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Headless Mailbag and Remote Viewing 2 · The Occult Rejects

0:02
Speaker 1: You see somethings are going to happen. What what's gonna happen?
0:12
Speaker 1: I think?
0:12
Speaker 2: Whatcome to everybody?
0:25
Speaker 3: To another headless magical mailbag, I am joined by my
0:28
Speaker 3: co host Nick Nick. Tell them what you're been working on?
0:30
Speaker 4: What is what I've been working I've been working on
0:32
Speaker 4: finding pictures for this show today. Besides that, you're still
0:36
Speaker 4: working on the same ship. I'm about to like just
0:39
Speaker 4: fucking lose it, man, I'm so tired of editing these
0:41
Speaker 4: same fucking shows. But yeah, hopefully by the end of
0:44
Speaker 4: the week I'll be working on Valentina's to fucking change
0:47
Speaker 4: the pace. But yeah, it's still working on the Sacred
0:49
Speaker 4: Geometry shows because I mean that was like a three
0:52
Speaker 4: part really kind of three parts, so it's a lot.
0:54
Speaker 4: But yeah, just that still. Unfortunately, Uh, let me see
0:58
Speaker 4: if we have any shows coming up that's a interesting
1:01
Speaker 4: nothing tomorrow, believe it or not, unless you've got an idea.
1:03
Speaker 1: I'm down for Tomorrow night.
1:04
Speaker 3: But we got Friday are less.
1:07
Speaker 1: Yeah, That's what I'm saying.
1:08
Speaker 4: And it's like I didn't even schedule anybody, and it's
1:10
Speaker 4: like fuck, like they do do well.
1:12
Speaker 1: They normally are good. Saturday, we do have.
1:16
Speaker 4: I find this interesting because we did have I find
1:20
Speaker 4: it interesting.
1:20
Speaker 1: In a few ways. I'm going to keep it real.
1:22
Speaker 4: I didn't realize these people were with maps, but we
1:24
Speaker 4: did have somebody on the show about Circuit eight, and
1:26
Speaker 4: they were with maps.
1:28
Speaker 1: Unfortunately. I'm just going to keep it real.
1:29
Speaker 4: The Occult Rejects has done an expose on maps, so
1:33
Speaker 4: I what to say about that kind of you know,
1:35
Speaker 4: that was like the whole Matthew North connection with Joe
1:38
Speaker 4: Rogan and all those people. But they're very big into
1:41
Speaker 4: using drugs with uh, you know, spirituality Saturday. I don't
1:45
Speaker 4: know if it was because Richard Ruock or maybe Colin
1:48
Speaker 4: Colin Conkret listen to it, but they both want to
1:50
Speaker 4: come on Saturday and do uh anti psychle And I'm
1:54
Speaker 4: basically saying, you don't need drugs to have a magical experience,
1:56
Speaker 4: and they're going to talk about that, so.
1:59
Speaker 1: That should be interesting.
1:59
Speaker 4: And fucking David James smith Man he uh eight thirty
2:05
Speaker 4: in the morning Sunday morning.
2:06
Speaker 1: I'll be alive with that fucking.
2:10
Speaker 4: Eight thirty in the morning for fuck's sakes.
2:13
Speaker 1: Yo Ike Baker's even gonna be there. I'm like, fuck.
2:16
Speaker 3: Nice, But what do you think about like having a
2:19
Speaker 3: discussion where we've got like two different sides of the panel,
2:21
Speaker 3: where we've got the pro psychonaut position and then the
2:25
Speaker 3: anti That would be fun, That would be right.
2:28
Speaker 1: Yeah.
2:29
Speaker 4: I still even when to get someone like one of
2:30
Speaker 4: the one of the guys that was on the show,
2:32
Speaker 4: I was like, I wrote like fifteen books and he
2:35
Speaker 4: was very interesting doing it. Isn't stupid like I do
2:37
Speaker 4: want I want to get him on. The funny thing
2:39
Speaker 4: was is that uh he even said I think I
2:42
Speaker 4: told you this. That day he had forgot that he
2:44
Speaker 4: had a show, so he was like, fuck it, I'm
2:45
Speaker 4: gonna use some strooms today. And then like an half
2:49
Speaker 4: hour or two Landa like that Lady Rachel hit him
2:51
Speaker 4: up and she's like, oh you still good for that
2:52
Speaker 4: show leader, And he was like oh shit, So like yeah,
2:56
Speaker 4: it was like tripping balls on the show. And I
2:58
Speaker 4: never would have guessed until he admitted it. And he
3:00
Speaker 4: said he's like, Yo, out of all the interviews and
3:02
Speaker 4: all the podcasts he's done, he's like I even interviewed
3:05
Speaker 4: I think he said he interviewed Alan Wants when he
3:06
Speaker 4: was younger. He's like, I didn't even trip out When
3:08
Speaker 4: I interviewed that guy, He's like, this is the first
3:10
Speaker 4: time I've ever done this shit on fucking tripping.
3:12
Speaker 1: I was like, that's pretty cool.
3:15
Speaker 3: Nice. I mean, in some cases it could be a
3:17
Speaker 3: performance enhancement.
