Latest / The Breakfast Club / Best of The Breakfast Club : Lena Waithe/ Shoot Your Shot/ Migos

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Best of The Breakfast Club : Lena Waithe/ Shoot Your Shot/ Migos · The Breakfast Club

• 0:00
  Speaker 1: Good morning, showing you this room anywhere so your brother
• 0:04
  Speaker 1: old right now the world stagers want to show came agree,
• 0:13
  Speaker 1: isn't this listen City South with j Harry, the captain
• 0:18
  Speaker 1: of this usually the only one who can keep these
• 0:21
  Speaker 1: guys in chat. This is the breakfast petition. Wake up,
• 0:29
  Speaker 1: wake up, wake y'all. This is your time to get
• 0:32
  Speaker 1: it off your chest with your man or blessed. We
• 0:36
  Speaker 1: want to hear from you on the breakfast block. Hello,
• 0:38
  Speaker 1: who's this from Norfolk? Day to get it off your chest.
• 0:43
  Speaker 1: I'm blessed this morning because every day I wake up
• 0:45
  Speaker 1: to go to my job and I can take care
• 0:47
  Speaker 1: of my two babies. So I'm blessed this morning. Congratulations baby,
• 0:52
  Speaker 1: thank you. I love y'all so much. And watch, I mean,
• 0:54
  Speaker 1: let's to be y'all every morning on my way to work.
• 0:56
  Speaker 1: We love you. Thank you for having no taste. Hello,
• 0:59
  Speaker 1: who's this? This is DJ Hey get it off your chest. Well,
• 1:03
  Speaker 1: I just want to say that I'm thankful today. Um.
• 1:06
  Speaker 1: I had been in the nursing homes three times because
• 1:10
  Speaker 1: I couldn't walk. I'm at my house now, I'm walking
• 1:14
  Speaker 1: and I'm helping my family, and I am thankful Okay, well, congratulation.
• 1:20
  Speaker 1: I feel gratitude this morning. It's a lot of people
• 1:22
  Speaker 1: thankful this morning. I like when gratitude is the attitude. Hello,
• 1:25
  Speaker 1: who's this? What's your name? Hey? You got a fat
• 1:32
  Speaker 1: tongue much so it's not just a guy, it's your guy, girl,
• 1:36
  Speaker 1: the fat guy. This girl told y'all, okay, you know
• 1:42
  Speaker 1: the chest. That's like a fat gary guy to me.
• 1:48
  Speaker 1: I'm mad this morning because when I went to check,
• 1:50
  Speaker 1: the b was closed. Oh you want to check this morning?
• 1:52
  Speaker 1: So I was right about at least you being fat.
• 1:57
  Speaker 1: Check us breakfast was the checks at six am. I
• 2:00
  Speaker 1: can't beau usually be open this time of morning, but
• 2:03
  Speaker 1: some reason that was called. You think they didn't know
• 2:06
  Speaker 1: they serve breakfast. No, they don't serve breakfast, but they right, Okay,
• 2:12
  Speaker 1: how much do you do? I went that one time
• 2:14
  Speaker 1: and it was open at six eight. I'm not gonna better.
• 2:21
  Speaker 1: I just want you to know that it's a new
• 2:23
  Speaker 1: year issue. It should be a new Yuh. This is
• 2:25
  Speaker 1: the time of year. Well, the gyms are really really packed,
• 2:27
  Speaker 1: and tell March I think you need to go in
• 2:29
  Speaker 1: there and be a part of that note. Okay, all right,
• 2:33
  Speaker 1: I have a blessed day. All right, little fat you
• 2:36
  Speaker 1: got to me to go to check out this time
• 2:38
  Speaker 1: of morning. But then but then call the breakfast club
• 2:41
  Speaker 1: and complain about them not being open. My god, damn it?
• 2:45
  Speaker 1: Who's this? Hi? How y'all doing the day? This is
• 2:48
  Speaker 1: T maddess T E E M A D. I s
• 2:51
  Speaker 1: like I something to get off my chest ahead mad
• 2:54
  Speaker 1: or blessed today? Okay, wait on my chest? Yeah, my
• 2:56
  Speaker 1: thing to get off my chest. It's two years ago
• 2:58
  Speaker 1: when I was in New York on holiday J league's
• 3:00
  Speaker 1: homegirl and she told me deal to my face. It
• 3:03
  Speaker 1: was all good. I didn't mind herself, kept pushing. But
• 3:06
  Speaker 1: I will tell you this, I've made an observation of
• 3:08
  Speaker 1: you three collectively. Every morning you guys come off with
• 3:12
  Speaker 1: some type of sexual innuendo off of another topic you
• 3:16
  Speaker 1: were talking about. And you guys say no stuff like that,
• 3:23
  Speaker 1: especially you too, Charlotte, Maagne and DJ and be good
• 3:26
  Speaker 1: morning everybody, high Angela. I don't think. I don't think
• 3:29
  Speaker 1: me and you guys party around that be whole joke
• 3:35
  Speaker 1: all day every day, and I will play this. I
• 3:37
  Speaker 1: collect were playing around the rim above the rim, above
• 3:40
  Speaker 1: the rim. But check it out though, but check it
• 3:42
  Speaker 1: out though. As a collective, if you have taken any
• 3:45
  Speaker 1: psychology courses and you studied throughout your the course of
• 3:49
  Speaker 1: your life, you guys used to suffer from one or
• 3:51
  Speaker 1: two things. Either you all are homophobic or you're curious.
• 3:55
  Speaker 1: What do you think it is? Chuckoli that situation to y'all,
• 4:01
  Speaker 1: I don't know. I'm gonna ponder that one. I have
• 4:02
  Speaker 1: never thought about. I never thought about it. I always
• 4:05
  Speaker 1: tell y'all, man, there's nothing the man has told me.
• 4:08
  Speaker 1: You had to finess me on my boxing breach. All right, Yeah,
• 4:12
  Speaker 1: I mean, I know I ain't married, Okay, but if
• 4:15
  Speaker 1: it wasn't married, if I wasn't married, I ain't thinking
• 4:17
  Speaker 1: about it. I just can't get over the fact that
• 4:19
  Speaker 1: my friend told him you. Why is there no gray
• 4:21
  Speaker 1: area though? Why we gotta be either homophobic or gay?
• 4:24
  Speaker 1: I don't know. Why can't we just be having some fun.
• 4:26
  Speaker 1: I love me. I love a good racist joke, and
• 4:29
  Speaker 1: I love a good gay joke. Who all right, me? Woa,
• 4:32
  Speaker 1: it's no good racist joke. Yes, I love a good
• 4:34
  Speaker 1: I love a good joke about race, and I love
• 4:36
  Speaker 1: a good joke about gayness. Well, keep your fingers away.
• 4:39
  Speaker 1: From me because I don't like that type of fun.
• 4:42
  Speaker 1: That's not your idea of a good time. All right,
• 4:46
  Speaker 1: you don't know if it's chance eight under good five
• 4:48
  Speaker 1: eight five one five one. If you upset, you need
• 4:51
  Speaker 1: to end here to something now. It's the breakfast Club.
• 4:52
  Speaker 1: Good morning, the Breakfast Club. Get it, pick up the
• 5:01
  Speaker 1: mother mother phone and down. This is your time to
• 5:04
  Speaker 1: get it off your chat. Your man, you want to
• 5:08
  Speaker 1: hear from you on the Breakfast Club so he mun
• 5:09
  Speaker 1: have the same energy. Hello, who's this Joe? This is
• 5:13
  Speaker 1: Bashi man coming out of Charleston. Man, I'm out here
• 5:16
  Speaker 1: in the morning heading out. What's happening? I need you
• 5:19
  Speaker 1: to slow down now. You sound like you had a
• 5:20
  Speaker 1: lot of folk this morning. Calm down, man, and your
• 5:22
  Speaker 1: DJ envy It and and Angel Lee. This is a
• 5:25
  Speaker 1: true story. I kid you not. I'm coming out of
• 5:28
  Speaker 1: the joint. I was talking to a cat and he
• 5:31
  Speaker 1: hooked me up with Charlom made the guard and Charlomye
• 5:34
  Speaker 1: talked to me before he got that platform. He didn't
• 5:37
  Speaker 1: have no money or nothing, and he was dead broke
• 5:40
  Speaker 1: and he was amazed at the story. Soon as he
• 5:43
  Speaker 1: got that platform. This is the green night. Need to
• 5:46
  Speaker 1: create a hip hop and all pioneers know it, and
• 5:50
  Speaker 1: now everybody they're doing the movie on me. And here's Charlomage.
• 5:53
  Speaker 1: Didn't have no money. Jo didn't even know him, DJ
• 5:56
  Speaker 1: Envy and Angela Lee. He didn't have no money or
• 5:59
  Speaker 1: none of it it. He got that platform. Goldie's my man,
• 6:03
  Speaker 1: Charlot mate, your best friend, Goldie. Now he put you
• 6:06
  Speaker 1: on the phone with me when I was driving the
• 6:08
  Speaker 1: trolley bus in Charleston doing a million dollars weddings taking
• 6:11
  Speaker 1: everybody to the plantation that was coming from all over
• 6:14
  Speaker 1: the country. And you talked to me for around thirty minutes,
• 6:17
  Speaker 1: and I told you I was the creator. You didn't
• 6:19
  Speaker 1: have no money. He was dead broke soon as you
• 6:22
  Speaker 1: got that platform, like many black people do. You flip
• 6:26
  Speaker 1: got a buckdal move your family out of there. Now
• 6:28
  Speaker 1: you'll be in Jersey, Goldie. Me and Goldie talk about
• 6:31
  Speaker 1: you all the time. Friend Mat and then me and
• 6:37
  Speaker 1: Ben body driving around in the band with grand whether
• 6:39
  Speaker 1: it did or in shootouts nineteen seventy five, nineteen seventy six,
• 6:43
  Speaker 1: seventy seven, seventy eight, I'm in the marsh. You are
• 6:45
  Speaker 1: tim and out the fame thirty five years in the marsh.
• 6:49
  Speaker 1: You art, and we're over here. I'm bringing this culture
• 6:51
  Speaker 1: to all the five bubbles. Nobody you know hip hop,
• 6:54
  Speaker 1: you have nothing. You'll come out the country or some
• 6:57
  Speaker 1: March corner first, living in Charleston, trust and all of that.
• 7:01
  Speaker 1: Fact then was all Bummy and Tony. Now you get
• 7:04
  Speaker 1: a platform. You don't know the history, you don't know
• 7:06
  Speaker 1: the life, but you know what's about it. It's millions,
• 7:09
  Speaker 1: just like you Charlotte made. So I'm not gonna even
• 7:11
  Speaker 1: hate on you right now. I don't know I've been
• 7:15
  Speaker 1: sound you're talking about. Well, listen, Goldie is my guy.
• 7:20
  Speaker 1: That's not my best friend, but that's my guy. And
• 7:22
  Speaker 1: number two. I don't understand your point. Yeah, I was
• 7:24
  Speaker 1: broken at one point. Broken people come up. I don't
• 7:27
  Speaker 1: understand what your point is. I don't get it. I
• 7:30
  Speaker 1: don't like you spoke to me back in the day
• 7:32
  Speaker 1: and then now what for thirty minutes? And I thought
• 7:35
  Speaker 1: that was pretty good. You know, you frock South Carolina.
• 7:38
  Speaker 1: You was broken, You got a job in New York.
• 7:39
  Speaker 1: You're working, you know. I don't see the problem. I mean,
• 7:42
  Speaker 1: it sounds like a great come up story to me.
• 7:44
  Speaker 1: I don't know. I was proud of you. I mean, hey,
• 7:47
  Speaker 1: it flew to my dude, gold golden eyes. I still
• 7:49
  Speaker 1: talk to Golden. I don't know, I don't I don't know.
• 7:51
  Speaker 1: I was in South Carolina. That'd be a long drive
• 7:54
  Speaker 1: every morning that I don't get the point of the
• 7:56
  Speaker 1: whole story. He just told to be, like, why are
• 7:58
  Speaker 1: you putting me in it? Morning? This? Gracious? He was mad, Hello,
• 8:04
  Speaker 1: who's this? Hey man? This Davey roughing again. I'm back.
• 8:07
  Speaker 1: I'm trying the game, I solf. I'm already doing this morning.
• 8:09
  Speaker 1: I'm blass, like y'all door, we deem yourself away. It's
• 8:11
  Speaker 1: been a weird morning. But what's up, bro? What I
• 8:13
  Speaker 1: really wanted to get off my chess is why s
• 8:15
  Speaker 1: six in the morning? So I'm certain people I think
• 8:17
  Speaker 1: they forgot about hot dreams. You see, I'm better. There's
• 8:19
  Speaker 1: no reason that's six in the morning. You seem like
• 8:21
  Speaker 1: the back of a trans truck and the ship just started.
• 8:25
  Speaker 1: But if you do garbage, or if you're a garbage person,
• 8:27
  Speaker 1: it stays in your paws. Though, come on, it might
• 8:30
  Speaker 1: have been it might have been trash from the day before.
• 8:32
  Speaker 1: And to the guy that called right before this, it's
• 8:34
  Speaker 1: Angela yeek. He keeps saying the angel leads. Anyone does that? Man,
• 8:38
  Speaker 1: it's clearly eating park early in the morning. Man, don't
• 8:41
  Speaker 1: tell you, just want to say. Sometimes people smell because
• 8:43
  Speaker 1: of their clothes. You ever noticed that sometimes people If
• 8:46
  Speaker 1: you shower and you put on dirty clothes or old,
• 8:48
  Speaker 1: dirty coat, you're still gonna smell. So make sure you
• 8:51
  Speaker 1: watch your clothes. You don't if you cheap the turgion.
• 8:53
  Speaker 1: Sometimes cheap the turkey don't work. That's why you got
• 8:55
  Speaker 1: it from breeze everything, Okay, get it off your chests. Five.
