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One Piece LIVE ACTION, S01E08- The Worst In The East · Spoil Me! One Piece

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This is an unspoiled network podcast. This is spoil Me covering one piece the
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live action Netflix series Season one, episode eight, Worst in the East.
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In this episode, I am so bummed that the series is over, you
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guys. I mean like, I'm surprised at how bummed I am and I
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knew I would be, and it still has caught me off guard. This
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was so much fun and I am not excited about the long wait until the
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next season comes out. Welcome to spoil Me, Welcome to the show everyone.
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I am Natasha. Thank you very much to Gabby for commissioning this episode.
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Gabby, this was so so wonderful to cover, and I am so
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glad that you were able to like jump in and commission the whole thing up
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front so that I got to watch two episodes a week. What a treat.
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I completely understand that that's not always possible for people to do with a
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series, but it is really satisfying when I'm able to just do a back
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to back viewing like this, And even when it's back to back like this,
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it's still a longer wait than I would like. So you know,
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let's see. Amhon is in the chat saying my only complaint about the live
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action series is that I didn't like the change they made are A, Nami's
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sister in the village. I really loved how in the manga they trusted in
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Nami from the start, and it really hurt to see not even her sister
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believed in her for the live action and Han, I will be totally honest,
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I didn't remember that that change. So then in the uh, the
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anime they believed did they know already about like the deal that Nami had made,
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or were they doing the whole I'm sure she's got good reasons thing and
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just sort of giving her the benefit of the doubt because I don't remember which
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one of those it is. But uh, I like, I don't.
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This is one of those things where I definitely understand what you mean. I
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could also see that maybe it kind of makes more sense for Nami to have
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the self loathing that she has when nobody around her understands that she's doing the
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right thing, that she would like internalize the judgment that she is receiving from
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them all the time. Oh Ryan says in the anime, they knew about
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the deal but pretended not to, so Nammy would be able to run away
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with less. Gill em Hans says, Nammy never knew they knew they played
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along from the start to keep her safe, and so she wouldn't feel any
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pressure to finish the deal if it was too hard. Okay, I see,
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yeah, Like I totally get that, and I oh, here is
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my thinking. One what I already said with her internalizing some of the loathing,
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but also two that part of the deal with the crew arriving and like
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being uncertain where Nammy stands and if she's like really a good person. The
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theme of that whole thing is, oh my god, I hit my mic
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I'm so sorry. I do that so rarely that every time I do it
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feels so humiliating. The point is supposed to be how remarkable it is that
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despite all the evidence, Lufy still believes in her and has faith in her.
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So I do kind of like the contrast of like everybody saying the worst
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things and not believing her and Lufy's still being very stalwart. However, I
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can understand that like everybody else not having faith in her, just so that
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Lufy can be the outlier who does might feel a little bit like easy.
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So yeah, I get what you mean. I have to admit I don't
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really have that much of a problem with it. I just because Nammy in
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this show is played a lot darker than she is in the anime, Like
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she just seems to the anime Nami definitely has guilt, don't get me wrong,
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but I feel like this Nami is somebody who has been really weighed down
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in a way that I don't feel from anime Nami the same way. And
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maybe I would change my tune if I were to rewatch that arc now,
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you know. But from what I recall, there was always a hint something
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was going on with her, and there was always a feeling of like,
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you know, she's having to play things close to the chest. But this
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was she just brought an angst to the role that I feel makes more sense
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if everybody is like really intently play like thinking that she has abandoned them,
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you know what I mean. Em Hans says the manga handled it by having
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Lufy refuse to even listen to Nami's backstory because he gave zero shits about it.
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He just believed in her. See but like again, and I like
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that just being like I don't even need to hear I also though, can
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understand from a storytelling perspective that it's a lot more efficient to have Lufy need
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to listen to the backstory so that we get to see it and see everybody's
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reactions to it. You know, It's just it's a kind of thing where
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not to say that they couldn't have done it the way they did in the
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manga and made it work. They could have had Lufy refuse to listen and
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his friends listen instead, and you know, him not being willing to participate,
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but the other three going in and chatting with a sister. But I
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like the fact that that story made most of them think, oh, apparently
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Nami does suck and is the worst. And Lufy was still refusing to back
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down on how he felt about her. Sort of underlines how, yeah,
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even when I hear what seems like a terrible story that paints her in a
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really bad light, I'm still not buying it. So yeah, you know
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there, I hate saying there's more than one way to skin a cat.
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I hate that saying I need to come up with another one. I know
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there's another one, like there's just another one out there that exists already,
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an idiom, But I don't know what it is, so if anybody wants
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to remind me. But yeah, different effects for different things, and also
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like the efficiency of one way versus another way. It's I can understand your
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perspective. I also understand why they changed it. Em Hans says, it
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just attracted a tiny bit from the of course I will help you moment.
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In my opinion, Lufy and the manga had zero context about why Nami did
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what she did, and his instant acceptance was so touching in the manga.
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Uh, I guess that's the part that's not hitting for me. I mean
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I didn't read the manga. I only watched the anime, But I I
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don't remember being like particularly moved by that because of the fact that he didn't
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have any context. It's more like for me, of course I will help
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you. When the story he has heard seems to paint her in a terrible
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light, one could argue there's even more behind that. That he has heard
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a story that would have made other people decide to finally turn their back,
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and that he has not got that reaction at all could show him as being
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particularly extraordinary in his faith in his friends. You know, But Michael says
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there's more than one way to close an umbrella. Michael, I don't think
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that's true. I think there's only one way to do that, Bud.
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I feel like that's a real bad example, and I'm pretty sure that's why
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you picked it, but I just gotta say it, you know. But
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anyway, so this whole episode, we start off with Nami as a kid
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getting her tattoo, and I like the fact that they don't have her be
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a totally stoic badass. She starts screaming because this shit fucking hurts and it
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would, you know, And we get to see how she is kept in
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a shackle for a lot of her life, and eventually I think she says
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that he lets her out on her sixteenth birthday or something like. He says
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that it's a birthday present that he has let her out. So we then
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go to our friends walking through the village and reminder, this is not like
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the part of the village that was already destroyed. This is our Alan coming
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back and fucking the town up again after they were unable to pay in full,
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and everything is burnt down, and just like, what's the word skeletal?
