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Chedda Da Connect Interview · The Breakfast Club

0:00
Speaker 1: I'm real people, real celebrity Real joined the Breakfast Morning.
0:07
Speaker 1: Everybody is DJ Envy, angela Ye, Charlomagne the Guard. We
0:10
Speaker 1: are the Breakfast Club. Special guests in the building with
0:13
Speaker 1: us this morning, Chat Connect Play. It was difficult getting
0:18
Speaker 1: you in here because our camera guy was like, what
0:20
Speaker 1: do I call him? Do I call him Cheddar? Him?
0:22
Speaker 1: Mister connect it Cheddar connect man, mister flicker. How did
0:27
Speaker 1: you get the name? Well, you know in the egh time,
0:30
Speaker 1: you know, bagging the streets. You know, they gave me
0:32
Speaker 1: their name. So I've been running with it for a while,
0:35
Speaker 1: about like fifteen sixteen. Don't know Chatter to connect. You
0:38
Speaker 1: definitely know the record. Look at the flick of the rists.
0:41
Speaker 1: Is that song about cooking dot Hey for the public eye,
0:45
Speaker 1: it's about watching, you know what I'm saying about watching
0:47
Speaker 1: and working your risk. Many string up eggs, but you
0:50
Speaker 1: know for the streets. You know what I'm said, were
0:53
Speaker 1: in the kitchen with its risk. He broke his risk.
1:01
Speaker 1: Depending on who you are, could be anything. Basketball, So
1:03
Speaker 1: you gotta flick the risk when you're shooting. And my
1:05
Speaker 1: son believes me it was crazy something dude brought his
1:08
Speaker 1: mama to me. He was like, man, tell him this
1:10
Speaker 1: song is cooking dope. I was like, nah, it's not.
1:12
Speaker 1: I couldn't. It was a trap queen, and she was
1:18
Speaker 1: like the look at you. She was like, please don't
1:20
Speaker 1: tell me it's a dope song. Please don't. I did
1:23
Speaker 1: that work flicking. What made you lead the streets to
1:27
Speaker 1: start rapping? Well? Who said I love the streets? No joke.
1:35
Speaker 1: Why would you assume this guy's attack got little kill
1:39
Speaker 1: package up? Yeah? You know what I I got? Yeah? I
1:40
Speaker 1: got something in the show made you start rapping? Now?
1:45
Speaker 1: I was always writing a few years. I was just
1:48
Speaker 1: doing recording for my personal use, and I just I
1:51
Speaker 1: went in the studio one day and I just I
1:53
Speaker 1: like my voice. So everybody was like, I let people here,
1:55
Speaker 1: and I was like, man, you got a nice voice.
1:57
Speaker 1: You need to keep it up. So I just kept
1:59
Speaker 1: it from there. So I just stuck to it. So
2:01
Speaker 1: you liked your voice. You never heard yourself before? You
2:04
Speaker 1: know when you're talking, you know what I'm saying. You
2:06
Speaker 1: can't really hit yourself. You know what he came until
2:08
Speaker 1: you when you're rapping, Like when I jump on the track,
2:10
Speaker 1: I sound different. You know what I'm saying from how
2:12
Speaker 1: I sounded in person. So I was like, okay, okay,
2:15
Speaker 1: you know what I'm saying. I like this. I like
2:16
Speaker 1: I like the little style. So you had good relationships
2:19
Speaker 1: with other artists in Houston, alybody, because I say you
2:20
Speaker 1: had kirk O bangs. You know that's my brother, right,
2:23
Speaker 1: the Kirk Kole that's my brother yeo. You know, slumped
2:26
Speaker 1: up power, all of them. You know, we're family, man,
2:28
Speaker 1: and we stick together. So, I mean I knew him
2:30
Speaker 1: from the streets. I mean I haven't heard a lot
2:33
Speaker 1: of you, but I heard the flick of the rist.
