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BLACK MIRROR Writer's Room · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: This week on the show, we have the Writer's Room
• 0:10
  Speaker 1: of Black Mirror.
• 0:12
  Speaker 2: Black Mirror, like the Twilight Zone that came before, It,
• 0:15
  Speaker 2: is an anthology sci fi series focused on what if
• 0:20
  Speaker 2: something happened with technology.
• 0:22
  Speaker 3: Technology is one of the biggest parts of our life.
• 0:25
  Speaker 3: Chances are you're watching this current thing through a screen,
• 0:29
  Speaker 3: but what if that screen was evil? These guys talk
• 0:33
  Speaker 3: about stuff like that every day.
• 0:35
  Speaker 4: So let's get ready to ask and answer some pretty
• 0:39
  Speaker 4: fed up questions. Let's listen in.
• 0:45
  Speaker 5: So so let's get this, babe. So let's get this.
• 0:49
  Speaker 6: I would love to get turned off.
• 0:50
  Speaker 7: Everyone turned off.
• 0:52
  Speaker 6: I don't want to be recorded. I've been recorded before.
• 0:55
  Speaker 4: I didn't want to be.
• 0:58
  Speaker 5: No, that's what happens.
• 0:58
  Speaker 2: I'm not I'm not I'm not making any chances. I'm
• 1:01
  Speaker 2: not taking any chances.
• 1:02
  Speaker 7: I don't give these guys an hour and then it
• 1:05
  Speaker 7: off to turn it off.
• 1:07
  Speaker 4: Get more hour, got an.
• 1:08
  Speaker 6: Hour, I get to turn it off.
• 1:09
  Speaker 1: And if you're listening at home, like in your in
• 1:12
  Speaker 1: your in your car, you get an hour and then
• 1:14
  Speaker 1: it's off for you.
• 1:15
  Speaker 5: Need everybody on airplane mode.
• 1:16
  Speaker 2: We know the sinister reasons. Why because we haven't written
• 1:20
  Speaker 2: it yet.
• 1:20
  Speaker 4: Absolutely, because we haven't written Have you.
• 1:24
  Speaker 3: Noticed the voice record? The voice record is really crazy.
• 1:28
  Speaker 4: It is no, it's it's It's got me thinking about
• 1:32
  Speaker 4: a lot of ideas. Voice recorded voice memos.
• 1:35
  Speaker 3: My voice, my phone's been in a voice not without
• 1:38
  Speaker 3: me asking all the time, send them everywhere, Like.
• 1:40
  Speaker 4: What if your father died in two thousand and nine,
• 1:43
  Speaker 4: but then you started getting voice memos from him?
• 1:47
  Speaker 7: Okay, well wait, wow that's a fit one vibes.
• 1:51
  Speaker 5: That's good.
• 1:52
  Speaker 6: But we like to fit ideas. We'd like to find
• 1:54
  Speaker 6: the fit ideas.
• 1:55
  Speaker 7: And it is the fit is hi everybody.
• 1:58
  Speaker 4: We are some of the writing the British premiere show
• 2:04
  Speaker 4: Black Mirror Netflix.
• 2:06
  Speaker 7: We love you, we love.
• 2:10
  Speaker 5: That, We love that.
• 2:13
  Speaker 4: What's a catchy noise?
• 2:17
  Speaker 5: Netflix?
• 2:17
  Speaker 2: People call us, we say hold on, just justmm's on
• 2:22
  Speaker 2: the phone.
• 2:22
  Speaker 1: Sometimes it sometimes and we'll be like, oh, so yeah,
• 2:26
  Speaker 1: you know the Voicemamo listens to it in the graveyard.
• 2:28
  Speaker 7: I think would like that. Let's throw under the bubble.
• 2:32
  Speaker 3: Literally we have our own language. And the writers from
• 2:34
  Speaker 3: good Luck Keeping Up good Luck and I.
• 2:36
  Speaker 1: Know at this podcast interviews so writers rooms and stuff
• 2:40
  Speaker 1: and they were like, oh my god, you're gonna get
• 2:42
  Speaker 1: like you're just going to pitch crazy ideas.
• 2:44
  Speaker 6: But I didn't know.
• 2:44
  Speaker 1: I don't really trust pitching anything in front of a machine.
• 2:49
  Speaker 6: We don't like machines, but we use them.
• 2:51
  Speaker 4: To well, we're all fascinated by them. I feel like
• 2:55
  Speaker 4: we're all deeply, deeply enthralled by your machine.
• 3:00
  Speaker 2: Ma Biac, because the machine has an awesome power that we.
• 3:05
  Speaker 5: Can't really fully grasp until we've written it.
• 3:08
  Speaker 3: And we're not just talking about machines like cars. We're
• 3:11
  Speaker 3: talking about things like phones and TVs too.
• 3:13
  Speaker 7: Yeah, mostly phones.
• 3:15
  Speaker 1: Yeah, we should go around.
• 3:18
  Speaker 7: We should go around because we should talk.
• 3:20
  Speaker 8: Yes, some car stuff, but it's usually when a car
• 3:25
  Speaker 8: becomes a little bit of a phone.
• 3:27
  Speaker 6: Yeah, it's like what if your car was a phone.
• 3:29
  Speaker 7: Yeah, yes, let's go around.
• 3:33
  Speaker 3: We've got to talk about Yes, Hello everyone, my name's
• 3:35
  Speaker 3: Cherub Wiley. I'm so happy to be here. I'm from
• 3:40
  Speaker 3: London and I'm Charlie Brooker's best friend. Charlie Brooker, of course,
• 3:45
  Speaker 3: is the head writer and creator of Black Mirror.
• 3:50
  Speaker 4: What a fucked up little man.
• 3:51
  Speaker 6: He's a strange.
• 3:52
  Speaker 5: Man, weird phones.
• 3:55
  Speaker 6: I can't even love man.
• 3:57
  Speaker 3: God, He said to me, Cherrup, you've got such a
• 4:00
  Speaker 3: weird way of texting.
• 4:01
  Speaker 6: Do you want to come work on the show? I
• 4:03
  Speaker 6: said yes.
• 4:04
  Speaker 3: He said you understand phones in a way I never have.
• 4:06
  Speaker 3: And I said, okay, I'm coming, so here I am.
• 4:10
  Speaker 7: And you wrote you wrote a new episode coming out.
• 4:12
  Speaker 7: I think we could do it.
• 4:14
  Speaker 6: We can talk about it.
• 4:15
  Speaker 1: About the reverse camera on the car, Yeah, exactly, being
• 4:19
  Speaker 1: in your asshole.
• 4:20
  Speaker 3: It's imagining if there's a new surgery when you put
• 4:23
  Speaker 3: the backup camera in your butt, and so everyone's looking
• 4:27
  Speaker 3: at the cameras instead of looking where they're going, and
• 4:30
  Speaker 3: they're pumping into stuff because it only shows what's belowya
• 4:33
  Speaker 3: and not above you, so they're knocking into things like
• 4:35
  Speaker 3: coat racks and stuff.
• 4:40
  Speaker 1: I thought that was the one car idea that we
• 4:42
  Speaker 1: greenlit and I liked it. It's really great because it
• 4:45
  Speaker 1: shows the body, and I think the body. If we're
• 4:47
  Speaker 1: not talking about the human body, then we're not talking
• 4:49
  Speaker 1: about tech.
• 4:50
  Speaker 6: We shot it last week. Jeremy Irons does a great job,
• 4:53
  Speaker 6: is it.
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  Speaker 4: He was such a fascinating voice of the camera.
• 4:57
  Speaker 6: So great, that's so interesting.
• 4:59
  Speaker 7: And Nico, I'm the one from putat.
• 5:01
  Speaker 6: Nicole Scherzing love her. She plays the.
• 5:03
  Speaker 5: Camera in his assa.
• 5:06
  Speaker 6: It's really great, but it's really fun.
• 5:08
  Speaker 3: And I love working on the show because what's crazy
• 5:11
  Speaker 3: about it is not only is it crazy and weird,
• 5:13
  Speaker 3: but also it's really fun because it's the best show
• 5:16
  Speaker 3: that's ever been made.
• 5:17
  Speaker 7: I thought we'd never get to end that sentence.
• 5:24
  Speaker 4: Well, hello, I'll go next. I guess my name is
• 5:29
  Speaker 4: Richard Governim the fern buf Diggy.
• 5:35
  Speaker 5: Dicky the fern b.
• 5:39
  Speaker 4: Yes, Dicky.
• 5:40
  Speaker 1: We call him digcky with five GI.
• 5:44
  Speaker 4: I will admit now you may notice by dick bfy Dick,
• 5:49
  Speaker 4: I am in line for the throne for the kingdom.
• 5:53
  Speaker 4: I am about four hundred twenty third in line for
• 5:57
  Speaker 4: the throne.
• 5:59
  Speaker 6: And but never know, because they're all sick in different ways.
• 6:03
  Speaker 4: You're all very sick.
• 6:05
  Speaker 2: I love your little advent calendar. You get to eat
• 6:07
  Speaker 2: when one of them dies.
• 6:09
  Speaker 4: It's a very fucked up calendar that we all have.
• 6:13
  Speaker 6: We've got four hundred chuck let's behind all that cardboard, and.
• 6:15
  Speaker 7: They all go bad.
• 6:18
  Speaker 4: Every month. We have to cycle it out every month
• 6:21
  Speaker 4: the new calendar comes in. And I decided, you know,
• 6:25
  Speaker 4: be fun, more fun than just being a socialite royal
• 6:28
  Speaker 4: is if I jumped into writing. So I jumped into
• 6:32
  Speaker 4: the writer's room of Black Mirror, and since season two
• 6:36
  Speaker 4: I have not looked back. It has been enthralling and
• 6:40
  Speaker 4: rich and divine.
• 6:42
  Speaker 5: Talk about your dogs.
• 6:43
  Speaker 4: Okay, fine, well there's Marty.
• 6:50
  Speaker 1: About bringing the dogs in the room.
• 6:54
  Speaker 4: Marty's a Corky is a miniature poodle.
• 6:58
  Speaker 6: This is what you want to hear.
• 7:01
  Speaker 4: Devin is a rich, rich back your dogs. And then
• 7:08
  Speaker 4: we have Marty the German shepherd, and we have Beatrice
• 7:13
  Speaker 4: the corgy that's the second corgy. And then I have
• 7:17
  Speaker 4: about thirteen more dogs. Do you guys want to hear them?
• 7:21
  Speaker 5: Well, but maybe we'll hear them later.