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Really is the feeling that you get, you know, you've just got
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like the bare timbers. There are still some fires actually going and they're still
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putting them out. And then everybody shows up from the village and it turns
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out that Nojiko has told all of them about what it was that Lufy was
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or that Nami was doing, and they're like, can you forgive us?
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And she says there was there is nothing to forgive. Cocoa Village is my
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home, and he says, then it is our turn to sacrifice. We're
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done living in fear. We're gonna march on our long park if those fishmen
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want to fight, and she's like, guys, I love you all.
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I appreciate the thought. You're not going to fight, you're going to get
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fucking massacred, and you can see as they're getting hype, she is really
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worried, like this is not her trying to be Oh, I could never
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accept this. You guys can't risk yourselves for me. This is a very
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like pragmatic. This is a bad idea. You guys are going to die.
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It's my fight. You can't do it, and Lufy chimes in with
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that, No, we're right here, do you see we just talked about
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this, actually this is our fight, and they start talking about how Arlong
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has to have some kind of weakness and that's the thing that they need to
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figure out because he's literally bulletproof, which really is quite intimidating. Let's be
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real. So we jump over to the marine headquarters, or not the headquarters.
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I guess it's just a is it the headquarters? It's just like an
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outpost. I guess there's a building, but it's not like the huge area
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with the courtyard and all. And we've got Bogart showing up to question Captain
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Nazumi, the rat faced guy who gets found out pretty quickly. I remember
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being deeply satisfied by this in the anime as well. This dude doesn't get
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to go on with his corruption very long. It's nipped in the bud pretty
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soon. So he is being brought down to speak to the Vice Admiral,
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and it's a pretty fun scene because it's so clear that he does like that
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he is full of shit and is just doing this thing every time Kobe speaks
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up, where he insinuates that like the fact that Kobe is even speaking is
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proving that he is telling the truth. Like that kind of thing where well,
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the more you question me, the more I can redirect my irritation and
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my nervousness about the fact that I am definitely guilty of what you're implying and
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turn it into righteous indignation, which is something that happens with a like depending
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on the type of person you're dealing with, a lot of people react this
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way when they feel guilty. They will flare up and get really pissed because
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their guilt is fueling their emotions, and so you'll see this a lot,
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like with conversations where somebody is being accused of, like lying to their partner
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about something, they would just immediately turn it around with like, oh wow,
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I can't believe that you don't trust me, and instead of addressing what
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was brought up, they just try to turn the conversation into how offended they
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personally are about the accusation. And it's one of those tactics that works really,
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really well. It's just unlike the point of it is to deflect so
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that you don't actually pursue the initial line of questioning. There's a reason it's
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used all the time, and it's extremely effective on the Internet. This is
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one of those that's not just about like being accused of something you're definitely guilty
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of, but just derailing by being like, yeah, well and I bet
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you believe X y Z And they bring up a totally other thing. And
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I fall for that all the time, And it's so embarrassing because I will
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look back at a conversation and just be like, Wow, I really took
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that bait. He just didn't want me to talk about the main thing,
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and I didn't. I just did exactly what he wanted me to do.
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It's the worst. So anyway, Yeah, it's increasingly clear as this conversation
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continues that they know he is full of shit, but that all shakes out
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a little bit later. We then go back to the island and we have
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the series of explosions that I believe is all oos up. It's kind of
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a funny thing because the way it's done is so prop like that It's one
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of the few times in this show that I've been like, guys, you
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couldn't afford slightly better effects than this. It really does just look like we
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had a bunch of flares planted on the ground that we set off with a
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switch. But ahead of time, I think It's supposed to be that Oosup
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has used some of his smoke bombs because they were mentioned earlier, and that
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he sent them flying over the wall ahead of them. But it just doesn't
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look like that's It does not look like anything fell through the air and hit
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the ground. It just to me anyway, it just looks like stuff that
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has been put in place for like one of those shows that you watch when
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you go to like Universal Studios, and they do like a special effects centered
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performance on one of those big open outdoor stages you know I'm talking about.
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So sorry, em Hans says, combine that with a gish gallop and you
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have the essence of internet debate down Pat, what is a dish gallop?
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I don't know why, but that feels like a slur. I don't like
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it. So we've got everybody out here. It's so great, you guys,
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because I was really excited about Oosap going off separately with fish Lips,
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and it was very good. It was very satisfying. Everyone's in position ready
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to fight. Sanji does this thing where he just like draws his foot around
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into a stance and there's something extremely ballet like about it, and I found
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it extremely hot. I just he's just yum em Han says, it means
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to throw a bunch of arguments at the other party, one after another,
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even if they're inaccurate, so they can't address them all. Ah yeah,
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I could see that. This is one of those where I'm like, I
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guess it depends the type of person you are, because I'll definitely take every
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single argument, copy paste it into a note, take out everything that's irrelevant,
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and do bullet points for each question and respond to each of them and
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reply I'll waste all my time Like it's not it's not helping me look good.
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It's wasting my time, like you know. But again, this is
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my one of my major faults is I can't resist an argument. I can't
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resist an argument, and I need to learn to do. I'm getting better,
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I definitely am getting better, but oh boy, it has taken a
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long time for me to even really see how bad it is. And the
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like number of times that now that I'm better at catching myself, the number
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of times I catch myself I really realize, like this is like the fourth
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time just this morning, you know what I mean. Oh, it's real
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bad. It's embarrassing. So anyway, Sanja do just the foot thing.
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Oos Up is pulling his uh his, what do you call it? I
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keep wanting to say, rock slinger, sling shot, I had the sling
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in there. I don't think that Zoro even has his weapon pulled yet though
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everybody else is prepped. But nope, he just took it out after they
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start moving, So yeah, he didn't do the same thing as everybody else.
