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Selma's Choice (Patreon Exclusive) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Hey, what's going on, guys. Dan O Here just giving
• 0:02
  Speaker 1: you guys a little heads up. You may have noticed
• 0:04
  Speaker 1: from the title of this podcast you're not getting your
• 0:06
  Speaker 1: regular programming here on four figure discount. This week, you're
• 0:09
  Speaker 1: going to be getting another bonus Patreon exclusive. I've chosen
• 0:12
  Speaker 1: to throw Salmer's Choice, an episode that I adored. So
• 0:15
  Speaker 1: we originally uploaded this on our Patreon for our supporters
• 0:19
  Speaker 1: back in July of twenty twenty two, so two years ago.
• 0:22
  Speaker 1: So this has been available for two years in our Patreon.
• 0:24
  Speaker 1: It's just one of the many hours. Actually, we have
• 0:26
  Speaker 1: over one hundred hours of exclusive podcasts available for our
• 0:30
  Speaker 1: supporters on Patreon, So if you can support us, we'd
• 0:32
  Speaker 1: really appreciate. It's not just giving us money, you're getting
• 0:34
  Speaker 1: something you return over one hundred hours worth of content.
• 0:36
  Speaker 1: You also get all the shows early in ad free
• 0:38
  Speaker 1: and oh, you know you've heard this spiel before. But
• 0:40
  Speaker 1: as I said, Salmer's Choice is this week's podcast here
• 0:42
  Speaker 1: at four figure discount. And next week we're going to
• 0:45
  Speaker 1: be returning to our regular programming with our review of
• 0:48
  Speaker 1: e Pluribus Wigham from season nineteen, and safe to say,
• 0:51
  Speaker 1: we did not enjoy that episode not much at all,
• 0:55
  Speaker 1: probably one of the worst episodes I think I've ever
• 0:58
  Speaker 1: reviewed here in my nine and a half year as
• 1:00
  Speaker 1: a four figure discount artist. Didn't enjoy it at all,
• 1:02
  Speaker 1: but that's a bit of a tease for next week.
• 1:04
  Speaker 1: Of course, this episode here so much choice. We both
• 1:06
  Speaker 1: absolutely loved. It's just a fantastic one that you appreciate.
• 1:10
  Speaker 1: The the older you get, the more you appreciate it basically,
• 1:13
  Speaker 1: so so M's Choice is fantastic. Hope you guys enjoyed
• 1:15
  Speaker 1: the review. Don't forget Please continue to rate reviews and
• 1:17
  Speaker 1: have a podcast Spotify review. Do you find this show,
• 1:20
  Speaker 1: and if you can, as I said, support us on Patreon,
• 1:22
  Speaker 1: we would really appreciate that as well. But enough shilling.
• 1:24
  Speaker 1: Hope you guys enjoy a review here of Salmer's Choice.
• 1:27
  Speaker 1: As I said, it was recorded two years ago, so
• 1:29
  Speaker 1: if anything sounds out of date, that would be why.
• 1:31
  Speaker 1: And we shall be returning to our regular programming with
• 1:34
  Speaker 1: e Pluribus Wigham on next week's show. So again, thank
• 1:37
  Speaker 1: you guys for all of the support. Always appreciate it,
• 1:39
  Speaker 1: and I'll catch you on next week. Cheers.
• 1:43
  Speaker 2: Geez, we hardly made a debt to that ten foot, Hogy,
• 1:47
  Speaker 2: give it a good hope.
• 1:50
  Speaker 3: We've been eating that thing for a week. I think
• 1:52
  Speaker 3: the mayonnaise is starting to turn.
• 1:54
  Speaker 4: Two more feet.
• 1:55
  Speaker 3: No, I can fit it in the fridge, Homer. I
• 1:58
  Speaker 3: found this behind the radiator. I really think you should
• 2:01
  Speaker 3: throw it away.
• 2:02
  Speaker 4: Suggestion noted Marge. I'd like to be alone with the
• 2:08
  Speaker 4: sandwich for a moment.
• 2:10
  Speaker 5: Are you going to eat it?
• 2:13
  Speaker 4: Yes? Oh?
• 2:17
  Speaker 6: Four finger Discount dude.
• 2:34
  Speaker 1: Welcome to this very special edition of four Fingered Discount.
• 2:37
  Speaker 1: It is a four figure discount revisited classic. This week,
• 2:40
  Speaker 1: we are going all the way back to season four.
• 2:42
  Speaker 1: It is episode thirteen, episode nine f one one. It
• 2:46
  Speaker 1: is Salma's choice. I am Dando.
• 2:48
  Speaker 4: I am Guy Dando. How I am?
• 2:50
  Speaker 1: I man, I'm doing fantastic? How about you?
• 2:53
  Speaker 4: Not too? Dad? Little tired. I've got to say I
• 2:57
  Speaker 4: sort of had one of those wonderful things where you
• 3:00
  Speaker 4: wake up maybe quarter five, and you realize nap, no,
• 3:06
  Speaker 4: I can't get back to sleep.
• 3:07
  Speaker 1: I am in the morning. I think this after and
• 3:08
  Speaker 1: I'm like, wait a minute, okay, yeah.
• 3:12
  Speaker 4: No, no, that was given realized wonderful days when you
• 3:15
  Speaker 4: take up at five.
• 3:18
  Speaker 1: I tuned up for a second. I heard Holly running
• 3:20
  Speaker 1: down the hallway. I was like, and I came back
• 3:22
  Speaker 1: in and You're like, cor to five. I wake up,
• 3:23
  Speaker 1: and I'm like, wait a minute.
• 3:25
  Speaker 4: Meanwhile, you're saying, oh, that sounds marvelous. What a sleeping.
• 3:29
  Speaker 1: I know, but I know those times when you wake
• 3:33
  Speaker 1: up and it's so close to your usual wake up
• 3:35
  Speaker 1: time that you just go, what's the point you even
• 3:36
  Speaker 1: going back to sleep?
• 3:37
  Speaker 7: Oh?
• 3:37
  Speaker 4: Not even that. I was like, Oh, I mean, I've
• 3:40
  Speaker 4: not trained myself, but I do have that ability or
• 3:44
  Speaker 4: that tendency to look at the car and go, I'm
• 3:47
  Speaker 4: not really supposed to get up for another two hours.
• 3:51
  Speaker 4: Let's try and pull it off, or at least have
• 3:52
  Speaker 4: a nice sort of being that nice in between state.
• 3:55
  Speaker 4: I'm not quite a week but not quite asleep. But no,
• 3:57
  Speaker 4: this was just you're up, so and I was staying
• 4:01
  Speaker 4: with the lovely Louise who she had woken up as well.
• 4:04
  Speaker 4: And I won't say she woke me up because I
• 4:07
  Speaker 4: think it was just a lovely coincidence that we were
• 4:08
  Speaker 4: both awake. But she went back to sleep, and I
• 4:11
  Speaker 4: was just lying there, going, well, I can I just
• 4:13
  Speaker 4: lie here? Yeah, she'll hate me saying this, but I
• 4:18
  Speaker 4: sort of gave her a little bit nuts. I think
• 4:20
  Speaker 4: I'm going to go down stairs. She don't wake me
• 4:22
  Speaker 4: up again?
• 4:26
  Speaker 1: He gave her the Maggie treatment from but on the
• 4:28
  Speaker 1: road pretty well.
• 4:30
  Speaker 4: I wanted to wake up and find that I was
• 4:32
  Speaker 4: not there. Then when I came back up a few
• 4:34
  Speaker 4: hours later, she said, did I say, don't wake me
• 4:37
  Speaker 4: up again? Sorry? Brother?
• 4:39
  Speaker 1: What were your What were your thoughts at that point
• 4:41
  Speaker 1: where you, like, she said don't wake me up again?
• 4:43
  Speaker 1: Were like, Oh, I've pissed her off? What do I do?
• 4:45
  Speaker 4: I was like that, that's valid. I probably would have
• 4:49
  Speaker 4: said the same thing if someone, if someone woke me
• 4:51
  Speaker 4: up and said I'm awaken, I'm going to go down stairs.
• 4:54
  Speaker 4: And there's something nice.
• 4:56
  Speaker 1: There's something nice about waking up early though, where you
• 4:59
  Speaker 1: feel like you've just got the extra time too, because
• 5:01
  Speaker 1: I'm horrible in the mornings. I like when I wake
• 5:04
  Speaker 1: up and it's like this, it's very quiet. You can
• 5:05
  Speaker 1: hear the magpies, you know, out and out there. The
• 5:08
  Speaker 1: sun's starting to come up. It's not too but it's
• 5:11
  Speaker 1: gonna be not too cold. It's too cold for that.
• 5:12
  Speaker 1: But when it's just just nice and you go outside
• 5:15
  Speaker 1: and you're like, this is this is pleasant, life is good.
• 5:18
  Speaker 4: Well this morning was the opposite of that. But yeah
• 5:20
  Speaker 4: it was freezing because it was effing freezing. And you
• 5:23
  Speaker 4: know what we heard instead of Jackhammer's next door starting
• 5:30
  Speaker 4: at about seven the worst To the young dude's credit,
• 5:34
  Speaker 4: who was part of the work team, I was walking
• 5:37
  Speaker 4: down to get in my car and this guy look
• 5:39
  Speaker 4: at me said mate, sorry, I'm like, what are you
• 5:44
  Speaker 4: gonna do? But but ready to go read to talk
• 5:49
  Speaker 4: about some shows and quite happy to do. So this
• 5:53
  Speaker 4: was this was fun.
• 5:54
  Speaker 1: Yeah, it's just a great combo of laughs and heart,
• 5:56
  Speaker 1: isn't it.
• 5:57
  Speaker 4: It really is. And here's the thing. I don't know,
• 6:00
  Speaker 4: not that it shouldn't work as well as it does,
• 6:02
  Speaker 4: but it's kind of all over the place.
• 6:04
  Speaker 1: Yeah, it's it's a bit of a it's like it's
• 6:06
  Speaker 1: a having fun, random wacky anti to the theme park
• 6:09
  Speaker 1: story mixed with a story of a woman trying to
• 6:11
  Speaker 1: find herself.
• 6:12
  Speaker 4: Yeah, it's you think it's going or it's got like
• 6:16
  Speaker 4: an A and a B plot, but then it's got
• 6:18
  Speaker 4: like an A one plot, B one plot, got the
• 6:21
  Speaker 4: home place, well A two plotter B two plot. So
• 6:25
  Speaker 4: it's like it's switching tracks and there's there's a lot
• 6:28
  Speaker 4: going on in this episode, but it all comes together and,
• 6:30
  Speaker 4: as you say, a really fantastic combination of humor and heart.