3:18
Speaker 4: Oh sure, No, No, I know plenty of magicians who
3:21
Speaker 4: have microdos shrooms or acid. I mean, it's not for
3:25
Speaker 4: me because I think I'm I fucked my I have
3:27
Speaker 4: used it too much when I was younger, unfortunately, so,
3:30
Speaker 4: but I can see it possibly helping people in certain
3:33
Speaker 4: ways for sure.
3:35
Speaker 3: The chemical threshold.
3:36
Speaker 1: Yes, well, I have a little.
3:40
Speaker 3: Video about some of the more mysterious kind of cylinder
3:44
Speaker 3: seals that we've seen. I'd like to incorporate cylinder seals
3:47
Speaker 3: into more magical practices because that's what they were used for,
3:50
Speaker 3: you know. So like right, right, So let's let's take
3:58
Speaker 3: a look at this one real quick. I'm not gonna
4:01
Speaker 3: play the whole thing, but there's a couple of mysterious
4:03
Speaker 3: ones in here that kind of have some interesting implications.
4:15
Speaker 5: The ancient world has fascinated us for years. There are
4:19
Speaker 5: many artifacts that have been discovered, though that of course
4:22
Speaker 5: asked to question what they depict. One interesting artifact that
4:27
Speaker 5: is set to show advanced technology is that of the
4:29
Speaker 5: Babylonian slender sell theorists have said this serious proof of
4:34
Speaker 5: advanced weaponry. It's important to note this skept.
4:38
Speaker 3: Come on, look at that. I mean, you've got the
4:42
Speaker 3: mushroom cloud and the freaking body.
4:45
Speaker 5: That is just to scientist, this isn't what it depicts.
4:50
Speaker 5: But some true researchers have said we can learn a
4:53
Speaker 5: lot about the past by looking at ancient TEGs. Those
4:57
Speaker 5: who've seen this seals have said it looks like a
4:59
Speaker 5: nuclear bomber an explosion. Some have used examples like this
5:04
Speaker 5: to prove that ancient humans had advanced technology. As with
5:08
Speaker 5: the majority of these fundings, they're up for debates. Believe
5:12
Speaker 5: us have said this seal is similar to the ones
5:14
Speaker 5: found in Egypt. They allegedly showed Gyptians using advanced technology.
5:20
Speaker 3: Now I don't know whether or not they were using
5:22
Speaker 3: advanced technology, but I do believe that you could probably
5:26
Speaker 3: make the case that they might be remote viewing something
5:29
Speaker 3: in the future that would bring this up because that
5:31
Speaker 3: looks like radiation.
5:34
Speaker 4: Imagine that, dude, Yeah, oh that was why Like you
5:40
Speaker 4: ever see like when oh they got the helicopters on
5:42
Speaker 4: the planes and the submarines.
5:43
Speaker 1: They saw the shit remote viewing in the future.
5:46
Speaker 3: Right.
5:46
Speaker 4: I never thought that's so fucking simple too. I never
5:48
Speaker 4: thought of that, right.
5:50
Speaker 3: Because that's what they're actually trying to do, is they're
5:52
Speaker 3: trying to create prophecies for their people. And I mean,
5:56
Speaker 3: come on, why wouldn't that be a thing. Let's go
6:00
Speaker 3: a few more minutes on this one. But the Babylonian
6:03
Speaker 3: cylinder steal is just there's a lot of them out there,
6:05
Speaker 3: and it's it's crazy. So man, mind.
6:09
Speaker 5: One uses at the following, going back thousands of years ago,
6:13
Speaker 5: the only way humans could detail the past was in
6:16
Speaker 5: writings the house. We shouldn't take everything so literal, but
6:21
Speaker 5: this still does look like a bomb going off. It
6:24
Speaker 5: doesn't mean that's what's happening here, but it does certainly
6:28
Speaker 5: make funny.
6:29
Speaker 3: One other interesting thing is this line right here, coming
6:33
Speaker 3: straight down as if the bomb is dropping, and you know,
6:37
Speaker 3: he's got this sort of kingly appearance, and it's like
6:40
Speaker 3: he's ordering the bomb to drop, and it's just you know,
6:43
Speaker 3: I thought i'd bring it up because we're kind of
6:46
Speaker 3: doing a lot and I ran right now, and I ran,
6:50
Speaker 3: it's really close to Babylon.
6:52
Speaker 1: You know, it's yo, that is true.
6:54
Speaker 4: And you know it's like if I guess depending on
6:58
Speaker 4: what you're removiewing, well, let's just say all you saw
7:01
Speaker 4: was just an explosion and something like that. Again, even
7:06
Speaker 4: how that guy to the side looks like he's from
7:08
Speaker 4: maybe when they were around, it doesn't mean that you
7:10
Speaker 4: had to have seen who was in charge. You just
7:11
Speaker 4: saw the bomb drop, so you could even be depicting
7:14
Speaker 4: who you think they looked like then, because you didn't
7:16
Speaker 4: see a person, technically, you're still drawing him the same
7:20
Speaker 4: way you look now. And because you've mixed that shit together,
7:22
Speaker 4: people just think it's then you understand what I'm a
7:25
Speaker 4: getting in, And it's like, well, I just all I
7:26
Speaker 4: visioned was this explosion. I didn't see what the people
7:29
Speaker 4: were dressed in the fucking streets, like.
