a handshake or a fist bump. You're saying, by
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  Speaker 1: the way, it's probably not on your mind right now,
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  Speaker 1: but here's a thought for you to carry forward. And
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  Speaker 1: then we're stuck. And then we're sitting there listening to
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  Speaker 1: each and every episode. I mean, you guys are masters
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  Speaker 1: at putting those words together.
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  Speaker 2: Thank you so much. Yeah, we were.
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  Speaker 3: We were gifted with this script taken from a novel,
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  Speaker 3: and this production company is a company that we've worked
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  Speaker 3: with before and that we really love. So it was,
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  Speaker 3: it was, it was, it was quite the project. It
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  Speaker 3: was very fulfilling.
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  Speaker 1: Did you ever think that we would go back into
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  Speaker 1: this era of story sharing? And I want to say storytelling,
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  Speaker 1: because this is story sharing and because I mean, you've
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  Speaker 1: got you've got intrigued, you've you've got drama, you've got
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  Speaker 1: so much emotion, and it's like, wow, this is the
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  Speaker 1: kind of stuff that gets me involved. Well, and here's
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  Speaker 1: the thing, you're also educating me. That's the thing about
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  Speaker 1: it is that subliminally I'm learning new things.
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  Speaker 3: Yeah, yeah, completely, Yeah, it's it's it's it's a love story,
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  Speaker 3: but it's it's based in this you know, historical drama.
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  Speaker 3: And uh so you learn a lot and you feel
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  Speaker 3: a lot. Yeah, it's it's it's pretty amazing.
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  Speaker 1: What did you learn from each character? Because when you've
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  Speaker 1: got someone like Joseph, and we're talking about in nineteen
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  Speaker 1: thirty six, Joseph, now compare that, I mean that look,
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  Speaker 1: I mean nineteen thirty six, we're in twenty twenty six.
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  Speaker 1: That was almost one hundred years ago. Their lifestyle compared
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  Speaker 1: to our lifestyle, especially when it comes to global you know,
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  Speaker 1: interaction or disconnection. I mean, that's why that might be
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  Speaker 1: my connection with you guys. I'm going, oh my god,
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  Speaker 1: I didn't.
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  Speaker 3: Know yeah, yeah, I mean for me personally, like I
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  Speaker 3: didn't know much about Vietnam, you know, before the war,
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  Speaker 3: because again, this is what we're taught in the United
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  Speaker 3: States and you go back to the early thirties that
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  Speaker 3: the French occupation of Vietnam, that was that was news
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  Speaker 3: to me personally, Like, I didn't know much about that history.
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  Speaker 3: And you know, this is it's a different time too,
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  Speaker 3: you know, it's and it's this is a love story.
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  Speaker 3: It's it's a love story before cell phones, you know
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  Speaker 3: what I mean. Like, it's if you wanted to see
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  Speaker 3: someone who lived in another country, we have to fly
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  Speaker 3: to that country.
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  Speaker 2: So it wasn't you know, the world was much biguer
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  Speaker 2: that way, is it.
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  Speaker 1: It kind of odd, though, Kelly, in the way that
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  Speaker 1: the it's we've all had this love affair with past history,
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  Speaker 1: and you're giving us the ingredients of falling back in
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  Speaker 1: love again with those past moments. I mean, it's like
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  Speaker 1: an old black and white movie, but it's plain inside
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  Speaker 1: our head.
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  Speaker 4: Yeah, totally. I mean I think that's the beauty of
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  Speaker 4: audio drama, being able to tell this like very sweeping
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  Speaker 4: story and it feels like whenever I listen to it,
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  Speaker 4: it feels like, Wow, I'm like really in this place
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  Speaker 4: at this time, and the differences. Again, I think it
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  Speaker 4: is really romantic, like the idea that like, in order
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  Speaker 4: to travel during this time, things took so much longer.
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  Speaker 4: And yeah, we weren't texting each other, we weren't in
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  Speaker 4: like constant communication with each other, So it does sort
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  Speaker 4: of like, I don't know, is this toxic of me?
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  Speaker 4: I'm like, it does like heighten the realm somehow because
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  Speaker 4: you don't have access to people all the time.
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  Speaker 2: Totally.
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  Speaker 3: Yeah, well yeah, and it's not as easy, it's not
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  Speaker 3: as easy to do.
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  Speaker 4: Well.
