Latest / The Breakfast Club / INTERVIEW: Cam'ron Talks Petty Moments, Pink Horse Power, Paid In Full, Peace Of Mind + More

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INTERVIEW: Cam'ron Talks Petty Moments, Pink Horse Power, Paid In Full, Peace Of Mind + More · The Breakfast Club

• 0:01
  Speaker 1: Every day a week ago.
• 0:03
  Speaker 2: Click your ass up the Breakfast Club.
• 0:05
  Speaker 1: Y'all done morning, everybody's the j n Vy Jess hilarious,
• 0:10
  Speaker 1: Charlamagne the God we are the Breakfast Club. Law La
• 0:12
  Speaker 1: Ros is here as well. We got a special guest
• 0:15
  Speaker 1: in the building.
• 0:16
  Speaker 2: One of the most hustling motherfuckers ever met in my life.
• 0:18
  Speaker 1: Ladies and gentlemen, Killer can how y'all been?
• 0:22
  Speaker 3: Good morning? Everybody? How you're done? How you feeling?
• 0:24
  Speaker 4: Man?
• 0:24
  Speaker 3: Regular man? Get to be back and been.
• 0:26
  Speaker 1: Up here in a little minute before we before we
• 0:27
  Speaker 1: go anywhere, I just gotta ask one question, Yeah, are
• 0:30
  Speaker 1: you gonna do another project?
• 0:31
  Speaker 4: Man?
• 0:31
  Speaker 1: Because you you play too much. You rap and then
• 0:34
  Speaker 1: you stop, then you spit, then you stop, then somebody
• 0:36
  Speaker 1: pisses you off and you wrap him like killer still
• 0:38
  Speaker 1: got it? Just do a project?
• 0:40
  Speaker 3: Killers, like for what? No?
• 0:46
  Speaker 4: Now? Of course you know you my brother, I appreciate that,
• 0:48
  Speaker 4: but it don't be making financial sense. Like if I'm
• 0:50
  Speaker 4: gonna do a project, you're gonna get merchandise behind it.
• 0:53
  Speaker 4: It's gonna be toll behind it everything else. But you know,
• 0:57
  Speaker 4: I do the freestyles on my show and here and there,
• 1:00
  Speaker 4: but as far as doing an actual project, and don't
• 1:02
  Speaker 4: be making financial sense for me. Like you see niggas
• 1:05
  Speaker 4: be rapping my age. It's only a few niggas who
• 1:07
  Speaker 4: could really go on tour. Who's my age? Niggas be
• 1:10
  Speaker 4: just thinking in their brain they're doing a lot, but
• 1:13
  Speaker 4: they're not really doing what they think they're doing, because
• 1:16
  Speaker 4: when you like, for me, I was on tour up
• 1:18
  Speaker 4: until twenty twenty with Covid Hit. I was on tour
• 1:22
  Speaker 4: and I just didn't go back on tour after that.
• 1:25
  Speaker 4: But every tour I had something lined up, not just
• 1:28
  Speaker 4: the show. It was shipped behind it. You know what
• 1:29
  Speaker 4: I'm saying, Yeah, it was shipped behind it. But I
• 1:33
  Speaker 4: keep the freese out far doing the album albums to
• 1:35
  Speaker 4: be last time, Like a great album is like two weeks,
• 1:39
  Speaker 4: you know what I'm saying, Like that's I'm talking about
• 1:41
  Speaker 4: a great one last two three weeks.
• 1:43
  Speaker 3: That's just don't last.
• 1:44
  Speaker 2: But eve like an EP just you and.
• 1:47
  Speaker 4: Look look Me and Mace got some now, I would
• 1:51
  Speaker 4: do that. Me and Ma's got like nineteen records. Wow,
• 1:54
  Speaker 4: but I can't put them out like like I feel
• 1:57
  Speaker 4: like my hands is tied with this nigga. He'll getting
• 1:59
  Speaker 4: them mood and he'd be like, we're gonna come out,
• 2:01
  Speaker 4: and then they'll be like, nah, just wait and it
• 2:03
  Speaker 4: don't come out. I could play for y'all with nobody listening.
• 2:06
  Speaker 4: The world ain't listening. But Mace is really, really nice.
• 2:12
  Speaker 3: I don't know. I can't tell you.
• 2:13
  Speaker 4: I'm like, he's like, he gets in the mood and
• 2:16
  Speaker 4: we're gonna do ship, and then he'd be like, we're
• 2:18
  Speaker 4: not gonna do ship, and what we got going on
• 2:21
  Speaker 4: now is too good to even question it.
• 2:23
  Speaker 3: You know what I'm saying.
• 2:24
  Speaker 1: So got the worst two slick talkers out there.
• 2:26
  Speaker 3: Work with them, but on some ship. Because y'all hear
• 2:29
  Speaker 3: me do the free staption.
• 2:30
  Speaker 4: Mace is like dumb nice, get busy like now I'm
• 2:33
  Speaker 4: talking about you know you ain't hear really rapping along
• 2:35
  Speaker 4: that nigga is nice, nice, like a real real problem.
• 2:38
  Speaker 4: I don't want to say he's better than me. I
• 2:40
  Speaker 4: wouldn't say that he's right underneath.
• 2:44
  Speaker 3: Spent on.
• 2:44
  Speaker 2: It is what it is.
• 2:45
  Speaker 4: I forced him dude out like two much for that
• 2:48
  Speaker 4: to happen. But but do you know what the problem
• 2:50
  Speaker 4: is for me? He sends me the ship. Well, I
• 2:53
  Speaker 4: told him just stop sending me ship. My nigga because
• 2:55
  Speaker 4: I'm getting frustrated he do. I think he do this
• 2:56
  Speaker 4: ship to tease me, to be honest with you, can't
• 2:59
  Speaker 4: listen to this, listen to this and the shit never
• 3:01
  Speaker 4: comes out. But I think he does it for therapy.
• 3:03
  Speaker 4: He makes too much other money besides what we do.
• 3:07
  Speaker 4: Mace makes a lot of money, and I think I
• 3:09
  Speaker 4: don't know. I don't want to say that, but music
• 3:12
  Speaker 4: isn't a priority. I wish it is.
• 3:14
  Speaker 5: I saw you tell Memphis Bleep that Mace told you
• 3:17
  Speaker 5: that if you and Joel was the music, or you
• 3:18
  Speaker 5: and him even do anything that y'all put out, it
• 3:20
  Speaker 5: has to be like a moment because of all of us,
• 3:22
  Speaker 5: would that moment if y're hypothetically speaking, if it did happen,
• 3:25
  Speaker 5: what would that moment be?
• 3:26
  Speaker 3: Is it a Mace?
• 3:29
  Speaker 4: Anything we do together like Mace, Like if we get
• 3:32
  Speaker 4: booked together. Mason moved for less than one hundred thousand
• 3:37
  Speaker 4: for him, and that's just being nice, Like he just
• 3:39
  Speaker 4: don't move. He do too much other shit to where
• 3:42
  Speaker 4: he's like Kim, if I'm not getting a hundred, I
• 3:44
  Speaker 4: don't even call him if it ain't like two hundred thousand,
• 3:48
  Speaker 4: because he doesn't he doesn't care, like he really doesn't
• 3:51
  Speaker 4: like what he got going on. He doesn't care about
• 3:54
  Speaker 4: doing anything else. So I'd be like, yo, mate, shall listen,
• 3:58
  Speaker 4: so and so on. The bookers for like one hundred
• 4:00
  Speaker 4: and twenty five thousands, like you wanna take twenty five?
• 4:02
  Speaker 4: And I'm like, He's like, Cam, You'll have to realize
• 4:08
  Speaker 4: it's some moment when we're together. We haven't been speaking
• 4:12
  Speaker 4: for twenty five for ten years, why would we take
• 4:15
  Speaker 4: that money. I'm like, Mace, it's just a look. It's
• 4:18
  Speaker 4: not a good look. So more of the story is
• 4:23
  Speaker 4: he basically says, we haven't been speaking for a while,
• 4:25
  Speaker 4: we're getting older. Everything that we need to do needs
• 4:28
  Speaker 4: to count. So kind of like when you heard me
• 4:31
  Speaker 4: say that with Juel's, same thing. Duelle's has sent me
• 4:35
  Speaker 4: to do a record, sent a record for me to
• 4:37
  Speaker 4: do probably five or six months, maybe longer than that,
• 4:41
  Speaker 4: and it was a good record, but it was like,
• 4:43
  Speaker 4: y'all be spectacled.
• 4:44
  Speaker 3: We didn't do a song in fifteen years. So that's
• 4:46
  Speaker 3: kind of what you got.
• 4:47
  Speaker 1: How did you and makes get back together? For people
• 4:48
  Speaker 1: that don't know, because there was y'all were going back
• 4:50
  Speaker 1: and forth for years and then.
• 4:52
  Speaker 4: Bill, Yeah, absolutely shot to Gillian Wallow. He went on
• 4:57
  Speaker 4: Gillian Wallow's show to I guess as artist was saying
• 5:01
  Speaker 4: that Mace was stealing from him or whatever, and when
• 5:05
  Speaker 4: he was up there, he just was like he basically
• 5:07
  Speaker 4: like shouting me out in the cool way. He's like,
• 5:10
  Speaker 4: cause you know, he did a disrecord and it was
• 5:12
  Speaker 4: kind of it was crazy. The oracle this to me,
• 5:15
  Speaker 4: He's I didn't really want to do that the camp
• 5:19
  Speaker 4: and I was like, but he said in the coolies, like,
• 5:21
  Speaker 4: Cam's my man. Then I went on Gillian Wallow and
• 5:24
  Speaker 4: then we talked and then when we spoke, we spoke
• 5:26
  Speaker 4: and we just kept it moving. But all because of
• 5:29
  Speaker 4: Gillian Wallow.
• 5:30
  Speaker 1: Basically click then how the show come together from there.
• 5:33
  Speaker 4: So the show actually came together. We were supposed to
• 5:36
  Speaker 4: do a tour after we got cool met him and Jada.
• 5:39
  Speaker 4: That didn't work out, And so many people were inviting
• 5:43
  Speaker 4: me to do podcasts, like yo, Cam, do a podcast.
• 5:45
  Speaker 4: When you're gonna do a podcast, and I'm like, I
• 5:49
  Speaker 4: don't really want to talk to niggas for a living,
• 5:51
  Speaker 4: you know what I'm saying, Like the cause like I
• 5:53
  Speaker 4: don't want to have to talk to nobody, but I
• 5:55
  Speaker 4: do like sports. So I look at the phone, I'm
• 5:59
  Speaker 4: arguing with nigg is the time I hang the phone up,
• 6:01
  Speaker 4: it's just say two and a half hours of me
• 6:04
  Speaker 4: arguing with a nigga about sports. So I was like,
• 6:06
  Speaker 4: maybe this is something I want to do. And I
• 6:09
  Speaker 4: built a stage. I got to say on stage, I
• 6:12
  Speaker 4: built my own set out, and I said I'm going
• 6:16
  Speaker 4: to do ESPN mester hood. So that's why we were
• 6:19
  Speaker 4: suits on the show. But it was a professional setting.
• 6:23
  Speaker 4: And then after that I invited Mace on the show
• 6:27
  Speaker 4: as a guest and he's like, hen, what's going on.
• 6:29
  Speaker 4: I'm said, I'm just shooting this shit. I saided, I
• 6:31
  Speaker 4: got a budget. I'm gonna reach this budget and see
• 6:34
  Speaker 4: if niggas bike pause and he's like, you want to
• 6:38
  Speaker 4: be partners. I'm like, after I get my money back
• 6:41
  Speaker 4: on what I spent weekuld go fifty to fifty and
• 6:43
  Speaker 4: he's like, all I bet. So we did about ten
• 6:45
  Speaker 4: shows and a bunch of people called. So we ended
• 6:47
  Speaker 4: up doing like thirty shows and ended up getting a
• 6:50
  Speaker 4: really good deal. But after I did like five shows,
• 6:53
  Speaker 4: he's like my fifth guests and he's like, be partners
• 6:56
  Speaker 4: because I have nobody consistent doing it anyway.