7:32
Speaker 3: Right, And you know, it could just be the impression
7:34
Speaker 3: that they got about sort of who is ordering this
7:37
Speaker 3: to happen? Right, So you've got the stars above him,
7:42
Speaker 3: which is like, you know where it's dropping from. It's
7:45
Speaker 3: dropping from the heavens, you know, and then you've got
7:47
Speaker 3: all of the radiation and the directionality of it, and
7:51
Speaker 3: it's sort of like a king that's dropping a bomb
7:54
Speaker 3: and it's exploding. So well, both of these arrows, right,
7:57
Speaker 3: so you've got one here and one there that is, uh.
8:02
Speaker 1: That was the thing to the side that other thing.
8:03
Speaker 1: It almost looks like it was like a silo or
8:05
Speaker 1: some shit.
8:06
Speaker 3: Or a tower.
8:07
Speaker 4: Yeah, and then like those things coming off of it.
8:10
Speaker 4: Is that supposed to be like very weird, dude, this
8:13
Speaker 4: is a weird fucking seal.
8:15
Speaker 3: Yeah. Man, there's a lot in there. But you know, again,
8:19
Speaker 3: you've got him walking on the broken land. And then
8:25
Speaker 3: I don't know, I don't know, but we've got one.
8:29
Speaker 3: We've got one email if we're gonna go over that
8:32
Speaker 3: before we get so this is from a guy named Dustin.
8:40
Speaker 3: So it says it's my it's my birthday, three three
8:44
Speaker 3: oh three, nineteen eighty two, also the year I was born.
8:48
Speaker 3: And I've seen one of the devil's face to face
8:51
Speaker 3: in this country, been shot with a graphene dart at
8:55
Speaker 3: work in front of others, have had bad injuries and
8:58
Speaker 3: poisons ever since, had witnesses. Was stalked and abused while
9:03
Speaker 3: alone in my room from one to four yards years
9:07
Speaker 3: old as a little boy, evil entities, been abandoned and
9:10
Speaker 3: left to die have witnessed so many miracles and curses.
9:14
Speaker 3: Was just carved up by a surgeon and told he
9:16
Speaker 3: was going to move nerves. Instead, he cut bone out
9:20
Speaker 3: and had to open me up twice. I've lost leaders
9:23
Speaker 3: of blood and now I'm crippled.
9:25
Speaker 1: I'm sorry, Fox, sorry dude.
9:27
Speaker 3: I live in a horse trailer. I sued Black Rock
9:30
Speaker 3: for killing two hundred and forty nine people experimenting with
9:35
Speaker 3: Havoni and eighteen daycoma, and they gave my late wife
9:38
Speaker 3: in twenty eighteen. I had to file papers Affidavid February two,
9:43
Speaker 3: twenty twenty one in ten Federal Building. I typed my
9:48
Speaker 3: name in their one public computer and found a secret
9:51
Speaker 3: case against me. That was October twenty twenty And when
9:54
Speaker 3: all this begun recently, the court clerk must have been
9:58
Speaker 3: overwatched and realized to who I was. At the opening
10:01
Speaker 3: of the case. She literally ran across the fourth floor
10:04
Speaker 3: office and froze me out of the computer. It was
10:07
Speaker 3: USA versus little Field Royal and Sarah Minerva Musgrove is
10:12
Speaker 3: my great grandma who has a lot of inheritance and
10:15
Speaker 3: the Treasury Treasury. She never knew about that. I only
10:19
Speaker 3: have researched and learned besides the ones who are trying
10:22
Speaker 3: to cover it up amid the steel, my life is hell.
10:25
Speaker 3: Please pray for me. Her grandfather was Chief Da Gooda
10:29
Speaker 3: of the Cherokee Nation, and my father James F. Muskgrove,
10:32
Speaker 3: both royal families in America in their own respect. Adopted
10:38
Speaker 3: because her father was shot as the first elected sheriff
10:42
Speaker 3: of the Cherokee Nation and going in Snake District where
10:46
Speaker 3: Oglala is today by by an osage Indian. He was
10:50
Speaker 3: with Millie Thompson, Chief John Degota, Thompson's daughter. It was
10:57
Speaker 3: a tragedy amid She adopted off for six or seven
11:02
Speaker 3: months later so she had a family with parents who
11:05
Speaker 3: would love her. It was all over the newspapers in
11:08
Speaker 3: nineteen eighty eighteen ninety five. Oklahoma, Cherokee Territory, Please pray
11:13
Speaker 3: for me. Well that's sad, but that sounds a lot
11:21
Speaker 3: like Oklahoma. Yeah, but gang Stocking, that seems to be
11:32
Speaker 3: a common theme that a lot of people who watch
11:35
Speaker 3: the show are having. But I do think there is
11:38
Speaker 3: something to psychotronic warfare. You know, if there is something
11:43
Speaker 3: to that, why wouldn't they experiment on Americans? What can
11:48
Speaker 3: we really do you know, so if there is that
11:52
Speaker 3: going on, I don't know how to defend yourself. But
11:56
Speaker 3: there is the whole idea behind, you know, using Faraday
12:00
Speaker 3: cage to sort of block out ambient radiation from the outside,
12:03
Speaker 3: which is uh, you know, covering your place with a
12:06
Speaker 3: lot of aluminum and wires.
