Latest / The Real Report with Tony Yayo and Uncle Murda / Chow Lee on Cash Cobain, 'Please Behave' Album, Creating Sexy Drill & Yayo vs. Murda’s Drill Debate

Transcript

Chow Lee on Cash Cobain, 'Please Behave' Album, Creating Sexy Drill & Yayo vs. Murda’s Drill Debate · The Real Report with Tony Yayo and Uncle Murda

• 0:00
  Speaker 1: Paris, you go to London, nowhere to speak.
• 0:01
  Speaker 2: I got my ass kicked in Paris.
• 0:03
  Speaker 3: Damn.
• 0:04
  Speaker 2: Me and the bro, but it was by security, though. Like,
• 0:07
  Speaker 2: we was in the spot. Like, it was some funny
• 0:10
  Speaker 2: shit going on, whatever. Nigga, if I'm going to want
• 0:11
  Speaker 2: to security, this nigga go to his suite. Start packing us.
• 0:14
  Speaker 2: I'm going to keep it a block. I got my,
• 0:16
  Speaker 2: I got, I got my hits off. I ain't afraid.
• 0:18
  Speaker 3: I already knew it was over.
• 0:20
  Speaker 2: I was like, I got my hits off, and I
• 0:21
  Speaker 2: just said, all right, baby, I got it.
• 0:22
  Speaker 3: He didn't get stabbed.
• 0:23
  Speaker 1: Shut the fuck up.
• 0:25
  Speaker 3: Yeah, it's the Talk of New York, Tony Ayo. And
• 0:27
  Speaker 3: it's the Boy Uncle Murder, a.k.a. Lil' Jay Lenny. And
• 0:33
  Speaker 3: it's the Real Report Show. And right now, we have
• 0:37
  Speaker 3: one of the kings of Sexy drill, the slizzy. You
• 0:52
  Speaker 3: know what it is.
• 0:53
  Speaker 1: Make some noise for my man, Chow Lee.
• 0:56
  Speaker 3: Whoa. Whoa.
• 0:58
  Speaker 2: Whoa. That boy from that place doing things to be done.
• 1:00
  Speaker 3: Chow Lee in the building. Hello.
• 1:02
  Speaker 1: Chow Lee, first of all, I want to say I
• 1:05
  Speaker 1: like what you are doing.
• 1:07
  Speaker 3: Appreciate you.
• 1:08
  Speaker 1: Cash Cobain, Shelter Bay. I knew him as a kid.
• 1:11
  Speaker 3: Free as pop.
• 1:12
  Speaker 1: You know, Free Bay. King BMO. Talk about that. Because
• 1:17
  Speaker 1: when King BMO told me he came from that camp,
• 1:19
  Speaker 1: I'm like, Wow, all of these guys are making hits, man.
• 1:23
  Speaker 2: We were always just around, down for the cause type.
• 1:26
  Speaker 2: You know what I'm saying? Cash, he paved the way.
• 1:31
  Speaker 2: Me and Bro dropped.
• 1:32
  Speaker 3: The Too Slutty, Too Sexy.
• 1:34
  Speaker 2: So then I ain't gonna lie, we dropped that. We
• 1:37
  Speaker 2: was just dropping music because we just had mad music.
• 1:39
  Speaker 2: Bro just called me like, yo, we got mad songs.
• 1:42
  Speaker 2: Let's just drop it.
• 1:43
  Speaker 3: I'm like, you're fucking kidding me. We dropped that.
• 1:45
  Speaker 2: Bubbling in the city.
• 1:47
  Speaker 3: And then that.
• 1:48
  Speaker 2: Started the whole situation and then we was already slizzy already.
• 1:52
  Speaker 2: So then we just like, yo, we got to work
• 1:54
  Speaker 2: and just make this shit make sense.
• 1:55
  Speaker 3: Rob Markman, Jr.
• 1:56
  Speaker 1: Shout to Long Island, shout to Hempstead, but I know
• 2:00
  Speaker 1: Cash is from the Bronx originally, Bay is from Queens,
• 2:04
  Speaker 1: and you from Hempstead. Shout to Long Island. Don't play
• 2:06
  Speaker 1: in Long Island either.
• 2:07
  Speaker 3: Rob Markman, Jr.
• 2:08
  Speaker 4: I like the drama, right? I like drama. So I
• 2:11
  Speaker 4: noticed one of your first records was a diss record
• 2:14
  Speaker 4: that ever.
• 2:15
  Speaker 3: Dropped about one of your homies.
• 2:19
  Speaker 2: How did that happen?
• 2:21
  Speaker 4: The diss record with one of your homies, I guess
• 2:23
  Speaker 4: it was inspired by one of your homies or some shit.
• 2:26
  Speaker 3: It was like a diss track that said that was
• 2:27
  Speaker 3: your first record.
• 2:30
  Speaker 2: Oh, I was fucking around. It was really my man's though,
• 2:33
  Speaker 2: but that's where I started rapping. So I thought, see,
• 2:36
  Speaker 2: he did some Narwhal shit. I didn't even know he was.
• 2:39
  Speaker 3: Come on. You know, this the real report. I was like,
• 2:42
  Speaker 3: what the fuck? I was loose too. And he cut
• 2:45
  Speaker 3: me off, by the way. Pardon me, pardon me, my brother.
• 2:48
  Speaker 1: But you know, I like some drama.
• 2:50
  Speaker 3: I like some drama. I wanted to get a little
• 2:51
  Speaker 3: bit of drama.
• 2:51
  Speaker 1: Talk about the drama after you cut me off. Let
• 2:54
  Speaker 1: me speak first.
• 2:55
  Speaker 3: Matter of fact, fuck you. Go to the drama.
• 2:57
  Speaker 1: Matter of fact, fuck him.
• 2:59
  Speaker 3: What happened with the drama, though? Go ahead. What happened, man?
• 3:01
  Speaker 2: What happened? He did some bleep shit and then niggas
• 3:03
  Speaker 2: figured out how to use garage band or whatever. I'm like, yo,
• 3:05
  Speaker 2: fuck it. We feel the distance, nigga. This nigga's off that, man.
• 3:08
  Speaker 3: Fuck it. And I was like, yo.
• 3:09
  Speaker 2: This shit fake fun. And then I started actually making
• 3:12
  Speaker 2: real music type shit.
• 3:13
  Speaker 3: Got you. Got you.
• 3:13
  Speaker 2: So that's how I got into that.
• 3:14
  Speaker 3: Got you.
• 3:15
  Speaker 4: So he inspired you to do music at least.
• 3:17
  Speaker 3: At least we give him a lot of shout outs.
• 3:19
  Speaker 3: That inspired you to do music. All right, cool. Now
• 3:22
  Speaker 3: we can get to your question. Now we can get
• 3:24
  Speaker 3: to your fucking question. Fuck out of here.
• 3:26
  Speaker 2: Shut up.
• 3:27
  Speaker 3: Every time you cut me off, it's like $ 500, nigga.
• 3:29
  Speaker 1: We gonna have a penalty box here, nigga. We talking
• 3:35
  Speaker 1: about sexy drill, the bitches and all that.
• 3:37
  Speaker 3: You know I got to give up that drama, man.
• 3:39
  Speaker 1: I don't want to hear that.
• 3:39
  Speaker 3: You know I got to give up that drama, man.
• 3:41
  Speaker 3: Come on, man. I'm like, what nigga, man? His first
• 3:43
  Speaker 3: record was dissing one of the homies, man. I don't
• 3:45
  Speaker 3: know what happened with the homie.
• 3:47
  Speaker 1: I didn't know that.
• 3:48
  Speaker 3: You got to do your homework. You see, I know
• 3:49
  Speaker 3: about the homie getting dissed. I ain't even know about it.
• 3:52
  Speaker 3: And he said, shout out to the bitch ass nigga
• 3:54
  Speaker 3: for motivating him to do music, nigga. You know what
• 3:57
  Speaker 3: I'm saying? So look, we got something going on. I
• 4:00
  Speaker 3: feel like you didn't come here.
• 4:02
  Speaker 1: I didn't think y'all leave was going to come up
• 4:03
  Speaker 1: here and talk about no static. I'm talking about sexy shit.
• 4:08
  Speaker 2: Rob Markman I don't got no static.
• 4:09
  Speaker 1: Rob Markman No, but yo, I'm proud of you because
• 4:12
  Speaker 1: the older niggas, all the older niggas ain't hating. I
• 4:15
  Speaker 1: check for everybody. We have all the best. young artists
• 4:19
  Speaker 1: on here. We had BMO on here. And you know,
• 4:21
  Speaker 1: BMO's from Brooklyn. East New York, don't cut me off.
• 4:24
  Speaker 1: East New York, you gonna cut me off?
• 4:26
  Speaker 3: East New York! Let him cut me off. He happy
• 4:31
  Speaker 3: he got King BMO. He happy. You better believe it.
• 4:34
  Speaker 3: Let's go, Brooklyn.
• 4:35
  Speaker 1: So look, you got King BMO. You got Bay. We
• 4:37
  Speaker 1: happy we got Bay. Because Bay is doing his thing.
• 4:40
  Speaker 1: You got Cash Cobain. And we got Chow Lee from
• 4:43
  Speaker 1: Long Island. Now, how do you meet Cash Cobain and everybody?
• 4:47
  Speaker 3: How do you meet?
• 4:48
  Speaker 2: So I already knew about Cash because he was making
• 4:51
  Speaker 2: music already type shit. He dropped some shit in 2016.
• 4:55
  Speaker 2: It was called Hot Style. Baby White, so Hot Style.
• 4:58
  Speaker 2: You know I like my style. Well, you know you
• 5:00
  Speaker 2: like my style. So I'm like, oh, nice nigga fire.
• 5:03
  Speaker 2: So I already knew his name type shit. And then
• 5:06
  Speaker 2: my manager, my man type shit, Fiff, he right there,
• 5:10
  Speaker 2: he put me on to this nigga named Flea. And
• 5:13
  Speaker 2: they was making music together.
• 5:14
  Speaker 3: Right.
• 5:15
  Speaker 2: So I was like, oh yeah, I know Cash. I
• 5:16
  Speaker 2: was listening to this shit. So I tapped into them.
• 5:19
  Speaker 2: And then like, we got shut down. Clubhouse, you know,
• 5:21
  Speaker 2: niggas bullshitting on that shit. And they ain't got shit
• 5:23
  Speaker 2: to do. And then bro was on there. And then like,
• 5:26
  Speaker 2: he had not as me. We was in the same
• 5:27
  Speaker 2: chat or whatever. And then we was like, just locked in.
• 5:30
  Speaker 2: We was just on Clubhouse with the bros all day,
• 5:32
  Speaker 2: every day. And then we just linked up like while
• 5:34
  Speaker 2: niggas on lockdown and just shot a video. It wasn't
• 5:37
  Speaker 2: my video. He was shooting a video with the bros.
• 5:39
  Speaker 2: Shot the MHPG. And then we just started making music
• 5:42
  Speaker 2: after that.
• 5:43
  Speaker 3: And then Rob Markman, Jr.
• 5:44
  Speaker 1: How many of these Cash Cobain got, man? To me,
• 5:47
  Speaker 1: he's like your Kanye West, or like how Drake got
• 5:50
  Speaker 1: his 40.
• 5:50
  Speaker 3: Rob Markman, Jr.
• 5:50
  Speaker 2: That nigga literally come in the studio. At the time,
• 5:53
  Speaker 2: we was recording out the crib. We was recording out
• 5:55
  Speaker 2: my crib and shit. He'll come in the crib and
• 5:57
  Speaker 2: just make four beats real quick, and then we'll just
• 6:00
  Speaker 2: pick one, or just pick two, or he might pick
• 6:02
  Speaker 2: all four type shit. He do the shit like, I
• 6:04
  Speaker 2: don't know how he do it.
• 6:05
  Speaker 3: He's a genius. I don't know how he do it.
• 6:07
  Speaker 3: Rob Markman, Jr.: Definitely. Rob Markman, Jr.
• 6:09
  Speaker 2: But that's how I do it.
• 6:09
  Speaker 3: Rob Markman, Jr.: How you come up with the name
• 6:11
  Speaker 3: Tau Lee, man?
• 6:13
  Speaker 2: I was watching the Hangover movie.
• 6:15
  Speaker 3: So that nigga was wild.
• 6:16
  Speaker 2: The Chow nigga was wild and shit.
• 6:18
  Speaker 3: So I was like, I bet.
• 6:19
  Speaker 2: So my real name, Justin, everybody know this now. So
• 6:22
  Speaker 2: my name on Facebook at the time, it was before
• 6:25
  Speaker 2: I was even rapping, my name was Chow type shit.
• 6:28
  Speaker 2: So I changed my name to Justin Chow. So then
• 6:31
  Speaker 2: I started making music. I'm like, I don't know, Justin
• 6:33
  Speaker 2: Chow don't sound right.
• 6:34
  Speaker 3: I'm like, I.
• 6:34
  Speaker 2: Need another Asian last name. So I'm like, yo, Chow
• 6:37
  Speaker 2: Lee sound all right. So I just ran with that shit.
• 6:39
  Speaker 3: Nah, Chow Lee is it, man.
• 6:41
  Speaker 2: I ain't want to be, it was either Chow Lee,
• 6:43
  Speaker 2: Chow Ling, some shit like that.
• 6:44
  Speaker 3: Yeah, got you, got you, got you.
• 6:45
  Speaker 2: I ain't never got no backlash from the Asian people,
• 6:47
  Speaker 2: so shout out to my Asian niggas and all that.
• 6:49
  Speaker 3: You know what I'm saying? Shout out to the Asian community, man.
• 6:53
  Speaker 3: I fuck with Chow Lee, man. You know what I'm saying?
• 6:55
  Speaker 1: But what gives you the drive? Because, you know, there's
• 6:57
  Speaker 1: a million artists out there, you know, so when I
• 7:00
  Speaker 1: see you and, you know, the.
• 7:02
  Speaker 3: Slizzies, I'm saying it right? Yeah, hell yeah. When I
• 7:05
  Speaker 3: see you and.
• 7:05
  Speaker 1: The Slizzies making hit records like every fucking other day,
• 7:10
  Speaker 1: You know what I'm saying? Like a lot of rappers,
• 7:12
  Speaker 1: you know, they get caught up in the hype and
• 7:13
  Speaker 1: they just be like, fucking man, I ain't making no
• 7:16
  Speaker 1: money off this shit right now. I fucking quit.
• 7:18
  Speaker 3: Right, Murr? Thanks.