• 6:36
  Speaker 1: And it's just a really nice way of developing the
• 6:39
  Speaker 1: character of Selma because we didn't get too much of
• 6:41
  Speaker 1: the sisters in the earlier seasons. I think the first
• 6:44
  Speaker 1: time we got true development with the with the sisters
• 6:47
  Speaker 1: was in Principal Charming where Salma's hot for Skinner but
• 6:50
  Speaker 1: then he has the hots for Patty instead, which is
• 6:53
  Speaker 1: a good episode from season two. But this is the
• 6:55
  Speaker 1: first time we really really dalved into Salma. I think
• 6:57
  Speaker 1: I think this was before Black Widowa where she started
• 6:59
  Speaker 1: dating uh Sicho Bob, where she married Sicho Bob. But yeah,
• 7:03
  Speaker 1: I just really enjoyed this. I just thought it was
• 7:05
  Speaker 1: really sweet how by the end she was just content
• 7:07
  Speaker 1: and happy with where she was in life. She got jubjub.
• 7:10
  Speaker 1: You know, she's she's realized I wanted kids, but maybe
• 7:13
  Speaker 1: I'm just len up to it. But she's found something
• 7:14
  Speaker 1: to fill that gap.
• 7:16
  Speaker 4: She's found something or someone to care for. And yeah,
• 7:21
  Speaker 4: you need to have a vessel for your affection, yes,
• 7:25
  Speaker 4: whether it's another person or an animal or whatever. Yeah,
• 7:30
  Speaker 4: and this episode did that really well.
• 7:32
  Speaker 1: Because they always positioned Patty and Samma as the mean
• 7:35
  Speaker 1: sister in law who are always putting down our hero Homer.
• 7:38
  Speaker 1: It's like they're always just bitches. But in this they
• 7:41
  Speaker 1: really humanized Patty to an extent. I really humanized somewhere
• 7:44
  Speaker 1: and made you go, ah, there's a reason, Like I
• 7:46
  Speaker 1: know she's wise cracking with Homer, but even by the
• 7:49
  Speaker 1: end of it there where she she home is the
• 7:51
  Speaker 1: one that she actually opens up to.
• 7:53
  Speaker 4: Yeah. I really liked that moment of sort of grudging.
• 7:58
  Speaker 4: I don't know if what's respect, but certainly an acknowledgment that.
• 8:03
  Speaker 1: I'm sorry I've been this way because you've got a
• 8:05
  Speaker 1: hard job.
• 8:06
  Speaker 4: If home we can pull this off day after day,
• 8:08
  Speaker 4: and let's be honest, marg just doing most of the
• 8:09
  Speaker 4: heavy lifting. But if Homer can still, you know, keep
• 8:13
  Speaker 4: the keep a family alive till the end of the day,
• 8:17
  Speaker 4: you deserve some props for that, and it's great that
• 8:19
  Speaker 4: that someone actually gives it to him after just constantly
• 8:22
  Speaker 4: ragging on the guy for goodness knows how long.
• 8:24
  Speaker 1: There's just a little subtle bit of animation in that
• 8:27
  Speaker 1: moment there that I really enjoyed. And they don't sort
• 8:29
  Speaker 1: of focus on it's only down the bottom, but he
• 8:31
  Speaker 1: grabs it by the hands. Yeah, don't worry, was like,
• 8:36
  Speaker 1: this is this is really good. I never noticed him
• 8:37
  Speaker 1: grabbing her hands before. It was a nice touch.
• 8:40
  Speaker 4: It's actually he was nice. He was sort of touchy
• 8:43
  Speaker 4: feeling all the way through. I mean, I don't think
• 8:45
  Speaker 4: I think it was just the done thing for him
• 8:47
  Speaker 4: to give them both a hug and they're like, man,
• 8:51
  Speaker 4: And I don't think his heart was in it all
• 8:52
  Speaker 4: that much as well, but it's like at least his yes, yeah,
• 8:57
  Speaker 4: sorry I interrupted, you please go on.
• 8:58
  Speaker 1: I know I was just gonna bring up du Gardens
• 9:00
  Speaker 1: and just a piss take of Disneyland, but that what
• 9:03
  Speaker 1: a great piss take.
• 9:05
  Speaker 4: Well yeah, I mean, you really feel like you've actually
• 9:08
  Speaker 4: spent a day at Dove Gardens with this episode. I've
• 9:10
  Speaker 4: forgotten this was the Tough Gardens episode.
• 9:12
  Speaker 1: I this is the thing, right, So I remember they
• 9:15
  Speaker 1: went to a theme part, but for some reason I
• 9:17
  Speaker 1: forgot that it was dough Gardens. I'm like, they go
• 9:20
  Speaker 1: somewhere with someone. Because I hadn'tatched this one in a
• 9:22
  Speaker 1: long time, probably since we did a review I did
• 9:24
  Speaker 1: my review of Mitch like several years ago. So when
• 9:26
  Speaker 1: I first had this episode on tape, because you know,
• 9:29
  Speaker 1: you used to always take the episodes back in the day,
• 9:31
  Speaker 1: the tape episodes of your favorite shows, and you just
• 9:33
  Speaker 1: rerun those tapes over and over again. So this episode here,
• 9:37
  Speaker 1: I always missed the first two or three minutes. I
• 9:39
  Speaker 1: always I remember I pushed record as they were pulling
• 9:41
  Speaker 1: up to pick up Patty and Selma. So when it's
• 9:44
  Speaker 1: kicked off with the Tough Gardens commercial, I was like,
• 9:46
  Speaker 1: oh shit, that's right. But the first two minutes always
• 9:48
  Speaker 1: catches me off guard because I never watched it. You know,
• 9:51
  Speaker 1: it wasn't on my It's not part of because it
• 9:53
  Speaker 1: becomes muscle memory, you know when you watch it. You
• 9:55
  Speaker 1: know when you watch a movie that used to watch
• 9:56
  Speaker 1: where it used to have the cut to commercial break,
• 9:58
  Speaker 1: and you watch it so much that you watch the
• 10:00
  Speaker 1: movie now and you're always expecting it to go to
• 10:02
  Speaker 1: commercial at that point. Yeah, So it's just like that
• 10:04
  Speaker 1: for me here where I'm just like, ah shit, that's right,
• 10:07
  Speaker 1: this happens at the start. But how great is the commercial?
• 10:11
  Speaker 4: It really works because I love that Homer is just
• 10:14
  Speaker 4: as thrilled. I mean, of course he'd be thrilled to
• 10:16
  Speaker 4: go to deugh Gardens, but you normally.
• 10:19
  Speaker 8: The kids, Yeah yeah, yeah, But I was just like, whoa,
• 10:24
  Speaker 8: And it's good the relationship between the kids and Homer,
• 10:26
  Speaker 8: and this where I see a little bit of myself
• 10:29
  Speaker 8: in this episode where I loved when Bart goes.
• 10:32
  Speaker 1: It's not gonna be any fun without your dad, I
• 10:34
  Speaker 1: was like, that's really nice that they want to have
• 10:37
  Speaker 1: him there because he's part of the experience. They know
• 10:39
  Speaker 1: he would make it more enjoyable because he's a big
• 10:41
  Speaker 1: kid at heart.
• 10:42
  Speaker 4: Oh yeah.
• 10:43
  Speaker 1: Also, it was nice to see Homer and Marge getting
• 10:45
  Speaker 1: some alone time watching The Eurotic Adventures of Hercules.
• 10:49
  Speaker 4: I don't know if we want to cut to our
• 10:50
  Speaker 4: favorite moments, but I just think it is incredibly cute
• 10:53
  Speaker 4: watching soft call with your sweetheart.
• 10:57
  Speaker 1: Just a psychosyropylo was and the giggle, but all of that,
• 11:04
  Speaker 1: I mean, just I mean it is.
• 11:06
  Speaker 4: That is one of my all time just favorite bits
• 11:10
  Speaker 4: from the Sentences The Rotic Adventures of Mecas. Just it
• 11:15
  Speaker 4: really nails that kinde of dumb ass sword and sorcery
• 11:18
  Speaker 4: movie that I watched a bunch of in the eighties
• 11:20
  Speaker 4: Hercules the cyclist ripped off my clothes. It's so funny,
• 11:26
  Speaker 4: isn't it. It's fantastic. Yeah. I was so happy in
• 11:30
  Speaker 4: all the discoveries that I made in this episode, or
• 11:33
  Speaker 4: not that I made. But it's like, oh, it's got
• 11:35
  Speaker 4: this because like I didn't realize it was tough gardens, Like, okay,
• 11:39
  Speaker 4: so Duff Garden's got surly Yeah. But then it's like,
• 11:42
  Speaker 4: oh so daft guns, duff beer for me, lizard queen
• 11:45
  Speaker 4: and all that kind of stuff. Oh wow, this is
• 11:48
  Speaker 4: this is like a real grab not a grab bag
• 11:50
  Speaker 4: of show bag. Yeah, big fucking deluxe show bag of
• 11:53
  Speaker 4: an episode.
• 11:54
  Speaker 1: So many, so many bits. Yeah. And as you said,
• 11:56
  Speaker 1: it catches you off guard because it starts kind of slow,
• 11:57
  Speaker 1: but it really builds, doesn't it. That that last time
• 11:59
  Speaker 1: minutes is just bang bang bang bang, gag gag gag.
• 12:03
  Speaker 1: But the start it's got the start's got its last
• 12:05
  Speaker 1: but it's it's a very different episode the first half.
• 12:09
  Speaker 4: I mean, I think leading up to the funeral and stuff,
• 12:13
  Speaker 4: all the stuff at the funeral and and the and
• 12:15
  Speaker 4: the will reading on the videotape, that feels very like
• 12:18
  Speaker 4: season one or season two to.
• 12:19
  Speaker 1: Me, but that's there just to establish the Salma story.
• 12:21
  Speaker 1: But that in the meantime, I've still got Homer. You know,
• 12:24
  Speaker 1: they remind you of the start Duff Gardens. They go
• 12:26
  Speaker 1: to the funeral, they establish the summer story, then bam,
• 12:29
  Speaker 1: they're watching the Duff Gardens trailer again. And yeah, but
• 12:32
  Speaker 1: it feels like two completely different episodes.
• 12:34
  Speaker 4: It does. Yeah, and once the momentum starts to pick up,
• 12:37
  Speaker 4: it's like, oh, okay, this is feeling more early vintage Simpsons,
• 12:41
  Speaker 4: which it is. It's season four, so yeah.
• 12:44
  Speaker 1: I want I was watching this go on. I wonder
• 12:45
  Speaker 1: if Guy can relate to this, because I feel like
• 12:48
  Speaker 1: you you would be a great dad. I know, I
• 12:50
  Speaker 1: know you like to be the fun uncle, but I
• 12:52
  Speaker 1: can imagine you taking kids to a theme park and going,
• 12:54
  Speaker 1: oh fucking hell.
• 12:56
  Speaker 4: All this.
• 12:59
  Speaker 1: The eye Deer is nice.
