Latest / Heavyweight / #15 Dina
Transcript
- 0:04Speaker 1: Yello. Why hello? Now, what kind of greeting is that
- 0:09Speaker 1: You've got your radio voice on? Could you elaborate on
- 0:12Speaker 1: what you mean by that?
- 0:12Speaker 2: I know in the first second, if I'm being recorded
- 0:15Speaker 2: or on your inflections.
- 0:17Speaker 1: Well, I always talk like this, Jackie. Back to you.
- 0:21Speaker 1: The way you're speaking with me now is never the
- 0:23Speaker 1: way you would normally speak. Okay, wait, hang on a second.
- 0:26Speaker 1: I'm I'm just talking normal, but you're not talking normal.
- 0:29Speaker 1: It's your radio voice. Hey, what's going on? It's still
- 0:32Speaker 1: not It's still not. It's still not. Hey. No, hey
- 0:36Speaker 1: Jackie again, Jackie, No, you wouldn't say him like that.
- 0:39Speaker 1: How's it going? Too much energy?
- 0:40Speaker 3: Hi?
- 0:41Speaker 1: I can tell anyway. It can't be a radio voice
- 0:44Speaker 1: because I do a podcast. It's a podcast voice, all right,
- 0:49Speaker 1: And welcome to the show from Gimlet Media. I'm Jonathan
- 0:57Speaker 1: Goldstein and this is Heavy Wait today's episode, Dina. Hello, Hello, Okay,
- 1:19Speaker 1: so we just got to Montreal. We we What's that?
- 1:23Speaker 4: Isn't that how you say yes in French?
- 1:25Speaker 1: Yeah? But you just say it once you to say
- 1:27Speaker 1: we we My folks are about to meet us, pick
- 1:32Speaker 1: us up at the airport to take us back to
- 1:34Speaker 1: their place. Where we will be staying for the next
- 1:37Speaker 1: five days, five days, five days, in my childhood home,
- 1:44Speaker 1: in the childhood bed i've not slept in in decades.
- 1:47Speaker 1: My wife, Emily, and I are here for passover, to
- 1:50Speaker 1: sup upon the bread of affliction. Growing up, though, it
- 1:54Speaker 1: was everything of affliction, candy, corn of affliction, road trips
- 1:59Speaker 1: of affliction, bedtime stories of affliction. I moved out when
- 2:08Speaker 1: I was nineteen, but from age one to eighteen, what
- 2:12Speaker 1: I remember most is the vague feeling of worry permeating
- 2:15Speaker 1: the household. Worry that manifested is yelling, yelling through closed doors,
- 2:21Speaker 1: yelling across the kitchen table, my father yelling into a
- 2:25Speaker 1: junk drawer desperately trying to find a working pen, my
- 2:28Speaker 1: mother yelling into a clogged toilet, desperately trying to make
- 2:32Speaker 1: it go down. But more often than not, the yelling
- 2:36Speaker 1: wasn't over anything at all. We were just a naturally loud,
- 2:40Speaker 1: anxious family, a race of nervous giants shrunk into the
- 2:44Speaker 1: bodies of little Jews.
- 2:55Speaker 4: Man.
- 2:56Speaker 1: When I move out of here, I'd say in my teens,
- 2:59Speaker 1: I'm going to live like sting, peace and quiet, meditation,
- 3:04Speaker 1: tea and tantric sex, and now after years of oolong
- 3:09Speaker 1: roubis and lemon roubis, I'm home again for my first
- 3:13Speaker 1: trip back with Emily and our five month old son Aggie.
- 3:21Speaker 1: Day one. Here they are my parents. Tyota pulls up
- 3:26Speaker 1: to the airport, pickups and passes us. Try to catch
- 3:31Speaker 1: They don't see us here. We're right here. My mother
- 3:37Speaker 1: jumps out. She runs back towards us, pointing at Aggie's ears.
- 3:43Speaker 1: His ears are exposed.
- 3:45Speaker 2: Hi, Hi, emily ears are exposed.
- 3:48Speaker 1: Both my mother and father where their woolen caps pull
- 3:53Speaker 1: down well past their ears. In younger, stronger days, they
- 3:58Speaker 1: might have stretched those camps right down over their feet,
- 4:01Speaker 1: but they're old now. My mother Dina seventy two, and
- 4:04Speaker 1: my father Buzz eighty three.
- 4:07Speaker 3: I want to drive slowly, not too fast. I want
- 4:09Speaker 3: to go carefully.
- 4:10Speaker 1: Okay, okay, fine, Well, Buzz is high strung. Dina's intensity
- 4:17Speaker 1: is capable of raising the emotional temperature of any space
- 4:20Speaker 1: she occupies in elevators, walk in pantries, and tiotas. Her
- 4:26Speaker 1: powers are especially acute.
- 4:29Speaker 2: Like a funny feeling in my throat, Like it's like
- 4:32Speaker 2: really emotional.
