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One Piece, 814-816 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast. This is spoil Me,
• 0:09
  Speaker 1: covering one Piece episodes eight fourteen through eight sixteen, Shout
• 0:17
  Speaker 1: of the Soul Brooke and Pedro's Lightning Operation, Goodbye, Pudding's
• 0:23
  Speaker 1: Tearful Determination, and the History of the Left Eye, Pedro
• 0:30
  Speaker 1: versus Baron Tomago. In these episodes, there are so many
• 0:37
  Speaker 1: great things. I really really enjoyed this group. It was
• 0:43
  Speaker 1: just a very fun time, and I think a lot
• 0:46
  Speaker 1: of it is because I'm getting to see some of
• 0:48
  Speaker 1: the other straw hats do stuff. Welcome to spoil Me,
• 1:12
  Speaker 1: Welcome to the show everyone. I am Natasha. Thank you
• 1:15
  Speaker 1: very much to Florian for commissioning this episode. You guys,
• 1:23
  Speaker 1: there's the thing with this show, because of how kind
• 1:26
  Speaker 1: of everything is happening simultaneously, I don't really have to
• 1:31
  Speaker 1: start at the beginning, and I don't think I will
• 1:36
  Speaker 1: if I'm being honest, I think I'm going to talk
• 1:37
  Speaker 1: about things in the order of how much fun I
• 1:42
  Speaker 1: found them to be, not necessarily, you know, fully in order.
• 1:48
  Speaker 1: But there are a few things that really stand out.
• 1:54
  Speaker 1: So one thing I want to start with that isn't
• 1:57
  Speaker 1: exactly like fun, but I think is really a great moment.
• 2:04
  Speaker 1: There's not a lot of soanjy in these three episodes.
• 2:07
  Speaker 1: Pretty much, we're just like hanging out with like all
• 2:12
  Speaker 1: of the other straw hats and only checking in with
• 2:14
  Speaker 1: Sanji when he is picking flowers and thinking about putting.
• 2:20
  Speaker 1: And it's really kind of interesting to me the way
• 2:23
  Speaker 1: that Sanji has like turned this corner where he had
• 2:27
  Speaker 1: been digging his heels in and very unhappy about everything
• 2:30
  Speaker 1: and feeling really resentful, understandably and resistant, and then once
• 2:38
  Speaker 1: he made peace with the way to move forward, it
• 2:45
  Speaker 1: feels like he has gone all in mentally and is
• 2:51
  Speaker 1: just letting himself be in love with Putting. Which when
• 2:57
  Speaker 1: I say in love, you know with Sanji, that doesn't
• 3:01
  Speaker 1: necessarily mean anything. I just want to like acknowledge that
• 3:06
  Speaker 1: it's This is one of those things where it's like,
• 3:10
  Speaker 1: this is not to say that his feelings for her
• 3:14
  Speaker 1: mean nothing, but if a girl is cute and not
• 3:20
  Speaker 1: actively horrible, and sometimes even not being actively horrible is
• 3:25
  Speaker 1: not a requirement, Sonji just kind of loses his shit
• 3:28
  Speaker 1: over them. The reason that this feels a little bit
• 3:33
  Speaker 1: different is because he has a period that we get
• 3:37
  Speaker 1: to see of him not falling all over her so
• 3:43
  Speaker 1: there is a little bit more of a sense that
• 3:46
  Speaker 1: there is something that this relationship is based on that's
• 3:51
  Speaker 1: more than just I saw her and she's hot and
• 3:54
  Speaker 1: I like women and that's all we need. So we're
• 3:59
  Speaker 1: seeing him just it feels like, really go for it.
• 4:04
  Speaker 1: In terms of this, like treating this as a genuine
• 4:11
  Speaker 1: relationship that he is voluntarily in. It's like he has
• 4:17
  Speaker 1: sort of surrendered, you know, and decided, all right, well
• 4:21
  Speaker 1: this is happening. I've decided it's the best course of action,
• 4:24
  Speaker 1: and if I'm gonna do it, I'm gonna really do it.
• 4:28
  Speaker 1: And I'll tell you what, I fucking get that. I
• 4:32
  Speaker 1: am very much this way. I have a very hard
• 4:35
  Speaker 1: time with change. I have a very hard time with
• 4:39
  Speaker 1: things that can be outside of my control. But once
• 4:42
  Speaker 1: I like decide this is how I'm gonna handle it,
• 4:46
  Speaker 1: I just that is what I do, and I go
• 4:48
  Speaker 1: for it very wholeheartedly, because it's just sort of I
• 4:53
  Speaker 1: need to take a moment and mentally decide I am
• 4:58
  Speaker 1: going to react to this this exisey kind of way.
• 5:03
  Speaker 1: And so his like leaning into it all actually makes
• 5:08
  Speaker 1: a lot of sense to me. It's like he's got
• 5:10
  Speaker 1: these two conflicting versions of his not exactly versions of
• 5:14
  Speaker 1: his personality, but two conflicting priorities. And one is the
• 5:19
  Speaker 1: straw hats and being with them and adventuring, and the
• 5:22
  Speaker 1: other is just cooking and loving ladies. And he has
• 5:26
  Speaker 1: decided he can't have it all and he has to
• 5:28
  Speaker 1: pick one. And there is one of those things that's
• 5:31
  Speaker 1: going to hurt his friends and maybe hurt him and
• 5:34
  Speaker 1: maybe hurt Pudding, and the other that is going to
• 5:37
  Speaker 1: keep all of them alive. I really appreciate the way
• 5:44
  Speaker 1: that this is being framed because it's sort of like
• 5:48
  Speaker 1: in alignment with the way I was feeling about this
• 5:50
  Speaker 1: whole plot line, where a big part of me was like, look,
• 5:53
  Speaker 1: I don't want Sonji to leave a straw hats and everything,
• 5:56
  Speaker 1: but I do kind of low key want him and
• 5:57
  Speaker 1: putting together. So it's sort of like the show is
• 6:00
  Speaker 1: also undecided a little bit. You know. Eventually he does
• 6:06
  Speaker 1: find out there's this guy that's sort of like an
• 6:09
  Speaker 1: attendant to him. I'm not clear on what this guy's
• 6:13
  Speaker 1: like deal is, but he is giving Sanji information throughout
• 6:20
  Speaker 1: the episode, like where to go to find the flowers,
• 6:23
  Speaker 1: and eventually tells him by the way Lufy and Nami
• 6:28
  Speaker 1: are in one of Big Mom's books. I am not
• 6:33
  Speaker 1: sure this man is supposed to be sharing this information.
• 6:37
  Speaker 1: There's a vibe for me that this guy just sees
• 6:40
  Speaker 1: Sanji as a royal and so he gets to know stuff.
• 6:43
  Speaker 1: But that probably if Big Mom were around, she wouldn't
• 6:48
  Speaker 1: really want him to tell Sonji this stuff, you know
• 6:51
  Speaker 1: what I'm saying. Regardless, Sonji has almost an identical response
• 7:00
  Speaker 1: to finding out that they are held captive that I
• 7:03
  Speaker 1: had last episode, which is to say, look, she gave
• 7:08
  Speaker 1: me her word that she wouldn't hurt them and that
• 7:11
  Speaker 1: she would let them go. I think she just doesn't
• 7:15
  Speaker 1: want them to fuck with the wedding, so probably once
• 7:18
  Speaker 1: this is all over, she'll let them go. Look, I
• 7:25
  Speaker 1: was like, pretty much okay with my assumption on that one.
• 7:33
  Speaker 1: Sangie is wondering about it now, I trust it a
• 7:35
  Speaker 1: lot less because, low key, if what she wants to
• 7:39
  Speaker 1: get out of you is you marrying her daughter compliantly
• 7:43
  Speaker 1: and without creating a scene, what does she have to
• 7:49
  Speaker 1: lose by not letting your friends go after the wedding
• 7:53
  Speaker 1: is over. Because honestly, in terms of what's what's the word,
• 8:00
  Speaker 1: I want it feels very rational, this assumption that that's
• 8:05
  Speaker 1: what she's doing, that she's just wanting to make sure
• 8:08
  Speaker 1: things go smoothly on the day and then she'll just
• 8:10
  Speaker 1: let them run off, you know. But that is when
• 8:15
  Speaker 1: you aren't a bonker's insane person, which clearly Big Mom's
• 8:19
  Speaker 1: a bonker's insane person. Like there's a lot of what
• 8:22
  Speaker 1: she feels and does that I actually do think makes sense,
• 8:26
  Speaker 1: but when you get right down to it. So really,
• 8:34
  Speaker 1: if you do go through with this marriage knowing that
• 8:37
  Speaker 1: they are being held, you are completely giving her every
• 8:42
  Speaker 1: card in your hand. You won't have any leverage at all.
