Latest / The Bald Brothers Podcast / 84: Top 10 Sex Positions / Top 10 Movies That Made You Cry The Most. | #TheBaldBrothersPodcast

Transcript

84: Top 10 Sex Positions / Top 10 Movies That Made You Cry The Most. | #TheBaldBrothersPodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up on stage listening. Before you watch this episode
• 0:03
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• 0:15
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• 0:16
  Speaker 2: Like that's just Patreon only. Man, Oh yeah, that's chop
• 0:21
  Speaker 2: it up. Yeah, that's what that's that's why you get
• 0:24
  Speaker 2: the special tree.
• 0:25
  Speaker 1: Special tree for the chop it up. Now.
• 0:28
  Speaker 2: The people ain't gonna get we come in there talking
• 0:30
  Speaker 2: about so Nate, did you not even privy through it?
• 0:32
  Speaker 1: Because you're not.
• 0:33
  Speaker 2: Patreon not Patreon. We just had a full conversation.
• 0:37
  Speaker 1: Sorry, I wish I didn't have to market like this,
• 0:39
  Speaker 1: but the world is stuff, man, YouTube, didn't they It's
• 0:43
  Speaker 1: hard to make money, it is.
• 0:45
  Speaker 3: You hear chick fil A start a streaming from all
• 0:48
  Speaker 3: your post about that?
• 0:49
  Speaker 1: What? What? What are you'all talking about? What they gonna have.
• 0:55
  Speaker 2: The vegetales, the god man because they ain't super religious,
• 0:59
  Speaker 2: right Darry? Yeah, man, they.
• 1:03
  Speaker 1: Better calm down.
• 1:04
  Speaker 2: It was like, now, yeah, man, you better just focus
• 1:08
  Speaker 2: on the chicken and hush man them gave people putting
• 1:11
  Speaker 2: money in y'all pockets.
• 1:12
  Speaker 1: Man, you better hush all right, What up, y'all? Welcome
• 1:18
  Speaker 1: to the Boar Brothers podcast, where a fat person and
• 1:21
  Speaker 1: a healthy person sitting next to other total harbor. I
• 1:25
  Speaker 1: ain't trying to lose weight no more. I'm just living
• 1:27
  Speaker 1: my life. I'm meaning healthy eighty percent of the time,
• 1:30
  Speaker 1: and I'm mobile. Tony Baker. Is an excuse for us
• 1:33
  Speaker 1: to hang out because we're great friends or what's our
• 1:36
  Speaker 1: friendship level? Great friends?
• 1:38
  Speaker 3: Yeah, I'll be telling you my business.
• 1:40
  Speaker 1: Oh yeah, we'll be dming. I'll be telling you my business.
• 1:43
  Speaker 1: Then you're great friends. One day we're best friends. One
• 1:47
  Speaker 1: day we be best friends, because that the business is
• 1:50
  Speaker 1: key for to tell you the business of what I
• 1:54
  Speaker 1: be doing. Oh yeah, it'd be good. Be good times
• 1:57
  Speaker 1: on the text.
• 1:58
  Speaker 3: That's that's that's big.
• 1:59
  Speaker 1: For good times on the tax because I'll be tucking
• 2:02
  Speaker 1: it in. Speaking of the text, Today's episode Top ten
• 2:07
  Speaker 1: sex position. Oh yeah, we're getting into it.
• 2:10
  Speaker 2: Getting into it a sex position. So you're a single man,
• 2:15
  Speaker 2: what's your number?
• 2:16
  Speaker 1: One? Give me give me that mother, Teresa, that good missionary.
• 2:23
  Speaker 1: Number one.
• 2:24
  Speaker 2: Missionary is my number one position. Really I got I
• 2:28
  Speaker 2: got like two number ones, but Missionary is probably just
• 2:32
  Speaker 2: gonna be the number one.
• 2:33
  Speaker 1: Why number one? You can really tap in, man, you're
• 2:37
  Speaker 1: really tapping into the woman.
• 2:38
  Speaker 2: Man, I'm looking into your eyes and I'm saying, if
• 2:40
  Speaker 2: you really enjoyed it, you' all living.
• 2:44
  Speaker 1: Missionary is like you know, because a lot of times
• 2:47
  Speaker 1: a lot of dudes.
• 2:47
  Speaker 2: Be like, yeah, just hit it from the back, and
• 2:50
  Speaker 2: it's very like impersonal. You just back there going to work.
• 2:54
  Speaker 2: It could be anybody's back you know what I'm saying.
• 2:57
  Speaker 1: That could be anybody like.
• 3:01
  Speaker 2: I was back there just doing and then like she
• 3:04
  Speaker 2: could she could even disconnect from you and just say, yeah,
• 3:07
  Speaker 2: I'm just getting here from the back. It could be
• 3:09
  Speaker 2: anybody back there, you know what I'm saying. It said
• 3:12
  Speaker 2: disconnection in that position unless they look back and oh,
• 3:16
  Speaker 2: then you can connect and then your eyes the eyes
• 3:18
  Speaker 2: like oh and I'm still back here. But the missionary though, Man,
• 3:26
  Speaker 2: you got better control of the strokes and the flow,
• 3:29
  Speaker 2: and then you can really feel like then all right,
• 3:31
  Speaker 2: if I'm going too fast too slow, you can see
• 3:33
  Speaker 2: it in the face you analyzing, Yeah, I be looking
• 3:38
  Speaker 2: be sure like Holmes and the smnlie and she says,
• 3:42
  Speaker 2: you know, temperature rising you you know what I'm saying.
• 3:44
  Speaker 1: This is all she getting bored with it. She drying
• 3:45
  Speaker 1: up down there.
• 3:46
  Speaker 3: Let me move, let me do this, let me whispered sweet, nothing.
• 3:51
  Speaker 1: Sweet, nothing sweet nothing.
• 3:56
  Speaker 2: But the missionary is the one. And then you got
• 3:58
  Speaker 2: options within the missionary. Can let go let go up?
• 4:03
  Speaker 3: That's missionary package.
• 4:05
  Speaker 1: Yeah, I feel like missionary gets a bad rap up.
• 4:08
  Speaker 1: Missionary is good. It's good for sex, good for spreading
• 4:10
  Speaker 1: the gospel. It's way under rated.
• 4:15
  Speaker 2: I'm not gonna say it because you already said it,
• 4:17
  Speaker 2: but I totally agree.
• 4:18
  Speaker 1: Just pooh pooh missionary. Don't poot pool missionary. If you
• 4:22
  Speaker 1: want good connect I don't think there's a better position
• 4:25
  Speaker 1: for the connection for.
• 4:26
  Speaker 3: The connect man.
• 4:27
  Speaker 2: I mean, you know, we clown our friends sometimes to
• 4:29
  Speaker 2: be like we as a friend of mine that we
• 4:32
  Speaker 2: consider like a Proude sexually. We just call the missionary McGee.
• 4:37
  Speaker 2: It's like that's all you like, you know what I'm saying.
• 4:39
  Speaker 2: We be clowning them.
• 4:40
  Speaker 1: Then, But but the missionary is a great position. It's
• 4:43
  Speaker 1: a great position. It's a great position. I'm gonna go
• 4:48
  Speaker 1: side to side, the.
• 4:49
  Speaker 2: Side to side, love of a good side, You on
• 4:53
  Speaker 2: your side, She on her saying that is my number
• 4:55
  Speaker 2: two is what sneak on it? What were watching Netflix?
• 4:59
  Speaker 2: Are you inside me the side? Maybe it was love Island,
• 5:04
  Speaker 2: maybe it was loving blind, maybe it was peen inside.
• 5:06
  Speaker 1: I don't know. You know, you got cheat. You could
• 5:11
  Speaker 1: go from cuddle to to you know, I ain't even know.
• 5:17
  Speaker 2: Oh my god, even of us in here, I can't stop.
• 5:25
  Speaker 1: I can't stop.
• 5:27
  Speaker 2: If people call side to side lazy man, listen, listen here.
• 5:32
  Speaker 2: We ain't got the time or the energy to give
• 5:34
  Speaker 2: you the Richard Simmons workout in the goddamn bedroom every time.
• 5:38
  Speaker 3: Man, you're gonna take these lazy pumps?
• 5:40
  Speaker 1: Doesn't feel good? Or no? Man make me feel good?
• 5:43
  Speaker 1: Does it feel good? Or no? Man? Side to side?
• 5:46
  Speaker 1: Side to side is great. This is the one thing
• 5:49
  Speaker 1: about listen. This is just as a merried person. This
• 5:52
  Speaker 1: is what one of the things the love hours taught me.
• 5:55
  Speaker 1: Every sexual experience. Don't have to be fine dining right,
• 5:59
  Speaker 1: you know? Sometimes you want to full four corners. This
• 6:04
  Speaker 1: you and that's good.
• 6:05
  Speaker 3: That's fun.
• 6:06
  Speaker 1: Some days I just gotta grab a burger on the
• 6:08
  Speaker 1: way home. Some days it's like, oh, this was a
• 6:10
  Speaker 1: little bit better of a place. The whole thing is
• 6:12
  Speaker 1: great as long as y'all are one a cord. You
• 6:15
  Speaker 1: know what I'm saying.
• 6:16
  Speaker 2: A good side to side and sometimes the woman don't
• 6:18
  Speaker 2: want it to take all night either. It's gonna get
• 6:20
  Speaker 2: you a little some and I'll give me a little some.
