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IT CAME FROM SCREAMBOX: The Dæmon · WASD and Beyond

0:20
The last time Alex got a haircut, I was getting my bar
0:23
mitzvah done. That's so sweet.
0:25
Oh my God, so time time is time is fucked.
0:32
Time is a spectrum. Time is a flat circle.
0:39
Time is kind of like this movie and the time I put into it and
0:44
I'm still confused. Anyways, welcome back everybody
0:47
to another episode of It Came From Scream Box.
0:50
We are your hosts, Nick, Noah and Alex.
0:54
How's it going? How's it going?
0:56
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buddies. It's cool, it's fun, it's good.
1:23
On to the show. It is good.
1:26
Yes. It's very good, is good, is good
1:30
intro plug section those. Bad.
1:33
It's it, it's just, it's, it's been a week.
1:36
I look forward to this podcast. You know, I look forward to
1:40
Wednesdays, dude. I am hot mess Express, dude,
1:43
Jesus Christ. But I am exhausted.
1:47
It's been an exhausting week. And I am now more tired because
1:51
my brain couldn't decipher this movie.
1:54
And I think I'm like a movie guy, but I'm just going.
1:59
I'm like, OK, is it This is that?
2:02
But I think Noah's got the juicy deets.
2:04
Noah, why don't you tell us the movie you picked this week and
2:06
let's dive right into it. I do have some juicy deets for
2:12
this movie. The Damon.
2:14
OK. Is it there is a bit of conflict
2:18
to How do you think we pronounce this?
2:21
I think Damon is fine. I think it's depends on.
2:24
I feel like it depends on what part of the world you're in.
2:26
Yes. Well, the Damon is a love,
2:30
crafty and horror movie released in 2024, directed by Matt
2:35
Devino, whose previous work consists mostly of shorts.
2:41
And. David Michael, yo, I think it's
2:45
how you say his name. It's spelled a little bit weird.
2:48
The cast is also mostly made-up of actors who have done little
2:52
shorts or smaller projects or been an editor, been production
2:57
help on other horror, mostly horror type things.
3:03
That was one through line I found throughout is that all
3:05
these people seem to be like genuine horror fans, which is
3:08
always good to see. Yeah.
3:11
Everywhere you look about this movie you find people praising
3:14
it for the intense themes of grief and the cosmic horror, the
3:18
love, crafty and nature of it. It's very well known staple in
3:23
the genre and there's a large focus on some kind of force
3:28
that's unexplainable or unthinkable that usually has
3:32
something to do with like taking over the minds of people who
3:37
encounter it. There's mentions very often in
3:44
these like love crafting stories of large bodies of water or the
3:47
ocean, and we see that in this as Lake MI.
3:53
Lake MI is actually the most deadly of the Great Lakes.
3:58
There's all kinds of ships that are that are sank in the lake.
4:05
Obviously the most famous ship to sink in the in the Great
4:08
Lakes happened in Lake Superior, but Lake MI is nonetheless
4:13
incredibly violent and incredibly dangerous.
4:16
So I think it's a it, it's an excellent setting to do this
4:20
kind of water based monster type thing.
4:25
Isn't there like a like Bermuda Triangle type thing in Lake MI?
4:31
I swear I heard there's a lot. There might be.
4:33
There's like some like lore. It's, it's one of the, it's one
4:36
of our Great Lakes. There's like a Bermuda Triangle
4:39
esque like thing that they always discuss because of all
4:42
the bad luck and the missing, like the missing people and
4:46
ships and things like that. Yeah, we got some cool lore like
4:50
that over here in Michigan. Yeah, there's the, it's the lake
4:54
MI Triangle, yes. Yeah.
4:57
Which is about I don't know, I don't know what what cities that
5:03
would be near, but it is. It's like a area where there's
5:07
been like lots of UFOs and unexplained events.
5:11
I mean like Michigan's crazy, like you'll every once in a
5:13
while you'll see like stories of like a diver found a train like
5:18
a full on steam engine at the bottom of lake.
5:22
How did it get there? Did it like roll off of the
5:25
tracks and into the water? Derailed.
5:28
You know it. Was being was it being like,
5:31
yeah, exactly. Was it being transported on a on
5:33
a freight ship? When you if you've never been to
5:37
the Great Lakes, you really can't understand how big they
5:41
are. But the Great Lakes are bigger
5:42
than some like European countries.
