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Unravelling Reality With BRADY DEEPROSE From CONJURER · HEAVY Music Interviews

• 0:11
  Speaker 1: Hi, I am Brady. I play guitar and shouting in
• 0:16
  Speaker 1: the band Conjurer, and we are putting out our album
• 0:21
  Speaker 1: UNSLF on the twenty fourth of October twenty twenty five.
• 0:26
  Speaker 1: This is our third record and it is I think
• 0:32
  Speaker 1: a bit of a departure from everything we've done before,
• 0:35
  Speaker 1: maybe not stylistically so much as in the approach and
• 0:41
  Speaker 1: in the resulting album. I think we've made an album
• 0:45
  Speaker 1: that is head and shoulders above anything we've done before,
• 0:49
  Speaker 1: and I hope people give it a go and get
• 0:52
  Speaker 1: into it.
• 0:54
  Speaker 2: Fantastic Brady, thanks for joining us. Un good to see
• 0:56
  Speaker 2: your smile and face again.
• 0:59
  Speaker 1: Yeah, no, thank you for me. It's genuinely a pleasure
• 1:02
  Speaker 1: to chat to people about this album all bro.
• 1:07
  Speaker 2: So, as you say, Contra are set to release your
• 1:09
  Speaker 2: third studio album and self on October twenty four, So
• 1:13
  Speaker 2: how you feel about it? You just sort of summed
• 1:14
  Speaker 2: it up pretty well then, But how do you feel?
• 1:16
  Speaker 3: And you're confident?
• 1:18
  Speaker 1: Yeah, I think it's It's funny because with all of
• 1:22
  Speaker 1: our previous releases, we've not really cared about the reception.
• 1:27
  Speaker 1: Like it's been a very specific point to be that
• 1:30
  Speaker 1: we make this music for the four of us. We
• 1:33
  Speaker 1: put it out there and if people like it, that
• 1:36
  Speaker 1: is wonderful, and if they don't then that's also fine.
• 1:40
  Speaker 1: You know, we can't control that. However, on this album,
• 1:46
  Speaker 1: I feel like we've put so much more of ourselves
• 1:50
  Speaker 1: into it than ever before. It feels so much more personal,
• 1:52
  Speaker 1: it feels so much more emotionally vulnerable. That while, yes,
• 1:57
  Speaker 1: if people don't like it, whatever, that's not something I
• 2:01
  Speaker 1: can control. I do really hope that people connect with
• 2:06
  Speaker 1: it in the way that I have. You know, I
• 2:12
  Speaker 1: love this album. It really means a lot to me,
• 2:15
  Speaker 1: and I hope that it kind of scratches that itch
• 2:19
  Speaker 1: for at least some of the people that listen to me, at.
• 2:22
  Speaker 3: Least some of them.
• 2:23
  Speaker 2: So can you dive in on a bit deeper from
• 2:25
  Speaker 2: a musical point of view and tell us what you're
• 2:26
  Speaker 2: going for this timmer at.
• 2:29
  Speaker 1: So, I think after Pathos and the circumstances around it
• 2:35
  Speaker 1: were so unique. We recorded in the Pandemic in our
• 2:43
  Speaker 1: rehearsal space in Northampton, where we had been you know,
• 2:47
  Speaker 1: for a couple of years at that point, with exclusively
• 2:51
  Speaker 1: our own equipment, and you know, our own front house
• 2:55
  Speaker 1: engineer at the time tracked everything that we did not
• 2:58
  Speaker 1: have access to anything more than that, so we we
• 3:07
  Speaker 1: didn't even get to play some of those songs in
• 3:10
  Speaker 1: a room together before recording them on the album. So
• 3:15
  Speaker 1: for me, this album is kind of a direct reaction
• 3:20
  Speaker 1: to that. We wanted everything to feel low pressure. Again.
• 3:24
  Speaker 1: We've recorded that album in a week and a half
• 3:27
  Speaker 1: and we were recording up until two am on the
• 3:30
  Speaker 1: final day of studio, just get like pushing to get
• 3:35
  Speaker 1: over the line. So we were like, we don't want
• 3:38
  Speaker 1: any of that on this record. So we took a
• 3:43
  Speaker 1: full month to go into the studio, and we went
• 3:47
  Speaker 1: in with not fully complete ideas so that we could
• 3:55
  Speaker 1: be in the room and work together and be collaborative.