2:34
Speaker 1: Of course you don't have it. Don't sound like you
2:35
Speaker 1: got a traditional Houston style. Now, Well, unfortunately I don't.
2:40
Speaker 1: Because you know, I was in an a for a while.
2:43
Speaker 1: You know what I'm saying. I was out there in
2:44
Speaker 1: a kitchen place. You know what I'm saying. I had
2:47
Speaker 1: got in the mix with them. Hey, you know they
2:49
Speaker 1: got they got that axm. Hey, they chirped many times
2:56
Speaker 1: they chirped, you know what I'm saying. But we're gonna
2:58
Speaker 1: talk about that though. Now a little bite through some
3:01
Speaker 1: shots your way, he said. The fat boy from Texas
3:04
Speaker 1: that may flick the wrist song is so disrespectful. Hey, man,
3:07
Speaker 1: that's funny. But he tried to get so much plebisit
3:10
Speaker 1: right now, I mean somebody that. I mean, they just
3:11
Speaker 1: need to give it to a for real, you know
3:13
Speaker 1: what I said. But I got a lot of a
3:14
Speaker 1: little bit ready to I blast him if if he
3:16
Speaker 1: really just coyby, I'm gonna blast him for show. Are
3:19
Speaker 1: you afraid of the base God curse? Hey, I all
3:25
Speaker 1: know about the curse? Many say that superstitious to be.
3:29
Speaker 1: You know what I said, like put your purse on
3:30
Speaker 1: the floor, But did you know did you know a
3:32
Speaker 1: little bee? Did you know the cooking dance or anything?
3:34
Speaker 1: I actually was a fan of a little bit. I
3:35
Speaker 1: ain't gonna lie at first, but now I hate it
3:38
Speaker 1: what it is. I'm trying to figure out how this
3:40
Speaker 1: little bee has a pattern on the cooking dance when
3:42
Speaker 1: the cooking dance derived from actually cooking dope. So I mean, man,
3:46
Speaker 1: I don't see how you got a pattern on the
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Speaker 1: cooking dance for so, I mean because if we flicking though,
3:50
Speaker 1: you know, it's a different way. You can gonna watch
3:51
Speaker 1: the video and it's a whole different way how we
3:54
Speaker 1: do it. You know what we're gonna do it like this.
3:56
Speaker 1: You know they cook they do it, they do it
3:58
Speaker 1: totally different. And to me, Atlanta, you know, they've been
4:01
Speaker 1: cooking before anybody say that's why I first seen it.
4:04
Speaker 1: That was before I even hit the public. You know,
4:06
Speaker 1: the Boy State. They was always in the kitchen women
4:09
Speaker 1: PMC was doing it back in the day. You know
4:10
Speaker 1: what I'm saying before little b So you know what
4:13
Speaker 1: I'm saying, Chefio, what's the best way to cook your Hey?
4:19
Speaker 1: The best way? You gotta get that for you gotta
4:22
Speaker 1: you gotta play with it for real, just get that risk.
4:25
Speaker 1: You gotta work in that circular mootion man, like you
4:27
Speaker 1: opened up cooking some age. Man. You gotta stir that
4:29
Speaker 1: ship man. Okay. Now I heard a lot of unofficial
4:31
Speaker 1: remixes for this song, but I know you have an
4:33
Speaker 1: official one. Yeah, yep, yep. So how do you how
4:37
Speaker 1: do you decide? This is who I won on it?
4:38
Speaker 1: Because I'm sure a lot of people probably came to
4:40
Speaker 1: you and said, I want to be on the remix. Yeah,
4:42
Speaker 1: I mean we wanted, uh, you know, especially like two
4:45
Speaker 1: China doll But I guess they were just like, you know,
4:47
Speaker 1: they couldn't wait, so they just dropped the virgie. We
4:49
Speaker 1: gotta put this thing got like at so but the
4:52
Speaker 1: official remix it will be out this week. This week,
4:57
Speaker 1: there's gonna be official one coming out. I don't know
4:59
Speaker 1: which one. Was it offish up a bunch of one, Yeah,
5:03
Speaker 1: because everybody that was reaching out, you know, who was
5:05
Speaker 1: showing low. We wanted tripping, like, let's put it together,
5:08
Speaker 1: let's make it work. Did you keep it? Houston? You
5:09
Speaker 1: got some of the new guys, like the Sauce Twins
5:11
Speaker 1: on there with you. No, no, not on this track
5:13
Speaker 1: right here, but you know so I got them on
5:15
Speaker 1: a few ruggers though, for show come coming up together? Yeah?
