Latest / The Hauraki Big Show / OUTRO: Cross The Line

Transcript

OUTRO: Cross The Line · The Hauraki Big Show

• 0:00
  Speaker 1: Well, I need to know that you guys are ready.
• 0:02
  Speaker 2: I've been ready for.
• 0:06
  Speaker 3: Came.
• 0:07
  Speaker 1: Hey, I'm going to play the thing here. We can't
• 0:09
  Speaker 1: just talk over it.
• 0:10
  Speaker 2: Why it's a.
• 0:13
  Speaker 4: Fan of.
• 0:16
  Speaker 2: Make sure you check out more from Jay, Smike and
• 0:18
  Speaker 2: Kezy on your Instagram at Hodaky Big Show.
• 0:20
  Speaker 3: Fortuing into them four to seven every weekday on radio.
• 0:27
  Speaker 3: Watches over me.
• 0:29
  Speaker 2: Yeah, same for a change. I don't I don't even
• 0:33
  Speaker 2: readister it my head.
• 0:35
  Speaker 5: Did you make that, Pugs? Was that you that made that? No,
• 0:38
  Speaker 5: someone else made it. So we should get Pugs to
• 0:40
  Speaker 5: put his only if he's got speed chance in the
• 0:44
  Speaker 5: next sort of month.
• 0:45
  Speaker 3: Just any time, because he's got a lot of stuff
• 0:47
  Speaker 3: going on.
• 0:48
  Speaker 2: Pass I said to him earlier before I went into
• 0:52
  Speaker 2: the studio, can you get the headphones in there please?
• 0:56
  Speaker 1: And he was like, yeah, I'd have a lot of
• 0:57
  Speaker 1: stuff on too.
• 0:58
  Speaker 3: Spoke to me and he was of a response. Man,
• 1:02
  Speaker 3: those ones sitting right in front of you on that table.
• 1:04
  Speaker 2: They were right in front of me. But it's not
• 1:06
  Speaker 2: my job to pick them up and bring them in.
• 1:07
  Speaker 5: Well, actually it is, but Pugs is such a great
• 1:10
  Speaker 5: guy he started doing it for us.
• 1:12
  Speaker 3: Fortunately, he's made a rod for his own back. So
• 1:16
  Speaker 3: the expectations have been seats, so he doesn't do it.
• 1:19
  Speaker 3: It's not like he gets credit now for doing it,
• 1:21
  Speaker 3: but if he doesn't do it, he loses credit.
• 1:24
  Speaker 2: And also there's the whole thing. I I don't want
• 1:25
  Speaker 2: to interrupt his flow, his routine, and I can imagine that,
• 1:31
  Speaker 2: you know, he goes to do the job and then
• 1:33
  Speaker 2: he finds that one of the peers are missing because
• 1:36
  Speaker 2: haughty Jay's taking some initiative and done it himself, and
• 1:40
  Speaker 2: he's like, oh, for fuck's sake, and then he's been
• 1:44
  Speaker 2: twenty minutes trying to find the missing headphones and that
• 1:46
  Speaker 2: ruins his entire day because he has a lot of
• 1:48
  Speaker 2: stuff to do.
• 1:49
  Speaker 1: Man, it takes quite a lot to ruin his routine.
• 1:52
  Speaker 2: Well, this is what surprised me because he's quite a
• 1:54
  Speaker 2: mild mannered chap, very very nice man.
• 1:57
  Speaker 3: I think it is real self as stones come through.
• 2:00
  Speaker 3: Actually is a moody.
• 2:01
  Speaker 2: Yeah, he had a swing at me. Mogie had a
• 2:03
  Speaker 2: swing with.
• 2:05
  Speaker 1: His first or his foot with his first Did he connect?
• 2:09
  Speaker 2: Nah, I'm too quick.
• 2:11
  Speaker 1: Oh you Bob and Weave?
• 2:12
  Speaker 2: Yeah, yeah, so.
• 2:14
  Speaker 3: You're Bob and Weaver or did you kneel and Bob.
• 2:16
  Speaker 2: I didn't move. He just was way off target.
• 2:20
  Speaker 1: So you didn't move at all, and he missed because he's.
• 2:22
  Speaker 2: Quite on co.
• 2:27
  Speaker 3: So good.
• 2:28
  Speaker 2: I'm looking at him in Studio B now and he's
• 2:30
  Speaker 2: not happy. He is not happy.
• 2:33
  Speaker 1: He's life cutting this for YouTube as well.
• 2:35
  Speaker 3: As I noticed he started chewing gum waited as a
• 2:39
  Speaker 3: way to get rid of the tension. Sure, it only
• 2:42
  Speaker 3: starts chewing gum just before we turn out.
