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Transcript

Lux Radio Theatre - "Fifth Avenue Girl" (Old Time Radio, 1940) · Lux Radio Theater | Old Time Radio

• 0:00
  Speaker 1: On his birthday, pump company chief Timothy Borden leaves business
• 0:04
  Speaker 1: pressures and an inattentive family behind only to meet unemployed
• 0:09
  Speaker 1: Mary Gray on a New York City park bench. Their
• 0:13
  Speaker 1: acquaintance brings Mary into the Borden household, unsettling a wealthy
• 0:17
  Speaker 1: family and setting new relationships in motion. From CBS on
• 0:22
  Speaker 1: December 16th, 1940, Lux Radio Theater presents episode 286, Fifth
• 0:29
  Speaker 1: Avenue Girl, adapted from the 1939 RKO picture, with Ginger
• 0:35
  Speaker 1: Rogers reprising Mary Gray opposite Edward Arnold as Borden. George
• 0:40
  Speaker 1: Wells adapted for radio, Sanford Barnett directed, and Lux Toilet
• 0:45
  Speaker 1: Soap brings us to the microphone. And now, our story begins.
• 0:51
  Speaker 2: Lux presents Hollywood.
• 0:56
  Speaker 3: The Lux Radio Theater brings you Ginger Rogers, Edward Arnold,
• 1:10
  Speaker 3: John Howard, and Joan Perry in.
• 1:12
  Speaker 2: Fifth Avenue Girl. Ladies and gentlemen, your producer, Mr. Cecil B. DeMille.
• 1:25
  Speaker 3: Greetings from Hollywood, ladies and gentlemen. One way of staying
• 1:29
  Speaker 3: out of trouble is to follow this rule. Don't give
• 1:32
  Speaker 3: advice when you're asked for it. And never, under any conditions,
• 1:35
  Speaker 3: lend a helping hand to a stranger. You'll never be misunderstood.
• 1:40
  Speaker 3: But you'll never have any friends, and you'll probably lead
• 1:42
  Speaker 3: a very dull and useless life. I'll play tonight Fifth
• 1:46
  Speaker 3: Avenue Girl. It's the story of a young lady who
• 1:48
  Speaker 3: left that rule behind her on a lonely park bench
• 1:51
  Speaker 3: one day. Got into all kinds of trouble, won friends,
• 1:54
  Speaker 3: influenced people... fell in love, and lived happily ever after.
• 1:59
  Speaker 3: The young lady is played by Ginger Rogers, who created
• 2:02
  Speaker 3: Fifth Avenue Girl in the RKO picture to the delight
• 2:05
  Speaker 3: of the whole country. In fact, her performance in that
• 2:08
  Speaker 3: picture is one of the very good reasons why RKO bought.
• 2:11
  Speaker 2: Kitty Foyle, which Ginger has just finished.
• 2:14
  Speaker 3: With Ginger tonight, you'll hear Edward Arnold in the kind
• 2:18
  Speaker 3: of part that made him famous, a tycoon of industry.
• 2:21
  Speaker 3: John Howard plays his son, and Joan Perry his daughter.
• 2:25
  Speaker 3: Together they constitute a family called the Bordens, a family
• 2:28
  Speaker 3: with too much money but enough.
• 2:29
  Speaker 2: Courage to make up for it.
• 2:32
  Speaker 3: And Ginger is the guardian angel, who pulls them back
• 2:35
  Speaker 3: from such disasters as divorce, bankruptcy, and unrequited love. Last week,
• 2:42
  Speaker 3: I mentioned a problem that confronts the studio wardrobe department
• 2:45
  Speaker 3: when a musical picture is being made. But I've discovered
• 2:48
  Speaker 3: that the problem is much greater when the picture is
• 2:50
  Speaker 3: in color. The solution, however, is the same.
• 2:54
  Speaker 2: Luxe Flakes.
• 2:55
  Speaker 3: In making a picture like Northwest Mounted Police in Technicolor,
• 2:59
  Speaker 3: a costume must be kept the same shade through many
• 3:01
  Speaker 3: hard weeks of production. Of course, so far as washable
• 3:05
  Speaker 3: costumes are concerned, that assignment goes.
• 3:07
  Speaker 2: To Lux Flakes.
• 3:08
  Speaker 3: It certainly plays a star role in making a color picture,
• 3:11
  Speaker 3: and it will play a star role for you at home.
• 3:14
  Speaker 3: Experience at the studio makes it easy for me to
• 3:16
  Speaker 3: understand the popularity of our product with the women of America.
• 3:21
  Speaker 3: But right now, it's time for laughter, love, and a
• 3:23
  Speaker 3: light heart. as we ring up the curtain on Act
• 3:25
  Speaker 3: One of Fifth Avenue Girl, with Ginger Rogers as Mary Gray,
• 3:30
  Speaker 3: Edward Arnold as Timothy Borden, John Howard as Tim, and
• 3:34
  Speaker 3: Joan Perry as Catherine.
• 3:45
  Speaker 2: Certainly the one day.
• 3:46
  Speaker 3: A year on which the problems of the overworked captain
• 3:49
  Speaker 3: of industry should be lightened.
• 3:51
  Speaker 2: Is his birthday. So believes Mr. Timothy Borden.
• 3:54
  Speaker 3: Of the Borden Amalgamated Pump Company. But sadly enough, it's
• 3:57
  Speaker 3: not working out that way for him. A dozen men
• 4:00
  Speaker 3: surround his desk, all hurling argument and query, their voices
• 4:04
  Speaker 3: growing hotter and louder, until Mr. Borden's temperature has reached
• 4:08
  Speaker 3: feverish proportions. Right now, he's at the boiling point.
• 4:12
  Speaker 4: Gentlemen, please, please, please!
• 4:16
  Speaker 2: I'm going home.
• 4:16
  Speaker 5: I'm worn out.
• 4:18
  Speaker 2: I've had enough for one day, and this of all days.
• 4:20
  Speaker 2: But wait, T.J., the Stanton contract has to be signed.
• 4:22
  Speaker 2: Not today. They'll turn us down.
• 4:24
  Speaker 6: All right, all right.
• 4:25
  Speaker 4: Business can't be any worse than this anyhow. Underwood and
• 4:27
  Speaker 4: Company cancel their order. The stockholders want to stop the
• 4:29
  Speaker 4: bond issue. Our tax and repeal is rejected, and now Stanton.
• 4:33
  Speaker 2: I've had enough, General. Now, wait, T.J., Hershey and Company called. Well,
• 4:37
  Speaker 2: what about it? The Hershey account is foolproof. My son's
• 4:39
  Speaker 2: attending to that. I'm sorry, T.J., Huh? What's that?
• 4:43
  Speaker 7: Well, you see, Hershey asked for a revised estimate. Your
• 4:46
  Speaker 7: son wasn't here, so they took their account to Acme.
• 4:49
  Speaker 7: Is my son here now? He hasn't been here all week.
• 4:51
  Speaker 7: He's been out playing polo, the international finals or something.
• 4:54
  Speaker 2: Don't tell me anymore.
• 4:56
  Speaker 8: Yes, Mr. Borden.
• 4:57
  Speaker 2: Tell Michael to bring the car around, Miss Watson.
• 4:59
  Speaker 8: Yes, sir.
• 5:00
  Speaker 2: Gentlemen, gentlemen, that's all for today. My nerves are as
• 5:04
  Speaker 2: afraid as a weather-beaten rope. That's all. I'm going home. Well, Michael,
• 5:22
  Speaker 2: there seems to be a touch of spring in the air. Yes, sir.
• 5:24
  Speaker 2: Spring is something that even the poor people can enjoy.
• 5:27
  Speaker 8: Huh?
• 5:28
  Speaker 2: Spring, sir. It's free. Oh, oh. I see. Well, I
• 5:32
  Speaker 2: won't need you tonight, Michael. Yes, sir. Oh, good evening, Higgins.
• 5:37
  Speaker 2: Good evening. You're home early, sir. Well, a man should
• 5:40
  Speaker 2: get home early, on his birthday at least. I suppose
• 5:42
  Speaker 2: the family will be here for dinner? No, sir.
• 5:45
  Speaker 8: Nobody?
• 5:46
  Speaker 2: Mrs.
• 5:46
  Speaker 9: Borden is dining out, as usual. Your daughter is going
• 5:49
  Speaker 9: to Frisbee coming out, Poppy. I haven't heard from Mr.
• 5:51
  Speaker 8: Junior.
• 5:52
  Speaker 2: I see. Aren't you feeling well, sir? Oh, yes, I'm
• 5:55
  Speaker 2: all right. Perhaps a touch of spring fever, sir. Perhaps.
• 5:58
  Speaker 9: I felt it myself this afternoon, just walking in the park.
• 6:01
  Speaker 9: By the way, sir, here's a special delivery letter for you.
• 6:03
  Speaker 2: Oh, thank you, Higgins. It was lovely there today.
• 6:06
  Speaker 8: Where?
• 6:07
  Speaker 2: The park, sir. The park?
• 6:09
  Speaker 5: Oh, oh, yes.
• 6:09
  Speaker 9: Whenever I'm free, I like to go there. Some people
• 6:12
  Speaker 9: like to look at the animals, but personally, I like
• 6:14
  Speaker 9: trees and flowers.
• 6:15
  Speaker 8: Higgins.
• 6:16
  Speaker 2: Yes, sir? Higgins, do you read the gossip columns?
• 6:19
  Speaker 8: Always, sir.
• 6:20
  Speaker 10: Then I suppose you've read this item. What Fifth Avenue
• 6:23
  Speaker 10: matron is dancing her way to Reno with what well-known
• 6:25
  Speaker 10: playboy while her husband ponders the problems of pumps?
• 6:29
  Speaker 2: Well, Higgins? Yes, sir. I saw it, sir. Higgins, is
• 6:33
  Speaker 2: there anything wrong with me? Oh, no, sir. Not that
• 6:36
  Speaker 2: I know of. You don't suppose my family's frightened of me? Oh, no, sir.
• 6:39
  Speaker 4: Then why am I treated the way I am? Why
• 6:41
  Speaker 4: does my wife... Well, why does she? What's wrong with
• 6:45
  Speaker 4: my daughter and my son? Why can't they stay at home?
• 6:48
  Speaker 4: Why do people work as hard as they do and
• 6:49
  Speaker 4: for what? I've often wondered myself. After all, what do
• 6:53
  Speaker 4: they get out of life?
• 6:54
  Speaker 2: That's right. What do they get out of life? Sit down, Higgins. Oh,
• 6:57
  Speaker 2: but I'd be very uncomfortable. Well, sit down anyway. You
• 7:00
  Speaker 2: make me uncomfortable.
• 7:01
  Speaker 10: Oh, you're happy just looking at trees and flowers, huh? Oh, no,
• 7:04
  Speaker 10: not entirely, sir. I find my work here very pleasant.
• 7:08
  Speaker 2: Why?
• 7:08
  Speaker 9: Well, to be frank, sir, we servants enjoy the luxuries
• 7:11
  Speaker 9: of the rich and have none of the responsibility.
• 7:13
  Speaker 2: None of the responsibility? Oh, I see, I see. I'd
• 7:16
  Speaker 2: like to get up, sir. May I arrange for your dinner?
• 7:19
  Speaker 2: Just a minute, Higgins.
• 7:21
  Speaker 10: What was the name of the tree you were talking
• 7:23
  Speaker 10: about over in the park?
• 7:24
  Speaker 2: A maple, sir. A maple. Thank you, Higgins.
• 7:30
  Speaker 5: Peanuts.
• 7:36
  Speaker 2: How to roast the peanuts. Say, do the pigeons eat peanuts? Sure.
• 7:41
  Speaker 2: How many? Two. Okay. Twenty cents. Wait a minute. Could
• 7:45
  Speaker 2: you tell me if that's a maple tree over there?
• 7:47
  Speaker 2: How should I know? I sell peanuts. Peanuts.
• 7:50
  Speaker 8: Peanuts. How to roast the peanuts. Mm-hmm.
• 7:53
  Speaker 5: Mm-hmm.
• 7:53
  Speaker 2: Mm-hmm.
• 7:55
  Speaker 5: Mm-hmm.
• 7:56
  Speaker 2: Oh, excuse me, miss. Do you mind if I sit here?
• 8:00
  Speaker 8: Why not? It's a public bench.
• 8:02
  Speaker 2: Thanks. These pigeons are friendly little creatures, aren't they?
• 8:06
  Speaker 8: No, they're just hungry.
• 8:08
  Speaker 2: See, they are hungry.
• 8:09
  Speaker 4: Look.
• 8:10
  Speaker 3: Yeah.
• 8:12
  Speaker 2: You know, when I was a kid, I used to
• 8:13
  Speaker 2: have a whole flock of them.
• 8:15
  Speaker 5: Yeah?