• 8:47
  Speaker 1: And I already low key did not feel like Sanji
• 8:53
  Speaker 1: had leverage to begin with. I was surprised that Big
• 8:56
  Speaker 1: Mom was like going along with this deal that he
• 8:58
  Speaker 1: proposed at all, So now I am concerned. Let's talk
• 9:07
  Speaker 1: about pudding though, because putting is over here. She goes
• 9:13
  Speaker 1: and meets Lufy and Nammy. I appreciated Namy just being
• 9:18
  Speaker 1: like Lufy, shut the fuck up, because he keeps blurting
• 9:21
  Speaker 1: out stuff about their secret plan and why are you
• 9:25
  Speaker 1: here and you were supposed to help us, and Nammy
• 9:28
  Speaker 1: has to be like, dude, you are going to get
• 9:30
  Speaker 1: her in trouble, Will you please fucking shut up? And
• 9:36
  Speaker 1: what it comes down to is that Putting No's Sanji
• 9:42
  Speaker 1: is saying what he needs to say to me to
• 9:46
  Speaker 1: make me feel better. I know that he doesn't want
• 9:50
  Speaker 1: to marry me. I know that this is just to
• 9:54
  Speaker 1: kind of keep the peace, and I am going to
• 10:00
  Speaker 1: help you guys get him out. I don't actually want
• 10:04
  Speaker 1: to marry him with this hanging over our heads. What
• 10:09
  Speaker 1: a g putting good for you, girlypop. Honestly, I was
• 10:16
  Speaker 1: so delighted with her over this because, like you know,
• 10:21
  Speaker 1: she wants to marry him. We know he is framing
• 10:26
  Speaker 1: this simply as I am going to do this because
• 10:29
  Speaker 1: it's the right thing to do, and no woman wants
• 10:34
  Speaker 1: to feel like I am mature, I am you are
• 10:40
  Speaker 1: marrying me because it won't get your friends killed, and
• 10:44
  Speaker 1: also lamenting how it will be the end of all
• 10:46
  Speaker 1: your adventures. That's not a great feeling. I don't want
• 10:50
  Speaker 1: that to be the energy of us getting married. And
• 10:56
  Speaker 1: I like to think that with Putting, it's like a
• 10:59
  Speaker 1: combination of she knows Sanji won't be happy, but also
• 11:03
  Speaker 1: that she's got like some self respect here and doesn't
• 11:06
  Speaker 1: want a marriage that has that like cloud hanging over it.
• 11:11
  Speaker 1: You know, I was just so pleased with her because
• 11:14
  Speaker 1: you guys know, I was really not sure how to
• 11:17
  Speaker 1: see her, and there were times where I wondered, is
• 11:20
  Speaker 1: she actually trying to help or not? And I just
• 11:24
  Speaker 1: consistently am delighted by her, and it just makes me
• 11:28
  Speaker 1: wanted him to marry her more. Like, Actually, oh my god,
• 11:34
  Speaker 1: I'm so sorry. I just saw Burnadette say she's such
• 11:36
  Speaker 1: a g that's putting with a double G, the opposite
• 11:39
  Speaker 1: of southern pudding. I really like it. She's putting good,
• 11:43
  Speaker 1: putting good. So oh sorry, Florien says, eggplant shaped dude,
• 11:51
  Speaker 1: I forgot that. He suggests to Sangi too, because Sonji's
• 11:54
  Speaker 1: getting ingredients together to make a dinner and this dude suggests,
• 11:58
  Speaker 1: which I think eggplant is vile. It's so slimy, I
• 12:02
  Speaker 1: just know. But I do think it's weird to be like,
• 12:06
  Speaker 1: I look like a vegetable. So I'm gonna say that
• 12:08
  Speaker 1: you should eat this vegetable. What are you trying to say?
• 12:11
  Speaker 1: There's sir, so that I just wanted to get out
• 12:17
  Speaker 1: of the way because it's it's more of like a
• 12:20
  Speaker 1: serious thing. But then I wanted to talk about the
• 12:23
  Speaker 1: fun part, the fun part which is Brooke, which is Brooke.
• 12:28
  Speaker 1: I Oh my god, you guys, his fucking attacks are
• 12:32
  Speaker 1: so cool. I really wish the show used him more.
• 12:36
  Speaker 1: I don't understand why he isn't like Front and Center
• 12:40
  Speaker 1: a lot more often. He is just fun in like
• 12:46
  Speaker 1: I mean, it's such an experience when he launches an attack,
• 12:54
  Speaker 1: it's a combo of like the music, but there's also
• 12:58
  Speaker 1: low key a stage show that goes with it, with
• 13:02
  Speaker 1: his like cloud formations and whatnot behind him. Also, he's
• 13:09
  Speaker 1: kind of putting on like you know, the soul King
• 13:12
  Speaker 1: is a persona, and it's like Sasha fears for Beyonce.
• 13:16
  Speaker 1: For those who are not familiar, Beyonce can be very
• 13:20
  Speaker 1: self conscious and restrained, and so she likes to invoke
• 13:25
  Speaker 1: an alter ego when she's on stage and be Sasha
• 13:29
  Speaker 1: Fierce when she needs to call up that like I
• 13:32
  Speaker 1: am that bad bitch energy. And when he decides that
• 13:37
  Speaker 1: he's gonna go into like his soul King alter ego,
• 13:42
  Speaker 1: the vibe is immaculate. The voice actor does such a
• 13:46
  Speaker 1: great job with like lowering the pitch and making it
• 13:50
  Speaker 1: feel really intense, like we're about to do something, and
• 13:54
  Speaker 1: every now and then just doing one of those like oh,
• 13:57
  Speaker 1: like rock and roll kind of exclaims, you know, it's
• 14:02
  Speaker 1: so good, it's so good, And I'm sorry Bernadette in
• 14:07
  Speaker 1: the chat blasphemy. Eggplant is delish, Okra is slimy and
• 14:11
  Speaker 1: not food. Okra, I agree, is very slimy unless it's
• 14:15
  Speaker 1: been fried twice. But you're wrong. Eggplant is still disgusting.
• 14:20
  Speaker 1: So the whole thing with Brooks attack, like I you guys,
• 14:26
  Speaker 1: the look of it, the way that he is able
• 14:28
  Speaker 1: to lay so many of these dudes out, and like,
• 14:33
  Speaker 1: granted even he acknowledges okay, these were a lot of
• 14:36
  Speaker 1: the like chest Peace soldiers and this isn't going to
• 14:38
  Speaker 1: work on all of the dudes, But does it matter
• 14:42
  Speaker 1: because it's just so rad the whole Like the way
• 14:47
  Speaker 1: that this green light is coming up behind him and
• 14:51
  Speaker 1: there's like a kind of second version of him with
• 14:57
  Speaker 1: claws and its mouth like really wide open. Excuse me.
• 15:02
  Speaker 1: I would go to a fucking show that had this
• 15:05
  Speaker 1: sort of imagery to it. Absolutely. I look, you guys know,
• 15:16
  Speaker 1: if you listen to the show from the beginning, early on,
• 15:20
  Speaker 1: I was very much like, why have they not made
• 15:22
  Speaker 1: a one piece theme park? And I really would like
• 15:26
  Speaker 1: to know the answer to that, because there is no
• 15:27
  Speaker 1: way that somebody hasn't thought of it besides me, and
• 15:31
  Speaker 1: I have to assume that place would be an absolute
• 15:36
  Speaker 1: money magnet. I really think it would be very successful.