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His was like a last second thing. And they all split up and
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begin to fight. And it's interesting because, like, this fight is taking
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place during broad daylight, which I think might be one of the only times
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that we have seen a fight like this where it's the only other one that
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I can think of is at the Marine headquarters when they're up against axe Han
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Morgan, and I would call that more of like a minor skirmish. This
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is a pretty big scene, but I'm so used to things like this taking
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place at night, and there's something about it that I really like with it
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being in the daytime. There's a fish guy that comes up out of the
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water, like soaking wet to attack Loofy, and he is right in the
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midst of fighting with this guy when Zoro literally runs past horizontal and gets this
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guy from the side, and it's so I mean, I know it's not
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real, but it's so graceful and wonderful to watch, Like how little effort
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it feels like he had to put into this in order to save Lufy's ass,
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and how comprehensive a view of the battlefield he must have to have spotted
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this. And then he like leaps off and lands, and I'm like,
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wow, what a badass. But he grimaces and grabs his ribs because he's
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still injured. And I really appreciated that reminder because I had forgotten that he
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was still injured. So there's a great moment where us Up gets Fishface fish
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Lips in the head with one of his like smoke bombs, and fish Lips
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turns to him and says not in the face, and Usup just goes shit
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and takes off running, and I was like, Yay, we're getting the
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thing. That was one of my favorite bits of that arc was oos Up
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going one and one against the fishmen. So then we go to the map
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room, Nami is getting the map and Lufi is seeing oh is he let
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me stop wearing that? When I was twelve, it was a birthday gift.
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But yeah, he's seeing the cuffs and you can see Loofy like he
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is so mad. He is really feeling some emotions right now. And it's
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almost like a relief when Arlong walks in, because this dude is going to
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be on the receiving end of some rage on Lufy's part. And y'all,
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can I just say the envy that I feel for Loufy in this moment,
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Like, I have no doubt that everybody listening to this has one of those
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friends who's a great person despite all the odds that were stacked against them.
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And there is like one or maybe two people that was a primary like antagonist
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in this person's life. Maybe their father was physically abusive, maybe their mother
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was like really verbally abusive or absent, you know, maybe there was an
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abandonment thing. And you feel this deep desire to inflict some kind of punishment
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on a person who wronged your friend who is so great and doesn't believe that
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they're great a lot of the time, because these this trauma that has been
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inflicted on them has like permanently affected their sense of self and the way they
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see themselves. And so you have these fantasies about, like, for instance,
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just going to your friend's mom's house and slashing our tires, you know,
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or you know, maybe just like starting some kind of like vicious rumor
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about her, just because they're a bad person who has never made up for,
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apologize for, or even necessarily acknowledged what they did. And it's petty
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and it won't help things, and you know that, so you're not gonna
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do it because it would just harm your friend and they would be upset,
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and possibly your friend still has genuine affection for this person who has purposely harmed
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them, and so you have to respect that, even though you find it
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baffling, But you want very much to be able to like do something for
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me. If you're listening Candace, it's Candace's husband who is such a bad
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man in like everything way that you could imagine a man being a bad person
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that I actively fantasize about like tracking him down and just shooting him in the
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head. I do like it's just a thing that happens. When I hear
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a story about him, I'm like, how would they tie me to the
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crime. I just feel like if he were to be shot by somebody like
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me who is so outside this, Like I don't think they would be able
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to put it together. I don't know, And I am just so envious
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that Loofy gets to feel this rage towards somebody who has wronged Nami from when
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she was a kid and immediately have a totally valid means of attacking him that
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is relevant currently and vents that anger and frustration. So anyway, all that
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to say, Arlong comes in. He's got his giant, like you know,
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the sword that's I don't even know if you want to call it a
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sword. I think you would technically say it is, but it's got that
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like do you want to say it's a serrated blade when it's comprised of like
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eight giant triangles? Does that count as serration anymore? I feel like it
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doesn't. But uh yeah, he comes in and it's just like, oh
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hey, Loofy, welcome to Arlong Park. And he starts laughing, and
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this dude's laugh he is very good. And we cut then to Oose Up
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and he is sprinting through the woods, just trying to get away from fish
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Lips, who is chasing him the way the camera does, like this is
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always something that happens for me. In chase scenes, the camera will occasionally
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be behind the person who is running for their lives, and it's so hard
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to tell is the view the camera has the actual view of the person behind
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them, because that seems very very close. And then it'll pull back and
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you'll be like, oh, okay, no, it's they're a couple of
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yards past that. Michael says, party banner sword. You're right, it
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does look like party banners like those. The triangles are boat ass highs.
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Yeah, pretty much. Em Hans says, Loofy is pure id good thing.
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His base impulses are all only feeding himself or helping his nakama. Yes,
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yeah, he has. There's a that's like the childlike quality about him,
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like kids are so id, you know. So it makes a lot
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of sense. It's just whatever immediately is in front of him that he is
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going to be completely invested in. So this is when fish Slips does his
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like shooting. It's unclear to me because he shoots what I think are basically
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like bullets of liquid. When he did this earlier, he did it with
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fire, like he was breathing fire and that was what lit the booze up.
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But uh, I don't remember this in the anime, and that is
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not at all to say it didn't happen, because like, I feel like
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it probably did, but I just didn't remember that this was a feature of
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his. And it's really really weird to like watch them make this happen in
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live action. So then we get some priceless back and forth with Soanji and
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Zoro who are arguing about who's like doing the better kills and the most kills,
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whether he needed his help or not, you know, things like this.