• 7:19
  Speaker 1: So what gives you your drive to make you keep
• 7:21
  Speaker 1: going to be successful?
• 7:23
  Speaker 2: I mean, at first, we didn't have no bread neither.
• 7:25
  Speaker 2: We was just like, it was like whatever you did
• 7:27
  Speaker 2: on the side to make your bread, like all we
• 7:29
  Speaker 2: really cared about was like, yeah, I bet. Nigga, Friday, Saturday, yo,
• 7:33
  Speaker 2: we going to Cavalli. Or we going somewhere in Queens
• 7:36
  Speaker 2: or some shit like that.
• 7:36
  Speaker 3: We about to.
• 7:37
  Speaker 2: Making a movie or popping out, just have a hundred
• 7:39
  Speaker 2: dollars for this bottle or whatever, you know what I'm saying?
• 7:41
  Speaker 3: Put up on the bottle.
• 7:42
  Speaker 2: But I ain't gonna front you for me. At first
• 7:44
  Speaker 2: it was just like, we just coming outside a party.
• 7:46
  Speaker 3: With girls and shit.
• 7:47
  Speaker 2: And then like, shit, me and bro got a call
• 7:51
  Speaker 2: when we dropped to who's the sexy? Niggas was talking
• 7:53
  Speaker 2: about rolling out. Like, rolling out? I'm not even in town.
• 7:57
  Speaker 2: I'm in Tennessee doing some shit I'm not supposed to be.
• 7:59
  Speaker 3: Doing, some shit like that. I didn't even want to
• 8:01
  Speaker 3: do this no more.
• 8:02
  Speaker 2: I'm like, I'm gonna go back to the crib. Got
• 8:04
  Speaker 2: my shit back to the crib. I'm waiting for rolling out.
• 8:06
  Speaker 2: And they was like, yo, fuck it. Nigga, we can
• 8:08
  Speaker 2: make some bread. We can make some chump change off
• 8:10
  Speaker 2: this shit. But it's like, shit, we was at Rolling Loud.
• 8:12
  Speaker 2: I didn't give a fuck about getting paid. We would've
• 8:14
  Speaker 2: did that shit for free.
• 8:15
  Speaker 3: Got you, fast.
• 8:16
  Speaker 1: I watch your performance, and I'm like, I can't believe.
• 8:19
  Speaker 1: That was your first time performing at Rolling Loud?
• 8:21
  Speaker 2: Well, our first time doing that.
• 8:23
  Speaker 3: Shit was like 20.
• 8:24
  Speaker 1: I seen you by solo.
• 8:26
  Speaker 3: Oh, no, no.
• 8:26
  Speaker 2: My first time was with Bro.
• 8:28
  Speaker 3: It was like 2022. Okay. Okay.
• 8:29
  Speaker 2: So, that was our first song. We was on that shit.
• 8:31
  Speaker 2: Dumb Nervous, but once we got on the stage, we
• 8:33
  Speaker 2: got the groove of it.
• 8:34
  Speaker 3: Nigga, we on that shit.
• 8:35
  Speaker 1: Rob Markman, So, the second time, I must have watched you.
• 8:38
  Speaker 1: You had some shit on you.
• 8:39
  Speaker 3: Rob Markman, Oh, no.
• 8:40
  Speaker 2: I ain't going to lie. I did a bunch of
• 8:42
  Speaker 2: them shits. I did three with bro.
• 8:45
  Speaker 1: Rob Markman, I seen one by yourself. So, the one
• 8:49
  Speaker 1: I seen by yourself, I'm like, it's a big ass stage,
• 8:52
  Speaker 1: and I was surprised that a new artist kind of
• 8:55
  Speaker 1: had a stage presence. Because you ran from one side
• 8:59
  Speaker 1: to the other side and then you ran down the
• 9:02
  Speaker 1: middle and then you ran back and I was like,
• 9:05
  Speaker 1: oh shit, he kind of knows what he's doing.
• 9:08
  Speaker 2: Yeah, I ain't going to lie, I had a bunch
• 9:10
  Speaker 2: of practice before I did all that. That shit is
• 9:12
  Speaker 2: a lot too, by the way. I wasn't even ready
• 9:14
  Speaker 2: for that shit. I'm over the stage trying not to
• 9:16
  Speaker 2: pass out. But I ain't going to lie, niggas love
• 9:19
  Speaker 2: doing this shit. It's just like, you got to keep
• 9:20
  Speaker 2: doing it. You could get some bread out of it.
• 9:22
  Speaker 2: It's not even about the money, but it is about
• 9:24
  Speaker 2: the money at the same time. If we already foot
• 9:26
  Speaker 2: in the door, why not take it all the way
• 9:28
  Speaker 2: type shit?
• 9:28
  Speaker 4: How'd you get with Empire? Because Empire always got their
• 9:33
  Speaker 4: air to the streets. Shout out to Empire.
• 9:34
  Speaker 1: Shout out to my guy.
• 9:37
  Speaker 3: They always got their air to the streets.
• 9:39
  Speaker 1: Listen, let me cut you off, man.
• 9:42
  Speaker 3: I was trying to ask him how did he get
• 9:44
  Speaker 3: with Empire. You about to tell me how he got
• 9:46
  Speaker 3: with Empire? No, let me explain something to you. Go ahead,
• 9:48
  Speaker 3: tell me.
• 9:48
  Speaker 1: The thing is, what you don't know about them, of
• 9:52
  Speaker 1: Cash Cobain, Bay, King BMO, because I didn't know BMO
• 9:56
  Speaker 1: was even with them, Chow Lee. I just knew of
• 9:58
  Speaker 1: Cash Cobain, Bey.
• 9:59
  Speaker 3: And Chow Lee.
• 10:00
  Speaker 1: I didn't even know BMO was around them. And they
• 10:03
  Speaker 1: all have the wave right now. When you listen to drill,
• 10:07
  Speaker 1: regular drill is kill a nigga, kill a nigga, kill
• 10:09
  Speaker 1: a nigga. But they created a whole new wave with
• 10:13
  Speaker 1: sexy drill. Where they made drill cool because now you
• 10:20
  Speaker 1: got the females, you got hit records, radio's not scared
• 10:24
  Speaker 1: to play you, labels are loving these guys because they
• 10:28
  Speaker 1: took a negative, and I'm not going to Yeah, you
• 10:31
  Speaker 1: can say a negative because motherfuckers talking about breaking bones
• 10:34
  Speaker 1: and bullets.
• 10:34
  Speaker 3: Rob Markman, It's not negative. It's just what's happening. That's
• 10:36
  Speaker 3: what the Young Boys is doing. Rob Markman, Listen.
• 10:37
  Speaker 1: No, what I'm just saying is certain people, because a
• 10:39
  Speaker 1: label's going to look at it like this, child. Yo,
• 10:41
  Speaker 1: the first thing a label's going to say, is he
• 10:43
  Speaker 1: on drugs?
• 10:43
  Speaker 3: Is he in a gang?
• 10:45
  Speaker 1: Oh, is he a liability? But with Sexy Drill, it's like,
• 10:49
  Speaker 1: all right. The drill, it kind of only went to
• 10:52
  Speaker 1: a certain level. But Sexy Drill, you hear it on
• 10:54
  Speaker 1: the radio, podcasts, streamers. You see them blow up instantly
• 11:00
  Speaker 1: off Sexy Drill. And it was a whole new wave.
• 11:03
  Speaker 1: So that's what I was going to say. Of course,
• 11:04
  Speaker 1: Empire is going to pay attention because they did something
• 11:08
  Speaker 1: that was totally out the box. And that's what I
• 11:10
  Speaker 1: want to ask you.
• 11:11
  Speaker 3: I knew that already. Sexy Joe.
• 11:14
  Speaker 4: We already knew the Sexy Joe. So what I'm trying
• 11:15
  Speaker 4: to say is, how did you get with Empire?
• 11:17
  Speaker 3: They knew about Sexy Joe. I ain't going to lie.
• 11:19
  Speaker 2: Bobby Fisher, right? He was my A & R before
• 11:21
  Speaker 2: I was even signed to Empire.
• 11:23
  Speaker 3: Oh, okay.
• 11:24
  Speaker 4: Bobby always got his answer to the fucking street. He
• 11:26
  Speaker 4: really the editor of the street.
• 11:28
  Speaker 3: Okay, okay. Bobby was like, let the man talk. Let
• 11:32
  Speaker 3: the man talk, man. You cut me off. But now
• 11:35
  Speaker 3: you cutting Charlie off. I cut you off.
• 11:37
  Speaker 1: You just was cutting my man off for some circus interview.
• 11:40
  Speaker 3: Now go ahead, Charlie. Talk to us, man.
• 11:42
  Speaker 2: No, what I was saying was I got a partnership
• 11:45
  Speaker 2: with Tark. He's like one of the co-founders of Rolling Loud.
• 11:49
  Speaker 2: So like he has a good relationship with Gazi and
• 11:50
  Speaker 2: shit like that. So- Like that helped with that. And
• 11:54
  Speaker 2: then he got you like, fuck it.
• 11:55
  Speaker 3: Like, I'm saying.
• 11:56
  Speaker 2: And then that's how, that's how that happened.
• 11:58
  Speaker 3: Shout out to guys.
• 11:59
  Speaker 1: How do you feel about, you agree with what I said?
• 12:02
  Speaker 1: Like sexy drill was like a whole new wave.
• 12:05
  Speaker 3: Like y'all had the dance and shit. We was having
• 12:08
  Speaker 3: fun with it.
• 12:09
  Speaker 2: We never really talking about killing nobody. You know, niggas
• 12:11
  Speaker 2: might throw a little gumball in here.
• 12:12
  Speaker 3: You know what I'm saying?
• 12:13
  Speaker 2: Niggas talk about girls. No, we know y'all are gangsters.
• 12:22
  Speaker 1: Like, we know y'all outside, y'all in Aura, y'all in
• 12:25
  Speaker 1: all these clubs, Harbour, y'all in Starlets, y'all in the
• 12:28
  Speaker 1: strip club, Dream, Atlantis. We know y'all outside. Y'all fuck
• 12:31
  Speaker 1: up the club. You hear about it all the time.
• 12:34
  Speaker 1: You know, Charlie niggas was outside fucking up the club, right?
• 12:37
  Speaker 1: My thing to you is like, how do you feel
• 12:40
  Speaker 1: like creating something new with Cash Go Bang? Sexy drip.
• 12:44
  Speaker 2: That shit is a beautiful thing. I ain't gonna lie,
• 12:46
  Speaker 2: because at first when we came out with The shit,
• 12:49
  Speaker 2: we was just fucking around calling it that type of shit.
• 12:51
  Speaker 3: Rob Markman, What, Sexy Drip?
• 12:52
  Speaker 1: How y'all come up with that?
• 12:53
  Speaker 2: I'm literally in the crib with this nigga. Remember I
• 12:56
  Speaker 2: told you we recorded at the crib, so I'm with bro.
• 12:59
  Speaker 2: Nigga like, it was like drill drums, but it's like
• 13:02
  Speaker 2: a sexy sample in the background. So nigga like, drill drums,
• 13:06
  Speaker 2: nigga cash like, shit sexy, like this shit Sexy Drip.
• 13:10
  Speaker 2: I'm like, that's what we calling it, fuck it. So
• 13:12
  Speaker 2: then nigga, we started doing the interviews and they like, yo,
• 13:14
  Speaker 2: so what would y'all say y'all sound is?
• 13:15
  Speaker 3: Nigga just went with Sexy Drip.
• 13:17
  Speaker 2: So at first everybody like- What the fuck is sexy drill?
• 13:20
  Speaker 2: It was like a whole thing. And then that shit
• 13:22
  Speaker 2: blew over and then it actually became a sub drama
• 13:25
  Speaker 2: for real. That shit is fire.
• 13:27
  Speaker 3: I ain't gonna lie.
• 13:28
  Speaker 1: Rob Markman I love y'all guys. Y'all be in the
• 13:29
  Speaker 1: videos having fun.
• 13:30
  Speaker 3: I ain't gonna lie.
• 13:33
  Speaker 1: Miss Beautiful V.
• 13:34
  Speaker 3: Oh my God.
• 13:35
  Speaker 1: Talk about the process. That's a hit. I'm not glazing.
• 13:40
  Speaker 1: Shout out to Long Island. Y'all got one. And that's
• 13:44
  Speaker 1: a TikTok sensation, by the way, Murda.
• 13:46
  Speaker 3: It's like.
• 13:47
  Speaker 1: You know, talk about that.
• 13:48
  Speaker 3: It's the process.
• 13:48
  Speaker 2: It wasn't even really much process. At this point, I
• 13:51
  Speaker 2: moved to Miami, and I was just in the crib,
• 13:55
  Speaker 2: just making music. Niggas was like, yo, I made the songs.
• 13:59
  Speaker 2: Niggas was like, what song you want to drop? I'm like,
• 14:01
  Speaker 2: this one. That shit just went. Even with Swag It,
• 14:04
  Speaker 2: that shit, I was doing block work. I shot that
• 14:08
  Speaker 2: shit in Hempstead. I'm on the way to them, driving
• 14:11
  Speaker 2: over there. I'm like, I don't even know what song
• 14:12
  Speaker 2: I want to do. I just picked that one, and
• 14:14
  Speaker 2: that one went. I don't know, it's just what I
• 14:16
  Speaker 2: said on the shit type shit. I ain't picked them
• 14:19
  Speaker 2: shits on some shit like, I know these twos gonna
• 14:20
  Speaker 2: be the ones. It just was on some shit like,
• 14:24
  Speaker 2: it just happened type shit. They just caught a little
• 14:26
  Speaker 2: bar and TikTok did they thing, or the internet did
• 14:28
  Speaker 2: they thing.
• 14:29
  Speaker 3: Rob Markman I was hoping this shit was lit now.
• 14:30
  Speaker 3: What made you move to Miami?
• 14:32
  Speaker 2: My team was out there. They still out there, but
• 14:35
  Speaker 2: at the time I'm like, yo, fuck it, let me
• 14:36
  Speaker 2: try something new. I ain't never lived nowhere else. I
• 14:39
  Speaker 2: was still living in like Floral Park type shit, like
• 14:41
  Speaker 2: Bobby Queen, matter of fact.
• 14:43
  Speaker 3: So I'm like, fuck it.
• 14:44
  Speaker 2: Let me try something new. Maybe some new vibes out there.
• 14:46
  Speaker 2: Definitely got some new.