• 9:00
  Speaker 1: He ain't broke no more. Chell me. You ain't got
• 9:02
  Speaker 1: to freeze everything noways got I'm always living like a
• 9:05
  Speaker 1: got from breeze. Get some, get some. Wasn't sure where
• 9:08
  Speaker 1: he wanted like nobody. I don't know, I don't know,
• 9:10
  Speaker 1: I don't know anyway, keep it locked as the breakfast club,
• 9:12
  Speaker 1: God Morning, the breakfast Club. Your body is DJ Envy,
• 9:19
  Speaker 1: Angela yee, Charlomagne the guy. We are the breakfast Club.
• 9:22
  Speaker 1: Now we have a special guest joining us. She's an actress, producer,
• 9:26
  Speaker 1: and screenwriter. We have Miss Lena Waist in the building.
• 9:29
  Speaker 1: What I saw Lena last night and she asked me.
• 9:32
  Speaker 1: She said, now, has n they actually seen the shot? Did?
• 9:37
  Speaker 1: I said, probably not? I did seem I'm gonna tell
• 9:40
  Speaker 1: you why I've seen it. Okay. I was in the
• 9:41
  Speaker 1: gym training and my trainer was like, I gotta check
• 9:43
  Speaker 1: out the shot, and I was like why. He was
• 9:45
  Speaker 1: like Charlomagne posted on his Instagram that it made him
• 9:47
  Speaker 1: cry like a little bitch, so damn he was like,
• 9:50
  Speaker 1: I gotta go see. I said, was Jason Mitchell has
• 9:53
  Speaker 1: almost made me cry twice from the shot exact that
• 9:57
  Speaker 1: I had to see it. So I watched it. Did
• 9:59
  Speaker 1: you like it? I? I loved it? Actually? Oh, thank
• 10:01
  Speaker 1: you every verse you tweet about it? Did you post
• 10:03
  Speaker 1: about it? No? I didn't post. You need to post
• 10:05
  Speaker 1: about it. Oh, we gotta stick together. You know why
• 10:08
  Speaker 1: did post about it? Because we have a rule in
• 10:10
  Speaker 1: my in my house said I can't watch a show
• 10:12
  Speaker 1: without my wife. And I watched it without my wife,
• 10:14
  Speaker 1: and it'll be destruction in my house. Here's the deal.
• 10:16
  Speaker 1: I didn't watching my wife. Then that's what I need.
• 10:18
  Speaker 1: Doesn't know yet. Please, I need y'all to watch it together. Okay,
• 10:20
  Speaker 1: all right, and then both y'all to tweet about it. Okay,
• 10:23
  Speaker 1: you post about it, you got all right. I appreciate
• 10:24
  Speaker 1: what I tweeted about it. And that's how we got
• 10:26
  Speaker 1: Jason Mitchell to come on the show. Tweeting about Angela
• 10:28
  Speaker 1: appreciate it was great and then thank you shot my
• 10:31
  Speaker 1: shot and I said, we would love to have you
• 10:32
  Speaker 1: come on up here, and it worked out. That's my booth.
• 10:35
  Speaker 1: We got the creator of the show right here, the
• 10:38
  Speaker 1: first black woman to win a Emmy for Comedy writing. Correct. Yeah,
• 10:44
  Speaker 1: it's kind of crazy. You told me last night that
• 10:45
  Speaker 1: you want to be to Kanye West of writing. Yeah. Yeah,
• 10:48
  Speaker 1: I think because I think my mission is too. It's
• 10:51
  Speaker 1: interesting because a lot of people know me if I'm
• 10:52
  Speaker 1: asked from none and they know the Thanksgiving episode, which
• 10:55
  Speaker 1: I was very honored to want to Emmy four. But
• 10:57
  Speaker 1: I think, to me, you know, the shy is another
• 11:00
  Speaker 1: it's another color and my voice, and I kind of
• 11:03
  Speaker 1: want to keep surprising people. That's the thing we're talking
• 11:05
  Speaker 1: about Kanye and like every album felt so much different
• 11:08
  Speaker 1: than the last one, you alway didn't even know who
• 11:10
  Speaker 1: it was the same artist. And that's what I'm doing.
• 11:12
  Speaker 1: I keep surprising people. I want people to kind of
• 11:13
  Speaker 1: like be like always be guessing, like what am I
• 11:16
  Speaker 1: gonna do next? It's so different from Master and nothing.
• 11:19
  Speaker 1: Absolutely in Chicago's a hard place to represent well. But
• 11:22
  Speaker 1: obviously you're from there and Commons and executive producing here,
• 11:25
  Speaker 1: but people from Chicago will raise hell, oh my god,
• 11:28
  Speaker 1: and they they be you know, nit picking some things
• 11:31
  Speaker 1: they ain't got at me. But that's my thing. You know.
• 11:33
  Speaker 1: I don't ever want to sit there and go, Okay,
• 11:35
  Speaker 1: I got it, I'm good. I don't need to know input,
• 11:37
  Speaker 1: you know, to me. I was talking to Charlettagne last night,
• 11:39
  Speaker 1: It's like, I feel like the audience is such a
• 11:41
  Speaker 1: huge part of my career, all of our careers, like
• 11:44
  Speaker 1: we can't do this without them, and um, and I
• 11:47
  Speaker 1: really really appreciate their feedback. I want to hear from
• 11:49
  Speaker 1: them explaining this shot a little bit. It's not just
• 11:51
  Speaker 1: about the shot. TI talks about gun violence and the
• 11:53
  Speaker 1: trickle effects. To talk to people about what was your
• 11:56
  Speaker 1: mindset when you created this? Well, I was, you know,
• 11:58
  Speaker 1: it was like three years ago when I wrote the
• 12:00
  Speaker 1: and I was living in Los Angeles, and you know,
• 12:02
  Speaker 1: and my family still lives in Chicago. I always run
• 12:04
  Speaker 1: back there all the time, and I just feel so
• 12:06
  Speaker 1: connected to the city. And I was watching all these
• 12:08
  Speaker 1: news stories like it was really hot in the news,
• 12:11
  Speaker 1: like three years ago, it was just the gun violence
• 12:13
  Speaker 1: to death. It was just getting to be really out
• 12:16
  Speaker 1: of control. It it is too crazy. But I think,
• 12:19
  Speaker 1: you know, the tough thing is, you know the news
• 12:20
  Speaker 1: sometimes they get bored with the story and move on.
• 12:23
  Speaker 1: So it's like, you know, the people are still there,
• 12:25
  Speaker 1: They're still struggling with things. And so I was just
• 12:27
  Speaker 1: watching it, and I was seeing people go into the
• 12:28
  Speaker 1: city and reporting on it, and which I appreciate at
• 12:31
  Speaker 1: the same time with these are foreigners going into my
• 12:33
  Speaker 1: city who don't know what it's like to survival when
• 12:35
  Speaker 1: they're there, who don't know what it's like to run
• 12:36
  Speaker 1: the streets in the summer there, who just don't know
• 12:38
  Speaker 1: the heartbeat of the city. And I know the heartbeat.
• 12:41
  Speaker 1: I used to fall a seem to it every night,
• 12:42
  Speaker 1: and so for me, I was like, I want to
• 12:44
  Speaker 1: be able to tell the story. And I was reading
• 12:46
  Speaker 1: so much like bald One at the time, a lot
• 12:47
  Speaker 1: of links in Hughes, and I was saying how they
• 12:49
  Speaker 1: would tell stories about us and really paying a really
• 12:53
  Speaker 1: vivid picture of who we are as a community, and
• 12:55
  Speaker 1: I thought to myself, I was like, oh, I want
• 12:57
  Speaker 1: to I want to try to do this for Chicago,
• 12:58
  Speaker 1: because I feel like that wasn't any humanity and behind
• 13:01
  Speaker 1: the headlines there were just numbers, there were just statistics.
• 13:03
  Speaker 1: And I know those people, and I think there's a
• 13:06
  Speaker 1: story behind every statistic, and I kind of want to
• 13:08
  Speaker 1: tell their story so people would not be so desensitized
• 13:11
  Speaker 1: to the deaths, because I think we have been to
• 13:13
  Speaker 1: humanize in the in the public eye, and I think
• 13:16
  Speaker 1: that's problematic. Now I know you have a love for
• 13:18
  Speaker 1: a different world. Yeah, you call yourself a human Grady, Yeah, yeah.
• 13:22
  Speaker 1: After learning what we learned about Bill Cotoby, how do
• 13:24
  Speaker 1: you separate the art from the artists? You know, I
• 13:27
  Speaker 1: think it was devastating for me because the Cosby show
• 13:31
  Speaker 1: In a Different World literally changed the course of my life,
• 13:35
  Speaker 1: Like I wouldn't be sitting here for one for those
• 13:36
  Speaker 1: two shows. It was like a life jacket from me,
• 13:39
  Speaker 1: you know, growing up on the South Side of Chicago,
• 13:41
  Speaker 1: as like, you know, a kid living in my grandmother's house.
• 13:43
  Speaker 1: So what he did may break my heart, but it
• 13:48
  Speaker 1: doesn't it doesn't take away you know, the character of
• 13:52
  Speaker 1: Whitley Gilbert. It doesn't make you know, these phenomenal episodes
• 13:56
  Speaker 1: of television go away. I think we all remember that
• 13:58
  Speaker 1: episode with Titia Campbell and the HIV episode. I'm talking
• 14:01
  Speaker 1: about the La Riots, or the phenomenal episode called Mammy
• 14:04
  Speaker 1: Dearis where they sort of deal with the sort of
• 14:06
  Speaker 1: dark skinned light skinned thing. I mean, those things, those
• 14:09
  Speaker 1: memories are ingrained into my mind. Like that doesn't make
• 14:12
  Speaker 1: all that go away. That still resonates inside of me,
• 14:16
  Speaker 1: and so it was really tough. But for me, I
• 14:20
  Speaker 1: always it's not gonna make me feel any less joyful
• 14:23
  Speaker 1: when I watched that show, or if I'm filling down,
• 14:25
  Speaker 1: I'll put it on and I'll just feel like I'm
• 14:27
  Speaker 1: at home. But that show made me go to Heaton.
• 14:29
  Speaker 1: That was the reason why I was by university. Yeah,
• 14:31
  Speaker 1: because human is kind of like hu the way there
• 14:33
  Speaker 1: is the calf. Absolutely, it was, Yeah, you know, it
• 14:37
  Speaker 1: changed so many of our lives and that's such a
• 14:38
  Speaker 1: huge impact on us. I don't think you can throw
• 14:41
  Speaker 1: the baby out with the bathwater. On that one. You
• 14:44
  Speaker 1: said you wanted to be a writer since you were
• 14:45
  Speaker 1: young seven years old. How did you know you wanted
• 14:48
  Speaker 1: to write for television. I just I just knew how
• 14:50
  Speaker 1: much I love television. You know. I always say I
• 14:52
  Speaker 1: grew up in the two parent household, my mom on
• 14:54
  Speaker 1: the TV. So it's like I I was just it
• 14:58
  Speaker 1: really brought me so much joy that I wanted to
• 15:00
  Speaker 1: be a part of it. Um. And I felt like,
• 15:03
  Speaker 1: you know, TV when you're you know, growing up and
• 15:06
  Speaker 1: in the city, that TV teaches you how to dream,
• 15:09
  Speaker 1: it teaches you what to dream about. UM. And that's
• 15:11
  Speaker 1: really what it did for me. And so I just
• 15:13
  Speaker 1: kind of say, all, I want to be a part
• 15:14
  Speaker 1: of that. And then, you know, when I was in
• 15:16
  Speaker 1: fifth grade, my teacher said, I really liked reading your papers.
• 15:19
  Speaker 1: And I was like why and she said, because you
• 15:21
  Speaker 1: write the way you speak. And I just remember, I
• 15:24
  Speaker 1: just remember that, and I think that's why it's so
• 15:26
  Speaker 1: important for teachers to really highlight the kids what they
• 15:28
  Speaker 1: do well, because I was really told, I was told
• 15:31
  Speaker 1: the early age, like you speak well, you write well,
• 15:34
  Speaker 1: you enjoy reading, you know, And I also loved watching TV.
• 15:38
  Speaker 1: So when I got older, my mom was like, Okay,
• 15:39
  Speaker 1: what you're gonna do with your life? I kind of
• 15:41
  Speaker 1: combine my two favorite things, which was writing and television
• 15:44
  Speaker 1: and and I'm majored in writing and producing in television
• 15:46
  Speaker 1: at Columbia College in Chicago. Because I wouldn't ready to
• 15:49
  Speaker 1: leave Chicago yet. So my mom want to go out
• 15:51
  Speaker 1: to state. I was like, nah, nah, I would to
• 15:53
  Speaker 1: stay here. Yeah, so I went to college. You know,
• 15:55
  Speaker 1: I'm so happy I got to go to college in
• 15:56
  Speaker 1: Chicago because you know, my universe. He was like down
• 16:00
  Speaker 1: to downtown Chicago and it was amazing. We have more
• 16:03
  Speaker 1: with Lena Ways when we come back, don't move. It's
• 16:05
  Speaker 1: the Breakfast Club. Good Morning, the Breakfast Club Morning. Everybody
• 16:11
  Speaker 1: is DJ Envy, Angela Yee, Charlo Mine the guy. We
• 16:14
  Speaker 1: all the Breakfast Club. We have Lena Waits in the building, actress, producer, screenwriter.
• 16:20
  Speaker 1: Ye Now for the show Master and then how many
• 16:22
  Speaker 1: of those things that you wrote about our real life stories?
• 16:24
  Speaker 1: Because there's some random like going masturbating on the trains
• 16:28
  Speaker 1: the rest. Well, here's the thing I didn't. I wasn't
• 16:31
  Speaker 1: a writer on the show, and so like a lot
• 16:33
  Speaker 1: of that stuff comes from Alan Yang and a season Sorry,
• 16:36
  Speaker 1: that's them, you know, pulling from their own life experiences.