• 13:01
  Speaker 4: Absolutely. Look, I've had experiences where I've taken little folks
• 13:05
  Speaker 4: to big events and all that kind of business, like, yeah,
• 13:09
  Speaker 4: we have to keep Hey, you got to watch them
• 13:11
  Speaker 4: all the time, huh. And I thought that I thought
• 13:16
  Speaker 4: the place was meant to keep him amused. What I've
• 13:18
  Speaker 4: got to do some work too, Come on, I can
• 13:20
  Speaker 4: just leave and go over a beer. Yeah, yeah, so
• 13:25
  Speaker 4: I did relate very much. Hey, look a bench.
• 13:27
  Speaker 1: That's exactly the moment I was thinking of. I'm like,
• 13:30
  Speaker 1: this is yeah, that's very much me. So a couple
• 13:36
  Speaker 1: of facts before we get into our favorite moment, So,
• 13:39
  Speaker 1: aren't glad? It's her love of collecting celebrities that look
• 13:41
  Speaker 1: like potato chips was based on Myrtle Young, who once
• 13:44
  Speaker 1: appeared She was not a famous but that person who
• 13:47
  Speaker 1: collected potato chips look like celebrities. And she was made
• 13:50
  Speaker 1: famous by appearing on the Johnny Carson Show. Have you
• 13:53
  Speaker 1: seen the clip? It is Carson at his best. So
• 13:58
  Speaker 1: this adorable elderly lady on there, she's gone, this one
• 14:01
  Speaker 1: looks like a pair, and this one looks like Rodney
• 14:04
  Speaker 1: Dangerfield and she's hold him not right, she's hold him
• 14:07
  Speaker 1: not so proud of him. And then he gets ed
• 14:09
  Speaker 1: to go, oh what about these ones? And she looks away,
• 14:11
  Speaker 1: and Johnny grabs a chip from a different bowl and
• 14:13
  Speaker 1: starts eating it and crunches really loud, and she turns
• 14:15
  Speaker 1: and looks at him. She thinks he's eating a collection's
• 14:20
  Speaker 1: vintage car, and he goes, oh, no, don't you thought
• 14:24
  Speaker 1: I was eating your collection. Oh no, no, no, I've
• 14:26
  Speaker 1: got this ball. Why would they do this to you?
• 14:28
  Speaker 1: And he's just playing as well. Honestly, YouTube it is
• 14:31
  Speaker 1: so worth it. Also, by the way, I found it
• 14:33
  Speaker 1: because it was a suggestive video after that one Rodney
• 14:36
  Speaker 1: Dangerfield making Carson fall out of his chair laughing, Oh brilliant.
• 14:40
  Speaker 1: So he's apparently Rodney Dangerfield had a tendency to not
• 14:43
  Speaker 1: know how to end interviews. He was just like, he
• 14:45
  Speaker 1: just really off gag gag, gag, gag, gag. And he
• 14:48
  Speaker 1: watched him in this one and Carson sused to just
• 14:49
  Speaker 1: let him go because he's like, well, he's just gonna
• 14:51
  Speaker 1: keep going. And Carson's sitting there and he can tell
• 14:53
  Speaker 1: Dangerfiel's just like, yeah, I'm out of ideas. So he
• 14:56
  Speaker 1: turns to is it James Mason the actor? Oh yeah, yeah,
• 14:59
  Speaker 1: just turn him. He's he's doing all these gags. He
• 15:01
  Speaker 1: just turned to me and goes, so, what's new with you?
• 15:05
  Speaker 4: Ah? Oh, I can't wait.
• 15:08
  Speaker 1: It's a car and just falls out of his chair.
• 15:12
  Speaker 1: So what's new with you?
• 15:15
  Speaker 4: Oh that's so awesome. What a genius. What we need
• 15:19
  Speaker 4: to do?
• 15:19
  Speaker 1: Burns Baby Burns a funny Dangerfield and the Simpsons. We're
• 15:22
  Speaker 1: doing dude, Yes anyway, So let's get into our favorite moments.
• 15:27
  Speaker 4: My favorite what were you from?
• 15:28
  Speaker 1: Your favorite momentes from the episode is a Davis A
• 15:30
  Speaker 1: lot of green this time on the paper and off,
• 15:37
  Speaker 1: a lot of green before this episode, a lot of
• 15:39
  Speaker 1: green after this episode.
• 15:43
  Speaker 4: Homer cracking himself up at the legend of the Dog
• 15:45
  Speaker 4: Faced Woman, so he thinks it's so funny that he
• 15:47
  Speaker 4: can't remember to keep it to himself. Legend of the
• 15:52
  Speaker 4: dog Faced Woman. I love that. I thought that was fantastic.
• 15:59
  Speaker 4: Selma putting herself on videotape for the for the dating
• 16:02
  Speaker 4: this it's a free lunch, fellas, come we get it,
• 16:07
  Speaker 4: which I love. It's a line I'd love to just
• 16:09
  Speaker 4: use it if if I'm ever in the dating game again.
• 16:13
  Speaker 4: God forbid. That's not going to happen, by the way,
• 16:16
  Speaker 4: because Team Louise for Life, ladies, it's a free lunch.
• 16:21
  Speaker 1: You look at a free lunch, ladies coming out.
• 16:23
  Speaker 4: A really terrific sight gag outside the sperm bank with
• 16:29
  Speaker 4: with the logo was put your sperm in our hands?
• 16:32
  Speaker 1: Oh yes, how great is that?
• 16:34
  Speaker 4: That's fantastic? As I mentioned, just watching soft core porn
• 16:41
  Speaker 4: with your sweetheart, curl ebon in bed of the afternoon,
• 16:44
  Speaker 4: and even just the vidrants of the feet sort.
• 16:47
  Speaker 1: Of animation of the toes.
• 16:49
  Speaker 4: Just yeah, it's so good, ah lovely, I mean funny
• 16:52
  Speaker 4: as fun, but also just heartwarming. And speaking of heart warming,
• 16:55
  Speaker 4: I just love the close out. I mean, what good
• 16:57
  Speaker 4: is the end? It nearly brought me to tear is yeah,
• 17:00
  Speaker 4: because it's just And I waited around for the very
• 17:04
  Speaker 4: end of the credits because I wanted to find out
• 17:05
  Speaker 4: who sang the version of you make Me Feel like
• 17:08
  Speaker 4: a natural woman, and it's I haven't heard of this
• 17:11
  Speaker 4: perform before, but Michelle Pillar or Pillar did the vocals.
• 17:16
  Speaker 4: And well, I mean, first of all, you've got Julie
• 17:19
  Speaker 4: singing it, and that's what really sort of got me just, oh,
• 17:22
  Speaker 4: that's that's really nice.
• 17:24
  Speaker 1: She feels complete now, yeah she does.
• 17:26
  Speaker 4: Yeah, it's you know, it's not the American idol rendition,
• 17:29
  Speaker 4: but it's the heartfelt rendition. I thought it was really
• 17:31
  Speaker 4: good and then to seg into sege sorry, into a
• 17:35
  Speaker 4: very nice, more professional, but equally heartfelt rendition. Loved it,
• 17:40
  Speaker 4: really really good way to close out this app There
• 17:42
  Speaker 4: are other bits, but we'll talk about.
• 17:46
  Speaker 1: I've always loved the another place match, sir, please.
• 17:50
  Speaker 7: Please yeah, yeah, trying to be all dignity any time
• 18:00
  Speaker 7: that homelessed to get blue blooded, blue blooded or sophisticated.
• 18:06
  Speaker 1: Please if you don't tomorrow, Yes, yes, I also loved
• 18:12
  Speaker 1: all the favor of giving the pope. And there's two
• 18:18
  Speaker 1: more marriage I'd like to be along with this savage
• 18:21
  Speaker 1: for a moment. Oh, you're gonna eat it. Yes, I've forgoten.
• 18:26
  Speaker 4: This was the sandwich episode.
• 18:28
  Speaker 1: It's got so many bits and finally take this and
• 18:31
  Speaker 1: this and then these. I thank you doctor. Oh I'm
• 18:34
  Speaker 1: not a doctor. Next question, you there eating the beast.
• 18:41
  Speaker 1: All right, it's time for some trivia. But before we
• 18:43
  Speaker 1: do some trivia, let's read out. I tweet all the
• 18:45
  Speaker 1: patrons because we love them so much.
• 18:47
  Speaker 4: Keep the lights on, let's do it.
• 18:48
  Speaker 1: Yeah, Christopher Derby, Andrews, Jordan Derby, Christopher, Trent Abby. I'm
• 18:52
  Speaker 1: gonna write that here now, Trent Derby, he probably hates
• 18:57
  Speaker 1: that thing. Andrews, Jordan Mulman, Richie, Steve Haam, Champion, Dylan Haget,
• 19:01
  Speaker 1: Sally Kimberly, Hanks Scorpio, Kevin Dental, Planned Flood, Jonathan Rossi,
• 19:05
  Speaker 1: Zach Pruitt, Timothy Burson, Joel Yolande kat g Daniel Kotnick,
• 19:10
  Speaker 1: Shannon Hofer, Jenna, Rice Rhys, Roberts, Adam Sanders and George Mcmahermee,
• 19:14
  Speaker 1: Stephen Roberts, Seawan DV Butler, winder Bank, David Stewart, Tom Pickering,
• 19:17
  Speaker 1: Mark Boston Burgess, Decklan Phoenix and grants given.
• 19:20
  Speaker 9: No.
• 19:20
  Speaker 1: I thank you so much guys for your ongoing support.
• 19:24
  Speaker 1: All right, so trivia Forcealmer's choice. My first question is
• 19:28
  Speaker 1: what is the name of the roller coaster at Duff
• 19:30
  Speaker 1: Gardens that will be complete in nineteen ninety four.
• 19:34
  Speaker 4: Well, it's the Whiplash and I was gonna ask when's
• 19:36
  Speaker 4: it gonna be competing? Okay, okay, where is the funeral
• 19:42
  Speaker 4: of Gladys being held?
• 19:44
  Speaker 1: Are the name of the business?
• 19:45
  Speaker 4: Oh? The name of the town?
• 19:47
  Speaker 1: Oh? I don't know what is it?
• 19:48
  Speaker 4: It's Little neck Falls, Little neck Falls.
• 19:50
  Speaker 1: What's the name of the business? I did write that
• 19:52
  Speaker 1: down in my notes somewhere low expected as it last
• 19:54
  Speaker 1: the dating service. Yeah. I didn't see the name of
• 19:56
  Speaker 1: the funeral home, or it does have a name, the
• 20:00
  Speaker 1: Lucky Stiff Funeral Home. My next question is which poet.
• 20:06
  Speaker 1: Was she reading a poem of.
• 20:08
  Speaker 4: Hey Frost, you want some snow man?
• 20:14
  Speaker 1: It's probably We discussed this and I said, no, no,
• 20:19
  Speaker 1: so good. It's such an American host some snow.
• 20:27
  Speaker 4: I know we're talking about we're talking about another episode beards,
• 20:30
  Speaker 4: and I've said this when we've talked about this episode
• 20:32
  Speaker 4: in the past. Frost is reading his lovely part cross
• 20:36
  Speaker 4: into the bullard faces, like want some snow man. We
• 20:43
  Speaker 4: discussed this further and I said, no, your next question,
• 20:50
  Speaker 4: So my question you according to the edited videotape, how
• 20:56
  Speaker 4: much heads have been left to Lionel hearts fifty dollars.