- 4:35Speaker 4: It's like a dreamed, you know, It's like a dream Yeah,
- 4:40Speaker 4: it's like such a weird feeling.
- 4:42Speaker 1: I think the weird, elusive feeling my mother is trying
- 4:45Speaker 1: to describe is happiness.
- 4:48Speaker 2: It's just wonderful to see him, But I hope he's
- 4:51Speaker 2: going to be warm enough.
- 4:52Speaker 5: Did you bring him up a little something?
- 5:01Speaker 3: Home? Sweet home?
- 5:05Speaker 1: Walking through the door, I'm a twelve year old again,
- 5:08Speaker 1: home from school and looking forward to zoning out with
- 5:11Speaker 1: petticoat junction. I'm a sixteen year old rushing to the
- 5:15Speaker 1: bathroom to gargle out the smell of cigarettes. I'm a
- 5:19Speaker 1: forty eight year old, a grown ass man with a
- 5:21Speaker 1: grown ass ass. Parenting a newborn leaves a person with
- 5:25Speaker 1: no time for squats. So don't judge Alex so nice
- 5:31Speaker 1: in here plate. I can't believe it. So normally the house,
- 5:36Speaker 1: a modest, semi detached bungalow, has a certain storage unit,
- 5:40Speaker 1: bombshelter vibe, walls of toilet paper, a cold room full
- 5:45Speaker 1: of canned fruit, cocktail needle points of biblical scenes, and torreadors,
- 5:50Speaker 1: all leaned up against the walls for fear of pounding
- 5:53Speaker 1: in a nail and regretting it forever. But today the
- 5:57Speaker 1: place looks positively sparse, So I just don't open.
- 6:01Speaker 2: A closet or the chore everything I'll tumble on your
- 6:04Speaker 2: head because when you've heard you guys are coming. I
- 6:07Speaker 2: threw everything into the closets and hid them.
- 6:10Speaker 1: My mother grabs Aggie and heads upstairs for a diaper change.
- 6:14Speaker 1: Emily and I trail behind.
- 6:16Speaker 2: I want him to be.
- 6:17Speaker 1: Fresh and clean.
- 6:18Speaker 2: Oh you're so sweet, You're so sweet, my angel.
- 6:23Speaker 1: Where the frige is the bag? The friggin bag contains
- 6:27Speaker 1: the friggin diapers that my mother bought for our visit.
- 6:30Speaker 1: It turns out it's on her lap.
- 6:33Speaker 2: I kept a bill because I wasn't sure if you
- 6:35Speaker 2: want me to return them or not.
- 6:38Speaker 1: Would you be able to return to use diapers? Yeah?
- 6:41Speaker 2: You know me. I could return anything. I could return anything.
- 6:46Speaker 1: You know that, Johnny, I do know that returning stuff
- 6:51Speaker 1: is what my mother lives for. She sees it as
- 6:53Speaker 1: a staring contest, a game of chess, but with yelling.
- 6:58Speaker 1: I remember once going along with her as she returned
- 7:01Speaker 1: a shirt she'd bought for my father two years earlier.
- 7:07Speaker 1: It's missing a sleeve, she told the cashier, holding up
- 7:12Speaker 1: the article of clothing. The cashier turned it around and around.
- 7:16Speaker 1: It's not supposed to have sleeves. The cashier finally said,
- 7:20Speaker 1: it's a poncho. A poncho, my mother repeated, as though
- 7:25Speaker 1: it were a foreign word, which, in her defense, I
- 7:28Speaker 1: suppose it sort of is. I don't care what it is.
- 7:32Speaker 1: It's factory defective and my husband can't wear it. Whenever
- 7:41Speaker 1: she'd get this way, I'd adopt a stance meant to
- 7:43Speaker 1: convey filial loyalty, peppered with a touch of what Vietnam
- 7:47Speaker 1: Vets call the thousand yard stare. I've stood next to
- 7:52Speaker 1: my mother through countless exchanges, arguments, spectacles, and stinks. But
- 7:57Speaker 1: this is the first time I've stood by her side
- 8:00Speaker 1: as she diapers my son.
- 8:02Speaker 2: Oh look how much peepee he has? Oh, you made
- 8:05Speaker 2: a lot of pepi baby. See that's how I knew
- 8:10Speaker 2: you were sick. When you were a baby, Johnny, you
- 8:11Speaker 2: weren't peeping.
- 8:14Speaker 1: What was wrong with me? As a kid, it was
- 8:16Speaker 1: easy to be embarrassed by my mother. One time, a
- 8:20Speaker 1: popular boy named Jeordie showed up at our house. I
- 8:23Speaker 1: wasn't home, but my mother answered the door with her
- 8:26Speaker 1: hair on fire. My hair's on fire, she screamed. The
- 8:32Speaker 1: next day in school, Jeordie showed the whole class how
- 8:35Speaker 1: she screamed it. He wiggled his fingers in the air,
- 8:38Speaker 1: looking as though he was about to fall to his knees.