• 6:24
  Speaker 1: Good. We good. But you know, I feel like this
• 6:27
  Speaker 1: is my personal opinion. I can't prove it. I feel
• 6:29
  Speaker 1: like on social media we often want to make it
• 6:31
  Speaker 1: uppear that it's every time.
• 6:33
  Speaker 2: Is every time for that, I'm tired, It's Tuesday.
• 6:38
  Speaker 1: I'm big tired man. You called me.
• 6:40
  Speaker 2: I was almost out of here in sleep felle yes,
• 6:43
  Speaker 2: but I'm open to you.
• 6:44
  Speaker 3: You rolled over and grabbed me. So let me give
• 6:47
  Speaker 3: you a little something.
• 6:47
  Speaker 1: Let me give you a little something to give you
• 6:49
  Speaker 1: what I.
• 6:49
  Speaker 3: Can premium pumps. The side to side is fired.
• 6:54
  Speaker 1: Side of side is great.
• 6:55
  Speaker 2: God did his thing on the connections look good.
• 7:02
  Speaker 3: Side the side is fire.
• 7:03
  Speaker 1: Or you can lean back.
• 7:04
  Speaker 2: You can lean back a little further if you if
• 7:06
  Speaker 2: you're really into it, lean back a little further in
• 7:09
  Speaker 2: the side of the side on the side the side
• 7:11
  Speaker 2: that way, you know, it feels like you did something
• 7:13
  Speaker 2: else and then hand full Oftini.
• 7:19
  Speaker 1: Grabbed.
• 7:21
  Speaker 2: I'm grabbing cups like I work in a damn bar,
• 7:25
  Speaker 2: all right now, I'm grabbing the cups. Tony grabbed the cups.
• 7:30
  Speaker 2: That's I can't help.
• 7:32
  Speaker 1: But grab is good even without sex. Never bad. Like
• 7:38
  Speaker 1: one single service ice cream, like yes, great time anytime.
• 7:41
  Speaker 1: I'm gonna be like, no, I'm not in the mood
• 7:42
  Speaker 1: for one single cone.
• 7:44
  Speaker 2: If you if an ice cream man appeared at the door,
• 7:47
  Speaker 2: it's like, y'all want one thing? Sure, I just had
• 7:50
  Speaker 2: broccoli in turkey out. I'll definitely one single serving of
• 7:54
  Speaker 2: ice cream on your up within the side the side
• 7:59
  Speaker 2: of this. This position is hard to describe because I
• 8:02
  Speaker 2: you know, I did that position post a while ago.
• 8:05
  Speaker 1: So she's on.
• 8:07
  Speaker 2: Her back mm hmmm, I'm on my side down below,
• 8:13
  Speaker 2: but I'm inside on the.
• 8:15
  Speaker 1: On the come around. Yes, So it's like a like
• 8:17
  Speaker 1: a leg over. It's like a.
• 8:21
  Speaker 2: T, like a T upside down t okay, because she
• 8:24
  Speaker 2: she's straight and I'm laying on the side, So it's
• 8:27
  Speaker 2: up that upside down t capital T.
• 8:31
  Speaker 1: How did ping go?
• 8:32
  Speaker 2: So it just goes in because you know, I'm down
• 8:35
  Speaker 2: there lined up and then her legs come over.
• 8:38
  Speaker 1: My legs, go over my side, and I'm in there.
• 8:41
  Speaker 1: Got you. What is that called? I don't know what
• 8:44
  Speaker 1: it's called. That's a TV special.
• 8:45
  Speaker 3: I love it that position right there because I can.
• 8:48
  Speaker 2: See the people. We're gonna do the TV. Huh, how
• 8:52
  Speaker 2: do you explain like we're gonna do the TV. I
• 8:53
  Speaker 2: don't explain. It ain't no explanation. We just get into it.
• 8:57
  Speaker 2: I don't be like, I'm gonna put you in the
• 9:00
  Speaker 2: upside down te now.
• 9:02
  Speaker 1: I put you into stranger things.
• 9:08
  Speaker 3: Why don't we announce every position change?
• 9:11
  Speaker 2: So now we did the missionary, Now I'm going into
• 9:14
  Speaker 2: the upside down.
• 9:15
  Speaker 1: Upside down tea is on. You lay there on your
• 9:18
  Speaker 1: back and I'm just you'll see when I get there.
• 9:25
  Speaker 1: Why not approach.
• 9:30
  Speaker 2: So so that that position is fired to me because
• 9:33
  Speaker 2: I can see all of her, and I'm down there
• 9:37
  Speaker 2: working and I got full range of motion down there.
• 9:40
  Speaker 2: I can grab cups the bar back back at the
• 9:46
  Speaker 2: bar man. Now mind you, this is not a high
• 9:49
  Speaker 2: end bar. It's just plastic cup, got money frog, We
• 9:52
  Speaker 2: got the red Solo cups. That's the cups we grabbed. Yeah,
• 9:57
  Speaker 2: but uh yeah, that's that's that's one of my favorites.
• 10:00
  Speaker 1: Sure, all right, I'm gonna go eating Kouchie.
• 10:03
  Speaker 2: Oh, I don't know what the name is.
• 10:07
  Speaker 1: In between, Yeah, Premium high I ten Kochie. Yeah, I'll
• 10:18
  Speaker 1: be down there having the time of my life.
• 10:20
  Speaker 2: Throw me down there, Throw a comfort over my head,
• 10:24
  Speaker 2: but not the comforter.
• 10:27
  Speaker 3: Comfort too had hot.
• 10:29
  Speaker 2: Go give me sheet, you know, because we got the
• 10:31
  Speaker 2: ac blown. We got the fan coming from the westerly.
• 10:34
  Speaker 2: You gotta block the fan offs. It's too cold.
• 10:37
  Speaker 1: But the comforter they need me too hot. I'm too
• 10:40
  Speaker 1: seventy everywhere I am. I'm gonna be sweating down there sometime,
• 10:45
  Speaker 1: but give me betwixt.
• 10:46
  Speaker 2: I'm gonna be in heaven. I never feel more accomplished
• 10:51
  Speaker 2: as a man than to lead you to the place
• 10:54
  Speaker 2: to be twigs, because that's all you. And as a
• 10:59
  Speaker 2: good man, I aim to please. I can, I can do.
• 11:02
  Speaker 1: Are you you like the selflessness of it?
• 11:05
  Speaker 2: You?
• 11:05
  Speaker 1: I mean? I must.
• 11:10
  Speaker 2: I am in service to you. I opened the door
• 11:14
  Speaker 2: for you. I lead you to the promised land. I
• 11:17
  Speaker 2: am to please. I want to make you feel good,
• 11:19
  Speaker 2: and then once you feel good, pressures off.
• 11:22
  Speaker 1: You're not counting pumps.
• 11:23
  Speaker 2: When you already see what you got to see yeah, ol.
• 11:32
  Speaker 1: Otto part and we can both go to bed happy
• 11:34
  Speaker 1: because you ain't missing out on nothing. So yeah, I
• 11:37
  Speaker 1: just don't know how you don't do it. When uh
• 11:40
  Speaker 1: DJ Callen said you know, I said, well, she's probably sad.
• 11:45
  Speaker 3: I'm sure she would she would enjoy that.
• 11:47
  Speaker 1: Yeah, because Pin, I don't remember the stat but I
• 11:50
  Speaker 1: believe it's upwards of eighty percent of women cannot orgasm
• 11:54
  Speaker 1: off straight. Pin and magine. So if you ain't eating,
• 11:58
  Speaker 1: what is you doing? But you got to be doing something.
• 12:01
  Speaker 2: Just pumps, pumps, pump pump pumps, pumps, pump pumpumps. Ain't
• 12:05
  Speaker 2: gonna do it. Man, You're not blowing up an air mattress.
• 12:08
  Speaker 2: You got to ring that doorbell and the doorbells outside
• 12:10
  Speaker 2: on the top. You you knocking. You got to ring
• 12:17
  Speaker 2: you knocking when you need to ring? Brother, you just
• 12:21
  Speaker 2: you do this all day.
• 12:23
  Speaker 3: I could do this.
• 12:26
  Speaker 2: That.
• 12:27
  Speaker 1: You got to focus on where the pleasure centers are.
• 12:29
  Speaker 1: I wish you got. I want to up and think
• 12:31
  Speaker 1: about this. I'm like, how do I teach my sons?
• 12:35
  Speaker 1: You know, I don't want to teach them about you know,
• 12:36
  Speaker 1: but I want no not eat you eating.
• 12:39
  Speaker 2: I feel like, have you talked to them about section,
• 12:41
  Speaker 2: talk to them about sex. They've been talking appropriate. Gee,
• 12:49
  Speaker 2: when we talked about sex all the time.
• 12:51
  Speaker 1: Then we introduced consent as well, and we talked about
• 12:54
  Speaker 1: that more often because I feel like the world was changing,
• 12:58
  Speaker 1: that consent evolved. I believe in their generation right because
• 13:03
  Speaker 1: digitally that was not a thing. And I also feel
• 13:07
  Speaker 1: like we, like in our generation, we were taught some
• 13:10
  Speaker 1: things that led to non contenual stuff, right, like especially
• 13:15
  Speaker 1: like playing hard to get. You got to be persuasive,
• 13:18
  Speaker 1: don't take no for an answer. These are actually terrible idea.