• 6:58
  Speaker 3: So that's how I came together.
• 6:59
  Speaker 2: I did y'all smoking shit.
• 7:00
  Speaker 4: Man.
• 7:01
  Speaker 6: I think everything that y'all done in the media space,
• 7:02
  Speaker 6: what it is, what it is, and then talk with
• 7:05
  Speaker 6: I think y'all smoking shit.
• 7:06
  Speaker 3: Nah, I appreciate that. Thank you, brother, I appreciate it. Man.
• 7:09
  Speaker 3: It's all natural. It's all fun and kind of me.
• 7:12
  Speaker 4: A MACE relationship is like just picking up because the
• 7:16
  Speaker 4: the shit we be talking about just regular high school
• 7:18
  Speaker 4: shit or shit after high school shit. You gotta realize
• 7:21
  Speaker 4: a lot of our public life was publicized. So Ma's
• 7:23
  Speaker 4: got his deal at twenty one. I got my deal
• 7:25
  Speaker 4: at twenty one. So a lot of shit y'all seen
• 7:28
  Speaker 4: music wise, it's been sincely twenty one years old.
• 7:31
  Speaker 6: And I also say, you know, if you whatever, but
• 7:32
  Speaker 6: thank you for that. If what you build only benefits you,
• 7:35
  Speaker 6: it's not big enough. I love the way that you've
• 7:36
  Speaker 6: empowered somebody like treasure, you know what I'm saying. And
• 7:39
  Speaker 6: I know you got you like a whole production team.
• 7:41
  Speaker 5: Then, and she has like a network or something for
• 7:43
  Speaker 5: her own where she can show up content.
• 7:44
  Speaker 3: Well, she has her own show.
• 7:46
  Speaker 4: It's called check Out the stat and whatever she wants
• 7:49
  Speaker 4: you to do, she's able to do. We don't hold
• 7:53
  Speaker 4: anybody out. We don't stop nobody from doing what they
• 7:55
  Speaker 4: could do, what they want to do. She's big in
• 7:58
  Speaker 4: the streaming world. You know, I'm really twitching and all that.
• 8:02
  Speaker 4: It's like she's big with Casanai and her boyfriend's a
• 8:05
  Speaker 4: streamer and everything else. But she just turned twenty four
• 8:08
  Speaker 4: years old. So it's really dope to have a dynamic
• 8:11
  Speaker 4: of her being on a show because we tease her
• 8:14
  Speaker 4: about shit she don't know and then should turn it
• 8:16
  Speaker 4: back on us, like, y'all niggas don't know this shit.
• 8:18
  Speaker 4: So it's good different generations being on the show. But
• 8:21
  Speaker 4: definitely she has a bunch of shit that she has
• 8:23
  Speaker 4: going on with her show.
• 8:24
  Speaker 5: It's called check out the step in the moment with
• 8:27
  Speaker 5: her you and Adrian Brauna that went viral. We had
• 8:30
  Speaker 5: a conversation about it up here, and when I watched
• 8:33
  Speaker 5: the moment, I was so appreciative of it, and I'm
• 8:36
  Speaker 5: not her just because I know what it's like to
• 8:38
  Speaker 5: not be able to like kind of say things or whatever.
• 8:40
  Speaker 5: When that went super vib when people were reacting to it,
• 8:43
  Speaker 5: how did you feel watching it because it was a
• 8:44
  Speaker 5: natural thing for you to just do.
• 8:46
  Speaker 4: I don't really watched the show, to be honest with you.
• 8:48
  Speaker 4: We do them shits five days a week and I
• 8:50
  Speaker 4: keep it moving, so I didn't really I never watched it.
• 8:53
  Speaker 4: But it's in the moment your accent, like, but in
• 8:56
  Speaker 4: the moment see a lot of things y'all didn't see.
• 8:59
  Speaker 4: We don't we don't go live. We pre record. So
• 9:02
  Speaker 4: I stopped the show like six seven times and asked
• 9:06
  Speaker 4: him to stop.
• 9:07
  Speaker 3: You know what I'm saying.
• 9:07
  Speaker 4: It wasn't like just once, it was like six seven times.
• 9:10
  Speaker 4: Because I know adream Brun. I have a relationship with him,
• 9:13
  Speaker 4: so I kept asking him to stop, and he was like, oh,
• 9:17
  Speaker 4: my bad, more my bad, bro, and he went and
• 9:19
  Speaker 4: stop and her boyfriend was there too, so I was like, yo, bro,
• 9:24
  Speaker 4: you gotta chill, and he's like, not killing my bad,
• 9:26
  Speaker 4: my bad, and he wasn't chilled.
• 9:27
  Speaker 3: So basically I just asked him to leave.
• 9:30
  Speaker 4: You know, I didn't really want it was some of
• 9:31
  Speaker 4: the parts that I wish would have got edited to
• 9:34
  Speaker 4: where when I came back and I was kind of
• 9:36
  Speaker 4: frustrated and I said some shit about him afterwards, which
• 9:39
  Speaker 4: I didn't want the air, but that was just pure frustration.
• 9:42
  Speaker 4: But in the moment, that's like my little sister, you
• 9:44
  Speaker 4: know what I'm saying. So at the end of the day,
• 9:47
  Speaker 4: if you keep doing that shit, you dispected her. And
• 9:49
  Speaker 4: then if I asked you to stop, you disrespected me.
• 9:52
  Speaker 4: So now you're really in my house and you disrespected me.
• 9:55
  Speaker 4: So I paid him for his time and asked him
• 9:57
  Speaker 4: to leave. Like I said, it ain't like he's a stranger.
• 9:59
  Speaker 4: I know who he and we got some mutual friends
• 10:01
  Speaker 4: as well, so but in the moment, it was just
• 10:03
  Speaker 4: disrespectful because it isn't like we asked you to stop
• 10:06
  Speaker 4: several times.
• 10:07
  Speaker 6: And he apologized and people were mad at you because
• 10:09
  Speaker 6: they was like, yo, you, I guess they caught you
• 10:11
  Speaker 6: saying something.
• 10:13
  Speaker 4: That's what I was talking about. I mean I was
• 10:15
  Speaker 4: saying that because when I sat back then, I was like,
• 10:19
  Speaker 4: I hate this thing. I don't really want to repeat
• 10:20
  Speaker 4: what I said. And He's like, basically, cam this and
• 10:23
  Speaker 4: and and there, why'd you Why did you say that?
• 10:25
  Speaker 4: It was purely out of frustration. That's like saying, if
• 10:28
  Speaker 4: y'all walked me out now and then you sit down,
• 10:31
  Speaker 4: you know, no, I didn't sit down for the edit,
• 10:33
  Speaker 4: and then you'd be like, Yo, this nigga, you know
• 10:35
  Speaker 4: what I'm saying. I said a little more than that,
• 10:37
  Speaker 4: but it's like that part should have been cut out.
• 10:39
  Speaker 4: But it wasn't about saying nothing to his face. I
• 10:41
  Speaker 4: said it to his face. I walked over to him
• 10:43
  Speaker 4: and actually escorted him out. It wasn't about a fighting
• 10:46
  Speaker 4: situation for me and nothing like that was just more
• 10:48
  Speaker 4: of a I think he was a little intoxicated and
• 10:52
  Speaker 4: he just needs to be escorted out.
• 10:54
  Speaker 3: It was un accountable, smart guy.
• 10:57
  Speaker 1: So any artist that comes up there that took your cold,
• 10:59
  Speaker 1: you're gonna pay hi out.
• 11:01
  Speaker 4: You think about it is I'm not going terms Crawford's
• 11:04
  Speaker 4: I'm not walking up on terms.
• 11:09
  Speaker 3: I'm not. But it's security there. It ain't just us
• 11:13
  Speaker 3: in there.
• 11:13
  Speaker 4: It was just other people in the that's outside the studio.
• 11:17
  Speaker 4: So it isn't just randomly me just putting niggas out.
• 11:20
  Speaker 4: But I feel me and him was cool enough.
• 11:21
  Speaker 3: For me to do.
• 11:22
  Speaker 6: And I'm glad you brought that pink horse power. Yeah yeah,
• 11:24
  Speaker 6: because I can't order it discreetly.
• 11:27
  Speaker 2: I don't think I'm glad that you brought it up here.
• 11:29
  Speaker 3: What is it?
• 11:30
  Speaker 1: I thought it was edible?
• 11:31
  Speaker 2: What is it to take one?
• 11:33
  Speaker 3: She could take one from man your time? So basically
• 11:38
  Speaker 3: the lover too.
• 11:39
  Speaker 1: By the way, you call it okay crazy.
• 11:47
  Speaker 2: Back in the day, woe.
• 11:50
  Speaker 4: Yeah, this is all natural today. Yeah, it's all naturalists
• 11:53
  Speaker 4: from Africa.
• 11:58
  Speaker 3: Africa. I'm gonna show you the video so you.
• 12:00
  Speaker 4: Can see exactly where I went to get it, because
• 12:02
  Speaker 4: the thing about it is this, So they have this
• 12:05
  Speaker 4: in the city, different places. But what happens is I
• 12:08
  Speaker 4: know people in Senegal and it comes in on the boat.
• 12:11
  Speaker 4: And what happens is when it's on the boat, they
• 12:13
  Speaker 4: water it down, they double or double down, so it's
• 12:16
  Speaker 4: more when it gets here. And basically I keep a
• 12:19
  Speaker 4: nigga on the boat for two months to watch our
• 12:22
  Speaker 4: stocks so that we make sure we have the highest
• 12:24
  Speaker 4: potency of it. But it's all natural leaves, roots, trees,
• 12:29
  Speaker 4: and we just got the best product.
• 12:31
  Speaker 3: It works.
• 12:32
  Speaker 4: We've been doing this for four years, probably made close
• 12:36
  Speaker 4: to ten million dollars on it, and it's been really
• 12:39
  Speaker 4: really good. My man sugar Dugger basically runs everything right
• 12:43
  Speaker 4: now with that shit. But it's been really well. And
• 12:45
  Speaker 4: the thing about we are reoccurring customers, Nigga's coming back.
• 12:48
  Speaker 4: I guarantee it, like Frank Lucas said, Nigga, I guarantee it, Nigga,
• 12:51
  Speaker 4: like it's really gonna work.
• 12:53
  Speaker 3: But Jess asks me how long? I said ten minutes.
• 12:57
  Speaker 4: I said, I wouldn't go do that and go to
• 12:59
  Speaker 4: the mall, hangout with you mom, nothing else to take
• 13:01
  Speaker 4: that when it's time to go and.
• 13:02
  Speaker 3: Work for leaf fast.
• 13:03
  Speaker 2: Don't make you be crazy.
• 13:05
  Speaker 3: No, everything is good, you see. I mean you know,
• 13:10
  Speaker 3: you know what.
• 13:12
  Speaker 1: That's a conversation you gonna have.
• 13:13
  Speaker 3: You gonna be honest with you.
• 13:14
  Speaker 4: Ill don't want to say too much because but that
• 13:16
  Speaker 4: has good health effects as well.
• 13:17
  Speaker 5: Yeah, I mean ginger gentsen, turmeric natural flay'all?
• 13:24
  Speaker 3: Do I grab.
• 13:28
  Speaker 4: And take one per day because some niggas drink the
• 13:31
  Speaker 4: whole time. Take one for the whole day.
• 13:34
  Speaker 3: You got.
• 13:37
  Speaker 1: You said they delivered you see. Yeah, it's like you
• 13:43
  Speaker 1: take take a.
• 13:45
  Speaker 3: Yeah, yeah.
• 13:50
  Speaker 1: That's what I got.
• 13:52
  Speaker 5: What conversations were you having where you were like, you
• 13:54
  Speaker 5: know what this what I'm bringing next with the pink
• 13:56
  Speaker 5: course power, Like who was your market study for this situation?
• 14:02
  Speaker 3: The pandemic.
• 14:03
  Speaker 4: That's when I saw it, Like I said, it was
• 14:04
  Speaker 4: on tour, nobody was doing shit but fucking at home.