• 14:47
  Speaker 3: Vibes out there. Did that help you with the music?
• 14:49
  Speaker 3: Definitely had to. I mean, yeah. When you make Beautiful V,
• 14:53
  Speaker 3: because that is beautiful.
• 14:54
  Speaker 2: I made it out there, yeah.
• 14:55
  Speaker 3: See what I'm saying? It was definitely a.
• 14:57
  Speaker 1: Miami vibe.
• 14:58
  Speaker 2: It was a vibe out there.
• 14:59
  Speaker 1: You got some pussy that night, nigga.
• 15:01
  Speaker 3: Yeah, I did. Yeah, I did.
• 15:02
  Speaker 2: I ain't gonna lie. But, you know, moving to a
• 15:05
  Speaker 2: new city, now you got to go. Now I had
• 15:06
  Speaker 2: to really go dibble dabble outside and all that extra shit.
• 15:09
  Speaker 2: It was cool.
• 15:09
  Speaker 3: It was an experience.
• 15:10
  Speaker 2: But then I had to still come fly back to
• 15:12
  Speaker 2: New York. You know, niggas might book me out there.
• 15:15
  Speaker 2: I'm not really probably known in Miami yet. So it
• 15:18
  Speaker 2: was Bobby though.
• 15:19
  Speaker 1: Who the fuck thinks of the videos? Because when I
• 15:21
  Speaker 1: watch Miss Beautiful V, you know, that the video I
• 15:25
  Speaker 1: seen the girl had her legs up.
• 15:27
  Speaker 3: Right.
• 15:28
  Speaker 1: And the panties was in the air with the heel.
• 15:29
  Speaker 1: Do you think of that?
• 15:30
  Speaker 3: That shot? Like.
• 15:31
  Speaker 2: Me and FitFab, that's my manager. That's my manager right there.
• 15:34
  Speaker 1: That was like, oh, that's FitFab?
• 15:36
  Speaker 2: That's FitFab right there.
• 15:37
  Speaker 1: Well, shout out to FitFab.
• 15:38
  Speaker 4: Because to me, it's like- That's the only part of
• 15:40
  Speaker 4: the video you saw with the lights up?
• 15:42
  Speaker 2: No, it's not.
• 15:43
  Speaker 3: It's not. You see, you ain't- I ain't here. I'm
• 15:44
  Speaker 3: trying to hear the other part.
• 15:45
  Speaker 1: He hasn't watched the video.
• 15:46
  Speaker 3: Yeah, I'm trying to hear the other part. Who got him, man? No, no, no.
• 15:49
  Speaker 1: But what I'm saying is, it was so creative. It's like-
• 15:52
  Speaker 1: When you look at their videos, like back in the
• 15:54
  Speaker 1: days when you had Busta doing videos and Biggie and
• 15:57
  Speaker 1: Mase in them, it was fun. It was like, oh shit,
• 16:02
  Speaker 1: this shit is fun. Motherfuckers is dancing, having a good time.
• 16:05
  Speaker 1: So when I see a video and I see the
• 16:08
  Speaker 1: girl with her legs up, panties, then you got a scene.
• 16:11
  Speaker 1: I think it was probably 2C. 2C video was the
• 16:14
  Speaker 1: pillow fight?
• 16:15
  Speaker 2: Oh no, that was Agbad's one.
• 16:18
  Speaker 3: My bad, it wasn't 2C.
• 16:21
  Speaker 1: 2C was another dope video. It's like, that's another thing
• 16:24
  Speaker 1: that gets me too. It's not just the music, it's
• 16:28
  Speaker 1: the creativity of the videos.
• 16:30
  Speaker 2: Y'all ain't gonna lie, I watch a lot of movies.
• 16:32
  Speaker 3: That's why.
• 16:32
  Speaker 1: Like 2C was crazy. You came out the building, lit
• 16:35
  Speaker 1: a cigarette, and then everything just got fucking crazy.
• 16:40
  Speaker 3: Put that pussy on him.
• 16:42
  Speaker 2: I give you a thousand dollars.
• 16:44
  Speaker 3: How'd you get... I know Boosie fucking.
• 16:46
  Speaker 2: Yeah, I got that from Boosie, but I ain't gonna front.
• 16:48
  Speaker 2: I was in the studio just saying, bitch, put that pussy.
• 16:51
  Speaker 3: Lips on him.
• 16:52
  Speaker 2: I give you a thousand dollars. I wasn't that ass,
• 16:55
  Speaker 2: but word.
• 16:56
  Speaker 1: So you don't write, or you wanted to listen? Because
• 16:58
  Speaker 1: I know now in the studio... Back in the days,
• 17:00
  Speaker 1: we used to go in the booth. Now motherfuckers light candles,
• 17:04
  Speaker 1: get the bitches in the studio, because y'all always got
• 17:07
  Speaker 1: the girls in the video. That's another thing I love
• 17:09
  Speaker 1: about your videos, creative. And do you sit in the booth,
• 17:13
  Speaker 1: or do you sit by the engineer board, and do
• 17:16
  Speaker 1: you write, or you just freestyle?
• 17:18
  Speaker 2: See, usually I like to record them by myself, because
• 17:21
  Speaker 2: all that shit is a distraction for me. So I'll
• 17:23
  Speaker 2: fuck around, and Mike be in the studio, or we
• 17:27
  Speaker 2: all in the studio, and there's girls around, and I'm like,
• 17:29
  Speaker 2: All right.
• 17:30
  Speaker 3: Oh shit.
• 17:30
  Speaker 2: Like there's some shit over there. Y'all I'm waiting.
• 17:32
  Speaker 3: Let me.
• 17:32
  Speaker 2: And then now I'm just not even in the booth
• 17:34
  Speaker 2: no more. And so I record like by myself, but
• 17:37
  Speaker 2: I just use everything from what they call the shit,
• 17:39
  Speaker 2: the spank bank. So, you know what I'm saying? You
• 17:41
  Speaker 2: just got to think about what you did before. Cause
• 17:43
  Speaker 2: that's the only, that's the reason why a lot of
• 17:45
  Speaker 2: people can't do sexy drill because they saying like, not
• 17:48
  Speaker 2: saying they're repeating what we said, but they can't explain
• 17:51
  Speaker 2: it in the way we're explaining it because a lot
• 17:53
  Speaker 2: of the niggas don't fuck bitches.
• 17:55
  Speaker 3: So.
• 17:56
  Speaker 2: Or you probably didn't do what the fuck we talking about.
• 17:58
  Speaker 3: You know what I'm saying?
• 18:01
  Speaker 2: So it was like, when we explaining it this way,
• 18:03
  Speaker 2: and I was like, damn, how did he word it
• 18:05
  Speaker 2: that way? Like, you just gotta know how to rhyme it.
• 18:06
  Speaker 2: Fuck bitches for real.
• 18:08
  Speaker 1: So Fifth Ave hit you with a 2C video too?
• 18:10
  Speaker 2: Yeah, he shot it. Yo, keep this guy around, man. Nah,
• 18:15
  Speaker 2: he been shooting my, he went to school, he from
• 18:17
  Speaker 2: Hempstead too, he went to school with me.
• 18:18
  Speaker 3: Shout out to Hempstead, long hours. He been shooting my
• 18:20
  Speaker 3: videos since 2018. That's crazy. Talking about school, man, I
• 18:22
  Speaker 3: heard you was on some real football shit, man.
• 18:25
  Speaker 2: Big, I ain't gone far until like, what, I quit
• 18:28
  Speaker 2: 10th grade, because they wasn't trying to give me my helmet.
• 18:30
  Speaker 3: What you mean?
• 18:32
  Speaker 2: I was coming to practice late. Niggas after school, bitches outside,
• 18:36
  Speaker 2: niggas fighting. I want to see what's going on. I'm
• 18:37
  Speaker 2: trying to be loopy.
• 18:38
  Speaker 3: Got you.
• 18:39
  Speaker 2: Fuck am I doing that practice right now?
• 18:41
  Speaker 3: Got you, got you, got you. Niggas said practice.
• 18:43
  Speaker 1: Yeah, practice.
• 18:44
  Speaker 3: Yeah, like, come on. For real.
• 18:46
  Speaker 2: And then, like, the coach was on some bullshit, not
• 18:49
  Speaker 2: trying to give me my helmet to play. So I'm like,
• 18:50
  Speaker 2: fuck this shit. I'm not playing sports no more.
• 18:51
  Speaker 1: You was wide receivables?
• 18:53
  Speaker 2: Nah, actually I was defensive end, because I could get
• 18:56
  Speaker 2: through the line. So I just, mad skinny, I'm doing
• 19:00
  Speaker 2: shit like that. Niggas is getting hit, boo.
• 19:02
  Speaker 3: You're getting to the quarterback, all right, got it.
• 19:04
  Speaker 2: Yeah, like shit like that. I ain't gonna front, that's
• 19:06
  Speaker 2: just me. I pulled, like the niggas start getting bigger,
• 19:08
  Speaker 2: I'm skinny, that shit wasn't for me.
• 19:11
  Speaker 3: I was about to.
• 19:13
  Speaker 1: Say, I'm like, where you going?
• 19:15
  Speaker 2: I'm not scoring no touchdowns, I don't need my help
• 19:17
  Speaker 2: no more.
• 19:18
  Speaker 3: I know you ain't defensive line, nigga. Nah, I was
• 19:20
  Speaker 3: definitely not. That's crazy though, look at that though, okay.
• 19:23
  Speaker 2: Yeah, but other than that, little league baseball. I did
• 19:26
  Speaker 2: have my fans sharing sports, but that wasn't my calling.
• 19:29
  Speaker 2: I ain't going to the league. Rob Markman, Jr.
• 19:31
  Speaker 1: So when you started doing the music, you said, off the.
• 19:34
  Speaker 3: Disc record- Rob Markman, Jr.
• 19:35
  Speaker 2: Yeah, that was around like 10th grade type shit. I
• 19:38
  Speaker 2: started taking it serious, you know what I mean? The
• 19:39
  Speaker 2: bros put on like 20-20, go to the studio. We
• 19:42
  Speaker 2: know this nigga, shout out Scrap Da God. He was
• 19:44
  Speaker 2: giving us like studio time, like 40 hour. So we
• 19:47
  Speaker 2: put up like, everybody throw 2020. Now we fake like
• 19:50
  Speaker 2: just all of us on the song type shit. Everybody
• 19:52
  Speaker 2: get their verse together. We got to get the shit
• 19:54
  Speaker 2: done in an hour.
• 19:54
  Speaker 3: You know what I'm saying? Got you. Got you.
• 19:56
  Speaker 2: And then after a while, we tried to figure out
• 19:58
  Speaker 2: how to record ourselves. It just wasn't working. Then I
• 20:01
  Speaker 2: actually went to school in Florida at Full Sun Orlando.
• 20:05
  Speaker 2: for audio engineering because my mom's Jamaican. She don't play
• 20:09
  Speaker 2: that shit. I was not about to stay at the
• 20:10
  Speaker 2: crib after I graduated high school, so she forced me to.
• 20:13
  Speaker 3: Go to school.
• 20:14
  Speaker 2: Rob Markman, Jr.: Get your brass clad out. Yeah, she
• 20:17
  Speaker 2: was not playing that shit, so I'm like, I'm not
• 20:19
  Speaker 2: going to school to be no fucking doctor or some shit.
• 20:21
  Speaker 2: I'm going to go to school and do some shit
• 20:23
  Speaker 2: that I kind of want to do. So I went
• 20:25
  Speaker 2: to school for.
• 20:26
  Speaker 1: Why would Caribbean parents want you to be a doctor
• 20:28
  Speaker 1: or a lawyer? I'm patient.
• 20:29
  Speaker 3: They know there's money in there. Nah, she didn't.
• 20:31
  Speaker 2: Even want me to be a doctor. She was just like,
• 20:33
  Speaker 2: you got to go to school for something. And I
• 20:35
  Speaker 2: ain't know what the fuck I want to go to
• 20:36
  Speaker 2: school for. So I'm like, all right, let me figure
• 20:37
  Speaker 2: out where I could go. So I went to Orlando
• 20:40
  Speaker 2: for audio engineering. So I was doing that for a while,
• 20:43
  Speaker 2: probably like a year. And then I spoke to my
• 20:46
  Speaker 2: professor and he's a real engineer and shit. So he's like, yo,
• 20:50
  Speaker 2: you make music and shit? Because I'm telling him he
• 20:52
  Speaker 2: was chopping it with me and shit. And he's like, yo-
• 20:54
  Speaker 2: So what you want to do first? I'm like, I
• 20:58
  Speaker 2: want to be a rapper. I like making music. I'm
• 21:00
  Speaker 2: just doing this shit because I want to learn how
• 21:02
  Speaker 2: to mix my music.
• 21:03
  Speaker 3: You know what I'm saying?
• 21:03
  Speaker 2: So I don't got to pay nobody to do it
• 21:04
  Speaker 2: because I ain't have the bread.
• 21:05
  Speaker 3: To do it.
• 21:06
  Speaker 2: So he's like, so go be a rapper. So I said,
• 21:11
  Speaker 2: all right.
• 21:11
  Speaker 3: Say less.
• 21:12
  Speaker 2: After that, I did what my mom used to do.
• 21:14
  Speaker 3: I graduated.
• 21:15
  Speaker 2: Went to the crib. I got my little associates.
• 21:17
  Speaker 3: Got a part of there.
• 21:18
  Speaker 2: Came back to the crib. And then I started working
• 21:21
  Speaker 2: a job. I was working at a cemetery in Hempstead.
• 21:23
  Speaker 3: Damn, the cemetery? Yeah.
• 21:26
  Speaker 2: It was the only town job I could get. I'm like,
• 21:28
  Speaker 2: fuck it. Stacked my little bread or whatever, and then
• 21:31
  Speaker 2: just kept working, type shit. Figuring out where in here
• 21:36
  Speaker 2: I could fucking record at. And once I already had
• 21:40
  Speaker 2: the swag, I got some bread, and I got my
• 21:42
  Speaker 2: own little setup. Recorded myself at the crib after that.
• 21:46
  Speaker 3: That's crazy.
• 21:47
  Speaker 1: That's smart, because I feel like Kanye West's And like
• 21:51
  Speaker 1: the Swiss Beatz, dudes that could rap and produce, kind
• 21:54
  Speaker 1: of got an advantage.
• 21:55
  Speaker 3: He hear shit kind of different. Rob Markman Yeah, that's
• 21:58
  Speaker 3: why bro, niggas be looking at- Rob Markman The Dr.
