Latest / What the Flux / David Jones faces ASIC fine | Hasbro sells its characters' voices | Victoria’s Secret's angelic results
Transcript
- 0:05Speaker 1: This is what the Flux.
- 0:06Speaker 2: I'm Brett and I'm Justin and it's Friday, the fifth
- 0:09Speaker 2: of June.
- 0:09Speaker 1: You're probably sick of hearing about how AI is stealing jobs,
- 0:12Speaker 1: but a new report says that may not be the case.
- 0:14Speaker 1: According to a new Deloitte report, eighty two occupations will
- 0:18Speaker 1: probably be disrupted by AI. Think engineering managers, corporate managers,
- 0:21Speaker 1: and basically middle management in almost every industry. But some
- 0:25Speaker 1: jobs could actually become more in demand when combined with AI.
- 0:28Speaker 1: Think CEOs, think nurses, think teachers.
- 0:31Speaker 2: That's a bit of good news.
- 0:32Speaker 1: Uh huh.
- 0:32Speaker 2: Speaking of good news, Friday's where we drop fifty bucks
- 0:35Speaker 2: to the Flux community. You're the first person to answer
- 0:37Speaker 2: three business or finance questions correctly in the Flux app,
- 0:40Speaker 2: then the fifty bucks could be yours. To make sure
- 0:41Speaker 2: to download the app, turn on notifications, and play quick
- 0:44Speaker 2: six today.
- 0:44Speaker 1: Through Massive Stories Today. Jussie boy, Let's do it or
- 0:47Speaker 1: our first. David Jones lost more than ninety five million
- 0:50Speaker 1: bucks in twenty twenty five and is being investigated for
- 0:53Speaker 1: being six months late to report that.
- 0:56Speaker 2: Good luck telling us sick that the dog at your homework.
- 0:58Speaker 2: David Jones, tell me what well.
- 0:59Speaker 1: Josie Boy David Jones is Australia's oldest department store. It's
- 1:02Speaker 1: still trades under its original name.
- 1:04Speaker 2: It was founded in eighteen thirty eight by the Man,
- 1:07Speaker 2: the myth, David.
- 1:07Speaker 1: Jones, himself very creative naming, but bee Man.
- 1:11Speaker 2: We know that the past decade has not been very
- 1:13Speaker 2: kind to DJs.
- 1:14Speaker 1: Now it keeps on getting worse. Earlier this year it
- 1:16Speaker 1: was accused of villaying payments to key suppliers.
- 1:18Speaker 2: And head off a staff or cart as part of
- 1:20Speaker 2: David Jones' new owner implementing a five year turnaround.
- 1:23Speaker 1: But now David Jones could be hit with a hefty
- 1:25Speaker 1: fine from ASEX for handing in its FI twenty five
- 1:28Speaker 1: financial report late. Yeah, it was meant to file the
- 1:30Speaker 1: report within four months of the end of the financial year.
- 1:33Speaker 1: It ended up filing in April this year, which was
- 1:35Speaker 1: six months late.
- 1:36Speaker 2: Throw on top of that, it reported a pretext loss
- 1:38Speaker 2: of over ninety five million bucks for that financial year.
- 1:41Speaker 1: But it does boy. In that ASSEIC filing, they also
- 1:43Speaker 1: stuck in some good results, okay, go on. Apparently the
- 1:46Speaker 1: first nine months of the twenty twenty six financial year
- 1:48Speaker 1: showed it's EBITDA increased fourfold okay and sales up three
- 1:52Speaker 1: point six percent, So David Jones doesn't have a problem
- 1:54Speaker 1: with deadlines when the numbers are on its side. It's
- 1:56Speaker 1: a been of a strategic business decision to release numbers late.
- 1:59Speaker 2: Yeah, so what is the key learning here?
- 2:01Speaker 1: Financial reporting is kind of like a company's school report card,
- 2:03Speaker 1: except instead of your parents reading it, it's every investor
- 2:06Speaker 1: in the country.
- 2:07Speaker 2: In Australia, ASX listed companies, public companies and large proprietary
- 2:11Speaker 2: companies all have to lodge their financials with ASIK within
- 2:13Speaker 2: four months of the end of the financial year.
