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Top 10 Eddie Murphy Movies RANKED · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right, what up, y'all? It's your boy, Kev, on stage.
• 0:01
  Speaker 2: Tony Baker.
• 0:02
  Speaker 1: This is the Ball Brothers Podcast. The reason for me
• 0:05
  Speaker 1: and Tony to hang out in real life. Otherwise, he'll
• 0:08
  Speaker 1: stay at home and do his comedy shows and never
• 0:10
  Speaker 1: see a human being.
• 0:11
  Speaker 3: How are the cats doing?
• 0:12
  Speaker 1: Are they living?
• 0:13
  Speaker 3: Are they going to stick around? I saw they pissed.
• 0:15
  Speaker 2: So, midnight pee one more time this weekend. It was
• 0:20
  Speaker 2: right by the downstairs bathroom. When I came in, I
• 0:23
  Speaker 2: was like, I had looked around, but I didn't check
• 0:25
  Speaker 2: with the light on, so I couldn't see the reflective.
• 0:28
  Speaker 2: But I was smelling something because I was sweeping something
• 0:31
  Speaker 2: else up in the kitchen area. I kept smelling something.
• 0:34
  Speaker 2: I was like, what am I? Click. Piss.
• 0:38
  Speaker 3: And Dapper let him do it. I saw that.
• 0:40
  Speaker 2: Dapper was like, you know what I'm saying? And so
• 0:44
  Speaker 2: that was the last occurrence. So that was on, I
• 0:48
  Speaker 2: want to say that might have been Saturday, Sunday. So
• 0:55
  Speaker 2: nothing yesterday.
• 0:56
  Speaker 3: Had nothing today?
• 0:57
  Speaker 2: Nothing today.
• 0:58
  Speaker 3: If it happens, is it always in the morning? Like,
• 1:01
  Speaker 3: if it don't happen in the morning, it'd be good?
• 1:02
  Speaker 2: It'd be various times.
• 1:03
  Speaker 3: Oh, so you can come home today and it'd be pissed.
• 1:04
  Speaker 2: Yeah. It could just... So, I ended up getting... I
• 1:09
  Speaker 2: had two litter robots and another litter box. I had three.
• 1:12
  Speaker 2: I ended up ordering the stainless steel litter box. I
• 1:16
  Speaker 2: opened that up. I set that up. It's in there,
• 1:19
  Speaker 2: but they haven't used it yet. And it's open top.
• 1:23
  Speaker 2: But it's got a little thing on it, so just
• 1:24
  Speaker 2: in case midnight is still doing that spray, it has
• 1:27
  Speaker 2: a little... Tallness to it. They haven't used it yet,
• 1:31
  Speaker 2: but they've been using the other litter with that other,
• 1:33
  Speaker 2: you know, I got like different chips in there. So
• 1:36
  Speaker 2: they've been using that. And I've been seeing him go
• 1:38
  Speaker 2: in there. Like I caught him go in there one time.
• 1:40
  Speaker 2: I was like, all right, I seen him go in.
• 1:42
  Speaker 2: Cause usually when they in the, when they in the
• 1:44
  Speaker 2: litter box, I try to disappear. Cause they get shy.
• 1:47
  Speaker 2: Like if they know I'm around, they be like, oh no,
• 1:49
  Speaker 2: I wasn't doing that at all. Take your shit, man.
• 1:53
  Speaker 2: Stop getting shy. Piss and shit.
• 1:55
  Speaker 1: Piss in here, man.
• 1:56
  Speaker 2: Yeah, let me be in here with you while you're
• 1:57
  Speaker 2: having your business. But I saw him going up in there.
• 2:01
  Speaker 2: I was like, all right. If he in there, he
• 2:04
  Speaker 2: ain't down there. Yeah, yeah. But it's always just the
• 2:07
  Speaker 2: piss though.
• 2:08
  Speaker 1: It's a gamble.
• 2:08
  Speaker 2: It's never the doo-doo.
• 2:10
  Speaker 1: Doo-doo is easier. Doo-doo is ways.
• 2:12
  Speaker 3: It's disgusting, but.
• 2:14
  Speaker 2: I would rather them doo-doo. For one, I'm going to
• 2:18
  Speaker 2: smell it even quicker.
• 2:19
  Speaker 3: Yeah.
• 2:19
  Speaker 2: Because that cat doo-doo fresh from the tap, man. I
• 2:25
  Speaker 2: don't know.
• 2:25
  Speaker 3: It never happened.
• 2:26
  Speaker 2: When it's fresh from the tap, it be potent. Like
• 2:31
  Speaker 2: sometimes when I'm in the den and I'm playing COD
• 2:34
  Speaker 2: or something, I be like, God damn, man. And then
• 2:38
  Speaker 2: they'll come walking around the corner. I'm like, you just
• 2:41
  Speaker 2: dropped the load off. I'm going, man, walk a tail up,
• 2:46
  Speaker 2: booty unwiped. And I'm just like, bro, you just lit
• 2:51
  Speaker 2: that little box of flame. So I got the catio.
• 2:57
  Speaker 2: I ordered it, so it's on the way. So that's
• 3:00
  Speaker 2: going to be the last resort.
• 3:01
  Speaker 3: There we go.
• 3:02
  Speaker 1: I'm rooting for you, Dap, at midnight.
• 3:04
  Speaker 3: Yeah.
• 3:05
  Speaker 1: It's been a long time. All right. The way the
• 3:07
  Speaker 1: deep dive goes, we are answering all these questions for
• 3:10
  Speaker 1: Eddie Murphy. First movie you saw him in. First movie
• 3:13
  Speaker 1: you think of. Favorite movie. Best movie. Least favorite movie.
• 3:17
  Speaker 1: Best chemistry in a movie. Role they haven't played yet.
• 3:20
  Speaker 1: You'd like to see. Best scene. Overrated movie. Underrated movie.
• 3:24
  Speaker 1: Should have won an Oscar. Alan Arkin.
• 3:27
  Speaker 2: You ain't going to lay a finger.
• 3:28
  Speaker 3: Never. I'm going to go to his grave and say it.
• 3:31
  Speaker 1: Paycheck movie, best director for them, Hall of Fame performance sometimes,
• 3:37
  Speaker 1: and their top 10 movies that we draft their top
• 3:40
  Speaker 1: 10 movies.
• 3:40
  Speaker 3: So let's kick it off. Eddie Murphy, Tony, what's the
• 3:43
  Speaker 3: first movie you ever saw him in?
• 3:46
  Speaker 2: First movie I saw him in? 48 Hours. 48 Hours?
• 3:50
  Speaker 1: Yeah. What year is that?
• 3:51
  Speaker 2: 82. Okay. On video?
• 3:55
  Speaker 1: No. Obviously.
• 3:56
  Speaker 2: Actually, I saw it on TV.
• 3:58
  Speaker 1: Oh!
• 3:59
  Speaker 2: Yeah, I saw it on TV. It was like, because
• 4:03
  Speaker 2: I remember they kept advertising for it and I couldn't
• 4:05
  Speaker 2: wait to see it. Because he was doing that fake laugh.
• 4:09
  Speaker 2: I'm like, man, I can't wait to see this. I
• 4:12
  Speaker 2: used to watch him on SNL. And so I was like, yeah.
• 4:16
  Speaker 2: So 48 Hours is like the first time I saw
• 4:18
  Speaker 2: an Eddie Murphy movie.
• 4:19
  Speaker 1: I believe my first one was The Golden Child.
• 4:23
  Speaker 2: Okay.
• 4:23
  Speaker 1: I was born in 1983.
• 4:24
  Speaker 2: 86.
• 4:25
  Speaker 3: Golden Child was 1986.
• 4:26
  Speaker 1: That movie just stuck with me.
• 4:30
  Speaker 3: I remember being like, this is weird.
• 4:33
  Speaker 1: It's got some weird things happening here. I think the
• 4:36
  Speaker 1: Golden Child was a girl. The actress was a girl,
• 4:40
  Speaker 1: I believe. I think I read that somewhere.
• 4:48
  Speaker 2: Oh, fun fact about the Golden Child.
• 4:49
  Speaker 1: Yeah, it was a girl.
• 4:50
  Speaker 3: Jasmine Lauren Reit.
• 4:52
  Speaker 2: He's like, I know. The Golden Child. The fun fact
• 4:56
  Speaker 2: about the Golden Child, so they put the pressure on
• 4:58
  Speaker 2: John Carpenter to finish Big Trouble in Little China because
• 5:02
  Speaker 2: the Golden Child was coming out. So they put the
• 5:05
  Speaker 2: pressure on, because they have similar themes in essence. And
• 5:10
  Speaker 2: so they got the Golden Child coming out. Eddie Murphy, man,
• 5:13
  Speaker 2: he coming off of Beverly Hills Cop, man, we got
• 5:15
  Speaker 2: to get this going. So they was rushing the process
• 5:18
  Speaker 2: on everything.
• 5:19
  Speaker 1: I did not know that.
• 5:20
  Speaker 2: Yeah, so I found that out recently, like last week,
• 5:22
  Speaker 2: and I was just like, oh, for real. I love
• 5:24
  Speaker 2: a good fun fact. So they did that under the
• 5:27
  Speaker 2: gun and under pressure.
• 5:28
  Speaker 1: Yeah, it's a good movie.
• 5:29
  Speaker 2: They created one of the best movies. That's one of
• 5:30
  Speaker 2: my favorite movies ever, man.
• 5:32
  Speaker 3: Love The Golden Child.
• 5:33
  Speaker 2: I'm talking about Big Trouble. Big Trouble in Little China
• 5:36
  Speaker 2: is one of the best movies ever made.
• 5:37
  Speaker 1: You love that movie.
• 5:39
  Speaker 2: To me, it's better than The Golden Child. It's not
• 5:41
  Speaker 2: even close. And I like The Golden Child.
• 5:43
  Speaker 1: I agree with you.
• 5:44
  Speaker 2: But man, Big Trouble in Little China is just everything.
• 5:47
  Speaker 2: Everything I imagined as a kid is just random stuff
• 5:50
  Speaker 2: going on. That's that movie.
• 5:52
  Speaker 1: You got monsters.
• 5:53
  Speaker 2: You got cool flying around, lightning hands. Karate fights.
• 5:58
  Speaker 1: Man, movies.
• 5:59
  Speaker 2: Man.
• 6:00
  Speaker 1: Movies, man.
• 6:01
  Speaker 2: And Jack Burton is the sidekick.
• 6:03
  Speaker 3: Jack who?
• 6:04
  Speaker 2: Jack Burton. Kurt Russell.
• 6:06
  Speaker 1: What's that?
• 6:07
  Speaker 2: He's the main.
• 6:07
  Speaker 1: Guy in the movie.
• 6:08
  Speaker 2: What do you mean?
• 6:09
  Speaker 1: Oh, the actor. I mean, the character name. The character, yeah, yeah.
• 6:12
  Speaker 1: I thought Jack Burton. I was like, I don't remember no...
• 6:14
  Speaker 1: You don't.
• 6:14
  Speaker 2: Know this movie well enough.
• 6:16
  Speaker 1: I don't.
• 6:17
  Speaker 2: You gotta watch it again.
• 6:18
  Speaker 1: I ain't seen... I watched it a few years back
• 6:21
  Speaker 1: because it's all... Just like L.A. Confidential, Big Trouble in
• 6:25
  Speaker 1: Little China is always mentioned in writing screenplay books.
• 6:28
  Speaker 2: As it should be.
• 6:29
  Speaker 1: How to write a screenplay. You need to watch Big
• 6:31
  Speaker 1: Trouble in Little China.
• 6:32
  Speaker 2: Watch it again, man.
• 6:32
  Speaker 1: You know what? I think I've read about it more
• 6:34
  Speaker 1: than I watched it.
• 6:35
  Speaker 2: Oh, Kev. I don't think you really took it in.
• 6:37
  Speaker 2: I ain't took it in. It's time.
• 6:39
  Speaker 1: I only know it. They say watch it with us, Kev.
• 6:42
  Speaker 1: That's a great Patreon thing. I be watching movies on
• 6:44
  Speaker 1: my Patreon.
• 6:46
  Speaker 2: You know what's funny about Big Trouble in Little China?
• 6:48
  Speaker 2: My kids liked it.
• 6:49
  Speaker 3: You watched it when they were young, or you watched it?
• 6:52
  Speaker 2: I watched it when they were teens.
• 6:54
  Speaker 3: Oh, you went back to it.
• 6:55
  Speaker 2: I put it on, and they was cracking up. I
• 6:57
  Speaker 2: was like.
• 6:58
  Speaker 3: I'm going to re-watch it with Patreon.
• 7:00
  Speaker 1: Yeah.
• 7:00
  Speaker 3: I'm going to re-watch it with Patreon.
• 7:01
  Speaker 1: Hell yeah.
• 7:02
  Speaker 3: All right, we should cover it when we go back
• 7:03
  Speaker 3: to the reviews.
• 7:04
  Speaker 2: Okay. All right, cool.
• 7:06
  Speaker 1: Eddie Murphy, first movie you think of. Gun to your head,
• 7:08
  Speaker 1: Eddie Murphy movie, go. First movie you think of.
• 7:12
  Speaker 2: Just in that moment.
• 7:13
  Speaker 1: The gun to your head, man.
• 7:14
  Speaker 2: Trading Places came up first.
• 7:15
  Speaker 1: Trading Places?
• 7:16
  Speaker 2: That's what came up.
• 7:17
  Speaker 1: Billy Ray Valentine.
• 7:19
  Speaker 2: Yeah.
• 7:20
  Speaker 1: That is such a freaking great movie.
• 7:24
  Speaker 2: Yeah.
• 7:25
  Speaker 3: I love how funny Eddie Murphy is.
• 7:27
  Speaker 2: Oh, he was hilarious.
• 7:28
  Speaker 1: The oranges in Florida. Talked to you about the stock market.
• 7:33
  Speaker 1: Love me a fish out of water. Eddie Murphy can
• 7:36
  Speaker 1: do no wrong.
• 7:37
  Speaker 2: Y'all ain't jacuzziing nobody, man. He didn't know what a
• 7:40
  Speaker 2: jacuzzi was. Hell no, man. I knew y'all was gay, man.
• 7:44
  Speaker 2: Y'all ain't jacuzziing nobody. Like, nah, it's... You know, Bubba's
• 7:49
  Speaker 2: in the tub. He's like, oh, all right. All right.