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We have this speech to Loofy from our Long about our Long being forced
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into slavery or not Arlong but his people, and Lufi says all people should
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live as they choose, nobody should be forced into slavery. And he says,
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keep your sympathies, boy, our abuse and persecution end now. And
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it was sort of funny because I was like, I don't know that that's
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sympathies, sir. I mean, I guess it is, but it's more
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just like a statement of fact that is very much backed up by the way
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Luviy lives his life. But you guys, I will reiterate my main complaint
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here than I had last time, But I feel even more strongly, based
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on the way this scene goes, we needed to have seen some of this
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fishman enslavement. It feels almost like Arlong could be making this up, and
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I know that he isn't because nobody argues with him. Nobody's trying to say
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that doesn't happen. But I feel like never actually seeing any evidence of this
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at all does sort of undermine the overall effect of his stance against it,
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and I think that the only reason that they don't show it is to avoid
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a kill Monger effect, which is to say, in Black Panther, kill
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Monger shows up with some very real grievances, and there's like a genuine sense
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for the first two thirds of the movie this guy's right. He's making genuine
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points like this is real valid complaints that he has, and I can't help
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but think that there aren't a lot of alternatives to what he's doing. And
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then in the last third of the movie they have to undercut all of his
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arguments by having him be abusive toward women, just like misogynistic, and they
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really need to give him other major flaws to sort of like get us off
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his side, because they realized I think they realized in the script that they
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make him so sympathetic for so long that there was no way to revel in
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his victory unless they made him really despicable in some other way. So they
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took away the power of his overall thesis by being like, yeah, but
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he's a shitty dude though, which you know, I mean, okay,
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But also those arguments are still valid and still out there whatever. I feel
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like that was sort of the thing with Arlong, that they felt maybe if
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they showed us fishmen being enslaved, it would be really hard in some ways
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for us to not root for long, because it felt like the cause he's
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allegedly fighting for is actually just because the slave enslavement is super unfair and really
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gross and exploitive and awful, so they can't let us see it. All
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we get to see is our long oppressing human beings, but we can never
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feel like maybe the humans deserve it a little bit, you know, like
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we aren't allowed to have that nuance, and they keep us from seeing it
31:30
to avoid that happening. But it's not to say that I would think the
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people of Cocoa Village deserve what's happening to them, because of overall, you
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know, like it doesn't seem like anybody on this island participated in enslavement,
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and so he's just targeting random people. But despite that, I still think
31:51
that there might be something to that of just wanting things to be a little
31:56
less nuanced in our viewers, despite trying to add a little nuance into the
32:04
script. Does that make sense? So anyway, the whole conversation here,
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like the two of them go back and forth, and I love this.
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He swings at Loofy with that fucking sword and uh, this thing is so
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crazy looking. I don't know what it is made out of. I have
32:31
to assume it's all foam. But uh, he says to Lufy as he
32:38
swings at him and stops a like millimeter before his throat. Could you have
32:44
used Nami so effectively? And Lufy says, use, And he puts his
32:51
hand directly on the blade and starts to bleed as he's holding it in place,
32:58
and yanks it out of our long hand and says, Nami isn't some
33:01
tool to be used. She's a person with wants and dreams of her own
33:07
own, and you took those away from her. You're no better than that
33:10
axe hand guy or that fake butler or anyone else who tries to hurt other
33:15
people. So I'm just gonna kick your ass like I did theirs, because
33:22
no one messes with my friends, which is a line that they used in
33:24
the trailer. And I think that he breaks that weapon. I I like
33:31
there was a look to it when he you know, pulled it away from
33:36
Arlong's grip, like it had snapped, but I'm not positive if that happened.
33:40
But yeah, so we have the two of them fighting. I'm not
33:45
gonna do a blow by blow of their fight because it's just so it's a
33:51
real similar situation of like Loofy having to realize that the way he fights regular
33:59
people is not how he can approach things with Arlong, Like Arlong is working
34:02
with a completely different set of skills, and Loofy eventually decides that he is
34:07
going to start attacking the actual building, which I like that Arlonge reacts so
34:16
strongly to the destruction of the building. I feel like, under other circumstances,
34:23
this might seem a little bit goofy, but all things considered, it
34:28
kind of hits for me at this point, so I like it. So
34:32
we go back of course, to Ousap, who is cowering behind a fallen
34:38
log while he's getting shot at I've put in quotation marks by fish lips.
34:44
He stands up just for a second to try and be like, oh,
34:46
I'm gonna you know, I'll get you now, and gets knocked down immediately.
34:52
We go back to Soanji and Zorro, and Zoro's struggling with his wound,
35:00
and Sonji says, you look tired, maybe you should take a break,
35:04
which I'm genuinely like, sanjy, babe, he is injured. There's
35:10
no need to be a total asshole about it, but you know it's fine.
35:16
And oh my god, the like flip around that he does, it's
35:23
really fun to watch. I would have loved to see. I'm sure that
35:27
there's a place to find this. I've just been watching. I've been avoiding
35:30
watching anything because spoilers, obviously, but I would really like to see the
35:37
footage of them like on wires for these different scenes, because I bet that's
35:42
really really fun to see. And of course they're each arguing about which one
35:47
of them is the most valuable to Loofy and Buggy from the Bag is saying,
35:54
oooh, someone's feeling threatened. Get me back to my body where close
36:00
I can feel my toes. I can help you guys win this thing.
36:06
And they indeed let his head out of the bag. He goes to his
36:09
body and escapes from the bindings there and then jumps down, smiles at them,
36:19
gives them the finger, and then says, hey, so I'm gonna
36:25
get out of here, and flees. I love to make things I'd love
36:31
to make things right, but it's time to exit stage left. And that's
36:37
it for Buggy. And this is a pretty great exit for him. I
36:42
mean, there is everything about this is in character totally. Ryan s says
36:52
it was a serious moment, but I laughed out loud when he said fake
36:54
butler. Em Hans says he shatters it in the manga. Here he just
36:59
breaks. Not as impressive, but harder to do in live action. That's
37:02
true, Michael says, if you're being compared to a fake butler, you
37:06
should really re examine your life choices. Yeah, there are some things that
37:09
when somebody accuses you of a thing, you just want to stop for a
37:13
second and be like, oh no, you know. Every now and then
37:16
there's a particular h so we have fish Lips, who is still in pursuit,
37:25
and Oosup, who is down, is bloody like concerning, and I'm
37:34
watching this like, wow, he really was more injured than I thought he
37:38
would be. And fish Lips assumes that Oosup is dead. But it's ketchup.
37:45
I had forgotten the ketchup trick, you guys, totally forgotten. So
37:52
he stands up and says, neck flaps, what are you doing. You
37:55
haven't even tried my hot sauce. Well, my skin is tougher than bullets,
38:04
so that won't matter. Maybe you should try one of my fire rounds.
