Latest / Under the Docs / Zeitgeist (2007): Viral Conspiracy Documentary of the 2000s | Under the Docs 002
Transcript
- 0:07Speaker 1: Under the Dogs. Yeah, Under the Dogs, very fare breaking.
- 0:12Speaker 1: The looks funny? Could they original the shots? They got
- 0:18Speaker 1: the Dogs? Under the Dogs money the Dukes? Yeah, Under
- 0:23Speaker 1: the Dogs? Under the Dogs.
- 0:52Speaker 2: Zeit Guys, the movie two thousand and seven, directed and
- 0:56Speaker 2: narrated by a guy named Peter Joseph. Why are recovering
- 1:00Speaker 2: this one? Well? In my opinion, this one is sort
- 1:03Speaker 2: of the whitman's sampler of conspiracies. Is got Christ myths.
- 1:09Speaker 2: It talks about nine to eleven, talks about the Federal Reserve,
- 1:12Speaker 2: It gets in the false flight, It gets into a
- 1:13Speaker 2: whole bunch of different things, but it kind of does
- 1:16Speaker 2: this three dish combo Christ nine to eleven Federal Reserve.
- 1:22Speaker 2: And it also got really popular in the very early
- 1:25Speaker 2: days of YouTube, like when YouTube had only been around
- 1:28Speaker 2: for a year or two. And in fact, I don't
- 1:31Speaker 2: even think this movie and its entirety was on YouTube
- 1:34Speaker 2: because at that point YouTube would just quick little clips
- 1:37Speaker 2: of people going to the zoo and stuff. This one
- 1:40Speaker 2: was on Google Video, which doesn't even exist anymore. So
- 1:44Speaker 2: this is some og internet conspiracy theory documentary. Zeitgeist. Where
- 1:50Speaker 2: were you at when this came out?
- 1:52Speaker 3: I was in California, at the time, and I actually
- 1:55Speaker 3: got a copy of it from a gas station, a
- 1:57Speaker 3: bootleg copy on a burn CPE.
- 2:01Speaker 4: To AGRs aegis a little bit.
- 2:04Speaker 2: That's the best way to get a documentary about conspiracy
- 2:08Speaker 2: theories is that a gas station on like some burned
- 2:11Speaker 2: DVD R by someone that you've never really met before.
- 2:15Speaker 3: Yeah, with like a paper copy of the of the cover,
- 2:19Speaker 3: like you know, xerox and black and white.
- 2:22Speaker 2: You're like, were you going looking for a conspiracy documentary?
- 2:27Speaker 2: They're just like, here you go, zeit, guys, get it.
- 2:29Speaker 3: While I taught, well, they actually started doing all kinds
- 2:33Speaker 3: of bootlegs.
- 2:33Speaker 4: We'd buy there, you know what I mean, And they.
- 2:35Speaker 3: Had we Actually the first one I got from there
- 2:37Speaker 3: was Michael Moore's nine to eleven movie.
- 2:40Speaker 4: I forgot what it's called, but I got that there first.
- 2:43Speaker 3: And then they were just always tell us, hey, documentary.
- 2:46Speaker 3: We'd always get all the other bootlegs. But we got
- 2:49Speaker 3: really big into documentaries and Zeitgeist was probably like you said,
- 2:53Speaker 3: it's the money Masters of the two thousands, I.
- 2:57Speaker 2: Mean, and count yourself lucky man to to see Zeitgeist
- 3:01Speaker 2: the movie when it came out is a very special moment.
- 3:05Speaker 2: In time, because we just rewatched it, and this is damn.
- 3:10Speaker 2: It's a while after his twelve years after it came out,
- 3:13Speaker 2: almost over ten years after it came out, and here
- 3:17Speaker 2: we are watching all of this go over again and
- 3:21Speaker 2: it feels like it was still pretty relevant. So anyway,
- 3:23Speaker 2: the one sentence summary of this movie is that Zeitgeist
- 3:28Speaker 2: the movie suggested that all organized religion, the global financial system,
- 3:34Speaker 2: and all societal constructs are manipultive tools used to control
- 3:38Speaker 2: the masses. I can get behind that. Even though it's
- 3:41Speaker 2: a pretty generic statement. You know, they're just controlling the masses. Man,
- 3:46Speaker 2: it presents a pretty good case.
- 3:49Speaker 3: Very good case, and throughout history. It doesn't just start
- 3:52Speaker 3: from the two thousands. It pretty much goes to the
- 3:55Speaker 3: almost the beginning of time or the beginning of written history.
- 4:06Speaker 2: All right, let's plot the course on this one. The
- 4:08Speaker 2: movie itself is broken up into three distinct sections, and
- 4:13Speaker 2: let's just go through the three sections. The first one
- 4:17Speaker 2: is titled The Greatest Story Ever Told, and basically the
- 4:22Speaker 2: premise is that the oldest religion that humans know came
- 4:26Speaker 2: from tracking the sun and tracking the stars and then
- 4:29Speaker 2: forming these constellations in a zodiac. Is sort of a
- 4:33Speaker 2: helpful way to keep in mind exactly where we're at,
- 4:36Speaker 2: and that eventually the zodiac became personified constellations and their movements,
- 4:42Speaker 2: and they became telling stories about these different constellation movements.
- 4:47Speaker 2: It goes over so many different gods and cultures and religions,
- 4:51Speaker 2: but essentially they drive in that Horus is the Sun,
- 4:56Speaker 2: that all Western religions basically came from Egypt, and that
- 5:01Speaker 2: these Egyptian mythology is the source for everything else that
- 5:04Speaker 2: came after. That's a pretty broad stroke of the brush,
- 5:08Speaker 2: but that's kind of what they declare in this in
- 5:11Speaker 2: what you.
- 5:11Speaker 3: Said is kind of how you could summarize it and
- 5:14Speaker 3: simplify because there is so much information throughout history of
- 5:17Speaker 3: different gods, and they don't they even stop where that
- 5:20Speaker 3: you could tell. At one point they were like, oh,
- 5:21Speaker 3: that's a little much. But for me, I talk about you,
- 5:25Speaker 3: but this, like, I mean, I'm not a huge religious guy.
- 5:28Speaker 4: I grew up in the Catholic Church.
- 5:29Speaker 3: And this was like a oh moment, like where I'm like, dang,
- 5:32Speaker 3: like this this just solidifies everything I've been thinking about
- 5:36Speaker 3: the negativity of religion.
- 5:39Speaker 2: So there was a movie that came out right before Zeitgeist,
- 5:43Speaker 2: and let me just say that the Zeitgeist again, it's
- 5:45Speaker 2: kind of like a whitman's sampler, but it doesn't seem
- 5:47Speaker 2: that they put out any brand new information. It's just
- 5:51Speaker 2: a really good mixtape, a great compilation of other information.
