Latest / Cosmic Peach / MOTOWN MURDER MACHINE PT 1

Transcript

MOTOWN MURDER MACHINE PT 1 · Cosmic Peach

• 0:00
  Speaker 1: Baby on my game statue.
• 0:02
  Speaker 2: It takes a little tangle. You don't want to.
• 0:05
  Speaker 1: Mess with me. Mess with me, baby, You're my gang statue. Baby,
• 0:15
  Speaker 1: You're a game statue.
• 0:23
  Speaker 3: For good warning, this podcast is designed to take you
• 0:26
  Speaker 3: outside of your comfort zone and make you question reality.
• 0:30
  Speaker 4: Listener Discretion is a vibekwar.
• 0:38
  Speaker 5: Me fellas, this ain't my first time at the rodeo.
• 0:51
  Speaker 3: H Hello, and welcome back to the show. Today we
• 1:09
  Speaker 3: begin a new journey, my friends. Today we are beginning
• 1:13
  Speaker 3: a new journey, a new chapter in the book, if
• 1:17
  Speaker 3: you will, and I hope you are.
• 1:20
  Speaker 2: Going to enjoy it.
• 1:22
  Speaker 3: Before we get started, I do have a couple of
• 1:24
  Speaker 3: shout outs. I see everyone is enjoying the murder Monday.
• 1:31
  Speaker 3: Appreciate all the love and support over there. Okay, the
• 1:38
  Speaker 3: first one I got Katie signing up for Patreon is
• 1:44
  Speaker 3: the best money I've ever spent. God bless you, Katie,
• 1:49
  Speaker 3: love you so much, thanks for being part of the fam.
• 1:52
  Speaker 3: And then I got Amber. Hey, Julia, I love your show.
• 1:56
  Speaker 3: You are my comfort podcast. Actually listen to you reading
• 2:01
  Speaker 3: the dictionary lol. Anyways, I came across a TikTok of
• 2:05
  Speaker 3: a woman named Velma Barfield. It was a home movie
• 2:10
  Speaker 3: of her grandkids visiting her before her execution. Seemed like
• 2:15
  Speaker 3: something interesting to look into. Love lots and thanks for
• 2:20
  Speaker 3: being born. Thank you for being born, Amber, and thanks
• 2:25
  Speaker 3: for being part of the family. I got a couple
• 2:27
  Speaker 3: more shout outs, but I'm gonna wait until the next
• 2:30
  Speaker 3: Murder Monday to shout those out because they are related
• 2:34
  Speaker 3: to the.
• 2:36
  Speaker 2: Fox Hollow case.
• 2:37
  Speaker 3: So I'm gonna wait till the next Monday, uh Murder
• 2:40
  Speaker 3: Monday episode to do those shout outs.
• 2:43
  Speaker 2: But how are you Deawn?
• 2:45
  Speaker 3: Thanks for being here, Thanks for being born, and thank
• 2:51
  Speaker 3: you for being listeners and supporters of the Cosmic Peach podcast.
• 2:59
  Speaker 3: And ye wow, do I have a taint busting new
• 3:06
  Speaker 3: mini series in store for you. It occurred to me
• 3:12
  Speaker 3: that we've covered all of them. Laurel Canyon, the grunge scene,
• 3:19
  Speaker 3: We've talked about the not so innocent beginnings of country
• 3:24
  Speaker 3: music with Sean McCann. For those Patreon members of two
• 3:28
  Speaker 3: three seven, you have full access to that episode. By
• 3:33
  Speaker 3: the way, you may have to scroll back aways, but
• 3:37
  Speaker 3: it's there. It's called like a Cult Country Something with
• 3:43
  Speaker 3: Shawn McCann, and it's all about the not so innocent
• 3:47
  Speaker 3: origins of the country music scene. So we've kind of hit.
• 3:53
  Speaker 2: Them all.