5:45
Yeah, you know it. It's an insane amount of water
5:50
and like that big sometimes does behave a little bit more like a
5:54
scene. It makes it makes it very, very
5:55
dangerous. Is it very scary?
5:57
Yeah. Have you guys been to probably
5:59
both been to Lake MI all. Of them been to 1 Great Lakes.
6:03
Yeah, yeah. You know, like, this movie's
6:06
like set in the fall and close to the end.
6:09
I was like, just think about how cold that water.
6:11
Is that lake, the moment you put your foot in there, if you're
6:15
not used to because you, you see people in Michigan all the time
6:18
doing those like great lake dives in the winter, like dead
6:21
of winter. Arctic plunge, Yeah.
6:23
Yeah, they are. But you, you're, you have to get
6:25
your body prepared for that. But in the fall, just hop it in
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that bitch. No, no.
6:31
Your. Body had to.
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No way. No, even you have to wait for
6:36
that lake to warm up by like middle June, right?
6:42
Like July, not July, it's too far, but like June is when that
6:46
you can be like, OK, it's fine to hop into.
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See, I was hoping when because we see that the movie set in
6:55
Michigan when they show a a shot of the Detroit skyline.
7:00
Yeah. And the thing I thought was I
7:02
was I hoped that the lake in question would be like Superior.
7:07
That'd be cool. Because it is, it is the largest
7:11
by volume and the deepest of the lakes.
7:14
So it would feel, I, I feel like that would be a better setting
7:20
for what they went with. But I think they chose like,
7:22
Michigan because it's like, because it is, by the numbers,
7:25
the most deadly. Yeah, probably.
7:27
So it makes sense. Like, I get it, but yeah, yeah.
7:32
But throughout the movie, it's mostly focusing on this sort of,
7:36
it's like darkness that's maybe already within Tom and was
7:42
within his father and caused him to wander into the lake and take
7:46
his own life or give himself over to whatever the lake,
7:50
whatever in the lake was calling to him.
7:52
But yeah, it's basic. It's basic just of it.
7:55
It's sort of a grief story with some supernatural Lovecraftian
7:59
elements. So what did you guys think?
8:07
It was OK. So I like the plunge Into
8:12
Darkness that the movie takes, right.
8:13
Like, I like all of the like kind of going into each
8:16
character's traumas. They're not, you don't see
8:19
everybody's traumas, but like the characters they do dive
8:22
into, you're like, OK, that makes sense.
8:24
OK, this person's flawed. Everybody's flawed in the story,
8:27
which that I like. Everyone has their own problems.
8:30
They have their own past that is cool.
8:35
So I was kind of leaning more into like, maybe this is like a
8:38
personal story almost for each care for everybody involved in
8:41
the film to like there is no actual demon or like demon in
8:48
the lake type thing. It's like they're all just on a
8:51
trip and this is happening in their in each respective
8:54
person's minds. You know, trying to like like a
8:57
grief trip, right. Like, you know, you hear about
8:59
that shit all the time, people going on trips just to like
9:02
somebody's significant other died parent.
9:04
I'd let's just go to the place that, you know, we all loved
9:08
together and get through this trip this together.
9:11
Like, so that's kind of like what I was thinking, but I'm
9:15
unsure if the movie thought that far ahead to do that, right?
9:19
Like I'm, I'm, I, maybe it did. But well, it's it's not so much
9:24
of A like, let's go to this place, let's go find.
9:27
Tom. Here, the whatever it is kind of
9:31
draws Tom, Yeah. And compels him to go there.
9:36
And then they go after him. Yeah.
9:37
But it does seem like the movie gets a little bit confused.
9:40
It's like, are we here to get him or are we here to like to
9:42
hang out or? They start hanging out and going
9:44
camping, having. Firefighters, yeah.
9:47
And so that's, I think they're at that point trying to comfort
9:51
Tom. They're trying to console him, I
9:53
get that, but the same. Time like he's.
9:55
It's like erratic. Get him out of there.
9:58
Clearly, this place is having an effect on him.
10:01
As soon as he gets the suicide note from his dad, his whole
10:05
demeanor changes and he's immediately gone to the lake.
10:08
And he cuts off contact with his wife and tells her like, get
10:13
away from me. Like don't come near me.
10:15
I'm doing, I'm trying to save you.
10:17
Which is kind of similar to what you know, what his dad did for
10:21
him. His dad was a Dick.
10:23
I hated that scene of the father.
10:24
Like you little idiot, she can't go in the water.