5:18
Speaker 1: For show many they catching play man, They move man,
5:21
Speaker 1: that Sauce way moving man. Who's this one? Uh? I
5:26
Speaker 1: can't really just talk about it yet because we went
5:29
Speaker 1: on like too much exactly went on two more clearances Manu. Yeah, yeah,
5:35
Speaker 1: you almost got me on the show, and he ruined it.
5:41
Speaker 1: Rihanna and Drake for real, especially coming from what we
5:45
Speaker 1: call from the streets. But you looking at just as
5:47
Speaker 1: we were like, hey, little big pop starts. So I
5:49
Speaker 1: ain't gonna lie. We was. We was the living room
5:51
Speaker 1: the trap house jumped up and diving. Hey, Like, you know,
5:57
Speaker 1: I chilled my folks. May we were chilling many a
6:00
Speaker 1: little nun chain man, I stay humble, man, I just yeah,
6:03
Speaker 1: felt any jealousy from people or anything yet? Yeah for sure, Yeah,
6:07
Speaker 1: little b Yeah, a lot of jealousy. You know what
6:10
Speaker 1: I'm saying. I mean, like instead of in the region,
6:12
Speaker 1: now you're trying to salute. You know what I'm saying, Like,
6:14
Speaker 1: you know, because it's twenty fifteen, like people they slowed
6:18
Speaker 1: down on doing a lot of that cook you know,
6:19
Speaker 1: we brought it back a different way, you know what
6:21
Speaker 1: I'm saying, Like a new age, like like the new
6:23
Speaker 1: age rap style. You know what I'm like, Igno, R
6:25
Speaker 1: and B. We got a new It's flicking right now,
6:27
Speaker 1: you know what I'm saying. So when you said you
6:29
Speaker 1: blast a little bit, you don't mean like with a gun, right, Na, Na,
6:32
Speaker 1: you know what I'm saying Now, I ain't gonna bless him.
6:34
Speaker 1: I'm saluted when I see him. Now you in New York,
6:39
Speaker 1: I see what your jury on. I saw a video
6:41
Speaker 1: back in March where some dudes jumped jumped on you
6:44
Speaker 1: in the club and took your jury. Yeah. Man, nah man, hey, man,
6:47
Speaker 1: it ain't. It ain't what it looked like. You know
6:48
Speaker 1: what I'm saying. You know they made it look like
6:50
Speaker 1: it was more than what it was. But it wasn't
6:52
Speaker 1: even for us. We're just in the wrong play the
6:54
Speaker 1: wrong time, just street popped out. But we're hand the
6:57
Speaker 1: elections though for sure, I know that's your explanation for that.
6:59
Speaker 1: Like I was in the wrong, was out knowing, you know,
7:02
Speaker 1: saying in the streets honeygoons. Okay, you know what I'm saying.
7:07
Speaker 1: Not in New York for show Come of Age, Tiler,
7:09
Speaker 1: this that Gary t Higgett took off the show, something
7:14
Speaker 1: like that happens. Is that make you say, Okay, now
7:16
Speaker 1: I gotta move differently because I wasn't anticipating that. You
7:19
Speaker 1: know what I'm saying, because it means now I opened
7:21
Speaker 1: my eyes, you know what I'm saying. Whenever we go places,
7:23
Speaker 1: but I still reach out to the people like I
7:24
Speaker 1: ain't moving no different. You were moving the same way
7:28
Speaker 1: the club with me last I ain't moved the same way.