• 3:56
  Speaker 3: But one, and in a lot of ways, it's the
• 4:02
  Speaker 3: elephant in the room. And in many ways, this genre
• 4:08
  Speaker 3: in particular is just as near and dear to my
• 4:14
  Speaker 3: heart as the sweet sounds of the Canyon. When I
• 4:19
  Speaker 3: read the blog by David McGowan on the twisted, fucked
• 4:26
  Speaker 3: up underworld of the Canyon, my world was absolutely obliterated.
• 4:35
  Speaker 3: I grew up listening, loving and adoring that music my
• 4:40
  Speaker 3: entire life. But it is a necessity to expose the truth,
• 4:46
  Speaker 3: no matter how hard we may grieve the death of
• 4:49
  Speaker 3: something beloved to us. It's a shame Dave McGowan couldn't
• 4:54
  Speaker 3: have stuck around long enough to expose the dark musical
• 4:58
  Speaker 3: underworld of yet another seriously legendary time in history.
• 5:05
  Speaker 2: But that's why you have the feature. So David.
• 5:12
  Speaker 3: Rip and this one's for you. This research is based
• 5:19
  Speaker 3: on my own facts and findings, coupled with my intuition
• 5:22
  Speaker 3: and years of conspiracy deep diving, and what I'm about
• 5:26
  Speaker 3: to share with you may be considered controversial, but that's
• 5:31
  Speaker 3: why you're here. So sit back, relax, and let's unpack
• 5:38
  Speaker 3: the Motown murder Machine.
• 6:00
  Speaker 4: I love.
• 6:05
  Speaker 1: You, love all.
• 6:11
  Speaker 4: Your another day another than.
• 6:19
  Speaker 5: A long time so long.
• 6:44
  Speaker 3: Growing up to the sounds of Motown lit a fire
• 6:48
  Speaker 3: inside my ever blossoming, tiny child spirit. The divine essence
• 6:55
  Speaker 3: of Marvin Gay. His voice just melts into soul like butter,
• 7:04
  Speaker 3: Smoky Robinson, the Jackson five, and of course the sweet
• 7:10
  Speaker 3: and soulful sound of the Temptations. My mom was born
• 7:16
  Speaker 3: in nineteen fifty seven, and she didn't raise no fool.
• 7:21
  Speaker 3: She lived through some of the most powerful musical eras
• 7:25
  Speaker 3: in history, and she didn't waste no time acclimating me
• 7:30
  Speaker 3: to what real music should sound like. I sometimes wonder, though,
• 7:37
  Speaker 3: what she would think if she knew what we know
• 7:41
  Speaker 3: now about the Canyon and the grunge scene and the
• 7:45
  Speaker 3: country scene and Motown. And you know, this is a
• 7:53
  Speaker 3: big topic, all right. I really haven't covered the likes
• 7:57
  Speaker 3: of it since the Canyon. And when it occurred to
• 8:03
  Speaker 3: me to even try and tackle this beast, I was
• 8:07
  Speaker 3: sitting in the living room bouncing ideas off the baby Daddy,
• 8:12
  Speaker 3: and I literally said, where do you even begin? And
• 8:20
  Speaker 3: I guess the only place you can begin the beginning?
• 8:28
  Speaker 3: So where, when?
• 8:32
  Speaker 2: Why? And who gave birth to Motown and I found.
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  Speaker 3: What I was looking for in a man named Barry
• 8:44
  Speaker 3: Gordie Junior. And this, folks, is where the story begins.
• 8:52
  Speaker 3: Once again. Thanks for being here, Thank you for being
• 8:56
  Speaker 3: listeners and supporters of the Cosmic Beach Podcast. If you
• 9:00
  Speaker 3: love what I do, leave a five star review, and
• 9:03
  Speaker 3: if you're new, welcome, And for those longtime listeners, welcome back.
• 9:09
  Speaker 3: I'd like all of you to now cakeback, relax, and
• 9:13
  Speaker 3: let me get it in the mood for some motown.
• 9:24
  Speaker 2: Now.
• 9:25
  Speaker 3: The charismatic Barry Gordie Junior was everything you could think of.