• 7:54
  Speaker 1: He just does such a good job of making anything funny, man. Yeah, man.
• 7:59
  Speaker 1: He just has a magical way of making anything.
• 8:03
  Speaker 2: That was his 48-hour follow-up.
• 8:06
  Speaker 3: He was, I mean, in the 80s.
• 8:08
  Speaker 2: That was the follow-up.
• 8:09
  Speaker 1: He could literally do no wrong. Eddie Murphy will not
• 8:13
  Speaker 1: be duplicated. Yeah. Movie success-wise... The way movies are now,
• 8:18
  Speaker 1: I don't even see a world where they get as
• 8:20
  Speaker 1: popular as they were in the 80s or 90s.
• 8:22
  Speaker 2: They are trying so hard to develop movie stars, and
• 8:27
  Speaker 2: they're forcing the hell out of it, and it's just
• 8:30
  Speaker 2: not curling over like it did back in the day.
• 8:32
  Speaker 1: It's not.
• 8:33
  Speaker 2: It's just like, Sidney Sweeney, y'all.
• 8:37
  Speaker 1: She had bombs over Baghdad.
• 8:39
  Speaker 2: Bombs, bombs, bombs. She lucky what you call it hit.
• 8:43
  Speaker 2: What was the- The Housemaid.
• 8:44
  Speaker 1: Yeah.
• 8:45
  Speaker 2: She lucky that hit, because it was like- Man. If
• 8:48
  Speaker 2: that were the bomb, too, she'd have been all right, man.
• 8:50
  Speaker 1: Because she had three stinkers. Yeah. Who even gets that
• 8:53
  Speaker 1: many chances to stink it up?
• 8:55
  Speaker 2: White women. That's who gets that many chances to stink
• 8:59
  Speaker 2: it up. White women and white men.
• 9:02
  Speaker 1: What's his name?
• 9:02
  Speaker 2: They forcing him on us.
• 9:04
  Speaker 1: Who?
• 9:04
  Speaker 2: He catching owls. What's his name from Top Gun 2?
• 9:07
  Speaker 1: Glenn Powell.
• 9:08
  Speaker 2: Glenn Powell. They want him to be the next movie star.
• 9:10
  Speaker 1: I don't know what he's not turning over.
• 9:13
  Speaker 2: People are just like, the running man, huh? Man, watch out, man.
• 9:18
  Speaker 2: Even with Edgar Wright directing, people just didn't pull up.
• 9:21
  Speaker 1: And he's in Chad Powers, too. And people are just like,
• 9:24
  Speaker 1: all right, man.
• 9:25
  Speaker 3: I just.
• 9:26
  Speaker 2: You can't.
• 9:26
  Speaker 3: I kind of got to go.
• 9:27
  Speaker 2: It's got to be organic.
• 9:28
  Speaker 1: I got to take the trash down. Like, that takes
• 9:31
  Speaker 1: two minutes. I'm going to just take the trash down
• 9:32
  Speaker 1: for the neighborhood. Why would you do that? I don't
• 9:35
  Speaker 1: want to watch that movie, OK? Yeah. Seems like a
• 9:38
  Speaker 1: nice guy.
• 9:39
  Speaker 2: Oh, he seems great. They just be forcing the movie star, y'all.
• 9:44
  Speaker 1: That's why Tom Cruise got Digger coming out this weekend. Yeah. Digger.
• 9:51
  Speaker 1: They going back to the well on the old star, Denzel,
• 9:54
  Speaker 1: 70 years old. I saw a clip where he said
• 9:55
  Speaker 1: he don't even want to act no more. He's like,
• 9:57
  Speaker 1: I want to direct. They're like, 20 million. All right.
• 10:00
  Speaker 2: Alright man I'm back y'all they tried to kill my
• 10:03
  Speaker 2: wife yeah.
• 10:05
  Speaker 1: The first movie I think of for Eddie Murphy is
• 10:08
  Speaker 1: Coming to America okay that's fair That's Eddie Murphy.
• 10:13
  Speaker 2: That would have been my normal go-to, but in that
• 10:14
  Speaker 2: moment when you just had Trading Places flash first.
• 10:18
  Speaker 1: Yeah. Gun to your head. All right, now, your favorite
• 10:23
  Speaker 1: Eddie Murphy movie.
• 10:24
  Speaker 2: My favorite Eddie Murphy movie, Coming to America.
• 10:29
  Speaker 1: Yeah.
• 10:30
  Speaker 2: Coming to America, I feel like that's just his best movie.
• 10:33
  Speaker 3: Favorite and best?
• 10:34
  Speaker 2: Favorite and best. I think that's his best. That's his
• 10:39
  Speaker 2: magnum opus, is Coming to America. That's when it all
• 10:42
  Speaker 2: came together. Even though Beverly Hills Cop was a bigger hit,
• 10:46
  Speaker 2: coming to America has just, it's got everything.
• 10:49
  Speaker 1: I couldn't agree more.
• 10:52
  Speaker 2: I feel like that's one of the best comedies ever made.
• 10:55
  Speaker 1: Of all time. Yeah.
• 10:57
  Speaker 3: Top three, at least.
• 10:59
  Speaker 2: For sure.
• 11:00
  Speaker 1: Still holds up.
• 11:02
  Speaker 2: Still holds up. The cast is great. The ensemble works.
• 11:06
  Speaker 2: It works as a romantic comedy. It works just, you know,
• 11:09
  Speaker 2: the different characters. blended in, just smooth. It was a
• 11:14
  Speaker 2: smooth blend in. It wasn't like, oh, they playing a
• 11:18
  Speaker 2: different character. It didn't feel gimmicky.
• 11:21
  Speaker 1: No. I didn't know he was the Jewish dude for
• 11:23
  Speaker 1: the longest. Yeah.
• 11:26
  Speaker 3: I mean, obviously I saw that movie as a kid.
• 11:28
  Speaker 3: Shouldn't have been watching it.
• 11:29
  Speaker 2: It was rated R. Yeah.
• 11:30
  Speaker 1: Yeah. Your royal penis is clean your highness. I don't
• 11:32
  Speaker 1: know why my aunt Sadie let me watch that. You
• 11:34
  Speaker 1: know how many times I look at them titties?
• 11:36
  Speaker 2: It doesn't feel like it's rated R. Even though there
• 11:38
  Speaker 2: was nudity in there.
• 11:38
  Speaker 1: Them titties was rated R.
• 11:40
  Speaker 2: It's funny because the nudity didn't even register with me.
• 11:44
  Speaker 2: I had registered with me. You know, when I saw that,
• 11:47
  Speaker 2: I was prime perv. I was perv Griffin then. I
• 11:52
  Speaker 2: was looking for nudity wherever I could find it.
• 11:54
  Speaker 3: She seemed like she was just doing her job.
• 11:57
  Speaker 2: It was like when she rose up in the water,
• 11:59
  Speaker 2: I was just like, man, he living the life.
• 12:01
  Speaker 3: That's what I wanted as a kid. I was like,
• 12:03
  Speaker 3: they could wash your meat?
• 12:04
  Speaker 2: Man. Wow.
• 12:06
  Speaker 1: Why would they wash your meat? They will do that
• 12:08
  Speaker 1: for you?
• 12:09
  Speaker 2: That's living the dream right there.
• 12:12
  Speaker 1: Man.
• 12:12
  Speaker 2: Because I remember getting bathed as a kid. I can
• 12:15
  Speaker 2: go back that far. I remember getting bathed. Really? I
• 12:17
  Speaker 2: remember getting bathed in the kitchen sink.
• 12:21
  Speaker 1: When did you gain consciousness?
• 12:23
  Speaker 2: I feel like I can remember being in my mother's womb. Really?
• 12:28
  Speaker 2: I always say that. I feel like I could, I
• 12:30
  Speaker 2: feel like I have that memory of just like being,
• 12:32
  Speaker 2: it was just warm. It was, it was dark, but warm.
• 12:39
  Speaker 2: And I could just hear sounds that I could hear.
• 12:42
  Speaker 2: I could see light, but I couldn't see what was
• 12:45
  Speaker 2: going on. I could see light variations. And I feel
• 12:49
  Speaker 2: like I just remember that. But I remember, I remember
• 12:52
  Speaker 2: being a baby. I remember being in a high chair eating.
• 12:56
  Speaker 2: And I remember looking at the side of somebody's head
• 12:58
  Speaker 2: that was sitting next to me eating, because as they chewed,
• 13:03
  Speaker 2: I remember the muscle here moving, and I was just like.
• 13:05
  Speaker 1: And you couldn't talk.
• 13:07
  Speaker 2: I was probably saying gibberish at that time.
• 13:10
  Speaker 1: That's probably why your memory's still good to this day.
• 13:12
  Speaker 1: That's why you got the box office numbers in there.
• 13:14
  Speaker 2: I remember getting bathed in the kitchen sink, and I
• 13:17
  Speaker 2: loved it. So I'm like, yo, I'm in the kitchen
• 13:19
  Speaker 2: sink getting a bath. Because I used to love bath time, man.
• 13:24
  Speaker 1: Really?
• 13:24
  Speaker 2: Bath time, man. You would bathe me up. It was
• 13:27
  Speaker 2: like I wasn't even... Because now, if anybody sees me
• 13:31
  Speaker 2: naked in person, I'm just like, don't look at me.
• 13:35
  Speaker 2: Even after sex, I'm like, don't look over here as
• 13:37
  Speaker 2: I walk to the bathroom. That's crazy. Don't look at
• 13:39
  Speaker 2: my ass cheeks.
• 13:40
  Speaker 1: Your penis was in their body. I was doing all.
• 13:43
  Speaker 2: Kinds of stuff a minute ago. You were balls deep.
• 13:45
  Speaker 2: But as soon as I pull out and go just
• 13:48
  Speaker 2: do regular stuff, you could just... Don't look at me
• 13:52
  Speaker 2: any further.
• 13:52
  Speaker 1: Do you think when you go back when you were married,
• 13:57
  Speaker 1: was it like that with your wife?
• 13:58
  Speaker 2: Yeah, because I wasn't comfortable with my body. You know
• 14:02
  Speaker 2: what I'm saying? My ex-wife, she's always slim and six-pack
• 14:07
  Speaker 2: for no reason. I'm out here, Chubbs Peterson, just eating
• 14:10
  Speaker 2: all the food. I'm like, don't look at me, man.
• 14:13
  Speaker 2: I'm smashing with my shirt on.
• 14:15
  Speaker 1: When you were married?
• 14:16
  Speaker 2: Yeah. Tall. Most of the time, my shirt was still on.
• 14:20
  Speaker 1: Most of the time?
• 14:21
  Speaker 2: Most of the time. And then eventually, I was like,
• 14:24
  Speaker 2: all right, man, forget it.
• 14:25
  Speaker 1: It's hot.
• 14:26
  Speaker 2: It's big hot. But I was like, man, I just
• 14:28
  Speaker 2: can't be out here. So it was like, I don't
• 14:31
  Speaker 2: know when it changed. But before that, I was just comfortable.
• 14:35
  Speaker 2: I was in the tub. My mom had to go
• 14:37
  Speaker 2: in there and watch me. I was just like, yeah.
• 14:39
  Speaker 2: I was just silly while she was just handling parental business,
• 14:42
  Speaker 2: getting me clean. I'm like, yeah. Stop.
• 14:46
  Speaker 1: Stop.
• 14:47
  Speaker 2: I'm trying to clean you. And then when I used
• 14:52
  Speaker 2: to take a bath with my brother Scott, I loved
• 14:55
  Speaker 2: it when he was in there. I'm like, man, we
• 14:57
  Speaker 2: in here. I had the toys going, my foot on
• 15:00
  Speaker 2: his balls. I'm like, hey, man, get your foot off
• 15:02
  Speaker 2: my balls. I'm like. But then something just changed where
• 15:08
  Speaker 2: I was just like.
• 15:09
  Speaker 1: You got body dysmorphia, I think.
• 15:11
  Speaker 2: I think because I gained weight and I got teased
• 15:14
  Speaker 2: for it. I think that's what messed me up.
• 15:16
  Speaker 1: I think so, because you don't even look like that now.
• 15:18
  Speaker 1: Your collarbone McGee, strong chest.
• 15:21
  Speaker 2: I got love handles.
• 15:22
  Speaker 1: Oh, my God. How big are the love handles, man?
• 15:27
  Speaker 1: You always bring that up. Why are you so itchy today?
• 15:30
  Speaker 1: What's going on?
• 15:31
  Speaker 2: That's my bra strap.
• 15:32
  Speaker 1: Oh, the pad? Is it off?
• 15:33
  Speaker 3: It's moving.
• 15:34
  Speaker 2: Oh, man, get it together. The shirt is big.
• 15:36
  Speaker 1: That's why you always wear them medium shirts. Cause it
• 15:39
  Speaker 1: keeps you tucked.
• 15:41
  Speaker 2: Well, yeah, it benefits the bra strap.
• 15:43
  Speaker 1: You over here. Man, what the hell's going on? It's
• 15:45
  Speaker 1: about the seventh time. What's going on? Get it together, nigga.
• 15:50
  Speaker 1: Jesus Christ. It's the bra strap, man. Tighten it up.
• 15:54
  Speaker 2: I be wearing bra straps, y'all. It's not like a
• 15:56
  Speaker 2: bra strap, but it's a sweat thing. So, you know
• 15:59
  Speaker 2: what I'm saying?
• 16:00
  Speaker 1: It's a little sweat.
• 16:01
  Speaker 2: It's a pad vest to wear. I don't sweat in
• 16:05
  Speaker 2: my shirts.
• 16:08
  Speaker 1: Yeah. Yes. But if you don't wear a tight shirt,
• 16:10
  Speaker 1: it'd be like, look at who you're kidding.
• 16:12
  Speaker 2: Yeah, so if I wear a tighter shirt, it doesn't
• 16:15
  Speaker 2: move around as much. But if I wear a bigger
• 16:16
  Speaker 2: one like this one.
• 16:17
  Speaker 3: How big are your love handles?
• 16:19
  Speaker 2: The love handles is too big for me, man.
• 16:21
  Speaker 1: Are they bigger than mine?
• 16:25
  Speaker 2: He just wanted to take his shirt off.
• 16:26
  Speaker 3: It's been hot in here, too.
• 16:28
  Speaker 2: I feel like my love handles are extra protruding.
• 16:31
  Speaker 1: Is it more than this?
• 16:33
  Speaker 2: It's probably about that. The love handles is robust.
