Latest / The Breakfast Club / Jason Weaver on The Chi, Brotherhood & Breaking Barriers
Transcript
- 0:03Speaker 1: I'm a homegrowl that knows a little bit about everything
- 0:06Speaker 1: and everybody.
- 0:07Speaker 2: You know, if you don't lie about that, right, Lauren
- 0:09Speaker 2: can't even Hey, y'all, what's up?
- 0:11Speaker 1: Is Laura le Rosa And this is another episode of
- 0:14Speaker 1: the Latest with Lauren lo Roza. This is your daily
- 0:17Speaker 1: dig on all things pop culture, entertainment, news, and all
- 0:20Speaker 1: of the conversations that shake the room. Baby, going right
- 0:24Speaker 1: back into another conversation that is going to shake the room.
- 0:28Speaker 1: This is part two of my interview with Jason Weaver
- 0:30Speaker 1: where we get into all things The Shy. If you
- 0:33Speaker 1: guys didn't know, The Shy is on its final season,
- 0:36Speaker 1: season eight. There's twists, there's turns, there's a lot of
- 0:39Speaker 1: the drama, but we get into all of the behind
- 0:42Speaker 1: the scenes conversation and the meaning with Jason Weaver, let's
- 0:45Speaker 1: get into it. So let's let's get into, you know,
- 0:49Speaker 1: just some things here with you. Because I started this
- 0:53Speaker 1: by mentioning, like, you know, a few ways that people
- 0:55Speaker 1: may know you, some stories that we've heard throughout your career,
- 0:58Speaker 1: but you've been in this business for a very very
- 1:01Speaker 1: long time. What age did you actually start anything entertainment related,
- 1:05Speaker 1: even if it was something we don't know about.
- 1:08Speaker 3: I actually started in my hometown in Chicago, back when
- 1:12Speaker 3: I was like five years old. And you know, I
- 1:18Speaker 3: initially started off doing print ads and commercials in the
- 1:22Speaker 3: Chicago in the Chicago Land area. Back in the late
- 1:25Speaker 3: seventies and the eighties, A lot of the major jingle
- 1:29Speaker 3: campaigns that people would hear on national commercials were all
- 1:32Speaker 3: created more or less in Chicago, and the talent that
- 1:36Speaker 3: was utilized for these spots was mostly black talent. Black musicians,
- 1:40Speaker 3: black singers, black vocalists, i should say, and black actors,
- 1:45Speaker 3: you know what I'm saying, and personalities that could be
- 1:47Speaker 3: featured in these ads. And so that's the world that
- 1:50Speaker 3: I come from. My mother, Marilyn Haywood, also professionally known
- 1:54Speaker 3: as Kitty Haywood, in that circle in Chicago. You know,
- 1:58Speaker 3: when I expressed an in wanting to pursue acting and
- 2:03Speaker 3: get in the entertainment industry, my mother had already had
- 2:06Speaker 3: a long successful track record as a jingle singer in
- 2:10Speaker 3: Chicago for many years. So you know, she was able
- 2:14Speaker 3: to help usher me into the business in a way
- 2:16Speaker 3: where you know, I was able to carefully navigate my
- 2:20Speaker 3: way through you know, of course, learning and understanding the
- 2:24Speaker 3: business as I went along as well, and as I
- 2:26Speaker 3: matured and evolved as an artist and a creative and
- 2:30Speaker 3: so no, it's been a it's been a long journey,
- 2:33Speaker 3: but it's been a blessed one. You know, I'm so
- 2:36Speaker 3: grateful that I still have the opportunity even now at
- 2:38Speaker 3: forty six years old, you know, to be working, and
- 2:41Speaker 3: especially to be on a great show like the Shi. No,
- 2:46Speaker 3: I just give all glory and thanks to God, because
- 2:48Speaker 3: it's not a lot of people, you know, in our
- 2:50Speaker 3: industry that have been able to kind of transcend from
- 2:54Speaker 3: you know, generation and generation and for you know, a
- 2:57Speaker 3: number of years like that. So I do recognize how extraordinary, Uh,
- 3:02Speaker 3: the journey has been so far.
- 3:04Speaker 4: As well.
- 3:05Speaker 1: Let's talk a little bit about Chicago, because I know
- 3:07Speaker 1: The Shy is set in Chicago, and I think you
- 3:09Speaker 1: guys do a really good job of showing the backdrop
- 3:11Speaker 1: and like the color and the warmth of Chicago. But
- 3:14Speaker 1: before we get to the you're welcome, Before we get
- 3:16Speaker 1: to the shot, I want to talk about you know,
- 3:18Speaker 1: we always have conversations about like nineties sitcoms and those sitcoms.
- 3:25Speaker 2: That like we grew up with, so many of them
- 3:27Speaker 2: were based.
- 3:28Speaker 1: In Chicago, and a lot of people I think when
- 3:33Speaker 1: we talk about and correct me on anything I'm wrong on,
- 3:35Speaker 1: but family matters, right.
- 3:38Speaker 2: Steve Harvey Show.
- 3:39Speaker 3: Well, Steve Harvey Chicago, I think it was.
- 3:41Speaker 1: Yeah, yeah, So from what I so, from what I
- 3:44Speaker 1: can remember what I have here in my research. But
- 3:46Speaker 1: you know, sometimes the sitcoms start Steve Harvey nineteen seventies
- 3:51Speaker 1: frunk star who took a job teaching music out of
- 3:52Speaker 1: Chicago High School, Kenan and Keale and Malcolm and Eddie
- 3:58Speaker 1: between brothers.
- 4:00Speaker 4: Wow, you put me onto something because.
- 4:04Speaker 1: The reason why I thought about that is because when
- 4:06Speaker 1: you said the jingles thing, I'm like, which show do
- 4:08Speaker 1: I remember where somebody was trying to do jingles?
- 4:10Speaker 2: That was a Jamie Fox show?
- 4:11Speaker 1: But that was a Jamie Fox Yeah, but it wasn't
- 4:13Speaker 1: It wasn't set in Chicago.
- 4:14Speaker 2: But it made me think.
- 4:16Speaker 1: But it feels like some of the other shows that
- 4:18Speaker 1: I watched, like the Steve Harvey Show and stuff like that.
- 4:20Speaker 1: So do you remember growing up in that time and
- 4:23Speaker 1: you know the way that Chicago or just people in
- 4:28Speaker 1: the industry that your mom was working with, how they
- 4:31Speaker 1: talked about their black stars and their black.
- 4:33Speaker 2: Talent and what stories are being told on TV.
- 4:35Speaker 1: And I wonder if that had any influences in the
- 4:37Speaker 1: roles and the jobs that you went on and then
- 4:39Speaker 1: later take.
- 4:40Speaker 4: That's a great question.