• 16:39
  Speaker 1: The first time I wrote on it was for the
• 16:41
  Speaker 1: Thanksgiving episode, and I didn't want to because and then
• 16:44
  Speaker 1: you went and went at me for true true. I'm
• 16:47
  Speaker 1: very grateful. I think, Um, I really didn't want it
• 16:50
  Speaker 1: to be muddled, you know, because I'm a writer first,
• 16:53
  Speaker 1: and I thought I was like, oh, I don't want
• 16:55
  Speaker 1: people thinking, oh, well, she writes on this show and
• 16:57
  Speaker 1: she starts on It's like, no, I didn't write anything.
• 16:59
  Speaker 1: In season one. They met me and they were like, Okay,
• 17:01
  Speaker 1: we had another idea for this character. We thought she
• 17:03
  Speaker 1: was gonna be some chick that may have been a
• 17:05
  Speaker 1: love interest for dev like, but we liked that you're
• 17:07
  Speaker 1: a black lesbian and you know, have interest in swags.
• 17:10
  Speaker 1: We're gonna rewrite all these other scripts and make her
• 17:12
  Speaker 1: like you. So I was like, okay, cool. So um
• 17:14
  Speaker 1: So I really trusted them, and they knew my voice
• 17:16
  Speaker 1: and they really appreciated my cadence. I was like, all right, cool,
• 17:19
  Speaker 1: let's do this. Um. But then in season two, when
• 17:21
  Speaker 1: I circled back with a season we're talking about just
• 17:24
  Speaker 1: like life stories, I told him about my coming out
• 17:26
  Speaker 1: story and they were really entertained by it. And I
• 17:29
  Speaker 1: didn't think my coming out story it was that extraordinary
• 17:32
  Speaker 1: or fascinating. I baby because it was mine, but they
• 17:34
  Speaker 1: were like, no, that's an episode and I was like okay.
• 17:37
  Speaker 1: And then and and He's just like, we should get
• 17:39
  Speaker 1: angela basket to play your mom. I was like, okay,
• 17:41
  Speaker 1: keep wishing. Uh. And then and then Angelo was like
• 17:45
  Speaker 1: she you know, she read the script and she was like, yeah,
• 17:47
  Speaker 1: I'd love to come like like you guys and do this.
• 17:50
  Speaker 1: The Emmy was icing like I had such an amazing
• 17:53
  Speaker 1: experience to doing that, and the response I got was phenomenal.
• 17:56
  Speaker 1: I didn't I didn't know how much the culture needed
• 17:59
  Speaker 1: that episode to tell vision. I really really didn't, because
• 18:01
  Speaker 1: so many people reached out and I was like, finally, like,
• 18:04
  Speaker 1: we're seeing someone that reflects us, and you're telling our story.
• 18:08
  Speaker 1: And I think for me, I just sort of I
• 18:10
  Speaker 1: didn't care if when I walk into a room the
• 18:13
  Speaker 1: energy changes. I didn't care to shout from the rooftops
• 18:15
  Speaker 1: like yeah, I'm proud to be black, I'm proud to
• 18:17
  Speaker 1: be gay, I'm proud to be a woman. And then
• 18:19
  Speaker 1: I realized how much of an anomaly I was in
• 18:21
  Speaker 1: the industry, because if you look at how many black
• 18:23
  Speaker 1: people are in Hollywood and how many outgay black people
• 18:26
  Speaker 1: there are in Hollywood, then numbers just don't add up.
• 18:29
  Speaker 1: But I think for me, what I hope is with
• 18:31
  Speaker 1: my success and just my career and my trajectory, I
• 18:34
  Speaker 1: hope that somebody looks at me and goes, you know what,
• 18:37
  Speaker 1: maybe it ain't that bad. Maybe I should just like
• 18:39
  Speaker 1: stop trying to be pretending to be something I'm not.
• 18:42
  Speaker 1: I think it's the confidence. I think it's the confidence
• 18:44
  Speaker 1: that's intriguing. It's not the fact that you're black and
• 18:46
  Speaker 1: you're again you want it's affect that you're unapologetically all
• 18:49
  Speaker 1: of that. People wish they could be that confident. It's
• 18:52
  Speaker 1: interesting because I think some people aren't really confident. I
• 18:54
  Speaker 1: think there's just a level of fear of I don't know,
• 18:57
  Speaker 1: I don't know what they're afraid. I can't speak to
• 18:59
  Speaker 1: it because that's out my experience. But I see it
• 19:02
  Speaker 1: all the time where I see people who I know,
• 19:04
  Speaker 1: our family, but they acted as that they ain't scared. No. No.
• 19:10
  Speaker 1: And my boy, Justine Simeon, who created your white people,
• 19:12
  Speaker 1: I remember because I didn't. I never thought I would
• 19:14
  Speaker 1: be an actor or a public person. But I remember
• 19:17
  Speaker 1: when we were in the process of we gott in
• 19:19
  Speaker 1: the Sundance and we knew that, you know, we knew
• 19:21
  Speaker 1: just was gonna be doing a lot of interviews and
• 19:23
  Speaker 1: all that kind of stuff, and Justin I had a
• 19:24
  Speaker 1: conversation where we were like, we will never ever pretend
• 19:28
  Speaker 1: to be something we aren't when we get out there
• 19:30
  Speaker 1: in a public eye, people need to hear that. You know.
• 19:32
  Speaker 1: You get a lot of emails for ask ye about that,
• 19:34
  Speaker 1: and me and my wife, people always inquired advantage I
• 19:40
  Speaker 1: want to come out and how can I come out?
• 19:42
  Speaker 1: Like they don't know when we get there. You get
• 19:43
  Speaker 1: that a lot. When people like, they get that a lot.
• 19:45
  Speaker 1: So it's glad to people hear your stories. Yeah, do
• 19:47
  Speaker 1: you think it's everybody's business? Though, Like some people choose
• 19:50
  Speaker 1: to come out the closet and some people are just like,
• 19:52
  Speaker 1: my sexuality isn't your business? You know. I think that
• 19:55
  Speaker 1: argument held water, uh a little bit longer ago, but
• 20:00
  Speaker 1: now I think it's imperative that, especially if you're a
• 20:02
  Speaker 1: person of color, because the truth is there. You know.
• 20:06
  Speaker 1: For me, when I was a young black girl who
• 20:08
  Speaker 1: knew I was different, was watching TV. I would always
• 20:11
  Speaker 1: be staring at the TV set looking for myself and
• 20:14
  Speaker 1: I didn't see me. And when you don't see yourself,
• 20:18
  Speaker 1: you start to think that you don't matter, or you
• 20:20
  Speaker 1: start to think that something is wrong with you. So
• 20:23
  Speaker 1: for me, I take it as a responsibility to be
• 20:26
  Speaker 1: out as hell, you know, black as hell, female as hell.
• 20:30
  Speaker 1: So that way, when some young brown kid is sitting
• 20:33
  Speaker 1: at home and turn on YouTube and watching y'all, or
• 20:36
  Speaker 1: turns on Netflix watch Master of None, or is watching
• 20:38
  Speaker 1: The Shy or whatever it is, you know, they will say, oh,
• 20:44
  Speaker 1: that's me, and she's okay, and she seems to be
• 20:48
  Speaker 1: happy and doing quite well for herself. So you know what,
• 20:50
  Speaker 1: I'm gonna be brave and be myself and be out
• 20:53
  Speaker 1: because if she can do it and survive, then maybe
• 20:57
  Speaker 1: so can I. School I'll listen is real quick because
• 20:59
  Speaker 1: you know, you call yourself an openly queer woman. When
• 21:02
  Speaker 1: did the word queer change from a slur to a
• 21:04
  Speaker 1: term of endearment? Yeah? I think for me, the reason
• 21:07
  Speaker 1: why I use the word queer is because even though yes,
• 21:09
  Speaker 1: there's lesbian, gay, bisexual, trans, intersex, asexual, non binary, there's
• 21:15
  Speaker 1: a lot of you know, categories within our group. And
• 21:18
  Speaker 1: the reason I like to say queer is because I
• 21:19
  Speaker 1: don't want to separate myself from any of those other
• 21:21
  Speaker 1: people to me, like my fight, I'll fight next to
• 21:24
  Speaker 1: a gay man, I'll fight next to a bisexual person,
• 21:26
  Speaker 1: I'll fight next to a trans person. I'll fight next
• 21:28
  Speaker 1: to someone who's non binary. I like to say we're
• 21:31
  Speaker 1: all one big family. And so that's why I'm trying
• 21:34
  Speaker 1: not to say lesbian, because then I'm sort of like,
• 21:36
  Speaker 1: I feel like ostracizing the lesbian group within a group
• 21:39
  Speaker 1: of that's already a minority. So for me, when I
• 21:41
  Speaker 1: say queer, it's really my way of just sort of
• 21:43
  Speaker 1: being all inclusive. Um, So that way, I'm not separating
• 21:46
  Speaker 1: myself from any other group. It's me saying like, we're
• 21:49
  Speaker 1: all one big group. We're all we all have something
• 21:51
  Speaker 1: about us that's sort of different, and we all have
• 21:53
  Speaker 1: to come out in some sort of way. So I
• 21:55
  Speaker 1: just kind of feel like we're all one big family.
• 22:04
  Speaker 1: Season two yet not yet, but I feel confident and
• 22:08
  Speaker 1: I'm and I'm grateful to all these people that really
• 22:10
  Speaker 1: showed up. You know, I mean so many people, so
• 22:13
  Speaker 1: many of our people, some people that don't even look
• 22:15
  Speaker 1: like us, were like, you know, instagramming and posting and tweeting,
• 22:19
  Speaker 1: and it was another it was it feels similar to Thanksgiving,
• 22:22
  Speaker 1: you know, because the thing about Netflix is like, we
• 22:24
  Speaker 1: don't know how people feel about it. It It feels like,
• 22:26
  Speaker 1: you know, yeah, exactly, we don't have ratings or whatever.
• 22:29
  Speaker 1: But I think for the shine, you know, and we
• 22:31
  Speaker 1: were lucky because Showtime was gracious enough to release the
• 22:34
  Speaker 1: first episode early. So we were getting tweets and emails
• 22:37
  Speaker 1: and comment it was getting texts and he was screen
• 22:39
  Speaker 1: grabbing and send them to me. People were saying, again,
• 22:41
  Speaker 1: thank you for showing us as we are, and um,
• 22:45
  Speaker 1: and that's really my mission as a writer. I really
• 22:48
  Speaker 1: want to continue to gain the audience's trust and I
• 22:51
  Speaker 1: want to continue to be a person that can really,
• 22:53
  Speaker 1: you know, wave a flag for our community. And um,
• 22:57
  Speaker 1: you know, I think I think it's something I don't
• 22:58
  Speaker 1: take lightly. And even like with when in the Emmy,
• 23:01
  Speaker 1: I'm really grateful and I didn't expect for that to
• 23:03
  Speaker 1: happen so earlier in my career. So I think for me,
• 23:05
  Speaker 1: I feel like I'm always trying to earn it, you know,
• 23:07
  Speaker 1: I'm really trying to earn that moment and you know,
• 23:09
  Speaker 1: hopefully hit a few more. One last question, how do
• 23:11
  Speaker 1: you think the show will change the perception in Chicago?
• 23:13
  Speaker 1: Ask you this last night, but I want audience to
• 23:15
  Speaker 1: hear it. I hope it just sort of reminds them
• 23:17
  Speaker 1: that black boys aren't born with the gun in their
• 23:20
  Speaker 1: right hand and apolodrugs and they're left. You know, they're
• 23:22
  Speaker 1: born with the same amount of hope, enjoy and potential
• 23:27
  Speaker 1: as every other little kid, and that you know, we
• 23:30
  Speaker 1: are we're human, and I think that's the thing that
• 23:33
  Speaker 1: people often forget. We are human beings and h and
• 23:36
  Speaker 1: we're just a group of working class folks that are
• 23:38
  Speaker 1: trying to go to work every day, raise our kids,
• 23:40
  Speaker 1: and get the church when we can and h and
• 23:42
  Speaker 1: also too, you know, I know people are said they
• 23:44
  Speaker 1: feel really connected to the characters, and they feel like
• 23:46
  Speaker 1: they're really rooting for them and care about them, and
• 23:48
  Speaker 1: even though they may be fictitious, my hope is that
• 23:50
  Speaker 1: if you care about Kogie, if you care about Brandon,
• 23:53
  Speaker 1: if you care about emm It, if you care about Kevin,
• 23:56
  Speaker 1: that maybe when you hear a story on the news
• 23:58
  Speaker 1: about some young black boy being shot and killed the street,
• 24:01
  Speaker 1: it will no longer just be background noise, but you'll
• 24:03
  Speaker 1: wonder what his nickname was, You'll wonder what he had
• 24:05
  Speaker 1: for breakfast that morning. Um, you'll wonder what his dreams were.
• 24:09
  Speaker 1: U and I think that's the mission, is to get
• 24:11
  Speaker 1: people to care about our lives. We appreciate you for
• 24:13
  Speaker 1: joining us. Lena Way for Lena's special man. And she's
• 24:16
  Speaker 1: about to be in a Steven Spielberg movie. So you
• 24:18
  Speaker 1: know what that means. Whenever Steven Spielberg puts a black
• 24:21
  Speaker 1: woman in that movies, Oprah willpee. They go to a
• 24:24
  Speaker 1: new level dress when Lena's about to go looking. And
• 24:27
  Speaker 1: I'm gonna keep coming back, man, whenever y'all hit me,
• 24:29
  Speaker 1: whenever y'all hit me, I'm gonna come back. Please do it. Well,
• 24:31
  Speaker 1: we appreciate you for joining us. It's the Breakfast Club.
• 24:34
  Speaker 1: Good morning, It's time to shoot your shot. To shoot
• 24:43
  Speaker 1: your shot with the Breakfast Club. Want chance, don't mess
• 24:46
  Speaker 1: it up? Mess it up, mess it up, mess it there.