• 21:00
  Speaker 1: You'd be surprised how much that works. It's always lovely
• 21:03
  Speaker 1: having Phil Hartman on board, isn't It.
• 21:07
  Speaker 4: Got him down in green here Lionel Hutch just earning
• 21:09
  Speaker 4: that fee by pushing a button? What a lord? Pretty sweet?
• 21:13
  Speaker 1: Huh. Every line that Phil Hartman reads is just beautiful.
• 21:20
  Speaker 1: It's just a genius. My next question is how many
• 21:23
  Speaker 1: immigrant laborers died building the pyramid twelve twenty two? I
• 21:29
  Speaker 1: was twenty two. Twelve people died at the camp of
• 21:32
  Speaker 1: the way we worked, okay with that? Do you know
• 21:35
  Speaker 1: where that came from?
• 21:39
  Speaker 4: It's terrible. It's a terrible thing to say, but very
• 21:43
  Speaker 4: very funny in the circumstance. Similar question, how many men
• 21:50
  Speaker 4: can lift the beyramid?
• 21:53
  Speaker 1: Or was it five?
• 21:54
  Speaker 4: It was five?
• 21:55
  Speaker 1: Five? My final question is who is the net? What
• 22:00
  Speaker 1: the name of Mitch's supervisor?
• 22:03
  Speaker 4: You better start it? Oh it was a gym, gym?
• 22:06
  Speaker 1: Well done?
• 22:06
  Speaker 4: Yes, I was thinking. I was also thinking of the
• 22:10
  Speaker 4: guy the checkout boys, the bag boy and yeah, yeah, yeah,
• 22:13
  Speaker 4: because I think it was Albert Albert.
• 22:15
  Speaker 1: And Arnold was one Arnold and shut up Arnold, go
• 22:18
  Speaker 1: for it, man, go for a man.
• 22:22
  Speaker 5: Ah.
• 22:22
  Speaker 4: I missed the days of this is how old I am?
• 22:25
  Speaker 4: I actually remember bag boys?
• 22:27
  Speaker 1: We have bag boys here, did we?
• 22:32
  Speaker 4: I think there was there was a stage where this
• 22:35
  Speaker 4: is when I was a very little kid. I'm pretty
• 22:37
  Speaker 4: sure you had like double up at the counter and
• 22:39
  Speaker 4: someone was ringing it through when someone would bag it
• 22:41
  Speaker 4: for you.
• 22:41
  Speaker 1: They still do that in America. Yeah, I didn't know
• 22:45
  Speaker 1: what was going on that. She was like, you're supposed
• 22:47
  Speaker 1: to tip him, And I'm like, but you met to
• 22:49
  Speaker 1: tip the bag boy, tip the bag boy.
• 22:52
  Speaker 4: Ah, And it feels like for a side tipping the
• 22:56
  Speaker 4: bag tapping the bag boy.
• 22:58
  Speaker 1: I was like I was like walking out in the
• 22:59
  Speaker 1: security guys, like you're supposed to tip the bag boy,
• 23:02
  Speaker 1: but you're.
• 23:03
  Speaker 4: Just fucking putting shit in the bag.
• 23:04
  Speaker 1: I could have done that for helf.
• 23:09
  Speaker 4: Oh Man.
• 23:10
  Speaker 1: Anyway, all right, that is trivia.
• 23:11
  Speaker 4: I'll do. You have one more question for me. I
• 23:12
  Speaker 4: have one more question for you. The aforementioned sperm bank
• 23:15
  Speaker 4: was established in what year?
• 23:18
  Speaker 1: I have no idea. I'm going to say nineteen fifty one.
• 23:23
  Speaker 4: You'd be so wrong, but but sort of close because
• 23:26
  Speaker 4: it was eighteen fifty eight. Oh, not bad.
• 23:29
  Speaker 1: I was one hundred and seven years correct, one hundred
• 23:31
  Speaker 1: and seven that right? No about that? Is it fifty
• 23:35
  Speaker 1: one fifty eight?
• 23:36
  Speaker 4: Oh?
• 23:36
  Speaker 1: I don't know. No, No, the it's not one hundred
• 23:39
  Speaker 1: ninety ninety three ninety three? Yes, I thought it was
• 23:42
  Speaker 1: the way aroun all right, that is trivia for Summer's Choice.
• 23:44
  Speaker 1: Let's get into the review. So what I liked about
• 23:46
  Speaker 1: this was we had the full intro again, we had
• 23:48
  Speaker 1: the chalkboil gag and a couch gag. We have a
• 23:50
  Speaker 1: full old school intro. So the the original air date
• 23:53
  Speaker 1: though before that was January twenty first, nineteen ninety three,
• 23:57
  Speaker 1: well ninety three It was written by David M. Stern
• 24:00
  Speaker 1: and directed by Carlos and Beazer, and it had the
• 24:04
  Speaker 1: chop or gag of I will not yell She's dead
• 24:06
  Speaker 1: during roll call and the cash gag as well, where
• 24:08
  Speaker 1: the Simpsons family is caught by a net on the ground.
• 24:12
  Speaker 1: The episode kicks off with the Lance Murdoch commercial for
• 24:15
  Speaker 1: Duff Gardens.
• 24:16
  Speaker 4: I'm very glad that that was not one of your
• 24:18
  Speaker 4: trivia questions what is the name of the stunt man?
• 24:19
  Speaker 4: Because I was I was thinking before we started recording.
• 24:23
  Speaker 4: It's like, I'm not trying to pre empty your or
• 24:27
  Speaker 4: pre guess your trivia questions, and I'm like, what if
• 24:30
  Speaker 4: you asked me about the stunt man, I should look
• 24:31
  Speaker 4: it up. Because I was in my head it was like,
• 24:34
  Speaker 4: it's a brock Landers And then I was like, no,
• 24:37
  Speaker 4: that's that's Markie, Mark's private detective name in Boogie Nights.
• 24:45
  Speaker 4: Brocklanders anyway, but sorry, I.
• 24:49
  Speaker 1: Still would have given you a point. Are we giving
• 24:51
  Speaker 1: you a point for that?
• 24:53
  Speaker 4: All right? But it's Lance Murdoch who on.
• 24:57
  Speaker 1: The whiplash He's crashed after going over sixteen blazing car.
• 25:00
  Speaker 4: Do they still do? Do we still have stuntman? I know,
• 25:03
  Speaker 4: we have krusty demons in the Extreme Games and all
• 25:06
  Speaker 4: that shit, but do we have any like evil Canievil types,
• 25:09
  Speaker 4: any devils?
• 25:10
  Speaker 1: Don't know if we do. We have more like I think,
• 25:13
  Speaker 1: like Chris, what's it he's a magician guy, Chris, Chris
• 25:16
  Speaker 1: Angel or Angel. We have more like like street performers
• 25:19
  Speaker 1: now more than like.
• 25:20
  Speaker 4: And I guess the jackass guys probably picked up the slack,
• 25:22
  Speaker 4: didn't they. And they're not even trying to, you know.
• 25:25
  Speaker 1: They're trying to succeed. They're like, I'm gonna let this
• 25:30
  Speaker 1: alligate to buy me in the nipple. Let's see what happens.
• 25:32
  Speaker 1: Oh man, not fun, but yeah, he goes on the
• 25:35
  Speaker 1: rise of Whiplash washing machine. We get the beer aquarium
• 25:37
  Speaker 1: with the drunk fish, and Homer says, warm up the car, kids,
• 25:40
  Speaker 1: or want the car. But we're going and we're going
• 25:42
  Speaker 1: to Duff Gardens. And if they ask you, what do
• 25:44
  Speaker 1: you say? We're under six and I'm accolage student. I
• 25:48
  Speaker 1: always say to Alliott, is that that age where you
• 25:52
  Speaker 1: can you can get him to lie where he looks
• 25:54
  Speaker 1: like he looks like he could be younger than four,
• 25:57
  Speaker 1: But he's not at the age where he knows. If
• 25:59
  Speaker 1: someone says how to you, he wouldn't say three, he'd
• 26:01
  Speaker 1: say four because he's too honest. He doesn't understand the
• 26:04
  Speaker 1: concept of lying it, which is a good thing. But
• 26:06
  Speaker 1: if I'm going to the movies or whatever, if we're
• 26:08
  Speaker 1: going somewhere and it's like kids under four eat free
• 26:10
  Speaker 1: and it turns four, he looks like you can still
• 26:13
  Speaker 1: can pass off as three. But they go, well, they
• 26:15
  Speaker 1: always the clever. They always ask the kid.
• 26:17
  Speaker 4: He's the big three year old who's eaten a lot
• 26:20
  Speaker 4: of free meals. That's why he's so good.
• 26:22
  Speaker 1: Yeah, but yeah, I mean, if you're ever running a
• 26:24
  Speaker 1: restaurant with that's the rule. You never asked the parent
• 26:25
  Speaker 1: because they're always gonna lie. You go, hey, buddy, how
• 26:27
  Speaker 1: old are you? I'm four. Motherfucker's trying to lie to me.
• 26:31
  Speaker 1: But yeah, so Homer's trying to get cheap tickets. Mars says,
• 26:34
  Speaker 1: I've got some bad news. Great Aunt Gladays has passed
• 26:36
  Speaker 1: away or she's passed on, and then Bar trying to
• 26:39
  Speaker 1: work out who is who is she? And she looked
• 26:43
  Speaker 1: like Aunt Patty. He shudders. March says, we can't go
• 26:47
  Speaker 1: to Duff Gardens. This weekend, we have to go to
• 26:49
  Speaker 1: the funeral instead. The kids are understanding, but Homer pouts
• 26:52
  Speaker 1: stupid dead woman Homer and then singing, I don't know
• 26:54
  Speaker 1: what the song is, but it's a song about spaghetti
• 26:56
  Speaker 1: and meatball and stuff. Yeah, well, is it an ad
• 26:59
  Speaker 1: for something?
• 27:00
  Speaker 4: The original song was on top of all smoky, on
• 27:02
  Speaker 4: top of all smokey, and they've done that.
• 27:05
  Speaker 1: It sounds like it seems to be. It could be
• 27:07
  Speaker 1: a TV jingle of some kind.
• 27:08
  Speaker 4: I think it's just the kid's version of like, you know,
• 27:10
  Speaker 4: it's almost like Batman smells in little jingle bells.
• 27:13
  Speaker 1: Okay, so on top of.
• 27:15
  Speaker 4: All spaghetti, you're covered in cheese. Yet I think it's
• 27:19
  Speaker 4: just a fun kids song. You sing in the car.
• 27:23
  Speaker 1: Marge's annoyed, so they sing Ding Dong the witches. Dad
• 27:25
  Speaker 1: In's dead. Then they pick up Paddy and Salmon. Homer
• 27:28
  Speaker 1: goes in for the big hug.