• 13:21
  Speaker 1: Don't take you need to And we was watching I
• 13:27
  Speaker 1: knew I did a good job, me and Melissa when
• 13:29
  Speaker 1: we was watching Rocky and the way he basically almost kidnapped,
• 13:34
  Speaker 1: he was very like this was like, I don't remember
• 13:41
  Speaker 1: it like that because I saw when I was young,
• 13:43
  Speaker 1: So I and I didn't rewatch that part. I just
• 13:46
  Speaker 1: watched the fights like on YouTube. I didn't go from
• 13:49
  Speaker 1: like press play on Rocky, like at least not that Rocky.
• 13:52
  Speaker 1: I watched UH four all the time. They were so
• 13:57
  Speaker 1: my boys was yo, they were so uncomforted, was like,
• 14:02
  Speaker 1: you he should not. I don't want to watch this
• 14:05
  Speaker 1: he put his arm in front of the door. I
• 14:08
  Speaker 1: was like, what is you on, Rocky? Let her go
• 14:11
  Speaker 1: right right wild for that?
• 14:13
  Speaker 2: Yeah yeah, yeah, But I wanting to tell my kids.
• 14:15
  Speaker 2: I want to tell them, like specifically how to do stuff.
• 14:17
  Speaker 2: I want to tell me you can't just go straight
• 14:19
  Speaker 2: pump spaghie. Yeah, you know what I'm saying. Just give
• 14:21
  Speaker 2: you the staff. Now you got to put the pieces
• 14:23
  Speaker 2: together on your own, you know. But I want them
• 14:26
  Speaker 2: to know, you know, because a lot of men know
• 14:29
  Speaker 2: me thinking women are faking and all that stuff, and
• 14:31
  Speaker 2: I just.
• 14:32
  Speaker 1: Want you the Frederick's name to be the Frederick's name, right,
• 14:34
  Speaker 1: you know what I'm saying. I think women be faking
• 14:35
  Speaker 1: all the time.
• 14:36
  Speaker 2: And like women get frustrated with me because when they
• 14:40
  Speaker 2: when they compliment me or whatever, I just.
• 14:42
  Speaker 1: Be like, all right, and you don't nobody tell you this.
• 14:46
  Speaker 2: I'll be like, well, I don't know if y'all tell
• 14:47
  Speaker 2: them the truth or not, because I know some women
• 14:49
  Speaker 2: exaggerated or lie to you know, make.
• 14:52
  Speaker 3: A person feel better.
• 14:53
  Speaker 1: Yeah, So I'm always in search of like truth or whatever,
• 14:56
  Speaker 1: you know. So when they tell you a comment and
• 14:57
  Speaker 1: you be letting, maybe I'll take them brand And so.
• 15:00
  Speaker 3: Yeah, I'm be like, man, you just sweet talking.
• 15:03
  Speaker 1: Oh that's what I'm saying.
• 15:05
  Speaker 2: Sometimes to myself or out loud. You for real, you
• 15:07
  Speaker 2: know what I'm saying. So it's like, you know, I
• 15:10
  Speaker 2: just try to make sure people are one hundred percent
• 15:12
  Speaker 2: honest and you know, and.
• 15:16
  Speaker 1: Is a good time. I'm red.
• 15:17
  Speaker 2: I'm red with it though, are you. Yeah, especially when
• 15:21
  Speaker 2: I'm in single, super rare. Interesting when I'm single, it's
• 15:26
  Speaker 2: super rare because you got to be committed for the couch.
• 15:30
  Speaker 1: Yeah. I just can't be you can be dying. I
• 15:33
  Speaker 1: can't be giving head out here, Willy Nilly.
• 15:39
  Speaker 3: You know what I'm saying, because you.
• 15:40
  Speaker 1: Know Willy Nilly ahead, no man, watch out man, my
• 15:46
  Speaker 1: vocals on my life.
• 15:48
  Speaker 3: I got to protect this whole.
• 15:49
  Speaker 2: The mouth, neck throat gotta be protected. And I just
• 15:54
  Speaker 2: can't be out here willy Nilly.
• 15:56
  Speaker 1: Billy Sorel's had such a funny joke about that. Man,
• 15:58
  Speaker 1: he said, you want to Yeah, now you got to cancel.
• 16:05
  Speaker 1: You gotta cancel Pittsburgh this week because you're done stuff
• 16:08
  Speaker 1: you wasn't supposed to.
• 16:09
  Speaker 2: I can't, but I thought you was. You do the
• 16:11
  Speaker 2: little you know, you do the pretesting paperwork, paper work.
• 16:14
  Speaker 2: But even then, I'm still just letting you don't trust
• 16:16
  Speaker 2: the paper word. Yeah, I'll be trusting the paperwork. I
• 16:18
  Speaker 2: relaxed a little bit, but still you just you're not
• 16:21
  Speaker 2: getting free head all the time.
• 16:23
  Speaker 1: You stitch with the hand.
• 16:26
  Speaker 3: Yeah, but I'm not like dj cally with it.
• 16:29
  Speaker 1: But but committed committed? Are you less stingy? Yeah? For sure,
• 16:35
  Speaker 1: Like we're in a relationship, I'm lessing. I'm homered. I
• 16:38
  Speaker 1: don't want no spinach all you're up? Oh uh, I enjoyed.
• 16:47
  Speaker 3: Countertop.
• 16:49
  Speaker 1: I don't know if that's a position, but she's if
• 16:52
  Speaker 1: she's on the bathroom sync.
• 16:55
  Speaker 3: You know, counter top smash. I call it that. It's
• 17:00
  Speaker 3: just like you know what I'm saying, because it's like
• 17:03
  Speaker 3: especially especially if the height.
• 17:04
  Speaker 2: Requirements are intact in terms of uh, in terms of
• 17:10
  Speaker 2: measuring that where she's sitting on the sink, and then
• 17:12
  Speaker 2: where I'm at to where I don't have to be
• 17:14
  Speaker 2: on the tippy toes, and if it lines up perfectly,
• 17:17
  Speaker 2: that's a great time. That's a great time right there.
• 17:24
  Speaker 2: The table tip not the kitchen table. I know when
• 17:26
  Speaker 2: I when I made the list, I said table tipe,
• 17:28
  Speaker 2: but not the kitchen table. Just like you know, a
• 17:32
  Speaker 2: sink or just any type of desk or anything like that.
• 17:39
  Speaker 2: That's a good time. Any type of desk, island I
• 17:43
  Speaker 2: can do, an island I could do. There's no lady Susan,
• 17:49
  Speaker 2: that's a good work desk, depending on the tree. Yeah.
• 17:53
  Speaker 1: When I when I said that, people made me feel
• 17:55
  Speaker 1: like it was rare. And I'm like, y'all be doing this.
• 17:59
  Speaker 1: I got kids, kids come in from some caprice. Excuse me,
• 18:02
  Speaker 1: get out of it.
• 18:02
  Speaker 2: Well, not in the kitchen, but like in the bathroom
• 18:04
  Speaker 2: or something like on the bathroom sink. Oh okay, Yeah,
• 18:09
  Speaker 2: it's just I got to have it right now.
• 18:11
  Speaker 1: It's very it's very like we got to do this
• 18:14
  Speaker 1: right here right now.
• 18:15
  Speaker 3: Yeah, or like you had a party, you sneak off
• 18:18
  Speaker 3: into the bathroom.
• 18:22
  Speaker 1: No, who was that? Was that? Burden Land? It was
• 18:24
  Speaker 1: burden Land, wasn't it was that in the bathroom that
• 18:26
  Speaker 1: was arguing in the bathroom. I can't remember. That's the
• 18:29
  Speaker 1: heavy breathing. But yeah, man, that's a good time. The
• 18:35
  Speaker 1: position is right the top tall, that's what they call him,
• 18:38
  Speaker 1: count of Tony.
• 18:40
  Speaker 2: Uh.
• 18:40
  Speaker 1: I'm an go woman on top riding.
• 18:45
  Speaker 2: Okay, I kind of ride though what do you mean
• 18:50
  Speaker 2: got different rides because you got the ride where you know,
• 18:53
  Speaker 2: she's just on her knees or whatever, just you know,
• 18:55
  Speaker 2: riding and grinding, and he got the one where she's
• 18:58
  Speaker 2: on the balls of her feet. I expect you to
• 19:01
  Speaker 2: do all that. That's that's a professional list. That's that's
• 19:05
  Speaker 2: gymnasts and sex workers. That's when they on the balls
• 19:08
  Speaker 2: they feet, that's when they pounded you, which is also
• 19:14
  Speaker 2: a good time.
• 19:15
  Speaker 3: When they pounded you and they on the balls and
• 19:17
  Speaker 3: the feet.
• 19:18
  Speaker 1: You can relax because that's your needs gonna be hot
• 19:22
  Speaker 1: and cracking. I mean, it's gonna be limited. Yeah, Listen,
• 19:27
  Speaker 1: you gotta be considerate of the time. The more the
• 19:29
  Speaker 1: more theatrics you request, the quicker to burnout is.
• 19:33
  Speaker 2: You know, maybe that's what they wanted. Sometimes women want
• 19:36
  Speaker 2: to bust us out quick. Absolutely, they be doing that
• 19:39
  Speaker 2: on purpose so I can get back to these tops.
• 19:42
  Speaker 3: I wish we could bust them out as quick as
• 19:44
  Speaker 3: they bust us out.
• 19:45
  Speaker 2: I wish I could just have them just too pump
• 19:50
  Speaker 2: chunking it. I want a too pump chunk woman to
• 19:54
  Speaker 2: where she can't even handle two three strokes and she's
• 19:57
  Speaker 2: like who as soon as I get up in there.
• 20:01
  Speaker 2: You look at yourself. Because the beauty of women is
• 20:05
  Speaker 2: they can have multiple because they don't deplete like we.