• 14:08
  Speaker 4: And like I said, I knew somebody from Senegal who
• 14:12
  Speaker 4: actually brings it in and he was giving me something.
• 14:15
  Speaker 4: He's like, Cam, this is warded down. If you want
• 14:17
  Speaker 4: the highest potency, we could go to Senegal and I'm
• 14:20
  Speaker 4: like you seriously, I'm like, so I took the trip
• 14:24
  Speaker 4: and I've seen how niggas is manipulating it on the
• 14:26
  Speaker 4: boat and how because it's a lot of places who
• 14:29
  Speaker 4: say I got the shot or they be like I got, Kim,
• 14:30
  Speaker 4: what I got?
• 14:31
  Speaker 3: Cam? Shit, we got the same shit. No you don't.
• 14:34
  Speaker 3: You are getting it from the niggas. That's watering.
• 14:36
  Speaker 4: They damn bringing it over here and we're getting the
• 14:39
  Speaker 4: highest hope and see possible mask.
• 14:41
  Speaker 6: Because what was your favorite viral news network moment? Was
• 14:44
  Speaker 6: it the sixty minutes joint? Was it the Bill O'Reilly
• 14:47
  Speaker 6: or the CNN drinking pink horse power?
• 14:50
  Speaker 3: Seeing that?
• 14:51
  Speaker 4: Seeing Seeing then by far? Because first of all, like
• 14:55
  Speaker 4: Bill O'Reilly, I didn't know who. Bill O'Reilly was like,
• 15:00
  Speaker 4: I remember being a Rockefeller and they was like, Kim,
• 15:02
  Speaker 4: do you want to go Bill O'Reilly He's like big,
• 15:04
  Speaker 4: He's on Fox.
• 15:05
  Speaker 3: Y'all, y'all, I bet he's like, but I'm telling you can't.
• 15:09
  Speaker 4: He's like one of these niggas this you don't I'm
• 15:12
  Speaker 4: telling you don't know, and he gonna come at you.
• 15:14
  Speaker 3: Pause.
• 15:15
  Speaker 4: I'm like, good, let's figure it out. So I had
• 15:18
  Speaker 4: no idea who Bill O'Reilly was. I just went up
• 15:21
  Speaker 4: there and just debated the nigga, like fuck it, I
• 15:25
  Speaker 4: don't give a fuck. Sixty minutes, I was, manha, I ain't.
• 15:28
  Speaker 3: Gonna lie, I was, I was. I was super dupe,
• 15:30
  Speaker 3: behi you on sixty minutes, I was wild high and
• 15:35
  Speaker 3: pardon me. That was cool. But the CNA shit that
• 15:40
  Speaker 3: just passed.
• 15:41
  Speaker 4: They kept calling me and I'm like, yo, I'm cool,
• 15:43
  Speaker 4: and they was like, yo, it's gonna be a puff shin.
• 15:47
  Speaker 4: I'm like puffs, questions and all that, and I'm like, nah,
• 15:49
  Speaker 4: I don't want to do it. Then they said, well,
• 15:51
  Speaker 4: we'll talk about other things. So I was like, bet,
• 15:54
  Speaker 4: could we pre recorded? I'm like, absolutely not. It has
• 15:57
  Speaker 4: to be done live. So in case y'all trying renig
• 16:00
  Speaker 4: on what y'all said, I'm exposed a situation because I
• 16:03
  Speaker 4: told you I don't want to be up here answering
• 16:05
  Speaker 4: a bunch of puff questions, and when we got up there,
• 16:07
  Speaker 4: I said, I do want it too, but you kept
• 16:09
  Speaker 4: forcing the issue. I bet, let's do it Pink Horsepower commercial,
• 16:13
  Speaker 4: the whole shit. So that's how that went. But that
• 16:16
  Speaker 4: was my favorite one out of all I know.
• 16:17
  Speaker 2: Sales was crazy, crazy, crazy, and to.
• 16:20
  Speaker 4: Be honest with you, that's kind of how to be honest.
• 16:22
  Speaker 4: How it kind of catapults it because sugars running around,
• 16:26
  Speaker 4: you know, going hand in hand. But Gilly Show sales
• 16:31
  Speaker 4: went up four hundred percent. Then I did that part
• 16:34
  Speaker 4: of me Norwy show. When I did Drink Champs first
• 16:36
  Speaker 4: it went crazy. Then I did Gilly Show and it
• 16:39
  Speaker 4: went crazy, and that was another reason I started the podcast.
• 16:42
  Speaker 4: I'm like, I get you the commercial for this every
• 16:45
  Speaker 4: day on my own ship. Matter of fact, sugar, get
• 16:47
  Speaker 4: some more back up here. Yeah, so hopefully the sales
• 16:53
  Speaker 4: appeal a little better after doing you Guys show Man.
• 16:56
  Speaker 1: Now tell everybody Cam is one of the petties people
• 16:59
  Speaker 1: I know, right, Yeah, I said, between Cam and fifty,
• 17:02
  Speaker 1: they are the two pettiest people I've ever seen in
• 17:04
  Speaker 1: my life.
• 17:04
  Speaker 3: Trying to do better though, No, you're not what happened.
• 17:07
  Speaker 1: With Omar Gooding, So you trying to do better after
• 17:09
  Speaker 1: that happen.
• 17:11
  Speaker 4: See, niggas don't be knowing the best story. So like right,
• 17:14
  Speaker 4: Omar good and part of me again, Omar Gooding. I
• 17:20
  Speaker 4: was on my show talking about bless actors black black actors.
• 17:24
  Speaker 4: No disrespecting him, but we all know his brother Cuba
• 17:27
  Speaker 4: is the biggest star. And basically I said, Omar Gooding Junior,
• 17:33
  Speaker 4: and he went off. He went crazy. And because I
• 17:36
  Speaker 4: hired him before for a movie I did, like twenty
• 17:39
  Speaker 4: eleven twenty twelve percentage. I did a movie with Queen
• 17:43
  Speaker 4: lad Tief and shot Kim. Shout to Queen the Tief
• 17:45
  Speaker 4: and shot Kim, and we hired him. So in my
• 17:47
  Speaker 4: segment of my show, I'm like, yo, it's fucked up
• 17:50
  Speaker 4: for the B class black actor because you got to
• 17:52
  Speaker 4: sit here and wait for somebody to call you for
• 17:54
  Speaker 4: a part, or if they do, who says you're going
• 17:58
  Speaker 4: to get the part? Like just sitting around and wait.
• 18:00
  Speaker 4: I was actually talking to Rich Paul and he was like,
• 18:03
  Speaker 4: I'm nigga should have came up with a network by
• 18:05
  Speaker 4: now all came together, you know what I'm saying. But
• 18:08
  Speaker 4: I basically was telling y'all telling him saying what I'm
• 18:11
  Speaker 4: telling y'all now, And I called him Omar Goodding junior,
• 18:15
  Speaker 4: and he just went crazy. He was like, how the
• 18:17
  Speaker 4: fucking mine, junior? When Cuba is the junior, you disrespect him,
• 18:21
  Speaker 4: you don't call him man out his name, and this,
• 18:22
  Speaker 4: that and the third. So I'm like, I got him
• 18:24
  Speaker 4: one this page. I said, you go look at the dates.
• 18:26
  Speaker 4: I said, my bad, bro, I didn't mean to offend you,
• 18:29
  Speaker 4: no no problem, now fuck that. Then he started doing
• 18:32
  Speaker 4: dish records.
• 18:32
  Speaker 1: And I was like, his rappit wasn't bad though. That
• 18:35
  Speaker 1: wasn't that bad, all right.
• 18:36
  Speaker 4: I put it on the pair. I said, this type high,
• 18:39
  Speaker 4: I wrote that shit on this comments. I'm like, yo,
• 18:42
  Speaker 4: I don't want no smoke, bro, this is I this
• 18:44
  Speaker 4: is dope. So did another one. I'm like, I bet
• 18:48
  Speaker 4: so I know how much you cost, bro? You know
• 18:51
  Speaker 4: what I'm saying. So I had a mutual friend. I
• 18:54
  Speaker 4: was like, yo, when you I haven't used him poison
• 18:56
  Speaker 4: a while? How much he you booking for?
• 18:58
  Speaker 6: You?
• 18:58
  Speaker 4: Like, when I need a movie seeing, I pay him
• 19:00
  Speaker 4: twelve hundred, said, but I got three. I got three
• 19:03
  Speaker 4: thousand for the nigga. And that's how that went because
• 19:07
  Speaker 4: he went and stopped doing records. And I already said
• 19:09
  Speaker 4: I didn't want a problem, and you.
• 19:10
  Speaker 1: Said, I'm gonna come up with a fake movie. Yeah,
• 19:13
  Speaker 1: Fike script, so you have to do this.
• 19:16
  Speaker 4: Yeah, But what happened is he signed a paperwork, and
• 19:19
  Speaker 4: so let's just say I paid every three. I gave
• 19:23
  Speaker 4: him three thousand dollars because I know you wouldn't say no,
• 19:26
  Speaker 4: because he gets twelve hundred, So I said three thousand.
• 19:29
  Speaker 4: His flight was seven eight hundred and sotel. Let's just
• 19:34
  Speaker 4: say I spent five thousand. So once he signed up paperwork,
• 19:38
  Speaker 4: I'm getting ten times that for the episode, so I win.
• 19:43
  Speaker 4: I spent five, but I made forty five off of gotcha,
• 19:46
  Speaker 4: off of his stupidity for me telling you I don't
• 19:50
  Speaker 4: want no problem with you, but you won't stop. So
• 19:53
  Speaker 4: now I'm gonna give you five and make forty five.
• 19:55
  Speaker 4: And this content.
• 19:56
  Speaker 1: At the same he was really another room watching and directed.
• 19:59
  Speaker 4: I was and off a room, but I had a
• 20:01
  Speaker 4: ring camera up around the corner at one of my
• 20:03
  Speaker 4: cribs watching the whole shit.
• 20:05
  Speaker 5: The old time, and he was trying to say that
• 20:07
  Speaker 5: he was going to take legal action. Is that possible
• 20:09
  Speaker 5: or like because what documents? Did you have him sign it?
• 20:11
  Speaker 2: Like whatever?
• 20:11
  Speaker 3: Adam?
• 20:12
  Speaker 4: So basically my man who actually did shid my man
• 20:15
  Speaker 4: BBI one of my production companies, partners of one of
• 20:18
  Speaker 4: my production companies. We basically had him sign everything and
• 20:22
  Speaker 4: what he was trying to say he was going to
• 20:23
  Speaker 4: take legal action about everything was cool but the dressing room.
• 20:27
  Speaker 4: But he didn't realize what he signed was once you
• 20:29
  Speaker 4: walk in, we could use security footage, ring footage, everything
• 20:33
  Speaker 4: that we wanted to use once you walked in the building,
• 20:37
  Speaker 4: any camera we wanted to use. And what I did
• 20:40
  Speaker 4: was he had We gave him fifteen hundred dollars up front,
• 20:43
  Speaker 4: and when he came, I made sure the other fifteen
• 20:45
  Speaker 4: hundred was in tens and files so it looked like.
• 20:47
  Speaker 3: He got a lot of money.
• 20:49
  Speaker 4: So when he gave him, we gave him to not
• 20:51
  Speaker 4: he was I knew he would just sign anything because
• 20:56
  Speaker 4: you know, when it looked for us, when it looked
• 20:57
  Speaker 4: like it's a lot, So we paid him like tens
• 21:00
  Speaker 4: and five, so it looked like he had twenty thousand,
• 21:04
  Speaker 4: fifteen hundred dollars.
• 21:05
  Speaker 6: I don't know why you waited so long to do
• 21:06
  Speaker 6: to kill a comedy show, and I don't know why
• 21:08
  Speaker 6: you're not on stage.
• 21:09
  Speaker 4: Damn fun exactly now, I just don't be bothering people
• 21:16
  Speaker 4: and then I'll be like, yo, leave me alone because
• 21:18
  Speaker 4: I know where I could go with it, and this
• 21:21
  Speaker 4: is what happens basically. But yeah, thanks, thanks for even
• 21:24
  Speaker 4: bringing that up. We got to kill a comedy show today.