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  Speaker 1: I was gonna say, you guys as vocal actors, I
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  Speaker 1: mean you're stepping into a role. I mean you physically
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  Speaker 1: have got to use those those muscles as actors in
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  Speaker 1: order to get us on this side, to really go
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  Speaker 1: into it, because I mean, this isn't and listeners need
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  Speaker 1: to know this, this isn't your typical new sound bite
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  Speaker 1: kind of podcast. You guys bring a story to us.
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  Speaker 3: Yeah, yeah, it's almost like an old old radio show.
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  Speaker 3: I mean we really you know, you're you're it's it's
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  Speaker 3: like a three D audiobook.
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  Speaker 2: I mean you're really you're in the world.
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  Speaker 3: You feel you hear it in the sounds of what's
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  Speaker 3: happening on the street and and you know, and so
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  Speaker 3: you really feel transported to another time as you're listening
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  Speaker 3: to it.
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  Speaker 4: I think that we should just give John Dryden his
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  Speaker 4: flowers because truly, just the sound design and it does
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  Speaker 4: really kind of bring you to that moment in time.
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  Speaker 4: And even just like the sounds, like the introduction, like
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  Speaker 4: this sounds of the beeping and signe to me, that
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  Speaker 4: is so my experience whenever I'm in Vietnam, just like
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  Speaker 4: the sounds of all these motorbikes and like the honking
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  Speaker 4: that exists. And he yeah, he did a lot of
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  Speaker 4: research and went to Vietnam, and like I think you
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  Speaker 4: can really hear that in the in the sound design.
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  Speaker 3: Yeah, and you know the actor that he went, they
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  Speaker 3: went to Vietnam and they you know, they you have
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  Speaker 3: actual Vietnam Vietnamese actors. They they the French actors are French.
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  Speaker 3: They really traveled all their people from England. Uh, they
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  Speaker 3: really traveled all around to get the different voices.
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  Speaker 1: See, I was going to ask you about that, because
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  Speaker 1: there's no way you can fake a regional accent. And
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  Speaker 1: I was going to ask you they're either brilliant actors
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  Speaker 1: or you got real people to do it, And you
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  Speaker 1: just answered that question.
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  Speaker 3: Yeah, Yeah, that's pretty it's and it's great because we
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  Speaker 3: obviously we had to record it. Uh you're recording, uh
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  Speaker 3: with someone like I recorded my parts in Los Angeles
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  Speaker 3: with someone in the booth reading with me. But then
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  Speaker 3: they travel all around the world to get all the
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  Speaker 3: other voices and then put them all together with the
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  Speaker 3: sound effects and everything, and so when you're listening back,
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  Speaker 3: it's really it's amazing. It's amazing to listen back to
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  Speaker 3: what to what they created.
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  Speaker 1: Have the two of you sat down with any of
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  Speaker 1: the elders, because I mean, this really is one of
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  Speaker 1: those where it's like I would I would love to
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  Speaker 1: invite them all into a movie theater and play this
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  Speaker 1: while really maybe just a picture up on the screen,
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  Speaker 1: but you're listening to the podcast because I think the
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  Speaker 1: elders are going to smile in ways that we have
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  Speaker 1: not seen this generation.
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  Speaker 3: Yeah, you know, it's interesting. I haven't been able to
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  Speaker 3: sort of I would love to doe. And honestly, when
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  Speaker 3: you listen to it, you feel like you're watching a movie.
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  Speaker 3: That's the experience, and you know it's what's interesting is
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  Speaker 3: my my uncle who who was is that is the
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  Speaker 3: age of you know, when the war was going on.
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  Speaker 3: He was a draft age and and has a really
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  Speaker 3: interesting story about that. He was really drawn to it.
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  Speaker 3: Like I find like our the older people in our
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  Speaker 3: life this this trauma really you know, it draws them
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  Speaker 3: in because they're interested in that time. But but I
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  Speaker 3: would also say that, like, you know, young people too,
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  Speaker 3: Like it's there's a story of romance in this in
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  Speaker 3: this uh you know story, and it's uh that draws
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  Speaker 3: you in as well. I mean romance is is it
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  Speaker 3: doesn't matter the time or the age.
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  Speaker 2: You know, that really grabs you. So yeah, there's something
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  Speaker 2: for everyone.
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  Speaker 3: But uh yeah, yeah, absolutely it has an effect on you.