• 24:49
  Speaker 1: We got Dan on the line. Dan, what's up? Bro? Hey,
• 24:51
  Speaker 1: Hey damn, we're doing shoot your shot now. Now tell
• 24:54
  Speaker 1: us your story. What's your situation, bro? Well, recently I
• 24:58
  Speaker 1: had a girl friend that she was pregnant. You know,
• 25:01
  Speaker 1: it's kind of like that story everybody, you know, a
• 25:03
  Speaker 1: lot of people are used too, uh, I got cold feet,
• 25:07
  Speaker 1: and you know, I took a walk. I left your
• 25:11
  Speaker 1: pregnant girlfriend. That was lame, bro, Yeah, I realized that. Now.
• 25:17
  Speaker 1: Why did you leave your pregnant girlfriend? I'm disgusted about you.
• 25:20
  Speaker 1: That was so you were planning to not take care
• 25:22
  Speaker 1: of your kid, or you just didn't want to be
• 25:24
  Speaker 1: where old It was more or less. I just need
• 25:27
  Speaker 1: a little time to kind of clear my head a bit.
• 25:29
  Speaker 1: But I talked to friends and family. You know, I
• 25:33
  Speaker 1: got a good support system, and you know, I knew
• 25:36
  Speaker 1: I had to be in the child's life over you know,
• 25:38
  Speaker 1: I was gone for three months, which is which is
• 25:40
  Speaker 1: way too long for you know, I ain't gonna lie.
• 25:44
  Speaker 1: You sound like a sucker right now, my brother. That's
• 25:46
  Speaker 1: pretty awful because she could have been so stressed out
• 25:49
  Speaker 1: that could really have harmed the baby. I don't want
• 25:51
  Speaker 1: you back in my life when you wasn't with me
• 25:53
  Speaker 1: for the tough time. Baby, you wake up pushed this
• 25:55
  Speaker 1: baby out to try to come back around. It's it's
• 25:58
  Speaker 1: I'm embarrassed enough. I honestly I am. So did you
• 26:00
  Speaker 1: ever see the baby? Have you ever seen the baby?
• 26:02
  Speaker 1: But three here here's the thing. The three months I
• 26:05
  Speaker 1: didn't hear nothing. I didn't get contacted, I didn't get
• 26:09
  Speaker 1: no phone called up. You think I wouldn't have called
• 26:11
  Speaker 1: your podcasts either. Yeah, you did leave, which which you're right.
• 26:16
  Speaker 1: I probably deserved it, but I just found it. I
• 26:19
  Speaker 1: found it weird that I didn't get contacted at all.
• 26:22
  Speaker 1: Why would I contact you when you left me high
• 26:24
  Speaker 1: and dry walked out? Can you imagine how that make
• 26:26
  Speaker 1: a woman feel? Bro, Seriously, she's pregnant and she's like, Yo,
• 26:29
  Speaker 1: I'm pregnant, and then you just ghost on it. You
• 26:31
  Speaker 1: already got her hormones going crazy. After thinking about it.
• 26:35
  Speaker 1: I know I was wrong. That's why I wanted to
• 26:37
  Speaker 1: to make up for whatever I messed out up. What
• 26:40
  Speaker 1: do you think's gonna happen this morning? Sir? Like, seriously,
• 26:43
  Speaker 1: what do you want us to do if? If you
• 26:45
  Speaker 1: guys can't help me out, I want to come back.
• 26:47
  Speaker 1: I want to put everything behind us and got to
• 26:51
  Speaker 1: be in this child's life. That has to happen. I
• 26:53
  Speaker 1: do agree that a child needs both his parents. With
• 26:55
  Speaker 1: as far as you and Hurt being together, I can't
• 26:57
  Speaker 1: co sign it and you can't do that would be
• 26:59
  Speaker 1: I deal. But however, whatever, however it goes, I need
• 27:04
  Speaker 1: to be in the child's life. Okay, well let's let's
• 27:06
  Speaker 1: let's call her. What's her name? Her name is Shack.
• 27:08
  Speaker 1: All right, We're gonna call Shane when we come back,
• 27:10
  Speaker 1: and you better do a lot of begging. You better
• 27:12
  Speaker 1: do a lot of apologize and a lot. I wouldn't
• 27:16
  Speaker 1: take her back about you. I'm not I wouldn't take
• 27:19
  Speaker 1: him back about you. Know what I mean. I wouldn't
• 27:21
  Speaker 1: take you back and bum but I do. I do agree.
• 27:23
  Speaker 1: You need to be in the child's life, though, good
• 27:25
  Speaker 1: good luck. We'll do when we come back. Hold on,
• 27:27
  Speaker 1: all right, thank you, I will give up call when
• 27:29
  Speaker 1: we come back. Keep a lock. This to Breakfast Club
• 27:31
  Speaker 1: and shoot your shot. Body is DJ Envy Angela Yee Charlomagne,
• 27:35
  Speaker 1: the guy we all to Breakfast Club were in the
• 27:37
  Speaker 1: middle of shoots your shot. We have Dan on the
• 27:39
  Speaker 1: line and Dan's about to call Shay. Hello, Shack, Yes,
• 27:54
  Speaker 1: Shade's Dan. I know it is. I haven't heard from you,
• 27:59
  Speaker 1: and you know, I just want you to know that
• 28:03
  Speaker 1: I cleared my head about a lot of stuff, talked
• 28:06
  Speaker 1: to some friends and family, and I need this. It
• 28:09
  Speaker 1: has to I have to be in the child's life.
• 28:12
  Speaker 1: I can't. I can't go any longer without you contacted me,
• 28:16
  Speaker 1: without casting hold up. First of all, you haven't spoken
• 28:20
  Speaker 1: to me in three months. I called you so many times,
• 28:24
  Speaker 1: and after you ignored me in treating me like how much,
• 28:27
  Speaker 1: I stopped talking to you. I stopped, Paul and I
• 28:29
  Speaker 1: stopped trying it. But honestly, it's too late like that.
• 28:32
  Speaker 1: That should have sailed a long time ago. Look what
• 28:36
  Speaker 1: between between me and you? That's fine, But I got
• 28:41
  Speaker 1: to be in our child's life. Well that's another conversation
• 28:45
  Speaker 1: we would have had months ago. If you aren't avoiding me,
• 28:48
  Speaker 1: it's not your child. Yeah, that's what I like to do.
• 28:59
  Speaker 1: Good in Shade, she said to Breakfast Club. So I
• 29:02
  Speaker 1: mean to God Angela DJ and I am proud of you, Shade. Okay.
• 29:07
  Speaker 1: I told this sucker that he did not deserve to
• 29:09
  Speaker 1: be back with you after he left you high and
• 29:11
  Speaker 1: dry when he was pregnant, and I'm glad the baby's
• 29:14
  Speaker 1: not his. God is good. Say you're not saying it's
• 29:17
  Speaker 1: just because you're angry, are you? No? No? Oh my god,
• 29:21
  Speaker 1: I cannot believe I got the whole Breakfast call on
• 29:24
  Speaker 1: my life. I tell me about the glory of God. Baby,
• 29:28
  Speaker 1: tell me how good God is? Go ahead, tell us
• 29:30
  Speaker 1: why is it not his? Well? God is really good.
• 29:32
  Speaker 1: God is. God is amazing because it turns out that
• 29:35
  Speaker 1: the baby's daddy was somebody else and he and our
• 29:38
  Speaker 1: own a relationship right now, and he's amazing. So did
• 29:43
  Speaker 1: you get a test in everything though? To make sure, yeah,
• 29:45
  Speaker 1: we did. I am going to overlap your horrsh ways,
• 29:49
  Speaker 1: because this is what God wanted for you. I am
• 29:52
  Speaker 1: proud of you, Shaye. Tell our sucker, hang up the phone,
• 29:55
  Speaker 1: don't ever call you, lose your number, y'all. Ain't got
• 29:58
  Speaker 1: no reason to be together. Dan, Dan, I'd like to
• 30:01
  Speaker 1: hear what Dan has to say about this now, Danny,
• 30:04
  Speaker 1: you feel like this is exactly this is exactly why
• 30:08
  Speaker 1: I got cold feet when I found out you're pregnant. Oh,
• 30:10
  Speaker 1: don't try to try to the strip now do You
• 30:16
  Speaker 1: never asked Dan why he now? He just walked away, Dan,
• 30:18
  Speaker 1: And maybe that was the reason. Was that the reason
• 30:20
  Speaker 1: I'm scared? But also this is exactly why I was.
• 30:25
  Speaker 1: I was nervous about having a child with her because
• 30:27
  Speaker 1: I can never get a bullet. D Your energy changed,
• 30:31
  Speaker 1: Your energy changed a little while ago, I would have
• 30:32
  Speaker 1: been with the kid who would have been back with
• 30:34
  Speaker 1: her now, all of a sudden, this is why you
• 30:37
  Speaker 1: didn't want to do such and such. Kiss my ass, Dan,
• 30:39
  Speaker 1: and kiss Shay's ass, and kiss the little baby's ass too,
• 30:42
  Speaker 1: and kiss the real daddy's ass as well. Damn might
• 30:44
  Speaker 1: have done the bullet. Maybe that was the reason why
• 30:46
  Speaker 1: Dad walked out, because she thought she was cheating on him.
• 30:49
  Speaker 1: You don't know. He wouldn't have been stressed out for
• 30:51
  Speaker 1: all these months if he would have just kept in
• 30:53
  Speaker 1: contact and knowing what really happened exactly. This is messy,
• 30:56
  Speaker 1: but that seems like everybody winsbody should be happy. He's like, congratulation, Shay,
• 31:01
  Speaker 1: thank you so much. And listen that new man you
• 31:03
  Speaker 1: with the real baby daddy. His penis is huge, isn't it?
• 31:06
  Speaker 1: What better than Dan ever could? Isn't he why you
• 31:13
  Speaker 1: want to know? All right, Well, thank you guys, appreciate it.
• 31:16
  Speaker 1: Go cry. Danny ain't gonna cry in the car. He
• 31:18
  Speaker 1: gonna cry. Goodness, gracious, that was shoot your shot. It's
• 31:22
  Speaker 1: the Breakfast Club. Good morning, It's time to shoot your shot.
• 31:33
  Speaker 1: To shoot your shot with the Breakfast Club. You want chance,
• 31:36
  Speaker 1: don't mess it up. Mess it up, mess it up,
• 31:39
  Speaker 1: mess it up. We got Greg on the line, Greg,
• 31:41
  Speaker 1: what's up? Bro? Hey, guys held Goring? Hey, Gregor shoots
• 31:44
  Speaker 1: your shot? Man, what's going on? Man? Well, tell us
• 31:47
  Speaker 1: who you want to shoot your shot with? Bro? Oh
• 31:49
  Speaker 1: my gosh, there's this attractive older woman that work works
• 31:52
  Speaker 1: out at the same ship my work hour, grol. Oh
• 31:55
  Speaker 1: you like older women? Huh? I used to call I
• 31:58
  Speaker 1: used to call older women vintage vaginant. But I don't
• 32:01
  Speaker 1: do that. I don't talk to I don't object it.
• 32:02
  Speaker 1: What's the word I don't. I don't reduce women to
• 32:04
  Speaker 1: their body parts? Thank you? All right, Greg, She's definitely
• 32:07
  Speaker 1: a cool girl. And uh, I don't call her an animal.
• 32:11
  Speaker 1: Who kind of animal are you? So, Greg continued, Let's
• 32:13
  Speaker 1: talk about Cheryl. So she's in the gym. She's in
• 32:16
  Speaker 1: the gym, and uh, you know, we make eye contact
• 32:18
  Speaker 1: all the time. And I helped her out with a
• 32:22
  Speaker 1: couple of machines. So you work at the gym, all right,
• 32:25
  Speaker 1: work out? He works Okay, you just work out there.
• 32:27
  Speaker 1: You don't work there, but you've been helping her even
• 32:28
  Speaker 1: though that's not your job. Yeah, okay, friendly, you know
• 32:32
  Speaker 1: all that. Are you sure that y'all making eye contact?
• 32:34
  Speaker 1: Because she's just like, who's this weirdo that keeps looking
• 32:36
  Speaker 1: at me? No? No, we chat each other up a
• 32:39
  Speaker 1: little bit. Is she married or is she single? I
• 32:42
  Speaker 1: don't I haven't seen a ring on that finger. I
• 32:44
  Speaker 1: mean the gym. The gym and tell me. I'm like,
• 32:47
  Speaker 1: what kind of conversations do you guys have? Oh man,
• 32:50
  Speaker 1: we talk about school, working out summer bodies and yeah,
• 32:55
  Speaker 1: you greg like, I just turned eighteen forty you talk
• 33:01
  Speaker 1: about school. Now, I'm gonna tell you something. I'm gonna
• 33:03
  Speaker 1: tell you something. You can flirt with her and make
• 33:05
  Speaker 1: her feel good, but I don't think no forty year
• 33:07
  Speaker 1: old woman giving no eighteen year old kid no play.
• 33:09
  Speaker 1: That would be actually creepy. It's good though, you make
• 33:11
  Speaker 1: her feel good, you know what I'm saying. She's like, damn,
• 33:13
  Speaker 1: I still got it. You know, well, I don't know
• 33:15
  Speaker 1: we really have a connection. What are you looking for? Though?
• 33:17
  Speaker 1: You want a relationship or you just want to you know,
• 33:20
  Speaker 1: swimming that fountain of elderly this. I would like to
• 33:25
  Speaker 1: go out on a date with her. That's sweet, but
• 33:28
  Speaker 1: she might look at you as a child, as her
• 33:30
  Speaker 1: son but you have her phone number? Yes, I do. Oh,
• 33:33
  Speaker 1: she gave you the number. You asked for it, of course,
• 33:35
  Speaker 1: and she gave it to you. Like how did you
• 33:37
  Speaker 1: ask for it? Though, like going something like, yo, can
• 33:39
  Speaker 1: I call you sometime? I want to get to know
• 33:40
  Speaker 1: you better? How you ask for it? Oh? I said,
• 33:43
  Speaker 1: we plan to have a workout date together, like you know,
• 33:46
  Speaker 1: meet at the gym at the same time. Oh, you
• 33:48
  Speaker 1: set it up as work smart. That's good. That's smart.