• 7:24
  Speaker 4: The one that said talk about the dogs.
• 7:26
  Speaker 5: I want you to hold on to that because I
• 7:28
  Speaker 5: think there's going to be a moment where we want
• 7:30
  Speaker 5: them later.
• 7:31
  Speaker 4: Thank you.
• 7:32
  Speaker 7: I think that's right.
• 7:33
  Speaker 4: And you know this ties in the episode which I
• 7:36
  Speaker 4: am most famous for is the one where the dogs
• 7:38
  Speaker 4: are killing machines and they're hunting that couple.
• 7:41
  Speaker 3: They put the chip in the dog to check their
• 7:44
  Speaker 3: their location and it turns into an evil killing thing.
• 7:47
  Speaker 1: Because I think it was when I we're talking about
• 7:49
  Speaker 1: rescue dogs and we're talking about how oh they have
• 7:52
  Speaker 1: a chip in there, and it's an American thing as well,
• 7:54
  Speaker 1: where if you find a doll on the street, you
• 7:56
  Speaker 1: could see if it has a chip. And we hear
• 7:59
  Speaker 1: chip in body and we go, right, well, first.
• 8:03
  Speaker 3: We got potato chip, I'm hungry. I mean, we have lunch,
• 8:07
  Speaker 3: and then we think, what if the chip was a
• 8:08
  Speaker 3: computer chips? We hear fries and we get.
• 8:11
  Speaker 6: Chips to fries. Yeah where we.
• 8:13
  Speaker 1: Are, but yeah, you know, but we were like, oh
• 8:20
  Speaker 1: my god, these these dogs all have chips.
• 8:22
  Speaker 7: And then that just is the beginning.
• 8:23
  Speaker 4: It lit me up.
• 8:25
  Speaker 2: I mean, anytime we know of a new technology and
• 8:27
  Speaker 2: here we have to stop everything and go, oh, literally,
• 8:30
  Speaker 2: what is the end point?
• 8:32
  Speaker 5: It's it's like the worst thing that could happen.
• 8:35
  Speaker 6: It's like R and D.
• 8:36
  Speaker 3: Like when we hear there's something coming in, we call
• 8:39
  Speaker 3: and we say, hey, can we get a prototype of
• 8:40
  Speaker 3: the new camera? I can we get a prototype of
• 8:42
  Speaker 3: a new phone or whatever? And we get it in
• 8:44
  Speaker 3: and we go why this was in my brain, why
• 8:46
  Speaker 3: this was in my hand? What this was in my
• 8:48
  Speaker 3: less and then we write an episode about it.
• 8:50
  Speaker 1: A little something that has a GPS, any type of
• 8:53
  Speaker 1: anything like that coming to us is like, I don't
• 8:56
  Speaker 1: know John Lennon going through heartbreak.
• 8:58
  Speaker 4: It's like, you know, Wow, it's so electric, is what
• 9:02
  Speaker 4: I think.
• 9:04
  Speaker 1: So do you want to introduce yourself him? Mummy here, mummy,
• 9:11
  Speaker 1: m you, m m y.
• 9:15
  Speaker 5: Yes, mummy.
• 9:18
  Speaker 1: To say, oh no, no, no, I'm not a mom. Mummy.
• 9:28
  Speaker 1: Call her he babes, call her mummy.
• 9:32
  Speaker 7: All right.
• 9:33
  Speaker 2: So yeah, I do love your podcast.
• 9:37
  Speaker 5: By the way, call her mummy.
• 9:38
  Speaker 3: Thank you.
• 9:39
  Speaker 5: I'm trying.
• 9:39
  Speaker 7: I'm trying to get off the ground. Is so odd.
• 9:41
  Speaker 4: It's so good.
• 9:42
  Speaker 5: It's so good.
• 9:44
  Speaker 1: But anyway, I have to say, I've been in the
• 9:46
  Speaker 1: writers room. I think the same amount of time a
• 9:48
  Speaker 1: little bit. We're all together. And I when I was little,
• 9:55
  Speaker 1: I had a inappropriate relationship with my flip firm.
• 10:02
  Speaker 7: I wrote a piece on it. That piece went viral.
• 10:05
  Speaker 4: I remember this piece.
• 10:07
  Speaker 6: It was superforming at Fringe.
• 10:09
  Speaker 7: Yeah, I did it Fringe and I did.
• 10:13
  Speaker 1: Because my parents were busy and working, and I created
• 10:17
  Speaker 1: a whole family with my flip phone.
• 10:19
  Speaker 4: It was so interesting how the flip phone was perceived
• 10:23
  Speaker 4: in your Fringe festival show.
• 10:25
  Speaker 7: Yes big my Motorolla boyfriend, Yes, my Motoroller. So anyway,
• 10:30
  Speaker 7: I'm a little bit of it like an artist.
• 10:32
  Speaker 1: But I started writing when they recruited me and I
• 10:35
  Speaker 1: met you folk, and it's been lovely.
• 10:37
  Speaker 7: I love you all.
• 10:39
  Speaker 6: You wrote a lot of the episodes where you go, oh,
• 10:41
  Speaker 6: guess nothing happened in that one?
• 10:44
  Speaker 5: Yeah?
• 10:46
  Speaker 2: Nice, you can perceive it through the lens of technology.
• 10:51
  Speaker 5: Yeah, And then I'm watching it.
• 10:54
  Speaker 1: I believe a story should end where it began, nothing happened.
• 10:57
  Speaker 6: I love it.
• 10:58
  Speaker 7: I love that this something about it.
• 11:00
  Speaker 4: It's just like, wow, can we talk about your episode
• 11:04
  Speaker 4: coming out soon? Where the couple just gets in a
• 11:06
  Speaker 4: light text fight and then they resolve it over text.
• 11:09
  Speaker 4: It was and they're never in the same room. At
• 11:11
  Speaker 4: the same time, I thought it was a genius commentary
• 11:15
  Speaker 4: all the times now Domo Gleason and Clearfoy.
• 11:24
  Speaker 5: Clairefoy as the neo baby.
• 11:26
  Speaker 1: Girlfriend my god, and that conversation. I also want to
• 11:30
  Speaker 1: thank we had so many good like artists in there.
• 11:33
  Speaker 1: I think we had Bonnie Vere do the music that
• 11:36
  Speaker 1: was amazing.
• 11:37
  Speaker 5: Heartbreaking heart normally and music.
• 11:40
  Speaker 3: Will be heartbreaking, but he's doing fun stuff now giving
• 11:45
  Speaker 3: up a heartbreaking We were trying of sad.
• 11:47
  Speaker 6: Said happy stuff. We said that's not what we called jack.
• 11:50
  Speaker 1: I know it's so weird, weird, but yeah, that's all
• 11:53
  Speaker 1: about me and my dark I have a.
• 11:55
  Speaker 5: Duck and your your deck.
• 11:58
  Speaker 7: You're dark? Do I have a duck?
• 11:59
  Speaker 5: You're a a duck. It feels like it.
• 12:08
  Speaker 7: Wasn't enough for you when you changed it a little bit.
• 12:10
  Speaker 2: And I literally it just got me thinking. It got
• 12:16
  Speaker 2: me thinking, you know, the translating apps, this is I
• 12:21
  Speaker 2: love her. You hear what a foreign person saying. It
• 12:25
  Speaker 2: spits it out in English, But how do you know
• 12:27
  Speaker 2: it's what they meant?
• 12:28
  Speaker 1: And how do you know it's not somebody up there
• 12:30
  Speaker 1: or down there manipulating it?
• 12:35
  Speaker 2: The man in hell changing all the things from from
• 12:40
  Speaker 2: from German to English.
• 12:42
  Speaker 7: And and I think that happened just now.
• 12:45
  Speaker 1: I said I have a duck, right because you were
• 12:46
  Speaker 1: talking about your dogs and I said I have a
• 12:49
  Speaker 1: And I think a little guy down there said, what
• 12:52
  Speaker 1: if I funk up these interview?
• 12:54
  Speaker 5: And he said, I'm gonna tell her it's deck, or.
• 12:57
  Speaker 7: What if the mic took my voice and changed it.
• 13:01
  Speaker 5: We've gotta write that.
• 13:09
  Speaker 2: If the microphone made it different, Listen, we gotta lock in,
• 13:14
  Speaker 2: lock in, We've got to lock in can tell you
• 13:16
  Speaker 2: that was.
• 13:16
  Speaker 1: A perfect transition to my fucking best friend in the
• 13:20
  Speaker 1: entire in the room.
• 13:23
  Speaker 2: Mummy and I have a b F F necklace we carry, babes.
• 13:31
  Speaker 7: The necklace is a.
• 13:32
  Speaker 2: Mass It's a massive necklace, one necklace. We hand it
• 13:35
  Speaker 2: back and forth each week.
• 13:37
  Speaker 6: It's so cute the start of this last week.
• 13:42
  Speaker 2: I love your babies. I'm obsessed with you. I'm obsessed
• 13:45
  Speaker 2: with the I have and it carries me with me
• 13:48
  Speaker 2: every day. Hi, my name is baby Angel.
• 13:51
  Speaker 9: I am Baby Angel who.
• 13:58
  Speaker 4: Terrum beef dick.
• 14:05
  Speaker 2: Beefe dick baby for me.
• 14:09
  Speaker 5: Jerup, and that's the it is my real name.
• 14:13
  Speaker 4: Would you guys quickly change it to Dicky beef and
• 14:18
  Speaker 4: beefy dick Dickie beef.
• 14:20
  Speaker 10: Alright, Angel, I want to say, I don't want to
• 14:26
  Speaker 10: blow smoke up Baby Angels booty, but blow it, babes.
• 14:33
  Speaker 6: She writes the one episode one or two every season
• 14:36
  Speaker 6: where you go, WHOA, that was really fucked up?
• 14:41
  Speaker 5: Yes, And I can tell you. I can tell you why.
• 14:44
  Speaker 2: It's because when I was a nanny, I was nannying
• 14:46
  Speaker 2: for some posh kids and I've been I've been doing
• 14:50
  Speaker 2: that for my me life, right, and so one day,
• 14:55
  Speaker 2: I was putting a little one in her in her
• 14:58
  Speaker 2: crib and I I heard a bird then fell down, right.
• 15:03
  Speaker 5: So I don't wait wait you.
• 15:07
  Speaker 2: Know what I'm so I heard a bird fell down.