• 9:32
  Speaker 3: To many, he was a godsent man brought to save
• 9:36
  Speaker 3: the black community in an era where it was common
• 9:39
  Speaker 3: practice for white artists like Peggy Lee and Pat Boone
• 9:45
  Speaker 3: to take songs from black artists and make cover songs
• 9:49
  Speaker 3: that would completely overshadow and dominate the originals, casting most
• 9:55
  Speaker 3: Black voices into obscurity. Barry Gordy's mission was to challenge
• 10:04
  Speaker 3: the status quo by putting the black artists in the mainstream,
• 10:10
  Speaker 3: a move which looked and seemed impossible, But as someone
• 10:15
  Speaker 3: who was reportedly always a risk taker and calculated in
• 10:21
  Speaker 3: his moves, he managed to break barriers and did the unthinkable,
• 10:26
  Speaker 3: creating something that turned out to be legendary, the birth.
• 10:31
  Speaker 2: Of Motown Records.
• 10:34
  Speaker 3: A label that gave a platform to the less fortunate,
• 10:38
  Speaker 3: those who had nothing but big dreams and God given gifts.
• 10:43
  Speaker 3: He made it possible for the world to see the
• 10:47
  Speaker 3: other side of black culture. But it all comes at
• 10:52
  Speaker 3: a price, baby, and don't you forget it. As well
• 10:56
  Speaker 3: intentioned as he may have been, or may not have been,
• 11:01
  Speaker 3: as revolutionary as it may seem, Berry Gordy Junior has
• 11:08
  Speaker 3: connections that cannot be ignored. And unlike the Kenyan artists,
• 11:13
  Speaker 3: who mostly came from military families with connections to the
• 11:17
  Speaker 3: counterculture movement itself, the artists discovered and signed to Motown Records,
• 11:24
  Speaker 3: as I said, had little financial means, but huge dreams
• 11:29
  Speaker 3: and even bigger God given talent. Wish I could say
• 11:34
  Speaker 3: the same for some of the Canyon Nights. Some of
• 11:36
  Speaker 3: those assholes were barely scraping by to even be considered talented,
• 11:42
  Speaker 3: but they had connections and they became superstars anyway. Barry
• 11:50
  Speaker 3: took complete and total advantage of these artists desperation to
• 11:55
  Speaker 3: share their gifts with the world, and he would come
• 11:59
  Speaker 3: to literally really manipulate stage murders and suck the actual
• 12:06
  Speaker 3: life force from these individuals to power the Motown murder machine.
• 12:15
  Speaker 2: But how.
• 12:18
  Speaker 3: Did he come to be so influential the mainstream will
• 12:24
  Speaker 3: have you believe quote since the days of slavery. He
• 12:29
  Speaker 3: gave hope to every upcoming poor kid that they too
• 12:33
  Speaker 3: could be stars and appear on TV one day. All
• 12:37
  Speaker 3: they had to do was put in the work and
• 12:40
  Speaker 3: keep it burning inside them. End quote from legendary vocal
• 12:46
  Speaker 3: groups such as The Temptations, The Supremes, the Four Tops,
• 12:51
  Speaker 3: Stevie Wonder, Marvin Gay, Smokey Robinson, Michael Jackson, the Marvelettees,
• 12:58
  Speaker 3: Lionel Richie, you name it. The list is endless. He
• 13:02
  Speaker 3: created legend after legend.
• 13:07
  Speaker 2: The reason why the.
• 13:08
  Speaker 3: Motown Record Company is considered the most successful in the
• 13:12
  Speaker 3: history of mankind is not only due to the quality
• 13:17
  Speaker 3: of music it produced, but also the impact it had
• 13:21
  Speaker 3: on racial segregation. Barry Gordy Junior made it possible for
• 13:27
  Speaker 3: both whites and blacks to enjoy and listen to the
• 13:30
  Speaker 3: same phenomenal music, and he also worked with both races,
• 13:36
  Speaker 3: white songwriters and obviously black singers. But again, while many
• 13:43
  Speaker 3: regard him so highly, there are those who actually view
• 13:47
  Speaker 3: him as the villain, and for very good reason. They
• 13:51
  Speaker 3: see him as nothing more than a selfish and greedy
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  Speaker 3: capitalist and businessman who played the art artists under his label,
• 14:01
  Speaker 3: underpaying them and taking advantage of their innocence in the industry.