• 21:59
  Speaker 2: Dre's. Rob Markman They be looking at Cash like, how
• 22:01
  Speaker 2: the fuck you made that?
• 22:02
  Speaker 1: Rob Markman Y'all got an advantage because that's why I
• 22:08
  Speaker 1: like what you said. Because I thought Cash was just
• 22:10
  Speaker 1: a producer. Now I know you produce too and do shit.
• 22:12
  Speaker 2: Rob Markman Nah, I'm just not an engineer and mix
• 22:14
  Speaker 2: my vocals and shit.
• 22:15
  Speaker 1: Rob Markman Well, that's great too though, because that's kind
• 22:17
  Speaker 1: of like producing too. Because you know how you want
• 22:19
  Speaker 1: to mix your fucking loop.
• 22:19
  Speaker 2: Even like when we was doing it, he'll make the beats,
• 22:21
  Speaker 2: and then niggas be like, yo, child, record this for me. Like,
• 22:24
  Speaker 2: niggas is using my, I made a whole template, and
• 22:26
  Speaker 2: all the niggas is using my template.
• 22:27
  Speaker 3: Niggas is using your template.
• 22:28
  Speaker 2: And then we all rapping, we probably, we still all
• 22:30
  Speaker 2: rapping on the same template probably right now.
• 22:32
  Speaker 3: Look at that.
• 22:32
  Speaker 1: Yeah, because you'll hear stuff that the average artist don't hear.
• 22:36
  Speaker 3: You know what I'm saying?
• 22:37
  Speaker 1: I always like, damn, I always thought, like, I'm like,
• 22:40
  Speaker 1: I wish I knew that shit.
• 22:42
  Speaker 2: I'll tell you, if my songs was probably not mixed
• 22:46
  Speaker 2: the way they were, you probably wouldn't like it.
• 22:49
  Speaker 4: I know how to make myself sound a certain way.
• 22:52
  Speaker 2: If it was mixed poorly, you probably be like, oh yeah,
• 22:55
  Speaker 2: but it's not like, it's like just the little things
• 22:57
  Speaker 2: that matter that you don't know that. that really matter
• 23:01
  Speaker 2: to you until it's like you don't hear it.
• 23:03
  Speaker 1: Football is back, folks. And you need to change the
• 23:05
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• 24:05
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• 24:05
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• 24:16
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• 24:19
  Speaker 3: Let's go. Whoa. Man, you got the new project coming out. Yeah,
• 24:23
  Speaker 3: hell yeah. What you got on there? What you got
• 24:25
  Speaker 3: on there? You got some features on there? Yeah, hell yeah.
• 24:27
  Speaker 3: What you got on there? I mean, we about to
• 24:28
  Speaker 3: drop it.
• 24:28
  Speaker 2: I can say it now, right? Shit, I got cash
• 24:32
  Speaker 2: on there for sure.
• 24:33
  Speaker 3: Mm-hmm.
• 24:34
  Speaker 2: I got a Honey Baby on there.
• 24:36
  Speaker 1: Shout out to Honey Baby.
• 24:37
  Speaker 2: I got Apollo Red. Wiz Khalifa. Oh, shit.
• 24:42
  Speaker 3: Shout out to Wiz Khalifa. Shout out to Wiz. Don't
• 24:44
  Speaker 3: go to Romania no more, Wiz.
• 24:46
  Speaker 2: Shout out to Wiz Khalifa.
• 24:48
  Speaker 3: Wiz, come smoke something on the show.
• 24:50
  Speaker 2: Nah, no funny shit. That nigga like, that's probably like
• 24:52
  Speaker 2: my biggest cosign in like the... Like in the industry,
• 24:55
  Speaker 2: like that nigga really showed me mad love. Like mad
• 24:57
  Speaker 2: nigga showed me love and shit. He actually like did
• 25:00
  Speaker 2: the song when I sent it to him though.
• 25:02
  Speaker 3: Like, you know what I'm saying?
• 25:02
  Speaker 4: I remember one time I tell you a quick Wiz
• 25:04
  Speaker 4: Khalifa story. I was in fucking Atlantic Records with my
• 25:08
  Speaker 4: guy Gene Nelson and them.
• 25:09
  Speaker 3: In there having a meeting, just chilling. We in there
• 25:13
  Speaker 3: talking and I'm starting to smell weed. I'm like, what
• 25:16
  Speaker 3: the fuck?
• 25:17
  Speaker 1: It smells like weed, right?
• 25:18
  Speaker 3: I'm like, damn. You see like a little cloud.
• 25:22
  Speaker 2: Yeah.
• 25:23
  Speaker 4: It's Wiz Khalifa walking by. He looking there. He go, oh, shit.
• 25:28
  Speaker 4: The homie.
• 25:29
  Speaker 3: Murder was good. Salute. What's happening? Y'all pardon me. Good shit,
• 25:33
  Speaker 3: my nigga. Just kept walking. I was like, yo, this
• 25:36
  Speaker 3: nigga smoke anywhere. Like, for real. Anywhere.
• 25:40
  Speaker 1: Fuck that. We seen that nigga smoke on Chelsea Handlers,
• 25:43
  Speaker 1: you know, bro. On the stage.
• 25:45
  Speaker 3: Look at that.
• 25:45
  Speaker 1: Him and Snoop smoke wherever they want.
• 25:47
  Speaker 3: I don't know.
• 25:47
  Speaker 2: I don't even smoke.
• 25:48
  Speaker 1: Just don't smoke in Romania, because that's where you smoke.
• 25:51
  Speaker 3: Smoke something, nigga. See what? Nah, I'm not even playing
• 25:54
  Speaker 3: with smoke. See?
• 25:54
  Speaker 2: I'm going to be over that shit talking about, huh,
• 25:56
  Speaker 2: what you saying, murder?
• 25:58
  Speaker 3: Murder, nah. Nah, when I hear.
• 25:59
  Speaker 1: Records like Red Flag and 2C, I thought you smoked.
• 26:03
  Speaker 3: Nah, nah, nah, nah, nah, nah.
• 26:03
  Speaker 2: I'm talking about drug, drugs.
• 26:05
  Speaker 4: I ain't talking about no motherfucking bug, nigga.
• 26:11
  Speaker 3: I'm talking about drugs, nigga. Don't do drugs, don't do drugs.
• 26:14
  Speaker 3: But don't do drugs, kids. Who else you got on
• 26:17
  Speaker 3: the album, man?
• 26:17
  Speaker 2: I ain't leaving nobody out, right?
• 26:20
  Speaker 3: Wiz Khalifa. Wiz Khalifa.
• 26:21
  Speaker 2: Oh, yeah, my man's Dollar. His name is Dollar, but
• 26:24
  Speaker 2: his Instagram is Swift Dollar. He make Afro beats, so he.
• 26:27
  Speaker 3: Mad as hell. Got you, got you, got you.
• 26:30
  Speaker 2: Yeah, I got some people on there. Hopefully, you know,
• 26:33
  Speaker 2: we do a deluxe, get some more people on there.
• 26:35
  Speaker 3: Of course, man, of course, of course. Oh, yeah, in Bay,
• 26:38
  Speaker 3: of course.
• 26:38
  Speaker 2: Yeah, I'm wildin'. Shit, we about to drop.
• 26:40
  Speaker 3: I'm shooting a video tomorrow, matter of fact. Okay, okay.
• 26:43
  Speaker 3: Some shit called Hill. Yeah, hell yeah. Okay.
• 26:46
  Speaker 2: I forget, man.
• 26:47
  Speaker 3: Hell yeah.
• 26:48
  Speaker 2: And then, yeah, that's it for right now.
• 26:50
  Speaker 1: Rob Markman, I mean, y'all don't miss, man. Y'all are
• 26:53
  Speaker 1: not missing. You got Bass Swag, you got Cash Cobain,
• 26:56
  Speaker 1: you got Chael Lee, you got King BMO. He was like, yeah,
• 27:00
  Speaker 1: we all came up. We all was in the studio.
• 27:02
  Speaker 1: Y'all got to live in the studio as much hits
• 27:05
  Speaker 1: as y'all putting out right now.
• 27:07
  Speaker 3: Nah, yeah. I ain't going to lie.
• 27:08
  Speaker 2: I really be in the studio just like perfecting shit. Like, yeah,
• 27:12
  Speaker 2: like do this right here and this. I just be
• 27:14
  Speaker 2: on some like, it just be like, I need a
• 27:16
  Speaker 2: delay right here. Like perfectionist type shit.
• 27:19
  Speaker 3: I ain't going to find peace.
• 27:20
  Speaker 2: Some certain people appreciate the shit and it's going to
• 27:22
  Speaker 2: be certain people that don't give a fuck. But I do.
• 27:24
  Speaker 2: And I know it's certain people that's going to do it.
• 27:26
  Speaker 2: So they're going to be like, yo, I like how
• 27:28
  Speaker 2: he did that right there.
• 27:29
  Speaker 3: And that just makes me like the song. Love the song.
• 27:32
  Speaker 3: You ain't got no babies. No, no, no. I don't
• 27:34
  Speaker 3: got no babies. I don't got no babies. I don't
• 27:36
  Speaker 3: got no babies. Oh, man. He's living his life.
• 27:38
  Speaker 4: Make sure you pick him right, man, because BMO was
• 27:39
  Speaker 4: up here telling us he going through child support and
• 27:41
  Speaker 4: all type of crazy shit.
• 27:42
  Speaker 3: Yeah, I heard. So make sure you pick him right, man.
• 27:44
  Speaker 3: Make sure you pick the right one when it's that time. Nah,
• 27:46
  Speaker 3: I will. I will.
• 27:47
  Speaker 2: I ain't going to lie.
• 27:48
  Speaker 3: I'm not in no rush, man.
• 27:50
  Speaker 1: My man, Chow Lee's a studio guy, man. He's in
• 27:53
  Speaker 1: the studio. You can tell him and Cash and Bantam,
• 27:57
  Speaker 1: they really got a love for the sport. But you know,
• 28:00
  Speaker 1: even though I know y'all go to all the clubs,
• 28:02
  Speaker 1: Aura and all that shit.
• 28:03
  Speaker 3: I'm tired of that shit.
• 28:04
  Speaker 1: But y'all go, you tired of that shit?
• 28:05
  Speaker 3: Already?
• 28:06
  Speaker 2: Damn.
• 28:07
  Speaker 1: Why?
• 28:07
  Speaker 3: I don't know, bro. This shit is tiring, bro. Clubs
• 28:13
  Speaker 3: ain't what it used to be. I can say that.
• 28:15
  Speaker 1: It's not that.
• 28:15
  Speaker 3: He want to work.
• 28:16
  Speaker 1: He got the love for the music. That's why I said,
• 28:19
  Speaker 1: when you engineer and produce, it's a different love for
• 28:23
  Speaker 1: the music. A rapper's going to go to the club,
• 28:25
  Speaker 1: y'all need inspiration. He go to the club, he might
• 28:28
  Speaker 1: get some inspiration, but he's thinking about the drums and
• 28:31
  Speaker 1: the fucking, and the song, you know what I mean?
• 28:33
  Speaker 1: They think, yo, you hear that?
• 28:34
  Speaker 3: You hear them snares?
• 28:35
  Speaker 2: I ain't even gonna lie, like with that, bro, it's
• 28:37
  Speaker 2: just too many niggas that got bookings that we fuck with. Like, hey,
• 28:41
  Speaker 2: this nigga got a booking one day, we got a
• 28:42
  Speaker 2: Philip over here, now we got a Philip over here.
• 28:45
  Speaker 2: It'd just be a lot. I'd be partied the fuck out.
• 28:48
  Speaker 2: Don't let me find one of them rich parties, though.
• 28:50
  Speaker 2: I'm in that motherfucker, for sure.
• 28:53
  Speaker 3: Gangsta. That's a different type of party, Paul's.
• 28:56
  Speaker 2: But look, I ain't gonna lie, the club shit's here,
• 29:00
  Speaker 2: but I'll do it every now and then. I'll just
• 29:02
  Speaker 2: be tired though, I ain't gonna lie. This rap shit
• 29:04
  Speaker 2: come with a lot. It's a lot of shit you
• 29:06
  Speaker 2: gotta keep up with. You gotta make your TikToks, you
• 29:08
  Speaker 2: gotta make sure you're in the studio. You gotta make
• 29:10
  Speaker 2: sure you got this shit ready for the studio and
• 29:12
  Speaker 2: got a song for the studio. You're not wasting these
• 29:14
  Speaker 2: people's time. You gotta be a fuckin' mogul, my nigga.
• 29:18
  Speaker 2: You gotta be that nigga every day.
• 29:20
  Speaker 3: That's hard.
• 29:22
  Speaker 2: But you gotta do it. That's what they, that's what
• 29:24
  Speaker 2: you hear from them.
• 29:25
  Speaker 1: I mean, it's better than working in a cemetery, my nigga.
• 29:27
  Speaker 3: Yeah, that is.
• 29:28
  Speaker 2: That's why, as soon as I act like I'm complaining,
• 29:30
  Speaker 2: they be like, you bugging. And I be like, yeah,
• 29:33
  Speaker 2: I'm bugging.
• 29:34
  Speaker 3: Facts, facts, facts. You got to do what you got
• 29:37
  Speaker 3: to do.
• 29:38
  Speaker 1: So what was life like in Hempstead, man? It was
• 29:40
  Speaker 1: a rough neighborhood, man.
• 29:42
  Speaker 3: Yeah.
• 29:42
  Speaker 2: But shit, I was just chilling with my homies. We
• 29:45
  Speaker 2: staying out of the way. You know, shit happening and
• 29:47
  Speaker 2: all that shit. We doing what the fuck we doing.
• 29:51
  Speaker 3: Mind your business.
• 29:52
  Speaker 2: Same shit about to happen to you, for real.
• 29:53
  Speaker 3: Got you.
• 29:54
  Speaker 2: Niggas just be doing stupid shit. That's everywhere though. I
• 29:57
  Speaker 2: be telling niggas all the time, niggas hood everywhere. Nigga
• 29:59
  Speaker 2: get left anywhere. He get left in Maine. Like, what
• 30:03
  Speaker 2: the fuck? Niggas be thinking upstate's sweet, upstate's not sweet.
• 30:07
  Speaker 3: Niggas will leave you over there too.
• 30:08
  Speaker 1: Niggas went to Paris, you go to London, nowhere's sweet.
• 30:11
  Speaker 2: Nigga, I got my ass kicked in Paris.