• 15:12
  Speaker 2: Then I got a concussion, right, And as I was
• 15:15
  Speaker 2: fading in and out of consciousness, I locked eyes with something,
• 15:19
  Speaker 2: something that kinda looked like an eyeball, kinda looked like
• 15:22
  Speaker 2: a person, kind of looked like a screen.
• 15:25
  Speaker 7: Was it the bird?
• 15:27
  Speaker 5: So it was a nanny camum.
• 15:32
  Speaker 2: Bum bum bum bum watching me all day, all night.
• 15:37
  Speaker 2: And so they were on holiday, right, So the parents
• 15:40
  Speaker 2: didn't come back for another week, And so I.
• 15:42
  Speaker 4: Was parents for a week.
• 15:49
  Speaker 7: What are you talking about?
• 15:56
  Speaker 4: We use a nanny, not for a week, Jesus on vacation.
• 16:02
  Speaker 4: Take your child, to take your child to Mauritius.
• 16:09
  Speaker 2: Continue well, I so you know, I'm fading out of consciousness,
• 16:14
  Speaker 2: fading in and out, in and out. I'm hearing the birds,
• 16:16
  Speaker 2: I'm hearing the I'm seeing the eyeballs, and I'm noticing
• 16:20
  Speaker 2: I'm surveiled all day long and who's behind that? And
• 16:25
  Speaker 2: I just started thinking, and I just started cooking, and
• 16:28
  Speaker 2: I could stop cooking until they came. They take me
• 16:31
  Speaker 2: took me to the hospital and I was telling the doctors,
• 16:36
  Speaker 2: your phone is a microwave. Your phone is your head,
• 16:39
  Speaker 2: Your phones your vein, you phones your mind, babes, your
• 16:41
  Speaker 2: phones your head. Your phone's in your eyeballs, your phone's
• 16:44
  Speaker 2: in your throat, your phone's in your ears. And they said,
• 16:47
  Speaker 2: I have a contact for you. And who was in
• 16:50
  Speaker 2: the next er getting a donating blood But Charlie Booker.
• 16:54
  Speaker 5: Wow, amazing.
• 16:55
  Speaker 6: Yeah, Charlie goes straight to the.
• 17:00
  Speaker 1: Are an emergency because that way you don't have to
• 17:03
  Speaker 1: wait for blood.
• 17:04
  Speaker 7: Drive, babes, you just stopping, you.
• 17:06
  Speaker 5: Just take you straight to the source. It's fresher that way.
• 17:09
  Speaker 6: And I said, they don't tell you, but they'll take it.
• 17:11
  Speaker 5: They'll take you.
• 17:12
  Speaker 7: We're gonna go and then they're gonna.
• 17:13
  Speaker 6: Be like, no, it's amazing.
• 17:19
  Speaker 5: You said, It's like, yeah, what are you mad about it?
• 17:23
  Speaker 7: What are you?
• 17:24
  Speaker 5: I'm here at the ear I want to give blood.
• 17:26
  Speaker 5: You need blood.
• 17:27
  Speaker 4: I did want to address the elephant in the room.
• 17:31
  Speaker 4: We've been getting a lot of comments that we've been
• 17:33
  Speaker 4: doing too much phone stuff, a.
• 17:35
  Speaker 6: Lot of comments too much.
• 17:40
  Speaker 7: In Charity's episode.
• 17:42
  Speaker 1: There's no one phone, babes. It's that's a that's a
• 17:44
  Speaker 1: preis camera the asshole babes.
• 17:46
  Speaker 3: It's about a camera, it's about in your body, it's
• 17:49
  Speaker 3: not about a phone.
• 17:51
  Speaker 1: And what about the episode where the typewriter is an angel? Exactly,
• 17:55
  Speaker 1: there's a typewriter as an angel.
• 17:57
  Speaker 2: When the typewriter is an angel, one of your episodes
• 18:00
  Speaker 2: where it feels and it feels like it's just a
• 18:02
  Speaker 2: gorgeous story of two women love typing poems to.
• 18:06
  Speaker 6: Each I get because that tape place and it tony.
• 18:09
  Speaker 3: Yeah, I would argue that typewriters were their phones of
• 18:12
  Speaker 3: it to ninety.
• 18:13
  Speaker 1: See, but no, see, that's where the conversation happened. And
• 18:15
  Speaker 1: this is for the listener at home. The conversation started
• 18:18
  Speaker 1: because we were like I believed I thought about a
• 18:21
  Speaker 1: typewritere of being like, wow, that was somebody that didn't
• 18:24
  Speaker 1: have a microphone.
• 18:24
  Speaker 7: They weren't listening. A typewriter never listens.
• 18:28
  Speaker 2: A phone is really anything that you're not present for, right.
• 18:31
  Speaker 4: And these are the debates that we're having. We're sitting
• 18:34
  Speaker 4: there for hours and hours and hours going is a
• 18:37
  Speaker 4: typewriter the phone of the eighteen?
• 18:40
  Speaker 1: And then I had and I had v one over
• 18:42
  Speaker 1: to baby Angel and baby angel goes, well, what if
• 18:45
  Speaker 1: the typewriter is an angel, but she's doing cocaine all
• 18:48
  Speaker 1: the time.
• 18:49
  Speaker 3: It's it's we're locked up because we're trying to expand, right, like,
• 18:54
  Speaker 3: Black Mirror is more than just the phone.
• 18:57
  Speaker 6: So we like to go and look at different eras.
• 18:59
  Speaker 3: We're working on medieval episode right now, but we can't
• 19:02
  Speaker 3: figure out what's the phone of the medieval time.
• 19:04
  Speaker 7: I think it is the sword.
• 19:07
  Speaker 4: It might be the pro the raven.
• 19:10
  Speaker 5: It might be the loom for women and the swords
• 19:14
  Speaker 5: for men.
• 19:16
  Speaker 1: But then we go back and then we go can
• 19:18
  Speaker 1: we put a phone in it?
• 19:20
  Speaker 6: It's a different thing.
• 19:21
  Speaker 3: We have an episode I wrote that King Arthur finds
• 19:23
  Speaker 3: a phone in the lake instead of a sort.
• 19:26
  Speaker 7: Pulls it out the rock.
• 19:28
  Speaker 4: It didn't go through, unfortunately.
• 19:29
  Speaker 6: Didn't go through.
• 19:30
  Speaker 7: Jason Amaua did a great job.
• 19:32
  Speaker 3: Jason was amazing. He came in just for the writer's
• 19:36
  Speaker 3: room table. We have to talk about it. Every actor
• 19:40
  Speaker 3: wants to be in Black Mirror, yes, but we have
• 19:43
  Speaker 3: to also tell you slow your role.
• 19:46
  Speaker 5: I think we know what is.
• 19:47
  Speaker 1: I think all these American actors want to come in
• 19:49
  Speaker 1: and do it because it's a perfect amount for a
• 19:51
  Speaker 1: holiday it's a week and a half. You're on set
• 19:53
  Speaker 1: for like six seven days depending on the size of
• 19:57
  Speaker 1: the role.
• 19:57
  Speaker 7: So we get tons of these let's talk about the
• 20:00
  Speaker 7: can actor.
• 20:00
  Speaker 2: Sometimes we're getting the American actors and they're you know,
• 20:03
  Speaker 2: they're coming in with pitches and so because we had
• 20:06
  Speaker 2: we got so many, so much interest that we're like, you, actually,
• 20:10
  Speaker 2: if you want to be in a Black Mirror episode,
• 20:11
  Speaker 2: and this is an advice for all you A and
• 20:13
  Speaker 2: B listers out there, come to us with your phone.
• 20:17
  Speaker 2: Sir Patrick Stewart came in and he's like, listen, I
• 20:20
  Speaker 2: think my phone is a quill and a madman.
• 20:25
  Speaker 7: That's my phone, a madman with a quill in his hand.
• 20:28
  Speaker 4: And then we go, well, let's see your phone, and
• 20:30
  Speaker 4: we look at his algorithm and it is revolting stuff.
• 20:39
  Speaker 4: He's watching things that.
• 20:41
  Speaker 7: And he's watching it all on Facebook.
• 20:43
  Speaker 4: Yes, and you can see his public light and.
• 20:45
  Speaker 5: He's reposting yes is it.
• 20:47
  Speaker 7: Then there's people like the Rizza come in. They really
• 20:49
  Speaker 7: want him to do Netflix really wants him to do that.
• 20:51
  Speaker 4: Netflix is really pushing.
• 20:54
  Speaker 7: And we can't.
• 20:54
  Speaker 1: He's not giving us the phone. The dad isn't giving
• 20:57
  Speaker 1: us the phone. We can't really go for what we're
• 20:59
  Speaker 1: supposed to do.
• 21:00
  Speaker 2: Big Justice actually has a lot of phone ideas, but
• 21:02
  Speaker 2: unfortunately it's not his time.
• 21:04
  Speaker 6: Well, that was a really dark day.
• 21:06
  Speaker 3: We had to try and pitch ideas to put a
• 21:08
  Speaker 3: J Big Justice, and that is learning an episode and
• 21:11
  Speaker 3: we couldn't.
• 21:11
  Speaker 4: Comment about a J Big Justice and the resul are
• 21:14
  Speaker 4: like because for me, the most interesting thing is their lives,
• 21:17
  Speaker 4: you know, the famous Yes, we couldn't comment on their
• 21:21
  Speaker 4: lives famous.
• 21:23
  Speaker 1: Remember the cash register made of clicks and if they
• 21:26
  Speaker 1: paid the rent with clicks, right.
• 21:28
  Speaker 4: Exactly, the clicks with clicks.
• 21:31
  Speaker 7: And like and you open the cash register and they
• 21:33
  Speaker 7: pay the rent with that, right.
• 21:34
  Speaker 3: But it was interesting because you had a TikTok and
• 21:37
  Speaker 3: you put your TikTok on the scanner and it took
• 21:39
  Speaker 3: your clicks away.
• 21:42
  Speaker 6: Yes, so if you want to buy something, you have
• 21:44
  Speaker 6: to lose the view.
• 21:45
  Speaker 5: And you could also pay on credit.
• 21:47
  Speaker 2: Right, So if you had a TikTok draft that your
• 21:49
  Speaker 2: shore is going to be viral, you can pay with
• 21:51
  Speaker 2: the draft, but you got to pay interest as well.
• 21:54
  Speaker 1: Yes, And I don't know why they said more pizza
• 21:56
  Speaker 1: stuff and push it for more people is called a derivative.
• 22:05
  Speaker 4: Actually might go home.
• 22:07
  Speaker 5: You know, we gotta take this.
• 22:08
  Speaker 4: It was both derivative and way too complicated.