- 2:15Speaker 1: Or ACIK will come and find them. Liam Neeson in
- 2:18Speaker 1: taken style, David Jones fits into the large proprietary private
- 2:21Speaker 1: company category, so it has to file on time or
- 2:24Speaker 1: face the wrath and find from ASIK. And ASIK has
- 2:26Speaker 1: been cracking down hard on late reporting this year.
- 2:29Speaker 2: Recently it finds Canvas seven hundred and twenty thousand dollars
- 2:32Speaker 2: for being late and Mecha with a fine of around
- 2:33Speaker 2: six hundred thousand dollars as well.
- 2:35Speaker 1: So filing late almost certainly means David Jones will get
- 2:37Speaker 1: slapped with a big bill too, but it decided to
- 2:40Speaker 1: risk that anyway.
- 2:40Speaker 2: Yeah, and it's quite convenient that they've sandwiched the bad
- 2:43Speaker 2: news of last financial year with the better news of
- 2:45Speaker 2: this one.
- 2:46Speaker 1: For our second story, has Bro, the mega toy company,
- 2:49Speaker 1: has launched a new unit to allow businesses to rent
- 2:51Speaker 1: the AI voices of Optimus Prime, Mister Monopoly, and Hepper Pig, his.
- 2:55Speaker 2: Official be man. Childhood characters aren't just toys anymore, they're
- 2:58Speaker 2: recurring revenue streams. Tell me more so.
- 3:00Speaker 1: Hasbro is one of the world's biggest toy and game companies,
- 3:04Speaker 1: worth nearly twelve billion US dollars.
- 3:07Speaker 2: We're talking the owner of Transformers, Monopoly, Clue, Gi Joe,
- 3:10Speaker 2: Mister Potato Head, and Just Boy.
- 3:12Speaker 1: While they recorded over four bill US dollars last financial year,
- 3:15Speaker 1: the last few years really have been tough.
- 3:17Speaker 2: Yeah, We're talking declining toy sales, big layoffs, and a big,
- 3:20Speaker 2: big strategic rethink.
- 3:22Speaker 1: So now they've launched a new unit called sixth Wall,
- 3:25Speaker 1: which has been specifically set up to handle AI character licensing.
- 3:28Speaker 1: Explain this further, well, Essentially, they're offering some of the
- 3:31Speaker 1: voices of their favorite characters to other businesses like.
- 3:33Speaker 2: Mister Potato Head, Megatron, Cobra, Commander Heather Pig, Mister Monopoly,
- 3:37Speaker 2: Optimist Prime apparently more coming later this year.
- 3:39Speaker 1: This means that those companies licensing the voices will be
- 3:42Speaker 1: able to get the characters to say what they want
- 3:44Speaker 1: with AI like mister Potato Head welcoming you into Kmart
- 3:48Speaker 1: or Telstra putting you on hold, But the core waiting
- 3:50Speaker 1: sounds like Gi Joe is on a mission.
- 3:53Speaker 2: It seems like Hasbro is looking at ways to expand
- 3:55Speaker 2: its IP licensing well beyond the traditional products.
- 3:58Speaker 1: So what's the key learning?
- 3:59Speaker 2: Megat on IP licensing is when a brand that owns
- 4:02Speaker 2: a character or logo or a likeness let someone else
- 4:05Speaker 2: use it for a fee.
- 4:06Speaker 1: Does it boy? Think of it like renting out your
- 4:08Speaker 1: brand's personality. You keep the ownership and use let others
- 4:11Speaker 1: borrow the voice. It's big business. The global IPA licensing
- 4:14Speaker 1: market was worth around three hundred and forty pill in
- 4:16Speaker 1: twenty twenty three.
- 4:17Speaker 2: So be Mantha, Hasbro. This is the way to monetize
- 4:19Speaker 2: characters that are sitting on the shelf.
- 4:21Speaker 1: Disney tried a version of this with open Ayes Sara platform.
- 4:24Speaker 1: That deal collapsed when SRA shut down.
- 4:26Speaker 2: So be man This move by Hasbro with eleven Labs
- 4:28Speaker 2: is positioning itself as a first mover in the character
- 4:31Speaker 2: voice licensing industry, and if.