- 8:42Speaker 1: That night, I asked my mother what had happened. It
- 8:46Speaker 1: was the barbecue, She said, your father wasn't home, and
- 8:49Speaker 1: I was so in the mood for barbecued lamb chops.
- 8:53Speaker 1: It seems that while examining the chops for signs of spoilage,
- 8:57Speaker 1: she leaned her hair sprayed boufont too close to the grill.
- 9:01Speaker 1: While this explained the fire atop her head, it did
- 9:03Speaker 1: not explain why she answered the door while nursing a
- 9:06Speaker 1: fire atop her head. Growing up, this kind of stuff
- 9:11Speaker 1: happened all the time, so I was always on high
- 9:14Speaker 1: alert for humiliating emergencies. Being back home again, I feel
- 9:18Speaker 1: the old muscle memory kick back in. What that smells?
- 9:22Speaker 2: Something's burning?
- 9:24Speaker 1: Did you turn on the heater? Did you touch the heat? Though,
- 9:27Speaker 1: it turns out that one of the rag dolls my
- 9:30Speaker 1: mother had been hoarding somehow landed onto one of the
- 9:32Speaker 1: old lamps she'd been hoarding and had begun to burn.
- 9:37Speaker 2: I could have had a fire because I was so
- 9:39Speaker 2: careless for a shim.
- 9:42Speaker 1: The day plays out as a series of minor disasters averted.
- 9:46Speaker 1: In the morning, my mother loses her cell phone. We
- 9:49Speaker 1: find it in the night table. In the afternoon, a
- 9:53Speaker 1: screw to my father's glasses falls out. We replace it
- 9:56Speaker 1: with a twist tie. At dinner, a waiter charges my
- 9:59Speaker 1: mother for or potato. She claims she didn't order, but
- 10:02Speaker 1: after ten minutes of Camp David's style negotiations, it's dropped
- 10:07Speaker 1: from the bill. Before bed, my father can't find his passport.
- 10:12Speaker 1: Why do you need a passport? I ask? You always
- 10:15Speaker 1: need a passport, he says. We find it in the
- 10:18Speaker 1: night table. In the past, having someone witness all of
- 10:22Speaker 1: this would have made me feel anxious, But now having
- 10:26Speaker 1: Emily here makes me feel like I have an ally.
- 10:30Speaker 1: Turning to her in the midst of some crisis is
- 10:32Speaker 1: like looking directly into the TV camera and winking at
- 10:36Speaker 1: the audience.
- 10:42Speaker 2: Doggy Day two.
- 10:49Speaker 1: After we put Oggie to sleep, Emily and I lie
- 10:51Speaker 1: in bed. I ask for her thoughts and reflections on
- 10:55Speaker 1: the trip so far. Oh, come on, come on, no comment?
- 11:04Speaker 1: How could she resist? Look at how my mother acts
- 11:07Speaker 1: with Aggie, I say, trying to get Emily going, I
- 11:11Speaker 1: saw her put a pocket mirror under his nose while
- 11:13Speaker 1: he was sleeping to see if he was still breathing.
- 11:16Speaker 1: After every spoonful she feeds him, she asks, if he's choking.
- 11:20Speaker 4: You realize, though, that you say all that about Aggie
- 11:24Speaker 4: now too, like just a tiny little cough, and you
- 11:27Speaker 4: are doing it.
- 11:28Speaker 1: Is he breathing?
- 11:29Speaker 4: Can he sit like that? Can he touch that thing?
- 11:32Speaker 4: Can he eat that? Can he do that? Is he
- 11:34Speaker 4: supposed to be doing that?
- 11:35Speaker 1: What's wrong?
- 11:36Speaker 3: What's wrong?
- 11:36Speaker 1: What's wrong? What's he doing? What's he doing? Is he choking?
- 11:39Speaker 1: What's wrong?
- 11:40Speaker 4: You do a lot of that kind of thing.
- 11:43Speaker 1: I can see to Emily that maybe I do just
- 11:46Speaker 1: a little of that kind of thing. But I wasn't
- 11:48Speaker 1: even in the parking lot of the ballpark of aDNA Goldstein.
- 11:55Speaker 4: You one day you dropped, you dropped Aggie off, and
- 12:01Speaker 4: you called me right afterward because you were so worried.
- 12:05Speaker 4: Do you remember this?
- 12:07Speaker 1: I do remember this. It was Aggie's first week of daycare.
- 12:12Speaker 1: He shares a babysitter with two little sisters, But on
- 12:15Speaker 1: that particular morning, when the babysitter opened the door, she
- 12:18Speaker 1: was alone. She told me the girls were napping in
- 12:22Speaker 1: another room.
- 12:23Speaker 4: You called me and said she was there alone. She
- 12:27Speaker 4: said they were in bed. I don't know. Maybe she
- 12:29Speaker 4: killed the whole family, and now she's going to kill Oggi.
- 12:33Speaker 1: And you weren't joking.