12:09
Speaker 4: So I used to use that Faraday cloth before I move.
12:12
Speaker 4: They used to put it around a lot of stuff
12:14
Speaker 4: when I was podcasting rights crazy what this is fucking funny.
12:20
Speaker 4: But it was also because like I it's just at
12:22
Speaker 4: the time, I'm gonna keep it real. It was just
12:25
Speaker 4: some a little bit weird shit going on when I
12:26
Speaker 4: happened to get a little bit opinionated about tinfoil hat,
12:29
Speaker 4: and my paranoid even took me to the point where
12:31
Speaker 4: I was putting that Faraday cloth inside my hat lighting
12:34
Speaker 4: and inside my hat where I was wearing it, because honestly,
12:36
Speaker 4: I didn't trust certain people at that time.
12:38
Speaker 1: I'm just gonna keep it real.
12:40
Speaker 3: Did it help? I mean, like you could you can.
12:42
Speaker 4: Put possibly nothing going on to begin with, but you know,
12:45
Speaker 4: it's all probably a fucking mental you never know.
12:49
Speaker 3: I mean, like, if you're putting a Faraday cage around
12:52
Speaker 3: your head and you live near you know, power lines
12:55
Speaker 3: or anything else, it's gotta block out a lot of
12:57
Speaker 3: that electromagnetic radiation. You probably will have less headaches and
13:02
Speaker 3: other things. But you know, we are just bathed in
13:04
Speaker 3: ambient radiation all the time, so you never know.
13:07
Speaker 1: No, I know, I do.
13:09
Speaker 4: I have even used my EMF meter and there is
13:11
Speaker 4: times where they get around with all this equipment on it.
13:13
Speaker 4: You're just all getting spikes or you know, you'll get something.
13:16
Speaker 3: Right, dirty electricity, you know, stuff is leaking out of
13:21
Speaker 3: sockets and stuff, so you never know. I think that's
13:25
Speaker 3: very unexplored, and the cellular industry doesn't want it explored.
13:29
Speaker 3: So sleeping with the cell phone next to your head
13:31
Speaker 3: is probably a really bad idea, even though I'm guilty
13:34
Speaker 3: of it.
13:35
Speaker 4: Oh I used to too, and now I actually put
13:37
Speaker 4: it like on the other other like nights then.
13:41
Speaker 1: That nobody's using it.
13:45
Speaker 4: So yeah, it's on the other side of the bed
13:47
Speaker 4: or the other side of the couch when I pass
13:48
Speaker 4: out on it.
13:50
Speaker 3: Right, And there could be some sacred geometry to this
13:52
Speaker 3: stuff too, So we're talking about frequencies that can interact
13:55
Speaker 3: with each other at given points in space, so there
14:00
Speaker 3: could be something to be used with, you know, creating
14:03
Speaker 3: sort of sacred geometry using frequencies that is, you know,
14:07
Speaker 3: not necessarily fully discovered yet. So in terms of like
14:10
Speaker 3: exploring that, that would be interesting as well. If anybody's
14:13
Speaker 3: ever done that. I think I'm not really good because
14:17
Speaker 3: I don't have an asilloscope. But if you've got a
14:20
Speaker 3: silloscope and you can test this stuff out, you could
14:23
Speaker 3: actually make some sacred geometry radiation waves that might be
14:27
Speaker 3: able to help or hinder based off of your magical work. Yeah,
14:35
Speaker 3: so what do you say we get into it?
14:36
Speaker 4: Yeah, remote viewing. I'm the one with the pictures today.
14:39
Speaker 4: They're not going to be that easy and some of
14:40
Speaker 4: them going to be weird. So you know you're gonna
14:43
Speaker 4: have to focus for these people.
14:46
Speaker 1: All right?
14:47
Speaker 4: Yeah, let me see, did you actually lift up to
14:52
Speaker 4: I do have the envelopes? Am I actually like supposed
14:54
Speaker 4: to hold these things up? And everything I have, like
14:55
Speaker 4: the numbers?
14:56
Speaker 3: Hold them up? Yeah, hold them up? Show people off. Yeah,
14:59
Speaker 3: just give them something that they could focus on and
15:02
Speaker 3: use a target.
15:03
Speaker 1: All right.
15:04
Speaker 4: All right, So uh for right now, I guess just
15:07
Speaker 4: to kind of like get yourself into the space. All right,
15:11
Speaker 4: So we're kind of gonna start, like, you know, hopefully
15:13
Speaker 4: relax and while we are well why you are trying
15:17
Speaker 4: to guess what is inside this envelope, the image, you know,
15:21
Speaker 4: try to put yourself.
15:22
Speaker 1: Into, like somewhat of a meditative state.
15:24
Speaker 4: So I'm gonna try to hopefully read some stuff off now,
15:26
Speaker 4: just something short, not too long, just to you know,
15:29
Speaker 4: get us into the zone here, all right. So you're
15:32
Speaker 4: gonna take a deep breath, You're gonna breathe it in.
15:35
Speaker 4: You're gonna let it go very slow. Continue to do
15:38
Speaker 4: that tonight wherever you are. I want you to give
15:42
Speaker 4: yourself permission to become still, not forced, not strained, just still.