• 22:12
  Speaker 5: It was too much.
• 22:12
  Speaker 4: It was like follow the metaphor once it started going.
• 22:15
  Speaker 3: But this does bring up the question for me always
• 22:18
  Speaker 3: thinking about emotional it's really hard to write black mirror
• 22:24
  Speaker 3: because technology has gone so much faster than we are.
• 22:27
  Speaker 3: And we write something and oh, that just happened. You know,
• 22:30
  Speaker 3: somebody tries to kill themselves reviews all that just happened.
• 22:35
  Speaker 4: How can we hold a mirror to society when society
• 22:39
  Speaker 4: is constantly reflecting itself in a weird, removed parody sense.
• 22:44
  Speaker 7: So that's why I think they.
• 22:45
  Speaker 1: I think our production company moved our writers. Like now
• 22:50
  Speaker 1: we are writing pretty much for like four days straight
• 22:53
  Speaker 1: because there's no time because if we if we take
• 22:56
  Speaker 1: breaks something, these things tech goes fast.
• 23:00
  Speaker 2: And that's why we have We have a bunch of
• 23:02
  Speaker 2: PA's are wonderful PAS. Shout out to Lilah and Sarah
• 23:06
  Speaker 2: Grace who are stationed in Silicon Valley. We have your
• 23:10
  Speaker 2: teaching stationed Silicon a PA outpost, and they are listening.
• 23:17
  Speaker 5: For buzz, for rumors for board meetings.
• 23:21
  Speaker 2: They're walking around in disguise and they're relaying, Oh, you know,
• 23:25
  Speaker 2: metals coming out with some glasses that can tell when
• 23:28
  Speaker 2: your food's done.
• 23:29
  Speaker 7: And boom, that's giving us gas gasoline And.
• 23:33
  Speaker 4: Then we run, yes, like, what are we going to
• 23:36
  Speaker 4: do with that? Meta is coming out with glasses they're
• 23:38
  Speaker 4: tell when your food's ready.
• 23:43
  Speaker 2: It's clearly it's sync to your oven with some type
• 23:46
  Speaker 2: of cloud technology.
• 23:47
  Speaker 5: We know that.
• 23:48
  Speaker 2: So if there's a cloud and the cloud makes your food,
• 23:53
  Speaker 2: do the tech companies control what you're eating?
• 23:55
  Speaker 4: Then yes, exactly yes. And are you eating not food anymore?
• 24:00
  Speaker 4: You just eating for nutrition sake? And we can tie
• 24:02
  Speaker 4: in body build a culture.
• 24:03
  Speaker 3: And what's about What if you can hack the Prime
• 24:06
  Speaker 3: Minister's oven and undercook his chicken and kill him?
• 24:10
  Speaker 5: Wow?
• 24:11
  Speaker 8: Wow, future in the future.
• 24:25
  Speaker 1: What about have you seen the smart fridges with the
• 24:27
  Speaker 1: big tablet in front? Yes, what if you can hack
• 24:30
  Speaker 1: in to the Prime Minister's fridge and and and change
• 24:34
  Speaker 1: the degrees of the fridge and make the milk back
• 24:38
  Speaker 1: not lightly, turn every the toilet during a parliament meeting
• 24:42
  Speaker 1: and get him out.
• 24:43
  Speaker 4: Yes, you're not holding his daughter captive anymore, you're holding
• 24:47
  Speaker 4: his fridge. God, oh my god.
• 24:52
  Speaker 2: And they'll never know because to him his servants. They
• 24:55
  Speaker 2: go in, they pull out the meal, but little do
• 24:57
  Speaker 2: they know, we've hacked it to put peanuts sauce in
• 25:00
  Speaker 2: thet But he's scored a peanut allergy. And these tech
• 25:03
  Speaker 2: companies they all thinking.
• 25:05
  Speaker 5: About us, are they?
• 25:06
  Speaker 1: And that's all And it's all because of Sarah Grice
• 25:09
  Speaker 1: and the ABU and Lilah in Silicon Vae.
• 25:12
  Speaker 6: I have to stop for a second. I'm sorry, baby Angel.
• 25:16
  Speaker 3: I don't think they have technology to put peanuts so
• 25:19
  Speaker 3: some something.
• 25:23
  Speaker 2: Hey, guys, I want to talk to you about today's
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• 26:53
  Speaker 5: No, don't show by Angel Soul in my concussion. It's
• 26:58
  Speaker 5: going to happen.
• 27:00
  Speaker 6: Fridge doesn't have hands.
• 27:02
  Speaker 7: We were talking about like chicken being undercooked and milk
• 27:05
  Speaker 7: being bad.
• 27:06
  Speaker 2: And I think I think you're under maestimating the power
• 27:08
  Speaker 2: of a fridge. You've gotta understand where the technology is
• 27:16
  Speaker 2: undermestimated where the fridge can go, because if it has
• 27:19
  Speaker 2: ketch up in there, if it has peanut, if it
• 27:22
  Speaker 2: has butter.
• 27:27
  Speaker 7: Maturbating, you think I'm over mastimating.
• 27:31
  Speaker 1: You guys just're over masturbating because you think a fridge
• 27:34
  Speaker 1: can add ingredients.
• 27:35
  Speaker 5: No, y'all are ready for what's coming.
• 27:40
  Speaker 7: And this is why baby Angel is like the Devil and.
• 27:46
  Speaker 2: The Angel I studied abroad in Texas. Y'all are not
• 27:50
  Speaker 2: ready for what is coming. And this is the biggest
• 27:53
  Speaker 2: fight we get into the writer's room because sometimes I
• 27:56
  Speaker 2: feel you guys are imagining things that are happening five
• 27:59
  Speaker 2: years the future, and I think I'm imagining things that
• 28:02
  Speaker 2: are happening five hundred years in the future.
• 28:04
  Speaker 5: It's incredible.
• 28:05
  Speaker 4: Community.
• 28:06
  Speaker 7: Five hundred is too far, say too many.
• 28:12
  Speaker 4: Residut If we're.
• 28:13
  Speaker 2: Right, If we're right in six hundred years, people watch
• 28:18
  Speaker 2: Black Mirror and they'll go.
• 28:19
  Speaker 5: We were profits. They'll worship us like gods. Don't you
• 28:23
  Speaker 5: understand they.
• 28:23
  Speaker 1: Would say that if we did fifty years in advance,
• 28:25
  Speaker 1: not even fifty, like even ten five hundred years.
• 28:30
  Speaker 3: Angel, you're so worried about people that are going to
• 28:32
  Speaker 3: be alive when you're dead, thinking about what you're doing.
• 28:36
  Speaker 6: It's not gonna matter if they think we're gods, they're not.
• 28:38
  Speaker 5: Will be gone. I just want to be.
• 28:43
  Speaker 7: You're again.
• 28:45
  Speaker 5: You're want to be important?
• 28:48
  Speaker 1: Okay, speaking of being important and being live and dead,
• 28:53
  Speaker 1: what happens if grave yards and tombstones, yes towards tech.
• 29:01
  Speaker 4: They start showing your most viral videos on your gravestone.
• 29:06
  Speaker 7: What if the thing that had the most clear you're most.
• 29:08
  Speaker 4: Known for on your gravestone, or.
• 29:12
  Speaker 3: If you got the like the full body scanners like
• 29:15
  Speaker 3: the t s A at the airport, and you take
• 29:18
  Speaker 3: them to the corpses in the graveyard and you scan
• 29:21
  Speaker 3: them and see if they're angel come into people so
• 29:23
  Speaker 3: somebody can talk to them, so you can turn somebody
• 29:26
  Speaker 3: in the graveyard into a person.
• 29:28
  Speaker 2: So every corpse as an AI actor in front of it,
• 29:33
  Speaker 2: saying hey, it's.
• 29:35
  Speaker 3: Like a grave rob right, hologram, it's like grave robbers,
• 29:40
  Speaker 3: but grave rubbers not stealing gems or crystals from someone's corpse.
• 29:44
  Speaker 6: They're stealing their entire identity, you're putting it on the cloud,
• 29:47
  Speaker 6: and then what about this right?
• 29:49
  Speaker 5: Right?
• 29:49
  Speaker 1: Then it's a fad, right, and then it's and it
• 29:52
  Speaker 1: grows and grows, and then you can go to the
• 29:55
  Speaker 1: to the gravestone and you can see the body of
• 29:58
  Speaker 1: your loved one right lying there, and you can lay
• 30:00
  Speaker 1: on top of it and feel the warmth.
• 30:02
  Speaker 8: Right.
• 30:04
  Speaker 1: So then we zoom out the end of the episodes,
• 30:06
  Speaker 1: a bunch of living people laying down like the dead.
• 30:09
  Speaker 6: But the scary thing is.
• 30:10
  Speaker 3: They're laying on transformers and processors, and the corpses themselves
• 30:15
  Speaker 3: are be a crush to dust.
• 30:16
  Speaker 7: So the bodies are diet but the process servers.
• 30:21
  Speaker 4: Yes.
• 30:21
  Speaker 7: And then and then and then a little girl wakes
• 30:23
  Speaker 7: up and it was a dream.
• 30:24
  Speaker 4: Oh no, we don't need that start that you were
• 30:33
  Speaker 4: really onto.
• 30:33
  Speaker 6: Going the climax?
• 30:36
  Speaker 7: Oh, come on, I love ending it in a stupid spot. God,
• 30:41
  Speaker 7: you know, you know.
• 30:42
  Speaker 5: But this has me thinking, has me thinking, say.
• 30:48
  Speaker 12: Think, I'm thinking about what are you think if if
• 30:56
  Speaker 12: the dead, if the dead love, if the dead have ideas,
• 31:01
  Speaker 12: if the dead have ideas.
• 31:03
  Speaker 2: What's to stop a grizzled old man with writer's block
• 31:07
  Speaker 2: from going to the graveyard to steal ideas from the dead.
• 31:11
  Speaker 4: So when do they have ideas? Is the AI?
• 31:14
  Speaker 6: Yes, so so a I.
• 31:16
  Speaker 7: Digg don't get the weeds.
• 31:19
  Speaker 4: I'm getting.
• 31:23
  Speaker 6: Thoughts. Whack the weeds. I am in whack.
• 31:36
  Speaker 5: Dicki's Sticky's weeds.
• 31:38
  Speaker 2: No, because Dickie had a great idea earlier that we
• 31:41
  Speaker 2: couldn't quite relate to because it was a little bit
• 31:43
  Speaker 2: above our socioeconomic income bracket.