- 4:42Speaker 3: No, you know, back then when I was first entering
- 4:45Speaker 3: into the business, even if shows were technically like based
- 4:50Speaker 3: in Chicago, the storyline was based in Chicago, those sitcoms
- 4:56Speaker 3: that those stories didn't really have a tendency to lean
- 4:59Speaker 3: more towards It's the cultural aspect of what Chicago life was,
- 5:03Speaker 3: especially the black experience in Chicago. You know, Chicago is
- 5:09Speaker 3: a very proud city, has a long and beautiful history.
- 5:13Speaker 3: It was founded by a black man, Jean Baptiste DuSable,
- 5:17Speaker 3: who was a Haitian black man who came through New
- 5:20Speaker 3: Orleans up the Mississippi River as a fur trader and
- 5:23Speaker 3: settled in Chicago.
- 5:25Speaker 1: And I did not know he settled in I didn't
- 5:27Speaker 1: know that about him. While we both learned in some
- 5:29Speaker 1: Chicago stuff today.
- 5:30Speaker 3: Huh, absolutely not. The Chicago was founded by a Haitian man,
- 5:33Speaker 3: Jean Baptiste point DuSable. I should, I should that we
- 5:37Speaker 3: even have a Black history museum, uh, in in the
- 5:43Speaker 3: middle of.
- 5:43Speaker 4: South Side Chicago.
- 5:44Speaker 2: Called the DuSable.
- 5:45Speaker 3: Museum, UH to celebrate him and to celebrate much of
- 5:49Speaker 3: the notable and powerful Black history that's come out of Chicago.
- 5:54Speaker 3: I think, what what the Shah has been able to
- 5:57Speaker 3: successfully do and why I'm so proud to be part
- 6:00Speaker 3: of it is because I think this has been like
- 6:03Speaker 3: the first time that No, I take that back, because
- 6:07Speaker 3: when I did Brewster Place with Oprah Winfrey, which was
- 6:10Speaker 3: a short lived hour long show that was on ABC
- 6:13Speaker 3: years ago, that was set in Chicago, but that was
- 6:16Speaker 3: set in like nineteen sixties Chicago, so different kind of era,
- 6:21Speaker 3: but the shy for the first time for me, as
- 6:24Speaker 3: a proud Chicago and as an actor coming from the city,
- 6:27Speaker 3: this is the first time I've really been given an
- 6:29Speaker 3: opportunity to kind of share those stories that I'm familiar with,
- 6:34Speaker 3: you know, like the family dynamics and the complexity of
- 6:39Speaker 3: that whole thing, you know, telling a story about community,
- 6:44Speaker 3: particularly the South Side of Chicago, which I'm very familiar
- 6:48Speaker 3: with and from. Even when it comes down to the
- 6:51Speaker 3: faith aspect and growing up in the church. You know,
- 6:54Speaker 3: you saw like the character Pop on our show and
- 6:56Speaker 3: his father being a pastor, and you know, I know
- 6:59Speaker 3: about that we're growing up in the church from coming
- 7:01Speaker 3: from Trinity and also at times attending as a guest
- 7:05Speaker 3: Lena's home church, Christ Universal Temple. You know, the cookieouts
- 7:10Speaker 3: and all of that stuff. All of those things now,
- 7:13Speaker 3: as as an actor hailing from the city, I've been
- 7:16Speaker 3: able to do and I'm very proud to do it.
- 7:19Speaker 3: I think that one of my main goals as an
- 7:22Speaker 3: actor coming from the city has also been to focus
- 7:26Speaker 3: more on the authenticity side of it, like what we
- 7:29Speaker 3: actually say in the street, how we talk our vernacular,
- 7:32Speaker 3: or the way that we express ourselves, our body language,
- 7:35Speaker 3: because you know, I think what a lot of people
- 7:38Speaker 3: outside of our community are coming to the understanding now
- 7:41Speaker 3: is that black people are not a monolith in a sense,
- 7:43Speaker 3: especially African Americans. You know, New Yorkers, Black New Yorkers
- 7:47Speaker 3: have a way of expressing themselves. Black people from Los Angeles, Louisiana, whatever.
- 7:52Speaker 3: So you know, Chicago is too.
- 7:55Speaker 2: I don't know if you're been there.
- 7:57Speaker 3: I've never been to Delaware. I've heard good things about it,
- 7:59Speaker 3: but I've never been. But I'm sure and you heard.
- 8:03Speaker 2: Good things about it. You don't gotta be nice.
- 8:04Speaker 1: It's okay, it's okay. I was I know you ain't
- 8:10Speaker 1: probably never even like delaware like okay, but yeah.
- 8:14Speaker 3: I didn't know what we was there. I know Joe
- 8:16Speaker 3: blind but yes, but but no, we we've been able to,
- 8:21Speaker 3: you know, kind of explore and and display all of that.
- 8:24Speaker 3: So yeah, I'm very proud of it. Absolutely.
- 8:29Speaker 1: So you talk a bit about, you know, just being
- 8:32Speaker 1: from Chicago and the authenticity of the show and all
- 8:35Speaker 1: the things. I think a common question I heard the
- 8:37Speaker 1: cast could ask or like, you know, how do you
- 8:39Speaker 1: keep authentic? And you know stuff like that, But what
- 8:43Speaker 1: are some of the like responsibilities that you feel as
- 8:45Speaker 1: a person that you know. I got a chance to
- 8:48Speaker 1: talk to the younger cast, right, and I know a
- 8:50Speaker 1: lot of them are from Chicago. But you being older,
- 8:53Speaker 1: seeing the changing of times of how black television goes
- 8:56Speaker 1: from something like a Steve Harvey show to you know,
- 9:00Speaker 1: what we do or don't have now and you're from Chicago,
- 9:03Speaker 1: it's like a double win me there. It's like you
- 9:04Speaker 1: understand the importance of a show like the Shot, but
- 9:06Speaker 1: you also are from Chicago and understanding importance of that
- 9:09Speaker 1: as well too. So what are you dealing with when
- 9:11Speaker 1: you're walking on set day to day? Because of that.
- 9:13Speaker 4: Oh Man, that's another great question.
- 9:15Speaker 3: I think that one of the things I'm most proud
- 9:21Speaker 3: of with our show and being in Chicago is that,
- 9:24Speaker 3: you know, we explore the elements of violence in street life,
- 9:29Speaker 3: which is a reality in Chicago, and everybody knows that
- 9:32Speaker 3: that seems to be amplified more in mainstream media than
- 9:36Speaker 3: anything when people are referencing Chicago. But one of the
- 9:41Speaker 3: things that I'm really really proud about is that we
- 9:44Speaker 3: are showing the beauty of the community. We are showing
- 9:47Speaker 3: the solidarity in the unity that does exist in the community.