15:48
Speaker 4: Let your body settle on the chair, that couch, the
15:50
Speaker 4: floor of the bed, wherever you're listening from. Let your
15:53
Speaker 4: hands rest easy and clench your jaw, loosen your shoulders,
15:59
Speaker 4: let the muscles around your take another slow breath in
16:04
Speaker 4: through the nose, hold it gently for a moment, and
16:07
Speaker 4: exhale through the mouth again. Keep breathing in and exhale.
16:13
Speaker 4: You do not need to chase thoughts away. You do
16:16
Speaker 4: not need to be perfectly blank. You do not need
16:19
Speaker 4: to perform. You're only observing, watching, and allowing. All right,
16:27
Speaker 4: So now we're going to get into the first envelope
16:29
Speaker 4: and I will hold that up envelope one and focus.
16:35
Speaker 4: We'll give you some time. I'm going to breathe and focus.
16:46
Speaker 4: Write down whatever you see, whatever you feel. Don't try
16:54
Speaker 4: to force it, just let it come, all right, did
17:09
Speaker 4: you get something down the headless?
17:10
Speaker 1: Try to get an idea? If that was enough?
17:11
Speaker 3: Time a little bit more?
17:15
Speaker 4: Okay, all right, focus on your breathing and staying relaxed
17:26
Speaker 4: and just let it come to you.
17:59
Speaker 1: M all right.
18:04
Speaker 4: I think that's been long enough there, sir. Yeah, I'm good,
18:11
Speaker 4: all right, So I guess my opinion. I would say
18:14
Speaker 4: to try to really let go of that image you
18:17
Speaker 4: just had in your head and kind of just you know,
18:20
Speaker 4: make create a clean slate again. Maybe close your eyes,
18:24
Speaker 4: start to breathing over again. I would suggest to breathe
18:30
Speaker 4: in through the nose and you hold it for a
18:33
Speaker 4: moment and exhale through the mouth. Breathe in again, over
18:37
Speaker 4: and over, slowly, find your natural rhythm, and again, do
18:46
Speaker 4: not need to change your thoughts away. You do not
18:48
Speaker 4: need to be perfectly blank, you don't need to perform.
18:50
Speaker 4: You're just observing, watching and allowing visions, feelings.
18:55
Speaker 1: And thoughts flutter into your mind. And here resimble two.
19:47
Speaker 4: Me. Okay, I think that was good. Alrighty, then he's
20:31
Speaker 4: a hard one. So yeah, sorry, Not everybody's going to
20:35
Speaker 4: a trophy out.
20:36
Speaker 1: This one.
20:38
Speaker 3: Already.
20:38
Speaker 4: No, no, it is, it is. We have even had
20:41
Speaker 4: other ideas already for future ones. I think it's gonna
20:43
Speaker 4: keep it interesting. So again, let it all go. Maybe
20:48
Speaker 4: even try to think of something else, a good memory.
20:51
Speaker 4: Just try to forget about what you were thinking about before,
20:54
Speaker 4: and then try to forget about that. But yeah, even
20:58
Speaker 4: even if you gotta do, shake it off, take some
21:00
Speaker 4: big breaths in and out, whatever, try to let it
21:05
Speaker 4: all go. Let your body start to go still again,
21:08
Speaker 4: let all the muscles go. Try to relax. If you're
21:11
Speaker 4: sitting there, you know, let yourself all into the couch.
21:14
Speaker 4: Just relax and now stop your breathings. And again, don't strain,
21:24
Speaker 4: don't force it on yourself. Let the images, the feelings, colors, shapes, whatever,
21:33
Speaker 4: just let them flow in.
23:12
Speaker 1: H All right, you got this, sir.
23:37
Speaker 4: Two more left. We're almost done, and there's one in
23:39
Speaker 4: every one of these. There's no blanks.
23:41
Speaker 1: That's done. Oh I should have said that. Fuck what else?
23:47
Speaker 4: You feel like?
23:47
Speaker 1: I got a blank? This one's a blank? Like no?
23:51
Speaker 1: All right? Yes, so now think of a blank card again.
23:54
Speaker 1: Blank space.
23:55
Speaker 4: If you're into lesser banishing ritual of the pentagram, you
23:58
Speaker 4: know what I'm talking about.
23:59
Speaker 1: Creat a blank space.
24:00
Speaker 4: Wipe everything out, start all over again, no influence from
24:04
Speaker 4: the last image. Shake your body off, Relax again. Make
24:08
Speaker 4: sure all your muscles will relax, especially the ones in
24:10
Speaker 4: your face, your jaw, your eyes. Be surprised how much
24:14
Speaker 4: we actually hold on to that. Still, get relaxed. Even
24:20
Speaker 4: if you have to move around to the couch to
24:22
Speaker 4: sit yourself. Feel comfortable again. If you're sitting on the floor,
24:25
Speaker 4: you gotta move your legs a little bit differently. Or however,
24:27
Speaker 4: get comfortable and start the breathing again. Start to relax
24:33
Speaker 4: and close your eyes and let the show begin. Breathe
25:24
Speaker 4: and relax and let the visions come to you. Just
25:31
Speaker 4: be there observing it. I make sure you write down
26:19
Speaker 4: everything you feel and seek. All right, I think we're
26:48
Speaker 4: gonna start wrapping it up. All right, we got one
26:52
Speaker 4: more and then the fun see a lot of people
26:56
Speaker 4: guessing already.