10:28
It's like shut up. Why you being mean to him?
10:32
It was it was fine. Like I liked the effects that
10:35
were showing off in this film. I think a lot of it was really,
10:38
really neat, even if I think showing off a little too little
10:43
late except for the beginning because the movie opens up
10:47
gnarly as fuck. And I was like, oh, what the
10:49
hell is this? This is insane.
10:52
Opening like that was a sweet effect.
10:54
Like his arm, just like, you know, balloons out blood all
10:58
over this suicide letter. I was like, this is sweet.
11:02
Yeah, it was. It was very like, though, I
11:05
mean, the way I read it, when the first time, like we see that
11:09
I was like, oh, this is like, I thought that was like
11:12
foreshadowing. Like this guy's gonna, you know,
11:15
he's gonna do something to himself.
11:18
But I mean, until then, like the movie just kind of goes, hits a
11:22
good high and then you meet your characters.
11:24
It's like, OK, cool, cool, cool. And then it just hits this
11:26
really long drawn out lol where you're like, let's get on with
11:33
it. And it's dropping bread crumbs
11:34
the entire time. And that's fine.
11:36
But like it's just like very like lethargically, not
11:41
methodically lethargically going, well, what about this?
11:45
And then here's some of this and you're like, dude, just push the
11:48
story further. But.
11:50
That's like my quick little we'll get into more I'm sure
11:54
here, but that's my quick little synapse like thoughts on the
11:56
film. That's.
12:00
Part of it, though, because it's clearly psychological.
12:05
See. Like the fuck with you, Yeah.
12:06
They're fucking with you the entire time.
12:08
Yeah. Was there a good was that
12:14
practical? In the beginning?
12:15
It looked practical. They.
12:16
Looked. Yeah, I think it definitely was.
12:19
Yeah. But it's very good.
12:21
I mean, they do a couple, like big practical effects that we'll
12:24
we'll talk about the one close to the end.
12:27
Yeah. But like what you're saying is
12:29
like it it the pacing is definitely a weak point in this
12:35
movie. And, you know, maybe the fact
12:37
that director and the creators really only ever did shorts up
12:42
until this point, like when you have all that time.
12:46
Yeah. I don't want to like dogpile on
12:48
him too much. It was just like that that one
12:50
thing. Like it would be like nothing,
12:52
nothing, nothing, nothing, or a little bit of wacky stuff like
12:55
something crazy that you see like a red nebula in the sky and
12:59
then it's just like nothing, nothing, nothing.
13:01
And then another like big thing it there was not really a
13:03
gradual build up. It it was never like it was just
13:08
nothing was ever like super in your, which I don't always need
13:12
obviously right for, especially for like a slow burn.
13:14
This could have been a slow burn and I would have been fine with
13:16
it had there been substance to a lot of it.
13:20
Because towards the end you start getting all that substance
13:23
and you get some of that subplot.
13:25
You start to get, oh, OK, so this is happening because of
13:28
this. And like it's not actually
13:30
happening out in the world type thing, but it is at the same
13:33
time because it's like Lovecraftian.
13:36
But to get to that point, it's like a slog.
13:40
Like dude, just get the story moving and it it and again, like
13:46
to say it's a bad film is incorrect.
13:48
This is not a bad film. It's just I think Noah's right
13:52
where it's like they are so used to creating shorts that given
13:59
this extra time for a film, they just, I don't think truly
14:06
understood what to. Do with that.
14:07
Time, yeah. Yeah, I think, I think this
14:10
might have done this might have been a little bit better as a
14:13
short. Yeah, I think it just needed
14:16
more like there were some really good ideas.
14:20
I love the idea of this like monster in the lake.
14:25
It's it's awesome, It's great. It it fits so well into like
14:29
real world events. You could just see it like you
14:32
would believe that like people in that area of the state would
14:36
probably have unexplained experiences on or in the lake
14:42
that that sort of feed into it. And they even mentioned some of
14:47
that in the movie. They mentioned like there's no
14:49
other houses around because that right after they built the cabin
14:53
that's there, the land was protected as some kind of
14:56
wildlife thing and they don't know what it is.
14:59
Maybe that is because there is a known entity in the lake.
15:05
They could have gone down a couple different roads with
15:07
that, right? They could have they almost went
15:09
down like an SCP type thing or like there is like a containment
15:13
zone and there's a reason why we don't go here during this
15:15
period. Or if you're, you know, there's
15:18
certain there's a lot they could have done that they just didn't.