7:29
Speaker 1: Got on stage, tell him again, but we turned up
7:31
Speaker 1: and up Brooklyn. You say it wasn't even meant for you,
7:36
Speaker 1: though I won't meant for me at out. You know
7:37
Speaker 1: what sad that we got down to. It wasn't made
7:39
Speaker 1: for me at out. You know what I'm saying. We
7:40
Speaker 1: just wrong played the wrong time. You know what I'm saying.
7:42
Speaker 1: It's just like it is what it is. It seems
7:44
Speaker 1: in throwing up your set, I guess you and I
7:47
Speaker 1: don't even game bang man, Hey, I'm out about green Man.
7:50
Speaker 1: You know what I'm saying. That's how the media took it.
7:52
Speaker 1: You know what I'm saying. But from the streets, they
7:54
Speaker 1: know what it is. It wasn't for us, but we
7:56
Speaker 1: just wrong played the wrong time. Around wrong didn't make
7:59
Speaker 1: you feel like you want to move a little more
8:01
Speaker 1: cautiously though, like oh yeah, yeah, I keep them hitters
8:03
Speaker 1: with men though for Shore got you, I'm keeping all chained.
8:07
Speaker 1: I'm gonna add the mouth now. You want to say
8:09
Speaker 1: that they said you were too shy to put out
8:11
Speaker 1: a record because you didn't want to be turned down.
8:13
Speaker 1: Oh no, they said it like that. It wasn't like that.
8:16
Speaker 1: I told me. I told you I take back in
8:20
Speaker 1: the day. I take criticism hard. You know what I'm saying.
8:22
Speaker 1: With people be like, hey that it don't sound good.
8:24
Speaker 1: You know what I'm saying. Okay, let me go back
8:26
Speaker 1: and then fix it then. But there wasn't no about shot.
8:28
Speaker 1: You know what I'm saying. I always I've been quiet,
8:31
Speaker 1: the quiet person, you know what I'm saying. But I'm
8:33
Speaker 1: very outgoing. You're not supposed to take anything personally. Man.
8:35
Speaker 1: It's a great book called The Four Agreements. You should
8:37
Speaker 1: pick it up. Teaches you how not to take things
8:39
Speaker 1: personally because you know, somebody might say they don't like
8:41
Speaker 1: your stuff. Yeah, but then somebody else might say they
8:43
Speaker 1: like it for sure, So who's right who's wrong? That's
8:45
Speaker 1: what I want. The thing I learned to like. You
8:46
Speaker 1: can't like a lot of It's a lot of negativity,
8:48
Speaker 1: especially when you're jumping. The game was new order. First thing.
8:51
Speaker 1: They always call you one hit one to one hit
8:53
Speaker 1: one to Oh you ain't got another track, you know
8:54
Speaker 1: what I'm saying. But I looked the other way because
8:56
Speaker 1: I'm I'm gonna keep them coming for show. But what
8:59
Speaker 1: made you decide to do a deal, because you could
9:01
Speaker 1: have not done a deal yet and held out. What
9:04
Speaker 1: made you decide, Okay, this is the right move. Well,
9:05
Speaker 1: because for the same fact, teamwork make dream work. You
9:08
Speaker 1: know what I'm saying. So when you got a lot
9:10
Speaker 1: of people pushing one thing, you're gonna get father and
9:12
Speaker 1: a lot of people will be stubbing some time in
9:14
Speaker 1: their ways. But you know that's how they is. You know,
9:16
Speaker 1: people raise different. I feel like, hey, you put the
9:20
Speaker 1: like in the streets. If everybody get on the same page,
9:22
Speaker 1: everybody hustling out the same black someone that it's gonna pop.