• 15:41
  Speaker 1: And if we were going to do that Brooke, there
• 15:47
  Speaker 1: would be a few things that I would do. One
• 15:53
  Speaker 1: there would be a some kind of ride where you
• 15:58
  Speaker 1: are watching Brooke battle and the ride is because they
• 16:03
  Speaker 1: do this thing on a lot of rides now, which
• 16:05
  Speaker 1: I actually really like, but I know not everybody is
• 16:07
  Speaker 1: into it where you kind of stay more or less
• 16:11
  Speaker 1: in one place. The car that you're sitting in will
• 16:13
  Speaker 1: move and dip and stuff, and it makes you really
• 16:15
  Speaker 1: feel like things are happening, but it's almost like you're
• 16:19
  Speaker 1: getting faced with little tableaus as you go through. I
• 16:23
  Speaker 1: would be super into a ride like that where you're
• 16:25
  Speaker 1: like experiencing his attack as if you're on the sidelines
• 16:29
  Speaker 1: of some kind of battle. But then, you know what
• 16:32
  Speaker 1: else I would like is at six Flags, they have
• 16:35
  Speaker 1: these stunt shows, and they also have them at like
• 16:40
  Speaker 1: Disney and Stuff and Universal Studios, especially because they specialize
• 16:45
  Speaker 1: in a lot of like action adventure live action films,
• 16:50
  Speaker 1: and I would love if there was an actual stage
• 16:54
  Speaker 1: show of somebody in character as Brooke. If we can't
• 17:00
  Speaker 1: do that with a actual live action person, because he's
• 17:05
  Speaker 1: a skeleton and it might be a little bit tricky
• 17:07
  Speaker 1: to pull off, I wouldn't be mad if we did
• 17:09
  Speaker 1: a puppet, because I think we could do a pretty
• 17:12
  Speaker 1: dope puppet, and we could have a whole stage show
• 17:16
  Speaker 1: with like actual music that's been in the show, and
• 17:20
  Speaker 1: we could have this sort of like light show experience
• 17:25
  Speaker 1: that goes along with it, and maybe a little bit
• 17:29
  Speaker 1: of like cameo drop ins from other characters, like during
• 17:32
  Speaker 1: certain songs or in between, or something involving the an
• 17:36
  Speaker 1: audience member, you know, like that kind of thing. So anyway,
• 17:41
  Speaker 1: it just really why don't we see more of Brooke fighting?
• 17:48
  Speaker 1: It's always great? And then and then you guys, I
• 17:55
  Speaker 1: when I tell you I am not kidding, I laughed
• 17:59
  Speaker 1: so fucking hard I could not help it. He's talking
• 18:07
  Speaker 1: about how if I stop fighting now, I'll lose face,
• 18:12
  Speaker 1: and of course the moment that he says that, I'm like, okay,
• 18:15
  Speaker 1: here it comes. Oh, but I don't have a face,
• 18:18
  Speaker 1: So I'm mentally ready for the pun part of it.
• 18:23
  Speaker 1: But then he says, but I don't even have a
• 18:27
  Speaker 1: face to begin with. Do you get it? Do you
• 18:31
  Speaker 1: get it? Do you get it? And he's like screaming
• 18:38
  Speaker 1: get it to a room full of unconscious people. I
• 18:45
  Speaker 1: absolutely lost my shit. The it's it's so fucking funny,
• 18:57
  Speaker 1: you guys. The puns. I already live for the I
• 19:00
  Speaker 1: never get tired of them. Even when I see them coming,
• 19:04
  Speaker 1: I still laugh because the way he delivers them is
• 19:07
  Speaker 1: like it's always there's a little extra razzle dazzle in
• 19:11
  Speaker 1: the delivery that makes it super funny. But the idea
• 19:15
  Speaker 1: of him getting so agro after one of these jokes
• 19:20
  Speaker 1: because he's in a battle and he's just like kind
• 19:24
  Speaker 1: of I'm imagining him as being the way that people
• 19:28
  Speaker 1: get when they're on meth, where they're just everything is
• 19:32
  Speaker 1: very intense right now, you know what I mean? So
• 19:35
  Speaker 1: I imagine that this isn't even him posturing and being
• 19:39
  Speaker 1: like do you get it? Like a tough guy. This
• 19:42
  Speaker 1: is him high on his own supply after he performs,
• 19:46
  Speaker 1: and then being so psyched up as he tells this
• 19:50
  Speaker 1: punchline that because he gets no response from anybody because
• 19:54
  Speaker 1: they're fucking unconscious that he just keeps yelling, do you
• 19:58
  Speaker 1: get it? Because he wants to know. Oh, he's genuinely
• 20:01
  Speaker 1: looking for feedback. Nobody is awake to laugh at his
• 20:04
  Speaker 1: joke or say anything, and he wants that reinforcement. And
• 20:09
  Speaker 1: so that's how I interpret that moment. And I swear
• 20:12
  Speaker 1: to god, I think that might have been one of
• 20:15
  Speaker 1: the funniest moments of the show. I really definitely in
• 20:19
  Speaker 1: top ten. I laughed, belly laughed so hard at that.
• 20:26
  Speaker 1: So Bernadette Sayer says, there was a one piece theme
• 20:30
  Speaker 1: park in Japan from twenty fifteen to twenty twenty. Oh
• 20:34
  Speaker 1: that pandemic killed, did I bet? Oh that sucks. I
• 20:40
  Speaker 1: wonder what it was like. Look, when I went to
• 20:45
  Speaker 1: school for uh what do you call it, for theater tech,
• 20:53
  Speaker 1: I was in class with somebody who had a single
• 20:58
  Speaker 1: goal in mind. All of us were aiming for working
• 21:03
  Speaker 1: on the stage somewhere, but this guy in particular wanted
• 21:07
  Speaker 1: to work for Disney. He wanted to be an imagineer.
• 21:10
  Speaker 1: He wanted to work at the theme parks and help
• 21:13
  Speaker 1: create the sets that you like walk through to get
• 21:17
  Speaker 1: to the rides or even the sets that you actually
• 21:21
  Speaker 1: ride through. And even though I am not a big
• 21:26
  Speaker 1: Disney person, I still really understood why he was so
• 21:30
  Speaker 1: like fascinated with that. And if I could be on
• 21:36
  Speaker 1: like the brainstorming team for a one piece theme park,
• 21:40
  Speaker 1: I know that I would go way over budget. Nobody
• 21:43
  Speaker 1: should actually listen to me because everything that I have
• 21:45
  Speaker 1: an idea for is so over the top. But like
• 21:49
  Speaker 1: one Piece is over the top. And if you're not
• 21:52
  Speaker 1: gonna really go for it with the theme park, it's
• 21:54
  Speaker 1: not gonna work. So you had better have that fucking
• 21:58
  Speaker 1: budget in the first place, you know what I'm say saying,
• 22:00
  Speaker 1: I would eat that up because there are so many things.
• 22:06
  Speaker 1: There are so many things you can do. There are
• 22:09
  Speaker 1: a lot of properties out there that they will do
• 22:11
  Speaker 1: stuff in theme parks, and it's sort of like this
• 22:14
  Speaker 1: tortured attempt to make it work for a ride or
• 22:18
  Speaker 1: whatever in a way that it really doesn't. One Piece
• 22:20
  Speaker 1: has like a trillion things that work for that. You know,
• 22:23
  Speaker 1: it just lends itself to it. Because it was an
• 22:27
  Speaker 1: indoor theme park, it wasn't reopened after the pandemic, But
• 22:30
  Speaker 1: I don't know why, says Burnette, It was indoor, okay,
• 22:36
  Speaker 1: right there? No one piece is being on the open
• 22:42
  Speaker 1: sea exploring vast expanses views indoors. No, no, no, not
• 22:51
  Speaker 1: unless you are able to make indoors feel like outdoors,
• 22:55
  Speaker 1: and that is that is a budget on its own,
• 22:58
  Speaker 1: you know. But I already am not into what they
• 23:02
  Speaker 1: were doing there because of that. I know I'm being
• 23:05
  Speaker 1: extremely judgy. It's fine, I get to be judgy because
• 23:08
  Speaker 1: it's my show. Haha. So anyway, Okay, Brooks whole thing flawless, immaculate,
• 23:15
  Speaker 1: no notes. So then we go over to Chopper and Carrot,
• 23:21
  Speaker 1: and this reveal was great. I really really enjoyed this
• 23:25
  Speaker 1: as well, another moment of getting to see one of
• 23:27
  Speaker 1: the other straw hats be a badass and Chopper really
• 23:30
  Speaker 1: fucking doing his thing. He has not gotten to fight
• 23:34
  Speaker 1: in a minute, so I was delighted to get to
• 23:38
  Speaker 1: see this again and what it turns out, because you know,
• 23:42
  Speaker 1: we have Carrot hanging above this soup pot, and I
• 23:49
  Speaker 1: don't think that I had quite clocked last episode how
• 23:53
  Speaker 1: many fucking people are in this room with Brulet waiting
• 23:58
  Speaker 1: for her to serve them rabbit soup. But there's a lot,
• 24:03
  Speaker 1: there's a crowd here, you know, and what it turns
• 24:10
  Speaker 1: out is that the person who is hanging above this
• 24:16
  Speaker 1: pot isn't actually Carrot. This is one of the doubles
• 24:23
  Speaker 1: of Carrot that Brulee herself made, which is so embarrassing
• 24:31
  Speaker 1: for her. I don't know if it's just me, guys,
• 24:35
  Speaker 1: but like the idea that I have this cool ability
• 24:39
  Speaker 1: to make doubles of people, but then I don't spot
• 24:43
  Speaker 1: when somebody's a double right in front of my fucking face. Uh.
