Latest / The Bootleg Kev Podcast / #654 - Young Chris Talks Young Gunz, State Property, Roc-A-Fella, “Can’t Stop Won’t Stop,” Kanye & More

Transcript

#654 - Young Chris Talks Young Gunz, State Property, Roc-A-Fella, “Can’t Stop Won’t Stop,” Kanye & More · The Bootleg Kev Podcast

0:03
Speaker 1: Bootleg Cat Podcasts special guests in here. We got a
0:06
Speaker 1: legend in the building, man boy, Young Chris. Welcome, Welcome,
0:11
Speaker 1: Welcome man, good to see you.
0:13
Speaker 2: Man.
0:13
Speaker 1: I feel like the last time I saw you, I
0:15
Speaker 1: mean I've seen you a few places recently. You're always
0:18
Speaker 1: out and about in the mix. But I remember you
0:21
Speaker 1: had came on the show like right after because I
0:23
Speaker 1: know you were running around wal A for a second.
0:25
Speaker 1: I saw you at walle at Real right before the pandemic.
0:28
Speaker 3: Yeah, right before we got shut down.
0:31
Speaker 1: Yeah, so man, it's good to have you back. First
0:35
Speaker 1: of all, you and made in Tokyo, Lincoln for a
0:37
Speaker 1: project is very unexpected and a little random explained super random.
0:44
Speaker 3: Well, actually my team brought it to my attention because,
0:48
Speaker 3: like I said, it's new for me too.
0:50
Speaker 2: This is how you.
0:51
Speaker 3: Produce, right.
0:53
Speaker 2: You don't really use a lot of drums.
0:55
Speaker 1: Right, It's very different sonically than what I think we
0:57
Speaker 1: would expect, Young christ.
0:59
Speaker 2: Me spit on right, but same token versatile.
1:05
Speaker 1: Yeah for sure.
1:06
Speaker 3: When I could flex and show the versatility, you know,
1:09
Speaker 3: it's all good and it came out great. Yeah, I
1:12
Speaker 3: don't feel like it's too far fetched from what I
1:14
Speaker 3: normally do. Made in Philly, Made in Philly.
1:17
Speaker 1: Was it like, uh, something that Tokyo was excited to do?
1:20
Speaker 1: Because like obviously, man, I feel like you have like
1:23
Speaker 1: fans of your ship who like love the young guns,
1:25
Speaker 1: but then you have like people who were like super
1:27
Speaker 1: like dialed in on like the network mixtapes. You had
1:30
Speaker 1: like an entire very underrated mixtape run that was legendary,
1:34
Speaker 1: like Tokyo like tapped in it all.
1:37
Speaker 2: Just a crazy question. I gotta ask him.
1:39
Speaker 3: Yeah, I gotta ask you know what I'm saying because
1:43
Speaker 3: when I got when I just got with Tokyo, a
1:46
Speaker 3: lot of his shit was new.
1:47
Speaker 2: To me, right, you know what I'm saying.
1:50
Speaker 3: He got the big records, some good records.
1:52
Speaker 2: Yeah.
1:52
Speaker 3: Yeah, you're a good kid too, man, super shot great
1:55
Speaker 3: great energy, yeah yeah shot at two four they got
1:59
Speaker 3: good energy. But I don't know if he was if
2:04
Speaker 3: he knew I was on it, on it, on it
2:05
Speaker 3: in the beginning.
2:07
Speaker 2: But I can tell you when we started releasing.
2:08
Speaker 3: Records, his energy kind of changed, like yo, it hit
2:13
Speaker 3: me stuck this next one.
2:15
Speaker 2: Yeah, you know what I'm saying, I'm ready.
2:16
Speaker 1: So he's already hitting you to do another project?
2:19
Speaker 2: Yeah yeah, yeah for sure.
2:21
Speaker 1: So this project.
2:22
Speaker 3: Did the response we damn the probably already started another
2:25
Speaker 3: probably that's how we work.
2:26
Speaker 1: Damn you guys working out here in La Atlanta.
2:29
Speaker 3: Well, he was working in Atlanta. I was in Philly.
2:33
Speaker 3: But this shit sounded like we was together.
2:35
Speaker 1: That's fire. There you go, man, Man, you gotta be
2:40
Speaker 1: pretty Uh. First of all, I want to talk about
2:43
Speaker 1: just like the beginning of when you kind of got known. Like,
2:49
Speaker 1: let's let's go back. What was your initial introduction into
2:54
Speaker 1: getting on Hove's radar? Was it through your relationship with
2:58
Speaker 1: Beans and the State Property shit?
3:00
Speaker 3: Like, what kind of I can't even say that because
3:02
Speaker 3: I didn't know Beans. A lot of people I said
3:05
Speaker 3: it before, but State Property met at Rockefeller.
3:10
Speaker 1: That was something where it was we met after Rockefeller had.
3:14
Speaker 2: Been at Rockefeller.
3:15
Speaker 3: Everybody from Philly, of course, but Beans designed first.
3:20
Speaker 2: Uh.
3:21
Speaker 3: Once Beans put their attention on the city, they came
3:25
Speaker 3: searching right. Oh and Sparks Freeway, Yeah, I think Mac
3:31
Speaker 3: met Freeway in the club. Me and these had a
3:35
Speaker 3: personal relationship already. He moved from West Philly down to
3:39
Speaker 3: North wild Lovet and started going to the same middle
3:43
Speaker 3: school together. So we had a rapport. I felt like
3:47
Speaker 3: we were the only ones that had a report before
3:49
Speaker 3: we went up to the label, So yeah, everybody else
3:53
Speaker 3: kind of met up at the label. Man, we was
3:55
Speaker 3: in Baseline every day. You know what I'm saying, sleeping together,
4:01
Speaker 3: eating together, creating.
4:03
Speaker 1: And everyone's from the same place. So it's like, maybe
4:05
Speaker 1: we should call.
4:05
Speaker 3: It something then if i'm if I remember Dame saying
4:09
Speaker 3: something like that, ya, I.
4:10
Speaker 2: Need to form a group.
4:12
Speaker 3: Yeah, they see the love, the energy there, the music
4:16
Speaker 3: is marvelous.
4:18
Speaker 1: So were the young Guns a thing already or did
4:21
Speaker 1: you guys also then decide to be.
4:22
Speaker 3: Like young Guns just became a thing.
4:26
Speaker 2: So I remember we was shout out to Steve eeg man.
4:29
Speaker 2: That's man.
4:31
Speaker 3: Steve bought a lot of people up to the city
4:33
Speaker 3: around that time too. It Sadik Roal Roller, God bless
4:37
Speaker 3: her soul. When we was at Steve about fourteen. We
4:41
Speaker 3: used to be with Steve and I remember it's a
4:44
Speaker 3: few other names like trouble Makers something whatever it was,
4:49
Speaker 3: Young Guns is stuck. And to my right after that,
4:53
Speaker 3: like right after because that's that's where money cash holes
4:55
Speaker 3: came out.
4:56
Speaker 1: Hmmm, that is so like right.
4:59
Speaker 3: After that it we was up there having the meetings
5:03
Speaker 3: that's crazy. So that's we just we just we They
5:06
Speaker 3: already would look at us as a group because how
5:09
Speaker 3: we rolled together, Like I said, from middle school, high school,
5:13
Speaker 3: we were together like a choir, so they already considered
5:17
Speaker 3: us a group.
5:18
Speaker 1: Mm hmm.
5:19
Speaker 3: But when we went up there, we made it. We
5:21
Speaker 3: made it official. It's crazy because neath was rapping. I
5:24
Speaker 3: wasn't even rapping. NIF was doing all the rapping.
5:27
Speaker 1: So what what were you? What was your rolling the
5:29
Speaker 1: crew then? If you were made the Helmie.
5:31
Speaker 3: No, I'm talking about before before the crew even existed. Yeah,
5:36
Speaker 3: I'm saying when he came to North Philly.
5:39
Speaker 1: Okay, Oh, so when you guys ended up hanging out like.
5:42
Speaker 3: One Yeah, he wrapping in the lunch room. I'm playing,
5:46
Speaker 3: I'm doing the Beast on the table.
5:48
Speaker 2: It's lit.
5:49
Speaker 3: One day we went to his crib at the school.
5:51
Speaker 3: We walked home and he pulled out his uh chunk
5:55
Speaker 3: on the system and pulled out his pen and paper.
5:58
Speaker 2: You know, we start writing. Was new to us. God
6:01
Speaker 2: bless my man soul.
6:02
Speaker 3: Jug He rode our first four bars. Yeah, and I
6:07
Speaker 3: just kept that thing going.
6:08
Speaker 1: You just kept you know.
6:09
Speaker 2: Of course, they acting like you think they hyping you
6:11
Speaker 2: up anywhere.
6:11
Speaker 3: I'll go like, spit it for them, spit that film
6:13
Speaker 3: buds and then we would go to the studios. He
6:16
Speaker 3: would do his records. Three verses.
6:18
Speaker 2: He'll let me do a hook. You know what I'm saying.
6:22
Speaker 2: That turned into Hot nine seven Nath chilling there right,
6:27
Speaker 2: you know what I'm saying.
6:29
Speaker 1: That was.
6:29
Speaker 2: That was like the end of the monster.
6:31
Speaker 1: Those were, man, those like early Hot ninety seven Rockefeller moments.
6:35
Speaker 3: We're so legendary, too legendary. We got a call were
6:40
Speaker 3: getting and this probably was my first time on radio.
6:43
Speaker 2: Bro.
6:44
Speaker 3: We had the two ways out, remember Carly hitting us
6:47
Speaker 3: like on Tuesday Wednesday, Yo, Jay said be ready Friday.
6:54
Speaker 2: Yeah.