38:08
I'm a fishman. I don't catch fire. Maybe you don't, but
38:15
alcohol does. And he shoots it right into the bottle. And this dude,
38:23
the way this flame goes up, it's again, you guys, it's
38:31
not really well done. I like, I almost like it better because of
38:37
how jankie it looks. But it's so obvious that that we just like cut
38:45
to somebody like a model of a person, like a dummy, standing over
38:52
a flame that's coming up out of the ground. Like the whole way this
38:59
angle is done and everything it's not right. It doesn't look like what allegedly
39:06
is supposed to be happening is what's actually happening. It doesn't matter in the
39:12
grand scheme of things, but it just makes me kind of go, like,
39:16
it's really weird that y'all are are excellent when it comes to like handling
39:22
our martial artists on wires and stuff, and you can't seem to nail the
39:27
fire aspects of things. Considering how much this is Usup's primary weapon, I
39:35
want them to get this down a little bit better because Oosup is a bit
39:40
of a joke in general a lot of the time. So when he has
39:45
his little victories, I want them to feel real, you know what I
39:49
mean. I really want those to have like an impact. And it's just
39:52
really hard, like I wish that I was able to cap because it's so
39:59
so quick. But the moment where he gets lit up, if you watch
40:06
that and really really watch it, you'll see what I'm talking about. There's
40:09
also when he says, maybe you don't, but alcohol does. There's too
40:15
long a pause between when Usup says that and when he actually fires. If
40:22
this amount of time had really passed, the fishermen would have registered what he
40:27
meant and would have dropped the bottle but you know, so like it's just
40:34
the whole moment. I really really like this part of the arc. I'm
40:37
glad that they like went through and did the whole thing, but there are
40:45
just some things with the effects and the timing of it that I feel like
40:47
undermine it a little bit. Eventually, though, Usup goes back to his
40:52
friends and is like, al right, guys, I'm here to save you.
40:55
And then he sees that they've taken care of like fifteen dudes all by
40:59
themselves, so arlong and loofy fight. Sanji and Zoro are still continuing to
41:07
fight. I love that. Uh, the moment where Sanji goes up against
41:15
this like really the big dude with like the bunny ears he is. This
41:20
guy is so enormous. He says Nami is a fool to have her faith
41:27
in such weak compatriots, and Sanji says, you don't ever bad mouth gna
41:36
me, and Zoro just says, now you've done it. Oh. There's
41:45
something about Zorro's delivery of that line that I found really fun, Like he
41:51
manages to really nail the sincerity of like, oh, buddy, you shouldn't
41:55
have said that with like I can't believe this is the shit that sets this
41:59
guy off, and it's just a perfect like pitch for that that line delivery.
42:06
But yeah, so Sanji does these kicks where this guy doesn't go flying
42:12
like a lot of the others did, but every kick seems to sort of
42:15
dent him in a way that previously he had just caught Sanji's ankle with his
42:22
hand and stopped him dead. That does not happen this time, And I
42:30
really like that. We have a callback of Zoro being like Mutan Shat and
42:36
he says all the great fighters call out their finishing moves, and Zoro looking
42:42
at him for a moment and then saying, yeah, you're gonna fit in
42:44
just fine, And there's like so much begrudging admiration, you know, I
42:51
think, the not admiration in the fact that he is doing that, but
42:53
admiration in the fact that, wow, you really align with Loofy in a
42:57
way that I kind of wish I I did or understood myself, you know.
43:04
And then Nami comes running out, and I love Sanji opening his arms
43:07
so excited to see her, and she just flies right the fuck past him
43:13
into Zorro and oosop, which makes sense because she doesn't fucking know Sanji like,
43:19
you know, and he manages to look so hurt and like trying to
43:23
to sort of maintain his cool even though he got cut dead. And while
43:31
they are all standing there, the building our lungs, like whole tower there
43:37
is beginning to shake, and they're like, do you think that Lufy's all
43:40
right in there? And the place goes down and they are all like,
43:49
oh god, is he okay? Like it really doesn't look as if Lufy
43:53
is going to survive this, you know. And then of course, out
43:58
of the top of the pile of rubble he busts out and he like it
44:05
explodes upward like he was jumped on a trampoline, and he yells, Nami,
44:13
you are our friend, We are your crew, and I love it.
44:19
Sanji just starts laughing and it's so genuine, like it really, I
44:23
just love it. I love this moment, and Louvy himself starts laughing,
44:30
and pretty soon kind of everybody is sort of like even Zoro is going,
44:36
well shit and has that like kind of smirk on his face, like this
44:39
fucking guy, and it's really sweet. I really really liked this. There
44:45
are times where a script calls for everybody to laugh and it will feel very
44:52
unnatural, and I really believed it with this scene, and that's tough to
44:57
pull off, you know. I just want to mention too, like Nomme's
45:01
clothes, she's wearing that like green cloud top for most of that, and
45:07
then when we transfer to the next scene, she's wearing a yellow like checkered
45:14
I guess you would say her yellow plaid dress. And I'm pretty sure that's
45:16
accurate to the the anime. And I really am excited now that I'm like
45:24
fully through and spoiled that I could probably watch some like side by side comparisons
45:32
of the show, the live action and the anime. Now, I'm not
45:37
gonna go look for them, because I am sure that there are some out
45:40
there that contains spoilers for things beyond where the live action is at. But
45:46
if anybody who's listening to this wants to share a particularly good like YouTube or
45:52
TikTok that does side by side comparisons of a lot of moments, I eat
45:57
that shit up, So feel free to drop it in the Discord channel and
46:01
let me know about it. So we have Sanji hitting on Nami's sister,
46:09
unsuccessfully giving Zoro a hard time because he came back for seconds, and I
46:17
love it. Must have liked it. If you're coming back for seconds,
46:21
it was fine. That empty plates is different. Well, I have to
46:24
keep my strength up even with your cooking and these two. There is a
46:32
really nice dynamic here. I like it. I cannot wait to see more
46:37
of this. Of course, USAP is telling everybody the story of how he
46:43
defeated Arlong all by himself, even though Lufi is standing right there. It's
46:49
so wild to me that USAP feels fine with like just flat out fucking lying
46:58
and taking the credit. It's, of course fine because it's loofy. So
47:01
he's just like, yeah, three cheers for Captain Ousap. But anybody other
47:07
than movie would be like, really the you know what I mean? Em
47:15
Han says another nitpick, The guy playing Sanji is too charismatic. The comedy
47:20
of Sanji in the manga was that he's a really good looking and smooth guy
47:23
until he encounters a woman, in which case he becomes a ridiculously corny tryhard
47:29
and so he repels women instead. When I see this Sanji deliver his flirty
47:34
lines. I don't know how women aren't falling at his feet, no real
47:37
good way to do the super goofy faces of the manga and anime. I
47:40
guess no, see, this is the difference between us em Han because I
47:45
find Sanji really really fine and hot until he does the hitting on and then
47:50
I'm like, ah, dude, stop it. Like I am repelled by
47:52
it. When he's like flirting with Nami when she's ordering a drink and he's
47:59
like winking at her and just being like something sweet for someone sweet, It's
48:06
awful, Like I hate it so much, the line with her sister and
48:09
being like I could arrange for some private lessons. You're just like, dude,
48:14
No, Like, I definitely see him as charismatic in general, but
48:21
he lays it on way too thick every time there's a woman. I feel
48:24
like he hits a really good note for like smarmy instead of being so over
48:30
the top goofy as he is in the manga, which I don't know how
48:32
that really would have translated. Just turning almost oily and gross kind of accomplishes
48:39
the same thing to me. So like, I definitely get what you're saying,
48:45
and I'm sure that there are some women who would be like very into
48:50
the way he's flirting. So it may not be quite over the top enough,
48:53
but for me, I cringe so bad, Like I hate it.