- 5:54Speaker 2: And there was a movie that came out a year
- 5:56Speaker 2: or two before this one, and it was called The
- 5:58Speaker 2: God Who Isn't There and it was about this kid
- 6:01Speaker 2: that had grown up super religious his entire life and
- 6:04Speaker 2: also came across a lot of this exact same research
- 6:07Speaker 2: about Jesus being this archetype that goes back. Anyways, if
- 6:10Speaker 2: you're interested in that particular topic, I highly recommend that
- 6:14Speaker 2: documentary to The God Who Wasn't There. The second part
- 6:18Speaker 2: of Zeitgeist is called All the World's a Stage, And
- 6:22Speaker 2: just to summarize it briefly, nine to eleven was an
- 6:25Speaker 2: inside jobs. That's pretty much the second Well, we'll get
- 6:28Speaker 2: into the details on that, and then the final or
- 6:31Speaker 2: at least the third act says don't mind the men
- 6:35Speaker 2: behind the curtain, and this is basically saying the bankers
- 6:38Speaker 2: are behind everything, and talks about central banks, to irs,
- 6:41Speaker 2: the Federal Reserve. It's essentially a summary of money Masters,
- 6:47Speaker 2: but maybe a twenty to thirty minute summary of money Masters.
- 6:51Speaker 3: Yeah, it kind of consolidates it instead of the three
- 6:53Speaker 3: hours that you would have to sit through, and you.
- 6:55Speaker 4: Know, doesn't go as thorough.
- 6:57Speaker 3: So sometimes it's a little shaky on some of the
- 6:59Speaker 3: evident they provide because there is more details, but they
- 7:02Speaker 3: didn't have enough time.
- 7:04Speaker 2: All right, So strap in because we're gonna start whipping
- 7:08Speaker 2: through a whole bunch of the claims they make, and
- 7:10Speaker 2: I'm breaking these up into sections. So first, that Jesus
- 7:14Speaker 2: never existed. That's basically the claim is that there was
- 7:17Speaker 2: no historical Jesus. In the process of researching some of
- 7:20Speaker 2: these little tidbits, there's a name for this called historacity
- 7:26Speaker 2: or historicity, which means like how accurate your version of
- 7:31Speaker 2: history is. Anyways, there's your word for the day. So again,
- 7:34Speaker 2: the claim is that Jesus never existed, That Egypt is
- 7:37Speaker 2: the source of all Western religions, that modern Christianity was
- 7:41Speaker 2: the result mainly of a political movement based on Roman religions,
- 7:46Speaker 2: and that this religious myth the most power that you know,
- 7:50Speaker 2: political devices have ever created, a smith to authority and
- 7:54Speaker 2: give this blind faith in God. They make a very
- 7:56Speaker 2: strong case that once in mass people just gave up
- 8:01Speaker 2: and said, let's let Jesus take the wheel and the
- 8:04Speaker 2: church will let us know how good of a job
- 8:05Speaker 2: we're doing. That it was all sort of downhill from there.
- 8:09Speaker 3: To sum it up for me, and I've said it
- 8:11Speaker 3: many times, but it's like the Book of Eli.
- 8:13Speaker 4: It's basically the Book.
- 8:14Speaker 3: Of Eli boiled down of where hey, some guys rewriting
- 8:17Speaker 3: history to control the masses through religion.
- 8:21Speaker 2: So let's go through some of the specific claims. Here
- 8:24Speaker 2: we go that Horace was born on December twenty fifth,
- 8:28Speaker 2: born of a virgin isis marked by a star in
- 8:32Speaker 2: the east, adored by three kings. He was a teacher
- 8:36Speaker 2: by twelve, baptized at thirty twelve disciples before Mihicles, was
- 8:40Speaker 2: called the Lamb of God. He was crucified, he died
- 8:43Speaker 2: for three days, he was resurrected, and then they show
- 8:46Speaker 2: this comparison between not just Orus and Jesus, but by
- 8:50Speaker 2: a whole bunch of other gods, addis christa, dianices Mithra.
- 8:56Speaker 2: They actually have a list of like twenty other names.
- 8:58Speaker 2: It just whips by and they intentionally make them go
- 9:01Speaker 2: by fast, just so you're like, man, there's so many
- 9:03Speaker 2: more that fit all this, and I just need to
- 9:05Speaker 2: point out that again, this is not new information for Zeitgeist.
- 9:09Speaker 2: They even quote this guy, Gerald Massey at the very
- 9:13Speaker 2: beginning of the movie as it's starting up in this
- 9:15Speaker 2: long twenty minute intro. He was an egypt taught like
- 9:18Speaker 2: a self taught egyptologist and a poet, and he wrote
- 9:21Speaker 2: this book called The Natural Genesis in eighteen eighty three
- 9:25Speaker 2: that basically says that Christ came from Morris. And then
- 9:28Speaker 2: there was another book that was in eighteen seventy five,
- 9:31Speaker 2: even before that, one by a guy named Kersey Graves
- 9:34Speaker 2: called the World's sixteen Crucified Saviors. And that's where Zeitgeist
- 9:39Speaker 2: gets its other list of all these different gods. So
- 9:42Speaker 2: we're talking about research from eighteen seventy five, like almost
- 9:46Speaker 2: one hundred and fifty years old that Zeitgeist just kind
- 9:49Speaker 2: of makes new again.
- 9:52Speaker 3: Yeah, that nobody knew about it and it's now relevant
- 9:54Speaker 3: to the public where no one's digging through a lot
- 9:57Speaker 3: of this research. And that's part of this documentary is
- 9:59Speaker 3: it's it's just a patch job of a lot of
- 10:02Speaker 3: other people's works. But we could get into that a
- 10:03Speaker 3: little bit more.
- 10:05Speaker 2: Yeah, and it's good. So here are some of the
- 10:07Speaker 2: key the screpancies or the similarities that they bring up
- 10:11Speaker 2: between all these different gods. That they all have disciples
- 10:14Speaker 2: of twelve, they all have this three day death, they
- 10:16Speaker 2: all have a rebirth, and they this movie does a
- 10:19Speaker 2: whole bunch of asking question and then immediately answering their
- 10:22Speaker 2: own question. So their question is why all these similarities,
- 10:26Speaker 2: And the answer is because it's all astrological, that the
- 10:30Speaker 2: star in the east is serious, that the Christmas is
- 10:34Speaker 2: used as this date because Christmas is the day that
- 10:37Speaker 2: the three stars in Orion's belt, also known as the
- 10:40Speaker 2: Three Kings, they all point directly at the Sun's birth
- 10:44Speaker 2: at winter solstice. So this is the Eastern Star and
- 10:47Speaker 2: the three Wise Kings all astrological. That the Virgin and
- 10:51Speaker 2: the virgin birth is actually the constellation Virgo, who is
- 10:55Speaker 2: also called the House of Bread, and one of the
- 10:57Speaker 2: representations is this virgin holding a shaft of wheat, and
- 11:01Speaker 2: that the word Bethlehem literally translates to house of bread,
- 11:05Speaker 2: which refers to a place in the sky, not on
- 11:08Speaker 2: the earth quote from the movie. So they go really
- 11:11Speaker 2: really hard in the fact that this whole entire Christmith
- 11:14Speaker 2: is all about astrology. It also mentions December twenty second,
- 11:18Speaker 2: twenty third, and twenty fourth, This is when the sun
- 11:22Speaker 2: is at its lowest point on the Southern Cross, which
- 11:25Speaker 2: is essentially the so you would wake up and every
- 11:27Speaker 2: day for three days, the sun's just sitting in the
- 11:30Speaker 2: same spot that it was the day before, which is
- 11:32Speaker 2: somewhat of an anomaly compared to all the other days
- 11:35Speaker 2: of the year. And this is what the the sun
- 11:38Speaker 2: dying for three days on the cross. And then on
- 11:42Speaker 2: the twenty fifth, this we come out again. It raises
- 11:45Speaker 2: up one full degree, so this is the sun resurrecting
- 11:49Speaker 2: itself on that third day. And one of the other
- 11:52Speaker 2: points they make is that we don't really celebrate spring
- 11:55Speaker 2: equinox until the sun fully overtakes the moon, which means
- 11:59Speaker 2: that the days are officially now longer than night. And
- 12:02Speaker 2: this is fully you know, Christ conquering death or life
- 12:06Speaker 2: conquering death, light conquering the darkness.