6:55
Speaker 1: How often do you have to learn the verse that
6:59
Speaker 1: you end up doing? Like and you go to ninety seven,
7:01
Speaker 1: Like do you have to like like like if you
7:03
Speaker 1: get the heads up, like Yo, I need you got
7:05
Speaker 1: to be ready by Friday?
7:06
Speaker 3: You better know that time.
7:07
Speaker 2: Yeah.
7:08
Speaker 1: It's different timing, by the way, because it's live on
7:10
Speaker 1: the radio.
7:10
Speaker 2: Yep, That's what I was doing.
7:12
Speaker 3: And when she hung up from there until Friday, Yeah, I'm.
7:16
Speaker 2: Ar some practice.
7:18
Speaker 1: Gotta get this ship down.
7:19
Speaker 2: To give it, damn man.
7:21
Speaker 3: So you would initially today you see how they do
7:23
Speaker 3: the Jones, they going in and play the actual record.
7:27
Speaker 1: And sing sometimes or even like you know, like if
7:30
Speaker 1: somebody like I very much want people to get their
7:33
Speaker 1: full freestyle out, so if they fuck up, we'll stop.
7:36
Speaker 1: And I wanted to come across fire. Yeah, so it's
7:40
Speaker 1: like we're not live on the radio, so it's like
7:43
Speaker 1: we might as well if you if you prepare thirty
7:45
Speaker 1: two bars and you come up here like I want, like,
7:47
Speaker 1: let's get it right. You know what I'm saying, Like
7:49
Speaker 1: it is what it is. I wanted to be good
7:51
Speaker 1: for the artists and for I mean the best shit.
7:54
Speaker 1: You know. Absolutely, So you ended up around Rockefeller initially
7:58
Speaker 1: around the Money Cash Host which was volume two right yeah,
8:01
Speaker 1: right after that was what I say, Hard Knock Life
8:04
Speaker 1: tour right after, so right after the tour wraps up. Yeah, no,
8:09
Speaker 1: that's crazy. What a legendary time, dude.
8:12
Speaker 2: Yeah, it's crazy, man, I have to be there.
8:14
Speaker 1: I can imagine, are you for you? Like recently you
8:20
Speaker 1: guys have been doing some State Property reunion shows.
8:23
Speaker 2: Yeah, shout out the Cash Money which is with them.
8:27
Speaker 2: That was amazing.
8:28
Speaker 1: I'm about to say, have that feel.
8:30
Speaker 3: It's always good to get with the gang man, like
8:34
Speaker 3: feeling like no lover and telling what my gang and
8:37
Speaker 3: we back on them stages.
8:41
Speaker 2: You know what I'm saying, arenas.
8:44
Speaker 1: And everybody has like so much. I just feel like,
8:47
Speaker 1: you know, even just like recently I saw beans is
8:49
Speaker 1: like starting to use AI to kind of.
8:51
Speaker 2: Yeah, I can't wait for that.
8:52
Speaker 1: I think that's dope. I think that if you're gonna
8:55
Speaker 1: use AI, it's him writing this so exactly.
9:00
Speaker 3: You can't knock that one hundred percent. Yeah, I can't wait. Man,
9:03
Speaker 3: Mac got a great.
9:04
Speaker 1: Album, one of the greats man.
9:06
Speaker 2: He almost done.
9:08
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10:34
Speaker 1: in a group called Dilated Peopils.
10:36
Speaker 2: Dilated Pupils is that the jone we did the tour
10:39
Speaker 2: with Kanye.
10:40
Speaker 1: Yes, so Dilated had that song with Yay.
10:42
Speaker 2: Yeah, I remember that I remember that the college.
10:44
Speaker 1: Tour, Yeah, the College Dropout Tour. Yeah, so you guys
10:48
Speaker 1: are opening I come. I think I'm like thirteen twelve
10:52
Speaker 1: or thirteen at the time. Yeah, and we come. I
10:56
Speaker 1: come to LA because you guys had two back to
10:58
Speaker 1: back shows at the House Yeah, the House of bl Yes,
11:01
Speaker 1: and I want to say, you guys brought out dub
11:04
Speaker 1: C or Exhibit or you guys had like some crazy
11:08
Speaker 1: guests in LA.
11:09
Speaker 2: Yeah.
11:09
Speaker 1: But it was fucking ill. On that same tour, there
11:13
Speaker 1: was the hip hop violinist John Legend was on that tour.
11:17
Speaker 3: They all was.
11:17
Speaker 1: It was a freak consequence GLC. It was like, but
11:21
Speaker 1: all these people are just like background players the YAY set,
11:25
Speaker 1: Like John Legend comes out and does vocals. No one,
11:27
Speaker 1: no one this big his mixtapes set the Merchan booth,
11:30
Speaker 1: by the way, I bought it that that Merchant. But
11:34
Speaker 1: how crazy was the College Dropout Tour? Because I feel
11:37
Speaker 1: like we look back and it's like, you know, Yay
11:39
Speaker 1: just did so far, and you know sometimes we get
11:41
Speaker 1: so like we forget, like where this dude came from.
11:43
Speaker 1: Like that had to be a legendary.
11:46
Speaker 3: It was, man, one of the best tours I've ever
11:48
Speaker 3: been on you know what I'm saying. And you know, like,
11:52
Speaker 3: aside from us going with Whole or the prop right,
11:57
Speaker 3: he was the only person that we ever went out
11:59
Speaker 3: with right, just man.
12:02
Speaker 2: And like you said, you said it yourself.
12:04
Speaker 3: We're doing House of Blues two three nights back to back.
12:09
Speaker 3: Martin Lawrence sent them across. It's like with a time man.
12:14
Speaker 2: Yeah, you know what I'm saying.
12:16
Speaker 1: When you get because at that time, I mean, this
12:17
Speaker 1: is a huge I mean that college drop outs the
12:19
Speaker 1: biggest ship at the time, it's crazy.
12:21
Speaker 3: But yeah, because you guys have ever.
12:24
Speaker 1: Envisioned the future, like Yay's one of the most influential
12:29
Speaker 1: artists of all time. You know what I'm saying, Like
12:31
Speaker 1: it's kind of wild.
12:33
Speaker 3: I can't say I visited. I won't lie, but he
12:36
Speaker 3: always was different. I gave I give him that.
12:40
Speaker 1: Do you remember, right Yego left right?
12:43
Speaker 2: You know what I'm saying, and it worked for him.
12:45
Speaker 1: Well, you were also on the Dream Team record, the
12:49
Speaker 1: Champions record, which.
12:51
Speaker 2: I won't right before I won't right before Beans.
12:54
Speaker 1: Well that was like rocket want a Baby.
12:57
Speaker 3: Not the Mother Baby, even sit a shots. I think
13:01
Speaker 3: I started the record off.
13:02
Speaker 1: One of the greatest posse cuts ever shot to Dame,
13:05
Speaker 1: we're putting it together. But also that might have been
13:07
Speaker 1: the first time I think any of us heard yea
13:09
Speaker 1: like really rap rappy. That was, like I want to say,
13:12
Speaker 1: that was one of the first Kanye like commercially released verses,
13:16
Speaker 1: the first one.
13:17
Speaker 3: And I know y'all heard the story a million times.
13:19
Speaker 1: Twister was on it because that was also the first
13:21
Speaker 1: time I was like, oh, Twist is Rockefeller.
13:23
Speaker 2: What the fuck is going on here?
13:24
Speaker 1: They're putting together the goddamn the fucking dream Team.
13:27
Speaker 2: I'm not even going to laborate. They know it. Everybody
13:30
Speaker 2: heard it.
13:31
Speaker 3: But that was the time when Dame ran in that
13:33
Speaker 3: booth into me and Max such and such getting robbed.
13:37
Speaker 3: We threw them up, headphones off, niggayah me all ass
13:41
Speaker 3: damn there.
13:42
Speaker 1: Yeah, that was that day while you were recording that song.
13:45
Speaker 3: While we in the middle of that record. After that
13:49
Speaker 3: happened and he came back to the student, that's when
13:51
Speaker 3: Man had to finished his my verses already done.
13:54
Speaker 2: Man came back finishes j.
13:57
Speaker 3: Yeah that song, and we was ain't quiet. They're crazy,
14:01
Speaker 3: you know what I'm talking about.
14:02
Speaker 1: I don't know you know who got rapped.
14:06
Speaker 2: I mean the world.
14:06
Speaker 1: No, what year was this.
14:08
Speaker 2: I don't even think he got robbed.
14:09
Speaker 3: They was trying to they was trying to was they
14:11
Speaker 3: was trying to lay on my man, They.
14:12
Speaker 2: Was trying to lay on easy. Oh yeah, they was
14:15
Speaker 2: trying to lay.
14:16
Speaker 3: On some some mass niggas trying to lay on.
14:18
Speaker 1: So you guys are recording your verses, Kanye is here
14:22
Speaker 1: arriving to do his, and there's.
14:25
Speaker 2: Was out eating.
14:25
Speaker 3: Okay, he was out eating, but I'm sure yeah, he
14:27
Speaker 3: was gonna come to do his verse after he was done.
14:29
Speaker 2: Right. He had a young lady. I was out eating,
14:32
Speaker 2: you know what I'm saying.
14:33
Speaker 1: And they tried to They tried to rob him in
14:35
Speaker 1: the quad lobby or what.
14:37
Speaker 3: No, they ain't succeed. They was in the restaurant. Okay,
14:40
Speaker 3: we just went to the restaurant, sat down, hid it
14:43
Speaker 3: o yay. When he was done eating his food, went
14:46
Speaker 3: back to the stow.
14:47
Speaker 1: Interesting. Yeah, that's that's I feel like there's there's a
14:51
Speaker 1: there's a podcast about just the night you guys recorded
14:55
Speaker 1: Champions that needs to happen one day.
14:56
Speaker 2: Yeah yeah, yeah, all right. It was It was crazy.