- 9:52Speaker 4: You know.
- 9:52Speaker 3: Yeah, the South Side and West Sides and some of
- 9:55Speaker 3: the more underserved communities in Chicago and the Chicago lands
- 9:59Speaker 3: surrounding Chicago area, yeah, are plague with violence in certain ways,
- 10:03Speaker 3: but you know, there's also communities there with heart, Like
- 10:07Speaker 3: the community of Inglewood has heart in history, the community
- 10:10Speaker 3: of Woodlawn, park manor Chatham, you know, I mean, there
- 10:16Speaker 3: are so many communities there that are comprised of black
- 10:20Speaker 3: and brown people where you know, those stories have never
- 10:24Speaker 3: been told, they've never been acknowledged, and they haven't been
- 10:28Speaker 3: told in a beautiful way too. The way that they're
- 10:30Speaker 3: depicted visually you know, I think Lena and the directors
- 10:34Speaker 3: and the producers do an amazing job of actually presenting
- 10:37Speaker 3: the South Side as a thriving, beautiful and colorful community.
- 10:42Speaker 3: You know, even when the show is like set in
- 10:45Speaker 3: the wintertime, the things that are shot interior, they feel
- 10:48Speaker 3: very warm. The homes feel welcoming, you know, the conversations
- 10:52Speaker 3: within the home feel relatable even if you're not from
- 10:55Speaker 3: the South Side of Chicago. So that's one of the
- 10:58Speaker 3: many things that makes me very proud to be associated
- 11:03Speaker 3: with the show and represent on behalf of it as well.
- 11:06Speaker 1: So your character, First, I have a question last year
- 11:10Speaker 1: or maybe even been earlier this year, I can pull
- 11:13Speaker 1: up there, let me see what the day on that was.
- 11:15Speaker 1: I'd have to pull it back up, but I saw
- 11:17Speaker 1: it was like one of the trades. It was like
- 11:19Speaker 1: deadline of variety, and they announced that you and what's
- 11:24Speaker 1: her name, uh, Deanah Hall or pickword now going to
- 11:28Speaker 1: be serious regulars.
- 11:29Speaker 2: But you had been a regular on the show already.
- 11:33Speaker 3: Well, that's that's what a lot of people. That's what
- 11:35Speaker 3: a lot of people had assumed. I was always technically,
- 11:39Speaker 3: since I first came on the show on season four,
- 11:41Speaker 3: I was always technically and contractually referred to as a
- 11:45Speaker 3: recurring character. Wow, what what ended up happening was is
- 11:51Speaker 3: that I think, you know, because with the Sha everything
- 11:55Speaker 3: is kind of unpredictable, and I think Lena plays a
- 11:59Speaker 3: lot on synergy and connection and flow and authenticity and
- 12:05Speaker 3: her ability to tell a story. And I just think
- 12:07Speaker 3: over time the type of character shod is Or was,
- 12:13Speaker 3: and how his story was so relatable to a lot
- 12:17Speaker 3: of people, but also because he was so layered as
- 12:20Speaker 3: a character and nuanced, you know, as a character, I
- 12:23Speaker 3: think it just made for interesting stories to be built
- 12:27Speaker 3: around him, and the audience responded well to that, and
- 12:31Speaker 3: so over time, they just kind of kept me on.
- 12:34Speaker 3: And you know, I think when season eight finally came
- 12:38Speaker 3: around and they realized that that character in particular contributes
- 12:44Speaker 3: so much to the overall story arc and storyline of
- 12:47Speaker 3: the show, that's when they decided to, you know, promote
- 12:50Speaker 3: me the series regular, which I'm I'm very grateful for.
- 12:53Speaker 3: I'm very grateful that I got the opportunity to be
- 12:56Speaker 3: recognized in that regard in the last season. But even
- 13:00Speaker 3: prior to that, prior to becoming a series regular, you know,
- 13:05Speaker 3: I was still very honored and proud to be a
- 13:07Speaker 3: part of the show. And you know, anything that was
- 13:09Speaker 3: required of me, whether it was heavy lifting or just
- 13:12Speaker 3: playing more of.
- 13:12Speaker 4: A supportive role, you know, I was.
- 13:14Speaker 3: I was always enthusiastic, you know, to meet the challenge
- 13:19Speaker 3: because again, you know, for me, it's about telling a
- 13:22Speaker 3: great story. Yeah, it's about you know, representing something that
- 13:27Speaker 3: you know that I believe in that and that I'm
- 13:29Speaker 3: proud of.
- 13:29Speaker 2: So you know, the regular folks watch it, I'm like,
- 13:33Speaker 2: hold on, aw, I mean did.
- 13:35Speaker 1: That because I wasn't the reason why I brought that up,
- 13:37Speaker 1: because I was like, I know that the Shy has
- 13:39Speaker 1: like so many twisting turns in the storyline. So I
- 13:41Speaker 1: wonder if you on the talent side wherever, like, Okay,
- 13:44Speaker 1: I know I'm here and I know I'm a part
- 13:45Speaker 1: of the story, but is this something that happens just
- 13:47Speaker 1: in case it'd be like no.
- 13:50Speaker 3: I mean that that's exactly what it is. You you
- 13:53Speaker 3: hit the nail on the head. I mean, you know,
- 13:56Speaker 3: Lena has this saying during our table reads, she was like, yeah, y'all,
- 14:00Speaker 3: you know, knock out these lines, get it right, you know,
- 14:02Speaker 3: sell these lines, because you know, anything can happen on
- 14:05Speaker 3: the shot. Nothing's guaranteed. Nobody's guaranteed, and you know, as
- 14:09Speaker 3: an actor, it keeps you on edge because you know,
- 14:14Speaker 3: each and every week you gotta come with it. You know,
- 14:16Speaker 3: there's never a relaxed position that you should ever find
- 14:20Speaker 3: yourself in as a creative period. But you know, especially
- 14:23Speaker 3: on that show, you will always kind of, well, man,
- 14:26Speaker 3: is my character gonna make it?
- 14:27Speaker 2: Next week?
- 14:28Speaker 4: Am I gonna get killed?
- 14:29Speaker 3: And I think a lot of that was based on
- 14:32Speaker 3: all your performance and how the audience reacted to you
- 14:35Speaker 3: and and their engagement with your characters. So thankfully for me,
- 14:39Speaker 3: I think you know, a lot of people like genuinely
- 14:42Speaker 3: like Shad and could see that at his core he
- 14:45Speaker 3: was a good guy and they ended up kind of
- 14:47Speaker 3: rooting for him. So that gave me, you know, that
- 14:51Speaker 3: ability to stay around a lot longer.
