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A Silent Night Trip to Grandma's House (Promo) · Movie Meltdown

• 0:17
  Speaker 1: So now it's time to do the holiday movie threat.
• 0:20
  Speaker 2: Yay.
• 0:21
  Speaker 3: Yay.
• 0:22
  Speaker 1: I was trying to remember if I had anything specifically themed.
• 0:25
  Speaker 1: And then, I mean, look at that artwork for fuck's sakes.
• 0:30
  Speaker 2: Wow.
• 0:30
  Speaker 3: Let me see that again.
• 0:32
  Speaker 2: Fun.
• 0:33
  Speaker 3: That's a lot to take in there.
• 0:35
  Speaker 1: So I remember, oh yeah, I saw that last year
• 0:37
  Speaker 1: and was like, well, this is definitely what we need
• 0:38
  Speaker 1: for the holidays. That is Deathsember. And the plot according
• 0:46
  Speaker 1: to the back of this DVD. And I'm going to
• 0:50
  Speaker 1: skip a lot of names because you've heard me pronounce names.
• 0:53
  Speaker 1: And these get even more complicated.
• 0:55
  Speaker 3: So.
• 0:56
  Speaker 1: Feed yourself 24 macabre morsels of holiday horror as you
• 1:00
  Speaker 1: watch your way through this cinematic advent calendar from hell.
• 1:05
  Speaker 3: Oh. I'm intrigued.
• 1:06
  Speaker 1: From Christmas shopping carnage to deathbed carolers to the dreaded
• 1:11
  Speaker 1: holiday with the in-laws, get ready for a month's worth
• 1:14
  Speaker 1: of creative thrills and chills from an international array of
• 1:18
  Speaker 1: horror directors.
• 1:19
  Speaker 3: Oh. Ooh, an array.
• 1:21
  Speaker 1: That's awesome. It's a perfect concept for the Christmas horror
• 1:25
  Speaker 1: anthology designed by these dudes from Germany. That's why I'm
• 1:29
  Speaker 1: really not going to pronounce their names because it's crazy
• 1:32
  Speaker 1: German names. So yeah, it's like a whole collection of
• 1:36
  Speaker 1: films based around the holidays.
• 1:39
  Speaker 2: 24 is so many.
• 1:41
  Speaker 3: That's a lot.
• 1:43
  Speaker 1: That's the ABCs of death level of cranking out short films.
• 1:48
  Speaker 2: How long is each one? Like five minutes?
• 1:50
  Speaker 3: Seven hours.
• 1:51
  Speaker 1: It's a really long sip.
• 1:53
  Speaker 3: Well, it is German, so each one could be feature length.
• 1:56
  Speaker 1: You will pay. You will all suffer these holidays.
• 2:00
  Speaker 3: I don't think that's German.
• 2:03
  Speaker 1: No, that's the meaning behind all things German. Now, obviously,
• 2:08
  Speaker 1: that was not.
• 2:09
  Speaker 3: An accent that I'm concerned with.
• 2:12
  Speaker 1: That was just me cursing people like I do every day.
• 2:17
  Speaker 3: Death Simber.
• 2:19
  Speaker 2: When did that come out?
• 2:20
  Speaker 1: 2019, I believe.
• 2:23
  Speaker 3: Okay.
• 2:24
  Speaker 1: Yes, 2019, December.
• 2:27
  Speaker 3: 24 doors to hell.
• 2:29
  Speaker 1: So, if you guys have a better option, we can
• 2:32
  Speaker 1: watch that. But if not, we can pencil that in
• 2:37
  Speaker 1: in six or eight years when we finish our current
• 2:39
  Speaker 1: December series.
• 2:40
  Speaker 3: Oh, man, the way things are going, they're just going
• 2:42
  Speaker 3: to keep coming up with more every time we think
• 2:45
  Speaker 3: we're near the end.
• 2:45
  Speaker 1: We're never going to escape.
• 2:47
  Speaker 3: I mean, they're already working on another.
• 2:49
  Speaker 1: as I posted in the little horror club Facebook thing
• 2:53
  Speaker 1: I was like hey look they're doing another one yay
• 2:58
  Speaker 1: yeah so we're never gonna escape this wonderful silent deadly
• 3:04
  Speaker 1: series something like that.
• 3:08
  Speaker 3: We are gonna get a break from our good pal
• 3:10
  Speaker 3: Ricky though for the next two I think so thank god.