• 16:38
  Speaker 1: But you got good chest, no belly.
• 16:39
  Speaker 2: The chest is fine. It's just that.
• 16:41
  Speaker 1: This little thing drives you that crazy.
• 16:43
  Speaker 2: I can't stand my love handles, dog. I hate them.
• 16:46
  Speaker 1: And I don't think they're going away. I think that's
• 16:48
  Speaker 1: how your body is built. I mean, I don't mean
• 16:51
  Speaker 1: that to like.
• 16:51
  Speaker 2: They fluctuate in size depending on when. Because I'm up
• 16:55
  Speaker 2: in weight. Like I need to be down 23 pounds.
• 16:58
  Speaker 2: Hell no. I love it when you're up here. I
• 17:00
  Speaker 2: want to be down to 200. I'm 223. That's great. No,
• 17:04
  Speaker 2: it ain't, man.
• 17:04
  Speaker 3: I love that for you.
• 17:05
  Speaker 2: I want the 200 flat.
• 17:07
  Speaker 1: Why?
• 17:07
  Speaker 2: That's where I want to be at.
• 17:08
  Speaker 1: I don't even weigh myself.
• 17:10
  Speaker 3: And I lied to you. I ain't weighing myself on Christmas.
• 17:12
  Speaker 3: I'm never weighing myself again.
• 17:13
  Speaker 2: You weighed yourself on Christmas?
• 17:15
  Speaker 3: No, I was going to this Christmas.
• 17:17
  Speaker 2: Oh, but you're not going to do it?
• 17:20
  Speaker 3: Tell my doctor, don't tell me what the weight is.
• 17:23
  Speaker 2: When's your next doctor's appointment?
• 17:24
  Speaker 1: I'm going.
• 17:25
  Speaker 3: Whenever I.
• 17:27
  Speaker 2: Because you got to weigh in.
• 17:28
  Speaker 1: You do.
• 17:28
  Speaker 2: You do.
• 17:29
  Speaker 1: And I want to be right there. I just tell them,
• 17:30
  Speaker 1: don't tell me. You're right there on the numbers. I
• 17:33
  Speaker 1: can check my tweet. I got killed when I think
• 17:37
  Speaker 1: it was maybe April or March this year, my little
• 17:41
  Speaker 1: annual physical.
• 17:42
  Speaker 3: I was like, oh, man, get y'all colons checked.
• 17:45
  Speaker 1: They was like, you gay. I was like, huh?
• 17:47
  Speaker 2: Oh, yeah, I remember that.
• 17:48
  Speaker 1: Yeah, that was earlier this year. By the way, it's
• 17:50
  Speaker 1: funny you used to like bass. I hated taking bass.
• 17:53
  Speaker 2: I love it, man.
• 17:54
  Speaker 3: Hated showers. I would spend.
• 17:56
  Speaker 1: the amount of time that you could take a shower,
• 17:58
  Speaker 1: creating a shower crime scene, to make it look like
• 18:01
  Speaker 1: I took a shower, because I would first of all
• 18:03
  Speaker 1: go in there and just turn the water on, sit
• 18:04
  Speaker 1: on the toilet.
• 18:05
  Speaker 2: I've done that before.
• 18:06
  Speaker 1: And then my mom got mad at me. She was like,
• 18:07
  Speaker 1: the soap is dry, and your rag is dry. Just
• 18:09
  Speaker 1: get in the tub. And I was like, I'll show you.
• 18:11
  Speaker 2: I did this.
• 18:14
  Speaker 1: I mean, I made it believable. I was like, I
• 18:16
  Speaker 1: need to have a certain amount of water, soakage. So
• 18:19
  Speaker 1: I was like, it can't be a little bit dry.
• 18:21
  Speaker 1: And by the time I sat down on the toilet,
• 18:23
  Speaker 1: and I was like, all right, that's probably... And I
• 18:25
  Speaker 1: was like, you could have just taken a bath.
• 18:27
  Speaker 2: You could have just taken it in less time.
• 18:29
  Speaker 1: By the time I created the crime scene, I could
• 18:31
  Speaker 1: have been clean. But I was just like, man, I
• 18:33
  Speaker 1: don't want to take a bath.
• 18:34
  Speaker 2: I went through that phase. I went through the crusty
• 18:36
  Speaker 2: butt phase. That's the crusty butt phase. I didn't want
• 18:40
  Speaker 2: to get in that bathtub. I didn't want to get
• 18:41
  Speaker 2: in that shower. I just want to be dirty. Crusty butt.
• 18:44
  Speaker 2: I don't smell myself.
• 18:45
  Speaker 1: That's how I was. I don't smell nothing. I just
• 18:47
  Speaker 1: wanted to play with toys, man. You taking away from
• 18:50
  Speaker 1: my time of doing this. Yeah. I don't care if
• 18:53
  Speaker 1: I stink. I'm little. I probably was like.
• 18:55
  Speaker 2: I didn't care about it until.
• 18:56
  Speaker 1: No, I didn't like girls. And that's when my dad
• 18:59
  Speaker 1: tells this funny story. He broke his leg and he
• 19:02
  Speaker 1: didn't want to take baths. He was like 13. So he,
• 19:05
  Speaker 1: the doctor was like, you can't get the cast wet. Yeah.
• 19:07
  Speaker 1: So he was like, he hadn't taken a bath in
• 19:09
  Speaker 1: like a week, almost two weeks. His friends like, he
• 19:12
  Speaker 1: was tricking. Boy, he went to school. He was like, man,
• 19:14
  Speaker 1: you stink. And that cast stinks.
• 19:17
  Speaker 3: He said, he went home, he was like.
• 19:19
  Speaker 2: Goddamn right, dog.
• 19:20
  Speaker 1: You need a girl to shame you, man.
• 19:22
  Speaker 2: Once that girl told me, you smell like booty.
• 19:24
  Speaker 1: I was like.
• 19:27
  Speaker 2: I was showered up ever since. You smell like booty. Damn,
• 19:34
  Speaker 2: you just cutting right to the core of it. Booty?
• 19:40
  Speaker 2: Her name was Kenya Jones.
• 19:42
  Speaker 1: You remember everybody.
• 19:44
  Speaker 2: Kenya Jones. You smell like booty. I don't know.
• 19:51
  Speaker 1: What grade were you in?
• 19:52
  Speaker 2: I had no rebuttal. I was like, this probably was like.
• 19:58
  Speaker 2: This was probably like fifth grade, maybe. Fifth, sixth.
• 20:01
  Speaker 1: I know that was just ringing in your head.
• 20:03
  Speaker 2: Oh, man, you smell like booty. Because I wasn't washing
• 20:05
  Speaker 2: my booty good either. Wasn't really, you know what I'm saying?
• 20:10
  Speaker 2: I wasn't getting up in there like I should have been.
• 20:13
  Speaker 2: I didn't know the booty was part of the process.
• 20:16
  Speaker 2: That's why he does toe pointing. That's why I'm complete.
• 20:20
  Speaker 2: I got the hat and handheld. I put it on aim.
• 20:24
  Speaker 2: Fire right up in my booty hole. I want that
• 20:27
  Speaker 2: water coming out my mouth. I want a complete clean out. Man,
• 20:34
  Speaker 2: just straight through everything.
• 20:37
  Speaker 1: I put, I take a, now, even just, Melissa smells
• 20:42
  Speaker 1: good all the time. I feel like I can't let
• 20:44
  Speaker 1: her down. So I take a shower, deodorant, and I
• 20:48
  Speaker 1: have like a nighttime cologne now. I'm so far from
• 20:50
  Speaker 1: who I used to be. I have like a bedtime,
• 20:52
  Speaker 1: a little light fragrance. You can't go heavy-handed in bed time.
• 20:55
  Speaker 1: You can't go oud. You got to have a little
• 20:58
  Speaker 1: light time, little light, little fragrance. Because she get in
• 21:01
  Speaker 1: the bed. Skincare, body oil. She got a whole thing.
• 21:06
  Speaker 1: A little light. Come on, I come in here. I've
• 21:09
  Speaker 1: been working on the railroad all the live long day.
• 21:14
  Speaker 1: You can't do that, man. The bed's unbalanced.
• 21:18
  Speaker 2: When you watch your girl sitting there moisturizing.
• 21:21
  Speaker 1: Yeah, well.
• 21:23
  Speaker 2: That's one of the best.
• 21:25
  Speaker 1: Oh, man. Sexual, not sexual.
• 21:27
  Speaker 2: When they be moisturizing, I'll just be like. That's the best.
• 21:31
  Speaker 1: The shoulders get to glistening.
• 21:33
  Speaker 2: I'll be like, man. And they just be talking regular stuff.
• 21:36
  Speaker 1: Yes.
• 21:36
  Speaker 2: They just be like, and then I told them, I
• 21:38
  Speaker 2: was like, I couldn't come in because they changed my schedule.
• 21:41
  Speaker 2: Just titties moving. I'll just be like, that's what they said, huh?
• 21:44
  Speaker 2: That's crazy.
• 21:48
  Speaker 1: That's why.
• 21:49
  Speaker 2: I'm just being a trans. Oh yeah, yeah. And then
• 21:52
  Speaker 2: I told her, I was like, I couldn't do it.
• 21:54
  Speaker 2: I couldn't do it, man. And they just, they non-sexual.
• 21:58
  Speaker 2: They just, they in the zone. They telling you a
• 22:00
  Speaker 2: regular story.
• 22:01
  Speaker 1: Titties are just a part of the body. They're not
• 22:03
  Speaker 1: sexual titties right there.
• 22:05
  Speaker 2: I do this all the time.
• 22:06
  Speaker 1: This is just skin.
• 22:07
  Speaker 2: Yeah, they just moisturize.
• 22:08
  Speaker 1: This is like every morsel of her body moisturize. Back
• 22:13
  Speaker 1: of the head, I'll be like.
• 22:14
  Speaker 2: They be talking regular. I'll be like, so what else
• 22:17
  Speaker 2: do they feel? Oh, okay. That's crazy.
• 22:21
  Speaker 3: None of that makes me put lotion on, by the way.
• 22:23
  Speaker 3: I'd be like, man, you are.
• 22:24
  Speaker 2: Still ashy. Knees rough.
• 22:26
  Speaker 1: Knees bleeding.
• 22:26
  Speaker 2: You over there with rough knees. You getting moisturized. Your
• 22:31
  Speaker 2: knees like, you need to follow suit. Shit, why you talking?
• 22:37
  Speaker 2: Your knees sound like whispers from hoodlums. Whispers.
• 22:45
  Speaker 1: Oh, my God.
• 22:49
  Speaker 3: All right, hold on, except that little Ball Brothers collab.
• 22:52
  Speaker 2: Oh, we posted mid-episode? I figured, man, we cooking with grease, y'all.
• 22:58
  Speaker 1: We doing good. The Samuel L.
• 22:59
  Speaker 3: Jackson's doing great.
• 23:01
  Speaker 2: Okay, I figured they would.
• 23:02
  Speaker 3: Yeah, that was an easy acceptance one.
• 23:06
  Speaker 1: And while Tony's doing that, absolutely, my favorite Eddie Murphy
• 23:11
  Speaker 1: movie and his best movie are one and the same.
• 23:14
  Speaker 3: Okay, coming to America. That movie is so quotable. I mean,
• 23:21
  Speaker 3: it's just great.
• 23:21
  Speaker 1: If you're really a prince, I'll marry you. That ain't even.
• 23:24
  Speaker 2: I'll marry you.
• 23:24
  Speaker 1: People love that. And that's not Eddie Arsenio. I don't
• 23:28
  Speaker 1: even know who that lady is. I don't know why
• 23:31
  Speaker 1: that line sticks with so many people. The dude in the...
• 23:35
  Speaker 1: At the game, when he's losing his mind that he's.
• 23:38
  Speaker 2: Oh, yeah, yeah. That's Vondie Curtis Hall.
• 23:41
  Speaker 1: Man, that scene is so funny. Yeah. The... I was
• 23:46
  Speaker 1: Jane of Arc in my former life. There's just so
• 23:48
  Speaker 1: many funny.
• 23:49
  Speaker 2: The whole going through the day, Louie Anderson.
• 23:51
  Speaker 1: Louie Anderson. Oh my God. That's when the big bucks start, man.
• 23:56
  Speaker 2: That's when the big bucks start rolling.
• 23:58
  Speaker 3: Black folks, we love. I love Louie Anderson, by the way.
• 24:01
  Speaker 1: Yeah, he was great.
• 24:01
  Speaker 3: He had a cartoon when I was a kid.
• 24:02
  Speaker 2: Life of Louie. Oh, damn. Yeah, no.
• 24:06
  Speaker 1: Yeah. That's when the big bucks, they were on five.
• 24:10
  Speaker 1: That's when the big bucks started rolling in. That's when
• 24:12
  Speaker 1: the big bucks started rolling in. John Amos.
• 24:14
  Speaker 2: Yeah.
• 24:14
  Speaker 1: Just.
• 24:15
  Speaker 2: Ensemble, that's what I'm talking about.
• 24:17
  Speaker 1: And.
• 24:17
  Speaker 2: Eric LaSalle was the perfect jerk.
• 24:19
  Speaker 3: Oh, great.
• 24:20
  Speaker 2: Soul Glow. Yeah, man.
• 24:22
  Speaker 3: There's a real company to black people.
• 24:24
  Speaker 2: For sure.
• 24:24
  Speaker 1: Just love yourself. She's your queen to be. The dude
• 24:27
  Speaker 1: who sang that song. She's your queen to be. I
• 24:30
  Speaker 1: seen her coming to America.
• 24:35
  Speaker 2: Oh, with Tommy Davis.
• 24:37
  Speaker 1: Yeah.
• 24:37
  Speaker 2: I didn't even know that existed until years later.
• 24:41
  Speaker 1: Three weeks ago, right after Varnell Hill, somebody was like, man,
• 24:43
  Speaker 1: I remember the Coming to America pilot and that She's
• 24:45
  Speaker 1: Your Queen of B was him and Varnell Hill. Yeah.
• 24:47
  Speaker 2: You know what I'm saying. Yeah, you know what I'm saying.
• 24:50
  Speaker 1: All right, least favorite movie, Eddie Murphy. Eddie had a run.
• 24:55
  Speaker 2: Yeah.
• 24:57
  Speaker 1: He had a run.
• 24:58
  Speaker 2: I got to go by the one that I've seen.
• 25:00
  Speaker 3: Oh, for sure, for sure.