48:59
I hate it so much. The wink, the wink is so awful.
49:01
I just every time I think of that, I'm like, but anyway,
49:07
so yeah, three cheers for Captain Usop. We couldn't have done it without
49:10
him. Everybody starts cheering and oos up is just so gratified. This is
49:15
what he wanted. This is everything you know. It's so cute, and
49:20
then it gets ruined because the Marines turn up and fucking Garp he orders.
49:31
This is so like, I can't I don't remember anything about the way this
49:37
winds up going when we finally meet Garp, but I know that the scene
49:40
is like invented. We've got Kobe and he directly defies Garp and is like,
49:54
you have to go and retrieve Loofy and arrest him because of the distres
50:00
he committed in him being a pirate, and Kobe straight up says no,
50:05
he was not in the wrong. He saved Cocoa Village, he like,
50:09
and he's like, you have your orders, and Kobe stands by it and
50:13
says Noope, won't do it, and he says, you know what the
50:19
punishment is for like disobeying orders, and Kobe says, I disagree with the
50:23
order, and then here comes Helmepa being like, yeh, me too,
50:31
Yeah, I don't think this is right either, and I was like a
50:37
word. I didn't think Howmepa was going to like show a spine within this
50:44
season. I kind of thought that I might take a little bit longer,
50:45
but I like it. I'm fine with it, And ultimately what it turns
50:53
out this is is a test for Kobe because he Garp wants people who do
51:04
the right thing and do not just follow orders. But of course at this
51:07
time it doesn't look good, and I like too that he specifically turns to
51:13
everybody else and is like, does anybody else want to throw in with these
51:15
two? Giving all of them an opportunity to do the right thing, But
51:20
they think what He's looking for is obedient, so nobody else speaks up,
51:23
which basically just solidifies as assertion later that like, most people just do what
51:29
they're told, and that's not what I'm looking for. So this is when
51:37
Garb says, Loufy, last chance, give it up, And then when
51:43
he says, show me what you got. Loufy goes to punch him,
51:47
he dodges, and then he punches Loofy and Lufy goes flying like thirty feet.
51:57
I love this. I don't want to fight you. Grandpa been fighting
52:00
me your entire life. And they go back and forth, exchanging these blows.
52:06
Garp is in this immaculate white suit the whole time, which like is
52:12
setting a perfect tone against the backdrop of this charred, destroyed village. It's
52:19
it's a combo of him visually just standing out, but also the practical aspect
52:23
of there is no way you should be able to wear white in these surroundings
52:29
and still look as put together as you do. Lufy is getting thrown into
52:34
ash and debris all over the place, so he looks like hell because he's
52:40
covered in dirt. He's rolling on the ground. But this dude is out
52:45
here just fucking immaculate. It's just really something. So this is when Loofy
52:54
decides he's gonna do gum gum rocket and he's really gonna make a stand,
53:00
and he goes flying at his grandfather, who punches him while he's in mid
53:06
air. You really think this is like the final victory blow. It is
53:10
not It is just so embarrassing, and Garp is like, you don't get
53:17
what the fucking world is. The Grand Line isn't a child's game, and
53:22
he's got Loofy by the throat, and Luphy says, I'm not giving up
53:27
on my dream. I am going to the Grand Line and I will find
53:31
the one piece. And there's a long pause as he starts laughing, looking
53:37
down at his grandfather, and we have the flashback to gold Roger and the
53:43
way he was laughing, and Garp lets go of him and looks around and
53:50
at the sky and starts laughing himself, and it's just like, well,
53:55
then I have to mention too. Like again his crouched on the ground,
54:00
just covered in debris, and Garp is still absolutely spotless. He's wearing as
54:08
like with this white suit a black shirt with like an aqua tie for the
54:14
marine colors. It's a great look. I love it so much. And
54:20
then he's like, all right, guys, go and ar rest arlongskys.
54:23
There's still a lot of them around, so go take care of them,
54:27
and just sort of like leaves the situation for now. The corrupt rat face
54:35
comes forward and is like, well, what about these straw hats? And
54:37
as he's in the middle of like whining about them, Nami comes up behind
54:43
him and smashes him in the back of the head with her staff. And
54:46
I had forgotten that was, like, I think that's how it goes in
54:50
the MAGA, because I think I remember him like wishing a little bit that
54:54
she was the one to finish our along off and being kind of unsatisfied with
55:00
the fact that it's only this dude that she manages to help take down.
55:04
But anyway, so this is when Garp turns to Loovi and is like,
55:10
I needed to make sure that you were really fucking committed, and Lufy is
55:15
like, you were testing me, couldn't you have gone a little bit easier?
55:19
And Garp says, where's the fun in that? He is correct,
55:22
That's the point of a test is that it's possible that you will fail it.