• 27:29
  Speaker 4: Just close your eyes. I wonder what Paddy. I wonder
• 27:35
  Speaker 4: first of all, what Patty and Cella would make of
• 27:39
  Speaker 4: the new mcguiva, and if they've ever made I've never
• 27:42
  Speaker 4: really watched it. I mean, it's it's funny that there
• 27:45
  Speaker 4: are now like new versions of Magnum and mcguiver because
• 27:49
  Speaker 4: it makes me feel old, not not really, but at
• 27:53
  Speaker 4: the same time, I'm like, I suppose to mcgiva when
• 27:55
  Speaker 4: I can handle. I mean, I remember I kind of
• 27:57
  Speaker 4: like that actor. I haven't seen him in much, but
• 27:59
  Speaker 4: I was like, I like that kid. But he goes
• 28:02
  Speaker 4: on to does do something, and I think he did
• 28:04
  Speaker 4: six seasons of mc guy, so his bills are paid
• 28:05
  Speaker 4: for a while. But rebooting Magnum, it's like, nah, I
• 28:12
  Speaker 4: don't know. I know Pattin's I'm a love Richard Dean Anderson,
• 28:15
  Speaker 4: but he's kind of replaceable. He's a bit forgettable. But
• 28:18
  Speaker 4: Tom Selleck is Magnum, you know, and you can't replace
• 28:20
  Speaker 4: you know. Tom Selleck is Magnum. No, just have that mustache,
• 28:24
  Speaker 4: no way, no way. So but I'd love it if
• 28:27
  Speaker 4: later episodes of the Symptons of sort of saying who's
• 28:32
  Speaker 4: this gaver.
• 28:35
  Speaker 1: Actually will be quite funny. I wonder if they do
• 28:36
  Speaker 1: do that, but hashtag not my mcgaver. Yeah yeah, yeah.
• 28:39
  Speaker 1: They start like a fang like.
• 28:41
  Speaker 4: A campaign or something, yeh yeah, yeah yeah, to bring
• 28:43
  Speaker 4: back Richard Dan Anderson and then they kidnap him like misery,
• 28:48
  Speaker 4: all right, let's keep working on this spec script. Let's
• 28:50
  Speaker 4: do it.
• 28:51
  Speaker 1: Let's do it.
• 28:51
  Speaker 4: Unfortunately, they just canceled the new mcguy. Oh shit, okay,
• 28:56
  Speaker 4: damn it.
• 28:57
  Speaker 1: So that the kids they put the get you to
• 29:00
  Speaker 1: the car squashes Lisa and Patty and some were got
• 29:02
  Speaker 1: here smoking in the car with kids.
• 29:03
  Speaker 4: I was like, wow, you wouldn't would not see this
• 29:05
  Speaker 4: on TV anymore. No, but I mean, even at that stage,
• 29:09
  Speaker 4: this is not the right thing to do. But yeah,
• 29:12
  Speaker 4: I think that would be kneecapped at the script stage,
• 29:15
  Speaker 4: at the first draft stage.
• 29:17
  Speaker 10: I can't believe Anti Glays is really gone. A legend
• 29:21
  Speaker 10: will live forever.
• 29:24
  Speaker 4: Yeah, the legend of a dog faced woman.
• 29:28
  Speaker 3: Legend of the dog faced woman. Oh that's good.
• 29:33
  Speaker 8: That's very rude of you, but dog.
• 29:41
  Speaker 1: But he's so proud of it when you were just
• 29:43
  Speaker 1: laughing his head off.
• 29:44
  Speaker 4: Yeah, legend of the dope first woman.
• 29:52
  Speaker 1: Oh man, So they uh some of the requests, they
• 29:55
  Speaker 1: stop somewhere because their butts asleep, and they go to
• 29:57
  Speaker 1: the buzzing signed diner.
• 30:00
  Speaker 4: I'm almost there it, Oh.
• 30:07
  Speaker 6: Another place matter?
• 30:09
  Speaker 1: Please, Hey, you take a moment to remember Grant great
• 30:12
  Speaker 1: Unt Gladys and Marge thinks of what she thinks is
• 30:15
  Speaker 1: a nice memory. But it's not a nice memory. What
• 30:17
  Speaker 1: is it?
• 30:17
  Speaker 4: Oh, remind me that was Prince of Tides. Oh, that's
• 30:20
  Speaker 4: a lot of streisand in this episode, because Prince of
• 30:23
  Speaker 4: Tides are Barbara Streids movie, and so is Gentle a
• 30:26
  Speaker 4: little later on. So, oh my god, you're delirious. I
• 30:31
  Speaker 4: must admit I've only I think I've only seen The
• 30:33
  Speaker 4: Prince of Ties like once back when it came out
• 30:35
  Speaker 4: in the early nineties. Not a bad movie in all
• 30:38
  Speaker 4: of esty, but that bit of the whole. Oh, they
• 30:43
  Speaker 4: got the circle in the water and all that. It's like, oh,
• 30:45
  Speaker 4: this is very nice. What does this remind me of?
• 30:47
  Speaker 4: And then they said, wait a minute, that was Prince
• 30:49
  Speaker 4: of Tides. It's like, hey, that's what it was.
• 30:53
  Speaker 1: Right the Lucky Stiff funeral home. He's reading out the
• 30:56
  Speaker 1: eulogy for a man. That's a woman.
• 30:58
  Speaker 4: God, that's cold.
• 31:00
  Speaker 1: That's very very Patty takes over. She lived alone, she
• 31:03
  Speaker 1: died alone.
• 31:04
  Speaker 4: I'll keep this shot.
• 31:07
  Speaker 1: She lived alone, she died alone. She's a rong model
• 31:10
  Speaker 1: for Patty for summer and I. She's not rich. Everyone leaves,
• 31:14
  Speaker 1: but she was rich in spirit. I got my hat.
• 31:19
  Speaker 4: I always love a.
• 31:22
  Speaker 1: Get him.
• 31:24
  Speaker 4: I don't know how you describe that voice. It's a
• 31:26
  Speaker 4: cartoon character, isn't I want to say, like Diggity dog
• 31:28
  Speaker 4: or something, or dag would dog.
• 31:31
  Speaker 1: It was him. It's the same voice as that. I'm
• 31:34
  Speaker 1: an electric term, but Bart plays with the body. I
• 31:41
  Speaker 1: was like, oh, this is pretty creepy.
• 31:43
  Speaker 4: That is.
• 31:44
  Speaker 1: You know, I've never been to a funeral with an
• 31:45
  Speaker 1: open casket, have you?
• 31:47
  Speaker 4: Not to not to the funeral as such. But I
• 31:50
  Speaker 4: think I've talked about this on the show in the
• 31:51
  Speaker 4: past that I did see my nana, my mom's mother.
• 31:57
  Speaker 4: The story, Okay, they had they had the casket open
• 32:01
  Speaker 4: in a back room or in a room off the
• 32:05
  Speaker 4: church or off the where the ceremony was being held
• 32:07
  Speaker 4: where the funeral was being held, and you know, she
• 32:10
  Speaker 4: was there, and you know, she was made up, and
• 32:12
  Speaker 4: she looked very peaceful, and I mean I was like, oh, okay, well,
• 32:16
  Speaker 4: and I think I was probably in my early teens,
• 32:20
  Speaker 4: like okay, maybe not even a teenager, maybe like twelve
• 32:23
  Speaker 4: or something or even younger.
• 32:25
  Speaker 7: Uh.
• 32:25
  Speaker 4: And I wasn't like traumatized or anything. I was just like,
• 32:28
  Speaker 4: oh that's Nan, you know, sleep well, Nan. But yeah,
• 32:32
  Speaker 4: I mean, but I certainly did not reach out and
• 32:35
  Speaker 4: touch her, and i'd certainly not lift her arm up
• 32:37
  Speaker 4: and again, but what's wrong with you? You're a weird,
• 32:39
  Speaker 4: little weirdo.
• 32:40
  Speaker 1: It's because I drew a handlele blue and shit. I
• 32:42
  Speaker 1: was like, this is just creepy. That was, wasn't it.
• 32:45
  Speaker 1: And Homer's like, I don't belave the dad. They have
• 32:47
  Speaker 1: eerie powers.
• 32:49
  Speaker 4: That was a good reading.
• 32:52
  Speaker 1: Eerie power because he's not trying to be funny there,
• 32:54
  Speaker 1: he believes, He says, I thought this was keated. It
• 32:58
  Speaker 1: starts crying. It's just fair dumb it. Lisa wishes that
• 33:03
  Speaker 1: she made more of an effort. I'm spend some time
• 33:05
  Speaker 1: with Tom with her over the last couple of years,
• 33:07
  Speaker 1: and I was like, that always happens when someone passes
• 33:08
  Speaker 1: away and your family You're like, why did not go
• 33:10
  Speaker 1: and visit them more often? It always happens. And then,
• 33:14
  Speaker 1: but don't worry about it. She runs up Stead. Then
• 33:17
  Speaker 1: Hutts walks in as Tom to play the video.
• 33:19
  Speaker 3: Will now let's get down to business.
• 33:22
  Speaker 8: To my executor, Lionel Huts, I leave fifty thousand dollars.
• 33:28
  Speaker 7: Mister Hutts, you'd be surprised how often that works, you
• 33:32
  Speaker 7: really would.
• 33:33
  Speaker 3: To Marche, I leave my collection of potato chips that
• 33:36
  Speaker 3: resemble celebrities. They're all here, Ado von Bismarck, Maurice Chevalier,
• 33:41
  Speaker 3: right up to Jay Leno. These chips where my children
• 33:45
  Speaker 3: Marjorie takes special care of them.
• 33:51
  Speaker 4: Oh oh.
• 33:55
  Speaker 3: To my sister Jackie, I leave my pet iguana job job.
• 34:00
  Speaker 3: Why didn't you just leave me the bowel obstruction that
• 34:02
  Speaker 3: killed her. To my dear childless nieces Patty and Selma,
• 34:06
  Speaker 3: I leave my grandfather Clark, and these words, don't die
• 34:11
  Speaker 3: lonely like me, raise a family and do it now now, now, hey,
• 34:20
  Speaker 3: grandfather Clark, not bad.
• 34:23
  Speaker 1: I did not listen to the advice at all. But
• 34:24
  Speaker 1: it's obviously got sunk in with summer and they're driving home.
• 34:27
  Speaker 1: She's just contemplating, and she says to Patty, I want
• 34:30
  Speaker 1: a baby and make it rise to flee.
• 34:33
  Speaker 4: Great reaction shot from me, really.
• 34:35
  Speaker 1: Good, just to trying to slowly then really trying to
• 34:38
  Speaker 1: go fast. Someone's now at the Low Expectations dating service.
• 34:43
  Speaker 1: And just the great video from somewhere there. It's just amazing.
• 34:47
  Speaker 1: And that the tongue with a cigarette just.