• 8:15
  Speaker 10: Yeah, they used to fly around all over. I hope
• 8:20
  Speaker 10: you don't think I'm trying to snag up an acquaintance.
• 8:22
  Speaker 8: Hey, what are you, a flatfoot?
• 8:24
  Speaker 2: You mean a detective?
• 8:24
  Speaker 8: No. Well, if you are, I haven't done anything.
• 8:27
  Speaker 2: Do I look like one?
• 8:28
  Speaker 8: You might be.
• 8:29
  Speaker 2: Did you ever hear of Borden's Amalgamated Pump Company?
• 8:32
  Speaker 8: What kind of pump?
• 8:33
  Speaker 2: Amalgamated pump.
• 8:34
  Speaker 8: Vegetable or mineral?
• 8:35
  Speaker 2: Business. A very worrying one. It's a very distressing subject.
• 8:39
  Speaker 2: I don't know why I brought it up.
• 8:41
  Speaker 8: Why talk about it then?
• 8:42
  Speaker 2: I don't think I will.
• 8:43
  Speaker 10: You know, as a matter of fact, I am trying
• 8:46
  Speaker 10: to strike up an acquaintance with you.
• 8:47
  Speaker 2: You see, I'm lonely. It's my birthday.
• 8:51
  Speaker 8: Well, birthdays are all right, but you never get over
• 8:52
  Speaker 8: the first one. You've got a knife? I'll split this
• 8:56
  Speaker 8: apple with you.
• 8:57
  Speaker 2: Thank you very much, Noel.
• 8:58
  Speaker 8: Very good.
• 8:59
  Speaker 2: Aren't you afraid you'll spoil your dinner?
• 9:01
  Speaker 8: This is my dinner.
• 9:02
  Speaker 2: Are you on a diet?
• 9:04
  Speaker 8: Yes, but against my wishes.
• 9:06
  Speaker 2: Haven't you got a job?
• 9:08
  Speaker 8: Who has?
• 9:08
  Speaker 2: Doesn't seem to bother you very much.
• 9:11
  Speaker 8: Doesn't? I'm alive and kicking. Got five dollars in my pocketbook.
• 9:14
  Speaker 8: My room rent's paid for another week.
• 9:15
  Speaker 2: And then what?
• 9:17
  Speaker 8: Oh, I don't know. Something will turn up. Always does.
• 9:20
  Speaker 2: You mean you sleep in the park?
• 9:23
  Speaker 8: What's wrong with that?
• 9:24
  Speaker 2: And that wouldn't worry you?
• 9:25
  Speaker 8: Say, you sound like one of those Fifth Avenue cadavers.
• 9:28
  Speaker 2: Fifth Avenue what?
• 9:30
  Speaker 8: Oh, those people that live over there, those millionaires. They're
• 9:33
  Speaker 8: always squawking. You'd think the country was going to the dogs.
• 9:37
  Speaker 2: Well, they have their troubles. What troubles?
• 9:40
  Speaker 11: I used to stand over in the plaza and watch
• 9:41
  Speaker 11: them come home at night. They look like a lot
• 9:43
  Speaker 11: of wax dummies who've had an overdose of dill pickles.
• 9:46
  Speaker 8: Gee, they make me tired.
• 9:47
  Speaker 10: Well, I don't like them either, when you come right
• 9:49
  Speaker 10: down to it.
• 9:50
  Speaker 2: Look, I've just had an idea. This is my birthday.
• 9:52
  Speaker 8: Well, it's not mine.
• 9:53
  Speaker 2: Would it be presumptuous if I asked you to help
• 9:56
  Speaker 2: me celebrate it?
• 9:57
  Speaker 8: And do what?
• 9:57
  Speaker 2: Oh, we could go someplace and eat. Where? Well, there's
• 10:00
  Speaker 2: a place they call the Flamingo Club.
• 10:03
  Speaker 8: Look, mister, are you feeling all right?
• 10:06
  Speaker 10: People must have a wonderful time there because it costs
• 10:08
  Speaker 10: so much money.
• 10:09
  Speaker 8: Is your keeper around, thank you?
• 10:12
  Speaker 2: No, no, I mean it. I'd love to go there.
• 10:15
  Speaker 8: So would I, but I'd rather go to the automat
• 10:17
  Speaker 8: and keep the change.
• 10:17
  Speaker 2: But this is my birthday. We could have lots of
• 10:20
  Speaker 2: fun insulting the rich.
• 10:21
  Speaker 8: You sure you wouldn't run out on me and leave
• 10:23
  Speaker 8: me holding the check?
• 10:23
  Speaker 2: No, no, I've got lots of money. Look, here, you
• 10:26
  Speaker 2: can hold it.
• 10:28
  Speaker 8: Well, gee, and you better get somebody to hold me.
• 10:30
  Speaker 2: No, no, you'll be all right.
• 10:31
  Speaker 8: Well, thanks.
• 10:33
  Speaker 2: Well, that's swell. Let's eat.
• 10:34
  Speaker 11: Gee, if I eat any real food, I'll probably die,
• 10:37
  Speaker 11: but might as well die of food poisoning as anything else.
• 10:40
  Speaker 8: Come on.
• 10:43
  Speaker 2: What do you have for us refreshments, Champagne?
• 10:48
  Speaker 8: How much will it cost?
• 10:50
  Speaker 2: Oh, never mind that. Waiter, waiter. Oui, monsieur.
• 10:51
  Speaker 8: Champagne.
• 10:52
  Speaker 2: Oui, monsieur.
• 10:53
  Speaker 5: Shoppe.
• 10:53
  Speaker 8: Look, it's your money, but do you print it yourself?
• 10:57
  Speaker 2: We're celebrating. It's my birthday.
• 10:58
  Speaker 8: You're telling me.
• 11:06
  Speaker 2: Now, waiter, waiter. More champagne. You'd better bring enough for everybody. Oui, monsieur.
• 11:10
  Speaker 2: Enough for everybody.
• 11:11
  Speaker 5: Here.
• 11:12
  Speaker 8: I wish you knew what this was doing to my
• 11:13
  Speaker 8: Scotch blood.
• 11:14
  Speaker 11: We ought to be able to take a table and
• 11:15
  Speaker 11: a couple of chairs home with us and throw in
• 11:17
  Speaker 11: some silverware.
• 11:19
  Speaker 2: Ah, but it is good. Will you have some more?
• 11:22
  Speaker 8: Why not? Every sip is like drinking six pairs of
• 11:25
  Speaker 8: silk stockings.
• 11:28
  Speaker 2: Yeah, but you can't drink silk stockings.
• 11:31
  Speaker 8: Say, is this your birthday or has Christmas sneaked up
• 11:33
  Speaker 8: on me, too?
• 11:34
  Speaker 2: Well, it's my birthday and we're going to have a
• 11:36
  Speaker 2: good time. Come on, let's dance.
• 11:38
  Speaker 8: Yeah, let's.
• 11:39
  Speaker 2: Whoa, whoa. Who are you waving at? Wait a minute,
• 11:41
  Speaker 2: wait a minute. Just a friend of mine. Her name
• 11:43
  Speaker 2: is Mrs. Borden.
• 11:45
  Speaker 8: Your wife?
• 11:45
  Speaker 2: Yes, that's what I'm told.
• 11:48
  Speaker 8: I was afraid of something like this. Is that your
• 11:51
  Speaker 8: son with her, too?
• 11:52
  Speaker 2: If I had a son like that, I'd disown him.
• 11:54
  Speaker 2: Come on over and say hello, huh? Hello, Martha.
• 11:58
  Speaker 8: Timothy, what are you doing here?
• 12:00
  Speaker 2: I'm celebrating my birthday. And what are you doing here?
• 12:03
  Speaker 8: Oh, please sit down. You're making yourself conspicuous.
• 12:05
  Speaker 2: I'll only be a minute. I just wanted to meet
• 12:07
  Speaker 2: the gentleman.
• 12:08
  Speaker 8: Oh, Mr. Hopkins, my husband.
• 12:11
  Speaker 2: How do you do? How do you do? And this
• 12:13
  Speaker 2: is Miss... Gray. Gray. Miss Gray. How do you do? Say,
• 12:16
  Speaker 2: you know, I've been reading about you in the papers, Mr. Hopkins.
• 12:20
  Speaker 2: The gossip columns. Congratulations. I think you show very good taste.
• 12:23
  Speaker 8: Well, that's more than I can say for you. Tommy,
• 12:25
  Speaker 8: let's go.
• 12:26
  Speaker 2: Yes, I think we'd better. Oh. Now, there's a fellow
• 12:30
  Speaker 2: I wanted to insult.
• 12:31
  Speaker 8: Why didn't you?
• 12:33
  Speaker 2: I couldn't think of anything to say.
• 12:34
  Speaker 8: Well, let's sit down. I'll dream up something for you.
• 12:36
  Speaker 2: That's a good idea, too.
• 12:39
  Speaker 8: But the way I'm feeling right now, I'm beginning to
• 12:41
  Speaker 8: like everybody. Good morning.
• 12:53
  Speaker 2: Oh, good morning, my dear. Will you have some breakfast
• 12:56
  Speaker 2: with me?
• 12:56
  Speaker 8: I've had it.
• 12:57
  Speaker 12: Are you in a mood this morning to discuss a
• 12:59
  Speaker 12: few matters of importance to both of us?
• 13:01
  Speaker 2: Well, I... Well, there are several things that need my attention,
• 13:04
  Speaker 2: and I... I can well imagine.
• 13:06
  Speaker 8: That black eye of yours is one of them.
• 13:08
  Speaker 2: Yes, I noticed it. I had a bit of an accident.
• 13:10
  Speaker 3: Yes.
• 13:10
  Speaker 8: The papers give a full account of it. Who is
• 13:13
  Speaker 8: this woman?
• 13:14
  Speaker 2: Woman? What woman?
• 13:15
  Speaker 8: Who is she?
• 13:16
  Speaker 2: Oh, she?
• 13:17
  Speaker 10: Oh, she's a very nice girl, yes.
• 13:19
  Speaker 2: A very nice girl.
• 13:20
  Speaker 8: Where did you meet her?
• 13:21
  Speaker 2: I met her in the park. I never saw her
• 13:23
  Speaker 2: before in my life, and I'll probably never see her again.
• 13:24
  Speaker 8: Good morning.
• 13:26
  Speaker 2: Oh, my goodness.
• 13:27
  Speaker 8: I'm glad you're here. I was afraid I'd overslept.
• 13:30
  Speaker 2: Well, this is my wife, Miss Gray.
• 13:33
  Speaker 8: I believe we've met. What's wrong with her?
• 13:37
  Speaker 2: Say, where did you come from?
• 13:39
  Speaker 8: Upstairs, don't you remember?
• 13:41
  Speaker 2: In a way, I do, yes. And in a way,
• 13:43
  Speaker 2: I don't.
• 13:44
  Speaker 8: Hey, Mrs. Borden seems upset. I... I'd better be on
• 13:47
  Speaker 8: my way.
• 13:48
  Speaker 2: Oh, for heaven's sake, don't leave me now.
• 13:49
  Speaker 8: Well, I can't think of a better time. No, no, no.
• 13:52
  Speaker 2: I've got to find out how you got here and
• 13:54
  Speaker 2: also how I did.
• 13:55
  Speaker 8: Well, it's a little vague to me.
• 13:57
  Speaker 2: Well, maybe Higgins can help us.
• 13:58
  Speaker 3: Oh, Higgins.
• 13:59
  Speaker 2: Breakfast is served, sir. Higgins, were you awake when Miss
• 14:02
  Speaker 2: Gray and I came in last night?
• 14:03
  Speaker 12: Oh, look.
• 14:05
  Speaker 8: He's got one, too.
• 14:06
  Speaker 2: What?
• 14:07
  Speaker 8: A black eye. Say, that's a pep, Higgins. Thank you, miss.
• 14:12
  Speaker 2: Oh, that's a shame, Higgins. What happened? Well, it was
• 14:14
  Speaker 2: this way, sir. When you came in last night, you... Oh,
• 14:18
  Speaker 2: it happened last night. Never mind, Higgins. You better get
• 14:21
  Speaker 2: us some breakfast. Yes.
• 14:22
  Speaker 8: Look, I've had a beautiful evening.
• 14:25
  Speaker 11: I've been out in society, and I've got a wonderful headache.
• 14:28
  Speaker 8: And I couldn't be happier, but really, I've got to
• 14:30
  Speaker 8: be running along.
• 14:31
  Speaker 2: Oh, no, no, no. You must have some breakfast. Besides,
• 14:34
  Speaker 2: I need your advice. Oh, if I don't have another
• 14:37
  Speaker 2: birthday for ten years, it'll be soon enough.
• 14:39
  Speaker 8: Well, why? We had a wonderful time. We must have.
• 14:43
  Speaker 8: I spent a dollar of my own money.
• 14:46
  Speaker 2: You shouldn't have done that.