• 25:01
  Speaker 2: I know what his biggest box office bomb is, but
• 25:03
  Speaker 2: I didn't see it. But the worst I've seen is
• 25:07
  Speaker 2: Meat Day. That's mine too. Meat Day was just garbage.
• 25:13
  Speaker 2: Meat Day was hot garbage. I was like, man, why?
• 25:19
  Speaker 1: Oh no, that's not Meat Day for me. It's Pluto Nash.
• 25:22
  Speaker 2: I didn't see Pluto Nash. That's his biggest bomb film.
• 25:24
  Speaker 2: I saw Pluto Nash. That's his biggest bomb.
• 25:26
  Speaker 1: I saw Pluto Nash. You finished it? Yeah, I think
• 25:29
  Speaker 1: I worked at a daycare. Because that's a movie for kids, right?
• 25:33
  Speaker 2: No.
• 25:33
  Speaker 1: What year was Floating Ash?
• 25:34
  Speaker 2: Like 2003.
• 25:37
  Speaker 1: Okay, we had that at Kinder Care.
• 25:39
  Speaker 2: Mm-hmm. Kinder Care.
• 25:41
  Speaker 1: Yeah, I worked at Kinder Care in 2004, and it
• 25:44
  Speaker 1: was one of the movies we, I had the little,
• 25:48
  Speaker 1: not little kids, I had the school-age kids.
• 25:50
  Speaker 2: Yeah.
• 25:50
  Speaker 3: And we was allowed to watch that, and I was like.
• 25:53
  Speaker 2: Yeah, that movie bombed horribly.
• 25:57
  Speaker 1: That was when he was making his movies, like, I'm
• 25:59
  Speaker 1: gonna make a movie for the kids, y'all.
• 26:02
  Speaker 2: Meet Dave. Meet Dave was trash. I saw Meet Dave.
• 26:06
  Speaker 2: I was like, this ain't it. This ain't it. So yeah,
• 26:13
  Speaker 2: that's my least favorite. All right.
• 26:15
  Speaker 1: Best chemistry in a movie.
• 26:18
  Speaker 2: You know this is going to be hard to pick
• 26:19
  Speaker 2: because Eddie Murphy has great chemistry with people. He does.
• 26:23
  Speaker 2: He had great chemistry with Nick Nolte. He had great
• 26:25
  Speaker 2: chemistry with Dan Aykroyd. He had great chemistry with Judge
• 26:28
  Speaker 2: Reinhold and John Ashton and Beverly Hills Cop. He had
• 26:32
  Speaker 2: great chemistry with the Boomerang cast. He had great chemistry
• 26:37
  Speaker 2: with the Coming to America cast. He.
• 26:40
  Speaker 1: I know my thing, though.
• 26:42
  Speaker 2: I'm... What you going with?
• 26:44
  Speaker 3: I'm going with life.
• 26:45
  Speaker 2: That's what I was thinking, too.
• 26:46
  Speaker 1: Were you? Yeah. Martin Lawrence and Eddie Murphy with the two-man...
• 26:51
  Speaker 1: Eddie with the whole cast. And then when they switch
• 26:54
  Speaker 1: as old men, they still maintain the chemistry.
• 26:58
  Speaker 2: And they switched.
• 27:00
  Speaker 1: Energy when they were old. Who was the straight man?
• 27:03
  Speaker 1: Martin is straight man all ages until he's super old.
• 27:07
  Speaker 1: And then Martin takes over. That pie scene, man. Man.
• 27:13
  Speaker 2: Life has to be.
• 27:14
  Speaker 3: The one overall, man.
• 27:16
  Speaker 1: Because that ensemble is mastery. Yeah. That and just, even
• 27:22
  Speaker 1: with Spanky, even when he's fighting for his life, he
• 27:26
  Speaker 1: talks his way out of just, even that is good
• 27:29
  Speaker 1: chemistry with Rick James.
• 27:31
  Speaker 2: Eddie Murphy's chemistry with so many people is crazy. Like even,
• 27:35
  Speaker 2: all right Josh, even Boomerang, the Boomerang chemistry, the Nutty
• 27:41
  Speaker 2: Professor chemistry.
• 27:42
  Speaker 3: Oh my God.
• 27:45
  Speaker 2: Harlem Nights chemistry, it's just like.
• 27:48
  Speaker 1: I think that's why he makes so many good movies.
• 27:52
  Speaker 1: It's an underrated skill as an actor.
• 27:54
  Speaker 2: For sure. Thousand percent.
• 27:56
  Speaker 3: Not every movie star has good chemistry.
• 28:01
  Speaker 1: Right. You know what I mean?
• 28:01
  Speaker 3: But Eddie.
• 28:04
  Speaker 1: He never seemed like, even as a comedian, as funny
• 28:06
  Speaker 1: as he is, you would think he'd be a ball hog.
• 28:09
  Speaker 2: Right, no, he's generous.
• 28:10
  Speaker 1: And he's super, that's why in Beverly Hills Cop, where
• 28:13
  Speaker 1: him and Bronson Pinchot have that, man, I said, you
• 28:18
  Speaker 1: let him... you let him get his turn on.
• 28:21
  Speaker 2: Yeah.
• 28:21
  Speaker 1: You're not like, oh, this my movie. He don't ever
• 28:23
  Speaker 1: come across like that. And that's why his stuff is
• 28:26
  Speaker 1: so funny.
• 28:27
  Speaker 2: He be letting people go off and do their thing.
• 28:29
  Speaker 1: Yeah. But as far as if I had to pick one.
• 28:33
  Speaker 2: Yes. I was going live.
• 28:34
  Speaker 1: Because remember, they wasn't friends at first.
• 28:36
  Speaker 2: No, they wasn't.
• 28:37
  Speaker 1: They just end up together by the circumstances of what happened.
• 28:42
  Speaker 2: Because he tried to pickpocket Martin. He tried to rip
• 28:44
  Speaker 2: him off.
• 28:45
  Speaker 1: So he was just trying.
• 28:46
  Speaker 2: To be that fake nice. And Martin was like, man,
• 28:47
  Speaker 2: watch out.
• 28:48
  Speaker 1: And Martin thought he was better than him. You went
• 28:50
  Speaker 1: to Monroe?
• 28:52
  Speaker 2: No, I went to Washington, man. Excuse me.
• 28:56
  Speaker 1: Is that where we got excuse me from?
• 28:58
  Speaker 2: No, no.
• 28:58
  Speaker 1: Oh, okay.
• 29:00
  Speaker 2: But yeah. He was like, excuse me.
• 29:02
  Speaker 1: Yeah.
• 29:03
  Speaker 2: But then, you know what I'm saying? But he was
• 29:04
  Speaker 2: trying to, he kept trying to be Martin's friend.
• 29:07
  Speaker 1: Yes. Remember Martin thought he had the girl. Martin didn't
• 29:13
  Speaker 1: come back around until.
• 29:15
  Speaker 2: He was like, you still got that escape plan? Oh,
• 29:17
  Speaker 2: now you want to come back over here. Like, I
• 29:19
  Speaker 2: love how Eddie.
• 29:20
  Speaker 1: Called him out. Eddie would not let him slide at all.
• 29:24
  Speaker 2: Hell no.
• 29:25
  Speaker 1: Got some bad news in that letter there, huh?
• 29:29
  Speaker 2: That's reality.
• 29:30
  Speaker 1: For sure. Oh, now you want to come?
• 29:32
  Speaker 2: You getting called out.
• 29:33
  Speaker 1: For sure. Ain't no way I'm just letting that slide
• 29:37
  Speaker 1: after you let me do all that by myself.
• 29:39
  Speaker 2: Hell no.
• 29:39
  Speaker 1: Martha. he was better than him until his girl left.
• 29:43
  Speaker 1: And he realized, oh, you're not getting no appeal. He
• 29:45
  Speaker 1: thought he was getting an appeal. You ain't getting no appeal.
• 29:46
  Speaker 1: You in here with me. I know you got a plan.
• 29:49
  Speaker 2: I know it. I knew it. All right.
• 29:52
  Speaker 1: Want to take a quick break from the show to
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• 30:57
  Speaker 1: Role they haven't played you'd like to see. Eddie done
• 31:01
  Speaker 1: played some things. Has he done a... Has he done
• 31:08
  Speaker 1: a historical figure?
• 31:10
  Speaker 2: No. And that's what I was leaning towards. Him playing
• 31:15
  Speaker 2: somebody that actually existed.
• 31:18
  Speaker 1: Because he can act. I think he could.
• 31:20
  Speaker 2: He can act and he can do impressions extremely well.
• 31:23
  Speaker 2: Because whenever he's talking, he can just blend in to
• 31:28
  Speaker 2: whoever he's talking about smoothly.
• 31:30
  Speaker 1: His Charlie Murphy impression.
• 31:32
  Speaker 2: He could play his brother. Yeah.
• 31:34
  Speaker 1: His Charlie Murphy impression is so uncanny. I was like...
• 31:38
  Speaker 1: And his Tracy Morgan.
• 31:39
  Speaker 2: Yeah.
• 31:39
  Speaker 1: His Tracy Morgan is like, how are you even doing that?
• 31:44
  Speaker 2: He could do the life of his brother. Oh, Dolomite. Dolomite.
• 31:48
  Speaker 2: He did play Dolomite.
• 31:49
  Speaker 1: Dolomite. You right about it, Victoria.
• 31:51
  Speaker 2: You right. So he's done that then. So he's played...
• 31:54
  Speaker 2: He sure did. He sure did play Dolomite.
• 31:57
  Speaker 1: Dolomite is good. Jim Carley, historical. He's not a real person, though.
• 32:00
  Speaker 1: Dolomite is... What was Rudy? Rudy Ray Moore. Rudy Ray Moore. Dang,
• 32:07
  Speaker 1: he did that.
• 32:07
  Speaker 2: He did do Dolomite.
• 32:08
  Speaker 1: Has he been in a horror film? A real one?
• 32:10
  Speaker 1: Not Vampire in Brooklyn.
• 32:11
  Speaker 2: Not a real one. I was thinking maybe a serial killer.
• 32:15
  Speaker 1: Ooh, shoot.
• 32:17
  Speaker 3: Like Robin Williams.
• 32:19
  Speaker 2: One Hour Photo. One Hour Photo. Or Insomnia.
• 32:22
  Speaker 1: Or Insomnia.
• 32:22
  Speaker 2: He's a killer in that, too.
• 32:24
  Speaker 1: Jim Carrey's played that dark character as well.
• 32:27
  Speaker 2: Yeah.
• 32:27
  Speaker 3: No comedy.
• 32:29
  Speaker 2: So Eddie Murphy is a serial killer.
• 32:34
  Speaker 1: Pure evil.
• 32:34
  Speaker 2: Pure evil, though. Because the thing that people miss about
• 32:39
  Speaker 2: serial killers is a lot of them are charming.
• 32:42
  Speaker 1: Big charming.
• 32:43
  Speaker 3: That's how they convince people.
• 32:45
  Speaker 2: Exactly.
• 32:45
  Speaker 1: Eileen Wuornos.
• 32:46
  Speaker 2: You can't be weird out here and getting a truckload
• 32:50
  Speaker 2: of victims. People are like, man, you a serial killer.
• 32:56
  Speaker 2: He got one victim on his resume. I couldn't. I
• 33:00
  Speaker 2: tried to kill 17 people, but they just... They wouldn't
• 33:04
  Speaker 2: get in my van.
• 33:04
  Speaker 1: That little growl.
• 33:07
  Speaker 2: They wouldn't get in the van. I don't know what
• 33:09
  Speaker 2: it is. But like, you know what I'm saying? When
• 33:11
  Speaker 2: you look at these serial killers, they're charming.
• 33:13
  Speaker 1: All the time.
• 33:14
  Speaker 2: And so Eddie Murphy is Charm McGee. Yeah.
• 33:17
  Speaker 1: Yeah. Okay.
• 33:19
  Speaker 3: Eddie Murphy serial killer. We got the script for you.
• 33:21
  Speaker 1: Okay. The very best Eddie Murphy scene in movie history.
• 33:26
  Speaker 3: That's nearly impossible.
• 33:28
  Speaker 2: Damn. That scene in 48 Hours is iconic.
• 33:37
  Speaker 3: Which one?
• 33:38
  Speaker 2: When he went off in that white bar, talking about
• 33:41
  Speaker 2: his new sheriff in town. Oh, that nigga?
• 33:45
  Speaker 1: That's the scene that Marlon Brando loves.
• 33:48
  Speaker 2: Yeah, that scene was incredible. That's when you realize, oh,
• 33:53
  Speaker 2: he about to be out of here. Another iconic scene
• 34:00
  Speaker 2: is the Nutty Professor dinner scene. Oh, man. With the
• 34:03
  Speaker 2: whole family.
• 34:05
  Speaker 3: God, that's unbelievable.
• 34:08
  Speaker 2: Yeah, that's all him.
• 34:09
  Speaker 1: You know what?
• 34:12
  Speaker 3: This might just be my personal favorite. I don't care
• 34:14
  Speaker 3: if y'all agree.
• 34:16
  Speaker 1: Randy Watson is the funniest sexual child. Man, it's so quiet.
• 34:23
  Speaker 2: It's so quiet.
• 34:24
  Speaker 1: From the episode of That's My Mama.
• 34:27
  Speaker 2: Give it up for Jackson Heights' own Randy Watson.
• 34:32
  Speaker 1: Yes! Thank you, Reverend Brown.
• 34:36
  Speaker 2: Reverend Brown, y'all.
• 34:37
  Speaker 1: Man, that is my favorite thing coming to America.
• 34:43
  Speaker 2: Show them all the beauty they can see. It's hot.
• 34:46
  Speaker 2: Give them a sense.
• 34:47
  Speaker 1: The best part of that scene is you can still
• 34:49
  Speaker 1: hear him singing when they cut away. He's real underneath.
• 34:53
  Speaker 1: He's still singing. Give them a sense.
• 34:58
  Speaker 2: It's hot on me. Sexual chocolate.
• 35:06
  Speaker 1: That's funny to me. I also really like that scene
• 35:10
  Speaker 1: in Nutty Professor when he's going at Dave Chappelle. That
• 35:15
  Speaker 1: is Eddie Murphy at his most Eddie Murphy. He kept
• 35:17
  Speaker 1: laughing so loud. It's so funny to me. Ruining it
• 35:25
  Speaker 1: for the comedians. Oh my God. Man, if I got
• 35:29
  Speaker 1: to pick one. I'm sorry, I'm going Randy. Randy Watson. Man,
• 35:36
  Speaker 1: that's my favorite scene in Coming to America. He is
• 35:39
  Speaker 1: so funny. Keep them well.