- 14:53Speaker 1: I think with Shay, it's like you feel like everybody
- 14:57Speaker 1: has a shot in their family or knows a shot,
- 14:59Speaker 1: like somebody who just honestly is just like trying.
- 15:01Speaker 2: To do the right thing.
- 15:02Speaker 1: But you you're playing the cards you were dealt to
- 15:04Speaker 1: a certain extent, but you are you there's a boundary
- 15:07Speaker 1: or a cutoff with you as a human.
- 15:10Speaker 3: Yes, yes, Now it's so funny that you would mention
- 15:13Speaker 3: that I have so many I have so many black
- 15:16Speaker 3: men in particular that range and age, you know, who
- 15:20Speaker 3: have dealt with similar circumstances in their personal lives. You
- 15:25Speaker 3: know that that that kind of run parallel maybe to
- 15:28Speaker 3: what Shod has experienced, even being incarcerated maybe at one
- 15:32Speaker 3: point in their lives and trying to re enter back
- 15:34Speaker 3: into society and be given a second chance. And not
- 15:38Speaker 3: a lot of those stories are told from an honest
- 15:42Speaker 3: and respectful point of view, you know what I mean.
- 15:47Speaker 3: I think with Shad's character, it really showed in a
- 15:51Speaker 3: very authentic way the obstacles that he was being confronted
- 15:56Speaker 3: with and that he had to hurtle over, and even
- 15:58Speaker 3: the decisions that he made in his mind, whether it's
- 16:00Speaker 3: way left or right, whether it's stay legit or whether
- 16:04Speaker 3: you go back into the gangster world. Even when we
- 16:07Speaker 3: explored those things, they were explored in a very honest
- 16:11Speaker 3: and respectful and authentic way, which I think a lowed
- 16:16Speaker 3: especially a lot of the black men who became later
- 16:20Speaker 3: on familiar with our show, finds something to connect with,
- 16:25Speaker 3: you know what I'm saying.
- 16:26Speaker 4: In the show.
- 16:27Speaker 3: So so that was good and I was happy that
- 16:29Speaker 3: I was able to serve in that regard as an actor,
- 16:33Speaker 3: in helping to tell that story, because you know, that
- 16:36Speaker 3: does impact me. It does matter to me when other
- 16:38Speaker 3: brothers come up to me and they and they share
- 16:40Speaker 3: their stories with me, and how through you know, watching
- 16:43Speaker 3: the show in some kind of way, it maybe gave them,
- 16:46Speaker 3: you know, some additional insight or maybe gave them, you know,
- 16:49Speaker 3: some more hope, you know, and knowing that there's a
- 16:52Speaker 3: silver liner, that there's light at the end of the tunnel,
- 16:54Speaker 3: even for them. So I'm glad that I was able
- 16:57Speaker 3: to serve in that regard.
- 16:58Speaker 1: I hear a lot of the ass members, you guys
- 17:00Speaker 1: tell those type of stories where people are like really
- 17:02Speaker 1: relating to the characters. Do you remember a time that
- 17:05Speaker 1: was like super like touching or like just you have
- 17:08Speaker 1: a lot have had a long career, but just from
- 17:10Speaker 1: the shy and just a shot a time where someone's
- 17:12Speaker 1: come up to you in the conversation or the specific
- 17:15Speaker 1: topic that they've talked about has been like man, like
- 17:19Speaker 1: I'm doing that, like you know what I mean.
- 17:21Speaker 3: Yeah, No, I've had I had a brother stop me
- 17:27Speaker 3: because I'm a Cubs fan and when I'm at home,
- 17:31Speaker 3: I frequent this restaurant called Harry Carrey's and it's like
- 17:35Speaker 3: a Chicago sports memorabilia type of restaurant, sports themed restaurant
- 17:39Speaker 3: based on the legendary Hairy Carey. And as I was
- 17:42Speaker 3: walking into the restaurant, there was a young brother who
- 17:45Speaker 3: approached me and he was taking donations for something that
- 17:48Speaker 3: they were doing in their neighborhood. I forgot what neighborhood
- 17:51Speaker 3: is from Ou South, but you know, we were just
- 17:54Speaker 3: taking donations for whatever it was they was doing. So
- 17:57Speaker 3: I donated a couple dollars and and he and I
- 18:00Speaker 3: just struck up a conversation, and you know, towards the
- 18:05Speaker 3: latter end of the conversation, as we were getting ready
- 18:07Speaker 3: to part ways, he said, Hey, man, I just want
- 18:10Speaker 3: to let you know, like, you know, I know who
- 18:12Speaker 3: you are.
- 18:13Speaker 2: You know, I.
- 18:14Speaker 3: Respect your work, and man, thank you man for telling
- 18:17Speaker 3: telling real stories, for helping the tell real stories like
- 18:20Speaker 3: related to us. Man, Like, you know, I just came
- 18:23Speaker 3: home too. You know, I've had my challenges and I
- 18:27Speaker 3: felt like sometimes I'm just kind of on my own island.
- 18:30Speaker 3: And what that show, what that character has shown me
- 18:33Speaker 3: is that I'm really not alone. There's a lot of
- 18:35Speaker 3: brothers like me out here that are really just trying
- 18:37Speaker 3: to make it, you know, but just have had to
- 18:39Speaker 3: deal with the BS man and like, you know, the
- 18:42Speaker 3: circumstances and the cars that they were dealt. He said, Well, man,
- 18:45Speaker 3: I just want to let you know those stories matter
- 18:47Speaker 3: in the way that you portray it, and you do
- 18:49Speaker 3: it so proudly as a Chicagoan, that means a lot
- 18:51Speaker 3: to me. Man, So God bless you. You know what
- 18:53Speaker 3: I'm saying, Keep doing your thing, And that meant a
- 18:56Speaker 3: lot to me, you know, especially coming from a young
- 18:59Speaker 3: brother coming from the city, because you know, so many
- 19:02Speaker 3: guys from the city, especially the young ones, have gone
- 19:04Speaker 3: through so much where they're hardened, and it's hard for
- 19:08Speaker 3: them to be able to be vulnerable like that and
- 19:11Speaker 3: express themselves and share, you know, some of the more
- 19:15Speaker 3: intimate moments of their lives that have made them feel
- 19:18Speaker 3: uncertain or where they question their future. And you know,
- 19:21Speaker 3: for that young man to take time, even while he
- 19:23Speaker 3: outside hustling and trying to do his thing, to let
- 19:26Speaker 3: me know that he sees me as I'm seeing him,
- 19:29Speaker 3: it's those it's those kind of interactions that you know,
- 19:32Speaker 3: make it even more even more rewarding, you know, past
- 19:35Speaker 3: a paycheck that you can earn from it, you know,
- 19:38Speaker 3: pass any kind of surface level recognition that you can receive.