• 21:27
  Speaker 4: It's tonight at the Beacon Theater. Shy Man and Johnny
• 21:31
  Speaker 4: shipes in the building. He's the one that put everything together.
• 21:35
  Speaker 4: D Ray's going to be there, Jay Foul is going
• 21:36
  Speaker 4: to be there. Tony Rock, Chroy holcome.
• 21:39
  Speaker 3: Yeah. Sorry, I don't know if y'all still be so
• 21:46
  Speaker 3: Will Mills and Ray Ray.
• 21:48
  Speaker 2: So Pharaoh too.
• 21:49
  Speaker 4: Yeah yeah yeah yeah, So for performing Fergus performing is well, definitely,
• 21:55
  Speaker 4: y'all are all welcome to come. I don't know what
• 21:57
  Speaker 4: you guys are doing, but you'rell more than welcome to come.
• 21:59
  Speaker 4: But we actually put that together because I did. I
• 22:03
  Speaker 4: got a cameo in the movie Happy Gilmore too. Oh
• 22:06
  Speaker 4: yeah yeah, yeah, so yeah. Joe Vessey, he's a comedian
• 22:11
  Speaker 4: and writes with Adam saying like he's a big fan.
• 22:13
  Speaker 4: He's the one that kind of got us in the movie.
• 22:15
  Speaker 4: I'm saying this my man too. And he has a
• 22:18
  Speaker 4: stand up and he wants me to put it out.
• 22:20
  Speaker 4: I guess he's not going through the right channels. And
• 22:21
  Speaker 4: I'm like, Johnny, like I said, we're gonna put that out,
• 22:26
  Speaker 4: but he was like, let's just do a whole fucking
• 22:29
  Speaker 4: comedy show.
• 22:29
  Speaker 3: We got out back. They sponsored. That's how going, So
• 22:33
  Speaker 3: we're gonna go on tour with it. That's that easy.
• 22:35
  Speaker 3: But shout to Joe Vessi for even giving me the
• 22:37
  Speaker 3: idea to want to do it.
• 22:38
  Speaker 6: Oh, so's the Joe, that's what many what made you
• 22:41
  Speaker 6: want to get into comedy now because you've always been
• 22:43
  Speaker 6: for the funny right always.
• 22:45
  Speaker 4: I'm being honest, it was Joe Vessi. I'm not even
• 22:47
  Speaker 4: gonna say and hold you when he said he had
• 22:49
  Speaker 4: so he has a stand up that's done and he
• 22:51
  Speaker 4: just wanted to put it into my lap and say,
• 22:53
  Speaker 4: cam do what you could do with it. And I'm like,
• 22:56
  Speaker 4: he's not on this show because paperwork kind of took
• 22:59
  Speaker 4: a while, but it was purely when he had a
• 23:01
  Speaker 4: stand up, and I'm like, I'm gonna find a home
• 23:03
  Speaker 4: for it.
• 23:04
  Speaker 3: But why not put a show together after that? That's kind.
• 23:07
  Speaker 4: It's really totally Joe Vessie that gave me the idea
• 23:09
  Speaker 4: to put a comedy show together.
• 23:10
  Speaker 2: You know, you know, you know his dad, Peter Vesie.
• 23:12
  Speaker 4: You want to comment, Joe Vessey is like a street
• 23:15
  Speaker 4: basketball playing all that shit too, man, So shout to him.
• 23:18
  Speaker 3: That's how I came about dope, no more, no less, man.
• 23:21
  Speaker 1: I gotta ask, where did the friction with you and
• 23:24
  Speaker 1: Dame come from? How did that happen?
• 23:26
  Speaker 3: I don't know.
• 23:27
  Speaker 1: It's nigga Dame like he was a manager partner with
• 23:31
  Speaker 1: your one time right.
• 23:32
  Speaker 4: Dame like Damed it a lot for me, you know
• 23:34
  Speaker 4: what I'm saying, Like, like today's gonna be my last day,
• 23:38
  Speaker 4: Dame dashing, Yeah, because it's annoying, you know what I'm saying.
• 23:42
  Speaker 4: So to be honest with you, pardon me, to be
• 23:47
  Speaker 4: honest with you. I feel like I got set up.
• 23:49
  Speaker 4: It felt like Dame had all this, all these problems
• 23:52
  Speaker 4: with me and never said it and was looking like
• 23:55
  Speaker 4: a reason to say it. I was in a terrible
• 23:57
  Speaker 4: deal of epic records. I grew up with Dame and
• 24:01
  Speaker 4: Rockefeller was up and he helped me get out that deal,
• 24:04
  Speaker 4: and then I actually signed me to Rockefeller. That helped
• 24:07
  Speaker 4: me get my group on. Rockefeller put out a platinum
• 24:11
  Speaker 4: album that Dipo Mats was born. It was a great
• 24:14
  Speaker 4: it was great, and he did a lot for me.
• 24:18
  Speaker 4: So I always attribute that not only I knew niggas
• 24:21
  Speaker 4: since I was like ten eleven years old, you know
• 24:23
  Speaker 4: what I'm saying. And when Rockefeller fell apart, he's still
• 24:27
  Speaker 4: my man. He's on my men last year. I don't
• 24:29
  Speaker 4: you know what I'm saying. He's been my man this
• 24:31
  Speaker 4: whole time. But to me, it's like a setup because
• 24:36
  Speaker 4: no matter what, so publicly, I've been giving this man
• 24:39
  Speaker 4: props for twenty five years and it hasn't been a
• 24:43
  Speaker 4: smooth twenty five years, but that's always been my friend.
• 24:47
  Speaker 4: I've never ran to the internet and talked about you,
• 24:49
  Speaker 4: whether we's having good time, bad time, whatever. What I
• 24:52
  Speaker 4: do do over the years is take breaks from me.
• 24:55
  Speaker 4: When I say that, it's like I didn't call him
• 24:57
  Speaker 4: Dan't for a minute. I call him next year, this, that,
• 24:59
  Speaker 4: and the third. And when he started talking about me
• 25:02
  Speaker 4: on different on different podcasts, I'm like, bro, what is
• 25:06
  Speaker 4: the fuck is this about? But he was guess he
• 25:09
  Speaker 4: was saying, Kim is not a man. He ain't calling
• 25:11
  Speaker 4: me this time, Yo, Bro, everybody's not built for your personality.
• 25:14
  Speaker 3: I am.
• 25:15
  Speaker 4: I just know how to take breaks from you from
• 25:17
  Speaker 4: time to time because I know your personality now. I
• 25:20
  Speaker 4: don't want to deal with it right now. But for
• 25:22
  Speaker 4: him to go to the internet start talking about me,
• 25:25
  Speaker 4: it was like, really, this is what the fuck me doing?
• 25:28
  Speaker 4: And when I seen that, I was like, this is crazy.
• 25:32
  Speaker 4: He kept doing it, kept doing different interview Yo, Kim this, Ki,
• 25:36
  Speaker 4: Kim this, and I'm like and then he talked about
• 25:39
  Speaker 4: The last thing was he said I didn't promote nothing.
• 25:41
  Speaker 4: We're supposed to go partners on with Anna Rupp the
• 25:45
  Speaker 4: movie and we did an album with a track, and
• 25:47
  Speaker 4: he said I didn't promote it. And I finally gave
• 25:50
  Speaker 4: feedback on why I didn't promote it. I'm like, I
• 25:53
  Speaker 4: didn't want to be in it. You know what I'm saying.
• 25:55
  Speaker 4: No disrespect, but that's how it happened. From their avalanche,
• 26:00
  Speaker 4: he's just crazy, started going to create Kim. That's Kim.
• 26:03
  Speaker 4: That Kim is even point where it's like, bro, now
• 26:05
  Speaker 4: you stretching the truth. You lying about a few things.
• 26:09
  Speaker 4: But that's where it all started from for me, this
• 26:12
  Speaker 4: and on rupt But to me, if you want to
• 26:15
  Speaker 4: just my art on my movies or my music or whatever, cool,
• 26:18
  Speaker 4: you start getting personal and start taking mad personal shit,
• 26:21
  Speaker 4: And I'm like, we know too much about each other
• 26:24
  Speaker 4: to be doing personal shit because this shit could get
• 26:26
  Speaker 4: nasty because I know a lot about you, you know
• 26:28
  Speaker 4: a lot about me, and I'm mad funny, like I
• 26:32
  Speaker 4: don't want to rag doll niggas my men on the internet,
• 26:35
  Speaker 4: especially like that's how I'm I'm talking Tom, but who
• 26:40
  Speaker 4: the fuck is you around to come out with a
• 26:42
  Speaker 4: passion teeth like you know what I'm saying, Like I
• 26:44
  Speaker 4: wouldn't that would let you do that because you're my men.
• 26:47
  Speaker 3: I texted him.
• 26:47
  Speaker 4: I'm like, yo, bro, whoever you're around, they you're not
• 26:51
  Speaker 4: around no real niggas because they would not let you
• 26:55
  Speaker 4: come on the camera like that. And that's kind of
• 26:58
  Speaker 4: how it started when I just on Earth and it
• 26:59
  Speaker 4: shit just got personal and it was to the point
• 27:02
  Speaker 4: where I'm like, yo, listen, man, this kind of this
• 27:05
  Speaker 4: could get nasty.
• 27:06
  Speaker 3: And I spoke to Daniel. I know Daniel was up
• 27:10
  Speaker 3: here with him.
• 27:10
  Speaker 4: Daniel cool with me too, and so he kind of
• 27:13
  Speaker 4: mediated it and he was like, Yo, this shit has
• 27:16
  Speaker 4: done a good look for Halllem YadA yah yah yah YadA.
• 27:18
  Speaker 4: I was like, cool, I said, listen, it was a Thursday.
• 27:23
  Speaker 3: He said. Look.
• 27:23
  Speaker 4: I said, listen, I got something coming out tomorrow. It's
• 27:26
  Speaker 4: already done. If you tell him, listen, this is coming
• 27:31
  Speaker 4: out tomorrow. But I won't say nothing else about him
• 27:34
  Speaker 4: on the internet.
• 27:35
  Speaker 1: Cool.
• 27:37
  Speaker 4: He say, it's cool. He said, cool, he's still talking
• 27:39
  Speaker 4: about me on the internet yesterday right now.
• 27:42
  Speaker 3: Yeah, you know what I'm saying.
• 27:43
  Speaker 2: Compos on part fifteen exactly.
• 27:47
  Speaker 3: And it was like, bro, I thought we were going
• 27:50
  Speaker 3: to talk about each other. Cool, it ain't no problem.
• 27:53
  Speaker 4: But to me, to be honest with you, I was
• 27:54
  Speaker 4: tapped out when the NIGGA issued a three hundred million
• 27:58
  Speaker 4: dollar lawsuit. And then he tells Daniel to tell me,
• 28:03
  Speaker 4: you'll tell Kim to give me a million dollars and
• 28:05
  Speaker 4: we might let it all go away. I'm like, you're
• 28:07
  Speaker 4: trying to quiet this stort. Me Like, what are you
• 28:09
  Speaker 4: talking about? Send you a million off the three hundred million.
• 28:14
  Speaker 4: I said, let's go to court for.
• 28:15
  Speaker 2: A real losses. There was cha GPT. I know that
• 28:18
  Speaker 2: sign from the dash group. We got one of those two.
• 28:20
  Speaker 4: Yeah, no, but got the fact that the nigga, even
• 28:23
  Speaker 4: there's supposed to be my man, even do some ship
• 28:26
  Speaker 4: like that, like yo for a million, they'll go away, Nigga.
• 28:29
  Speaker 3: I'm not sending you a million dollars.
• 28:31
  Speaker 1: I'm glad he didn't take your show off them because
• 28:33
  Speaker 1: he could.
• 28:36
  Speaker 4: Yeah, that's that's the point. Like the ship, the ship
• 28:39
  Speaker 4: that nigga be talking about to me, this like to
• 28:42
  Speaker 4: me and somethi disappointing because I looked up to him.