• 3:14
  Speaker 2: I was like why are we still going with this character.
• 3:18
  Speaker 1: We're in the wrong mode now. But in the meantime,
• 3:26
  Speaker 1: you can hear us say crazy and ridiculous holiday-themed things
• 3:30
  Speaker 1: like this.
• 3:32
  Speaker 3: We've overlooked something, which is Drunk Santa. Yeah. Because I
• 3:37
  Speaker 3: feel like had Drunk Santa just been doing his job
• 3:39
  Speaker 3: and not been hanging out with a comatose Ricky, none
• 3:43
  Speaker 3: of this.
• 3:43
  Speaker 2: Would have happened.
• 3:44
  Speaker 1: But that's this movie. Every movie in this series. Every
• 3:49
  Speaker 1: movie set around a Christmas. As I got to this,
• 3:52
  Speaker 1: I was like, why is there always a drunk Santa?
• 3:55
  Speaker 1: Have they ever made a not drunk Santa?
• 3:56
  Speaker 3: I don't know.
• 3:57
  Speaker 1: I haven't watched Miracle on 34th Street in a while,
• 4:00
  Speaker 1: but is that old man just drunk?
• 4:02
  Speaker 3: Maybe so.
• 4:02
  Speaker 2: I don't know.
• 4:03
  Speaker 1: But certainly every time you cross over into the grimier
• 4:08
  Speaker 1: end of a story, I don't think you can get
• 4:10
  Speaker 1: any grimier than your trading places. Dan Aykroyd as Santa
• 4:14
  Speaker 1: is the most disgusting thing you'll ever see.
• 4:16
  Speaker 4: Yeah.
• 4:17
  Speaker 3: But drunk off his ass. He had a bad night.
• 4:19
  Speaker 1: He had a reason to be drunk, I suppose. But
• 4:23
  Speaker 1: no excuse to be that gross.
• 4:25
  Speaker 3: I really hope that guy is listening and crafting a
• 4:30
  Speaker 3: strongly worded letter about what he needed at six in
• 4:34
  Speaker 3: the morning from the Billy Bass.
• 4:36
  Speaker 1: I mean, I would read it. I don't know that
• 4:39
  Speaker 1: I would accept it as a good answer. Computer becomes
• 4:45
  Speaker 1: sort of self-aware decides it wants to capture this woman
• 4:49
  Speaker 1: and then decides it wants to live on by procreating.
• 4:55
  Speaker 2: How would it know that who told the robot about that.
• 4:58
  Speaker 4: First of all i was like who's funding this experiment
• 5:04
  Speaker 4: yeah because it doesn't like well with all of this
• 5:07
  Speaker 4: because i'm also watching him in the other room and
• 5:09
  Speaker 4: i'm like he's just hooked up to machines 24 7
• 5:12
  Speaker 4: and somewhere that's a bill like yeah stay.
• 5:16
  Speaker 1: In a hospital overnight and you're ruined for the rest
• 5:18
  Speaker 1: of your life so i'm like let alone 24 7
• 5:21
  Speaker 1: care who's for years yeah who's paying this bill like
• 5:24
  Speaker 1: where is this just going to the government like who
• 5:27
  Speaker 1: pays for this shit he has no family they're all
• 5:29
  Speaker 1: dead now like yeah who's paying for him to be
• 5:32
  Speaker 1: alive at this point.
• 5:33
  Speaker 2: Not to mention putting that thing over his brain.
• 5:36
  Speaker 1: That was my favorite part the brain dome i was
• 5:39
  Speaker 1: pretty excited about the brain.
• 5:40
  Speaker 3: Dome So he goes to the trouble of killing a guy,
• 5:46
  Speaker 3: taking his clothes off, putting his clothes onto the dead guy,
• 5:51
  Speaker 3: but yet he's still shuffling around the whole movie in slippers. Well,
• 5:57
  Speaker 3: that is kind of sexy if I didn't know what
• 5:59
  Speaker 3: you had just told me.
• 6:01
  Speaker 1: It's very strange.
• 6:04
  Speaker 3: Well, that one shot shook me up so bad. Yeah.
• 6:08
  Speaker 3: That's every Lynch movie. I'm like, I don't want to
• 6:10
  Speaker 3: watch the rest. I did watch it, but I was like,
• 6:13
  Speaker 3: I hate the person who brought this over to my house.