- 19:42Speaker 3: It's those kind of conversations on the street, you know,
- 19:45Speaker 3: with the real guys.
- 19:46Speaker 4: That I'm representing.
- 19:47Speaker 3: That that that makes me very proud and I'm thankful,
- 19:51Speaker 3: you know, to the Lord that I'm used as a
- 19:53Speaker 3: vessel in some kind of way, you know, to be
- 19:56Speaker 3: able to provide that that sense of hope and that
- 19:58Speaker 3: encouragement to go of people in general who can relate
- 20:01Speaker 3: to that kind of character.
- 20:03Speaker 2: You know.
- 20:04Speaker 1: I think about like all of the characters that lean
- 20:06Speaker 1: Away has either developed in front of us, where like
- 20:08Speaker 1: the Shy was the first time I met them, or
- 20:10Speaker 1: these are characters that I've known in love and grew
- 20:12Speaker 1: up with and now she reinvents them on the Shy
- 20:14Speaker 1: And just how no matter how big the celebrity of
- 20:17Speaker 1: a person is, like you guys are all super approachable,
- 20:20Speaker 1: Like we've been watching you in various different ways for
- 20:24Speaker 1: a very long time, but like I'm listening to you, like,
- 20:26Speaker 1: oh I just am you know, out in the community
- 20:29Speaker 1: headed to my favorite spot in Chicago, and I know
- 20:31Speaker 1: people seeing you and in the community also mean something too,
- 20:35Speaker 1: like they really feel connected to the character because like, no,
- 20:37Speaker 1: he's here, he really is boots on a girl.
- 20:39Speaker 2: He understand what's going on.
- 20:41Speaker 3: Oh yeah, now they can. I mean that's the thing
- 20:43Speaker 3: with me. I've always been one of those people. I've
- 20:47Speaker 3: always viewed myself as an artist. In order to be
- 20:49Speaker 3: able to tell the.
- 20:50Speaker 4: Stories of people, you have to be amongst the people.
- 20:54Speaker 4: You have to be able to relate to and understand
- 20:56Speaker 4: what people go through in their everyday lives. And you
- 20:59Speaker 4: can't do that behind the iron fence, and you can't
- 21:02Speaker 4: do that behind you know, a superficial point of view
- 21:05Speaker 4: of all, I got money and you know, I got
- 21:07Speaker 4: a little bit of fame and recognition. And then coming
- 21:10Speaker 4: from Chicago too, you just can't be that way, Like
- 21:13Speaker 4: you can't be from there and be one of those
- 21:16Speaker 4: kind of people that isn't approachable. You know, it's a
- 21:18Speaker 4: blue collar town and you know, everybody works hard to
- 21:22Speaker 4: put food on the table for their family. So what
- 21:24Speaker 4: makes you so different just because you're on TV? You
- 21:27Speaker 4: know what I mean?
- 21:27Speaker 3: So you know with me, I also I also recognize
- 21:31Speaker 3: it's important for the youth, for the younger generation to
- 21:35Speaker 3: see me, to see me in the neighborhood, to see
- 21:38Speaker 3: me present and engaging with them so that they know
- 21:41Speaker 3: like it's tangible or it's within reach, you know what
- 21:45Speaker 3: I'm saying, and you can accomplish and do the same
- 21:47Speaker 3: thing too, Like anytime when I'm home, people can see
- 21:50Speaker 3: me on seventy fifth at Lim's Barbecue, you know what
- 21:53Speaker 3: I'm saying. At anytime, people can see me, you know,
- 21:56Speaker 3: out South, like in Max so smoky, Oh yeah, a smoke.
- 22:00Speaker 3: He's like, no, Chicago sees me. And then I'm involved
- 22:04Speaker 3: with the community. I serve on the advisory board for
- 22:07Speaker 3: a nonprofit that's situated on the South Side and Woodlawn
- 22:12Speaker 3: called Hello Baby. And Hello Baby is basically a center
- 22:17Speaker 3: or in a safe space for young families, particularly young
- 22:21Speaker 3: mothers and young fathers, to be able to build a
- 22:25Speaker 3: stronger bond and rapport with their child because in most
- 22:28Speaker 3: underserved communities, especially on the South Side of Chicago, they're
- 22:31Speaker 3: multi generational homes that really don't allow you know, young
- 22:36Speaker 3: parents to be able to establish, you know, an even
- 22:39Speaker 3: stronger bond and connection with their young children because it'll
- 22:42Speaker 3: be so many disciplinarians and so many different energies in
- 22:45Speaker 3: the household. But what Hello Baby does is it provides
- 22:49Speaker 3: a safe haven right there in the middle of the
- 22:51Speaker 3: South Side in the community for young parents and for
- 22:55Speaker 3: kids to come together and just play.
- 22:57Speaker 2: And to learn.
- 22:59Speaker 3: We do giveaways like with diapers and you know, hygiene
- 23:04Speaker 3: products and things like that. You know, think every day
- 23:06Speaker 3: essentials that people need, you know, we give those and
- 23:09Speaker 3: donate those to the community. And so you know, it
- 23:13Speaker 3: even goes past representing it on screen as an actor.
- 23:16Speaker 3: I'm just a firm believer that also while representing in
- 23:20Speaker 3: that regard, I think it's also important to give back
- 23:23Speaker 3: to the community that you're actually portraying or that you're
- 23:26Speaker 3: trying to shed light on as well.
- 23:27Speaker 1: Do you think okay, first question, do you think that
- 23:33Speaker 1: not even just Chicago and any underserved community, right like,
- 23:36Speaker 1: lean Away does an amazing job. And I'm gonna keep
- 23:39Speaker 1: saying this because if I don't know who doesn't watch
- 23:41Speaker 1: the shot at this point, But if you don't watch
- 23:42Speaker 1: the shot, you should, And if you do watch the shot,
- 23:44Speaker 1: like I want people to say this more. She does
- 23:47Speaker 1: such a good job at painting the Chicago warm. I
- 23:51Speaker 1: remember my first time going to Chicago, like it was
- 23:53Speaker 1: maybe four or five months ago.
- 23:55Speaker 2: Okay, and I felt very ignorant.
- 23:57Speaker 1: Because when I was there, what I even after watching
- 24:00Speaker 1: the shy because I felt like, okay, that's and I
- 24:03Speaker 1: think most people watching this will think, or who've watched
- 24:06Speaker 1: it may think this tooth never been there.
- 24:07Speaker 2: When you watch something like the shot, you.
- 24:09Speaker 1: Feel like if you're not local, if you're not from there,
- 24:11Speaker 1: you're not gonna never find that. Like you go to
- 24:13Speaker 1: this place, but you might not find that community for
- 24:16Speaker 1: real because you don't know the people there. So it's
- 24:18Speaker 1: either you're on like the tourist the outskirts, or if
- 24:20Speaker 1: you go into the part where you see your people,
- 24:22Speaker 1: now you gotta get now we now we're thinking about
- 24:25Speaker 1: everything we hear in the news when it comes to Chicago.