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  Speaker 3: I feel like this whole the experience of listening to
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  Speaker 3: this has an effect on you.
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  Speaker 1: I would love to sit down with a group of people,
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  Speaker 1: being a focused group or something, and see how they
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  Speaker 1: all envision Gary or even Joseph, Well, how what they
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  Speaker 1: think that they look like in real life without ever
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  Speaker 1: seeing a photograph because we're all That's what I love
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  Speaker 1: about a story like this is that we all envision
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  Speaker 1: that it's going to be this actor or it's going
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  Speaker 1: to be that someone that's undiscovered, but oh my god,
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  Speaker 1: this is how I picture them.
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  Speaker 2: Yeah, yeah, totally.
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  Speaker 3: It's really interesting and and you know, it's like reading
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  Speaker 3: a book and you have your own vision of who
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  Speaker 3: the person is, and it may match up with who
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  Speaker 3: your friend's vision is, but it may be completely different.
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  Speaker 2: Yeah.
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  Speaker 4: I think that's part of the fun of like audio
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  Speaker 4: dramas is being able to be part of the imaginative process.
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  Speaker 4: And I think that's like also the fun of reading
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  Speaker 4: books is as an audience member, you kind of get
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  Speaker 4: to actively, actively participate in creating what this world is.
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  Speaker 4: That's really exciting to me.
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  Speaker 1: I would love to hear your guys as directors when
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  Speaker 1: you're in that sound booth, because I mean, it's because
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  Speaker 1: you guys have nailed one on one sharing. In other words,
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  Speaker 1: it's almost like you know, we're listening. You can see
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  Speaker 1: us inside your imaginations because you share it in a
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  Speaker 1: way that includes us, and it's like, man, that's an
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  Speaker 1: art form.
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  Speaker 2: Yeah, Yeah, it's really fascinating.
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  Speaker 3: You know, and Kelly and I, you know, worked in
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  Speaker 3: the business for a while and we this is a
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  Speaker 3: unique thing, it really is. And the very first one
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  Speaker 3: that Kelly and I worked on was called Passenger List.
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  Speaker 2: It was like twenty nineteen or something in.
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  Speaker 3: It and it was on audio book but we're I
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  Speaker 3: mean audio series, but her and I acted it out
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  Speaker 3: in the same room together, so it's pre COVID. We
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  Speaker 3: were able to kind of do that where we're miked,
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  Speaker 3: but we're actually acting the scene out physically, even though
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  Speaker 3: it was just an audio series. And uh so, this
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  Speaker 3: whole this, this whole process has been a fascinating to me.
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  Speaker 2: You really feel like you're you're filming a movie, you know.
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  Speaker 3: When it when it ended, I was like, wow, I
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  Speaker 3: feel like I've been to Vietnam, I've traveled all a
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  Speaker 3: little bit, you know, but you.
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  Speaker 2: Really just haven't really left the booth.
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  Speaker 3: So it's it's a fascinating and in between it, it
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  Speaker 3: incorporates a lot of different genres that we've done, you know,
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  Speaker 3: the the movie genre and the audiobook genre, and it
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  Speaker 3: kind of mashes the two together.
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  Speaker 1: Please don't move, there's more with Kelly and Rob coming
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  Speaker 1: up next. The name of the podcast is saigone. We
• 10:45
  Speaker 1: are back with Kelly, Marie Tran and Rob Benedict. Well,
• 10:49
  Speaker 1: you guys are in such an interesting place in history
• 10:52
  Speaker 1: as it is because we're going back to those like
• 10:54
  Speaker 1: like the old days of radio where they would share stories.
• 10:57
  Speaker 1: Well that actually started in vaudeville in up on a
• 10:59
  Speaker 1: line stage and it happened to grow toward radio. I mean,
• 11:02
  Speaker 1: you guys are in that same boat where you know,
• 11:04
  Speaker 1: I remember when people say podcasting, what's podcasting? What do
• 11:07
  Speaker 1: you mean? You're gonna tell me stories? And now radio
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  Speaker 1: is searching for their next big jump, and I think
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  Speaker 1: it's with this style of programming. And it's like, wait
• 11:15
  Speaker 1: a second, did you ask Kelly and Rob if they're
• 11:19
  Speaker 1: interested in doing something like radio in order to because
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  Speaker 1: I mean, because you're there, you're you're already captivating our attention.
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  Speaker 1: Do you need other platforms as well?