• 24:49
  Speaker 1: I would be so embarrassed. This is my own creation
• 24:54
  Speaker 1: that I'm being tricked by. Yikes, man, don't think I
• 25:00
  Speaker 1: would recover from that. That is just humiliating. And it
• 25:04
  Speaker 1: takes a while for this reveal, but you know, I'm
• 25:07
  Speaker 1: not mad at it. It's just like it does the
• 25:10
  Speaker 1: way that it turns out to because, like initially, when
• 25:13
  Speaker 1: Chopper is saying, the way that it's done is sort
• 25:17
  Speaker 1: of funny because Chopper has to just literally say out
• 25:21
  Speaker 1: loud the whole thing and what's happening to us, because
• 25:25
  Speaker 1: there's not really a great way for the show to
• 25:29
  Speaker 1: convey what happened this little oakie doke that got pulled
• 25:34
  Speaker 1: without it just being said. You know what I'm saying,
• 25:37
  Speaker 1: So Chopper is just saying, like what she thinks is
• 25:41
  Speaker 1: Carrot is actually one of the doubles, and he's just
• 25:45
  Speaker 1: like literally just telling us. And as he's saying that,
• 25:49
  Speaker 1: I'm thinking, like, really, how is that possible when it's
• 25:54
  Speaker 1: talking because they can't talk. And we get that slolved
• 26:00
  Speaker 1: pretty quickly because we get a carrot is high. What
• 26:06
  Speaker 1: I keep thinking about this is, you know when you
• 26:11
  Speaker 1: have like those drop ceilings and office buildings where you
• 26:14
  Speaker 1: can like move a panel out of the frame to
• 26:17
  Speaker 1: get up into the ducked work and stuff, and then
• 26:20
  Speaker 1: you can shift that like foam panel back into place.
• 26:23
  Speaker 1: That's sort of how I imagine this like ceiling area kind
• 26:26
  Speaker 1: of being. And so there's this big hollow spot and
• 26:30
  Speaker 1: Carrot is hiding up there and talking, and because she
• 26:35
  Speaker 1: is like above their heads and in the same vicinity
• 26:39
  Speaker 1: as the fake carrot, it sounds like the carrot that's
• 26:45
  Speaker 1: hanging there is the one talking. If you're really not
• 26:48
  Speaker 1: paying that much attention, which nobody is. Everybody is so
• 26:52
  Speaker 1: confident that's the real carrot, Like why would they notice this?
• 26:56
  Speaker 1: It wouldn't. I don't have a problem with it, you know.
• 27:01
  Speaker 1: And the whole, the whole way that this goes down
• 27:08
  Speaker 1: was a little bit puzzling to me at first, because
• 27:12
  Speaker 1: I thought this was going to be sort of a hey,
• 27:15
  Speaker 1: we're gonna do a sneak attack on her because she
• 27:18
  Speaker 1: thinks that, you know, I'm tied up, you're hanging there,
• 27:24
  Speaker 1: and so we'll be able to like instantly attack play specifically.
• 27:30
  Speaker 1: And instead, the way that it goes is they are
• 27:34
  Speaker 1: very focused on saving the frog that's actually hanging there,
• 27:38
  Speaker 1: because it's a frog that's transformed to look like carrot.
• 27:43
  Speaker 1: I am not mad at it. There was they were
• 27:46
  Speaker 1: like at first, when they don't do the thing I
• 27:49
  Speaker 1: was expecting, I was sort of like, wait, I thought
• 27:52
  Speaker 1: I understood the plan, hold on what And my initial
• 27:57
  Speaker 1: reaction was like, this doesn't seem very smart. But then
• 28:03
  Speaker 1: once I realized that it's like, well, we don't want
• 28:06
  Speaker 1: this poor animal get put in a stew either, I
• 28:10
  Speaker 1: was like, actually, that's great. Like even in his speech
• 28:15
  Speaker 1: about this, sorry, I was frogging my throat. Oh I
• 28:22
  Speaker 1: didn't do that on purpose, but that's funny. But even
• 28:26
  Speaker 1: in his little like monologue explaining to us what's going on,
• 28:30
  Speaker 1: Chopper says something like, I feel bad for the frog,
• 28:33
  Speaker 1: but we gotta do what we gotta do. And so
• 28:36
  Speaker 1: once I like kind of stepped back and realized, oh,
• 28:38
  Speaker 1: they're going about this in a different way because they're
• 28:41
  Speaker 1: trying to get the fucking frog down out of there.
• 28:44
  Speaker 1: I really I found that heartwarming. I just really enjoyed that.
• 28:49
  Speaker 1: And eventually what Carrot decides to do is dump over
• 28:58
  Speaker 1: the whole pot of soup onto Brulai herself, which is genius.
• 29:04
  Speaker 1: I should have realized, but no, I did not. So
• 29:11
  Speaker 1: while Bruli is on the floor, it's actually very funny
• 29:16
  Speaker 1: to me, guys, because fucking I'm sorry, I just saw
• 29:21
  Speaker 1: this stuff in the chat, Bernatette. No one said Brulet
• 29:24
  Speaker 1: is the brightest candle on the cake. I don't feel
• 29:26
  Speaker 1: like I've heard that one, but I like that, Saraphim.
• 29:28
  Speaker 1: Don't you just hate it when you have rabbits in
• 29:30
  Speaker 1: your ceiling. I've had I've had squirrels in my attic
• 29:34
  Speaker 1: and they are hell allowed. Bernantette says, ah, but I
• 29:37
  Speaker 1: love rabbits better than rats or apossums. Don't you talk
• 29:40
  Speaker 1: shit about apossums, Bernette. You take that back. Actually, I
• 29:44
  Speaker 1: kind of like rats too, but not yeah, no, not
• 29:48
  Speaker 1: in my home, thank you. Anyway. So what I was
• 29:55
  Speaker 1: gonna say, was that It's really funny because when Brule
• 29:57
  Speaker 1: goes down, the woman doing the voice acting, I think
• 30:03
  Speaker 1: that she is actually an older woman based on her voice.
• 30:07
  Speaker 1: I don't feel like that's you know, the voice actress
• 30:09
  Speaker 1: doing something to age up her voice. But I really
• 30:15
  Speaker 1: get the feeling that she's sort of I don't want
• 30:20
  Speaker 1: to say phoning it in because that feels harsh, but
• 30:24
  Speaker 1: I do not feel that she is invested in this performance.
• 30:30
  Speaker 1: And so when Brulet goes down, the way that this
• 30:34
  Speaker 1: lady does ouch ouch Hot Hot Hot is so half
• 30:40
  Speaker 1: hearted and so slow and without any real passion to it,
• 30:48
  Speaker 1: like you like, she's getting hurt. And I kind of thought, like,
• 30:52
  Speaker 1: is that just for you know, there's another scene later
• 30:56
  Speaker 1: where we come back to them and she is still
• 30:59
  Speaker 1: on the ground and she is still having this reaction,
• 31:02
  Speaker 1: and I just feel like maybe we couldn't go back
• 31:09
  Speaker 1: and retake that. Guys, Like I just kind of feel
• 31:15
  Speaker 1: like that was worth another pass. Maybe this is one
• 31:18
  Speaker 1: of those things because like you know, I watched that
• 31:20
  Speaker 1: video of the voice actress who does Chopper's voice, and
• 31:25
  Speaker 1: maybe it was a sort of thing where in order
• 31:28
  Speaker 1: to get the mouth flaps to match up. They already
• 31:31
  Speaker 1: had to do like sixteen takes in a row, and
• 31:33
  Speaker 1: they were fucking over it by then, And maybe that's
• 31:35
  Speaker 1: why she sounds so over it. I just think, if
• 31:38
  Speaker 1: you're listening, if you're watching this with a dub, pay
• 31:41
  Speaker 1: careful attention to the way that she reacts, because it is,
• 31:44
  Speaker 1: in my opinion, just like really not giving at all.