• 28:45
  Speaker 3: You know what I'm saying.
• 28:45
  Speaker 4: And I'm just some point where I don't wish the wealth,
• 28:47
  Speaker 4: health and success, but I can't no more because like
• 28:51
  Speaker 4: you said, the king compone all that ship. You at
• 28:53
  Speaker 4: a point where you said, as long as your name saying,
• 28:55
  Speaker 4: the algorithm, even if it takes beefing with your man
• 28:58
  Speaker 4: to be in the algorithm that I swhere you at
• 29:00
  Speaker 4: in life, And I'm like, I see why niggas be curving.
• 29:03
  Speaker 4: You gotta think about this not just artists. If you
• 29:05
  Speaker 4: sit there and think about the artists that he helped
• 29:07
  Speaker 4: and put on, it's phenomenal. You sit there and thinking
• 29:10
  Speaker 4: about Kevin Hard and jay Z and Kanye on myself
• 29:12
  Speaker 4: or whoever, and nobody fuck with you.
• 29:16
  Speaker 3: Is that the artist is that you?
• 29:17
  Speaker 4: You know what I'm saying, Not only that your day
• 29:20
  Speaker 4: one niggas don't fuck with you, Daniel, not saying Daniel
• 29:22
  Speaker 4: and his man, but like real Mac, all the niggas, bigs,
• 29:25
  Speaker 4: like niggas from your hood don't fuck with you. So
• 29:29
  Speaker 4: I don't mean this in a bad way because I
• 29:30
  Speaker 4: know You're gonna take this and this would be like
• 29:32
  Speaker 4: last another three four months for him. You know, he'll
• 29:35
  Speaker 4: take a spind at this kid, da da da, and
• 29:37
  Speaker 4: then I'll be seeing, like to me, bro, you try
• 29:41
  Speaker 4: to defame my character to where it's like, for what
• 29:45
  Speaker 4: my nigga, Kim's a civilian, all right, Dame whatever, I'm
• 29:48
  Speaker 4: a civilian. We tried to give you a million dollars
• 29:51
  Speaker 4: last year when you was in the news for owing
• 29:54
  Speaker 4: eight hundred thousand dollars. We Mason, Dame don't even got
• 29:58
  Speaker 4: a good relationship. They don't even fuck with you each other.
• 30:00
  Speaker 4: But makes felt bad and he's like, Kim, you wanna
• 30:02
  Speaker 4: spend five hundred thousand, five hundred thousand just so this
• 30:05
  Speaker 4: nigga don't got no debt.
• 30:06
  Speaker 3: I'm like, I don't know.
• 30:08
  Speaker 4: I'll do it, but I don't really know if we're
• 30:10
  Speaker 4: gonna make our money back, but for the for the
• 30:12
  Speaker 4: sake of Dame, yeah, I'll do it. And then when
• 30:14
  Speaker 4: the ship didn't go through, we suckers because you want
• 30:17
  Speaker 4: to wait on young boy NBA or Drake or whatever
• 30:20
  Speaker 4: other deal you had. We tried to give you a
• 30:22
  Speaker 4: million dollars just to clear your debt up and you
• 30:26
  Speaker 4: you basically gambled yourself.
• 30:28
  Speaker 1: Out waiting on more money, saying that you called his son.
• 30:33
  Speaker 4: So basically, y'all probably be lost with all this ship
• 30:37
  Speaker 4: that he'd be going on. So he bought it up here.
• 30:39
  Speaker 4: He bought it up a couple of times. When he's
• 30:41
  Speaker 4: up here, he's like Kim is running around with this
• 30:44
  Speaker 4: nigga named Larry, and y'all probably don't even know, but yeah,
• 30:49
  Speaker 4: exactly so do.
• 30:51
  Speaker 3: You even remember him saying that?
• 30:55
  Speaker 4: Bring kept bringing up like, let me give your backstory
• 30:58
  Speaker 4: on Larry. Larry had to grow in Vegas where he
• 31:02
  Speaker 4: was meeting a bunch of rappers and everything, paying everybody
• 31:06
  Speaker 4: to promote his grow in Vegas.
• 31:09
  Speaker 3: Dame met Nori.
• 31:11
  Speaker 4: Pardon me, Noory introduced Dane to Larry like nory knew
• 31:16
  Speaker 4: Larry first and he introduced Dane. Larry was paying Dane
• 31:21
  Speaker 4: five thousand a month to.
• 31:23
  Speaker 3: Promote his weed. Dame ain't Snoop Dog or whiz khalif
• 31:26
  Speaker 3: for to be like.
• 31:27
  Speaker 4: But he's still giving a nigga the bread like iright
• 31:30
  Speaker 4: here supposed to give him three percent of company. I
• 31:33
  Speaker 4: don't really know about that part or whatever. But anyway,
• 31:36
  Speaker 4: not only that Larry's paying you to promote his weed.
• 31:40
  Speaker 4: Larry lives in Vegas. Not only that your son lived
• 31:43
  Speaker 4: with Larry as a grown man, so boogie. His son
• 31:47
  Speaker 4: lived with Larry for two and a half years because
• 31:49
  Speaker 4: he wasn't fucking with Dane, you know what I'm saying,
• 31:52
  Speaker 4: Or they didn't have a good relations I don't want
• 31:54
  Speaker 4: to say he wasn't fucking with him, they didn't have
• 31:55
  Speaker 4: a great relationship. He's sitting there, It's like, can be
• 32:00
  Speaker 4: with Larry now? Can't be with Larry now? Larry puts
• 32:03
  Speaker 4: up fifty thousand dollars for a movie. Dame heard up
• 32:07
  Speaker 4: fifty thousand dollars supposed to put thousand for a movie,
• 32:11
  Speaker 4: and another nigga put up fifty thousand for Mo Movi's
• 32:13
  Speaker 4: supposed to be one hundred fifty thousand. Dame tells Larry
• 32:19
  Speaker 4: when this lady calls, allocate the money to her, so
• 32:23
  Speaker 4: she may want twelve thousand, now, six thousand, now, seven thousand,
• 32:26
  Speaker 4: now whatever. When it gets to the fifty thousand, he
• 32:30
  Speaker 4: calls Dame and says, yo, I gave the lady the
• 32:32
  Speaker 4: fifty thousand. Dame goes off of you, dumb ass nigga.
• 32:35
  Speaker 4: You a vegas being da da da da sa. I
• 32:38
  Speaker 4: call this nigga a bunch of names, tolking about I
• 32:40
  Speaker 4: didn't tell you to give I didn't nigga's nigga's crazy. Yeah,
• 32:44
  Speaker 4: I didn't tell you to give her fifty thousand. He's like,
• 32:47
  Speaker 4: I don't know this lady. How I get a number?
• 32:49
  Speaker 4: YadA yah yah YadA. Larry hangs up on him, calls me, said, Cam,
• 32:54
  Speaker 4: I've been dealing with Dame when I deal with his
• 32:56
  Speaker 4: insults like this. The last straw been paying this man's promote,
• 32:59
  Speaker 4: the weed, I gave him fifty thousands for a movie,
• 33:02
  Speaker 4: et cetera. I just can't. I'm tapped out. Dame calls
• 33:05
  Speaker 4: me after we not fucking with Larry, I said, why not?
• 33:09
  Speaker 4: He said, He hung up on me. That's not what
• 33:11
  Speaker 4: real men do. Real men don't. Real men don't hang
• 33:15
  Speaker 4: up on niggas like that. How many times me and
• 33:17
  Speaker 4: you argue you never hung the phone up on me
• 33:19
  Speaker 4: the same I say, damn, I know you. Everybody's not
• 33:22
  Speaker 4: built for your verbal assassination or whatever the fuck you
• 33:27
  Speaker 4: want to call your verbal assaut Everybody can't take that.
• 33:29
  Speaker 4: You know what I'm saying, verbal fail one. Yeah, yeah,
• 33:32
  Speaker 4: you did a good job. So he's going crazy? Or
• 33:40
  Speaker 4: meet me hanging out live because I feel Loarry didn't
• 33:43
  Speaker 4: do nothing wrong. That man looked like your son lived
• 33:46
  Speaker 4: with him. He was paying you to do weed. He
• 33:49
  Speaker 4: put up fifty thousand dollars for a movie, and because
• 33:52
  Speaker 4: he hung up on you because you started insulting him
• 33:54
  Speaker 4: about fifty thousand dollars where he allocated it to where
• 33:57
  Speaker 4: you want to be allocated it too. He's a Vegas BANDMA,
• 34:01
  Speaker 4: I can't jack that, bro.
• 34:02
  Speaker 3: I'm not. He's a good nigga.
• 34:04
  Speaker 4: He's a nigga when we get the when we I
• 34:06
  Speaker 4: stay in Vegas now before we was coming big time gambler.
• 34:09
  Speaker 4: We have to pay for no hotels, comp set every
• 34:10
  Speaker 4: hotel take I take my uh my sprint ut. We
• 34:14
  Speaker 4: didn't have to pay for shit when we went to
• 34:16
  Speaker 4: Vegas and because he hung up on them. Now he's
• 34:20
  Speaker 4: not a real man, but he's trying to spend the narrative.
• 34:22
  Speaker 4: Remember I was telling you three people doing the movie.
• 34:25
  Speaker 4: The third person is suing Dame for the movie. Kim
• 34:30
  Speaker 4: is hanging out with a nigga who's suing me. I
• 34:32
  Speaker 4: don't know this nigga who's suing you. I know, like,
• 34:35
  Speaker 4: Lorry's not suing you. He's just taking the l on
• 34:37
  Speaker 4: the fifty thousand, you know what I'm saying. He like, Yo,
• 34:39
  Speaker 4: I'll take the olt. But Dame going around Kim running
• 34:42
  Speaker 4: around with a nigga who's suing me. I'm not running
• 34:44
  Speaker 4: around with the nigga suiting you. Larry's not even suing you.
• 34:47
  Speaker 4: But that's the narrative that he's pushing. So when he's
• 34:51
  Speaker 4: talking about something me doing so on the sunn his
• 34:54
  Speaker 4: son called Solarry's a producer on Talk with Flee. On
• 34:57
  Speaker 4: on My Show, Dame son called Larry as her for money.
• 35:04
  Speaker 4: Recently acs her for money. So like, like, yo, you
• 35:06
  Speaker 4: want to get book in the show. I'm like, I
• 35:08
  Speaker 4: don't give a fuck. He's like we're gonna give him
• 35:10
  Speaker 4: five thousand. I said, all right, cool, you interviewing him?
• 35:13
  Speaker 4: You were sinking an interview and I don't even fuck.
• 35:15
  Speaker 4: I text boogie for the producer forive writers. What do
• 35:19
  Speaker 4: you want to talk about the show? He says, his
• 35:21
  Speaker 4: music and his movies. I have to text message. I said, cool,
• 35:23
  Speaker 4: like give it to the writers. Two days later, Kim
• 35:27
  Speaker 4: trying to do shit with my son. That nigga's fouled.
• 35:30
  Speaker 4: Da da da da da da da. How you gonna
• 35:32
  Speaker 4: reach out to my son? Yes, son reached out to
• 35:34
  Speaker 4: Larry and said he was fucked up. Larry actioned the nigga,
• 35:37
  Speaker 4: do you want to come on the show? He said, yeah,
• 35:39
  Speaker 4: he took the deposit. He ain't sending the deposit back.
• 35:42
  Speaker 4: But now you spend it in again to where you're
• 35:44
  Speaker 4: fucking with my family. Da da da yah, My nigga,
• 35:48
  Speaker 4: nobody called your son. Your son called Larry Larry accent
• 35:51
  Speaker 4: if you wanted to come on the show, and that's
• 35:53
  Speaker 4: the name Larry. So it's just basically, I think Larry
• 35:58
  Speaker 4: is a super cool niggah.
• 36:01
  Speaker 3: Yeah. So now y'all know the background, right, and the
• 36:06
  Speaker 3: thing is for me.