• 14:47
  Speaker 8: That's what started the argument with the taxi driver.
• 14:50
  Speaker 2: Taxi driver?
• 14:51
  Speaker 8: Yeah. You remember the taxi driver, don't you, Higgins?
• 14:54
  Speaker 2: I shall never forget him.
• 14:55
  Speaker 10: Well, if I'm not too inquisitive, just what is all
• 14:58
  Speaker 10: this about a taxi driver?
• 14:59
  Speaker 2: He was much less belligerent than the policeman, sir. What policeman?
• 15:02
  Speaker 9: The one who calmed you down after you told him
• 15:05
  Speaker 9: you'd defend Miss America with your life, sir.
• 15:07
  Speaker 2: Defend who? Miss America, sir. You were quieter after you
• 15:11
  Speaker 2: fell down the steps.
• 15:12
  Speaker 9: But your last request was that we put Miss America
• 15:15
  Speaker 9: in the guest room.
• 15:16
  Speaker 2: Miss America? Did anybody else come home with us?
• 15:19
  Speaker 8: No, I'm Miss America.
• 15:22
  Speaker 12: Oh.
• 15:23
  Speaker 9: I want you to know, sir, that I hold not
• 15:24
  Speaker 9: one moment's anger toward anyone for smashing me in the eye.
• 15:28
  Speaker 2: It was nice to see you gay for a chance.
• 15:30
  Speaker 2: Thank you, Higgins. Not at all, sir. Well, all that
• 15:33
  Speaker 2: was last night.
• 15:34
  Speaker 8: And today's a new day.
• 15:35
  Speaker 3: Right.
• 15:36
  Speaker 10: You know something happened in this house this morning that
• 15:38
  Speaker 10: hasn't happened in a long time?
• 15:40
  Speaker 4: This is the first time in years my wife's paid
• 15:41
  Speaker 4: any attention to me.
• 15:42
  Speaker 2: And I think you had something to do with it.
• 15:44
  Speaker 8: I think I did.
• 15:46
  Speaker 2: You said something had turned up. Well, here it is.
• 15:49
  Speaker 2: Why not take a job with me?
• 15:51
  Speaker 8: What kind of a job?
• 15:51
  Speaker 2: Well, we'll think of something. I'd just like to keep
• 15:54
  Speaker 2: you around here.
• 15:55
  Speaker 8: No, thank you.
• 15:57
  Speaker 2: I'd feel much safer. You see, yesterday I learned I
• 15:59
  Speaker 2: was about to lose my wife.
• 16:00
  Speaker 8: And you want me to stay here and make sure?
• 16:02
  Speaker 2: Well, it might work just the other way around.
• 16:04
  Speaker 8: And again, it lightened.
• 16:06
  Speaker 10: You know, Martha, that's my wife, is a very nice person.
• 16:09
  Speaker 10: Though you would scarcely believe it by the way she
• 16:11
  Speaker 10: acted toward you this morning.
• 16:13
  Speaker 8: Oh, well, she just had me figured wrong.
• 16:15
  Speaker 2: Well, that's what's so nice about it. You need a
• 16:17
  Speaker 2: job and I need you.
• 16:19
  Speaker 8: No, thank you. You're too rich. Besides, you'd scare me,
• 16:23
  Speaker 8: living in a house this big.
• 16:25
  Speaker 2: But I didn't want all this. Is it my fault
• 16:27
  Speaker 2: that I invented a pump? All I ever wanted in
• 16:29
  Speaker 2: my life was to have a little fun and a family.
• 16:32
  Speaker 2: I haven't got a family and never had any fun
• 16:34
  Speaker 2: until last night.
• 16:35
  Speaker 8: Well, thanks, but I'll see you next birthday.
• 16:38
  Speaker 2: Now, wait a minute, Miss Gray. Come here.
• 16:39
  Speaker 8: Hey, who's the mob?
• 16:42
  Speaker 2: Oh, my daughter, Kathleen, and her gang, I suppose. She's
• 16:45
  Speaker 2: probably brought them all home for breakfast.
• 16:47
  Speaker 8: Oh, do they do this often? I mean, does this
• 16:49
  Speaker 8: go on all the time?
• 16:50
  Speaker 2: Let's go out in the garden. I have an offer
• 16:51
  Speaker 2: to make you. A business offer.
• 16:53
  Speaker 8: Come on in, gang.
• 16:55
  Speaker 2: Come on in. Hey, Catherine. Who's that?
• 16:59
  Speaker 8: That? Oh, it's Dad and somebody. Don't let him bother you.
• 17:02
  Speaker 8: Make yourselves at home, gang.
• 17:03
  Speaker 2: I'll get Cook to.
• 17:04
  Speaker 8: Whip us up some breakfast.
• 17:05
  Speaker 3: Cook?
• 17:06
  Speaker 2: Oh, hello, Michael.
• 17:07
  Speaker 5: Hello.
• 17:08
  Speaker 2: Cook, how about some breakfast? How many? How many?
• 17:14
  Speaker 8: Oh, I don't know.
• 17:14
  Speaker 2: Ten or twelve.
• 17:15
  Speaker 8: Will you hurry it up? Of all things, ten, twelve.
• 17:18
  Speaker 2: I ain't running a restaurant.
• 17:20
  Speaker 8: Michael, would you mind helping cook? She's got a grouch
• 17:22
  Speaker 8: on again.
• 17:23
  Speaker 2: I'm the chauffeur of the house. Besides, this is my
• 17:25
  Speaker 2: breakfast hour. I'm supposed to be eating.
• 17:27
  Speaker 8: Well, sit down then and eat.
• 17:29
  Speaker 2: I'm just a mechanical puppet. I'm not supposed to sit
• 17:32
  Speaker 2: in the presence of my... I know.
• 17:34
  Speaker 13: You're not supposed to sit in the presence of your betters,
• 17:36
  Speaker 13: as you say.
• 17:37
  Speaker 8: But go ahead.
• 17:38
  Speaker 2: I didn't say that.
• 17:39
  Speaker 8: You were thinking it.
• 17:40
  Speaker 2: Oh, I'm not supposed to think.
• 17:42
  Speaker 7: I'm only supposed to wait outside a hotel all night
• 17:44
  Speaker 7: while my betters are getting drunk.
• 17:47
  Speaker 2: And throwing away more money than most people make in
• 17:49
  Speaker 2: a year.
• 17:49
  Speaker 8: I'm sorry, Mike. You'll feel better after you get some sleep.
• 17:53
  Speaker 2: I'm not supposed to sleep. Just wind me up like
• 17:56
  Speaker 2: a mechanical toy.
• 17:58
  Speaker 8: I didn't mean to be rude, Michael.
• 17:59
  Speaker 2: The rich can afford to be rude. You and your
• 18:02
  Speaker 2: brother and all your rich friends.
• 18:04
  Speaker 8: What's wrong with Tim and me? Tell me, Michael.
• 18:06
  Speaker 2: Listen, will you get out of here and let me
• 18:08
  Speaker 2: finish my breakfast?
• 18:09
  Speaker 13: Oh, Michael, you're wonderful. I love you when you get mad. Look,
• 18:13
  Speaker 13: if I hurry and get the gang out of here,
• 18:15
  Speaker 13: will you talk to me?
• 18:16
  Speaker 2: No.
• 18:16
  Speaker 8: Oh, thanks, Michael. See you later.
• 18:20
  Speaker 5: Oh, Mom, what's up?
• 18:30
  Speaker 2: Higgins said you wanted to see me.
• 18:31
  Speaker 8: Read this, second column. It's about your father.
• 18:33
  Speaker 2: Oh, that, I saw it. It must have been some shindig.
• 18:35
  Speaker 2: Was Dad banged up much?
• 18:37
  Speaker 8: Just a common black eye. It's not funny, Tim. And
• 18:40
  Speaker 8: you haven't heard the worst.
• 18:41
  Speaker 2: Who's the blonde woman they mentioned?
• 18:43
  Speaker 8: I'm coming to that. She spent the night here.
• 18:46
  Speaker 2: You're kidding.
• 18:46
  Speaker 8: She spent the night here in the guest room. Now
• 18:50
  Speaker 8: I want you to go right downstairs and get her
• 18:51
  Speaker 8: out of this house.
• 18:52
  Speaker 2: Well, I'll do the best I can. I'm not so
• 18:54
  Speaker 2: sure about Dad now. He might poke me in the eye. Oh,
• 19:03
  Speaker 2: good morning.
• 19:03
  Speaker 8: Good morning.
• 19:04
  Speaker 2: I'm Mr. Borden's son.
• 19:05
  Speaker 8: Yes, your father's just told me about you.
• 19:08
  Speaker 6: Well, let's come to the point. How long have you
• 19:10
  Speaker 6: known my father?
• 19:11
  Speaker 8: Oh, a long time. Ever since last night.
• 19:14
  Speaker 2: You only met him last night?
• 19:16
  Speaker 8: In the park.
• 19:17
  Speaker 2: Oh, a pickup.
• 19:19
  Speaker 8: Nothing as vulgar as that.
• 19:20
  Speaker 2: Well, what would you call it?
• 19:22
  Speaker 8: Love at first sight, I guess.
• 19:23
  Speaker 2: Don't make me laugh. My father's an old man.
• 19:26
  Speaker 8: Age doesn't matter when the real thing comes along.
• 19:28
  Speaker 2: How about money? Does that matter?
• 19:30
  Speaker 8: It helps.
• 19:31
  Speaker 2: Now we're getting somewhere. Look, you see this? You know
• 19:36
  Speaker 2: what it is?
• 19:36
  Speaker 8: Um, it's a $ 50 bill, isn't it?
• 19:40
  Speaker 2: That's exactly what it is. Here, hold it.
• 19:43
  Speaker 8: Uh-huh. Yeah, yeah, it's a real thing. I can see
• 19:46
  Speaker 8: the little veins running through it.
• 19:47
  Speaker 2: I'll tell you what I'll do. I'll bet you that.
• 19:50
  Speaker 6: $ 50 you can't get out that door by the time
• 19:51
  Speaker 6: I count 10.
• 19:53
  Speaker 8: Oh, that's pretty far.
• 19:55
  Speaker 2: Well, I could count to 20.
• 19:57
  Speaker 11: No, I don't think I could make it. You see,
• 20:00
  Speaker 11: my rheumatism's been bothering me. Here's your money.
• 20:06
  Speaker 14: I understand you play polo.
• 20:08
  Speaker 2: What's that got to do with it?
• 20:10
  Speaker 8: Nothing, just that I'm amazed.
• 20:12
  Speaker 2: Amazed at what?
• 20:14
  Speaker 11: Amazed to discover that horses have better breeding than the
• 20:16
  Speaker 11: people who ride them.
• 20:18
  Speaker 2: Well, have you decided about... Oh, hello, Tim. Hello, Dad.
• 20:22
  Speaker 2: Have you thought the matter over, Miss Gray?
• 20:24
  Speaker 8: Oh, yes. I've had a couple of propositions this morning.
• 20:27
  Speaker 8: Your son wants me to leave, then you want me
• 20:30
  Speaker 8: to stay. And of the two propositions, Mr. Borden Sr.,
• 20:33
  Speaker 8: I think I prefer yours.
• 20:36
  Speaker 5: The End.
• 20:53
  Speaker 2: In just a moment, Mr.
• 20:54
  Speaker 3: DeMille will bring us Act II of Fifth Avenue Girl,
• 20:57
  Speaker 3: with Ginger Rogers, Edward Arnold, John Howard, and Joan Perry. Meantime,
• 21:03
  Speaker 3: you all remember the old saying, give me the making
• 21:05
  Speaker 3: of the songs of a nation, and I care not
• 21:08
  Speaker 3: who makes its laws? Well, nearly every region in America
• 21:11
  Speaker 3: has its own beloved songs. You know this old-time one.
• 21:23
  Speaker 3: That's Oh Susanna, one of Stephen Foster's most engaging songs.
• 21:27
  Speaker 3: Remember how it starts?
• 21:28
  Speaker 15: I came from Alabama with my banjo on my knee.
• 21:32
  Speaker 15: I'm going to Louisiana, my true love, for to see.
• 21:37
  Speaker 3: Yes, and speaking of Louisiana, here's a bit of recent
• 21:40
  Speaker 3: news from the South. Down in New Orleans, and in
• 21:42
  Speaker 3: many other cities too, we made a survey to find
• 21:45
  Speaker 3: out how the women wash their nice things. And when
• 21:48
  Speaker 3: all the results from all the cities were added up,
• 21:51
  Speaker 3: We found.
• 21:52
  Speaker 8: Twice as many women use new quick-lux flakes for stockings, underthings, sweaters,
• 21:57
  Speaker 8: and other nice things as use any other flakes, chips,
• 22:01
  Speaker 8: or beads.
• 22:01
  Speaker 2: Yes, Sally.