• 2:44
  Speaker 5: Well, he was saying on Friday night when I was
• 2:45
  Speaker 5: at his house when he invited me in for a drink,
• 2:48
  Speaker 5: that he's going to become like a guy who's got
• 2:50
  Speaker 5: a thing and he couldn't decide between having a toothpeck
• 2:52
  Speaker 5: all the time or chewing gum.
• 2:54
  Speaker 3: I think toothpeck is good. Sylvester still owned that in
• 2:57
  Speaker 3: the movie Cobra. Oh actually I think his was a No.
• 3:00
  Speaker 3: I think it was a tooth, but not a match stick,
• 3:02
  Speaker 3: because that's another thing you can do a match stick
• 3:04
  Speaker 3: a match stick.
• 3:05
  Speaker 2: I would like to see pugsn take up chewing backy
• 3:10
  Speaker 2: chewing and have like a little bowl or a spatoon.
• 3:16
  Speaker 3: Or a pis ball end.
• 3:21
  Speaker 2: Yeah, you're going to need some heavy machinery for that.
• 3:25
  Speaker 1: You're going to need like a chattering.
• 3:29
  Speaker 3: Half put through a hoop? Yeah, yeah, so good.
• 3:35
  Speaker 1: How was filming last night, Jason?
• 3:36
  Speaker 3: Was it? Was it good? Yeah? It was.
• 3:39
  Speaker 2: It was one of those scenes where it was fucking
• 3:42
  Speaker 2: cold again winter?
• 3:44
  Speaker 3: Was it at night outside of winter?
• 3:46
  Speaker 2: Ridiculous? But it was one of those scenes where you went, okay,
• 3:51
  Speaker 2: oh yeah, this could be multiple setups. And so we're
• 3:55
  Speaker 2: all all of us that were involved in the sem.
• 3:58
  Speaker 3: How many people were involved? How many actors head lines?
• 4:01
  Speaker 2: Three people had lines and one person was lying down?
• 4:06
  Speaker 3: Lie down? Were they did?
• 4:07
  Speaker 2: Yes?
• 4:08
  Speaker 3: They sound like they were dead? Yes, spoiler alert?
• 4:12
  Speaker 1: What was your line?
• 4:13
  Speaker 3: I've had people hitting me up in my messages just
• 4:15
  Speaker 3: say and I just want to be clear because people
• 4:17
  Speaker 3: are dying to know what this says. I just want
• 4:19
  Speaker 3: to be very very clear that this is not Broken
• 4:21
  Speaker 3: Wood Mysteries.
• 4:22
  Speaker 5: No, absolutely, I want to be clear that this is
• 4:25
  Speaker 5: late night, big Breakfast, and it's back.
• 4:27
  Speaker 3: Sure is.
• 4:28
  Speaker 2: Men, three of us hadlines. Make you better. It had
• 4:32
  Speaker 2: the potential to be complicated, sure, but they directed did
• 4:37
  Speaker 2: a very good job and it wasn't great. And so
• 4:39
  Speaker 2: we only had three setups. It sounds like a three
• 4:42
  Speaker 2: set and the good thing was that mentally.
• 4:44
  Speaker 3: Two shot one single well.
• 4:46
  Speaker 2: Yeah, one why as well? One in that direction sort
• 4:50
  Speaker 2: of closer up, and then one focus the other way.
• 4:52
  Speaker 3: And was there two people in one of those other ways? Yes?
• 4:55
  Speaker 5: Yeah, yeah.
• 4:58
  Speaker 1: Isn't that interesting?
• 4:58
  Speaker 2: I think because so archologically and because it was so cold,
• 5:02
  Speaker 2: we're barred up for the fact that.
• 5:03
  Speaker 1: It could be go on a bit, what's a direction
• 5:06
  Speaker 1: going to?
• 5:06
  Speaker 2: So we were very stated when they went Okay, that's
• 5:09
  Speaker 2: the scene.
• 5:10
  Speaker 3: We were like, whoa, it's a treat.
• 5:12
  Speaker 2: Yeah it is.
• 5:13
  Speaker 3: It is a tree and you're far bit to go
• 5:14
  Speaker 3: in that way the amount of times that you've been
• 5:16
  Speaker 3: on there and you're like, fuck, I think we might
• 5:19
  Speaker 3: get out of here. Only today is looking really good
• 5:23
  Speaker 3: over time.
• 5:24
  Speaker 2: Fatal move.
• 5:25
  Speaker 3: God, it sucks. The whole Archy Big Show week days
• 5:29
  Speaker 3: from four on Radio Hurarchy. Remember the Warky Big Show podcast.