• 30:13
  Speaker 3: Damn. Me and a bro.
• 30:14
  Speaker 2: But it was by security though. Like, we was in
• 30:17
  Speaker 2: the spot. Like, it was some funny shit going on
• 30:19
  Speaker 2: or whatever. Niggas swung on one of the securities. Niggas
• 30:21
  Speaker 2: thought it was sweet. I'm going to start packing this.
• 30:24
  Speaker 2: I'm going to keep it a block. I got my
• 30:27
  Speaker 2: hits off. I ain't afraid. I already knew it was over.
• 30:29
  Speaker 2: I was like, I got my hits off. And I
• 30:30
  Speaker 2: just said, all right, baby, I got it.
• 30:32
  Speaker 1: I ain't got no guns. All them niggas do is train, nigga.
• 30:34
  Speaker 3: Yeah, I ain't going to front, but like, yeah.
• 30:36
  Speaker 1: And this is what I'm saying, man. And this is
• 30:39
  Speaker 1: what I like to hear, because a lot of rappers
• 30:42
  Speaker 1: don't make it past the Lincoln Tunnel. Their music doesn't
• 30:45
  Speaker 1: make it past the Lincoln Tunnel. It's not going that far.
• 30:48
  Speaker 1: How does it feel to have success.
• 30:49
  Speaker 3: Doing Rolling Loud?
• 30:51
  Speaker 1: Doing shows in London, Paris, you know what I'm saying?
• 30:54
  Speaker 1: And people playing your records. How does that feel?
• 30:56
  Speaker 3: Getting signed to Empire.
• 30:58
  Speaker 2: This shit is still surreal. It's a beautiful thing. I'm
• 31:02
  Speaker 2: just still glad that I'm able to keep doing this shit.
• 31:07
  Speaker 2: But I'm so hard on myself. I just know I
• 31:09
  Speaker 2: got so much more to do. So I just always
• 31:11
  Speaker 2: stay grounded. I don't even let shit make me hype
• 31:15
  Speaker 2: type shit. I just be on some shit like, yeah,
• 31:17
  Speaker 2: we did that, but what we doing next?
• 31:19
  Speaker 3: You know what I'm saying?
• 31:21
  Speaker 2: All right, I'm supposed to be doing this. That's how
• 31:23
  Speaker 2: I move with that shit. I'm supposed to be doing
• 31:25
  Speaker 2: this shit anyway. I'm not here for no reason. But
• 31:28
  Speaker 2: at the end of the day, sometimes I'd be like, oh, shit. Like,
• 31:30
  Speaker 2: what the fuck? Like, shit be getting me hyped.
• 31:33
  Speaker 3: Like, this shit really happened. Like, oh, shit, I'm really
• 31:35
  Speaker 3: doing this shit. Yeah, bro. Because I start reminiscing. Like, damn, bro.
• 31:37
  Speaker 2: Like, a couple years ago, niggas would be like, oh, yeah,
• 31:42
  Speaker 2: we did this.
• 31:42
  Speaker 3: Like, uh, like.
• 31:44
  Speaker 2: Start naming names and be like, yeah, get next to
• 31:45
  Speaker 2: that nigga right now. Like, you know what I'm saying? Like, nigga,
• 31:47
  Speaker 2: I got Wiz Khalifa in my eye, nigga. Fucking 2018
• 31:49
  Speaker 2: when I was doing that shit, Wiz Khalifa. I'm still
• 31:52
  Speaker 2: hype right now, but like, nigga, I would be like,
• 31:54
  Speaker 2: this nigga's about to change my life.
• 31:56
  Speaker 3: Like, where do I was?
• 31:56
  Speaker 2: Like, shit like that. Like, it would be so much
• 31:59
  Speaker 2: on a bigger scale, but like, I'm just like, now
• 32:02
  Speaker 2: I'm just trying to just be a better me type shit,
• 32:04
  Speaker 2: just be a better artist. And it's just like, nah,
• 32:07
  Speaker 2: I'm here and I just got to show niggas who
• 32:08
  Speaker 2: I am type shit.
• 32:09
  Speaker 3: Nah, definitely. That's dope, man. That's dope, man. Yeah. I
• 32:12
  Speaker 3: don't know why. That's what it is. It's to it.
• 32:14
  Speaker 3: When that album dropping? September 16th.
• 32:18
  Speaker 2: Finally. I ain't gonna front. I couldn't even drop a
• 32:21
  Speaker 2: post without niggas being like, yo, I'm having fun and shit,
• 32:25
  Speaker 2: making a little TikTok. Yeah, yeah, TikTok cool, but what
• 32:27
  Speaker 2: album at?
• 32:28
  Speaker 3: I'm like, all right, man.
• 32:29
  Speaker 2: Damn, I can't even live my life.
• 32:32
  Speaker 1: When you got records that are TikTok, see the difference
• 32:35
  Speaker 1: is now, before, of course, you still need radio, of course.
• 32:39
  Speaker 1: You know, we need Hot 97. We need 105. You
• 32:41
  Speaker 1: need every radio station. Summer Jams and all that. And
• 32:45
  Speaker 1: power shows. You need all that, right? But now you
• 32:47
  Speaker 1: got the power of fucking TikTok, Instagram. Facebook, I guess,
• 32:52
  Speaker 1: is for the old niggas.
• 32:53
  Speaker 2: Nah, I still be on Facebook for like hood shit. Like,
• 32:57
  Speaker 2: I still be like, just a little, see what's going
• 32:59
  Speaker 2: on in the hood real quick. All right, cool.
• 33:01
  Speaker 1: Shout out to Facebook. I fuck with Facebook.
• 33:02
  Speaker 3: Nah, I fuck with Facebook too.
• 33:04
  Speaker 1: But like, it's like now, like, Like, people will know about, like,
• 33:07
  Speaker 1: there's a restaurant I went to, Golden Diner, and people
• 33:10
  Speaker 1: know about it from TikTok. You know what I'm saying? Like,
• 33:13
  Speaker 1: music on TikTok now. Times have changed. How y'all feel
• 33:16
  Speaker 1: about that? Like, it's like, it's kind of easier for y'all.
• 33:18
  Speaker 3: You know what I'm saying?
• 33:19
  Speaker 2: Yeah, it's a cheat code. That's why I'm trying to, like,
• 33:21
  Speaker 2: I'm trying to get myself more into, like, taking advantage
• 33:24
  Speaker 2: of it. Because, like, I'll sometimes be like, I don't
• 33:27
  Speaker 2: feel like making this TikTok, but it should be like,
• 33:29
  Speaker 2: these art, these content creators, like, they take this shit
• 33:32
  Speaker 2: so serious, so it's just like, They everywhere with their shit. Like,
• 33:35
  Speaker 2: oh yeah, no, wait, let me.
• 33:36
  Speaker 3: Make this up.
• 33:36
  Speaker 2: I don't know how to do that shit yet. Like,
• 33:38
  Speaker 2: I'm starting to get into it, but like, it's just
• 33:41
  Speaker 2: hard because I be.
• 33:42
  Speaker 3: Living in real life. But that's the young people thing,
• 33:44
  Speaker 3: so I would think that's easy for you, man. Ain't
• 33:47
  Speaker 3: that young?
• 33:47
  Speaker 2: I mean, I'm young, but like, I guess, yeah. It's
• 33:50
  Speaker 2: probably just a me thing.
• 33:51
  Speaker 3: How old are you? I'm 27. You young, man. Yeah,
• 33:54
  Speaker 3: I know, but these niggas is crazy out here.
• 33:57
  Speaker 1: They call you Uncle at 28, though.
• 33:59
  Speaker 2: No, we young. We young.
• 34:01
  Speaker 3: That's crazy.
• 34:01
  Speaker 1: I know I'm past young.
• 34:03
  Speaker 3: We young.
• 34:03
  Speaker 2: But I'm starting to... I got to get back into the.
• 34:05
  Speaker 1: I don't understand that.
• 34:06
  Speaker 3: You know what?
• 34:06
  Speaker 4: It's right because we just had Cal Rich up here.
• 34:08
  Speaker 4: You know what's crazy? He called himself old and he's 23.
• 34:12
  Speaker 3: He said he was old and he's 23. Yeah, he
• 34:13
  Speaker 3: would have got me psyched. He would have got me psyched.
• 34:16
  Speaker 3: I'm turning 28 this year.
• 34:16
  Speaker 2: I'm like, what the fuck are you talking about?
• 34:19
  Speaker 3: I'm like, what? Nah, he would have got me psyched.
• 34:21
  Speaker 3: I ain't gonna....
• 34:23
  Speaker 2: I mean, at 28.
• 34:24
  Speaker 3: You good, man. You in a good position, young man.
• 34:26
  Speaker 3: You in a good position. Nah, yeah.
• 34:28
  Speaker 2: I'm just trying to learn how to do this content shit.
• 34:30
  Speaker 2: I just got to get better at that. That's my
• 34:31
  Speaker 2: little flaw right there.
• 34:32
  Speaker 1: I mean, because now it's like, okay.
• 34:33
  Speaker 3: My young boy Paul Dr. Hennessy, man. We got to
• 34:35
  Speaker 3: get you on that Branson wave, man. We're going to
• 34:37
  Speaker 3: get some Branson for you, man.
• 34:38
  Speaker 2: Man, I be at Taboo all the time.
• 34:39
  Speaker 3: You don't got to tell me about no Branson, brother. Definitely, definitely.
• 34:43
  Speaker 3: You know the vibes. That's my man. You know the vibes.
• 34:47
  Speaker 3: You see the vibes? You see the vibes?
• 34:49
  Speaker 2: I ain't going to fight you.
• 34:49
  Speaker 3: You know what I did? I came in out of respect.
• 34:52
  Speaker 2: I put this shit in a black bag for the
• 34:54
  Speaker 2: Branson gangsta. They was like, nah, you good with it?
• 34:56
  Speaker 3: I'm like, are you sure?
• 34:57
  Speaker 2: I'm like, all right, fuck it. Shout out to Branson though, man.
• 35:02
  Speaker 2: I need a pack, Branson.
• 35:02
  Speaker 3: We're going to get you some Branson. We're going to
• 35:04
  Speaker 3: make it happen for the young boy, man. You know
• 35:06
  Speaker 3: what I'm saying? Word. I got some, I'm still young.
• 35:12
  Speaker 1: You know how I looked at it? You know why
• 35:15
  Speaker 1: I like sexy drill so much? Because I'm like, all right,
• 35:18
  Speaker 1: it seems like the drill niggas are just killing each
• 35:20
  Speaker 1: other and going to jail. And sexy drill niggas are
• 35:23
  Speaker 1: just taking all the bitches, all the money and blowing up.
• 35:27
  Speaker 1: That's how it feel. I'm just keeping it real. Put
• 35:31
  Speaker 1: it like this. I love watching the videos. Like when
• 35:35
  Speaker 1: I know I see you, Bae, Cash Cobain.
• 35:37
  Speaker 3: Yeah.
• 35:38
  Speaker 1: Charlie, the video is going to be crazy. Niggas going
• 35:41
  Speaker 1: to have fun. You got bitches twerking on the bed. Well,
• 35:44
  Speaker 1: I'm going to say women. Let's stop. Women twerking on
• 35:47
  Speaker 1: the bed. Females twerking on the bed.
• 35:49
  Speaker 3: And you got the.
• 35:51
  Speaker 1: Pillow fight going on. That's the fun shit in hip hop, bro.
• 35:56
  Speaker 1: That's what the game was missing. Everybody serious. Because when
• 35:59
  Speaker 1: I go to Amsterdam, I'm not hearing shoot, stab, kill.
• 36:03
  Speaker 1: I'm hearing Sade, because it's kind of, y'all setting a
• 36:06
  Speaker 1: whole different mood for me.
• 36:08
  Speaker 3: Like, oh shit, I might dance to this shit.
• 36:11
  Speaker 1: I don't know all the words.
• 36:15
  Speaker 3: You know what I'm saying?
• 36:17
  Speaker 1: Shout to Bay.
• 36:18
  Speaker 3: Shout to Bay and Cash Go Bay.
• 36:19
  Speaker 2: See what I'm saying?
• 36:24
  Speaker 3: And look, it wasn't shoot, stab, kill on that.
• 36:26
  Speaker 1: It was kind of bringing.
• 36:33
  Speaker 1: The fun back to the game, but the young niggas
• 36:36
  Speaker 1: having fun.
• 36:36
  Speaker 3: Like, I haven't seen that.
• 36:37
  Speaker 2: Because like, when you cater to the ladies, the ladies
• 36:39
  Speaker 2: is buying the tickets.
• 36:41
  Speaker 3: I know that. Yeah, that's what we doing.
• 36:44
  Speaker 2: That's not why we doing it, because we actually love women,
• 36:46
  Speaker 2: but like, yeah, like, that also helps with the whole thing. Like,
• 36:50
  Speaker 2: it's going to be women, like, probably more women at
• 36:52
  Speaker 2: the shows than the guys sometimes. And then, like, that
• 36:56
  Speaker 2: shit is making it even more lit. Like, women's coming
• 36:58
  Speaker 2: on our shit, like, oh my God, I can't wait
• 37:00
  Speaker 2: till you join us. Now, they want to pull up
• 37:02
  Speaker 2: to the shoulder because they know there's going to be
• 37:04
  Speaker 2: girls there. Because, son, if you're not an ill nigga,
• 37:06
  Speaker 2: you don't know where the farm bitches at. I mean,
• 37:07
  Speaker 2: girls or females, par or something.
• 37:10
  Speaker 3: But shit like that. Win-win. Rob Markman Now, how you
• 37:13
  Speaker 3: deal with success, man?
• 37:14
  Speaker 4: Do you got homies around you that you feel like
• 37:17
  Speaker 4: is not happy for you and shit like that?
• 37:19
  Speaker 3: How you deal with this shit, man?
• 37:21
  Speaker 4: Do some relationships change after you got your deal and
• 37:25
  Speaker 4: you start doing certain things?
• 37:27
  Speaker 2: I mean, yeah. I wouldn't say it's on some hate
• 37:34
  Speaker 2: and shit, but a couple niggas fucked up a situation.
• 37:38
  Speaker 2: My last manager, he was on Lance. He fucked up
• 37:40
  Speaker 2: a situation. I don't want to speak on it, but
• 37:42
  Speaker 2: he fucked that shit up. Niggas just be doing bad.
• 37:45
  Speaker 2: I wouldn't say it's because of success, but I wouldn't know.