• 35:43
  Speaker 2: Give them a sense. It was just, it just felt
• 35:49
  Speaker 2: so natural. I could totally see him being in a
• 35:53
  Speaker 2: little talent show like that. I watched that scene.
• 35:57
  Speaker 1: Over and over.
• 35:58
  Speaker 2: He goes. Woo, anytime I hear some microphone feedback.
• 36:09
  Speaker 1: That boy good.
• 36:10
  Speaker 2: That boy good.
• 36:11
  Speaker 1: No, I thought it was the trash. That whole scene, man.
• 36:14
  Speaker 1: He put a chicken bone in the opera.
• 36:16
  Speaker 2: He put the chicken bone in the collection plate. I
• 36:18
  Speaker 2: thought it was the trash, man.
• 36:19
  Speaker 1: What you want from me? Oh, my God. Good and terrible.
• 36:25
  Speaker 2: Dang, man. He got so many scenes, though. I'm going
• 36:30
  Speaker 2: to just go with the one that kicked him off.
• 36:33
  Speaker 2: It was the 48-hour scene. There's a new sheriff in town.
• 36:35
  Speaker 2: There's a new sheriff in town. Because that spoke to
• 36:40
  Speaker 2: what really happened.
• 36:41
  Speaker 3: Yeah, for sure.
• 36:42
  Speaker 2: For sure. Once he said there's a new sheriff in town,
• 36:44
  Speaker 2: there was a new comedy sheriff in town.
• 36:47
  Speaker 3: And he ain't been surpassed by a black comedian since.
• 36:49
  Speaker 2: No. Not even close. Not even.
• 36:52
  Speaker 1: Yo, no disrespect to Kevin Hart. I don't mean it
• 36:54
  Speaker 1: shadily at all. With inflation, Kevin Hart couldn't catch him. No.
• 36:59
  Speaker 2: There's not too many comedians white or black.
• 37:00
  Speaker 1: I don't think anybody is even going to get close. Black.
• 37:03
  Speaker 3: If Kevin Hart couldn't do it, it can be done.
• 37:07
  Speaker 2: Because you had Martin, Kevin, and....
• 37:14
  Speaker 1: Dave might have been the only person, but because he
• 37:17
  Speaker 1: went Netflix, there's no box office. And I think most
• 37:20
  Speaker 1: comedians aren't having... theatrical release comedy specials now.
• 37:25
  Speaker 2: Oh, you talking about Raw? Yeah. The one closest to
• 37:28
  Speaker 2: him is Richard Pryor with Live on the Sunset Strip.
• 37:33
  Speaker 2: That made like 30-something million dollars in 83? Dang.
• 37:39
  Speaker 1: What did Raw get?
• 37:40
  Speaker 2: Raw did 50 in 87.
• 37:42
  Speaker 1: And how close did Kevin Hart get?
• 37:43
  Speaker 2: 30-something.
• 37:46
  Speaker 1: So nobody even broke 40.
• 37:49
  Speaker 2: Kings of Comedy did 37, 38? That's probably the closest.
• 37:54
  Speaker 3: I don't consider that.
• 37:55
  Speaker 2: But it is a package deal.
• 37:56
  Speaker 3: Package deal.
• 37:57
  Speaker 2: But even the four of them. Kings of Comedy did
• 37:59
  Speaker 2: extremely well. But any stand-up comedy special to get over
• 38:04
  Speaker 2: $ 25 million, that's a feat.
• 38:08
  Speaker 1: Because it didn't cost that.
• 38:10
  Speaker 2: No, it shouldn't. I think Kevin Hart's budget started going
• 38:13
  Speaker 2: up there because he was adding all the extra bells
• 38:14
  Speaker 2: and whistles. But if it's just a straight-up stand-up comedy
• 38:19
  Speaker 2: special released theatrically, Looking 25 and up, it's like, man,
• 38:24
  Speaker 2: we got a winner, y'all.
• 38:25
  Speaker 1: Yeah, we cooking with grease.
• 38:26
  Speaker 2: Man. But Raw, for Raw to do 50 is crazy.
• 38:28
  Speaker 1: 50 million is insane.
• 38:31
  Speaker 3: That's why he won't go back.
• 38:32
  Speaker 1: Yeah. All right, most overrated movie.
• 38:36
  Speaker 2: Norbit. Oh! People love Norbit. I don't.
• 38:42
  Speaker 3: Norbit did not age well.
• 38:43
  Speaker 2: I don't like Norbit. I never did. I ain't like
• 38:45
  Speaker 2: it when it was first born. I don't like it grown.
• 38:50
  Speaker 2: Whatever Asian is doing, I don't like Norbert. And every
• 38:53
  Speaker 2: time I'd be like, I don't like Norbert. Man, you tripping, Tom. No,
• 38:57
  Speaker 2: I am not. I'm standing firm.
• 38:58
  Speaker 1: Why don't you like Norbert?
• 39:00
  Speaker 2: It's not funny to me. At the end of the day,
• 39:03
  Speaker 2: I'm not laughing. I'm not laughing at the character work.
• 39:07
  Speaker 2: It just, it means nothing. I did like, Marlon Wayans
• 39:12
  Speaker 2: made me laugh.
• 39:13
  Speaker 3: Step the poop, got to wipe it off.
• 39:15
  Speaker 2: With the power tap.
• 39:16
  Speaker 1: I'm going to tell you what's funny. The way Rasputia
• 39:21
  Speaker 1: talks is funny to me.
• 39:22
  Speaker 2: I'm out, man.
• 39:23
  Speaker 1: How you doing?
• 39:24
  Speaker 2: That's not funny to me.
• 39:25
  Speaker 1: That's not funny?
• 39:26
  Speaker 2: Hell no.
• 39:28
  Speaker 1: I got bottoms on.
• 39:30
  Speaker 2: Nothing. She out here cutting up, yelling, talking loud. I'm
• 39:34
  Speaker 2: sitting there like....
• 39:38
  Speaker 1: But I agree. All that being said... I never liked
• 39:41
  Speaker 1: that one. I... I thought my favorite part of Norbert
• 39:45
  Speaker 1: is Martin Wayans. That scene, he's just with the goggles on.
• 39:50
  Speaker 1: Martin Wayans, man. He's funny.
• 39:53
  Speaker 2: Power tap. But yeah, man. But people be defending Norbert
• 39:57
  Speaker 2: left and right. I'm like, this shit is overrated.
• 39:59
  Speaker 1: I don't feel strongly about Norbert at all. Hell no.
• 40:02
  Speaker 1: I rewatched it a little bit, and I was like,
• 40:04
  Speaker 1: it ages terribly. It ages terribly. I'd be like, but
• 40:11
  Speaker 1: I didn't really love it. when it came out, except
• 40:13
  Speaker 1: that Martin Williams scene.
• 40:17
  Speaker 3: I was just like, all right, y'all. All right, most
• 40:20
  Speaker 3: underrated movie.
• 40:23
  Speaker 2: Underrated? Yeah. Bowfinger.
• 40:28
  Speaker 3: I love Bowfinger. Steve Martin?
• 40:32
  Speaker 1: Yeah.
• 40:33
  Speaker 2: Bowfinger, I feel like is underrated. But I feel like
• 40:35
  Speaker 2: the people that know about Bowfinger give it his props.
• 40:38
  Speaker 2: So I'm going to go even further in his filmography.
• 40:42
  Speaker 2: I'm going to say Mr. Church.
• 40:44
  Speaker 1: You know what? You either haven't seen Mr. Church like
• 40:46
  Speaker 1: I haven't, or you love Mr.
• 40:48
  Speaker 3: Church.
• 40:48
  Speaker 2: It was really good.
• 40:50
  Speaker 1: Nobody. I haven't met anybody who didn't like Mr. Church.
• 40:53
  Speaker 3: Most people just haven't seen it.
• 40:54
  Speaker 2: It's really good.
• 40:55
  Speaker 1: What is it about?
• 40:56
  Speaker 2: He's like a cook for this family, this white family.
• 41:01
  Speaker 2: He'd be going in there. He'd be cooking a meal
• 41:03
  Speaker 2: because the mom is sick or whatever. So he'd be
• 41:05
  Speaker 2: in there cooking and whatnot. He's just a quiet man.
• 41:10
  Speaker 2: You know, with a little mysterious past. So they're trying
• 41:13
  Speaker 2: to connect with him. And it's just a real chill, soft,
• 41:16
  Speaker 2: quiet type movie. But it's dope.
• 41:18
  Speaker 3: I'm going to check it out.
• 41:19
  Speaker 1: Patreon.
• 41:20
  Speaker 2: Mr. Church. Mr.
• 41:21
  Speaker 1: Church. My most underrated movie is Dreamgirls. Eddie Murphy is brilliant.
• 41:27
  Speaker 2: He got an Oscar nomination.
• 41:28
  Speaker 1: How is that underrated?
• 41:28
  Speaker 2: Nah, man.
• 41:29
  Speaker 1: Nah. No. I don't think. First of all, he should
• 41:34
  Speaker 1: have won the Oscar. And people don't mention his performance
• 41:37
  Speaker 1: enough for me. That was a brilliant acting performance.
• 41:41
  Speaker 2: It was good.
• 41:42
  Speaker 1: Amongst a lot of good performances. Beyonce was great in that.
• 41:46
  Speaker 2: Was she great?
• 41:47
  Speaker 3: Yeah, she was great.
• 41:49
  Speaker 1: I graded Beyonce very harshly. You know how I feel
• 41:52
  Speaker 1: about Austin Powers. Jennifer Hudson was great.
• 41:55
  Speaker 2: Yeah, Jennifer Hudson for sure. Is it?
• 41:58
  Speaker 1: Is it Anika Noni Rose?
• 41:59
  Speaker 2: Anika Noni Rose was fantastic.
• 42:02
  Speaker 1: Jamie Foxx?
• 42:02
  Speaker 2: I feel like she's the most underrated performer in that movie. No,
• 42:06
  Speaker 2: it's Eddie Murphy. No, he's not underrated. He got an
• 42:08
  Speaker 2: Oscar nomination. No.
• 42:10
  Speaker 3: He should have won twice.
• 42:12
  Speaker 2: Anika was the one where I was just like, yo.
• 42:16
  Speaker 3: She was brilliant in there.
• 42:17
  Speaker 2: Y'all not talking about her enough. Because Eddie got his talk.
• 42:21
  Speaker 2: Because he won the Golden Globe. So he, you know
• 42:25
  Speaker 2: what I'm saying? You can't be underrated.
• 42:27
  Speaker 1: We don't even talk about Dreamgirls when we talking about Eddie.
• 42:30
  Speaker 2: You know what I'm saying?
• 42:32
  Speaker 1: That's why I'm saying it's underrated. Yeah, it is.
• 42:36
  Speaker 2: He got an Oscar nomination.
• 42:38
  Speaker 3: No, it's not enough. It's not enough.
• 42:44
  Speaker 2: That's the ultimate in life. Yo, we're giving you props
• 42:47
  Speaker 2: for what you did. You're not underrated.
• 42:49
  Speaker 1: There you go, man. We need to praise this movie
• 42:52
  Speaker 1: every day. That scene alone.
• 42:56
  Speaker 2: Monica Noni Rose is underrated. Nah, man.
• 42:59
  Speaker 1: Nah. All right. Should have won an Oscar. Dream girls!
• 43:08
  Speaker 1: Alan Arkin! You thank your lucky stars that you got
• 43:11
  Speaker 1: Eddie Murphy's Oscar at home. You thank your lucky stars.
• 43:14
  Speaker 1: I'm on you for the rest of my life.
• 43:16
  Speaker 2: Is Alan Arkin alive? He passed. His son is out
• 43:19
  Speaker 2: here watching the stuff that you do, slandering his pops, though.
• 43:24
  Speaker 1: Baby Arkin, you can see me in the street. Line
• 43:27
  Speaker 1: it up, Adam. Yo daddy got Eddie Murphy's Oscars.
• 43:32
  Speaker 2: Eddie Murphy should have got an Oscar, at least a
• 43:34
  Speaker 2: nomination for the Nerd Professor.
• 43:37
  Speaker 1: I don't like that Oscars don't nominate comedies, horrors, and
• 43:41
  Speaker 1: comic book movies.
• 43:42
  Speaker 2: He should have got an award for that. He should
• 43:44
  Speaker 2: have at the very least got a Golden Globe for
• 43:46
  Speaker 2: that performance. I agree. He was validly so many different characters.
• 43:53
  Speaker 2: Sherman was different. The mom was different. The dad was different.
• 43:56
  Speaker 2: The uncle was different. And the grandmother, come on, man.
• 44:00
  Speaker 2: These are.
• 44:02
  Speaker 1: So different.
• 44:02
  Speaker 2: They were different.
• 44:03
  Speaker 1: If you told me, oh, actually, these are not Eddie
• 44:05
  Speaker 1: Murphy at all. That's a lie. Because the grandma don't
• 44:09
  Speaker 1: even really look. The makeup is so good. She doesn't
• 44:12
  Speaker 1: even look like.
• 44:13
  Speaker 2: The grandmother felt like a real human being. It wasn't
• 44:16
  Speaker 2: anybody's hot, lovely relation. Just like, yo. When I'm watching
• 44:23
  Speaker 2: his family, I'm really looking at them as a family, dog.
• 44:27
  Speaker 1: And even when you have dinner with Melissa and Mel,
• 44:31
  Speaker 1: there's some distinction. But I feel like you'd be like, oh,
• 44:34
  Speaker 1: they're very close. Eddie Murphy didn't even have that level
• 44:38
  Speaker 1: of similarity. No. Each person was vastly different. The uncle
• 44:42
  Speaker 1: was not the dad.
• 44:43
  Speaker 2: Right.
• 44:44
  Speaker 1: The grandma was not the mom.
• 44:46
  Speaker 2: Right.
• 44:47
  Speaker 1: Sherman.
• 44:47
  Speaker 2: And the mom was so sweet, dog.
• 44:50
  Speaker 1: Sherman took after his mother. Yes. Not his grandmother, not
• 44:53
  Speaker 1: his dad, not his uncle. That's that mama's baby.