- 12:35Speaker 4: Like you knew it was a crazy thought, but you
- 12:39Speaker 4: needed me to tell you she didn't kill their family.
- 12:42Speaker 4: She's not going to kill Aggie.
- 12:44Speaker 1: I did not need you to tell me that.
- 12:47Speaker 4: And you're misremembering you were freaked out.
- 12:51Speaker 1: You were freaked out. I thought I was very stoic.
- 12:55Speaker 1: You called me and.
- 12:56Speaker 4: Said, I think the nanny is gonna murder our child,
- 12:58Speaker 4: and that she murdered the whole family.
- 13:00Speaker 1: That we do daycare with. I don't consider that stoic.
- 13:05Speaker 5: All right.
- 13:05Speaker 1: I mean, I'm just imaginative. That's one way to look
- 13:10Speaker 1: at it. Yet another way to look at it is
- 13:13Speaker 1: that I'm also crazy, just like my mom. Well, set
- 13:18Speaker 1: my hair on fire and open the front door. In
- 13:27Speaker 1: the days after Ougi was born, I couldn't stop thinking
- 13:30Speaker 1: terrible thoughts. Things I couldn't speak, not even to Emily.
- 13:34Speaker 1: With this new overwhelming love for my son came new
- 13:37Speaker 1: overwhelming fears for his safety, his heartbreaks to come, for
- 13:42Speaker 1: his old age, his loneliness, so I started seeing a therapist.
- 13:48Speaker 1: I explained how worry was the lingua franca of my childhood.
- 13:53Speaker 1: I wasn't allowed a paper route because it was a
- 13:55Speaker 1: good way to get abducted, no barefoot in because of
- 13:58Speaker 1: rusty nails. And I didn't even learn to swim until
- 14:02Speaker 1: junior high because water that's where people go to drown.
- 14:07Speaker 1: Worry and fear were how my mother communicated love. I
- 14:10Speaker 1: said to my therapist with a shrug, But love is love.
- 14:14Speaker 1: The important thing is that we feel it. But my
- 14:17Speaker 1: therapist's response troubled me. She said that love was the
- 14:21Speaker 1: transcendence of fear, that you might even say fear was
- 14:25Speaker 1: the opposite of love. Sitting at my childhood desk with
- 14:29Speaker 1: Aggie's toys scattered at my feet, my therapist's words returned
- 14:33Speaker 1: to me. If I was becoming my mother, would AGGI
- 14:37Speaker 1: someday become me? Someone weighed down by fear? And worry?
- 14:41Speaker 1: Was our genetic line nothing more than an inglorious chain
- 14:45Speaker 1: of Russian dolls? Should my therapist save the notes from
- 14:48Speaker 1: our sessions so I can send Aggie to her at
- 14:50Speaker 1: a discounted rate. I didn't want my son becoming me,
- 14:55Speaker 1: and there were only two people who could help me
- 14:57Speaker 1: understand how I became me, wh who charged New York
- 15:01Speaker 1: therapy rates that might leave me bankrupted before I'm cured?
- 15:05Speaker 1: And the other my mother day three. As a child,
- 15:14Speaker 1: I felt trapped and embarrassed by my mother. As an adult,
- 15:17Speaker 1: I came to be amused by her. It's only as
- 15:20Speaker 1: a freshly minted father visiting home for the first time
- 15:24Speaker 1: that I'm beginning to see that I am her.
- 15:27Speaker 2: How much you pay for apples seventy but I'm desperate?
- 15:33Speaker 1: This is what we normally talk about. Where to get
- 15:35Speaker 1: the best price on paper plates? Where to get the
- 15:38Speaker 1: best price on honeydew melon?
- 15:40Speaker 5: Dina?
- 15:40Speaker 3: What do you pay for a bottle of water.
- 15:43Speaker 2: Twenty four for a dollar eighty eight?
- 15:46Speaker 5: Bottle water.
- 15:49Speaker 2: Cox twenty four for six forty nine?
- 15:51Speaker 1: Will you pay for a loaf of bread? But after dinner,
- 15:54Speaker 1: after Aggie's gone to sleep, my mom and I sit
- 15:57Speaker 1: down at the kitchen table to have a different converse station.
- 16:01Speaker 1: Emily is reading in bed, and my father's watching TV
- 16:04Speaker 1: in the basement. It's just us. Hello, Hello, go ahead
- 16:09Speaker 1: and talk here. I am Why do you say here?
- 16:13Speaker 5: I am?
- 16:14Speaker 2: Well?
- 16:15Speaker 1: Where should I say there?
- 16:16Speaker 2: I am?
- 16:18Speaker 1: Tonight? I want to talk about the fear, that thing
- 16:21Speaker 1: my family lives inside, like a snowsuit with a broken
- 16:24Speaker 1: zipper that can no more be removed than our own flesh.