• 34:49
  Speaker 4: Oh yeah, well, I think that's a bit of a
• 34:53
  Speaker 4: riff on Twin Peaks, because I don't know if you
• 34:58
  Speaker 4: remember this at all. Scene I watched it a long
• 35:01
  Speaker 4: time ago.
• 35:01
  Speaker 1: To him pizzas.
• 35:03
  Speaker 4: One bit that's stuck in them in the minds of
• 35:05
  Speaker 4: young men and possibly some ladies everywhere was the It
• 35:11
  Speaker 4: was Audrey Horn, played by sherylyn Fann. She's constantly coming
• 35:14
  Speaker 4: on to agent Dale Cooper, who, to his credit, it's like,
• 35:19
  Speaker 4: you're a bit young, although I think he might actually
• 35:22
  Speaker 4: get I don't know, maybe a bit later. It's a
• 35:27
  Speaker 4: weird show, but I think she might show it to him.
• 35:31
  Speaker 4: But she puts like a cherry stem in her mouth
• 35:35
  Speaker 4: and then pulls it out, and she's tired. She's tired
• 35:38
  Speaker 4: of knot in it with her tongue. It's like, oh my,
• 35:41
  Speaker 4: to quote mister Danna, oh my, so yeah, to do
• 35:48
  Speaker 4: it with a with a lit cigarette. But yeah, a
• 35:55
  Speaker 4: timely reference for the times.
• 35:57
  Speaker 1: That's great was the attie that Willy was wearing when
• 35:59
  Speaker 1: you watched the video.
• 36:00
  Speaker 4: Oh yeah, what do I do here? Just tell us
• 36:03
  Speaker 4: about yourself?
• 36:05
  Speaker 10: Well, I want to have a baby before it's too late.
• 36:09
  Speaker 10: You're looking at her free lunch boys, come and get it.
• 36:15
  Speaker 4: Back. To the lock with you.
• 36:18
  Speaker 1: She goes to the fortune tell her she's got this.
• 36:20
  Speaker 1: This stuff is gonna make a irresistible to mentor something.
• 36:23
  Speaker 1: What's in it? And it's just nothing's not going to work.
• 36:25
  Speaker 1: She realized she's taking the truth system.
• 36:28
  Speaker 4: Then she shouldn't say dull but you said, went yeah, yeah.
• 36:31
  Speaker 1: Then some afflirts with the bag boy. I'm sorry, not
• 36:34
  Speaker 1: that deep, customers, it's still palsy. Not shut up.
• 36:39
  Speaker 4: Go for it.
• 36:42
  Speaker 1: If you were a bag boy, what was it paper
• 36:45
  Speaker 1: or plastic?
• 36:46
  Speaker 4: You just say.
• 36:50
  Speaker 1: If I was a ba if, if you're a bag boy,
• 36:52
  Speaker 1: and you'll say seventeen, I will say eightem, so it's legal.
• 36:57
  Speaker 1: And thirty five forty year old woman comes on to you,
• 37:01
  Speaker 1: what does what does eighteen year old guy Davis do?
• 37:04
  Speaker 4: Accept the offer? Goes for it. I'd say nine cases.
• 37:09
  Speaker 4: I go for it.
• 37:12
  Speaker 1: Then Hans, moments taking his eye, tasts at the DMV
• 37:15
  Speaker 1: and she realizes that he's single, so she takes him
• 37:17
  Speaker 1: to dinner.
• 37:17
  Speaker 4: I just got here.
• 37:18
  Speaker 1: Poor moleman. He thinks he's in with the chance. I
• 37:21
  Speaker 1: guess he was until he tried to kiss her. But
• 37:23
  Speaker 1: because she had that.
• 37:23
  Speaker 4: Vision of them Moleman children.
• 37:26
  Speaker 1: Yeah, yeah, which was horrific, falling out the window and
• 37:28
  Speaker 1: stuff tries to kiss get out of my car.
• 37:31
  Speaker 4: Great visual, just the moleman lips coming for it, really good. Yeah.
• 37:35
  Speaker 1: Yeah, and just when they get the commercial once again
• 37:39
  Speaker 1: for Duff Gardens and we got the clean shaven tunes
• 37:42
  Speaker 1: of Hooray for everything.
• 37:46
  Speaker 4: Now.
• 37:46
  Speaker 1: I think that's based on like a real group. Yeah,
• 37:49
  Speaker 1: I'll tell you who they are on the wiki page.
• 37:50
  Speaker 4: That'd be fine. Yeah, and it's something.
• 37:52
  Speaker 1: Like up with People. I think that's exactly what it is. Yeah,
• 37:57
  Speaker 1: up with People? And yeah, the singing to take on
• 38:00
  Speaker 1: while Yeah.
• 38:01
  Speaker 4: The most vanilla version of Walk on the Wild sid
• 38:06
  Speaker 4: What isn't all the races go? Because in a very
• 38:11
  Speaker 4: non twenty first century lyric, Lou Reid had all the
• 38:14
  Speaker 4: colored girls go.
• 38:15
  Speaker 1: Do what a legend Lou read?
• 38:19
  Speaker 4: Oh gosh, apparently the wrong dude to be on the
• 38:21
  Speaker 4: wrong side.
• 38:22
  Speaker 1: I think he looks like the kind of guy that
• 38:24
  Speaker 1: would suck you up.
• 38:25
  Speaker 4: Oh, it just seemed like he was. He perpetually got
• 38:28
  Speaker 4: out on the wrong side of the bed. Yeah, cumpy,
• 38:30
  Speaker 4: didn't he? Yeah?
• 38:32
  Speaker 1: Yeah, it's your favorite Velvet Underground song if you have one.
• 38:35
  Speaker 4: I'm kind of partial to Waiting for the Man. But
• 38:38
  Speaker 4: I also like Venus in First very but Venus in
• 38:40
  Speaker 4: First just sounds corrupt. Yeah, like you walk into a
• 38:44
  Speaker 4: party in Venus and Firs plans like I'm either getting
• 38:46
  Speaker 4: late or getting killed.
• 38:48
  Speaker 1: I've always just loved how peaceful Pale Blue Eyes is.
• 38:52
  Speaker 4: It's really nice. And IM do a terrific cover of
• 38:54
  Speaker 4: it as well.
• 38:54
  Speaker 1: Really, okay, I have to check that out. You heard
• 38:57
  Speaker 1: the song After Hours as well?
• 38:59
  Speaker 4: No, I'm not sure.
• 39:00
  Speaker 1: It's just if you close the door the night good,
• 39:03
  Speaker 1: last forever. Have you heard that song? Oh yeah, yeah, yeah, yeah,
• 39:06
  Speaker 1: and it go it's like two minutes because the Chili
• 39:09
  Speaker 1: Peppers did a cover of it. It's really good. Yeah,
• 39:11
  Speaker 1: that's one of my favorites as well After Hours. But anyway,
• 39:13
  Speaker 1: enough about Velvet Underground.
• 39:15
  Speaker 4: He totally about what's a great line about the band
• 39:19
  Speaker 4: about I think it's about about Velvet Underground. It's like
• 39:23
  Speaker 4: only like six people went to the concert, but they
• 39:25
  Speaker 4: all started bands.
• 39:27
  Speaker 1: Whenever you say who you inspired by, they always make
• 39:29
  Speaker 1: the list, don't they.
• 39:30
  Speaker 4: Yeah. I love that idea of like, yeah, only only
• 39:34
  Speaker 4: ten people showed it to a concert, but they went
• 39:36
  Speaker 4: on to start Pixies.
• 39:38
  Speaker 1: Navana, but yes, hooray for everything. You're on the commercial Homoso.
• 39:44
  Speaker 1: They can go this weekend and summer returns. After returns early,
• 39:48
  Speaker 1: she was so depressed she had a jarve expired Olive's,
• 39:50
  Speaker 1: and Lisa suggests artificial insemination could be pretty desperate to
• 39:54
  Speaker 1: make it with a rob but March whispers, yeah, I
• 39:56
  Speaker 1: knew that. She goes to the sperm Bacon. There's just
• 40:02
  Speaker 1: baby Barney's everywhere, which is pretty traumatizing. I feel like
• 40:04
  Speaker 1: this gag here this appeared in its like a season
• 40:07
  Speaker 1: fifteen episode. People will be like, oh, that's so stupid,
• 40:09
  Speaker 1: but because of season four, we just accept it. Babies
• 40:12
  Speaker 1: that look like Barney, but they read the one hundred
• 40:15
  Speaker 1: and one frozen pops. Oh, one of the sweathgs.
• 40:18
  Speaker 4: It's not our shack.
• 40:20
  Speaker 1: I love Black and Make Conor one of my favorite
• 40:22
  Speaker 1: sitcoms ever. I wonder which one was. I want to
• 40:25
  Speaker 1: say it was because it's Barberino. Yeah, who was the
• 40:30
  Speaker 1: the one with the afro?
• 40:32
  Speaker 4: Yeah? One. Have we talked about the fact that Gabe
• 40:35
  Speaker 4: Kaplan like made a ship ton of money, is like
• 40:37
  Speaker 4: a pro poker player.
• 40:39
  Speaker 1: We may have I feel like that rings a bell,
• 40:41
  Speaker 1: but yeah, that's awesome. It was Epstein. That's right, that
• 40:45
  Speaker 1: was Epstein. Yeah, because then you had who was who
• 40:47
  Speaker 1: was the other dude? It's boom boom Freddie boom boom
• 40:50
  Speaker 1: Washington watched Washington. Yeah, yeah, what a show. I just
• 40:56
  Speaker 1: love the dad jokes. At the start of the episodes,
• 40:58
  Speaker 1: we just tells his wife a really bad dad joke.
• 41:00
  Speaker 1: It's great.
• 41:01
  Speaker 4: Anyway, my figured on YouTube and watch a little cotton tonight.
• 41:04
  Speaker 4: I'm in a comfort TV kind of mood.
• 41:06
  Speaker 1: So as soon as he heard it's not in seventy
• 41:11
  Speaker 1: five and I'm happy again.
• 41:14
  Speaker 4: Beckon the womb, Yeah.
• 41:17
  Speaker 1: So it's not horses shape and she's had bad experiences
• 41:20
  Speaker 1: ordering catalogs. It felt like a very family guy. Gag,
• 41:22
  Speaker 1: don't you reckon? Even family. I hadn't existed yet, but
• 41:24
  Speaker 1: remember the time this happened. And then it's a flashback
• 41:27
  Speaker 1: to the cardboard cut out. Then someone shed she won't
• 41:29
  Speaker 1: change her mind, she wants a baby. She got a
• 41:31
  Speaker 1: lot of love to give, which I thought was a
• 41:33
  Speaker 1: really not really funny but also very sad line. I've
• 41:35
  Speaker 1: got a lot of love to give, but no one
• 41:37
  Speaker 1: wants it. And I thought that's really really sad for
• 41:39
  Speaker 1: the character.