55:28
That's the uh, you know, that's the whole thing. And Garp
55:32
takes Loofy by the shoulders and says to him, you're on your own now,
55:37
and of course Lufy has to do the no, I'm not. And
55:43
I'm wondering if this signals that the Marines won't be such a thing, or
55:47
at least Garp and Kobe won't be such a thing in the second season,
55:53
but I have to assume they will be. I would guess that they probably
55:58
have contracts that would include them, so we'll see how that goes. But
56:00
the way that he says, you're on your own now, if I were
56:05
reading this in a book, I would think this would be the last time
56:07
I'd see him for quite a while. I'd assume he'd come back eventually,
56:10
but you know, so then we have a scene with Nami who is sitting
56:15
by her mother's grave and talking to her about going off on adventures and wishing
56:24
that she understood way back when all of the things that her mother sacrificed,
56:30
and I just really this touched me a lot, because this is just the
56:36
truth of growing older. You have issues with people. And it's not to
56:40
say that you don't grow up and also realize people were shittier than you realized,
56:44
But there are a lot of times where you understand that you had a
56:46
very childish understanding of their motivations or their concerns, and once you get old
56:52
enough to sort of look back, you go, oh my god, they
56:54
were giving up a lot, or they were very rightful, worried about me,
57:00
or you know whatever, and you wish that you could go back in
57:05
time and talk to your younger self and be like, you've got to stop
57:08
giving them such a hard time. They are doing their best, you know.
57:14
And I really want to mention here, and I'm this is going to
57:16
like be something that I'm I'm going to couch in a kind of language that
57:22
I hope gets my point across, because I feel like what I'm saying could
57:27
sound like body shaming, and that's the opposite of what I'm trying to do
57:31
here. It's a difficult thing because of course talking about Nami's figure when I
57:39
haven't talked a lot about the other guys, well Zoro's I guess, and
57:43
a little bit of songic, but you know what I'm saying. But there's
57:45
a reason why, because women have been under a particular microscope in this respect,
57:50
and I have grown up with that kind of trauma at the forefront of
57:53
my experience as a woman. So Nam is so strong looking like, she
58:05
looks healthy, She looks like somebody who was on a farm and has muscle
58:10
mass and is just like you know, what I'm saying, and I just
58:16
every time I see her in any outfit on this show, it like makes
58:22
me stop and realize how fucked up my perception of women's figures is. Like
58:31
Nami would have been considered too fat for television very very recent like you know,
58:39
talking like ten fifteen years ago, she would have been seen as too
58:44
fat, which look at her like that's asinine, but it's a fact.
58:50
Anybody above a size four was pretty much not allowed. And I'm gonna put
58:53
Nami at maybe a six, I would say, like an eight in pants,
58:59
because that girls a mass on her and that it's so absolutely unforgivable that
59:07
topping out at an eight is like wow, how impressive that she's on screen
59:14
at all and she isn't hidden away like some kind of freak. But honestly,
59:19
you guys, there have been a lot of things surfacing lately, like
59:23
headlines from the nineties that were body shaming women that you see it with the
59:29
eyes of today, where our standards for bodies have changed a lot, and
59:34
they always do, like our evolution on what we consider peak beauty is different
59:40
in all decades, Like there's always a different look that is very popular,
59:45
right now we're in a super super curvaceous period, which means that the like
59:52
boobless, hipless look of the nineties looks so so extreme now. And there
1:00:02
was like a thing that was circulating of Mariah Carey and she must be a
1:00:07
size two and the headline was Mariah Carey's porky pins. You can google this,
1:00:15
I'm sure it will come up. You would never believe that this was
1:00:20
a picture that they were using to body shame a woman for being too fat
1:00:23
if you didn't see it in print. It's absolutely beyond belief. So every
1:00:29
time I sort of stop and think, God, non me is really really
1:00:34
pretty and like feels very strong, and why is that so noticeable to me?
1:00:39
Why am I so aware of it? I then have to sort of
1:00:45
like stop and go oh, because we're often shown very exceedingly slender women that
1:00:54
I think of that as being the norm. And so she stands out when
1:01:00
you know, like, really, it's not like that body type. Isn't
1:01:05
a body type that's valid and exists, But when it's all you're allowed to
1:01:08
put on camera, it has an effect. And her sister joins her and
1:01:16
tells her about how proud she is of her and if there's ever a time
1:01:21
where she wants to come home again, She's always got a place, you
1:01:24
know. And then Kobe comes to visit Loofy. It's great. I love
1:01:31
this. Lufy is eating a tangerine and Kobe says, I'm not here as
1:01:36
a marine. Lufy, I'm here as your friend and presents him with his
1:01:40
wonted poster Nazumi's last act of revenge and it's a hundred million berries I think,
1:01:51
or a million I don't remember. Hold on, I'm going to see.
1:01:53
It's the highest bounty in the East. Blue Lufy is so psyched his
1:02:00
acting in this, with how thrilled he is this it's just a kid on
1:02:05
Christmas morning, Like he is nailing it. It's so great. I love
1:02:08
it. And he gives Kobe this big hug and yeah, they have their
1:02:15
goodbyes. It's just very sweet. I love the actor place Kobe, and
1:02:22
I was just very happy for Loofy. Here we jump ahead to Sangi,
1:02:28
who is so pleased that the or not Sanjy sorry us up. The back
1:02:34
of his head is on the poster, so he considers himself also like a
1:02:37
part of this. Sorry guys, maybe if you work a little harder,
1:02:42
you'll get a bounty too, and Zorro's like, dude, that's gonna mean
1:02:50
everybody's gunning for you. And I love how much us Up changes his tune.