26:57
Speaker 1: In the chat. That's kind of funny, very interesting.
27:02
Speaker 3: Write it down, guys. We want to see what she got,
27:04
Speaker 3: but only once we go through them. So this is
27:08
Speaker 3: number five target number five.
27:11
Speaker 4: So you know this is interesting. And I did see
27:13
Speaker 4: somebody in here. Am I supposed to be picturing what's
27:14
Speaker 4: in my in the thing too and sending that I
27:16
Speaker 4: don't know. I wasn't doing that, but I did think of,
27:20
Speaker 4: like I did wonder about that in the future, like
27:22
Speaker 4: is that a thing we could do? Was even us
27:24
Speaker 4: focus on the image and see if? But no, I
27:27
Speaker 4: am not trying to really help you out in that sense.
27:29
Speaker 4: You're just like Ghostbusters that movie. I guess what was
27:33
Speaker 4: behind the card.
27:34
Speaker 3: No, right, Well, it could be retro causality too, so
27:38
Speaker 3: you could be channeling what we're about to say in
27:41
Speaker 3: the future as we're.
27:42
Speaker 6: Showing technically, technically if they get it right or if
27:48
Speaker 6: they kind of making that cylinder seal now I haven't
27:51
Speaker 6: revealed it yet exactly.
27:54
Speaker 1: Yeah, you're funny, dude. It was a method to you men.
27:58
Speaker 3: Well, what if consciousness without time and space?
28:01
Speaker 4: No, I don't think I don't. I think you're right.
28:03
Speaker 4: I think do you think you're right? I think you
28:04
Speaker 4: think it is beyond time and space that is very
28:07
Speaker 4: well said. All right, everybody, you had a couple of
28:09
Speaker 4: good laughs. Let it out again. Get comfortable again. If
28:12
Speaker 4: you're sitting on the couch, make sure you're nice and cozy.
28:15
Speaker 4: If you're sitting in a chair, you know, make sure
28:18
Speaker 4: you're cozy. Fix yourself. If you're laying on the floor,
28:20
Speaker 4: sitting on the floor, let your body relax. It's the
28:23
Speaker 4: last one. We're almost done. Let those those muscles in
28:28
Speaker 4: your face and around your body start to relax. Stop
28:31
Speaker 4: breathing in and out. This is the last one. Envelope five.
28:38
Speaker 4: Let the visions float into you. Don't force it.
29:00
Speaker 7: Ste right, all right, you ready for this?
30:19
Speaker 4: Everybody ready? Put your pens down. Give yourself a pat
30:23
Speaker 4: on the back for going through all that. Alright, let
30:26
Speaker 4: me pull out the first one, right, I think, so
30:30
Speaker 4: really be like, yo, you can really use this shit.
30:32
Speaker 1: I don't know. It wasn't making it easy.
30:35
Speaker 3: I could go through some of my impressions before we
30:37
Speaker 3: see it.
30:38
Speaker 1: Ah, yeah, let me know about the first one first.
30:40
Speaker 3: All right, So the first impression I got was white brick,
30:44
Speaker 3: black numbers.
30:45
Speaker 1: That's really weird. But wow, okay, that's impressive. Actually fucked
30:51
Speaker 1: a little.
30:52
Speaker 3: Bit, all right, So these are just some of the
30:56
Speaker 3: other impressions that I got, which would be left, green, leaves, square,
31:02
Speaker 3: red door, gray, and rectang.
31:08
Speaker 4: Yeahn you might have actually done better than I expected.
31:10
Speaker 4: But just you'll see.
31:11
Speaker 1: You'll see as we go through it.
31:12
Speaker 4: But I don't know which ones you guess, but that
31:13
Speaker 4: is actually pretty fucking interesting.
31:15
Speaker 1: All right. So here's the first one. You have to
31:18
Speaker 1: pull it up headless.
31:19
Speaker 4: Yeah, this is your stream ya Ooh so.
31:25
Speaker 1: I mean, yeah, it's kind of white.
31:26
Speaker 4: I don't know about you know, brick technically, but there
31:29
Speaker 4: is you know, there's a whole lot of white going
31:30
Speaker 4: on in there.
31:31
Speaker 1: I just thought that was weird. And that's an Indian temple.
31:35
Speaker 3: Because I was thinking about it sort of like an
31:38
Speaker 3: impressionistic painting, right, So this is more like so I
31:43
Speaker 3: see the segmentation and it kind of reminds me of
31:45
Speaker 3: brick a little bit, you know. So it was like
31:48
Speaker 3: the segmentation, right, and I got the impression of a
31:51
Speaker 3: red door, but there's no red in it, but there
31:53
Speaker 3: is a door and it was rectangle.
31:55
Speaker 4: Oh, I thought the red door was for a different
31:57
Speaker 4: one because that was interesting that you said that.
32:00
Speaker 3: Could be as well. I mean like, so, yeah, and
32:03
Speaker 3: rectangle and also a square, but I don't see any square,
32:07
Speaker 3: so there there could be some impressions that were off.
32:09
Speaker 3: But it's it's interesting about the brick, like if you
32:12
Speaker 3: squitch your eyes.