• 44:56
  Speaker 2: His mom is so sweet, dog, and encouraging. Man. See,
• 45:01
  Speaker 2: that type of grandmother or mom that just encourages the
• 45:06
  Speaker 2: whole family.
• 45:07
  Speaker 1: Yes.
• 45:08
  Speaker 2: Aw, Hercules. He's just so supportive.
• 45:12
  Speaker 1: And Buddy Love!
• 45:13
  Speaker 2: And Buddy Love was another character that was completely different
• 45:16
  Speaker 2: than everything that was going on.
• 45:18
  Speaker 1: I mean, that felt the most Eddie Murphy of, because
• 45:21
  Speaker 1: that's like Eddie.
• 45:22
  Speaker 2: Murphy's... That's Eddie Murphy dialed up to 20.
• 45:25
  Speaker 3: Dialed up to 30!
• 45:26
  Speaker 2: You know what I'm saying? Like, he was even more
• 45:28
  Speaker 2: just ridiculous and off the wall. That's probably the most
• 45:31
  Speaker 2: dialed up I've seen Eddie.
• 45:33
  Speaker 1: Yeah. And.
• 45:36
  Speaker 2: He should have got an Oscar for that one. For sure.
• 45:39
  Speaker 1: I'll give it to you. Yeah. I'll give it to you.
• 45:40
  Speaker 2: That's killing Dreamgirls.
• 45:42
  Speaker 3: I don't know about that.
• 45:43
  Speaker 2: It is.
• 45:44
  Speaker 3: I don't know about killing.
• 45:45
  Speaker 2: It's killing Dreamgirls.
• 45:46
  Speaker 1: Actually, with the amount of work he did as an actor,
• 45:49
  Speaker 1: I'll give you that. Man, he was... But the thing
• 45:51
  Speaker 1: about Dreamgirls is, man, that's the stuff y'all give people
• 45:53
  Speaker 1: Oscars for.
• 45:54
  Speaker 2: For sure.
• 45:54
  Speaker 1: That's why I feel like... I thought he.
• 45:56
  Speaker 2: Was a shoe-in. I thought he was going to win.
• 45:59
  Speaker 2: That's why it's not underrated.
• 46:00
  Speaker 1: Norbit.
• 46:01
  Speaker 3: They said it's Norbit.
• 46:02
  Speaker 1: All right.
• 46:03
  Speaker 3: Paycheck movie. The one that got him paid.
• 46:07
  Speaker 2: There's several of those. Oh, the movie that kicked off.
• 46:10
  Speaker 1: Kicked it off.
• 46:14
  Speaker 2: Wait, the one. What is this again?
• 46:18
  Speaker 1: Because of this movie, you now pay Eddie Murphy what
• 46:21
  Speaker 1: he gets paid after this movie.
• 46:24
  Speaker 2: He has several, though.
• 46:26
  Speaker 1: The first one. Wouldn't he bury his cop?
• 46:28
  Speaker 2: Because 48 hours could have been that. But since he
• 46:31
  Speaker 2: came in halfway through.
• 46:33
  Speaker 3: It's like, all right. I feel like Beverly Hills Cop.
• 46:35
  Speaker 2: Beverly Hills Cop is for sure, for sure. But even
• 46:37
  Speaker 2: Trading Places, these were huge movies, making 90 a.
• 46:41
  Speaker 3: Piece before Beverly Hills Cop. But do you think.
• 46:45
  Speaker 2: Beverly Hills Cop, because he was the lead? He's the
• 46:48
  Speaker 2: main lead.
• 46:50
  Speaker 1: And it's a smash.
• 46:51
  Speaker 2: Ain't no Dan Aykroyd on the side, ain't no Nick Nolte.
• 46:53
  Speaker 1: It's Axel Foley on that poster. He also looks super cool.
• 46:56
  Speaker 1: He's sitting on the car, man. The poster.
• 46:58
  Speaker 2: He's the coolest.
• 46:59
  Speaker 1: I'm the nigga, man. From Detroit.
• 47:02
  Speaker 2: That's it.
• 47:03
  Speaker 1: I'm here.
• 47:04
  Speaker 2: Can you imagine? I know. Can you imagine your movie,
• 47:10
  Speaker 2: you the only one on the poster, you sitting on
• 47:12
  Speaker 2: a car and your movie makes in today's money 600
• 47:19
  Speaker 2: million dollars in the U.S.
• 47:20
  Speaker 1: Come on, man.
• 47:21
  Speaker 3: Why are you looking at me in my eyes? Hey, ground, man.
• 47:26
  Speaker 1: 600 million. Solo poster.
• 47:29
  Speaker 2: Solo poster.
• 47:29
  Speaker 1: I'm not a good person no more.
• 47:31
  Speaker 2: It's just you on the poster. 600 million dollars.
• 47:34
  Speaker 1: There's no way my God has orchestrated my life to
• 47:38
  Speaker 1: go in the pace. It is gone. Yeah.
• 47:40
  Speaker 3: So I could be humbled.
• 47:41
  Speaker 1: I'm overweight. Brother died, now I could have $ 600 million
• 47:46
  Speaker 1: to maintain my humble status. He was 20?
• 47:49
  Speaker 2: Yeah, he was like 21, 22, 84, he might have
• 47:53
  Speaker 2: been like 22, 23.
• 47:55
  Speaker 1: 22, you make the solo, after these two movies, that
• 47:59
  Speaker 1: you know are the reason, and everybody in town knows
• 48:04
  Speaker 1: you're the reason, but then I'm solo, $ 600 million?
• 48:08
  Speaker 2: You the only human on the poster, it's you and
• 48:11
  Speaker 2: a car. Come on, man.
• 48:13
  Speaker 1: I'm that nigga, don't look at me.
• 48:14
  Speaker 2: You was number one at the box office for 13
• 48:16
  Speaker 2: straight weeks.
• 48:17
  Speaker 1: That's crazy.
• 48:18
  Speaker 2: Just you on the post.
• 48:20
  Speaker 1: Kevin in El Paso Marauder. Like, y'all see El Paso Marauder?
• 48:26
  Speaker 1: 600 million. Kevin Fredericks was there. Kev on stage is
• 48:31
  Speaker 1: El Paso's boy.
• 48:32
  Speaker 2: You was the highest grossing rated R comedy for mad long.
• 48:38
  Speaker 2: Hold on one second.
• 48:39
  Speaker 1: Yeah.
• 48:39
  Speaker 3: Hey, babe, I'm still shooting.
• 48:41
  Speaker 1: The ball burgers.
• 48:43
  Speaker 2: Yo, remember who never left y'all, man.
• 48:46
  Speaker 3: Next 20 minutes.
• 48:47
  Speaker 2: Every time Melissa calls, remember who never left.
• 48:49
  Speaker 3: Is there food left that Joe didn't eat all day, sir?
• 48:51
  Speaker 2: You know what I'm saying? Remember that. All right. Remember that. Oh, okay.
• 48:57
  Speaker 2: All right. But anyway.
• 48:59
  Speaker 1: She don't give a damn about what's going on.
• 49:03
  Speaker 2: I know you're filming a movie with Eddie Murphy right now.
• 49:05
  Speaker 2: I'm calling. Answer the phone.
• 49:07
  Speaker 1: I don't know why my phone keeps, I have never
• 49:09
  Speaker 1: turned my phone off of silent in my life.
• 49:11
  Speaker 2: It's never off.
• 49:12
  Speaker 1: I don't know why Apple keeps doing that. I never
• 49:15
  Speaker 1: have turned my phone off.
• 49:16
  Speaker 2: All right.
• 49:18
  Speaker 3: But no, to answer your question.
• 49:19
  Speaker 2: But yeah, Beverly Hills Cop was for sure.
• 49:22
  Speaker 1: For sure.
• 49:22
  Speaker 2: Sky's the limit on this. And he never looked back.
• 49:25
  Speaker 1: He really never looked back from nothing, but because he
• 49:28
  Speaker 1: stood on that car by himself.
• 49:31
  Speaker 2: His first movie made $ 90 million in 1982.
• 49:37
  Speaker 1: Why he was on Saturday Night Live?
• 49:38
  Speaker 2: His second movie made $ 90 million in 1983. $ 90 million
• 49:42
  Speaker 2: in 1982 is crazy bread. And then it was like,
• 49:47
  Speaker 2: all right, we're going to give you your own thing.
• 49:49
  Speaker 2: Now let's see if you can do $ 230- something million in 1984.
• 49:55
  Speaker 3: That's crazy.
• 49:56
  Speaker 1: 1984.
• 49:56
  Speaker 2: And if you didn't do that, you was going to
• 49:59
  Speaker 2: be in Ghostbusters.
• 50:01
  Speaker 1: If you made a comedy today that did $ 230 million today,
• 50:06
  Speaker 1: they'd be like, who? If Drewski's first movie did $ 90
• 50:14
  Speaker 1: million today, followed by Drewski's second movie, $ 90 million today,
• 50:19
  Speaker 1: followed by his third, $ 234 million, they'd be like, yo,
• 50:25
  Speaker 1: give him everything. And that was 30, 40 years ago.
• 50:27
  Speaker 1: Put it this way.
• 50:30
  Speaker 2: When The Hangover came out, it made like 280 something. Dang.
• 50:35
  Speaker 2: And it made all the stars.
• 50:36
  Speaker 3: Zach Galifianakis, Bradley Cooper.
• 50:38
  Speaker 2: It seemed like The Hangover was just everywhere.
• 50:40
  Speaker 1: It was massive. It really was.
• 50:44
  Speaker 3: And that was in 2000.
• 50:44
  Speaker 2: Beverly Hills Cop dwarfs all of that. 200 and something
• 50:49
  Speaker 2: million in 1984. Domestically. I didn't even do worldwide.
• 50:56
  Speaker 1: We can't even really fathom that level. Like that's like
• 51:00
  Speaker 1: Chill out, chill out. They talked about Michael Jackson, the
• 51:05
  Speaker 1: way he sold albums. It's more in that stratosphere than
• 51:08
  Speaker 1: anything else comparable. The things Eddie Murphy was doing, they're
• 51:14
  Speaker 1: not even possible now.
• 51:16
  Speaker 3: He's that nigga, man. All right.
• 51:20
  Speaker 1: If this movie comes on, I'm watching it.
• 51:27
  Speaker 2: Coming to America. Easy.
• 51:28
  Speaker 1: Easy.
• 51:30
  Speaker 3: I'm going trading places.
• 51:32
  Speaker 2: Trading places.
• 51:33
  Speaker 1: No matter.
• 51:33
  Speaker 2: We got a few.
• 51:34
  Speaker 1: No matter.
• 51:35
  Speaker 3: Part of it, if this movie comes on, is like
• 51:38
  Speaker 3: no matter where it is.
• 51:40
  Speaker 2: Yeah.
• 51:41
  Speaker 1: 45 minutes in, you're like, oh, I'll catch from this
• 51:44
  Speaker 1: part on.
• 51:45
  Speaker 2: Yeah.
• 51:45
  Speaker 1: Trading places, wherever you're at.
• 51:49
  Speaker 3: Even if they're at the stock exchange.
• 51:50
  Speaker 1: Yeah.
• 51:51
  Speaker 3: And there's only 15 minutes left.
• 51:52
  Speaker 2: I'm like, oh, okay.
• 51:54
  Speaker 1: The Orange Price is in Florida. I got just enough time.
• 51:58
  Speaker 1: There's 15 minutes left. Trading places, I'm all in. Billy
• 52:02
  Speaker 1: Ray Valentine getting picked up, all in.
• 52:05
  Speaker 2: All in, though.
• 52:05
  Speaker 1: In the house for the first time.
• 52:07
  Speaker 2: All in.
• 52:08
  Speaker 1: When they find out about, I'm all in. Like Shawshank Redemption.
• 52:13
  Speaker 2: The Train.
• 52:14
  Speaker 1: The Train.
• 52:15
  Speaker 2: Where he's fake African and Dan Agro is fake Jamaican.
• 52:18
  Speaker 2: And then Jamie Lee Curtis is from Sweden. They were
• 52:22
  Speaker 2: trying to get their stories together. I'm from Sweden. Oh,
• 52:25
  Speaker 2: all right. And that dude wasn't buying nothing. He had
• 52:28
  Speaker 2: them dead to rights. He was like, come on.
• 52:29
  Speaker 1: That's what made it funnier. It's because he wasn't going
• 52:32
  Speaker 1: for that. And they were like, I still got it.
• 52:35
  Speaker 1: I got to do it.
• 52:35
  Speaker 2: Come on, y'all. Y'all think I was going to fall
• 52:37
  Speaker 2: for this? And they put him in that gorilla suit.
• 52:40
  Speaker 2: And he got penetrated by a real gorilla. He was like, ooh.
• 52:47
  Speaker 1: I'm telling you, I could go home right now from
• 52:49
  Speaker 1: this podcast, cut on Trading Places, and have a great time.
• 52:53
  Speaker 3: I'd be like, man, you did it again, Eddie Murphy.
• 52:56
  Speaker 2: Eddie Murphy, man.
• 52:57
  Speaker 1: Underrated comedy. Okay. Now, I don't know about this. I'm
• 53:02
  Speaker 1: going to need you for this. The best director for
• 53:05
  Speaker 1: Eddie Murphy.
• 53:07
  Speaker 2: John Landis.
• 53:11
  Speaker 1: You're probably right. Coming to American Trading Places? Yep.
• 53:16
  Speaker 2: I gotta go John Landis, man, because John Landis and
• 53:21
  Speaker 2: Eddie Murphy, he also did Beverly Hills Cop 3, but.
• 53:26
  Speaker 3: You don't feel as strongly about that.
• 53:28
  Speaker 2: But, I mean, because, all right, when we think about
• 53:31
  Speaker 2: the directors he's worked with, 48 Hours was Walter Hill,
• 53:36
  Speaker 2: Trading Places was John Landis, Beverly Hills Cop was Martin Brest,
• 53:43
  Speaker 2: The Golden Child, I can't remember who directed that, then
• 53:46
  Speaker 2: Raw was Robert Townsend. Coming to America was John Landis.
• 53:54
  Speaker 2: Harlem Nights was Eddie.
• 53:57
  Speaker 3: I didn't realize he directed that.
• 53:58
  Speaker 2: Yeah, he directed it.
• 54:01
  Speaker 3: Michael Ritchie did The Golden Child.
• 54:03
  Speaker 2: Okay. And then... I was then.
• 54:06
  Speaker 1: Tyler Lannister.