• 41:40
  Speaker 4: Well, yeah, I mean there's lines that are really resonant
• 41:43
  Speaker 4: in this ection. I mean you said before they will
• 41:46
  Speaker 4: reading about you know, don't die lonely like me. It's
• 41:48
  Speaker 4: like you think about that. I mean, that's one of
• 41:50
  Speaker 4: the worst fates you could wish upon someone, that they
• 41:53
  Speaker 4: die lonely.
• 41:55
  Speaker 1: With nobody in their life. Yeah, it doesn't have to be,
• 41:57
  Speaker 1: doesn't it be a child or a loved one, just
• 41:58
  Speaker 1: there's just no one in this world that cares about them.
• 42:01
  Speaker 1: That would be to be the worst.
• 42:02
  Speaker 4: Yeah, I'm a kind of fatalistic and that, Like, you know,
• 42:04
  Speaker 4: you come in alone, you die alone. But unless you're
• 42:07
  Speaker 4: in a unless you're in a terrible car wreck or something.
• 42:10
  Speaker 4: But sorry, that's morbid. But there's a difference between dying
• 42:14
  Speaker 4: alone and dying lonely. Yes, yes, and that whole bit
• 42:18
  Speaker 4: about it. Yeah, look, got got a lot of love
• 42:20
  Speaker 4: to give.
• 42:21
  Speaker 9: I mean, that would be It's one of the most
• 42:24
  Speaker 9: sad things I think in the world if you've not
• 42:27
  Speaker 9: having a vessel, as I said before, for the love
• 42:31
  Speaker 9: and affection and anything you want to give.
• 42:33
  Speaker 1: It's one of the things I fear with Elliot when
• 42:35
  Speaker 1: he goes to school is that he doesn't make friends.
• 42:37
  Speaker 1: I feel like he will be he's just one of
• 42:38
  Speaker 1: those socialized kids. But I just I just fear that
• 42:42
  Speaker 1: he gets bullied or he doesn't have any friends. I
• 42:44
  Speaker 1: would hate my children to ever feel like they've got
• 42:47
  Speaker 1: no friends. I feel like like being lonely, because feeling
• 42:50
  Speaker 1: lonely is on the worst feelings ever.
• 42:52
  Speaker 4: It sucks. It's terrible, terrible, terrible. Having said that, I
• 42:55
  Speaker 4: know that you're a good dad. You'll probably be like
• 42:58
  Speaker 4: inspiring young Elliott to make friends. Not just yeah, don't
• 43:02
  Speaker 4: let the friends come to him, go out and make them.
• 43:04
  Speaker 1: Oh she's got now a sperm and a cup, great love.
• 43:10
  Speaker 1: The kids try waking up Homer. Oh, great, dad's dad.
• 43:14
  Speaker 1: He's unwell from eating the sandwich the ten foot HOGI
• 43:17
  Speaker 1: from the company Picnic. Two more feeds and I can
• 43:20
  Speaker 1: fit it in the fridge.
• 43:23
  Speaker 4: That bit I can handle. Once it's behind the radio haator,
• 43:26
  Speaker 4: It's like, no, this is.
• 43:28
  Speaker 1: Just it's horrific. It's so gross. Yeah, I love to
• 43:32
  Speaker 1: be a lower with the sandwich. Please. He's determined, but
• 43:35
  Speaker 1: he just can't even stand up. His lips are turning blue,
• 43:38
  Speaker 1: and we get the doff guns passes out in the
• 43:41
  Speaker 1: car and someone now agrees to take them. It won't
• 43:44
  Speaker 1: be any fun without your dad.
• 43:45
  Speaker 4: But I like that.
• 43:46
  Speaker 1: Selma is keen. She's ready to go to go to
• 43:49
  Speaker 1: tough guns. I'll go Satan himself. That's the spirit. See tonight,
• 43:52
  Speaker 1: let's go kids, like she's ready to go. Then, Homer,
• 43:55
  Speaker 1: this is all your fault. How can I steam mad
• 43:58
  Speaker 1: at you? We then see them arriving at Duff Gardens.
• 44:04
  Speaker 1: But the best thing about when you're on your way
• 44:06
  Speaker 1: to somewhere like a theme park, is seeing it in
• 44:07
  Speaker 1: the distance. You're there, it is, there's the rollercoaster, like
• 44:11
  Speaker 1: it's so close now.
• 44:12
  Speaker 4: But at the same time you're like, oh my god,
• 44:14
  Speaker 4: we're kind of far away, but I can see it
• 44:16
  Speaker 4: from here. It's so big.
• 44:18
  Speaker 1: It's huge. Yeah, the laborers twenty twenty laborers died plenty
• 44:22
  Speaker 1: while where that came from. And then we see the
• 44:25
  Speaker 1: seven Duffs. How great is Surly? Just young at the kid?
• 44:29
  Speaker 1: They shut up?
• 44:29
  Speaker 4: Shut up? Great voice on Surly is it Hank?
• 44:33
  Speaker 1: Let's find out, sir. I'm trying to imagine the voice
• 44:36
  Speaker 1: Curly that sounds like a hank. Yeah Surly voice by
• 44:42
  Speaker 1: Dan Caslinada. Okay, there you go. I thought that would
• 44:45
  Speaker 1: have been a hank. There you go.
• 44:46
  Speaker 4: Now. One of my trivia questions that I didn't end
• 44:48
  Speaker 4: up asking you was everyone knows Surly and loves Surly?
• 44:53
  Speaker 4: Can you name the three other.
• 44:57
  Speaker 1: There's seven duffs all up?
• 44:58
  Speaker 4: But we only get three names. I think in this
• 45:01
  Speaker 4: one three other names quick.
• 45:05
  Speaker 1: I just know the names, don't know which one get
• 45:07
  Speaker 1: ready in this episode? I know there's queasies one is
• 45:11
  Speaker 1: that right?
• 45:11
  Speaker 4: Queezy?
• 45:13
  Speaker 1: Uh Tipsy? Is he one? Queazy Tipsy? Are they in
• 45:20
  Speaker 1: this episode?
• 45:21
  Speaker 4: Yeah? Well they only they get name checked. There's three
• 45:23
  Speaker 4: that get name checked other than Surly.
• 45:25
  Speaker 1: Remorsefuls one yep, and that's it and that's it, okay.
• 45:28
  Speaker 1: I also get there's very all Dizzy, Dizzy Sleezy. Is
• 45:35
  Speaker 1: that all of them? There's one more?
• 45:37
  Speaker 4: Oh?
• 45:37
  Speaker 1: And it's not a z one. Now I should know
• 45:39
  Speaker 1: this because this is usually a trivia Edgy Edgy is
• 45:42
  Speaker 1: Edgy one you would know having funny. Let's let's the
• 45:46
  Speaker 1: seven duffs. I've got Surly's page up seven das kind.
• 45:49
  Speaker 4: Of page to himself.
• 45:51
  Speaker 1: Tipsy Queazy, Surly Sleezy? Did I say Edgy? That said
• 45:55
  Speaker 1: ed You didn't know Edgy dizzy and remorseal, hey, I've
• 45:57
  Speaker 1: got them awesome.
• 46:00
  Speaker 4: Extra train.
• 46:01
  Speaker 1: I can sign off now we're all finished. But anyway,
• 46:03
  Speaker 1: so they arrive at the at the Duft Gardens, they
• 46:06
  Speaker 1: go to see the President, the wrapping President robots. It
• 46:09
  Speaker 1: was just horrific, and but then Dax Washington and the
• 46:12
  Speaker 1: eyes go red, which pays off. Later, Homer is still
• 46:15
  Speaker 1: very sick in bed. I loved this little touch for Marge.
• 46:20
  Speaker 1: I hired some videos to make you feel better. So
• 46:22
  Speaker 1: actually it's later when she goes I actually hired something
• 46:25
  Speaker 1: extra just in case you felt better. But we'll get
• 46:28
  Speaker 1: to that in the moment. But she she brings up
• 46:30
  Speaker 1: what is it like boxing? His greatest way in and
• 46:33
  Speaker 1: yental She reads it out, Oh let's watch it. Oh
• 46:36
  Speaker 1: my god, you're delivious, but then looks through the beer goggles.
• 46:40
  Speaker 1: I thought you'd appreciate this line. You're chumming the pants?
• 46:45
  Speaker 1: What'd you say? It's that one? Take out those damn glasses.
• 46:48
  Speaker 1: Then the kids she tries to there's a bench and
• 46:51
  Speaker 1: she sits down with the kids drag her away, and
• 46:52
  Speaker 1: I was like, man, I feel your pain like every Saturday.
• 46:55
  Speaker 1: And I'm like, hey, it's the couch. Let's watch TV now, Daddy,
• 46:58
  Speaker 1: race me down the hallway, Daddy, let's go right out
• 47:01
  Speaker 1: by daddy.
• 47:02
  Speaker 4: Daddy adorable. You'll cherish these memories. But yes, but these
• 47:07
  Speaker 4: are for the future to These are for future Dando
• 47:09
  Speaker 4: to enjoy and appreciate.
• 47:11
  Speaker 1: President Dando's like, fah, so they joined a line here
• 47:16
  Speaker 1: AND's like, oh fuck, this is long. Hey, it's lines
• 47:18
  Speaker 1: as long as gotta be good as the complaint line.
• 47:20
  Speaker 4: Get band. I love get bent.
• 47:22
  Speaker 1: It's a great way of saying funk off.
• 47:23
  Speaker 4: Isn't it really good?
• 47:26
  Speaker 1: Homer is now good, his energy back, and Marge pulls
• 47:28
  Speaker 1: out the erotic Adventures of Hercules. I love Marge's Dirty Siders,
• 47:34
  Speaker 1: Starry Norman Fowlers, sorry.
• 47:36
  Speaker 4: Norman Fellas. Norman Fella is not exactly a household name,
• 47:42
  Speaker 4: by the way, but he's like one of those guys
• 47:44
  Speaker 4: who he seemed like custom built in a lab to
• 47:47
  Speaker 4: play uh sleazy, low rent private detectives or sort of
• 47:53
  Speaker 4: unhappy landlords.
• 47:55
  Speaker 1: Okay, yeah, just walking around in his robe collecting rent.
• 47:59
  Speaker 4: Yeahkind of looks like life's just fucking me over. So
• 48:04
  Speaker 4: a great choice for Zeus. Yeah, better than Russell, No,
• 48:08
  Speaker 4: not better than Russell. Russell Crowe's playing Zeus in the
• 48:10
  Speaker 4: New Thorn movie.
• 48:12
  Speaker 1: Yeah, yeah, I saw that. Yeah, but he's played I
• 48:14
  Speaker 1: know he played. Did he play Superman's dad?
• 48:16
  Speaker 4: He did play Superman's dad.
• 48:17
  Speaker 1: He plays of course, yep. So then we get the
• 48:21
  Speaker 1: kids and some on the Duff Beer right, which is
• 48:24
  Speaker 1: a take off of It's a Small World World, which
• 48:26
  Speaker 1: is a really annoying one ride.