• 33:50
  Speaker 1: You can't get turned down that way, that's smart. All right, Well,
• 33:53
  Speaker 1: let's call her and let's see how this works out.
• 33:54
  Speaker 1: All right, we're gonna stay call your grandma man and
• 33:56
  Speaker 1: see if we can make it. And we're gonna let's
• 34:00
  Speaker 1: sew this works out. I hold on, okay, all right.
• 34:02
  Speaker 1: When we come back, we're gonna call Cheryl and see
• 34:04
  Speaker 1: how this works. I has to don't move. It's a
• 34:06
  Speaker 1: breakfast to morning. Hello, Hi, Cheryl, how are you? This
• 34:21
  Speaker 1: is Greg from the gym breg. Oh, hey, baby, how
• 34:25
  Speaker 1: are you? I'm good? How are you? I'm okay, a
• 34:28
  Speaker 1: little surprised with this phone call, but how are you?
• 34:31
  Speaker 1: What's going on? All right? I wanted to know if
• 34:34
  Speaker 1: you were free this weekend. Would you like to go
• 34:37
  Speaker 1: to the movies or to dinner? Something like that? What hold?
• 34:44
  Speaker 1: Are you eighteen? Legal? Oh? Oh my god, I do
• 34:51
  Speaker 1: want to go. I can't lie. I do want to
• 34:54
  Speaker 1: go because you were sexy a little person. But I
• 34:57
  Speaker 1: thought you was younger than even eighteen? So where you
• 35:01
  Speaker 1: want to go? Chuckie? It's working? Hey, Cheryl, what's up?
• 35:05
  Speaker 1: It's the breakfast cloud. I'm angela year. That's envy. Hey, Cheryl,
• 35:10
  Speaker 1: you almost pedophile you? He's legally no, almost too offertive word. Oh,
• 35:19
  Speaker 1: I don't want to he's legal because if this was
• 35:21
  Speaker 1: a man, you'll do it. I'll do it all the time.
• 35:24
  Speaker 1: Call we'd be calling you creepy and nasty and all chee,
• 35:28
  Speaker 1: all kind of if you saw this little boy and
• 35:30
  Speaker 1: then try by supple you just you call him a
• 35:35
  Speaker 1: little boy. No, he's a young man that glistens. What
• 35:40
  Speaker 1: you know? Was like Tom Ford? Now you know, good one.
• 35:42
  Speaker 1: You ain't taking this little boy seriously. Now you might
• 35:44
  Speaker 1: let him come over and smash a couple of times,
• 35:45
  Speaker 1: but you ain't taking this little boy seriously. And what's
• 35:47
  Speaker 1: wrong with that? Oh? Chy with that? Too early for
• 35:56
  Speaker 1: the judges, stopping a question. Great invited me. I didn't
• 35:59
  Speaker 1: go up to him. Where you gonna take a movie?
• 36:02
  Speaker 1: The movies and what restaurant. I'm just curious what restaurant
• 36:04
  Speaker 1: you're taking it to. They're going to Chucky Cheese and
• 36:06
  Speaker 1: they're going to see Jamanji. That's what they're going to do.
• 36:08
  Speaker 1: That's what y'all going to Chucky Cheese and the classy
• 36:12
  Speaker 1: You're not giving him enough part it. He's a classy
• 36:15
  Speaker 1: young man, spectful and smell like Tom four and I
• 36:20
  Speaker 1: like him and he's my motivation for coming to the gym,
• 36:23
  Speaker 1: besides my jig part. You're gonna get you a contributor
• 36:26
  Speaker 1: to the linguacy of a minor child, y'all y'all, And
• 36:28
  Speaker 1: you're gonna order him a little wine, you know what
• 36:29
  Speaker 1: I'm saying, to get him in the mood, and you're
• 36:30
  Speaker 1: going to jail. Oh no, I'm not going to order
• 36:33
  Speaker 1: him wine because he's eighteen, not twenty one. Stop it.
• 36:35
  Speaker 1: You got kids? Stop it? You got kids? I do
• 36:38
  Speaker 1: how old are they? That's not the important part. That
• 36:41
  Speaker 1: means that they close to this young boy's age. When
• 36:44
  Speaker 1: you when you sleeping with him, you look down and
• 36:46
  Speaker 1: you hear some moaning, and you think of your child,
• 36:48
  Speaker 1: you're gonna know what it is you gotta sign. I
• 36:50
  Speaker 1: am not gonna think of my child because my child
• 36:52
  Speaker 1: don't have the muscles on this man. This man is
• 36:55
  Speaker 1: sexy and Charlemagne. You need to take notes from him
• 36:57
  Speaker 1: and get your wings. This young boy, knock it off,
• 37:02
  Speaker 1: never seen you've never seen my shirt off, and get
• 37:04
  Speaker 1: your weight up. All right, all right, well, y'all are
• 37:06
  Speaker 1: gonna go out. So this is interesting. I can't wait
• 37:09
  Speaker 1: to hear the follow up. If you guys end up
• 37:10
  Speaker 1: really like dating. Seriously, I still have the test off
• 37:13
  Speaker 1: throw special. Well, let us still gets strong like an
• 37:18
  Speaker 1: eighteen year old and I mean mama, all right, all right, grandma,
• 37:22
  Speaker 1: she's got a grandma. I don't like these double stand
• 37:25
  Speaker 1: by because this is a forty year old man and
• 37:27
  Speaker 1: an eighteen ye old woman. We'd be calling him a
• 37:29
  Speaker 1: freaking creep. Okay, in fact, we've done that. We shot before.
• 37:33
  Speaker 1: She says, if you're illegal, he definitely, So it's okay,
• 37:36
  Speaker 1: the illegal. We keep that same energy. Forty year old
• 37:40
  Speaker 1: man and an eighteen year old woman. Okay, I do that, noo,
• 37:43
  Speaker 1: but is it legal? Yes? Goodness, gracious, that was shoot
• 37:47
  Speaker 1: your shot. It's the Breakfast Club. Good morning A time
• 37:53
  Speaker 1: you get dunk you are, I'm gonna satting all that
• 38:05
  Speaker 1: they want. This man's two Dogan blowers. Man. They waited
• 38:07
  Speaker 1: for Charlemagne to talk. They had to make a judgment.
• 38:11
  Speaker 1: Who was going to be on the Donkey of the day.
• 38:13
  Speaker 1: They chose you to Breakfast Club. Bitch you who's donkey
• 38:16
  Speaker 1: of the day to day? Donkey of to day goes
• 38:20
  Speaker 1: to the artist formerly known as Jay Holiday. Now I
• 38:22
  Speaker 1: get emails every now and then asking to have Jay
• 38:24
  Speaker 1: Holiday on the Breakfast Club. And at three thirty four
• 38:27
  Speaker 1: pm yesterday I got one of those emails, and the
• 38:29
  Speaker 1: email said, do you guys have space for this interview?
• 38:32
  Speaker 1: This rant is growing press under it. Can you clear
• 38:35
  Speaker 1: this up and say what he really meant by the
• 38:36
  Speaker 1: ig post? I had no idea what they were talking about.
• 38:39
  Speaker 1: But I always feel like that's whacked me. You know,
• 38:41
  Speaker 1: when an irrelevant artist wants to do a whole interview
• 38:44
  Speaker 1: based off of rant they had on social media. If
• 38:46
  Speaker 1: you had no buzz doing anything else, So if you
• 38:49
  Speaker 1: was a star who had a buzz back in the
• 38:50
  Speaker 1: day and you were trying to reheat those cold French
• 38:52
  Speaker 1: fries that are your career by going off on a
• 38:54
  Speaker 1: social media rant. I'm not interested, So I didn't even
• 38:57
  Speaker 1: look at the attachment in the email. But as I
• 38:59
  Speaker 1: look at it now, it was a picture of a
• 39:01
  Speaker 1: man I assume is Jay Holliday. And the reason I
• 39:03
  Speaker 1: say assume is because I have zero idea with this
• 39:05
  Speaker 1: young man. Jay Holiday looks like Okay iPhone ex face recognition.
• 39:09
  Speaker 1: Fairlass boy. Now you know your uncle Charlotte not the
• 39:12
  Speaker 1: highest grade of weed in the dispensary. So feel free
• 39:14
  Speaker 1: to reach out to me on social media and explain
• 39:17
  Speaker 1: to me why Jay Holliday is mad at the Grammy nominations.
• 39:20
  Speaker 1: The only time you should be mad at Grammy nominations
• 39:22
  Speaker 1: is if you are in contention from Why not correct
• 39:24
  Speaker 1: me if I'm wrong. But Jay Holliday wasn't in contention
• 39:27
  Speaker 1: for no Grammy, wasn't he? He wasn't right not. The
• 39:29
  Speaker 1: last and only time you know that he was nominated
• 39:32
  Speaker 1: for a Grammy was two thousand and nine for his
• 39:34
  Speaker 1: album Back in My Lack. I know you're thinking. All
• 39:36
  Speaker 1: I know is the record Bed Well Bed was on
• 39:38
  Speaker 1: that album, and he lost that year to the Queen
• 39:40
  Speaker 1: of Hip Hop soul. Mary Jay Blide Tropp on the
• 39:42
  Speaker 1: Clues Bumps for Mary Jay blish Oscar nominated. Now I
• 39:46
  Speaker 1: was thinking, Okay, maybe Jay Holliday is writing for people,
• 39:49
  Speaker 1: so that's why he's mad. Maybe a song he wrote
• 39:51
  Speaker 1: was in contention and didn't get nominated, so there for
• 39:54
  Speaker 1: he didn't get nominated, so he's mad. But no, that's
• 39:56
  Speaker 1: not the case. Jay Holiday just mad. Yeah, so he
• 39:59
  Speaker 1: decided the post the video on social media. I saw
• 40:02
  Speaker 1: it on ball Alerts page. Let's hear what Jae Holiday
• 40:04
  Speaker 1: had to say. So apparently, man, the black men still
• 40:07
  Speaker 1: losing to the women. I get it, no disrespect. I
• 40:10
  Speaker 1: was raised by a woman. I have two older sisters. Man,
• 40:12
  Speaker 1: I have absolute respect for black women. For with that
• 40:16
  Speaker 1: being said, I understand this man, Black men, African American men,
• 40:20
  Speaker 1: men from the hood. We go through everything to make
• 40:23
  Speaker 1: sure that who we care about are taking care of.
• 40:27
  Speaker 1: We don't swing out the ground, we don't do all
• 40:30
  Speaker 1: this bulls to be seen. I could be that over
• 40:33
  Speaker 1: here is up. I know a whole bunch of little
• 40:36
  Speaker 1: dass that sing that I could call a ask the out,
• 40:39
  Speaker 1: but I don't and understand this. I got daughters, man,
• 40:42
  Speaker 1: Cardi Beyonce scissor all y'all, mother, stop using that pain
• 40:49
  Speaker 1: to make it okay to say some bulls on your
• 40:51
  Speaker 1: record and get nominated for a Grammy for going through
• 40:54
  Speaker 1: some bulls because so it vibe all right. Listen, by
• 40:58
  Speaker 1: the way, I thought it was Kat william when I
• 41:00
  Speaker 1: sew the video, I was like, why is Cat Williams talking?
• 41:02
  Speaker 1: Because he looks just like him. But first of all,
• 41:04
  Speaker 1: I have no idea what Jay Holliday is really talking about. Okay,
• 41:06
  Speaker 1: he starts off sounding like he's still salty that Mary
• 41:09
  Speaker 1: jay Blige beat him in Old nine for the Grammy.
• 41:11
  Speaker 1: Then he starts talking about black women singing about their pain.
• 41:13
  Speaker 1: Since when don't artists of all genders make music about
• 41:16
  Speaker 1: the pain they have been through. That's what we relate to. Yeah,
• 41:18
  Speaker 1: it wasn't in a relationship. Was It's because the society
• 41:20
  Speaker 1: was his tragedies in the hood. The foundation that most
• 41:23
  Speaker 1: great black you know, classic music is built on his pain.
• 41:26
  Speaker 1: I mean, in fact, jay Z is nominated for four
• 41:28
  Speaker 1: or four four That album is about pain. To paint
• 41:30
  Speaker 1: a break in your wife's heart because of infidelity, the
• 41:32
  Speaker 1: growing pains of being a father, a better husband, the
• 41:34
  Speaker 1: pain of his mother having a suppress of sexuality and
• 41:36
  Speaker 1: then smiling because she's she was free to be who
• 41:39
  Speaker 1: she is, like, it's all about pain. Kendrick Lamar has
• 41:41
  Speaker 1: a bunch of Grammy nominations, and Kendrick talks about everything
• 41:43
  Speaker 1: from depression the suicidal thoughts. Is that not pain? Here's
• 41:48
  Speaker 1: the problem. Jay Holiday, in the words of my homie,
• 41:50
  Speaker 1: a man the Seals, is one of those guys who
• 41:52
  Speaker 1: likes poom poom but doesn't like women. Okay, Jay Holliday
• 41:56
  Speaker 1: clearly has a problem with getting bested by a woman. Okay,
• 41:59
  Speaker 1: you gotta go read the caption on this video. Okay,
• 42:01
  Speaker 1: Jay Holiday is caption on this video set as a
• 42:03
  Speaker 1: black mother effin man. Yes, salty, I lost to marry
• 42:07
  Speaker 1: Jay Blige Negro. That was two thousand nine. Get over it,
• 42:10
  Speaker 1: all right, you didn't win in oh nine. Okay, you
• 42:12
  Speaker 1: should have did what another great black Armby singer said
• 42:15
  Speaker 1: to do, and that's dust yourself off and try again,
• 42:18
  Speaker 1: all right, all right, Pelea. Then he put m over it. No,
• 42:20
  Speaker 1: you're not, because if you did, you wouldn't be making
• 42:22
  Speaker 1: this video. Jay Holiday put hashtag pain wins not talent,
• 42:25
  Speaker 1: hashtag don't support junkie music. Hashtag the weekend check, hashtag
• 42:29
  Speaker 1: watermelon swallowing, hashtag foreign poom poom. What are you doing
• 42:32
  Speaker 1: to help? Because my daughters love y'all, but are not
• 42:35
  Speaker 1: allowed to listen. That's the problem, Jay Holiday, When you
• 42:37
  Speaker 1: were the offer of a song called bed, you are
• 42:40
  Speaker 1: not allowed to be that hypocritical. My name is Charlomagne,
• 42:42
  Speaker 1: and God, this is my twentieth year in this radio business. Okay.