- 12:09Speaker 4: Yeah, and they really compare and drive home the sun god.
- 12:12Speaker 3: Theory of Jesus being the sun God quote unquote, without
- 12:17Speaker 3: saying maybe necessary, that the.
- 12:20Speaker 2: Twelve Disciples are the twelve constellations. They point out twelve tribes, stunts, judges, patriarchs, prophets, kings, princes.
- 12:29Speaker 2: These are all from the Bible, these numbers of twelve.
- 12:31Speaker 2: That the cross with the sun behind it, if you
- 12:35Speaker 2: just look at the top of a like a church steeple,
- 12:37Speaker 2: and it's got that cross, it's got the little circle
- 12:40Speaker 2: in the background, which is like the sun. That really,
- 12:42Speaker 2: if you zoom out, that's just a shorthand reference to
- 12:45Speaker 2: the zodiac. That if you were to draw the zodiac,
- 12:48Speaker 2: you draw on this cross, and then you draw a
- 12:50Speaker 2: little circle around it and put all the little, you know,
- 12:53Speaker 2: symbols in between these different axes on the cross. But
- 12:56Speaker 2: really the cross with the circle that means Zodiac doesn't
- 13:00Speaker 2: mean Jesus or anyone on the right. And they even
- 13:03Speaker 2: mentioned how the crown of thorns are the sun raysed
- 13:06Speaker 2: from the corona of the Sun, the light of the world.
- 13:09Speaker 2: That goes on and on and on about making this
- 13:11Speaker 2: point that it is the literal sun God, and then
- 13:14Speaker 2: it actually gets into a pretty decent explanation of the
- 13:18Speaker 2: procession of the equinox and ages. So the highlights are
- 13:22Speaker 2: that ages are twenty one hundred and fifty years long.
- 13:25Speaker 2: Each age represents that the sun basically rises in a
- 13:29Speaker 2: different constellation throughout that entire age. That this entire cycle
- 13:34Speaker 2: to go through every single age takes about twenty six
- 13:37Speaker 2: thousand years. That's for the sun to go through all
- 13:40Speaker 2: the twelve zodiac signs. That we're currently in Pisces until
- 13:44Speaker 2: about twenty one to fifty. So unfortunately we're stuck in Pisces,
- 13:48Speaker 2: like we're probably not going to live to see the
- 13:51Speaker 2: full age of Aquarius age. Those Age of Aquarius starts
- 13:55Speaker 2: in twenty one fifty and it goes to like forty
- 13:58Speaker 2: three hundred, and I don't know, something special happens on
- 14:01Speaker 2: that exact day or it's more of like a gradual transition,
- 14:05Speaker 2: and that this whole idea of new age and new agism,
- 14:09Speaker 2: And you might think about hippies like running around in
- 14:12Speaker 2: the forest, you know, smelling like petuoli and like smoking weed,
- 14:15Speaker 2: But really new Age means that we're on the cusp
- 14:18Speaker 2: of the sun rising in this completely new sign and
- 14:22Speaker 2: that this makes a difference on how everyone thinks. I'll
- 14:26Speaker 2: keep going, but yeah, what do you think about the
- 14:28Speaker 2: New Age and the constellation breakdown?
- 14:31Speaker 3: I thought they did a well job, a good job
- 14:33Speaker 3: of presenting it, and it makes sense.
- 14:36Speaker 4: Whether you agree or disagree with a lot.
- 14:38Speaker 3: Of the statements that are made or things that are presented,
- 14:41Speaker 3: it does make sense, and you can put it into
- 14:43Speaker 3: a context of like, yeah, that this is a new age.
- 14:48Speaker 2: A lot of the math checks out, a lot of
- 14:49Speaker 2: the symbols check out. For example, he mentions how Moses
- 14:54Speaker 2: there's a story he comes down and he tells everyone
- 14:57Speaker 2: to kill their brothers and their neighbors and kill your
- 15:00Speaker 2: hanions because they were worshiping this golden bull. And what
- 15:03Speaker 2: really's talking about is the neighbors on the zodiac that
- 15:07Speaker 2: you need to stop worshiping this old god. Kill your
- 15:11Speaker 2: old bull, because that was the age of Taurus, which
- 15:15Speaker 2: was from forty three hundred BC, and it ended in
- 15:18Speaker 2: twenty one to fifty BC. So if anyone was still
- 15:20Speaker 2: worshiping golden caps after twenty one and fifty BC, then
- 15:25Speaker 2: they were worshiping the old times. They needed to like
- 15:27Speaker 2: get with it, they need to update their firmware a
- 15:29Speaker 2: little bit. And that Moses represented the ram and the
- 15:33Speaker 2: rams horn, and that's why that's such a strong symbol.
- 15:37Speaker 2: There's even some depictions of him having like the two horns.
- 15:40Speaker 2: But this is because Moses represented Aris, which was the
- 15:44Speaker 2: age that came after Taurus. You also have got Mithra,
- 15:48Speaker 2: who was the bullers. He's shown slaying the bull because
- 15:51Speaker 2: again this was the next age that was moving out
- 15:54Speaker 2: with the old and in with the new, and that
- 15:57Speaker 2: Jesus represents Pisces. He feeds with fish, he teaches people
- 16:01Speaker 2: how to fish, the feeding of the plenty, like all
- 16:04Speaker 2: of these different aspects and him being a fisherman is
- 16:08Speaker 2: really about this astrological sign. So and they make this
- 16:12Speaker 2: a quote that I love in conspiracy documentaries and podcasts.
- 16:16Speaker 2: We do it ourselves. Sometimes it's like most people don't
- 16:19Speaker 2: know that Jesus is really a pagan symbol, and like
- 16:22Speaker 2: I love, I love the calls to like most it's
- 16:25Speaker 2: such a weasel word.
- 16:27Speaker 4: You might not know this. I'm gonna tell you for
- 16:30Speaker 4: the first time.
- 16:33Speaker 2: And then essentially they summarize us all, how how has
- 16:37Speaker 2: everyone fallen for this crazy you know, grift If it's
- 16:41Speaker 2: all talking about astrological son God, why is everyone fighting
- 16:45Speaker 2: wars over essentially with the same thing. And he mentions
- 16:48Speaker 2: that the King James in particular was a translation and
- 16:53Speaker 2: they mistranslate some very key concepts. One of those being
- 16:58Speaker 2: the end of the world, and really the original writing
- 17:03Speaker 2: doesn't translate as end of the world, that it translates
- 17:06Speaker 2: to end of the aon or end of the age,
- 17:08Speaker 2: meaning that it's just this cycle that keeps going forever.
- 17:11Speaker 2: That one little mistranslation, as this movie claims, though, that
- 17:15Speaker 2: gives rise to the whole entire premise of end of
- 17:18Speaker 2: days and revelation and we're living in end times. That
- 17:23Speaker 2: just one word from from world to aon, from all
- 17:26Speaker 2: of time to all of age completely changes the definition,
- 17:30Speaker 2: and that governments thrive on this to like, oh, people
- 17:34Speaker 2: actually feel that there's this impending doom. We can capitalize
- 17:37Speaker 2: on this.