• 31:46
  Speaker 8: But it was.
• 31:50
  Speaker 5: You know, you were like, what if chauffeurst could hear
• 31:53
  Speaker 5: your thoughts?
• 31:55
  Speaker 4: And we were I said, would you be crazy to
• 32:02
  Speaker 4: connect wild if chauffeurs could hear your thoughts? And and
• 32:08
  Speaker 4: you all looked at me with the blankest eyes I've
• 32:11
  Speaker 4: ever seen.
• 32:12
  Speaker 5: It's kind of And then.
• 32:13
  Speaker 4: You looked at me and said, talk about your dogs again,
• 32:15
  Speaker 4: And I said, Okay, here we go. There's Marty the
• 32:20
  Speaker 4: Golden Retriever about eight.
• 32:23
  Speaker 1: Okay, say the rest, but I'll say this, it is
• 32:26
  Speaker 1: hard to connect with some ideas, babes, because they are
• 32:29
  Speaker 1: like so fast, Like you said, like you came in
• 32:31
  Speaker 1: the other day and you're like, God, my smartphone, my
• 32:34
  Speaker 1: smart toilet won't update, and I can't watch an episode
• 32:38
  Speaker 1: of the Crown.
• 32:38
  Speaker 4: And you said, is that a pitch, and I said, no,
• 32:40
  Speaker 4: that's just my money.
• 32:41
  Speaker 5: It's pitch.
• 32:48
  Speaker 4: You guys always go to me. I said, my private
• 32:54
  Speaker 4: airline charter got sick and I showed up ten minutes late,
• 32:58
  Speaker 4: so I fired him. Or a bit.
• 33:00
  Speaker 7: All I heard is no phone, that's a beach.
• 33:04
  Speaker 5: Should we play pitchel bitch a quick.
• 33:12
  Speaker 4: The dogs?
• 33:13
  Speaker 5: You got pitchrol bitch and honestly.
• 33:16
  Speaker 4: You have the thing the episodes, remember.
• 33:22
  Speaker 1: Honestly needed a reminders black Mar his concussions.
• 33:27
  Speaker 5: All right, pitch, old, bitch, bitch, bitch. First give us
• 33:32
  Speaker 5: a scenario and we have to think if it's pitch
• 33:36
  Speaker 5: or bitch?
• 33:36
  Speaker 6: Are you pitching an episode? Are you complaining about your life?
• 33:40
  Speaker 4: Okay, so this has just happened to my friend. He's
• 33:44
  Speaker 4: a little bit poorer than the rest of us, but
• 33:46
  Speaker 4: he bought this wonderful new coat. He bought this new coat.
• 33:50
  Speaker 4: He wore it to a party and everybody was complimenting
• 33:53
  Speaker 4: his coat. That when he went back home, he looked
• 33:55
  Speaker 4: at all of his things and realized he needed to
• 33:58
  Speaker 4: upgrade every single thing. He had just gotten a lot
• 34:01
  Speaker 4: of money from the king because he's an encyclopedia writer,
• 34:05
  Speaker 4: so he wrote these encyclopedia writers very poor for a
• 34:08
  Speaker 4: long time. The King comes in and gives him two
• 34:13
  Speaker 4: hundred thousand dollars to buy his encyclopedia. He buys a
• 34:19
  Speaker 4: beautiful I honestly thought these would be short. So this
• 34:23
  Speaker 4: is what happened to my friend Finish And so then
• 34:28
  Speaker 4: he realizes looks around his house all of his things
• 34:30
  Speaker 4: are poor. So he goes bankrupt and into debt buying.
• 34:37
  Speaker 4: Bitch pitch or bitch bitch.
• 34:39
  Speaker 6: There's not a single technology.
• 34:43
  Speaker 5: It's caught something bitch because there's no phone.
• 34:46
  Speaker 4: Such a bitch bitch. Too many diamonds on your encrusted phone.
• 34:52
  Speaker 4: You're trying to look for the background of a good
• 34:54
  Speaker 4: diamond phone.
• 34:55
  Speaker 5: This could be a bitch.
• 34:56
  Speaker 4: That's a pitch, pitch, it's a bitch.
• 35:00
  Speaker 5: Got this again happening to you?
• 35:02
  Speaker 4: Wow?
• 35:03
  Speaker 10: Wow?
• 35:03
  Speaker 13: Wow?
• 35:04
  Speaker 3: I have to say, you know, I think there's a
• 35:06
  Speaker 3: lot happening in our lives where we turn them into episodes.
• 35:10
  Speaker 3: You know, we experience technology every single day, and the
• 35:15
  Speaker 3: question is do you want them to be hopeful or negative?
• 35:19
  Speaker 4: Well, I remember because you had that when you went
• 35:22
  Speaker 4: to Glastonbury and met that man who ended up being
• 35:25
  Speaker 4: a phone.
• 35:26
  Speaker 6: Yes, I was three days.
• 35:28
  Speaker 3: Into the Glastonbury Music Festival, I was having a class.
• 35:32
  Speaker 6: I was listening to Tim and prot you met a.
• 35:34
  Speaker 5: Man who was a phone?
• 35:35
  Speaker 1: And I remember we had we'd break it to you
• 35:37
  Speaker 1: because you sent in the group text writer's group text
• 35:39
  Speaker 1: a picture.
• 35:39
  Speaker 6: I met my friend.
• 35:43
  Speaker 7: We went, oh god, I was quite charb that's not
• 35:46
  Speaker 7: a person. That's a phone.
• 35:47
  Speaker 3: I was quit simply out of my gord on and
• 35:51
  Speaker 3: I was talking to this thing forever. I thought it
• 35:54
  Speaker 3: was my new best friend.
• 35:55
  Speaker 5: Did you ever find the person whose phone that is?
• 35:59
  Speaker 4: No?
• 36:00
  Speaker 6: Because kept the phone?
• 36:01
  Speaker 5: You kept it because did you fall in love with
• 36:03
  Speaker 5: it a little bit? Babes?
• 36:04
  Speaker 6: Well, I made out with it. I kissed it.
• 36:07
  Speaker 5: I kissed the phone.
• 36:08
  Speaker 3: I was hanging out with the phone and we were
• 36:11
  Speaker 3: dancing together, and then it's gorgeous. I didn't have a
• 36:15
  Speaker 3: plug that worked for it, so I couldn't charge it,
• 36:19
  Speaker 3: so I buried it in the ground.
• 36:21
  Speaker 5: Well, that's the soldest thing I've ever heard.
• 36:24
  Speaker 3: I wonder loss of my love. My love was a phone,
• 36:27
  Speaker 3: and that's why I wrote an episode about it.
• 36:32
  Speaker 2: So it's like it's like almost like these you know,
• 36:35
  Speaker 2: sex love robots, but the companies, the manufacturing to make
• 36:41
  Speaker 2: the skin was too expensive, so they just thought, what
• 36:43
  Speaker 2: if we put a chip in everyone's brains that makes
• 36:46
  Speaker 2: them see phones as sexy ladies exactly.
• 36:49
  Speaker 1: Speaking of sexy ladies, did you hear that they're making
• 36:53
  Speaker 1: sex toys with WiFi?
• 36:58
  Speaker 5: What do you mean?
• 37:02
  Speaker 6: What do you play? Like music or something you can watch?
• 37:07
  Speaker 6: So it's a deal?
• 37:10
  Speaker 7: Yeah, and I think that's pretty scary, don't you.
• 37:13
  Speaker 6: So it's like the screens on the back of the
• 37:15
  Speaker 6: deal though, like if you're using.
• 37:17
  Speaker 7: Are you're watching it?
• 37:21
  Speaker 1: I'm sorry happy you think that's a bad thing, because
• 37:24
  Speaker 1: that's nothing to jump on because I'm gonna tell you
• 37:26
  Speaker 1: this right now, that's this close to what we've always
• 37:28
  Speaker 1: been talking about people fucking computers, Darling.
• 37:31
  Speaker 6: I'm not I'm not judging. I'm confused.
• 37:34
  Speaker 3: We just have.
• 37:40
  Speaker 5: Just trying to Do you think the shape of the
• 37:42
  Speaker 5: screen part of the dildo?
• 37:47
  Speaker 4: It?
• 37:48
  Speaker 7: Yes, so can issue where the dildo isn't to be specific?
• 37:53
  Speaker 7: All right?
• 37:55
  Speaker 5: I realized we've been planning down a lot.
• 37:57
  Speaker 1: But we might not list I'm holding a big dildo
• 38:01
  Speaker 1: in the middle of my past miles legs crazy and
• 38:06
  Speaker 1: like almost like one of those TV remotes. It's kind
• 38:09
  Speaker 1: of rectangle a little bit at the top, big screen.
• 38:18
  Speaker 7: You can connected.
• 38:19
  Speaker 4: I'm just wondering what the complexion of society is.
• 38:22
  Speaker 7: I just think it's crazy that that you can hack
• 38:25
  Speaker 7: the prime minister's.
• 38:26
  Speaker 4: Dil though and JJ.
• 38:31
  Speaker 1: Every episode a little boy wakes up and a little
• 38:35
  Speaker 1: boy wakes up and he was on a walk the
• 38:37
  Speaker 1: whole time, a little.
• 38:39
  Speaker 4: Boy on TV. We can't have a little boy dreaming about.
• 38:44
  Speaker 6: Because he's twelve.
• 38:45
  Speaker 5: He's actually thirteen, Dick, come on old enough.
• 38:50
  Speaker 7: Being an adolescent and feeling things. And it's connected to
• 38:54
  Speaker 7: a screen bait.
• 38:55
  Speaker 2: Okay, actually, actually if because you're my best friend, you're
• 39:00
  Speaker 2: my best friend.
• 39:02
  Speaker 5: Where you're going with this? Someone hacks the prime minister's.
• 39:06
  Speaker 4: First that's what you've got.
• 39:10
  Speaker 6: That's what many angels go.
• 39:15
  Speaker 7: Someone acts a prime minister the prime minister's dial.
• 39:17
  Speaker 2: Do say I'm the prime minister of Let's say. Let's
• 39:21
  Speaker 2: say I'm the Prime Minister of Japan and I'm having a.
• 39:24
  Speaker 4: Don't have one.
• 39:25
  Speaker 5: Let's say I'm the Emperor of Japan. Is that all right?
• 39:29
  Speaker 4: President?
• 39:30
  Speaker 2: President, say I'm the President of Japan and I'm having
• 39:34
  Speaker 2: a trade disagreement with the UK.