15:01
Speaker 1: So what they got, Wow, shout out to damn.
15:05
Speaker 2: Everybody made their own ship. Shout out to Day.
15:08
Speaker 3: It's a great record, great regge man, great regget.
15:13
Speaker 1: All time posse cut for sure.
15:15
Speaker 2: Yeah right, yeah, to thank you. We never performed a Zoe.
15:18
Speaker 1: That's crazy, yo, if you I mean, look, there are
15:21
Speaker 1: people who you could do it with on the on
15:23
Speaker 1: the tour, but you can't obviously do it all. I
15:25
Speaker 1: mean unless you're in Chicago. You get twisted to come out,
15:27
Speaker 1: you know what I'm saying, Like, yeah, the twist I
15:30
Speaker 1: always like to think back to, like Twister getting the
15:32
Speaker 1: Rockfeller chain is like one of the craziest. Yeah, that
15:36
Speaker 1: was a fucking moment shot.
15:38
Speaker 3: I was dead for that one too. And when Yay,
15:40
Speaker 3: when when the chain?
15:41
Speaker 2: Yay?
15:43
Speaker 3: Were you in the Chicago?
15:44
Speaker 1: Were you in the studio when Freeway battles Cassidy?
15:50
Speaker 2: Yeah, yeah, yeah, I was there.
15:52
Speaker 1: Jay Z lines Freeway up against Cassidy. Swizz Beats got casts,
15:57
Speaker 1: It's on YouTube. This is an all time allure, just
16:00
Speaker 1: legendary battle and hip hop.
16:02
Speaker 2: We had just left Hot ninety seven.
16:04
Speaker 1: Right then, you guys end up at the studio of
16:06
Speaker 1: about nine seven.
16:07
Speaker 3: We had Hot Night, We had Baseline now ready to record,
16:10
Speaker 3: Ready to work.
16:13
Speaker 2: He called hip Hop and I just remember hip Hop
16:17
Speaker 2: was telling us to come on.
16:18
Speaker 3: He grabbed me Oschino and Freeway. They should bring us three.
16:25
Speaker 2: And you know, Mac just came anyway.
16:28
Speaker 3: They weren't gonna had Matt go against Cash, so he
16:31
Speaker 3: just came shure, we got that motherfucker's studio dog tomorrow.
16:38
Speaker 3: Ship was packed by fifty people, fifty or more than
16:40
Speaker 3: that motherfucker. Right, you know what I'm saying.
16:42
Speaker 2: All rough riders, Jesus holding the.
16:45
Speaker 3: Back and then its chilling, and he's like, pick one.
16:53
Speaker 2: Yeah. See that's how we had to be. We had
16:55
Speaker 2: to be ready like this.
16:57
Speaker 3: You never know, rapping our get a call to come
17:03
Speaker 3: to the stool.
17:05
Speaker 1: And we're right back in and rumble in the jungle,
17:08
Speaker 1: just thrown right back into it.
17:09
Speaker 2: Throwing minute.
17:10
Speaker 3: So they picked one and and I think that Swiss.
17:14
Speaker 2: Somebody said freeway.
17:17
Speaker 1: So Swiss picked Freeway.
17:19
Speaker 3: Yeah, I think somebody else up. I remember swissing that freeway.
17:24
Speaker 1: Had he said you would you have been ready?
17:25
Speaker 2: I had to. I ain't got no choice.
17:27
Speaker 1: Yeah, because that would have been I mean then then I.
17:30
Speaker 3: Had no choice about to be ready. Crazy was a
17:32
Speaker 3: million miles of running around that.
17:34
Speaker 1: Time shot to Cassidy. Cassidy were just we were just
17:38
Speaker 1: talking to do oh Black from Atlanta. We're talking about
17:40
Speaker 1: Cassidy's punchline wise all timer, Yeah.
17:43
Speaker 3: Cash Cash and ship with that ship Cash, you know,
17:46
Speaker 3: that's what Cash started out with.
17:48
Speaker 1: Also Philly legend.
17:49
Speaker 3: He was b you know what I'm saying on the
17:51
Speaker 3: radio station and ship, right, Cash used to be body
17:54
Speaker 3: and ship before he before he got with Swiss.
17:57
Speaker 1: What was everyone's feeling like, because I feel like this
18:00
Speaker 1: is really before the Internet's like, I mean, this is
18:03
Speaker 1: like when this tape was initially like being like running
18:08
Speaker 1: around on the DVDs. It was like a legendary thing,
18:10
Speaker 1: like you kind of YouTube wasn't around, so some people
18:13
Speaker 1: saw some people didn't see if everybody had heard about it, Like,
18:16
Speaker 1: how did y'all?
18:17
Speaker 2: I think I've seen it out somewhere?
18:19
Speaker 1: I was on YouTube right now. I just mean back then,
18:22
Speaker 1: back then, it wasn't like you could just pop up
18:24
Speaker 1: on YouTube and type in fucking freeway Cassidy battle. How
18:27
Speaker 1: did everyone feel about it? Like afterwards?
18:32
Speaker 2: Oh man, I don't know.
18:35
Speaker 3: We were so much in our glory from leaving Hot
18:37
Speaker 3: nine seven, right, I don't really I don't know who
18:41
Speaker 3: it affected. I don't I don't even know if it
18:43
Speaker 3: affected Free or how it affected Free.
18:45
Speaker 2: Right, we want right back to party and right back
18:47
Speaker 2: the baseline. Yeah, niggas ain't go home with their head
18:51
Speaker 2: them or nothing.
18:52
Speaker 1: Like that, right, I mean it was legendary.
18:55
Speaker 2: Right back to business.
18:58
Speaker 1: Can you tell me for you man, what was the
19:02
Speaker 1: when you had went and went crazy on the Network
19:05
Speaker 1: mixtape series and you kind of started heating up, Like
19:08
Speaker 1: did that piff era of hip hop as young Chris
19:11
Speaker 1: was that? I like, what was your approach like during
19:16
Speaker 1: that era of your career because obviously there's the rock
19:18
Speaker 1: and fellowship that kind of is you know, in shambles
19:21
Speaker 1: or however you want to look at it. But I
19:23
Speaker 1: feel like you man, you took the baton and just
19:25
Speaker 1: were like, I'm gonna go do this myself.
19:27
Speaker 2: I never got off my bike.
19:29
Speaker 1: Yeah.
19:29
Speaker 3: I had to keep it going, man, even if it
19:32
Speaker 3: was in mainstream, Like I always worked, always told him
19:38
Speaker 3: DJ mcboogie.
19:39
Speaker 1: Shout to make Boogie Man Cleveland right Cleveland.
19:43
Speaker 2: Yeah, I was on Cleveland Heavy.
19:45
Speaker 3: Uh, DJ steph flows Cleveland again like I was doing
19:50
Speaker 3: tape Don Cannon, Yeah, I had Cannon hosting the Giants
19:54
Speaker 3: Endless Endless tapes, man, and I always felt the way
19:57
Speaker 3: I feel about mixtapes, you could just be.
19:59
Speaker 1: Free, well because they were free.
20:01
Speaker 3: Yeah, you know, you can be free far as being creative.
20:05
Speaker 2: Yeah, you know what I'm saying.
20:07
Speaker 1: You gotta worry about like label politics singles. Yeah, yeah, yeah,
20:11
Speaker 1: because it's like it's like, yeah, we're just gonna put
20:13
Speaker 1: We're just gonna wrap, do what we want.
20:15
Speaker 2: We want and that'd be the best ship.
20:17
Speaker 1: Did you? I remember you had the uh, what was
20:20
Speaker 1: the fucking mixtape you did that looked like the Obama.
20:23
Speaker 2: Logo campaign for change?
20:25
Speaker 3: Yeah, I shout dj O Megan and i'myor how many.
20:30
Speaker 1: Mixtapes do you think you actually ended up in the
20:32
Speaker 1: dappif era because it had was a lot, dude, it
20:34
Speaker 1: was a lot.
20:35
Speaker 2: I was crushing them.
20:37
Speaker 3: Got kind of season, Yeah.
20:42
Speaker 2: I said both well over twelve.
20:48
Speaker 1: This era was like a weird era in music too,
20:51
Speaker 1: because you could be popping on the mixtape scene, but
20:53
Speaker 1: in theory mixtapes you didn't necessarily get a bag off
20:57
Speaker 1: of it, right, So it's like you.
20:58
Speaker 3: Know, yeah, I figured I was and that ship. That's
21:01
Speaker 3: how you know I was really doing it for the
21:03
Speaker 3: sport bro because I was just giving it away right
21:08
Speaker 3: even when they was on the before I got hip
21:11
Speaker 3: to the iTunes, I was still driving up top to
21:15
Speaker 3: my connect getting on my CDs and boxes and CDs,
21:20
Speaker 3: and I would drive back down to Philly, you know,
21:23
Speaker 3: the tru Yeah.
21:23
Speaker 1: Because it felt like there were people making money on mixtapes.
21:26
Speaker 1: But I don't know if a lot of it was
21:27
Speaker 1: like artists as much as it was the DJ's facts,
21:30
Speaker 1: because like there was like mixed unit dot com selling
21:32
Speaker 1: all kind of fucking mixtapes man, and then what was
21:35
Speaker 1: the homies name from Connecticut, Big Mike. Yeah, Uh, there
21:39
Speaker 1: was hell of people. Like it felt like it was
21:41
Speaker 1: like kind of a lick for a lot of DJs
21:43
Speaker 1: who were smart enough to be like, Hey, I'm gonna
21:44
Speaker 1: print these bitches up and hit all them and I'm
21:45
Speaker 1: gonna they was doing up the street.
21:47
Speaker 3: They was on a clue and DJ call Yeah.
21:52
Speaker 1: For sure, for sure. Man, it's crazy.