- 17:38Speaker 4: And you're right that this is not a new thing.
- 17:41Speaker 3: It's another information piece that has been a little bit
- 17:43Speaker 3: recycled where a lot of people also said end of
- 17:46Speaker 3: an error like end of the Roman error, right, like
- 17:49Speaker 3: maybe it was specific to that time and not this
- 17:52Speaker 3: end of the world end of ages, but it did
- 17:55Speaker 3: get people diving into this like, well, we're about to
- 17:57Speaker 3: all die ready for the rapture?
- 18:00Speaker 2: Right who who in the world is writing a book
- 18:03Speaker 2: and they're like, yeah, people are going to be reading
- 18:04Speaker 2: this in two thousand and years, and is totally going
- 18:06Speaker 2: to hold up right. And the movie does a pretty
- 18:11Speaker 2: good job because it transitions and it finds a decent
- 18:15Speaker 2: segue from talking about this this christ myth, as it
- 18:18Speaker 2: calls it, transitioning into this all the worlds of the stage.
- 18:21Speaker 2: And the way they do is they set up this
- 18:23Speaker 2: premise and they say that all of this christ myth
- 18:27Speaker 2: was solidified and this Council of nicea shout out to
- 18:31Speaker 2: Dan Brown and you know, Da Vinci Code and everything.
- 18:34Speaker 2: They do a pretty good illustration this. But the Council
- 18:36Speaker 2: and I see it, they come together and the Vatican
- 18:39Speaker 2: solidifies this like political religious power in enforcing here's the
- 18:44Speaker 2: way it is. And one of the downsides that Zeitgeist
- 18:48Speaker 2: claims is that this enforces this mythological thinking, this Jesus
- 18:53Speaker 2: take the wheel thinking. And this also means that now
- 18:57Speaker 2: politics and religion can share some of the same attributes.
- 19:01Speaker 2: And they don't outright explain this, but such a great
- 19:04Speaker 2: freaking clip and very topical, but it shows Tucker Carlson,
- 19:09Speaker 2: and Tucker Carlson is basically yelling at somebody or yelling
- 19:12Speaker 2: at the TV screen on his news program saying, anyone
- 19:15Speaker 2: that questions nine to eleven is blasphemous. So they're basically
- 19:19Speaker 2: equating questioning your government to questioning your faith or questioning
- 19:24Speaker 2: your God, as if these two things are comparable. And
- 19:26Speaker 2: then he goes into that in the next section.
- 19:29Speaker 3: But they did a really good job of being in
- 19:32Speaker 3: the times because if you remember, during nine to eleven,
- 19:36Speaker 3: there was this huge push or God bless America and
- 19:39Speaker 3: you know, stick together and God we trust. Like this
- 19:42Speaker 3: new form and bond of religion and government being in
- 19:45Speaker 3: hand in hand was developed, well, not developed, but created
- 19:49Speaker 3: pretty much after nine to eleven.
- 19:51Speaker 2: And yeah, just exploited easily, easily. So the second section
- 19:57Speaker 2: of this movie, in these three different sections, all the
- 20:00Speaker 2: world's of stage. It starts out with lots and lots
- 20:04Speaker 2: of quotes about nine to eleven being a controlled demolition
- 20:07Speaker 2: by news anchors, a whole bunch of footage that was
- 20:10Speaker 2: recorded that morning as it was all unfolding from you know,
- 20:14Speaker 2: BBC and ABC and all the different news programs. Then
- 20:17Speaker 2: it shows a whole bunch of the anchors. It shows
- 20:19Speaker 2: witnesses all talking specifically about secondary explosions and planet devices
- 20:26Speaker 2: that were inside the building and hearing explosions and different
- 20:30Speaker 2: orders that were distinct from the planes and in the tower.
- 20:33Speaker 2: So it's here's just a whole bunch of different quotes,
- 20:36Speaker 2: and you'll see this movie does that a lot. They
- 20:37Speaker 2: just play other people talking in order to kind of
- 20:40Speaker 2: create their narrative. And then it shows a whole bunch
- 20:42Speaker 2: of clips of politicians staying a very similar phrase of like,
- 20:47Speaker 2: we had no prior knowledge, no one saw this coming,
- 20:50Speaker 2: no one could have guessed this was going to happen.
- 20:52Speaker 2: And then they immediately cite able Danger, which is an
- 20:56Speaker 2: official government program by the DoD that's specific or I
- 21:00Speaker 2: think it was a FEMA thing that specifically considered this
- 21:05Speaker 2: exact scenario of a plane flying into the twin towers
- 21:08Speaker 2: and what the emergency response would be.
- 21:11Speaker 3: And this goes back to I think part of the
- 21:13Speaker 3: film of where they're taking from like other films, and
- 21:17Speaker 3: they've kind of mashed it together. That's why I feel
- 21:19Speaker 3: like it's just a giant pot together with a bunch
- 21:21Speaker 3: of different conspiracies, which is good.
- 21:23Speaker 4: It's a great thing to get things started.
- 21:25Speaker 3: And that the information nine to eleven was lifted a
- 21:28Speaker 3: lot from a couple other films like Loose Change and
- 21:31Speaker 3: things like that.
- 21:32Speaker 2: Yeah, it's this movie is a great mixtape.
- 21:34Speaker 4: Yes, that's the best analogy.
- 21:36Speaker 2: And then it talks about how Bush met the bin
- 21:39Speaker 2: Laden's after having a meeting with the Carlisle group. Doesn't
- 21:42Speaker 2: get at a whole lot of detail. It just starts
- 21:44Speaker 2: listing a whole bunch of these different little breadcrumbs for
- 21:46Speaker 2: you to follow. It mentions a little bit of the
- 21:50Speaker 2: jet fuel not being able to melt steel. So here's
- 21:53Speaker 2: some of the origin of the jet fuel. Can you
- 21:56Speaker 2: know melt still beams? Mean? It shows an actual interview
- 22:00Speaker 2: with Les Robertson, who was the World Trade Center structural engineer,
- 22:05Speaker 2: saying to the camera that the building was specifically designed
- 22:09Speaker 2: to be hit by a Boeing seven oh seven. Les Robertson,
- 22:13Speaker 2: a lot of people will I hear this in other
- 22:16Speaker 2: interviews and reviews. They're like, Leslie, she did this. It's
- 22:19Speaker 2: a dude. His name was Leslie. Deal with it. I
- 22:21Speaker 2: had uncle named Leslie. Was a guy. It's a guy's name.
- 22:24Speaker 2: Then they go into free fall claims. Then they show
- 22:27Speaker 2: firefighters immediately like that week after talking about seeing molten
- 22:32Speaker 2: steel and these rivers of lava and all this other
- 22:34Speaker 2: even under Building seven. They're repeating all this stuff. They
- 22:38Speaker 2: talk about the NORAD stand down. They talk about all
- 22:41Speaker 2: these different military exercises that were going on at the
- 22:44Speaker 2: exact same time that nine to eleven was happening. One
- 22:46Speaker 2: of those called Vigilant Warrior, which essentially saw all the
- 22:51Speaker 2: fighter jets scattered as far away as they possibly could
- 22:54Speaker 2: from being able to reach this in time, we'll get
- 22:57Speaker 2: we'll get into this in more detail in a future documentary.