• 39:36
  Speaker 7: President we have a trade disagreement.
• 39:37
  Speaker 5: Good, and we're having a trade disagreement.
• 39:39
  Speaker 2: Thinking you know, medals are worth ten percent, You're thinking, no,
• 39:42
  Speaker 2: medals are worth fifteen percent.
• 39:44
  Speaker 5: So it's boring stuff, right.
• 39:46
  Speaker 2: But let's say the Prime Minister of Japan takes it
• 39:49
  Speaker 2: a little too far and he says, I'm going to
• 39:51
  Speaker 2: hack him too the dial do yes, and I'm going
• 39:54
  Speaker 2: to talk directly to.
• 39:55
  Speaker 14: Him when he's the most vulnerable a trade agreement.
• 40:00
  Speaker 4: You will agree to the trade talking to somebody when
• 40:04
  Speaker 4: the most vulnerable. That was an interesting phrase. I like that.
• 40:07
  Speaker 14: Maybe the com is the agreement, and then the com
• 40:17
  Speaker 14: is the agreement.
• 40:18
  Speaker 5: We understand each other. I knew exactly where you were.
• 40:21
  Speaker 6: Want to stop him? I don't mean to stop you.
• 40:23
  Speaker 3: Is this an alternate reality where everyone knows about everyone
• 40:26
  Speaker 3: else's deal.
• 40:27
  Speaker 4: Those and the prime minister has deal?
• 40:29
  Speaker 6: Okay?
• 40:30
  Speaker 7: I can't believe we're bringing in logic.
• 40:33
  Speaker 1: When people can hack into the Prime Minister's microwave, they
• 40:36
  Speaker 1: can also its appliances.
• 40:38
  Speaker 6: I can understand you have a microwave. You don't just
• 40:40
  Speaker 6: naturally assume everyone has to deal.
• 40:42
  Speaker 8: Well.
• 40:43
  Speaker 7: I think in twenty twenty seven we will.
• 40:47
  Speaker 2: Because I think five hundred years from now mark my words,
• 40:49
  Speaker 2: dial doos would be mandatory.
• 40:51
  Speaker 5: I think it will be mandatory. I think I, like you, sorry,
• 40:55
  Speaker 5: just have to own them.
• 40:56
  Speaker 1: I think, just like just like women getting the right
• 40:59
  Speaker 1: to it will be true in the future that all
• 41:03
  Speaker 1: people must own a dial and what you do with
• 41:05
  Speaker 1: it is your business.
• 41:06
  Speaker 7: And it will be fog.
• 41:08
  Speaker 6: And that's what's crazy.
• 41:12
  Speaker 3: Well, sometimes I walk home, you know, because it's a
• 41:15
  Speaker 3: forty minute walk for me home, and I don't trust
• 41:18
  Speaker 3: cars anymore.
• 41:19
  Speaker 6: So I walk home and I.
• 41:20
  Speaker 3: Think, Wow, based on what we're talking about, the future
• 41:23
  Speaker 3: could go any which way, right, Like we're thinking about
• 41:27
  Speaker 3: that future.
• 41:28
  Speaker 4: Really hard to catch a tangent before it goes off
• 41:31
  Speaker 4: in the rider. The future changes something for hours and
• 41:36
  Speaker 4: hours and hours, and it blows our mind. And when
• 41:38
  Speaker 4: we write it down on paper, the beat by beat,
• 41:40
  Speaker 4: it makes absolutely no sense to the human being, but
• 41:43
  Speaker 4: we all understand.
• 41:43
  Speaker 1: It's like the conversation that all the way Mos had
• 41:46
  Speaker 1: that we wrote yes when the way most way more pro.
• 41:57
  Speaker 6: It was a beautiful coming a live store with automatic car.
• 42:01
  Speaker 2: There's two way mos trying to park in the same spot,
• 42:04
  Speaker 2: and then one of them says, you know what, I'm
• 42:06
  Speaker 2: actually feeling a connection here.
• 42:08
  Speaker 4: Do you want to go to mo Prom with me?
• 42:10
  Speaker 6: It was really cute.
• 42:11
  Speaker 3: It was eight couples of Way More cars standing in
• 42:14
  Speaker 3: front of a big house on the stairs taking pictures.
• 42:17
  Speaker 6: And then they all gotten the biggest limo you've ever
• 42:20
  Speaker 6: seen because.
• 42:22
  Speaker 7: Now they were they're wearing more parents.
• 42:25
  Speaker 1: But but I then my favorite part about the my More,
• 42:30
  Speaker 1: my favorite part about the Way Moore.
• 42:33
  Speaker 5: God, do you get in the hack.
• 42:36
  Speaker 4: Hacked?
• 42:37
  Speaker 1: No?
• 42:37
  Speaker 4: I think it was just.
• 42:39
  Speaker 7: Do you feel hack?
• 42:41
  Speaker 2: No?
• 42:41
  Speaker 10: All right?
• 42:42
  Speaker 7: So I think in the Way More Prom episode, my favorite.
• 42:46
  Speaker 1: When it ends and they're all these single people in
• 42:49
  Speaker 1: each Way More humans sitting there slowly dying, no food,
• 42:57
  Speaker 1: no water, in the car of a robot and that
• 43:01
  Speaker 1: robot is living life.
• 43:03
  Speaker 6: And I loved I loved the ending of that because
• 43:06
  Speaker 6: it made you think, what what's this talk about?
• 43:09
  Speaker 13: It?
• 43:10
  Speaker 4: It was so interesting because it was It really ended
• 43:13
  Speaker 4: with huh, trying to say because we could have said
• 43:18
  Speaker 4: so many things, but we really didn't land on any
• 43:22
  Speaker 4: We wanted to write the.
• 43:23
  Speaker 5: Cars like cars for or something. It was like we
• 43:27
  Speaker 5: wanted to write us all Lightning mc queen companion story
• 43:30
  Speaker 5: a little bit.
• 43:32
  Speaker 4: So many things like what is humans personification of an automodic,
• 43:36
  Speaker 4: like we're adding a lot of feelings to these little.
• 43:39
  Speaker 2: When we outsource fun to robots who are experiencing life
• 43:43
  Speaker 2: for us.
• 43:43
  Speaker 4: But they're not actually experiencing it because they're not experience
• 43:47
  Speaker 4: because robots can't experience.
• 43:49
  Speaker 1: Yeah, and then what happens is we have these good
• 43:51
  Speaker 1: crucial conversations and then we just kind of go just
• 43:55
  Speaker 1: end it in something weird.
• 43:56
  Speaker 6: I've got a favorite thing I like to do in
• 43:57
  Speaker 6: the writing with all of you. It's really fun. Remember
• 44:00
  Speaker 6: when we like to try to.
• 44:01
  Speaker 3: Pretend like we put the chips on our brain and
• 44:04
  Speaker 3: we go because that's such a big part of our
• 44:07
  Speaker 3: show toobody put something on and then they go into
• 44:09
  Speaker 3: the cloud and then they jump up like they're scared
• 44:12
  Speaker 3: of something.
• 44:13
  Speaker 6: I love to try it. Do you want to see
• 44:14
  Speaker 6: what I do?
• 44:15
  Speaker 4: Yes?
• 44:15
  Speaker 6: Yes, okay, I'll give you this show.
• 44:25
  Speaker 5: Where did you go?
• 44:26
  Speaker 3: I imagine that went back in time and it dinos
• 44:28
  Speaker 3: So it was trying to eat my butt, eat.
• 44:31
  Speaker 5: Your butt your boat like a snack. That's crazy.
• 44:38
  Speaker 3: You keep on trying try and jumping on your bar
• 44:43
  Speaker 3: like a lion's bar, like a like a box of smarties.
• 44:46
  Speaker 4: I keep on thinking you're trying to pitch a new
• 44:48
  Speaker 4: butterfly theory type of thing. But you keep on just
• 44:50
  Speaker 4: pitching that. You go back, a dinosaur almost eat you
• 44:56
  Speaker 4: when you crush you know, when you affect the rest
• 44:59
  Speaker 4: of history, and you go, no.
• 45:00
  Speaker 3: It's just it wouldn't change the history, wouldn't It wouldn't
• 45:03
  Speaker 3: change the future because.
• 45:04
  Speaker 6: If I went back to the present, I wouldn't have
• 45:06
  Speaker 6: a butt.
• 45:09
  Speaker 7: Wait, oh my god, the future cherub.
• 45:15
  Speaker 5: That might be.
• 45:15
  Speaker 2: So that actually might be. If we have to we
• 45:24
  Speaker 2: in this in our writer's room, we have to follow
• 45:26
  Speaker 2: the rabbit hole, right.
• 45:29
  Speaker 1: Just follow the rabbit hole, because the rabbit hole is human.
• 45:32
  Speaker 1: If it goes quickly and the end is there, that's
• 45:35
  Speaker 1: the internet. And no, but the rabbit hole is the human,
• 45:38
  Speaker 1: and go down.
• 45:38
  Speaker 6: I think it's rabbits. Rabbit hole is actually a rabbit.
• 45:45
  Speaker 6: I don't think a rabbit hole isn't head of the human.
• 45:48
  Speaker 6: I think it's rabbit.
• 45:48
  Speaker 7: I think it's a human. I think a rabbit has
• 45:52
  Speaker 7: a beating heart. Just like, can you say everything okay?
• 45:55
  Speaker 7: And this is just an acting exercise.
• 46:03
  Speaker 6: You close your eyes, oh.
• 46:09
  Speaker 4: Whoa, whoa. Definitely in your episodes.
• 46:15
  Speaker 5: It was so subtle. Where'd you go.
• 46:18
  Speaker 1: Then an uns installed all the tree and American store
• 46:22
  Speaker 1: that's closed down.
• 46:25
  Speaker 7: I feel I shouldn't have gone second because I don't
• 46:27
  Speaker 7: really know what to do with.
• 46:28
  Speaker 5: No, that's exactly what. Okay, I'll put I'll put the
• 46:31
  Speaker 5: chip in. Okay, where'd you go?
• 46:37
  Speaker 7: Where'd you go?
• 46:37
  Speaker 5: I went into let us.
• 46:41
  Speaker 4: Up your explanation. I really liked it the same noise.
• 46:45
  Speaker 2: It's efficiency, right, it's efficiency.
• 46:49
  Speaker 5: So I had to alarm, and I thought, what if
• 46:53
  Speaker 5: someone's hackening into the close and.
• 47:00
  Speaker 4: Watch this?