9:25
Speaker 1: You know what I'm saying. So we got the machine
9:27
Speaker 1: working e one working hard right now. I don't care
9:29
Speaker 1: when nobody says they working hard right now. They're pumping
9:33
Speaker 1: man for real. But you don't see nothing in the
9:34
Speaker 1: back end though. Now now I ain't gonna lie. That's wrong.
9:40
Speaker 1: That's totally wrong. Right, Oh, that's totally wrong. For shows,
9:44
Speaker 1: and that's totally wrong. They stuff little chicks. They come
9:50
Speaker 1: for show, they give you up front money, but back
9:52
Speaker 1: in people say, especially because you your record is so big,
9:56
Speaker 1: is that well is he a one hit wonder? So
9:57
Speaker 1: when we're getting some more music, well we got to
10:00
Speaker 1: another regular feature of my brother Twang is twinkles. You know,
10:03
Speaker 1: they wanted me going there. It would like lay a
10:05
Speaker 1: beasty hook, you know, for the women. So I kept
10:07
Speaker 1: real simple. When they lay the Beast hook. It's called
10:10
Speaker 1: a twinkle like a star, but we're just gonna call
10:12
Speaker 1: it twinkle though. What that mean? Twinkling for the stripple?
10:16
Speaker 1: You know what I'm saying, Hey, twinkle man, you know,
10:18
Speaker 1: get that ass up the jiggling on you just a
10:22
Speaker 1: little bit. He no way, this guy, that's hey, what
10:27
Speaker 1: I'm gonna give as to Dia? What did the twinkle?
10:34
Speaker 1: You know when they are strip club shaking that as
10:36
Speaker 1: bouncing at that, you know what I'm saying. I like
10:37
Speaker 1: when they when they've been over halfway, you know what
10:40
Speaker 1: I'm saying, be jumping a little bit. So that's what
10:42
Speaker 1: we're gonna call it right there, Twinkle How how much
10:44
Speaker 1: long a you can call yourself mister flick of the
10:46
Speaker 1: risk because you know, a a matter of fact, after
10:48
Speaker 1: we live here is done straight ched to connect right.
10:52
Speaker 1: I just dropped to other world too on a lot
10:54
Speaker 1: of mixtape. Man. You know what, it's doing real good
10:56
Speaker 1: right now, getting a lot of feedback the world. That's
10:58
Speaker 1: the mixtape. Ye a mixtape hosted by DJ Screen. Are
11:02
Speaker 1: you good with Gucci? Man? Because I haven't always I
11:04
Speaker 1: hear people say, oh, he kind of reminds me of Gucci. Man,
11:07
Speaker 1: I never met him, you know what I say, But
11:08
Speaker 1: I'm a big fan of Gucci for show Man the show,
11:11
Speaker 1: big fan of oh yeah, a lot. When I read
11:15
Speaker 1: the article, I was like, yeah, I liked that because Gucci,
11:19
Speaker 1: Gucci had a big influence on people. Man, I ain't
11:22
Speaker 1: gonna lot. Guccia had out of the run man for
11:24
Speaker 1: real good music, and I'm sure and he's supposed to
11:27
Speaker 1: be coming home soon, right. I was a freestyle at first,
11:31
Speaker 1: freestyle straight out top of the dome, two cups and
11:34
Speaker 1: three switches, two cups and three switches. But you know,
11:43
Speaker 1: we had a lot, a lot of freestyle tracks and
11:44
Speaker 1: there was good hooks like I'm just waiting on at
11:47
Speaker 1: least these things. Man, what made you decide that? Yeah?
11:50
Speaker 1: What made you decide that was the one? It was
11:51
Speaker 1: a freestyle? Well, when I first brought it, I brought
11:54
Speaker 1: it to the club like we used to. I used
11:56
Speaker 1: to promote the clubes. I bring cup of artists. So
11:59
Speaker 1: I took it to the look like the first reaction
12:01
Speaker 1: that we got like it was two different riggors, suce rigget.
12:03
Speaker 1: There was flick of the ridge. I was saying push souts.
12:05
Speaker 1: Everybody else is like, now we need to push flick.