- 23:00Speaker 2: Then the movie Zeit Guy starts to slowly transition into
- 23:04Speaker 2: not just nine to eleven, but just war on terrorism
- 23:07Speaker 2: and how having this war against an abstract concept is
- 23:11Speaker 2: sort of the perfect war because it can't ever end,
- 23:14Speaker 2: you can't really have metrics on how well you're doing.
- 23:17Speaker 2: And then it talks about the seven seven London bombings
- 23:20Speaker 2: and draws a lot of parallels about how they also
- 23:23Speaker 2: had you know, no one could have seen this coming,
- 23:25Speaker 2: We had no prior knowledge. Yet there were all these
- 23:28Speaker 2: government programs showing that they had practiced as exact scenario,
- 23:32Speaker 2: and that they had exercises running that morning dealing with
- 23:37Speaker 2: those same exact trains and the same exact scenarios. That
- 23:40Speaker 2: pulls it off, and people on the radio scrambling like,
- 23:43Speaker 2: is this part of the simulation or is this real life?
- 23:46Speaker 2: Which is so eerie to hear them saying the same
- 23:49Speaker 2: thing in seven seven and nine eleven.
- 23:52Speaker 3: And I think this part of the film really is
- 23:54Speaker 3: designed and set up to like kind of be a
- 23:58Speaker 3: tug on your emotions.
- 23:59Speaker 4: Right. It's kind of showing you a bunch of information,
- 24:02Speaker 4: but really quick.
- 24:03Speaker 3: It's going through it and telling you, hey, the government
- 24:06Speaker 3: did this, but it's trying to tie it all in together.
- 24:09Speaker 3: And a lot of the shots are emotional, right because
- 24:11Speaker 3: it brings back people to the trauma of that time.
- 24:13Speaker 3: And I think that was the intent of this part
- 24:15Speaker 3: of the film to kind of rock you into the
- 24:17Speaker 3: next section, paired.
- 24:20Speaker 2: With some hip hop and some drumming bass and like
- 24:24Speaker 2: a decent soundtrack Compared to any other documentary that you
- 24:27Speaker 2: might see coming out up until now, they were starting
- 24:29Speaker 2: to understand how the same way that like a DJ works,
- 24:32Speaker 2: the crowd, whoever was putting these movies together understands how
- 24:36Speaker 2: to like work the audience.
- 24:38Speaker 3: Yeah, it was no longer just press record and start
- 24:41Speaker 3: talking and have poor micing and zero transition. It really
- 24:46Speaker 3: sets a new standard for what we're expecting out of
- 24:49Speaker 3: conspiracy documentaries.
- 24:51Speaker 2: The final section, Part three it's called don't mind the
- 24:54Speaker 2: Men behind the Curtain. And I'll be a little bit
- 24:57Speaker 2: brief on this one because really it's just summarize at
- 25:01Speaker 2: a very surface level everything that we went over in
- 25:03Speaker 2: Money Masters. It was like someone watched Money Masters and said,
- 25:07Speaker 2: how do I give all the high points in like
- 25:09Speaker 2: a fifteen to twenty minutes. That's what you get in Zeitgeist.
- 25:12Speaker 2: So the main things they bring up is again this
- 25:16Speaker 2: rhetoric where they ask question to answer it. So they
- 25:19Speaker 2: pose this question what is a central bank? And they
- 25:22Speaker 2: kind of self define it by something that controls interest
- 25:26Speaker 2: rates and money supply, and they really hammer in this
- 25:29Speaker 2: concept that money that comes from a central bank is
- 25:33Speaker 2: loaned to the government and lets them use it. It's
- 25:36Speaker 2: not like the government owns their own money. They're renting
- 25:39Speaker 2: it from some other company that says, we'll take care
- 25:41Speaker 2: of the interest rates and the supply. You just let
- 25:44Speaker 2: us know when you need some and we'll put it
- 25:46Speaker 2: up for you and we'll kind of handle all the
- 25:48Speaker 2: numbers for you. So that money gets loan to the
- 25:50Speaker 2: government with interest, and that because of this dynamic, the
- 25:55Speaker 2: only thing that it can produce on an infinite timeline
- 25:59Speaker 2: is just debt, so that the outcome is slavery. And
- 26:02Speaker 2: I understand how charged that statements like oh man, all
- 26:07Speaker 2: money is debt and debt makes us slaves, but they
- 26:10Speaker 2: make a very very compelling point, and they're like, no
- 26:12Speaker 2: matter what job you've got, whether you work for the man,
- 26:15Speaker 2: whether you work for yourself and do self employment, tax,
- 26:18Speaker 2: whatever you do, you're basically working at minimum three months
- 26:22Speaker 2: of the year just to pay taxes, just to be
- 26:26Speaker 2: allowed to exist legally. You're spending three months of your
- 26:30Speaker 2: entire year just going to that, and that does kind
- 26:32Speaker 2: of make it feel like, you know, every year we
- 26:36Speaker 2: have to get locked up for three months and just
- 26:38Speaker 2: work on the chain gang until we're done, and then
- 26:41Speaker 2: we can go back to living life, which is kind
- 26:43Speaker 2: of crazy, but that's sort of a real scenario.
- 26:46Speaker 3: It is a real scenario, and it kind of gets
- 26:48Speaker 3: us into the whole not miss but like a lot
- 26:51Speaker 3: of the things and the lure behind the Rockefellers, Morgans
- 26:55Speaker 3: and the roth Child's and Jacko Island, which was introduced
- 26:59Speaker 3: through a different types of media, and what we did last.
- 27:03Speaker 2: Episode on the Money Masters.
- 27:06Speaker 3: Money Masters episode where it really reveals the banking industry and.
- 27:12Speaker 2: This one also goes into some more specifics. Yeah, they
- 27:16Speaker 2: drop all the heavy hitter names, Rockers, Morgan's, Wathraws, Everybo,
- 27:20Speaker 2: the Warburgs, a lot of people. Usually you know, everyone
- 27:24Speaker 2: always misses this name, but really the Warburgs. This is
- 27:27Speaker 2: little orphaned Andy and Daddy Warbucks. Daddy Warbucks was Paul
- 27:30Speaker 2: Warburg and that was another influential name in the jacoiland
- 27:35Speaker 2: Hunt club and passing the Federal Reserve. And the movie
- 27:38Speaker 2: goes on to talk about how the sixteenth Amendment was
- 27:41Speaker 2: never ratified. This is a rabbit hole on its own right.
- 27:44Speaker 2: It almost dovetails into sovereign citizen area. I'm sure this
- 27:48Speaker 2: will come up again in a future episode. And then
- 27:52Speaker 2: they kind of wrap it up by saying, war is
- 27:55Speaker 2: this one thing that forces a country to borrow money.
- 27:58Speaker 2: If you go to war, you absolutely have to rely
- 28:01Speaker 2: on these central bankers in order to raise all the resources.
- 28:04Speaker 2: You need to buy all the stuff to go to war.
- 28:07Speaker 2: So war is the most profitable for bankers. The banker
- 28:11Speaker 2: has to loan money so you can go to war.
- 28:13Speaker 2: They're making money. Regardless of the outcome of the war.