32:15
Speaker 1: That's what I was saying. I just thought it was
32:16
Speaker 1: a plus. It's all white. I mean, that was impressive.
32:20
Speaker 3: I got some impressions in here. We got I had
32:23
Speaker 3: a school.
32:27
Speaker 1: So this is m I don't know, it's a delay
32:31
Speaker 1: DeLaura temple. M mm hmmm. All right, on to the
32:35
Speaker 1: next one. People were off and number two all.
32:39
Speaker 3: Right, right, oh, oh okay, So I had as my
32:44
Speaker 3: first impression it was lava rock. Black lava rock could
32:51
Speaker 3: be but it was it was more like a lumpy
32:54
Speaker 3: black rock, which I don't know is there is there
32:58
Speaker 3: any lumpy black rock around there. But I got yellow
33:01
Speaker 3: stairs not here at all, blue green, purple pen and foot.
33:13
Speaker 3: So this one's way off, but you could see the difference.
33:15
Speaker 1: Right.
33:16
Speaker 3: So on the last one it was white brick, which
33:19
Speaker 3: is more similar, but this one is like absolutely nothing.
33:23
Speaker 3: So I got to recalibrate and figure out that first
33:27
Speaker 3: sort of impulse or feeling I was getting connecting to
33:30
Speaker 3: that so that I can better, you know, connect to
33:33
Speaker 3: images more clearly. But this one is like zero hits
33:38
Speaker 3: on my side.
33:40
Speaker 1: Nice, all right?
33:41
Speaker 4: So that was number two people, if you mixed one
33:47
Speaker 4: and two together, he was accurate, that's funny.
33:51
Speaker 1: All right.
33:51
Speaker 3: Here we go, white tree.
33:53
Speaker 1: You know number three?
33:58
Speaker 3: All right, So here's what I have. I said, left
34:01
Speaker 3: side density because it felt lopsided to me.
34:06
Speaker 4: Well, I mean, if you put the pole on the
34:08
Speaker 4: right stand, isn't no, Yeah, I could see.
34:10
Speaker 3: The pole is sort of supporting the right side there,
34:13
Speaker 3: and then I got railing right and then creed orange
34:23
Speaker 3: fish and mouse. But you see that little orange tag
34:29
Speaker 3: right there.
34:31
Speaker 1: It's like, what are those things you go fishing with?
34:36
Speaker 3: Right right, right right?
34:42
Speaker 1: But I don't think I got to take a picture
34:45
Speaker 1: of that.
34:47
Speaker 2: Thirty three.
34:49
Speaker 3: I wasn't looking for numbers when I was doing it.
34:50
Speaker 3: But that's also another thing.
34:52
Speaker 1: To you talked about.
34:53
Speaker 4: Yeah, So it gave me the idea to take this
34:56
Speaker 4: because every time I like, this actually is inside my complex.
35:00
Speaker 4: Every time I walked to the gym at the other end,
35:02
Speaker 4: I crossed paths and I always see that and I
35:03
Speaker 4: always just think it's funny, like thirty three, and I
35:05
Speaker 4: was like, guy, fuck it, I'll take a picture of that. Yeah,
35:10
Speaker 4: all right, So that was number three. Here's number four,
35:16
Speaker 4: all right, And I got that if anybody's wondering, I
35:20
Speaker 4: got that that coaster from a Charlie's uh, that Charlie's
35:25
Speaker 4: event I went to, and I.
35:27
Speaker 3: Don't see it.
35:28
Speaker 1: You don't see it?
35:30
Speaker 3: Now?
35:31
Speaker 2: Oh there we go.
35:32
Speaker 3: Now it's up.
35:33
Speaker 1: Oh okay.
35:34
Speaker 3: So this one is half arrow, right, So if you
35:39
Speaker 3: split an arrow in half, that's what I got. No
35:41
Speaker 3: sort of facing to the to the left right, and
35:44
Speaker 3: then I got negative space neon and then sort of
35:51
Speaker 3: a backwards L backwards L shape, and then it had
35:57
Speaker 3: movement of right to left. So I'm not saying any
36:02
Speaker 3: of that. I mean, there might be some sort of
36:04
Speaker 3: directionality to the solemn Monic pentacles because it's kind of
36:07
Speaker 3: going this way, but the half L is sort of
36:10
Speaker 3: like a corner of a book, you know, just doing
36:12
Speaker 3: the opposite way.
36:13
Speaker 8: But anyways, the movement I got was from right to
36:17
Speaker 8: left if there was any movement happening, which it's not
36:21
Speaker 8: really going on there, So I would say that that's
36:23
Speaker 8: another bust.
36:25
Speaker 4: Yeah, I wasn't trying to try to make this a
36:27
Speaker 4: little bit harder. Actually believe it in that.
36:29
Speaker 1: Put like like this.
36:31
Speaker 4: I thought with like multiple things in there, it might
36:32
Speaker 4: have actually made it harder to make it more specific.
36:36
Speaker 1: All right. Last one, last one kind of a basic
36:38
Speaker 1: simple one.
36:40
Speaker 3: Man, that's kind of rubber banding.
36:47
Speaker 1: Oh my fucking shower curtain. Interesting.
36:52
Speaker 4: So I'm such an occult as everything in my bathroom
36:54
Speaker 4: is black and white because of all the water went
36:56
Speaker 4: to your byss, so the shower curtains black and white.