• 22:02
  Speaker 3: It's new quick-lux two-to-one. All over the country. East, west, north, south.
• 22:09
  Speaker 3: From Boston to San Francisco, American women choose new quick-lux two-to-one.
• 22:15
  Speaker 8: Well, no wonder, Mr.
• 22:16
  Speaker 2: Ruick.
• 22:16
  Speaker 8: It's so much faster. It's so thrifty. It's so safe.
• 22:20
  Speaker 2: Three good reasons for popularity, aren't they? First, speed.
• 22:25
  Speaker 3: In water as cool as your hand, new Quick Lux
• 22:28
  Speaker 3: dissolves three times as fast as any of ten other
• 22:31
  Speaker 3: leading soaps tested.
• 22:33
  Speaker 2: Second, drift.
• 22:35
  Speaker 3: New Quick Lux goes further, gives more suds ounce for
• 22:39
  Speaker 3: ounce than any of these soaps, even in hard water.
• 22:43
  Speaker 2: Third, safety.
• 22:45
  Speaker 3: New Quick Lux Flakes are safe for anything safe in water.
• 22:49
  Speaker 2: Mr.
• 22:49
  Speaker 8: Ruick, I had written a verse about New Quick Lux.
• 22:52
  Speaker 2: Well, that's interesting, Sally. How does it go?
• 22:54
  Speaker 8: Well, it's a new version of Oh, Susanna. And here's
• 22:56
  Speaker 8: our friend to sing it. Listen.
• 22:58
  Speaker 15: From Maine to Alabama, in states near and far away,
• 23:02
  Speaker 15: New York to California, New Quick Lux Sweets USA.
• 23:07
  Speaker 3: Yes, New Quick Lux Flakes are America's favorite way of
• 23:11
  Speaker 3: washing nice things. why not get the generous big box tomorrow?
• 23:15
  Speaker 3: It comes in the same familiar package, costs you no more. Now,
• 23:21
  Speaker 3: our producer, Mr. DeMille. Act II of Fifth Avenue Girl,
• 23:24
  Speaker 3: starring Ginger Rogers as Mary Gray, Edward Arnold as Timothy Borden,
• 23:29
  Speaker 3: John Howard as Tim, and Joan Perry as Catherine.
• 23:33
  Speaker 16: ¶ ¶.
• 23:39
  Speaker 3: The arrival of Mary Gray in the Borden household created
• 23:42
  Speaker 3: a storm of dissension, but all efforts to dislodge her
• 23:45
  Speaker 3: have proved futile.
• 23:47
  Speaker 2: Her pretended romance with Mr.
• 23:48
  Speaker 3: Borden has stunned the family completely, and for the first
• 23:51
  Speaker 3: time in years, the master of the house assumes a
• 23:54
  Speaker 3: certain importance in their eyes. But Timothy Jr. feels he's
• 23:58
  Speaker 3: been personally affronted. In the library, he faces the unwelcome guests.
• 24:04
  Speaker 2: Say, you.
• 24:04
  Speaker 8: You're referring to me?
• 24:05
  Speaker 2: Yes. Did you put this picture of Father on my dresser?
• 24:08
  Speaker 8: What's wrong with your father?
• 24:09
  Speaker 6: That's beside the point. Did you put these business reports there, too?
• 24:13
  Speaker 8: Well, I didn't know what to do with them since
• 24:14
  Speaker 8: your father's too old to work.
• 24:15
  Speaker 2: That's a lot of bunk. He wasn't too old a
• 24:17
  Speaker 2: couple of weeks ago.
• 24:18
  Speaker 8: Oh, he seems to think so now.
• 24:19
  Speaker 2: Well, what am I supposed to do with these reports?
• 24:21
  Speaker 8: Well, somebody's got to fill your father's shoes. I guess, though,
• 24:24
  Speaker 8: they're probably too big for you.
• 24:26
  Speaker 2: Oh, I'm not a man, is that it?
• 24:28
  Speaker 8: Well, you wear long pants.
• 24:29
  Speaker 2: Say, what are you trying to do, disrupt this family?
• 24:32
  Speaker 8: I haven't done anything.
• 24:33
  Speaker 2: What's your racket, sister?
• 24:34
  Speaker 8: Haven't quite made up my mind.
• 24:36
  Speaker 6: Do you think my mother's going to step aside for you?
• 24:38
  Speaker 8: That's what I heard.
• 24:40
  Speaker 2: So you think you're going to marry my father, is
• 24:42
  Speaker 2: that it?
• 24:43
  Speaker 11: I might be your stepmother. Heaven knows I'd hate to
• 24:46
  Speaker 11: be your mother.
• 24:46
  Speaker 2: I've got you figured. You're a gold digger.
• 24:50
  Speaker 11: What makes you think you're not a gold digger? What
• 24:52
  Speaker 11: have you ever done to deserve all this? What have
• 24:54
  Speaker 11: you ever accomplished?
• 24:55
  Speaker 2: What do you expect to accomplish?
• 24:56
  Speaker 8: I've got my cause in plush, and I like the
• 24:58
  Speaker 8: feel of it.
• 24:59
  Speaker 6: No, you're just kidding yourself. With father's business going to pot,
• 25:02
  Speaker 6: there isn't going to be any plush left.
• 25:04
  Speaker 8: Oh, there'll be enough for my needs.
• 25:06
  Speaker 11: When I get through, you're going to be faced with
• 25:08
  Speaker 11: the awful predicament of going to work for a change.
• 25:10
  Speaker 2: Oh, there you are, Mary. Shall we go? I'm all ready. Yes,
• 25:13
  Speaker 2: I'm ready. Dad, listen. Oh, hello, son.
• 25:15
  Speaker 6: How's the polo coming along? Dad, can I speak to
• 25:17
  Speaker 6: you privately? Well, you might ask Miss Gray for an appointment.
• 25:20
  Speaker 6: Miss Gray, do.
• 25:21
  Speaker 2: You mind if I speak to my father?
• 25:23
  Speaker 8: Uh, no.
• 25:25
  Speaker 2: Well, please go away, then.
• 25:28
  Speaker 8: Not any farther than this.
• 25:30
  Speaker 6: Are you two fastened together with wires or something? Look, Dad,
• 25:33
  Speaker 6: I don't know what's come over you. You know Mother's
• 25:36
  Speaker 6: in a pretty nervous condition. Oh, I didn't know. That's
• 25:38
  Speaker 6: too bad. I can't criticize you for neglecting Mother, but
• 25:41
  Speaker 6: I do criticize you for neglecting your business.
• 25:43
  Speaker 2: What business? The pump business. Have you seen these reports?
• 25:46
  Speaker 2: I told Miss Gray to throw them out.
• 25:47
  Speaker 6: But, Dad, the business is in a very desperate condition.
• 25:49
  Speaker 2: Is that so? Well, why don't you do something about it? Dad,
• 25:51
  Speaker 2: I don't know anything about pumps.
• 25:53
  Speaker 8: You can learn, can't you? Come on, Mr.
• 25:55
  Speaker 5: Borden.
• 25:55
  Speaker 8: We're going to be late for our rumba lesson.
• 26:06
  Speaker 12: Oh, children, we've got to be calm. The important thing
• 26:11
  Speaker 12: is that we must change our attitude toward this woman.
• 26:14
  Speaker 2: Yeah.
• 26:14
  Speaker 8: If we're pleasant to her, she'll reveal her true colors.
• 26:17
  Speaker 8: They always do. Then your father will get rid of
• 26:20
  Speaker 8: her himself.
• 26:21
  Speaker 2: Why are you so anxious about father? I thought you
• 26:23
  Speaker 2: were going to Reno.
• 26:24
  Speaker 8: No, Reno will come in time. Mother's voice then gave
• 26:27
  Speaker 8: her the air. Catherine, nothing of the kind.
• 26:30
  Speaker 2: Mr.
• 26:31
  Speaker 12: Hopkins is simply being discreet in this emergency. Besides, we
• 26:35
  Speaker 12: can't let your father make a fool of himself. After
• 26:38
  Speaker 12: we've saved him from himself, we.
• 26:39
  Speaker 8: Can all live our own lives. We might as well
• 26:42
  Speaker 8: save some of his money for ourselves while we're at it.
• 26:44
  Speaker 6: And just what are you doing for the cause? Hanging
• 26:47
  Speaker 6: around the kitchen, mooing after that dope Michael.
• 26:49
  Speaker 8: Michael? What, Catherine? Tim, you shut up.
• 26:52
  Speaker 12: He doesn't know what he's talking about. Now, children, children,
• 26:54
  Speaker 12: bickering is not the answer to our problem. We've all
• 26:57
  Speaker 12: got to pull together.
• 26:58
  Speaker 8: Now, Tim, I want you to be especially nice to
• 27:01
  Speaker 8: Miss Gray.
• 27:01
  Speaker 2: Well, what am I supposed to do, enter into competition
• 27:03
  Speaker 2: with Dad?
• 27:04
  Speaker 8: You can't take a girl away from your own father. Well,
• 27:07
  Speaker 8: the least you can do is to make the same
• 27:09
  Speaker 8: sacrifices I'm making.
• 27:10
  Speaker 2: I've had enough of sacrifices. I've been going to that
• 27:12
  Speaker 2: office every day for a week.
• 27:14
  Speaker 8: Pumps, pumps, pumps.
• 27:16
  Speaker 6: That's all I hear all day long. You make some
• 27:18
  Speaker 6: sacrifices for a change. I'm not going to spend my
• 27:21
  Speaker 6: evenings with a female I loathe.
• 27:23
  Speaker 8: But we've got to do something. And we can only
• 27:25
  Speaker 8: succeed by unified action.
• 27:27
  Speaker 12: Oh, I'm asking my family to rally round for the
• 27:30
  Speaker 12: last time.
• 27:31
  Speaker 8: Hold it, Mother, hold it. You look like the Statue
• 27:34
  Speaker 8: of Liberty.
• 27:35
  Speaker 5: Now, Higgins.
• 27:46
  Speaker 8: Mr. Borden will sit here, and I'd like Miss Gray
• 27:49
  Speaker 8: to sit next to Mr. Timothy. Miss Catherine will sit
• 27:51
  Speaker 8: next to me.
• 27:52
  Speaker 2: Yes, madame.
• 27:53
  Speaker 8: Now, has Cook prepared all of Mr. Borden's favorite dishes?
• 27:56
  Speaker 2: Everything, madame, including the beef stew.
• 27:58
  Speaker 8: Oh, thank you, Higgins. Good evening. Oh, good evening, Miss Gray. Well,
• 28:02
  Speaker 8: how charming you look. Children, come and see how lovely
• 28:05
  Speaker 8: Miss Gray looks in her new frock. Won't you join
• 28:08
  Speaker 8: us in the living room? Well, Mr. Gordon and I
• 28:11
  Speaker 8: are going out.
• 28:12
  Speaker 5: Oh.
• 28:13
  Speaker 8: Oh, Tim, doesn't Miss Gray look charming?
• 28:15
  Speaker 2: She certainly does.
• 28:17
  Speaker 8: Is that a new gown? Oh, yes, it is. It's
• 28:20
  Speaker 8: very chic.
• 28:21
  Speaker 2: Where did you get it? Where?
• 28:23
  Speaker 8: Oh, I don't know. I mean, I don't remember. Catherine,
• 28:26
  Speaker 8: you shouldn't be so inquisitive. Oh, I'm sorry, dear. We
• 28:29
  Speaker 8: haven't got to know you better. After all, you are
• 28:32
  Speaker 8: practically one of the family. As a matter of fact,
• 28:35
  Speaker 8: we've all been a little upset.
• 28:36
  Speaker 2: That's right. We haven't meant to be rude. Personally, I'd
• 28:39
  Speaker 2: like to offer you my apologies.
• 28:41
  Speaker 8: Oh, you haven't been that rude.
• 28:42
  Speaker 2: Mary, Mary, where are you?
• 28:46
  Speaker 8: In here.
• 28:47
  Speaker 2: Lessons from Madame La Sangre. You do the rumba, the
• 28:51
  Speaker 2: lula conga. It's lessons in.
• 28:53
  Speaker 10: Oh, hello, hello, everybody. I'm sorry I'm late. I was
• 28:57
  Speaker 10: just practicing that new rumba step.
• 28:59
  Speaker 12: Oh, Timothy, I was just saying that I thought it
• 29:02
  Speaker 12: would be a good idea if you and Miss Gray
• 29:03
  Speaker 12: joined us for dinner.
• 29:04
  Speaker 2: Yes, what do you say, Dad? For dinner? Well, I'm
• 29:07
  Speaker 2: not quite sure.
• 29:08
  Speaker 8: We have all your favorite dishes.
• 29:09
  Speaker 2: You have? Well, why didn't you let me know about it?
• 29:12
  Speaker 8: Well, it's sort of a surprise.
• 29:14
  Speaker 2: Well, what do you think about it, Miss Gray?