• 31:49
  Speaker 1: So Chopper, while everybody is distracted by Brule on the ground,
• 31:55
  Speaker 1: he goes real small to get out of his restraints
• 32:00
  Speaker 1: because she, you know, put the restraints on him when
• 32:03
  Speaker 1: he was in his like medium big form and thought, okay,
• 32:10
  Speaker 1: got him, We're all done, and then inevitably he's able
• 32:16
  Speaker 1: to get out of them in an instant. He eats
• 32:18
  Speaker 1: another rumble ball, and he turns into his giant, dead eyed,
• 32:26
  Speaker 1: terrifying version. I don't remember what the names of these
• 32:31
  Speaker 1: like models of Chopper are. If you guys want to
• 32:34
  Speaker 1: help me out with that, I would appreciate it. Bernadette,
• 32:40
  Speaker 1: you were talking about eggplants. I won't take anything back
• 32:43
  Speaker 1: about disgusting apossums. You are a demon. Also, I think
• 32:48
  Speaker 1: it is hilarious that a character named Brulet is getting
• 32:50
  Speaker 1: burned by soup. Sarah Fim says, heavy Point and Monster Point. Okay,
• 32:56
  Speaker 1: so heavy Point is the one that he was in
• 32:59
  Speaker 1: when he was and Monster Point, I'm assuming is the real,
• 33:02
  Speaker 1: real big one, right, and uh it's this is I
• 33:09
  Speaker 1: really really liked this, you guys. Last time I said
• 33:13
  Speaker 1: I was sort of over what was going on in
• 33:17
  Speaker 1: Brulais World because it was getting a bit one note,
• 33:21
  Speaker 1: and it really picks up with this. I liked these
• 33:24
  Speaker 1: developments both because it gives our like Chopper really has
• 33:30
  Speaker 1: a moment of executing a fucking plan here, like a badass.
• 33:34
  Speaker 1: There's a huge crowd in this room, reminder that are
• 33:38
  Speaker 1: all very excited to eat, and some of them, when
• 33:43
  Speaker 1: Chopper transforms, instantly clock this turn around and are just like,
• 33:47
  Speaker 1: oh shit. But that fucking giant alligator does not notice.
• 33:55
  Speaker 1: He's still sitting there with his knife and fork, ready
• 33:58
  Speaker 1: for dinner. Honestly, I really like I I like this alligator. Guys.
• 34:07
  Speaker 1: I'm just gonna say it. He's funny. I like him.
• 34:12
  Speaker 1: I don't want to hurt him. Yeah, he was willing
• 34:14
  Speaker 1: to eat our friend. But like you know, nobody's perfect.
• 34:20
  Speaker 1: It's fine. Chopper picks this motherfucker up and supplexes him
• 34:28
  Speaker 1: onto everybody else. I mean, it's really something the way
• 34:37
  Speaker 1: this dude fucking goes down and reminder that like the
• 34:41
  Speaker 1: minks all have this electricity ability. So the camera kind
• 34:46
  Speaker 1: of pans around the room and a bunch of the
• 34:48
  Speaker 1: other people are down and just twitching with electricity coming
• 34:54
  Speaker 1: off them, and uh, Brulet. I was like shocked because
• 34:59
  Speaker 1: I thought, for sure she's gonna get back up again
• 35:02
  Speaker 1: and she's just gonna be pissed. But Brulai is like
• 35:05
  Speaker 1: taken care of and the dude that we have to
• 35:10
  Speaker 1: deal with this is the weirdest thing. I don't know,
• 35:19
  Speaker 1: I don't know what to say about this, guys. So
• 35:23
  Speaker 1: this dude his name is like Choo Choo, and he
• 35:28
  Speaker 1: has like a train power and he's really like feeling
• 35:37
  Speaker 1: himself that he can go super fast and once he
• 35:40
  Speaker 1: gets up to a certain speed, nobody can stop him.
• 35:45
  Speaker 1: And there was like a part of me that felt
• 35:47
  Speaker 1: like speed isn't really like that big and like it's
• 35:50
  Speaker 1: an advantage for sure, but that's not all you need
• 35:53
  Speaker 1: to be a good opponent, but sure, and then he
• 35:59
  Speaker 1: says something about how like nobody can match this speed
• 36:01
  Speaker 1: or catch up to me, and you just see Carrot
• 36:07
  Speaker 1: come up and bite him on the back of the neck.
• 36:12
  Speaker 1: I do not know what this is. It's look from
• 36:20
  Speaker 1: what I understand, various animals bite the back of a
• 36:28
  Speaker 1: female's neck when they're mating to hold her in place.
• 36:33
  Speaker 1: So when she comes up behind him and bites his neck,
• 36:38
  Speaker 1: I really was sort of wide eyed for a moment
• 36:43
  Speaker 1: and was like, wait, what are we doing? I don't know.
• 36:48
  Speaker 1: I don't know if this is supposed to be like
• 36:52
  Speaker 1: a flirt or if I'm supposed to be having that
• 36:55
  Speaker 1: kind of context at all. It's just the way that
• 36:58
  Speaker 1: it's illustrated. Guys, her mouth comes in very softly, and
• 37:03
  Speaker 1: it's just a sort of gentle you know what I'm saying.
• 37:06
  Speaker 1: It just felt weird. And she is hanging onto his
• 37:13
  Speaker 1: back and puts her hands over his eyes and essentially
• 37:18
  Speaker 1: just won't let him see where he's going until he
• 37:22
  Speaker 1: demands that she let him go, at which point she
• 37:25
  Speaker 1: removes her hands. And he's already going at such a
• 37:27
  Speaker 1: speed that he can't even stop himself, and he just
• 37:30
  Speaker 1: plows into a wall and that's the end of him.
• 37:34
  Speaker 1: And I was this was a weird This was just
• 37:39
  Speaker 1: a weird one, I felt like I was missing something.
• 37:44
  Speaker 1: It just this guy is so specific. It feels like
• 37:48
  Speaker 1: he kind of comes out of nowhere. The ability is
• 37:51
  Speaker 1: so easy to like beat and handle, and what she
• 37:57
  Speaker 1: does in response to him is really weird. There are
• 38:01
  Speaker 1: just many questions I have and it's not important, but
• 38:06
  Speaker 1: I wanted to put them out there in case y'all.
• 38:10
  Speaker 1: Seraphim says it's just something Carrot does. Her doing that
• 38:13
  Speaker 1: to Lufy because every caused everyone to freak out that
• 38:16
  Speaker 1: she was trying to eat him back when they first met. Okay,
• 38:21
  Speaker 1: I guess we just haven't seen her do it in
• 38:23
  Speaker 1: a minute, but I forgot. You're right, she was like
• 38:26
  Speaker 1: chewing on his ear and like yanking on it and stuff.
• 38:30
  Speaker 1: That is still a weird thing to like just have
• 38:33
  Speaker 1: Carrot do anyway, But I guess it's meant to be that. Like,
• 38:37
  Speaker 1: I don't know, I think rabbits have the thing where
• 38:40
  Speaker 1: their teeth keep growing, if I'm not mistaken. I think
• 38:44
  Speaker 1: beavers have this as well, But like, basically, if they
• 38:48
  Speaker 1: don't have something to grind their teeth down against, their
• 38:53
  Speaker 1: teeth will just keep growing and growing and get too long.
• 38:57
  Speaker 1: And it's actually really unhealthy for them to not have
• 39:00
  Speaker 1: stuff to chew on. So maybe that's what we're referencing here.
• 39:05
  Speaker 1: It's just it's just it's the back of the neck
• 39:07
  Speaker 1: and it's so soft. If she had like bit him
• 39:10
  Speaker 1: the way she bit Loofy and like yanked, you know,
• 39:13
  Speaker 1: like pulling and stretching, it would have felt much more like, Okay,
• 39:17
  Speaker 1: she's attacking him or distracting him or whatever. It's just
• 39:23
  Speaker 1: that's not that's not the way it's done, man, And
• 39:26
  Speaker 1: it just feels funny to me. But anyway, it's not important.
• 39:30
  Speaker 1: It just caught my attention. And so once this guy
• 39:34
  Speaker 1: slams into the wall, I was gratified because we cut
• 39:41
  Speaker 1: to the little frog like just cheering because now he
• 39:46
  Speaker 1: didn't get eaten. I really love the fact that we're
• 39:51
  Speaker 1: just letting us know the frog's okay. We didn't need
• 39:54
  Speaker 1: to do that, but it's so appreciated. I wanted to know,
• 39:58
  Speaker 1: so thank you. She ate it a lot. And this
• 40:05
  Speaker 1: is when Chopper is like, Okay, now we can use
• 40:07
  Speaker 1: Bruley's power and hop in and out of any mirror
• 40:09
  Speaker 1: we want, so we can start searching for our friends.