• 54:08
  Speaker 2: Oh, yeah, yeah. He was the villain in that. And
• 54:11
  Speaker 2: then when we get to 89... He worked with Walter
• 54:15
  Speaker 2: Hill again for another 48 hours in 90. Boomerang was
• 54:19
  Speaker 2: Reginald Hudlin.
• 54:21
  Speaker 3: Oh, I like Reggie Hudlin.
• 54:22
  Speaker 2: Yeah. So that was a good director-actor combo. Then after
• 54:28
  Speaker 2: Boomerang was what? It wasn't Distinguished Gentleman, was it?
• 54:35
  Speaker 1: Senior Gentleman, 92.
• 54:36
  Speaker 2: Yeah, so that was after Boomerang. I've never even seen
• 54:39
  Speaker 2: that movie. Vampire in Brooklyn.
• 54:42
  Speaker 1: 95.
• 54:43
  Speaker 2: 95. Who did Vampire in Brooklyn? Was that John Landis again?
• 54:48
  Speaker 3: Let me double check. Wes Craven?
• 54:58
  Speaker 2: Wes Craven did do that.
• 55:01
  Speaker 1: Really?
• 55:02
  Speaker 2: He did do Vampire in Brooklyn.
• 55:04
  Speaker 1: Wes Craven did Vampire in Brooklyn?
• 55:06
  Speaker 2: Yeah.
• 55:07
  Speaker 1: I don't think I knew that.
• 55:09
  Speaker 2: He did do that.
• 55:12
  Speaker 1: What the heck?
• 55:13
  Speaker 2: And then he started working with, he did Tom Shadyak
• 55:17
  Speaker 2: for Nutty Professor.
• 55:21
  Speaker 3: I don't know all this tone.
• 55:23
  Speaker 2: I just have to go with John Landis. Everything else
• 55:26
  Speaker 2: just feels like he's just working with whatever director. Directors
• 55:31
  Speaker 2: are inconsequential at a certain time.
• 55:35
  Speaker 1: Trading Places, Coming to America. Beverly Hills Cop 3. You
• 55:40
  Speaker 1: don't even need Beverly Hills Cop 3. Just trading places
• 55:43
  Speaker 1: and coming to America.
• 55:45
  Speaker 2: He was a good fit with Tony Scott, though. Tony
• 55:47
  Speaker 2: Scott did Beverly Hills Cop 2.
• 55:50
  Speaker 3: I like Tony Scott movies.
• 55:51
  Speaker 2: I like Tony Scott a lot.
• 55:52
  Speaker 3: Tony Scott makes... He did Enemy of the State, didn't he?
• 55:55
  Speaker 1: Yes.
• 55:56
  Speaker 3: He has that certain thing that makes you feel like
• 55:58
  Speaker 3: it's a Tony Scott movie.
• 55:59
  Speaker 2: Yeah, he had a certain look for a while. Then
• 56:01
  Speaker 2: he started switching it up later on. After he did
• 56:04
  Speaker 2: Domino and Man on Fire, he started doing too much visually.
• 56:07
  Speaker 1: He was like... I'm Tony Scott doing it. It's like
• 56:10
  Speaker 1: Tony Scott doing a Tony Scott. It's like a person
• 56:12
  Speaker 1: trying to do a Tony Scott movie. Like, you already
• 56:14
  Speaker 1: Tony Scott.
• 56:15
  Speaker 2: He was adding in mad visuals and blurs. He was
• 56:19
  Speaker 2: Blurs McGee. He got way too erratic with the business. Yeah,
• 56:23
  Speaker 2: he was Blurs. But before that, when he was doing
• 56:25
  Speaker 2: Last Boy Scout, Days of Thunder, Beverly Hills Cop 2, Revenge,
• 56:31
  Speaker 2: his movies had a certain dry, colorful, dusty look, but
• 56:36
  Speaker 2: it was like clean. It was dope as hell.
• 56:38
  Speaker 1: Yeah, I agree.
• 56:39
  Speaker 2: Yeah. I'm going to go John Landis.
• 56:40
  Speaker 1: Okay. John Landis it is.
• 56:41
  Speaker 3: No disagreement. Hall of Fame performance.
• 56:44
  Speaker 1: Coming to America. I feel like Hall of Fame is
• 56:49
  Speaker 1: Nutty Professor.
• 56:50
  Speaker 2: Yeah.
• 56:51
  Speaker 1: Because that amount of work is like, I don't even
• 56:56
  Speaker 1: know anybody who's even attempted that to that level and
• 57:00
  Speaker 1: was even anywhere close. I think Marlon Wayans.
• 57:02
  Speaker 3: Did it with sextuplets, but you know what I'm saying?
• 57:06
  Speaker 1: Yeah.
• 57:07
  Speaker 2: I got a good, Nutty Professor got a good one.
• 57:09
  Speaker 1: Hall of Fame.
• 57:10
  Speaker 2: Coming to America is right there, though.
• 57:11
  Speaker 1: Yeah. But Nutty Professor, to me, edges it out because
• 57:16
  Speaker 1: of the amount of character work he did and how
• 57:18
  Speaker 1: separate those characters were from each other. Most people wouldn't
• 57:21
  Speaker 1: even try. Marlon Wayans did try, but hardly anybody comedically
• 57:24
  Speaker 1: would even try. As a comedian, I can't even make
• 57:27
  Speaker 1: eight characters that different.
• 57:29
  Speaker 2: Yeah. The character work was so.
• 57:34
  Speaker 1: It was just.
• 57:35
  Speaker 2: When you look at Sherman Clump, you liked Sherman Clump
• 57:40
  Speaker 2: a lot.
• 57:40
  Speaker 1: You root for Sherman Clump. You feel terrible for Sherman Clump. Bad.
• 57:45
  Speaker 1: You're happy Sherman's mom is cheering him on.
• 57:48
  Speaker 2: I fully believe Sherman Clump existed. 1,000%.
• 57:52
  Speaker 1: And I understand why he wanted Buddy Love.
• 57:54
  Speaker 3: Yeah. Because look what's happening to him.
• 57:56
  Speaker 1: So that's why I don't feel bad for Dave Chappelle's character. No.
• 58:00
  Speaker 3: Because you.
• 58:01
  Speaker 1: You getting revenge for Sherman. Right. Buddy Love is getting
• 58:05
  Speaker 1: revenge for Sherman.
• 58:06
  Speaker 2: For sure.
• 58:07
  Speaker 1: Sherman didn't do nothing to deserve that. He wasn't in
• 58:09
  Speaker 1: up front. They was in the back. Yeah. And he
• 58:11
  Speaker 1: pulled Jada Pinkett. He did. As fat. He did. Because fat,
• 58:16
  Speaker 1: he had that little fro.
• 58:17
  Speaker 2: He did, man.
• 58:18
  Speaker 1: Sherman had that little fro, man.
• 58:21
  Speaker 2: We call these.
• 58:22
  Speaker 1: He was just, man.
• 58:24
  Speaker 2: That performance was crazy, man.
• 58:26
  Speaker 1: Even the kids, the twins were farting and stuff.
• 58:29
  Speaker 2: Oh, yeah.
• 58:29
  Speaker 1: Man, I said, yo, this is just... This is perfect, man.
• 58:33
  Speaker 1: All right, now here's the tough part. This is the
• 58:37
  Speaker 1: top 10 Eddie Murphy movies of all time.
• 58:41
  Speaker 2: And we're leaving Shrek off.
• 58:43
  Speaker 1: No, we're not.
• 58:44
  Speaker 2: Okay, I'm just checking.
• 58:46
  Speaker 1: We ain't even talked about Shrek.
• 58:47
  Speaker 2: We didn't even mention Shrek.
• 58:49
  Speaker 1: But it ain't come up. For the stuff we talk about.
• 58:52
  Speaker 2: Donkey is iconic. I thought you was going to bring
• 58:54
  Speaker 2: up Shrek for sure. I tend to shy away from
• 58:56
  Speaker 2: the voiceover work. Honestly. Donkey is iconic.
• 59:00
  Speaker 3: He is iconic.
• 59:01
  Speaker 1: But I don't feel like Donkey, Shrek. I don't think
• 59:05
  Speaker 1: of Shrek as an Eddie Murphy movie in the way
• 59:07
  Speaker 1: of Eddie Murphy.
• 59:09
  Speaker 2: Yeah.
• 59:09
  Speaker 1: You know what I mean? This is where I disagree
• 59:11
  Speaker 1: with you about voiceover work. But when I'm thinking of
• 59:14
  Speaker 1: these answers, I just think of it. Yeah. I don't
• 59:17
  Speaker 1: be like, let me incorporate Donkey.
• 59:19
  Speaker 3: You know what I mean?
• 59:20
  Speaker 1: I'm surprised you left Donkey out. I left Donkey out,
• 59:23
  Speaker 1: but he's coming in now. No.
• 59:25
  Speaker 2: All right.
• 59:26
  Speaker 1: Top 10 movies. Me and Tony take turns.
• 59:28
  Speaker 3: This is going to be really tough.
• 59:31
  Speaker 2: Who going first?
• 59:32
  Speaker 3: You go first, Tony. It's your birthday.
• 59:36
  Speaker 2: Coming to America. Coming to America, dog. Michael B.
• 59:44
  Speaker 1: Jordan. One day we're going to get Michael B. Jordan
• 59:47
  Speaker 1: to sit right here.
• 59:48
  Speaker 2: We're going to get Michael B. Jordan up here.
• 59:49
  Speaker 1: We ain't getting no special studio. You're going to be
• 59:51
  Speaker 1: right here and the mic going to be awkwardly behind you.
• 59:53
  Speaker 2: We're getting Nicole Bahari in here. Nicole Bahari coming in.
• 59:56
  Speaker 2: Y'all heard it here first. You heard it here first.
• 59:58
  Speaker 2: They going to be on here. Watch.
• 1:00:00
  Speaker 1: One day.
• 1:00:01
  Speaker 2: Okay.
• 1:00:05
  Speaker 1: Man.
• 1:00:06
  Speaker 2: Coming through America, man. There's so many good ones.
• 1:00:09
  Speaker 1: I'm going life. Okay.
• 1:00:11
  Speaker 2: All right.
• 1:00:12
  Speaker 1: Life is one of my favorite comments of all time.
• 1:00:14
  Speaker 2: This is incredibly sad, but I don't give a fuck.
• 1:00:18
  Speaker 2: I love that movie, though. It's so good. I know.
• 1:00:20
  Speaker 2: I know they lost their.
• 1:00:21
  Speaker 1: Whole life in prison.
• 1:00:22
  Speaker 2: It's tragedy.
• 1:00:22
  Speaker 1: For sure, tragedy.
• 1:00:23
  Speaker 2: And it happens for real.
• 1:00:24
  Speaker 1: But boy, when they go for that White's Only Pie,
• 1:00:27
  Speaker 1: you can read so good. Why did you read that stuff?
• 1:00:31
  Speaker 1: You say about four or five miles. Man, Martin was
• 1:00:35
  Speaker 1: not taking the hits, Tone.
• 1:00:37
  Speaker 2: Man, driving those 15 miles to get no pie. Billy,
• 1:00:43
  Speaker 2: we want some pie.
• 1:00:43
  Speaker 1: Ma'am.
• 1:00:45
  Speaker 2: We want some pie.
• 1:00:47
  Speaker 1: Eddie Murphy's like, why would they have it?
• 1:00:48
  Speaker 3: They wouldn't have it.
• 1:00:49
  Speaker 2: I didn't know y'all were so serious about pies down here, man. Like, okay. Okay.
• 1:00:56
  Speaker 1: Oh, this scene in the bloopers. This ain't my daddy's watch. Oh, yeah.
• 1:01:01
  Speaker 2: Bruh.
• 1:01:02
  Speaker 1: So funny.
• 1:01:03
  Speaker 2: He answers the phone in the car. Yeah, I know
• 1:01:05
  Speaker 2: it's 1932. You know what I'm saying? I got... So
• 1:01:10
  Speaker 2: many good movies, man. I'm going to go... I'm going
• 1:01:18
  Speaker 2: to go 48 hours.
• 1:01:19
  Speaker 1: I knew it. You just love that. 48 hours, 48 hours, nigga. Okay,
• 1:01:23
  Speaker 1: pick some other times.
• 1:01:28
  Speaker 3: But I can't argue with that.
• 1:01:30
  Speaker 2: Trade places, that's what you about to pick.
• 1:01:32
  Speaker 1: No, I ain't.
• 1:01:33
  Speaker 3: Now that you said that, I'm going Nutty Professor.
• 1:01:37
  Speaker 2: Okay.
• 1:01:38
  Speaker 1: Nutty Professor's brilliant work.
• 1:01:39
  Speaker 2: Yes.
• 1:01:40
  Speaker 1: By Eddie Murphy, man.
• 1:01:41
  Speaker 2: Yes.
• 1:01:42
  Speaker 1: You can't go wrong.
• 1:01:43
  Speaker 3: What's that, four?
• 1:01:44
  Speaker 1: Yeah.
• 1:01:44
  Speaker 3: All right, we got six more.
• 1:01:46
  Speaker 2: Let's get it. I'm going to go... Trading Places.
• 1:01:48
  Speaker 3: Okay, I really wanted Trading Places.
• 1:01:50
  Speaker 1: Yeah, man.
• 1:01:51
  Speaker 2: You snooze, you lose.
• 1:01:54
  Speaker 1: Okay. Dreamgirls should have won an Oscar.
• 1:02:00
  Speaker 2: That's where you lose me.
• 1:02:01
  Speaker 1: That's an Eddie Murphy's brilliant performance.
• 1:02:04
  Speaker 2: It ain't no top ten, though.
• 1:02:07
  Speaker 1: Dreamgirls. Jimmy Early.
• 1:02:12
  Speaker 2: It ain't no top ten.
• 1:02:13
  Speaker 1: Jimmy got sold. Take that, Alan.
• 1:02:17
  Speaker 2: You're not even in it that much. All right.
• 1:02:26
  Speaker 1: I'm going to go Boomerang.
• 1:02:27
  Speaker 2: Okay. Now we're back.
• 1:02:29
  Speaker 1: What I like about Boomerang, Eddie Murphy, after he made
• 1:02:34
  Speaker 1: that movie, White people were like, well, this isn't.
• 1:02:38
  Speaker 3: You can't do this.
• 1:02:39
  Speaker 2: That's when white people left.
• 1:02:40
  Speaker 1: Black people, there's everybody black in here that's well off.