- 24:27Speaker 2: Right.
- 24:27Speaker 1: I went there though, and I saw, oh my god,
- 24:29Speaker 1: I felt like I was in Atlanta. Like I went
- 24:31Speaker 1: to the Soho House and I was like, the first
- 24:33Speaker 1: thing I said was, it's so many black people in here.
- 24:35Speaker 1: The only place I've ever seen so many black people
- 24:37Speaker 1: spend money like that was in Atlanta.
- 24:40Speaker 2: It was like wealth and like luxury.
- 24:42Speaker 1: Do you think that even with shows like the Shy
- 24:46Speaker 1: that underserved in communities like Chicago get talked about the
- 24:52Speaker 1: way that they do, will ever get the justification they
- 24:54Speaker 1: deserve even with shows like The Shot. Do you think
- 24:56Speaker 1: that will actually ever happen, like when they be eradicated
- 24:58Speaker 1: through these you know, shows and movies, or will there
- 25:02Speaker 1: always be that stigma that you just gotta go see it?
- 25:04Speaker 2: Oh?
- 25:04Speaker 3: No, no, no, man, Yet another great question. I love
- 25:09Speaker 3: love these questions.
- 25:09Speaker 2: It's not job, Jason, you know, not be doing that.
- 25:11Speaker 3: Laurie, you you like what I said.
- 25:13Speaker 2: I'm a fan.
- 25:14Speaker 3: I watch you on the show, so I already know
- 25:17Speaker 3: you're gonna come with it. But no, I that's a
- 25:20Speaker 3: great question. I think what what the Shy has done?
- 25:24Speaker 3: And I always say this, I think it's opened up
- 25:27Speaker 3: Pandora's box in a sense. Well, no, that's the wrong thing.
- 25:30Speaker 3: I think what it's done is just open up the
- 25:34Speaker 3: floodgates to where more of these kind of stories can
- 25:37Speaker 3: be told. I think for for for so long, black
- 25:41Speaker 3: storytellers have been reluctant to go deeper. And then the
- 25:47Speaker 3: things that really affect our community, you know, multi generational families,
- 25:54Speaker 3: mental health, lgbt Q plus issues, you know, dealing with incarceration,
- 26:02Speaker 3: re entry into society, but having a real conversation about it.
- 26:06Speaker 3: Men's healing circles, sisters healing circles. We have helped, I think,
- 26:15Speaker 3: introduce the conversation where we can have a more broader
- 26:20Speaker 3: conversation and to be able to tell more complex and
- 26:24Speaker 3: diverse stories, even particular when it comes to the city
- 26:28Speaker 3: of Chicago, because yes, you do have the South Side
- 26:32Speaker 3: in the West Side communities of Chicago, but you also
- 26:36Speaker 3: have the Black families that live in the suburbs, that
- 26:38Speaker 3: outlying suburbs of Chicago, in the overall Chicago Land area,
- 26:42Speaker 3: whether they live in Naperville or whether they live in
- 26:46Speaker 3: communities like where I grew up in South Holland and
- 26:49Speaker 3: South Suburbs. And you know, there's so many as far
- 26:54Speaker 3: as the Black experience when talking about Chicago and the
- 26:57Speaker 3: Chicago Land Area, there's so many different stories race to tell,
- 27:02Speaker 3: so many more interesting stories to tell. And I do
- 27:04Speaker 3: believe that the Shy has helped to just usher in
- 27:07Speaker 3: that new era of writing and storytelling, particularly with the
- 27:11Speaker 3: Black experience in Chicago and just hopefully for the Black
- 27:15Speaker 3: experience just in America in general. Like you know, I
- 27:18Speaker 3: think I think some of the things that we explored
- 27:21Speaker 3: and that we touched on in the shy, although it
- 27:24Speaker 3: made some audience members uncomfortable, I think it was necessary
- 27:29Speaker 3: because what it?
- 27:31Speaker 4: What it?
- 27:32Speaker 1: What was the most necessary thing? You think that made
- 27:34Speaker 1: people uncomfortable, but was very necessary.
- 27:37Speaker 3: I'll be honest. I think a lot of the things
- 27:39Speaker 3: that we touched on lgbt Q plus related, particularly black
- 27:44Speaker 3: men's perspective with it, you know, with I'm sorry.
- 27:48Speaker 2: Go ahead.
- 27:49Speaker 1: You and Triggs character in Luke James character or Vic
- 27:52Speaker 1: in the show are like best friends, but you're a
- 27:54Speaker 1: straight male And I'm not for sure how Vic or
- 27:57Speaker 1: Trick identifies in the show specifically, but I know that
- 28:00Speaker 1: he is dating a trans woman.
- 28:04Speaker 2: Trans.
- 28:06Speaker 1: Yes, so, and we get to see that relationship play
- 28:09Speaker 1: out on screen. Yeah, and that's a big You guys
- 28:13Speaker 1: almost act like it's.
- 28:14Speaker 2: Not happening even though we're watching it.
- 28:15Speaker 1: In road time talk a bit about just you know,
- 28:18Speaker 1: character development there and kind of you know, feeling what
- 28:22Speaker 1: you why you think that that's so necessary?