21:56
Speaker 2: Man.
21:57
Speaker 1: Can you talk to me uh as a writer, because
21:59
Speaker 1: I feel like people don't know like you are also
22:02
Speaker 1: a prolific writer when it comes to, you know, being
22:05
Speaker 1: in the studio, maybe helping people with certain lyrics and
22:07
Speaker 1: ship and adding your penda stuff. When you are in
22:11
Speaker 1: a studio session for another artist trying to add to
22:13
Speaker 1: what they got going on, how different approaches that from
22:17
Speaker 1: like when you're working on your ship.
22:20
Speaker 3: Well A good question, because when I go to work
22:26
Speaker 3: for other artists at first, just how I used to do.
22:30
Speaker 2: I would I would try to.
22:33
Speaker 3: Approach it from their standpoint, and I had to check myself, like,
22:37
Speaker 3: you know what, they came to get me for a reason.
22:43
Speaker 3: Let me give them my sauce. And if I go
22:46
Speaker 3: in there and just you know, I.
22:48
Speaker 2: Could write, I prefer that I'll just write like it's
22:50
Speaker 2: for me.
22:52
Speaker 3: And when I bring it to them, we can patch
22:54
Speaker 3: it up right, take this, move this, you know what
22:57
Speaker 3: I'm saying. So that's when I figured that out. My
23:01
Speaker 3: process became way quicker. M hmmm, because you gotta be figured.
23:04
Speaker 3: You gotta be careful man, writing for some top dogs.
23:09
Speaker 3: I'm trying to write the best shit ever form.
23:12
Speaker 1: Are you Like if you say a bar that's too
23:15
Speaker 1: crazy or you like, I'm you know what, I might
23:17
Speaker 1: want to keep that to myself for my shit that
23:25
Speaker 1: like I'm gonna tuck that.
23:27
Speaker 3: Or the but because the bar might not fit the
23:30
Speaker 3: particular art whoever I'm working for.
23:32
Speaker 1: I always wonder too, because like there was like this
23:34
Speaker 1: era of Jay music where he very like he paid
23:37
Speaker 1: homage to your guys' flow a lot.
23:39
Speaker 3: Man.
23:40
Speaker 1: I would say, like probably the Black Album era or
23:42
Speaker 1: so where it was like a show he had the
23:46
Speaker 1: the Young Guns flow a few times where it was
23:49
Speaker 1: like it was I mean, and Jay is very like
23:52
Speaker 1: he will pay homage to people's ship, like he'll do
23:54
Speaker 1: like when he did the what was the record he
23:57
Speaker 1: did with Outcast, the Popping Tags record? He did the
24:01
Speaker 1: out Cast shit.
24:01
Speaker 2: You know what I'm saying, that.
24:03
Speaker 1: Had to be kind of cool, like like, Yo, Jay's
24:05
Speaker 1: kind of using our ship.
24:08
Speaker 2: Hey, I always say you it's it's a blessing.
24:11
Speaker 1: Yeah, do you because because I feel like, especially when
24:15
Speaker 1: it comes to like the writing process, like we always
24:17
Speaker 1: hear Jay is like one of the first guys to
24:18
Speaker 1: like go and walk around that room and then just
24:21
Speaker 1: go and lay it down.
24:22
Speaker 2: Yeah.
24:23
Speaker 1: Was there anything you learned from watching him so closely
24:27
Speaker 1: in the studio that you were able to kind of
24:29
Speaker 1: implement into your own kind of quarters.
24:31
Speaker 3: Sure, that's one of the main ones right there, pushing
24:36
Speaker 3: that paper to the side.
24:39
Speaker 1: And just like walking around and going through it in
24:41
Speaker 1: your head and then you.
24:42
Speaker 2: Go into the process and it's yeah.
24:44
Speaker 1: Uh so crazy too because I have my hurt stories
24:48
Speaker 1: where it's like this guy literally will walk around for
24:50
Speaker 1: like twenty minutes and then he goes in, he does
24:54
Speaker 1: his take, and the whole ship is it's flawless. Yeah yeah, hey, man,
24:58
Speaker 1: Law Group Knew sponsored the Blueleg Cap podcast. Want to
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Speaker 1: give some love to that man. I just was in Arizona,
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26:16
Speaker 1: Are you excited for uh? Are you gonna pop up
26:18
Speaker 1: out any of these shows in uh the Yankee Stadium?
26:22
Speaker 2: I'm excited for that, man. I would love to man
26:25
Speaker 2: the gang.
26:25
Speaker 1: Know you especially feel like for the Blueprint night.
26:28
Speaker 2: Oh my god, let's take us back home, right.
26:32
Speaker 1: It's gonna be a I mean, that doesn'ta be a
26:33
Speaker 1: good good weekend. I keep hearing there's like rumblings he
26:36
Speaker 1: might do one in LA. I hope.
26:39
Speaker 2: So it's only right, man, you know.
26:41
Speaker 3: I don't know. I just feel like Yankee Stadium is
26:43
Speaker 3: like hometown is ov after this.
26:48
Speaker 1: Talk about Philly, Man, I feel like Philly is obviously
26:50
Speaker 1: since you guys, I feel like you guys kind of
26:52
Speaker 1: I mean, obviously shots are the roots, because the roots,
26:53
Speaker 1: of of course, are very much a part of the
26:56
Speaker 1: foundation of what we know. It's Philly hip hop.
26:59
Speaker 2: But yeah, we got a few little shooters right now.
27:02
Speaker 1: But today, man, I feel like the Philly ship is
27:04
Speaker 1: going crazy.
27:04
Speaker 2: You know, a Mayor, a Lee. What's the other kid named.
27:08
Speaker 1: Wes Scriller, kids going crazy?
27:10
Speaker 3: Wes something something West, a little slimmer, he nice Scrilla
27:14
Speaker 3: going you know what I'm saying, Skriller going crazy. Of
27:18
Speaker 3: course my man rider, Uh yeah, Wes fifty nine. Look
27:24
Speaker 3: out for Shorty. They talking, man, they get busy. D
27:28
Speaker 3: Jones reach Bangham. That's family.
27:32
Speaker 1: Philly is very much like its own ecosystem of hip hop.
27:35
Speaker 1: And they have the party music. Yeah, that's like hell
27:38
Speaker 1: a different.
27:38
Speaker 3: They're too rare andough, too young, two of them. They
27:41
Speaker 3: gotta turn.
27:42
Speaker 1: They got the fucking haircut with the guy.
27:44
Speaker 3: He's sturdy, too ready. Youngest got it rolling too.
27:47
Speaker 1: It's like his own thing.
27:48
Speaker 2: Obviously got out showan Sloan.
27:51
Speaker 3: You know, I'm only supposed to bang that tape out
27:53
Speaker 3: another one. We got so much time, man, you see.
27:57
Speaker 3: And guys that my age is still doing it like
28:00
Speaker 3: e Ness.
28:01
Speaker 1: Chats and nests. Yeah, he was up here with with
28:03
Speaker 1: Actually he came up here with Cassidy.
28:05
Speaker 3: Yeah.
28:06
Speaker 2: Yeah, yeah, No.
28:07
Speaker 1: Ojis are still still cooking. I think the Roots are
28:09
Speaker 1: working on some new ship. I thought Black Thought just
28:11
Speaker 1: dropped the record.
28:12
Speaker 2: Yeah, shot out the Black Guy one of.
28:15
Speaker 1: The greatest of all time. Something about the water in
28:17
Speaker 1: Philly that just produces just bars. Yeah, I don't know
28:20
Speaker 1: what it is. Is the is the like because it's
28:23
Speaker 1: crazy because like, being somebody who doesn't live in Philly,
28:27
Speaker 1: I feel like on TikTok there's like like Kensington goes
28:31
Speaker 1: super viral because it's like Night of the Living Dead
28:34
Speaker 1: out there, and then there's like people who are like, yo,
28:37
Speaker 1: Philly's wild. But then I went out there for WrestleMania
28:39
Speaker 1: a couple of years ago, and I was like, oh
28:41
Speaker 1: it was it was dope. I didn't go to Kensington. Yeah,
28:46
Speaker 1: but it's it is a pretty it's it's I mean,
28:48
Speaker 1: the drug shit is hitting like Philly in a crazy
28:50
Speaker 1: way because y'all got some ship that we ain't got
28:52
Speaker 1: over here. That trenk shit is like.
28:54
Speaker 2: That horse horse horse hrick different. Yeah. I went the
28:58
Speaker 2: four fourth rope a few weeks ago. Yeah.
29:03
Speaker 1: Yeah at e c W.
29:04
Speaker 3: Yeah, me being should we actually performed Shout out the
29:08
Speaker 3: west Side, Guns.
29:08
Speaker 2: Shout out the west Side.
29:10
Speaker 3: Yeah, and my guy uh smoked Dizzer, my niggad Dizzer.
29:16
Speaker 2: Yeah, shut out Dizzer or Yeah.
29:19
Speaker 1: The greatest one of the greatest wrestling cities in the world,
29:22
Speaker 1: if not the greatest. They got a store there. That's
29:25
Speaker 1: so fire.
29:25
Speaker 3: I see they try to ban and they try to
29:27
Speaker 3: shut them down. They ain't on them on the.
29:29
Speaker 1: Fourth rope, did they?
29:30
Speaker 3: Yeah? Yeah, I seen something like they try to cancel him.
29:34
Speaker 3: And I talked to the West Side from from speaking
29:36
Speaker 3: on it.
29:36
Speaker 1: Well, west Side they they like that they banned gun
29:42
Speaker 1: from like going to w W shows. He can't even
29:44
Speaker 1: buy tickets.
29:45
Speaker 2: That's crazy, which is wild.
29:48
Speaker 1: And then they made him change off his artwork because
29:50
Speaker 1: he had, like Psycho said and like Teddy b Yeah.