• 40:13
  Speaker 1: Now I'm not totally clear on this, guys. The way
• 40:17
  Speaker 1: that he says, now we can use Brulai's power. Is
• 40:21
  Speaker 1: it just supposed to be that because she's unconscious. Whatever
• 40:25
  Speaker 1: it was she was doing to keep them from going
• 40:27
  Speaker 1: through the mirrors is like null and void. Because I
• 40:31
  Speaker 1: felt like there was something the way that this worked
• 40:36
  Speaker 1: and why they were suddenly able to go in and out.
• 40:38
  Speaker 1: I just didn't really understand. And if that's all it is,
• 40:42
  Speaker 1: it's fine. I just wanted to mention it, Bernadette says,
• 40:49
  Speaker 1: which is why the German word for rodent is nagat chair,
• 40:54
  Speaker 1: what literally translates to nibble animal. Oh my god, that's
• 40:59
  Speaker 1: very adorable. Actually, Oh, Sarah him right. The mirrors only
• 41:04
  Speaker 1: work as portals when she's near them, that's right, because
• 41:07
  Speaker 1: they have to put her on that cart and like
• 41:09
  Speaker 1: drag her around and it's a huge pain in the ass.
• 41:11
  Speaker 1: It is so funny her being on this car and
• 41:14
  Speaker 1: just pass the fuck out. And at one point they're
• 41:16
  Speaker 1: like trying to figure things out and they're trying to
• 41:19
  Speaker 1: wake her up, like Carot is just going stop sleeping
• 41:23
  Speaker 1: to her, and really's like eyes are rolled back and
• 41:27
  Speaker 1: she's groaning, and I'm like, she's not sleeping, girl. She's
• 41:31
  Speaker 1: like in a coma. They're what they want is to
• 41:35
  Speaker 1: interrogate her on which mirror they need to use to
• 41:39
  Speaker 1: get to the palace and find their friends. And even
• 41:44
  Speaker 1: if she were awake, I'm not really certain they'd be
• 41:47
  Speaker 1: able to convince her to help, but it doesn't matter
• 41:50
  Speaker 1: because she's not awake. And it leads to a pretty
• 41:53
  Speaker 1: funny sequence where Chopper is going through all of these
• 41:58
  Speaker 1: different mirrors, just yelling for his friends and shocking people.
• 42:02
  Speaker 1: There's a woman who is doing her makeup. There's a
• 42:06
  Speaker 1: guy who's in the shower, and after Chopper runs off,
• 42:10
  Speaker 1: the guy has like hearts around him, and I was like,
• 42:12
  Speaker 1: what am I meant to interpret from this? A lot
• 42:15
  Speaker 1: of weird stuff in this section, I guess, But yeah,
• 42:21
  Speaker 1: the the search for the correct mirror to come through continues.
• 42:31
  Speaker 1: So all right, I'm going to really really quickly sidestep
• 42:40
  Speaker 1: into Sanji's sister. We see her get snuck up on
• 42:49
  Speaker 1: in the rose garden. Somebody has a gun to her head.
• 42:52
  Speaker 1: They pull the trigger, but of course she's not dead,
• 42:57
  Speaker 1: she's just really horribly injured. Are we supposed to know
• 43:01
  Speaker 1: why she's out in the rose Garden? Am I meant
• 43:05
  Speaker 1: to know? This? I I feel like there's a missing
• 43:11
  Speaker 1: piece to this story. And that might be just on purpose,
• 43:13
  Speaker 1: or it might be that I wasn't paying enough attention
• 43:16
  Speaker 1: and I miss something. I was paying pretty good attention
• 43:19
  Speaker 1: this time though, So I don't know. But she is
• 43:26
  Speaker 1: like trying to get back to I'm assuming her own
• 43:31
  Speaker 1: room so she can find like medical help, and she's
• 43:35
  Speaker 1: pulling and crawling her way through the halls, and eventually
• 43:41
  Speaker 1: Pudding comes across her, and Saraphim says, my guess was
• 43:48
  Speaker 1: always She's just kind of sneaking around looking for anything
• 43:50
  Speaker 1: that might be worth finding out. All right, Okay, Florian says, nope,
• 43:57
  Speaker 1: mysteries abound. Okay, just as long as I'm not missing stuff,
• 44:00
  Speaker 1: because it can be very hard to tell with this show.
• 44:05
  Speaker 1: And Pudding is like, obviously because of who she is,
• 44:09
  Speaker 1: just deeply sympathetic and concerned when she sees her. And
• 44:16
  Speaker 1: I just don't know what is Auntie's sister's name. Remind me, guys,
• 44:23
  Speaker 1: because I just keep on thinking her of her as Poison.
• 44:26
  Speaker 1: That's like the name she has in my head. But
• 44:28
  Speaker 1: I know that there was more going on than that.
• 44:33
  Speaker 1: Let's see rage you, says Sarah Him okay, and that
• 44:37
  Speaker 1: means one or first. Maybe. I am really curious who
• 44:47
  Speaker 1: felt like shooting her, because my assumption, honestly is that
• 44:55
  Speaker 1: it's one of the brothers. I'm not sure she knows
• 45:00
  Speaker 1: who did it. I don't think she turns around in
• 45:02
  Speaker 1: time to see rage you means zero sis saraph him, okay, cool,
• 45:07
  Speaker 1: thank you. I don't know why if it's that she's
• 45:15
  Speaker 1: got dirt on somebody, Is it possibly just because she
• 45:18
  Speaker 1: was helping Soanjy? Is that all it would take? Maybe,
• 45:24
  Speaker 1: And she's not even really helping Sonji. She's like providing
• 45:29
  Speaker 1: the bandage to make his face look normal, like he
• 45:33
  Speaker 1: didn't get the shit beat out of him. But she's
• 45:35
  Speaker 1: not trying to be like, hey, you don't have to
• 45:37
  Speaker 1: go through with any of this. I can help you,
• 45:39
  Speaker 1: you know. She's firmly just still, I'm doing this to
• 45:45
  Speaker 1: expedite what my father wants. So I just don't really
• 45:51
  Speaker 1: have enough information to guess why anybody would want to
• 45:55
  Speaker 1: shoot her, not saying they wouldn't want to. I just
• 45:59
  Speaker 1: don't really have anything. You know. Might be that there's
• 46:04
  Speaker 1: a secret that we haven't even heard about yet that
• 46:06
  Speaker 1: we'll find out later. Possibly, so the whole Let's see
• 46:14
  Speaker 1: where am I. I'm trying to make sure that I'm
• 46:17
  Speaker 1: not missing anything, and I'm sort of bouncing around within
• 46:20
  Speaker 1: these episodes, like scrubbing in and out. All right, So
• 46:24
  Speaker 1: I guessts talk about the whole thing with Pedro and Eggman.
• 46:30
  Speaker 1: I know that, you know, he has his whole actual name,
• 46:33
  Speaker 1: but I'm calling him the Eggman and I so, okay.
• 46:44
  Speaker 1: It turns out the Baron and Pedro each are missing
• 46:51
  Speaker 1: an eye and the reasons for that. We get in
• 46:58
  Speaker 1: a flashback where it's Pedro and Zeppo. Who are and Zeppo?
• 47:12
  Speaker 1: If I'm not mistaken, is he related to the guy
• 47:16
  Speaker 1: that's on Law's ship? Is that guy Beppo? Am I
• 47:22
  Speaker 1: making that up? It felt like he you know, he
• 47:25
  Speaker 1: was another bear Man and he had a really similar name,
• 47:29
  Speaker 1: and I don't uh, okay, okay, I'm not crazy. Okay,
• 47:35
  Speaker 1: good Oh. I do not trust my memory these days,
• 47:38
  Speaker 1: So that's gratifying. Bernadette says eg Man is fine, as
• 47:42
  Speaker 1: actual name is Tommo, just the Japanese word for egg.
• 47:44
  Speaker 1: I knew that, and that's part of why I'm fine
• 47:47
  Speaker 1: with it. Saraphim says, Zeppo is Bepo's older brother. Okay, cool.
• 47:54
  Speaker 1: So they are apparently here to steal the ponyglyph in
• 48:01
  Speaker 1: the first place, right, that's the reason that they're here.