- 16:28Speaker 1: I want to talk about the nameless thing that binds
- 16:31Speaker 1: all Goldstein's, that ignites us, propels us, and ultimately paralyzes us. Well,
- 16:37Speaker 1: I think about this stuff now, because you know, I
- 16:39Speaker 1: have I have a I have a son, and I think,
- 16:46Speaker 1: but I think he's so beautiful.
- 16:48Speaker 2: And I saw those blue eyes like no horas Bay's eggs.
- 16:53Speaker 1: My mother's not talking crazy talk, she's talking Yiddish.
- 16:56Speaker 5: So Bay's eggs.
- 16:58Speaker 1: Yeah, what does that mean?
- 17:00Speaker 5: Bad O?
- 17:00Speaker 1: I shouldn't hurt them. The bad eye, the evil eye,
- 17:06Speaker 1: the belief that merely saying something positive is enough to
- 17:09Speaker 1: invite evil forces to snuff the good thing out. So
- 17:13Speaker 1: even bringing up a normal son to mom question about
- 17:16Speaker 1: good parenting is enough to attract the eye. On the
- 17:20Speaker 1: day of my bar Mitzvah, my mother carefully sewed a
- 17:23Speaker 1: red ribbon into my underwear. In this way, she reasoned,
- 17:27Speaker 1: should the evil eye turn its gaze upon me, I'd
- 17:30Speaker 1: be protected by my underwear. Why do you think you
- 17:35Speaker 1: do that evil eyed stuff? It's what you say, it's cuckoo.
- 17:43Speaker 2: I know it's cuckoo, but I can't help it.
- 17:45Speaker 1: But then that's just a superstition. I don't know everybody
- 17:48Speaker 1: does it. I've never met anybody who puts red ribbons
- 17:52Speaker 1: in their own I'm saying I personally have never met
- 17:54Speaker 1: anyone who does that. So I can't say everybody puts
- 17:57Speaker 1: red ribbons in their underwear. But what what is it
- 18:00Speaker 1: supposed to be? Warding off? But what is the evil eye?
- 18:06Speaker 1: I don't know. This is how conversations with Dina often go.
- 18:12Speaker 1: The derail hit dead ends. So when I ask her
- 18:16Speaker 1: why was our home the way it was? I expect
- 18:19Speaker 1: more of the same, But instead my mother grows quiet.
- 18:31Speaker 1: I worry, Yeah, I do too.
- 18:35Speaker 2: I'm afraid of this, afraid of that. Well, I was irrational.
- 18:39Speaker 2: I wasn't thinking right, and I have a chance to
- 18:42Speaker 2: redo my a little bit.
- 18:44Speaker 1: Not with you, but with Augie. She stops talking and
- 18:49Speaker 1: stares into her lap for a while. We just sit there.
- 18:56Speaker 2: I look upon this as a second chance. I want
- 19:00Speaker 2: to correct my mistakes, Johnny, I want to redeem myself.
- 19:05Speaker 1: That's it. My mother doesn't usually talk this way if
- 19:10Speaker 1: something's causing her grief. She returns it to the store,
- 19:14Speaker 1: sends it back to the kitchen, and so talk of
- 19:17Speaker 1: second chances and redemption. The words sound weird coming out
- 19:21Speaker 1: of her mouth, and I don't know how to respond.
- 19:25Speaker 1: Where's all this coming from? I ask? Are you thinking
- 19:28Speaker 1: of something specific? It's too painful. I don't want Maybe
- 19:34Speaker 1: if you talk about it, you won't talk about it.
- 19:37Speaker 1: I don't think it could be anything. Then I can't.
- 19:41Speaker 1: I can't talk about it. Don't press me, please well,
- 19:45Speaker 1: I don't want to force you. I don't want to
- 19:46Speaker 1: make you feel bad. I am ashamed of myself. Let's
- 19:50Speaker 1: change the subject, and with that the conversation ends. I'd
- 19:57Speaker 1: gotten to my mother for answers about my childhood, but
- 20:00Speaker 1: instead she has left me with questions I didn't even
- 20:02Speaker 1: know I had. What had happened that was so bad?
- 20:06Speaker 1: She couldn't even talk about it? What was she so
- 20:09Speaker 1: afraid to tell me? After the break, I find out, Hello, Hello,
- 20:20Speaker 1: So mom's upstairs with Emily. Do you have any insight?
- 20:24Speaker 1: Day four? I sit down with my father to see
- 20:27Speaker 1: if he has any idea what the second chance is
- 20:30Speaker 1: that my mother's talking about. He's hesitant to talk because
- 20:34Speaker 1: that goes against his strategy of staying out of the drama.
- 20:37Speaker 1: In fact, most of my childhood memories of him are
- 20:41Speaker 1: of a man in bed napping with a large volume
- 20:44Speaker 1: of World War II history splayed open on his chest.
- 20:47Speaker 1: This retiring nature might be the secret to having stayed
- 20:51Speaker 1: married to my mother for more than fifty years. What
- 20:55Speaker 1: is the thing that she is carrying around with her?