- 4:33Speaker 1: It works, you can bet that every studio with a
- 4:35Speaker 1: back catalog will be doing the same.
- 4:37Speaker 2: For our third and final story, Victoria's Secret shares have
- 4:41Speaker 2: sored fifty percent after it bumped up its revenue forecast
- 4:44Speaker 2: for the FI twenty six financial year.
- 4:45Speaker 1: Vicki's Secret Bringing Sexy Back. What is going on here? Okay?
- 4:49Speaker 2: So, Victoria's Secret is the iconic American lingerie and beauty retailer.
- 4:53Speaker 1: Famous for its over the top run ray shows and
- 4:55Speaker 1: some of the world's most recognizable supermodels.
- 4:57Speaker 2: The Victoria Banks, Heidi Klum, Kara Dilavine, and a Week.
- 5:00Speaker 1: The brand started in nineteen seventy seven and it was
- 5:02Speaker 1: actually named after Queen Victoria.
- 5:03Speaker 2: But they man from around twenty thirteen, its audience numbers
- 5:06Speaker 2: for the show started plummeting.
- 5:08Speaker 1: And sales followed after it faced criticism for promoting unrealistic
- 5:12Speaker 1: beauty standards.
- 5:12Speaker 2: And then Victoria's Secret actually stopped airing the show altogether
- 5:16Speaker 2: in twenty nineteen. But now it looks like the brand
- 5:18Speaker 2: is making a comeback. Yeah, they've upgraded their twenty twenty
- 5:21Speaker 2: six fore cast by roughly one hundred and eighty million
- 5:23Speaker 2: US dollars and reported a fifteen cent sales increase over
- 5:26Speaker 2: the past three months alone.
- 5:27Speaker 1: And their shares jumped by around fifty percent to a
- 5:29Speaker 1: record high this week.
- 5:30Speaker 2: And they man, this isn't a random coincidence. Victoria's Secret
- 5:33Speaker 2: has been actively trying to regain its cultural relevance.
- 5:36Speaker 1: U CEO in twenty twenty four revive the annual Runway show.
- 5:39Speaker 2: And now it's pulling back from discounting its product and
- 5:42Speaker 2: leaning back into the OG image and being more authentic
- 5:45Speaker 2: to the Victoria's Secrets brand seems to be paying off. Yep,
- 5:48Speaker 2: So what is the key learning here?
- 5:49Speaker 1: Brand authenticity can make or break a business and consumers
- 5:52Speaker 1: can sniff inauthenticity a mile away.
- 5:55Speaker 2: Victoria's Secret tried to become more relatable.
- 5:57Speaker 1: Discounted its products, it softened its image, and leaned into
- 6:01Speaker 1: the body positivity movement, but that.
- 6:02Speaker 2: Didn't really land with consumers because people don't come to
- 6:05Speaker 2: Victoria's Secret for relatability.
- 6:07Speaker 1: And Juseyboy in trying to be everything to everyone, the
- 6:10Speaker 1: brand lost some of what made it distinctive. Yeah, so
- 6:12Speaker 1: Victoria's Secret is going back to what always worked for them, aspiration.
- 6:16Speaker 1: In fact, forty four percent of sixteen to twenty four
- 6:18Speaker 1: year olds say that they're aspirational shoppers, meaning they.
- 6:21Speaker 2: Buy products that reflect who they want to become.
- 6:23Speaker 1: So Victoria's Secret is now trying to go back to
- 6:25Speaker 1: its roots of why people fell in love with them
- 6:28Speaker 1: in the first place.
- 6:28Speaker 2: And with the share price at its highest pricing years,
- 6:31Speaker 2: it's clearly working for them. Flex am, if you want
- 6:33Speaker 2: to win fifty bucks today, start the long weekend on
- 6:35Speaker 2: a high. All you've got to deal is down with
- 6:37Speaker 2: the flux opp turn your notifications on and be ready
- 6:39Speaker 2: for quick stix to drop at a random time today.
- 6:41Speaker 1: Thanks for listening, and we'll see you after the long
- 6:43Speaker 1: weekend on Wednesday.