29:55
Speaker 3: Yeah, they should have embraced it.
29:56
Speaker 2: They should have.
29:57
Speaker 1: Yeah, one hundred percent, man, are you you outside of this?
30:00
Speaker 1: This young or this made a Tokyo project. Are you
30:03
Speaker 1: working on any other solo ship?
30:06
Speaker 3: Yeah, yeah, yeah, of course, Man, shout out v don
30:09
Speaker 3: We got a hell of a tape right now, Cooker.
30:13
Speaker 3: I'm actually going to the studio with Mike and Keys tonight,
30:16
Speaker 3: fucking Mike and Keys very even though it don't stop.
30:19
Speaker 3: Man and my guy the machine Bank Bink is crazy Bank.
30:26
Speaker 2: We grew up together, so you know what that's gonna
30:29
Speaker 2: be like.
30:31
Speaker 1: Would you like like nowadays, like being independent versus like
30:36
Speaker 1: when you're in the mixtape game being independent after the
30:39
Speaker 1: Rockefeller era? What's been the biggest difference.
30:43
Speaker 2: Me having to do everything myself. Yeah, so you just
30:47
Speaker 2: got got a lot.
30:49
Speaker 3: More work, a lot more work, you know what I'm saying,
30:53
Speaker 3: without a system.
30:55
Speaker 1: Nah, I go, but I mean yeah, yeah, I mean
30:57
Speaker 1: you learn from some of the best.
30:59
Speaker 2: H Yeah, yeah yeah.
31:00
Speaker 3: If I tell them, man, it's ninety percent who you know,
31:03
Speaker 3: ten percent what you know. And I got hell of connections.
31:07
Speaker 3: I don't burn no bridges, so.
31:08
Speaker 1: We all right and lots of knowledge.
31:11
Speaker 2: Yeah, sarahs Ski, would you.
31:13
Speaker 1: And a your brother to get back together and do
31:15
Speaker 1: another younger?
31:16
Speaker 2: For sure? For sure? For sure?
31:18
Speaker 1: Or even like a nice I feel like a State
31:21
Speaker 1: prop compilation would be nice. You guys are doing these shows, yeah,
31:26
Speaker 1: popping up doing the I mean shit, why not?
31:28
Speaker 2: Yeah? I mean we brothers. I ain't the post none
31:30
Speaker 2: of it? Man?
31:31
Speaker 1: Was there anybody who almost got on the Can't Stop
31:34
Speaker 1: Won't Stop remix? That didn't quite make it? Because obviously
31:37
Speaker 1: Chingy delivers a classic performance for CHINGI.
31:40
Speaker 2: Right, I don't know, I'm not sure.
31:43
Speaker 3: I don't know who picked ching shout out the ching Ling,
31:46
Speaker 3: but I think we picked him.
31:48
Speaker 2: You know, he had a yeah, a major successive round.
31:51
Speaker 1: Now he was on fire like self cover.
31:53
Speaker 3: He had number one records, he was on five, so
31:56
Speaker 3: it kind of made sense. And that was just us
31:59
Speaker 3: tapping into the middle West well and he because you
32:01
Speaker 3: figure the record was already crazy back home in the East.
32:05
Speaker 3: Then the West Coast. I'll tell you one of the
32:07
Speaker 3: biggest markets was, uh the Bay Area. Oh yeah, shout
32:11
Speaker 3: out the big Vaughn always say that from he's working
32:14
Speaker 3: with km L. Yeah, man, And they was playing throwing
32:17
Speaker 3: rush our albums, so damon them, ain't need to service
32:20
Speaker 3: the record. Then they had to come back and service
32:23
Speaker 3: it after that, cause we put that we put it
32:24
Speaker 3: out as a mixtape youngest in charge. We just strew
32:27
Speaker 3: it on the tape and then he just DJ DJ
32:30
Speaker 3: enough Big Vaughn just took it.
32:34
Speaker 2: Dame heard that mother for you, like, what's this? Oh
32:38
Speaker 2: too big and all, Yeah, we got service this joint.
32:41
Speaker 3: Next thing, you know, we're on for a red carpet,
32:43
Speaker 3: MTV red carpet.
32:45
Speaker 2: They acted us.
32:46
Speaker 3: We would, Dame. He run around the Armadale bibles, they
32:48
Speaker 3: asking us, what's our name, what's their name?
32:50
Speaker 2: What's their name? Dame like five thousand spends? You know
32:54
Speaker 2: what I'm saying. You know, yeah, he was like, y'all
32:57
Speaker 2: don't even know what y'all got right now.
32:58
Speaker 3: You know, we're so young, and my this we don't
33:01
Speaker 3: We didn't know we had at the time.
33:03
Speaker 1: Especially a five thousand spends the radio. It's crazy for
33:06
Speaker 1: a mix tape record.
33:07
Speaker 2: For a mixed tape record back that time.
33:11
Speaker 1: So there wasn't anybody who like was talked about being
33:14
Speaker 1: on the remix. It was just like, yo, this makes sense.
33:16
Speaker 1: Chiney's young. He's from a different party.
33:18
Speaker 3: Young, Yeah, same age record and and like I said,
33:22
Speaker 3: we were trying to get up in that Midwest and
33:26
Speaker 3: it worked.
33:26
Speaker 1: Yeah, yeah for you man, can you you guys have
33:30
Speaker 1: two incredible albums that I came out through Rockefeller. Tough
33:34
Speaker 1: Love is to me one of the most left on
33:36
Speaker 1: Rockefeller albums. Which album do you prefer? Brothers from another?
33:40
Speaker 1: Tough Love? Yeah, I feel like you obviously you guys
33:44
Speaker 1: put a lot more time into that album.
33:45
Speaker 3: Yeah.
33:45
Speaker 1: The next album came out pretty quick.
33:47
Speaker 3: Yeah, Tough Love for sure. For sure, for sure, baby,
33:53
Speaker 3: it's my first baby. And then you figured the second album.
34:00
Speaker 3: It's kind of like we was doing that album. I
34:05
Speaker 3: would say, doring the breakup that nobody knew about that, So.
34:09
Speaker 1: You know what I'm saying very much, I'm.
34:11
Speaker 3: Sure Baseline ain't Baseline no more right at that at
34:14
Speaker 3: that point, you know.
34:15
Speaker 1: Yeah, it's probably a more of an awkward recording.
34:19
Speaker 3: Yeah, And then you know how I go. When everybody
34:22
Speaker 3: get a little success. When we first was in there,
34:25
Speaker 3: before there was just Beans, well it was Jay before
34:29
Speaker 3: Beans even dropped. And then Free got to drop Philadelphia,
34:32
Speaker 3: Free Young Guns. Everybody got their own success. We don't
34:37
Speaker 3: have every Everybody don't have time to sit in Baseline
34:40
Speaker 3: all day with the job.
34:41
Speaker 1: Right were you guys? Like because you always do hear
34:44
Speaker 1: like certain people kind of chose different sides, But it
34:46
Speaker 1: felt like you guys were kind of in the middle
34:48
Speaker 1: of that whole situation.
34:49
Speaker 3: I always felt like we got caught up in the sweep.
34:53
Speaker 3: I mean it was it was the youngest you can't
34:55
Speaker 3: do no wrong.
34:56
Speaker 1: Because state prop ends up with Dame, right essentially.
35:01
Speaker 2: Yeah, we was on tour.
35:06
Speaker 1: We was on when all this is happening.
35:07
Speaker 3: Yeah, at the time, I think David was at Death Jam.
35:10
Speaker 3: We got to Death Jam for a little bit.
35:12
Speaker 1: Yeah, yep, yep, yep.
35:13
Speaker 2: Yeah.
35:13
Speaker 3: He was just letting us know he's about to roll,
35:16
Speaker 3: things about to be different, and he wanted us to,
35:19
Speaker 3: uh to roll with him. That's why when you peep
35:22
Speaker 3: you she Bleake did the five three four yep, And
35:25
Speaker 3: that's for me and these the brothers.
35:27
Speaker 1: From another around that same time.
35:30
Speaker 3: Yeah, I don't think Beings is like say, oh, I'm
35:34
Speaker 3: choosing to go with Dame.
35:35
Speaker 2: Beings was incarcerated at.
35:37
Speaker 1: The time, right, So it kind of beans.
35:40
Speaker 2: Came home to a bunch of bs M.
35:45
Speaker 1: It's like, hey, walk come home, by the way, this
35:48
Speaker 1: is what's going on.
35:49
Speaker 3: They were still tight because I had the record called
35:52
Speaker 3: Coast to Coast with Bobby Volentino, and I remember Jay
35:56
Speaker 3: was excited about it, and we were telling him how
35:59
Speaker 3: we're gonna shoot the.
36:02
Speaker 2: And a little bit after that, Mac came home. Mac.
36:06
Speaker 3: I can tell you because I remember Mac telling me like, No,
36:09
Speaker 3: told Jay, you got better records than this. You should
36:12
Speaker 3: drop such and such, you should you should put Coast
36:14
Speaker 3: to coast out Mandic Coast.
36:16
Speaker 2: The coast was already ready to be serviced.
36:18
Speaker 1: Yeah, it sounds like a single. Bobby Valentino was on
36:20
Speaker 1: the hook and this would have this was would have
36:24
Speaker 1: been a Young Chris record or a out okay, oh
36:28
Speaker 1: ship Okay.
36:29
Speaker 3: Yeah, I don't know what happened. I know my man
36:32
Speaker 3: dropped right after that. Fill it in the air.
36:37
Speaker 2: Uh yeah, great tong, no beautiful song.
36:41
Speaker 1: But I'm just saying, like, wait, so you and Bobby
36:44
Speaker 1: Valentino had a full project.
36:45
Speaker 3: No, he was on He was on a few of
36:48
Speaker 3: my records on the project.