• 14:06
  Speaker 3: Always wanted things to go his way and always prioritized
• 14:10
  Speaker 3: profits over the well being of the artists themselves. So
• 14:15
  Speaker 3: how did this high school dropout and former boxer go
• 14:21
  Speaker 3: on to found one of the most successful record labels
• 14:25
  Speaker 3: in human history. Let's take a look at Berry Gordie Junior.
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  Speaker 3: He was born on November twenty eighth, nineteen twenty eight,
• 14:38
  Speaker 3: in Detroit, Michigan, and that would make him a Sagittarius.
• 14:44
  Speaker 3: Not proud to claim him, but anyways. Barry Gordy the Third,
• 14:53
  Speaker 3: also known as Barry Gordy Junior, was the seventh of
• 14:58
  Speaker 3: the eight children Barry Gordy the second and Bertha Fuller.
• 15:04
  Speaker 3: Both parents were natives of Washington County, Georgia, but in
• 15:10
  Speaker 3: nineteen twenty two they migrated to Detroit in fear of
• 15:14
  Speaker 3: the racist atmosphere of the American South. Barry Gordy Senior,
• 15:20
  Speaker 3: or Pops as they called him, was a son of
• 15:24
  Speaker 3: a slave owner James Thomas Gordi and one of his
• 15:30
  Speaker 3: female slaves, Esther Johnson. Now this is where it gets real, Canyon, Like,
• 15:39
  Speaker 3: give this shit. Barry Senior's brother is the grandfather of
• 15:47
  Speaker 3: President Jimmy Carter, which makes Barry Junior, Barry Gordy Junior
• 15:53
  Speaker 3: cousins with President Carter.
• 15:56
  Speaker 2: It always goes back.
• 15:58
  Speaker 3: It's like the David Crosby thing in his family tree,
• 16:01
  Speaker 3: going back to signers of the Declaration of Independence and
• 16:05
  Speaker 3: shit like this. The Crosby family line, well, the Gordy
• 16:09
  Speaker 3: family via a slave woman is part of the Carter.
• 16:17
  Speaker 2: Legacy, and so it begins.
• 16:20
  Speaker 3: You would think because Pops or Barry Gordy Senor was
• 16:26
  Speaker 3: the son of a slave woman, that maybe he was
• 16:31
  Speaker 3: cast to the side an embarrassment of sorts, But actually
• 16:36
  Speaker 3: that's not the case. Barry Gordy Senior seemed to be
• 16:41
  Speaker 3: well taken care of by Daddy Whitey and always seemed
• 16:46
  Speaker 3: to have more than enough money to go around. Once
• 16:49
  Speaker 3: he landed in Detroit, he opened a grocery store, he
• 16:54
  Speaker 3: owned a plastering company, he owned a carpentry business, and
• 17:00
  Speaker 3: he owned a printing shop. So not your average joe.
• 17:08
  Speaker 3: But while Barry Junior's brothers, Fuller and George were happy
• 17:12
  Speaker 3: to work at jobs their father assigned to them in
• 17:16
  Speaker 3: the construction and or printing companies. Barry Gordy Junior and
• 17:21
  Speaker 3: his brother Robert were less inclined to follow that path,
• 17:25
  Speaker 3: and Gordy's greatest interest was in boxing. Gordy ended up
• 17:31
  Speaker 3: dropping out of Northeastern High School in the eleventh grade
• 17:36
  Speaker 3: to become a professional boxer. He boxed professionally until nineteen fifty,
• 17:42
  Speaker 3: when he was drafted by the ding Ding ding Ding
• 17:49
  Speaker 3: United States Army in nineteen fifty one for service in
• 17:56
  Speaker 3: the Korean War. It's documented that a driving in Korea
• 18:01
  Speaker 3: in May nineteen fifty two, Barry Gordy Junior was first
• 18:05
  Speaker 3: assigned to the fifty eighth Field Artillery Battalion, third Infantry Division.