1:02:53
He's been chortling until it's mentioned, like yeah, this is gonna mean
1:02:59
you have to fight more in the suddenly like oh, maybe I don't love
1:03:01
this, and Louvie says, well, it's a good thing we're not staying
1:03:05
in the East Blue. Then we're going to the Grand Line, and we
1:03:12
get a little series of you know, different people who have gotten the newspaper
1:03:16
we have that it's not a pelican, is it an albatross? I think
1:03:21
that delivers the papers back in Lufy's like hometown, and you know everybody is
1:03:27
seeing this. It's the woman who runs the bar there. And then we
1:03:31
have us Up's girl whose name I can literally never remember, and hers seeing
1:03:37
this, and then we've got Zeph finding it and Zeph's hat. I don't
1:03:45
know if we just hadn't seen Zeph's hat in the show at all, or
1:03:50
if I had not noticed because so much else was happening, But it's the
1:03:52
three foot tall chef hat, and it's great. I love it, but
1:03:57
yeah, Zeph pins it up and like he's got it in like the central
1:04:02
area of the kitchen, and I was like, that is such a weird
1:04:05
thing to do, but also I like it. And then a great bit
1:04:10
it's thirty million berries, that's what it is, Buggy peeling Lufy's face off
1:04:15
of because like his poster got put over Buggy's poster, and he says,
1:04:21
I'll kill the little shit myself, which you could think is just for the
1:04:26
berry, but it really feels like it's an insult that Lufy has outpaced him.
1:04:30
And then Alvida from the corner says if you don't, then I will,
1:04:35
and she raises a glass to him, and I was like, oh,
1:04:39
Alvida's back. I was really glad. I want more of her.
1:04:43
She was underused, and I really kind of hope that they don't do the
1:04:45
thing with her where she eats the berry or the devil fruit that makes her
1:04:51
like skinny, because I want this Alvida. Come on, let's just let
1:04:57
a fat girl have her time, you know. So yeah, Garp is
1:05:03
like, I guess there is some of me and him after all, and
1:05:08
Kobe comes in as the whole I don't regret my actions and Garp being like,
1:05:12
yeah, you guys are going to get direct training for me now,
1:05:15
so I hope you're ready because I am going to whip your fucking asses.
1:05:19
We have Shanks who he gets visited by uh me Hawk and gets presented with
1:05:32
this news. It's a fun little scene. He's really hungover, so he's
1:05:38
like, Mehawk, I don't want to do this right now. Man,
1:05:42
I'm just recovering. But Mehawk says, you're not even half the man you
1:05:45
used to be. Shanks says I could take you, and he says and
1:05:51
with one arm tuck behind my back, and then he just starts cracking up,
1:05:56
and so do all his men. But yeah, Meehawk is thevering the
1:06:00
paper and everybody is so pleased and just you know, throwing a party to
1:06:06
celebrate mi Haawk. When he's like this, calls for a drink. I
1:06:12
thought you were hungover, And when they ask him, don't you want to
1:06:15
stay and have some, he does one of those indulgent like I'll do you
1:06:19
a favor by staying, even though clearly this is the guy who needs some
1:06:25
friends, Like we get it you're a lone wolf, but also have some
1:06:28
have some friends and some drinks. We go to the Going Mary and they
1:06:34
have the tangerine trees on the ship, which is lovely. I'm really glad
1:06:39
that they kept that. And uh, then we've got the beginnings of we
1:06:45
have the reveal of the sigil I guess the Jolly Roger, and once again
1:06:56
Lufy's reaction to this in the nation, with his reaction to finding out that
1:07:01
he is like the most wanted man in the East Blue. He is so
1:07:09
overwhelmed. I just loved it the whole way he played this. And Nami
1:07:15
is looking at the map of how to get to the Grand Line and she's
1:07:17
like, the river looks like it's going up a mountain, which is not
1:07:20
how anything works. So I kind of think somebody drew this wrong. And
1:07:27
Lufy basically is like, we'll worry about that when we get there, so
1:07:30
let's just take it one thing at a time for right now. Then we
1:07:36
go to Sanji and he's like, all right, we have to have a
1:07:43
cast off ceremony, and he pulls out a barrel. I had no idea
1:07:45
what this was referencing, and I don't know if this is a common thing.
1:07:49
I don't I feel like this happened in the anime, and I had
1:07:51
a similar question then. But they do they like, I'm gonna put my
1:07:57
foot up on the barrel and I'm gonna pledge what my desire is, my
1:08:00
dream, you know. So they each do it, They each put their
1:08:02
foot up, and it's a uh, you know, a moment of unity
1:08:11
with the group, and it's cute. It's just weird because I've never seen
1:08:15
it done with feet this way. So yeah, Lufy thrusts his fist in
1:08:21
the air and says, We're gonna find the grand line and nothing is going
1:08:25
to stand in our way. We then get the end credit title credit of
1:08:31
like the one Piece coming at Us and going past. But we've got a
1:08:36
military march that begins to play, and a smoky room and a man who
1:08:43
is smoking two cigars and he uses one to burn Lufy's face out of his
1:08:51
his wonted poster in a very dramatic So yeah, we've got Captain Smoker on
1:08:57
deck, guys, And I'm really really interested to see this is like his
1:09:01
back is to the camera. I am going to assume that they haven't actually
1:09:06
cast him yet, so they just picked somebody to wear a wig and they're
1:09:09
gonna, you know, but I'm excited that he is here, and you
1:09:14
guys know how much I enjoy him as a character. So, oh my
1:09:17
god, there's so much in the chat. I am so sorry, guys,
1:09:20
but I'm not gonna be able to go over all of it because I'm
1:09:24
over time already. Ps. Michael says, I like being able to see
1:09:30
Lufy's hat reflected in your glasses. Oh that's funny. That's nice. Yeah,
1:09:34
I like that too. Em Hans says Usup's resolution seemed a little weak
1:09:39
and out of place. Yes, I definitely agree with that. I feel
1:09:44
like Oosup is the one they know how to handle the least, you know,
1:09:47
he and he is kind of a he's a little tricky, you know.
1:09:51
So yeah, I mean, you guys know, it took a little
1:09:54
while for him to really grow on me, and now I love him.
1:09:58
But there was so a bit there where I was kind of like, is
1:10:00
this guy only comic relief? But he's not enough comic relief to really I
1:10:06
don't know. But anyway, all right, I gotta wrap up. Thank
1:10:10
you guys again for joining me. Appreciate you all so much. Thank you
1:10:13
Gabby for commissioning this and hope you all enjoyed the coverage. Until next time
1:10:17
to the Loo motherfuckers. That was an unspoiled network podcast.