- 20:57Speaker 3: She's a very private person and she feels she doesn't
- 21:01Speaker 3: want to be intruded upon. Don't take it the wrong way, so.
- 21:05Speaker 1: You have no inkling. You don't know what's going on.
- 21:07Speaker 3: Doesn't even discussed with me. I don't know what guilt,
- 21:10Speaker 3: I don't know what she's talking.
- 21:10Speaker 1: Don't find it odd or intriguing in a way.
- 21:13Speaker 3: It's a touchy subject for her, and she's very reluctant
- 21:18Speaker 3: to talk about it.
- 21:20Speaker 1: Talk about it. What's the it?
- 21:21Speaker 3: I don't know. You have to ask her, and she's
- 21:23Speaker 3: going to shut down. She's going to shut down.
- 21:28Speaker 1: This means she'll try to change the subject or start
- 21:31Speaker 1: to yell. But today I don't care. I just want
- 21:34Speaker 1: to know what the big secret is. I wonder what
- 21:38Speaker 1: it is? I say to Emily, who knows? She says
- 21:41Speaker 1: while brushing her hair. So many things about your mom
- 21:44Speaker 1: are a mystery to me, like why is the kitchen
- 21:47Speaker 1: faucet always running full blast? And why does she keep
- 21:50Speaker 1: offering me paper towels. I think she says, you should
- 21:54Speaker 1: just let it go, but of course I can't. What
- 22:01Speaker 1: had my mother done that she wanted a second chance at?
- 22:05Speaker 1: Was it for the time she bought me a shirt
- 22:06Speaker 1: for my birthday that she later admitted was actually a dress?
- 22:11Speaker 1: Did you want to redo the time she dropped me
- 22:13Speaker 1: off at a birthday party and hollered out the car window.
- 22:17Speaker 1: Have fun? But if you get diarrhea and someone's on
- 22:20Speaker 1: the toilet, just making the bathtub diarrhea is not a
- 22:24Speaker 1: time for pride. Of course I now see the wisdom,
- 22:28Speaker 1: but as a child, her words were a source of shame.
- 22:33Speaker 1: I need to know. So I invite my mother out
- 22:35Speaker 1: for a Sunday stroll with Oggie and me. Maybe if
- 22:38Speaker 1: she can just relax, it'll come out like diarrhea.
- 22:45Speaker 5: We'll talk.
- 22:46Speaker 2: What should I say?
- 22:48Speaker 1: Learn to take your robble?
- 22:50Speaker 5: So tell me?
- 22:52Speaker 1: So, do you find walking with Hoggie relaxing?
- 22:55Speaker 2: Very relaxing? So nice? It's a pleasure, my little friend.
- 23:02Speaker 1: To start things off. I lobber an easy question, cocktail
- 23:06Speaker 1: party stuff. What's your first memory?
- 23:13Speaker 2: Kindergarten? And we lived on Colonial four h three nine Colonial,
- 23:18Speaker 2: And I remember my father used to play peinockle and
- 23:22Speaker 2: he had a thumb that was the nail like the
- 23:26Speaker 2: thumbnail was very cut off, and all of a sudden
- 23:30Speaker 2: I thought of it, and I started screaming and crying
- 23:32Speaker 2: and carrying on. I'm worrying. Oh, I remember, how old
- 23:38Speaker 2: are you must have been four or five.
- 23:40Speaker 1: So an early memory is being at kindergarten and remembering
- 23:44Speaker 1: your father's thumbnail and starting to cry. What was it
- 23:48Speaker 1: that upset you about it?
- 23:50Speaker 2: I read about it because it wasn't like a regular thumb.
- 23:55Speaker 2: I was worried crazy.
- 23:58Speaker 1: I tried a guide her towards happy red inniscences, but
- 24:01Speaker 1: all her memories are awful. Rheumatic fever, scarlet fever, her
- 24:06Speaker 1: mother slapping her in Woolworth's for whining about a balloon
- 24:09Speaker 1: she wanted, waking up in the middle of the night
- 24:11Speaker 1: to find a wall in the kitchen covered in moths.
- 24:14Speaker 2: Then I remember my mother's pressure cooker in that house
- 24:18Speaker 2: hits the ceiling and pea soup was splattered everywhere, all
- 24:26Speaker 2: your memories.
- 24:27Speaker 1: Let's hear another memory. With the small talk exhausted, I
- 24:33Speaker 1: trepidaciously bring the subject back around to the do over.
- 24:37Speaker 2: I don't know, Johnny. I don't want to talk about it.
- 24:40Speaker 2: I don't want to remind myself the way I felt.
- 24:45Speaker 2: Doesn't conjure up good memories. Please, and that's the.
- 24:49Speaker 5: End of it.
- 24:49Speaker 2: I don't want to go into details.
- 24:54Speaker 1: Nonetheless, for the rest of the day, I can't stop
- 24:57Speaker 1: myself from asking for details, I asked, as she puts
- 25:01Speaker 1: away the breakfast dishes.