- 28:25Speaker 3: No, I thought, you know, what was so interesting about
- 28:27Speaker 3: that was the way that we explored with those two characters,
- 28:33Speaker 3: that dynamic. You had one my character who was staunched
- 28:38Speaker 3: against that, like for him anything related to LGBTQ, especially
- 28:43Speaker 3: his best friend and he dating a transgender woman. Oh
- 28:47Speaker 3: I'm just not that, ain't it? And it was conflict
- 28:50Speaker 3: in the very beginning in season four, and then over
- 28:54Speaker 3: time as they began to connect more as brothers and
- 29:01Speaker 3: be there more for one another as brothers, Shah begin
- 29:05Speaker 3: to realize that, man, that don't even matter. I just
- 29:08Speaker 3: want my brother to be happy. It's so it's so
- 29:10Speaker 3: much shit that we go through out here in the
- 29:12Speaker 3: real world anyhow as black men. The last thing I
- 29:15Speaker 3: want to do is lean on my brother like that
- 29:18Speaker 3: and make him feel even worse for just being who
- 29:21Speaker 3: he is, simply just being who he is and what
- 29:24Speaker 3: he likes and how he chooses to love and what
- 29:27Speaker 3: that did. Because I remember when in kudos to Luke James,
- 29:32Speaker 3: you know, for being the extraordinary artist that he was
- 29:36Speaker 3: to be able to dive into that as an actor
- 29:40Speaker 3: and to be able to depict that and help tell
- 29:42Speaker 3: that story. You know, I think because I've been approaching
- 29:46Speaker 3: the street by other black men again when we first
- 29:50Speaker 3: explore that storyline, I have brothers coming to me like, yo, hey, man,
- 29:56Speaker 3: I ain't gonna lie to you like, you know, I
- 29:58Speaker 3: kind of stopped watching The Shy a little bit, you know,
- 30:00Speaker 3: because it just felt like, you know, prior of your
- 30:03Speaker 3: character coming on, they was like forcing the you know,
- 30:05Speaker 3: the gay stuff on me, man, And I wasn't really
- 30:08Speaker 3: like feeling that, you know what I'm saying. I'd be like, okay,
- 30:11Speaker 3: I hear you well, Man, when your character came on,
- 30:13Speaker 3: you know, because I saw you was on the show,
- 30:16Speaker 3: I wanted to tap back in and see what you
- 30:17Speaker 3: was gonna do on there. And Man, when I saw
- 30:19Speaker 3: your character and like Trig going through they thing, he said, Man,
- 30:24Speaker 3: if it, you know, it helped me to come to
- 30:25Speaker 3: grips my relationship with my brother, man, because you know,
- 30:29Speaker 3: my brother's either gay or my brother you know, has
- 30:32Speaker 3: a preference, you know, what he likes and how he
- 30:35Speaker 3: chooses to love it. For years, we never talked about it,
- 30:38Speaker 3: and I didn't know how to talk to him about it,
- 30:40Speaker 3: and he didn't know how to talk to me about it. Well, man,
- 30:42Speaker 3: we ended up just having a conversation about it because
- 30:44Speaker 3: we started talking about the show and how how Shod
- 30:47Speaker 3: and Trigg were on there, and so, you know, unbeknownst
- 30:51Speaker 3: us at the time, as we were filming it, you know,
- 30:54Speaker 3: we knew we were gonna it was gonna be a
- 30:56Speaker 3: water cooler piece, so to speak, where people were gonna
- 30:59Speaker 3: talk about it.
- 31:00Speaker 2: But I don't think we.
- 31:00Speaker 3: Really had any idea how it was going to serve
- 31:04Speaker 3: in a therapeutic way, particularly like with black men, to
- 31:08Speaker 3: where we can have more open conversations about it together
- 31:12Speaker 3: versus it being a thing where oh, that's them over
- 31:15Speaker 3: there and it's us. It was like, no, that's what
- 31:17Speaker 3: I meant by like, you guys are like doing like
- 31:20Speaker 3: you are active, like you're just moving around your world
- 31:23Speaker 3: like it's not even happening.
- 31:24Speaker 2: That's what I mean by that.
- 31:25Speaker 1: It's like, yeah, it almost teaches us, which we should
- 31:28Speaker 1: know as simple human beings. But there are a lot
- 31:29Speaker 1: of people who do divide, okay, you and them and
- 31:32Speaker 1: us when it's like, for realal, we all just maneuvering
- 31:36Speaker 1: throughout this world.
- 31:36Speaker 3: Every day and everybody's trying their best, you know what
- 31:39Speaker 3: I'm saying, And especially in the eyes of God, if
- 31:43Speaker 3: you want to talk about sin and all of that, man,
- 31:45Speaker 3: we all sinners in the eyes of God, man, and
- 31:47Speaker 3: we all sin each and every day. And it's just
- 31:50Speaker 3: my personal viewpoint, and people can can disagree and they
- 31:53Speaker 3: have their opinion about it, and that's fine. And I'm
- 31:57Speaker 3: not trying to impose upon anyone my beliefs or what
- 32:01Speaker 3: I think. But I'm just the kind of person where
- 32:04Speaker 3: I just want to extend and treat everybody with grace
- 32:07Speaker 3: and respect. I don't have any contempt or hatred towards anyone,
- 32:10Speaker 3: And it's none of my business how you choose to
- 32:13Speaker 3: live your life or how you choose to love. It's
- 32:16Speaker 3: not my job. That's the Lord's job, you know what
- 32:18Speaker 3: I mean. And my job or the commandment that's been
- 32:21Speaker 3: placed upon me as my Lord and savior sinning in
- 32:23Speaker 3: the heaven.
- 32:24Speaker 4: We just love one another.
- 32:26Speaker 3: And that's all I try to do every day.
- 32:28Speaker 1: Now.
- 32:28Speaker 3: I ain't perfect, you know. I definitely have my issues
- 32:31Speaker 3: like everyone else as well, and you know, there are
- 32:34Speaker 3: different things that I can do to improve as a
- 32:36Speaker 3: human being, but I do just try to keep it
- 32:39Speaker 3: at the forefront of my mind every day to just
- 32:41Speaker 3: treat people how I want to be treated and try
- 32:43Speaker 3: to love from that frequency. And you know, if more
- 32:48Speaker 3: people would embrace that, man, it would make the world
- 32:51Speaker 3: an even better place. But you know, in the meantime,
- 32:54Speaker 3: those of us who who may embrace that more, we
- 32:58Speaker 3: also have a duty to try to share that with
- 33:01Speaker 3: others and try to help them see a different perspective
- 33:04Speaker 3: as well. And that's what I try to do through
- 33:06Speaker 3: my art. So yeah, with shod that was.
- 33:09Speaker 2: It for me time.
- 33:11Speaker 1: I'm just sitting here listening to you talk, and I'm
- 33:13Speaker 1: thinking about how amazing you and Luke James's chemistry as
- 33:18Speaker 1: best friends and as brothers on screen is. I'm wondering
- 33:21Speaker 1: what it's like off screen. And I'm wondering because that
- 33:25Speaker 1: becomes a responsibility that can be as positive as it is,
- 33:29Speaker 1: it can be kind of dark and heavy. Have there
- 33:32Speaker 1: been moments whereas brothers off screen, you guys have had
- 33:35Speaker 1: to remind each other of like the responsibility of the
- 33:38Speaker 1: silver lining of it because of some of the you know,
- 33:40Speaker 1: people who aren't as positive and receiving messages and stuff
- 33:44Speaker 1: like that.
- 33:44Speaker 2: You know what I mean.
- 33:45Speaker 3: Nah, Well, I will say this, if there are any
- 33:49Speaker 3: booze from the crowd when it comes to that and
- 33:52Speaker 3: helping to tell stories in that regard, we don't even
- 33:55Speaker 3: hear it. We're so we're so immersed in the work
- 33:58Speaker 3: and so focused on the work and making sure that
- 34:02Speaker 3: the art is displayed beautifully and maintains its initial integrity
- 34:08Speaker 3: and how it's supposed to be presented from the writer's perspective.