• 42:45
  Speaker 1: I started off as an intern in nineteen ninety eight
• 42:47
  Speaker 1: and Charleston, South Carolina had seen ninety three jams, so
• 42:50
  Speaker 1: I was around and very active during the Jay Holiday
• 42:53
  Speaker 1: Bed era. I remember people being upset that record was
• 42:55
  Speaker 1: playing during the day. Listeners did not think that record
• 42:58
  Speaker 1: bed was appropriate for kids to be listening to during
• 43:00
  Speaker 1: the day. But it didn't stop the record. You know.
• 43:03
  Speaker 1: But the same complaints you have about these young ladies,
• 43:06
  Speaker 1: you know sexually explicit lyrics, people had those same complaints
• 43:09
  Speaker 1: about Beds. My brother, what the hell are you talking about?
• 43:11
  Speaker 1: And let's be clear, you said pain wins, not talent,
• 43:14
  Speaker 1: No talent wins, and Jay Holiday you were not more
• 43:17
  Speaker 1: talented than Mary J. Blige and O nine And I'm
• 43:19
  Speaker 1: pretty sure you're not as talented as says in Beyonce.
• 43:21
  Speaker 1: Now it's not about gender, sir, It's about greatness. And
• 43:23
  Speaker 1: then O nine, you was good, but you aren't great.
• 43:25
  Speaker 1: It's simple and if you were a great, my brother,
• 43:27
  Speaker 1: where you've been last time you dropped an album with
• 43:29
  Speaker 1: twenty fourteen guilty conscience? I don't want to hear you
• 43:31
  Speaker 1: yelling from the sidelines. If you think you still got
• 43:33
  Speaker 1: some skills, get in the game, don't complain, compete. Stop
• 43:36
  Speaker 1: telling me about gender and black man versus black women,
• 43:39
  Speaker 1: talent versus pain man. Those ladies are working and you
• 43:42
  Speaker 1: are not simple and plain. Stop being one of those
• 43:44
  Speaker 1: dudes who likes poem poem but hates women. Knock it off. Now.
• 43:47
  Speaker 1: I'm only talking about this because I need content for
• 43:49
  Speaker 1: Donkey today. But the resurfacing of Jay Holiday made me
• 43:53
  Speaker 1: think about something. But what are the top five most
• 43:56
  Speaker 1: irrelevant holidays? Like? We all have the holidays that really
• 44:00
  Speaker 1: means something to us. I love Christmas, I love New
• 44:03
  Speaker 1: Year's Eve, I love Valentine's Day. But there's some holidays
• 44:06
  Speaker 1: that I don't give a damn about. So there is
• 44:08
  Speaker 1: a Charlemagne the God's Top five most irrelevant national holidays.
• 44:12
  Speaker 1: Number five Groundhog Day. I don't give a damn about
• 44:15
  Speaker 1: no groundhof that's coming up. Okay, it's February second. Look,
• 44:19
  Speaker 1: I don't care. And if he sees his shadow, that's
• 44:21
  Speaker 1: the only time. That's the only time I care. The
• 44:23
  Speaker 1: only time I ever care is when I sign the
• 44:26
  Speaker 1: president do that thing with a groundhall peeps out and
• 44:28
  Speaker 1: sees his shadow. That's the only time I care. What groundhoggins.
• 44:32
  Speaker 1: When you bout to go to the bathroom and it
• 44:34
  Speaker 1: comes out a little bit, I wouldn't even recognize the groundhog. Okay,
• 44:38
  Speaker 1: I wouldn't even recognize the groundhog if I saw one
• 44:40
  Speaker 1: in the street, all right, groundhogging. I would probably mistake
• 44:43
  Speaker 1: a groundhog for a woodchuck. But I would recognize the
• 44:46
  Speaker 1: ground hall before I recognize Jay. Holiday now number four
• 44:49
  Speaker 1: mostly relevant holidays. April fools Day, bro, There's absolutely no
• 44:53
  Speaker 1: reason on April for us for people to be falling
• 44:55
  Speaker 1: for April fools Day's pranks. The jig been up. In fact,
• 44:58
  Speaker 1: April fools dare and saw irrelevant that nobody even bothered
• 45:01
  Speaker 1: to do the pranks anymore. I already had one planning
• 45:03
  Speaker 1: for you guys that I've been planning out since I
• 45:05
  Speaker 1: think we're I think I think we pretty pretty much
• 45:08
  Speaker 1: know when their performance pretty much. Number three mostly relevant
• 45:11
  Speaker 1: holiday National Selfie Day. That's every June twenty four. Selfies
• 45:15
  Speaker 1: do not need its own holiday, simply because people catch
• 45:18
  Speaker 1: lights from selfies every day. Be all right. Number two
• 45:21
  Speaker 1: most irrelevant holiday Christopher Columbus Day, ftat Murderer is bastard.
• 45:26
  Speaker 1: Christopher Columbus Only Christopher we acknowledges Wallace Now the number
• 45:32
  Speaker 1: one most irrelevant holiday. I need a drum roll for
• 45:34
  Speaker 1: this one. Turned the drum roll up. Okay. The number
• 45:37
  Speaker 1: one most irrelevant holiday, beating out National Talk like a
• 45:41
  Speaker 1: Pirate Day, beating out National Peanut Butter Day, beating out
• 45:46
  Speaker 1: National hat Day. Wow. The most irrelevant holiday is Jay Holiday.
• 45:55
  Speaker 1: That damn what does Jay Holiday win? He gets the
• 46:00
  Speaker 1: gains he had courtesy here remy ma, he haw he haw,
• 46:03
  Speaker 1: you stupid mother? Are you dumb? Gosh? Fight me when
• 46:09
  Speaker 1: you see me? Damn it, I'm sure he will. You know,
• 46:13
  Speaker 1: He's more irrelevant than Winnie the Pool. That's an easy one.
• 46:16
  Speaker 1: First of all, don't we ever disrespect Winnie the Pool? Well,
• 46:19
  Speaker 1: you didn't come in here dressed. That's like him. I
• 46:21
  Speaker 1: dressed like him at home red T shirt. No drops
• 46:23
  Speaker 1: all right there more like a crop top. Well, I
• 46:27
  Speaker 1: don't judge me for what I do at home if
• 46:29
  Speaker 1: you like, if we love it, all right, you think
• 46:31
  Speaker 1: you're elliot in the bedroom, all right, thank you for that. Dog. Yeah,
• 46:41
  Speaker 1: I don't know. The Breakfast Club morning. Everybody is DJ Envy,
• 46:48
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 46:51
  Speaker 1: We got some special guests in the building. Gang out
• 46:54
  Speaker 1: right now, me goes, what's happening? We control what's up?
• 46:58
  Speaker 1: Sup y'all? A lot of money man, Yeah, so a
• 47:02
  Speaker 1: lot of money, he said, yes, keeping go out first,
• 47:04
  Speaker 1: you know of it? What exactly is coaching to the me?
• 47:09
  Speaker 1: Goals were the way we're bringing out the people together,
• 47:13
  Speaker 1: young generation. We're making new music, keeping it fresh, and
• 47:17
  Speaker 1: we the boys have started all this crazy float, this
• 47:20
  Speaker 1: crazy ice. We're taking over the game. Yeah, and there's
• 47:23
  Speaker 1: twenty first songs on this new album. Now we actually
• 47:25
  Speaker 1: have to reschedule because I guess they was some type
• 47:27
  Speaker 1: of last minute emergency before the album. Get a fly
• 47:30
  Speaker 1: back and something to fix it versus something now you
• 47:32
  Speaker 1: know who were just on the PJ figuring out the
• 47:34
  Speaker 1: album at the same time. So you're on the private
• 47:36
  Speaker 1: jet figuring out the album, then trying to get to
• 47:37
  Speaker 1: the Brava Club. Now I didn't want to three days
• 47:39
  Speaker 1: before the album came out, y'all never right yet, YEA
• 47:41
  Speaker 1: were on the cloud we got, you got the last minute.
• 47:44
  Speaker 1: You can't rust greatness. Isn't it crazy? Because back in
• 47:46
  Speaker 1: the day you used to have to submit your album
• 47:48
  Speaker 1: so much earlier, and now three days before you can
• 47:50
  Speaker 1: still make changes. We try to hold on to it
• 47:52
  Speaker 1: long because you know, albums be leaking. We can't do.
• 47:57
  Speaker 1: How come so many songs? Twenty four is at coaching
• 48:00
  Speaker 1: two and three anniversar. Hain't been a year? Been a
• 48:03
  Speaker 1: year since we dropped our last album. Yeah, so many songs.
• 48:07
  Speaker 1: That's on the right. You've been producing the mixing all right,
• 48:09
  Speaker 1: because I mean early on, y'all didn't have the budgets
• 48:12
  Speaker 1: and all of that to do. So you've been doing
• 48:13
  Speaker 1: that right. Yeah, we had the budget for show, but
• 48:17
  Speaker 1: we just always in housing did it? You made music?
• 48:19
  Speaker 1: A lot of engineers don't know like the sound, they
• 48:22
  Speaker 1: just know the mix it traditional way. I'm talking about
• 48:26
  Speaker 1: early on, even before QC, when y'all with Gucci we've
• 48:29
  Speaker 1: been in our love of ourselves, being hands on with
• 48:31
  Speaker 1: our craft. Got to now the interesting thing about y'all,
• 48:33
  Speaker 1: y'all really hip hop head? Like I hit offset reference
• 48:36
  Speaker 1: in Wu Tang on the twenty one Savage collaboration and quick,
• 48:39
  Speaker 1: what you said, Jay is your favorite rapper? Why why
• 48:41
  Speaker 1: is it this stigma that y'all not real hip hop?
• 48:43
  Speaker 1: You pay homage to the ogs that paid away for us,
• 48:46
  Speaker 1: and I literally and I really listened to that. I
• 48:48
  Speaker 1: don't know what if if you could say you don't
• 48:50
  Speaker 1: know who the folks is, you got to be lying
• 48:53
  Speaker 1: and you got to know the game that you in.
• 48:55
  Speaker 1: You know what I'm saying. You got to know who
• 48:56
  Speaker 1: paid away, who came in and go first? Got to
• 49:00
  Speaker 1: how's it feeling to be nominated for some Grammys? What's
• 49:02
  Speaker 1: that feeling like? First blessing? But you know this you're
• 49:05
  Speaker 1: doing for to get the trophy bring home. That's the
• 49:10
  Speaker 1: one thing that your your mom's respect because moms always
• 49:12
  Speaker 1: knew the Grammys. Like moms might not care about some
• 49:15
  Speaker 1: of the other ones, but mommy knows the Grammys. Mom, Dude,
• 49:18
  Speaker 1: respect us period. You know what I'm saying, just bought
• 49:20
  Speaker 1: our house shout the mom Mama, I feel about your
• 49:25
  Speaker 1: mom's the house man feel good, accomplishments on accomplishments, blessings
• 49:30
  Speaker 1: on blessings. We ain't gotta wait on another guy. She
• 49:32
  Speaker 1: ain't gotta wait on nobody. And she got it from
• 49:35
  Speaker 1: her boys. That's the best, the best ticket in the
• 49:38
  Speaker 1: world from my MoMA. And that's something you had on
• 49:40
  Speaker 1: like a vision board or something like about my mama house.
• 49:42
  Speaker 1: That's the feeling that I made it up, wet me
• 49:44
  Speaker 1: and take out about my mama house. We had to
• 49:48
  Speaker 1: we got to got to take care mamma. It seems
• 49:50
  Speaker 1: like you guys got your business together. Most artists don't
• 49:53
  Speaker 1: usually have their business together till it's too late. What
• 49:55
  Speaker 1: gave you all a sense to have your your together,
• 49:57
  Speaker 1: have a good structure, and then when that bad come
• 50:01
  Speaker 1: in extra different You gotta you can't move the same
• 50:05
  Speaker 1: way how you move when you first got some money.
• 50:07
  Speaker 1: I'm keeping it real, Yeah, Are you telling them not
• 50:14
  Speaker 1: to waste their money or are you just trying stealing
• 50:17
  Speaker 1: them the same things I would talk coming up. You
• 50:19
  Speaker 1: know they y'all, they get the money right now. People
• 50:22
  Speaker 1: don't know like when we first started. They came in
• 50:25
  Speaker 1: with money, You know what I'm saying. You know we
• 50:27
  Speaker 1: were grinding. We were grinding out there in the street.
• 50:29
  Speaker 1: But you know you asked them folks in the street
• 50:31
  Speaker 1: set line of me goes. They came in doing their thing,
• 50:34
  Speaker 1: you know what I'm saying. So I was listening to
• 50:36
  Speaker 1: Cardi B talk about offset inspired her up to get
• 50:39
  Speaker 1: a business manager and get a lawyer and all that.
• 50:42
  Speaker 1: And most of the times you don't necessarily hear that
• 50:43
  Speaker 1: because most times when all to get money is it's
• 50:45
  Speaker 1: so new. They just spending. How did y'all, how did
• 50:47
  Speaker 1: you have that mone frame? Like I knew, I need
• 50:48
  Speaker 1: to get this, I need to get that, I need
• 50:49
  Speaker 1: to get this. Like where did you get that mind
• 50:51
  Speaker 1: framing business sense from? When we came in the game,
• 50:54
  Speaker 1: Like I said, a bit, I'll put it on me,
• 50:56
  Speaker 1: Like he came in teach us or whatever he learned.