15:22
And it's I like that the Lovecraftian thing isn't always
15:25
explained it it's what makes Lovecraft, Lovecraft.
15:28
No. It's also very unclear whether
15:31
or not something is happening for real or if it's in
15:34
somebody's mind. Yes.
15:38
Oh. What it's?
15:43
How does? That mean that don't make no
15:44
'cause it's happening to all of them.
15:46
They're all seeing. Shit, they're all experiencing
15:48
shit. Well, like, yeah, but they're
15:49
all seeing stuff. But like at one point close to
15:53
the end, like after Tom finds out that is that Kathy's been
15:57
cheating on him, he just walks into the lake.
15:59
Like did he actually walk into the lake because it was treated?
16:03
That would have that should have like, I feel like that should
16:05
have been a bigger event, but he kind of just does it and then it
16:09
cuts away. So I'm like, did that really
16:11
happen? Or is he just sitting on the
16:13
shore still? Yeah, it's fair.
16:15
It's a good point. That was my.
16:17
I feel like a lot of it was pretty ambiguous.
16:22
And not like AI feel like it. The the problem is I feel like
16:26
it's not purposeful. It's not purposefully ambiguous.
16:29
I just feel like they're like, that makes sense.
16:32
People get it. It's like, don't I, I, I don't
16:35
because I'm not going to be did did he go there or not?
16:40
The, the, the, the dragging of the bodies in the lake.
16:43
I I know it was supposed to be serious, but I just.
16:46
Yeah, it makes me laugh. Every time it was like woo God
16:49
they used to be bold. And they just like, they're just
16:52
there and they're just like into the into the water.
16:55
It's a very funny place, I think.
16:57
They put them on hoverboards, just sent them on their way.
16:59
Like there's, there's a, there's a couple little moments that are
17:02
played for laughs. Like, there's the thing when
17:04
they're hanging out at the campfire and they mentioned the
17:08
story, and then the other, the friend, the brother, he's like,
17:15
it was a night not unlike this one.
17:17
And then the music starts playing in the background.
17:20
And the sister, like, cuts him off.
17:22
And she's like, OK, all right, shut up.
17:24
Yeah. So there.
17:26
It's hard to. I mean, it's mostly taking
17:27
itself seriously. Yeah, everybody.
17:30
Could and it does a pretty good job.
17:31
I think. Just the moments in between the
17:35
love crafty and stuff and the monster and the lake stuff,
17:37
that's the weakest yeah spot. And fortunately, that's most of
17:41
the movie. Yeah, it hits those lulls so
17:46
hard, and it hits those highs high really hard too.
17:49
So, Alex. I really don't have much to say.
17:57
It was a film. It was a movie.
18:00
Unfortunately, I don't. One of the movies of all.
18:04
Time. Yeah, one of the movies.
18:05
It's it was a good way to kill time, not to be a shithead.
18:11
That that was it was not good to me.
18:13
I don't know, some good practical effects, but really,
18:15
that's it. Yeah, story was story was super
18:19
mid. Do you think it would have been
18:21
better as a short? Absolutely.
18:24
Yeah, 'cause I remember when we watched.
18:28
Multiple shorts out of that. It could have been.
18:30
Cool. Yeah.
18:31
I mean, it could have just been like guy goes, guy opens the you
18:35
see the same shot at the beginning of the dad and then he
18:39
the son gets the letter. The son goes to the cabin.
18:42
He gets like harassed by this dark entity calling from the
18:46
lake and then he goes into the lake and it's the end.
18:48
Like you know it, We we get everything we need without just
18:54
like a mountains of dialogue. Just.
18:59
Yeah. Yeah, there's another one of
19:02
those sort of great idea execution.
19:09
We need a little bit of help. But some of the some of the
19:13
practical effects here are gnarly.
19:16
Yeah, disemboweling. Very good.
19:19
The. The cut in half shit dude, where
19:21
it's just like the entire organ system is shown like that was
19:25
really fucking neat. You don't see it often.
19:28
It's a good prop. It's a hard prop to do, I'm
19:30
sure. And it's here you're like, oh,
19:32
that's great. There's like a fucking knife
19:33
through the hand like that is. The greet Clint.
19:38
Clint oozing on. The sister.
19:42
Yeah, all that. Gross is fucking awesome.
19:45
I was like. Turning into a cocoon.
19:47
Yeah, but we all said the same thing.