• 37:49
  Speaker 2: I'm just so tunnel vision. I just be worried about
• 37:52
  Speaker 2: what I got to do. I got to keep being
• 37:54
  Speaker 2: the breadwinner and make sure that we make it to
• 37:56
  Speaker 2: where we need to go. I couldn't really tell you.
• 38:00
  Speaker 2: But whoever fucked they shit up, they fucked they shit up.
• 38:02
  Speaker 3: Got you. Got you. Type shit.
• 38:04
  Speaker 2: But I mean, I'm just telling you, I show all
• 38:07
  Speaker 2: my homies love and shit like that. Whatever I could do,
• 38:08
  Speaker 2: I could do. If I can't, I'll let you know
• 38:10
  Speaker 2: I can, but I got you whenever I can. And
• 38:12
  Speaker 2: shit like that. Shit, I ain't motherfucking rich or nothing.
• 38:15
  Speaker 2: I'm not 50 Cent. You know what I'm saying? I
• 38:20
  Speaker 2: got 50 Cent money. I'm not as fucked up as
• 38:22
  Speaker 2: I used to be, but I'm still trying to get
• 38:24
  Speaker 2: to it. Yeah, I got a couple dollars, but I
• 38:26
  Speaker 2: can't do everything.
• 38:27
  Speaker 3: You know what I'm saying?
• 38:27
  Speaker 2: Right now, we getting there. Y'all just trust the process.
• 38:30
  Speaker 1: But the whole thing is the consistency and y'all love
• 38:32
  Speaker 1: the game. See, y'all not doing it for the bitches
• 38:35
  Speaker 1: and the money. Y'all didn't start off like that. Y'all
• 38:37
  Speaker 1: did it for the love of the music.
• 38:38
  Speaker 3: You know what I mean? He said they did it
• 38:41
  Speaker 3: for the ladies.
• 38:42
  Speaker 2: No, he said- No, we felt love in the music,
• 38:45
  Speaker 2: but it was really just because we wanted to go out.
• 38:46
  Speaker 2: I ain't going to lie, at that time, we just
• 38:48
  Speaker 2: wanted to go outside, and we was just making music.
• 38:50
  Speaker 2: I'm going to keep it a buck. But shit started
• 38:52
  Speaker 2: getting serious, and we're like, we got to fix up.
• 38:54
  Speaker 3: Got you. Got you.
• 38:56
  Speaker 2: You know what I'm saying? It's literally everything, it's history
• 39:00
  Speaker 2: repeats itself. They told us this was going to happen,
• 39:02
  Speaker 2: so it was like, you got to be ready for it.
• 39:03
  Speaker 1: So the Pussy Ray goes crazy with the Sexy Drew?
• 39:05
  Speaker 1: Want to hang with the Sexy Drew rappers?
• 39:08
  Speaker 3: Yeah. Yeah.
• 39:12
  Speaker 1: Nah, because every video got like 30 women in it,
• 39:15
  Speaker 1: 40 women, you know what I'm saying? They having a
• 39:17
  Speaker 1: good time.
• 39:18
  Speaker 2: It's a collaboration and a combination. You know what I'm saying?
• 39:22
  Speaker 2: Everybody knows that everybody's going to link up. Know it's
• 39:25
  Speaker 2: going to be a good time.
• 39:26
  Speaker 3: Yeah.
• 39:27
  Speaker 1: It reminds me of like, you know when I hear
• 39:29
  Speaker 1: your records? when I hear a record like Miss Beautiful V,
• 39:33
  Speaker 1: Red Flag, 2C, it make me feel like a Tribe
• 39:37
  Speaker 1: Called Quest feeling. I remember when Tribe Called Quest, because
• 39:41
  Speaker 1: back in the days, there was a lot of hardcore shit.
• 39:43
  Speaker 1: You know what I'm saying? Shit was some crazy shit
• 39:46
  Speaker 1: out there.
• 39:46
  Speaker 3: You know what I mean? Rob Markman They came out
• 39:48
  Speaker 3: of nowhere, Bonita Apple Bone.
• 39:49
  Speaker 1: Rob Markman When that beat came, and it's the thing too,
• 39:52
  Speaker 1: it's the beats for me. Y'all beats, it's incredible. The
• 39:55
  Speaker 1: selection is crazy. So it's like, when that Bonita Apple
• 39:58
  Speaker 1: Bone came on back in the days, Tribe Called Quest
• 40:01
  Speaker 1: was like a breath of fresh air because it was
• 40:03
  Speaker 1: something different.
• 40:04
  Speaker 3: It was crazy.
• 40:04
  Speaker 1: You had your Coogee raps. We had our Big Daddy Canes,
• 40:07
  Speaker 1: Slick Rick's, Eric B and them. But like, that was
• 40:10
  Speaker 1: like when Kanye came. That's how I be feeling. You
• 40:14
  Speaker 1: know what I'm saying?
• 40:15
  Speaker 2: I watched that shit with Kanye too and he was
• 40:16
  Speaker 2: playing shit and shit and they wasn't dragging it. And
• 40:19
  Speaker 2: then like, that shit, he became Kanye West. Like, that's
• 40:23
  Speaker 2: how the fake started out with like, Sexy Drill obviously
• 40:25
  Speaker 2: didn't like, go to the height as Kanye West. But like,
• 40:27
  Speaker 2: at first, niggas was like, The fuck are y'all talking about?
• 40:30
  Speaker 3: Whatever that is.
• 40:31
  Speaker 2: Pushing niggas inside.
• 40:32
  Speaker 3: Rob Markman, Jr.: Man, go spin the block, nigga. Rob Markman, Jr.:
• 40:35
  Speaker 3: That was crazy.
• 40:36
  Speaker 1: I always respect who's in the room, because I remember
• 40:38
  Speaker 1: being in the studio with Dr. Dre, 50, and Kanye
• 40:42
  Speaker 1: came in there. Nigga, nobody knew who he was. He's
• 40:46
  Speaker 1: in 50 Air, kicking it with him. I guess he
• 40:48
  Speaker 1: was trying to get on the album. Dre was like,
• 40:50
  Speaker 1: the niggas wasn't paying no attention to the nigga. Fast forward,
• 40:54
  Speaker 1: this nigga's Kanye West. So me, you never know who's
• 40:58
  Speaker 1: going to take off. Rihanna, when I was locked up,
• 41:01
  Speaker 1: Rihanna went on one of the first G-Unit tours. Chris
• 41:04
  Speaker 1: Brown was in a G-Unit photo shoot. You get the pictures.
• 41:07
  Speaker 1: It's Chris Brown. It's like some tug of war shit
• 41:10
  Speaker 1: they was doing. Chris Brown was one of the little
• 41:13
  Speaker 1: kids in the photo shoot. So I'd be looking back like, damn,
• 41:16
  Speaker 1: I was locked up for that. But I remember Chris Brown,
• 41:18
  Speaker 1: seeing the pictures of that. I was locked up for Rihanna.
• 41:21
  Speaker 1: Rihanna was opening up for G-Unit at that time. And damn,
• 41:25
  Speaker 1: I was in the studio with Kanye and I remember
• 41:28
  Speaker 1: him talking to 50 and see where he at now.
• 41:31
  Speaker 1: I remember fucking Ludacris doing radio. So for me, I
• 41:35
  Speaker 1: got so much pieces of hip hop history in my life,
• 41:38
  Speaker 1: in my brain, that I always respect anybody I'm in
• 41:41
  Speaker 1: a room with. But when it comes to you, Cash, Bae,
• 41:45
  Speaker 1: And BMO, I feel like I love what y'all doing.
• 41:48
  Speaker 1: And it's like a whole drill is like, almost feel
• 41:52
  Speaker 1: like a trap. Because you dissing a nigga that you killed. Like, yo,
• 41:55
  Speaker 1: I killed your brother last week, nigga. Now you know
• 41:57
  Speaker 1: this nigga going to spin because you just dissed his brother.
• 42:00
  Speaker 1: He might have a family member, father, uncle. A grandfather might.
• 42:04
  Speaker 2: Come out of the time.
• 42:05
  Speaker 3: And they got hip hop police and you can't do
• 42:06
  Speaker 3: no fucking show.
• 42:07
  Speaker 1: But then with like Sexy Drill, like I said, it
• 42:09
  Speaker 1: feel like a Kanye feeling or a Tribe Called Quest feeling.
• 42:13
  Speaker 1: Because y'all having fun. The beats is crazy. It's playing
• 42:17
  Speaker 1: on radio. Y'all streaming. The streamers love you. Broadcasters fuck
• 42:22
  Speaker 1: with you. Everybody fuck with you. The labels love you.
• 42:24
  Speaker 1: This guy's not a threat. Y'all niggas won't beat a
• 42:28
  Speaker 1: nigga up or nothing. But they look at the music,
• 42:30
  Speaker 1: it's like, yo, the music is really not a threat.
• 42:33
  Speaker 3: The music.
• 42:35
  Speaker 1: You know what I mean?
• 42:36
  Speaker 3: You treat everybody with respect. That's how I was raised.
• 42:39
  Speaker 3: I ain't gonna lie. Never know who anybody is.
• 42:41
  Speaker 4: But how you feel about what they say about drill music, man? Because,
• 42:44
  Speaker 4: you know, I'm a guy that talk crazy in music.
• 42:46
  Speaker 4: And I grew up off of niggas just talking street
• 42:50
  Speaker 4: type music, period. And I be feeling like they give
• 42:52
  Speaker 4: drill like a bad name sometimes.
• 42:54
  Speaker 3: I actually like drill music. Yeah, I love drill too.
• 42:57
  Speaker 3: I just feel like they keep trying to put it
• 42:59
  Speaker 3: in the box.
• 43:00
  Speaker 4: Like, yo, they talking about this, that, and the third.
• 43:02
  Speaker 4: But niggas been talking the same way in music. Nigga's
• 43:07
  Speaker 4: been dissing niggas. Nigga's had opps on the west coast,
• 43:11
  Speaker 4: on the east coast. Nigga's been dissing each other. If
• 43:13
  Speaker 4: this rapper, then like this rapper. If this nigga, then
• 43:15
  Speaker 4: like these niggas. Nigga's talk about niggas. But I feel
• 43:18
  Speaker 4: like the drill niggas get so much slack behind that
• 43:22
  Speaker 4: shit because I don't get it.
• 43:24
  Speaker 3: Why?
• 43:25
  Speaker 2: I think it's just the crime rate. I don't know
• 43:27
  Speaker 2: what the crime rate was back then.
• 43:29
  Speaker 3: The crime rate was worse back then. I don't know that.
• 43:32
  Speaker 3: It was worse.
• 43:32
  Speaker 4: If you go actually do the numbers, more motherfuckers was
• 43:35
  Speaker 4: getting killed in the 80s, in the 90s, in the
• 43:39
  Speaker 4: early 2000s than they are now. Only reason now you
• 43:43
  Speaker 4: might think it's worse because you got social media. So
• 43:46
  Speaker 4: you see a couple of things. So you see some
• 43:48
  Speaker 4: things that you normally wouldn't see. But back in the days,
• 43:51
  Speaker 4: it was.
• 43:52
  Speaker 3: More shit happening. Bobby, you know that, Bobby. It was
• 43:55
  Speaker 3: way more shit happening.
• 43:57
  Speaker 4: It wasn't as much cameras and all that shit up
• 43:59
  Speaker 4: on every corner and every block of how it is now.
• 44:01
  Speaker 4: So it was way more murders and all that violence
• 44:05
  Speaker 4: happening back then.
• 44:06
  Speaker 2: Rob Markman I think it's because everybody can see it now.
• 44:08
  Speaker 1: Rob Markman I think it's common sense. It's common sense.
• 44:13
  Speaker 3: What you mean when you say that? Let me talk.
• 44:15
  Speaker 1: It's common sense.
• 44:16
  Speaker 3: Nobody's stopping you from talking. He loves saying, let me talk.
• 44:18
  Speaker 3: Nobody's stopping you from talking. Common sense, right?
• 44:23
  Speaker 1: If Chow Lee put up a flyer for a party,
• 44:26
  Speaker 1: I know it's going to be bitches, bottles. It's going
• 44:28
  Speaker 1: to be cool. Now, if D-Thing or one of them
• 44:31
  Speaker 1: drill niggas put up a flyer, it's going to be
• 44:33
  Speaker 1: Benjamin Buttons, bulletproof vests, shootouts, all kind of shit. Think
• 44:38
  Speaker 1: about it. Common sense. Rest in peace to a Julio Fulio.
• 44:42
  Speaker 1: Julio Fulio put up a flyer and got killed.
• 44:46
  Speaker 3: But he wasn't considered a drill rapper.
• 44:48
  Speaker 1: That's drill.
• 44:49
  Speaker 3: It's sort of like drill niggas dissing the dead.
• 44:50
  Speaker 1: You know how that shit. It's all in the same box.
• 44:53
  Speaker 1: But what I'm saying is like, even drill rappers are hot. Like,
• 44:57
  Speaker 1: they got hip hop police for niggas. D-Thing, free D-Thing.
• 45:00
  Speaker 3: Hip hop police was around before drill rap. I know,
• 45:03
  Speaker 3: but what I'm saying is they're still here now.
• 45:04
  Speaker 1: They're just younger. So when you look at a D-Thing,
• 45:07
  Speaker 1: he got locked up in Miami like three times, three
• 45:10
  Speaker 1: gun charges. They got hip hop police in Miami. They
• 45:13
  Speaker 1: had hip hop police in Miami when we was rapping.
• 45:15
  Speaker 1: So what I'm saying is like, investment wise or like
• 45:19
  Speaker 1: going to a party, I'd rather go to a slizzy
• 45:22
  Speaker 1: party than rest in peace, like a Q50. I'm a
• 45:26
  Speaker 1: bloodhound little Jeff, rest in peace. But like a Q50
• 45:29
  Speaker 1: or one of them Chicago niggas party?
• 45:31
  Speaker 3: Nah, I'm going to go over there because that shit
• 45:33
  Speaker 3: going to be rocking. Chicks everywhere.
• 45:36
  Speaker 1: You want to go to their parties, ice grills and...
• 45:41
  Speaker 1: It's a difference. Like with drill, you know what you're
• 45:44
  Speaker 1: going to get. You know what you're going to get
• 45:46
  Speaker 1: with drill. Not saying I don't like it. You done
• 45:48
  Speaker 1: hear me. Rest in peace.
• 45:49
  Speaker 3: Listen to Bloodhound Lil Jeff, Q50. I be bumping it.