- 28:16Speaker 2: They're making money. So therefore war is the ultimate profit
- 28:20Speaker 2: for bankers. So when you hear like all these war
- 28:22Speaker 2: pigs or these bankers are making us go to war,
- 28:25Speaker 2: I mean there is a very real connection between these two.
- 28:28Speaker 2: You're not just firing from the hip and throwing out
- 28:31Speaker 2: evil bankers. That bankers do indeed make money from war.
- 28:35Speaker 2: And then they end on a pretty selacious claim. They
- 28:39Speaker 2: mentioned how World War one, World War two, Vietnam nine
- 28:45Speaker 2: to eleven, and probably others, but they were all based
- 28:48Speaker 2: on false flags, that none of those wars would have
- 28:51Speaker 2: happened unless it was this unseen hand working behind the
- 28:55Speaker 2: scenes trying to convince the United States to get into
- 28:59Speaker 2: these conflicts, specifically through false flag events.
- 29:03Speaker 3: And they do make a compelling argument, and experially, if
- 29:06Speaker 3: you have a conspiratorial mind, you will see that they
- 29:09Speaker 3: do line up well.
- 29:10Speaker 4: In the way that we think at least so.
- 29:15Speaker 2: And they do bother to bring it to a full conclusion.
- 29:18Speaker 2: And they explain the namesake of this movie Zeitgeist. So
- 29:22Speaker 2: at the very end of the movie, as he's kind
- 29:24Speaker 2: of summarizing everything, he says that a zeitgeist is this
- 29:29Speaker 2: method that the mass media and the state and the
- 29:31Speaker 2: bankers and everybody else they harness this to keep everyone
- 29:36Speaker 2: in a perpetual state of fear and entertainment and that's
- 29:40Speaker 2: what the zeitgeist is. And then he cites Aaron Russo,
- 29:44Speaker 2: which we're gonna watch his movie too in this series,
- 29:46Speaker 2: but Aaron Russo talking about how he gets invited to
- 29:50Speaker 2: meet one of the Rockefellers and that the Rockefeller guy
- 29:52Speaker 2: gave him advanced knowledge of nine to eleven and basically
- 29:55Speaker 2: admits to all the claims. In this movie. Aaron Russo
- 29:58Speaker 2: serves as a and Rockefeller told me all this himself,
- 30:01Speaker 2: So we'll get into that in a future. One another
- 30:04Speaker 2: thing that that firmly dates this movie to about two
- 30:07Speaker 2: thousand and seven when it came out is it talks
- 30:10Speaker 2: about RFI D chips on the way out, which is
- 30:13Speaker 2: a little bit dated because RFID never really picked up
- 30:16Speaker 2: that much. In fact, we've got way better ways of
- 30:19Speaker 2: tracking people now, like just your cell phone for example,
- 30:22Speaker 2: Like we don't need to chip everybody, but you can
- 30:25Speaker 2: tell like on the way out of the room, zeitgeist
- 30:28Speaker 2: is just like popping shots off at everybody. They're like
- 30:30Speaker 2: damn an RFID and bam.
- 30:32Speaker 3: Aaron Russo, Yeah, he don't forget about this. A watch
- 30:36Speaker 3: out for this it really like starts to make a
- 30:38Speaker 3: claim where you're gonna be controlled in another method. Like
- 30:42Speaker 3: that's why I think they went from the beginning of
- 30:45Speaker 3: history to like what's going to be the future, And
- 30:47Speaker 3: at the time, that's what they thought the future was
- 30:50Speaker 3: gonna be.
- 30:56Speaker 2: A little bit of hidden treasure, a little bit of
- 30:57Speaker 2: overboard stuff. I'll go through mine and then you'll go
- 31:01Speaker 2: through yours. So for me, the hidden treasure here is
- 31:05Speaker 2: like I said in the opening, that this is a
- 31:07Speaker 2: Whitman sampler of conspiracy theory. You might not go up
- 31:10Speaker 2: to your friends and be like, hey, check out this
- 31:13Speaker 2: three hour documentary and this one and this one. Here
- 31:16Speaker 2: you go, do you have a nine hours free to
- 31:18Speaker 2: watch a whole bunch of stuff? Here go and watch
- 31:20Speaker 2: these nine hours. You're probably not gonna get a lot
- 31:22Speaker 2: of people they're gonna clear their schedule and watch nine
- 31:24Speaker 2: hours of stuff, But you might be able to get
- 31:27Speaker 2: someone to watch Zeitgeist for slightly under two hours. And
- 31:31Speaker 2: now they've got enough breadcrumbs that oh my god, I
- 31:34Speaker 2: never heard that about Mithra or I never heard that
- 31:37Speaker 2: about Jacko Islanders. They're gonna come away with something. Even
- 31:40Speaker 2: me rewatching this, like damn I forgot about that. Oh yeah,
- 31:44Speaker 2: what a great you know point, Like, I've seen this
- 31:46Speaker 2: movie plenty of times, but it's so jam packed with
- 31:49Speaker 2: stuff it's impossible to not catch something. And uh, I
- 31:54Speaker 2: guess part of the benefit that it uses so many
- 31:56Speaker 2: other people's quotes and claims and it makes it a
- 31:59Speaker 2: little bit timeless. It's not just this one dude's opinion.
- 32:02Speaker 2: It's like fifty different people's opinions packaged up and kind
- 32:06Speaker 2: of portrayed in a way that there's a cohesive story
- 32:09Speaker 2: to it, which is not easy to do. So to me,
- 32:11Speaker 2: that's really the highlight great edits good music. They add
- 32:16Speaker 2: some custom animations of like horuce fighting set, and there's
- 32:20Speaker 2: one where God drops one of the tablets with the
- 32:23Speaker 2: ten commandments and it falls on this like little abstract
- 32:26Speaker 2: art dude. They also have a really great visual of
- 32:29Speaker 2: the sun traveling through all these different ages and showing
- 32:33Speaker 2: how they align with the zodiac. So I'm a very
- 32:36Speaker 2: visual person, and them showing exactly what they're talking about
- 32:39Speaker 2: and what they mean when they say the sun dies
- 32:42Speaker 2: and it rises or how it goes these different ages.
- 32:44Speaker 2: Actually seeing that in three D with this huge zodiac,
- 32:48Speaker 2: I think was probably the highlight of this movie for me.
- 32:51Speaker 3: And for me I agree with the visuals because I
- 32:54Speaker 3: complained a little bit about Money Masters, you know, and
- 32:57Speaker 3: not having the greatest transitions in music.
- 32:59Speaker 4: It's almost almost like pre social media. Put it all together.
- 33:03Speaker 3: It's like a bunch of tiktoks, but instead of thirty
- 33:06Speaker 3: second ninety second reels, you got two hours worth of
- 33:09Speaker 3: material all put in one shot that really chops it up.
- 33:13Speaker 3: That gives you a pop cultural reference of what people
- 33:17Speaker 3: were thinking of the time, as well as history and
- 33:20Speaker 3: quotes from everybody. I think that the movie has amazing
- 33:27Speaker 3: new way of thinking of how to put a documentary together.
- 33:30Speaker 3: It's not like the old ways of just talking and
- 33:34Speaker 3: showing brief little.
- 33:36Speaker 4: Cheesy PBS style steals or anything.
- 33:40Speaker 3: It really takes it into another level of your own design,
- 33:43Speaker 3: your own creativity, and puts a new touch of art
- 33:47Speaker 3: onto information.