• 6:15
  Speaker 1: Yeah, that's every Lynch movie. There's a moment of like,
• 6:17
  Speaker 1: oh God, why is that there? And then later you're like,
• 6:21
  Speaker 1: no reason? Because he decided to put it there? Plot-wise,
• 6:25
  Speaker 1: no reason, but thank you, David, for sharing. Thank you
• 6:29
  Speaker 1: for sharing. Yeah, it's interesting how much of just pop
• 6:33
  Speaker 1: culture it affected without even trying.
• 6:35
  Speaker 3: Yeah.
• 6:36
  Speaker 1: Telling its story and yeah. It's just so damn good.
• 6:40
  Speaker 2: It was great. So highly recommend. At one point she
• 6:45
  Speaker 2: woke up freaking out and he was like there there
• 6:47
  Speaker 2: and like kissed her on the head. I'm like I don't.
• 6:50
  Speaker 2: You shouldn't do that.
• 6:51
  Speaker 3: He actually said the words she's going to come back
• 6:54
  Speaker 3: and let me go deeper.
• 6:55
  Speaker 1: Yeah that part definitely. Like when they were in the
• 6:58
  Speaker 1: session not as much. He just seemed like a bad doctor.
• 7:01
  Speaker 1: But when we got to that part when she walked
• 7:02
  Speaker 1: off I was.
• 7:03
  Speaker 3: Like ooh all of that.
• 7:04
  Speaker 1: That whole sentence and a half there is like creepy.
• 7:08
  Speaker 2: Jail. She's into it.
• 7:10
  Speaker 3: She likes it. Yeah. She's going to let me go deeper.
• 7:12
  Speaker 2: I was like, wait, wait, wait.
• 7:13
  Speaker 3: What are we talking about? None of that. That's not
• 7:16
  Speaker 3: you paraphrasing.
• 7:16
  Speaker 1: No.
• 7:17
  Speaker 3: It was pretty much what he said.
• 7:19
  Speaker 2: He used the verb of like penetrate. It's like she
• 7:23
  Speaker 2: needs to let me penetrate deeper. I was like, shut up.
• 7:26
  Speaker 1: Like all dream talk, you know.
• 7:27
  Speaker 2: Get rid of his license. Who is this guy?
• 7:32
  Speaker 1: As I got to the end, I was like, this
• 7:33
  Speaker 1: is the kind of weird insanity that could only come
• 7:36
  Speaker 1: from the 1970s. Even that was wasted.
• 7:40
  Speaker 3: That was the high point, really.
• 7:42
  Speaker 1: It was like the brain dome looked pretty cool. It
• 7:45
  Speaker 1: was cumbersome and had a big beeping light going on
• 7:48
  Speaker 1: and the extra accessories in the back. It wasn't even
• 7:51
  Speaker 1: like a smooth dome. It was just A lot of
• 7:54
  Speaker 1: clunky pieces in the back there.
• 7:56
  Speaker 3: And it had liquid in it.
• 7:57
  Speaker 2: A lot of liquid too.
• 7:59
  Speaker 3: I feel like either, but not enough. Either not enough
• 8:03
  Speaker 3: completely or dry-ish.
• 8:05
  Speaker 1: Just kind of moist. You got to keep your brain moist,
• 8:07
  Speaker 1: you know.
• 8:08
  Speaker 2: Sloshing around.
• 8:09
  Speaker 1: Yeah, it was just kind of halfway there, which I
• 8:12
  Speaker 1: don't get.
• 8:12
  Speaker 2: So we, I made dinner and we watched that on
• 8:16
  Speaker 2: the big comfy couch. man it is a beautiful.
• 8:21
  Speaker 3: Movie it's a gorgeous movie and there's a lot going
• 8:25
  Speaker 3: on there the plot is yeah something like.
• 8:29
  Speaker 1: We went so long and all we had were those
• 8:31
  Speaker 1: original ones so it's weird that now it's a franchise
• 8:34
  Speaker 1: that it waited this long and now they're just gonna
• 8:37
  Speaker 1: keep hammering away.
• 8:38
  Speaker 3: At it i mean there's there's a couple of good
• 8:40
  Speaker 3: moments like when yeah this this was a Okay, based
• 8:45
  Speaker 3: on what I just said, it was an okay concept,
• 8:47
  Speaker 3: but also a dumb movie.