• 3:59
  Speaker 1: And you know, Pathos was a very dense, complex layered
• 4:04
  Speaker 1: album that didn't ever really let up. It was layers
• 4:09
  Speaker 1: upon layers, and it was claustrophobic, and we wanted this
• 4:13
  Speaker 1: record to feel organic and wanted to have a real
• 4:18
  Speaker 1: tangible sense of space. And so yeah, doing a couple
• 4:25
  Speaker 1: of weeks of pre production of us getting in the
• 4:30
  Speaker 1: room and playing the songs and Joe the producer being
• 4:33
  Speaker 1: there and kind of being a part of that from
• 4:36
  Speaker 1: jump was so important and it really got us to
• 4:40
  Speaker 1: the point where the songs felt good to play and
• 4:45
  Speaker 1: felt emotionally resonant before we had even got into the studio.
• 4:52
  Speaker 1: So yeah, I think that it's a record that is
• 4:57
  Speaker 1: so much tied to emotion and tied to the process
• 5:01
  Speaker 1: and is like a product of the process that went
• 5:04
  Speaker 1: into to making it. So yeah, I think I hope
• 5:10
  Speaker 1: that when you're listening to it, you can hear and
• 5:13
  Speaker 1: feel that it sounds and feels different.
• 5:16
  Speaker 4: You know.
• 5:18
  Speaker 2: I'm actually glad you brought up this space to image
• 5:20
  Speaker 2: because there's a quote in the in the press release,
• 5:22
  Speaker 2: and I'd listen to the album myself you can hear
• 5:24
  Speaker 2: where this comes into it. But the press release says
• 5:27
  Speaker 2: that you've leaned into utilizing space, gifting the listener a
• 5:30
  Speaker 2: little breathing room, which serves to make the heavy elements
• 5:33
  Speaker 2: you're all the more intense. So basically, that just means
• 5:35
  Speaker 2: that sometimes it's what you leave out with news you
• 5:37
  Speaker 2: cannot what you put in. But can you elaborate on
• 5:40
  Speaker 2: that concept for us a bit more for people who
• 5:41
  Speaker 2: don't quite understand.
• 5:42
  Speaker 1: You, Yeah, for sure. I mean it's like, why, for
• 5:46
  Speaker 1: the most part, when you dig into like a specific
• 5:51
  Speaker 1: genre like death metal, the bands that I'm the biggest
• 5:56
  Speaker 1: fan of are the ones that sit on the fringes
• 5:59
  Speaker 1: and don't just give you ten brutal death metal tracks
• 6:02
  Speaker 1: in a row or grand or that don't just give
• 6:05
  Speaker 1: you that intense, you know, twenty minutes of brutality, because
• 6:10
  Speaker 1: for me, after the first couple of tracks, after the
• 6:13
  Speaker 1: the initial hit of adrenaline from that sound has worn off,
• 6:19
  Speaker 1: it kind of dips, and I feel like you to
• 6:24
  Speaker 1: really make effective impactful music, you need the ebbs and flows,
• 6:29
  Speaker 1: you need the peaks and troughs. That kind of journey
• 6:34
  Speaker 1: that you take the listener on is something that I
• 6:37
  Speaker 1: really appreciate in music. So when people, you know, say
• 6:42
  Speaker 1: that we're a doom band, then you know, you point
• 6:44
  Speaker 1: them to the start of the seeringlo or if people
• 6:49
  Speaker 1: say that we're a death metal band, you point them
• 6:51
  Speaker 1: to U Foreclosure or you know whatever. It is like,
• 6:56
  Speaker 1: there is the antithesis of that is also on the record,
• 7:00
  Speaker 1: and it's something that we are really conscious of not
• 7:05
  Speaker 1: just doing the same thing and not just being being
• 7:10
  Speaker 1: more of a multi tool than a hammer. I think
• 7:13
  Speaker 1: is the way of looking at it and just knowing
• 7:17
  Speaker 1: that style and genre and trope all of These things
• 7:21
  Speaker 1: are tools that you have at your disposal, and I
• 7:26
  Speaker 1: think we were trying to craft It's a good metaphor.
• 7:29
  Speaker 1: We were trying to craft the perfect machine on the
• 7:31
  Speaker 1: last record, whereas now we're trying to craft something that
• 7:36
  Speaker 1: allows us to express the emotion behind how we're feeling.
• 7:41
  Speaker 1: And I think that is the biggest shift. It is
• 7:43
  Speaker 1: like a pointed attempt to convey emotion as opposed to
• 7:50
  Speaker 1: a pointed attempt to write perfect songs.