• 48:30
  Speaker 4: I've been Yeah, I've been on it.
• 48:31
  Speaker 1: I was like, oh, yeah, this is fucking not good.
• 48:35
  Speaker 1: It's one of those things. I think it's the nostalgia
• 48:37
  Speaker 1: for people who grew up with Disneyland. It's like it's
• 48:39
  Speaker 1: never changed.
• 48:40
  Speaker 4: Yeah, and particularly if you've you know, if you've come
• 48:42
  Speaker 4: a long way, if you've come from overseas and you've
• 48:44
  Speaker 4: gone to Disneyland or disney World or whatever. It's like,
• 48:48
  Speaker 4: I suppose we should do this.
• 48:49
  Speaker 1: That's one of those rides that everyone knows about.
• 48:51
  Speaker 4: Yeah, cross it off the list.
• 48:57
  Speaker 6: I want to get off.
• 48:59
  Speaker 4: You can't get on.
• 49:00
  Speaker 3: We have five more continents to visit.
• 49:02
  Speaker 5: Hey, Lisa, daring to drink the water.
• 49:05
  Speaker 3: I'm not sure that is water. Chit again, but Barty quiet,
• 49:15
  Speaker 3: at least I drink the water here they're all around
• 49:30
  Speaker 3: me now I heead.
• 49:35
  Speaker 5: No, what's long?
• 49:39
  Speaker 1: You just put your head right, great animation, the shoulder
• 49:50
  Speaker 1: coming to life and trying to aid her and stuff,
• 49:52
  Speaker 1: and it's really good. They we get the running adventions
• 49:55
  Speaker 1: of Hercules.
• 49:56
  Speaker 3: Hercules, the cyclops tore off my clothes.
• 50:02
  Speaker 1: And Lisa leaves the ride and button someone go looking
• 50:05
  Speaker 1: for her and she loses both the kids. Lisa then
• 50:08
  Speaker 1: starts walking through the parade and she can she can
• 50:10
  Speaker 1: see is that she can see the music?
• 50:12
  Speaker 4: See through time? Oh, she can see? Yeah, the music.
• 50:15
  Speaker 1: Yeah, basically she's just she's chipping out big time. But
• 50:17
  Speaker 1: then tricks Mitch to get onto the barrow roll think
• 50:21
  Speaker 1: goes down. Whoa that ain't good? Gets stuck upside down,
• 50:26
  Speaker 1: and then some are surly for help. Surly looks out
• 50:28
  Speaker 1: for one game, shut up. We're then in the security office.
• 50:33
  Speaker 4: By the way, Yeah, while we're in the security office more.
• 50:36
  Speaker 4: While we're on the surly tip, there's a poster on
• 50:40
  Speaker 4: the side that certainly says don't get caught or else
• 50:45
  Speaker 4: or else, none of which sort of makes sense, not.
• 50:50
  Speaker 1: Really, but like or else is such a great threat,
• 50:53
  Speaker 1: but not do it or else? What I have to
• 50:55
  Speaker 1: explain to you just fucking or else else or else
• 50:59
  Speaker 1: is great, Miss Booby.
• 51:01
  Speaker 2: A while we were rescuing this boy Hoodlum's made off
• 51:04
  Speaker 2: with three bumper cars, and I don't think George Washington
• 51:15
  Speaker 2: will ever be the same.
• 51:19
  Speaker 4: We found this one swimming naked in the fermentarium.
• 51:23
  Speaker 3: Aged Queen.
• 51:26
  Speaker 1: One of I reckon. Probably I'd say probably at least
• 51:29
  Speaker 1: top twenty iconic moments in the Simpsons. Everyone knows this.
• 51:32
  Speaker 4: Moment they do. I'm not mad on it.
• 51:34
  Speaker 1: No, it's not overly funny. I find the doctor line
• 51:37
  Speaker 1: after it funnier, but it's just so memorable.
• 51:41
  Speaker 4: It is. Yeah, give her this and this and then these,
• 51:48
  Speaker 4: thank you doctor. No, I'm not a doctor.
• 51:50
  Speaker 1: Homer has now gone full blown his cause plays homercles,
• 51:53
  Speaker 1: He's in his character. It's to mccles cares, not for beans.
• 51:57
  Speaker 4: I love that he's Yeah, he's definitely got his mojo.
• 52:00
  Speaker 4: Bad come to home aglees.
• 52:03
  Speaker 1: It's really good.
• 52:04
  Speaker 4: I love it.
• 52:04
  Speaker 1: I love seeing them having fun together. Yeah, the kids
• 52:07
  Speaker 1: that arrive what happened can't coming down. Munch goes to
• 52:11
  Speaker 1: see Lisa, and this is where we get the moment
• 52:13
  Speaker 1: we discussed earlier where someone comes not going to clean it.
• 52:15
  Speaker 4: She just opens up to Homer and saying, but before
• 52:17
  Speaker 4: that is just a great line. I was like, how
• 52:20
  Speaker 4: do you do it? You taking and you're folded in.
• 52:28
  Speaker 4: He seemed to really stoked to give advice on how
• 52:32
  Speaker 4: to grant it.
• 52:36
  Speaker 1: Now she's talking about raising kids and she's just sad
• 52:38
  Speaker 1: she couldn't cut it today and homs like, I don't
• 52:40
  Speaker 1: like you didn't say anything, but just by grabbing her
• 52:42
  Speaker 1: hands as if to say, don't worry, I've got you,
• 52:44
  Speaker 1: and she's want a little version of her to hold
• 52:46
  Speaker 1: in her arms. Cute Jubjub the ugly lizard. What I
• 52:49
  Speaker 1: also loved about this moment where she was able to
• 52:51
  Speaker 1: find something that isn't actually beautiful in jub Jubb an
• 52:54
  Speaker 1: ugly lizard, but she but she sees him as beautiful
• 52:58
  Speaker 1: because he's filling that hole in her heart.
• 53:00
  Speaker 4: Lute. Yeah, very good way of putting it.
• 53:02
  Speaker 1: And I think it was just the perfect song to
• 53:04
  Speaker 1: end on.
• 53:05
  Speaker 4: It really was. And yeah, just uh, as I said before,
• 53:09
  Speaker 4: really nice voice work from Julie in just the very
• 53:13
  Speaker 4: plain but heartfelt way that it sung.
• 53:15
  Speaker 1: There's also a nice touch here, so Patty says, when
• 53:18
  Speaker 1: I want to pick him up. Mama's trying to stab
• 53:20
  Speaker 1: him with the with the hat pin or whatever, and
• 53:22
  Speaker 1: then someone just says, because she's just admiring him, she's
• 53:24
  Speaker 1: just in love with this little lizard. I thought, yeah,
• 53:26
  Speaker 1: it just beautiful, beautiful ending to this episode jog Job.
• 53:35
  Speaker 10: When I went to pick him up, Mom was trying
• 53:37
  Speaker 10: to stab him with a hat pin.
• 53:39
  Speaker 5: Sh you make me feel you make me feel like
• 53:49
  Speaker 5: a natural Wma.
• 53:57
  Speaker 1: This is, you'd say, the Simpsons at their best, when
• 53:59
  Speaker 1: they've got a great story with heart and plenty of
• 54:02
  Speaker 1: human and memorable moments that just stay with you forever.
• 54:05
  Speaker 1: This is so much better of an episode than when
• 54:08
  Speaker 1: people your patrons selected Salma's Choice. I was like, really
• 54:10
  Speaker 1: that one one, and I went back and watching it.
• 54:12
  Speaker 1: I was like, of course this one wins. This one's great.
• 54:14
  Speaker 4: It's a textbook episode. Yeah, this is like it's firing
• 54:17
  Speaker 4: on all cylinders.
• 54:18
  Speaker 1: Yeah, it's just it is the Simpsons at their finest.
• 54:20
  Speaker 1: By the way, another fun fat Jubjub was a name
• 54:23
  Speaker 1: thought of by Conan O'Brien.
• 54:24
  Speaker 4: Ah nice word, Conan.
• 54:26
  Speaker 1: Yes, but this has been our review of Sealma's Choice.
• 54:29
  Speaker 1: Have ready visited Classic Thank you guys, Thank you patrons
• 54:32
  Speaker 1: for selecting this episode for the month of June. I
• 54:34
  Speaker 1: had a great time going back and revisiting. I always
• 54:36
  Speaker 1: leave watching these classic episodes feeling just full of energy
• 54:39
  Speaker 1: and happy and just yeah, ready to go, ready to review,
• 54:42
  Speaker 1: just like I want to review this now because I
• 54:44
  Speaker 1: love this episode.
• 54:45
  Speaker 4: So yeah. Look, I saw him a message from one
• 54:49
  Speaker 4: of the patrons today talking about recent episodes of like
• 54:54
  Speaker 4: season fifteen that we've talked about, and I think they
• 54:56
  Speaker 4: were in sweating like you can hear the guys getting
• 54:59
  Speaker 4: a bit tired of the And I apologize to the
• 55:04
  Speaker 4: to the listeners and the patents out there if I
• 55:06
  Speaker 4: I as surely I'm giving one hundred percent and look,
• 55:12
  Speaker 4: thinking about and analyzing and giving each episode as much
• 55:16
  Speaker 4: love as I possibly can. But I think it can
• 55:19
  Speaker 4: see the difference between an episode and Seas fifteen and
• 55:22
  Speaker 4: an episode like Soe Mu's choice, And hopefully you'll appreciate
• 55:26
  Speaker 4: the difference in my output this time around.
• 55:30
  Speaker 1: We take the advice of the other dating service, low expectations.
• 55:35
  Speaker 4: Keep me in check. But Dan, of course, you know,
• 55:39
  Speaker 4: is always giving one hundred and and yes, I will
• 55:43
  Speaker 4: endeavor to continue to match his high standards.
• 55:46
  Speaker 1: Yes, this has been some mu's choice. Another fantastic episode.
• 55:49
  Speaker 1: Next month, what are they going to choose? There's only
• 55:52
  Speaker 1: episode of particularly that you would like to review that
• 55:54
  Speaker 1: I can whack into the into the poll.
• 55:56
  Speaker 4: Let me think about that, because I want.
• 55:58
  Speaker 1: You to choose too this month, and I'll choose to
• 56:00
  Speaker 1: but we're not going to choose. I'm going to leave
• 56:02
  Speaker 1: marg versus the monorail Out and Cape Fear and you
• 56:05
  Speaker 1: only move twice. I want to leave those three classics
• 56:07
  Speaker 1: for later. So so you pick two and I'll pick two.
• 56:10
  Speaker 1: I'll let me know and we'll make the problem. We'll
• 56:12
  Speaker 1: see what the patrons choose for the month of July.
• 56:14
  Speaker 1: But this has been our June revisit, a classic Summer's Choice.
• 56:17
  Speaker 1: Mister Davison. You final words for those amazing listeners out there, Well,
• 56:21
  Speaker 1: all
• 56:21
  Speaker 4: I've got an a sperm and a cup.