- 33:50Speaker 2: It's so well too. Juxtaposing this movie with Money Masters,
- 33:54Speaker 2: they're separated by ten years only, right, But the difference
- 33:59Speaker 2: between Bill Still's Money Masters in like ninety five ninety
- 34:03Speaker 2: six to Zeitgeist, like Bill Still's a pro, like he
- 34:07Speaker 2: knows how to do pro stuff, but he's doing pro
- 34:09Speaker 2: stuff the boomer ancient way with like analog swipes, and
- 34:13Speaker 2: he's wearing stonewashed jeans, and he's got his cross colors
- 34:17Speaker 2: at his polo, like touched in with like the woven
- 34:20Speaker 2: leather belt. Like it's got a very specific aesthetic of
- 34:23Speaker 2: someone that kind of grew up in the old world
- 34:26Speaker 2: industry of media, whereas Zeitgeist, you can tell it was
- 34:29Speaker 2: made by some twenty year old college student that got
- 34:32Speaker 2: his hands on like Sony Vegas Studio or some kind
- 34:36Speaker 2: of like entry level video stuff, but is able to
- 34:39Speaker 2: make it work. So yeah, and I would say that
- 34:41Speaker 2: the overboard aspect of this movie, like the downsides, are
- 34:45Speaker 2: almost inseparable from the pro sides. Right, So if the
- 34:49Speaker 2: pro is that I can give you this one movie
- 34:52Speaker 2: and get your take on at least three different massive
- 34:55Speaker 2: conspiracy theories, there's also a chance that if you're sort
- 34:59Speaker 2: of high religious, if you're a Bible thumper, you might
- 35:02Speaker 2: not even make it past the first third of this
- 35:05Speaker 2: movie and hear about the Federal Reserve and hear about
- 35:07Speaker 2: nine to eleven, because you're like, not, my gbus, you
- 35:10Speaker 2: know what I mean, That's not what my Bible says
- 35:12Speaker 2: about that. And I can see people maybe putting up
- 35:15Speaker 2: a wall, so everything that comes after that, they kind
- 35:17Speaker 2: of don't absorb it the same way. So you got
- 35:20Speaker 2: to like give and take with the pros and cons
- 35:23Speaker 2: of this of putting everything onto one movie.
- 35:26Speaker 4: And I'll take that a step further.
- 35:28Speaker 3: I think that it lacks nuance in other areas where
- 35:30Speaker 3: it's real biased and doesn't like.
- 35:32Speaker 4: Explore other alternative options. It's either good or evil. That's it.
- 35:37Speaker 3: And it kind of gets you into this thing like
- 35:39Speaker 3: we can't fix anything, but everything's good and evil and
- 35:43Speaker 3: evil's winning right now, so that's it, Like you know,
- 35:45Speaker 3: it doesn't It kind of leaves you on the cliff
- 35:47Speaker 3: right there.
- 35:48Speaker 4: Great information, but kind of can feel a little hopeless.
- 35:52Speaker 2: And we'll have to talk about the sequels because there
- 35:55Speaker 2: was a Zeitgeist two and three where they kind of
- 35:58Speaker 2: spell out an answer, but it gets really weird. We'll
- 36:01Speaker 2: say that for later. And I also want to tack
- 36:03Speaker 2: in here too that one of the downsides of this
- 36:06Speaker 2: movie is that it doesn't necessarily make its own claims,
- 36:10Speaker 2: or if it does, it's like one or two times
- 36:12Speaker 2: throughout the entire movie. Most of the time it is
- 36:15Speaker 2: heavily relying on Bill Hicks and Network and George Carlin
- 36:19Speaker 2: and Jordan Maxwell to tell you what they're thinking, and
- 36:22Speaker 2: then you just sort of imply that that's what the
- 36:24Speaker 2: movie's telling you. But the person making the movie, I
- 36:27Speaker 2: almost feel like their individual voice gets lost a little
- 36:31Speaker 2: bit or maybe never existed. For better and for worse. Agreed,
- 36:43Speaker 2: All right, let's see what actually holds up. This is
- 36:46Speaker 2: the deep dive, this is testing the waters. I'm thinking
- 36:49Speaker 2: it's really the Jesus and the Zodiac stuff. It's crazy
- 36:53Speaker 2: because I was watching other people's reviews of this movie,
- 36:56Speaker 2: or at least their thoughts of it, and a lot
- 36:57Speaker 2: of them cite the Jesus and the Zodiac is being
- 37:01Speaker 2: the weak part of this movie versus the strong part.
- 37:03Speaker 2: For me, it was almost the strongest one because I've
- 37:07Speaker 2: seen more in depth documentaries on all three of the
- 37:09Speaker 2: topics this one goes into. But the Jesus and the Zodiac,
- 37:12Speaker 2: it seems that they actually made their own graphics and
- 37:15Speaker 2: they really took time to spell everything out bit by bit,
- 37:19Speaker 2: way more so than nine to eleven or Banker stuff. Like,
- 37:22Speaker 2: they really showed and illustrated all of these different zodiac stories.
- 37:27Speaker 2: So I guess the part that doesn't hold up are
- 37:30Speaker 2: all the nine to eleven clips. A lot of them
- 37:32Speaker 2: seem scrubbed from the internet. Now you can't really find
- 37:35Speaker 2: a lot of those. And then it also makes a
- 37:38Speaker 2: lot of claims that it doesn't have the time to
- 37:41Speaker 2: back up. Right, Money Masters only was talking about a
- 37:45Speaker 2: third of what this movie talks about, but it was
- 37:47Speaker 2: three and a half hours, so they can only cover
- 37:49Speaker 2: so much ground, so it has to say surface level
- 37:53Speaker 2: just because of how much that they move around. So
- 37:56Speaker 2: that's kind of the biggest gap for me is lots
- 37:59Speaker 2: of claims, very little backup, very little sources to go
- 38:02Speaker 2: and find all this stuff out on your own.
- 38:05Speaker 3: And for me, what holds up is the social control
- 38:08Speaker 3: aspect where they can kind of show you throughout time.
- 38:12Speaker 3: Now we look at think tanks, but now you can
- 38:15Speaker 3: kind of think think tanks and religion kind of go
- 38:17Speaker 3: hand in hand.
- 38:18Speaker 4: That's something that holds up forever.
- 38:20Speaker 3: I think that the propaganda and the psychological warfare, it
- 38:24Speaker 3: kind of the beginning of a lot of that talk
- 38:28Speaker 3: that's been put out there into the ether.
- 38:30Speaker 4: And for what doesn't hold up for me is what
- 38:32Speaker 4: I said earlier.
- 38:33Speaker 3: A lot of it is the lack of solutions and
- 38:37Speaker 3: the simplification of the good versus evil instead of kind
- 38:40Speaker 3: of like, yeah, you know, you have these groups in
- 38:42Speaker 3: these groups, and again it might not. It might be
- 38:45Speaker 3: because they didn't have the time to really analyze all
- 38:48Speaker 3: of it right and go into detail and back it
- 38:50Speaker 3: up of like, well, this group kind of did this,
- 38:52Speaker 3: and this group they just kind of roll through information.
- 38:54Speaker 3: They're just throwing things at you. That's why it kind
- 38:56Speaker 3: of reminds me of going through a social media page.
- 39:00Speaker 3: But it's all in one video, you know what I mean,
- 39:02Speaker 3: and it's jam packed. You do so much information, and
- 39:06Speaker 3: I think that they kind of polarize people to where
- 39:09Speaker 3: like you either believe this or you're against me.