36:50
Speaker 1: Yeah, and this Young Chris. This would have been a
36:52
Speaker 1: Young Chris album on Deaf Jam or on through Rockefeller.
36:55
Speaker 3: Yes, Sir J was over there and that was been
36:58
Speaker 3: the first single. I mean, that's how we was talking
37:00
Speaker 3: about it. We was getting in depth about how the
37:03
Speaker 3: VID was going to be opening it up with the
37:07
Speaker 3: tour buses and just showing the people stuff that they
37:09
Speaker 3: don't see behind the scenes when we're on the road.
37:13
Speaker 1: Damn. And it's crazy too because like we never get
37:15
Speaker 1: this album, so what happens to the music?
37:20
Speaker 3: You might have heard some of it on the networks. Yeah,
37:25
Speaker 3: And like I said, I never stopped working, so a
37:27
Speaker 3: lot of that lot of a lot of us in
37:29
Speaker 3: the vault. Man, I probably haven't lost lost more albums
37:35
Speaker 3: than I put out in the last couple of years.
37:37
Speaker 1: And computer, because I think it's pretty obvious, like Jay
37:40
Speaker 1: really fucked with you man, like creatively, so that whole
37:44
Speaker 1: thing happens, and like do you just kind of get
37:46
Speaker 1: bunched in, like are you like a casualty of it?
37:49
Speaker 1: If that makes sense.
37:50
Speaker 3: That's again that's why I say I get caught up
37:53
Speaker 3: in a sweep, you know what I'm saying.
37:55
Speaker 1: But because Beings is your guy, obviously it's some Philly
37:58
Speaker 1: ships and state property ship.
38:00
Speaker 3: But it's like, but that's why I take accountability of
38:03
Speaker 3: not halving my business together, right, you feel me? Because
38:06
Speaker 3: if I'd have had it together, they couldn't have did that.
38:08
Speaker 1: Because you could have been like, nah, I'm going nah,
38:10
Speaker 1: I'm doing it. They want this out. They believe it.
38:13
Speaker 1: When I got going.
38:14
Speaker 3: On, I ain't pointing the finger. It was just just
38:16
Speaker 3: shit happened. Man.
38:17
Speaker 1: Yeah, hindsight twenty two.
38:18
Speaker 2: But don't kill you, make you stronger. I know better.
38:20
Speaker 1: Hindsight is twenty twenty. Did you guys all effectively eat
38:24
Speaker 1: off of the state property clothing line?
38:26
Speaker 2: No?
38:29
Speaker 1: No, So who is behind the state property clothing line?
38:32
Speaker 2: I have no idea.
38:34
Speaker 3: If I show you a state property residual check from
38:40
Speaker 3: one or two.
38:43
Speaker 2: Yeah you feel bad?
38:45
Speaker 1: Crazy?
38:46
Speaker 2: Yeah that shit wasn't man, I tell you the business
38:47
Speaker 2: line right.
38:48
Speaker 3: So it's like again, I'm taking account even though I
38:51
Speaker 3: was the youngest motherfucker out there, I'm still gonna take accountability.
38:55
Speaker 3: I didn't have my shit together. So I pointed out
38:57
Speaker 3: this this dirty, filthy fucking game it is, man, it's
39:01
Speaker 3: a filthy game because it's statement. And then everybody's screaming
39:04
Speaker 3: is like familiar and familiar from so as a kid
39:07
Speaker 3: you are. I mean, I'm fresh off the block, man.
39:10
Speaker 3: We're putting our body on the line for anything with
39:13
Speaker 3: this rucking filthy anything they go down, we outside front lining.
39:18
Speaker 3: You know what I'm saying for sure, So you know
39:22
Speaker 3: it was you was Was I hurt? One ship went
39:25
Speaker 3: went left? Of course, I'm sure everybody was. If the
39:28
Speaker 3: niggas just doing cub probably was hurt. If it was
39:30
Speaker 3: any genuine love.
39:32
Speaker 1: You know what I'm saying, that's crazy, yeh, because.
39:37
Speaker 2: I turned that bitter the better, you know what I mean.
39:40
Speaker 1: Clothes was everywhere too for a second. I mean they
39:43
Speaker 1: was at Burlington, I know that, so they might right now.
39:47
Speaker 1: It was right next to Outcast closing.
39:50
Speaker 3: You know, everything everything come around. You sell some tell
39:54
Speaker 3: Max some Venus sp jackets right now, they'll go crazy.
39:57
Speaker 1: Not for sure, Yeah, no, I know. I have a
40:00
Speaker 1: buddy of mine who somehow came into, like there's a
40:04
Speaker 1: guy in Clarence who somehow came into like owning a
40:06
Speaker 1: part of like state property clothing more like recently, and
40:09
Speaker 1: he was like, I'm gonna bring it back, And I
40:12
Speaker 1: was like, good luck. Yeah, I don't know, because yeah,
40:16
Speaker 1: I was at them. Shit. Honestly, that shit was like
40:18
Speaker 1: low key, some car hard shit though, So it could
40:20
Speaker 1: work today for sure, because a lot of it was
40:22
Speaker 1: like very like it was like some car heart type shit.
40:25
Speaker 2: It was.
40:25
Speaker 3: Yeah, it was Dicky Carr. You put it up in
40:29
Speaker 3: the same hitting pockets.
40:32
Speaker 1: Hey, don't forget. If you're not on my bookie and
40:34
Speaker 1: you're a sports fan, get in on the action.
40:37
Speaker 3: Man.
40:37
Speaker 1: NBA playoffs are coming, they're steadily approaching end of the
40:40
Speaker 1: season awards. You can go ahead and throw a little
40:42
Speaker 1: something on those, little action on them. Also baseball season.
40:48
Speaker 1: Go to my bookie right now. Use the promo code Bootleg.
40:51
Speaker 1: And if you put some action on something up to
40:53
Speaker 1: five hundred bucks and you happen to lose, it's all good.
40:58
Speaker 1: They're gonna give you that right back.
41:00
Speaker 3: Free.
41:00
Speaker 1: Use that promo code bootleg at my bookie. Get in
41:04
Speaker 1: on the action. I've been rocking with my bookie as
41:07
Speaker 1: a customer like twelve years. My bookie promo code Bootleg.
41:12
Speaker 1: Head over. So there's this like a battle that you
41:15
Speaker 1: are also swept into. And this is the Beans versus
41:18
Speaker 1: Jada thing. So Jada kiss. For people who don't know
41:21
Speaker 1: that Jada and d Block, they might as well be
41:24
Speaker 1: from Philadelphia the way they get love in Philly. Yeah,
41:27
Speaker 1: we look, it's kind of crazy, especially then right d
41:32
Speaker 1: blocks Jada like they love him in Philly. Yeah, he
41:37
Speaker 1: does Powerhouse and somehow gets out of there. But Philly
41:43
Speaker 1: becomes like that. I'm sure, like as a Philadelphia citizen
41:46
Speaker 1: at that time, who's just a hip hop fan, you
41:48
Speaker 1: gotta be kind of torn if you're at that concert
41:50
Speaker 1: because you're like, we love you kiss but nah, not beans,
41:55
Speaker 1: that's our guy.
41:57
Speaker 2: Yeah.
41:57
Speaker 3: It's like it's like you come into an Eagles game,
42:00
Speaker 3: the fans don't play.
42:01
Speaker 1: Right, but it ends up like we get some amazing
42:03
Speaker 1: back and forths and then obviously they end up you know,
42:06
Speaker 1: bearing the hatchet later on. But like look at us now, right,
42:10
Speaker 1: But how serious? Like quick was that? It was serious
42:15
Speaker 1: because you guys are very serious.
42:17
Speaker 2: It was serious.
42:20
Speaker 3: It's nothing like today' be heightis they go at each
42:23
Speaker 3: other's internet thing memes and shit, they link up, they
42:26
Speaker 3: smile ass, nothing like that. There's nothing like that. I'm
42:31
Speaker 3: embarrassed the way we had to ride it to say
42:33
Speaker 3: how we had to ride around back then, right, you know,
42:36
Speaker 3: I mean, I thank god that we all still here,
42:39
Speaker 3: nobody got hurt. We all family now were torn together
42:43
Speaker 3: now making money together. But it was crucial, bro, It
42:48
Speaker 3: was crucial for sure, for sure. And it wasn't just
42:52
Speaker 3: the answerage, you know, normally it'd be the anthravage that
42:55
Speaker 3: starting snaw artists artist the artists, we was on bullshit.
43:00
Speaker 1: Mm hmm.
43:01
Speaker 3: You told me all bullshit and the and the iller
43:04
Speaker 3: shit about it.
43:07
Speaker 2: When you think about it, right, it's like, why the
43:11
Speaker 2: fuck was we beefing with them?
43:12
Speaker 1: Right? I mean that's a lot of that ship back then.
43:16
Speaker 2: Question.
43:16
Speaker 3: Yeah, I can ask mag that, like, because we fuck
43:20
Speaker 3: with niggas, I know, but you know, you know why
43:23
Speaker 3: I'm saying that, right, Why was we beefing with them?
43:26
Speaker 2: Okay, you know more than me.
43:27
Speaker 3: No, no, no, So with your perspective, why if I'm
43:30
Speaker 3: telling you we fucked with them and anything?
43:33
Speaker 1: So let's see, why was that two thousand and two
43:37
Speaker 1: or three? Yeah, so at that time, I'm fourteen fifteen
43:44
Speaker 1: At that time, I'm just excited that I'm downloading this
43:49
Speaker 1: ship off Napster. You know what I'm saying. I'm like, wait,
43:52
Speaker 1: Jada and Beans are beefing.
43:54
Speaker 3: And just go back to what I was saying. We
43:56
Speaker 3: was frontlining and putting our bodies online.