• 7:54
  Speaker 3: It makes sense, makes sense now.
• 7:56
  Speaker 2: The album opens with the title track, Unself and so
• 8:00
  Speaker 2: Affected broy Like it starts life as a beautifully orchestrated
• 8:03
  Speaker 2: piece of acoustic music and then it explodes in a
• 8:05
  Speaker 2: wall of rage towards the end, Like, what was the
• 8:08
  Speaker 2: thought process behind opening with that?
• 8:10
  Speaker 3: Because it threw a curveball straight up.
• 8:12
  Speaker 1: Yeah, for sure. I love the idea that there will
• 8:17
  Speaker 1: be a number of people that put this record on
• 8:19
  Speaker 1: and for about thirty seconds, I like, this must be
• 8:23
  Speaker 1: the wrong album.
• 8:26
  Speaker 4: Love that.
• 8:27
  Speaker 1: I love that when a band surprises you right out
• 8:30
  Speaker 1: the gate with what they're about. But this was an
• 8:35
  Speaker 1: idea that kind of came pretty much fully formed to Danny,
• 8:37
  Speaker 1: and they had talked for quite a while about this
• 8:41
  Speaker 1: intro idea that they had and actually tabbed it up.
• 8:45
  Speaker 1: So I got a guitar profile that was, you know,
• 8:48
  Speaker 1: a minute and a half of acoustic guitar strumming and
• 8:52
  Speaker 1: then noise, and I was like, what is this. This
• 8:57
  Speaker 1: doesn't make any sense. Like they were like, yeah, vocals
• 9:00
  Speaker 1: and I'm like imagining Danny's screaming over that acoustic guitar
• 9:04
  Speaker 1: and I'm like, this doesn't make any sense whatsoever. And
• 9:07
  Speaker 1: so we during the pre production we were like, well,
• 9:10
  Speaker 1: track all the parts, and then I said, Danny, you've
• 9:15
  Speaker 1: just gotta go in there and do the vocals, like
• 9:18
  Speaker 1: show us what this is like, because I just still
• 9:21
  Speaker 1: don't don't get it. So they went in and the
• 9:26
  Speaker 1: vocal take that they did in that pre production session
• 9:29
  Speaker 1: is I think pretty much the vocal take we used
• 9:32
  Speaker 1: on the album, and it was like an instant light
• 9:35
  Speaker 1: bulb moment for me. I was like, oh, I get it.
• 9:37
  Speaker 1: This is amazing. Like it was one of those you
• 9:41
  Speaker 1: hear something and you're like, well, there's no possible way
• 9:45
  Speaker 1: this doesn't open the album now, and yeah.
• 9:49
  Speaker 2: I.
• 9:50
  Speaker 1: Love something that's challenging and something that is different and
• 9:54
  Speaker 1: something that does grab your attention, but in a completely
• 9:59
  Speaker 1: different way to a bus beat and some Tramo guitars.
• 10:03
  Speaker 2: I like the way you sort of you had the
• 10:06
  Speaker 2: crossover I guess between the acoustic and all out warfare.
• 10:09
  Speaker 3: Like so you've just got like a buzz.
• 10:11
  Speaker 2: It starts softly and then it just gets louder and
• 10:13
  Speaker 2: louder until chaos comes. Like how many different things did
• 10:17
  Speaker 2: you try before settling on that to be the right transition.
• 10:21
  Speaker 1: I think that this was from Jump, the having the
• 10:26
  Speaker 1: feedback from the guitars fading slowly, that was there in
• 10:32
  Speaker 1: Danny's tab from Jump. That was how they imagined it.
• 10:34
  Speaker 1: But getting the kind of eerie rumble. We work with
• 10:40
  Speaker 1: Tom Ragsdale, who makes music under the name sulk Rooms
• 10:44
  Speaker 1: and is also the kind of electronic part of Paine,
• 10:50
  Speaker 1: the band that Joe plays in. He came into the
• 10:53
  Speaker 1: studio for a day and played some piano for us
• 10:57
  Speaker 1: and brought all of his gizmos. I don't know what
• 11:02
  Speaker 1: the stuff that he uses is, but we were like,
• 11:05
  Speaker 1: we need some ominous noises, we need some rumble, we
• 11:08
  Speaker 1: need some drones. And he kind of crafted those parts
• 11:12
  Speaker 1: with us in front of us, and we tracked them
• 11:16
  Speaker 1: all so that that kind of like.