• 48:05
  Speaker 1: And they're not even really sneaking around, they're just in
• 48:10
  Speaker 1: town and they come across Oh my god, the lion guy.
• 48:20
  Speaker 1: I'm the names, sorry, but he recognizes them because they're
• 48:25
  Speaker 1: Minx and is really really excited to see them. And
• 48:30
  Speaker 1: it's sort of an odd thing because Peckham's thank you,
• 48:34
  Speaker 1: Sarah em because I couldn't really tell if Peckham's knew
• 48:41
  Speaker 1: the reason they were here. I do not believe that
• 48:45
  Speaker 1: he set them up, to be clear, because the way
• 48:48
  Speaker 1: that he reacts after they've been caught later, he seems
• 48:51
  Speaker 1: very genuinely distressed. And sometimes people will be distressed despite
• 48:56
  Speaker 1: having set somebody up because it all goes way worse
• 48:59
  Speaker 1: than they intended it to go. But I don't think
• 49:02
  Speaker 1: that of Peckham's. I believe that he really didn't know
• 49:06
  Speaker 1: and was just like pleased to see his friends. And
• 49:15
  Speaker 1: the way that this story is told, it kind of
• 49:22
  Speaker 1: jumps back and forth between the present and the past,
• 49:27
  Speaker 1: and the way that you're meant to be able to tell,
• 49:30
  Speaker 1: which it is is by whether or not Pedro's eye
• 49:34
  Speaker 1: is still there, which mostly works if you are clocking
• 49:41
  Speaker 1: that quickly, but I will be honest, there were times
• 49:44
  Speaker 1: where I got a little confused over because in both
• 49:49
  Speaker 1: it's him facing off against Eggman, and the first battle
• 49:56
  Speaker 1: that they have, you see they Pedro wipes the floor
• 50:01
  Speaker 1: with everybody. It's embarrassing, like it was like nothing to him.
• 50:08
  Speaker 1: It was like nothing to him, and he slashes out
• 50:17
  Speaker 1: Eggman's eye and then they get caught. There's like a
• 50:21
  Speaker 1: huge crowd of soldiers. They get dragged in front of
• 50:25
  Speaker 1: Big Mom and she pulls out that fucking Roulette wheel,
• 50:32
  Speaker 1: which we still, I want to point out, have not
• 50:35
  Speaker 1: found out what the hell happened with Jimbay, And a
• 50:40
  Speaker 1: part of me doesn't really even care that much because
• 50:43
  Speaker 1: Jimbay is boring. Another part of me is irritated that
• 50:46
  Speaker 1: it's like been this long and we still don't know,
• 50:49
  Speaker 1: but I'm not that bothered by it. It's fine. So
• 50:55
  Speaker 1: the punishment, like she's very intent on making an example
• 51:01
  Speaker 1: out of them because they fucking took the Baron's eye.
• 51:06
  Speaker 1: It's a big deal. And honestly, it was hard for
• 51:12
  Speaker 1: me to be mad at her here. I know that
• 51:14
  Speaker 1: like she's the baddie and YadA, YadA YadA. But like,
• 51:20
  Speaker 1: if I'm being completely real with you, all these assholes
• 51:25
  Speaker 1: just come up into her house to steal her stuff
• 51:31
  Speaker 1: and cut the eye out of this guy. She's meant
• 51:35
  Speaker 1: to be a leader. What is she supposed to do?
• 51:38
  Speaker 1: Not punish them? Mm hmm. She has face to maintain, man,
• 51:45
  Speaker 1: She's got to keep her reputation up and keep people
• 51:49
  Speaker 1: being afraid of her, and she's fucking doing that. You know,
• 51:55
  Speaker 1: it seems for me actually kind of they they got
• 52:03
  Speaker 1: lucky that they weren't just executed summarily. Now, granted, Zeppa
• 52:07
  Speaker 1: winds up dead, However, that was just like evidently that
• 52:14
  Speaker 1: was not the intent going into it. It was apparently
• 52:20
  Speaker 1: Big Mom like pulling his life force out of him
• 52:24
  Speaker 1: and not knowing that he didn't have enough left to
• 52:28
  Speaker 1: give it. One could argue that this was not in
• 52:33
  Speaker 1: good faith, and that she starts to pull the life
• 52:35
  Speaker 1: out of him knowing good and goddamn well it's going
• 52:38
  Speaker 1: to kill him, and just making an excuse as to
• 52:41
  Speaker 1: why it's not a big deal. But you know, it
• 52:47
  Speaker 1: doesn't matter when it's just so, I'm gonna I'm going
• 52:50
  Speaker 1: back because I want to look at the Roulette wheel
• 52:53
  Speaker 1: again and see all of the options, just to refresh myself,
• 52:57
  Speaker 1: because I know that they're all pretty terrible, and I
• 53:01
  Speaker 1: don't remember if I understood her power the first time
• 53:04
  Speaker 1: I saw the Roulett wheel, so it might make a
• 53:08
  Speaker 1: different impression now that I get how it works a
• 53:11
  Speaker 1: little bit more. Okay, so we've got lost head, lost arm,
• 53:16
  Speaker 1: lost leg, and then we have a queen head. So
• 53:22
  Speaker 1: I'm assuming if it lands on the queen's head that
• 53:25
  Speaker 1: means that the punishment is she takes your life. It's
• 53:31
  Speaker 1: sort of weird because she tells them to bring out
• 53:34
  Speaker 1: the Roulette wheel, but we don't actually see the wheel spin.
• 53:40
  Speaker 1: She says, you spin it first, Bear, and he looks
• 53:44
  Speaker 1: at her and scowls, and then we just sort of
• 53:47
  Speaker 1: zoom out and we see the wheel, but we don't
• 53:51
  Speaker 1: see him spin it. We don't see where it landed,
• 53:55
  Speaker 1: and it's just a strange choice. It goes right into
• 54:00
  Speaker 1: him getting the life pulled out of him. So I
• 54:04
  Speaker 1: didn't really understand why we did it that way, because
• 54:07
  Speaker 1: I was thinking that part of the scene was going
• 54:09
  Speaker 1: to be the tension of watching the Roulette wheel spin
• 54:13
  Speaker 1: and wondering how it's going to land. Usually that's the
• 54:18
  Speaker 1: point of having one of these wheels in a scene
• 54:21
  Speaker 1: like this is the agonizing tension of watching it spin,
• 54:26
  Speaker 1: and they just don't do that part. I thought that
• 54:30
  Speaker 1: was a really weird choice. I don't know if this
• 54:32
  Speaker 1: is something that's like there's a reason for it that
• 54:36
  Speaker 1: I'll understand later, but from where I'm sitting, it was
• 54:39
  Speaker 1: just like a in terms of storytelling, I thought, very
• 54:42
  Speaker 1: bad choice. And so then when we jump immediately to
• 54:46
  Speaker 1: her like yanking the life out of him, I was
• 54:49
  Speaker 1: sort of like, why is she doing? Like what did
• 54:53
  Speaker 1: he even land on? Or was it that she says
• 54:57
  Speaker 1: pull out the roulette wheel? But she tells him to
• 55:00
  Speaker 1: spin it. So I was gonna say, like, is it
• 55:02
  Speaker 1: that she just does this without even you know, I
• 55:06
  Speaker 1: don't know, I don't know what's what the deal is here,
• 55:09
  Speaker 1: but suffice to say she is pulling out I think
• 55:13
  Speaker 1: she says something like seventy years. And when she says
• 55:18
  Speaker 1: seventy years, I'm like, that seems like all his entire
• 55:23
  Speaker 1: rest of his life. Is that not true? She says,
• 55:27
  Speaker 1: I'll take one hundred years of your life, right right, right?
• 55:31
  Speaker 1: Do minx live longer than normal humans, because she has
• 55:36
  Speaker 1: to have known then that this would kill him. I
• 55:38
  Speaker 1: was saying, I was giving her a little benefit of
• 55:40
  Speaker 1: the doubt there, But if she's taking one hundred and
• 55:43
  Speaker 1: they live the same age as normal people, then that
• 55:46
  Speaker 1: was just like explicitly what she was doing. I don't know.