12:08
Speaker 1: So when the reaction from the flick, we just kept
12:10
Speaker 1: getting me there soon as dropped and telling me like
12:12
Speaker 1: people just they don't even know it, but they turned
12:14
Speaker 1: out were like, oh yeah, well this gotta be the one,
12:16
Speaker 1: so we're gonna test the waters with it, and they
12:18
Speaker 1: just started taking out. Man. Djay started calling me verywell
12:20
Speaker 1: and mister Rodgers like he wanted the first ones to
12:22
Speaker 1: break it out. Yeah, mister Rodgers, Man, I ain't gonna lie.
12:25
Speaker 1: I was at the trade count certain bag stay up
12:27
Speaker 1: to I ain't released the rigging number two weeks he
12:29
Speaker 1: already can't say. Man, I stayed up all night cleaning
12:32
Speaker 1: that rigget He said, listen to the riddle about eight
12:34
Speaker 1: o'clock when I got you from You know that. Mister
12:36
Speaker 1: Rodgers a good dude. Man. He's on the ninety three
12:38
Speaker 1: seven to be Yeah. Yeah, So the soft Ones I
12:40
Speaker 1: long you've been down with them? You knew them before
12:41
Speaker 1: the music? Yeah, well, like right when I got into
12:43
Speaker 1: the music, you know, I met him, but I always
12:45
Speaker 1: seen him around in the city because I wasn't rapping
12:47
Speaker 1: it then, but I always see the souce factor, sutis factor.
12:50
Speaker 1: They dripping mixtapes at the mixtape. But they're some cool cats. Man.
12:52
Speaker 1: A lot of people get the wrong you know what
12:54
Speaker 1: I'm saying, perspection about them, you know what I'm saying.
12:56
Speaker 1: But they're real cool man, they humble. You know, some
12:59
Speaker 1: people got they gotta entertain in front of the cameras.
13:02
Speaker 1: How do you feel about that? A little issue with Drake.
13:05
Speaker 1: I feel like that just is that's is open. You
13:07
Speaker 1: know what I'm saying. If he feel that way about Drake,
13:09
Speaker 1: that's what it is, you know. But saluted the Drake
13:11
Speaker 1: for showed up. You know what I'm saying. I'll rock
13:13
Speaker 1: with Drake though, but it's a Walker feel that way
13:16
Speaker 1: about Drake. That's the way he feels. You know. I
13:18
Speaker 1: don't think nobody should just really go with him because
13:20
Speaker 1: I mean, everybody got their own open. I think they
13:22
Speaker 1: should just be looked over and just gone about your bidding. Yeah,
13:25
Speaker 1: I think he said he reps he can never properly
13:27
Speaker 1: refuse them because he's not from there. No, I don't
13:30
Speaker 1: really like Drake showing a lot of love like it
13:32
Speaker 1: ain't just because he ain't because he's trying to dig
13:35
Speaker 1: ride him. He just because he wasn't show him a
13:37
Speaker 1: lot of loves, so he's showing it back. You know
13:38
Speaker 1: what I'm saying. Like he's in a big city, so
13:40
Speaker 1: a lot of artists come out there and get loved. Man,
13:42
Speaker 1: because a lot of people. We don't see too many
13:44
Speaker 1: people out there often, and when we do, they texting.
13:47
Speaker 1: They busted across the head, go see them. So when
13:49
Speaker 1: you know what I'm saying, somebody coming. When everybody got
13:51
Speaker 1: love for Houston, that's what they're rocking with it. Just
13:53
Speaker 1: like Rick rolled all of them, Houston loved them artists like,
13:57
Speaker 1: oh yeah, black expert, he's black. Watch a lot of
14:02
Speaker 1: the new artists coming out are getting with Switch the House, Rappert, Well,
14:07
Speaker 1: I got a lot of you know, rapper Lite. I
14:09
Speaker 1: don't really think they've taken Tom of you right now.