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  Speaker 3: I mean yeah, I mean I think this is this
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  Speaker 3: is a really unique platform.
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  Speaker 2: And I think you're right. Yeah, I think you're right.
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  Speaker 3: I think this is sort of a it's gonna you know,
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  Speaker 3: more people will catch on to this being a thing.
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  Speaker 3: Like I said, it brings you know, it's it's like
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  Speaker 3: an audiobook brought to life.
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  Speaker 2: So it's it's and you.
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  Speaker 3: Feel it while we're doing it, right, Kelly, it's like
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  Speaker 3: while we're reading it.
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  Speaker 2: Yeah.
• 11:56
  Speaker 1: Yeah, I was going to ask you about that, because
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  Speaker 1: I mean, it's like when you're acting in a movie
• 12:00
  Speaker 1: or a TV show, you've got things that are physically
• 12:02
  Speaker 1: moving on for your eyes to check out. But when
• 12:05
  Speaker 1: you're inside that studio and you've got to envision it,
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  Speaker 1: how do you shake it? Because, like I said, there's
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  Speaker 1: emotion in this, there is drama in this, and your
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  Speaker 1: voices have got a live it so that we can
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  Speaker 1: feel it. And then I would be the one that
• 12:18
  Speaker 1: would take the earphones off and say, just give me
• 12:19
  Speaker 1: ten minutes, Just give me ten minutes to think here.
• 12:22
  Speaker 1: Am I wrong in describing what you guys may have
• 12:24
  Speaker 1: gone through?
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  Speaker 5: No? I don't think so. I mean I think I'll
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  Speaker 5: speak for myself when I say I think I had
• 12:32
  Speaker 5: the privilege of working with amazing actors and half of
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  Speaker 5: the half of the gig is just like that's like
• 12:38
  Speaker 5: the privilege is when you just get to work with
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  Speaker 5: someone that you just have to listen to, or when.
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  Speaker 4: You're in the booth. Even when you even see them
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  Speaker 4: on the screen, they're giving you so much that you
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  Speaker 4: just have to react, which is the best kind of
• 12:49
  Speaker 4: acting to me. And then on top of that, I
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  Speaker 4: think we're also really lucky in John Dryden, who directed
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  Speaker 4: us is this, because you know he would be able
• 12:56
  Speaker 4: to be like, okay, but picture that you're like in
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  Speaker 4: a carriage right now. I'd be like, oh, right, right,
• 13:02
  Speaker 4: I'm in a carriage. So we're very lucky to be
• 13:06
  Speaker 4: collaborating with someone who has such a specific vision in
• 13:09
  Speaker 4: mind for where you are in the moment and just
• 13:13
  Speaker 4: sort of reminding us as we go where we are,
• 13:16
  Speaker 4: and then it gives us the context and we're like,
• 13:17
  Speaker 4: oh right, okay, let's.
• 13:18
  Speaker 1: Take that on.
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  Speaker 2: Yeah.
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  Speaker 3: Really really like John Dryden who directed it, really had
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  Speaker 3: and we've worked with him before. He has such a
• 13:24
  Speaker 3: vision and so he helps, you know, guide you, I
• 13:28
  Speaker 3: mean literally from things like at the beginning of a scene,
• 13:31
  Speaker 3: like you're walking into a room and you've got to
• 13:33
  Speaker 3: sort of play walking into a room. It's different, you know,
• 13:36
  Speaker 3: so no that it's it's a really fascinating process that way,
• 13:40
  Speaker 3: and you know they are really intimate moments in this too,
• 13:43
  Speaker 3: and you know, for my character, because it's a love story.
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  Speaker 3: You know, I am falling in love with this character Land,
• 13:53
  Speaker 3: and so you know, I'm using my own imagination because
• 13:56
  Speaker 3: you know this is not physically happening. Land's not in
• 13:59
  Speaker 3: the room with me, but you know, I have this
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  Speaker 3: vision of who Land is and I'm in love with her,
• 14:05
  Speaker 3: and you know, so that that was fascinating for me
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  Speaker 3: to listen back to what it is like, you know,
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  Speaker 3: how the actress who played Land interpreted it, and to
• 14:13
  Speaker 3: see that all come together and it works instead of a
• 14:16
  Speaker 3: beautiful way.