• 5:34
  Speaker 5: Just on the camera angles thing, the classic. Because I
• 5:37
  Speaker 5: obviously did like a sort of form of journalism, I guess,
• 5:39
  Speaker 5: and my old job but not really. But I'd be
• 5:41
  Speaker 5: involved with a lot of journalists and you'd go to
• 5:44
  Speaker 5: a media set up, right, so it'd be like Sean
• 5:46
  Speaker 5: Johnson's retiring, all the media comes down and then you
• 5:48
  Speaker 5: have people from like TVs News for example, they would
• 5:51
  Speaker 5: have two camera people, one to film Sean Johnson and
• 5:55
  Speaker 5: one to film the journalist nodding. They would have two
• 5:59
  Speaker 5: they'd have to generally you only have the one camera correct,
• 6:02
  Speaker 5: and then you would record the noddies later if the
• 6:05
  Speaker 5: call is noddy. So somebody says something, the journalist nods
• 6:08
  Speaker 5: is head yet interesting yes?
• 6:11
  Speaker 3: Or her head yes? And you just cut away to
• 6:13
  Speaker 3: that and it's all fake. That's a way I wouldn't
• 6:15
  Speaker 3: be playing that extra person.
• 6:17
  Speaker 5: But the reason they do it is because some of
• 6:18
  Speaker 5: the big dogs like to and they you'll see this
• 6:21
  Speaker 5: at media conferences. They'll interrupt someone halfway through their explanation
• 6:24
  Speaker 5: and to show that it was them that had the question,
• 6:27
  Speaker 5: so that if you want to use that reply, you
• 6:29
  Speaker 5: have to have the big dogs question in there as well.
• 6:32
  Speaker 5: So it'd be like Jace, you know you're retiring, mat,
• 6:34
  Speaker 5: how do you feel great?
• 6:38
  Speaker 3: Thanks? I'm retiring. I feel really good about it, CAZy.
• 6:42
  Speaker 3: I mean, obviously it's not something that I wanted to
• 6:43
  Speaker 3: do at this stage.
• 6:44
  Speaker 1: It's not something you wanted to do, So what made
• 6:46
  Speaker 1: you want to do it?
• 6:47
  Speaker 3: Look, I just haven't been playing you wanted to do
• 6:50
  Speaker 3: an example.
• 6:51
  Speaker 5: Yeah, you just kind of crushed it there, and they
• 6:56
  Speaker 5: will demand two cameras to get them asking that question,
• 6:59
  Speaker 5: to make sure the whole world knows that was their question.
• 7:02
  Speaker 5: We're an actual fact back at home, no one even
• 7:04
  Speaker 5: knows what gives a ship.
• 7:05
  Speaker 2: I was going to say, who gives a I don't
• 7:08
  Speaker 2: give a fuck if someone's nodding or not nodding, fuck you.
• 7:11
  Speaker 5: So my favorite thing back in the day was the
• 7:14
  Speaker 5: media set up starts. No, it wasn't that we're on YouTube.
• 7:17
  Speaker 5: Don't forget we're on YouTube.
• 7:20
  Speaker 1: But as soon as we're set up, that.
• 7:23
  Speaker 2: Was a good head bob. By the way, maybe.
• 7:25
  Speaker 5: There'd be certain big dog journalists, let's say, like you're
• 7:27
  Speaker 5: Andrew Saviles.
• 7:29
  Speaker 1: Yeah, they call them Jim Kay's and all that.
• 7:32
  Speaker 5: Back in the day, Jim and their whole stick was
• 7:34
  Speaker 5: I'm first, I'll ask five questions and then you guys
• 7:37
  Speaker 5: can eat. And so as soon the players, not even riddy,
• 7:39
  Speaker 5: everyone's half set up and I'm straight into it, how's
• 7:41
  Speaker 5: the mood? And camp every time the same question, just
• 7:45
  Speaker 5: to get the ball rolling. And then I got two questions,
• 7:47
  Speaker 5: and then I'd ask stupid ones because it was Craig
• 7:49
  Speaker 5: as well, and then we'd be out of there and
• 7:51
  Speaker 5: our thing was just to beat the big dogs so
• 7:53
  Speaker 5: that they don't get to start good ship.
• 7:55
  Speaker 3: Can how do we get onto that?
• 7:58
  Speaker 2: Oh yeah, angle, Yeah, because there's all that, there's all
• 8:02
  Speaker 2: the thing called crossing the line and all that sort
• 8:04
  Speaker 2: of stuff, which I still can't be bothered.
• 8:07
  Speaker 1: I understand it's hard to wrap your hit around.
• 8:09
  Speaker 3: Yes, you'll be on set and that. Even a DP
• 8:12
  Speaker 3: can be struggling with that.
• 8:13
  Speaker 5: So what's crossing the line. It's making sure that the
• 8:15
  Speaker 5: camera angles. It makes sense visually right looking at that's right.