36:59
Speaker 4: To cope, it's black fucking shot, dude.
37:04
Speaker 3: My first one was figure, right, because I got sort
37:07
Speaker 3: of like a figure drawing feel to it, like kind
37:10
Speaker 3: of that's that's black and white. And then under a tree,
37:16
Speaker 3: and so if you're taking that impression, I kind of
37:18
Speaker 3: see a tree of that.
37:19
Speaker 4: Oh yeah, no, I can see the tree of there
37:21
Speaker 4: for sure.
37:23
Speaker 1: Somebody rode.
37:24
Speaker 4: I got a pitchfork in circle at bottom and line
37:27
Speaker 4: through center. M someone got molecules, metal.
37:39
Speaker 3: Shows, mellow boat, shower curtain. Okay, So yeah, you got
37:45
Speaker 3: to write your impressions before we go over them. I
37:48
Speaker 3: think that's that's the key too, is so that we
37:49
Speaker 3: could just sort of confirm or deny before we put
37:52
Speaker 3: it out there. I got check mark space tire right
38:00
Speaker 3: way off top right to bottom left. Is that the
38:05
Speaker 3: way that you you pull it is like from this way?
38:11
Speaker 1: Uh no, I start from the left with my right
38:14
Speaker 1: hand and pull it. Oup.
38:15
Speaker 4: Yeah, the shower curtain, the shower heads to the left.
38:20
Speaker 3: Oh okay, yeah, yeah.
38:20
Speaker 4: I don't know if people get in from the back
38:22
Speaker 4: end of the front end, but that's how that's how
38:23
Speaker 4: I get it.
38:25
Speaker 3: And then I had roots and scaffold. So I think
38:29
Speaker 3: probably the closest I got was number one.
38:32
Speaker 4: Well, I do think even so we say it, I
38:34
Speaker 4: think tree is at hit. I mean, I mean that's
38:36
Speaker 4: pretty close. I mean, to me, it looks like the
38:38
Speaker 4: shape of a Christmas tree, just not in my house.
38:41
Speaker 3: Right specifically said under tree. So I was seeing sort
38:46
Speaker 3: of like the can under the tree.
38:49
Speaker 1: At least being honest.
38:52
Speaker 3: Right, Well, I think that it's important because you know,
38:54
Speaker 3: the hits are important to really nail down. So I
38:58
Speaker 3: think what it is is there's the minute she returns
39:00
Speaker 3: for me based upon how many more I'm doing. Right,
39:04
Speaker 3: So maybe understanding that would give me a better impression
39:08
Speaker 3: the first impression. But that's also something to keep in
39:12
Speaker 3: mind because how you can clear your mind or have
39:15
Speaker 3: the space would be something interesting too.
39:21
Speaker 4: Somebody was saying in the chat that they're in some
39:24
Speaker 4: Remo viewing group, and they said they probably would have
39:26
Speaker 4: considered those other things hits for you, as that's interesting.
39:30
Speaker 4: The tree and the door in the white brick would
39:32
Speaker 4: have been considered hits.
39:36
Speaker 1: That's interesting, but.
39:40
Speaker 3: Those would be like, you know, I'm still in the
39:43
Speaker 3: twenty percentile of hits, so that's still not bad if
39:47
Speaker 3: you think about it. Just takes more practice.
39:50
Speaker 4: Yeah, I definitely think it was fun, though, Yeah, I
39:53
Speaker 4: mean I do even understand. I think some of the
39:55
Speaker 4: ones I picked her a little bit harder. Just a
39:56
Speaker 4: lot of shit going on. You could have been multiple things.
39:59
Speaker 4: I even all like the one with the stuff on
40:01
Speaker 4: the table might have made it easier because it's like
40:02
Speaker 4: someone could have sor a foocus. Somebody could have seen
40:04
Speaker 4: a remote control of the fucking you know, the coaster,
40:07
Speaker 4: so who knows, right right?
40:11
Speaker 3: Uh, you know, focusing on objects is something that you
40:14
Speaker 3: could also sort of like having a script for the
40:18
Speaker 3: relaxation where you're actually activating each one of the senses
40:22
Speaker 3: as you go through it. So then when you're you're
40:24
Speaker 3: holding up the thing, it's like, you know, the sensory
40:27
Speaker 3: data is already primed like some people might be eye
40:30
Speaker 3: dependent or ear dependent or whatever. So if you got
40:33
Speaker 3: that script where you can, you know, activate each other
40:36
Speaker 3: sense to see what you're getting from it, that.
40:40
Speaker 1: Is try too. Yeah that's interesting. Yeah that was fun.
40:44
Speaker 1: Do it again next week.
40:45
Speaker 3: Absolutely, Yeah, this is a great episode. Thank you guys
40:48
Speaker 3: for joining us, and join us again tomorrow if we
40:52
Speaker 3: do another Friday night.
40:54
Speaker 4: Yeah, yeah, I'm down with it. I'm down with it.
40:56
Speaker 4: So check it out. Keep keep an eye out to
40:58
Speaker 4: see if we post lives up with tomorrow.
41:01
Speaker 3: All right, So thank you everybody for coming and we
41:04
Speaker 3: will see you again next time.
41:06
Speaker 1: Later, later,