• 18:11
  Speaker 3: He later became a chaplain's assistant and was given special
• 18:15
  Speaker 3: privileges like driving a jeep and playing the Oregon at
• 18:20
  Speaker 3: religious services. You see, you, guys, this is the fuck
• 18:24
  Speaker 3: what I'm talking about when I say everybody, all these
• 18:28
  Speaker 3: genres have a canyon moment, and if you look hard enough,
• 18:34
  Speaker 3: they're really easy to find. Anyways, his tour in the
• 18:38
  Speaker 3: Korean War was completed in April nineteen fifty three. He
• 18:42
  Speaker 3: later obtained his ged and after his return from Korea
• 18:47
  Speaker 3: in nineteen fifty three, he married nineteen year old Thelma
• 18:51
  Speaker 3: Louise Coleman, and he suddenly completely abandoned his lifetime passion
• 18:57
  Speaker 3: of boxing out of nowhere and decide instead he wanted
• 19:01
  Speaker 3: to develop more of an interest in music, just out
• 19:05
  Speaker 3: of the blue, I guess. So he started writing songs
• 19:10
  Speaker 3: and he opened, because it's just so easy to do,
• 19:15
  Speaker 3: opened a three D record mart, as it was called,
• 19:21
  Speaker 3: a record store featuring jazz music and three D glasses.
• 19:24
  Speaker 3: See this is what I'm talking about. If you sew grassroots.
• 19:27
  Speaker 3: It's like your dad has all this money, you got
• 19:31
  Speaker 3: connections to President Carter, and you come back home from
• 19:35
  Speaker 3: the war with this new, out of the blue desire
• 19:39
  Speaker 3: to become a musical producer, and you just so happened
• 19:43
  Speaker 3: to have money to open your own record store. I mean,
• 19:46
  Speaker 3: this is ridiculous. But the store was unsuccessful, And this
• 19:51
  Speaker 3: is what it says in the research. I'm not even
• 19:53
  Speaker 3: shitting you. It says the store was unsuccessful. But his
• 19:58
  Speaker 3: family connections put him in touch with a man named
• 20:01
  Speaker 3: Al Green. That's what it says. That's literally what it says.
• 20:05
  Speaker 3: It says his family connections put him in touch with
• 20:09
  Speaker 3: a man named al Green, no relation to the singer
• 20:12
  Speaker 3: Al Green. This Algreen was the owner of the Flame
• 20:17
  Speaker 3: Show Bar Talent Club and this is where Barry Gordy
• 20:21
  Speaker 3: Junior will meet the singer Jackie Wilson for the first time,
• 20:27
  Speaker 3: all due to his family connections, whatever those are. And
• 20:32
  Speaker 3: in nineteen fifty seven, Jackie Wilson recorded Rete Petite, a
• 20:37
  Speaker 3: song Gordy had co written with his sister Gwyn and
• 20:41
  Speaker 3: writer producer Billy Davis. It became a modest hit, but
• 20:46
  Speaker 3: had more success internationally, especially in the UK, where it
• 20:51
  Speaker 3: reached the top ten and even later topped the chart
• 20:55
  Speaker 3: on reissue in nineteen eighty six. Wilson recorded six more
• 21:00
  Speaker 3: songs co written by Gordy over the next two years,
• 21:05
  Speaker 3: including Lonely Tear Drops, which topped the R and B
• 21:10
  Speaker 3: charts and got to number seven in the Pop chart.