- 25:05Speaker 2: I have nothing more to say, Johnny.
- 25:06Speaker 1: Leave me be, I ask, as she cuts coupons while
- 25:09Speaker 1: watching Judge Judy with Emily in broad strokes.
- 25:13Speaker 2: Alone, Please Emily take him off me?
- 25:17Speaker 1: And while she peels boiled eggs for lunch, Leave me alone.
- 25:21Speaker 1: Later we all sit down for dinner and with it
- 25:24Speaker 1: some wine.
- 25:25Speaker 2: What's wrong with me?
- 25:27Speaker 1: I think I'm off my rock. My mother rarely drinks wine.
- 25:32Speaker 2: Oh my god, how did I get like this?
- 25:36Speaker 5: Mom?
- 25:36Speaker 1: You just had a glass of wine. As she drifts
- 25:41Speaker 1: off into an inebriated slumber, I give it one last try,
- 25:47Speaker 1: can I Is there anything you need to tell me? No,
- 25:50Speaker 1: any secrets to reveal No, I was getting nowhere day five?
- 26:03Speaker 1: All right, you want to change him? What? It's our
- 26:10Speaker 1: last day, and I've decided to give it a rest.
- 26:13Speaker 1: I stop asking weird questions and we all just hang out.
- 26:17Speaker 1: We talk about the price of things, We yell from
- 26:19Speaker 1: room to room, We search for lost cell phones, and
- 26:22Speaker 1: grow pleasantly bored with each other's company. Overall, it's pretty nice. Well,
- 26:28Speaker 1: while putting Aggie down for a nap, my mother has
- 26:31Speaker 1: a question for me, Sonny, what was it.
- 26:34Speaker 2: That you were hoping to get from me? Oh?
- 26:38Speaker 1: I really did just want to be able to have
- 26:40Speaker 1: a conversation, that's all I'm not. I don't want to.
- 26:42Speaker 1: I don't want to cause your distress.
- 26:44Speaker 2: You're not causing distress.
- 26:46Speaker 5: It's it's what it was.
- 26:49Speaker 1: And I don't even want to talk about old, painful stuff.
- 27:00Speaker 2: Who was sweet?
- 27:03Speaker 3: What?
- 27:05Speaker 1: She lays Aggie down, She stands over the crib. She
- 27:08Speaker 1: starts to say something, but then trails away. What are
- 27:12Speaker 1: we saying? All right, I'm gonna turn it off. Then
- 27:22Speaker 1: I was not adopted. I had no secret twin, and
- 27:26Speaker 1: my mother had no secret family. There were no murders,
- 27:30Speaker 1: no affairs. It turns out that my mother's big secret.
- 27:34Speaker 1: The thing that was so hard for her to say
- 27:36Speaker 1: was that she was sorry for a lot of things,
- 27:39Speaker 1: some small, some not so small. Some I remember, some
- 27:44Speaker 1: I don't, calling me names, screaming at me a lot.
- 27:48Speaker 1: How she could have been nicer to my girlfriends, How
- 27:51Speaker 1: she used to pull my hair, hit me. Hitting kids
- 27:55Speaker 1: was like the hula hoop. Back then, I say, a fad.
- 27:59Speaker 1: Everyone did it. It wasn't right, she says. Back then
- 28:03Speaker 1: people didn't know better. I say, I should have known better.
- 28:06Speaker 1: She says, I forgive you. I say, I don't forgive myself.
- 28:12Speaker 1: So I forgive her again, and I mean it, And
- 28:16Speaker 1: then I turned the recorder back on.
- 28:24Speaker 2: I love you, honey. You made it a little easier
- 28:27Speaker 2: for me.
- 28:28Speaker 1: Thank you. I love you too much. When you become
- 28:39Speaker 1: a parent, your whole life changes, but you forget that
- 28:43Speaker 1: some things stay the same. I'd been so focused on
- 28:47Speaker 1: becoming a better father that I forgot I was still
- 28:50Speaker 1: a son. And maybe learning to be a better son
- 28:54Speaker 1: is how you become a better dad. Anyway I want
- 28:59Speaker 1: him to be. On the last morning of our visit,
- 29:03Speaker 1: my mother and I head to the park. As a kid,
- 29:06Speaker 1: the park was someplace I usually went with my grandfather
- 29:09Speaker 1: or father. One of the only times I remember going
- 29:12Speaker 1: with my mother, two collies appeared out of nowhere and
- 29:15Speaker 1: began chasing us. I remember we separated and the dogs
- 29:19Speaker 1: chased her while I hid behind a tree. I look
- 29:23Speaker 1: around the playground from my own childhood with her. I
- 29:26Speaker 1: knew most things were out sandbox because someone could have
- 29:29Speaker 1: peed in there. Same for the swings, monkey bars, teeter totters,
- 29:33Speaker 1: and merry go rounds. But then something surprising happens. Picking
- 29:38Speaker 1: Aggie up out of the stroller, my.