- 39:12Speaker 2: I could almost hear the director screaming in the background.
- 39:16Speaker 2: He's like I would have done that, but it was
- 39:17Speaker 2: finals next week, you know, Like this was this was
- 39:20Speaker 2: a side project, the ripples and waves of this movie.
- 39:32Speaker 2: So in other words, how this thing kind of made
- 39:34Speaker 2: an impact on the rest of the world. This is
- 39:37Speaker 2: kind of weird, right because it was it was a mixtape.
- 39:40Speaker 2: It was a whole bunch of different movies repackaged as
- 39:43Speaker 2: this new thing. Yet zeitgeist themes like almost everybody that
- 39:48Speaker 2: was in the conspiracy theories, even people that weren't necessarily
- 39:51Speaker 2: in the conspiracy theories around this time twenty seven to
- 39:54Speaker 2: twenty ten have heard of or have seen Zeitgeist. So
- 39:58Speaker 2: it like Zeitgeist, it's self became part of the Zeitgeist,
- 40:02Speaker 2: which is phenomenal. Like I don't know, like maybe they're
- 40:05Speaker 2: in on it, Maybe maybe the director is also one
- 40:08Speaker 2: of these bankers for his message to even give this
- 40:12Speaker 2: far and wide, But the Zeitgeist became a lot of
- 40:15Speaker 2: people's entry point into so many different topics, a lot
- 40:19Speaker 2: of references to people, for example, I don't I don't
- 40:22Speaker 2: know if Zeitgeist is what led me to these people,
- 40:24Speaker 2: but the fact that it has Bill Hicks in it,
- 40:27Speaker 2: and it's got clips from the Network movie and Jordan
- 40:30Speaker 2: Maxwell clips and talks about astro theology, it's a really
- 40:35Speaker 2: great entry point into all these different topics. So I don't.
- 40:39Speaker 2: I don't know if there's any specific movies that wouldn't
- 40:42Speaker 2: have existed without Zeitgeist coming first, But I know that
- 40:45Speaker 2: Zeitgeist is probably one of the documentaries that we're covering
- 40:49Speaker 2: that a lot of people have seen.
- 40:52Speaker 3: Well, I think the reason they saw it was because
- 40:54Speaker 3: it was a time of around Netflix and streaming and bootlegs,
- 40:59Speaker 3: and everybody was hooked onto the first Oh I got
- 41:04Speaker 3: this clip, I'm on pirate Bay. I think this even
- 41:06Speaker 3: predates Pirate Bay actually, like you know what I mean,
- 41:08Speaker 3: it's the first time where you're getting stuff off lime
- 41:11Speaker 3: wire and these illegal sites of Like, I don't know
- 41:14Speaker 3: what this documentary is, but I'm gonna check it out.
- 41:16Speaker 3: So so many I saw this because it was the
- 41:19Speaker 3: beginning of stepping away from the traditional media.
- 41:26Speaker 2: Where did this movie fall on the meter? Did this
- 41:30Speaker 2: thing sink or swing? What's your final verdict?
- 41:32Speaker 4: My final verdict is a deep dive.
- 41:36Speaker 3: I give it a deep dive because I think it
- 41:38Speaker 3: explores like conspiracies of it's a jumbalaya, like what you said,
- 41:43Speaker 3: Like I was calling it a conspiracy gumbo, But I
- 41:46Speaker 3: like the Conspiracy Mixtape a little bit better. It has
- 41:49Speaker 3: you know, from Jesus to Horus and nine to eleven
- 41:52Speaker 3: to Bankers, and it has great production quality. But I
- 41:58Speaker 3: think it for me a little bit to not go
- 42:00Speaker 3: twenty thousand leagues is because it takes a little bit
- 42:04Speaker 3: too much recycled material.
- 42:06Speaker 4: It almost puts it as it's their own.
- 42:08Speaker 3: I know that it's great for all the people that
- 42:10Speaker 3: we learn about and sources, but you know, they don't
- 42:13Speaker 3: really have their identity or their stamp of what he
- 42:16Speaker 3: really believes in this.
- 42:19Speaker 2: Yeah, one hundred percent. I'm not surprised we're both aligned
- 42:22Speaker 2: on this one. I wouldn't quite out of our rating
- 42:24Speaker 2: system of shallow, deep dive or twenty thousand leagues. This
- 42:28Speaker 2: is firmly in the middle of those, And I mean,
- 42:31Speaker 2: maybe it shouldn't surprise anyone, because if this were shallow,
- 42:34Speaker 2: then we wouldn't be bringing up a documentary the both
- 42:37Speaker 2: of us on two thousand and seven and talking about
- 42:40Speaker 2: it fondly and like how it made an impact, Like
- 42:43Speaker 2: it clearly made an impact. So it's worthy of that
- 42:45Speaker 2: deep dive. It's definitely no money masters, though it does
- 42:49Speaker 2: not go into so much depth that you could almost
- 42:52Speaker 2: research every single different claim. You kind of have to
- 42:55Speaker 2: piece a lot of it together yourself. But again, like
- 42:58Speaker 2: I didn't want to watch a nine hour documentary, so
- 43:01Speaker 2: Zeitgeist is the perfect length for the amount of ground
- 43:05Speaker 2: that it tries to cover. All right, So that was
- 43:16Speaker 2: Zeitgeist from two thousand and seven, a classic conspiracy theory documentary.
- 43:21Speaker 2: Especially if you were somewhat young in two thousand and seven,
- 43:25Speaker 2: or at least going out and downloading random stuff and
- 43:28Speaker 2: watching it if you haven't seen it already. I do
- 43:31Speaker 2: think it's worth watching again. It's entertaining. It goes by
- 43:35Speaker 2: pretty quick. Despite the first twenty minutes of the freaking
- 43:38Speaker 2: movie all just being quotes and Drummond bass, it still
- 43:41Speaker 2: has a certain feel that you It dates it to
- 43:45Speaker 2: two thousand and seven in a good way, So I
- 43:48Speaker 2: highly recommend it. What We're Gonna Be Doing Next is
- 43:50Speaker 2: another movie that this movie was kind of based on.
- 43:53Speaker 2: We're gonna be watching Loose Change. And Loose Change, in
- 43:57Speaker 2: my mind, is sort of like the Money Masters of
- 44:00Speaker 2: nine to eleven. They go into all the different nitty
- 44:03Speaker 2: gritty the names, the dates, the sources. Where Zeitgeist is
- 44:07Speaker 2: lacking some of that. Loose Change fills in all those gaps,
- 44:10Speaker 2: so that that's the next one. Did you see Loose
- 44:12Speaker 2: Change when it first came out? Yes?
- 44:14Speaker 4: I did. That's another gas station bootleg.
- 44:18Speaker 2: Do you know they actually played Loose Change on planes?
- 44:21Speaker 2: I think they had. They aired it on Virgin Airlines
- 44:25Speaker 2: at some point.
- 44:27Speaker 4: I did not know that.
- 44:28Speaker 2: Imagine watching Loose Change in the air.
- 44:32Speaker 3: Yeah, you feel pretty safe.
- 44:40Speaker 1: The ducks, yeah, under the ducks. Did they under the ducks?
- 44:55Speaker 1: The ducks, yeah, undon the ducks one of the jobs