• 21:14
  Speaker 3: The Gordy siblings and Billy Davis also wrote All I
• 21:18
  Speaker 3: Could Do was Cry for Edda James so Xyz right
• 21:24
  Speaker 3: yat Ta Ta Ta Ta Tata. Gordy reinvested the profits
• 21:30
  Speaker 3: from his new songwriting success into producing, and in nineteen
• 21:37
  Speaker 3: fifty seven he discovered The Miracles aka Smokey Robinson and
• 21:44
  Speaker 3: began building a portfolio of successful artists. In nineteen fifty nine,
• 21:50
  Speaker 3: with the encouragement of Smokey Robinson, Gordy borrowed. This is
• 21:56
  Speaker 3: like that every time I see somebody borrowing, it's like, Oh,
• 22:01
  Speaker 3: I'm just gonna go borrow a million dollars from my dad,
• 22:04
  Speaker 3: who's supposed to be a poor, enslaved person. I mean, really, people,
• 22:09
  Speaker 3: it's just like they want you to think they grew
• 22:12
  Speaker 3: up so pitiphle and like whoa was me? Because black
• 22:17
  Speaker 3: this and that my dad or my dad's dad was
• 22:21
  Speaker 3: a slave owner. They were pretty the fuck well taken
• 22:24
  Speaker 3: care of. I think this is where the black nobility
• 22:26
  Speaker 3: shit comes in, the boulet and shit. But so xyz right,
• 22:32
  Speaker 3: and Gordy decided to borrow eight hundred dollars, which is
• 22:36
  Speaker 3: the equivalent to nine thousand dollars in twenty twenty six
• 22:39
  Speaker 3: from his daddy to create an R and B record company.
• 22:45
  Speaker 3: So basically, Jesus all right, his white grandpa who was
• 22:52
  Speaker 3: funneling money into the family, and the great grandfather or
• 22:56
  Speaker 3: some shit to President Carter funded the beginning of Motown
• 23:01
  Speaker 3: Records a white man. Would you imagine that it's all
• 23:05
  Speaker 3: contrived people? Don't you fucking forget it? So oh and
• 23:11
  Speaker 3: whatever swayed him to begin this little task in the
• 23:13
  Speaker 3: first place while he was in Korea, But so this is,
• 23:18
  Speaker 3: it is what it is. Over the next decade, he
• 23:24
  Speaker 3: signed such artists as The Supremes, Marvin Gay, The Temptations,
• 23:28
  Speaker 3: Jimmy Ruffin, The Contours, The Four Tops, Gladys Knight, The Commodores,
• 23:34
  Speaker 3: The Velvetets, Martha and the Vendelas, Stevie Wonder, and the
• 23:40
  Speaker 3: Jackson Five. In nineteen seventy two, after loads of commercial success,
• 23:47
  Speaker 3: creating legend after legend, Gordie relocated to Los Angeles. He
• 23:55
  Speaker 3: sold his interests in Motown Records to MC and Boston
• 24:01
  Speaker 3: Ventures on June twenty eighth, nineteen eighty eight for a
• 24:06
  Speaker 3: little old sixty one million dollars. And wouldn't you know
• 24:13
  Speaker 3: he has kids with like thirteen women here, the most
• 24:21
  Speaker 3: notable that I can find, actually, it said with his
• 24:26
  Speaker 3: then mistress, Margaret Norton. Gordy had a son in nineteen
• 24:32
  Speaker 3: sixty four named Kennedy William Gordy born March fifteenth, nineteen
• 24:39
  Speaker 3: sixty four, who would later become known as the Motown
• 24:43
  Speaker 3: musician Rockwell. How many times have you heard? And it's
• 24:49
  Speaker 3: always around Halloween time? I always feel like somebody watching
• 24:55
  Speaker 3: me Rockwell with Michael Jackson in the backups. That is
• 25:01
  Speaker 3: the son of Barry Gordy, June Cheer and his mistress.
• 25:10
  Speaker 3: Gordy also had a daughter with Motown artist Diana Ross,
• 25:15
  Speaker 3: with whom he had an intimate relationship with from nineteen
• 25:19
  Speaker 3: sixty five through nineteen seventy. And her name is Ronda
• 25:23
  Speaker 3: Suzanne Silberstein whose last name is Silburstein Diana Ross. I
• 25:29
  Speaker 3: guess is she Jewish?