• 8:50
  Speaker 1: We live in a horrible future hellscape, is what I'm saying.
• 8:54
  Speaker 2: Yeah.
• 8:54
  Speaker 3: I mean, I always suspected.
• 8:56
  Speaker 2: I feel like forced pregnancy by robots is something that
• 9:00
  Speaker 2: could be coming up soon.
• 9:02
  Speaker 3: Yeah, pretty much.
• 9:03
  Speaker 2: Even chat GPT and whatnot.
• 9:06
  Speaker 3: 20 years ago, all of those words put together would
• 9:09
  Speaker 3: have frightened me, but now I'm like, yeah. Yeah.
• 9:13
  Speaker 1: Why do they keep making dumb movies?
• 9:15
  Speaker 2: There's so many good original ideas for different movies.
• 9:19
  Speaker 1: We come up with 10 every episode.
• 9:21
  Speaker 2: I don't even.
• 9:22
  Speaker 3: At this point, it doesn't even have to be original.
• 9:24
  Speaker 3: Just don't be dumb with it.
• 9:27
  Speaker 1: You know?
• 9:28
  Speaker 2: Yeah.
• 9:31
  Speaker 3: Kind of, but... I mean, not really. Like, again, in concept, yes.
• 9:36
  Speaker 1: But in practice... Not really.
• 9:39
  Speaker 3: No, because I enjoyed that movie.
• 9:40
  Speaker 1: To jump ahead, big picture, I'm like, they didn't use
• 9:43
  Speaker 1: that almost at all. That was the setup, I guess,
• 9:47
  Speaker 1: to get.
• 9:47
  Speaker 2: The ball rolling.
• 9:48
  Speaker 1: But after that, they sort of brushed that aside and
• 9:52
  Speaker 1: were like, oh yeah, remember when we were talking about
• 9:53
  Speaker 1: that earlier? Anyway.
• 9:55
  Speaker 3: As the movie progressed, she turns out to be not
• 9:58
  Speaker 3: a very good psychic.
• 10:00
  Speaker 1: Not really.
• 10:00
  Speaker 2: And also just kind of a bitch.
• 10:02
  Speaker 3: Kind of a bitch, which I can get on board
• 10:04
  Speaker 3: with that. I mean, she is blind for Christ's sake.
• 10:09
  Speaker 3: But also we later learn that she gets her gift
• 10:11
  Speaker 3: from her grandmother who is a really bad psychic. Or
• 10:14
  Speaker 3: I should say spotty psychic.
• 10:16
  Speaker 2: Yeah.
• 10:16
  Speaker 1: Yeah. I mean, she knows when the phone's going to ring,
• 10:18
  Speaker 1: but not that she's about to get murdered.
• 10:20
  Speaker 3: Nor does she know who's going to be on the phone.
• 10:22
  Speaker 1: It does seem like, I mean, caller ID is more
• 10:25
  Speaker 1: psychic than you, Grandma, so.
• 10:28
  Speaker 3: I don't know why I did this to myself again.
• 10:31
  Speaker 3: Every time one of these pops up, I'm like, I'm
• 10:35
  Speaker 3: not going to watch it. And then I watch it,
• 10:37
  Speaker 3: and I'm like, God damn it. But I watched it.
• 10:41
  Speaker 1: I saw it pop up, and that's sad that I
• 10:43
  Speaker 1: saw it pop up on a service I already had.
• 10:46
  Speaker 3: It wouldn't cost me money.
• 10:48
  Speaker 1: It would just cost me an hour and a half,
• 10:50
  Speaker 1: and I still.
• 10:50
  Speaker 3: I'm not saying I'm not going to.
• 10:52
  Speaker 1: I just haven't had any reason to push the button yet.
• 10:56
  Speaker 3: I had the same thing, and it's a long hour
• 11:00
  Speaker 3: and a half. It might be more than that. I
• 11:02
  Speaker 3: don't really know. Well, whatever it is. That could be
• 11:05
  Speaker 3: part of the.
• 11:05
  Speaker 1: Problem, is it may be longer than it needs to be.
• 11:09
  Speaker 1: I like when we get so far into these series
• 11:11
  Speaker 1: that they just, like, you're starting with whole new people
• 11:14
  Speaker 1: and whole new things. I'm like, is this even the
• 11:17
  Speaker 1: same series anymore? When you don't know who you're talking
• 11:19
  Speaker 1: about or talking to or watching anymore. Don't just make
• 11:25
  Speaker 1: like a weird scar up there.