43:58
Speaker 2: You got a problem.
43:59
Speaker 1: It was some bigger you got a problem.
44:00
Speaker 3: Whatever, you got a problem, well, all right then, but
44:04
Speaker 3: it was bigger than us, always bigger than us.
44:06
Speaker 1: So it was some Rockefeller rough Rider ship and obviously
44:08
Speaker 1: Beans being who.
44:10
Speaker 3: I can't even I don't even want to say Ruther
44:12
Speaker 3: Feller rough ship. It might have been few individuals I
44:16
Speaker 3: don't DMX. Ain't no telling like Jack to Hell and
44:20
Speaker 3: I just know where it's front line. And well at
44:22
Speaker 3: the time, how you you know, how you're out with
44:24
Speaker 3: your homie and some ship go down and you gotta
44:26
Speaker 3: we get it's going down, right, we'll talk about this
44:30
Speaker 3: other ship, how it happened and all that when we
44:31
Speaker 3: get home on the way outside is going down.
44:34
Speaker 1: Especially when you're like the young like Jada Kisses like
44:39
Speaker 1: obviously the street dude of like the locks are like,
44:43
Speaker 1: and Beans is the crash out of Rockefeller, So everyone's
44:46
Speaker 1: gonna jump out in front of whatever smoke might be
44:48
Speaker 1: brewing in the background.
44:49
Speaker 3: Yeah, that's that's exactly how it went. That's why we're
44:53
Speaker 3: able to be telling you how we are now, you.
44:54
Speaker 1: Know, because it's like we weren't even we didn't even
44:56
Speaker 1: have problems with each other.
44:58
Speaker 2: Ain't no blood it's spilled.
44:59
Speaker 1: It was more about the big Hodies for sure.
45:05
Speaker 2: That's crazy.
45:05
Speaker 3: Or it's about this is what it is. This is
45:08
Speaker 3: my squad. You fuck with them, you fuck with us,
45:10
Speaker 3: that's what it's about.
45:12
Speaker 1: That was like there was all the King of New
45:13
Speaker 1: York talk. You know what I'm saying.
45:15
Speaker 3: Yeah, I wasn't even paying attention to that.
45:17
Speaker 2: Again, I was just rocking for sure the beans.
45:22
Speaker 3: Man man trying not to get into the policy.
45:24
Speaker 2: I didn't even I was.
45:25
Speaker 3: Yeah, I think I was too young to fucking know
45:27
Speaker 3: the politics.
45:29
Speaker 1: Yeah, now, you just this is who I'm with. This
45:31
Speaker 1: is what we're doing. My life has been changed. I
45:33
Speaker 1: want to be I'm chasing my dreams were jumping out.
45:37
Speaker 3: If not even just my life would be changed, this
45:39
Speaker 3: is who I'm with. That's the mentality we fresh out
45:41
Speaker 3: the block. If I was with you and you can't
45:43
Speaker 3: change my life, I'm rocking with you for together.
45:46
Speaker 2: We're out the bottom line, Like, yeah, bro, yeah.
45:52
Speaker 1: Can you talk to me about, uh, what it's been like?
45:56
Speaker 1: Just I guess, because you know, I feel like it's
45:59
Speaker 1: twenty twenty six. Man, you're a fucking og at this point.
46:04
Speaker 1: But I'm sure you get this a lot where people
46:06
Speaker 1: will come up to you and like you're like, I
46:08
Speaker 1: feel like you are a lot of rappers favorite rapper
46:11
Speaker 1: if that makes sense.
46:12
Speaker 3: Yeah, Like, I'm sure.
46:13
Speaker 1: You get flowers that we don't even know about people
46:15
Speaker 1: like ya.
46:15
Speaker 3: Yeah, yeah, yeah, I say that to the people a lot,
46:18
Speaker 3: like it's crazy you said that.
46:19
Speaker 2: I said that before, Like.
46:22
Speaker 3: I get more love from my peers than my fans,
46:26
Speaker 3: and I would say more love. I would say, my
46:28
Speaker 3: peers understand my body more than my fans, like right,
46:33
Speaker 3: you know, like the fans a lot of them is
46:35
Speaker 3: from Can't Stop No Better Love, like and that's a
46:40
Speaker 3: blessing that they core they ain't going nowhere. But if
46:43
Speaker 3: they ain't follow me after the Rock and Feller, they
46:46
Speaker 3: don't know nothing about these network shit right right right,
46:48
Speaker 3: right right right and.
46:49
Speaker 2: Everything after that. This is why this is where the
46:54
Speaker 2: urge come in.
46:55
Speaker 3: And like, yeah, I gotta show these niggas this shit
46:59
Speaker 3: ain't no you know.
47:00
Speaker 2: You know what I'm saying.
47:01
Speaker 3: Even if you missed it, you'll double back to it
47:03
Speaker 3: once I get hirt again.
47:05
Speaker 1: Yeah, I just feel like there. Your mixtapes were very
47:09
Speaker 1: much like this was like a special time in hip
47:11
Speaker 1: hop or there's so much music int put out, but
47:15
Speaker 1: you kind of had to be in Like yo, yo,
47:17
Speaker 1: you're the young christ ship. That ship is Chris is
47:20
Speaker 1: out here. There's a few artists like that. We'd be
47:23
Speaker 1: like it was like your ship, the Joe Budden ship
47:25
Speaker 1: at the time, like little music. Yeah, there's just something
47:29
Speaker 1: like real, real dope. I missed the mixtape era because
47:33
Speaker 1: I feel like it was very it was just pure
47:34
Speaker 1: man Like even the blog ship, like the blog era
47:36
Speaker 1: was fired to me.
47:37
Speaker 3: All right, man, it's just so much. It's like short
47:40
Speaker 3: intensive span we heard they used in the damn chat thing.
47:43
Speaker 3: Man niggas used this what it's called the chat ship
47:46
Speaker 3: to write They raps, oh chat ChiPT Yeah, oh no,
47:49
Speaker 3: it's diabolical chatch.
47:52
Speaker 2: That's the that's the world we are right now.
47:54
Speaker 3: Yeah's going there and say, hey, talk about this like
47:57
Speaker 3: we damn if they ain't the cheat cool boy.
48:00
Speaker 1: You know what it is too, is like Jake Cole
48:01
Speaker 1: just said that. He said that back in the day
48:06
Speaker 1: when you had to go buy the CD and spend
48:08
Speaker 1: your actual money on it, like you cared enough about
48:11
Speaker 1: the artist to actually spend your money on the CD,
48:14
Speaker 1: so you were participating in that artist. And so if
48:17
Speaker 1: somebody who bought the album said the ship is whack,
48:19
Speaker 1: all right, you deserve that opinion because you spent your money.
48:22
Speaker 1: But nowadays there's all these like passive music fans who
48:26
Speaker 1: have like fucking streams or whatever. They're not even hip
48:30
Speaker 1: hop hits and buying it, and they're just they It's like,
48:35
Speaker 1: it's like I don't want to hear somebody's opinion on
48:38
Speaker 1: a j Cole album. Who wouldn't listen to a Jake
48:39
Speaker 1: Hole album if they had to pay for it? You
48:41
Speaker 1: know what I'm saying. It's like, Yo, shut the fuck up,
48:44
Speaker 1: this ain't for you. Like I mean, like listen to
48:45
Speaker 1: Playbook CARDI or something.
48:46
Speaker 2: Respect.
48:47
Speaker 3: It's like, you Dan, they like, you gotta go fucking
48:52
Speaker 3: viral along with the record today.
48:56
Speaker 2: Yeah, I think too, though, motheruck's looking for a viral moment.
48:59
Speaker 1: Like you know what I'm I think what you could
49:00
Speaker 1: do is like take a page out of like like
49:03
Speaker 1: a Freddie Gibbs or a Griselda's book. Yeah, and just
49:06
Speaker 1: lock in run up that indie catalog. You have that
49:10
Speaker 1: core fan base cultivated, grow it. Do a fucking full
49:14
Speaker 1: album with Darrenger, Do a full album with you Made
49:16
Speaker 1: in Tokyo, Do a full album with hit Boy whatever
49:18
Speaker 1: the fuck Yeah, Yo, Mike and Keys, let's.
49:20
Speaker 2: Do that's that's the space drop EP.
49:24
Speaker 3: Even after that, I look at that like it's the
49:27
Speaker 3: body work.
49:28
Speaker 1: Can You are you? Is all the mixtape stuff on
49:33
Speaker 1: DSPs or do you gotta find it on YouTube?
49:35
Speaker 2: Yes on DSPs.
49:36
Speaker 1: Yeah, like even that shit, Like I don't.
49:38
Speaker 2: Know why did it take Network five off? Somebody was
49:40
Speaker 2: telling me that ain't knowing.
49:42
Speaker 1: But like, you know, the other thing too, is like
49:44
Speaker 1: a lot of artists these days were like I was
49:46
Speaker 1: just talking to Black yesterday because the ten year anniversary
49:48
Speaker 1: of his album's coming up. But like, dude, if you know,
49:51
Speaker 1: like the Network series is celebrating like ten or twenty years,
49:54
Speaker 1: do like a limited edition like two hundred and fifty
49:57
Speaker 1: piece vinyl run and just sell that bitch out and
50:00
Speaker 1: make one hundred bands real quick. Alchemists be doing that.
50:02
Speaker 1: Ship dogchem be sell for like one hundred.
50:04
Speaker 2: Fears whatever I said right there down I want to know.