• 36:06
  Speaker 4: The last thing I will say about this situation with
• 36:10
  Speaker 4: Larry anyways, concerned Larry's white. My mom died of cancers
• 36:13
  Speaker 4: untwol and a half years ago. I watched her dog. Yeah,
• 36:16
  Speaker 4: I thank y'all appreciate it. I watched her die.
• 36:21
  Speaker 3: For a month.
• 36:21
  Speaker 4: She was good January eighth, went to the hospital January nine. Says, Yo,
• 36:25
  Speaker 4: your mom got about a month and a half to live.
• 36:27
  Speaker 3: Jesus, so she died.
• 36:29
  Speaker 4: He's on this show talking about Yo, Larry need to
• 36:32
  Speaker 4: just be worrying about his wife. Larry's wife died four
• 36:35
  Speaker 4: days after Day was on the show because they I
• 36:38
  Speaker 4: was watching his wife die with the nigga like she
• 36:41
  Speaker 4: was a hospital, she was a hospital center, and she
• 36:45
  Speaker 4: went she didn't want to die in the hospital. She
• 36:47
  Speaker 4: went home and so with hospital so she could die home.
• 36:51
  Speaker 4: So Damon's on the show like, yeah, this nigga, like
• 36:54
  Speaker 4: I don't need to worry. He just needs to worry
• 36:55
  Speaker 4: about his wife.
• 36:56
  Speaker 3: This is a nice guy.
• 36:57
  Speaker 4: This thing ain't in the oldest ship I'm into. I'm
• 36:59
  Speaker 4: with all this shit. This is a cool nigga.
• 37:02
  Speaker 3: You know what I'm saying.
• 37:03
  Speaker 4: You up there telling this man right, I'm literally watching
• 37:07
  Speaker 4: her die every day. So I'm like, yo, Bro, you
• 37:09
  Speaker 4: really don't got no boundaries. You just mad at Larry
• 37:12
  Speaker 4: for what nigga that nigga watched your son for two
• 37:14
  Speaker 4: years and make sure that nigga got a roof over
• 37:16
  Speaker 4: his head. And now you mad because he's not in
• 37:19
  Speaker 4: a lawsuit. He paid you five thousand dollars a month
• 37:22
  Speaker 4: and then you put his business out there. Who the
• 37:24
  Speaker 4: fuck said that the nigga wanted his business out there
• 37:27
  Speaker 4: about his dying wife because you know why, Dan, your
• 37:33
  Speaker 4: wife died from cancer. He watched his wife die on
• 37:37
  Speaker 4: the death bed from cancer, so he kind of get it.
• 37:39
  Speaker 4: But the end of the day, fuck is you talking about?
• 37:43
  Speaker 3: Yo?
• 37:43
  Speaker 4: You need to go watch your wife and you don't
• 37:45
  Speaker 4: understand what that scenario is about. And that's what I'm like.
• 37:48
  Speaker 4: I wish you the best one, nigga, but you don't
• 37:49
  Speaker 4: really care because she died four or five days after
• 37:52
  Speaker 4: the interview.
• 37:54
  Speaker 3: Yeah, that's it's a backstory.
• 37:57
  Speaker 2: The only two questions I had about the dance situation.
• 37:59
  Speaker 2: I wasn't gonna bring it.
• 38:02
  Speaker 4: Because, like I said, it's done for me to that
• 38:04
  Speaker 4: you can fight by yourself. I'm not fighting with you.
• 38:06
  Speaker 6: When you talk about him bringing up family. I didn't
• 38:08
  Speaker 6: understand why he bought up you having a scripple pole
• 38:11
  Speaker 6: in a house your mother was in, But he was
• 38:14
  Speaker 6: in there partying, had a good time. Did he tell
• 38:16
  Speaker 6: you that he had a problem with that back then?
• 38:17
  Speaker 4: No.
• 38:18
  Speaker 3: First of all, it was a two family home. My
• 38:20
  Speaker 3: mama wasn't on the side with the strip.
• 38:22
  Speaker 4: But just to give some context to what's going on,
• 38:24
  Speaker 4: I bought my mom my house when I first got on.
• 38:28
  Speaker 4: She never wanted to move in the house. She's halem,
• 38:31
  Speaker 4: you get what I'm saying. So that wasn't my primary house.
• 38:34
  Speaker 4: I had a few houses still do. And she had
• 38:38
  Speaker 4: a stroke and she was like, she's not moving to
• 38:42
  Speaker 4: Jersey no matter what. I'm like, Mom, you can't run
• 38:44
  Speaker 4: around Harlem like this.
• 38:47
  Speaker 1: So that's a New York thamest.
• 38:51
  Speaker 3: Right, never right, so right.
• 38:53
  Speaker 4: So example is basically when she never moved into the house.
• 38:57
  Speaker 4: It's a two family home. I built my studio on
• 39:00
  Speaker 4: at the Strip club in there and all that. So
• 39:02
  Speaker 4: I'm like, mom, the house is still there. I'm gonna
• 39:05
  Speaker 4: put you on the other side house. It's a separate address.
• 39:07
  Speaker 4: It's not even the same address.
• 39:09
  Speaker 3: So my mom is hood.
• 39:11
  Speaker 4: She she didn't give a fuck. You know what I'm saying.
• 39:13
  Speaker 4: But you're acting like I had her in the bedroom
• 39:16
  Speaker 4: next to the stripper Cole. It's a fucking nother house
• 39:18
  Speaker 4: around the corner. But no, he didn't have a problem
• 39:20
  Speaker 4: with it.
• 39:20
  Speaker 3: He loved it.
• 39:21
  Speaker 4: But that's what I'm trying to tell you. He's trying
• 39:23
  Speaker 4: to defame my character for what reason. I have no
• 39:27
  Speaker 4: I have no reason why.
• 39:28
  Speaker 5: I saw people reacting to that in the comments, like
• 39:30
  Speaker 5: talking about just how low that was, regardless of what
• 39:32
  Speaker 5: he was trying to do, because I think already knows
• 39:33
  Speaker 5: how you were about your mama, what you went.
• 39:35
  Speaker 3: Through, right, absolutely well, you know what it is. It
• 39:38
  Speaker 3: is that.
• 39:39
  Speaker 4: And people might not have seen that part because I
• 39:41
  Speaker 4: ain't posted, and he still shouldn't have said it, but
• 39:45
  Speaker 4: he felt the way because when he said that shit
• 39:49
  Speaker 4: about Loarry wife, I was on his comments talking about
• 39:53
  Speaker 4: he ain't want his kids that he found out like
• 39:55
  Speaker 4: he had not Boogie found out he had another kid
• 39:58
  Speaker 4: and he took like eight paternity tests trying not to
• 40:02
  Speaker 4: find one to make.
• 40:03
  Speaker 3: It our bed. So he got yeah, but he was
• 40:13
  Speaker 3: mad about it. So I was putting all that in
• 40:16
  Speaker 3: the comments, and that's when he did so like I said,
• 40:21
  Speaker 3: it was low. I was low, but that was low
• 40:24
  Speaker 3: what he did.
• 40:24
  Speaker 4: But I get why he did it, you know what
• 40:26
  Speaker 4: I'm saying, because I would started spilling a lot of business.
• 40:29
  Speaker 4: That's why I said she could get messy ship ship
• 40:32
  Speaker 4: about his girl. I was in the comments. I was
• 40:35
  Speaker 4: all in there, like, bro, I know too much. I
• 40:37
  Speaker 4: don't really want to do it. It's more shot there.
• 40:38
  Speaker 4: I just won't say, you know what I'm saying.
• 40:40
  Speaker 1: So another week with the big thing.
• 40:43
  Speaker 3: Yeah, like, Bro, big Ol didn't even like you.
• 40:46
  Speaker 4: My nigga, Big was from my block right and Big
• 40:50
  Speaker 4: Old brothers brother. He had a couple brothers. Bro brother
• 40:54
  Speaker 4: Big Lead kind of ran my block him and into
• 40:56
  Speaker 4: somebody else, a couple of other people, and they hate it.
• 41:01
  Speaker 3: Dang. They had a dame to the point where when
• 41:04
  Speaker 3: Big Lee came home, that's Big Old Brother. They ran down.
• 41:06
  Speaker 4: He ran down on dam in miniscing like yea, you
• 41:08
  Speaker 4: owe me a favor, and then I dam He's like, yeah,
• 41:12
  Speaker 4: I'm gonna do the favor for him. I'm like, yo,
• 41:13
  Speaker 4: this is polite extortion. I wouldn't do the favor. He
• 41:16
  Speaker 4: ended up dying Big Al's brother, Big Lee, but he
• 41:18
  Speaker 4: did not fuck with you, and to the point where
• 41:20
  Speaker 4: you're even lying that me, you and Big L was
• 41:23
  Speaker 4: in a car somewhere. It's just it's stupid, Like you
• 41:26
  Speaker 4: know what I'm saying, I didn't know, I didn't know.
• 41:31
  Speaker 4: I didn't know, and you know what I'm saying. It's
• 41:33
  Speaker 4: to the point where it's like, Bro, when that nigga said,
• 41:38
  Speaker 4: whatever I need to do to stay in the algorithm,
• 41:41
  Speaker 4: you knew, Yeah, Like my man sent me a clip
• 41:44
  Speaker 4: to where it's like, yo, you know not saying me
• 41:48
  Speaker 4: and Jim I have the best relationship now and I
• 41:49
  Speaker 4: wish him the best as well, But it's to the
• 41:51
  Speaker 4: point where he's like, yeah, I ain't gonna lie. Jim
• 41:53
  Speaker 4: wore ping first.
• 41:56
  Speaker 3: Yo. He said that three days ago, two days ago.
• 41:59
  Speaker 3: I'm like, what is that I have to do?
• 42:02
  Speaker 4: Go bro, this is what I'm trying to say. He's
• 42:05
  Speaker 4: trying to throw me under the bus as much as
• 42:08
  Speaker 4: he can to the point where you'll say and do anything.
• 42:11
  Speaker 4: But I'm taking from it and I'm just not with
• 42:13
  Speaker 4: it no more.
• 42:14
  Speaker 6: Another thing I didn't understand when he said you went
• 42:16
  Speaker 6: on the radio to announce you was VP of Rockefeller.
• 42:18
  Speaker 6: He said, you did that on purpose. He thinks you
• 42:20
  Speaker 6: did that on purpose because you knew it would cause
• 42:22
  Speaker 6: problem at the label. Correct me if I'm wrong. I
• 42:24
  Speaker 6: thought I remember you being on the air and you
• 42:27
  Speaker 6: was on the phone. I thought you was on the
• 42:28
  Speaker 6: phone with dam and you said damn again with the
• 42:30
  Speaker 6: green lights.
• 42:31
  Speaker 1: Yeah, that's what I remember.
• 42:33
  Speaker 4: I don't remember exactly howpened. I ain't gonna say a
• 42:35
  Speaker 4: lot of you, but you ain't have a problem with
• 42:37
  Speaker 4: it all these years. Now, all of a sudden, you
• 42:40
  Speaker 4: got a problem with it, Like my nigga, I understand it.
• 42:43
  Speaker 4: It may of course friction later, But why the fuck
• 42:46
  Speaker 4: would I want to damn it? Some shit that's going good,
• 42:49
  Speaker 4: you know what I'm saying, Like it's probably the height
• 42:52
  Speaker 4: of my music career at that particular time.
• 42:53
  Speaker 3: Why the fuck would I want to damage that?
• 42:55
  Speaker 4: Like I'm saying all the shit that he's saying now,
• 42:58
  Speaker 4: it sounds like he got ship building up and now
• 43:00
  Speaker 4: he's throwing lies.
• 43:01
  Speaker 3: Mixed in with it.
• 43:02
  Speaker 2: But but you didn't make that up though somebody told
• 43:05
  Speaker 2: you that you was gonna be.
• 43:06
  Speaker 3: No, he actually told me that.
• 43:07
  Speaker 4: What he's trying to say is that I jumped the
• 43:09
  Speaker 4: gun and said it publicly when I shouldn't have said
• 43:12
  Speaker 4: it publicly. That's what he's trying to say. But it's
• 43:14
  Speaker 4: no way in the world you didn't tell me that.