14:11
Speaker 1: You know what I'm saying, They solid Jay, Prince salad On.
14:13
Speaker 1: You know what I'm saying. If he's gonna rock with,
14:15
Speaker 1: gonna rock with, but right now, I don't really that
14:17
Speaker 1: he's just looking for nobody. And then Switch House they're
14:19
Speaker 1: doing the thing. They got a lot of locals right now.
14:21
Speaker 1: You know, watch he building like they got that hispanic basse.
14:25
Speaker 1: You know what I'm saying, so they got a strong
14:27
Speaker 1: basse right now. So he kind of pulled on, like
14:29
Speaker 1: a lot of Hispanic artists to switch house right and
14:31
Speaker 1: look at the flick of the wrist. Look at the
14:35
Speaker 1: flick they had. They I see somebody say the Spanish.
14:39
Speaker 1: I can't remember how they saying it, though I wish
14:40
Speaker 1: I can't see. I spake flicking the risk Spanish que
14:44
Speaker 1: he doesn't speak Spanish. Kill produce he doesn't. He doesn't.
14:56
Speaker 1: You could ask Carlos, tell them you ain't. Tell them
15:05
Speaker 1: you ain't. I wake up feeling like I need a
15:07
Speaker 1: hundred that same thing. No man, all right, well yeah
15:13
Speaker 1: we will be It's Texas Black Expo. And he said,
15:16
Speaker 1: this week where should we go eat? What we are used?
15:17
Speaker 1: What should we do on in Houston? Wet been used before.
15:21
Speaker 1: I'm gonna be back therefter trade at like so fool
15:23
Speaker 1: Ye'll want to pull up in Mickey going some broths
15:25
Speaker 1: and waffles, chicken while you know the Brothers Club and
15:29
Speaker 1: uh they got like Mexicans wine and dine, Eddy V's
15:32
Speaker 1: like them some good risk runs for shows. You're gonna
15:35
Speaker 1: do trade a this year if we got the I
15:37
Speaker 1: know right now, we booked we booked always to like
15:40
Speaker 1: me July, like coach Brook. We all tell you know
15:46
Speaker 1: what I'm saying. We paid team right now for show. Okay,
15:50
Speaker 1: just trying to get you to give one hundred dollars
15:51
Speaker 1: because it sharing gave him a hundred dollars. He was
15:53
Speaker 1: hoping he was going to tribute. But I go to
15:56
Speaker 1: the bay right that gives shot. Man, Come on, everybody
15:59
Speaker 1: shot everybody. No, let me give he got a twig on.
16:04
Speaker 1: Less fortunate you got a twig on. He got a
16:08
Speaker 1: twigle for that plays man, I appreciate, makes you bless you. You.
16:19
Speaker 1: You gotta make sure you buy Envy lunch though for
16:22
Speaker 1: damn thing. But I'm gonna thank you, my brother. You
16:25
Speaker 1: have third I'm gonna give. I'm gonna eat with it. No, no,
16:27
Speaker 1: no no. My man told me to go have lunch.
16:31
Speaker 1: I'm gonna have lunch. But I don't get lu You
16:37
Speaker 1: can't get man, for sure. They don't. Don't squeeze. You
16:42
Speaker 1: ain't something wrong. When the album coming out should be
16:46
Speaker 1: like it's in the septemb I told you got a
16:49
Speaker 1: name for it, not Hi. But I'm looking like catching
16:52
Speaker 1: players the album because the whole movement catching players getting
16:55
Speaker 1: big right now strong, No, I ain't really. I never
16:58
Speaker 1: heard nobody save but that can't stray out top of
17:00
Speaker 1: the donk. We appreciate you joining us and let's catching place.
17:06
Speaker 1: Yeah yeah, we just cut and pay all the live right.
17:12
Speaker 1: I wasn't pay anything more than a hundred and fifty dollars.
17:17
Speaker 1: I've read the manual. My goodness, all right, it's the
17:22
Speaker 1: hut it unt