• 20:08
  Speaker 1: We'd be deflated like.
• 20:14
  Speaker 2: That thing out in front of the car salesman. I'm done, man,
• 20:19
  Speaker 2: I gotta regroup. Please don't stop. Stop stop stopping hurts.
• 20:25
  Speaker 2: It hurts, mouth hurts, it hurts.
• 20:28
  Speaker 1: I'm over there in the corner. Just no bones.
• 20:31
  Speaker 3: It's just it's a sack of skin.
• 20:33
  Speaker 2: Man.
• 20:35
  Speaker 3: But women, they can they can keep coming back for more.
• 20:38
  Speaker 3: So it's like if they were two pump chumps, they'd
• 20:40
  Speaker 3: be fantastic.
• 20:40
  Speaker 1: That'd be great. As soon as we get up.
• 20:42
  Speaker 2: In there, who aren't even got started ship.
• 20:46
  Speaker 1: Street, I would love that, man. Oh yeah, but yeah,
• 20:56
  Speaker 1: all right. So she's on top, she's on subtle top, subtle, subtle,
• 21:01
  Speaker 1: subtle tire. It's a great view. Yeah, you know, it's like,
• 21:05
  Speaker 1: oh my god, please take it.
• 21:09
  Speaker 3: And then you get the cups in your face, in
• 21:11
  Speaker 3: your face, ups.
• 21:15
  Speaker 1: Go up and they stay there and they say up, up, up,
• 21:23
  Speaker 1: and then you can have some control.
• 21:24
  Speaker 2: Yeah, you know, that's why having a small wife, because
• 21:29
  Speaker 2: I like to help as well.
• 21:31
  Speaker 1: Let me put up under there.
• 21:34
  Speaker 2: Because sometimes one of my biggest fears when when they
• 21:37
  Speaker 2: when they ride, is that they get over zellous and
• 21:42
  Speaker 2: they're going up a little too high and then they
• 21:45
  Speaker 2: come down to I'm scared they're gonna come down, and
• 21:49
  Speaker 2: you know, so I'm always scared.
• 21:52
  Speaker 1: Of that, but they're just gonna Yeah, it's always a fear.
• 21:59
  Speaker 3: It's just like, hey, now, hey, I'm not twelve thirteen
• 22:04
  Speaker 3: inches here.
• 22:06
  Speaker 2: You can't go up too high and then come down
• 22:08
  Speaker 2: too fast because you know it might miss it.
• 22:11
  Speaker 1: Cool street fighters, Oh my god, all what you got to?
• 22:21
  Speaker 1: All right?
• 22:21
  Speaker 3: So so the reverse colgirls, good time. That's a great time.
• 22:27
  Speaker 1: Great view, great view.
• 22:30
  Speaker 3: Man, that's just back chicks and back hair.
• 22:37
  Speaker 1: Yeah, are out of.
• 22:38
  Speaker 3: Reach now I can't. I can't get to the cups.
• 22:41
  Speaker 3: But if you can get an angle of the cups
• 22:44
  Speaker 3: during that or so cup, it's well.
• 22:54
  Speaker 2: When people play street fighters from here from here on out,
• 22:58
  Speaker 2: it's gonna be a climb.
• 22:58
  Speaker 1: Man's every time you three that's how they home and
• 23:15
  Speaker 1: be a family man. It's always three bounces. Oh oh yeah,
• 23:28
  Speaker 1: like but that that's that's a good time, right there
• 23:32
  Speaker 1: is fun. Man, that's a great time. When when I'll
• 23:34
  Speaker 1: be like, god, you did a good thing. It's a
• 23:37
  Speaker 1: great time. It's sims. I like it, like it a lot.
• 23:43
  Speaker 1: All right, you got any more? We moving on?
• 23:45
  Speaker 3: I think what we left off donkey style.
• 23:50
  Speaker 1: Oh, Donny stops great, Dotty stops great. It's cool, it's fun.
• 23:54
  Speaker 1: That's the thing.
• 23:55
  Speaker 3: Like, I don't love it as much as people love it.
• 23:57
  Speaker 2: Yeah, it's cool, it's cool. But it's like I think
• 24:00
  Speaker 2: it's very popular to say on social media.
• 24:03
  Speaker 1: People really enjoy it. I don't mind it, but it
• 24:05
  Speaker 1: ain't it ain't good. I think it's just a cool
• 24:12
  Speaker 1: thing to see and say. But you know, y'all enjoy
• 24:15
  Speaker 1: you'll stuff, enjoy your stuff. You know, no no pressure.
• 24:20
  Speaker 1: I don't.
• 24:20
  Speaker 2: I don't like it because I feel something in that position.
• 24:24
  Speaker 2: What you mean, I feel like I went too deep.
• 24:27
  Speaker 1: Maybe your pen is just big. A lot of your
• 24:29
  Speaker 1: stuff is just humongous pean stuff.
• 24:31
  Speaker 3: Well, I can only reference my own experience.
• 24:35
  Speaker 1: That's two in a row.
• 24:36
  Speaker 2: That was.
• 24:37
  Speaker 1: She's gonna come down and break her coochie a small fear.
• 24:42
  Speaker 1: But both of your fears is large pen based.
• 24:45
  Speaker 3: The other field wasn't large pen based.
• 24:47
  Speaker 2: Her coming down and breaking her breaking mind, Oh, breaking
• 24:51
  Speaker 2: your she's going up too far?
• 24:54
  Speaker 1: And then it comes out. I thought you're worried about
• 24:59
  Speaker 1: could you broke? I'm talking about she goes up too
• 25:03
  Speaker 1: high and then comes down. You can break your peanuts.
• 25:06
  Speaker 3: That's what I'm saying.
• 25:07
  Speaker 1: I like to God because I don't.
• 25:13
  Speaker 2: That's what I meant on that Hell No, I ain't
• 25:16
  Speaker 2: bringing in but the but the doggie style. I feel
• 25:20
  Speaker 2: something back there.
• 25:24
  Speaker 1: And I don't like it. I felt like I went outside. Yeah,
• 25:27
  Speaker 1: I feel like.
• 25:29
  Speaker 3: It feels like something's there.
• 25:31
  Speaker 1: You won't be feeling this. I don't really know what
• 25:35
  Speaker 1: you mean.
• 25:35
  Speaker 3: It feels like I'm hitting something in there.
• 25:41
  Speaker 1: This little microphone teak.
• 25:45
  Speaker 3: Yeah, I mean like you know so so for me,
• 25:48
  Speaker 3: that kind of takes.
• 25:50
  Speaker 1: Me out of it. Got it so.
• 25:53
  Speaker 2: The wall, Tony, this grossy. I didn't guess it like
• 25:56
  Speaker 2: you can test it out on me. Y'all just throw
• 25:59
  Speaker 2: your panties at.
• 26:01
  Speaker 3: But they sniping from this. It's a safe this save this.
• 26:03
  Speaker 3: They can say whatever.
• 26:04
  Speaker 1: Put to their job. The council super Bowl.
• 26:09
  Speaker 3: I heard everything you say, all right.
• 26:13
  Speaker 1: Our next topic, movies that made you cry the most?
• 26:18
  Speaker 1: Begin Did you go first on sex? I went first
• 26:22
  Speaker 1: on sex. I'm a post I feel like the older
• 26:28
  Speaker 1: I get. I cried much more.
• 26:29
  Speaker 3: Oh, yeah, for you.
• 26:30
  Speaker 1: In movies, let me, I can't watch nothing without crying. Man,
• 26:35
  Speaker 1: I've cried a lot of movies, some that are not
• 26:37
  Speaker 1: even uh like tear Jerkers, they just had a person. Yeah,
• 26:44
  Speaker 1: let me start with this me Earl and the Dying Girl.
• 26:49
  Speaker 1: Have you seen it? I never saw Tony Anthony Charles Baker.
• 26:53
  Speaker 1: R J. Siler's in it. No, it was probably about
• 26:57
  Speaker 1: ten years old. Maybe now? Are J Sylers in it?
• 27:01
  Speaker 1: What's the girl's name?
• 27:02
  Speaker 2: Uh?
• 27:03
  Speaker 1: The other two are not They're not famous, Uh actors.
• 27:09
  Speaker 1: I don't believe. Yeah, see, I don't know. I don't know.
• 27:13
  Speaker 1: That's Olivia Cook. Oh snap, that's Allison from Game of Thrones.
• 27:20
  Speaker 1: Oh okay, I know her. I'm like, dang, that other.
• 27:23
  Speaker 2: Movie is nine years old. Did not recognize her. Don't
• 27:29
  Speaker 2: you recognize that's Thomas Man.
• 27:32
  Speaker 1: I don't really know him. R J. Sowler was in
• 27:34
  Speaker 1: there anyway. Me Earl and the Dying Girl. They tell
• 27:40
  Speaker 1: you when the movie starts, what is going to happen? Right,
• 27:45
  Speaker 1: They're like, this is in the like they break the
• 27:48
  Speaker 1: fourth wall. They tell you this is gonna happen. The
• 27:51
  Speaker 1: girl is gonna die at the end. Of this movie
• 27:54
  Speaker 1: shit to they tell you. I'm like, you know, sure
• 27:58
  Speaker 1: at the end, something's gonna hap when she dies. I
• 28:02
  Speaker 1: was watching it on a plane, Tony. I was here,
• 28:07
  Speaker 1: oh full yep ye.