• 43:16
  Speaker 4: And what happened was I went to my lawyer to
• 43:19
  Speaker 4: try and negotiate the deal, and I think I don't remember.
• 43:23
  Speaker 4: I think I wanted seven hundred fifty thousand. They was like, no,
• 43:25
  Speaker 4: we were just gonna make it the president. I'm like, nah,
• 43:28
  Speaker 4: fuck it. And then when jay Z must have came
• 43:30
  Speaker 4: back from vacation according to Bleak, because I shot out
• 43:32
  Speaker 4: the bleak, I did Bleak show Roxylity, yeah, and he
• 43:35
  Speaker 4: was just basically like, jay ain't like that shit. So
• 43:38
  Speaker 4: that's kind of how that went. But no, it's no
• 43:40
  Speaker 4: way I was making that up. That's exactly what you
• 43:42
  Speaker 4: told me. You told me you wanted to make me
• 43:44
  Speaker 4: and Beans vice president president. Whichever way it went, I
• 43:48
  Speaker 4: tried to negotiate the deal. The money wasn't right, and
• 43:52
  Speaker 4: I raousally jay Z didn't approve it.
• 43:54
  Speaker 6: But how can he call you out on that and
• 43:55
  Speaker 6: then come up here and say he the chairman of
• 43:57
  Speaker 6: Revolt and nobody even told him crazy.
• 44:01
  Speaker 1: I'm just so glad hated to take cam show.
• 44:03
  Speaker 5: That's how the super Vault had to be crazy after
• 44:06
  Speaker 5: that because they probably try to fgret what's going on.
• 44:08
  Speaker 4: So so this is what happened actually when all this
• 44:13
  Speaker 4: ship was going on, and this is that series too.
• 44:16
  Speaker 4: Before it happened, Uh, Revolt hit me and was like,
• 44:23
  Speaker 4: do you mind if we work with Dame And I'm like,
• 44:25
  Speaker 4: because all the ship was going on and I'm like,
• 44:27
  Speaker 4: I don't really care. Like they's like, it wouldn't be
• 44:30
  Speaker 4: till twenty twenty six because, uh, you know programming while
• 44:35
  Speaker 4: it's the slots of field. So I have two shows
• 44:37
  Speaker 4: that I can put out starting this month that I
• 44:40
  Speaker 4: wanted to put out when that when dan You called me,
• 44:43
  Speaker 4: I said, Yo, no, not Danie T. I put it
• 44:47
  Speaker 4: on the on Instagram. I told Daniel about it, but
• 44:49
  Speaker 4: I put it on Instagram. I had two slots left.
• 44:53
  Speaker 4: I said, Revolt might want to work with you, but
• 44:55
  Speaker 4: it ain't gonna be till next year. But if you
• 44:57
  Speaker 4: want the opportunity you gave me, I'll.
• 45:00
  Speaker 3: Give to you.
• 45:01
  Speaker 4: When I got on need to get off Epic Records,
• 45:03
  Speaker 4: you gave me a chance to do music and you
• 45:05
  Speaker 4: executive producer albums, I said, let me be give you
• 45:08
  Speaker 4: the same opportunity and let me execute to produce your
• 45:12
  Speaker 4: TV shows. You ain't gotta wait till next year. And
• 45:14
  Speaker 4: you was gonna give Revolt all your content for free.
• 45:18
  Speaker 4: That's how bad he wanted it. Pause and I say, yo,
• 45:21
  Speaker 4: I'll even pay you. Shot out to Big Findy that
• 45:25
  Speaker 4: was the middle man for that. So I said, tell
• 45:26
  Speaker 4: Dame this before I put it on Instagram, and Findy
• 45:30
  Speaker 4: was like, yo. The beginning of the conversation was cool.
• 45:33
  Speaker 4: He was like, I bet, he said, But before I
• 45:36
  Speaker 4: hang up, He's like, nah, fuck that nigga ain't producing
• 45:39
  Speaker 4: my shows.
• 45:39
  Speaker 3: He can't do that. No, no, no, he can't do that.
• 45:42
  Speaker 4: Ego, you was ready to do it for free, and
• 45:45
  Speaker 4: because you want me to, I can't because I want
• 45:47
  Speaker 4: to executive producer shows.
• 45:49
  Speaker 3: Fuck that. I don't get it.
• 45:51
  Speaker 4: You're gonna do it for free? Now you can do it,
• 45:53
  Speaker 4: and I can executive producer and give you a check.
• 45:56
  Speaker 4: It's just it was Ego. So then that's when he
• 45:59
  Speaker 4: went on to announce he's the chairman. And I've never
• 46:01
  Speaker 4: seen a nigga force his way to try and be
• 46:05
  Speaker 4: somewhere where niggas don't want him in my life.
• 46:07
  Speaker 3: The ship was as Wow, Yo, all right, what.
• 46:13
  Speaker 1: What stage of production or development is it in right now?
• 46:15
  Speaker 3: The series right now?
• 46:18
  Speaker 4: Fifties feeling still trying to finish up some stuff in Streetport,
• 46:21
  Speaker 4: because I believe he wants to do a lot of
• 46:22
  Speaker 4: stuff in Streetport, but it's probably not going to even
• 46:26
  Speaker 4: be to the point to where we do casting, maybe
• 46:29
  Speaker 4: not till April or May or something like that. I
• 46:32
  Speaker 4: think he wanted to just make the announcement, get the
• 46:35
  Speaker 4: buzz going because he's shooting like three TV shows and
• 46:38
  Speaker 4: eighteen hundred movies that Nigga that Nigga works, and he
• 46:42
  Speaker 4: does shows in between. But if I had to guess
• 46:44
  Speaker 4: a timeline, I would say probably April or May for casting.
• 46:49
  Speaker 3: But I think it's some loose sense you want to
• 46:51
  Speaker 3: get tight in Streetport.
• 46:54
  Speaker 1: Because I want to audition.
• 46:57
  Speaker 4: I haven't got time now, Nona. I mean, when it's time,
• 47:06
  Speaker 4: I definitely let you know. But that's what I was
• 47:09
  Speaker 4: always telling the nigga. Fifth when we were speaking, I say, Yo,
• 47:13
  Speaker 4: you put this announcement. I know he said he's gonna
• 47:15
  Speaker 4: do it, but you gotta give me some more information
• 47:16
  Speaker 4: because now everybody's hitting me, and like I said, not
• 47:21
  Speaker 4: in a good way, not in a bad way. But
• 47:23
  Speaker 4: it's just like I want when you ask these questions,
• 47:25
  Speaker 4: I want to have to correct answers. And I was teasing.
• 47:28
  Speaker 4: I said, Yo, you see how announced that the vice
• 47:30
  Speaker 4: president of Rockefeller and ship when left. I don't want
• 47:33
  Speaker 4: to be saying the wrong ship too early and ship,
• 47:36
  Speaker 4: but definitely I'll let you know, but I don't want
• 47:38
  Speaker 4: to give seeing an even announcement on this show with date.
• 47:40
  Speaker 3: I'm just guessing right now.
• 47:43
  Speaker 4: If I had to guess, probably April or May last,
• 47:45
  Speaker 4: because we talked two weeks about it.
• 47:47
  Speaker 5: So does fifty have the rights to tell the story?
• 47:49
  Speaker 2: Like?
• 47:49
  Speaker 3: Is that?
• 47:50
  Speaker 4: Like?
• 47:50
  Speaker 5: What's that conversation?
• 47:51
  Speaker 4: Because so basically he has the rights to pay the
• 47:54
  Speaker 4: full I guess it was up and he brought the
• 47:56
  Speaker 4: actual rights to it. But he's gonna lo the movie
• 48:00
  Speaker 4: down to where you get outpo when he goes to DC.
• 48:07
  Speaker 3: You know what I'm saying.
• 48:08
  Speaker 4: You get more of the preacher, the one who actually
• 48:10
  Speaker 4: kidnaps Rich's nephew. You get his story. You know what
• 48:15
  Speaker 4: I'm saying. You get dementsio. I know if y'all even
• 48:19
  Speaker 4: know about dementsia, you know what I'm saying. That's the
• 48:22
  Speaker 4: one of the people out po killed over a girl.
• 48:24
  Speaker 4: You get all these different stories that kind of was
• 48:27
  Speaker 4: sped up in the movie when you slow it down
• 48:30
  Speaker 4: throughout the series.
• 48:32
  Speaker 6: When you think about legacy cam your legacy in particular,
• 48:35
  Speaker 6: when you think about legacy versus peace of mind, which
• 48:37
  Speaker 6: one do you value more at this stage of your life?
• 48:40
  Speaker 3: Peace of mind?
• 48:41
  Speaker 4: Peace of mind is everything being like you know what
• 48:44
  Speaker 4: I'm saying, Like for me to still be doing what
• 48:47
  Speaker 4: I'm doing at this age, and even MV knows like
• 48:50
  Speaker 4: he's been doing what he's doing a long time. For
• 48:53
  Speaker 4: us to still be relevant, having fun and still coming
• 48:59
  Speaker 4: up to ship like that do shit like this. You know,
• 49:01
  Speaker 4: people want to come up here and do this, you
• 49:02
  Speaker 4: know what I'm saying. But for me, it's more like
• 49:06
  Speaker 4: I get the fucking I love sports. I get to
• 49:08
  Speaker 4: talk about sports all fucking day, watch sports all day
• 49:12
  Speaker 4: and talk about it for an hour, and me and
• 49:16
  Speaker 4: Mace made tens I don't want to do another make
• 49:18
  Speaker 4: tens of millions dollars in the last two years, and
• 49:21
  Speaker 4: then to jump off of pillow off that and then
• 49:26
  Speaker 4: do talk with Flea and make a few million dollars,
• 49:31
  Speaker 4: like you know, that's when I'm at like, well, I
• 49:32
  Speaker 4: could build multimillion dollar companies of brands and don't and
• 49:37
  Speaker 4: be me. I don't want to have to do some
• 49:40
  Speaker 4: shit I don't want to do at this point in life.
• 49:42
  Speaker 4: So when you think of Pink Horsepower, you think of
• 49:44
  Speaker 4: multi million dollar company, and talk talk with flea multi
• 49:48
  Speaker 4: million dollar brand or it is what it is, multime
• 49:50
  Speaker 4: million dollar company. I just love doing this now, don't
• 49:53
  Speaker 4: get me wrong. I'm naming these shits like a hundred
• 49:56
  Speaker 4: other things didn't work, you know what I'm saying, Like
• 49:58
  Speaker 4: people don't see the shit that don't work. So a
• 50:00
  Speaker 4: hundred things that don't work. But just to figure it
• 50:02
  Speaker 4: out at this age like it's somebody be fifty next year.
• 50:05
  Speaker 1: I mean, just but you figured it out early, like
• 50:08
  Speaker 1: you you figured out peace of mind early?
• 50:10
  Speaker 4: Oh yeah, peace of mind absolutely. I get away from niggas.
• 50:14
  Speaker 4: I don't got time when people wanted you.
• 50:15
  Speaker 1: It was like with care, I don't know, you bought
• 50:17
  Speaker 1: a cribbin floor doing nothing.
• 50:19
  Speaker 3: Yeah, but you gotta think about this right.
• 50:23
  Speaker 4: When you see And I'm asking y'all, this is a
• 50:25
  Speaker 4: question I'm asking when you see somebody and like I said,
• 50:28
  Speaker 4: I don't want to bring it up but I hate
• 50:31
  Speaker 4: keep repeating the blasts as the last day. Do you
• 50:33
  Speaker 4: when you see this person like Dame, do you look
• 50:34
  Speaker 4: happy to you?
• 50:35
  Speaker 3: No?
• 50:36
  Speaker 4: No, no, That's what I'm saying, Like happiness matters to me,
• 50:40
  Speaker 4: to happiness and being able to pay my bills and
• 50:42
  Speaker 4: all this other shit. You see when sometime when you
• 50:45
  Speaker 4: bring my name up to certain niggas, you just get
• 50:47
  Speaker 4: mad and they emotional and they be like, I'll be like, yo,
• 50:49
  Speaker 4: this nigg's angry, this nigga's really mad.