19:49
Why is this here at the end? Yeah, yeah, they, yeah, these
19:55
are all there are like. Halfway marker would.
19:58
Have been perfect, yeah. The I would say like that the
20:01
dialogue that they do give is not pointless.
20:04
It does come back like you do see.
20:07
Details of it later it just like.
20:10
I don't know. By the time it comes back,
20:11
you're like, I don't care. Yeah, you're like, just do
20:15
something. I'm not, you know.
20:17
But like the ending of this film, because we all said it,
20:26
we're like, where was this? Yeah, exactly.
20:31
Because at the end you're like, this is sick.
20:35
Where was all of this? Yeah, you get like pull on
20:40
Cthulhu, like she gets pulled into the water and then like
20:45
there's a Galaxy under the under the water.
20:48
It's a beautiful set of shots. Yeah, it's incredible.
20:50
It's incredible. It's it's awesome and.
20:53
You're the movies worth worth watching just to get to that
20:56
point I think. Some of the shots alone too.
21:01
Yeah, some of the cameras are getting really good.
21:03
Yeah, and the you, you pointed it out like when anything is
21:07
about to happen, how the film just fades to this color.
21:12
Yeah, it gets very like dark and cold A.
21:17
Lot of great. Not well, just I don't.
21:19
It's just getting executed. Not great, Yeah.
21:24
Dude, the ideas are. There it's double edged sword.
21:28
Yeah, God damn it, dude. Well, I think.
21:34
This year they came out literally like a month.
21:36
Ago. Really.
21:38
But it was, yeah, it was. It was only released recently.
21:41
Oh, OK. March 24th.
21:44
It's been all over the front page of screen box for a while.
21:49
Well, but I'm going to say 2 out of five.
21:56
I like the ending and I do think it is worth it to get there but
22:01
like could have watched like most of this movie on on one
22:05
point 5X speed and it probably would have been about about this
22:08
name. A2 getting a 2 because because I
22:20
feel like he I feel like these guys wanted to like do the Pulp
22:23
Fiction thing where it's like, let's just drag it on as long as
22:26
we can. People will get it and it's like
22:29
you drug it too far with not enough substance.
22:31
There's not enough meat on the bone here.
22:33
And then all the meat is at the end and some of it's in the
22:37
beginning and then there's chunks of meat here and there
22:39
and you're like you just scrambling at this point
22:42
throughout the movie. You're like, what the fuck?
22:45
The ending is so fucking cool though, and the practical
22:49
effects are great. And when it hits home runs, it
22:53
does it well. But then there's just those
22:56
points and the characters. Some of them are just so fucking
22:59
unlikeable. Yeah, like I don't care about
23:03
most of these characters. Most of the characters are
23:06
unlikeable, no? No, they're all unlikeable and.
23:10
You're And maybe they're supposed to be that way, yeah.
23:12
Maybe there's a deeper meaning that we're just too stupid to
23:14
get because I hate it because like I was and some, and not to
23:19
dog the actors, but there was definitely times when like you
23:22
could have maybe reshot that scene.
23:25
What was the what was the first take on that one?
23:28
Yeah, like so it if you want to check the movie out and just try
23:38
to find meaning in it, sure. But if you're looking for a
23:41
movie to watch with your people, you're significant.
23:43
This is not the one because people are just.
23:45
People are just going to get bored.
23:46
People are going to check out they're.
23:48
Like what the fuck are you putting on?
23:49
Right now, but if, if you're really into, you know, the
23:54
psychological horror of the like a darkness calling out to, to
23:59
somebody and maybe it's like sort of a genetic sickness,
24:04
'cause there's some aspects of that and there's some.
24:07
Like addiction? Pretty.
24:08
Good. Yeah, yeah.
24:10
Like addiction is is sort of a through line of the movie, like
24:17
the sickness in the mom led to the sickness in the dad led to
24:20
the sickness in Tom and is now sort of infecting everybody.
24:24
But some people are more susceptible.
24:26
So there's so there's a lot of good ideas here.
24:28
It's just really unfortunate, you know, but I don't know,
24:34
maybe you know, I'm sure they'll hopefully be able to do
24:36
something else some again and execute better on another good.
24:40
Idea. Fingers crossed.
24:43
What are you giving it, Alex? I I came up with this number a
24:49
while ago. It's also a 2.
24:51
OK. It's, yeah, it, it's shot well.
24:56
The practical effects, the mix between practical effects and CG
24:59
is like, it's great. Like it's a good fine mix
25:03
between the two. Yeah.