• 28:10
  Speaker 2: In coach in uh like not even comfort main cabin
• 28:17
  Speaker 2: seventeen A in the aisle.
• 28:19
  Speaker 1: I was crying. Short movie. I remember my arm got
• 28:22
  Speaker 1: hit by the cart and even that wasn't enough to
• 28:26
  Speaker 1: be told I was. I had. I had to put
• 28:28
  Speaker 1: my hoodie on and I had to pull my shirt up.
• 28:32
  Speaker 1: I was snotting tone. I did not I was not
• 28:37
  Speaker 1: prepared to cry that hard.
• 28:38
  Speaker 2: I was.
• 28:42
  Speaker 1: It was so emotional, and I just turned it on, like,
• 28:47
  Speaker 1: let me check this out. I never even see never
• 28:49
  Speaker 1: see a trailer, never heard of it. I was just like, oh,
• 28:51
  Speaker 1: what's this about? You know on the plane you'd be more.
• 28:54
  Speaker 1: I'd be more. We got hours in flying from like Boston, LA.
• 28:57
  Speaker 1: So that's like six hours. You can watch three move
• 29:00
  Speaker 1: He's and still be flying. Man. When I tell you
• 29:03
  Speaker 1: I was done, I took the nap of all like
• 29:05
  Speaker 1: I got whooped. I felt like I got whooped. That's
• 29:08
  Speaker 1: a hard cruy. I was crying, man, it was so good.
• 29:12
  Speaker 1: I've never watched it again. Oh yeah, it's one of them.
• 29:14
  Speaker 1: And I'm crying now hard. I'm done. Your dad, all right?
• 29:18
  Speaker 1: What you got? All right?
• 29:19
  Speaker 3: So I got a better life, That's what gave.
• 29:23
  Speaker 2: It's a movie about an illegal immigrant living here from Mexican,
• 29:26
  Speaker 2: illegal immigrant and he's working here and you know he
• 29:30
  Speaker 2: has a son that was you know, born and raised
• 29:32
  Speaker 2: here with you know, his dad is illegal, and so
• 29:36
  Speaker 2: he's just trying to give his son a better life.
• 29:37
  Speaker 2: And you know, he growing up in East LA, so
• 29:40
  Speaker 2: you know, the temptations of the life of crime and
• 29:42
  Speaker 2: all that. So he's just trying to keep his son
• 29:43
  Speaker 2: out of that. And he gets deported.
• 29:47
  Speaker 1: Dad the dad does okay, man, Dad, movie tore my
• 29:53
  Speaker 1: ass up. Thug.
• 29:56
  Speaker 3: I could not stop crying. Really, I couldn't stop.
• 30:01
  Speaker 1: Man.
• 30:01
  Speaker 3: I was just like.
• 30:04
  Speaker 2: There was a scene where, you know, they were they
• 30:06
  Speaker 2: were talking to each other. He was, you know, detained,
• 30:09
  Speaker 2: he was talking to his son. He was just like,
• 30:11
  Speaker 2: I was just trying to give you a better life.
• 30:14
  Speaker 1: And it was all it was just like, even after
• 30:20
  Speaker 1: the movie, I'm sitting in the car crying still. Really, yes, no,
• 30:25
  Speaker 1: where was when is come out? All right?
• 30:27
  Speaker 2: This was? Uh?
• 30:28
  Speaker 1: When was this?
• 30:29
  Speaker 2: Because me and me and Doe boys saw it together
• 30:32
  Speaker 2: in the movie reviews. So I want to say it
• 30:35
  Speaker 2: was like twenty fifteen, twenty eleven.
• 30:39
  Speaker 1: So did he come back or it just ends bad?
• 30:42
  Speaker 1: Like he was just in Mexico for all ends.
• 30:46
  Speaker 2: He was you had a pot of year and it
• 30:51
  Speaker 2: was just and you know, his son was like he
• 30:54
  Speaker 2: always felt like he wasn't good enough for his son.
• 30:57
  Speaker 3: Because you know, it's you know, he's a teenager.
• 31:00
  Speaker 2: So he was like, I wonder I want the dope
• 31:01
  Speaker 2: stuff and you know, the fly stuff. This dude was
• 31:04
  Speaker 2: just landscaping, just doing landscaping work. Told my ass and
• 31:10
  Speaker 2: half man, I was in the caul, like, what's it
• 31:13
  Speaker 2: called a Better Life?
• 31:15
  Speaker 1: And what's his name?
• 31:16
  Speaker 3: The father got nominated for an Oscar for that.
• 31:19
  Speaker 1: He's a dude. He's been a lot of stuff. Oh
• 31:21
  Speaker 1: I recognize him. Yeah, yeah, yeah, yeah. Man, that movie
• 31:23
  Speaker 1: tore me up.
• 31:25
  Speaker 3: That was probably like the longest lingering cry for me.
• 31:30
  Speaker 1: For some reason. I just couldn't stop. You didn't expect
• 31:32
  Speaker 1: it either. Now I knew it was gonna be like
• 31:35
  Speaker 1: damn man, you know what I'm saying, But man, I
• 31:39
  Speaker 1: was cold. Just crystals, dug me and Doo was just
• 31:42
  Speaker 1: crying hard. That was hilarious. I'm gonna go I'm going
• 31:47
  Speaker 1: in reverse order. A man called Otto, Oh yeah, Oh
• 31:52
  Speaker 1: my god, also on a plane, and I knew people
• 31:56
  Speaker 1: was like this. This is how I'm different, man boy,
• 32:04
  Speaker 1: because it comes out crank McGhee.
• 32:06
  Speaker 2: I don't fuck around with Tom Hanks. I know he
• 32:10
  Speaker 2: gonna get me every goddamn time. Dom Tom Hanks immediately
• 32:15
  Speaker 2: as soon as I see him, my tear dust open.
• 32:20
  Speaker 1: The matter of the movie. He'll be like, man, Tom
• 32:22
  Speaker 1: Hanks man every time his wife that whole part about her,
• 32:27
  Speaker 1: And then I start putting myself in there. I'm the
• 32:29
  Speaker 1: type of person who looks at Manti and be like,
• 32:31
  Speaker 1: you're gonna die one day. It's two, but it's like
• 32:35
  Speaker 1: one day you're gonna be your old dog. Like I'm
• 32:38
  Speaker 1: gonna god with it. I'm gonna live longer than you.
• 32:42
  Speaker 2: What.
• 32:42
  Speaker 1: And he's only two. He's a baby, That's what I'm saying.
• 32:45
  Speaker 2: Parents don't I don't know why we're not just getting
• 32:48
  Speaker 2: tortoises and parrots. We keep getting these animals that's gonna die.
• 32:54
  Speaker 2: I'll be looking at d and midnight I'll be like, oh,
• 32:57
  Speaker 2: you niggas ain't gonna.
• 32:58
  Speaker 1: Make it, and I be I've seen like a lot.
• 33:01
  Speaker 1: So there was a trend on TikTok for a minute
• 33:03
  Speaker 1: where people were putting their dogs down on TikTok and
• 33:06
  Speaker 1: you like watch them die.
• 33:07
  Speaker 2: And I was like, why are you even allowed to
• 33:10
  Speaker 2: post it? Because I didn't know what was happening community guideline. Man,
• 33:13
  Speaker 2: they took me out for way worse and the person
• 33:15
  Speaker 2: has Rob Wiler and they was, I don't want to
• 33:18
  Speaker 2: see this.
• 33:19
  Speaker 1: I didn't understand what was happening. And then you literally
• 33:21
  Speaker 1: saw the light go out. I said, get this off
• 33:24
  Speaker 1: the internet. And Tim Tebow put his dog down. He
• 33:26
  Speaker 1: was crying tough, he put the actual he didn't put
• 33:30
  Speaker 1: he just showed like afterwards. But people on TikTok were
• 33:33
  Speaker 1: posting the light. It was like going there with your
• 33:36
  Speaker 1: dog when they got to they don't want to be scared,
• 33:38
  Speaker 1: and I'm like, I'm with that. I get you, but
• 33:40
  Speaker 1: you don't have to record it for me to see.
• 33:41
  Speaker 3: That's what I'm saying.
• 33:42
  Speaker 1: The recording crazy.
• 33:45
  Speaker 3: You can share like the aftermath and yeah, but come on, man.
• 33:50
  Speaker 1: But anyway, that one got me with his wife when
• 33:52
  Speaker 1: he revealed why he became the crank and then like,
• 33:55
  Speaker 1: you know he's gonna die. They told you in the
• 33:58
  Speaker 1: movie that he's sick. But when he left, he was
• 34:01
  Speaker 1: gonna pull through. Man, I said, oh my god, I
• 34:04
  Speaker 1: thought he was gonna pull through again.
• 34:06
  Speaker 2: Shoulders seventeen shoulders shoulder, and I tried not to go shoulders.
• 34:11
  Speaker 1: Nobody wants to be shoulders in public. But your body's like, nah, man,
• 34:16
  Speaker 1: you gonna feel this. I just want you to think
• 34:20
  Speaker 1: I'm laughing at this movie, but I'm over here, I'm
• 34:22
  Speaker 1: like crying hard. I don't think I've watched this sad
• 34:27
  Speaker 1: movie on the plane. Since that, I was like, I
• 34:29
  Speaker 1: can't be crying on the man, like I don't. I don't.
• 34:32
  Speaker 2: These people don't know me, like I don't want to.
• 34:34
  Speaker 2: And then when I was crying on me earl, the
• 34:36
  Speaker 2: person next to me was like, you good.
• 34:38
  Speaker 1: I was like.