• 45:52
  Speaker 2: You just got to know what come with that shit
• 45:54
  Speaker 2: if you're going to go to that party.
• 45:55
  Speaker 1: Now, go to your party, a drill rapper party with
• 45:57
  Speaker 1: the flyer?
• 45:59
  Speaker 3: I don't know.
• 46:00
  Speaker 1: Sexy drill? Okay, they're going to have the ladies. They
• 46:02
  Speaker 1: got the hits. They having fun. They making shit look fun.
• 46:05
  Speaker 1: That's the difference to me. It's just common sense.
• 46:10
  Speaker 3: Or you just got to know how they do half
• 46:12
  Speaker 3: and half, maybe. We'll switch it up a little bit.
• 46:15
  Speaker 3: Like how 41 be doing it. Got you. You know
• 46:18
  Speaker 3: what I'm saying? He doing like half and half.
• 46:20
  Speaker 1: 41 was here playing us nothing but hit records. Niggas
• 46:22
  Speaker 1: from overseas, hits. They wasn't playing no murder, murder, kill, kill.
• 46:27
  Speaker 4: Yeah, but I just don't like how they try to
• 46:28
  Speaker 4: box it off like drill rap is bad, is dangerous,
• 46:32
  Speaker 4: is dead. Nah, I feel like it's just music and
• 46:35
  Speaker 4: niggas just speaking aggressively about what they're going through.
• 46:38
  Speaker 3: They expressing themselves. And I feel like we all did
• 46:40
  Speaker 3: that once upon a time, right?
• 46:43
  Speaker 4: Whether they said it was gangster rap, they said this, that,
• 46:45
  Speaker 4: and the third, they try to put it in some
• 46:47
  Speaker 4: type of box and make it seem a certain way.
• 46:49
  Speaker 3: You know what I'm saying? So I just be like.
• 46:51
  Speaker 4: I don't be wanting to knock what the young boys
• 46:53
  Speaker 4: is doing. I like the drill shit that they doing,
• 46:55
  Speaker 4: but I just hate that they always get put in
• 46:56
  Speaker 4: the box. Like drill rap need to be dead. Some
• 47:01
  Speaker 4: niggas do talk too much. Like you can't incriminate yourself
• 47:07
  Speaker 4: so much.
• 47:08
  Speaker 3: I'm not saying do that shit. You know what I'm saying?
• 47:10
  Speaker 3: Don't make yourself so hot.
• 47:11
  Speaker 4: But that drill music come on, it got a bop too.
• 47:15
  Speaker 3: It make you move on top of that. It make
• 47:18
  Speaker 3: you move.
• 47:19
  Speaker 4: So I just hate the backlash that it be getting
• 47:22
  Speaker 4: so much.
• 47:23
  Speaker 3: That's what I'm saying.
• 47:23
  Speaker 1: Rob Markman No, you know what it is? To me,
• 47:25
  Speaker 1: I think labels look at it as a liability. You'll
• 47:28
  Speaker 1: go to a label and they'll be like, does this
• 47:29
  Speaker 1: artist take drugs? Is this artist a gang member? They'll
• 47:32
  Speaker 1: ask questions like that, if I'm wrong or right, maybe.
• 47:35
  Speaker 3: I don't know. Well, we got Bobby Fish in here, right?
• 47:38
  Speaker 3: From Empire, right?
• 47:40
  Speaker 4: And Bobby, how do you feel about the drill music
• 47:43
  Speaker 4: thing that people be trying to say when they say, oh,
• 47:47
  Speaker 4: we tired of drill music or it's too much or this, that?
• 47:50
  Speaker 3: How you feel about that shit, Bobby? Obviously, our guys,
• 47:53
  Speaker 3: Chef G and Sleepy, right? Facts, free Chef G, facts.
• 47:56
  Speaker 3: They're the bridge.
• 47:59
  Speaker 1: They're the bridge.
• 48:00
  Speaker 5: They're the success story if you do it right, right?
• 48:04
  Speaker 1: And obviously, R.I.P.
• 48:05
  Speaker 5: Pop, Like, you see that with success, where it could
• 48:10
  Speaker 5: be one false mistake, which was no fault to him,
• 48:14
  Speaker 5: but then when you see someone like a Chef G
• 48:16
  Speaker 5: and the Sleepy, who, shout out to them, because they
• 48:19
  Speaker 5: had Charlie, they bridged the gap between Chef and them
• 48:23
  Speaker 5: embraced everybody and turned the page on drill. Where it
• 48:26
  Speaker 5: was like, yo, it don't matter where you from, Chef really,
• 48:30
  Speaker 5: shout out to Chef and Sleep, they was the ones
• 48:32
  Speaker 5: who really embraced all the new generation. They're all the
• 48:35
  Speaker 5: same generation, but they're, it's the next step under. And
• 48:38
  Speaker 5: they was like, yo, we're all hip, we can do
• 48:41
  Speaker 5: songs together. Chef and Sleep was on Child's Project.
• 48:44
  Speaker 3: They was on Sex Drive. Yeah, they was on Sex Drive.
• 48:46
  Speaker 3: Look at that, okay.
• 48:47
  Speaker 5: So I think from an A & R perspective, I've
• 48:50
  Speaker 5: seen A & Rs who don't care, and then you
• 48:52
  Speaker 5: get the result when they in trouble. And you get
• 48:55
  Speaker 5: someone like a Ghazi or other label guys who really care,
• 48:58
  Speaker 5: who care for their artists because you can't judge somebody
• 49:02
  Speaker 5: from their environment. Imagine if somebody judged 50 of them
• 49:04
  Speaker 5: and they weren't able to be successful. If you give
• 49:07
  Speaker 5: somebody the right palette, the right success, the right environment,
• 49:12
  Speaker 5: that person is going to change. And the people who's
• 49:14
  Speaker 5: judging them never been in bad predicaments. So when you
• 49:18
  Speaker 5: in survival mode, how can you judge somebody when you
• 49:20
  Speaker 5: in survival mode?
• 49:21
  Speaker 1: So- I agree with both of y'all, but I feel
• 49:24
  Speaker 1: like at the same time, like being down with G-Unit,
• 49:27
  Speaker 1: there was a lot of disadvantages too, because we was
• 49:30
  Speaker 1: banned from clubs. Niggas was like, you're not getting, you
• 49:33
  Speaker 1: ain't getting booked here. Gang police is on you. It's
• 49:36
  Speaker 1: the same thing as now.
• 49:37
  Speaker 5: But even with us, even though it's sexy, it took
• 49:42
  Speaker 5: them a while to catch on as far as the
• 49:44
  Speaker 5: police per se. And then you understand the economics of it, right?
• 49:49
  Speaker 2: And I'm not.
• 49:51
  Speaker 5: Law enforcement is law enforcement, but they're really trying to
• 49:54
  Speaker 5: diffuse them to... try to, like, they're not trying to disrupt, right?
• 49:59
  Speaker 5: So when they started seeing drill rappers, traditional drill rappers,
• 50:04
  Speaker 5: not Chef and Sleep, they're the difference maker, but other
• 50:07
  Speaker 5: rappers were trying to transition and hang around the sexy
• 50:09
  Speaker 5: drill guys, Hip Hop Police had to get involved and
• 50:13
  Speaker 5: make sure, because the thing is, there's no violence at
• 50:16
  Speaker 5: their events. There's no violence at Chef and Sleep's show either.
• 50:19
  Speaker 5: So for them, like, for all they went through, there
• 50:23
  Speaker 5: was never violence at none of their shows. There should
• 50:26
  Speaker 5: be a place for fans to enjoy themselves and be
• 50:29
  Speaker 5: a part of it.
• 50:30
  Speaker 3: Without worrying about balance. And not worrying about violence.
• 50:33
  Speaker 2: And I'm chasing it.
• 50:34
  Speaker 3: Yeah.
• 50:35
  Speaker 1: Because you can make drill, but make a hit record, too.
• 50:38
  Speaker 3: Yeah, correct.
• 50:39
  Speaker 1: So, Sheff and them went from no suburban dissing niggas
• 50:42
  Speaker 1: to making fucking records that are hits.
• 50:44
  Speaker 3: We're hitting money. They're not facts. They may hold up.
• 50:46
  Speaker 3: You know what I'm saying?
• 50:48
  Speaker 1: But we learned from y'all.
• 50:49
  Speaker 5: Like, y'all, you guys would have... Both of you guys,
• 50:52
  Speaker 5: and Phif, and everyone else who was part, like, you
• 50:55
  Speaker 5: guys showed us there's, your environment shouldn't have to judge
• 51:00
  Speaker 5: you forever. Because when you evolve, you're giving us a
• 51:03
  Speaker 5: template of, yo, just because I grew up on the
• 51:06
  Speaker 5: wrong side of the tracks, when you see yourself on
• 51:09
  Speaker 5: the other side, you're giving people hope. It's thanks to y'all.
• 51:14
  Speaker 5: And that's why it shows both sides of the spectrum.
• 51:17
  Speaker 5: You could talk about women and be cool, but you
• 51:20
  Speaker 5: could still speak your street shit, but we could all coexist.
• 51:23
  Speaker 5: And I think Child's an example of what you can
• 51:27
  Speaker 5: do in the Slizzies themselves of being from all different
• 51:31
  Speaker 5: areas and come together together. And then you see what
• 51:34
  Speaker 5: Chef and Sleep has done and how they evolve. And
• 51:37
  Speaker 5: I think that's, it's because of you guys. I think
• 51:39
  Speaker 5: if you give somebody the right opportunities and the support system,
• 51:43
  Speaker 5: you can see the better side of it.
• 51:44
  Speaker 3: You know what I mean? And it's hard, man.
• 51:46
  Speaker 1: It's hard out here.
• 51:47
  Speaker 2: It's hard because what the law is, it's prejudging you.
• 51:50
  Speaker 3: It's like minority report. They already.
• 51:53
  Speaker 5: they don't want you to be successful. So to see
• 51:56
  Speaker 5: success stories is always a beautiful thing.
• 51:58
  Speaker 1: And to see them get over it. I'm always for
• 51:59
  Speaker 1: the clubs because it's like niggas be rhyming in they basement.
• 52:02
  Speaker 1: You could kick all that hard shit and the nigga
• 52:04
  Speaker 1: just come out with some crazy club banger.
• 52:07
  Speaker 3: And you just be like, oh shit. Oh, yo.
• 52:10
  Speaker 1: And that to me, like me going to the club
• 52:13
  Speaker 1: and hearing seductive Like, oh shit, I need another one
• 52:18
  Speaker 1: of these. You know what I'm saying? Niggas in the
• 52:20
  Speaker 1: club dancing with these head and 50 doing in the club.
• 52:23
  Speaker 1: Like we always knew we needed those banks. Like we
• 52:27
  Speaker 1: needed those.
• 52:28
  Speaker 3: Heads, bro.
• 52:29
  Speaker 1: And just me going in the club, hearing my shit rocking.
• 52:32
  Speaker 1: I'm like, oh shit. That's why I kind of like
• 52:35
  Speaker 1: Sexy Drill.
• 52:35
  Speaker 2: I'm trying to get some pop shit.
• 52:36
  Speaker 3: I'm going to give it to Bobby.
• 52:37
  Speaker 1: I'm with you too. That EDM shit?
• 52:41
  Speaker 3: Yo, yeah. Bobby, keep signing the Drill rappers, man. Keep
• 52:44
  Speaker 3: signing the Drill rappers. No, I'm not saying it.
• 52:48
  Speaker 2: They make you an EDM remix?
• 52:50
  Speaker 3: That's what I'm saying. Yo, forget about it, bro.
• 52:53
  Speaker 2: That EDM remix is taking you there. I'm trying to
• 52:57
  Speaker 2: do all that shit, though, bro.
• 52:58
  Speaker 3: Rob Markman, Jr.
• 52:58
  Speaker 1: Yo, bro, what do you mean if it was like
• 52:59
  Speaker 1: DJ Rumpa, right? DJ Rumpa, they like, yo, this guy's
• 53:01
  Speaker 1: getting like a million dollars to spend, bro. Deadmau5, you getting...
• 53:06
  Speaker 1: Do you start doing that EDM? Do you even go
• 53:08
  Speaker 1: to them EDM shows? DJ Snake, went to a DJ
• 53:10
  Speaker 1: Snake show? Probably look like 80,000 people, fucking lights and everything.
• 53:16
  Speaker 3: Rob Markman, Jr.: All of that shit. Rob Markman, Jr.
• 53:17
  Speaker 1: When you start collabing with them, I like... Yeah, I
• 53:19
  Speaker 1: love all that shit. I love overseas, bro. It's just
• 53:25
  Speaker 1: a whole different vibe. I'm looking for the artists that,
• 53:30
  Speaker 1: like you said, they don't have no violence at they shit,
• 53:33
  Speaker 1: as well as Chef and Sleep, but they made them
• 53:35
  Speaker 1: hit records. No Suburban to bigger records, bro.
• 53:41
  Speaker 3: I just don't like when they just try to box
• 53:43
  Speaker 3: the drill rappers off. That's what I was saying.
• 53:45
  Speaker 4: And I like how Bobby broke it down as far
• 53:47
  Speaker 4: as saying, if you get In a situation with a
• 53:49
  Speaker 4: label that actually give a fuck about you, it can work.
• 53:53
  Speaker 3: As long as you got some type of direction and
• 53:55
  Speaker 3: some oversight. I ain't going to lie, boy.
• 53:57
  Speaker 2: A couple of niggas got some looks.
• 53:59
  Speaker 3: They just keep getting locked up, though. Yeah. That's the
• 54:02
  Speaker 3: only thing. That's why. They was getting looks. Of course.
• 54:06
  Speaker 3: Of course.
• 54:07
  Speaker 2: They was just like, damn, this nigga just got locked up.
• 54:10
  Speaker 3: Come out on the anthill. Of course. I get that.
• 54:12
  Speaker 3: I get it.
• 54:15
  Speaker 2: Now I ain't going for these niggas just straight trying
• 54:16
  Speaker 2: to disrespect niggas. I don't even think they ain't even
• 54:18
  Speaker 2: trying to make music for real. They just want to
• 54:20
  Speaker 2: feel like, yeah, fuck it.
• 54:21
  Speaker 3: They just want to ballet.
• 54:22
  Speaker 2: Yeah, they just want to ballet.
• 54:25
  Speaker 3: You know the vibes.
• 54:26
  Speaker 2: That's it. You know the vibes. I ain't going to lie.