• 50:59
  Speaker 1: You know what I'm saying. It was it was like
• 51:00
  Speaker 1: whatever he learned, I learned at the same time. And
• 51:02
  Speaker 1: then I know she had just transferred from not really
• 51:06
  Speaker 1: in a music to having a real his singing. So
• 51:08
  Speaker 1: that money coming in, you got to clean it up.
• 51:10
  Speaker 1: I'm a player. I ain't gonna leave it having money
• 51:12
  Speaker 1: not straight said, you gotta clean that up. You know
• 51:14
  Speaker 1: he's still thinking old day, I gotta clean that money up.
• 51:16
  Speaker 1: It's clean now, it's clean. Clean the business up. That's
• 51:19
  Speaker 1: I mean, not the money of the business behind the one.
• 51:21
  Speaker 1: I'm saying, y'all like second third generation millionaires in Atlanta,
• 51:25
  Speaker 1: or it ain't like money new the black folks in Atlantic, young,
• 51:28
  Speaker 1: black black, everybody got mine a lot of black Hollywood
• 51:32
  Speaker 1: call superstars. You know what I'm saying us. You know,
• 51:37
  Speaker 1: why do you think the sound in Atlanta is accepted
• 51:39
  Speaker 1: all around the world? Like it's because y'all hooding man,
• 51:42
  Speaker 1: y'all smell like loud writing now, but the sounds stepped
• 51:45
  Speaker 1: it all around the world. Why it's authentic, it's real,
• 51:50
  Speaker 1: it's fun, natural, not too much stocks, you know what
• 51:54
  Speaker 1: I'm saying. It's not too much. It's not too deep.
• 51:56
  Speaker 1: You could get deep, but it ain't really too deep.
• 51:58
  Speaker 1: You know what I'm saying. It's enjoyable music, enjoyable in
• 52:02
  Speaker 1: the streets. And you know what, that's a great You
• 52:05
  Speaker 1: guys say that everybody's on the field, nobody's in the bleachers,
• 52:07
  Speaker 1: and y'all have all done your own thing, like individually,
• 52:10
  Speaker 1: but you guys support each other, like take Off, you
• 52:12
  Speaker 1: have the album coming the mixtape with YEADI is it
• 52:14
  Speaker 1: the album or mixtape? Just play on it. I can't
• 52:21
  Speaker 1: spill the beans too much. Just knew us on the way,
• 52:23
  Speaker 1: all right, is it almost done? It was finished? Yeah,
• 52:27
  Speaker 1: you know already in the rep. I saw a tweet
• 52:30
  Speaker 1: this morning. I was interested and said, Young Rich Too
• 52:32
  Speaker 1: was Quabo's album, Coacher was Offsets album, and Coaching Too
• 52:35
  Speaker 1: is Takeoffs album. Yeah, it seems like individually because first
• 52:38
  Speaker 1: it was like Quabo, then it was like Offset. Now
• 52:39
  Speaker 1: it's like take Off that perposely done. Everybody got their
• 52:44
  Speaker 1: own time about time. It's all the one boat and
• 52:48
  Speaker 1: we were one, all the one both, every piece of special.
• 52:52
  Speaker 1: That's why we ain't like nobody else. Everybody pop. I
• 52:56
  Speaker 1: ain't a weak n How do y'all make sure y'all
• 52:58
  Speaker 1: see together as a team, because usually this around the
• 53:00
  Speaker 1: time when we start seeing teams start this person a
• 53:02
  Speaker 1: little bit breaking up and beef in the bickery. It's
• 53:05
  Speaker 1: real family blood. I mean, well, bet through a time
• 53:10
  Speaker 1: we didn't get it like everybody either. I feel like
• 53:12
  Speaker 1: we went through more sleeping on that. Nick tell us.
• 53:15
  Speaker 1: They were tripping. You know what I'm saying. We had
• 53:17
  Speaker 1: to really show people, make them wake up like we
• 53:19
  Speaker 1: did real deal. That also keep us together too, because
• 53:22
  Speaker 1: it ain't know are they we kept it all the
• 53:24
  Speaker 1: way we started the bottom. We don't hand a quick
• 53:26
  Speaker 1: little hitting. I don't feel like we can't scrape for
• 53:28
  Speaker 1: them more As to one, that's why we're gonna leave
• 53:31
  Speaker 1: out as one. We still do our O bands where
• 53:33
  Speaker 1: we support each other. You got to we brought us.
• 53:35
  Speaker 1: We ain't tripping by that. That's that's late money we
• 53:37
  Speaker 1: got more with me goes when we come back, keep
• 53:39
  Speaker 1: it locked. As to breakfast club, good morning morning, everybody's
• 53:42
  Speaker 1: DJ n v Angela Yee Charlomagne the guy we are
• 53:45
  Speaker 1: the breakfast club ME goes to in the building. I
• 53:48
  Speaker 1: remember the grind. I remember y'all did the club for me,
• 53:51
  Speaker 1: and at the time, I think I gave you all
• 53:53
  Speaker 1: three thousand dollars. That's how long a goal was. They
• 53:56
  Speaker 1: nowhere near that now, But I got to make that
• 53:58
  Speaker 1: up next time, NBA. Next time you got an overcharge
• 54:01
  Speaker 1: for what they did. But remember seeing the grind back
• 54:05
  Speaker 1: then in our hard day. That time, that time gonna
• 54:07
  Speaker 1: be three hundred thous now. But that's how that's how
• 54:12
  Speaker 1: much the grind was. They grinded it out, and at
• 54:14
  Speaker 1: the time it was nobody believed and they thought they
• 54:16
  Speaker 1: would one hit one is And now that you know,
• 54:18
  Speaker 1: they pulled the industry wrong. And it was really independent.
• 54:21
  Speaker 1: Don't forget that, really independent on the charge independent, And
• 54:25
  Speaker 1: that's the relationship. I really do remember. I don't think
• 54:28
  Speaker 1: I never took they want they want the early fourteen
• 54:40
  Speaker 1: seventy nine days when COK was just on that um
• 54:43
  Speaker 1: just promo for promo. Looking back in my three that
• 54:52
  Speaker 1: went to the single, I just don't remember you trying
• 54:56
  Speaker 1: to pay that love my brother? That was That was
• 55:02
  Speaker 1: about ten years ago. Ten years ago about it. I
• 55:05
  Speaker 1: don't even think I was here've been out ten years.
• 55:12
  Speaker 1: What's the lowest y'all to appearances, y'all can remember if
• 55:16
  Speaker 1: free the folk, it's been a rack with fo Yeah,
• 55:19
  Speaker 1: And they had to get at the door because people
• 55:22
  Speaker 1: even now might have been like, well, you know, I
• 55:24
  Speaker 1: was there early on and I was booking you off
• 55:27
  Speaker 1: of stuff for three thousand dollars. I can't get no
• 55:29
  Speaker 1: love now. Now, what happens the evolution? Maybe you know
• 55:36
  Speaker 1: what I'm saying, some people get some love. I'm sure
• 55:38
  Speaker 1: though some people get a little slight discount, you still
• 55:40
  Speaker 1: get love. But you i'na. But we've been seeing you
• 55:47
  Speaker 1: working with Iggy and Zelia. What's going on with that?
• 55:50
  Speaker 1: Because I assume I'm sure you're executive producing. Maybe people
• 55:53
  Speaker 1: are tapping you to do other stuff too. Cuavo making music,
• 55:57
  Speaker 1: they light the way we away. Is there anybody you
• 56:01
  Speaker 1: feel like you wouldn't get a sound too, that you
• 56:03
  Speaker 1: turn like you wouldn't do a song with, or wouldn't
• 56:05
  Speaker 1: do the project with. When the price is right, we
• 56:08
  Speaker 1: can work. You think you can make somebody into a star. Yeah,
• 56:11
  Speaker 1: you're trying to record. You're trying to record. Make you
• 56:24
  Speaker 1: think you can project? We can do you know what
• 56:26
  Speaker 1: I'm saying. See you got the radio. We are in
• 56:31
  Speaker 1: form in the beginning three thousand, definitely not playing no
• 56:35
  Speaker 1: records in Atlanta. What's the difference between people from the
• 56:43
  Speaker 1: East Side, West West Side and the north Like? Is
• 56:46
  Speaker 1: that difference wether QC team? We got the East West
• 56:50
  Speaker 1: ending off all on one team. You know what that
• 56:52
  Speaker 1: made the All Star Dream Team? That what it is
• 56:55
  Speaker 1: set got, it's more love. I feel like in all
• 56:58
  Speaker 1: the other seas because they'd be having one rap or
• 57:01
  Speaker 1: they don't got no rev We'll be having five in
• 57:03
  Speaker 1: the same studio to be so and house you like.
• 57:06
  Speaker 1: Y'all don't even know how close folks would be in
• 57:08
  Speaker 1: house like everything be so small in the city. We
• 57:12
  Speaker 1: smash you smashing right now. You know now you you
• 57:15
  Speaker 1: said you you love wood thang and you love hold
• 57:17
  Speaker 1: and listen to some of those lyrics. Early on it
• 57:20
  Speaker 1: was disrespectful. Now people seem like they're too sensitive. You
• 57:22
  Speaker 1: gotta watching your lyrics, what you say, because it seems
• 57:24
  Speaker 1: like the interte they got way too SENTI they got
• 57:26
  Speaker 1: on you for saying quier. Other day. We still go
• 57:28
  Speaker 1: for you, though, I don't know if you hear, we
• 57:30
  Speaker 1: still up for you. I didn't know that, man, though
• 57:32
  Speaker 1: real I really didn't know what that man. You know,
• 57:35
  Speaker 1: I didn't take it. I didn't take a lot. I
• 57:36
  Speaker 1: didn't take it. Because that's the way it's been you.
• 57:39
  Speaker 1: It's kind of I don't want to talk about that,
• 57:41
  Speaker 1: but it's how I look. I gotta love everywhere. I
• 57:43
  Speaker 1: don't know what they're talking about. You know what I'm saying.
• 57:45
  Speaker 1: I'm big gonna fashion myself. I'm saying, so I gotta
• 57:47
  Speaker 1: love everybody. I ain't never been up scrimin. They don't
• 57:50
  Speaker 1: nobody don't use it in the proper context though like it.
• 57:53
  Speaker 1: This means weird. Though that's all it means. I was
• 57:56
  Speaker 1: referring as like, somebody can't put me on chemera because
• 57:58
  Speaker 1: it's a lot of my even your friends. You might
• 58:01
  Speaker 1: see your boy you ain't seen in the year, and
• 58:03
  Speaker 1: you might turn around and he just got the camera
• 58:05
  Speaker 1: on Youini. You know I was telling about like that. Widdo. Yeah,
• 58:08
  Speaker 1: I don't even get into that. But you don't get
• 58:11
  Speaker 1: enough credit to offset man for staying out of trouble.
• 58:13
  Speaker 1: At one point time he was in jail and out jealous.
• 58:15
  Speaker 1: Seemed like you was the guy that was gonna be
• 58:17
  Speaker 1: causing the most problems in the group. But you you
• 58:19
  Speaker 1: clean out here. I got to clean up my boy.
• 58:25
  Speaker 1: You know what I'm saying. You know what I'm saying,
• 58:27
  Speaker 1: You gotta you gotta clean it up. It ain't about that.
• 58:29
  Speaker 1: I was moving fast when I first got out, though
• 58:31
  Speaker 1: I had just got out everything I adn't go through
• 58:34
  Speaker 1: the first if everything I went through the bottom. Pos
• 58:36
  Speaker 1: still don't believe a lot of things I had the
• 58:39
  Speaker 1: big I was feeling myself, so I was getting in trouble.
• 58:41
  Speaker 1: I ain't with it no more. It's about recording, focus,
• 58:44
  Speaker 1: get the money. When did you feel the switch happening?
• 58:46
  Speaker 1: It was it after you jumped up the stage and
• 58:48
  Speaker 1: point the dude, like it when you were in jail.
• 58:50
  Speaker 1: Which one was? It was just after all the um.
• 58:53
  Speaker 1: You know, you just look look at yourself when you
• 58:55
  Speaker 1: go up. Man, I'll be at home, might be recording.
• 58:59
  Speaker 1: It ain't cool, you know what I'm saying. At one
• 59:02
  Speaker 1: point it was like I wasn't trying to do it
• 59:04
  Speaker 1: to be cool, but it was. It was getting barbered.
• 59:06
  Speaker 1: It's just got to the point where one cool on,
• 59:09
  Speaker 1: you're tripping. I ain't gonna do that. Would you ever
• 59:14
  Speaker 1: really concerned me? Oh yeah, of course, because you know
• 59:17
  Speaker 1: they y'all the spotlight on them. People go to hey,
• 59:21
  Speaker 1: when you start getting money, you know what I'm saying,
• 59:23
  Speaker 1: They start getting money like real fast, and you know,
• 59:26
  Speaker 1: you gotta watch out for the haying police. You gotta
• 59:29
  Speaker 1: watch out for the haters in the street. You know,
• 59:31
  Speaker 1: we we've been through a lot that a lot of
• 59:33
  Speaker 1: people don't know about. You know what I'm saying, Like
• 59:36
  Speaker 1: what people do know about that document shootouts and all
• 59:39
  Speaker 1: kind of crest us. So I would really concerned about
• 59:43
  Speaker 1: you know, they were being, But you know, you learn
• 59:46
  Speaker 1: from your mistakes, you know what I'm saying. I feel
• 59:47
  Speaker 1: like all the mistakes that they were that they made
• 59:49
  Speaker 1: and some of the bad not mistakes, but just bad
• 59:52
  Speaker 1: choices that they made back in the day that you know,
• 59:55
  Speaker 1: they grew from. You know what I'm saying, They understand
• 59:57
  Speaker 1: that that ain't gonna get them to the knit level,
• 59:59
  Speaker 1: you know what I'm saying. So they're good, man. Quit
• 1:00:02
  Speaker 1: when you're doing the megos biopick. Are y'all ready to
• 1:00:04
  Speaker 1: talk about all of that type of stuff? Is the
• 1:00:06
  Speaker 1: statue of limitations up on a lot of stuff? No,
• 1:00:09
  Speaker 1: I ain't no limitation? We go no, No, he got seven?