• 34:40
  Speaker 2: It was that obvious, Like man, middle was like, hey, man,
• 34:45
  Speaker 2: this is we're just flying over Kansas right now.
• 34:47
  Speaker 1: You the plane down, pull it together, man, we gotta
• 34:54
  Speaker 1: go pee. Oh so I gotta go peek. Appease me.
• 34:59
  Speaker 1: I'm good. Go to the bathroom. Actually, as soon as
• 35:07
  Speaker 1: you tell you I'm okay, I'm okay. Now I just
• 35:09
  Speaker 1: need to peek out. Man, watch out, they slip on
• 35:13
  Speaker 1: your tears and excuse, excuse.
• 35:20
  Speaker 3: I gotta go Antoine Fisher because it changed my life.
• 35:24
  Speaker 1: Man, feel he he booked so many roles because of that.
• 35:28
  Speaker 2: Antoine Fisher told my ass and half listen, man, it
• 35:32
  Speaker 2: opened the floodgates of me.
• 35:34
  Speaker 1: I'm glad I didn't know Viola Davis was Viola Davis then,
• 35:36
  Speaker 1: because I would have been mad at her for years.
• 35:39
  Speaker 1: She did didn't register her. I was pissed, but he
• 35:43
  Speaker 1: made you feel, man, that move Who's gonna cry for
• 35:47
  Speaker 1: the little boy? Who's gonna cruy for the little boy?
• 35:51
  Speaker 1: Said m m hmm. I was.
• 35:56
  Speaker 2: I was maintaining because when I watched that, this was
• 35:59
  Speaker 2: still in the time where I wasn't crying in movies
• 36:01
  Speaker 2: like that, because ever since my brother's clowned me for
• 36:05
  Speaker 2: crying at the movie That's also on my list, I
• 36:08
  Speaker 2: was like, all right, I ain't crying no more. I
• 36:11
  Speaker 2: show you I was taking tragic movies to the chest. Really,
• 36:14
  Speaker 2: I was holding the Lion King boys.
• 36:16
  Speaker 1: In the hood. I was able to make it through
• 36:18
  Speaker 1: all that.
• 36:19
  Speaker 2: I was just like, nah, I never cry again in
• 36:21
  Speaker 2: the movie. I'll tell you what so bheny the time
• 36:23
  Speaker 2: I saw Antoine Fisher, I was a father.
• 36:25
  Speaker 1: Then, so that opens all. So it was just different
• 36:28
  Speaker 1: lens now.
• 36:29
  Speaker 2: So it was just like and then I was taking
• 36:33
  Speaker 2: the movie still. I was still in old tone movie. Man,
• 36:35
  Speaker 2: this is messed up, but I'm hanging in there. But
• 36:39
  Speaker 2: once he once he met his family, yes, it was over.
• 36:46
  Speaker 1: And that was a lot of movie left out of here.
• 36:51
  Speaker 1: I was like that box and that went by why
• 37:08
  Speaker 1: are you doing that?
• 37:09
  Speaker 4: Perfectly because it was it was just years movie cheers
• 37:17
  Speaker 4: from years, bow everybody, from all the movies.
• 37:21
  Speaker 1: There's that time.
• 37:24
  Speaker 3: I cried so hard to.
• 37:26
  Speaker 1: Come up by the way, is he that crying dude? Oh?
• 37:29
  Speaker 1: I was like, we're gonna viral but.
• 37:34
  Speaker 3: That movie and then I found I found. I went
• 37:37
  Speaker 3: on the quest to find my father after that.
• 37:40
  Speaker 1: Oh dang. It was that impactful.
• 37:42
  Speaker 2: Yeah, because it was like because I had known about him,
• 37:44
  Speaker 2: but I was like, I don't really care to meet
• 37:46
  Speaker 2: him or learn about that. But once I saw him
• 37:49
  Speaker 2: get exposed to his real family, I was just like,
• 37:52
  Speaker 2: and I think that's where it came from. Yeah, So
• 37:54
  Speaker 2: it was just like boom and wow, done done all right.
• 38:04
  Speaker 2: The most recent one was Wakana Forever. Oh yeah, Oh,
• 38:07
  Speaker 2: that one was tough.
• 38:09
  Speaker 3: The second time I watched it, I cried more.
• 38:11
  Speaker 1: Tony, I can't watch it again. Chadwick, losing J and
• 38:17
  Speaker 1: Us losing Chadwick is one of the celebrities that impacted
• 38:22
  Speaker 1: me to never met him, only knew him through his work,
• 38:26
  Speaker 1: like the way he carried himself with grace and all
• 38:28
  Speaker 1: that stuff. So when he passed, I was sad, like
• 38:32
  Speaker 1: Jit and then.
• 38:33
  Speaker 2: Losing J and I knew like they was going to
• 38:36
  Speaker 2: talk about it, but it was almost like a funeral
• 38:39
  Speaker 2: for Chadwick.
• 38:40
  Speaker 1: Yeah, and I was fresh off Jay Boy, whole Frederick's family, Me, Liz, Zay,
• 38:46
  Speaker 1: Joe done brother. We probably were dehydrated live man. I
• 38:53
  Speaker 1: can't even hear that song, No Moore, that comes ninety
• 38:55
  Speaker 1: four seven away, historrom Today Yesterday. I'm sorry, I respect
• 38:59
  Speaker 1: you as a musician. Cannot will never watch that movie again.
• 39:05
  Speaker 1: Am I not suffering enough? I was like me too.
• 39:08
  Speaker 3: I cried, she said, my whole family is gone.
• 39:12
  Speaker 2: I cried beget every fifteen minutes, every fifteen minutes.
• 39:19
  Speaker 3: Well, whatever was tough.
• 39:20
  Speaker 1: It was a funeral, greed. It was a lesson about grief.
• 39:25
  Speaker 1: That is what the movie's about, which I think was
• 39:28
  Speaker 1: so dope for Ryan Cooler to do within the context
• 39:31
  Speaker 1: of you know, loser Chavick for real, But it was
• 39:35
  Speaker 1: I was not ready, and I in my mind I knew,
• 39:39
  Speaker 1: actually didn't know. I thought I knew sure it was
• 39:41
  Speaker 1: gonna be the Black Panther. I know that had happened
• 39:43
  Speaker 1: in the comics book, but I didn't know how much
• 39:45
  Speaker 1: they was gone. You know, because you can you can
• 39:48
  Speaker 1: kill a character. They can die off screen in one
• 39:50
  Speaker 1: line of dialogue, right like we lost the king in
• 39:52
  Speaker 1: this but now this, so I didn't know how much
• 39:55
  Speaker 1: they were going. They were like, no, you go, we're
• 39:58
  Speaker 1: gonna di come back to it.
• 40:01
  Speaker 2: And then because she's trying to work through it, but
• 40:03
  Speaker 2: she's gonna have to come to deal with and we're
• 40:06
  Speaker 2: gonna get y'all too. I was like, and they was like, man,
• 40:10
  Speaker 2: that second viewing, though, is when I was a mess.
• 40:14
  Speaker 1: I was like, just the thought of the opening sequence, Yeah,
• 40:26
  Speaker 1: I'm not doing it, man. They did too good.
• 40:29
  Speaker 2: That was That was a very unique film because of that,
• 40:33
  Speaker 2: because we really lost the person in real life, and
• 40:36
  Speaker 2: they dealt with the grief of losing that person in
• 40:38
  Speaker 2: real life and real time, so you know, the actors
• 40:41
  Speaker 2: are feeling it, the characters are feeling it.
• 40:44
  Speaker 3: I can't think of another movie that's that's like that.
• 40:47
  Speaker 1: There's no one that And because Chadwick didn't have a
• 40:50
  Speaker 1: public funeral, right like Whinning Houston's funeral, we got to
• 40:54
  Speaker 1: watch right Rita, Nipsey Hustle, Michael Jackson, Michael we we
• 40:59
  Speaker 1: got aggrieve the Kobe We. I don't remember his funeral,
• 41:03
  Speaker 1: but I remember, like, there's a lot of memorial Chadwick.
• 41:06
  Speaker 1: There was nothing. Yeah, so it was was looking at Chadwick, Yeah,
• 41:11
  Speaker 1: more than it was to Challa. It was Chadwick Boseman.
• 41:16
  Speaker 1: There was that was a real death. I slept like
• 41:19
  Speaker 1: a baby.
• 41:21
  Speaker 2: Jojo was like, we was walking back to the car
• 41:24
  Speaker 2: gray we are all gray faced, you know, all great
• 41:28
  Speaker 2: because the end was sad and as the Macedine was sad,
• 41:31
  Speaker 2: So Joe was like.
• 41:32
  Speaker 1: Why do we watch this still crying? Why would we
• 41:38
  Speaker 1: watch a lot? Man?
• 41:39
  Speaker 3: That movie is a lot bro a lot.
• 41:43
  Speaker 1: So the fact that they was even able to muster
• 41:45
  Speaker 1: a quality film out of that is amazing. That's when
• 41:48
  Speaker 1: I love, Like, that's what I love about movies, Like
• 41:51
  Speaker 1: how you felt, how Antoine Fisher made you like. That
• 41:54
  Speaker 1: made me feel stuff like that's.
• 41:57
  Speaker 3: What good movies shop. I love when I feel.
• 42:00
  Speaker 1: Yeah, absolutely, I'll be like I didn't bring that ship on. Man.
• 42:04
  Speaker 1: What you got?
• 42:04
  Speaker 3: Oh so I got the Passion of the Christ.