• 54:29
  Speaker 2: I see everything that's going on. I don't even, I'm
• 54:33
  Speaker 2: not judging nobody. I'm listening to all that shit. Sirens
• 54:35
  Speaker 2: should be fire. I ain't going to lie. The niggas
• 54:38
  Speaker 2: that was getting looks got bumped type shit.
• 54:40
  Speaker 3: So I was like, damn. Got you.
• 54:43
  Speaker 1: I'm thinking like, yo, you want a song that's going
• 54:45
  Speaker 1: to play at the World Cup. You know what I'm saying?
• 54:48
  Speaker 2: I ain't going to lie, but they probably could get there.
• 54:50
  Speaker 2: They probably just got.
• 54:51
  Speaker 3: To learn this. You could get there.
• 54:52
  Speaker 2: Nah, I was talking about the drill. I know I'm
• 54:55
  Speaker 2: going to get there. I'm figuring it out.
• 54:56
  Speaker 3: Oh, I know I'm going to get there. I'm going
• 54:58
  Speaker 3: to figure it out. I'm going to figure it out.
• 55:00
  Speaker 3: I got to get there.
• 55:00
  Speaker 2: I got to get there.
• 55:01
  Speaker 1: Yeah, because it's like, listen, I love drill music, but
• 55:05
  Speaker 1: it's just getting banned from the shows, ticket sales, police
• 55:08
  Speaker 1: pulling up. Nah, we don't want these guys.
• 55:11
  Speaker 3: I don't know.
• 55:13
  Speaker 1: Talk about killing a nigga, that's a nigga. It's just rough.
• 55:18
  Speaker 1: That's it. I went through it, bro. I've been the
• 55:20
  Speaker 1: same nigga banned from MTV, red carpet. Yo, we don't
• 55:22
  Speaker 1: want it. They ain't on the red carpet. Fuck him. Yo,
• 55:26
  Speaker 1: niggas hit me in the back. Chris Light in 50.
• 55:28
  Speaker 1: Let him hide in the back room, man.
• 55:30
  Speaker 3: That ass.
• 55:32
  Speaker 1: We was banned from mad shit. And we had records
• 55:34
  Speaker 1: and it stopped a lot of money. It stopped a
• 55:37
  Speaker 1: lot of fun. It was like, yo, niggas ain't never outside.
• 55:40
  Speaker 3: Never outside.
• 55:41
  Speaker 1: We was never outside because hip-hop police wouldn't allow us outside.
• 55:45
  Speaker 1: So we had to go to Connecticut and party at
• 55:48
  Speaker 1: 50 Crib. Every club we was being from. Curly Top
• 55:51
  Speaker 1: to Curly. We knew every hip-hop police dude. And it's like,
• 55:56
  Speaker 1: I be feeling like New York is cursed sometimes because
• 55:59
  Speaker 1: of the Ricohs. Because it was a point where you
• 56:03
  Speaker 1: had 6ix9ine. But that fucked up. Rest in peace, Pop Smoke.
• 56:08
  Speaker 1: We had Pop Smoke. Like, shit was on the come up.
• 56:10
  Speaker 3: You had Fetty.
• 56:12
  Speaker 1: It's like, it's always, we always on the come up
• 56:14
  Speaker 1: with some crazy shit. Like he said, it happened. With
• 56:17
  Speaker 1: Sexy Drill.
• 56:18
  Speaker 3: That K-Flock about to turn up too. Free K-Flock.
• 56:20
  Speaker 1: Yeah, K-Flock. Dude, that shit, that was the king. That's
• 56:23
  Speaker 1: the king of drill right there.
• 56:25
  Speaker 3: Yeah. You know what I'm saying?
• 56:30
  Speaker 2: Facts. 30 years.
• 56:31
  Speaker 1: You think we didn't want K-Flock to take off? And
• 56:36
  Speaker 1: it's not only just New York. Look at King Von.
• 56:38
  Speaker 1: I fuck with King Von music, bro. I still bump
• 56:41
  Speaker 1: King Von albums. Bloodhound Lil Jeff. I fuck with his music.
• 56:47
  Speaker 1: I love his song with G Herbo. So I'm not
• 56:49
  Speaker 1: saying I don't love the drill. It's just like, I
• 56:53
  Speaker 1: don't know. It just don't last long. Rico come or death.
• 56:59
  Speaker 1: Sexy drill, niggas dancing. Like I said, feel like Kanye
• 57:02
  Speaker 1: West and back Tribe Called Quest back fun. Girls got
• 57:06
  Speaker 1: the pillow fighting.
• 57:08
  Speaker 3: You know what I mean?
• 57:08
  Speaker 2: Yeah, that's what we trying to do. You don't have
• 57:10
  Speaker 2: a good time type shit.
• 57:11
  Speaker 1: When we dropping this album, man?
• 57:12
  Speaker 3: You excited?
• 57:13
  Speaker 2: Hell yeah, I'm super excited.
• 57:14
  Speaker 3: September 16th, baby.
• 57:15
  Speaker 2: September 16th, man.
• 57:17
  Speaker 3: Please Behave. Please Behave, man. What's the name of it,
• 57:19
  Speaker 3: Please Behave? Yeah, let me show you the cover real quick, man.
• 57:22
  Speaker 3: We got exclusive.
• 57:23
  Speaker 1: We got exclusive for the cover.
• 57:24
  Speaker 3: Let's go, Empire.
• 57:25
  Speaker 1: You're going to show us.
• 57:26
  Speaker 3: Shout to Empire, baby.
• 57:30
  Speaker 1: I know you went artistic on that motherfucker.
• 57:32
  Speaker 3: Oh, I like that. That's definitely artistic right there.
• 57:34
  Speaker 1: You ain't doing nothing normal. That's one thing. Y'all are
• 57:36
  Speaker 1: some creative motherfuckers, man.
• 57:37
  Speaker 3: The pool in the crib. I like that. Scarface right there.
• 57:42
  Speaker 3: You see that? The Scarface with the pool in the crib.
• 57:45
  Speaker 3: The whole Scarface background. Crazy. My son suited and booted. Now,
• 57:50
  Speaker 3: that's fire right there.
• 57:52
  Speaker 2: For me, the last cover for Sex Drive, I had
• 57:56
  Speaker 2: to try to up it for that one.
• 57:58
  Speaker 3: It wasn't going to let me live for that one
• 58:00
  Speaker 3: if I ain't do it.
• 58:01
  Speaker 2: I ain't going to lie.
• 58:04
  Speaker 3: Yeah, I ain't going to lie.
• 58:05
  Speaker 2: But I ain't going to find, like I said, I
• 58:06
  Speaker 2: watch a lot.
• 58:06
  Speaker 3: Of movies and shit. I'm very artistic and shit.
• 58:10
  Speaker 2: Like back in the day, niggas just ain't have enough
• 58:11
  Speaker 2: breadie to make everything.
• 58:13
  Speaker 3: Got you. But now we got a couple of dollars.
• 58:15
  Speaker 3: Rob Markman Of course.
• 58:17
  Speaker 4: I know Empire always makes sure our people good. They
• 58:19
  Speaker 4: make sure we're in good positions.
• 58:20
  Speaker 2: Shout out to Empire for that check.
• 58:23
  Speaker 3: Shout out to my guy, Gaji. Shout out to Nima.
• 58:27
  Speaker 3: Shout out to Bobby. I love Empire. Shout out to
• 58:30
  Speaker 3: my guy's family over there. Shout out to Kuss too.
• 58:34
  Speaker 3: My guy, Kuss.
• 58:34
  Speaker 4: Shout out to my guy, Kuss. That's the secret weapon
• 58:37
  Speaker 4: over there. Rob Markman So how did you feel.
• 58:39
  Speaker 1: When you saw the deal? Yeah, I'll do another one.
• 58:43
  Speaker 2: I'm going to go over and drink that Don.
• 58:44
  Speaker 3: Yeah, man. Do that.
• 58:45
  Speaker 1: I'll usually drink Branson. 50, don't get mad.
• 58:49
  Speaker 3: I'm going to drink some Henny.
• 58:51
  Speaker 4: I ain't drinking that fucking Hennessy, but I'm going to
• 58:53
  Speaker 4: take a shot with the Don.
• 58:54
  Speaker 3: I'm not drinking this Hennessy.
• 58:55
  Speaker 2: This is Branson.
• 58:56
  Speaker 3: I'll just put it in a Henny bottle. That's right. Yo,
• 58:59
  Speaker 3: this young boy is good.
• 59:01
  Speaker 1: This young boy is good. Yo, because you know what
• 59:06
  Speaker 1: it is? Even the rappers, you see what I like
• 59:09
  Speaker 1: about you? The young rappers don't be seeming happy, man.
• 59:14
  Speaker 1: Niggas come in, they be... Niggas got $ 50, 000 chain on,
• 59:19
  Speaker 1: $ 50, 000 watch, all the money in.
• 59:20
  Speaker 3: The world, niggas. Chad look a little happy though.
• 59:25
  Speaker 1: That's what I like about him.
• 59:26
  Speaker 3: I ain't gonna lie.
• 59:26
  Speaker 2: I'm just happy to be here, man.
• 59:28
  Speaker 3: Thank you.
• 59:29
  Speaker 2: I'm just living life, bro.
• 59:30
  Speaker 3: He be trying to get on my young boy. He be.
• 59:32
  Speaker 4: He be feelin' like my nigga Sleepy. Shout out to
• 59:34
  Speaker 4: Sleepy Hallow. He be feelin' like, he hear, he say.
• 59:36
  Speaker 3: Sleepy ain't never happy. Shut the fuck outta here. My
• 59:40
  Speaker 3: nigga Sleepy happy. He livin' life. He livin' life.
• 59:43
  Speaker 2: Nah, Sleepy boys, that be shit. You gotta see him
• 59:44
  Speaker 2: on social media, bro. That nigga mad funny. Sleepy mad funny, bro.
• 59:49
  Speaker 3: I don't know.
• 59:49
  Speaker 1: I seen Sleepy on a video game. That's the happiest
• 59:52
  Speaker 1: I ever seen him. When I'm around Sleepy, straight ice grip.
• 59:57
  Speaker 2: Nah, you gotta see that nigga on Instagram. That nigga
• 59:59
  Speaker 2: a personality, for real.
• 1:00:00
  Speaker 3: Shout out to Sleepy Hallow.
• 1:00:02
  Speaker 1: I think everybody in New York just be on time.
• 1:00:04
  Speaker 3: I ain't gonna front, bro. I'm just happy to be here.
• 1:00:08
  Speaker 2: I'm just taking advantage of my opportunities, my nigga.
• 1:00:11
  Speaker 3: I love this shit.
• 1:00:12
  Speaker 1: Well, Long Island got another legend, man. I said Long
• 1:00:16
  Speaker 1: Island got another legend, man.
• 1:00:17
  Speaker 3: Hell yeah, man. I hope there's more coming. Shout out
• 1:00:18
  Speaker 3: to Hempstead, man. Shout out to Hempstead. You know what
• 1:00:20
  Speaker 3: I'm saying?
• 1:00:21
  Speaker 2: Niggas be acting like I don't be out here trying
• 1:00:22
  Speaker 2: to jack them up. Shit, niggas be blowing my mind.
• 1:00:24
  Speaker 3: I mean, you done moved to Miami to good life.
• 1:00:25
  Speaker 3: Empire gave you that money. You moved to Miami. They're like, yo,
• 1:00:28
  Speaker 3: we can't even find this nigga no more.
• 1:00:29
  Speaker 2: I'm back out here.
• 1:00:30
  Speaker 3: Niggas ain't supposed to find.
• 1:00:31
  Speaker 5: Me, man.
• 1:00:33
  Speaker 1: That nigga Miami on the penthouse watching all that shit.
• 1:00:40
  Speaker 3: He ain't think about being in front of the board.
• 1:00:44
  Speaker 2: I'm hearing it uptown.
• 1:00:46
  Speaker 3: He back.
• 1:00:47
  Speaker 4: He on the boat with some ladies, man. He trying
• 1:00:49
  Speaker 4: to run it up so he can get the whole
• 1:00:50
  Speaker 4: gang lit in a minute, man. I saw he running
• 1:00:52
  Speaker 4: it up.
• 1:00:52
  Speaker 1: Oh, the gang is already lit. It's just more success, man.
• 1:00:55
  Speaker 1: We appreciate you. Talk about the album, what? September 12th?
• 1:00:59
  Speaker 2: September 16th.
• 1:01:00
  Speaker 3: I'm going to send y'all the album right now.
• 1:01:01
  Speaker 2: You know what I'm saying? The album coming out September 16th.
• 1:01:04
  Speaker 3: Please behave. You know what I'm saying?
• 1:01:11
  Speaker 2: Long time coming.
• 1:01:11
  Speaker 1: Numbers is going up. He's being cool right here. Numbers
• 1:01:15
  Speaker 1: is going up.
• 1:01:15
  Speaker 3: Ladies, please behave. My boy dropping September 16th. Shout out
• 1:01:19
  Speaker 3: to Charlie.
• 1:01:20
  Speaker 1: Shout out to Cash Cobain. Shout out to Bay. Shout
• 1:01:24
  Speaker 1: out to King BMO.
• 1:01:25
  Speaker 2: Brooklyn.
• 1:01:26
  Speaker 1: Shout out to anybody else we missing, man, in the
• 1:01:28
  Speaker 1: Slizzy gang?
• 1:01:28
  Speaker 2: Man, just Slizzy and T, man. We outside.
• 1:01:30
  Speaker 3: Shout out to the whole Slizzy and T, man. September 16th.
• 1:01:32
  Speaker 2: And shout out to my man, Dollar, and everybody that's
• 1:01:35
  Speaker 2: on the tape, man.
• 1:01:36
  Speaker 3: Definitely, man. Shout out to Wiz Khalifa. Shout out to.
• 1:01:38
  Speaker 2: Honey Baby.
• 1:01:39
  Speaker 3: Yes.
• 1:01:40
  Speaker 2: Shout out to, we already named the other guys, you
• 1:01:42
  Speaker 2: know what I'm saying?
• 1:01:43
  Speaker 3: He got a number of hits on the fucking album, man. Definitely, man.
• 1:01:47
  Speaker 4: And shout out to Empire for making this shit happen.
• 1:01:49
  Speaker 2: Yo, and shout out to fucking Empire, man.
• 1:01:50
  Speaker 3: Whoa!
• 1:01:51
  Speaker 4: Whoa!
• 1:01:51
  Speaker 3: Whoa!
• 1:01:52
  Speaker 2: Whoa!