• 29:16
  Speaker 8: We have a party of friends waiting for us.
• 29:20
  Speaker 2: Oh, yes, that's true. And it wouldn't be nice to
• 29:22
  Speaker 2: keep them waiting.
• 29:23
  Speaker 8: I shouldn't think so.
• 29:25
  Speaker 2: Well, I'm sorry, but we could make it some other night.
• 29:27
  Speaker 8: Just as you say, Timothy.
• 29:29
  Speaker 2: Well, we'd better be getting along. We're a little late now,
• 29:31
  Speaker 2: and I wouldn't want to keep them waiting. Uh, bye-on, dear.
• 29:35
  Speaker 8: Thank you, sir.
• 29:36
  Speaker 2: I'm just trying out that new rumba step again, see?
• 29:39
  Speaker 2: Six lessons from Madame Lazanga. You'll do the rumba and
• 29:42
  Speaker 2: the conga six, you know? Oh, say, wait a minute.
• 29:45
  Speaker 2: I got it. Six lessons. Well, can you beat it?
• 29:48
  Speaker 6: Five million bucks walking right out of our lives, and
• 29:50
  Speaker 6: there's nothing we can do about it.
• 30:02
  Speaker 2: Say, how did you like that rumber I showed the
• 30:04
  Speaker 2: family there?
• 30:05
  Speaker 8: I think you got something there.
• 30:07
  Speaker 2: You know, it's a shame to go on deceiving them
• 30:09
  Speaker 2: like this.
• 30:10
  Speaker 8: Don't weaken now. It'll do them good.
• 30:12
  Speaker 2: Well, you're the boss. Oh, Michael. Michael, just drive through
• 30:16
  Speaker 2: the park as usual. We'll let you know when we
• 30:18
  Speaker 2: want to go home. Phew.
• 30:21
  Speaker 10: Do people get in these clothes every night? And why
• 30:23
  Speaker 10: they ever put tails on a man's coat, I don't know.
• 30:26
  Speaker 8: No, don't ask me.
• 30:27
  Speaker 10: And why they keep guzzling champagne night after night, I'll
• 30:31
  Speaker 10: never know.
• 30:31
  Speaker 8: I can still feel the effects of your birthday party
• 30:34
  Speaker 8: every time I shake my head.
• 30:35
  Speaker 10: You see, the family was being very nice to you when.
• 30:38
  Speaker 2: I came down.
• 30:39
  Speaker 8: Oh, they had me scared to death.
• 30:41
  Speaker 2: They were even nice to me lately.
• 30:43
  Speaker 8: It's pretty simple. You take something away from people they
• 30:46
  Speaker 8: don't want, and they want it more than ever.
• 30:49
  Speaker 2: You know, you've got a lot of common sense.
• 30:51
  Speaker 8: You've got to have common sense on my side of
• 30:53
  Speaker 8: the fence.
• 30:53
  Speaker 2: There are a lot of nice people on your side
• 30:55
  Speaker 2: of the fence.
• 30:56
  Speaker 8: The other fellow's pasture always looks greener.
• 30:58
  Speaker 2: Does my side of the fence look any different to you?
• 31:01
  Speaker 8: You can have it.
• 31:02
  Speaker 2: I'm beginning to feel sorry for the rich.
• 31:05
  Speaker 8: I guess rich people are just poor people with money.
• 31:08
  Speaker 2: Oh, this vicious nightlife is getting me down.
• 31:13
  Speaker 8: I'm not very good at faking. When I do things,
• 31:17
  Speaker 8: I want to mean them. Don't you think I'd better
• 31:20
  Speaker 8: be on my way?
• 31:21
  Speaker 2: Why?
• 31:23
  Speaker 8: I'd better get back to where I belong before this
• 31:24
  Speaker 8: kind of life catches up with me.
• 31:26
  Speaker 2: Oh, you can't walk out on a contract.
• 31:28
  Speaker 8: It's the goofiest job I've ever had.
• 31:30
  Speaker 11: I don't see what good I'm doing in that house
• 31:32
  Speaker 11: outside of getting myself into a mess.
• 31:34
  Speaker 2: Well, whatever you're doing, it seems to work.
• 31:36
  Speaker 10: I've never enjoyed so much attention before for my family.
• 31:41
  Speaker 8: Why do you hang on to a bunch like that anyhow?
• 31:44
  Speaker 2: Oh, well, I like them.
• 31:46
  Speaker 8: You really do like them?
• 31:47
  Speaker 2: Yeah, they're a pretty nice family. Because I remember them.
• 31:55
  Speaker 8: Everybody to his own poison. You're still in love with
• 31:59
  Speaker 8: your wife, aren't you?
• 32:00
  Speaker 2: Well, no.
• 32:01
  Speaker 10: You see, after love goes away, something's left in its
• 32:04
  Speaker 10: place that's even more important.
• 32:09
  Speaker 8: It's okay with you. It's okay with me. I'm getting paid.
• 32:14
  Speaker 2: That's the girl. But you know, we've got to begin
• 32:16
  Speaker 2: thinking about your future.
• 32:17
  Speaker 8: Don't worry about my future. It doesn't bother me. I
• 32:19
  Speaker 8: haven't any squat coming.
• 32:23
  Speaker 2: Oh, this life, life. You said it.
• 32:26
  Speaker 8: Well, we can go home in a couple of hours.
• 32:42
  Speaker 8: It'll be quiet. Somebody may still be up.
• 32:44
  Speaker 2: Well, if they are, go into the act.
• 32:46
  Speaker 8: Oh, look out. Here comes your wife.
• 32:48
  Speaker 2: Oh, good evening. Did you have a nice time? Happy
• 32:50
  Speaker 2: birthday to you.
• 32:51
  Speaker 5: Timothy.
• 32:53
  Speaker 8: Boy, I'll say we've had an evening. You should have
• 32:55
  Speaker 8: seen him at the Flamingo Club. He was a scream.
• 32:59
  Speaker 11: He kept insisting it was his birthday all over again.
• 33:02
  Speaker 2: Whoa there, wait a minute.
• 33:04
  Speaker 8: One step at a time. Oh, I don't know what
• 33:07
  Speaker 8: I've done to deserve this.
• 33:09
  Speaker 2: Happy birthday to you. Happy birthday, she gone.
• 33:15
  Speaker 8: Say, you're a great actor, you know that?
• 33:17
  Speaker 2: Well, you'd better get some sleep. Good night and pleasant dreams.
• 33:20
  Speaker 8: Good night. Who is it?
• 33:26
  Speaker 5: Me, Catherine.
• 33:27
  Speaker 8: Oh, come in. I've waited up for you. I wanted
• 33:31
  Speaker 8: to talk to you. Oh, well, what's the trouble? I've
• 33:34
  Speaker 8: got a problem. Who hasn't? It's about Michael. Oh, what
• 33:38
  Speaker 8: about Michael? He doesn't respond. He doesn't what? Well, you see,
• 33:45
  Speaker 8: Miss Gray, I'm rich and I know it. But it
• 33:47
  Speaker 8: isn't my fault.
• 33:48
  Speaker 13: I try to understand everything he says to me, even
• 33:51
  Speaker 13: though sometimes I don't know what he's talking about. What
• 33:54
  Speaker 13: are you talking about? You see, I'm broad-minded. I understand
• 33:58
  Speaker 13: perfectly about you and Father.
• 34:01
  Speaker 11: Aren't you getting a little ahead of yourself?
• 34:03
  Speaker 13: Why shouldn't younger people marry older people? Fat people marry
• 34:06
  Speaker 13: thin people. Tall people marry short people. I'm afraid you
• 34:09
  Speaker 13: don't quite understand the situation. I'm not a child. You're young,
• 34:14
  Speaker 13: father's own. All right, Michael's poor and I'm rich, and
• 34:17
  Speaker 13: I love him very much. But I can't go on waiting.
• 34:20
  Speaker 8: For the day.
• 34:21
  Speaker 2: What day?
• 34:23
  Speaker 8: You know.
• 34:24
  Speaker 13: When we'll all be the same. Michael calls it dialectical materialism.
• 34:31
  Speaker 8: What does that mean?
• 34:32
  Speaker 11: I'm not sure, but I think it's when everybody will
• 34:34
  Speaker 11: be more or less like Michael. Look, I'm a little tired,
• 34:38
  Speaker 11: and I think you're a little tired, too.
• 34:40
  Speaker 8: But what am I going to do about it?
• 34:42
  Speaker 13: I know you know. You're a woman of the world.
• 34:46
  Speaker 13: I think you'd better talk about this to your mother.
• 34:49
  Speaker 13: Mother doesn't understand those things.
• 34:51
  Speaker 8: She's not alone.
• 34:53
  Speaker 3: Perhaps.
• 34:54
  Speaker 8: If I got a job, it would make a difference. Yes,
• 34:56
  Speaker 8: might be a good idea. That's what I'll do. Then
• 34:58
  Speaker 8: if I'm like him, he can't ignore me, can he? Oh,
• 35:01
  Speaker 8: you're wonderful. Why?
• 35:03
  Speaker 13: For giving me this swell advice.
• 35:06
  Speaker 8: Well, now look here.
• 35:07
  Speaker 11: I didn't say anything. I don't want to say anything.
• 35:10
  Speaker 11: I'm in enough hot water as this.
• 35:22
  Speaker 2: Well, Terwilliger, the boy's really coming along, huh? Yes, he's
• 35:25
  Speaker 2: really taking hold down there at the office. Well, he's
• 35:27
  Speaker 2: my son.
• 35:27
  Speaker 7: He's got ideas, T.J. He's figured out a method of
• 35:30
  Speaker 7: marketing a cheaper pump on long-term credit. Ought to make
• 35:32
  Speaker 7: you a mint of money.
• 35:34
  Speaker 2: Oh, am I butting in? No, no, Mr.
• 35:36
  Speaker 10: Terwilliger and I were just talking over a few personal matters.
• 35:39
  Speaker 10: Thanks very much for dropping in like this, Terwilliger.
• 35:41
  Speaker 2: Good night. Good night, T.J., Good night, Tim.
• 35:43
  Speaker 10: Good night.
• 35:44
  Speaker 2: Say, Tim, what's all this about long-term credit and cheaper pumps?
• 35:47
  Speaker 2: Your pumps have got whiskers, and so have your ideas.
• 35:49
  Speaker 2: If I'm going to run this business, I'm going to
• 35:51
  Speaker 2: run it my way.
• 35:52
  Speaker 8: All right.
• 35:52
  Speaker 2: Do as you like.
• 35:53
  Speaker 6: Look, this is really what I wanted to talk to
• 35:55
  Speaker 6: you about, Dad. I'm worried about Mother. She's taking an
• 35:58
  Speaker 6: awful beating. But I haven't done anything. It isn't easy
• 36:01
  Speaker 6: for Mother to live in the same house with another
• 36:03
  Speaker 6: woman hanging around.
• 36:04
  Speaker 2: What other woman? Oh, we don't know what it's all about.
• 36:08
  Speaker 2: Are you going to marry this girl?
• 36:10
  Speaker 4: Now, I don't inquire into your personal affairs, and I
• 36:12
  Speaker 4: don't see why you should inquire into mine.
• 36:13
  Speaker 6: Well, why don't you at least give Mother a break?
• 36:15
  Speaker 6: Why don't you talk to her? I didn't know she
• 36:17
  Speaker 6: wanted to talk to me.
• 36:18
  Speaker 2: Well, she does. I just left her.
• 36:19
  Speaker 6: She's upstairs. Look, why don't we clear out of here
• 36:23
  Speaker 6: tonight and leave you two alone? Maybe you can straighten
• 36:26
  Speaker 6: out a few things.
• 36:27
  Speaker 8: It's almost 8.30. Are you ready?
• 36:28
  Speaker 2: Oh, hello, Mary. Just a second now. I'll run up
• 36:32
  Speaker 2: and get my coat. Dad?
• 36:33
  Speaker 5: Yeah?
• 36:33
  Speaker 6: I'd be very happy to take Miss Gray any place
• 36:36
  Speaker 6: she wanted to go tonight.
• 36:37
  Speaker 2: Well, why not? What do you say, Mary?
• 36:41
  Speaker 8: Oh, well, thanks. I'd just as soon spend one evening
• 36:44
  Speaker 8: at home.
• 36:45
  Speaker 6: Oh, wait a minute. Is there anything wrong with me?
• 36:47
  Speaker 6: Have I got Barry-Barry or something?
• 36:50
  Speaker 10: Mary, I don't like to ask you to do this,
• 36:52
  Speaker 10: but would you mind going to the opening with Tim?
• 36:55
  Speaker 8: Well, I don't know. I wasn't very.
• 36:57
  Speaker 2: Oh, please, Mary. You see, Mrs. Borden and I have
• 36:59
  Speaker 2: a few things to talk over.
• 37:01
  Speaker 3: Oh.