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  Speaker 1: That's so funny that you say that, because in working
• 14:19
  Speaker 1: with John Cosby here and Charlotte, he'll sit there and say,
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  Speaker 1: what is your name? How old do you think she is?
• 14:23
  Speaker 1: What color of hair does she have? How does she walk?
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  Speaker 1: Does she walk with the limp? Does she look like
• 14:27
  Speaker 1: she's tired? And of course I'm sitting there as the
• 14:29
  Speaker 1: voiceover actor. I'm taking every bit of this in and
• 14:33
  Speaker 1: I'm putting it up there so that when when that
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  Speaker 1: line comes out, you're going, oh, I had no idea
• 14:38
  Speaker 1: that was even in me. Holy crap, man, Because you've
• 14:40
  Speaker 1: got to envision it, don't you.
• 14:43
  Speaker 3: Yeah, yeah, yeah, you do and as an actor, it's
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  Speaker 3: it's it's so fun to do. It's such a joy
• 14:48
  Speaker 3: to be able to do that, you know, and bring
• 14:51
  Speaker 3: it out and you're right, and you have these unexpected
• 14:53
  Speaker 3: moments when you're you're really in it and you're feeling it.
• 14:56
  Speaker 1: Yeah, do you get to hear the sound effects while
• 14:59
  Speaker 1: it's happening, or it's that you're going into basically what
• 15:01
  Speaker 1: I call a naked room and it's you're dropping lines
• 15:04
  Speaker 1: and you've you've just got to trust what your engineer
• 15:07
  Speaker 1: is saying.
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  Speaker 4: Very much a naked room. But I will say again,
• 15:16
  Speaker 4: like John does sort of like give us. He'll be like, okay,
• 15:18
  Speaker 4: so imagine that you're hearing this sound or things like that.
• 15:21
  Speaker 4: But I think just the process of it is just
• 15:24
  Speaker 4: sort of capturing our sound without all the other stuff
• 15:27
  Speaker 4: so that they can control where all those other things go.
• 15:30
  Speaker 4: But yeah, it's just like the most fun imagination work.
• 15:33
  Speaker 4: I like, like Rob said, I feel so lucky to
• 15:36
  Speaker 4: be in a business where we get to imagine for
• 15:39
  Speaker 4: our job, and this is one of the most fun
• 15:43
  Speaker 4: mediums to do that in.
• 15:44
  Speaker 2: Yeah.
• 15:45
  Speaker 3: Yeah, yeah, And I have to say too, like the
• 15:47
  Speaker 3: way John works, he's not like Okay, do it this
• 15:51
  Speaker 3: way because there's this It's like you look at the
• 15:54
  Speaker 3: scene together and you're like, okay, so if this is
• 15:57
  Speaker 3: the situation, you know, they would kind of be over here,
• 16:00
  Speaker 3: wouldn't they. You'd be kind of projecting, you know, across
• 16:03
  Speaker 3: the room, wouldn't you. You know, we're kind of discovering
• 16:05
  Speaker 3: it together. And then you start doing the scene and
• 16:07
  Speaker 3: kind of find things that, hey, in this part, actually
• 16:10
  Speaker 3: I think we'd bring it down right. But yeah, so
• 16:11
  Speaker 3: you're you're kind of in the moment working through the scene.
• 16:14
  Speaker 3: That's why it's so gratifying to hear it all come
• 16:17
  Speaker 3: together all right.
• 16:18
  Speaker 1: I hope listeners will understand this, and they probably won't,
• 16:21
  Speaker 1: but that's okay. We're giving them the inside view of
• 16:23
  Speaker 1: what it's like to be in the studio. The moment
• 16:25
  Speaker 1: that John or somebody in the studio looks to you
• 16:27
  Speaker 1: or through your earphones, they go all right, this will
• 16:30
  Speaker 1: be Take number seventeen, and you're going inside your mind,
• 16:33
  Speaker 1: you're a god, why has it taken me seventeen?
• 16:38
  Speaker 2: Totally? Yeah, take number one hundred.
• 16:41
  Speaker 1: And eighty and you have to carry that through that
• 16:44
  Speaker 1: whole entire paragraph, and you going, oh my god, get
• 16:47
  Speaker 1: it right this time, dude with me.
• 16:50
  Speaker 3: Yeah, And you know, and sometimes the way that they
• 16:53
  Speaker 3: do it, they'll be like, all right, just do your
• 16:55
  Speaker 3: your lines or say this one line three times.