• 25:31
  Speaker 2: What the fuck?
• 25:32
  Speaker 3: But anyways, along this legendary road of Barry Gordy's Motown empire,
• 25:42
  Speaker 3: it's literally covered covered in bodies, the necessary innocent blood
• 25:52
  Speaker 3: that must be sacrificed in order to obtain this level
• 25:57
  Speaker 3: of wealth, power and fai for himself. Not just a few,
• 26:04
  Speaker 3: but literally dozens and dozens and dozens of bodies, and
• 26:11
  Speaker 3: his reach extends past the Motown walls. Gordy would employ
• 26:18
  Speaker 3: and sneak around with known mobsters and literally stage the deaths,
• 26:24
  Speaker 3: much like the Marilyn Monroe situation of several beloved artists,
• 26:32
  Speaker 3: but he lies in the shadows of his kingdom, untouchable,
• 26:37
  Speaker 3: and up until this point you probably never even knew
• 26:41
  Speaker 3: his name. But we're gonna change that, and in the
• 26:46
  Speaker 3: next segment of Motown Murder Machine, I will reveal the
• 26:51
  Speaker 3: body count and all the poor, sorry sons of bitches
• 26:54
  Speaker 3: who were literally sacrificed on Barry's altar. Again, people, this
• 27:01
  Speaker 3: is Laurel Canyon two point zero, and this asshole went
• 27:04
  Speaker 3: on to achieve award after a ward after a ward,
• 27:11
  Speaker 3: all on the backs of a bunch of dead people
• 27:15
  Speaker 3: and murdered people, suicided people. I mean, it's gonna bust
• 27:23
  Speaker 3: your taint wide open when you hear about all this shit.
• 27:26
  Speaker 3: But that, unfortunately is for the next episode, and we're
• 27:32
  Speaker 3: gonna break this down part by part by part until
• 27:36
  Speaker 3: all has been revealed. I want you to comment below
• 27:41
  Speaker 3: your favorite Motown song or artist in the comment section.
• 27:47
  Speaker 3: Are you Smokey Robinson type of guy or gal? Maybe
• 27:52
  Speaker 3: it was Marvin Gay, Little Temptations, maybe it was even
• 27:59
  Speaker 3: the Super Let me know in the comment section your
• 28:04
  Speaker 3: favorite Modetown musical artist or song doesn't matter, And if
• 28:09
  Speaker 3: you agree with my connection of the very Gordy line
• 28:14
  Speaker 3: to the elite class, hidden vampire motherfuckers who control everything.
• 28:20
  Speaker 3: Comment Barry Gordy Junior's taint in the comments as well.
• 28:25
  Speaker 3: But that's what I have for you today. We got
• 28:27
  Speaker 3: to dip our toe in the water because in order
• 28:29
  Speaker 3: to understand this, we have to break it down piece
• 28:32
  Speaker 3: by piece, starting with the very beginning. But thanks for
• 28:37
  Speaker 3: being here, thanks for joining me. I love each and
• 28:41
  Speaker 3: every one of you, and I will catch you on
• 28:45
  Speaker 3: the next one very good.
• 28:47
  Speaker 5: I want you to know in my heart and mind
• 28:49
  Speaker 5: you are a genius and a king. Without you, Barry Gordy,
• 28:54
  Speaker 5: I don't think music would be the same today.
• 29:00
  Speaker 4: That you want holler do I'll chose to make it
• 29:06
  Speaker 4: do with some of the time then before became the
• 29:12
  Speaker 4: two of us gods, you know I loved you more.
• 29:16
  Speaker 4: It took me passified when I found my castdays to
• 29:24
  Speaker 4: put the other held to the great Man. No man's form.
• 29:30
  Speaker 1: What you be.
• 29:32
  Speaker 4: A to the Great Fir? Doesn't mother you come on?
• 29:40
  Speaker 4: Had a hearty wel