• 47:01
  Speaker 5: Why someone tacking into the clothes, right, and they're turning
• 47:04
  Speaker 5: all the whites to pinks? What if a red agent?
• 47:09
  Speaker 7: Lunder machines can't do that sometimes, but what if they did.
• 47:12
  Speaker 5: It on purpose?
• 47:14
  Speaker 6: What if?
• 47:15
  Speaker 4: What is the what you're trying to say?
• 47:17
  Speaker 2: So, so what I'm trying to say is what if
• 47:19
  Speaker 2: there were nefarious people who wanted to upset the prime minister?
• 47:26
  Speaker 4: And again it's the prime minister. I would just love
• 47:30
  Speaker 4: we started with a metaphor or an idea, rather than
• 47:33
  Speaker 4: choosing an object and saying how could it affect the primesgu're.
• 47:37
  Speaker 1: Talking about easier Raimo prom had nothing to do with
• 47:40
  Speaker 1: the prim.
• 47:42
  Speaker 4: And I really enjoyed way Moore, and we just don't
• 47:50
  Speaker 4: know what it is.
• 47:51
  Speaker 2: What do you think we should take it back to
• 47:52
  Speaker 2: the editing bay and see if we could maybe find
• 47:55
  Speaker 2: some new meaning in way more problem.
• 47:57
  Speaker 3: Okay, okay, ready, stop, there's a Patreon you need to
• 48:04
  Speaker 3: get into. It's the artist on, artists on artists and
• 48:06
  Speaker 3: artist Patreon.
• 48:07
  Speaker 5: Drop whatever you're holding, run to your computer.
• 48:11
  Speaker 2: The patreon is full of bonus post show activities we've done.
• 48:16
  Speaker 2: We've done the Oscar draft where we pick our picks
• 48:19
  Speaker 2: for best picture and we go up against each other
• 48:21
  Speaker 2: and we fight like a war. So drop the thing
• 48:24
  Speaker 2: in your hands, Halt, do not proceed. Proceed immediately to
• 48:28
  Speaker 2: your laptop and sign up for the artists on, Artists
• 48:31
  Speaker 2: on artists patron on Patreon on Patron.
• 48:38
  Speaker 4: Okay, I'll try this.
• 48:40
  Speaker 13: Oh the moment before way, where'd you go that sex
• 48:52
  Speaker 13: show up?
• 48:52
  Speaker 2: That it was like you were take in a communion wafer,
• 48:55
  Speaker 2: that was like you the am Oh this is good.
• 49:01
  Speaker 4: Because when you become a machine, was like to be
• 49:04
  Speaker 4: a machine.
• 49:04
  Speaker 5: And what do you feel as the machine?
• 49:07
  Speaker 6: Nothing?
• 49:09
  Speaker 5: Whoa Oh Now this gives me dread. This gives me dread,
• 49:16
  Speaker 5: and I think we can use it.
• 49:17
  Speaker 7: Yes, all right, Now go down the rabbit hole, go
• 49:19
  Speaker 7: down the human.
• 49:21
  Speaker 4: As much as we want to personify feelings, pain, anything,
• 49:27
  Speaker 4: on a machine, they feel nothing.
• 49:31
  Speaker 5: So so I'm a lady. I'm a lady.
• 49:32
  Speaker 2: Right, I'm alone on Valentine's Day. All my friends are
• 49:36
  Speaker 2: out with the boyfriends.
• 49:37
  Speaker 5: I want to fall in love. I want to fall
• 49:43
  Speaker 5: in love with something so bad. So I go to
• 49:46
  Speaker 5: my microwave.
• 49:49
  Speaker 7: And then ready already ring ring, ring, ring ring inside.
• 49:55
  Speaker 2: My phone is ringing inside the microwave, ring, And I'm
• 49:58
  Speaker 2: confused because I checked.
• 50:00
  Speaker 5: I put it on the popcorn setting. It's hot, right,
• 50:02
  Speaker 5: So I reach in my phone's hot.
• 50:04
  Speaker 7: Ring pick it up, ready, and it takes out.
• 50:06
  Speaker 4: Hello, it is the Prime Minister.
• 50:10
  Speaker 5: Now, I say, Prime Minister, what are you doing alone
• 50:13
  Speaker 5: on Valentine's Day? Don't you busy?
• 50:16
  Speaker 7: I could ask you the same question, don't you don't
• 50:20
  Speaker 7: you So.
• 50:21
  Speaker 4: I'm just wondering, just right away, I'm wondering, how does
• 50:24
  Speaker 4: this tie in the machine still feel anything? Love? Right?
• 50:28
  Speaker 5: So I'm in love.
• 50:30
  Speaker 2: I've start going on dates with this phone microwave. But
• 50:32
  Speaker 2: I'm start going on dates I following. I only know
• 50:42
  Speaker 2: the Prime Minister through the phone.
• 50:43
  Speaker 4: Microwave.
• 50:45
  Speaker 2: So take meet my mom, taking to meet me part right,
• 50:47
  Speaker 2: and we're talking, we're falling in love, we're getting married.
• 50:50
  Speaker 5: But then he unboots, he doesn't reboot, doesn't reboot.
• 50:58
  Speaker 6: And then I heard that tone before that, and.
• 51:01
  Speaker 5: That's right.
• 51:03
  Speaker 4: To me.
• 51:04
  Speaker 5: It makes sense to me. And that's when.
• 51:06
  Speaker 2: So you're sitting in there after you're married, and you're
• 51:09
  Speaker 2: sitting in there with your phone microwave in your marriage bed.
• 51:12
  Speaker 4: And you're thinking your marriage.
• 51:14
  Speaker 5: You think it should not feel.
• 51:15
  Speaker 2: Something, but you can't because the robot doesn't feel. And
• 51:20
  Speaker 2: that's the lesson.
• 51:21
  Speaker 4: Oh okay, okay, I like that.
• 51:25
  Speaker 7: Put it on the.
• 51:27
  Speaker 1: Way more car karaoke okay, okay, okay, way more karate okay.
• 51:40
  Speaker 2: And so there's two rabbit holes before you, way more
• 51:50
  Speaker 2: karaoke and way more karate?
• 51:52
  Speaker 4: Which one do you want to find that? And I
• 51:53
  Speaker 4: want to say none of them lead to the prime Minister.
• 51:58
  Speaker 3: This actually is a clear itea because we do choose
• 52:01
  Speaker 3: your adventure episodes on Netflix, so we could do karaoke
• 52:07
  Speaker 3: or karate.
• 52:08
  Speaker 6: You Amo, you are a moo.
• 52:11
  Speaker 7: Do you want to sing a song or do you
• 52:12
  Speaker 7: want to hit away moo?
• 52:13
  Speaker 4: Okay?
• 52:14
  Speaker 5: So I want to sing a song.
• 52:17
  Speaker 4: Okay, so what happens now? I don't know.
• 52:24
  Speaker 5: I want to sing a song, did you go?
• 52:29
  Speaker 4: So you end up in a Thai restaurant with a
• 52:31
  Speaker 4: bunch of and the other dogs and the other dogs, yes,
• 52:36
  Speaker 4: and all my dogs. There's Charlie's, there's Devin's, and they're
• 52:40
  Speaker 4: all saying, go go, it's your time to sing. And
• 52:43
  Speaker 4: now it's your turn to sing. So you try to
• 52:45
  Speaker 4: select a song and what happens is you start singing
• 52:49
  Speaker 4: your favorite song. We've got a million different songs. Believe me,
• 52:52
  Speaker 4: the rights are gonna be amazing for this rich, abundant right,
• 52:57
  Speaker 4: a lot of justin Timberlake songs. And you start singing,
• 53:01
  Speaker 4: and you sing with your whole heart. You're singing into
• 53:04
  Speaker 4: your television remote. And there's a moment where we cut
• 53:08
  Speaker 4: to a live feed of weaimos and they are lightly
• 53:11
  Speaker 4: trying to park. And in that moment, you realize you're
• 53:14
  Speaker 4: singing to your TV alone in your own house, as
• 53:19
  Speaker 4: a bunch of waimos in San Francisco try to park.
• 53:21
  Speaker 6: And that's the black mirror, right, because the black mirror
• 53:24
  Speaker 6: is the black screen that you see yourself in, but
• 53:27
  Speaker 6: it's your screen.
• 53:28
  Speaker 4: Wow, it's good.
• 53:30
  Speaker 6: It's good. I had an idea.
• 53:33
  Speaker 4: I would love to literally.
• 53:34
  Speaker 3: See Waymo car Karate talk about how robots said and
• 53:40
  Speaker 3: and machines don't feel right. So maybe I was thinking,
• 53:44
  Speaker 3: I don't know, like a scientist in charge of creating
• 53:48
  Speaker 3: a new AI. But he had a flawed relationship with
• 53:51
  Speaker 3: his emotions cause of his relationship with his father, and
• 53:55
  Speaker 3: so he built like a flawed emotional AI that turns
• 53:58
  Speaker 3: abusive and it turns up use of against him, and
• 54:01
  Speaker 3: he has a bad relationship and he's trying to close
• 54:03
  Speaker 3: it out, but the AI actually guilts it into keeping
• 54:07
  Speaker 3: it alive. And it's kind of a toxic relationship that
• 54:10
  Speaker 3: it can't break. But he built it himself.
• 54:13
  Speaker 6: And what happens at the end, I guess the way
• 54:18
  Speaker 6: most karaoke.
• 54:21
  Speaker 5: Okay, ah, that was really interesting.
• 54:34
  Speaker 4: You got me because it was legitimately a good episode.
• 54:37
  Speaker 5: It actually was like, I see this point to finish.
• 54:40
  Speaker 7: Because the ending was bad.
• 54:45
  Speaker 5: I did one, I did another one.
• 54:47
  Speaker 4: Wow, I'm on the heater. Okay, should we just go
• 54:49
  Speaker 4: around and rapid fire some episode ideas. Let's not describe
• 54:55
  Speaker 4: them at all, because that's really where we get cold.
• 54:58
  Speaker 5: Blog line. So let's do rapid fire some Black Mirror
• 55:02
  Speaker 5: episodes that.
• 55:03
  Speaker 7: We have in the can for production next year, right,
• 55:06
  Speaker 7: mm hmm, okay.
• 55:07
  Speaker 2: So a roomba falls in love with our cloud vacuum love.
• 55:16
  Speaker 3: Oh, it's a computer, but it's a computer for other computers,
• 55:20
  Speaker 3: and human tries to use it and he gets confused.
• 55:22
  Speaker 7: A woman with her Apple Watch trying to get to
• 55:25
  Speaker 7: turn off. She can't.