• 11:18
  Speaker 4: Low end.
• 11:20
  Speaker 1: Rumble. We've just been calling it. The rumble was something
• 11:25
  Speaker 1: that Tom brought to the table and we were like, yes,
• 11:27
  Speaker 1: that is that is the unsettling feeling that we want
• 11:31
  Speaker 1: this to create, and it just hen't really complimented what
• 11:34
  Speaker 1: was going on. So I think this record has been
• 11:37
  Speaker 1: very collaborative. We've had, you know, opened ourselves up to
• 11:42
  Speaker 1: other people coming in and you know, lending their expertise
• 11:47
  Speaker 1: and advising and just kind of being a part of
• 11:49
  Speaker 1: the process more than ever before. And it feels feels
• 11:53
  Speaker 1: great to create something together, you know.
• 11:56
  Speaker 2: And then on the flip side, Broyer like the album
• 11:59
  Speaker 2: closes it out with the World Is Not My Home,
• 12:01
  Speaker 2: which is an adaption of a century old gospel song.
• 12:04
  Speaker 2: Like when I was reading through that, it sounded like
• 12:06
  Speaker 2: a really strange choice, and then I put the song
• 12:08
  Speaker 2: on and it's like, fuck me, it just can't see
• 12:11
  Speaker 2: between the eyes, don't it.
• 12:13
  Speaker 1: Yeah, that was another one those like clean vocals at
• 12:17
  Speaker 1: the end of that track. Danny by the end of
• 12:21
  Speaker 1: studio was like belting that out Nope for Noe. It
• 12:26
  Speaker 1: sounded you know, perfect, And one of the very last
• 12:30
  Speaker 1: things during the mixing I was like, can we just
• 12:33
  Speaker 1: go back to one of the pre production takes because
• 12:37
  Speaker 1: there was something about the emotion in their voice that
• 12:43
  Speaker 1: would get me to well up every single time, and
• 12:45
  Speaker 1: I was like, I'm not getting that from this perfect take,
• 12:48
  Speaker 1: and we dropped you know that first, that first take
• 12:54
  Speaker 1: back in there, and I was like, well, that that's
• 12:55
  Speaker 1: the one, like the the delivery in that track, so
• 13:00
  Speaker 1: everything for me and the taking this dis gospel song
• 13:05
  Speaker 1: that was originally you know about the idea that this
• 13:10
  Speaker 1: world is not my home and that's fine because I'm
• 13:12
  Speaker 1: going to heaven and that's my real home. And it
• 13:15
  Speaker 1: was like a positive message as opposed to this world
• 13:19
  Speaker 1: is not my home because it is so fucked and
• 13:22
  Speaker 1: also I am trapped here being really the way that
• 13:26
  Speaker 1: we we are looking at this and kind of in
• 13:32
  Speaker 1: the folk tradition taking that song, re interpreting it, kind
• 13:38
  Speaker 1: of changing the lyrics. I'm just so thrilled that we
• 13:44
  Speaker 1: get to do that and to kind of bookend this
• 13:47
  Speaker 1: album with this song that sums up the themes of
• 13:51
  Speaker 1: the record is Yeah, it's so exciting and it is
• 13:55
  Speaker 1: so thematically spot on to what we're trying to do
• 14:01
  Speaker 1: that I could not be happier with the way we
• 14:04
  Speaker 1: started and ended the record.
• 14:07
  Speaker 2: And as a metal band, though, bro, Like, what's your
• 14:09
  Speaker 2: thought process? You're like, what goes through your head? Like
• 14:11
  Speaker 2: if someone said he start with an acoustic song and
• 14:13
  Speaker 2: finish with a gospel song, It's like it just doesn't
• 14:16
  Speaker 2: sound right, you know, Like, what's the thought process behind
• 14:19
  Speaker 2: actually putting that in place with your music?