• 8:18
  Speaker 3: So if there's two people in a conversation, it's so
• 8:21
  Speaker 3: you've got two cheers facing each other and the people
• 8:24
  Speaker 3: are having a conversation, you've got to make sure that
• 8:27
  Speaker 3: they're both looking to the right side of the cameras,
• 8:30
  Speaker 3: to the correct side of the game. That's right. Sometimes
• 8:32
  Speaker 3: if you if you've fucked up the line, it looks
• 8:35
  Speaker 3: like they're not looking at each other, they're looking at
• 8:36
  Speaker 3: opposite directions. Yeah, yes, it's always really funny. So what
• 8:40
  Speaker 3: that means is you just need to draw an imaginary
• 8:43
  Speaker 3: line down the room and you keep both of the
• 8:45
  Speaker 3: people on the same side of the line. Yeah right, okay, keasy,
• 8:49
  Speaker 3: right mate? Yeah, I mean I knew that it's good stuff.
• 8:53
  Speaker 3: That's interesting. It's interesting.
• 8:56
  Speaker 2: To answer your question, it was fine, it's good. It's
• 8:59
  Speaker 2: home earlier than I did the night.
• 9:01
  Speaker 3: That was nice.
• 9:02
  Speaker 2: And can I make a confession. This is going to
• 9:07
  Speaker 2: shock you fellers. You know what time I woke up today?
• 9:10
  Speaker 3: Eight thirty, no, eleven thirty.
• 9:13
  Speaker 2: None, ten thirty what? I fucking shit you not to
• 9:20
  Speaker 2: bed about coke to two holy ship, that's good? And
• 9:26
  Speaker 2: I and I was lying in bed and I thought
• 9:28
  Speaker 2: my wife was still there, and I sort of went in.
• 9:30
  Speaker 4: I was feeling pretty just around there, fondle did they
• 9:40
  Speaker 4: but anyway, and she wasn't there, and I thought, oh,
• 9:42
  Speaker 4: I thought she was still there.
• 9:43
  Speaker 2: And I snoozed. Can I phrase it that way? And
• 9:47
  Speaker 2: then woke up and it was a beautiful day, felling
• 9:52
  Speaker 2: it continues to be and it continues to be magnificent.
• 9:55
  Speaker 2: And looked at my clock. I looked at my phone
• 9:57
  Speaker 2: and went what I actually my cop first yes, still
• 10:03
  Speaker 2: got it, And then ten thirty I was like, what
• 10:07
  Speaker 2: the hell? So I immediately messaged my wife to say,
• 10:12
  Speaker 2: how's that coffee coming? Along love, but she was out
• 10:15
  Speaker 2: for a walk with the dog.
• 10:17
  Speaker 5: So when you message our group at eleven oh one
• 10:19
  Speaker 5: saying what a stunning day feels like spring, you were
• 10:21
  Speaker 5: not long out.
• 10:22
  Speaker 1: Of beard indeed, Man, yes, great, did you feel good?
• 10:25
  Speaker 2: I felt so good? And because it was such a
• 10:29
  Speaker 2: beautiful day, I was like, this is the bomb that.
• 10:34
  Speaker 3: It was good?
• 10:34
  Speaker 2: Actually, yeah, that was a good one. It was a
• 10:37
  Speaker 2: good one.
• 10:37
  Speaker 1: Oh that's good. That's really yeah.
• 10:40
  Speaker 2: Yeah, yeah, I'm just gonna.
• 10:42
  Speaker 3: On a day like that. You've had a good sleeper
• 10:43
  Speaker 3: and you've waken up, nobody's home. You make yourself a
• 10:46
  Speaker 3: little coffee, go outside a beautiful day, have a ciggie.
• 10:50
  Speaker 3: It's good eating.
• 10:50
  Speaker 2: It's just going to go and get a water. But
• 10:52
  Speaker 2: I've got to go through Studio B and fucking I
• 10:55
  Speaker 2: cross old again.
• 10:57
  Speaker 1: Do you think I should just wa I reckon, I'll
• 10:59
  Speaker 1: go get any game?
• 11:00
  Speaker 3: Yeah?
• 11:00
  Speaker 1: Thanks, because he is in.
• 11:02
  Speaker 5: Do we need like a hoo of a mood sting?
• 11:05
  Speaker 5: Whenever someone accuses someone of being a who of a mood,
• 11:08
  Speaker 5: it's like an alert or something.
• 11:09
  Speaker 3: Maybe maybe the problem is that you get accused most
• 11:12
  Speaker 3: of the time.
• 11:13
  Speaker 1: Yeah, like about three times a week.
• 11:14
  Speaker 3: Yeah, but you won't push the button.
• 11:15
  Speaker 1: No, here we go.
• 11:20
  Speaker 5: Follow, Listen whatever the Hurdarky Big Show, four or seven
• 11:22
  Speaker 5: every single.
• 11:23
  Speaker 1: Weekday on Radio Hurdarcky. It's so great.