• 11:27
  Speaker 3: And they only attempt to hide it one time, which
• 11:30
  Speaker 3: was so ridiculous.
• 11:34
  Speaker 1: Oh, that toboggan really covered it right up.
• 11:37
  Speaker 3: He keeps running into strangers who are like... Who don't
• 11:40
  Speaker 3: have a problem. They don't have a problem with it.
• 11:44
  Speaker 3: I mean, I'll be the first to admit that I'm
• 11:46
  Speaker 3: super immature, so if I see any sort of physical deformity... Dude! Yeah, exactly.
• 11:51
  Speaker 3: But if I see a guy with a brain dome....
• 11:55
  Speaker 1: This little scrappy up-and-coming filmmaker was writing this movie called
• 11:59
  Speaker 1: Reservoir Dogs.
• 12:01
  Speaker 2: Stereotypical. Psychic.
• 12:05
  Speaker 1: Psychic grandma. You know how those are.
• 12:06
  Speaker 3: Yeah.
• 12:07
  Speaker 2: Everybody's got one.
• 12:08
  Speaker 3: I have an aunt who's psychic, but we don't talk
• 12:14
  Speaker 3: about her. Not because of that reasoning. Wow, it lists
• 12:20
  Speaker 3: off like seven directors. Jack Nicholson, Roger Corman, Monty Hellman,
• 12:25
  Speaker 3: Jack Hill, Francis Ford Coppola, Dennis Jacob.
• 12:28
  Speaker 2: Whoa.
• 12:29
  Speaker 3: Some of these are real directors. Yeah.
• 12:32
  Speaker 1: Then at one point we get an advertisement for car phones.
• 12:38
  Speaker 1: He's really pushing that car phone, man.
• 12:40
  Speaker 2: That car phone.
• 12:41
  Speaker 3: This movie was really ahead of its time. Yeah.
• 12:44
  Speaker 1: He was cutting edge technology there and he wanted to share...
• 12:48
  Speaker 1: So he could get his little bonus.
• 12:50
  Speaker 3: Well, the fact that he gets $ 100 off his bill
• 12:52
  Speaker 3: for every person he signs up.
• 12:54
  Speaker 1: That means your bill is really high.
• 12:57
  Speaker 3: Yeah.
• 12:59
  Speaker 1: But my favorite part was then later when he had
• 13:01
  Speaker 1: to use it, it wasn't really, like he had to
• 13:04
  Speaker 1: hit it three times, which I'm like, I'm assuming you're
• 13:07
  Speaker 1: not actually.
• 13:08
  Speaker 3: Making a call.
• 13:08
  Speaker 1: This is a movie. So you could have pretended that
• 13:11
  Speaker 1: it worked the first time, but he.
• 13:13
  Speaker 2: Hit it three times trying to make that call out.
• 13:16
  Speaker 3: That's some Willem Dafoe method acting level bullshit.
• 13:18
  Speaker 1: Yeah, I was like, that is dedicated to this, man,
• 13:20
  Speaker 1: these are hard to make work. In the moment, this
• 13:23
  Speaker 1: is how it would have really been, trying to make
• 13:25
  Speaker 1: a call on my car phone that barely functions because
• 13:27
  Speaker 1: it's 1989.
• 13:30
  Speaker 2: I remember there's a hand through a door at one
• 13:32
  Speaker 2: point and everybody seems way less concerned about it than
• 13:35
  Speaker 2: they should be. They're just kind of like, oh, that
• 13:38
  Speaker 2: was weird.
• 13:40
  Speaker 1: He also just kind of hung out with Jack Nicholson
• 13:42
  Speaker 1: back in the day. Like after they did the tear,
• 13:45
  Speaker 1: they became like not only friends, but like writing partners.
• 13:48
  Speaker 2: And he wrote movies with him for years.
• 13:50
  Speaker 1: And like they made movies together in the early days
• 13:53
  Speaker 1: before Nicholson was like the biggest thing in the world.
• 13:56
  Speaker 1: He was just hanging out writing movies with Nicholson.
• 13:59
  Speaker 2: Yeah, that would make, I mean, obviously he was in
• 14:01
  Speaker 2: a coma for a long time. But if for some
• 14:03
  Speaker 2: reason he wasn't, that would make your daily existence really complicated.