- 34:11Speaker 3: We don't pay attention to that. When Luke and I
- 34:13Speaker 3: get together and go over scenes and talk about our
- 34:16Speaker 3: characters and we just hanging out period, it's just, man,
- 34:20Speaker 3: we're in a bubble of positivity and in a bubble
- 34:24Speaker 3: of creativity to where no, none of that is even discussed.
- 34:28Speaker 3: I think the main thing that we discussed is between
- 34:31Speaker 3: the both of us is how can we be better? Yeah,
- 34:34Speaker 3: you know what I mean, Like, Okay, last scene that
- 34:37Speaker 3: we did that was good, but now how can we
- 34:40Speaker 3: how can we turn it up a little bit more
- 34:42Speaker 3: to be able to provide you know, a different a
- 34:45Speaker 3: different point of view, you know, with this character. So
- 34:47Speaker 3: the and and and I might add to Luke James,
- 34:50Speaker 3: it's just an absolute pleasure to work. He was a
- 34:54Speaker 3: pleasure to work alongside with consummate professional, true artists, true actor.
- 35:00Speaker 3: I will forget sometimes that he's a phenomenal vocalist because
- 35:03Speaker 3: the way that he just he commits as an.
- 35:06Speaker 4: Actor, he's just awesome. So it was an honor to
- 35:09Speaker 4: work with him.
- 35:10Speaker 1: Well, I mean, it's it's been amazing watch you guys
- 35:13Speaker 1: on screen, and even in this new season and the
- 35:16Speaker 1: last season, Oh my god, I'm like why, Like I
- 35:19Speaker 1: feel like my family's about to leave me and like
- 35:22Speaker 1: where or something like it. Really, I'm like, why does
- 35:24Speaker 1: kind of be over? And I know every show has
- 35:27Speaker 1: its time, but because we don't get a lot of
- 35:29Speaker 1: this good feeling all the time, It's like why I
- 35:32Speaker 1: felt the same way when Insecure, I wasn't going to
- 35:35Speaker 1: do anymore seasons. Love is when that didn't get more seasons.
- 35:40Speaker 1: Like there are certain things on television where you're just
- 35:42Speaker 1: like why.
- 35:44Speaker 3: Yeah, you know, I always I always say this because
- 35:47Speaker 3: I've been in the business for so long and you know,
- 35:50Speaker 3: have my fair share of productions that have like ended
- 35:54Speaker 3: or you know, all good things must come to an end, right,
- 35:59Speaker 3: And every show serves its purpose for the time that
- 36:02Speaker 3: it's supposed to.
- 36:03Speaker 4: Be on there.
- 36:04Speaker 3: And yeah, although it's bittersweet for us too, as the
- 36:07Speaker 3: cast and the crew, we all walked away on rap
- 36:12Speaker 3: day feeling like we served our time and our purpose
- 36:15Speaker 3: and now it's time for a new show or a
- 36:20Speaker 3: new creative to come forward and a new story to
- 36:22Speaker 3: be told and present it in a way also to
- 36:26Speaker 3: the audience where we can truly benefit from it. You know,
- 36:30Speaker 3: I think that's another thing too. And I say this
- 36:33Speaker 3: with all due respect because I'm still a part of
- 36:36Speaker 3: the machine, if you will, and kind of came up
- 36:39Speaker 3: under the old Hollywood system. But you know, I'm encouraged
- 36:42Speaker 3: now to see that there are more black independent creatives
- 36:48Speaker 3: filmmakers who are now finding ways to get their story
- 36:51Speaker 3: out of there and to be able to monetize it
- 36:54Speaker 3: to where they can benefit from it financially as well,
- 36:59Speaker 3: and not just giving like a small piece of the pie,
- 37:01Speaker 3: but actually have an ownership in the work that they're
- 37:04Speaker 3: that that they're doing, and that they believe in. So,
- 37:08Speaker 3: you know, I think we're in a very interesting chapter
- 37:11Speaker 3: right now as you're seeing more of us segue or
- 37:17Speaker 3: transition out of the traditional Hollywood mold and now transitioning
- 37:23Speaker 3: more into you know, independent uh filmmaking and hitting our
- 37:29Speaker 3: niche or our base audiences and being able to benefit
- 37:33Speaker 3: from that. And so I feel encouraged from that, and
- 37:36Speaker 3: I think that you're going to see a lot more
- 37:38Speaker 3: young black filmmakers who are going to be willing to
- 37:40Speaker 3: step out on faith and tell their stories truthfully and
- 37:45Speaker 3: authentically and unapologetically, and and serving the audience who will
- 37:51Speaker 3: be able to appreciate that and will be it will
- 37:54Speaker 3: be willing to pay for it. So yeah, you know,
- 37:57Speaker 3: I'm grateful for shows like this and many others that
- 38:01Speaker 3: came before us. We've served our purpose and now it's
- 38:05Speaker 3: time for the new creatives and the new generation to
- 38:08Speaker 3: you know, now carry the mantle moving forward.
- 38:12Speaker 1: Thank you so much for joining me. I feel like
- 38:14Speaker 1: I've taken up so much. I had so much prepared
- 38:16Speaker 1: to talk to you about. We would be here for
- 38:17Speaker 1: like five hours, honestly, so we got to do this
- 38:20Speaker 1: again sometime. No, we'll definitely do it again. Like I said,
- 38:23Speaker 1: it's been an absolute pleasure. You know, I really and
- 38:26Speaker 1: genuinely respect you the journalists. You are the accomplished black
- 38:30Speaker 1: woman that you are. I wish you nothing but success
- 38:33Speaker 1: moving forward. I definitely look forward to to linking up
- 38:37Speaker 1: with you guys when when I eventually come to New York,
- 38:39Speaker 1: and then even before then, if you're in Atlanta once
- 38:42Speaker 1: we get the show up and running, I have Christy
- 38:45Speaker 1: reach out to you one of our reps from eighty
- 38:46Speaker 1: five or from the show and we'll make it happen.
- 38:49Speaker 2: Got you, Okay, I'm gonna hold you to it.
- 38:51Speaker 3: All right, all right, all.
- 38:53Speaker 2: Right, y'all.
- 38:53Speaker 1: This has been another episode of the Latest with Landa Rosa.
- 38:56Speaker 1: You're daily dig on all things pop culture and news
- 39:00Speaker 1: and all of the conversations that shake the room. I
- 39:02Speaker 1: tell you, guys, every single episode, y'all could be anywhere
- 39:05Speaker 1: with any old body talking about all of the things,
- 39:07Speaker 1: but you guys choose to be right here with me,
- 39:09Speaker 1: and I truly appreciate it. My lowriders, I'll see you
- 39:12Speaker 1: in my next episode.