• 14:22
  Speaker 1: I think as much as we make heavy music, I
• 14:28
  Speaker 1: don't think there's ever been a point where we've thought
• 14:32
  Speaker 1: of ourselves as an out and out metal band, you know,
• 14:35
  Speaker 1: Like we definitely when we started there were ideas that
• 14:42
  Speaker 1: we put to the side because we're, Oh, that's not
• 14:45
  Speaker 1: heavy enough, or that's not this, or that's not you
• 14:47
  Speaker 1: know whatever. Whereas now, if someone's passionate about an idea,
• 14:52
  Speaker 1: it doesn't really matter what it sounds like, if it
• 14:55
  Speaker 1: feels authentic and if it is like the right I
• 15:01
  Speaker 1: guess vibe is the only word I can use. But
• 15:03
  Speaker 1: if it's the right vibe for what we're creating, no
• 15:07
  Speaker 1: one is turning around and saying that's not heavy enough,
• 15:11
  Speaker 1: you know, that's not metal enough. Like ideas like let
• 15:15
  Speaker 1: us live for you know, it's a single on the
• 15:18
  Speaker 1: record for the most part, it's pretty much just chords
• 15:21
  Speaker 1: all the way through, Like you could remove the electric
• 15:25
  Speaker 1: guitars and play that on an acoustic comfortably. It's that
• 15:29
  Speaker 1: kind of vibe. So I think what this band is
• 15:34
  Speaker 1: is always evolving, and that is something that keeps us
• 15:39
  Speaker 1: excited about it and keeps it fresh. And not really
• 15:44
  Speaker 1: knowing what the next record is going to be or
• 15:48
  Speaker 1: what the next song is going to sound like until
• 15:51
  Speaker 1: we're in it is what keeps the magic alive. I
• 15:55
  Speaker 1: think the second we started repeating ourselves or limited ourselves
• 16:01
  Speaker 1: or trying to make something quote unquote more metal or
• 16:07
  Speaker 1: more anything, and we've lost the plot by that point,
• 16:10
  Speaker 1: and we're going to get bored and we're gonna not
• 16:12
  Speaker 1: feel enthused. So yeah, I think anyone that has expectations
• 16:20
  Speaker 1: or assumptions about what this band is is already way
• 16:25
  Speaker 1: off the mac.
• 16:27
  Speaker 3: I've not agree with that completely.
• 16:30
  Speaker 2: They are contra a completely successful tour of Australia in
• 16:33
  Speaker 2: twenty twenty four, and I heard a little whisper that
• 16:35
  Speaker 2: you guys are already planning to possibly come back next year.
• 16:38
  Speaker 3: Is that correct?
• 16:40
  Speaker 1: Yeah, we're working out. I mean we had such a
• 16:41
  Speaker 1: good time. We're lucky enough that we're at the point
• 16:46
  Speaker 1: where we pretty much have a good time everywhere we go,
• 16:48
  Speaker 1: but Australia felt so special. It is so far away
• 16:55
  Speaker 1: and yet obviously you know, through historically so tied to
• 16:59
  Speaker 1: the UK and culturally so much similarity. Like, it feels
• 17:03
  Speaker 1: like such a private privilege to go out there and
• 17:07
  Speaker 1: play our music to these people that I think really
• 17:12
  Speaker 1: get what we're doing on like an instinctual levels. So
• 17:16
  Speaker 1: of course we're trying to come back as soon as possible,
• 17:20
  Speaker 1: probably towards the end of next year if we can
• 17:23
  Speaker 1: make it happen. But yeah, it would be our absolute
• 17:26
  Speaker 1: privilege to get to come back and play some of
• 17:29
  Speaker 1: these new songs for you guys there.
• 17:31
  Speaker 3: Before we go.
• 17:32
  Speaker 2: Bro, I'm not sure if I was during this last
• 17:33
  Speaker 2: time I spoke to you a bit. I've got a
• 17:35
  Speaker 2: new segment I've started called photo Bombs, So I'm shroven
• 17:37
  Speaker 2: through your social media before we better chat, and I've
• 17:39
  Speaker 2: come up with a few photos I want to know
• 17:41
  Speaker 2: a little bit more about. So the first one I
• 17:43
  Speaker 2: believe was actually taken on your last visit to Australia.
• 17:50
  Speaker 1: Yeah, that is us and Connery the Koala at a
• 17:56
  Speaker 1: lone Pine I wanted it to feel like like a
• 18:02
  Speaker 1: high school prom photo and only me and now already
• 18:05
  Speaker 1: committed to that that vibe. So yeah, there's the four
• 18:09
  Speaker 1: of us and then Marry us, our front of house engineer.
• 18:13
  Speaker 1: That was such a lovely time. I appreciate you You've
• 18:17
  Speaker 1: taken us to to that a bit. It's like it's
• 18:20
  Speaker 1: like the traditional thing, like every band across the world.
• 18:25
  Speaker 1: You don't tour Australia for anything other than getting the
• 18:30
  Speaker 1: Koala photo, you know. That's that's what it's really all about.
• 18:34
  Speaker 1: And yeah, to do that on day one was fucking awesome.