• 42:08
  Speaker 2: Really, that movie tored me in half to where I
• 42:13
  Speaker 2: was like stop him, full face crease. I remember my
• 42:24
  Speaker 2: my wife looked at me and she was like, because
• 42:27
  Speaker 2: I didn't want to I don't want to be looked at.
• 42:28
  Speaker 1: When I'm crying. I look up and she's looking at me.
• 42:30
  Speaker 1: I'm just like, don't look, don't look at me, man,
• 42:36
  Speaker 1: Passion of the Christ tore me up. Man. Interesting.
• 42:39
  Speaker 2: I was like, damn, man, no, I didn't feel I
• 42:44
  Speaker 2: didn't feel nothing. I was just like, I mean, not nothing,
• 42:48
  Speaker 2: but like I just was like, man, y'all was hitting
• 42:51
  Speaker 2: him hard. Flesh, flesh, chunks was coming out on the whip.
• 42:56
  Speaker 1: It was a lot, man. I was just like.
• 43:00
  Speaker 2: It just it really sat in my soul of like
• 43:02
  Speaker 2: what the Crucifixion was. And I was just like enough, man,
• 43:08
  Speaker 2: come on, man, you're a good dude. Here a good dude.
• 43:13
  Speaker 1: He's a good man. Many man, all right. I cried
• 43:21
  Speaker 1: good during Coco. Oh yeah, Coco when they sang remember me,
• 43:27
  Speaker 1: boy boy out cry right now, don't play with me.
• 43:33
  Speaker 1: In the context of all that, first of all, and
• 43:35
  Speaker 1: that's a Dela cruise. That nigga guy was coming ahead.
• 43:37
  Speaker 1: All yeah, he was snuck they did.
• 43:43
  Speaker 2: I was like, really, oh, oh, he done stole my
• 43:48
  Speaker 2: planters sign, got all the trip.
• 43:50
  Speaker 1: He gonna live forever. Look at this and hat train
• 43:53
  Speaker 1: out but one person and then the grandmar start singing.
• 43:57
  Speaker 3: I said, Coco is so good, been but I can
• 44:02
  Speaker 3: keep watching Coco.
• 44:03
  Speaker 1: Oh yeah, I can watch Coco.
• 44:04
  Speaker 3: I've seen that like at least five times.
• 44:06
  Speaker 1: Because I liked the Dream of Miguel. I liked that
• 44:08
  Speaker 1: as well. I love Coco. I like, like, that's just
• 44:12
  Speaker 1: a real like picture. Was in there bad then? Sure,
• 44:15
  Speaker 1: you know what I'm saying, Like I kind of thought
• 44:17
  Speaker 1: that was just gonna be invincible, but all good things
• 44:19
  Speaker 1: come to it, Yeah, for sure, But they was. That
• 44:21
  Speaker 1: was at the point they actually I think they had
• 44:23
  Speaker 1: a couple of duds before Coco.
• 44:25
  Speaker 3: Yeah, they had Dead before.
• 44:26
  Speaker 2: Yeah. I think Brave was before Coco, and that kind
• 44:28
  Speaker 2: of just people didn't really care about a dinosaur.
• 44:32
  Speaker 1: Dinosaur was just like I never seen ton I was
• 44:35
  Speaker 1: we watched that. We took the boys to go to Disneyland.
• 44:38
  Speaker 1: We watched that the night before we all Disney stuff,
• 44:40
  Speaker 1: Didney stuff. And I watched Dinosaur Say Get Through Pixar.
• 44:45
  Speaker 1: I was just like, this is a waste of time.
• 44:47
  Speaker 1: I felt nothing. It was just not even like so bad.
• 44:49
  Speaker 1: It was good. It was just like, don't waste a moment.
• 44:53
  Speaker 1: And then Cars Man, they milked that too. That was no, man,
• 44:58
  Speaker 1: that wasn't It was too much.
• 45:00
  Speaker 3: But Coco was the return to form.
• 45:02
  Speaker 1: Coco was like, oh, now we're back. We're back, man,
• 45:05
  Speaker 1: We're back. Sure man, I love Coco. Alright, what else
• 45:08
  Speaker 1: you got? All right?
• 45:08
  Speaker 2: So this this is a new development, but I've seen
• 45:13
  Speaker 2: it years ago, but now it obliterates me.
• 45:17
  Speaker 1: Still magnoius. I don't think i've seen that. Oh my god,
• 45:21
  Speaker 1: who's in that?
• 45:22
  Speaker 2: Sally Field, Julia Roberts, Dollar, pardon, Olympia Dukakis, Shirley McClain,
• 45:28
  Speaker 2: what's the Daryl Hannah?
• 45:29
  Speaker 1: Those are the six leads? What's this? I don't know.
• 45:32
  Speaker 1: I don't know nothing about that film. You want to
• 45:34
  Speaker 1: spoiler or though I'm not finna will Julia Roberts dies
• 45:38
  Speaker 1: and that's Sally Field. I'm ding.
• 45:40
  Speaker 2: I love funeral breakdown that Sally Field has. If you
• 45:45
  Speaker 2: if you, if anybody can get through that really.
• 45:48
  Speaker 1: With no emotion, you are and android.
• 45:55
  Speaker 2: When she breaks down at that funeral, dog Man, it's
• 46:00
  Speaker 2: because it and to me like I've seen that since
• 46:03
  Speaker 2: I lost the rein and I'll just be like done,
• 46:07
  Speaker 2: but it'd be like but then it's like it's like
• 46:09
  Speaker 2: a good none because it's like even within that scene
• 46:12
  Speaker 2: she's going off, she's crying, she just and her friends
• 46:15
  Speaker 2: are just like, you know, and then they say something funny.
• 46:18
  Speaker 1: In that moment, we're just like, hit her.
• 46:23
  Speaker 2: Olympia Ducock has just pushed Shirley McLean in front of
• 46:25
  Speaker 2: Sally Field. Hit her what just just because she was like, Oh,
• 46:29
  Speaker 2: I'm so angry. I just want to hit something, and
• 46:33
  Speaker 2: you want to hit something. Hit her like get your
• 46:35
  Speaker 2: heads off me. And then they start they start laughing,
• 46:38
  Speaker 2: and I'm just like, Yo, that's what grief really be
• 46:40
  Speaker 2: looking like. For sure, we be down here and face
• 46:43
  Speaker 2: wet herd kicked down the steps and then something funny
• 46:46
  Speaker 2: happens and then it's just like were laughing with wet faces,
• 46:50
  Speaker 2: and I'm just like that laughing with wet faces and
• 46:55
  Speaker 2: that scene right there sally Field. I don't know how
• 46:57
  Speaker 2: Sally Field didn't get an oscar for that. I love
• 47:00
  Speaker 2: fel that moment right there, and now it resonates even
• 47:04
  Speaker 2: more because when I saw it back in the eighty nine,
• 47:06
  Speaker 2: I was just like, damn, this messed up.
• 47:08
  Speaker 3: But I was still in I'm not doing this.
• 47:11
  Speaker 1: But now now.
• 47:14
  Speaker 2: That's the thing, since I lost Jay stuff, that brotherhood stuff,
• 47:18
  Speaker 2: I'll be like, man, Jake Paul and Logan Paul's documentary.
• 47:23
  Speaker 1: You watched that document They're Netflix. All Netflix sports documentaries
• 47:27
  Speaker 1: are good. A sports document yes, a sports documentary, it's
• 47:31
  Speaker 1: under their unfiltered on on something. They just are really good.
• 47:37
  Speaker 1: Because me Melissa used to watch pretty much any thirty
• 47:39
  Speaker 1: for thirty on ESPN five. Yeah, we watched anyone. I've
• 47:43
  Speaker 1: never watched them. I mean some are great, We're good,
• 47:46
  Speaker 1: but I haven't watched a bad one. I can't remember
• 47:49
  Speaker 1: what the uh the banner of the Netflix sports thing,
• 47:54
  Speaker 1: but they were like untold, thank you. All the untold
• 47:58
  Speaker 1: are good. Like thirty for thirty. It's like basic Netflix
• 48:00
  Speaker 1: version of thirty for thirty. But anyway, they were just like, man,
• 48:02
  Speaker 1: I support him, he's dreams of my dreams, and I
• 48:05
  Speaker 1: was like, live up, oh, up, holding up. So speaking
• 48:15
  Speaker 1: of up up.
• 48:17
  Speaker 3: Oh, that's the quickest fold.
• 48:19
  Speaker 1: In history, Tony, it's a funny story. Now, me and
• 48:22
  Speaker 1: Isaiah went to see UP. I I remember this very diffidly.
• 48:29
  Speaker 1: We was at the Lakewood Town Center Movie Theater in Washington.
• 48:31
  Speaker 1: I don't know why was just me and him going
• 48:33
  Speaker 1: to see UP. I had the bucket of popcorn, so
• 48:37
  Speaker 1: I mean, I just I'm settling. I put the soda
• 48:40
  Speaker 1: here tears. Three minutes in, he was like, Daddy, are
• 48:48
  Speaker 1: you a day? Shut the hell up?
• 48:50
  Speaker 2: Man?
• 48:51
  Speaker 1: Do you see what happened? They couldn't have kids, He's alone.
• 48:54
  Speaker 1: Now they're trying to take his house.
• 48:56
  Speaker 2: I was legitimately mad at Pixar, like, why are you
• 49:00
  Speaker 2: hitting me in the chest this earth?
• 49:01
  Speaker 3: I never cried that fast.
• 49:04
  Speaker 1: I still had the full bucket.