• 50:53
  Speaker 3: I need I want to be happy.
• 50:54
  Speaker 4: I want to be laughing, Like when you see me
• 50:56
  Speaker 4: and Mace on the show, we be dead ass laughing
• 50:59
  Speaker 4: to where we added some of that shit out because
• 51:01
  Speaker 4: we laughing that much like that shit is cool to
• 51:04
  Speaker 4: make money, laugh and go home and have a peace
• 51:07
  Speaker 4: of mind. That means more than me than anything else world,
• 51:10
  Speaker 4: Especially at this stage in life, what the fuck are
• 51:12
  Speaker 4: we beefing and arguing about, especially if you're making a
• 51:15
  Speaker 4: couple of dollars and then you don't want to be
• 51:17
  Speaker 4: beefing with the niggas you grew up with, if who
• 51:19
  Speaker 4: and not At this age in life, you don't have
• 51:21
  Speaker 4: to beat around niggas. But the end of the day
• 51:24
  Speaker 4: with the fuck How long do you think it's supposed
• 51:26
  Speaker 4: to be arguing with each other you know what I'm saying,
• 51:28
  Speaker 4: or just in general arguing with anybody.
• 51:30
  Speaker 6: I think a lot of people on hip hop struggle
• 51:32
  Speaker 6: to transition into new chapters of life. So when I'm like,
• 51:36
  Speaker 6: when I see somebody like Cam, I'm like, I want
• 51:37
  Speaker 6: to ask, how did you find peace and purpose outside
• 51:40
  Speaker 6: of hip hop?
• 51:40
  Speaker 2: Is it the other business?
• 51:43
  Speaker 3: Yeah?
• 51:43
  Speaker 4: Because listen, man, I talk about that shitn't think about
• 51:47
  Speaker 4: that show all the time. I'm like, yo, and no
• 51:49
  Speaker 4: direspecting nobody out there. I'm just like, yo, I would
• 51:54
  Speaker 4: hate to have to be in a club for thirty
• 51:56
  Speaker 4: two hundred tonight. Yeah, forty nine years old.
• 52:01
  Speaker 3: Yo. You know what I'm saying, Like, Yo, that shit
• 52:04
  Speaker 3: with that shit would kill me.
• 52:05
  Speaker 4: Like YO, But some people you got to realize think
• 52:08
  Speaker 4: about this, right, Let's just use a better number. Let's
• 52:11
  Speaker 4: use five thousand, Sunday five hundred. I'm like, yo, I
• 52:15
  Speaker 4: don't want to be in there at Nobody's club, then
• 52:17
  Speaker 4: I don't want to be in for Sunday five hundred.
• 52:20
  Speaker 3: But if you do that every week and you're this
• 52:25
  Speaker 3: age and.
• 52:26
  Speaker 4: Just do it three times you sitting there and saying, YO,
• 52:28
  Speaker 4: make twenty thousand a month, that ain't bad.
• 52:30
  Speaker 3: You know what I'm saying, That's not bad.
• 52:32
  Speaker 4: Like YO, fucking nigga, I made twenty thousand a month
• 52:35
  Speaker 4: and I'm forty nine years old, and this is great
• 52:38
  Speaker 4: because you have a regular job and some people don't
• 52:40
  Speaker 4: make that. I don't think that's a bad living at all.
• 52:42
  Speaker 4: I'm just saying that isn't where I want to be,
• 52:44
  Speaker 4: you know what I'm saying. So definitely peace of mind.
• 52:47
  Speaker 2: Over also too with Harlem Man, Yo Harlem. People talk
• 52:51
  Speaker 2: about Harlem like it's Harvard mean to you today compared
• 52:57
  Speaker 2: to when you were like eighteen.
• 53:00
  Speaker 4: It ain't the same for me, you know what I'm saying,
• 53:03
  Speaker 4: not at all. That's a great question because it's so gentrified.
• 53:09
  Speaker 4: It's just not the same. And I may say I'm
• 53:11
  Speaker 4: ignorant for saying it, but I missed the abandoned buildings.
• 53:15
  Speaker 4: I missed the vacant lots and going up driving, you know,
• 53:19
  Speaker 4: walking to school and almost stepping on glass. Not saying
• 53:23
  Speaker 4: that's good and you shouldn't improve from that, but that's
• 53:26
  Speaker 4: just my memory of Harlem. Like when I see red
• 53:30
  Speaker 4: lobster one twenty fifty, like and h and them. I'll
• 53:33
  Speaker 4: be like, this is crazy, you know what I'm saying.
• 53:36
  Speaker 4: But it's gentrified and you know, to me everything, but
• 53:40
  Speaker 4: you think about this too. Right where I live is gentrified.
• 53:44
  Speaker 4: It's like with this nigga doing over here, you know
• 53:46
  Speaker 4: what I'm saying. So you might got somebody white, like yeo,
• 53:50
  Speaker 4: what the fucking remember when it was all white over here?
• 53:55
  Speaker 4: You know what I'm saying. So it's a balance. But
• 53:57
  Speaker 4: just for me, Harlem isn't what it used to be.
• 54:00
  Speaker 4: I'm not saying Harlem still ain't Harlem today, but just
• 54:02
  Speaker 4: not the Halem I grew up with.
• 54:04
  Speaker 3: My man I shoot.
• 54:08
  Speaker 4: I sometimes shoot videos in this building and shit like that,
• 54:11
  Speaker 4: and he's like, cam, y'all talk to the building manager.
• 54:13
  Speaker 4: I'm like, all right, who is it? And the dude's white.
• 54:17
  Speaker 4: It's like, yo, well I thought you was the man.
• 54:19
  Speaker 4: He's like, now I sold my apartment to the nigga
• 54:20
  Speaker 4: and now he's the manager. So now I got to
• 54:22
  Speaker 4: talk to somebody white and go into a building that
• 54:24
  Speaker 4: I've been going to my whole life to get permission
• 54:27
  Speaker 4: to shoot something on a roof.
• 54:29
  Speaker 3: So for me, it's not the same. But I understand
• 54:32
  Speaker 3: it when you.
• 54:33
  Speaker 5: Talk about Harlem. I know you mentioned earlier you and
• 54:35
  Speaker 5: Jim's relationship not being the same. That's not like we're
• 54:38
  Speaker 5: never going to get to see that sit down Conbo
• 54:41
  Speaker 5: reunion like anything at all.
• 54:43
  Speaker 3: I don't know.
• 54:43
  Speaker 4: I mean, like I said, I just think they were
• 54:45
  Speaker 4: in two different spaces in life, and that I mean,
• 54:48
  Speaker 4: I don't wishing well and I don't mean Jewel's and
• 54:51
  Speaker 4: everybody that was part of what we did. I think
• 54:53
  Speaker 4: it was a great movement, but sometimes things just come
• 54:55
  Speaker 4: to an end. So I'm not I wouldn't never say never,
• 54:58
  Speaker 4: but it doesn't look like it's in the their future.
• 55:00
  Speaker 3: But I do wish them brothers.
• 55:01
  Speaker 6: Well, what do you hope people say about Cam twenty
• 55:05
  Speaker 6: years from now more? In particular, what what do you
• 55:08
  Speaker 6: hope people say you stood for?
• 55:10
  Speaker 3: Well?
• 55:11
  Speaker 4: Whatever, But if you rich sit there and watch everything
• 55:14
  Speaker 4: that I did since I've been twenty twenty one years old,
• 55:17
  Speaker 4: it's about helping people. Of course helping myself as well.
• 55:20
  Speaker 4: But I always tried to make sure everybody, despite what
• 55:24
  Speaker 4: anybody says, tried to make sure people around me had
• 55:28
  Speaker 4: money or was getting money, because I never wanted nobody
• 55:30
  Speaker 4: to have to ask me for money.
• 55:32
  Speaker 3: You know.
• 55:33
  Speaker 4: It was one of those situations where I'm like, even
• 55:35
  Speaker 4: even with Jimmy, thinking about Jim, Jim wasn't a rapper.
• 55:38
  Speaker 4: It's like, Yo, we're gonna make you a rapper, my nigga.
• 55:40
  Speaker 4: You know what I'm saying, Like, Yo, you ain't gonna
• 55:42
  Speaker 4: be around and not not a rap you know what
• 55:43
  Speaker 4: I'm saying. And I think Jim is one of the
• 55:46
  Speaker 4: people that's grown more than anybody from the time he
• 55:49
  Speaker 4: started to where he's at today as far as music
• 55:51
  Speaker 4: is concerned.
• 55:53
  Speaker 3: He didn't know how to rap. You taught him how
• 55:56
  Speaker 3: to rap.
• 55:56
  Speaker 4: He's my hype man to where he's director videos to
• 55:59
  Speaker 4: he had a job at jim or he's doing albums,
• 56:01
  Speaker 4: and I think right now people will respecting him lyrically
• 56:03
  Speaker 4: more than anything else. But it was about always helping people.
• 56:07
  Speaker 4: Even Jeel's Jewel's was in a bad deal. He's in
• 56:09
  Speaker 4: a group called the Draft Picks. I'm like, I think
• 56:11
  Speaker 4: I like you a little better than your partner. I
• 56:15
  Speaker 4: can get you out the deal. Let's try and get
• 56:17
  Speaker 4: you out to deal. Everybody on with has made money.
• 56:19
  Speaker 4: While they kept money, it didn't keep money. Even other
• 56:23
  Speaker 4: people that was on the label, which I won't need.
• 56:25
  Speaker 4: It was always about putting everybody on and trying to
• 56:27
  Speaker 4: make sure that they had a couple of dollars because
• 56:30
  Speaker 4: I didn't want people to have to ask me for
• 56:32
  Speaker 4: money that was around. So even like this nigga back
• 56:36
  Speaker 4: kids paining horse poun, I'm glad he found this lane
• 56:38
  Speaker 4: because he was running out of.
• 56:39
  Speaker 2: Town comedy show man tonight.
• 56:48
  Speaker 3: Thank you guys for having me. I appreciate it.
• 56:50
  Speaker 1: Thank you for coming. Get your tickets if you haven't
• 56:52
  Speaker 1: got it, and where can they where where can they
• 56:54
  Speaker 1: order this at if they need daughter.
• 56:57
  Speaker 4: Before you to make sure you go to pink Hyphen
• 57:01
  Speaker 4: horsepower dot net. Is gonna lead you to the new
• 57:04
  Speaker 4: website because it's a new website. I don't know off
• 57:07
  Speaker 4: the top, but it directs you to the website. So
• 57:09
  Speaker 4: pink Hyphen horsepower dot net and make sure you go
• 57:13
  Speaker 4: order some.
• 57:13
  Speaker 6: You know what if you said is for men or.
• 57:18
  Speaker 3: So listen reason I was telling you if you take
• 57:22
  Speaker 3: it home, not for you to take.
• 57:27
  Speaker 4: To you.
• 57:28
  Speaker 3: That's what I'm basically saying.
• 57:29
  Speaker 4: But for the last thing, for the last thing I'll
• 57:31
  Speaker 4: say in this not one hundred percent closed complex con
• 57:35
  Speaker 4: if anybody's gonna be out there in Vegas coming up.
• 57:39
  Speaker 4: Me and Sexy right the doing the drop of horsepower
• 57:43
  Speaker 4: and whatever she got. I don't want to say the
• 57:45
  Speaker 4: wrong name, but we're gonna package it together. We're gonna
• 57:47
  Speaker 4: do a special drop for her sex pill for women.
• 57:50
  Speaker 4: So so we'll try and send you something because she
• 57:52
  Speaker 4: has something for women, I got something for men, and
• 57:55
  Speaker 4: then you can take sexy res.
• 57:56
  Speaker 3: Joint makes sense.
• 57:58
  Speaker 1: It's Cameron Breakfast Club Morning call again. Hold up every
• 58:04
  Speaker 1: day a wake, wake your glass up.
• 58:06
  Speaker 3: The Breakfast Club finish for y'all. Done,