• 1:00:19
  Speaker 1: How much it's too it's two? We gotta wait two
• 1:00:22
  Speaker 1: more years? Then? Now, I saw you guys were talking about, Um,
• 1:00:26
  Speaker 1: Kanye produced a lot of songs that you didn't use
• 1:00:29
  Speaker 1: on this album. So does that mean you guys have
• 1:00:30
  Speaker 1: another album almost ready to go after this? Because I
• 1:00:33
  Speaker 1: know you guys keep coming. We just well just be
• 1:00:36
  Speaker 1: recording records, just recordings. It wasn't necessary for the culture
• 1:00:41
  Speaker 1: album we um did. He got on he did bad
• 1:00:44
  Speaker 1: bad bitches only people probably don't even know that, so
• 1:00:50
  Speaker 1: him boot me um we all just got on the collapse.
• 1:00:55
  Speaker 1: But I brought the record to him and he played
• 1:00:57
  Speaker 1: like three samples on it and just stuck with the
• 1:01:01
  Speaker 1: baseline and news wrapped from them. What's your favorite place
• 1:01:04
  Speaker 1: that y'all have been to in the world? The far
• 1:01:06
  Speaker 1: we see all on the ground, wall, in the water
• 1:01:08
  Speaker 1: and these different anxiety places. What's your favorite spot? The
• 1:01:12
  Speaker 1: blue look? Yeah, that's Iceland, South Africa. I like, so
• 1:01:18
  Speaker 1: I heard the blue dope I heard is it's freezing cold,
• 1:01:21
  Speaker 1: but they got little warm ice things. You could jump
• 1:01:24
  Speaker 1: in the water and it's nice and warm. That's a
• 1:01:26
  Speaker 1: big big pools or like volcanic volcanic, Yeah, warm water,
• 1:01:31
  Speaker 1: but it's on rock. So's that's reason that's the next ship.
• 1:01:33
  Speaker 1: I'm taking the fam herds dope. Why you like South
• 1:01:35
  Speaker 1: Africa take It's just like straight out the jungle. Yeah, yeah,
• 1:01:41
  Speaker 1: yeah yeah, Foo country food Country got the best, no
• 1:01:48
  Speaker 1: crazy American going on. We got more with me goals
• 1:02:01
  Speaker 1: when we come back, keep it locked. As to breakfast Club,
• 1:02:03
  Speaker 1: good morning, the Breakfast Club, everybody is DJ Envy Angela Yee,
• 1:02:11
  Speaker 1: Charlomagne the guy. We are the Breakfast Club Megals are
• 1:02:13
  Speaker 1: in the building, Charlomagne, quit when you see you out
• 1:02:15
  Speaker 1: of your element? Do y do y'all feel out of
• 1:02:17
  Speaker 1: your element in the injury? Are y'all adapting to it?
• 1:02:20
  Speaker 1: They adapting to us, and they're getting They finally getting
• 1:02:23
  Speaker 1: what we're saying because we've been knocking at the door
• 1:02:26
  Speaker 1: for a long time trying to get y'all to understand
• 1:02:28
  Speaker 1: the game. But now y'all really like cut the own
• 1:02:31
  Speaker 1: button on the ears and y'all with us, So we
• 1:02:33
  Speaker 1: appreciate it. If y'all know what was gonna be like this, Yeah, yeah,
• 1:02:37
  Speaker 1: we dream for even a crossover success. That's what we're
• 1:02:41
  Speaker 1: doing for. I believe, really believe y'all were coming to
• 1:02:49
  Speaker 1: the Breakast Club for a long time before it was
• 1:02:51
  Speaker 1: just Megal. It was all set, I mean take on,
• 1:02:54
  Speaker 1: take off, take off in Quabo and all set was
• 1:02:57
  Speaker 1: locked up off that called it from jail one time,
• 1:02:59
  Speaker 1: right show chatting. Yeah, they've been rocking with us for
• 1:03:04
  Speaker 1: a minute. For a minute, you know why we pull
• 1:03:07
  Speaker 1: up every time yard back to y'all got a lot
• 1:03:12
  Speaker 1: better in interviews lately, Man, I've been watching y'all. It's
• 1:03:14
  Speaker 1: like y'all finally realizing your y'all ain't drug dealers no more,
• 1:03:17
  Speaker 1: so y'all actually talking like y'all, Like, yeah, that's what
• 1:03:22
  Speaker 1: they're feeling, like little terrogation runs, you know what I mean?
• 1:03:25
  Speaker 1: You know what I was going to speak to those right, Yeah,
• 1:03:28
  Speaker 1: we're no py'all, but you have to getting nervous of
• 1:03:30
  Speaker 1: too much music. But there's a lot of Megos records
• 1:03:33
  Speaker 1: that's catching. It's like, you know what I mean, I
• 1:03:36
  Speaker 1: can name five. We're gonna flood the market. Market Shaw
• 1:03:40
  Speaker 1: trying to try. We're trying to get eighty percent of
• 1:03:42
  Speaker 1: the market, Shaw and lead twenty percent of the world.
• 1:03:46
  Speaker 1: Damned you greedy, PF. You were whole team. They weren't
• 1:03:50
  Speaker 1: making that greedy because we're a team, the whole team.
• 1:03:53
  Speaker 1: You see, if you come to the air, ain't nobody
• 1:03:56
  Speaker 1: looking like that. If you go in New York, ain't
• 1:03:58
  Speaker 1: nobody la I hold team race Lambo and we go
• 1:04:01
  Speaker 1: to the club for real, Yeah, I don't. I don't
• 1:04:04
  Speaker 1: see it. No wild we need all of and then
• 1:04:06
  Speaker 1: I feel like we got so much. We got a
• 1:04:08
  Speaker 1: land looking like dude by you know how and do
• 1:04:10
  Speaker 1: by that thing back to back, transform a game. I
• 1:04:14
  Speaker 1: won't pull your car in and I'll see you got
• 1:04:16
  Speaker 1: a nice one line one time and he said you
• 1:04:19
  Speaker 1: got a nice one like you only got what you
• 1:04:23
  Speaker 1: got when you got two thousand and four cattle. Yeah.
• 1:04:33
  Speaker 1: Do you tell each other if you're doing a song
• 1:04:34
  Speaker 1: and you don't like somebody's verse or you guys, just
• 1:04:37
  Speaker 1: let it rock. You know how we came up for real,
• 1:04:39
  Speaker 1: That's how we came with it. It's like it ain't
• 1:04:41
  Speaker 1: it's easy. I used to listen. I used to do
• 1:04:44
  Speaker 1: a verse and it'd be some. It'd be girls homeboys.
• 1:04:47
  Speaker 1: If it ain't hard, I'm talking about life. But like
• 1:04:49
  Speaker 1: we was like eighth grade, Sam Graham high school. Oh
• 1:04:52
  Speaker 1: we get de leaded right there. We ain't never had
• 1:04:54
  Speaker 1: no pressure like telling you like no brother, ain't it
• 1:04:57
  Speaker 1: and then ain't never been talking like no personal. If
• 1:04:59
  Speaker 1: he him with it, I know he's right, I'm gonna
• 1:05:01
  Speaker 1: delete it and I'm gonna go back in. It. Ain't like, bro,
• 1:05:03
  Speaker 1: you you don't know what you talk. Ain't none of that.
• 1:05:07
  Speaker 1: It's easy to work with each other like quick quite well,
• 1:05:09
  Speaker 1: you said, take off of the best one out of me. Yeah,
• 1:05:12
  Speaker 1: we all the best. He the best, he said, He
• 1:05:16
  Speaker 1: said he's the best lyrically. You know, Charlemagne has been
• 1:05:18
  Speaker 1: saying that pretty from day. Won't might listen to me, Man, No,
• 1:05:21
  Speaker 1: nobody listened to you. But I mean it's been like that,
• 1:05:25
  Speaker 1: just just growing up, you know what I mean. Just
• 1:05:28
  Speaker 1: he the youngest, and I feel like he learned more
• 1:05:31
  Speaker 1: from you know what I mean, from his from his uncle,
• 1:05:33
  Speaker 1: you know what I mean, his big cousin. He feeling
• 1:05:36
  Speaker 1: the club and he suk it all in and with
• 1:05:41
  Speaker 1: his own craft being ahead of his time, being on out.
• 1:05:44
  Speaker 1: You know what I'm saying, our age and our time.
• 1:05:46
  Speaker 1: I feel like he got to be the best. But
• 1:05:49
  Speaker 1: take onna be rapping. He even confused Nicki mcnah because
• 1:05:51
  Speaker 1: nick said she didn't realize he was rapping about her
• 1:05:53
  Speaker 1: on Motorsport. Cow now it happened. I got y'all looking
• 1:06:07
  Speaker 1: to trending and everything. How you looking at what people
• 1:06:09
  Speaker 1: are saying? Yeah, look every now and there. I try
• 1:06:13
  Speaker 1: not to look, but yeah, I'll be looking just to
• 1:06:16
  Speaker 1: check on it. See what's going on? Quick? I saw
• 1:06:18
  Speaker 1: you say that, Nikki and Card he played it so
• 1:06:21
  Speaker 1: by not doing the video together. I ain't said they
• 1:06:23
  Speaker 1: played that ship. I said I tried to getting them
• 1:06:25
  Speaker 1: all in there in one shot. M that's it. Didn't
• 1:06:30
  Speaker 1: want to do it. I didn't have one shot. Scheduling conflicts,
• 1:06:36
  Speaker 1: schedule story, trying to help. Than what do y'all learn
• 1:06:44
  Speaker 1: from Gucci man? Because I always see y'all with Gucci there.
• 1:06:46
  Speaker 1: It's like every club appearance, I see Gucci and I
• 1:06:48
  Speaker 1: used to see Pe, I see you and all for Taker.
• 1:06:51
  Speaker 1: That's always either together. It's always y'all. We're just a
• 1:06:54
  Speaker 1: real family. We came in the door together, which you
• 1:06:57
  Speaker 1: have been everything loyal, Like, I don't know who that'st
• 1:07:01
  Speaker 1: them with him and said, if it ain't the boy period,
• 1:07:04
  Speaker 1: what advice did he give you? I'm saying, stay on
• 1:07:07
  Speaker 1: the sucking neck, don't be worried about know Helen, keep
• 1:07:10
  Speaker 1: air time? What do you said air time? Shoot somebody, Hey,
• 1:07:14
  Speaker 1: upload the link. I'm saying, upload of the song. Be
• 1:07:17
  Speaker 1: looking for that Glacial Boar project too. Oh yeah, Glacier
• 1:07:22
  Speaker 1: Glacier Boy. When we get together, that's what we call
• 1:07:24
  Speaker 1: out the whole game to Glacier Boy too. My money
• 1:07:28
  Speaker 1: to me in the cause all at one time. It's
• 1:07:30
  Speaker 1: a glacier, Glacia board. You guys, I didn't take off,
• 1:07:33
  Speaker 1: just quit the group. If I go to jail with anybody,
• 1:07:41
  Speaker 1: I'd love to go to jail, takeoff, take off, do
• 1:07:48
  Speaker 1: this usually because I'll think y'all just got up in
• 1:07:53
  Speaker 1: enough and try to flight the take the bathroom they
• 1:07:55
  Speaker 1: sent to the bathroom, they go off. Whatever about the bathroom?
• 1:08:02
  Speaker 1: He took off in the bathroom. Man, I don't know. Listen,
• 1:08:09
  Speaker 1: I'm not a comedian, but there's a good bat and
• 1:08:11
  Speaker 1: bougie joke somewhere in here right now. Okay, that way,
• 1:08:17
  Speaker 1: I gotta ask you one last day. Where Valentine's Day
• 1:08:19
  Speaker 1: coming up? Right? I want to hear somebody, what are
• 1:08:21
  Speaker 1: you some of your favorite love songs? To play? Love song?
• 1:08:26
  Speaker 1: I know you got a song. You know what I'm going.
• 1:08:32
  Speaker 1: That's a slower for you, that's a slow out your way,
• 1:08:36
  Speaker 1: all right? Oh joy you people have been been trying
• 1:08:39
  Speaker 1: to get on you. Offset they see you out here
• 1:08:41
  Speaker 1: cheating and all kinds of stuff like that. False allegations,
• 1:08:44
  Speaker 1: false allegations. I told y'all false allegations, man, good, yeah,
• 1:08:47
  Speaker 1: you know what's so true? Man? I know I know
• 1:08:53
  Speaker 1: it's false allegation. You know, I just want to put
• 1:08:55
  Speaker 1: it out there. You know. No, man, I love my wife. Man,
• 1:08:59
  Speaker 1: I don't care. You know a lot of headers out here,
• 1:09:01
  Speaker 1: you know, And it's real. It's hard. It's hard with
• 1:09:05
  Speaker 1: social media. Yeah, but it ain't gonna high. I ain't
• 1:09:09
  Speaker 1: gonna hide for social media. You know what I'm saying.
• 1:09:12
  Speaker 1: I feel. Next question, all right, coaching two is out
• 1:09:16
  Speaker 1: right now. Coach out game and we appreciate you guys
• 1:09:22
  Speaker 1: to join it. They take off, just return the right time,
• 1:09:26
  Speaker 1: right in time. Hey man, y'all don't have a change. Okay,
• 1:09:34
  Speaker 1: I don't give how much money y'all make, how big
• 1:09:37
  Speaker 1: y'all getting in this peak. Don't get changed there, Okay,
• 1:09:40
  Speaker 1: it's the megoes, It's breakfast club. Good morning,