• 37:02
  Speaker 2: All right. Well.
• 37:03
  Speaker 8: In that case, I'd love to go. That is, if
• 37:07
  Speaker 8: he doesn't mind taking me.
• 37:08
  Speaker 2: Mine? Why, it'd be a pleasure. Is the car outside? Yes. Well,
• 37:14
  Speaker 2: come on, then. By the way, where is this opening?
• 37:22
  Speaker 8: Oh, I don't know.
• 37:24
  Speaker 3: It is.
• 37:26
  Speaker 11: I don't really feel like going anyplace. As a matter
• 37:30
  Speaker 11: of fact, we were just going for a walk through
• 37:32
  Speaker 11: the park.
• 37:34
  Speaker 8: Look, you don't have to come along if you don't
• 37:36
  Speaker 8: want to.
• 37:37
  Speaker 2: Do you put on evening clothes to take a walk
• 37:39
  Speaker 2: in the park?
• 37:40
  Speaker 8: I do it quite often.
• 37:41
  Speaker 2: Oh, I see. That's why you ordered Michael to have
• 37:43
  Speaker 2: the car, too.
• 37:44
  Speaker 8: No. We were going to the band concert.
• 37:48
  Speaker 2: In evening clothes?
• 37:49
  Speaker 8: Look, I'm not submitting to a third degree unless you
• 37:51
  Speaker 8: show me a badge.
• 37:52
  Speaker 2: Well, I'm not going to let you walk in the
• 37:53
  Speaker 2: park alone.
• 37:54
  Speaker 11: I do it quite often, but you needn't come along
• 37:57
  Speaker 11: if you're afraid of the dark.
• 37:58
  Speaker 2: Come on, come on. Never mind us.
• 38:02
  Speaker 8: Peanuts.
• 38:03
  Speaker 2: Hot roast of the peanuts.
• 38:04
  Speaker 8: Some peanuts, please.
• 38:06
  Speaker 2: Okay, lady. Thanks. Peanuts.
• 38:09
  Speaker 8: Hot roast of the peanuts. Here. Want some peanuts?
• 38:12
  Speaker 2: Thanks. Will this be dinner?
• 38:15
  Speaker 8: Sure. Everything's on me tonight.
• 38:17
  Speaker 2: Well, where do we go from here?
• 38:19
  Speaker 8: Over on that bench.
• 38:21
  Speaker 2: That bench? How do you think we're going to find
• 38:23
  Speaker 2: any room on that bench?
• 38:25
  Speaker 8: We will. Come on, squeeze in. Pardon me, please. The
• 38:28
  Speaker 8: nerve of some people's children.
• 38:31
  Speaker 2: Well... We made it. Sure.
• 38:34
  Speaker 6: Now, eat your peanuts. Uh, don't look now, but love
• 38:37
  Speaker 6: is certainly in the air around here.
• 38:40
  Speaker 8: The park bench is the only place poor people can
• 38:42
  Speaker 8: make love.
• 38:43
  Speaker 2: Say, lady, do you mind moving over? Me and me
• 38:45
  Speaker 2: gals got a little neck and a toe.
• 38:50
  Speaker 8: There's only room for one.
• 38:52
  Speaker 2: That's all we need. Come on, honey, sit.
• 38:56
  Speaker 6: Look, is this the only bench in the park? I'm
• 38:59
  Speaker 6: beginning to feel like a sardine still in the cans.
• 39:02
  Speaker 8: I met your father on this bench.
• 39:05
  Speaker 2: Well, that ought to make it a museum piece. Say,
• 39:08
  Speaker 2: is this what you and Dad do every night?
• 39:10
  Speaker 8: Not every night.
• 39:12
  Speaker 2: You might at least have picked a bench away from
• 39:13
  Speaker 2: that seal pond.
• 39:15
  Speaker 11: If there's anything you want to know about seals, I
• 39:17
  Speaker 11: can tell you. They eat nothing but fresh oysters on
• 39:20
  Speaker 11: the half shell every day.
• 39:21
  Speaker 2: It's too bad they don't like fresh blondes.
• 39:23
  Speaker 8: I've been thrown to them before, but they always toss
• 39:25
  Speaker 8: me back.
• 39:26
  Speaker 2: Well, they've got more intelligence than I thought.
• 39:27
  Speaker 8: Hey, why don't you two fight at home?
• 39:29
  Speaker 11: Can't even have a pleasant evening in the park without
• 39:31
  Speaker 11: someone coming along to spoil it.
• 39:33
  Speaker 8: Let's go, Milton. Now, you see? You frighten people.
• 39:39
  Speaker 2: Well, we'll at least have a little more room. Shove over.
• 39:42
  Speaker 2: Pardon me, bud. How about us sitting there? Come on, baby.
• 39:45
  Speaker 8: Okay, Commodore.
• 39:46
  Speaker 2: Well, that's that. Now the Marines have moved in.
• 39:49
  Speaker 8: Why don't you go home?
• 39:51
  Speaker 6: I can sit here as long as you care.
• 39:55
  Speaker 4: Hey, look, sailor.
• 39:58
  Speaker 2: Don't you mind piping down? We'd like to listen to
• 40:00
  Speaker 2: the band concert. What's the matter with my sink? Just
• 40:02
  Speaker 2: pipe down. Oh, now you frighten me, bud. What are you,
• 40:05
  Speaker 2: a junior G-man? If you think I am, just step
• 40:07
  Speaker 2: out on a walk. Well, when you gotta do it,
• 40:09
  Speaker 2: you gotta do it.
• 40:09
  Speaker 8: Hey, wait a minute, sailor. Sister, why don't you give
• 40:12
  Speaker 8: your friend a liver pill? Why don't you button up
• 40:14
  Speaker 8: your lip?
• 40:14
  Speaker 2: Would you two ladies like to fight it out?
• 40:16
  Speaker 8: Come on, Luxon, let's scram out of here.
• 40:18
  Speaker 2: So long, Junior G-Man. Go on, beat it.
• 40:21
  Speaker 8: Did you come here to fight?
• 40:22
  Speaker 2: Look, I don't want to fight. I just want to talk.
• 40:25
  Speaker 8: If you don't mind, I'd rather listen to the music.
• 40:28
  Speaker 2: Oh, thank you, thank you, please. Would you kindly move over, please?
• 40:31
  Speaker 2: Here we go again. Move over.
• 40:33
  Speaker 4: Oh, thank you.
• 40:34
  Speaker 8: Here is seat.
• 40:35
  Speaker 6: Sitting down, kiddo.
• 40:37
  Speaker 8: Oh, it's a swell night, isn't it? The moon's just
• 40:43
  Speaker 8: coming up.
• 40:44
  Speaker 2: Yeah. You know, you're very pretty by moonlight, Miss Gray. Mary.
• 40:50
  Speaker 5: Hey.
• 40:51
  Speaker 8: Wait a minute. What makes you think you can get
• 40:54
  Speaker 8: away with that stuff?
• 40:55
  Speaker 2: What, the kiss?
• 40:57
  Speaker 8: Yeah. Why did you do that?
• 41:00
  Speaker 2: Because it's something I wanted to do.
• 41:02
  Speaker 8: Oh, you give me an idea, Mr. Borden. That's something
• 41:05
  Speaker 8: I've wanted to do.
• 41:06
  Speaker 3: The End.
• 41:23
  Speaker 8: Come in. Oh, what do you want, Kevin? I want
• 41:27
  Speaker 8: to see you. Look, would you mind some other time? No,
• 41:31
  Speaker 8: right now. I just want to tell you what I
• 41:34
  Speaker 8: think of you. You're the most deceitful, double-crossing, sneaky... Wait
• 41:37
  Speaker 8: a minute. What have I done? You know very well... Michael.
• 41:43
  Speaker 8: What about him? I told him I was going to
• 41:46
  Speaker 8: get a job, just as you said. I said? And
• 41:49
  Speaker 8: now he hates me.
• 41:52
  Speaker 13: He says I'm just a spoiled brat trying to take
• 41:54
  Speaker 13: somebody's job away.
• 41:55
  Speaker 8: He hates me. You could have stopped it. I confided
• 42:00
  Speaker 8: in you. I trusted you. Oh, well, we'll do something
• 42:03
  Speaker 8: about it. You've done enough. You don't care anything about Dad.
• 42:07
  Speaker 8: You only go out with him so you can be
• 42:08
  Speaker 8: near Michael. Oh, for heaven's sake. But you're not going
• 42:13
  Speaker 8: to get him. If I can't have him, nobody can.
• 42:16
  Speaker 5: I hate you.
• 42:18
  Speaker 8: Oh, I hate you. Mama hates me. Daughter hates me.
• 42:25
  Speaker 8: Junior hates me. I guess I'm a pretty popular girl
• 42:29
  Speaker 8: around here.
• 42:46
  Speaker 3: After a short intermission, Mr. DeMille presents Ginger Rogers, Edward Arnold,
• 42:50
  Speaker 3: John Howard, and Joan Perry in Act Three of Fifth
• 42:53
  Speaker 3: Avenue Girl. Tonight, we've asked Libby Collins, our Hollywood fashion reporter,
• 42:58
  Speaker 3: to round up some last-minute fashion news for us, just
• 43:01
  Speaker 3: in time for last-minute Christmas shopping.
• 43:03
  Speaker 2: Here she is, Libby Collins.
• 43:05
  Speaker 8: Well, Mr. Roig, it looks like a white Christmas.
• 43:07
  Speaker 2: You mean we're going to have snow for Christmas, Libby,
• 43:09
  Speaker 2: here in Hollywood?
• 43:10
  Speaker 8: No, indeed.
• 43:12
  Speaker 14: That's not a weather report, it's a fashion report. This year,
• 43:15
  Speaker 14: white has climbed right into the fashion spotlight in the
• 43:18
  Speaker 14: middle of winter. Joan Bennett modeled a gorgeous evening cape
• 43:22
  Speaker 14: for one of the fashion magazines. It's made of chalky
• 43:25
  Speaker 14: white gabardine with swirls of gold kit on the shoulders.
• 43:29
  Speaker 14: Marlena Dietrich, in her current hit Seven Sinners, wears a
• 43:33
  Speaker 14: beautiful white afternoon suit. Smart shops are featuring white coats,
• 43:38
  Speaker 14: even for city streets. And white evening dresses will be
• 43:41
  Speaker 14: as thick as snowflakes at holiday parties.
• 43:44
  Speaker 2: Well, I guess this year, Libby, if it's white, it's right.
• 43:47
  Speaker 8: That's about it, Mr.
• 43:48
  Speaker 2: Ruick.
• 43:48
  Speaker 14: And there's one place where white is specially right. That's
• 43:52
  Speaker 14: in winter sports clothes. Short, white woolen skating dresses, luscious
• 43:56
  Speaker 14: white sweaters, and adorable white fuzzy hoods and mittens.
• 44:00
  Speaker 2: Now, wait a minute, Libby.
• 44:01
  Speaker 8: I know what you're thinking, Mr.
• 44:02
  Speaker 2: Ruick.
• 44:03
  Speaker 8: White is lovely, but it does get dirty.
• 44:07
  Speaker 3: And? And new quick luxe flakes is the answer. Yes,
• 44:12
  Speaker 3: all your washable woollens will stay fresh and new-looking longer
• 44:16
  Speaker 3: if you care for them with new quick lux. You see,
• 44:19
  Speaker 3: there's no harmful alkali, no cake soap rubbing when you
• 44:22
  Speaker 3: use new quick lux. It's safe for any color or
• 44:26
  Speaker 3: fabric that's safe in pure water.
• 44:28
  Speaker 14: That's why leading motion picture studios use lux flakes.
• 44:31
  Speaker 8: For all their washables.
• 44:32
  Speaker 2: Yes, and that's why women everywhere depend on new quick lux.
• 44:36
  Speaker 3: Why twice as many use it for sweaters as use
• 44:39
  Speaker 3: any other flake chips, or beads. It's so gentle, and
• 44:43
  Speaker 3: it's so fast, and then so thrifty. A little goes
• 44:48
  Speaker 3: so far. Be on the popular side, the safe side,
• 44:52
  Speaker 3: the thrifty side. Use new quick luck flakes. We pause
• 44:58
  Speaker 3: now for station identification. This is the Columbia Broadcasting System.
• 45:05
  Speaker 16: The curtain rises on Act Three of Fifth Avenue Girl.
• 45:21
  Speaker 3: The curtain rises on Act Three of Fifth Avenue Girl.
• 45:37
  Speaker 3: Next morning, when a curtain of gloom hangs over the
• 45:40
  Speaker 3: Borden household, Mrs. Borden, Tim, and Catherine are submerged in
• 45:44
  Speaker 3: black thoughts. Even Mary is having a time trying to
• 45:48
  Speaker 3: straighten out Catherine's tangled romance with Michael.