• 18:38
  Speaker 2: I'm glad we could help it out. Now the second
• 18:40
  Speaker 2: one is not quite so straightforward. It's okay, So it's
• 18:48
  Speaker 2: I want to know, like where was this taken and
• 18:50
  Speaker 2: what's you go.
• 18:51
  Speaker 3: With the shirts?
• 18:55
  Speaker 1: So this was taken at Arctangent Festival in Bristol in
• 19:01
  Speaker 1: the UK, backstage just before we played the last Kirsty's
• 19:11
  Speaker 1: Mauntle handset. So this was the in fact, now this
• 19:14
  Speaker 1: was the This was two sets ago, so got I
• 19:18
  Speaker 1: remember what year it was, maybe twenty twenty two, but
• 19:23
  Speaker 1: we had these Kirsty's mount hands is influenced a little
• 19:31
  Speaker 1: bit by Baroness, like big fans of the band, and
• 19:37
  Speaker 1: we have this ongoing joke that we are a Baroness
• 19:41
  Speaker 1: tribute band or that we are trying to take the
• 19:43
  Speaker 1: mantle of Baroness. So I was like, oh, why don't
• 19:46
  Speaker 1: we do a I can't believe it's not butter rip
• 19:50
  Speaker 1: shirt that is, I can't believe it's not Baroness, And
• 19:54
  Speaker 1: it has become a bit of a running joke with
• 19:57
  Speaker 1: this band too, it's it's us in Pie. So the
• 20:00
  Speaker 1: first time we did it, we wore pine shirts they
• 20:03
  Speaker 1: walk under a shirts, and since we started making merch
• 20:06
  Speaker 1: then it's just well, you've got to wear your own
• 20:08
  Speaker 1: march because it's the most unself aware thing you can do.
• 20:14
  Speaker 1: So yeah, we went out there and we ripped it
• 20:17
  Speaker 1: in our own T shirts. And that is our ex
• 20:22
  Speaker 1: drummer Yan with the banjo on the far left of
• 20:27
  Speaker 1: the photo, who played the banjo part which is in
• 20:30
  Speaker 1: the new Kirsty's Motorhands song that we have not finished
• 20:33
  Speaker 1: recording yet, and then our good friend Lily Wait in
• 20:36
  Speaker 1: the middle, who played the automatone to introduce one of
• 20:41
  Speaker 1: the tracks. So yeah, it was I mean, it's very silly,
• 20:47
  Speaker 1: but we have we have a lot of fun.
• 20:51
  Speaker 2: It was right, you did it brother, all right Rady, well,
• 20:53
  Speaker 2: thanks for your time. Wrote the album un Selfies out
• 20:55
  Speaker 2: October twenty fourth then like they had a privilege of
• 20:58
  Speaker 2: having a sneak listen and absolute bulltair Brosa.
• 21:00
  Speaker 3: Congratulations and hopefully we see you next year.
• 21:04
  Speaker 1: Thank you so much. And I have to add as well,
• 21:07
  Speaker 1: we set up a store in Australia with imprint merch
• 21:12
  Speaker 1: so if anyone wants to get some merch or pre
• 21:16
  Speaker 1: ordered the album on violin CD, you do not have
• 21:20
  Speaker 1: to import it from the UK or the US and
• 21:22
  Speaker 1: pay all those charges. You can get it in good
• 21:26
  Speaker 1: old fashioned Australia direct from them.
• 22:00
  Speaker 5: Your don to so your b ol god.
• 22:07
  Speaker 4: H b outside whis like all they call.
• 22:31
  Speaker 5: It job job all card to job god God joy
• 22:40
  Speaker 5: lit y.
• 22:44
  Speaker 1: Your diy, that's joy Like why.
• 22:50
  Speaker 5: Do y'r car my doll?
• 23:03
  Speaker 4: Jo Mayor in the wall shot July style lock shot,
• 23:16
  Speaker 4: I Stop Fries, the three man of or Chop World,
• 24:29
  Speaker 4: come down, very talk, no t.
• 24:44
  Speaker 5: So so showier Gon.
• 24:48
  Speaker 4: Don more shoulder on bothered Boles born shower, tilS schils down,
• 25:00
  Speaker 4: lost time Yo side where don't want Christy Waters bursts out,
• 25:17
  Speaker 4: I'll burn, I cry off that, while also I don't ride.
• 25:22
  Speaker 4: Why y'all boughs? Yeah, why