50:09
Speaker 1: I'm saying, like you could do, Like imagine if you
50:11
Speaker 1: did a Network vinyl box that you guys did one
50:13
Speaker 1: hundred of them, sold it for two hundred and fifty
50:15
Speaker 1: dollars or something. Network hit the Hit, the Hit the broke,
50:21
Speaker 1: because because at the end of the day, people who
50:24
Speaker 1: want to fuck with you, they want to they don't
50:26
Speaker 1: want to stream, they want to stream your ship, but
50:27
Speaker 1: they want to participate. They want to be like, yo,
50:30
Speaker 1: no I fuck with this, let me buy this ship
50:32
Speaker 1: or yo. So when you have those kinds of fans
50:35
Speaker 1: like you got to take advantage of that. Otherwise it's
50:37
Speaker 1: like you're just leaving money on It's like going to
50:39
Speaker 1: I hate when I go to a motherfucker's concert and
50:40
Speaker 1: they ain't got merch for sale. I'll be like, what
50:43
Speaker 1: are we doing? I'm trying to buy ship from you
50:46
Speaker 1: and there ain't no merch guy? Oh no, you know
50:49
Speaker 1: we merch wasn't done in time. I'm like, hey, man, listen,
50:52
Speaker 1: brou you got fans, let them participate in the in
50:56
Speaker 1: the in the brand, bro. The vinyl will go crazy.
51:00
Speaker 2: Mm hmm.
51:01
Speaker 1: I think the vinyl will go crazy for sure, especially
51:03
Speaker 1: if you do like the first network on vinyl, that'll
51:06
Speaker 1: go crazy. Which one was green? Wasn't the first one?
51:09
Speaker 1: Was it?
51:10
Speaker 2: Oh? Yeah, I think it was.
51:13
Speaker 1: Imagine the green splatter vinyl limited edition. Sell one hundred
51:18
Speaker 1: of them, bitches. Come on, man, that's easy, that's sell out,
51:25
Speaker 1: easy work of course. Man, how uh these days? How
51:31
Speaker 1: close are you to beans?
51:35
Speaker 3: We tied it intent till someone socks boy.
51:37
Speaker 1: Yeah, have you heard any of his new music?
51:41
Speaker 2: That's amazing. I was talking about the.
51:45
Speaker 1: Yeah, I can't wait to hear it, just because I
51:47
Speaker 1: think beans is you know.
51:48
Speaker 3: Little kid?
51:49
Speaker 2: I want to leak one with you right now.
51:52
Speaker 1: I mean when we think about you know, we always
51:54
Speaker 1: hear people say like, who's got the best like three
51:56
Speaker 1: or four album run consecutively. I'm like, I'm Beanie Siegull.
51:59
Speaker 1: Don't get talked about it? His first four yeah, all
52:03
Speaker 1: the way to the becoming.
52:06
Speaker 3: I don't know, man, Yeah, this new world, they judge
52:10
Speaker 3: you off the space you went today, and damn really
52:14
Speaker 3: don't count.
52:14
Speaker 2: You know what I'm saying.
52:15
Speaker 1: Is it hard for you to still, like, I guess,
52:19
Speaker 1: lace your boots up and get into this rap shit
52:21
Speaker 1: when it's like such a different world like it Sometimes
52:24
Speaker 1: I can imagine something like, Yo.
52:26
Speaker 3: This is the ship that's working.
52:27
Speaker 1: What the fuck is going on here?
52:28
Speaker 2: Right? It ain't hard to do it?
52:30
Speaker 3: Get boring, I'll be like, off it, Tom.
52:33
Speaker 2: Yeah, but.
52:37
Speaker 1: What about have you when the last time you talked with.
52:39
Speaker 2: Hope, like two years ago, I was at the.
52:44
Speaker 3: Super Bowl fire.
52:46
Speaker 1: I guess that'd be the time dropped it up with
52:48
Speaker 1: him at the Super Bowl. Yeah, yeah, I just that's crazy.
52:51
Speaker 1: You had that solo album ready to go. Did you
52:55
Speaker 1: have the name for the album? Never Never Never Crazy?
53:01
Speaker 1: That have been hard the big big what if? What if?
53:04
Speaker 3: It?
53:04
Speaker 1: Hip hop? The detox from Doctor Dre Now we're never
53:08
Speaker 1: from Young Chris crazy. No, No, that's got you gotta
53:13
Speaker 1: end up putting that out though. If you find the files,
53:16
Speaker 1: for sure, you gotta. You just gotta say fuck it.
53:19
Speaker 3: Oh, I got to recreate and still use the title.
53:23
Speaker 1: Find those old beat. I'm sure just Blaze had production
53:26
Speaker 1: on there.
53:26
Speaker 2: Ain't nothing like them old junks.
53:27
Speaker 1: Man, Kanye probably had production on there.
53:31
Speaker 2: Shawn c.
53:32
Speaker 3: L v irdotate with them, uh tone and polk to
53:38
Speaker 3: the track masters, Yeah, man, I got endless record, went
53:44
Speaker 3: to the crib and was just knocking joints out shout
53:47
Speaker 3: out to that.
53:48
Speaker 1: I just was in. They had an artist from Brooklyn.
53:51
Speaker 1: Remember we were in New York. I was to we're
53:53
Speaker 1: at the track masters studio. What's the old boy's name,
53:57
Speaker 1: the drill dude. We went to his football field, we
53:59
Speaker 1: went to his high schoo Rosh Swish signed a ton
54:04
Speaker 1: of poke through Empire, but we were at I was like,
54:06
Speaker 1: we're at the track Master Studio. It was like in
54:09
Speaker 1: Brooklyn where all the Jews are the Hasidic Jews. I
54:12
Speaker 1: mean that was that by the way, it might gonna
54:14
Speaker 1: get canceled, you know, the yeah, yeah, yeah. Then motherfuckers
54:19
Speaker 1: got their own police out there.
54:20
Speaker 2: By the way.
54:22
Speaker 1: They were like, you could get stabbed in front of
54:24
Speaker 1: the cop and if you're not a Hasidic Jew, they're
54:27
Speaker 1: gonna walk right past you. All right. So we got
54:32
Speaker 1: the project dropping in May, Yes, Sir, made in Philly.
54:37
Speaker 3: Maid in Philly. Man signed just get my feet wet.
54:40
Speaker 3: Let them know I'm back active.
54:42
Speaker 1: How many joints?
54:43
Speaker 2: Nah?
54:44
Speaker 1: Are you guys rapping together on this? You're just on
54:45
Speaker 1: his beats?
54:46
Speaker 2: Nah, I'm just on this beach.
54:48
Speaker 1: He just yep, I'm excited.
54:51
Speaker 3: Ransom featured on there. Lloyd Banks, damn Philadelphia Freeway. Jesus yep,
55:00
Speaker 3: my younger choir from back back home.
55:02
Speaker 2: Cool.
55:03
Speaker 1: Oh, that's gonna go crazy.
55:06
Speaker 3: Yeah, you have some good, good good people on the
55:09
Speaker 3: Shout to Ransom, shou out to bank Ransom Beef.
55:11
Speaker 1: It's crazy. Lloyd Banks has been putting out so much
55:14
Speaker 1: music and I don't know what he looks like in
55:16
Speaker 1: twenty twenty six because he doesn't do interviews, he doesn't
55:19
Speaker 1: post on Instagram.
55:20
Speaker 3: He just puts puts.
55:21
Speaker 1: Albums out his funck shut up. Per Hey Banks is
55:24
Speaker 1: a very good example of what we just talked about,
55:27
Speaker 1: because he'll drop a merch piece and it'll sell out
55:29
Speaker 1: and he don't do no interviews. Shout out to Lloyd Man. Well, listen,
55:33
Speaker 1: I'm looking forward to the album's coming out.
55:35
Speaker 2: Of me Fellers. Get on over that.
55:42
Speaker 3: Yeah, yeah, misera, I get the merch.
55:48
Speaker 2: Man, I get on it.
55:51
Speaker 1: Uh, anything else coming besides that?
55:56
Speaker 3: Like I said, the project that's next to come, We're
55:58
Speaker 3: gonna keep bombing. It ain't gonna stop. You know what
56:00
Speaker 3: I'm saying. Huh yeah, yeah, shout out Davis Man, it's
56:07
Speaker 3: my brother, great guard. Yeah, we already we know we
56:10
Speaker 3: gotta double back with another fine down there there, you're happy.
56:13
Speaker 3: It's only right man, trying to get bucked, like you said,
56:17
Speaker 3: trying to get on this more neath, give him one.
56:20
Speaker 1: More you guys should do. Why not you guys doing shows?
56:23
Speaker 2: Man?
56:23
Speaker 3: Why not walk in for like a week?
56:27
Speaker 2: Call up? I mean ship man.
56:28
Speaker 1: I feel like everybody, there's so many producers would be excited,
56:31
Speaker 1: get the heat makers to do some ship with y'all.
56:34
Speaker 1: You know what I'm saying, dibble and dabble like you know.
56:37
Speaker 1: I don't know what Just Blaze is doing right now
56:39
Speaker 1: because he seems to disappeared. But if someone can find
56:45
Speaker 1: Just Blaze and tell him, he's, in my opinion, my
56:47
Speaker 1: favorite producer of all time, or like just Alchemists.
56:52
Speaker 3: Yeah, come on, man, Alchemists, Huh, I ain't never be because.
56:57
Speaker 1: He lives in Santa Monica. It's easy, it does easy work,
57:02
Speaker 1: and he's got a h He's got a show coming
57:04
Speaker 1: up with Primo here in La in May. I will
57:08
Speaker 1: text him.
57:08
Speaker 2: I'm trying to work.
57:09
Speaker 1: I will text him. Shout out to al Shout out
57:12
Speaker 1: to young Chris Man. The new album, Yes, Sir, nine
57:15
Speaker 1: Joints coming in May. We don't know exactly when yet. Yeah,
57:19
Speaker 1: sometime in May.
57:20
Speaker 2: You're gonna get that Nina and made though.
57:21
Speaker 1: Appreciate you pulling up man, thanks to having my dog fine. Hey,
57:26
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