• 45:53
  Speaker 8: Good morning, Kurt. Good morning, Mrs.
• 45:54
  Speaker 2: Borden.
• 45:55
  Speaker 8: Mind if I join you for a cup of coffee, Michael?
• 45:57
  Speaker 2: Aren't you stepping out of your class?
• 45:59
  Speaker 8: Me? I haven't any class.
• 46:01
  Speaker 2: Look, just what is your position in this household?
• 46:04
  Speaker 8: Don't ask me. Michael, will you stop being a dope?
• 46:07
  Speaker 2: Atta girl.
• 46:08
  Speaker 8: Keep your coffee.
• 46:09
  Speaker 2: What do you mean?
• 46:11
  Speaker 8: Straight from the shoulder. You're in love and you have
• 46:13
  Speaker 8: to spunk to fight for the thing you want.
• 46:15
  Speaker 6: I don't have to listen to this nonsense.
• 46:16
  Speaker 8: You've made Catherine unhappy. You make everyone unhappy.
• 46:19
  Speaker 2: Oh, so you know all about me.
• 46:21
  Speaker 8: You are like a.
• 46:21
  Speaker 11: Pane of glass to me, brother. You try to make
• 46:23
  Speaker 11: everybody believe things you don't even believe yourself.
• 46:26
  Speaker 2: You're a pawn in the hands of your betters.
• 46:28
  Speaker 8: I'm a what?
• 46:29
  Speaker 2: You're a renegade to your own class.
• 46:31
  Speaker 8: Is that so? You can't call me that and get
• 46:34
  Speaker 8: away with it. How dare you slap Michael. I saw you.
• 46:36
  Speaker 8: I'll pull every hair out of your head. You'll do what,
• 46:38
  Speaker 8: you bat-winged flapper?
• 46:39
  Speaker 2: Put down that knife.
• 46:40
  Speaker 4: Stop waving that knife.
• 46:42
  Speaker 2: What are you going to do?
• 46:43
  Speaker 8: You talk too much. I'm going to carve you out
• 46:46
  Speaker 8: a new mouth.
• 46:47
  Speaker 2: I don't care what you do to me. But you
• 46:49
  Speaker 2: leave Catherine alone. Who says? I do.
• 46:52
  Speaker 8: You're going to fight for her, huh?
• 46:54
  Speaker 2: Yes, I'll fight for her.
• 46:55
  Speaker 4: Michael.
• 46:56
  Speaker 8: Oh, Michael. That ought to prove how much he hates you.
• 47:00
  Speaker 8: Thanks for your use of the knife, cook. Good morning, all.
• 47:05
  Speaker 16: Good morning, Mary.
• 47:12
  Speaker 2: Say, where have you been all day? Home.
• 47:15
  Speaker 8: Just taking care of some odds and ends.
• 47:17
  Speaker 2: I slept most of the day getting in trim to
• 47:19
  Speaker 2: go out tonight.
• 47:20
  Speaker 8: Do we have to? Why don't you stay home for
• 47:23
  Speaker 8: a change?
• 47:24
  Speaker 2: Oh, I'd love to, but we started this thing and
• 47:26
  Speaker 2: we've got to go through with it.
• 47:28
  Speaker 8: Don't you think we've gone too far?
• 47:30
  Speaker 2: You don't know my wife like I do.
• 47:33
  Speaker 8: Well, I'm... Yes, I do. She's completely cured.
• 47:36
  Speaker 2: Has she been talking to you?
• 47:38
  Speaker 8: Oh, just to say hello.
• 47:40
  Speaker 2: Well, you've got to be careful. She's a very persuasive woman,
• 47:44
  Speaker 2: especially when she cries.
• 47:46
  Speaker 11: Listen, if I stay in this house any longer, you're
• 47:48
  Speaker 11: not going to have any family, and I'm not going
• 47:50
  Speaker 11: to have any sanity.
• 47:52
  Speaker 2: Oh, you're not going to run out on me.
• 47:54
  Speaker 8: I've been thinking of it.
• 47:55
  Speaker 2: No, no, you can't.
• 47:57
  Speaker 10: Not yet. I'll put you out when the time comes.
• 48:00
  Speaker 10: But if she thinks she has anything to do with
• 48:02
  Speaker 10: your leaving, I'll be right back where I started.
• 48:04
  Speaker 8: Well, whatever you say. But I've got a feeling that.
• 48:06
  Speaker 2: Mary, leave it to me. Will you leave it to me?
• 48:09
  Speaker 2: When the right time comes, I'll put on a big scene.
• 48:12
  Speaker 8: You mean, get out and never dock in my door again?
• 48:15
  Speaker 2: That's it. What do you say?
• 48:17
  Speaker 8: I'll think it over.
• 48:17
  Speaker 17: Oh, Higgins.
• 48:32
  Speaker 2: Yes, miss? You want me to order the car?
• 48:34
  Speaker 8: No, uh, Higgins, I'm leaving. Will you tell Mr. Borden
• 48:38
  Speaker 8: in about a half an hour, please?
• 48:40
  Speaker 2: You mean you're leaving for Good Miss?
• 48:41
  Speaker 8: Yes. Now, don't forget to tell him.
• 48:43
  Speaker 2: Very good, Miss. Hello there.
• 48:50
  Speaker 5: Oh, hello.
• 48:52
  Speaker 2: Where are you going? On a prowl again tonight?
• 48:54
  Speaker 8: Maybe.
• 48:55
  Speaker 2: Any special victim in mind?
• 48:57
  Speaker 8: I don't play favorites. What's the matter?
• 48:59
  Speaker 2: You're not dressed up. No band concert?
• 49:01
  Speaker 8: Good night.
• 49:02
  Speaker 2: Oh, now, don't run away. Let's sit down.
• 49:04
  Speaker 8: Listen, I haven't got time to go.
• 49:05
  Speaker 2: Come on.
• 49:06
  Speaker 6: I haven't sat on a front stoop since I was
• 49:08
  Speaker 6: a kid. Anyway, there's a couple of questions I'd like
• 49:10
  Speaker 6: to ask you. You don't mind, do you?
• 49:13
  Speaker 8: Well, that depends.
• 49:15
  Speaker 2: Well, to begin with, what is your angle? What are
• 49:17
  Speaker 2: you doing in this house?
• 49:19
  Speaker 8: You know the answer to that. I'm going to.
• 49:21
  Speaker 2: Look, let's quit stalling. I'll admit you've had us all
• 49:23
  Speaker 2: pretty upset, but that's okay. It's probably done us good.
• 49:26
  Speaker 2: But I'm getting tired of this mystery stuff.
• 49:28
  Speaker 8: There's no mystery about me.
• 49:30
  Speaker 2: You know, you're really a pretty nice girl.
• 49:32
  Speaker 8: That's what you think.
• 49:33
  Speaker 2: Well, aren't you?
• 49:34
  Speaker 8: What do you care?
• 49:36
  Speaker 2: You've got my father all mixed up, and now you've
• 49:37
  Speaker 2: got me all mixed up.
• 49:38
  Speaker 8: Look, why pick on me? I haven't done anything to anybody.
• 49:40
  Speaker 2: Not much you haven't.
• 49:41
  Speaker 8: What have I ever done to you?
• 49:42
  Speaker 2: Do you really want to know?
• 49:45
  Speaker 8: No. Look, why don't you go away? Oh, no.
• 49:49
  Speaker 2: I'm going to sit right here. And you're going to
• 49:51
  Speaker 2: sit right here until you open up.
• 49:54
  Speaker 8: All right. But you're going to be sitting here for
• 49:56
  Speaker 8: an awfully long time.
• 49:58
  Speaker 2: Mary.
• 50:00
  Speaker 8: Keep your distance. Remember what happened to you in the park?
• 50:02
  Speaker 2: Yeah, I'm thinking about that. And it was worth it.
• 50:06
  Speaker 8: Listen, you, let me go.
• 50:07
  Speaker 2: Why don't you be honest, Mary? You know that I...
• 50:09
  Speaker 2: Let me go! What's the matter? Afraid?
• 50:12
  Speaker 8: I'm not afraid of you.
• 50:13
  Speaker 2: Afraid of yourself?
• 50:14
  Speaker 8: Listen, you keep on your own side of the steps
• 50:16
  Speaker 8: or I'll bat you down.
• 50:17
  Speaker 2: Hey, what's the matter up there? Anything wrong here, lady?
• 50:21
  Speaker 8: Uh, no, officer. Everything's all right.
• 50:24
  Speaker 2: Was this fella annoying you?
• 50:26
  Speaker 8: I told you everything was all right, officer.
• 50:29
  Speaker 2: Well, watch your step, buddy. Well, now are you satisfied? Well, I.
• 50:35
  Speaker 6: Thanks for saving you from the law. But I came
• 50:37
  Speaker 6: here to talk, and cop or no cop, Miss Gray,
• 50:40
  Speaker 6: that's what.
• 50:40
  Speaker 2: We're going to do.
• 50:44
  Speaker 8: It's true, Timothy. I heard her tell Higgins.
• 50:46
  Speaker 2: I don't believe it. She wouldn't do a thing like that.
• 50:48
  Speaker 8: Timothy, do you mind so very much?
• 50:50
  Speaker 2: Of course I mind. I'll go out and look for her.
• 50:52
  Speaker 8: Oh, Timothy, I... I thought perhaps we could stay home
• 50:56
  Speaker 8: tonight together. I made some stew, Timothy.
• 51:00
  Speaker 2: Stew? You made stew?
• 51:02
  Speaker 8: Yes.
• 51:05
  Speaker 2: All right, I'll look for her later.
• 51:06
  Speaker 8: Oh, Timothy, thank you. Oh, it'll be like old times,
• 51:10
  Speaker 8: won't it? Just you and me alone. Timothy, I was thinking,
• 51:16
  Speaker 8: couldn't we start all over again?
• 51:18
  Speaker 2: Start all over again? After the way I acted? I
• 51:21
  Speaker 2: wouldn't think of asking you, Martha.
• 51:22
  Speaker 8: Well, you haven't acted any worse than I have. The
• 51:24
  Speaker 8: whole thing's been my fault.
• 51:26
  Speaker 2: No, no, no, it was my fault. Those innocent flirtations
• 51:30
  Speaker 2: of yours meant nothing.
• 51:31
  Speaker 8: Of course not, but there'll never be another. Timothy, do
• 51:34
  Speaker 8: you know what I've been doing in my spare time?
• 51:36
  Speaker 8: I've been learning to rumba.
• 51:39
  Speaker 2: What for?
• 51:40
  Speaker 12: So that I could go out dancing with you.
• 51:42
  Speaker 8: If you'll let me.
• 51:44
  Speaker 2: Oh, well, we'll see.
• 51:45
  Speaker 8: Oh, Timothy. And you won't go looking for Miss Gray?
• 51:48
  Speaker 2: We'll see about that, too.
• 51:49
  Speaker 8: Oh, Timothy. Come on in, Michael. Hello, Mother. Hello, Dad. Catherine,
• 51:54
  Speaker 8: what's Michael doing in here? Oh, you didn't have an accident,
• 51:57
  Speaker 8: did you? No, Mother. Tell them, Michael.
• 52:02
  Speaker 3: No.
• 52:02
  Speaker 2: You tell them. All right.
• 52:05
  Speaker 8: Michael and I are man and wife. Michael and you
• 52:08
  Speaker 8: are what?
• 52:08
  Speaker 2: We're married.
• 52:09
  Speaker 8: Oh, stop this nonsense. It is nonsense. Oh, but I
• 52:12
  Speaker 8: don't believe it. Married to a chauffeur? He's not a chauffeur.
• 52:16
  Speaker 2: Here, you may have the cap. I relinquish the badge
• 52:20
  Speaker 2: of servitude.
• 52:21
  Speaker 8: Michael, you go to the kitchen. You're not going to
• 52:23
  Speaker 8: separate us. Go to your room, Catherine.
• 52:25
  Speaker 2: You stay where you are.
• 52:26
  Speaker 8: Oh, send him away, Timothy. The girl's out of her mind.
• 52:29
  Speaker 2: I'm afraid you'll have to go away, Michael. I'm taking
• 52:31
  Speaker 2: Catherine with me. Naturally, she's your wife.
• 52:34
  Speaker 8: Oh, Dad.
• 52:35
  Speaker 2: Congratulations, Michael.
• 52:36
  Speaker 8: Oh, Timothy.
• 52:37
  Speaker 2: Now, wait a minute, Martha.
• 52:38
  Speaker 8: Oh, but this is too much. Married to a chauffeur.
• 52:42
  Speaker 2: Well, I wasn't much when you married me. Oh, but
• 52:44
  Speaker 2: she's such a baby. About the same age as you were. Huh?
• 52:48
  Speaker 1: Yeah.
• 52:49
  Speaker 8: Oh, well, all right. Congratulations, darling. I hope you'll be
• 52:53
  Speaker 8: very happy. Congratulations, Michael. What's your last name?