25:04
Yeah. And just it's so it was, it was
25:09
so boring. Other than that, it sucks the
25:11
same. But yeah.
25:13
It's true. Listen, everybody gets one.
25:17
That's what Spider Man says. I had Necromantic.
25:21
Necromantic was got a low score for a different region.
25:25
See I would like I see. I thought necromantic was good
25:29
compared to this. I mean, at least necromantic
25:33
didn't. Well, I was, I was about to say,
25:35
didn't overstay its welcome, but it absolutely did.
25:38
Yeah, the whole masturbatory ending.
25:41
Yeah, I thought it was all. Yeah, yeah, My God.
25:46
That was sweet. Let's wait till the tearless
25:48
episode where we're going to have to talk about that again.
25:50
Yeah, buddy. Say, do you have any other facts
25:55
about the movie now or is there not?
25:58
There's very little information about it.
26:00
These fucking people are very little information about it,
26:03
man. And I don't know.
26:06
I like, you know, I like to see our state representative.
26:09
Yeah. Representative.
26:11
Nice. I've opened up my mouth to
26:15
change feet but. That's there forever.
26:20
You know, we saw, we saw it in the in the Wendigo episode.
26:24
That was also in Michigan. Yeah.
26:26
There's another movie watched that was, I forget partially one
26:30
as. Well, I know what you're talking
26:32
about. Yeah, yeah, it's got some
26:33
folklore in the state. I like seeing the lake used for
26:40
like the main kind of source of the, the horror in this movie
26:43
stuff that that was cool, you know, that made me feel good
26:47
because it's like, oh, I, I know that place, like I know that
26:50
vibe and I you, you can picture yourself in these locations.
26:54
Yeah, yeah, absolutely. And you know that maybe that
26:57
helps it. So God help you if you don't
27:01
like autumnal Michigan, because you're going to fucking hate
27:05
this. Oh fuck.
27:10
Well that was the daemon. The demon.
27:13
However you want to. Pronounce it.
27:13
That's my last pick for Season 1.
27:17
It's. Alright, bummer.
27:20
It's on, he said. Even that was like, I really
27:24
wanted to defend this. Yeah, I wanted to.
27:26
I wanted to go out on a banger, dude.
27:29
Oh shit. Well, you know that's what it
27:32
is. We got season 2 coming up.
27:33
We got Alex's last pick and then my last pick correct.
27:37
And then the tier list and then the break perhaps?
27:41
A little break leading into the next evolution of what this show
27:46
is going to become. What you can expect is good
27:51
stuff. I would say more movies, more
27:54
people to be hopping on the show on and off.
27:57
I feel something may look different to you in the future
28:04
on the show as well. What am I saying?
28:07
Yeah. Oh yes.
28:09
I don't know. We're learning for the first
28:10
time, no? You're not.
28:12
With the audience. No, you're not.
28:14
We've been discussing this. Yeah, let's.
28:16
Leave living more suspenseful. I am leaving a little suspense,
28:19
but there's a lot of cool stuff coming.
28:21
We're working hard on this. There's more What?
28:26
See more suspense in this movie. Bro, this movie just keeps
28:30
catching hooks. We're we're this is our baby and
28:34
we are so happy to keep doing the show and we thank you all
28:38
for checking it out with us and following along as we watch
28:41
these movies, good, bad and the ugly.
28:44
So stay tuned for next week's pick.
28:46
That's Alex. Then I'm after that and then we
28:50
go into our tier list and then some other good stuff where we
28:52
will be announcing cool things. Until then guys, check out the
28:56
sponsors down below, final ball, stock longy and screen box.
28:59
Check out WASD and beyond and Wolf deception.
29:04
Check us out everywhere. Follow like subscribe and I will
29:07
be putting belt to ass on the YouTube.
29:10
I promise, God do I promise. I fucking promise I'll be
29:15
putting belt to ass on that. Hey boys.
29:18
Hey, what should we go to the lake?
29:21
We should. I want to go to the lake.
29:24
I desperately need desperately need to go to the lake.
29:27
The movie's infected Noah's mind.
29:28
Everybody we're. Going to the lake, we're going
29:30
to the goodbye screen box, we're going.
29:31
To the lake. Take it easy, everybody.
29:33
We're going to the lake. Say goodbye Alex, where you go
29:38
for a fucking swim. Bye.
29:41
Thank you Toodles. Oh my God, I got a piece over
29:44
here.