• 49:06
  Speaker 2: I'm wiping my eyes, getting salt in my eyes with
• 49:08
  Speaker 2: the butter popcorn, and I was crying good.
• 49:13
  Speaker 1: It was so sad.
• 49:17
  Speaker 3: Can we get in here? I'm just I put my
• 49:20
  Speaker 3: keys in my pocket.
• 49:24
  Speaker 1: And we didn't even have no I remember, because we
• 49:25
  Speaker 1: didn't have we didn't catch the previews. We were running late.
• 49:31
  Speaker 2: Man.
• 49:32
  Speaker 1: Tears popcorn fresh soda full full on tear. Yeah, bru,
• 49:41
  Speaker 1: he didn't even know what's happening here. He was just
• 49:43
  Speaker 1: like he just watching.
• 49:47
  Speaker 3: The Figaw. I ain't ship for that man. They need
• 49:51
  Speaker 3: to be slammed.
• 49:52
  Speaker 2: God damn you get the audience as soon as they
• 49:54
  Speaker 2: sit their punk asses down in this movie theater.
• 49:58
  Speaker 3: Right fresh off of Nicole kitt.
• 50:00
  Speaker 1: And Spiel we want to tea. I hate that dog.
• 50:05
  Speaker 1: I'm so glad. Is it done? They well, they said
• 50:08
  Speaker 1: it was done, then they brought it like a different one,
• 50:09
  Speaker 1: but they said it's coming back.
• 50:10
  Speaker 2: I heard they spend twenty five million on that, so
• 50:13
  Speaker 2: that's why they run it. I've read that somewhere on
• 50:17
  Speaker 2: how much that was her.
• 50:18
  Speaker 3: Well, she she got a.
• 50:19
  Speaker 2: Big salary for it, but I already knew it was
• 50:22
  Speaker 2: gonna be expensive to getting the cole kitmen to do
• 50:24
  Speaker 2: something like that. But twenty five million, you god damn right,
• 50:27
  Speaker 2: I'm gonna play.
• 50:28
  Speaker 1: This, Well, that makes more sense. I hate Nigga. I'm
• 50:32
  Speaker 1: here already. That should be a TV commercial.
• 50:36
  Speaker 3: That's what I'm saying, Like we are in the theater,
• 50:38
  Speaker 3: not the artist for this.
• 50:40
  Speaker 1: I go to that AMC every.
• 50:42
  Speaker 2: Time, and they shot it in the in that they
• 50:45
  Speaker 2: shot it in that, AMC. Really, I think that's the
• 50:48
  Speaker 2: same exact AMC they shot it in.
• 50:51
  Speaker 1: I'd be so mad when you're here your magic shot
• 50:55
  Speaker 1: the hell up? Nicole here we hated man, damn man,
• 51:04
  Speaker 1: she just walked, she walks through the puddle. I'll be like,
• 51:07
  Speaker 1: sit down, sit down, AMC. Theasis shut up. And I
• 51:16
  Speaker 1: like her, she's great, But I've also seen that done year,
• 51:21
  Speaker 1: done enough. Dang all right? So how many we gat
• 51:32
  Speaker 1: you run out of school? All right? Oh wait, hold on,
• 51:36
  Speaker 1: I'm mixed? Why is this even in here? All right?
• 51:40
  Speaker 2: So The Fox and the Hound was the first movie
• 51:47
  Speaker 2: to The Fox and the Hound was the very first
• 51:51
  Speaker 2: movie to fold me up. So I gotta put it
• 51:54
  Speaker 2: on here, you got to That's what That's what created
• 51:56
  Speaker 2: my brothers being like, oh that was the more you
• 51:59
  Speaker 2: cried out. Yes, we watched The Fox and the Hound.
• 52:03
  Speaker 1: Your boys was out of here.
• 52:08
  Speaker 2: Why can't they just be friends? My brother's just like
• 52:14
  Speaker 2: you cry both my brothers was like you crying in
• 52:23
  Speaker 2: the middle.
• 52:28
  Speaker 1: Wes in theaters. Man, I was done, But at that moment.
• 52:32
  Speaker 3: I was like, hey, cry no mo man, not in
• 52:36
  Speaker 3: no movies. I'm gonna cry all other stuff.
• 52:38
  Speaker 2: Y'all gonna have to put up with that when I
• 52:40
  Speaker 2: bust my head when y'all fished me off, I'm crying there.
• 52:43
  Speaker 2: I ain't gonna cry movies no more. Foxing the Hound
• 52:46
  Speaker 2: was the debut cry for me. When I was watching
• 52:50
  Speaker 2: something that's so funny, man, oh man, I saw a
• 52:53
  Speaker 2: little somebody posting it on the timeline, that little thing
• 52:58
  Speaker 2: when you see the inside the of the dude's head
• 53:01
  Speaker 2: and you put the image in there when you got
• 53:03
  Speaker 2: traumatized whatever. Somebody had that Fox and the Hound scene
• 53:06
  Speaker 2: in there. I swiped so fast because they were showing
• 53:09
  Speaker 2: they were showing the fox like and then they had
• 53:13
  Speaker 2: the dog in the car and then the lady looked
• 53:15
  Speaker 2: back at the fox to see the tear. Room almost
• 53:19
  Speaker 2: swipe my phone up the goddamn window. I was like, no,
• 53:22
  Speaker 2: I'm not reliving that. I haven't even watched the Land
• 53:25
  Speaker 2: Before Time or Bamby. I've been avoiding them. Really, I
• 53:29
  Speaker 2: ain't even looked at threepe I even I ain't even
• 53:34
  Speaker 2: pulling up That's hilarious.
• 53:35
  Speaker 1: My last one, and this was very surprising to me.
• 53:39
  Speaker 1: Toy Story three, when them dog On Toys had just
• 53:43
  Speaker 1: resigned to die. They was holding hand dog.
• 53:48
  Speaker 2: I felt like, first of all, the first one was
• 53:51
  Speaker 2: with ninety sixty.
• 53:54
  Speaker 1: Five, and when was what was Toy Story three? Two thousand? Yeah,
• 53:58
  Speaker 1: it was two thousand eleven. M hold on, it was.
• 54:05
  Speaker 3: Ten, okay, twenty ten.
• 54:07
  Speaker 1: I've been through fifteen years with these toys and it
• 54:12
  Speaker 1: looked like lots of one. He said, yeah, and he
• 54:16
  Speaker 1: ran off, kill him, kill him, damn for you guys.
• 54:21
  Speaker 1: But Tom, they were just like, I mean, they tried everything.
• 54:24
  Speaker 1: They're just like, well. I was like, they better not.
• 54:30
  Speaker 1: And I didn't know. I didn't know either.
• 54:33
  Speaker 2: It felt like a Swan song they could have. They
• 54:35
  Speaker 2: gonna do it like this the same the way day.
• 54:40
  Speaker 2: I was like, who fade to white? Though?
• 54:44
  Speaker 1: Tom, They was like, we've been with these toys for years.
• 54:53
  Speaker 2: My kids had the toys, like we had watched the
• 54:56
  Speaker 2: movies with them, like this is a part of our life.
• 54:59
  Speaker 1: I said, Woody and buzz Man, that's family, man. I was.
• 55:03
  Speaker 2: I was twelve when that first movie came out, and
• 55:06
  Speaker 2: I thought it was to me, it was the most
• 55:08
  Speaker 2: I was like, this is the Toy Story. Toy Story
• 55:11
  Speaker 2: blew my head off.
• 55:12
  Speaker 1: It was amazing.
• 55:14
  Speaker 3: I didn't know what to expect. Man, that shit was amazing.
• 55:18
  Speaker 1: I can't think of a better opening movie for a
• 55:21
  Speaker 1: studio than Toy Story from Pest.
• 55:23
  Speaker 3: That's how you opened the studio. But what out the
• 55:26
  Speaker 3: gate print?
• 55:26
  Speaker 1: The money? Now?
• 55:27
  Speaker 2: What it make on a domestic The first Toy Story
• 55:31
  Speaker 2: made like one hundred and something. Actually, it didn't go crazy,
• 55:34
  Speaker 2: but it went.
• 55:35
  Speaker 1: It was good though.
• 55:36
  Speaker 2: Yeah, that was great, you know, but worldwide, I'm not
• 55:38
  Speaker 2: sure what it made, but it made one something that's good.
• 55:41
  Speaker 1: Yeah, that's good. That's the reason we don't get kids
• 55:44
  Speaker 1: movies anymore.
• 55:45
  Speaker 2: I believe three made full Hamas whoa hit that full day?
• 55:54
  Speaker 1: Yeah?
• 55:54
  Speaker 2: Man?
• 55:55
  Speaker 1: So yeah, I remember Toy Story two.
• 56:00
  Speaker 2: Almost had me when they were going into what's the
• 56:03
  Speaker 2: name's origin story Jesse Jesse, and there was a.
• 56:07
  Speaker 1: Song they was playing. I was like, you, motherfucker, I
• 56:11
  Speaker 1: know what y'all trying to do.
• 56:13
  Speaker 2: That song they was playing when they were showing Jesse's
• 56:16
  Speaker 2: origin story, I was like, y'all just.
• 56:19
  Speaker 1: Oh my god.
• 56:20
  Speaker 2: I was just like.
• 56:27
  Speaker 1: Sarah McLaughlan in here too for the double team. If
• 56:30
  Speaker 1: this is what we're doing? Man? All right, man, enough
• 56:34
  Speaker 1: of this, see y'all next week, all right,