• 52:58
  Speaker 2: Parents bother.
• 53:00
  Speaker 8: Oh!
• 53:01
  Speaker 2: What's going on?
• 53:02
  Speaker 8: Is there anything wrong? Oh, Mary. Mary, you're wonderful. Just wonderful.
• 53:07
  Speaker 8: I can't thank you enough.
• 53:08
  Speaker 2: What's Mary done?
• 53:09
  Speaker 8: Tim, Michael and I are married. We're going on our
• 53:12
  Speaker 8: honeymoon now. Say goodbye, Michael.
• 53:14
  Speaker 2: Goodbye. Dad and Mom.
• 53:18
  Speaker 8: Goodbye.
• 53:19
  Speaker 5: Goodbye.
• 53:20
  Speaker 8: Goodbye, Mary, and thanks again.
• 53:22
  Speaker 2: Goodbye and good luck. Great kids, huh?
• 53:27
  Speaker 8: Timothy, hadn't you better tell Miss Gray?
• 53:30
  Speaker 2: Huh? What? Oh, yes, yes, Miss Gray. What have you
• 53:34
  Speaker 2: got to say for yourself? Is it true you advised
• 53:36
  Speaker 2: my daughter.
• 53:37
  Speaker 8: To elope with the house over? I... I suppose I did.
• 53:40
  Speaker 4: You suppose you did? I want you to know, Miss Gray,
• 53:43
  Speaker 4: this is the end. You've come between me and my
• 53:45
  Speaker 4: family for the last time.
• 53:46
  Speaker 2: Aren't you being a little rough, man? Rough? After what
• 53:48
  Speaker 2: this woman has done to all of us? Your mother-in-law,
• 53:50
  Speaker 2: the virgin of a nervous breakdown? Your sister? Well, look
• 53:53
  Speaker 2: what she's done to your sister. You're a wicked, conniving woman,
• 53:56
  Speaker 2: Miss Gray.
• 53:57
  Speaker 4: You've hypnotized me for the last time, and I must
• 53:59
  Speaker 4: ask you to leave this house.
• 54:04
  Speaker 2: Oh, I can't play any longer.
• 54:07
  Speaker 8: I wasn't doing anything to anybody. Just sitting on a
• 54:10
  Speaker 8: park bench minding my own business. I didn't ask for
• 54:14
  Speaker 8: this job.
• 54:14
  Speaker 5: No, no, no, no, no.
• 54:15
  Speaker 8: You forced it on me. I'm sorry I ever saw you.
• 54:19
  Speaker 8: I'm sorry I ever saw this place. I can't take
• 54:22
  Speaker 8: it any longer.
• 54:24
  Speaker 2: I'm going. Hey, wait a minute, Dad. What was that
• 54:26
  Speaker 2: about a job?
• 54:27
  Speaker 15: Huh?
• 54:27
  Speaker 2: Job?
• 54:28
  Speaker 8: Yes, Timothy. What was that?
• 54:29
  Speaker 2: Dad, was she working here?
• 54:30
  Speaker 8: Huh?
• 54:31
  Speaker 2: Working? Was she working here? She was working here. I
• 54:34
  Speaker 2: knew it. Mary.
• 54:35
  Speaker 8: Mary, come back.
• 54:36
  Speaker 3: Listen.
• 54:37
  Speaker 8: What is it, Mary? Timothy. Look me in the eyes.
• 54:43
  Speaker 2: Well, um.
• 54:44
  Speaker 8: Timothy Borden, you old fake.
• 54:47
  Speaker 2: Well, gosh, Martha, I had to do something.
• 54:51
  Speaker 8: I'm glad you did. Oh, Martha.
• 54:57
  Speaker 2: Mary, Mary, wait. Listen, Mary.
• 54:59
  Speaker 8: Let me alone.
• 55:00
  Speaker 2: Come here. Where do you think you're going?
• 55:02
  Speaker 8: Why should you care where I'm going?
• 55:03
  Speaker 2: Well, I do care.
• 55:04
  Speaker 8: I'm going back to where I belong.
• 55:06
  Speaker 2: I'll say you are. You belong with me. And you're
• 55:08
  Speaker 2: coming back to the house right now.
• 55:09
  Speaker 8: I'm not.
• 55:10
  Speaker 2: You're coming back if I have to carry you.
• 55:11
  Speaker 8: Come on.
• 55:12
  Speaker 3: No.
• 55:12
  Speaker 8: Put me down. You can't do this to me.
• 55:15
  Speaker 2: I'll show you.
• 55:16
  Speaker 8: Let me down. You hear?
• 55:17
  Speaker 14: Let me down.
• 55:17
  Speaker 6: Here, here, here.
• 55:18
  Speaker 2: What's going on here? Out of the way, officer. Put
• 55:20
  Speaker 2: that girl down or I'll run you in.
• 55:22
  Speaker 8: Officer.
• 55:22
  Speaker 2: Yes, lady?
• 55:23
  Speaker 8: Why don't you mind your own business?
• 55:37
  Speaker 2: In just a moment, Mr.
• 55:38
  Speaker 3: DeMille will bring our stars back to the microphone for
• 55:40
  Speaker 3: their curtain call. But first, there's a Christmas hint I'd
• 55:43
  Speaker 3: like to give our listeners. It's about luxe snow on
• 55:47
  Speaker 3: your Christmas tree. Lovely, real-looking Christmas snow for your tree
• 55:51
  Speaker 3: that you can make from the same pure white luxe
• 55:53
  Speaker 3: flakes that you use for washing all your pretty things.
• 55:57
  Speaker 3: This luxe snow costs so little, yet it makes your
• 56:00
  Speaker 3: tree distinctive and different, just like one that's been out
• 56:03
  Speaker 3: in the woods in a real snowstorm. It's very easy
• 56:06
  Speaker 3: to make, and it lasts right through the holiday season.
• 56:09
  Speaker 3: Now here's what you do to make this snow out
• 56:11
  Speaker 3: of Lux Flakes. Take a large box of Lux Flakes
• 56:15
  Speaker 3: and empty it into a big bowl or a dishpan.
• 56:18
  Speaker 3: Then take two cups of lukewarm water, just two cups,
• 56:23
  Speaker 3: and pour them into the bowl with the flakes. Now,
• 56:26
  Speaker 3: with an egg beater, beat this mixture until it gets fluffy,
• 56:29
  Speaker 3: like rich whipped cream. Then take handfuls of this whipped
• 56:33
  Speaker 3: up snow and spread it with your fingers along the
• 56:35
  Speaker 3: branches of your tree. If you want more sparkle, get
• 56:39
  Speaker 3: some of that shiny artificial snow that you buy in
• 56:41
  Speaker 3: a store and sprinkle it right on top of the
• 56:43
  Speaker 3: lux snow while the lux snow is still moist. Christmas
• 56:47
  Speaker 3: wreaths will look gayer than ever in your windows if
• 56:50
  Speaker 3: you add a touch of lux snow to them. For
• 56:52
  Speaker 3: your holiday table decorations, take pine boughs or just bare
• 56:56
  Speaker 3: branches from a tree or shrub and spread on the
• 56:59
  Speaker 3: whipped up snow. Now remember, To make this Christmas snow,
• 57:03
  Speaker 3: use two cups of lukewarm water to each large box
• 57:07
  Speaker 3: of Lux Flakes. Then beat with an egg beater till
• 57:10
  Speaker 3: the mixture is fluffy like thick whipped cream.
• 57:13
  Speaker 2: Be sure to buy the large box of Lux Flakes. Now,
• 57:17
  Speaker 2: here's Mr. DeMille with our stars.
• 57:19
  Speaker 3: We're a long way from Fifth Avenue now, but here's
• 57:21
  Speaker 3: our Fifth Avenue girl again, Ginger Rogers, with Edward Arnold
• 57:25
  Speaker 3: and John Howard.
• 57:26
  Speaker 2: You know, C.B., Ginger is a constant source of amazement
• 57:28
  Speaker 2: to me.
• 57:29
  Speaker 8: Is that good or bad?
• 57:30
  Speaker 2: Oh, good. Very good. Well, then you can speak freely, Eddie. Yes.
• 57:33
  Speaker 2: What's amazing about Ginger this week? The discovery I made
• 57:36
  Speaker 2: the other day.
• 57:37
  Speaker 3: Good.
• 57:37
  Speaker 2: Excellent.
• 57:38
  Speaker 10: I was wandering around an art gallery downtown when all
• 57:41
  Speaker 10: of a sudden I found myself in front of a
• 57:42
  Speaker 10: drawing signed by Ginger Rogers, a charcoal sketch of the
• 57:46
  Speaker 10: actress Maria Ospenskaya.
• 57:48
  Speaker 2: And it was great. How do you play, Ginger? Guilty
• 57:51
  Speaker 2: or not guilty?
• 57:52
  Speaker 8: Well, it's a form of insanity, Judge.
• 57:54
  Speaker 11: You know, like you navigate your boat or Eddie gets
• 57:57
  Speaker 11: out in the kitchen and cooks dinner, I draw pictures.
• 58:00
  Speaker 10: And a very nice hobby it is, Ginger, especially when
• 58:04
  Speaker 10: they hang your pictures in art galleries.
• 58:07
  Speaker 2: What's on the program next week, Mr. DeMille?
• 58:09
  Speaker 3: Next Monday night, the marquee will read Mickey Rooney, Dula Bondi,
• 58:13
  Speaker 3: and Virginia Weidler in Young Tom Edison. Our play is
• 58:18
  Speaker 3: adapted from the MGM picture with Mickey and the same
• 58:21
  Speaker 3: part he played on the screen. It's the drama of
• 58:23
  Speaker 3: a genius, but a genius who was a regular American boy.
• 58:26
  Speaker 3: Tom Edison got into more than his share of scrapes,
• 58:30
  Speaker 3: so Mickey Rooney will be right at home in the
• 58:32
  Speaker 3: pod next Monday night.
• 58:33
  Speaker 2: When we present young Tom Edison.
• 58:36
  Speaker 8: That's a swell Christmas present for any audience, Mr.
• 58:38
  Speaker 3: DeMille.
• 58:38
  Speaker 8: We'll be listening.
• 58:40
  Speaker 2: Ginger, I understand they're previewing your new picture, Kitty Fall, tonight.
• 58:43
  Speaker 8: Yes, that's right, John.
• 58:44
  Speaker 2: I hear great reports on it. Good luck. Thanks.
• 58:47
  Speaker 8: Thanks, John. Good night.
• 58:48
  Speaker 2: Good night. Good night, GB. Good night. We'll ask Santa
• 58:52
  Speaker 2: Claus for tomorrow, like you.
• 58:59
  Speaker 3: Our sponsors, the makers of Luxe Flakes, join me in
• 59:02
  Speaker 3: inviting you to be with us again next Monday night
• 59:05
  Speaker 3: when the Lux Radio Theater presents Mickey Rooney, Beulah Bondi,
• 59:09
  Speaker 3: and Virginia Weidler in Young Tom Edison.
• 59:12
  Speaker 2: This is Cecil B.
• 59:13
  Speaker 3: DeMille saying goodnight to you from Hollywood. We want to
• 59:24
  Speaker 3: remind you that this is the time to help the
• 59:26
  Speaker 3: 1940 drive to fight tuberculosis. Purchase your supply of anti-tuberculosis
• 59:31
  Speaker 3: Christmas seals now. Use them on all your Christmas mail.
• 59:35
  Speaker 3: Show that you are helping to fight this dread disease, too.
• 59:38
  Speaker 3: Buy seals for Christmas, and you buy health for the
• 59:41
  Speaker 3: new year. Edward Arnold will soon be seen in the
• 59:44
  Speaker 3: Frank Capra production, The Life of John Doe. John Howard
• 59:48
  Speaker 3: has just completed the universal picture, The Invisible Woman. Heard
• 59:52
  Speaker 3: in tonight's play were Claire Vedera as Mrs.
• 59:54
  Speaker 2: Borden, J.
• 59:55
  Speaker 3: Arthur Young as Higgins, Christian Coffin as Michael, Lou Merrill
• 59:59
  Speaker 3: as Terwilliger, Fred McKay as Hopkins, Verna Felton as Cook,
• 1:00:03
  Speaker 3: and Sally Payne, Ralph Sedan, Alan Wood, Gene Webb, and
• 1:00:07
  Speaker 3: Bob Burleson. Our music was directed by Louis Silvers, and
• 1:00:11
  Speaker 3: your announcer has been Melville Roy. And this is the
• 1:00:13
  Speaker 3: Columbia Broadcasting System.
• 1:00:15
  Speaker 2: Thank you.
• 1:00:30
  Speaker 1: We conclude this Lux Radio Theater presentation of Fifth Avenue Girl.
• 1:00:34
  Speaker 1: Follow Lux Radio Theater for more classic broadcasts.