• 14:06
  Speaker 2: If every time you saw the color red, you started
• 14:09
  Speaker 2: murdering people. Because that's a color.
• 14:11
  Speaker 1: This is why bulls can't even shop in China shops.
• 14:14
  Speaker 1: Next thing you know.
• 14:15
  Speaker 3: You can't even drive down the street.
• 14:17
  Speaker 2: Yeah, no.
• 14:20
  Speaker 1: Rain domes look cool.
• 14:21
  Speaker 3: I guess they need the domes so they can make
• 14:23
  Speaker 3: sure that it's wet. I don't know.
• 14:25
  Speaker 1: Look, I need to be able to see your brain
• 14:27
  Speaker 1: to see if you're okay. This is how all doctors work, right?
• 14:31
  Speaker 1: When I had that heart operation, they put in that window.
• 14:34
  Speaker 4: Yeah.
• 14:35
  Speaker 1: And now they can look in.
• 14:35
  Speaker 3: And be like, oh, yeah, still beating.
• 14:37
  Speaker 1: Cool. Like, so.
• 14:38
  Speaker 2: What kind of hospital is this? Psychic experiments, brain domes.
• 14:44
  Speaker 1: Any science that edges its way towards Ninja Turtles? Because
• 14:47
  Speaker 1: I was thinking, like, he's almost at Krang level. Like,
• 14:50
  Speaker 1: if you put a little creature in him and, yeah,
• 14:53
  Speaker 1: I mean, I.
• 14:53
  Speaker 3: If you put his brain in his stomach for some reason,
• 14:56
  Speaker 3: it makes no sense.
• 14:57
  Speaker 1: It felt kind of like that world.
• 14:58
  Speaker 3: I'm like, all right, I approve.
• 15:00
  Speaker 1: I approve of the brain dome. Well, Marlon Brando always
• 15:04
  Speaker 1: said I would never be a good director because I
• 15:06
  Speaker 1: was too nice to people. Like, I was too nice.
• 15:08
  Speaker 1: I was like, you have a Marlon Brando set about you.
• 15:11
  Speaker 1: So yeah, you're in it, man.
• 15:14
  Speaker 3: Like you are in the industry. I don't have one
• 15:17
  Speaker 3: of those.
• 15:18
  Speaker 1: Yeah.
• 15:18
  Speaker 3: You hung out with Jack Nicholson.
• 15:19
  Speaker 1: Yeah. You're making movies with Marlon Brando.
• 15:21
  Speaker 3: Like, You're the real deal, man.
• 15:23
  Speaker 1: So how you got into this movie was against your will.
• 15:30
  Speaker 1: So go to MovieMeltdown.com and join the Meltdown Horror Club
• 15:33
  Speaker 1: and give us a better movie to watch than whatever
• 15:36
  Speaker 1: holiday nonsense comes up next year.
• 15:40
  Speaker 3: Yikes.
• 15:41
  Speaker 2: Then 24 three-minute long movies.
• 15:45
  Speaker 1: It's gonna be great and you know it.
• 15:47
  Speaker 3: I'm intrigued. I mean, I'm not gonna lie. Because some
• 15:49
  Speaker 3: of those, like, Some of ABC's of Death was quite good.
• 15:54
  Speaker 3: And then some of them were like, I hate myself.
• 15:55
  Speaker 1: And then I'm like, no, thank you.
• 15:57
  Speaker 2: I mean, if you're doing over 20, odds are at
• 15:59
  Speaker 2: least one has to be good.
• 16:01
  Speaker 3: You'd think so.
• 16:03
  Speaker 1: And they brought in some decent people. I did look
• 16:05
  Speaker 1: at the list and short of me actually reading names,
• 16:08
  Speaker 1: but there were a few that were crossover into American names.
• 16:11
  Speaker 1: And I'm like, oh, I know them and they make
• 16:13
  Speaker 1: cool stuff.
• 16:13
  Speaker 2: Okay.
• 16:14
  Speaker 3: It's worthwhile.
• 16:15
  Speaker 1: And maybe, maybe in six or eight years when we
• 16:18
  Speaker 1: get done with this one, can put this on the list.
• 16:22
  Speaker 1: Unless we just call an audible and get the hell
• 16:24
  Speaker 1: out of it. Which I also may offer us later today.
• 16:29
  Speaker 3: Anyway.