• 16:58
  Speaker 2: You know. It's that kind of thing too.
• 17:00
  Speaker 3: That's that's that's how we're trained, and it's it's it's
• 17:02
  Speaker 3: such a fun exercise, you know. I kind of love
• 17:05
  Speaker 3: it when they're like, just do this line three different times, Like,
• 17:07
  Speaker 3: oh fun, I get to you know, try it three
• 17:09
  Speaker 3: different ways right in a row.
• 17:11
  Speaker 2: It's it's it's super fun to do.
• 17:12
  Speaker 3: And you you kind of in that moment, you you experienced.
• 17:17
  Speaker 2: New ways to say the line that you never thought, Oh,
• 17:19
  Speaker 2: wouldn't have come to your head before.
• 17:21
  Speaker 1: You just gave me that vision of that video of
• 17:23
  Speaker 1: Santa Claus trying to land a job to do a
• 17:25
  Speaker 1: Christmas commercial and he can't even land ho ho ho right,
• 17:28
  Speaker 1: and it's like everybody in the room it is telling him,
• 17:30
  Speaker 1: I say ho ho ho, and it's like Santa Claus
• 17:32
  Speaker 1: is so lost in how to do it.
• 17:36
  Speaker 5: Yeah, Oh my god.
• 17:42
  Speaker 1: Where can people go to find out more about you guys?
• 17:45
  Speaker 1: Because I want to, because you guys have entered this
• 17:47
  Speaker 1: age of podcasting where we need to start honoring you
• 17:51
  Speaker 1: like we do our actors for television as well as movies.
• 17:54
  Speaker 1: You are there for us and we need to honor
• 17:56
  Speaker 1: you in that same.
• 17:57
  Speaker 3: Vein well appreciate that. Yeah, we're both actors, you know. Uh,
• 18:05
  Speaker 3: I don't know where, Kelly, where can you find us?
• 18:08
  Speaker 2: The internet? Maybe searched us on the interwebs, the.
• 18:13
  Speaker 4: Ined www, dot internet, dot com, the Worldwide Web.
• 18:21
  Speaker 3: Yeah, we both have a you knows of credits of
• 18:24
  Speaker 3: shows you've probably seen, and uh, you know. But but again,
• 18:27
  Speaker 3: this is a new medium for us. So yeah, it's
• 18:30
  Speaker 3: been fun to break into this room.
• 18:32
  Speaker 1: Oh you're doing it just so well. I mean, you
• 18:34
  Speaker 1: really are. You really vibe me up in such a
• 18:36
  Speaker 1: such a positive way. But but once again, you know,
• 18:38
  Speaker 1: I'm I'm carrying two different Vietnams inside my heart and
• 18:41
  Speaker 1: you're making one inside that journey. And I can't thank
• 18:44
  Speaker 1: you enough for creating this and being a part of
• 18:46
  Speaker 1: this journey.
• 18:48
  Speaker 2: Thank you, Ero. We really appreciate it.
• 18:50
  Speaker 3: We worked hard on it, and it's uh, it's and
• 18:53
  Speaker 3: there was a lot of love putting this together.
• 18:56
  Speaker 1: Estimated guests, are we talking case now that this is
• 18:58
  Speaker 1: going to be the producer coming out in me. Are
• 19:00
  Speaker 1: we talking one year, a year and a half, two
• 19:02
  Speaker 1: years to put all this together? Or did you do
• 19:04
  Speaker 1: it one episode at a time?
• 19:07
  Speaker 3: You know, that's a that's a question for the production.
• 19:09
  Speaker 3: I don't I know, would you what would you, Kelly?
• 19:12
  Speaker 3: What would you say the whole thing took?
• 19:14
  Speaker 4: I mean, I have no idea because we weren't. Yeah,
• 19:17
  Speaker 4: we weren't there for like the writing and the research,
• 19:19
  Speaker 4: and I know that a lot of writing and research
• 19:21
  Speaker 4: went into.
• 19:21
  Speaker 3: It, and then you know, traveling the world to get
• 19:24
  Speaker 3: the different voices, you know. So I would say probably
• 19:27
  Speaker 3: two years at least ye to put everything all together.
• 19:30
  Speaker 1: Oh my god, will you guys be brilliant today?
• 19:33
  Speaker 4: Okay, thank you, so you too, Eero, so great to
• 19:36
  Speaker 4: meet you.