• 55:50
  Speaker 1: Peckham's is very very sad on the sidelines. He's so
• 55:55
  Speaker 1: upset by this, seeing this all happen, and the fact
• 55:57
  Speaker 1: that he's like still apparently loyal to Big Mom in
• 56:00
  Speaker 1: the present is I can't decide if that's real or not,
• 56:04
  Speaker 1: you know, okay, so Bernadette says. Also, Big Mom has
• 56:13
  Speaker 1: great taste when it comes to island design on like
• 56:15
  Speaker 1: other baddies. Looking at you, Moria, Saraphim says, there's also
• 56:19
  Speaker 1: numbers on the wheel that mark how many years of
• 56:21
  Speaker 1: life she will take if that is what is landed
• 56:23
  Speaker 1: on gotcha? And Florian says, yeah, we just don't see it.
• 56:26
  Speaker 1: I don't know why, Saraphim says, And no, much like
• 56:29
  Speaker 1: most games of chance, this is very rigged. Okay. So
• 56:34
  Speaker 1: it turns out that he only had thirty years left
• 56:36
  Speaker 1: in him, which is uh one of those things that
• 56:40
  Speaker 1: it's like, one, the fact that he only had thirty
• 56:46
  Speaker 1: years left to live is a little alarming. Is that
• 56:50
  Speaker 1: that he was going to die of old age or
• 56:53
  Speaker 1: you know, like he wasn't that old, So how is
• 56:56
  Speaker 1: that determined? Even like, I would like to know a
• 56:59
  Speaker 1: little bit more more detail about that part, because I
• 57:03
  Speaker 1: found that like that just arrested my attention that she
• 57:07
  Speaker 1: can tell how long you would have lived. And it's
• 57:11
  Speaker 1: not like she seems to be able to tell that
• 57:13
  Speaker 1: ahead of time. So you can't just be like, hey,
• 57:15
  Speaker 1: being mom, don't kill me, but tell me how many
• 57:19
  Speaker 1: years I've got left. Evidently she can't. I don't think
• 57:23
  Speaker 1: it seems like she has to pull the life out
• 57:24
  Speaker 1: to see. But how does she know? What? Excuse me?
• 57:33
  Speaker 1: So then she turns to Pedro and is like, uh,
• 57:37
  Speaker 1: I guess he only had thirty years left in his life.
• 57:42
  Speaker 1: That sucks. There's still seventy years Pedro that you have
• 57:48
  Speaker 1: got to pay up. And we go at this moment,
• 57:54
  Speaker 1: Like I was saying earlier, we were cutting back to
• 57:57
  Speaker 1: the present, So we go back to him fighting Egg
• 58:00
  Speaker 1: in the present, and then we go back in time
• 58:03
  Speaker 1: and we hear him ask if I gave up this Ie,
• 58:11
  Speaker 1: how many years will it spare me? And he says this,
• 58:16
  Speaker 1: but there's already blood pouring down his face, and then
• 58:22
  Speaker 1: the camera pulls out and he's holding his own eye
• 58:26
  Speaker 1: out to her in his paw. I am so sorry,
• 58:32
  Speaker 1: but that is some absolute g behavior. Can you imagine
• 58:41
  Speaker 1: he doesn't even make a deal before he does it.
• 58:44
  Speaker 1: It's not even like the way that he's just like, here, bro, Barter,
• 58:52
  Speaker 1: first do some negotiating. You don't even know if she's
• 58:55
  Speaker 1: going to give you a break for this fucking thing.
• 58:57
  Speaker 1: It's already done. What does she care? Like? Honestly, Big
• 59:02
  Speaker 1: Mom is getting credit for me for how often she
• 59:09
  Speaker 1: works with people who technically don't have any real leverage,
• 59:13
  Speaker 1: but she's still kind of almost it feels like going,
• 59:18
  Speaker 1: I like your Moxie kid. You know, there's a sort
• 59:22
  Speaker 1: of vibe to her of just the fact that you
• 59:24
  Speaker 1: even have the balls. This is what I appreciate, because
• 59:28
  Speaker 1: everybody keeps going about their negotiating the wrong way where
• 59:32
  Speaker 1: they don't have anything to really offer her by the
• 59:35
  Speaker 1: time they do the thing, and it just keeps happening
• 59:39
  Speaker 1: where I'm like, why would you do it in that order? Bro?
• 59:45
  Speaker 1: I just I can't imagine if she was just like,
• 59:48
  Speaker 1: oh thanks, I was gonna take your eye anyway, somebody
• 59:50
  Speaker 1: come kill him, you know, like what would happen? So anyway,
• 59:55
  Speaker 1: she takes twenty years off the penalty and says, enjoy
• 1:00:01
  Speaker 1: the rest of your life. And she does not say
• 1:00:05
  Speaker 1: how long that is, because once again I get the
• 1:00:07
  Speaker 1: impression that she doesn't know. So in the present, Pedro
• 1:00:15
  Speaker 1: he has aged, you know, quite a bit here and
• 1:00:23
  Speaker 1: Tomago is I said I would call him eggman the
• 1:00:26
  Speaker 1: whole time, and here I am. But he says something
• 1:00:29
  Speaker 1: about how you're putting yourself back in this situation with
• 1:00:34
  Speaker 1: big Mom after what she did, Like what are you
• 1:00:36
  Speaker 1: willing to risk everything for? And he also brings up
• 1:00:41
  Speaker 1: that he still has like phantom pains in his eye
• 1:00:46
  Speaker 1: where he was where his Pedro's blade went into his head.
• 1:00:51
  Speaker 1: And there was something about him saying that it was
• 1:00:55
  Speaker 1: kind of funny because on the one hand, it's just
• 1:00:58
  Speaker 1: the way that you'd be like, you motherfucker, you did
• 1:01:02
  Speaker 1: this to me. On the other hand, there was a
• 1:01:05
  Speaker 1: part of me that was like it quit whining about it. It
• 1:01:07
  Speaker 1: happened so long ago, you know, just like it still
• 1:01:11
  Speaker 1: hurts sometimes. Wham wahh, shut up. So Pedro is like,
• 1:01:16
  Speaker 1: they basically helped save my home and my people, so yeah,
• 1:01:22
  Speaker 1: I'll put it all on the fucking line. I don't care.
• 1:01:25
  Speaker 1: They are also going to bring forth a new world.
• 1:01:30
  Speaker 1: I really believe that. And he comes at Tomago and
• 1:01:37
  Speaker 1: he the way that this goes is so funny, guys,
• 1:01:41
  Speaker 1: because he we see and hear the like slice of
• 1:01:46
  Speaker 1: his blade and then we just see an egg yolk
• 1:01:50
  Speaker 1: in mid air and that's obviously meant to be the
• 1:01:53
  Speaker 1: Baron's guts, but it feels so literal that it's very strange.
• 1:01:59
  Speaker 1: I was. I mean, it's fine, but it was just
• 1:02:01
  Speaker 1: a little moment of like, oh, oh really, okay, I suppose.
• 1:02:09
  Speaker 1: And the last thing that we see in this trio
• 1:02:13
  Speaker 1: of episodes is Loofy, who is like twisting himself tighter
• 1:02:19
  Speaker 1: and tighter and tighter while he's talking to Nami and
• 1:02:25
  Speaker 1: she's like, dude, what are you doing? And he says
• 1:02:27
  Speaker 1: that he has a plan and they're going to get
• 1:02:30
  Speaker 1: out of here, and she's like, if you keep doing this,
• 1:02:32
  Speaker 1: because he's putting tension on his arms because his hands
• 1:02:36
  Speaker 1: are pinned in place, She's like, if you keep doing this,
• 1:02:39
  Speaker 1: you're gonna rip your hands off, and he says, that's
• 1:02:43
  Speaker 1: the idea. And I'll tell you what, I don't want
• 1:02:48
  Speaker 1: to see this nail go like through his hands. No,
• 1:02:54
  Speaker 1: I sure don't. I am not interested. Please can we
• 1:02:58
  Speaker 1: skip it? Can just skip that part? Just I'm just
• 1:03:03
  Speaker 1: saying so. Anyway, that is the end of this group
• 1:03:09
  Speaker 1: of episodes. I really enjoyed this a lot. I had
• 1:03:12
  Speaker 1: a good time, and I am really looking forward to
• 1:03:15
  Speaker 1: seeing I'm looking forward to seeing everything except for Loofy
• 1:03:18
  Speaker 1: ripping his hands open. That's pretty much where I'm landing
• 1:03:23
  Speaker 1: on this. All right, everybody, I appreciate you all very
• 1:03:28
  Speaker 1: very much, and I will be seeing you soon with
• 1:03:31
  Speaker 1: a new episode. Until then, to the little motherfuckers. That
• 1:04:04
  Speaker 1: was an Unspoiled Network podcast.