• 55:26
  Speaker 1: She saws off her wrist. She wakes up her wrist.
• 55:31
  Speaker 1: Other wrist has another Apple Watch.
• 55:38
  Speaker 4: Just don't understand that. Don't want to get stuck in
• 55:41
  Speaker 4: the weeds, but that okay. Pokemon becomes a Pokemon like
• 55:46
  Speaker 4: again becomes real when the holograms become so lifelike and
• 55:50
  Speaker 4: people have to deal with the idea that they are
• 55:53
  Speaker 4: locking these little treatures up in a ball all the time.
• 55:56
  Speaker 2: In a world where selfies are money, you have to
• 56:01
  Speaker 2: pay the train with how hot you are, we.
• 56:05
  Speaker 3: Get into a world where nobody talks to each other,
• 56:07
  Speaker 3: or everybody only reacts to each other, so no one's communicating.
• 56:11
  Speaker 1: Everyone's only haigh high if you can marry someone with
• 56:15
  Speaker 1: a like, but what if you can like multiple marriages
• 56:19
  Speaker 1: and you can be in multiple likes?
• 56:23
  Speaker 4: Keep people become having Internet in themselves, so they start
• 56:29
  Speaker 4: selling themselves on the street. But it's not prostitution, it's
• 56:33
  Speaker 4: Wi Fi.
• 56:35
  Speaker 6: Oh good good.
• 56:35
  Speaker 1: A digital picture frame only showing pictures of your abusive X.
• 56:40
  Speaker 1: And then you find out who's locked into that digital
• 56:44
  Speaker 1: picture frame and hacked into it, the Prime Minister.
• 56:48
  Speaker 2: In a world where you can make your brain a cloud.
• 56:52
  Speaker 2: You can swap brains with your very different friend.
• 57:00
  Speaker 3: That tracks your sleep but actually affects your sleep, so
• 57:03
  Speaker 3: burglars can go into your house and they can turn
• 57:06
  Speaker 3: off you like you're a switch of circus.
• 57:10
  Speaker 4: But it's all hologram animals, and after you realize it's
• 57:13
  Speaker 4: just not as entertaining.
• 57:15
  Speaker 1: If calories, If calories were phones, and every calorie you
• 57:21
  Speaker 1: had added another phone into your stomach and your intestines was.
• 57:26
  Speaker 7: An Apple store.
• 57:27
  Speaker 3: A realistic video game where a man tries to slap
• 57:32
  Speaker 3: you in the face and you take out the thing
• 57:35
  Speaker 3: and you're.
• 57:35
  Speaker 6: Not in the game.
• 57:37
  Speaker 2: A world where the dentist can hear the thoughts going
• 57:41
  Speaker 2: on in your teeth because your teeth are tiny phones
• 57:46
  Speaker 2: you get.
• 57:47
  Speaker 4: A person gets to the end of the rainbow and
• 57:49
  Speaker 4: sees a leprechaun but can't take a photo of it,
• 57:53
  Speaker 4: so did it even happen?
• 57:55
  Speaker 3: Someone goes back in time to the death of Jesus Christ.
• 57:59
  Speaker 3: They take us selfie with them and they've become famous.
• 58:03
  Speaker 7: A strip club with the poles are phones.
• 58:09
  Speaker 2: A machine that allows you to transport into different timelines.
• 58:14
  Speaker 2: So you transport into one where you're famous, but you
• 58:17
  Speaker 2: realize famous in everything you thought it was, and your
• 58:21
  Speaker 2: fingers are phones.
• 58:22
  Speaker 4: You can see into the future and meet your future
• 58:26
  Speaker 4: self right before you die, but you end up falling
• 58:29
  Speaker 4: in love with yourself.
• 58:32
  Speaker 6: You buy a used Clawn on the dark Web, but
• 58:35
  Speaker 6: it turns out it was the original.
• 58:40
  Speaker 4: That's actually.
• 58:43
  Speaker 6: That's a really.
• 58:45
  Speaker 1: Every baby that comes out in the nick you sits
• 58:48
  Speaker 1: on top of a big iPad, and that iPad reflects
• 58:53
  Speaker 1: a light through the baby, and all the babies start
• 58:57
  Speaker 1: to be sources of light and information hinge.
• 59:01
  Speaker 5: Except when you swipe you kill.
• 59:03
  Speaker 4: Them face filters, but you can use them in real life.
• 59:14
  Speaker 7: Hinge, but if you don't like them, you kill them
• 59:18
  Speaker 7: rather like mean life.
• 59:20
  Speaker 5: Doesn't like mean life or love or love.
• 59:25
  Speaker 3: Y, but for doctors to use on patience God, so
• 59:35
  Speaker 3: doctors can choose if your body is good or not.
• 59:38
  Speaker 4: Venmo but it's time to it's the time that you
• 59:41
  Speaker 4: have to live. It's a movie like that.
• 59:55
  Speaker 1: I know that they created to give mouth to mouth
• 59:58
  Speaker 1: when someone is choking, but it becomes six dolls.
• 1:00:04
  Speaker 4: I'm so proud of you that didn't have a phone
• 1:00:06
  Speaker 4: anywhere near it.
• 1:00:08
  Speaker 5: Yeah, I did.
• 1:00:10
  Speaker 6: What's great?
• 1:00:12
  Speaker 4: Are we out of ideas?
• 1:00:14
  Speaker 6: I think I had one popping around in here.
• 1:00:16
  Speaker 5: I'm sure I know what we can do.
• 1:00:18
  Speaker 4: I know what we could do.
• 1:00:19
  Speaker 1: Let's do one word story and we'll do one together
• 1:00:22
  Speaker 1: and that will be a big ending, all right, So funny, amazing.
• 1:00:26
  Speaker 1: Two women find a broken phone.
• 1:00:37
  Speaker 5: And upgrade two.
• 1:00:42
  Speaker 4: Another friend.
• 1:00:49
  Speaker 9: That a log line and dare I say, a broken
• 1:00:59
  Speaker 9: phone an upgrade?
• 1:01:05
  Speaker 6: That's a great idea.
• 1:01:07
  Speaker 1: I like it.
• 1:01:08
  Speaker 6: That's happened to me.
• 1:01:08
  Speaker 4: Let's that was very fun. It was almost like a
• 1:01:13
  Speaker 4: short form of exercise.
• 1:01:15
  Speaker 5: Really like we found our way. We're pretty engineered game.
• 1:01:19
  Speaker 6: We don't like him proper actors.
• 1:01:21
  Speaker 4: No, no, no, we're writers and you're writers right again?
• 1:01:26
  Speaker 7: Wait, do you guys see the flashing light upon the cameras?
• 1:01:30
  Speaker 5: Hold on, are we being nanny cammed?
• 1:01:34
  Speaker 10: No?
• 1:01:36
  Speaker 7: Oh god, what's happening?
• 1:01:42
  Speaker 4: Flashing?
• 1:01:42
  Speaker 7: They're flashing, they're flashing quick. That means we have more
• 1:01:45
  Speaker 7: idea to save our lives.
• 1:01:46
  Speaker 5: What do you if you think that?
• 1:01:48
  Speaker 3: What?
• 1:01:48
  Speaker 2: What if? They're putting thoughts in our brain and every
• 1:01:50
  Speaker 2: idea we've pitched has been by the camera.
• 1:01:52
  Speaker 4: The camera actually pitched all the ideas. Let's see if
• 1:01:55
  Speaker 4: it's true.
• 1:01:56
  Speaker 5: A I, Oh, you.
• 1:02:03
  Speaker 4: Missed?
• 1:02:05
  Speaker 7: What if?
• 1:02:09
  Speaker 3: What if the E stands for Earth and we're not
• 1:02:12
  Speaker 3: on Earth so we couldn't say ye? And the truth
• 1:02:16
  Speaker 3: is we're not here. We have chips in our brains.
• 1:02:21
  Speaker 2: We are the chips in someone else's brain and they're
• 1:02:26
  Speaker 2: right on a TV show and success and off our profits.
• 1:02:30
  Speaker 5: Is that what you sick? Fuck?
• 1:02:32
  Speaker 2: What is that?
• 1:02:34
  Speaker 4: What you want? You see? You think you're right here,
• 1:02:37
  Speaker 4: but you're actually not. You're merely seeing a projection of
• 1:02:42
  Speaker 4: us filmed years ago.
• 1:02:45
  Speaker 5: We have the black mirror to you.
• 1:02:47
  Speaker 14: Do you like what you see?
• 1:02:49
  Speaker 6: We have been dead for years.
• 1:02:51
  Speaker 4: Take a picture right now of you and your screen
• 1:02:54
  Speaker 4: and post it to www. A oh, calm.
• 1:03:03
  Speaker 1: This has been artists on artists on artists on artists
• 1:03:05
  Speaker 1: answering the question, No, that's.
• 1:03:09
  Speaker 6: Why they call it show who good night? Internate?
• 1:03:20
  Speaker 5: Why I've at the.
• 1:03:21
  Speaker 1: Beautiful dynasy typewriter, do it up for Samuel doing those lights?
• 1:03:25
  Speaker 3: Guys.
• 1:03:26
  Speaker 5: That was wow.
• 1:03:27
  Speaker 4: I wasn't planned wow.
• 1:03:29
  Speaker 5: Guys.
• 1:03:29
  Speaker 1: If you want to see us talk about this fucking episode,
• 1:03:32
  Speaker 1: catch our Patreon in link below.
• 1:03:34
  Speaker 4: Why Take This Out?
• 1:03:35
  Speaker 2: By Artists on Artists On Artists on Artists is an
• 1:03:39
  Speaker 2: improvised Hollywood round table podcast created, performed, and produced by
• 1:03:43
  Speaker 2: Kylie Ragman, Jeremy Colhayne, Angela Girtana.
• 1:03:46
  Speaker 5: And Patrick McDonald. Music is by Gabriel Ponton.
• 1:03:50
  Speaker 2: The opinions expressed on this podcast do not reflect the
• 1:03:52
  Speaker 2: opinions of anyone who works on it, not even the performers,
• 1:03:55
  Speaker 2: because this is an improvised podcast and we're stupid. Both
• 1:03:59
  Speaker 2: video vers of a OA OA OA are available on YouTube,
• 1:04:02
  Speaker 2: so please like and subscribe and leave us a five
• 1:04:05
  Speaker 2: star review wherever you get your podcasts.
• 1:04:07
  Speaker 5: That's all for now, good Night, Hollywood,