• 1:02:43
  Speaker 1: Eddie Murphy was like, yeah, man, we ain't all drunk.
• 1:02:46
  Speaker 2: We're the whites.
• 1:02:47
  Speaker 1: What you mean? Ain't no whites.
• 1:02:49
  Speaker 2: Yeah.
• 1:02:50
  Speaker 3: Ain't no whites.
• 1:02:51
  Speaker 2: That's when the white people left.
• 1:02:52
  Speaker 1: Yes.
• 1:02:53
  Speaker 3: John Witherspoon, star-studded cast.
• 1:02:56
  Speaker 1: Boomerang.
• 1:02:56
  Speaker 2: Cast was fantastic.
• 1:02:57
  Speaker 1: Black people who are beautiful and well-dressed and smell good
• 1:03:01
  Speaker 1: through the Movie screen. They was, but not Sididi. Just like, yeah,
• 1:03:07
  Speaker 1: we good, we got it.
• 1:03:08
  Speaker 2: Eddie Murphy hooked us up with those visuals twice. Harlem
• 1:03:12
  Speaker 2: Nights was the first time. Boomerang was the second time. No,
• 1:03:16
  Speaker 2: three times, because Coming to America. Now we're seeing wealthy blacks. Oh, yeah,
• 1:03:20
  Speaker 2: you're right.
• 1:03:20
  Speaker 1: Boomerang was like today America.
• 1:03:23
  Speaker 2: Now Boomerang was in today contemporary blacks.
• 1:03:27
  Speaker 3: The Mood of Fictional Society.
• 1:03:29
  Speaker 2: Right.
• 1:03:30
  Speaker 1: I mean, Harlem Nights was period piece. These are beautiful
• 1:03:34
  Speaker 1: black people who are reading Ebony Magazine and Jet.
• 1:03:38
  Speaker 2: Yeah.
• 1:03:39
  Speaker 3: So, yeah.
• 1:03:39
  Speaker 2: Eddie Murphy has given us great black visuals and representations.
• 1:03:44
  Speaker 2: All right, so Boomerang is fantastic. Fantastic choice, better than Dreamgirls.
• 1:03:49
  Speaker 2: I'ma go with, I'ma go with Beverly Hills Cop 2.
• 1:04:01
  Speaker 1: It could be one, but I'ma do two. You gonna
• 1:04:04
  Speaker 1: put one in later. I'ma go Shrek. Shrek is brilliant.
• 1:04:09
  Speaker 2: Absolutely.
• 1:04:11
  Speaker 1: Eddie Murphy's comedic work in Shrek.
• 1:04:16
  Speaker 2: Man.
• 1:04:17
  Speaker 1: Parfaits, man. Who the hell don't like parfaits? You ain't
• 1:04:21
  Speaker 1: never met nobody who said they don't like no parfait, man.
• 1:04:23
  Speaker 1: It's my favorite little throwaway scene.
• 1:04:26
  Speaker 2: I'm going to say this.
• 1:04:27
  Speaker 1: Say it, Tone.
• 1:04:28
  Speaker 2: I think Eddie Murphy's performance as Donkey in Shrek is
• 1:04:31
  Speaker 2: probably my favorite A-list actor voiceover performance.
• 1:04:37
  Speaker 3: Of all time?
• 1:04:38
  Speaker 1: Yeah.
• 1:04:39
  Speaker 2: Even over, I would put him over the genie in Aladdin,
• 1:04:43
  Speaker 2: who's also up there.
• 1:04:45
  Speaker 1: Over Tom Hanks as Woody?
• 1:04:48
  Speaker 2: Yep. Because the thing about Woody, Woody's a straight man.
• 1:04:53
  Speaker 1: But man, Tom Hanks just really encapsulates.
• 1:04:56
  Speaker 3: He's perfect as Woody.
• 1:04:56
  Speaker 1: He's perfect. Tom Hanks as Woody sets all the Toy
• 1:05:01
  Speaker 1: Story thing in motion for me.
• 1:05:04
  Speaker 2: But Eddie Murphy as Donkey... elevates the material. He does.
• 1:05:11
  Speaker 1: Mike Myers is already funny as a Scottish ogre. For sure.
• 1:05:14
  Speaker 1: And he's not downplaying it for Eddie.
• 1:05:17
  Speaker 2: No.
• 1:05:18
  Speaker 1: Eddie found all the other room available for comedy and elevated.
• 1:05:23
  Speaker 1: He is laugh out loud funny.
• 1:05:25
  Speaker 2: He is completely unexpected and it's like, he's not the
• 1:05:28
  Speaker 2: street man. He is the funny sidekick.
• 1:05:31
  Speaker 1: And he is the funny.
• 1:05:32
  Speaker 3: When Donkey was talking trash when he was first lifted off.
• 1:05:36
  Speaker 2: He was talking bad shit. Yeah, man, I told y'all,
• 1:05:40
  Speaker 2: y'all couldn't catch me. Y'all can't, oh, damn.
• 1:05:44
  Speaker 1: And it wore off so fast.
• 1:05:46
  Speaker 2: Man, it wore off quick. Because he was talking shit immediately.
• 1:05:53
  Speaker 1: I just rewatched Shrek for our podcast.
• 1:05:56
  Speaker 2: Holds up. Holds up.
• 1:05:58
  Speaker 3: Yeah. I don't disagree with you.
• 1:06:01
  Speaker 1: I like that. I like that.
• 1:06:03
  Speaker 2: But Tim Allen, Tom Hanks, Robin Williams, they up there too.
• 1:06:07
  Speaker 2: But Donkey is just.
• 1:06:08
  Speaker 1: Yeah.
• 1:06:10
  Speaker 2: Okay.
• 1:06:10
  Speaker 1: Yeah.
• 1:06:11
  Speaker 3: So that's what?
• 1:06:12
  Speaker 2: Six? Yeah. Oh, James Earl Jones' Mufasa is up there
• 1:06:17
  Speaker 2: as well. He was.
• 1:06:20
  Speaker 1: Oh, dang.
• 1:06:20
  Speaker 3: That's good.
• 1:06:21
  Speaker 2: That's tough. The only reason I would put Eddie above
• 1:06:24
  Speaker 2: Mufasa is that Donkey.
• 1:06:25
  Speaker 3: Had several movies.
• 1:06:30
  Speaker 1: Is it you or me?
• 1:06:31
  Speaker 2: I just did, oh, you did Shrek, so it's back
• 1:06:34
  Speaker 2: on me. So I'm going to go with, man, life
• 1:06:41
  Speaker 2: is gone. Coming to America is gone. Trading places. 48 hours.
• 1:06:49
  Speaker 2: I got to go on Harlem Nights.
• 1:06:51
  Speaker 3: That's what I was gonna go with.
• 1:06:52
  Speaker 2: Harlem Nizzites, man. Let's get that going up in there.
• 1:06:56
  Speaker 1: Quick.
• 1:06:57
  Speaker 2: Quick. Yeah, man. Quick.
• 1:07:06
  Speaker 1: Oh my God. So funny, man.
• 1:07:10
  Speaker 2: Gotta go Harlem Nights.
• 1:07:12
  Speaker 3: Wait, did you do both Beverly Hills Cop movie?
• 1:07:14
  Speaker 2: No, I just did two.
• 1:07:14
  Speaker 3: Oh, then I'm gonna go Beverly Hills Cop.
• 1:07:17
  Speaker 2: Okay.
• 1:07:17
  Speaker 3: Beverly Hills Cop.
• 1:07:18
  Speaker 2: Okay.
• 1:07:19
  Speaker 1: Axel Foley is one of my favorite movie characters.
• 1:07:22
  Speaker 2: I love him as a character.
• 1:07:24
  Speaker 1: He is... When Axel Foley hits the screen, I know
• 1:07:28
  Speaker 1: this person. Yeah. I'm a hot shot.
• 1:07:30
  Speaker 3: I'm from Detroit.
• 1:07:31
  Speaker 1: I ain't with all that L.A.
• 1:07:32
  Speaker 3: Stuff. The white people ain't really going for him. He's braggadocious.
• 1:07:36
  Speaker 1: Yeah. He's cool.
• 1:07:38
  Speaker 3: He's funny. Axel Foley is great.
• 1:07:41
  Speaker 1: I think that's why the Axel Foley movie did okay,
• 1:07:43
  Speaker 1: the most recent one.
• 1:07:46
  Speaker 3: I just like... I get Axel Foley.
• 1:07:49
  Speaker 2: Axel Foley is a great character, man.
• 1:07:52
  Speaker 3: Yeah, he's perfect.
• 1:07:53
  Speaker 2: You can see how he was pulling everything.
• 1:07:55
  Speaker 1: Off that he was doing.
• 1:07:56
  Speaker 2: For sure.
• 1:07:57
  Speaker 1: Banana in the tailpipe, man.
• 1:07:58
  Speaker 2: Yeah, he's just a good time. The cops that were
• 1:08:00
  Speaker 2: supposed to hate him just couldn't even hate him.
• 1:08:02
  Speaker 1: They can't. He wins everybody over. He's just a good time, dog.
• 1:08:06
  Speaker 3: He's a good time.
• 1:08:08
  Speaker 2: Rosewood liked him immediately.
• 1:08:09
  Speaker 1: Yeah.
• 1:08:10
  Speaker 2: He was eating that little shrimp burger. salad sandwich he
• 1:08:15
  Speaker 2: got for them at the car to distract them. He
• 1:08:17
  Speaker 2: was brubbing.
• 1:08:18
  Speaker 1: Wait, that's it. That's 10.
• 1:08:19
  Speaker 2: Are we already done?
• 1:08:21
  Speaker 1: We're done.
• 1:08:21
  Speaker 2: Okay, so we got Out of Order. So we got
• 1:08:26
  Speaker 2: Coming to America, Life, Beverly Hills Cop 1 and 2.
• 1:08:29
  Speaker 2: We got Shrek. We got Boomerang. We got 48 Hours,
• 1:08:34
  Speaker 2: Nutty Professor, Harlem Nights.
• 1:08:36
  Speaker 3: And Shrek.
• 1:08:37
  Speaker 2: Okay. No, I said Shrek already.
• 1:08:39
  Speaker 1: You did? Yeah.
• 1:08:44
  Speaker 2: Maybe that is it though, I'm just forgetting one. All right,
• 1:08:49
  Speaker 2: so we did, we got 48 hours, we got train places,
• 1:08:53
  Speaker 2: we got Beverly Hills Cop 1, we got Beverly Hills
• 1:08:55
  Speaker 2: Cop 2, we have Coming to America, we got Harlem Nights,
• 1:09:00
  Speaker 2: we got Boomerang, we got Life, we got Shrek. We
• 1:09:05
  Speaker 2: need one more? Where am I?
• 1:09:08
  Speaker 1: I feel like I'm missing, because you went first and
• 1:09:10
  Speaker 1: I went last.
• 1:09:11
  Speaker 2: I know I picked 48 Hours, Beverly Hills Cop 2,
• 1:09:17
  Speaker 2: Coming to America, Trading places. Trading places. Am I missing one?
• 1:09:29
  Speaker 1: Did you do another 48 hours?
• 1:09:31
  Speaker 2: No.
• 1:09:31
  Speaker 3: No, you didn't do that.
• 1:09:37
  Speaker 2: Do I need one more?
• 1:09:38
  Speaker 3: No, I didn't pick Dreamgirls for real. Tony wouldn't allow it.
• 1:09:43
  Speaker 2: Hold on.
• 1:09:43
  Speaker 3: We did Come to America. We did Beverly Hills Cop.
• 1:09:45
  Speaker 3: We did Trading Places.
• 1:09:46
  Speaker 2: Life.
• 1:09:47
  Speaker 3: Nutty Professor.
• 1:09:47
  Speaker 1: 48 hours, Boomerang, Harlem Nights, Shrek.
• 1:09:52
  Speaker 2: You said life?
• 1:09:54
  Speaker 3: Yeah, we're missing one.
• 1:09:57
  Speaker 2: Well, whose go is it?
• 1:09:58
  Speaker 3: It's mine, because you went first.
• 1:10:04
  Speaker 1: Huh.
• 1:10:10
  Speaker 3: Do I want Shrek?
• 1:10:11
  Speaker 1: Do I want two Shreks?
• 1:10:17
  Speaker 2: Golden Child.
• 1:10:19
  Speaker 1: Golden Child. We haven't picked Golden Child. We haven't picked
• 1:10:22
  Speaker 1: Dolomite Is My Name.
• 1:10:23
  Speaker 2: Mulan. Dolomite Is My Name.
• 1:10:24
  Speaker 3: Mulan, we haven't picked. Bowfinger, Dr.
• 1:10:27
  Speaker 1: Dolittle.
• 1:10:27
  Speaker 3: I don't feel strong about Dr.
• 1:10:28
  Speaker 2: Dolittle, though.
• 1:10:29
  Speaker 1: I like Golden Child.
• 1:10:33
  Speaker 2: Golden Child is good.
• 1:10:34
  Speaker 1: I like Dolomite Is My Name better, though.
• 1:10:36
  Speaker 2: We did Beverly Hills twice. That's why.
• 1:10:46
  Speaker 3: You said one and two, though, didn't you?
• 1:10:48
  Speaker 1: Let's do it. Come on, man.
• 1:10:49
  Speaker 2: Here we go. I'm going to do it in order.
• 1:10:52
  Speaker 1: Do it in order, man.
• 1:10:53
  Speaker 2: This is the order of how his movies came out
• 1:10:55
  Speaker 2: that we included.
• 1:10:56
  Speaker 3: Okay.
• 1:10:57
  Speaker 2: 48 Hours.
• 1:10:58
  Speaker 1: Yes.
• 1:10:58
  Speaker 2: Trading Places. Beverly Hills Cop. Then we did Coming to America.
• 1:11:07
  Speaker 2: Harlem Nights. So that's five.
• 1:11:09
  Speaker 1: Yes.
• 1:11:09
  Speaker 2: We did Boomerang. Nutty Professor. Life. Shrek. On Beverly Hills
• 1:11:17
  Speaker 2: Cop 2. That's it. That's it. We good then.
• 1:11:19
  Speaker 3: We did have 10.
• 1:11:19
  Speaker 2: Okay.
• 1:11:20
  Speaker 3: Okay.
• 1:11:20
  Speaker 2: There we go.
• 1:11:21
  Speaker 1: All right, y'all.
• 1:11:22
  Speaker 2: Yeah, man.
• 1:11:22
  Speaker 1: God bless y'all.