- 29:40Speaker 2: Mother says, I'll take him down the slide.
- 29:43Speaker 1: He's never he's never gone down the side.
- 29:45Speaker 2: Come with Bobby Henney. We'll go down the slide together.
- 29:47Speaker 1: Okay, you're gonna go with him down the side. Well,
- 29:50Speaker 1: what do you think I'll put himself? I didn't. You're
- 29:53Speaker 1: not afraid to go down the slide.
- 29:54Speaker 5: Why would I be afraid?
- 29:56Speaker 1: I don't know. Okay, be careful, yeah.
- 30:00Speaker 2: On my nervis, I wasn't afraid.
- 30:02Speaker 1: Be careful. I don't know. My mother hands me back
- 30:08Speaker 1: Aggie and holding onto the railing, she carefully climbs the
- 30:12Speaker 1: steps to the top of the slide. When she gets there,
- 30:15Speaker 1: I climb up too, and hand Aggie back to her
- 30:19Speaker 1: with hesitation. She positions them onto her lap and I
- 30:23Speaker 1: run around to the bottom of the slide to await
- 30:25Speaker 1: their arrival.
- 30:26Speaker 5: And you stand there and catch us in chase bad for.
- 30:30Speaker 1: Me, And then Dina lets go.
- 30:33Speaker 2: You're gonna go down.
- 30:34Speaker 1: Whoo whoo. He's having fun. Huh, so much fun in fact,
- 30:45Speaker 1: that my mother decides to do it again. And so
- 30:49Speaker 1: again she climbs up the steps, all three of them,
- 30:53Speaker 1: to the top of the ladder, and from the grand
- 30:56Speaker 1: height of three and a half feet, my mother and
- 30:59Speaker 1: son descend the toddler slide once more, sliding sliding down
- 31:05Speaker 1: the snide. Oggie loves it, so they do it again
- 31:14Speaker 1: a third chance, a fourth, and even a fifth. Then
- 31:19Speaker 1: we move on to the bouncy caterpillar, the rope bridge,
- 31:22Speaker 1: and the swings.
- 31:24Speaker 2: Swim swingy Oggy's going swingy, the itsy bitsy spider win
- 31:34Speaker 2: up the water.
- 31:36Speaker 1: Parenthood is like a redo of your own childhood, and
- 31:40Speaker 1: grandparenthood is like a redo of that. That's all life is,
- 31:45Speaker 1: learning and relearning the same lessons over and over all
- 31:49Speaker 1: of us, like those itsy bitsy spiders crawling up endless
- 31:53Speaker 1: water spouts, trying to make just a little more progress
- 31:56Speaker 1: each time we set out. There's comfort in knowing that
- 32:00Speaker 1: no one ever gets it right, no matter how many
- 32:03Speaker 1: chances we get. But hopefully at least a few things
- 32:07Speaker 1: go right, a few purely kind gestures somehow get through,
- 32:11Speaker 1: And for everything else we ask for forgiveness, And if
- 32:16Speaker 1: we're lucky, we'll receive it, and if we're luckier, we'll
- 32:20Speaker 1: forgive ourselves too.
- 32:27Speaker 5: Horrors.
- 33:17Speaker 3: Now that the vernitures returning to its.
- 33:21Speaker 2: Goodwill home, now that the last month's rent is scheming
- 33:30Speaker 2: with the damaged.
- 33:31Speaker 3: Pole, take this moment to dissolved, if we meant it,
- 33:38Speaker 3: if we tried, but felt.
- 33:42Speaker 1: Around for far too empty from things that accidentally talk.
- 33:53Speaker 1: Eavyweight is hosted and produced by me Jonathan Goldstein along
- 33:56Speaker 1: with Khalila Holt. The senior producer is Caitlin Roberts, editing
- 34:00Speaker 1: by Jorge just Alex Bloomberg and Wendy Tour Special thanks
- 34:04Speaker 1: to Emily Condon, Emmanuel Berry, Pat Walters, and Jackie Cohen.
- 34:09Speaker 1: The show is mixed by Kate Bolinski, music by Christine
- 34:12Speaker 1: Fellows and John K. Sampson. Additional music credits for this
- 34:15Speaker 1: episode can be found on our website Gimbletmedia dot com
- 34:19Speaker 1: slash Heavyweight. Our theme song is by The Weaker Thans
- 34:22Speaker 1: courtesy of Epitaph Records, and our ad music is by
- 34:25Speaker 1: Hailey Shaw. Follow us on Twitter at Heavyweight. This is
- 34:29Speaker 1: our last episode of the season, but we're already looking
- 34:31Speaker 1: for stories for season three, so if you have one,
- 34:35Speaker 1: email us at Heavyweight at gimletmedia dot com. And if
- 34:38Speaker 1: you see fit phunch in some stars for us on iTunes.
- 34:42Speaker 1: Thanks for listening. Oh oh sign
- 35:04Speaker 5: M